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<v Speaker 1>Well, the you know what the little detail is. Uh,

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<v Speaker 1>you've probably heard this is Hunter Biden is claiming millions

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<v Speaker 1>of dollars and losses from the fire of our work.

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<v Speaker 2>I mean it's supposed to a few original hunters.

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<v Speaker 3>Ask not what your country can do for you, ask

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<v Speaker 3>what you can do for your country.

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<v Speaker 1>Mister gorbuschaw tear down this wall.

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<v Speaker 3>It's the Ricochet Podcast with Charles W. Cook and Steven

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<v Speaker 3>Hayward doing James Lillas. Today we're going to talk architecture

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<v Speaker 3>and then the future of arts in America with Justin Schubau.

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<v Speaker 3>So let's ever sols a podcast.

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<v Speaker 1>You know they call it a film business, but money

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<v Speaker 1>is the last thing.

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<v Speaker 2>A person should be thinking about.

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<v Speaker 1>In my book, my family is here today, my boys,

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<v Speaker 1>my girls, My kids used to do things aggravate me too.

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<v Speaker 1>I'd take them to a game and they'd want to

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<v Speaker 1>come home with a different player.

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<v Speaker 3>Welcome everybody. It's the Ricochet Podcast and if you can

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<v Speaker 3>believe it, it's a podcast once again. And if you

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<v Speaker 3>know what I'm referring to, you're wondering are they going

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<v Speaker 3>to get around to that at the end of the show.

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<v Speaker 3>I certainly hope so. In the meantime, we have sparkling

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<v Speaker 3>conversation as ever here with Charles C. W. Cook and

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<v Speaker 3>Stephen Hayward. Gentleman, Welcome morning, James.

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<v Speaker 2>Thank you for having me.

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<v Speaker 3>That desultory acceptance of my good wishes. You can at

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<v Speaker 3>least attempt.

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<v Speaker 4>To jin up a little enthusiasm for the.

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<v Speaker 2>Charles, No, I just thank you so much.

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<v Speaker 3>I mean, it's a remarkable day.

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<v Speaker 1>We have a.

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<v Speaker 3>New constitutional amendment apparently has been ratified. Is this true

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<v Speaker 3>that Joe Biden is that the National Archives about to

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<v Speaker 3>set himself on fire if the National Archivist doesn't adhere

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<v Speaker 3>to our norms and just a wave of.

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<v Speaker 4>The ratification of the er into the Constitution? Am I

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<v Speaker 4>getting this right?

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<v Speaker 2>No, you're getting it wrong, because he has declared it.

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<v Speaker 2>That was the word he is.

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<v Speaker 5>He actually put out a graphic and it said I

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<v Speaker 5>declare on the graphic.

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<v Speaker 1>Did he also declare bankruptcy?

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<v Speaker 3>Because I remember there's an office scene where Michael Scott

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<v Speaker 3>does the same thing, believing declaring it to be sufficient.

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<v Speaker 3>He declares it a we'll touch it on the way out.

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<v Speaker 2>So good, James, it's so good.

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<v Speaker 3>Will tell us a little bit about it, Charles, dis

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<v Speaker 3>I do you.

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<v Speaker 5>Think This is my favorite thing that has happened in

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<v Speaker 5>a long time. And it's made even better by the

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<v Speaker 5>fact that one half hour after he declared it, there

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<v Speaker 5>was a piece up at Crazy Jennifer Rubin's new website,

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<v Speaker 5>The Contrarian, written by Lawrence Tribe saying it's true, he's

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<v Speaker 5>declared it. It's the twenty eighth the memo, that's all

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<v Speaker 5>he needed to do, and explaining why it's now the

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<v Speaker 5>twenty eighth Amendment. You can't write this nexus, Joe Biden,

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<v Speaker 5>Jen Rubin, Lawrence Tribe, the twenty eighth Amendment. If somebody

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<v Speaker 5>had proposed writing this as a parody for me, I

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<v Speaker 5>would have said, this is too absurd.

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<v Speaker 2>But it's not so for those who don't know.

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<v Speaker 5>The background here is that in the nineteen seventies and

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<v Speaker 5>eighties there was an actual debate over the ratification of

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<v Speaker 5>the Equal Rights Amendment. I think we may have been

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<v Speaker 5>to this on a previous podcast. Anyhow, it expired in

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<v Speaker 5>nineteen eighty two and it wasn't ratified. Philish slafefully one.

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<v Speaker 5>And whether you think that's good or bad, it's a fact.

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<v Speaker 5>Ruth Bader Ginsburg said it out loud that it wasn't ratified,

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<v Speaker 5>and the dj has said it for years, and Barack

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<v Speaker 5>Obama has said it, and everyone has said it, and

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<v Speaker 5>the National Archivist has said it, including today.

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<v Speaker 2>It didn't get through, But in the.

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<v Speaker 5>Last three weeks or so, there's been this real push

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<v Speaker 5>that has built atop this percolating desire pretend that it

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<v Speaker 5>just passed, because subsequent to the deadline, some states ratified

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<v Speaker 5>the amendment.

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<v Speaker 2>I never thought though this would culminate in Joe Biden

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<v Speaker 2>publicly say it's in the Constitution.

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<v Speaker 5>I mean, Kirstin Gillibrand, fine, we expect that from but

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<v Speaker 5>the President of the United States pretending he has this

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<v Speaker 5>authority is just such a great story.

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<v Speaker 3>And those are our norms and they have nothing to

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<v Speaker 3>do with any sort of autocratic bending and shaping and

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<v Speaker 3>perversion of the laws and statues at all. Stephen, you know,

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<v Speaker 3>don't have some thoughts about this, as well as other

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<v Speaker 3>farewell items that Biden has said on his way out.

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<v Speaker 1>Well, I mean, my view is, why stop here, Why

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<v Speaker 1>don't we just proceed on a Harrison bergerin style to

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<v Speaker 1>the tenth, two hundred, eleventh, and two hundred and twelfth

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<v Speaker 1>Amendments to the Constitution giving us complete equality right with

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<v Speaker 1>the handicapper General if you know that great story from

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<v Speaker 1>nineteen sixty one. Well, I mean, I don't know. I

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<v Speaker 1>feel like I'm beating a dead horse here, except the

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<v Speaker 1>horse won't die. Just give you one example of the

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<v Speaker 1>plasticity of the law and the Constitution for the left.

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<v Speaker 1>So you know, my dean at Berkeley Law, who's very

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<v Speaker 1>nice to me and the nice to John Hugh, but

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<v Speaker 1>he's way out there. Irwin Chemerinsky. He has argued with

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<v Speaker 1>a straight face that the Supreme Court, the Supreme Court

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<v Speaker 1>should declare the electoral college in the United States Senate

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<v Speaker 1>are unconstitutional. Why because they violate the one man, one

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<v Speaker 1>vote principle in the text and the equal protection clause.

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<v Speaker 1>So in other words, you know, never mind the theory

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<v Speaker 1>behind and all the rest of that. They think that

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<v Speaker 1>it's perfectly legitimate or whatever note of power can be

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<v Speaker 1>controlled by the left to say one principle of the Constitution.

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<v Speaker 1>Trump's others that are stated in playing black and white text.

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<v Speaker 1>That's how literally really think about the text of the Constitution.

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<v Speaker 1>So you know, the left wants what it wants, and

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<v Speaker 1>they want the Equal Rights Amendment. And then my final

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<v Speaker 1>word is I do like to ask the people worked

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<v Speaker 1>up about this. Can you name anything any right that

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<v Speaker 1>women have not achieved through the Fourteenth Amendment's Equal Protection

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<v Speaker 1>Clause and other ordinary legislation. Maybe one or two things

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<v Speaker 1>you can think of, but it's almost all the things

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<v Speaker 1>they've wanted in the Equal Rights Amendment have been achieved

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<v Speaker 1>by other legal means over the decades.

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<v Speaker 3>Well, yes, plasticity, the Constitution being living and breathing. So

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<v Speaker 3>it was Kim Kardashian, but I'm.

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<v Speaker 4>Not exactly sure. We're talking factory parts here.

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<v Speaker 3>The other thing, and you might call it hypocrisy. Some

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<v Speaker 3>dare that struck me this week was Biden coming out

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<v Speaker 3>in a series of tweets and talking about the importance

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<v Speaker 3>of veracity and social media. And everybody knows he didn't

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<v Speaker 3>write the tweets. Somebody wrote them for him. He's not

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<v Speaker 3>sitting down there steepling his fingers and thinking what exact

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<v Speaker 3>point do I want to make about misinformation and truth

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<v Speaker 3>on the variety of Internet platforms that we had no

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<v Speaker 3>somebody just typed it out in his name, saying that

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<v Speaker 3>we have to be wary of things that are not

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<v Speaker 3>true on the Internet, and one of those things being

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<v Speaker 3>not true on the internet is that Joe Biden said this,

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<v Speaker 3>So I enjoyed that, joyed the pardon of the non

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<v Speaker 3>violent drug offenders. Now what sticks out for you guys

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<v Speaker 3>about that When you think about partnering of non violent

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<v Speaker 3>drug offenders, what do you think? What? What series of

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<v Speaker 3>thoughts go through your mind?

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<v Speaker 1>Well, my first thought is I'll bet the overwhelming majority

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<v Speaker 1>of them are not nonviolent or are not in fact

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<v Speaker 1>substantial dealers. And we know how this game is played, uh,

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<v Speaker 1>to avoid going to trial, which is long and costly

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<v Speaker 1>and uses a lot of resources. You get, please, you

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<v Speaker 1>plead down people into possession or other lesser charges and

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<v Speaker 1>then give them the maximum sentence for what the statute says.

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<v Speaker 1>So we're not we're not letting out of prison, oh

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<v Speaker 1>somebody who's just caught with, you know, half a pound

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<v Speaker 1>of marijuana for personal use or something like that.

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<v Speaker 3>Uh.

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<v Speaker 1>And so that's why you know, we're again being sold

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<v Speaker 1>a false narrative of who it is who's in prison

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<v Speaker 1>for drug offenses. And so I you know, my guess

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<v Speaker 1>is we're going to see a lot of these people

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<v Speaker 1>return to the drug trade and end up getting arrested

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<v Speaker 1>down the road. Here.

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<v Speaker 3>Well, Trump did the same thing if I recall, do

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<v Speaker 3>you unit, and it is if there's one federal prison,

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<v Speaker 3>you know, Barabbas Prison, which is stocked with people that

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<v Speaker 3>they can conveniently pardon at the end and maybe in

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<v Speaker 3>order to make themselves look magnanimous and generous. Charles, I

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<v Speaker 3>know you're eager for a war on drugs conversation.

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<v Speaker 2>No, I just you know, and irritates me about this

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<v Speaker 2>so much?

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<v Speaker 5>Is Joe Biden spent the vast majority of his career.

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<v Speaker 5>In fact, his main contributions to American law while he

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<v Speaker 5>was in the Senate were in the realm of.

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<v Speaker 2>Drugs and firearms.

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<v Speaker 5>These were the two things he wanted to regulate, and

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<v Speaker 5>he was particularly interested in regulating the intersection of drugs

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<v Speaker 5>and firearms, people who had firearms, who used drugs, people

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<v Speaker 5>who sold drugs and used firearms. There are quotes going

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<v Speaker 5>back to the late nineteen seventies from Joe Biden, throughout

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<v Speaker 5>the nineteen eighties, in the early nineteen nineties when he.

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<v Speaker 2>Told George H. W.

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<v Speaker 5>Bush that he was a squash soft on the issue,

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<v Speaker 5>and then especially in the early nineteen nineties when he

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<v Speaker 5>helped write the crime Bell, in which Joe Biden says

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<v Speaker 5>all manner of things, including that he doesn't care why

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<v Speaker 5>anyone commits a crime like this, that he doesn't care

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<v Speaker 5>what problems people have, that he doesn't care if it's

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<v Speaker 5>an addiction or not. The role of the federal government

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<v Speaker 5>must be to put these people in prison. And in

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<v Speaker 5>the last couple of years he has pardoned his son

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<v Speaker 5>for committing a crime at the intersection of drugs and guns,

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<v Speaker 5>and is now issuing these pardons and talking as if

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<v Speaker 5>for his entire life he has been a critic of

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<v Speaker 5>incarceration per se. And I just find it irritating, not

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<v Speaker 5>because people can't change their mind, they can, but because

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<v Speaker 5>he's never accounted for a single single shift.

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<v Speaker 3>It was the popular thing back then, and he also

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<v Speaker 3>had He also had less hair before the plugs, right,

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<v Speaker 3>So I think that actually the sweat accumulating on his

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<v Speaker 3>scalp from the mirror from the lights of the television

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<v Speaker 3>cameras made him very, very able to feel where the

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<v Speaker 3>wind was blowing. Some people use a wetted finger. Joe

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<v Speaker 3>Biden used a wetted scalp. But then as he got

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<v Speaker 3>more hair, inexplicably he perhaps became politically deaf to the

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<v Speaker 3>ships in public.

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<v Speaker 2>Because the hair came down over his ears.

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<v Speaker 3>Yeah, Nolo, possibly it. Well, he'll be gone soon. But

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<v Speaker 3>he has warned us, however, about an oligarchy that is

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<v Speaker 3>taking shape in America within a tech industrial complex, hoping

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<v Speaker 3>perhaps that he will go out, or maybe the person

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<v Speaker 3>who's writing his speeches, hoping that he'll go out like Eisenhower,

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<v Speaker 3>somebody who whose warnings will be echoed and referred to

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<v Speaker 3>decades later as being remarkably prescient. I was more worried

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<v Speaker 3>about the tech industrial complex and it's it's intertwining with

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<v Speaker 3>government when there was an actual concerted effort to suppress information,

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<v Speaker 3>to suppress information, true information in the name of public safety.

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<v Speaker 3>Truth than the other thing. Of all people to talk

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<v Speaker 3>about the worries that we should have with technology in

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<v Speaker 3>the industry, coming from Biden, it's rather rich. But then again,

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<v Speaker 3>who knows if he was responsible for any of that

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<v Speaker 3>stuff at all.

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<v Speaker 4>I tend to think not.

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<v Speaker 3>I tend to think that we're promulgating all the COVID regulations.

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<v Speaker 3>He was back with a dish of soft served somewhere

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<v Speaker 3>watching clues confirmation hearings. Rubio impressed. Now you may say, well,

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<v Speaker 3>here's the guy who who was sort of all on

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<v Speaker 3>board with all the neo Kon stuff before and now

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<v Speaker 3>he's changed to And I don't really know that much.

