WEBVTT

1
00:00:01.040 --> 00:00:05.599
<v Speaker 1>It's with Dan Ray. I'm telling you easy Boston.

2
00:00:06.559 --> 00:00:11.640
<v Speaker 2>Two hours down, two hours to go. This is night Side.

3
00:00:11.720 --> 00:00:17.280
<v Speaker 2>Dan is off. He'll be back Wednesday, the first of

4
00:00:17.760 --> 00:00:23.199
<v Speaker 2>January twenty twenty five. And those of you who hear

5
00:00:23.239 --> 00:00:26.440
<v Speaker 2>me fill in I'm busy, or hear me on my

6
00:00:26.519 --> 00:00:31.120
<v Speaker 2>own show Saturdays, you all know I have the utmost

7
00:00:31.199 --> 00:00:37.399
<v Speaker 2>respect for my next guest, and I teasingly refer to

8
00:00:37.439 --> 00:00:42.079
<v Speaker 2>her as the Empress of entertainment. And she'll tell you

9
00:00:42.640 --> 00:00:45.920
<v Speaker 2>when I call to line up for her to be

10
00:00:46.000 --> 00:00:49.920
<v Speaker 2>on again. I use that phrase on her answer machine

11
00:00:51.079 --> 00:00:53.719
<v Speaker 2>and she's I hear a giggling in the background.

12
00:00:54.920 --> 00:00:58.960
<v Speaker 3>I am giggling. I've got I'm very flattered by that,

13
00:00:59.039 --> 00:01:01.920
<v Speaker 3>Moniker Morgan, and it's so I'm so happy to be

14
00:01:02.000 --> 00:01:04.439
<v Speaker 3>here the day after Christmas. I'm exhausted.

15
00:01:05.120 --> 00:01:07.760
<v Speaker 2>I'm trying to get people to call you that, any

16
00:01:08.000 --> 00:01:11.760
<v Speaker 2>business people, friends, I'm trying to get everybody.

17
00:01:12.799 --> 00:01:15.680
<v Speaker 3>Everybody called me that I insist that they do.

18
00:01:16.319 --> 00:01:20.599
<v Speaker 2>Oh good. I'm a happy, happy, joy joy camper. So

19
00:01:20.760 --> 00:01:25.920
<v Speaker 2>let's talk about this December. I cannot remember a year

20
00:01:26.000 --> 00:01:32.200
<v Speaker 2>would there have been so many Christmas movies? First week,

21
00:01:32.400 --> 00:01:39.560
<v Speaker 2>second week, third week of December Christmas that had their debut, right.

22
00:01:40.840 --> 00:01:43.120
<v Speaker 3>Yeah, maybe, I don't know. I feel like it's been

23
00:01:43.159 --> 00:01:45.680
<v Speaker 3>all sort of dragged out through the fall and all

24
00:01:45.680 --> 00:01:47.840
<v Speaker 3>sort of bunched up in the last month or so,

25
00:01:48.000 --> 00:01:51.319
<v Speaker 3>and a lot of movies that still have not opened,

26
00:01:51.400 --> 00:01:54.200
<v Speaker 3>which are you know, big movies, and movies that opened

27
00:01:54.280 --> 00:01:56.400
<v Speaker 3>earlier got a lot of buzz earlier. I feel like

28
00:01:56.439 --> 00:01:58.959
<v Speaker 3>it's been kind of spread out, so right, So there

29
00:01:59.000 --> 00:02:03.239
<v Speaker 3>you go. But it's a very it's a very strange season.

30
00:02:03.280 --> 00:02:05.200
<v Speaker 3>A lot of really good movies, but not a lot

31
00:02:05.239 --> 00:02:09.479
<v Speaker 3>of sort of blockbusters that everybody was dying to see

32
00:02:09.599 --> 00:02:12.759
<v Speaker 3>in a sense, you know, maybe Wicked. Let's say Wicked,

33
00:02:14.039 --> 00:02:14.680
<v Speaker 3>and they have.

34
00:02:14.759 --> 00:02:17.919
<v Speaker 2>Made their money with that movie. Oh good grief have they?

35
00:02:18.479 --> 00:02:21.840
<v Speaker 3>Oh yeah, it's Wicked and Mowana, who have just been

36
00:02:22.560 --> 00:02:25.960
<v Speaker 3>really gangbusters at the box office. Pretty incredible.

37
00:02:27.240 --> 00:02:30.759
<v Speaker 2>I have one question when you say Mawana makes me

38
00:02:30.800 --> 00:02:32.960
<v Speaker 2>think of Disney. When I think of Disney, I think

39
00:02:33.000 --> 00:02:33.879
<v Speaker 2>of The Lion King.

40
00:02:34.439 --> 00:02:35.599
<v Speaker 3>I think of the Rock.

41
00:02:36.759 --> 00:02:42.879
<v Speaker 2>Yeah, okay, I'm so glad you have an image of him,

42
00:02:43.439 --> 00:02:49.400
<v Speaker 2>But the prequel to The Lion King. We all know

43
00:02:49.479 --> 00:02:52.400
<v Speaker 2>that we lost James Earl Jones this year, but we

44
00:02:52.479 --> 00:02:58.639
<v Speaker 2>also know that movies get made five ten a year

45
00:02:58.919 --> 00:03:04.759
<v Speaker 2>before they get relieved. Could he reprise his voice as

46
00:03:04.879 --> 00:03:06.000
<v Speaker 2>Mufasa grew up?

47
00:03:07.680 --> 00:03:08.000
<v Speaker 1>You know.

48
00:03:09.919 --> 00:03:13.879
<v Speaker 3>It's Aaron Pierre is the guy who voices Mufasa in

49
00:03:14.960 --> 00:03:18.159
<v Speaker 3>the twenty twenty four film Mufasa the Lion King. So

50
00:03:18.199 --> 00:03:23.439
<v Speaker 3>he's replacing James Earl Jones, and that was made. I

51
00:03:23.439 --> 00:03:26.039
<v Speaker 3>think that decision was made pretty early in the development

52
00:03:26.039 --> 00:03:28.080
<v Speaker 3>of the film, and that was really a long time

53
00:03:28.120 --> 00:03:31.120
<v Speaker 3>before James Earl Jones passed away, and the film is

54
00:03:31.159 --> 00:03:34.680
<v Speaker 3>a prequel. So he sounds like a slightly younger version

55
00:03:35.840 --> 00:03:40.680
<v Speaker 3>of the Lion King of Mufasa, which is appropriate, I mean,

56
00:03:40.719 --> 00:03:46.479
<v Speaker 3>because who could really replicate James Earl Jones's deep basso,

57
00:03:46.919 --> 00:03:48.919
<v Speaker 3>you know, baritone voice.

58
00:03:49.599 --> 00:03:51.680
<v Speaker 2>James Earl Jones could do it. And if he was

59
00:03:51.759 --> 00:03:55.240
<v Speaker 2>still alive when they were putting this whole movie together,

60
00:03:56.199 --> 00:03:57.840
<v Speaker 2>I don't know why they didn't pick him to be

61
00:03:57.919 --> 00:03:59.080
<v Speaker 2>Mufasa again.

62
00:04:00.000 --> 00:04:05.080
<v Speaker 3>You know, who knows why that decision was made and

63
00:04:05.319 --> 00:04:08.560
<v Speaker 3>what you know, how willing he was to take on

64
00:04:09.039 --> 00:04:12.120
<v Speaker 3>that part. Maybe he was unable to handle that part.

65
00:04:12.240 --> 00:04:14.639
<v Speaker 3>I don't know at that point. You know what kind

66
00:04:14.639 --> 00:04:17.879
<v Speaker 3>of shape he was in. I don't know, but I

67
00:04:17.920 --> 00:04:20.199
<v Speaker 3>know the decision was made earlier, and maybe they just

68
00:04:20.199 --> 00:04:24.279
<v Speaker 3>decided they wanted a younger voice and that's how they

69
00:04:24.319 --> 00:04:26.040
<v Speaker 3>did it. I don't know. That's all I can tell you.

70
00:04:26.079 --> 00:04:28.600
<v Speaker 3>But it's an actor named Aaron Pierre.

71
00:04:29.279 --> 00:04:32.560
<v Speaker 2>That's what Disney does. And by the way, this is

72
00:04:32.879 --> 00:04:39.720
<v Speaker 2>a trivia fact for you, Okay, the only how can

73
00:04:39.759 --> 00:04:47.000
<v Speaker 2>I say this production? Will you heard James Earl Jones

74
00:04:47.079 --> 00:04:49.399
<v Speaker 2>say Luke, I'm your father.

75
00:04:51.879 --> 00:04:55.800
<v Speaker 3>You know they should have called you Morgan, they should

76
00:04:55.800 --> 00:04:59.120
<v Speaker 3>have called you my god. When you just said that,

77
00:04:59.240 --> 00:05:02.680
<v Speaker 3>I'm thinking, Yeah, do you do a lot of voice work,

78
00:05:02.720 --> 00:05:04.720
<v Speaker 3>I mean, beyond what you do on the radio. So

79
00:05:04.759 --> 00:05:06.079
<v Speaker 3>brilliant I have, I.

80
00:05:06.040 --> 00:05:10.040
<v Speaker 2>Have, But no one called. My phone didn't ring. But

81
00:05:10.240 --> 00:05:14.480
<v Speaker 2>what was the only I'll just say thing for lack

82
00:05:14.560 --> 00:05:16.519
<v Speaker 2>of anything else, and I'll tell you it was a

83
00:05:16.560 --> 00:05:20.240
<v Speaker 2>TV show. Because he never said that in the movies,

84
00:05:20.319 --> 00:05:24.160
<v Speaker 2>the Star Wars movies. He never said exact said that

85
00:05:24.279 --> 00:05:28.959
<v Speaker 2>exact line. But a lot of people say that as

86
00:05:29.000 --> 00:05:34.319
<v Speaker 2>if he did. It's like Kerry Grant never said Judy, Judy, Judy. Yeah,

87
00:05:34.399 --> 00:05:39.000
<v Speaker 2>there are so many of those that became well, it's and.

88
00:05:38.920 --> 00:05:42.000
<v Speaker 3>That Casa Blanc Alne. Play it Sam, you know, play

89
00:05:42.000 --> 00:05:44.959
<v Speaker 3>it against Sam. That was never said exactly that way.

