WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp, the

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<v Speaker 1>House Whisper on demand on the iHeart Radio app. I

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<v Speaker 1>Am Dean Sharp, the house Whisperer, custom home builder, custom

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<v Speaker 1>home Designer. Most importantly, today, your guide to turning your

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<v Speaker 1>ordinary house into something truly extraordinary. Guess what we're talking

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<v Speaker 1>about today? Big construction stuff? No, no, no, no no.

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<v Speaker 1>We're just gonna keep it simple and sweet today. But

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<v Speaker 1>we're gonna address an issue that a lot of people

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<v Speaker 1>have issues with, and that is how to hang stuff

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<v Speaker 1>properly in your home. So today's show, how's it hanging?

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<v Speaker 2>Uh? Not well for most of you.

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<v Speaker 1>Not only what to do, what kind of walls you've got,

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<v Speaker 1>what kind of hanging implements, and you know, and hardware

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<v Speaker 1>you're gonna use, but where and how on a wall?

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<v Speaker 2>What you know, how high? Where?

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<v Speaker 1>Left right? Otherwise, all of that we're going to go through.

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<v Speaker 1>So from the I guess, the practical kind of construction

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<v Speaker 1>side of it, if you want to call it, it's

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<v Speaker 1>not really construction decor tips all the way into the

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<v Speaker 1>design of how you want to frame and hang art

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<v Speaker 1>and family photos and the like on your walls. That's

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<v Speaker 1>today's show, and of course we're going to take calls

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<v Speaker 1>as we do, and if we do it all right,

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<v Speaker 1>we're going to bring some light into your morning and

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<v Speaker 1>hopefully make you feel glad that you were here. The

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<v Speaker 1>team is here for you again. Week two, Tony Sorrentino

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<v Speaker 1>on the board. Good morning, Tony morning. I'm just gonna

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<v Speaker 1>leave it at that. Yeah, everything's back to normal next week.

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<v Speaker 1>I'm just leaving it there right there. It is always

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<v Speaker 1>such a joy to work with Tony. Tony's our master chef.

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<v Speaker 1>He is our wizard of all things. You know, board

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<v Speaker 1>op here at the station and do it while Yeah,

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<v Speaker 1>you've been doing it a while, and so whenever, whenever

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<v Speaker 1>I get a chance to hang out with Tony, it's

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<v Speaker 1>just the best thing my world always.

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<v Speaker 3>Man.

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<v Speaker 1>Producer Ritchie is standing by, uh not by a mic,

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<v Speaker 1>but ready to take your calls. Oh I could call

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<v Speaker 1>on the board already. I know, I haven't even said

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<v Speaker 1>the phone lines are open.

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<v Speaker 2>Well, guess what. The phone lines are open, and Producer

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<v Speaker 2>Richie is standing by to take your calls. The number

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<v Speaker 2>to reach me eight three three two Ask Dean A

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<v Speaker 2>three three. The numeral to ask Dean eight three three

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<v Speaker 2>two ask Dean to ask Dean two pep ask Dean,

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<v Speaker 2>all right, A three three two as Dean, anything you

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<v Speaker 2>want to talk? You know, I'm talking about hanging stuff

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<v Speaker 2>inside your house today. You know, we're taking a we're

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<v Speaker 2>taking a break from the heavy, sweaty labor of building

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<v Speaker 2>your house and now we're just talking about some decor

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<v Speaker 2>elements that are super practical. Especially you know around the holidays,

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<v Speaker 2>you're gonna start thinking about moving stuff around, hanging things, and.

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<v Speaker 1>It's just a good time for it. So, uh, that's

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<v Speaker 1>what I'm talking about today. But when it comes to calls,

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<v Speaker 1>you've set the agenda. Anything construction, design, DIY, whatever the

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<v Speaker 1>case may be. Give me a call. We'll put our

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<v Speaker 1>heads together. We're going to figure out what's going on

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<v Speaker 1>with your house. I promise you A three three two

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<v Speaker 1>Ask Dean. Lines are open now. Jackie Ray at the

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<v Speaker 1>news desk, Good morning, Jackie, Greetings.

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<v Speaker 2>How are you?

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<v Speaker 1>Greetings? Oh, I got a greeting. So we're using the

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<v Speaker 1>Queen's English.