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<v Speaker 3>All I know is that you can tell what is

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<v Speaker 3>being said, what people are being allowed to be said

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<v Speaker 3>right now. And if we're tossing off this fiction of

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<v Speaker 3>a transnational identity, this sort of post post national star

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<v Speaker 3>Trek federation world in which all are subsumed in one

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<v Speaker 3>glorious conglomerateive individuals, if we're getting rid of that in

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<v Speaker 3>favor of pure bald naked self interest again, yay, I say.

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<v Speaker 3>I mean, I want everybody to get along, don't get

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<v Speaker 3>me wrong, But the idea that the United States should

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<v Speaker 3>bend an e been a knee because the EU decides

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<v Speaker 3>that this is the way the world should be ordered. Nah.

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<v Speaker 1>Yeah, So well, I don't know which part of that

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<v Speaker 1>you want us to grab hold of and run with.

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<v Speaker 1>I don't care.

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<v Speaker 6>Yeah.

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<v Speaker 1>I mean, I watched some of the confirmation hearings this week,

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<v Speaker 1>and it's been some great theater, mostly about how completely

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<v Speaker 1>lunatic the Democrats are still about the matter. I mean,

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<v Speaker 1>there is this old custom going back decades now that

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<v Speaker 1>a new president usually gets one cabinet member rejected. It

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<v Speaker 1>doesn't matter if that your own party has the Senate.

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<v Speaker 1>It happened under Reagan, happened under the first President Bush,

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<v Speaker 1>the second President Bush, happened for Bill Clinton. And they

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<v Speaker 1>see to be having trouble picking your target this time.

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<v Speaker 1>It looked like it was going to be HEG. Sath,

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<v Speaker 1>but it looks like he's going to go through. There's

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<v Speaker 1>It looks to me now like the two people who

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<v Speaker 1>might be in jeopardy of being rejected are R. F.

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<v Speaker 1>Kennedy Junior. RFK Junior and maybe Tulsey Gabbard. And I

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<v Speaker 1>don't know if it's on the substance of Gabbard or

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<v Speaker 1>or if there's on the one hand, anger the Democrats

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<v Speaker 1>that she switched teams after having knifed Kamala Harris five

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<v Speaker 1>years ago in the primaries, or if they really have

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<v Speaker 1>doubts about her views because which you have changed over

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<v Speaker 1>the years. And then RFK, I mean, he's just a

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<v Speaker 1>wild card, and I don't think anyone knows quite what

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<v Speaker 1>to do about that. I have to say it is

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<v Speaker 1>genius of Trump to get Democrats to hate to Kennedy.

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<v Speaker 1>I mean, Republicans have been trying for sixty years with

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<v Speaker 1>no success, and now Trump's done by nominating him to

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<v Speaker 1>the cabinet. And then finally, maybe we have RFK all

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<v Speaker 1>wrong all these years when I heard him attacking big oil,

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<v Speaker 1>it turned out he was attacking big seed oil.

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<v Speaker 3>And so here we are, well, we already have Red

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<v Speaker 3>number three band or Red number two. So obviously the

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<v Speaker 3>RFK influence is there. Charles, you are closer to Rubio

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<v Speaker 3>than the rest of us. Are you impressed with his performance?

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<v Speaker 3>You think he'll be a good Secretary of State?

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<v Speaker 5>Yes, and yes, I would know that the shift that

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<v Speaker 5>you observed is pretty typical for Rubio. Now our prefaces

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<v Speaker 5>by saying I like Rubio. He's been a really good

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<v Speaker 5>senator from Florida. He has his flaws. He is, for example,

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<v Speaker 5>in the pocket of big sugar. It's one great thing

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<v Speaker 5>about Rohn de Santis is he's not He told them

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<v Speaker 5>on day one to pound sugar.

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<v Speaker 2>I guess. But Rubio is granular.

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<v Speaker 5>Other than that, though, he's done really well as a

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<v Speaker 5>senator from Florida because he does what Florida wants him

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<v Speaker 5>to do. But he is and always has been somewhat prottean.

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<v Speaker 5>If you look back to the Rubio of nineteen ninety

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<v Speaker 5>eight when he was Speaker of the House in Florida,

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<v Speaker 5>and the Rubyo of two thousand and six, and the

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<v Speaker 5>Ruby of twenty ten, and the Ruby of twenty eighteen

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<v Speaker 5>and the Ruby of now they're all different. Rubio became

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<v Speaker 5>a tea partier. That wasn't who he was. He wasn't

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<v Speaker 5>a Thomas Massey type who has believed the same thing

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<v Speaker 5>for thirty years, for good or ill. Rubio became a

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<v Speaker 5>tea partier, and then when he saw the politics of

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<v Speaker 5>the party in the country who were moving, he shifted

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<v Speaker 5>away from it. So he's moved to fit with the moment.

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<v Speaker 5>That is in part of criticism, But at another level,

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<v Speaker 5>he is going to be serving as a Secretary of State,

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<v Speaker 5>which is a role that is subordinate to the president.

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<v Speaker 5>And if he had all these ideas that didn't comport

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<v Speaker 5>with those of Donald Trump, who's the guy who won

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<v Speaker 5>the election, that they wouldn't work very well. So when

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<v Speaker 5>I see people say, well, this person or that person

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<v Speaker 5>is clearly trying to please the president. If their job

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<v Speaker 5>is to work for the president, that doesn't bother me

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<v Speaker 5>in the slightest. Pam Bondi, who's up for Attorney General

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<v Speaker 5>has said some things about guns that I don't like

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<v Speaker 5>as a Second Amendment advocate. But the villain there was

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<v Speaker 5>Rick Scott, because she worked for Rick Scott, and Rick

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<v Speaker 5>Scott was the one who was pushing certain laws and

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<v Speaker 5>it was her job to defend them and enforce them.

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<v Speaker 5>So I think we'll be able to do a good

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<v Speaker 5>job because I think he is interested in the area.

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<v Speaker 5>I think that he has good diplomatic skills. And the

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<v Speaker 5>last thing I say about Rubia is this is really important.

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<v Speaker 5>Although his politics has changed somewhat over time, he has

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<v Speaker 5>always loved America and seen its role in the world

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<v Speaker 5>as being indispensable. And you need that in a secretary

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<v Speaker 5>of state. Unfortunately, especially given some of our recent secretaries

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<v Speaker 5>of state, they don't always have that as a virtue.

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<v Speaker 3>Other words, when we talk about whether Van's like Rubio

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<v Speaker 3>and Joe Biden, we might say, hmm, there's a word

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<v Speaker 3>for that, and the word is politician. But people, Hugseeth

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<v Speaker 3>doesn't strike anybody as a politician. I mean, he may

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<v Speaker 3>be dabbling in it, but he doesn't strike you as that.

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<v Speaker 3>He strikes you as sort of the Ramrod straight type

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<v Speaker 3>who can keep a straight face while he's being hectored

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<v Speaker 3>by some handwaving herodance. That did not make for the

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<v Speaker 3>best political theater I thought for the Democrats.

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<v Speaker 1>Yeah, I mean, you know, I have three or four

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<v Speaker 1>favorite smackdowns from the nominees this week, and maybe the

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<v Speaker 1>top was when Elizabeth Warren said, in a typically imper

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<v Speaker 1>his way, well you have said generals shouldn't be allowed

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<v Speaker 1>to be on corporate boards, and are you? But you

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<v Speaker 1>won't apply that to yourself? And he just says, I'm

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<v Speaker 1>not a general senator, right. And then I have to

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<v Speaker 1>say the Treasury nominee, Scott Descent, I knew nothing about him,

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<v Speaker 1>but what I watched I was quite impressed with.

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<v Speaker 3>The guy, I would say.

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<v Speaker 1>And you know, one of my favorite smack down there

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<v Speaker 1>was Ron Wyden of Oregon has been around forever, and

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<v Speaker 1>he says, you know, we're in this clean energy race

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<v Speaker 1>with China, and Descent said, no or not. China's building

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<v Speaker 1>one hundred coal plants this year, ten nuclear plants. We're

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<v Speaker 1>in an energy race, not a clean energy race with China.

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<v Speaker 1>And about you know what's Biden gonna do. I mean

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<v Speaker 1>that's a pretty definitive SmackDown, and the boy talk about

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<v Speaker 1>leading with your chin. Oh find Mazy Hurano asked every

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<v Speaker 1>single nominee, have you ever, you know, been a sexual harasser?

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<v Speaker 1>Have you ever demanded sexual faith? I don't, I don't know,

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<v Speaker 1>you know, are you now or have you ever been

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<v Speaker 1>a male? I mean, it's just astounding the way she

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<v Speaker 1>conducts herself.

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<v Speaker 3>Indeed, indeed, when you bring up China, you bring up

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<v Speaker 3>the imminent rejiggering, reconfiguration, reselling, whatever is going to happen

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<v Speaker 3>to TikTok, And we should probably get to that at

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<v Speaker 3>the bottom of the hour after we meet with our guests,

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<v Speaker 3>because that is fascinating, especially when you have all these

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<v Speaker 3>TikTokers in America fleeing.

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<v Speaker 1>To Little Red Book or Red Book, which.

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<v Speaker 3>Is the Chinese equivalent, which apparently I was providing them

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<v Speaker 3>with this incredible look at China, and the scales are

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<v Speaker 3>falling through their eyes and they're realizing they've been told

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<v Speaker 3>lies about communism. China's great, we'll get to that. Hey,

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<v Speaker 3>want to tell you one thing.

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<v Speaker 4>My wife has gone.

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<v Speaker 3>It's been gone for some time.

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<v Speaker 4>She left me. She left me for Arizona to be

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<v Speaker 4>with her mom. Don't worry, she's coming back.

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<v Speaker 3>What this means However, in the afternoon sometimes I want

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<v Speaker 3>to take a nap, and since she's none in the house,

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<v Speaker 3>I have the heat down. I have the heat turned

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<v Speaker 3>off in all kinds of rooms because it's just me

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<v Speaker 3>living in the big house now. And that means I

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00:18:48.920 --> 00:18:50.720
<v Speaker 3>go to the I go to the guest room because

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<v Speaker 3>it's got a little electric blower heater, and I turned

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<v Speaker 3>that on and I have a nice little nap. Well,

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<v Speaker 3>I did the other day, and I realized, while yes,

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<v Speaker 3>it's warm in here, b.

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<v Speaker 1>These are bad sheets.

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<v Speaker 3>I got bad sheets in this room.

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<v Speaker 4>Whatever am I going to do?

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00:19:04.200 --> 00:19:05.880
<v Speaker 3>Well? The answer is simple. If I want better sleep,

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00:19:05.920 --> 00:19:11.240
<v Speaker 3>I can just wrap myself in Cozy Earth. Cozy Earth

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00:19:11.440 --> 00:19:13.519
<v Speaker 3>their goal is to help you turn your home into

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00:19:13.519 --> 00:19:16.200
<v Speaker 3>a sanctuary, a place where you can escape the outside

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00:19:16.240 --> 00:19:19.640
<v Speaker 3>world's demands and truly unwind. Life gets hectic and finding

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00:19:19.680 --> 00:19:22.160
<v Speaker 3>comfort and calm is so important. Your time outside the

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00:19:22.240 --> 00:19:24.920
<v Speaker 3>nine to five, or however you configure your days and

384
00:19:25.079 --> 00:19:28.400
<v Speaker 3>work from Homeworld, it should be about relaxation, about recharging

385
00:19:28.400 --> 00:19:31.200
<v Speaker 3>and soaking in a sense of peace. With Cozy Earth,

386
00:19:31.240 --> 00:19:33.400
<v Speaker 3>you can create a space that feels like a cozy retreat,

387
00:19:33.559 --> 00:19:36.559
<v Speaker 3>a personal retreat where comfort and serenity come together naturally.

388
00:19:37.240 --> 00:19:41.079
<v Speaker 3>Feel the difference with Cozy Earth's best selling bamboo sheet set,

389
00:19:41.119 --> 00:19:44.440
<v Speaker 3>made from one hundred percent premium discuss from bamboo. I'd

390
00:19:44.519 --> 00:19:47.240
<v Speaker 3>never heard of it either, but their breatheable sheets are

391
00:19:47.319 --> 00:19:49.640
<v Speaker 3>uniquely soft, and they only get softer with every wash.

392
00:19:49.960 --> 00:19:52.440
<v Speaker 3>And we're here to tell you that Charles C. Cook

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00:19:52.839 --> 00:19:56.880
<v Speaker 3>has been has been wrapping themselves and Cold Earth for

394
00:19:56.920 --> 00:19:57.240
<v Speaker 3>some time.

395
00:19:57.279 --> 00:19:58.200
<v Speaker 4>And how's it going?

396
00:19:58.720 --> 00:20:01.880
<v Speaker 5>Pretty well? I do enjoy them. My wife chose them.

397
00:20:02.000 --> 00:20:03.599
<v Speaker 5>I think I say this every time, but it is true.

398
00:20:03.640 --> 00:20:07.279
<v Speaker 5>My wife chose these sheets because when I was in

399
00:20:07.319 --> 00:20:09.160
<v Speaker 5>the process of buying them, I thought, is this the

400
00:20:09.160 --> 00:20:11.400
<v Speaker 5>sort of decision I, as a man, will be allowed

401
00:20:11.440 --> 00:20:14.119
<v Speaker 5>to make? And I concluded it was not. So she

402
00:20:14.279 --> 00:20:16.680
<v Speaker 5>chose them, and she loves them, and I love them.

403
00:20:16.720 --> 00:20:19.599
<v Speaker 5>And it's very important that they're breathaball in Florida because

404
00:20:19.839 --> 00:20:22.519
<v Speaker 5>it's cold at the moment. James, I'm sure you're very,

405
00:20:23.319 --> 00:20:26.119
<v Speaker 5>very sorry for me because it's fifty degrees, but it's

406
00:20:26.119 --> 00:20:29.480
<v Speaker 5>not normally fifty degrees. And they are breathable and comfortable

407
00:20:29.519 --> 00:20:32.640
<v Speaker 5>and soft, and I use them all the time as well.

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00:20:32.640 --> 00:20:34.480
<v Speaker 3>It's going to be fourteen below here in a little while,

409
00:20:34.519 --> 00:20:38.200
<v Speaker 3>and that's why Cozy is very important. Listen, if Charles

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00:20:38.240 --> 00:20:40.279
<v Speaker 3>endorsement is not enough to convince you rest assured with

411
00:20:40.319 --> 00:20:43.039
<v Speaker 3>your purchase, Cozy Earth betting and bath products have a

412
00:20:43.079 --> 00:20:44.480
<v Speaker 3>ten year warranty.