90
00:05:45.040 --> 00:05:46.879
<v Speaker 3>If she can stand it, so can I, you know,

91
00:05:47.040 --> 00:05:48.439
<v Speaker 3>play that whatever it was.

92
00:05:48.720 --> 00:05:52.000
<v Speaker 2>I just watched Castle Blanca this week. HBO is showing it.

93
00:05:52.720 --> 00:05:55.240
<v Speaker 4>Yeah, oh yeah, And I watched.

94
00:05:54.959 --> 00:05:57.879
<v Speaker 2>It again for the eighty millionth time because I love

95
00:05:58.279 --> 00:05:59.040
<v Speaker 2>that movie.

96
00:05:59.759 --> 00:06:02.360
<v Speaker 3>There are some movies you just never get tired of

97
00:06:02.399 --> 00:06:06.879
<v Speaker 3>watching over and over again, never never. I always love

98
00:06:07.040 --> 00:06:11.639
<v Speaker 3>rewatching A Few Good Men with Tom Cruise, Jack Nicholson

99
00:06:11.759 --> 00:06:17.759
<v Speaker 3>de me Moore that what's that movie? And I love

100
00:06:17.839 --> 00:06:22.720
<v Speaker 3>that final courtroom scene where you know, Cruise and Nicholson

101
00:06:22.800 --> 00:06:26.279
<v Speaker 3>go toe to toe head to head in that line

102
00:06:26.439 --> 00:06:31.399
<v Speaker 3>even imitates Nicholson in that film, So it's it's pretty

103
00:06:31.399 --> 00:06:33.199
<v Speaker 3>funny in that line.

104
00:06:33.600 --> 00:06:38.759
<v Speaker 2>You can't handle the truth. But I have to answer

105
00:06:38.759 --> 00:06:44.399
<v Speaker 2>my question. James O. Jones made an appearance on The

106
00:06:44.439 --> 00:06:51.279
<v Speaker 2>Big Bang Theory. Okay, that's that's when he said, because

107
00:06:52.720 --> 00:06:59.480
<v Speaker 2>the plot Alan John Cryer's character was going to hire

108
00:06:59.560 --> 00:07:03.959
<v Speaker 2>James Earl Jones to do his voicemail, and James Earl

109
00:07:04.040 --> 00:07:06.600
<v Speaker 2>joneson what do you want? Do you want lukom your

110
00:07:06.600 --> 00:07:13.959
<v Speaker 2>father or what? But he just him saying that sent chills.

111
00:07:14.000 --> 00:07:17.399
<v Speaker 3>That my spine, I know, just one of those voices.

112
00:07:17.439 --> 00:07:20.480
<v Speaker 3>And if you know anything about James Earld Jones, then

113
00:07:20.560 --> 00:07:22.879
<v Speaker 3>we read a lot about him in his obituaries after

114
00:07:22.920 --> 00:07:25.759
<v Speaker 3>he passed away. But this is sort of interesting lore

115
00:07:25.839 --> 00:07:29.839
<v Speaker 3>about him anyway, that he was a stutterer and very

116
00:07:29.879 --> 00:07:33.040
<v Speaker 3>shy about his stutter when he was a child and

117
00:07:34.000 --> 00:07:38.000
<v Speaker 3>had to really overcome that in his voice. His beautiful

118
00:07:38.079 --> 00:07:43.360
<v Speaker 3>voice ended up being his signature, and it's a pretty

119
00:07:43.360 --> 00:07:49.279
<v Speaker 3>amazing thing. But it's the slowness, the deliberateness of that voice.

120
00:07:50.079 --> 00:07:53.800
<v Speaker 2>I fell in love with him as an actor. The

121
00:07:53.839 --> 00:07:58.800
<v Speaker 2>big screen did him the most justice in The.

122
00:07:58.839 --> 00:08:02.319
<v Speaker 4>Great White Hope, sure, yep.

123
00:08:02.519 --> 00:08:07.560
<v Speaker 2>And Jane Alexander is his co star, and the whole

124
00:08:07.680 --> 00:08:12.959
<v Speaker 2>history of knowing about Jack Johnson, there was just something

125
00:08:13.399 --> 00:08:16.879
<v Speaker 2>that captivated me and obviously a lot of other filmgoers.

126
00:08:17.759 --> 00:08:20.839
<v Speaker 3>But he just nineteen sixty nine, that goes way.

127
00:08:20.600 --> 00:08:23.879
<v Speaker 2>Back, yep. And he brought such dignity to.

128
00:08:23.879 --> 00:08:27.079
<v Speaker 3>That role exactly well that you know you said it,

129
00:08:27.160 --> 00:08:31.079
<v Speaker 3>I mean, that is a great word to use in

130
00:08:31.160 --> 00:08:34.120
<v Speaker 3>describing James ol Jones. He just had a certain kind

131
00:08:34.120 --> 00:08:39.200
<v Speaker 3>of substantive dignity no matter you know, the classics saying

132
00:08:39.360 --> 00:08:41.200
<v Speaker 3>he could read the phone book and make it sound

133
00:08:41.240 --> 00:08:43.879
<v Speaker 3>like Shakespeare. He just had a certain kind of bearing

134
00:08:44.360 --> 00:08:46.720
<v Speaker 3>and it was all channeled really through the voice and

135
00:08:46.759 --> 00:08:53.279
<v Speaker 3>his carriage, that quiet, quiet dignity and power and strength

136
00:08:53.559 --> 00:08:57.000
<v Speaker 3>that he conveyed. So yeah, perfect perfect role for him

137
00:08:57.039 --> 00:08:59.120
<v Speaker 3>and really made his mark.

138
00:09:00.279 --> 00:09:02.879
<v Speaker 2>Let me take a break. People, if you're listening now,

139
00:09:03.919 --> 00:09:06.240
<v Speaker 2>and if you have a question about a movie you've

140
00:09:06.320 --> 00:09:08.600
<v Speaker 2>seen the past two or three weeks, one of the

141
00:09:09.639 --> 00:09:14.200
<v Speaker 2>Christmas releases, maybe Joyce has seen it. Maybe she'll be

142
00:09:14.240 --> 00:09:16.279
<v Speaker 2>able to give you an opinion about it, whether she

143
00:09:16.360 --> 00:09:20.000
<v Speaker 2>has seen it or just knows about it. Phone number

144
00:09:20.080 --> 00:09:24.279
<v Speaker 2>six one, seven, two, five, four, ten thirty or eight eight, eight,

145
00:09:24.440 --> 00:09:27.840
<v Speaker 2>nine to nine, ten thirty. My guest Joyce Skoll Haywick,

146
00:09:27.879 --> 00:09:32.240
<v Speaker 2>and I affectionately call her the Empress of Entertainment. You

147
00:09:32.240 --> 00:09:35.399
<v Speaker 2>can call her Joyce, so use my name whichever you prefer.

148
00:09:35.840 --> 00:09:39.279
<v Speaker 2>Time and temperature here on night Side ten point fifteen

149
00:09:39.919 --> 00:09:41.200
<v Speaker 2>thirty one degrees.

150
00:09:41.919 --> 00:09:44.720
<v Speaker 5>If you only knew the power.

151
00:09:44.320 --> 00:09:45.360
<v Speaker 2>Of the night Side.

152
00:09:46.799 --> 00:09:49.799
<v Speaker 1>Now back to Dan Ray live from the Window World

153
00:09:49.919 --> 00:09:53.399
<v Speaker 1>Life Sights two years on WBZ News Radio.

154
00:09:53.919 --> 00:09:57.320
<v Speaker 2>Okay, this is night Side. My name Morgan White Junior

155
00:09:58.080 --> 00:10:02.480
<v Speaker 2>and if you've seen any film released over the past,

156
00:10:03.080 --> 00:10:06.720
<v Speaker 2>I'll say three four weeks pretty much December, tail end

157
00:10:06.720 --> 00:10:11.159
<v Speaker 2>of November. Maybe, just maybe Joyce can give you a

158
00:10:11.159 --> 00:10:16.600
<v Speaker 2>comment or two about those films. First caller tonight for

159
00:10:16.720 --> 00:10:21.639
<v Speaker 2>Joyce is from Maine. Allison, you've got Joyce skill? Heywick?

160
00:10:22.360 --> 00:10:25.039
<v Speaker 6>Oh hello, Hi, I guess yeah. Well I just found

161
00:10:25.039 --> 00:10:28.679
<v Speaker 6>a Trato yesterday and I liked it. But I didn't

162
00:10:28.720 --> 00:10:31.720
<v Speaker 6>like I don't know. I still think that the Cloudskinskiver

163
00:10:31.840 --> 00:10:35.240
<v Speaker 6>and Hurtzug version from forty years ago is to be Oh.

164
00:10:35.279 --> 00:10:39.559
<v Speaker 3>Yeah, no, I'm going way back. If you've ever seen

165
00:10:39.600 --> 00:10:41.440
<v Speaker 3>the silent version, oh.

166
00:10:41.240 --> 00:10:44.480
<v Speaker 6>Sure, yeah, yeah yeah. But I'm not I'm not a

167
00:10:44.480 --> 00:10:46.519
<v Speaker 6>super just kind of a blond spot for you kind of.

168
00:10:46.519 --> 00:10:48.320
<v Speaker 6>I never I'm not a supercent of silent film. So

169
00:10:48.360 --> 00:10:52.000
<v Speaker 6>I don't know why very few, just a Phantom and

170
00:10:52.039 --> 00:10:54.720
<v Speaker 6>a couple other ones. But I just I liked it.

171
00:10:54.879 --> 00:10:57.679
<v Speaker 6>I just love the way the Aggers recreates the era

172
00:10:57.840 --> 00:10:59.639
<v Speaker 6>that he's just an expert at that when he does

173
00:10:59.679 --> 00:11:01.559
<v Speaker 6>his film. All of these films are set in the past.

174
00:11:01.600 --> 00:11:06.679
<v Speaker 6>I and beautiful costumes and good cast and everything, and

175
00:11:06.720 --> 00:11:08.320
<v Speaker 6>I like the other snow, I always like when they

176
00:11:08.320 --> 00:11:11.399
<v Speaker 6>add snowed to movies for no particular reason, but it

177
00:11:11.480 --> 00:11:12.320
<v Speaker 6>added something to it.