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<v Speaker 2>Teachings and salutations. How are things there in the booth?

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<v Speaker 2>Things are great. Here. I'm with Tony. Of course, life

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<v Speaker 2>with Tony. It sounds like a sitcom. It's a sitcom.

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<v Speaker 2>It's a new sitcom life with Tony.

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<v Speaker 1>We're all going to do me Jackie, will all be characters,

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<v Speaker 1>and it's all going to be around Tony Sorrentino. I

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<v Speaker 1>love it life in times of Tony Sarantina. I wish

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<v Speaker 1>you could see his face right now. Canceled send a

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<v Speaker 1>gross the table from me. There she is, Oh my gosh,

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<v Speaker 1>just look at you, my better half, my design partner,

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<v Speaker 1>my best friend. We're gonna take a bike ride today, Yes,

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<v Speaker 1>you and me. Let's got's after the show. We're just

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<v Speaker 1>going to jump on the bikes and go to go places.

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<v Speaker 2>Tina is here.

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<v Speaker 1>Oh no, it's that was so good.

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<v Speaker 2>Welcome home. How you doing good? Yeah, you're feeling it? Okay?

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<v Speaker 1>Well, first of all, super excited because the Dodgers won

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<v Speaker 1>last thing.

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<v Speaker 2>It wasn't quite as exciting a game as Game one.

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<v Speaker 2>I mean, how could it be.

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<v Speaker 4>But they keep waiting till, you know, eighth ninth inning

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<v Speaker 4>to really spice things up.

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<v Speaker 1>I know, right, we got to the we got to

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<v Speaker 1>the last two innings and now all of a sudden,

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<v Speaker 1>we're biting. I was sitting there the whole game, like,

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<v Speaker 1>you know, this is kind of nice. It's just you know,

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<v Speaker 1>my stomach isn't tied up in knots. I'm relaxed. You

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<v Speaker 1>were dozing off at one point during the game. You

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<v Speaker 1>woke up, You're like, what's happening?

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<v Speaker 2>Now?

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<v Speaker 1>We're still ahead, and it's fine. And then right at

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<v Speaker 1>the end, oh no, oh no, and then we pull

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<v Speaker 1>it out. So yeah, go Dodger. So today a break. Today,

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<v Speaker 1>everybody gets to rest except them they're traveling. And then

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<v Speaker 1>tomorrow night it all picks up yet again. Game three.

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<v Speaker 1>We're going to New York with two games under our belt. Yeah,

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<v Speaker 1>all right, shall we get to it? I think we should.

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<v Speaker 1>We are going to dive into how it is hanging

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<v Speaker 1>in your house. Here's the point. Sometimes getting your home

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<v Speaker 1>right isn't about all the heavy construction stuff. Sometimes it's

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<v Speaker 1>as simple as hanking a piece of art or a

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<v Speaker 1>cherished photo on the wall. But when you count up

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<v Speaker 1>the millions of scars and holes left on walls from

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<v Speaker 1>failed attempt, I don't think anybody can can do anything

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<v Speaker 1>but assume that hanging things in your home not as

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<v Speaker 1>easy as it looks, not as easy as it looks

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<v Speaker 1>at first glance. And so that is what we are

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<v Speaker 1>tackling today. Plus your calls.

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<v Speaker 3>You're listening to Home with Dean Sharp on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>Hey, whether you live in a condo or a cottage

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<v Speaker 1>or what's another c word, castle, if it's the place

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<v Speaker 1>that you call home, I'm here to take it to

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<v Speaker 1>the next level for you. That's it. It doesn't matter.

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<v Speaker 1>And today we're talking about something that is truly, truly

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<v Speaker 1>a universal struggle regardless of where you live, and that

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<v Speaker 1>is hanging stuff on the wall. And if you think,

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<v Speaker 1>if you think, if you're if you're a condo dweller

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<v Speaker 1>or an apartment dweller, and think that the rich and

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<v Speaker 1>famous have no problems whatsoever hanging stuff perfectly on their walls,

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<v Speaker 1>you would be grossly mistaken. I mean grossly mistaken. So

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<v Speaker 1>just take it for me. It's a universal problem. I've

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<v Speaker 1>seen it all and so that's why we're gonna dive

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<v Speaker 1>into it today. Plus of course, in just a bit

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<v Speaker 1>we're going to be going to the phones taking your

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<v Speaker 1>calls as we do. So the number to reach me

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<v Speaker 1>if you're interested in calling into the show and getting

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<v Speaker 1>your question about your home answered eight three three two

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<v Speaker 1>Ask Dean eight three three. The numeral two ask Dan.