413
00:20:44.480 --> 00:20:46.640
<v Speaker 4>That's how much they believe in them. I know ten years.

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00:20:46.880 --> 00:20:48.599
<v Speaker 3>I've had sheets give out of me after a year

415
00:20:48.640 --> 00:20:50.039
<v Speaker 3>and a half or so. Ten years.

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00:20:50.039 --> 00:20:50.839
<v Speaker 4>That's astonishing.

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00:20:51.599 --> 00:20:54.200
<v Speaker 3>It's a new year, and a better year starts with

418
00:20:54.279 --> 00:20:57.920
<v Speaker 3>better sleep. Wrap yourself in Cozy Earth and guys, you

419
00:20:57.960 --> 00:20:59.240
<v Speaker 3>can make the choice too. You don't have to wait

420
00:20:59.240 --> 00:21:01.039
<v Speaker 3>for your wife to do it, as your wife.

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00:21:00.759 --> 00:21:01.720
<v Speaker 4>Will love them.

422
00:21:02.160 --> 00:21:05.279
<v Speaker 3>Don't wait, don't head to cozyearth dot com slash ricochet

423
00:21:05.359 --> 00:21:09.359
<v Speaker 3>now and use the code exclusive code ricochet for up

424
00:21:09.400 --> 00:21:12.839
<v Speaker 3>to forty percent off. That's cozyearth dot com slash Ricochet

425
00:21:12.839 --> 00:21:14.960
<v Speaker 3>for up to forty percent off. And if you get

426
00:21:14.960 --> 00:21:17.319
<v Speaker 3>a post purchase survey, oh, do please say.

427
00:21:17.160 --> 00:21:19.279
<v Speaker 4>That you heard about Cozy Earth from Ricochet Podcast.

428
00:21:19.799 --> 00:21:21.680
<v Speaker 3>We're happy to tell you about them and you'll be

429
00:21:21.680 --> 00:21:23.720
<v Speaker 3>happy that we did. And we thank Cozy Earth for

430
00:21:23.720 --> 00:21:29.160
<v Speaker 3>sponsoring this the Ricochet Podcast. And now we welcome to

431
00:21:29.240 --> 00:21:33.799
<v Speaker 3>the podcast. Justin Schubou, President of the National Civic Art Society.

432
00:21:33.960 --> 00:21:34.880
<v Speaker 4>I like the sound of that.

433
00:21:35.359 --> 00:21:37.240
<v Speaker 3>He serves as the chairman of the United States Commission

434
00:21:37.240 --> 00:21:39.599
<v Speaker 3>on Fine Arts and is on the shortlist of candidates

435
00:21:39.599 --> 00:21:41.960
<v Speaker 3>to head the National Endowment for the Arts.

436
00:21:42.039 --> 00:21:44.200
<v Speaker 6>Justin welcome, thanks for having me.

437
00:21:44.799 --> 00:21:48.680
<v Speaker 3>We've been undergoing a civic uglyfication process here in the

438
00:21:48.759 --> 00:21:52.519
<v Speaker 3>United States for some time. Even though we had glimmers

439
00:21:52.559 --> 00:21:55.039
<v Speaker 3>of hope in the eighties with a return to postmodern

440
00:21:55.119 --> 00:21:58.359
<v Speaker 3>architecture that brought back some old styles and some flourishes

441
00:21:58.400 --> 00:22:01.680
<v Speaker 3>and touches that touched on the great civic Western heritage,

442
00:22:02.039 --> 00:22:05.160
<v Speaker 3>we have been done poorly by our city planners, by

443
00:22:05.160 --> 00:22:09.599
<v Speaker 3>our architects, by our artists, who have inflicted one brutalist

444
00:22:09.640 --> 00:22:12.200
<v Speaker 3>non entity after the other on us. Donald Trump tried

445
00:22:12.200 --> 00:22:14.240
<v Speaker 3>to do something of the last administration with a series

446
00:22:14.279 --> 00:22:16.880
<v Speaker 3>of executive orders I believe, which said, hey, you know what,

447
00:22:17.079 --> 00:22:19.480
<v Speaker 3>going forward, it's not going to be ugly. It's not

448
00:22:19.519 --> 00:22:21.200
<v Speaker 3>going to be a bunch of concrete. It's going to

449
00:22:21.240 --> 00:22:23.599
<v Speaker 3>have some columns, okay, and maybe a pediment or two.

450
00:22:24.279 --> 00:22:27.200
<v Speaker 3>Reversed by the Biden administration. Since everybody believes that modernism

451
00:22:27.319 --> 00:22:29.799
<v Speaker 3>and I like, don't get me wrong, I like modernism,

452
00:22:30.200 --> 00:22:32.440
<v Speaker 3>but we've had a paucity of beauty in the public

453
00:22:32.480 --> 00:22:35.880
<v Speaker 3>sphere for some time, almost by design. What can we

454
00:22:35.920 --> 00:22:38.440
<v Speaker 3>do to change that? What would you do to change that?

455
00:22:40.079 --> 00:22:44.680
<v Speaker 7>Well, as you mentioned, President Trump issued this revolutionary executive

456
00:22:44.799 --> 00:22:50.680
<v Speaker 7>order reorienting federal architecture, which had been almost entirely modernists

457
00:22:51.759 --> 00:22:56.480
<v Speaker 7>typically ugly since World War Two. And Trump Trump's executive

458
00:22:56.559 --> 00:23:02.640
<v Speaker 7>order required that new federal buildings ennobling, be inspiring, be

459
00:23:03.000 --> 00:23:05.440
<v Speaker 7>liked by ordinary Americans.

460
00:23:04.839 --> 00:23:07.160
<v Speaker 6>As opposed to architectural elites.

461
00:23:07.759 --> 00:23:11.759
<v Speaker 7>And he said there should be a preference for classical

462
00:23:11.799 --> 00:23:16.680
<v Speaker 7>and traditional design for buildings across the country. Both terms

463
00:23:17.720 --> 00:23:22.039
<v Speaker 7>defined very broadly, so for instance, classical included Art Deco

464
00:23:22.720 --> 00:23:24.920
<v Speaker 7>and as for Washington, d C.

465
00:23:25.039 --> 00:23:26.279
<v Speaker 6>The order was at its.

466
00:23:26.079 --> 00:23:31.119
<v Speaker 7>Most stringent, requiring that new federal buildings be classical. You know,

467
00:23:31.160 --> 00:23:34.519
<v Speaker 7>I would love to see that order be reissued. In fact,

468
00:23:34.599 --> 00:23:37.680
<v Speaker 7>I'd be shocked if it is not.

469
00:23:37.880 --> 00:23:38.680
<v Speaker 6>I mean, I think it.

470
00:23:38.680 --> 00:23:42.440
<v Speaker 7>Was one of the most popular things he did during

471
00:23:42.519 --> 00:23:46.599
<v Speaker 7>his first term, and I think, you know, he's a builder,

472
00:23:46.640 --> 00:23:50.200
<v Speaker 7>and he has his sense, his fingers on the pulse

473
00:23:50.240 --> 00:23:51.119
<v Speaker 7>of the American people.

474
00:23:51.880 --> 00:23:54.400
<v Speaker 3>It's not just that the architecture was modern. It's not

475
00:23:54.519 --> 00:23:59.359
<v Speaker 3>that the United States and WPA buildings in the nineteen

476
00:23:59.440 --> 00:24:01.920
<v Speaker 3>thirties build a lot of post offices around the country,

477
00:24:02.240 --> 00:24:05.160
<v Speaker 3>and most of them were in a modern style, federal modern,

478
00:24:05.200 --> 00:24:08.359
<v Speaker 3>which you don't have sort of quity quasi fascistic overtones.

479
00:24:08.400 --> 00:24:11.400
<v Speaker 3>But we did it better. We humanized that style. And

480
00:24:11.440 --> 00:24:14.680
<v Speaker 3>the other half was frankly colonial style stuff. So the

481
00:24:14.680 --> 00:24:18.400
<v Speaker 3>government is adept at doing that and can do that.

482
00:24:19.079 --> 00:24:21.359
<v Speaker 3>But we're not in a period right now where the

483
00:24:21.359 --> 00:24:25.519
<v Speaker 3>government is building an awful lot of buildings scattering embassies

484
00:24:25.559 --> 00:24:28.920
<v Speaker 3>of post offices around the country anymore. So how would

485
00:24:28.960 --> 00:24:32.680
<v Speaker 3>this actually play out? Is this something that even if

486
00:24:32.720 --> 00:24:35.200
<v Speaker 3>they redo the Trump orders, that we're not going to

487
00:24:35.200 --> 00:24:37.599
<v Speaker 3>see an awful lot of it. That really probably what

488
00:24:37.720 --> 00:24:41.119
<v Speaker 3>matters most is on the ground in local museums, in

489
00:24:41.200 --> 00:24:46.160
<v Speaker 3>local arts funding, where the NEA could change what it

490
00:24:46.279 --> 00:24:50.799
<v Speaker 3>funds to reflect perhaps more the mood and tastes of

491
00:24:50.799 --> 00:24:55.640
<v Speaker 3>the people, or should the anya's position be to instruct

492
00:24:55.720 --> 00:24:58.559
<v Speaker 3>those people that their tastes are archaic and kitchie and

493
00:24:58.599 --> 00:25:01.680
<v Speaker 3>they ought to really pay attention to a banana tape.

494
00:25:01.480 --> 00:25:02.400
<v Speaker 4>To the wall.

495
00:25:04.160 --> 00:25:08.920
<v Speaker 7>Well as for federal buildings, and I guess I should

496
00:25:09.000 --> 00:25:12.119
<v Speaker 7>say that my organization had a hand in instigating and

497
00:25:12.200 --> 00:25:16.359
<v Speaker 7>drafting the order. At times, the federal government has been

498
00:25:16.440 --> 00:25:21.359
<v Speaker 7>the largest patron of art and architecture in the country,

499
00:25:21.440 --> 00:25:24.160
<v Speaker 7>not just architecture with all the buildings, but one half

500
00:25:24.200 --> 00:25:28.000
<v Speaker 7>of one percent of all construction funds must go towards

501
00:25:28.160 --> 00:25:31.480
<v Speaker 7>art installations out these buildings, and you add that up

502
00:25:31.559 --> 00:25:35.200
<v Speaker 7>and it's an enormous amount. So the order i think

503
00:25:35.200 --> 00:25:38.599
<v Speaker 7>applied only to buildings costing over fifty million dollars in more.

504
00:25:38.880 --> 00:25:41.720
<v Speaker 7>And it's not as if there are dozens and dozens

505
00:25:41.759 --> 00:25:43.319
<v Speaker 7>of buildings being constructed.

506
00:25:43.759 --> 00:25:44.920
<v Speaker 6>But when it comes to.

507
00:25:45.599 --> 00:25:49.480
<v Speaker 7>Some of these buildings in significant cities, they have tremendous

508
00:25:49.519 --> 00:25:53.759
<v Speaker 7>symbolic importance. And one place that would be of great

509
00:25:53.799 --> 00:25:58.119
<v Speaker 7>importance is the site of the FBI building on Pennsylvania

510
00:25:58.160 --> 00:25:59.640
<v Speaker 7>Avenue in Washington, d C.

511
00:26:00.480 --> 00:26:02.440
<v Speaker 6>As you may know, that building is coming down.

512
00:26:02.480 --> 00:26:06.519
<v Speaker 7>It's a brutalist design, horrible design from the nineteen seventies,

513
00:26:06.759 --> 00:26:10.799
<v Speaker 7>and it's falling down. Trump himself has said that he

514
00:26:10.880 --> 00:26:14.960
<v Speaker 7>wants the FBI to stay at that site, and given

515
00:26:15.000 --> 00:26:18.720
<v Speaker 7>the fact that he wants a classical architecture for DC,

516
00:26:19.400 --> 00:26:24.079
<v Speaker 7>we could get a magnificent new FBI building on Pennsylvania Avenue,

517
00:26:24.119 --> 00:26:27.440
<v Speaker 7>which is one of the most important streets in the country.

518
00:26:28.799 --> 00:26:34.200
<v Speaker 7>As for the NEA, I think there is incredible opportunity

519
00:26:34.680 --> 00:26:37.960
<v Speaker 7>to change the direction of the agency.

520
00:26:38.440 --> 00:26:39.759
<v Speaker 6>Just to be clear, it's the.

521
00:26:39.799 --> 00:26:43.599
<v Speaker 7>Largest funder of the arts and arts education in the country,

522
00:26:44.039 --> 00:26:46.400
<v Speaker 7>with a budget of around two hundred and ten million

523
00:26:46.440 --> 00:26:51.039
<v Speaker 7>dollars a year. My vision for the NA comes from

524
00:26:51.200 --> 00:26:55.599
<v Speaker 7>Dana Joya, the masterful poet and translator who ran the

525
00:26:55.720 --> 00:26:56.880
<v Speaker 7>NA under George W.

526
00:26:56.960 --> 00:26:57.559
<v Speaker 6>Bush.

527
00:26:57.759 --> 00:27:01.960
<v Speaker 7>He said, a great nation deserves great art, and I

528
00:27:02.680 --> 00:27:05.680
<v Speaker 7>couldn't believe more. I think that the highest art is

529
00:27:05.720 --> 00:27:09.200
<v Speaker 7>that which is beautiful, profound, or moving. And when I

530
00:27:09.279 --> 00:27:12.839
<v Speaker 7>go into a contemporary art museum, that is not what

531
00:27:12.880 --> 00:27:13.440
<v Speaker 7>I'm seeing.

532
00:27:13.880 --> 00:27:14.359
<v Speaker 6>Too often.

533
00:27:14.440 --> 00:27:17.559
<v Speaker 7>It's things like that banana duct taped to a wall,

534
00:27:18.440 --> 00:27:22.240
<v Speaker 7>that artwork that sold for six point two million dollars recently.

535
00:27:22.720 --> 00:27:26.519
<v Speaker 7>And I think the NEA, through its patronage, could help

536
00:27:27.720 --> 00:27:31.599
<v Speaker 7>instigate a new renaissance in American art.

537
00:27:32.319 --> 00:27:32.960
<v Speaker 4>One more for me.

538
00:27:33.440 --> 00:27:37.319
<v Speaker 3>Yes, of course, the duct tape banana made everybody's eyes rule.

539
00:27:37.440 --> 00:27:39.160
<v Speaker 3>But of course we were instructed that this is in

540
00:27:39.200 --> 00:27:41.680
<v Speaker 3>a fine, long tradition that going back to Greet and

541
00:27:41.680 --> 00:27:44.079
<v Speaker 3>the rest of them, the surrealism and confounding expectations of

542
00:27:44.160 --> 00:27:46.119
<v Speaker 3>questioning what is art et cetera, et cetera et cetera,

543
00:27:46.480 --> 00:27:48.119
<v Speaker 3>installations being the plague of.