178
00:11:12.639 --> 00:11:17.039
<v Speaker 3>Oh yeah, I have not seen h for us. It's

179
00:11:17.080 --> 00:11:19.159
<v Speaker 3>on my list to see what. I will tell you

180
00:11:19.879 --> 00:11:25.519
<v Speaker 3>that critics are loving this film. It's getting fabulous reviews.

181
00:11:25.600 --> 00:11:29.960
<v Speaker 3>It's got an amazing cast. Willem Dafoe, builds stars, guard

182
00:11:31.159 --> 00:11:39.600
<v Speaker 3>Lily Rose, depth and fabulous, fabulous cast, extremely well made apparently,

183
00:11:39.799 --> 00:11:43.279
<v Speaker 3>and looks really scary. I don't watch a lot of really,

184
00:11:43.799 --> 00:11:45.639
<v Speaker 3>you know, sort of horror movies, but I do like

185
00:11:45.759 --> 00:11:48.960
<v Speaker 3>gothic horror movies. I mean, I'm a big Dracula fan,

186
00:11:50.279 --> 00:11:54.559
<v Speaker 3>and I do like anything set in Transylvania.

187
00:11:54.639 --> 00:11:55.600
<v Speaker 6>I didn't a sort of.

188
00:11:55.639 --> 00:11:58.200
<v Speaker 3>Like the vampire the vampire genre.

189
00:11:58.799 --> 00:12:00.360
<v Speaker 6>Don't give me too much. I didn't like the way

190
00:12:00.360 --> 00:12:02.279
<v Speaker 6>they redesigned thout. Do you like to say that? I

191
00:12:02.399 --> 00:12:05.679
<v Speaker 6>just I don't like the way they redesigned because look

192
00:12:05.679 --> 00:12:08.000
<v Speaker 6>and everything right. Did you ever see the film Crimson Peak,

193
00:12:08.039 --> 00:12:10.039
<v Speaker 6>Del Toro's film from about ten years ago? Because I

194
00:12:10.120 --> 00:12:13.559
<v Speaker 6>just love that film anyway. That's a very gothic film

195
00:12:13.600 --> 00:12:16.279
<v Speaker 6>that the girl Gilma to Tour made about ten years ago.

196
00:12:19.039 --> 00:12:20.200
<v Speaker 3>No, I have not seen it.

197
00:12:20.279 --> 00:12:24.039
<v Speaker 6>Oh, Tom Hit'llston, Miawasakowska, and I can't remember who the

198
00:12:24.039 --> 00:12:27.720
<v Speaker 6>third one was Jessica Testing. Yeah. Anyway, Otherwise, I think

199
00:12:27.720 --> 00:12:30.080
<v Speaker 6>it's been a pretty week year for movies. I have

200
00:12:30.159 --> 00:12:32.440
<v Speaker 6>to admit, I don't know why I haven't seen that much.

201
00:12:32.480 --> 00:12:34.720
<v Speaker 6>I really loved, I wanted, I really wanted to love.

202
00:12:34.639 --> 00:12:39.679
<v Speaker 3>The new See a complete Unknown to Dylan biopic.

203
00:12:40.279 --> 00:12:42.399
<v Speaker 6>One of the few who isn't Are you.

204
00:12:42.399 --> 00:12:44.159
<v Speaker 3>A Timothy Shalla may fan?

205
00:12:45.919 --> 00:12:48.879
<v Speaker 6>I haven't liked much he was. I guess maybe calling

206
00:12:48.879 --> 00:12:50.120
<v Speaker 6>he's got your name, maybe me.

207
00:12:50.159 --> 00:12:53.080
<v Speaker 3>Buy your name pretty pretty much put him on the map,

208
00:12:54.000 --> 00:12:56.799
<v Speaker 3>and he this is maybe the best thing he's ever done.

209
00:12:56.960 --> 00:13:00.360
<v Speaker 3>So I would really recommend this. I would also predict

210
00:13:00.360 --> 00:13:03.000
<v Speaker 3>he's gonna walk away with at least an Oscar nomination

211
00:13:03.240 --> 00:13:08.519
<v Speaker 3>for his role here. Like Dylan, it's pretty remarkable.

212
00:13:07.720 --> 00:13:10.600
<v Speaker 6>What he does didn't get wide released. But somebody I

213
00:13:10.639 --> 00:13:14.039
<v Speaker 6>really love named you know, here's sarmonin and she just.

214
00:13:15.360 --> 00:13:18.000
<v Speaker 3>The Outrun and also the Glits.

215
00:13:18.480 --> 00:13:21.440
<v Speaker 6>Yeah yeah, and Outrun was very good. It had some problems. Again,

216
00:13:21.559 --> 00:13:23.799
<v Speaker 6>and you know, I've seen so many movies it's hard

217
00:13:23.799 --> 00:13:25.559
<v Speaker 6>for me not to be hypercritical about things.

218
00:13:26.159 --> 00:13:29.960
<v Speaker 3>But she's pretty extraordinary. No matter what she does, and

219
00:13:30.039 --> 00:13:32.679
<v Speaker 3>she was great in both of those. But my favorite

220
00:13:32.679 --> 00:13:36.600
<v Speaker 3>film that she's ever done to date Brooklyn. Do you

221
00:13:36.600 --> 00:13:37.519
<v Speaker 3>remember Brooklyn?

222
00:13:37.759 --> 00:13:38.480
<v Speaker 6>I've never seen it.

223
00:13:39.240 --> 00:13:41.960
<v Speaker 3>Oh my gosh, that's a film I could watch over

224
00:13:42.120 --> 00:13:44.399
<v Speaker 3>and over again. In fact, it was just on a

225
00:13:44.399 --> 00:13:47.000
<v Speaker 3>couple of weeks ago, and my husband feels the same way.

226
00:13:47.759 --> 00:13:50.480
<v Speaker 3>We can start that movie at any point and just

227
00:13:50.519 --> 00:13:54.279
<v Speaker 3>can't tear ourselves away from it. It's touching, it's funny,

228
00:13:54.279 --> 00:13:58.120
<v Speaker 3>it's about a it's about an Irish immigrant girl who

229
00:13:58.159 --> 00:14:01.159
<v Speaker 3>comes over and tries to start a new life in Brooklyn.

230
00:14:01.240 --> 00:14:05.519
<v Speaker 3>It's all of her experiences here and a relationship that

231
00:14:06.159 --> 00:14:10.039
<v Speaker 3>she forms and her connection with the old country and

232
00:14:10.120 --> 00:14:15.120
<v Speaker 3>with her her new group of friends that she's making

233
00:14:15.159 --> 00:14:18.919
<v Speaker 3>in the United States. But her performance is just so moving.

234
00:14:20.519 --> 00:14:22.320
<v Speaker 6>Oh sorry, But the outrun is he sees a girl

235
00:14:22.320 --> 00:14:24.440
<v Speaker 6>from the far north of Scotland, the Orkney Islands. I've

236
00:14:24.440 --> 00:14:27.159
<v Speaker 6>actually been, and and then she goes to London for

237
00:14:27.200 --> 00:14:29.000
<v Speaker 6>time and gets some kind of into bad shaps and

238
00:14:29.440 --> 00:14:32.360
<v Speaker 6>she's an alcoholic and and I thought there. She filmed

239
00:14:32.399 --> 00:14:33.720
<v Speaker 6>it in the Orkneys, most of it, and it was

240
00:14:33.759 --> 00:14:36.720
<v Speaker 6>so beautiful. So she did beautiful. But the stuff in

241
00:14:36.759 --> 00:14:38.879
<v Speaker 6>London just rank phony to me. It just seems funny.

242
00:14:39.080 --> 00:14:41.399
<v Speaker 6>I just wanted to get back to the island. And yeah,

243
00:14:42.720 --> 00:14:44.879
<v Speaker 6>did you ever see films? Did it years ago? Called

244
00:14:45.000 --> 00:14:48.240
<v Speaker 6>several years ago called Ammonite with Kate Winslet, because it's

245
00:14:48.240 --> 00:14:50.360
<v Speaker 6>exactly brilliant I did.

246
00:14:51.120 --> 00:14:54.320
<v Speaker 3>She was extraordinary in that, as was Winslet. And I'm

247
00:14:54.360 --> 00:14:57.759
<v Speaker 3>not necessarily a Kate Winslet fan, but yeah, that was

248
00:14:57.799 --> 00:15:01.000
<v Speaker 3>a terrific film. I love that. Well, So you see

249
00:15:01.000 --> 00:15:03.000
<v Speaker 3>a lot of movies, did you see?

250
00:15:03.080 --> 00:15:04.559
<v Speaker 6>I don't see a lot of the mainstream stuff, to

251
00:15:04.600 --> 00:15:05.600
<v Speaker 6>be honest, But then I.

252
00:15:05.639 --> 00:15:07.399
<v Speaker 3>Did you see Emilia Perez?

253
00:15:07.960 --> 00:15:09.720
<v Speaker 6>No, I'm looking forward to that hasn't coming here yet.

254
00:15:09.759 --> 00:15:10.200
<v Speaker 6>Is that out?

255
00:15:10.279 --> 00:15:14.919
<v Speaker 3>Is that phenomena? It's on it's streaming and I don't

256
00:15:14.960 --> 00:15:20.279
<v Speaker 3>know which platform it's actually streaming, and it is. It's

257
00:15:20.320 --> 00:15:24.679
<v Speaker 3>like four movies in one. It's Selina Gomez, Zoey Sell,

258
00:15:24.759 --> 00:15:29.440
<v Speaker 3>Dona Carla Sophia Guescon, a very well known Mexican actress

259
00:15:29.559 --> 00:15:34.960
<v Speaker 3>Adriana Pauz, and this ensemble cast won the Best Actress

260
00:15:35.000 --> 00:15:37.919
<v Speaker 3>award at the con Film Festival this past year.

261
00:15:38.279 --> 00:15:40.639
<v Speaker 6>Get up here because I don't use computers, but I'm

262
00:15:40.679 --> 00:15:42.320
<v Speaker 6>also wanting to Well, you've.