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<v Speaker 1>All right, let's talk about your walls and stuff that's

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<v Speaker 1>going on. There are some basic steps here, and that's

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<v Speaker 1>what we're going to just roll through this morning. What

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<v Speaker 1>do you need to know first? What do you need

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<v Speaker 1>to know other than okay, the thing that you're hanging,

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<v Speaker 1>all right, fine, there it is. But what do you

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<v Speaker 1>need to know first? You need to know what the

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<v Speaker 1>wall condition is? Okay, and by wall condition, I mean

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<v Speaker 1>what is that wall made out of? How is it built?

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<v Speaker 1>What do you expect when you know you you go

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<v Speaker 1>to pierce the surface of that wall or attach something

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<v Speaker 1>to the surface of that wall. What's our expectation? And

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<v Speaker 1>we're talking about lots of choices here now, most commonly,

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<v Speaker 1>of course, drywall. The vast majority of homes and apartments

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<v Speaker 1>and condos and castles drywall on the wall, half inch

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<v Speaker 1>drywall on most walls. And behind that drywall are lots

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<v Speaker 1>of open void spaces. Now behind the drywall, might you

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<v Speaker 1>might find plywood or OSB oriented strand board, because that

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<v Speaker 1>wall may be, in addition to just being a stud wall,

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<v Speaker 1>it may be some form of sheer wall, meaning that

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<v Speaker 1>a diaphragm of wood is placed across the studs. First,

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<v Speaker 1>to give it some lateral side to side shifting support.

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<v Speaker 1>There's numerous reasons why there could be some form of

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<v Speaker 1>sheathing on that wall underneath the drywall. But our most

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<v Speaker 1>two common situations is that we've got drywall and then

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<v Speaker 1>just right on studs, and then drywall with some kind

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<v Speaker 1>of wood sheathing behind it. That's great if you got

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<v Speaker 1>wood sheathing behind the drywall. It's great if you know that,

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<v Speaker 1>because that means you've got, you know, some real strong,

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<v Speaker 1>secure surface to hook something into other than just the

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<v Speaker 1>drywall itself. It's not great if you've got sheathing behind

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<v Speaker 1>the wall and you don't know it, and you're trying

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<v Speaker 1>to use a typical drywall type hangar and it's getting

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<v Speaker 1>blocked by the wood sheathing behind. So again, wall conditions,

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<v Speaker 1>knowing them is key. So drywall that's our most common

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<v Speaker 1>situation for most homes. But a lot of older homes

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<v Speaker 1>across the country, a lot of older homes now here

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<v Speaker 1>in Southern California, because you know, time is passing. So

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<v Speaker 1>a century home in southern California is built in the twenties,

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<v Speaker 1>now at the point a hundred year old home, and

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<v Speaker 1>no doubt whatsoever since drywall was not a thing. It existed,

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<v Speaker 1>but it wasn't a thing for homes. Drywall wasn't a

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<v Speaker 1>thing for homes, by the way, until we get well

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<v Speaker 1>into the nineteen fifties. Okay, late nineteen fifties. So if

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<v Speaker 1>you own an early nineteen fifties house or earlier, chances

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<v Speaker 1>are you don't have drywall that you've got some form

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<v Speaker 1>of plaster walls. Now, plaster walls come in two forms.

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<v Speaker 1>They come in They always have a large coat of

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<v Speaker 1>plaster on them on the surface, but behind the plaster

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<v Speaker 1>you may have, you know, nearly three quarters or more

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<v Speaker 1>inches of plaster and then would laugh. In the oldest

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<v Speaker 1>of homes, you've seen this. If you haven't experienced it

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<v Speaker 1>in your own home, you've seen this. It's in every

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<v Speaker 1>classic movie with a rundown house or a broken wall

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<v Speaker 1>or whatever, and that is behind the plaster. They are

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<v Speaker 1>these wood slats running horizontally on the wall, right wood slats,