544
00:27:48.079 --> 00:27:49.359
<v Speaker 4>Museums for all of these years.

545
00:27:49.519 --> 00:27:50.200
<v Speaker 3>So let's say we.

546
00:27:50.119 --> 00:27:51.640
<v Speaker 4>Get a new broom, we get a new people in

547
00:27:51.680 --> 00:27:52.400
<v Speaker 4>the NEA, and.

548
00:27:52.319 --> 00:27:54.359
<v Speaker 3>They say, you know what, what we're going to fund

549
00:27:54.359 --> 00:27:59.960
<v Speaker 3>in the future are the classical, the painting, the sculpture, music,

550
00:28:00.079 --> 00:28:01.599
<v Speaker 3>the rest of it, things that work in the rich

551
00:28:01.680 --> 00:28:03.920
<v Speaker 3>vein of Western tradition. And that's great, we do that,

552
00:28:04.920 --> 00:28:08.640
<v Speaker 3>but as anybody who's been to a recent museum knows,

553
00:28:08.799 --> 00:28:11.680
<v Speaker 3>there is, at the sort of elemental base intern level,

554
00:28:11.759 --> 00:28:14.240
<v Speaker 3>an ability to take these arts of beauty and to

555
00:28:14.279 --> 00:28:16.400
<v Speaker 3>turn them into something else. I remember being at the

556
00:28:16.400 --> 00:28:19.960
<v Speaker 3>Hogarth exhibition at the tait a few years ago, which

557
00:28:20.000 --> 00:28:23.880
<v Speaker 3>they'd famously given all the interns the opportunity to write

558
00:28:23.920 --> 00:28:30.920
<v Speaker 3>the descriptions in terms of oppression, colonialism, grievance studies, gender ideas, whatever.

559
00:28:31.240 --> 00:28:34.119
<v Speaker 3>So you were not allowed to just perceive a Hogarth,

560
00:28:34.279 --> 00:28:38.079
<v Speaker 3>which itself is richly detailed with story. You had to

561
00:28:38.119 --> 00:28:40.799
<v Speaker 3>be informed about the coded messages of the wood being

562
00:28:40.920 --> 00:28:43.400
<v Speaker 3>used in the chair, because it spoke to the slave

563
00:28:43.440 --> 00:28:45.039
<v Speaker 3>trade and the rest of it. So in other words,

564
00:28:45.279 --> 00:28:48.319
<v Speaker 3>you can say the museums will be beautiful again, and

565
00:28:48.359 --> 00:28:51.279
<v Speaker 3>define beauty in a very broad sense, but you're still

566
00:28:51.279 --> 00:28:55.759
<v Speaker 3>going to be dealing with a museum culture which seems

567
00:28:55.839 --> 00:29:01.720
<v Speaker 3>to be opposed shall we say to just simply letting

568
00:29:01.759 --> 00:29:04.920
<v Speaker 3>aesthetics speak for themselves, because even saying esthetics speak for

569
00:29:04.960 --> 00:29:07.920
<v Speaker 3>themselves is to them a political decision, a political statement

570
00:29:07.920 --> 00:29:08.480
<v Speaker 3>in a wrong one.

571
00:29:08.920 --> 00:29:13.000
<v Speaker 7>Well, there is a sister agency to the NEA, the

572
00:29:13.079 --> 00:29:17.480
<v Speaker 7>Institute for Museum and Library Services, that has an even

573
00:29:17.559 --> 00:29:22.160
<v Speaker 7>bigger budget, and you know, with money can come strings.

574
00:29:23.559 --> 00:29:27.759
<v Speaker 7>So perhaps the IMLS can work with the NEA to

575
00:29:27.960 --> 00:29:29.880
<v Speaker 7>ensure that when the best.

576
00:29:29.720 --> 00:29:32.119
<v Speaker 6>Art is on display, it's done in the right way.

577
00:29:32.680 --> 00:29:35.759
<v Speaker 7>But I would say that, you know, even if the

578
00:29:35.839 --> 00:29:39.680
<v Speaker 7>curators put all kinds of texts besides the work of

579
00:29:39.799 --> 00:29:43.480
<v Speaker 7>art on the wall, sometimes the art speaks for itself

580
00:29:43.480 --> 00:29:47.440
<v Speaker 7>and there's nothing that the curator can do to undermine it.

581
00:29:47.480 --> 00:29:49.319
<v Speaker 6>I mean, it's not quite the same thing.

582
00:29:49.359 --> 00:29:52.880
<v Speaker 7>But you know, when it comes to literature and philosophy,

583
00:29:53.680 --> 00:29:57.480
<v Speaker 7>I went to college at Columbia University, which has a

584
00:29:57.480 --> 00:30:01.039
<v Speaker 7>great books program, one of the last remaining programs, and

585
00:30:01.279 --> 00:30:05.759
<v Speaker 7>you know, everybody reads Plato, Aristotle, Homer, all the way

586
00:30:05.799 --> 00:30:08.880
<v Speaker 7>up to the present. And yes, it may be true

587
00:30:08.960 --> 00:30:12.759
<v Speaker 7>that your professor is a Marxist, is trying to subvert

588
00:30:12.839 --> 00:30:16.000
<v Speaker 7>the meaning of these texts. But at the same time,

589
00:30:16.079 --> 00:30:20.240
<v Speaker 7>you've read them, and there's no matter what professor says.

590
00:30:20.599 --> 00:30:22.519
<v Speaker 7>You know, if you read Plato, if you read Homer,

591
00:30:22.920 --> 00:30:26.160
<v Speaker 7>if you read Dante, you might take away from it

592
00:30:26.359 --> 00:30:28.000
<v Speaker 7>your own personal.

593
00:30:28.960 --> 00:30:30.000
<v Speaker 6>Meaning and interpretation.

594
00:30:30.119 --> 00:30:35.240
<v Speaker 7>And so thus I don't think that the arts, you know, mandarins,

595
00:30:35.279 --> 00:30:37.720
<v Speaker 7>can shape everything in a deleterious way.

596
00:30:39.599 --> 00:30:42.359
<v Speaker 1>Justin it's Steve Hayward out on the left coast. I

597
00:30:42.359 --> 00:30:45.079
<v Speaker 1>want to stick with architecture for a minute. You like

598
00:30:45.160 --> 00:30:47.920
<v Speaker 1>to quote one of my favorite Churchill lines that first

599
00:30:47.920 --> 00:30:51.400
<v Speaker 1>we shape our buildings, and then our buildings shape us.

600
00:30:51.799 --> 00:30:53.880
<v Speaker 1>And for listeners who don't know the context, that's part

601
00:30:53.920 --> 00:30:57.640
<v Speaker 1>of that long and very eloquent speech he gave explaining

602
00:30:57.759 --> 00:31:00.680
<v Speaker 1>why the House of Commons needed to be rebuilt exactly

603
00:31:00.720 --> 00:31:02.880
<v Speaker 1>as it had been after it had been bombed by

604
00:31:02.960 --> 00:31:05.960
<v Speaker 1>the Germans, when all the modern architects wanted to have well,

605
00:31:06.039 --> 00:31:09.000
<v Speaker 1>let's use this as an opportunity, you know, to have

606
00:31:09.119 --> 00:31:13.079
<v Speaker 1>a modern semi circular Parliamentary Building, and Churchill said, no,

607
00:31:13.160 --> 00:31:15.599
<v Speaker 1>here's why we should stick with it. It's I recommend people

608
00:31:15.599 --> 00:31:17.559
<v Speaker 1>who are interested to go find that speech. It's on

609
00:31:17.599 --> 00:31:20.480
<v Speaker 1>the internet. So I look around Washington, d C. And

610
00:31:20.880 --> 00:31:23.200
<v Speaker 1>I look at the old federal buildings that go back

611
00:31:23.200 --> 00:31:26.480
<v Speaker 1>to the time of the early Republic. And you know,

612
00:31:26.519 --> 00:31:29.559
<v Speaker 1>it's not a coincidence that Madison and Hamilton and j

613
00:31:29.799 --> 00:31:33.400
<v Speaker 1>picked Publius as they're suited in for the Federal's papers, right,

614
00:31:33.440 --> 00:31:35.960
<v Speaker 1>And I think not a coincidence that the founders chose

615
00:31:36.480 --> 00:31:40.200
<v Speaker 1>Romanesque style architecture for the Capitol. And so let't behold today.

616
00:31:40.480 --> 00:31:42.480
<v Speaker 1>The joke I like, which I borrow from Larry Arne,

617
00:31:42.559 --> 00:31:44.519
<v Speaker 1>is you walk down the street in Washington. If you

618
00:31:44.559 --> 00:31:47.039
<v Speaker 1>see a building that has an agency in it with

619
00:31:47.160 --> 00:31:51.359
<v Speaker 1>Romanesque architecture, like the Department of Treasury, that's a constitutional office.

620
00:31:51.519 --> 00:31:53.359
<v Speaker 1>You look at one of the newer off of buildings,

621
00:31:53.400 --> 00:31:56.519
<v Speaker 1>the Forestall Building for Department of Energy, the Hubert Humphrey

622
00:31:56.519 --> 00:31:59.799
<v Speaker 1>Building for Health and Human Services, likely any modern building

623
00:31:59.839 --> 00:32:01.640
<v Speaker 1>is doing something unconstitutional.

624
00:32:01.720 --> 00:32:04.400
<v Speaker 3>That's the architectural realm. What I'm looking up to is this.

625
00:32:04.599 --> 00:32:08.440
<v Speaker 3>I want to interject pedantically just to say that when

626
00:32:08.480 --> 00:32:11.000
<v Speaker 3>you use Romanesque, Romanesque is actually a style of the

627
00:32:11.000 --> 00:32:15.559
<v Speaker 3>building which is distinct classical or bose art. Okay, is

628
00:32:15.599 --> 00:32:17.279
<v Speaker 3>probably the term that we should use, because we're going

629
00:32:17.319 --> 00:32:20.279
<v Speaker 3>to have some architecture nerds saying no, Richard Sonian Romanesque

630
00:32:20.319 --> 00:32:21.759
<v Speaker 3>with its heavy rusticated stone.

631
00:32:22.880 --> 00:32:23.680
<v Speaker 1>Yeah, that's probably right.

632
00:32:23.680 --> 00:32:23.960
<v Speaker 4>I see.

633
00:32:24.319 --> 00:32:26.799
<v Speaker 1>I have no great expertise in architecture except to say,

634
00:32:26.799 --> 00:32:29.519
<v Speaker 1>and here's the question, and I'm senior slideshow. I've seen

635
00:32:29.559 --> 00:32:32.400
<v Speaker 1>some of these awful federal courthouse buildings that are often

636
00:32:32.480 --> 00:32:35.799
<v Speaker 1>quite large and quite lavish and expensive, and you know,

637
00:32:35.960 --> 00:32:38.680
<v Speaker 1>never mind the bureaucracies in Washington. They look like they're

638
00:32:38.680 --> 00:32:42.480
<v Speaker 1>intended to make brain people's soul out of them. They're

639
00:32:42.519 --> 00:32:44.359
<v Speaker 1>not things of beauty. You don't even know which door

640
00:32:44.400 --> 00:32:47.279
<v Speaker 1>to go into, and they don't really have a recognizable front.

641
00:32:47.440 --> 00:32:50.519
<v Speaker 1>And I can't it's hard to believe that. I mean,

642
00:32:50.559 --> 00:32:52.880
<v Speaker 1>what is wrong with these modern architects that they want

643
00:32:52.920 --> 00:32:56.279
<v Speaker 1>this brutalist style and is it really a philosophical core

644
00:32:56.359 --> 00:32:58.599
<v Speaker 1>to this outlook, which is what I'm suspecting, Or am

645
00:32:58.640 --> 00:33:01.240
<v Speaker 1>I being paranoid and overreach with that complaint?

646
00:33:01.920 --> 00:33:04.079
<v Speaker 6>Well, that's a huge question.

647
00:33:05.359 --> 00:33:08.000
<v Speaker 7>In the early days of modernism, which was founded in

648
00:33:08.039 --> 00:33:11.880
<v Speaker 7>Europe after World War One. There was certainly an ideological component,

649
00:33:12.279 --> 00:33:15.319
<v Speaker 7>the idea that they're going to build a new kind

650
00:33:15.359 --> 00:33:18.160
<v Speaker 7>of architecture for a new man and a new society.

651
00:33:18.559 --> 00:33:23.000
<v Speaker 7>And thus they were drawn, these modernist architects to extremes

652
00:33:23.000 --> 00:33:25.279
<v Speaker 7>on the right or the left. You're not going to

653
00:33:25.319 --> 00:33:30.400
<v Speaker 7>find many nice liberal democrat modernist architects from that time period.

654
00:33:30.839 --> 00:33:33.119
<v Speaker 7>And then over the years after World War Two, you

655
00:33:33.160 --> 00:33:40.240
<v Speaker 7>start getting brutalism, which is known for raw expanses of concrete,

656
00:33:41.279 --> 00:33:46.920
<v Speaker 7>these imposing, sometimes sinister buildings, and some of the architects

657
00:33:46.920 --> 00:33:49.960
<v Speaker 7>behind that talked about how what they were looking to

658
00:33:50.039 --> 00:33:54.039
<v Speaker 7>achieve was an ethic, not an aesthetic. In other words,

659
00:33:54.039 --> 00:33:57.559
<v Speaker 7>they were trying to achieve something to look to show

660
00:33:58.000 --> 00:34:02.240
<v Speaker 7>the harsh truth of nature and reality, as opposed to

661
00:34:02.279 --> 00:34:05.960
<v Speaker 7>build something that is beautiful. They just had a completely

662
00:34:06.119 --> 00:34:09.960
<v Speaker 7>different agenda. And then later on, more recently, when you

663
00:34:10.039 --> 00:34:14.280
<v Speaker 7>get the rise of something called deconstructivism. These are buildings

664
00:34:14.280 --> 00:34:16.920
<v Speaker 7>that look like they're going to fall down, that look

665
00:34:17.039 --> 00:34:21.039
<v Speaker 7>like they've been invaded by alien parasites, that are chaotic,

666
00:34:21.559 --> 00:34:24.280
<v Speaker 7>and you laugh, but you know, I would ask people

667
00:34:24.320 --> 00:34:27.280
<v Speaker 7>to look at the San Francisco Federal Building as an

668
00:34:27.320 --> 00:34:29.440
<v Speaker 7>example of one of these designs. It looks like an

669
00:34:29.480 --> 00:34:32.079
<v Speaker 7>alien spacecraft that's going to kill you with laser beams.