263
00:15:42.120 --> 00:15:44.200
<v Speaker 3>Got it and it's a nominated for the Pomp Dworm,

264
00:15:44.240 --> 00:15:46.279
<v Speaker 3>But you've got to see that if there's any way

265
00:15:46.279 --> 00:15:49.919
<v Speaker 3>you can see that movie. And it's a musical on

266
00:15:50.000 --> 00:15:53.879
<v Speaker 3>top of being a thriller, and it's about domestic violence,

267
00:15:53.919 --> 00:15:57.120
<v Speaker 3>and it's also about social justice, and it's about identity

268
00:15:57.200 --> 00:15:58.879
<v Speaker 3>and and it's a musical.

269
00:16:00.200 --> 00:16:02.519
<v Speaker 6>That's get together. We start rabbiting over running over each

270
00:16:02.559 --> 00:16:06.039
<v Speaker 6>other for that film. But yeah, so I want to

271
00:16:06.039 --> 00:16:07.759
<v Speaker 6>see The Room next Door to with To Swinton and

272
00:16:07.799 --> 00:16:10.279
<v Speaker 6>Julianne Moore, you know right. Yeah, it is an Alma

273
00:16:10.320 --> 00:16:12.639
<v Speaker 6>Dovar film, you know right, So I'm coming out very

274
00:16:12.639 --> 00:16:14.240
<v Speaker 6>soon too. So maybe have you seen that one yet?

275
00:16:14.320 --> 00:16:14.360
<v Speaker 4>No?

276
00:16:14.440 --> 00:16:17.600
<v Speaker 3>It's okay, no, not yet, but I have seen a Noora.

277
00:16:17.720 --> 00:16:19.080
<v Speaker 3>Have you seen Anora?

278
00:16:19.200 --> 00:16:22.080
<v Speaker 6>I partner loves the Noura, But I know, sorry, I

279
00:16:22.200 --> 00:16:25.039
<v Speaker 6>just I didn't like the characters. I just thought, you know,

280
00:16:25.360 --> 00:16:26.480
<v Speaker 6>oh really, oh my.

281
00:16:26.480 --> 00:16:31.279
<v Speaker 3>Gosh, Okay, well it's really I mean that Mikey Madison

282
00:16:31.720 --> 00:16:35.240
<v Speaker 3>is extraordinary. She plays a Brooklyn sex worker who marries

283
00:16:35.279 --> 00:16:39.320
<v Speaker 3>the son of a Russian oligarch and the family finds

284
00:16:39.360 --> 00:16:42.639
<v Speaker 3>out descends on the couple to have the marriage at all,

285
00:16:42.759 --> 00:16:46.240
<v Speaker 3>and it's like one big, long frantic chase scene in

286
00:16:46.279 --> 00:16:50.240
<v Speaker 3>a way. But it's also it's a pretty satiric commentary

287
00:16:50.360 --> 00:16:55.600
<v Speaker 3>on the transactional nature of the culture these days and

288
00:16:55.679 --> 00:16:59.799
<v Speaker 3>how it is very corrosive to your to your soul,

289
00:17:00.519 --> 00:17:06.920
<v Speaker 3>if you will, honey, and poignant and really wild and amazing.

290
00:17:07.119 --> 00:17:08.920
<v Speaker 3>So I would recommend that film.

291
00:17:09.119 --> 00:17:09.759
<v Speaker 6>I didn't want to hear.

292
00:17:11.400 --> 00:17:15.640
<v Speaker 2>I let you go, and thank you for covering a

293
00:17:15.640 --> 00:17:16.319
<v Speaker 2>lot with Joyce.

294
00:17:17.039 --> 00:17:20.119
<v Speaker 3>Thank you, Thank you for calling. Always very interesting to

295
00:17:20.160 --> 00:17:20.680
<v Speaker 3>talk with you.

296
00:17:21.759 --> 00:17:26.440
<v Speaker 2>Bye bye, and I've got news in about two minutes.

297
00:17:27.240 --> 00:17:33.440
<v Speaker 2>This is an offshoot subject the Golden Globes. They're they're

298
00:17:33.480 --> 00:17:38.200
<v Speaker 2>having their hoopla on Sunday or the Sunday afternoon, I

299
00:17:38.200 --> 00:17:42.079
<v Speaker 2>forget which. What's your opinion of Nicky Glazer.

300
00:17:42.960 --> 00:17:46.960
<v Speaker 3>I have no idea who she is, what she does.

301
00:17:48.119 --> 00:17:52.240
<v Speaker 3>Apparently she's a comedian and maybe she's been on television.

302
00:17:54.160 --> 00:17:55.920
<v Speaker 3>I have no idea. And of course she makes fun

303
00:17:55.960 --> 00:17:57.559
<v Speaker 3>of the fact that nobody knows who she is, so

304
00:17:57.599 --> 00:18:00.160
<v Speaker 3>therefore she's free to say anything she wants. Hey, she

305
00:18:00.200 --> 00:18:03.079
<v Speaker 3>may be terrific, who knows. I always go in open

306
00:18:03.119 --> 00:18:05.839
<v Speaker 3>to these things. But she wouldn't pull me in, let's

307
00:18:05.839 --> 00:18:07.400
<v Speaker 3>put it that way. But I'm going to watch the

308
00:18:07.400 --> 00:18:08.559
<v Speaker 3>Golden Globes no matter what.

309
00:18:09.200 --> 00:18:12.640
<v Speaker 2>And I'm just curious only because she has done two

310
00:18:12.880 --> 00:18:19.319
<v Speaker 2>stand ups on HBO. She ges PG thirteen to R.

311
00:18:20.160 --> 00:18:23.680
<v Speaker 3>R rated that's about right, maybe even.

312
00:18:23.720 --> 00:18:28.200
<v Speaker 2>A smidge and beyond are And she did the Tom

313
00:18:28.240 --> 00:18:33.799
<v Speaker 2>bab Brady Roast. She was one of the major personalities.

314
00:18:32.960 --> 00:18:37.160
<v Speaker 3>There, which by all accounts was horrible. Yeah yeah roast.

315
00:18:37.519 --> 00:18:37.720
<v Speaker 7>Yeah.

316
00:18:38.039 --> 00:18:41.799
<v Speaker 2>Now, and now she's doing the Golden Globes. I don't

317
00:18:41.799 --> 00:18:44.440
<v Speaker 2>know who her agent happens to be, but they're earning

318
00:18:44.480 --> 00:18:45.039
<v Speaker 2>their living.

319
00:18:45.559 --> 00:18:48.440
<v Speaker 3>You're not kidding. They got her on the Globes. But

320
00:18:49.079 --> 00:18:51.359
<v Speaker 3>so we'll see what happens. But I'm going to watch,

321
00:18:51.519 --> 00:18:53.319
<v Speaker 3>and yeah, I'm looking forward to it.

322
00:18:54.039 --> 00:18:54.440
<v Speaker 7>All right.

323
00:18:55.000 --> 00:18:57.359
<v Speaker 2>Maybe I'll call you at home afterwards, just to give

324
00:18:57.400 --> 00:19:04.519
<v Speaker 2>my not without a microphone listening in. So people, Joyce

325
00:19:04.599 --> 00:19:05.960
<v Speaker 2>is only going to be here to the top of

326
00:19:06.000 --> 00:19:09.039
<v Speaker 2>the hour. You want to call six one, seven, two, five,

327
00:19:09.079 --> 00:19:12.519
<v Speaker 2>four ten thirty, You want to call eight eight, eight,

328
00:19:12.680 --> 00:19:17.119
<v Speaker 2>nine to nine, ten thirty. I encourage you to do so.

329
00:19:17.640 --> 00:19:19.920
<v Speaker 2>This is night Side. I'm more gonna get to fill

330
00:19:19.920 --> 00:19:24.960
<v Speaker 2>in periodically when Dan steps away from the microphone and

331
00:19:25.400 --> 00:19:29.880
<v Speaker 2>I'm here tomorrow and real quick tomorrow. You've heard me

332
00:19:29.880 --> 00:19:33.519
<v Speaker 2>mention her name many a time. Carimbou SEMMI will be here,

333
00:19:34.400 --> 00:19:41.480
<v Speaker 2>Bradley Jay will be here. My buddy, Lieutenant Pruce Apothecar

334
00:19:42.279 --> 00:19:46.160
<v Speaker 2>who was the head of the police in the city

335
00:19:46.160 --> 00:19:50.880
<v Speaker 2>of Newton he retired, and tofa Ellis will be here

336
00:19:51.599 --> 00:19:54.359
<v Speaker 2>and we're going to talk about breakfast cereal. Those are

337
00:19:54.359 --> 00:19:57.680
<v Speaker 2>my guests tomorrow night. I'll be here Monday and Tuesday

338
00:19:58.720 --> 00:20:01.960
<v Speaker 2>and my own shoe on Saturday. Now that I've told

339
00:20:02.000 --> 00:20:05.640
<v Speaker 2>you all of that, I'll tell you this time and

340
00:20:05.720 --> 00:20:11.799
<v Speaker 2>temperature here on night Side ten twenty nine thirty one

341
00:20:11.920 --> 00:20:13.759
<v Speaker 2>flavors degrees.

342
00:20:14.799 --> 00:20:19.119
<v Speaker 1>Here on night Side called Dan Ray on WBZ Boston's

343
00:20:19.200 --> 00:20:19.799
<v Speaker 1>news radio.

344
00:20:20.519 --> 00:20:26.720
<v Speaker 2>Nightside without Dan Ray periodically means me, I'm walking white Junior.

345
00:20:26.759 --> 00:20:29.119
<v Speaker 2>I get to fill in for Dan. He will be

346
00:20:29.200 --> 00:20:34.599
<v Speaker 2>back next year, which is next Wednesday, the first of

347
00:20:34.720 --> 00:20:38.559
<v Speaker 2>January twenty twenty five. I've got Joyce Cole Hawick on

348
00:20:38.720 --> 00:20:42.240
<v Speaker 2>with me, and Joyce, do you miss being on the

349
00:20:42.279 --> 00:20:43.759
<v Speaker 2>anchor desk of Channel four?

350
00:20:44.799 --> 00:20:49.519
<v Speaker 3>Well, I miss the audience. I missed the platform, which

351
00:20:49.599 --> 00:20:53.680
<v Speaker 3>really just doesn't even exist anymore for arts and entertainment coverage.