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<v Speaker 1>or in the secret passageway behind the walls, or in

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<v Speaker 1>between the walls and the haunted house. You see those

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<v Speaker 1>wood slats on the studs from the backside, and you

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<v Speaker 1>see the plaster has oozed through. That's exactly what it's

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<v Speaker 1>supposed to do. That's what those slats are for. They

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<v Speaker 1>originally they're put up with these gaps in between them

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<v Speaker 1>so that when the plasters applied, the first coat of plaster,

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<v Speaker 1>and there are multiple coats of plaster if you have

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<v Speaker 1>a wall like this, But when the first coat goes on,

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<v Speaker 1>it keys into it oozes onto the backside, and then

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<v Speaker 1>as it hardens, now it's locking itself in place, so

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<v Speaker 1>it stays on the wall. Anyway, plaster is at the

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<v Speaker 1>end of the day. Oh I didn't describe the second form,

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<v Speaker 1>all right, the other form, the newer form, the more modern,

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<v Speaker 1>the most modern form of plaster before it was replaced

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<v Speaker 1>by drywall altogether. Could you know a lot of people

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<v Speaker 1>mistake as drywall, because they'll they'll open up a part

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<v Speaker 1>of their wall and they'll call me and say, all right, well,

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<v Speaker 1>I've got a like a half an inch of plaster

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<v Speaker 1>on top of a half an inch of drywall. It's

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<v Speaker 1>not drywall, but it is gypsum based plasterboard which replaced

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<v Speaker 1>the wood lath. And that plasterboard actually has holes all

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<v Speaker 1>the way through it, and the stuff oozes through and

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<v Speaker 1>locks on the backside. Anyway, did not intend to give

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<v Speaker 1>you an entire lesson on plaster walls, But you need

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<v Speaker 1>to know that if you've got plaster walls, you treat

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<v Speaker 1>them very, very differently than dry wall walls.

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<v Speaker 2>Why is that.

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<v Speaker 1>Because drywall has its strengthen weaknesses the strength of dry walls.

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<v Speaker 1>It's very light and as a material for hangars, you

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<v Speaker 1>can easily drill through or poke something through drywall because

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<v Speaker 1>it's that soft, and you can do it if you're careful,

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<v Speaker 1>very cleanly. Plaster is somesed.

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<v Speaker 2>It is a.

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<v Speaker 1>Kind of concrete in essence, and so poking something through

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<v Speaker 1>a plaster wall not gonna happen. Drilling through a plaster

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<v Speaker 1>wall with a regular drill bit, a wood or metal

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<v Speaker 1>oriented drill bit as opposed to a masonry drill bit

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<v Speaker 1>not gonna happen cleanly, all right, You end up with

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<v Speaker 1>a big divot out of the wall, or cracking or

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<v Speaker 1>chipping or flaking, the kind of stuff that you just

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<v Speaker 1>weren't planning on wanted to have happen just because you

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<v Speaker 1>want to hang a picture of Grandma up on the

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<v Speaker 1>bedroom wall. So very important that we know whether we've

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<v Speaker 1>got dry wall or plaster, we're gonna handle them differently.

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<v Speaker 1>And then of course, other walls that are kind of

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<v Speaker 1>self evident. Maybe the surface of the wall is wood,

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<v Speaker 1>maybe it's paneling of some form or another. Maybe we've

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<v Speaker 1>got a concrete wall, maybe it's a basement wall, you know,

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<v Speaker 1>a live in basement. Or maybe you've got some form

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<v Speaker 1>of just full on concrete or cinderblock walls in your

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<v Speaker 1>dwelling for whatever reason. Whether it's a solid surface meaning

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<v Speaker 1>that there's no gaps behind the wall, or a hollow

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<v Speaker 1>wall with studs. These are all the things we must

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<v Speaker 1>find out about your wall conditions before we move on

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<v Speaker 1>to the next step. And what is the next step?

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<v Speaker 3>You're listening to Home with Dean Sharp on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>Yes, Tony's playing some Halloween music because guess what what

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<v Speaker 1>is this? It's October twenty seventh. You know, I decided

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<v Speaker 1>not to do specifically a Halloween show this year. You know,

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<v Speaker 1>I like mixing it up. When Halloween falls like really

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<v Speaker 1>really close to the show or on the show, then

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<v Speaker 1>we're all in. Last year, I had my sister on.