670
00:34:32.719 --> 00:34:38.480
<v Speaker 7>I mean, some of these deconstructive, deconstructivist architects openly say

671
00:34:38.679 --> 00:34:44.559
<v Speaker 7>that they're nihilists. You know, Ram Kojas, this notorious Dutch architect,

672
00:34:44.960 --> 00:34:48.719
<v Speaker 7>has said that beautiful buildings give a false sense of

673
00:34:48.800 --> 00:34:54.360
<v Speaker 7>existential security. Right, that's that's an ideological move that is

674
00:34:54.400 --> 00:34:58.679
<v Speaker 7>reflected in his buildings, which actually include the headquarters of

675
00:34:58.800 --> 00:35:02.079
<v Speaker 7>the communist televison in China, and he said that that

676
00:35:02.159 --> 00:35:04.199
<v Speaker 7>building is not supposed to be beautiful.

677
00:35:04.239 --> 00:35:06.119
<v Speaker 6>He has a completely different agenda.

678
00:35:06.920 --> 00:35:08.639
<v Speaker 1>Well, you know, I thought it was one of the

679
00:35:08.639 --> 00:35:11.320
<v Speaker 1>great ironies of the first Trump administration that you know,

680
00:35:11.400 --> 00:35:15.280
<v Speaker 1>this this flamboyant man who likes to boast of his

681
00:35:15.320 --> 00:35:18.119
<v Speaker 1>gold plated faucets in his bathrooms and on his airplane,

682
00:35:18.880 --> 00:35:20.679
<v Speaker 1>and you know it was in the casino business and

683
00:35:20.719 --> 00:35:23.519
<v Speaker 1>all the towers and so forth. On the other hand,

684
00:35:23.559 --> 00:35:27.840
<v Speaker 1>was the champion for a classical architecture. And then on

685
00:35:27.880 --> 00:35:30.920
<v Speaker 1>the other side of this was I believe President Biden

686
00:35:31.000 --> 00:35:34.639
<v Speaker 1>rescinded Trump's executive order on the first day in office,

687
00:35:34.920 --> 00:35:37.880
<v Speaker 1>what was the hurry. I mean, boy, somebody really wants

688
00:35:37.920 --> 00:35:42.079
<v Speaker 1>to really wants to roll back that architectural guidance as

689
00:35:42.079 --> 00:35:44.320
<v Speaker 1>a priority item for the first day in office. That

690
00:35:44.679 --> 00:35:47.320
<v Speaker 1>to me was, you know, as shocking as the underlying

691
00:35:47.400 --> 00:35:48.199
<v Speaker 1>arguments you can make.

692
00:35:48.840 --> 00:35:54.320
<v Speaker 7>Well, the architecture establishment, which is almost entirely modernist, had

693
00:35:54.360 --> 00:35:57.119
<v Speaker 7>been lobbying extremely hard. I mean, there's a lot of

694
00:35:57.159 --> 00:36:01.400
<v Speaker 7>money at stake, and there is also an ideological ideological component.

695
00:36:01.480 --> 00:36:04.559
<v Speaker 7>Are we going to build in styles that harken back

696
00:36:04.599 --> 00:36:07.320
<v Speaker 7>to the past that look back to the Founders, for

697
00:36:07.360 --> 00:36:11.360
<v Speaker 7>instance in their use of classicism, or are we going

698
00:36:11.400 --> 00:36:15.519
<v Speaker 7>to build alien spacecraft or globalized buildings that have no

699
00:36:15.840 --> 00:36:20.440
<v Speaker 7>local character whatsoever. And at the same time, not only

700
00:36:20.480 --> 00:36:24.239
<v Speaker 7>did you have the architectural establishment, you had cultural elites

701
00:36:24.440 --> 00:36:29.000
<v Speaker 7>like the New York Times. They published an editorial titled

702
00:36:29.320 --> 00:36:33.119
<v Speaker 7>What's so great about Fake Roman Temples? Saying that, well,

703
00:36:33.159 --> 00:36:37.039
<v Speaker 7>the Founders had to wear borrowed clothes, but we Americans today,

704
00:36:37.159 --> 00:36:39.559
<v Speaker 7>we don't need to do that kind of thing. I mean,

705
00:36:39.599 --> 00:36:43.719
<v Speaker 7>the implication of that editorial is that the US Capital,

706
00:36:43.760 --> 00:36:47.039
<v Speaker 7>the US Supreme Court, the Jefferson Memorial, these are all

707
00:36:47.400 --> 00:36:50.880
<v Speaker 7>fake Roman temples, right, none of these buildings are two

708
00:36:50.920 --> 00:36:54.239
<v Speaker 7>thousand years old. And then you also had elites, especially

709
00:36:54.280 --> 00:36:58.880
<v Speaker 7>at architecture schools, saying that classical architecture is racist, it's

710
00:36:58.960 --> 00:37:05.039
<v Speaker 7>white supremacist, all sorts of crazy to me, entirely laughable arguments.

711
00:37:05.440 --> 00:37:08.320
<v Speaker 7>But you know, obviously people in the Biden White House

712
00:37:08.599 --> 00:37:12.920
<v Speaker 7>were listening, and thus Biden rescinded the order. There is

713
00:37:13.360 --> 00:37:16.599
<v Speaker 7>although Biden didn't give an explanation about.

714
00:37:16.360 --> 00:37:19.480
<v Speaker 6>Why he did that, he did take other.

715
00:37:19.280 --> 00:37:21.880
<v Speaker 7>Action that he gave an explanation for which I think

716
00:37:21.920 --> 00:37:25.760
<v Speaker 7>sheds light on the issue. So President Trump appointed me

717
00:37:26.239 --> 00:37:29.599
<v Speaker 7>and six other commissioners to the US Commission of Fine Arts,

718
00:37:29.880 --> 00:37:33.119
<v Speaker 7>which is the sthetic review board for Washington, and we

719
00:37:33.119 --> 00:37:37.639
<v Speaker 7>were appointed to four year terms. Biden removed me and

720
00:37:37.719 --> 00:37:42.199
<v Speaker 7>three others in violation of the law and certainly in

721
00:37:42.280 --> 00:37:45.360
<v Speaker 7>violation of one hundred and ten years of history in

722
00:37:45.400 --> 00:37:50.280
<v Speaker 7>which no president had removed a commissioner. And at that time,

723
00:37:50.760 --> 00:37:54.039
<v Speaker 7>the White House said that Biden took that action because

724
00:37:54.199 --> 00:37:57.400
<v Speaker 7>our strong support of classical architecture did not comport with

725
00:37:57.440 --> 00:37:58.480
<v Speaker 7>the President's values.

726
00:37:59.199 --> 00:37:59.400
<v Speaker 3>Yeah.

727
00:38:00.039 --> 00:38:01.840
<v Speaker 1>So one last question for me is sort of a

728
00:38:01.880 --> 00:38:05.519
<v Speaker 1>broad one, and it's that mentioned that new York Times

729
00:38:05.599 --> 00:38:07.880
<v Speaker 1>article which I'd forgotten about, brought it back to mind.

730
00:38:07.920 --> 00:38:10.880
<v Speaker 1>You know, I noticed that, especially when you know, fancy

731
00:38:10.960 --> 00:38:14.079
<v Speaker 1>liberals like to go overseas as travelers. Where they want

732
00:38:14.119 --> 00:38:16.639
<v Speaker 1>to go. They want to go to the old medieval cities.

733
00:38:16.639 --> 00:38:19.239
<v Speaker 1>They want to go to the feat Sea Gallery and

734
00:38:19.400 --> 00:38:24.039
<v Speaker 1>marvel at this wonderful architecture and culture, while having contempt

735
00:38:24.480 --> 00:38:27.440
<v Speaker 1>or complete disregard for the culture that produced those works

736
00:38:27.440 --> 00:38:30.960
<v Speaker 1>of art and produce those towns in architecture. And that

737
00:38:31.079 --> 00:38:33.079
<v Speaker 1>to me is one of the great inconquerors. I simply

738
00:38:33.079 --> 00:38:37.000
<v Speaker 1>don't get that that you simply can't The light bulb

739
00:38:37.079 --> 00:38:39.320
<v Speaker 1>seems to never go off. That all these things that

740
00:38:39.360 --> 00:38:40.760
<v Speaker 1>you know, they all want to go and hang out

741
00:38:40.760 --> 00:38:42.719
<v Speaker 1>and uh, you know Lake Comb all the rest of that,

742
00:38:43.760 --> 00:38:46.239
<v Speaker 1>And I don't know that to me is as baffling

743
00:38:46.360 --> 00:38:51.960
<v Speaker 1>as this, this passion for brutalist architecture and contempt for

744
00:38:52.119 --> 00:38:55.239
<v Speaker 1>classical the classical heritage and classical architecture. That's the only

745
00:38:55.320 --> 00:38:56.320
<v Speaker 1>question that's kind of a rant.

746
00:38:56.360 --> 00:38:59.719
<v Speaker 3>And you're right, and and he's right to point out,

747
00:38:59.760 --> 00:39:03.840
<v Speaker 3>you know, brutalism has subsided the whole brutalism we attached

748
00:39:03.880 --> 00:39:06.039
<v Speaker 3>that word. The things that look brutal, but actually it's

749
00:39:06.039 --> 00:39:07.360
<v Speaker 3>a French term. It has to do with the raw

750
00:39:07.400 --> 00:39:08.880
<v Speaker 3>concrete and the rest of it. He's right about the

751
00:39:08.880 --> 00:39:14.480
<v Speaker 3>deconstruction of stuff that desire to not only ignore the

752
00:39:14.519 --> 00:39:18.039
<v Speaker 3>context of a building of building surroundings, but to actively

753
00:39:18.400 --> 00:39:22.880
<v Speaker 3>mitigate against it. When he mentions alien embassies, he's absolutely right.

754
00:39:22.920 --> 00:39:24.639
<v Speaker 3>The number of buildings I've seen in Europe where you

755
00:39:24.679 --> 00:39:28.000
<v Speaker 3>have some elegant, beautiful, old detailed building to which a

756
00:39:28.039 --> 00:39:33.079
<v Speaker 3>modern architect has attached a jellyfish or a spaceship or

757
00:39:33.119 --> 00:39:36.480
<v Speaker 3>something like that. It is an act. It is an

758
00:39:36.519 --> 00:39:40.760
<v Speaker 3>affront to what the thing is intended to diminish and

759
00:39:40.880 --> 00:39:45.280
<v Speaker 3>demean it. We had the gut through theater here in Minneapolis.

760
00:39:45.360 --> 00:39:47.719
<v Speaker 3>Jean Nouvel came in and in an area that is

761
00:39:47.800 --> 00:39:51.400
<v Speaker 3>nothing but old brick warehouses devoted and dedicated to the

762
00:39:51.480 --> 00:39:53.119
<v Speaker 3>river and the grain traffic and the rest of it,

763
00:39:53.119 --> 00:39:56.679
<v Speaker 3>he puts this blue glass thing in that has nothing

764
00:39:56.679 --> 00:39:59.000
<v Speaker 3>to do with anything. And for a theater, it has

765
00:39:59.079 --> 00:40:02.559
<v Speaker 3>two chimneys that words go up the chimneys. If it's

766
00:40:02.559 --> 00:40:06.119
<v Speaker 3>burning Shakespeare in front of our very eyes, and everybody

767
00:40:06.639 --> 00:40:10.199
<v Speaker 3>loves it. And I'm wondering, maybe you can tell me

768
00:40:10.320 --> 00:40:13.039
<v Speaker 3>justin exactly is it going to take somebody to point

769
00:40:13.079 --> 00:40:15.480
<v Speaker 3>out that the emperor actually is parading around the town

770
00:40:15.519 --> 00:40:17.920
<v Speaker 3>square clop clop clop, with not a stitch of clothing on,

771
00:40:18.000 --> 00:40:20.599
<v Speaker 3>and then everybody will be free finally in the architectural

772
00:40:20.599 --> 00:40:24.360
<v Speaker 3>profession to say, yeah, too much, too much ugliness. Is

773
00:40:24.360 --> 00:40:25.920
<v Speaker 3>that what it's going to take or are they just

774
00:40:26.039 --> 00:40:30.320
<v Speaker 3>institutionally incapable of thinking, oh, I got to go back

775
00:40:30.320 --> 00:40:32.400
<v Speaker 3>to the old forms and produce something beautiful again.

776
00:40:32.800 --> 00:40:35.000
<v Speaker 7>Well, first, you know, you talk about some of these

777
00:40:35.280 --> 00:40:40.199
<v Speaker 7>ungodly editions. There's actually something called parasitic architecture, which is

778
00:40:40.239 --> 00:40:44.920
<v Speaker 7>when additions look like they are devouring or crushing or

779
00:40:44.960 --> 00:40:49.519
<v Speaker 7>splintering beautiful historic buildings. It really looks like an attempt

780
00:40:49.760 --> 00:40:53.840
<v Speaker 7>to demolish the past. I mean, as for the emperor's

781
00:40:53.880 --> 00:40:57.000
<v Speaker 7>new clothes, I don't think it's a great secret that

782
00:40:57.199 --> 00:41:03.480
<v Speaker 7>ordinary people dislike modern architecture. I mean, it's been widely reported.

783
00:41:03.559 --> 00:41:06.360
<v Speaker 7>My own organization did a survey by the Harris Pohle,

784
00:41:07.079 --> 00:41:11.920
<v Speaker 7>you know, highly reputable, nonpartisan company, that of two thousand Americans,

785
00:41:11.920 --> 00:41:15.639
<v Speaker 7>finding that seventy two percent of the people surveyed preferred

786
00:41:15.639 --> 00:41:19.519
<v Speaker 7>classical and traditional design for federal buildings in US courthouses,

787
00:41:19.840 --> 00:41:24.440
<v Speaker 7>and there were widespread majorities across every demographic, whether it's gender, race,

788
00:41:24.880 --> 00:41:26.280
<v Speaker 7>socio economic and.

789
00:41:26.360 --> 00:41:27.599
<v Speaker 6>Political party affiliation.

790
00:41:28.440 --> 00:41:32.679
<v Speaker 7>So I think honest architects, including the honest Modernists, know

791
00:41:32.920 --> 00:41:35.920
<v Speaker 7>that much of their work is not popular with the public.