352
00:20:53.880 --> 00:20:56.920
<v Speaker 3>But I do not miss those hair raising deadlines, which

353
00:20:57.160 --> 00:20:59.960
<v Speaker 3>were crazy. I would be in the theater as late

354
00:21:00.000 --> 00:21:03.000
<v Speaker 3>it is ten fifteen or ten thirty and then have

355
00:21:03.079 --> 00:21:05.000
<v Speaker 3>to race back to the station to be on at

356
00:21:05.039 --> 00:21:10.319
<v Speaker 3>eleven twenty four every single night, weekday night, and it

357
00:21:10.400 --> 00:21:13.240
<v Speaker 3>was really scary. In that time. I'd have to write

358
00:21:13.400 --> 00:21:15.839
<v Speaker 3>and edit and get on my lipstick and run down

359
00:21:15.920 --> 00:21:18.400
<v Speaker 3>the hall and sit in that seat and hope that

360
00:21:18.480 --> 00:21:20.519
<v Speaker 3>Bob Lobell left me enough time at the end of

361
00:21:20.559 --> 00:21:24.079
<v Speaker 3>sports to get out my two minutes about whatever I'd

362
00:21:24.160 --> 00:21:26.400
<v Speaker 3>just seen hot off the presses and had it been

363
00:21:26.400 --> 00:21:31.200
<v Speaker 3>able to digest. So it was really intense and I

364
00:21:31.400 --> 00:21:34.319
<v Speaker 3>do not miss that did that for almost thirty years.

365
00:21:34.400 --> 00:21:36.799
<v Speaker 3>It was a long time, and now I take my time.

366
00:21:36.880 --> 00:21:39.599
<v Speaker 3>I have time to actually think about things, and I

367
00:21:39.599 --> 00:21:43.559
<v Speaker 3>have a longer, longer platform on which to express myself.

368
00:21:43.559 --> 00:21:47.039
<v Speaker 3>That would be Joyce's Choices dot Com, my website. So

369
00:21:47.519 --> 00:21:51.319
<v Speaker 3>sign up. I still review movies in theater and whenever

370
00:21:51.440 --> 00:21:56.079
<v Speaker 3>I post, it'll pop into your email if you sign

371
00:21:56.200 --> 00:21:57.160
<v Speaker 3>up for my site.

372
00:21:57.200 --> 00:21:57.880
<v Speaker 6>So there you go.

373
00:21:58.480 --> 00:22:01.720
<v Speaker 2>And I've got a silly question. I remember the PA

374
00:22:03.559 --> 00:22:06.400
<v Speaker 2>I remember the promo you did where you must have

375
00:22:06.519 --> 00:22:12.319
<v Speaker 2>put on a dozen or two dozen hats, right to

376
00:22:12.440 --> 00:22:15.160
<v Speaker 2>indicate all the aspects of your.

377
00:22:15.119 --> 00:22:20.279
<v Speaker 3>Job as exactly. I'll never forget. It's the site of

378
00:22:20.359 --> 00:22:24.680
<v Speaker 3>the spot when something like I have more in my

379
00:22:24.799 --> 00:22:30.440
<v Speaker 3>mind than just movies. There's theater and dance and music

380
00:22:30.799 --> 00:22:35.200
<v Speaker 3>and the visual arts and museums and all kinds of stuff.

381
00:22:35.279 --> 00:22:37.880
<v Speaker 3>So that was the idea, is that we reported on

382
00:22:38.160 --> 00:22:41.680
<v Speaker 3>all of the arts. And before that, no one had

383
00:22:41.720 --> 00:22:44.119
<v Speaker 3>ever done that in a regular way every single night

384
00:22:44.160 --> 00:22:46.559
<v Speaker 3>as part of a news team. So instead of just

385
00:22:46.599 --> 00:22:50.920
<v Speaker 3>being news, sports and weather, it was news, sports, weather,

386
00:22:51.359 --> 00:22:55.039
<v Speaker 3>and arts and entertainment. And believe it or not, we

387
00:22:55.119 --> 00:22:58.039
<v Speaker 3>paved the way for that, and soon everybody in Boston

388
00:22:58.359 --> 00:23:01.160
<v Speaker 3>had an arts and entertainment report, and that became a

389
00:23:01.400 --> 00:23:05.960
<v Speaker 3>very very popular beat, and it was so unusual that

390
00:23:06.000 --> 00:23:09.799
<v Speaker 3>The New York Times wrote an editorial on our entire

391
00:23:10.680 --> 00:23:13.680
<v Speaker 3>public service campaign, you got to Have Arts, which was

392
00:23:13.839 --> 00:23:16.279
<v Speaker 3>really amazing and did an awful one, I think for

393
00:23:16.319 --> 00:23:19.480
<v Speaker 3>the arts community in Boston, And I mean, it's a

394
00:23:19.519 --> 00:23:21.759
<v Speaker 3>culture rich city, so why wouldn't we have that as

395
00:23:21.799 --> 00:23:24.720
<v Speaker 3>a regular beat. But as soon as TV started to

396
00:23:24.759 --> 00:23:27.240
<v Speaker 3>fall apart, they got rid of what they thought were

397
00:23:27.480 --> 00:23:30.240
<v Speaker 3>you know, the frills are the things that weren't necessary,

398
00:23:30.279 --> 00:23:33.920
<v Speaker 3>and the arts are always the first to go, and

399
00:23:34.440 --> 00:23:39.039
<v Speaker 3>they went not. I mean, we have world class everything

400
00:23:39.240 --> 00:23:44.720
<v Speaker 3>in Boston, music, theater, dance, museums, movies being made in

401
00:23:44.759 --> 00:23:49.359
<v Speaker 3>our streets. I mean, it's pretty extraordinary that in Boston,

402
00:23:50.519 --> 00:23:55.079
<v Speaker 3>in the Northeast, that we don't have a regular coverage

403
00:23:55.240 --> 00:23:58.359
<v Speaker 3>of the arts and culture in this town, which is

404
00:23:58.480 --> 00:24:01.039
<v Speaker 3>important for people to know about. I mean, it shows

405
00:24:01.119 --> 00:24:03.960
<v Speaker 3>some of the extraordinary things human beings are capable of,

406
00:24:04.079 --> 00:24:09.640
<v Speaker 3>not just the grasped corruption, horrible crimes, and you know,

407
00:24:09.960 --> 00:24:13.759
<v Speaker 3>we do wonderful, amazing things and people need to see

408
00:24:13.759 --> 00:24:17.799
<v Speaker 3>that about themselves and understand what's right around us. I mean,

409
00:24:17.920 --> 00:24:20.440
<v Speaker 3>I think a lot of people don't know what's going

410
00:24:20.480 --> 00:24:23.240
<v Speaker 3>on in Boston and it's all happening right here.

411
00:24:23.880 --> 00:24:26.519
<v Speaker 2>We should bring that back. But here's my question about

412
00:24:26.559 --> 00:24:33.400
<v Speaker 2>that promo. Was that filmed where they kept handing you

413
00:24:33.559 --> 00:24:36.279
<v Speaker 2>hats or was that the magic of TV?

414
00:24:37.079 --> 00:24:40.079
<v Speaker 3>No, I'll tell you there wasn't that much magic at

415
00:24:40.079 --> 00:24:43.759
<v Speaker 3>that time. We didn't have those special effects. There wasn't

416
00:24:43.839 --> 00:24:47.160
<v Speaker 3>ai to do that. I will never forget shooting that promo.

417
00:24:47.599 --> 00:24:50.839
<v Speaker 3>They had to strap me into a chair and fix

418
00:24:51.960 --> 00:24:54.319
<v Speaker 3>get me in a certain position where I couldn't move

419
00:24:54.400 --> 00:24:57.839
<v Speaker 3>my head or my face except to say each line.

420
00:24:58.480 --> 00:25:01.759
<v Speaker 3>I couldn't move my neck or turn my head. They

421
00:25:01.799 --> 00:25:04.240
<v Speaker 3>would then switch out the hat and I'd say the

422
00:25:04.279 --> 00:25:07.000
<v Speaker 3>next line, the next line, the next line, the next line.

423
00:25:07.200 --> 00:25:10.960
<v Speaker 3>It took us hours to shoot that, and I was

424
00:25:11.279 --> 00:25:15.759
<v Speaker 3>literally fixed to the chair I was strapped in and

425
00:25:15.759 --> 00:25:20.720
<v Speaker 3>they had my head and neck immobilized. It was it

426
00:25:20.839 --> 00:25:21.920
<v Speaker 3>was impossible.

427
00:25:22.759 --> 00:25:26.319
<v Speaker 2>The glamor of television. Oh yeah, right, glamor.

428
00:25:26.599 --> 00:25:29.400
<v Speaker 3>But it became one of the most memorable things and

429
00:25:29.440 --> 00:25:33.559
<v Speaker 3>people still ask me about that spot and I'll never forget.

430
00:25:33.599 --> 00:25:35.599
<v Speaker 3>It was the first and I wore a red sequined

431
00:25:36.000 --> 00:25:38.000
<v Speaker 3>I don't know, jumpsuit or something like that.

432
00:25:37.920 --> 00:25:39.200
<v Speaker 2>But I've recalled it.

433
00:25:39.880 --> 00:25:41.480
<v Speaker 3>Yeah, it was very hard to shoot.

434
00:25:42.279 --> 00:25:46.599
<v Speaker 2>Let me ask this question about you mentioned movies filmed

435
00:25:46.680 --> 00:25:50.079
<v Speaker 2>in Boston. What was your fate? Now, it could be

436
00:25:50.359 --> 00:25:53.640
<v Speaker 2>during your thirty years, or it could be before your

437
00:25:53.720 --> 00:25:57.000
<v Speaker 2>thirty years or post you thirty years, but what was

438
00:25:57.039 --> 00:25:59.599
<v Speaker 2>your favorite movie filmed in Boston?

439
00:26:00.039 --> 00:26:03.160
<v Speaker 3>Honestly, my very favorite film, and it's one of these

440
00:26:03.160 --> 00:26:05.519
<v Speaker 3>films that I can watch all the time, and it

441
00:26:05.559 --> 00:26:11.440
<v Speaker 3>has very special meaning for me, goodwill hunting without I wish.

442
00:26:11.160 --> 00:26:14.519
<v Speaker 2>I had turned to Nancy and mouthed those words.