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<v Speaker 1>We were talking about a house, the Kellogg House down

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<v Speaker 1>in oc where she does ghost tours of the Kellogg House.

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<v Speaker 1>She's expanded her repertoire. By the way, you should check

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<v Speaker 1>that out. But you know, so we approached it from

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<v Speaker 1>a ghostly and an architectural perspective. In years past, we've

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<v Speaker 1>done all sorts of fun stuff. This year Halloween, I'm

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<v Speaker 1>all in, We're all in. Tina's got her costume. We're

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<v Speaker 1>going trick or treating with the nieces and the grandchildren

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<v Speaker 1>and all of that, walking around with them. But it's

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<v Speaker 1>a little late. Is it Thursday or Wednesday? It's Thursday. Yeah,

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<v Speaker 1>it's a little lad. So anyway, I thought instead we

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<v Speaker 1>were just, you know, we'll play some cool, funky Halloween

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<v Speaker 1>music and we'll talk about something that haunts all of

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<v Speaker 1>you regularly, and that is hanging stuff poorly on your walls.

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<v Speaker 2>So there you go, haunted by that. All right. It's

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<v Speaker 2>not a good talie in, but I tried. AnyWho.

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<v Speaker 1>And by the way, when we're done with this segment,

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<v Speaker 1>I think we'll be going to the phone. So there

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<v Speaker 1>you go, And now is your chance to call in

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<v Speaker 1>a three to three to ask Dan eight three three

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<v Speaker 1>to ask Dan. Okay, we've talked about wall conditions. That's

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<v Speaker 1>the first thing you need to know when you're trying

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<v Speaker 1>to hang something on your walls. You got to know

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<v Speaker 1>what you're going to be biting into. Next thing you

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<v Speaker 1>need to know is the weight of the object, because

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<v Speaker 1>not all hangers are the same or I'll put it

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<v Speaker 1>this way. Uh, if you've selected the style of hanging

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<v Speaker 1>device or hardware that you think is going to be

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<v Speaker 1>the best way to go, just know that in many

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00:16:34.960 --> 00:16:41.000
<v Speaker 1>many cases that hardware comes sized in multiple sizes. Like

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00:16:41.200 --> 00:16:46.879
<v Speaker 1>you're like, for instance, your classic nail driven hook, right,

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00:16:47.000 --> 00:16:49.840
<v Speaker 1>you know what I'm talking about, little brass hook. It's

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00:16:49.879 --> 00:16:52.600
<v Speaker 1>got a little fold over triangle on the top where

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00:16:52.639 --> 00:16:55.279
<v Speaker 1>there's a whole two holes in it actually that align

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00:16:55.440 --> 00:16:59.240
<v Speaker 1>the angle optimal angle of a nail into drywall. It's

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00:16:59.240 --> 00:17:03.240
<v Speaker 1>a classic classic hook for hanging stuff on the wall.

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<v Speaker 1>You've seen them, you've used them. Those come from the

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00:17:06.920 --> 00:17:10.480
<v Speaker 1>very very very small to the relatively big and beefy

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00:17:11.000 --> 00:17:13.640
<v Speaker 1>when it comes to that, and they come weight rated.

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00:17:13.839 --> 00:17:17.599
<v Speaker 1>So you need to know, you know, generally speaking, how

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00:17:17.640 --> 00:17:20.359
<v Speaker 1>heavy this thing is, so that you don't use something

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00:17:20.359 --> 00:17:22.799
<v Speaker 1>too big or too small. Use something too big, well,

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00:17:22.799 --> 00:17:24.559
<v Speaker 1>it's not going to fall off the wall, but you

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00:17:24.599 --> 00:17:27.279
<v Speaker 1>don't want that hook to be pushing the frame off

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00:17:27.440 --> 00:17:29.920
<v Speaker 1>the back of the wall up at the top so

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00:17:29.960 --> 00:17:32.559
<v Speaker 1>that it's hanging you know, at an angle that's weird

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00:17:33.319 --> 00:17:36.960
<v Speaker 1>and nobody likes that look. So size the hangar to

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00:17:37.039 --> 00:17:40.279
<v Speaker 1>the weight of the object. And then the third thing