792
00:41:36.280 --> 00:41:39.400
<v Speaker 7>But they are elitist in the worst possible way, just

793
00:41:39.519 --> 00:41:43.679
<v Speaker 7>wishing to impose their what they think is right on

794
00:41:43.960 --> 00:41:46.840
<v Speaker 7>ordinary people. And you know, buildings are not paintings in

795
00:41:46.880 --> 00:41:49.039
<v Speaker 7>the wall of the museum. You're forced to see them,

796
00:41:49.079 --> 00:41:51.119
<v Speaker 7>you're forced to live with them or work in them.

797
00:41:51.599 --> 00:41:55.920
<v Speaker 7>And so therefore architecture has this small key political component,

798
00:41:56.119 --> 00:41:57.639
<v Speaker 7>unlike other forms of art.

799
00:42:00.360 --> 00:42:02.119
<v Speaker 3>I have to interrupt you for a second and ask you,

800
00:42:02.159 --> 00:42:07.719
<v Speaker 3>have you heard about sen on linux yet? Sen O Linux? No, Well,

801
00:42:07.760 --> 00:42:10.199
<v Speaker 3>let me tell you. It's a class of ingredients discovered

802
00:42:10.239 --> 00:42:12.079
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803
00:42:12.119 --> 00:42:15.320
<v Speaker 3>the biggest discovery of our time for promoting healthy aging

804
00:42:15.679 --> 00:42:20.159
<v Speaker 3>and enhancing your physical prime. And as somebody who is aging,

805
00:42:20.280 --> 00:42:23.639
<v Speaker 3>I was naturally interested. Well, as we age, everyone accumulates

806
00:42:23.920 --> 00:42:26.800
<v Speaker 3>sinescent cells in their body, and they're also known as

807
00:42:27.599 --> 00:42:31.199
<v Speaker 3>zombie cells. Why because they're old and they're worn out

808
00:42:31.239 --> 00:42:33.679
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809
00:42:33.719 --> 00:42:36.119
<v Speaker 3>But they're taking up space and they're taking nutrients from

810
00:42:36.159 --> 00:42:39.159
<v Speaker 3>our healthy cells. So much like pruning the yellowing and

811
00:42:39.199 --> 00:42:43.159
<v Speaker 3>dead trees off a plant, quality of Senulynics removes those

812
00:42:43.199 --> 00:42:45.519
<v Speaker 3>worn out sinessen cells to allow the rest of your

813
00:42:45.719 --> 00:42:49.639
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814
00:42:49.679 --> 00:42:52.719
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815
00:42:52.760 --> 00:42:58.440
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816
00:42:58.840 --> 00:43:01.039
<v Speaker 3>I've got it at home. I'm working on it, and

817
00:43:01.199 --> 00:43:03.360
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818
00:43:03.440 --> 00:43:06.159
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819
00:43:06.199 --> 00:43:06.880
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820
00:43:06.920 --> 00:43:07.599
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821
00:43:07.920 --> 00:43:11.840
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822
00:43:11.880 --> 00:43:14.039
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823
00:43:14.119 --> 00:43:16.440
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824
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825
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826
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828
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829
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830
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831
00:43:39.800 --> 00:43:43.719
<v Speaker 2>I wonder who's getting it right. There's a lot wrong.

832
00:43:44.719 --> 00:43:48.800
<v Speaker 5>Many of the buildings that we revere are older, the

833
00:43:48.920 --> 00:43:53.280
<v Speaker 5>US Capital, Lincoln Memorial, the Empire State Building.

834
00:43:53.320 --> 00:43:55.000
<v Speaker 2>Who's getting it right at the moment.

835
00:43:55.920 --> 00:44:02.480
<v Speaker 7>Well, there are some incredibly talented contemporary, classicol and traditional architects. So,

836
00:44:02.679 --> 00:44:06.599
<v Speaker 7>for instance, there is the Tuscaloosa Federal Building.

837
00:44:06.599 --> 00:44:08.880
<v Speaker 6>It's a new classical.

838
00:44:08.599 --> 00:44:11.559
<v Speaker 7>Greek revival building in Alabama done by HBRA.

839
00:44:12.639 --> 00:44:14.400
<v Speaker 6>The only reason that building.

840
00:44:14.119 --> 00:44:18.679
<v Speaker 7>Exists is because Senator Shelby used his power as chairman

841
00:44:18.719 --> 00:44:20.480
<v Speaker 7>of the Appropriations.

842
00:44:19.679 --> 00:44:20.920
<v Speaker 6>Committee to get it built.

843
00:44:21.159 --> 00:44:24.000
<v Speaker 7>He had to fight the General Services and Administration, the

844
00:44:24.039 --> 00:44:27.559
<v Speaker 7>agency responsible for federal buildings, which wanted to give him

845
00:44:27.960 --> 00:44:31.719
<v Speaker 7>a glass box. Some other great architects in this country

846
00:44:32.119 --> 00:44:33.800
<v Speaker 7>include David Schwartz.

847
00:44:34.480 --> 00:44:36.559
<v Speaker 6>There's also Bob Stearn's.

848
00:44:36.079 --> 00:44:41.039
<v Speaker 7>Office, which has been doing a number of large buildings

849
00:44:41.079 --> 00:44:44.719
<v Speaker 7>around the country, including some apartment buildings in New York.

850
00:44:44.760 --> 00:44:47.840
<v Speaker 7>There's Peter Penoyer in New York, and then in England

851
00:44:47.880 --> 00:44:52.079
<v Speaker 7>we have other bright spots such as Quinlan Terry. So

852
00:44:52.159 --> 00:44:55.800
<v Speaker 7>there is the talent out there. The University of Notre

853
00:44:55.920 --> 00:45:01.239
<v Speaker 7>Dames architecture school actually teaches classical architecture. It's one of

854
00:45:01.320 --> 00:45:04.760
<v Speaker 7>only a handful of architecture schools that teaches people the

855
00:45:05.280 --> 00:45:09.280
<v Speaker 7>principles and how to design. So there is the talent

856
00:45:09.360 --> 00:45:13.159
<v Speaker 7>out there, and you know, in fact, in residential architecture,

857
00:45:13.519 --> 00:45:16.880
<v Speaker 7>classical architects are still getting lots of commissions. When rich

858
00:45:16.920 --> 00:45:21.320
<v Speaker 7>people build houses, they very often want something you know, traditional,

859
00:45:21.719 --> 00:45:25.440
<v Speaker 7>So there's work there. The challenges to find the larger

860
00:45:25.920 --> 00:45:30.559
<v Speaker 7>public buildings or university dormitories, things like that, and I

861
00:45:30.559 --> 00:45:34.400
<v Speaker 7>hope ultimately more federal buildings in US courthouses or even

862
00:45:34.440 --> 00:45:40.320
<v Speaker 7>agency headquarters like the FBI, where you know, the best

863
00:45:40.400 --> 00:45:42.159
<v Speaker 7>architects can get the job.

864
00:45:43.039 --> 00:45:47.679
<v Speaker 5>The other thing is what other than architecture needs reform.

865
00:45:47.880 --> 00:45:53.320
<v Speaker 5>You are interested in heading up the NEA. It's not

866
00:45:53.400 --> 00:45:56.719
<v Speaker 5>just buildings, it's other things too. What's the biggest problem

867
00:45:56.719 --> 00:45:57.159
<v Speaker 5>we face?

868
00:45:58.519 --> 00:45:59.960
<v Speaker 6>Well, that's a huge question.

869
00:46:00.239 --> 00:46:04.159
<v Speaker 7>I mean we're talking about we were talking about visual art,

870
00:46:04.760 --> 00:46:09.880
<v Speaker 7>which is very rarely beautiful, profound, or moving. Too much

871
00:46:09.920 --> 00:46:14.559
<v Speaker 7>of it is this conceptual stuff that's sort of the

872
00:46:14.679 --> 00:46:18.119
<v Speaker 7>art world being so self conscious of itself that it's

873
00:46:18.159 --> 00:46:20.880
<v Speaker 7>the end of art, right, This goes back to Marcel

874
00:46:20.960 --> 00:46:24.800
<v Speaker 7>Douchamp's Fountain, which was a urinal that he signed his

875
00:46:24.880 --> 00:46:28.320
<v Speaker 7>name to. That in so many ways, it's almost as

876
00:46:28.320 --> 00:46:29.599
<v Speaker 7>if visual art has.

877
00:46:30.000 --> 00:46:31.159
<v Speaker 6>Come to an end.

878
00:46:32.400 --> 00:46:35.440
<v Speaker 7>But you know, the same thing can go for you know,

879
00:46:35.519 --> 00:46:39.000
<v Speaker 7>contemporary music. I mean I'm not talking about you know,

880
00:46:39.079 --> 00:46:41.480
<v Speaker 7>pop and rock, which can pay its own way and

881
00:46:41.519 --> 00:46:44.360
<v Speaker 7>take care of itself. But the source of music that's

882
00:46:44.400 --> 00:46:48.320
<v Speaker 7>played in concert halls. You know, our great Symphony is

883
00:46:48.320 --> 00:46:53.119
<v Speaker 7>still being written. You know, our composers willing to write

884
00:46:53.239 --> 00:46:58.639
<v Speaker 7>in a total tonalist you know medium. It's not it's

885
00:46:58.639 --> 00:47:02.000
<v Speaker 7>not clear to me that that is the case. And

886
00:47:02.079 --> 00:47:06.039
<v Speaker 7>also there are big problems in literature as well.

887
00:47:06.920 --> 00:47:10.639
<v Speaker 6>So the problems are all across the board.

888
00:47:11.679 --> 00:47:14.480
<v Speaker 7>I mean, the NEA is not going to you know,

889
00:47:15.000 --> 00:47:18.320
<v Speaker 7>change the direction of Western civilization. But that doesn't mean

890
00:47:18.360 --> 00:47:24.480
<v Speaker 7>that key uses of patronage can have enormous symbolic impact.

891
00:47:24.519 --> 00:47:28.639
<v Speaker 7>I mean, we don't need a thousand great paintings across

892
00:47:28.679 --> 00:47:31.440
<v Speaker 7>the land, but you know, ten really good ones, or

893
00:47:31.559 --> 00:47:37.280
<v Speaker 7>two really good symphonies or operas or five novels, things

894
00:47:37.320 --> 00:47:38.480
<v Speaker 7>like that can make a difference.

895
00:47:39.400 --> 00:47:41.599
<v Speaker 3>There are those who say that the government has no

896
00:47:41.679 --> 00:47:43.880
<v Speaker 3>business funding the stuff in the first place. Really, if

897
00:47:43.880 --> 00:47:45.480
<v Speaker 3>there's a great symphony out there to be written and

898
00:47:45.840 --> 00:47:47.159
<v Speaker 3>let somebody commission.

899
00:47:46.719 --> 00:47:48.719
<v Speaker 4>It as they did in the old days, maybe we

900
00:47:48.719 --> 00:47:49.159
<v Speaker 4>don't need.

901
00:47:49.079 --> 00:47:51.679
<v Speaker 3>A symphony at all because we have the symphonic tradition

902
00:47:51.719 --> 00:47:54.760
<v Speaker 3>retreating to movie soundtracks where it's flourishing, et cetera, et cetera.

903
00:47:55.079 --> 00:47:57.000
<v Speaker 3>We don't need the government to pick winners and loser.

904
00:47:57.079 --> 00:48:00.480
<v Speaker 3>When it comes to books in local theater, people wanted,

905
00:48:00.519 --> 00:48:04.719
<v Speaker 3>they should pay for it. Zuer all valid points, and

906
00:48:05.079 --> 00:48:08.920
<v Speaker 3>maybe the best way to avoid conflict in what we

907
00:48:09.000 --> 00:48:13.440
<v Speaker 3>fund is to not fund anything. So you've got about

908
00:48:13.519 --> 00:48:16.760
<v Speaker 3>ninety seconds here make the case well.

909
00:48:16.800 --> 00:48:20.559
<v Speaker 7>I would quote Theodore Roosevelt who said that a national

910
00:48:20.599 --> 00:48:24.719
<v Speaker 7>greatness wholly divorced from artistic production is but a one

911
00:48:24.800 --> 00:48:29.480
<v Speaker 7>sided malform greatness. If the American government is known to

912
00:48:29.599 --> 00:48:33.760
<v Speaker 7>have produced great works of art, it redounds to our

913
00:48:33.840 --> 00:48:36.840
<v Speaker 7>national greatness, in the same way that when the French

914
00:48:36.920 --> 00:48:41.320
<v Speaker 7>rebuilt Notre Dame in Paris, it said something about their civilization.

915
00:48:41.880 --> 00:48:45.679
<v Speaker 7>There are market failures when it comes to the arts,

916
00:48:45.800 --> 00:48:48.199
<v Speaker 7>and I think the government can play a role in

917
00:48:48.280 --> 00:48:50.079
<v Speaker 7>those areas well.

918
00:48:50.079 --> 00:48:51.880
<v Speaker 3>Thank you, Justin, and thank you for reminding me. And

919
00:48:52.079 --> 00:48:53.800
<v Speaker 3>what you said before that I actually meant to say

920
00:48:53.800 --> 00:48:55.960
<v Speaker 3>do shomp instead of greet and do Schamp was not

921
00:48:56.039 --> 00:48:57.880
<v Speaker 3>wrong to consider the urinal to be a piece of

922
00:48:58.000 --> 00:49:01.360
<v Speaker 3>art and recontext joining it as such was a brilliant move.

923
00:49:01.719 --> 00:49:03.719
<v Speaker 3>Thing is you can only do that once, and it

924
00:49:03.760 --> 00:49:06.559
<v Speaker 3>seems as if we've been recontextualizing urinals for the last

925
00:49:06.559 --> 00:49:09.559
<v Speaker 3>one hundred or so years. Good luck, hope you get in.

926
00:49:09.800 --> 00:49:12.280
<v Speaker 3>Look forward to what you do if you do so,

927
00:49:12.760 --> 00:49:16.079
<v Speaker 3>and you know, maybe after you've been in the Italier

928
00:49:16.239 --> 00:49:18.920
<v Speaker 3>government and you've changed the cultural shape of the nation,

929
00:49:18.960 --> 00:49:20.639
<v Speaker 3>you'll come back and speak with us about what you've

930
00:49:20.679 --> 00:49:21.880
<v Speaker 3>done and what needs to be done.

931
00:49:21.960 --> 00:49:24.280
<v Speaker 6>Still, thank you, justin thanks for having me.

932
00:49:25.480 --> 00:49:26.880
<v Speaker 3>I didn't mean to give the impression I think that

933
00:49:26.920 --> 00:49:29.880
<v Speaker 3>everything should be a classical temple, because I don't. One

934
00:49:29.920 --> 00:49:31.880
<v Speaker 3>of the things that I love about early American twentieth

935
00:49:31.920 --> 00:49:35.800
<v Speaker 3>century skyscraper architecture is, yes, it's classical details, and yes,

936
00:49:35.880 --> 00:49:38.679
<v Speaker 3>Cass Gilbert could ladle on the frosting and it looked great.