443
00:26:14.599 --> 00:26:19.720
<v Speaker 3>So yeah, it's absolutely without a doubt, the phenomenal script,

444
00:26:20.200 --> 00:26:24.640
<v Speaker 3>extremely well acted by Ben Affleck and Matt Damon who

445
00:26:24.680 --> 00:26:28.160
<v Speaker 3>wrote it and shopped this thing around and got assembled

446
00:26:28.720 --> 00:26:32.400
<v Speaker 3>a cast that included Robin Williams. I mean it was

447
00:26:33.200 --> 00:26:36.039
<v Speaker 3>and Casey Affleck, you know, the whole crew was there

448
00:26:36.519 --> 00:26:42.000
<v Speaker 3>but Minnie Driver, right, and then then Matt and Minnie

449
00:26:42.119 --> 00:26:44.319
<v Speaker 3>went out for a while and then that blew up.

450
00:26:44.880 --> 00:26:47.599
<v Speaker 3>But it was shot in so many memorable places. I

451
00:26:47.640 --> 00:26:51.720
<v Speaker 3>mean in Southey and in the public garden. I'll never

452
00:26:51.839 --> 00:26:57.640
<v Speaker 3>forget that conversation Harvard Square right, Oh, them sitting at

453
00:26:57.680 --> 00:26:59.880
<v Speaker 3>the Tasty I think it was, you know, having a

454
00:27:00.160 --> 00:27:04.240
<v Speaker 3>having a burger, yeah, and then him walking into that

455
00:27:04.319 --> 00:27:06.720
<v Speaker 3>bar and having that Harvard guy try to make him

456
00:27:06.720 --> 00:27:09.480
<v Speaker 3>look try to make Ben look stupid, and Matt came

457
00:27:09.559 --> 00:27:12.799
<v Speaker 3>to his rescue and then ran circles around this guy,

458
00:27:13.440 --> 00:27:15.599
<v Speaker 3>uh and then said, hey, I got number. How do

459
00:27:15.640 --> 00:27:16.640
<v Speaker 3>you like them apples?

460
00:27:18.759 --> 00:27:18.880
<v Speaker 1>Now?

461
00:27:19.000 --> 00:27:22.319
<v Speaker 3>It was it was a very it was an excellent film.

462
00:27:22.319 --> 00:27:24.559
<v Speaker 3>And then of course they walked off with an oscar

463
00:27:24.640 --> 00:27:27.039
<v Speaker 3>for it. And I was at the Oscars that year,

464
00:27:27.240 --> 00:27:30.240
<v Speaker 3>covered that ceremony, covered them on the red carpet, covered

465
00:27:30.240 --> 00:27:33.160
<v Speaker 3>them in the winner's room afterward.

466
00:27:34.839 --> 00:27:40.599
<v Speaker 2>They were kids, they were happy, Yes, they were.

467
00:27:44.559 --> 00:27:48.720
<v Speaker 3>Ecstatic, and and they really sort of emblazoned themselves on

468
00:27:48.799 --> 00:27:52.440
<v Speaker 3>the memories of everybody who always thinks of them together.

469
00:27:52.519 --> 00:27:57.359
<v Speaker 3>And they remain obviously very close, lifelong friends. And that

470
00:27:57.640 --> 00:28:00.000
<v Speaker 3>night you could just see the you know, the camaraderie

471
00:28:00.200 --> 00:28:04.039
<v Speaker 3>and the brotherhood, if you will. But that stayed true

472
00:28:04.200 --> 00:28:07.640
<v Speaker 3>all these years. I remember being in that room with

473
00:28:07.799 --> 00:28:09.799
<v Speaker 3>all the press corps. There were hundreds of us in

474
00:28:09.839 --> 00:28:12.920
<v Speaker 3>that room as all the people who won were coming backstage,

475
00:28:13.079 --> 00:28:15.960
<v Speaker 3>and there's always somebody who runs the Q and A backstage,

476
00:28:16.599 --> 00:28:18.640
<v Speaker 3>and I went up to the woman and I said, listen,

477
00:28:18.720 --> 00:28:21.880
<v Speaker 3>I'm from Boston. I know these two. Can I ask

478
00:28:21.960 --> 00:28:24.400
<v Speaker 3>the first question in the room? And she said sure.

479
00:28:24.599 --> 00:28:26.359
<v Speaker 3>So I was in the back. I stood up and

480
00:28:26.480 --> 00:28:29.240
<v Speaker 3>they walk in. I raised my hand and I said,

481
00:28:30.440 --> 00:28:32.720
<v Speaker 3>Matt Ben and they look out and they say, hey,

482
00:28:32.839 --> 00:28:35.799
<v Speaker 3>Joyce said, they lift up their oscars. It was great,

483
00:28:35.799 --> 00:28:37.759
<v Speaker 3>And of course we took that and we used it

484
00:28:38.079 --> 00:28:41.000
<v Speaker 3>as a promo for the next you know, twenty years Ontel.

485
00:28:43.720 --> 00:28:46.839
<v Speaker 3>It was so great, but Goodwill Hunting for all kinds

486
00:28:46.880 --> 00:28:50.319
<v Speaker 3>of reasons. It's an excellent film, and it really put

487
00:28:50.359 --> 00:28:52.319
<v Speaker 3>them on the map. And it's so Boston.

488
00:28:53.400 --> 00:28:54.240
<v Speaker 2>What did you think?

489
00:28:54.599 --> 00:28:54.799
<v Speaker 4>Now?

490
00:28:55.160 --> 00:29:01.680
<v Speaker 2>The movie that started Boston being like a separate actor

491
00:29:03.200 --> 00:29:08.799
<v Speaker 2>was the movie with Steph mcqueens Fade Down Away Paul Burk,

492
00:29:09.920 --> 00:29:11.079
<v Speaker 2>The Thomas Crown.

493
00:29:11.119 --> 00:29:14.279
<v Speaker 3>Thomas Crown Affair exactly. I was thinking about that and

494
00:29:14.359 --> 00:29:16.400
<v Speaker 3>also the remake of The Thomas Crown Affair.

495
00:29:17.160 --> 00:29:19.079
<v Speaker 2>I want to talk about that one because no, we

496
00:29:19.119 --> 00:29:19.559
<v Speaker 2>don't want.

497
00:29:19.480 --> 00:29:21.079
<v Speaker 3>To know about that, but I mean, it's such a

498
00:29:21.119 --> 00:29:23.440
<v Speaker 3>good film and it really worked. I think in both

499
00:29:23.480 --> 00:29:28.839
<v Speaker 3>ways it worked. The first one worked and the the

500
00:29:28.839 --> 00:29:29.559
<v Speaker 3>the remake work.

501
00:29:29.680 --> 00:29:35.279
<v Speaker 2>Remake work, Yes, it did. And you were I'm guessing

502
00:29:35.599 --> 00:29:38.400
<v Speaker 2>because I know you were a teacher Brookline High. And

503
00:29:38.599 --> 00:29:41.559
<v Speaker 2>that was even before you became a teacher, wasn't it.

504
00:29:43.200 --> 00:29:47.559
<v Speaker 3>Oh yeah, because I started teaching in nineteen seventy six.

505
00:29:48.160 --> 00:29:51.160
<v Speaker 3>I think it was my movie seventy six. That movie

506
00:29:51.279 --> 00:29:55.480
<v Speaker 3>was sixty yeah, sixty eight exactly. But there's some I

507
00:29:55.480 --> 00:29:59.039
<v Speaker 3>mean that departed what ant That's such a good film

508
00:29:59.279 --> 00:30:04.839
<v Speaker 3>set in Boston and about Boston again, Matt Damon and

509
00:30:05.519 --> 00:30:10.799
<v Speaker 3>Mark Wahlberg, and it's just so many Boston people in

510
00:30:10.799 --> 00:30:13.279
<v Speaker 3>that film. So Alec Baldwin is in that, not that

511
00:30:13.319 --> 00:30:17.880
<v Speaker 3>he's Boston, but had just an amazing cast and Martin

512
00:30:19.200 --> 00:30:24.920
<v Speaker 3>Grip pardon me, Martin Sheen, Martin Sheen, yeah, oh, Martin Sheen. Yeah,

513
00:30:24.960 --> 00:30:29.240
<v Speaker 3>that's seen with Martin Sheen. But another really remarkable Boston film.

514
00:30:29.640 --> 00:30:33.240
<v Speaker 3>I wish, though, they would start making films about Boston

515
00:30:33.359 --> 00:30:35.559
<v Speaker 3>that weren't always so down and dirty, do you know

516
00:30:35.599 --> 00:30:38.759
<v Speaker 3>what I mean? I mean, the Affair was sort of different,

517
00:30:39.000 --> 00:30:45.279
<v Speaker 3>but I mean, it isn't like we're all gangsters criminals.

518
00:30:46.519 --> 00:30:51.759
<v Speaker 2>In Iowa. If you live in ioland in Arizona, you

519
00:30:51.839 --> 00:30:56.440
<v Speaker 2>think Boston. Yeah, you might think some of the sports teams,

520
00:30:56.519 --> 00:30:58.079
<v Speaker 2>you know, Brady, but.

521
00:30:59.480 --> 00:31:07.039
<v Speaker 3>I think rough and tumble, honest, a little bit crude, suglike.

522
00:31:07.240 --> 00:31:11.480
<v Speaker 3>I mean, yeah, okay, that's an aspect of the city.

523
00:31:13.720 --> 00:31:17.720
<v Speaker 3>I'm going to tell you this again.

524
00:31:18.519 --> 00:31:21.440
<v Speaker 2>You and I are going to be the executive producers

525
00:31:22.200 --> 00:31:24.640
<v Speaker 2>of a movie yet to be titled, yet to be

526
00:31:25.400 --> 00:31:29.880
<v Speaker 2>even put into screenplay form. Do you need to do that?

527
00:31:30.359 --> 00:31:36.240
<v Speaker 2>When I hit the big game tomorrow. I've already told

528
00:31:36.319 --> 00:31:40.599
<v Speaker 2>Jordan I'm going to use him as the star when

529
00:31:40.640 --> 00:31:46.359
<v Speaker 2>we remake Spencer. So I know what I want to do,

530
00:31:46.640 --> 00:31:49.279
<v Speaker 2>and I know what I want to do with you. Yes,

531
00:31:50.440 --> 00:31:52.880
<v Speaker 2>I know what I want to do with Heck, I

532
00:31:52.960 --> 00:31:56.880
<v Speaker 2>have a concept. So let me take my break, invite

533
00:31:57.720 --> 00:32:01.200
<v Speaker 2>maybe one, possibly two phone calls with the time you

534
00:32:01.240 --> 00:32:05.880
<v Speaker 2>and I half left here on night Side six one, seven, two, five, four, ten,

535
00:32:05.960 --> 00:32:09.680
<v Speaker 2>thirty eight, eight, eight, nine, two, nine, ten thirty time

536
00:32:09.720 --> 00:32:14.440
<v Speaker 2>and temperature ten forty five thirty one degrees.