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00:17:40.319 --> 00:17:43.480
<v Speaker 1>we got to know is where are the anchor points

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00:17:43.640 --> 00:17:47.240
<v Speaker 1>on the object itself? Okay, now when it comes to

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00:17:47.319 --> 00:17:50.880
<v Speaker 1>I'll just talk about, you know, your classic photo or

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00:17:50.960 --> 00:17:55.000
<v Speaker 1>piece of artwork, and there are various things that you

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00:17:55.119 --> 00:17:57.359
<v Speaker 1>might find on the back if you've just if you're

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00:17:57.359 --> 00:18:00.319
<v Speaker 1>framing this yourself. Of course, you get to choose what

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00:18:00.359 --> 00:18:02.519
<v Speaker 1>you're doing, and I have a recommendation for you there.

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00:18:03.440 --> 00:18:06.920
<v Speaker 1>But you may have just bought this artwork or received

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00:18:06.960 --> 00:18:09.240
<v Speaker 1>it from somewhere to plaque or whatever. Here are the

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00:18:09.279 --> 00:18:12.279
<v Speaker 1>most common anchor points. And what do I mean by

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00:18:12.319 --> 00:18:14.920
<v Speaker 1>anchor points? I mean the thing that is on the

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00:18:14.960 --> 00:18:19.519
<v Speaker 1>back of the item that is supposedly there for hanging it.

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<v Speaker 1>Most common, probably the cheapest as far as what the

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00:18:23.880 --> 00:18:28.440
<v Speaker 1>manufacturers themselves are spending on it is that little toothed bar.

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<v Speaker 2>Okay.

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00:18:29.720 --> 00:18:32.319
<v Speaker 1>It's a you know, an inch inch and a half

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00:18:32.440 --> 00:18:37.480
<v Speaker 1>long depending and it's usually brass or aluminum, and it's

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00:18:38.519 --> 00:18:41.799
<v Speaker 1>it's got two little finished nails that they drove it

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00:18:41.839 --> 00:18:44.079
<v Speaker 1>into the edge of the frame with the backside of

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00:18:44.119 --> 00:18:47.039
<v Speaker 1>the frame, and it's got little teeth at the bottom.

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<v Speaker 1>Now those teeth are handy in one respect in that

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00:18:52.640 --> 00:18:57.440
<v Speaker 1>if for some reason you didn't quite get it hung

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00:18:57.640 --> 00:19:00.599
<v Speaker 1>exactly dead center and you find that it's going to

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00:19:00.640 --> 00:19:03.039
<v Speaker 1>tip one way or the other, then you just you know,

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00:19:03.119 --> 00:19:05.359
<v Speaker 1>kind of bump it up and slide it over to

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00:19:05.440 --> 00:19:08.759
<v Speaker 1>the next tooth until you get it centered. But the

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00:19:08.839 --> 00:19:13.039
<v Speaker 1>toothed bar number one does not allow for much security

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00:19:13.200 --> 00:19:16.759
<v Speaker 1>in terms of you know, for instance, an earthquake or

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00:19:16.960 --> 00:19:20.119
<v Speaker 1>the wall rattles, because it's really designed to kind of

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00:19:20.160 --> 00:19:23.359
<v Speaker 1>hook over the small head of a finished nail or

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00:19:23.359 --> 00:19:26.519
<v Speaker 1>something like that. And if the nails sticking out too

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00:19:26.559 --> 00:19:30.000
<v Speaker 1>far and the toothed bar sticks out from the back

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00:19:30.039 --> 00:19:32.920
<v Speaker 1>of the frame, you again have that situation where you're

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00:19:32.920 --> 00:19:36.799
<v Speaker 1>pushing the top of the frame away from the wall,

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00:19:37.119 --> 00:19:39.960
<v Speaker 1>and now the thing is hanging at an angle. There's

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00:19:40.000 --> 00:19:41.799
<v Speaker 1>a gap at the top and not at the bottom,

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00:19:42.039 --> 00:19:45.279
<v Speaker 1>and it just doesn't look as clean as it could look. Okay,

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00:19:45.599 --> 00:19:48.720
<v Speaker 1>So yeah, but there's some situations where the tooth bar

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00:19:49.400 --> 00:19:52.359
<v Speaker 1>you know, goes okay. Also, by the way, since it's