937
00:49:38.760 --> 00:49:43.800
<v Speaker 3>And Woolworth Building is fantastic with its Gothic style. Yeah,

938
00:49:44.159 --> 00:49:47.360
<v Speaker 3>but the greatest American skyscrapers are the ones that came afterwards.

939
00:49:47.400 --> 00:49:47.920
<v Speaker 4>The ones that.

940
00:49:48.079 --> 00:49:52.400
<v Speaker 3>Became some new idiom. The flat iron building is very early,

941
00:49:52.440 --> 00:49:56.039
<v Speaker 3>but it's very modern. The buildings that arose because of

942
00:49:56.079 --> 00:49:58.880
<v Speaker 3>a change in the zoning law. They built the Equitable

943
00:49:58.920 --> 00:50:02.760
<v Speaker 3>building in New York, huge gargantuan structure early part of

944
00:50:02.800 --> 00:50:05.559
<v Speaker 3>the twentieth century, in like nineteen ten, nineteen twelve, forty

945
00:50:05.559 --> 00:50:09.599
<v Speaker 3>seven stories or something, two file cabinets. It cast a

946
00:50:09.679 --> 00:50:11.920
<v Speaker 3>shadow forever and they said, you know what this is

947
00:50:11.920 --> 00:50:14.360
<v Speaker 3>again and out of hand, we need zoning. And the

948
00:50:14.480 --> 00:50:18.519
<v Speaker 3>zoning laws that they passed mandated setbacks so the light

949
00:50:18.559 --> 00:50:20.960
<v Speaker 3>could trickle down to the street. Well, because New York

950
00:50:21.039 --> 00:50:24.159
<v Speaker 3>architects were the most influential, the style of setbacks was

951
00:50:24.199 --> 00:50:26.880
<v Speaker 3>picked up all across the country. And you'd have a

952
00:50:26.880 --> 00:50:31.400
<v Speaker 3>building in Fargo, North Dakota that had setbacks, didn't need them,

953
00:50:31.440 --> 00:50:34.119
<v Speaker 3>but that was the style, and we developed this American

954
00:50:34.119 --> 00:50:36.880
<v Speaker 3>idiom that is the most one of our greatest contributions

955
00:50:36.880 --> 00:50:41.079
<v Speaker 3>to twentieth century culture. You know, people say are deco,

956
00:50:41.239 --> 00:50:44.000
<v Speaker 3>I call it modern whatever. Sky scrapers of the early

957
00:50:44.760 --> 00:50:48.360
<v Speaker 3>thirties before the crash finally took out the business are

958
00:50:48.440 --> 00:50:52.440
<v Speaker 3>just magnificent examples and they're anything but severe, and they're

959
00:50:52.480 --> 00:50:58.360
<v Speaker 3>anything but classical. They're uniquely distinctly American.

960
00:50:58.880 --> 00:51:00.320
<v Speaker 1>Now that set.

961
00:51:00.599 --> 00:51:04.360
<v Speaker 3>Everybody yells at the you know, the seagrum building style,

962
00:51:04.719 --> 00:51:07.880
<v Speaker 3>the international style. It's boring, and yeah, it has its

963
00:51:07.920 --> 00:51:11.000
<v Speaker 3>boring manifestations. Chicago is full of them, but it does

964
00:51:11.039 --> 00:51:13.119
<v Speaker 3>have a lightness and a beauty to it when done right.

965
00:51:13.280 --> 00:51:17.239
<v Speaker 3>I've always said that a town that has one lever

966
00:51:17.400 --> 00:51:21.000
<v Speaker 3>house or seagrums building is lucky. A town that has

967
00:51:21.079 --> 00:51:25.079
<v Speaker 3>ten is cursed. So there's beauty to be found in

968
00:51:25.239 --> 00:51:28.719
<v Speaker 3>all of these styles, but not so much in the

969
00:51:28.760 --> 00:51:31.039
<v Speaker 3>brutalist and the deconstructionist. And if we can get back

970
00:51:31.079 --> 00:51:33.840
<v Speaker 3>to those things which flourished at a time of American flourishing,

971
00:51:33.840 --> 00:51:35.559
<v Speaker 3>I think our cities will be more beautiful, and I

972
00:51:35.559 --> 00:51:38.400
<v Speaker 3>think we'll be happier to be walking around them. That

973
00:51:38.559 --> 00:51:40.559
<v Speaker 3>is my speech, and I have nothing more to say

974
00:51:40.760 --> 00:51:41.280
<v Speaker 3>on the matter.

975
00:51:43.639 --> 00:51:46.159
<v Speaker 1>No, I can't top that, so I will I will resign.

976
00:51:45.840 --> 00:51:48.920
<v Speaker 3>From this conversation too, all right, And Charles, I believe

977
00:51:48.719 --> 00:51:51.519
<v Speaker 3>you have another conversation that can be found elsewhere with

978
00:51:51.599 --> 00:51:54.880
<v Speaker 3>the gentleman, probably about in detail, about some other things.

979
00:51:54.880 --> 00:51:58.760
<v Speaker 3>So we've had we've had a justin justin frenzy here

980
00:51:59.000 --> 00:52:01.920
<v Speaker 3>at the old Ricochet pop cast network. Well, gentlemen, before

981
00:52:01.960 --> 00:52:05.280
<v Speaker 3>we go out, at the top of the hour, I made,

982
00:52:05.440 --> 00:52:07.280
<v Speaker 3>in a strange voice of pronouncement that it was a

983
00:52:07.320 --> 00:52:10.000
<v Speaker 3>Friday once again. And that might be familiar to a

984
00:52:10.000 --> 00:52:13.400
<v Speaker 3>few people who used to listen to David Lynch, who

985
00:52:13.400 --> 00:52:16.519
<v Speaker 3>would get on YouTube every Friday and give the weather.

986
00:52:18.000 --> 00:52:18.360
<v Speaker 3>That's all.

987
00:52:18.480 --> 00:52:19.800
<v Speaker 4>He just gave the weather.

988
00:52:20.480 --> 00:52:23.559
<v Speaker 3>And David Lynch giving you the weather is one of

989
00:52:23.599 --> 00:52:25.519
<v Speaker 3>those things that was a mainstay for me until he

990
00:52:25.559 --> 00:52:28.800
<v Speaker 3>stopped doing it. And I'll miss it. I'll miss him.

991
00:52:32.199 --> 00:52:35.159
<v Speaker 3>You could say that there are two Americas. There's the

992
00:52:35.199 --> 00:52:37.760
<v Speaker 3>America that was bummed when David Lynch died and the

993
00:52:37.800 --> 00:52:41.199
<v Speaker 3>America it was bummed when Bob Ucker died. I'd like

994
00:52:41.280 --> 00:52:44.840
<v Speaker 3>to think I straddled both. I contain multitudes, but I

995
00:52:44.960 --> 00:52:48.360
<v Speaker 3>was more hit by Lynch than Youker, But either one

996
00:52:48.760 --> 00:52:49.599
<v Speaker 3>great Americans.

997
00:52:49.719 --> 00:52:52.360
<v Speaker 4>Gentlemen, what say you? Yeah?

998
00:52:52.400 --> 00:52:53.840
<v Speaker 1>I think I agree with that. I mean, Uker was

999
00:52:54.159 --> 00:52:55.840
<v Speaker 1>a one joke person, right, and it was a good

1000
00:52:55.920 --> 00:52:57.480
<v Speaker 1>joke and he got a lot of mileage out of it,

1001
00:52:57.559 --> 00:52:59.000
<v Speaker 1>kind of like Rodney Danger's Field.

1002
00:52:59.000 --> 00:52:59.599
<v Speaker 4>I don't get no.

1003
00:52:59.559 --> 00:53:02.599
<v Speaker 1>Respect business, whereas Lynch, I don't know I don't know

1004
00:53:02.639 --> 00:53:05.159
<v Speaker 1>what to say about him. I mean, I he was

1005
00:53:05.199 --> 00:53:09.920
<v Speaker 1>certainly unique, you know, and nobody has been able. I mean,

1006
00:53:10.000 --> 00:53:12.280
<v Speaker 1>I think we all remember, if you're old enough, Twin

1007
00:53:12.320 --> 00:53:15.440
<v Speaker 1>Peaks on TV back in what was that nineteen eighty nine,

1008
00:53:15.559 --> 00:53:17.599
<v Speaker 1>ninety ninety one, and I've never seen anything like it,

1009
00:53:18.159 --> 00:53:19.679
<v Speaker 1>and it did kind of fizzle out at the end.

1010
00:53:19.800 --> 00:53:23.280
<v Speaker 1>More can be said about that problem with filmmakers. I

1011
00:53:23.320 --> 00:53:25.519
<v Speaker 1>think the coin runners often don't know how to end

1012
00:53:25.559 --> 00:53:30.039
<v Speaker 1>their movies sometimes. But that was and I think people

1013
00:53:30.039 --> 00:53:32.159
<v Speaker 1>who try to copy that style, they're.

1014
00:53:31.920 --> 00:53:35.079
<v Speaker 3>Not even close. Nope, nope, And I'll tell you why

1015
00:53:35.079 --> 00:53:35.440
<v Speaker 3>in a second.

1016
00:53:35.480 --> 00:53:36.880
<v Speaker 4>But I want to get Charles take first.

1017
00:53:37.280 --> 00:53:40.239
<v Speaker 5>Wow, I'm a movie it is, and I've seen almost

1018
00:53:40.599 --> 00:53:44.320
<v Speaker 5>no great movies. I've been slowly rectifying this, but I

1019
00:53:44.360 --> 00:53:48.559
<v Speaker 5>haven't extended my journey to Lynch. So the last time

1020
00:53:48.639 --> 00:53:52.559
<v Speaker 5>I saw anything that David Lynch did was at the

1021
00:53:52.639 --> 00:53:55.199
<v Speaker 5>end of the Steven Spielberg movie The Fableman's where he

1022
00:53:55.199 --> 00:53:59.000
<v Speaker 5>plays John Ford, which was really good, really memorable moment

1023
00:53:59.159 --> 00:54:02.480
<v Speaker 5>in that movie, which which I liked. That's my film analysis,

1024
00:54:02.480 --> 00:54:04.280
<v Speaker 5>by the way, is I liked it or I didn't

1025
00:54:04.360 --> 00:54:06.480
<v Speaker 5>like it, and I like most of them. But I

1026
00:54:06.559 --> 00:54:10.039
<v Speaker 5>did see an interview with David Lynch that made me laugh,

1027
00:54:10.079 --> 00:54:12.360
<v Speaker 5>and this I think sums up the man, at least

1028
00:54:12.360 --> 00:54:16.119
<v Speaker 5>what I know about him. He said it Raise Ahead

1029
00:54:16.960 --> 00:54:20.800
<v Speaker 5>was his most spiritual movie, and the person interviewing him says,

1030
00:54:21.000 --> 00:54:25.920
<v Speaker 5>elaborates on that, and he says, no, yes, ye.

1031
00:54:26.079 --> 00:54:27.079
<v Speaker 1>Well I love it.

1032
00:54:27.280 --> 00:54:27.400
<v Speaker 4>Well.

1033
00:54:27.400 --> 00:54:30.920
<v Speaker 1>There's one lingering controversy from Lynch's filmography, and I bet

1034
00:54:31.000 --> 00:54:33.800
<v Speaker 1>James you can anticipate it. It was his first attempt

1035
00:54:33.800 --> 00:54:34.360
<v Speaker 1>to make Doon.

1036
00:54:34.960 --> 00:54:35.159
<v Speaker 4>Yeah.

1037
00:54:35.239 --> 00:54:37.480
<v Speaker 1>And you know, I remember seeing in a theater and

1038
00:54:37.480 --> 00:54:40.039
<v Speaker 1>I remember walking in and being given a sheet. They

1039
00:54:40.079 --> 00:54:41.880
<v Speaker 1>give a sheet everybody came in a theater with all

1040
00:54:41.920 --> 00:54:44.480
<v Speaker 1>the different names and some explanations, and I thought, oh,

1041
00:54:44.599 --> 00:54:46.559
<v Speaker 1>this can't be good. They need to give you a

1042
00:54:46.639 --> 00:54:48.960
<v Speaker 1>cheat sheet to get through the movie. And of course

1043
00:54:49.000 --> 00:54:51.000
<v Speaker 1>he didn't like the way that. I guess the studio

1044
00:54:51.119 --> 00:54:52.960
<v Speaker 1>forced him to make cuts and put out the version

1045
00:54:53.000 --> 00:54:56.079
<v Speaker 1>in the theaters and within a couple of years, if

1046
00:54:56.079 --> 00:54:58.400
<v Speaker 1>you ever saw the movie on DVD, it was always

1047
00:54:58.400 --> 00:55:00.679
<v Speaker 1>an Alan Smithy film. If you know what a went

1048
00:55:00.719 --> 00:55:02.400
<v Speaker 1>smith was always when you want to take your name

1049
00:55:02.440 --> 00:55:05.039
<v Speaker 1>off something, And I know there are some people who

1050
00:55:05.039 --> 00:55:06.840
<v Speaker 1>say his original cut or what he had in mind

1051
00:55:06.840 --> 00:55:09.440
<v Speaker 1>would have been genius or would have been great. And

1052
00:55:09.440 --> 00:55:10.719
<v Speaker 1>and I don't know if you have an opinion on

1053
00:55:10.760 --> 00:55:13.440
<v Speaker 1>that or not, but as someone who loved the Doing books,

1054
00:55:13.519 --> 00:55:14.920
<v Speaker 1>well at least the first one.

1055
00:55:15.159 --> 00:55:18.159
<v Speaker 3>Because I'm the biggest day I'm a really really big.

1056
00:55:18.000 --> 00:55:18.840
<v Speaker 4>David Lynch fan.