537
00:32:15.079 --> 00:32:18.039
<v Speaker 1>Now back to Dan ray Mine from the Window World

538
00:32:18.160 --> 00:32:21.279
<v Speaker 1>night Sight Studios on WBZ News Radio.

539
00:32:22.039 --> 00:32:26.759
<v Speaker 2>We only took two calls in the majority of this hour,

540
00:32:27.519 --> 00:32:30.680
<v Speaker 2>and now we have two more to take. John and Marblehead.

541
00:32:30.720 --> 00:32:32.359
<v Speaker 2>You're next with Joyce Kleeywick.

542
00:32:34.480 --> 00:32:36.599
<v Speaker 4>Hey, how a ya, We're five?

543
00:32:36.640 --> 00:32:37.119
<v Speaker 2>What's up?

544
00:32:37.720 --> 00:32:37.920
<v Speaker 3>Hi?

545
00:32:38.680 --> 00:32:41.440
<v Speaker 5>Nothing? Just just hi, Joyce, how are you nothing. I've

546
00:32:41.440 --> 00:32:44.200
<v Speaker 5>just been listening to the show and I kind of

547
00:32:44.200 --> 00:32:46.680
<v Speaker 5>never call, but I figured i'd call in because it's

548
00:32:46.720 --> 00:32:50.000
<v Speaker 5>a good topic, a good topic. The entertainment world or

549
00:32:50.039 --> 00:32:53.039
<v Speaker 5>the arcs are a great thing. And U I'm a

550
00:32:53.079 --> 00:32:57.279
<v Speaker 5>movie guy. I'm a theater guy, musicals mostly, but theater guy.

551
00:32:57.359 --> 00:33:00.160
<v Speaker 5>And uh yeah, and I just one of the things

552
00:33:00.160 --> 00:33:04.720
<v Speaker 5>that I realized today. Like with the movies. You know,

553
00:33:05.279 --> 00:33:07.920
<v Speaker 5>people like Joyce and they do movie reviews. Back when

554
00:33:07.920 --> 00:33:10.960
<v Speaker 5>I was a kid, you don't like things are playing

555
00:33:11.000 --> 00:33:13.200
<v Speaker 5>at the movies. I don't know what they are, like nobody.

556
00:33:13.200 --> 00:33:16.319
<v Speaker 5>They don't advertise or they don't advertise the way I

557
00:33:16.359 --> 00:33:18.799
<v Speaker 5>follow them, So I never know what anything is. You know,

558
00:33:18.880 --> 00:33:21.839
<v Speaker 5>it's just kind of it's changed. It's changed a lot,

559
00:33:21.880 --> 00:33:23.160
<v Speaker 5>so it's a little strange for me.

560
00:33:24.240 --> 00:33:26.599
<v Speaker 3>That's interesting. And you don't find that you see ads

561
00:33:26.640 --> 00:33:28.920
<v Speaker 3>for movies on the air. I felt like I was

562
00:33:29.119 --> 00:33:32.920
<v Speaker 3>seeing tons of ads for Wicked and a complete and

563
00:33:33.079 --> 00:33:35.960
<v Speaker 3>known for example, or are you watching TV?

564
00:33:37.519 --> 00:33:40.319
<v Speaker 5>No, I watched TV all the time, but yeah, you know,

565
00:33:40.480 --> 00:33:44.319
<v Speaker 5>yeah Wicked, they've been on for six months. Yeah they

566
00:33:44.359 --> 00:33:47.599
<v Speaker 5>have the buds right right. But the average thing playing

567
00:33:48.319 --> 00:33:51.759
<v Speaker 5>it's TV commercials is not where you find it that

568
00:33:51.839 --> 00:33:54.640
<v Speaker 5>I run into that I run into, you know, right,

569
00:33:54.720 --> 00:33:57.440
<v Speaker 5>unless it's something like that. Unless it's something like that.

570
00:33:57.759 --> 00:33:59.759
<v Speaker 5>What did you think of Wicked in.

571
00:33:59.720 --> 00:34:00.119
<v Speaker 4>The thing in.

572
00:34:02.200 --> 00:34:04.880
<v Speaker 3>The you mean the movie Wicked or the or the

573
00:34:04.880 --> 00:34:08.920
<v Speaker 3>play the movie the movie? I thought the movie was terrific,

574
00:34:08.960 --> 00:34:12.079
<v Speaker 3>And I have to say I dreaded. I dreaded going

575
00:34:12.119 --> 00:34:14.280
<v Speaker 3>to see it because number one, I really love the

576
00:34:14.320 --> 00:34:16.440
<v Speaker 3>play and I love the music, and I thought, oh,

577
00:34:16.719 --> 00:34:19.960
<v Speaker 3>this is gonna be too long. It's only part one

578
00:34:20.079 --> 00:34:22.920
<v Speaker 3>and it's like two and a half hours long, and

579
00:34:22.960 --> 00:34:26.079
<v Speaker 3>it's only the first half. And I thought it's going

580
00:34:26.159 --> 00:34:28.599
<v Speaker 3>to be all blown up, it's gonna be two it's

581
00:34:28.639 --> 00:34:32.119
<v Speaker 3>gonna just collapse under the weight of the big screen

582
00:34:32.199 --> 00:34:37.360
<v Speaker 3>Hollywood treatment. And I went and I was so pleasantly surprised.

583
00:34:37.480 --> 00:34:40.159
<v Speaker 3>It is really terrific. It's almost got too much of

584
00:34:40.199 --> 00:34:44.360
<v Speaker 3>everything in every scene. But these two performances Ariana Grande

585
00:34:45.400 --> 00:34:50.079
<v Speaker 3>as the good Witch and Alphaba Cynthia Arivo as the

586
00:34:50.079 --> 00:34:52.960
<v Speaker 3>wicked Rich of the West, and the backstory about those two,

587
00:34:53.400 --> 00:34:59.039
<v Speaker 3>they are such phenomenal performances. Ariana Grande is so funny.

588
00:34:59.079 --> 00:35:00.960
<v Speaker 3>I mean, we know they can and both sing, and

589
00:35:01.079 --> 00:35:04.599
<v Speaker 3>boy can they sing. I mean like multi octave, powerful

590
00:35:04.719 --> 00:35:09.480
<v Speaker 3>voices and easy. And they sang live to camera. It

591
00:35:09.519 --> 00:35:11.559
<v Speaker 3>wasn't like they taped it in the recording booth and

592
00:35:11.599 --> 00:35:14.239
<v Speaker 3>then they lipsied it later. No, they sang it live.

593
00:35:14.320 --> 00:35:18.400
<v Speaker 3>So the film had a real, almost like a theatrical

594
00:35:18.719 --> 00:35:21.159
<v Speaker 3>energy to it, because what you saw was what was

595
00:35:21.159 --> 00:35:23.880
<v Speaker 3>really happening as they shot it, So I thought it was.

596
00:35:23.920 --> 00:35:25.719
<v Speaker 3>I just thought it was a terrific film. Did you

597
00:35:25.840 --> 00:35:26.440
<v Speaker 3>like it as well?

598
00:35:27.719 --> 00:35:27.960
<v Speaker 1>Yeah?

599
00:35:28.039 --> 00:35:30.400
<v Speaker 5>I saw it in New York years ago with my

600
00:35:30.519 --> 00:35:33.320
<v Speaker 5>daughter and loved it. And I knew nothing about it

601
00:35:33.360 --> 00:35:36.519
<v Speaker 5>when I saw it. Yeah, and then I and I

602
00:35:36.599 --> 00:35:39.000
<v Speaker 5>decided to see it in imax, which might have helped.

603
00:35:40.000 --> 00:35:42.079
<v Speaker 5>But I was, Yeah, I was blown away by how

604
00:35:42.079 --> 00:35:44.079
<v Speaker 5>good it was. I was blown away by how good

605
00:35:44.079 --> 00:35:46.719
<v Speaker 5>it was. And you know, like you say, the two characters,

606
00:35:46.840 --> 00:35:48.960
<v Speaker 5>what I tell people that haven't seen it if they're

607
00:35:48.960 --> 00:35:53.639
<v Speaker 5>going to go. I really think that the Glinda character

608
00:35:54.000 --> 00:35:58.880
<v Speaker 5>kind of steals the show because she's just so so

609
00:35:59.679 --> 00:36:04.880
<v Speaker 5>fun and obnoxious, and you know, thinks's Karen. I think

610
00:36:04.960 --> 00:36:07.039
<v Speaker 5>she's the most caring person in the world, and she

611
00:36:07.119 --> 00:36:12.079
<v Speaker 5>really isn't, but coactly, And sometimes when you see something

612
00:36:12.119 --> 00:36:16.119
<v Speaker 5>on stage it's very funny, and then when you see

613
00:36:16.199 --> 00:36:20.280
<v Speaker 5>the movie version, those funny lines just get rolled over

614
00:36:20.519 --> 00:36:23.119
<v Speaker 5>you don't recognize how funny they are, you know.

615
00:36:23.119 --> 00:36:23.440
<v Speaker 2>What I mean?

616
00:36:23.519 --> 00:36:26.159
<v Speaker 5>Exactly, so exactly, they did a good job at that.

617
00:36:26.280 --> 00:36:30.320
<v Speaker 5>She Arianna Grandi was unbelievable. They were both unbelievable, So

618
00:36:30.360 --> 00:36:30.719
<v Speaker 5>I love it.

619
00:36:30.800 --> 00:36:34.000
<v Speaker 3>They're both extraordinary. And you know, the Cynthia Rivo of

620
00:36:34.039 --> 00:36:36.199
<v Speaker 3>the Wicked Witch of the West character, her problem is

621
00:36:36.239 --> 00:36:40.039
<v Speaker 3>she's green, you know, and we all understand the overtones there.