1057
00:55:19.039 --> 00:55:22.239
<v Speaker 3>I would rather see Flash Gordon than Doing. I would

1058
00:55:22.320 --> 00:55:26.800
<v Speaker 3>rather see flesh Gordon than Doing. It's just it's just

1059
00:55:27.280 --> 00:55:31.400
<v Speaker 3>never ever done it for me. And that's fine. I mean,

1060
00:55:31.440 --> 00:55:33.559
<v Speaker 3>I don't regard it as it was a you know,

1061
00:55:33.760 --> 00:55:36.360
<v Speaker 3>a work for hire doesn't mean it's bad. I mean,

1062
00:55:36.559 --> 00:55:38.320
<v Speaker 3>Coppola did work for hire and it was some of

1063
00:55:38.320 --> 00:55:40.360
<v Speaker 3>my favorite movies that he did. He just didn't do

1064
00:55:40.400 --> 00:55:42.599
<v Speaker 3>anything for me. Doesn't It doesn't. It doesn't have that

1065
00:55:42.719 --> 00:55:44.800
<v Speaker 3>Lynchian quality. And when you said that, other people in

1066
00:55:44.840 --> 00:55:46.880
<v Speaker 3>the you know, in the early nineties were trying to

1067
00:55:46.920 --> 00:55:50.760
<v Speaker 3>recapture that. Some of them did it somewhat successfully by saying, well,

1068
00:55:50.800 --> 00:55:54.800
<v Speaker 3>it's the quirky characters, but there has to be some underpinning.

1069
00:55:55.480 --> 00:56:00.519
<v Speaker 3>There has to be some underpinning goodness to it. And

1070
00:56:00.519 --> 00:56:04.760
<v Speaker 3>people just thought it was all dwarfs dancing backwards and

1071
00:56:05.119 --> 00:56:05.960
<v Speaker 3>stuff and the rest of it.

1072
00:56:07.039 --> 00:56:08.639
<v Speaker 1>No, no, not at all.

1073
00:56:09.440 --> 00:56:14.440
<v Speaker 3>People didn't get his ability to channel the language of dreams,

1074
00:56:14.559 --> 00:56:17.800
<v Speaker 3>the character of dreams. He was an uncanny master at

1075
00:56:17.840 --> 00:56:21.440
<v Speaker 3>presenting dream logic without I mean, every time you look

1076
00:56:21.480 --> 00:56:23.840
<v Speaker 3>at the dream sequences and the sopranos to see.

1077
00:56:26.039 --> 00:56:27.480
<v Speaker 1>No, no, no.

1078
00:56:27.639 --> 00:56:32.440
<v Speaker 5>He did one. Didn't he do one? Soprano's episode dream sequence?

1079
00:56:32.880 --> 00:56:35.760
<v Speaker 3>I maybe as a parody, I don't think I don't

1080
00:56:35.840 --> 00:56:36.239
<v Speaker 3>think so.

1081
00:56:36.480 --> 00:56:38.480
<v Speaker 1>I do not think so.

1082
00:56:38.519 --> 00:56:39.800
<v Speaker 4>I'll have to go back and check on that.

1083
00:56:41.039 --> 00:56:45.280
<v Speaker 3>But most dream sequences in television shows are there's one

1084
00:56:45.320 --> 00:56:47.719
<v Speaker 3>episode which is the whole thing is a dream sequence,

1085
00:56:47.760 --> 00:56:50.079
<v Speaker 3>and it's kind of close. It kind of gets the

1086
00:56:50.119 --> 00:56:52.719
<v Speaker 3>language right, but they're always too explicit, and people in

1087
00:56:53.280 --> 00:56:57.880
<v Speaker 3>dreams and television are always doing dreamlike things and they

1088
00:56:58.000 --> 00:57:01.360
<v Speaker 3>never accept the fact that they're actually maybe a monkey's

1089
00:57:01.360 --> 00:57:04.440
<v Speaker 3>pod just sitting on the table, I mean, which in

1090
00:57:04.519 --> 00:57:07.400
<v Speaker 3>dreams you do. It's odd, it's there, but you move along.

1091
00:57:07.440 --> 00:57:09.599
<v Speaker 1>And Lynch was just very, very.

1092
00:57:09.679 --> 00:57:11.000
<v Speaker 4>Very good at that.

1093
00:57:11.719 --> 00:57:13.719
<v Speaker 3>But the other reason that twin peaks and blue velvet

1094
00:57:13.760 --> 00:57:15.199
<v Speaker 3>and a lot of the other things work. And we

1095
00:57:15.239 --> 00:57:17.079
<v Speaker 3>had a discussion on this at Ricochet, by the way,

1096
00:57:17.079 --> 00:57:19.239
<v Speaker 3>which you should go to and join because it's.

1097
00:57:19.119 --> 00:57:20.039
<v Speaker 1>Not all politics.

1098
00:57:20.079 --> 00:57:24.079
<v Speaker 3>It's not all banging pots and pans about constitutional amendments

1099
00:57:24.119 --> 00:57:25.440
<v Speaker 3>and the rest of it. It's where we talk about

1100
00:57:25.480 --> 00:57:28.360
<v Speaker 3>things like this. It has to do with his genuine

1101
00:57:28.800 --> 00:57:33.159
<v Speaker 3>love of American culture. You don't have lunch at Bob's

1102
00:57:33.239 --> 00:57:37.079
<v Speaker 3>Big Boy every day unless you are truly a fan

1103
00:57:37.760 --> 00:57:42.679
<v Speaker 3>of the post war culture that produced large, fat, fiberglass

1104
00:57:42.679 --> 00:57:45.719
<v Speaker 3>statues of guys holding hamburgers aloft all over the country.

1105
00:57:46.119 --> 00:57:50.119
<v Speaker 3>He loved that stuff, unapologetically, unironically, and you get the

1106
00:57:50.159 --> 00:57:51.880
<v Speaker 3>sense of that that this is not a culture that

1107
00:57:51.920 --> 00:57:54.679
<v Speaker 3>he thinks needs to be shamed, but needs to have

1108
00:57:54.760 --> 00:57:57.519
<v Speaker 3>its best parts amplified and appreciated and treasured.

1109
00:57:57.840 --> 00:57:58.960
<v Speaker 4>And I always love him for that.

1110
00:58:00.119 --> 00:58:02.320
<v Speaker 5>Look this up, James, and I am indeed wrong. But

1111
00:58:02.360 --> 00:58:05.559
<v Speaker 5>there is one episode of The Sopranos where.

1112
00:58:05.400 --> 00:58:06.880
<v Speaker 2>There is a dream scene.

1113
00:58:07.719 --> 00:58:13.320
<v Speaker 5>That is very explicitly supposed to be a pastillecho of

1114
00:58:13.880 --> 00:58:16.679
<v Speaker 5>David Lynch. That's what I always remembering to have a

1115
00:58:16.719 --> 00:58:18.079
<v Speaker 5>car or something that's a slug.

1116
00:58:18.159 --> 00:58:18.880
<v Speaker 2>It's very weird.

1117
00:58:20.320 --> 00:58:24.039
<v Speaker 3>Yeah, it possibly possibly, But everybody's been trying to, you know,

1118
00:58:24.119 --> 00:58:26.280
<v Speaker 3>to match his vocabulary, his way of doing these things.

1119
00:58:26.320 --> 00:58:28.280
<v Speaker 3>For an awful long time, and they're not successful. I

1120
00:58:28.320 --> 00:58:31.159
<v Speaker 3>would if I was to be if my object, if

1121
00:58:31.199 --> 00:58:34.360
<v Speaker 3>my desire as a director was to do a perfect

1122
00:58:34.480 --> 00:58:37.000
<v Speaker 3>David Lynch dream scene, I'm not sure that the Sopranos

1123
00:58:37.000 --> 00:58:39.800
<v Speaker 3>would be one of the shots that I would attempt

1124
00:58:39.800 --> 00:58:42.159
<v Speaker 3>it to do, because you end up with Tony Soprano

1125
00:58:42.280 --> 00:58:45.320
<v Speaker 3>himself in gladiatorial gear, you know, having it from behind

1126
00:58:45.320 --> 00:58:47.400
<v Speaker 3>it some Italian maiden while they're going over there to

1127
00:58:47.480 --> 00:58:51.239
<v Speaker 3>talk business with the mafia. So no, but anyway, so yeah,

1128
00:58:51.440 --> 00:58:55.400
<v Speaker 3>two distinct Americans, and opposite sides of it, really, but

1129
00:58:55.559 --> 00:58:59.400
<v Speaker 3>both exemplars of the culture. And I'm glad that America

1130
00:58:59.440 --> 00:59:01.800
<v Speaker 3>is the place that that has both of them. I'm

1131
00:59:01.840 --> 00:59:03.519
<v Speaker 3>trying to think of something that happened in Britain that

1132
00:59:03.599 --> 00:59:06.320
<v Speaker 3>Charlie can chime in on today, only to remind us

1133
00:59:06.360 --> 00:59:09.000
<v Speaker 3>that he is glad that he is here and not there.

1134
00:59:09.360 --> 00:59:13.039
<v Speaker 5>And an American citizen and an American citizen.

1135
00:59:12.559 --> 00:59:14.360
<v Speaker 2>Seven years very proud.

1136
00:59:14.920 --> 00:59:17.400
<v Speaker 3>We'll end with this very briefly because I do have

1137
00:59:17.440 --> 00:59:21.079
<v Speaker 3>to run, and that is the government is upset that

1138
00:59:21.360 --> 00:59:24.320
<v Speaker 3>Elon Musk is interfering with their and calling for their

1139
00:59:24.360 --> 00:59:27.239
<v Speaker 3>government to come down because Elon Musk has some strange,

1140
00:59:27.360 --> 00:59:33.760
<v Speaker 3>bizarre fascination with with with sex gangs in England ten

1141
00:59:33.840 --> 00:59:36.519
<v Speaker 3>years ago. How creepy is that of Musk?

1142
00:59:38.880 --> 00:59:42.079
<v Speaker 5>Is this the contribution from British culture that we're going

1143
00:59:42.079 --> 00:59:44.039
<v Speaker 5>to have discussed on this thanks to that? So you

1144
00:59:44.039 --> 00:59:49.199
<v Speaker 5>get David Lynch, I get sex gangs. Yeah, the story

1145
00:59:49.320 --> 00:59:52.119
<v Speaker 5>is still a story because the British government has effectively

1146
00:59:52.159 --> 00:59:54.000
<v Speaker 5>covered it up and said that anyone who talks about

1147
00:59:54.039 --> 00:59:54.880
<v Speaker 5>it as a racist.

1148
00:59:55.480 --> 00:59:56.159
<v Speaker 2>The idea that.

1149
00:59:56.119 --> 01:00:00.199
<v Speaker 5>Elon Musk is being weird by talking about it is cheap.

1150
01:00:00.679 --> 01:00:07.360
<v Speaker 5>This has been percolating, bubbling for years, a decade more,

1151
01:00:08.039 --> 01:00:10.719
<v Speaker 5>and finally, not because of el Un Musk, although I

1152
01:00:10.719 --> 01:00:14.199
<v Speaker 5>don't think he's heard. Finally we're starting to get a

1153
01:00:14.239 --> 01:00:16.960
<v Speaker 5>few people who are not worried about being called right

1154
01:00:17.000 --> 01:00:20.000
<v Speaker 5>wingers or whatever saying no, we need to do something

1155
01:00:20.039 --> 01:00:21.639
<v Speaker 5>about this. And I would just say on this something

1156
01:00:21.679 --> 01:00:24.760
<v Speaker 5>I've said for a very long time, which is one

1157
01:00:24.760 --> 01:00:27.119
<v Speaker 5>of the big problems with covering this up.

1158
01:00:27.880 --> 01:00:29.599
<v Speaker 2>Aside from covering it up.

1159
01:00:29.480 --> 01:00:33.239
<v Speaker 5>Which is the biggest crime, is that it has given

1160
01:00:33.880 --> 01:00:37.119
<v Speaker 5>a handful of British white supremacists who are terrible people,

1161
01:00:37.159 --> 01:00:40.960
<v Speaker 5>who have terrible ideas something that they're right about. You

1162
01:00:41.000 --> 01:00:44.119
<v Speaker 5>want to avoid that in your culture. You don't want

1163
01:00:44.239 --> 01:00:48.800
<v Speaker 5>to give the people who are genuinely bad news something

1164
01:00:48.880 --> 01:00:51.039
<v Speaker 5>that they are right about and you are wrong about,

1165
01:00:51.079 --> 01:00:54.039
<v Speaker 5>and that you are actually covering up on a conspiracy

1166
01:00:54.079 --> 01:00:58.639
<v Speaker 5>that is actually true. So it's good from my perspective

1167
01:00:58.840 --> 01:01:00.920
<v Speaker 5>that El Musk has started to say this because for

1168
01:01:00.920 --> 01:01:02.880
<v Speaker 5>the first time in a long time, other people have

1169
01:01:02.960 --> 01:01:05.079
<v Speaker 5>started to say, actually, maybe we should do something about this,

1170
01:01:05.159 --> 01:01:07.199
<v Speaker 5>maybe we should talk about this in public, and it

1171
01:01:07.199 --> 01:01:11.039
<v Speaker 5>will take it away from the fringes, which is good

1172
01:01:11.039 --> 01:01:12.880
<v Speaker 5>in and of itself. That's the main reason, by a

1173
01:01:13.000 --> 01:01:16.519
<v Speaker 5>very long way. Also because it disempowers people who should

1174
01:01:16.559 --> 01:01:20.199
<v Speaker 5>never have been in a position to be said of,

1175
01:01:20.800 --> 01:01:22.079
<v Speaker 5>you know, oh well.

1176
01:01:22.840 --> 01:01:26.440
<v Speaker 3>But Steven, I'm sure you agree completely, which is why

1177
01:01:26.440 --> 01:01:27.960
<v Speaker 3>I'm going to say thank you, and we're going to

1178
01:01:28.079 --> 01:01:31.119
<v Speaker 3>eat the show because I have to go go let

1179
01:01:31.119 --> 01:01:31.519
<v Speaker 3>my dog out.

1180
01:01:31.559 --> 01:01:33.079
<v Speaker 1>Stephen Hayward, Charles W.

1181
01:01:33.320 --> 01:01:33.519
<v Speaker 4>Cook.

1182
01:01:33.599 --> 01:01:35.639
<v Speaker 3>We thank our guest justin hope he gets into the name.

1183
01:01:35.760 --> 01:01:37.639
<v Speaker 3>We thank all of you for tuning in, and we

1184
01:01:37.679 --> 01:01:39.239
<v Speaker 3>hope you go to Ricochet and sign up so you

1185
01:01:39.239 --> 01:01:43.199
<v Speaker 3>can enjoy the life verve conversation sparkling with in the

1186
01:01:43.199 --> 01:01:47.000
<v Speaker 3>member feed. We'll see you next week, same time, and gentlemen,

1187
01:01:47.079 --> 01:01:49.679
<v Speaker 3>we'll see everyone in the comments, said Ricochet four point zero.

1188
01:01:49.880 --> 01:01:53.639
<v Speaker 1>Next week, Ricochet

1189
01:01:56.320 --> 01:01:57.320
<v Speaker 3>Join the conversation.