622
00:36:40.079 --> 00:36:42.400
<v Speaker 3>I mean, her skin color makes her feel like I

623
00:36:43.000 --> 00:36:48.599
<v Speaker 3>feel othered, if you will, just she's excluded. She looks strange,

624
00:36:49.239 --> 00:36:53.639
<v Speaker 3>and as you say, the Glinda character makes a big

625
00:36:53.679 --> 00:36:55.800
<v Speaker 3>show of coming to her rescue to show how good

626
00:36:55.840 --> 00:36:58.719
<v Speaker 3>she is. But in fact, you know, what's touching about

627
00:36:58.800 --> 00:37:03.199
<v Speaker 3>the show is that there is a real relationship that develops,

628
00:37:03.199 --> 00:37:05.480
<v Speaker 3>and they really do love each other. And a Revo's

629
00:37:05.599 --> 00:37:10.320
<v Speaker 3>character has a has a kind of seriousness and and wait,

630
00:37:10.599 --> 00:37:13.840
<v Speaker 3>that is a great counterpoint to how what a flibmity

631
00:37:13.920 --> 00:37:17.760
<v Speaker 3>Gibbet Glinda is initially. So they're just terrific.

632
00:37:17.800 --> 00:37:20.079
<v Speaker 2>I loved it, John, I got to let you know,

633
00:37:20.119 --> 00:37:21.280
<v Speaker 2>I got two more people.

634
00:37:21.039 --> 00:37:21.480
<v Speaker 4>To get on.

635
00:37:21.719 --> 00:37:24.679
<v Speaker 5>Yeah, but thank you for having me on. I appreciate it.

636
00:37:24.760 --> 00:37:26.079
<v Speaker 5>Thank you, care talk you.

637
00:37:26.079 --> 00:37:29.719
<v Speaker 2>John, Bill Winnaker, you're going to score the movie that

638
00:37:29.840 --> 00:37:41.719
<v Speaker 2>Joyce and I are going to produce. Biller, Hi, Bill,

639
00:37:41.840 --> 00:37:42.480
<v Speaker 2>how are you?

640
00:37:43.679 --> 00:37:46.119
<v Speaker 4>Oh great? Great? You know, we had we had a

641
00:37:46.119 --> 00:37:49.360
<v Speaker 4>pleasure seeing Joyce in twenty twenty four we worked an

642
00:37:49.360 --> 00:37:53.719
<v Speaker 4>event together. But yeah, but the main thing, my main

643
00:37:53.760 --> 00:37:57.159
<v Speaker 4>point is some people when they get the globe of

644
00:37:57.199 --> 00:38:01.039
<v Speaker 4>their herald, they grab the sports page first. That's that's

645
00:38:01.079 --> 00:38:02.960
<v Speaker 4>what they were. Even Dan Ray says the first thing

646
00:38:03.000 --> 00:38:05.559
<v Speaker 4>he reads is the sports page. But I would wait

647
00:38:05.639 --> 00:38:08.840
<v Speaker 4>through the news, the Tannel four news, and couldn't wait

648
00:38:08.880 --> 00:38:12.960
<v Speaker 4>to get the Joyce's uh Last and entertainment report every night.

649
00:38:13.119 --> 00:38:20.559
<v Speaker 3>You know, Thank you, Bill, that's lovely.

650
00:38:21.920 --> 00:38:22.400
<v Speaker 2>You know the.

651
00:38:22.360 --> 00:38:24.559
<v Speaker 4>Stations covered it too, but you were the dean, you

652
00:38:24.599 --> 00:38:26.320
<v Speaker 4>were the best.

653
00:38:26.559 --> 00:38:29.320
<v Speaker 3>It's the first one. I was the first one, and

654
00:38:29.360 --> 00:38:31.880
<v Speaker 3>then everyone jumped on the bandwagon, and I was so

655
00:38:32.079 --> 00:38:35.199
<v Speaker 3>glad they did the arts in art town. Need it

656
00:38:35.280 --> 00:38:39.039
<v Speaker 3>as you know, musician extraordinaire. And you're still at it,

657
00:38:41.000 --> 00:38:41.239
<v Speaker 3>you know.

658
00:38:41.360 --> 00:38:42.760
<v Speaker 4>Still and you're still at it.

659
00:38:43.360 --> 00:38:47.920
<v Speaker 2>Channel seven and Channel five they made a good effort.

660
00:38:48.519 --> 00:38:52.840
<v Speaker 2>But you had it, you had it locked down. You

661
00:38:52.960 --> 00:38:55.800
<v Speaker 2>had it locked down.

662
00:38:55.320 --> 00:38:59.559
<v Speaker 4>Joy like the Tom Brady you know, superstar and what

663
00:38:59.679 --> 00:38:59.920
<v Speaker 4>you do.

664
00:39:00.599 --> 00:39:02.679
<v Speaker 2>She was the goat of all time.

665
00:39:04.119 --> 00:39:08.360
<v Speaker 4>Yeah, and you have a gift of you know, it's

666
00:39:08.440 --> 00:39:12.199
<v Speaker 4>just you ooz with love and joy and spirit and personality.

667
00:39:13.800 --> 00:39:14.159
<v Speaker 6>Thank you.

668
00:39:16.360 --> 00:39:18.519
<v Speaker 3>I love this beat. I just love it, and I

669
00:39:18.559 --> 00:39:21.119
<v Speaker 3>think people should only do the things they love. What

670
00:39:21.360 --> 00:39:23.639
<v Speaker 3>a great world it would be, right, imagine if you

671
00:39:23.679 --> 00:39:27.280
<v Speaker 3>had a waiter who really loved being a waiter, a

672
00:39:27.320 --> 00:39:29.800
<v Speaker 3>gardener who loved being a gardener, I mean, a musician

673
00:39:30.000 --> 00:39:31.840
<v Speaker 3>who loves to be a musician. Of course, you wouldn't

674
00:39:31.840 --> 00:39:33.599
<v Speaker 3>be one if you if you didn't love it, because

675
00:39:33.639 --> 00:39:36.559
<v Speaker 3>there's no money in that. But uh, you gotta love

676
00:39:36.559 --> 00:39:39.000
<v Speaker 3>what you do and then that always comes shining through,

677
00:39:39.079 --> 00:39:41.239
<v Speaker 3>and you usually can do that better than anybody else.

678
00:39:41.639 --> 00:39:43.639
<v Speaker 2>Bill, you go to get one more on.

679
00:39:44.159 --> 00:39:47.920
<v Speaker 4>Okay, sorry with you, Bill, Thank you for your all.

680
00:39:49.360 --> 00:39:53.199
<v Speaker 2>John and Ohio, John and Ohio. You wait to the

681
00:39:53.320 --> 00:39:56.199
<v Speaker 2>very end of the show to call in. John, I'll

682
00:39:56.199 --> 00:39:58.039
<v Speaker 2>give you a minute and a half. I'll give you

683
00:39:58.079 --> 00:39:59.079
<v Speaker 2>a minute and a half with Joyce.

684
00:39:59.159 --> 00:40:02.119
<v Speaker 4>Call Heywick, I'm really like that.

685
00:40:02.239 --> 00:40:06.800
<v Speaker 7>You mentioned of Howard Zinn's People's History of the United

686
00:40:06.880 --> 00:40:15.239
<v Speaker 7>States and Noam Chomsky CIA Operation Mockingbird Controls Controls the Media,

687
00:40:15.880 --> 00:40:20.199
<v Speaker 7>two sources that are almost unthinkable in this age of

688
00:40:21.480 --> 00:40:26.679
<v Speaker 7>thousand close right wing radio stations trying to ruify anything

689
00:40:26.840 --> 00:40:32.679
<v Speaker 7>that doesn't perform to the hagiography of the official version

690
00:40:32.719 --> 00:40:33.559
<v Speaker 7>of US history.

691
00:40:34.360 --> 00:40:34.840
<v Speaker 6>Exactly.

692
00:40:35.039 --> 00:40:39.599
<v Speaker 3>Really, he's a fixture in the Boston area. I knew

693
00:40:39.599 --> 00:40:43.679
<v Speaker 3>Howard and his lovely wife, and he just was such

694
00:40:43.719 --> 00:40:46.039
<v Speaker 3>a champ in so many ways. I mean, he told

695
00:40:46.079 --> 00:40:48.159
<v Speaker 3>it like it was, and he was fiery till the

696
00:40:48.360 --> 00:40:50.159
<v Speaker 3>very end, really and truly.

697
00:40:51.360 --> 00:40:55.159
<v Speaker 7>Yes, it took me. Okay, that's enough, but that's I

698
00:40:55.280 --> 00:40:59.320
<v Speaker 7>really appreciated Matt damon bringing that up and plugging those

699
00:40:59.679 --> 00:41:01.119
<v Speaker 7>two sources with that movie.

700
00:41:01.719 --> 00:41:05.000
<v Speaker 3>Yeah, exactly. I'm so glad you mentioned that. Thanks for

701
00:41:05.079 --> 00:41:05.440
<v Speaker 3>the call.

702
00:41:06.079 --> 00:41:11.440
<v Speaker 2>Thanks John taking here, and Joyce, you make sure that

703
00:41:11.719 --> 00:41:13.920
<v Speaker 2>your husband starts calling you empress.

704
00:41:15.840 --> 00:41:19.599
<v Speaker 3>Oh I started that years ago, when I started it done.

705
00:41:20.400 --> 00:41:24.440
<v Speaker 2>I'm applauding that, Joyce, you and I are going to talk,

706
00:41:24.639 --> 00:41:28.159
<v Speaker 2>maybe as soon as Monday, because I'll know then how

707
00:41:28.239 --> 00:41:29.320
<v Speaker 2>much I'm getting.

708
00:41:29.559 --> 00:41:35.599
<v Speaker 3>And exactly, let's get this deal going. Hey, Happy new year, Morgan,

709
00:41:35.719 --> 00:41:38.000
<v Speaker 3>Thank you so much for having me, and greetings to

710
00:41:38.079 --> 00:41:39.320
<v Speaker 3>everybody out there listening.

711
00:41:39.920 --> 00:41:42.239
<v Speaker 2>Happy to you too, Joyce. Cool, Heywick, there you go,

712
00:41:43.000 --> 00:41:46.880
<v Speaker 2>all right. Time ten fifty eight temperature thirty one degrees