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00:19:52.359 --> 00:19:56.079
<v Speaker 1>the cheapest of all things for a manufacturer of frames

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00:19:56.079 --> 00:19:58.599
<v Speaker 1>to put on the back of a frame. You will

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00:19:58.599 --> 00:20:03.759
<v Speaker 1>find occasionally that it is it has not been meticulously

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00:20:03.880 --> 00:20:08.640
<v Speaker 1>centered in the frame, so thankfully it's They're usually wide

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00:20:08.759 --> 00:20:11.759
<v Speaker 1>enough that you can adjust it left or right, but

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00:20:12.119 --> 00:20:14.839
<v Speaker 1>quite often the toothbar is not centered most of the time.

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00:20:15.039 --> 00:20:17.559
<v Speaker 1>When Tina and I inherit something that we want to

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00:20:17.559 --> 00:20:19.359
<v Speaker 1>hang and it's got a toothed bar in the back,

348
00:20:19.599 --> 00:20:21.440
<v Speaker 1>well we'll probably take a look at it and then

349
00:20:21.519 --> 00:20:24.480
<v Speaker 1>just pop that right off. We'll carefully pry it off

350
00:20:24.839 --> 00:20:28.039
<v Speaker 1>and abandon it and go for another form of hanging

351
00:20:28.480 --> 00:20:31.559
<v Speaker 1>that takes up less space and doesn't give us that

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00:20:31.599 --> 00:20:34.240
<v Speaker 1>angle on. So there you go the toothbar. The other thing,

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00:20:34.279 --> 00:20:37.599
<v Speaker 1>now this comes a lot with like wood plaques, is

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00:20:37.720 --> 00:20:40.799
<v Speaker 1>the drilled hole. Right, So if you've got a plaque

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00:20:41.160 --> 00:20:44.880
<v Speaker 1>that has been designed to hang on a wall, chances

356
00:20:44.920 --> 00:20:48.359
<v Speaker 1>are it doesn't have any kind of hardware on it.

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00:20:48.359 --> 00:20:51.000
<v Speaker 1>It's probably got a hole drilled in the back and

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00:20:51.039 --> 00:20:54.599
<v Speaker 1>then a little slot upwards so that the hole is

359
00:20:54.680 --> 00:20:57.440
<v Speaker 1>large enough to receive the head of a large nail

360
00:20:57.599 --> 00:21:00.880
<v Speaker 1>or a screw, and then it slides down onto that's

361
00:21:00.920 --> 00:21:05.960
<v Speaker 1>good for secure and it's also good for holding that

362
00:21:06.000 --> 00:21:09.759
<v Speaker 1>plaque flat against the wall. You just got to be careful.

363
00:21:09.799 --> 00:21:11.720
<v Speaker 1>Now we're going to be using the head of a

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00:21:11.759 --> 00:21:14.799
<v Speaker 1>screw or the head of a nail. We've got to

365
00:21:14.799 --> 00:21:17.880
<v Speaker 1>make sure that we get that exactly where we want

366
00:21:17.920 --> 00:21:21.359
<v Speaker 1>that to go, because there's no left and right adjustment

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00:21:21.799 --> 00:21:25.920
<v Speaker 1>on that kind of situation. And you should always double

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00:21:26.000 --> 00:21:29.400
<v Speaker 1>check to make sure that whoever manufactured the plaque actually

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00:21:29.440 --> 00:21:32.720
<v Speaker 1>got their hole drilled centered on the back so that

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00:21:32.799 --> 00:21:34.559
<v Speaker 1>the thing is going to hang straight. And then there

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00:21:34.559 --> 00:21:38.039
<v Speaker 1>are ways of accommodating for this, so don't worry, because

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00:21:38.279 --> 00:21:40.279
<v Speaker 1>you can always use a little bit of you know,

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00:21:40.319 --> 00:21:42.799
<v Speaker 1>if you find that the only way to hang a

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00:21:42.839 --> 00:21:45.640
<v Speaker 1>plaque on a wall is to use the hole provided.

375
00:21:45.920 --> 00:21:48.160
<v Speaker 1>And once you hang it, you stand back and you're like,

376
00:21:48.359 --> 00:21:49.599
<v Speaker 1>the dang thing is crooked.

377
00:21:49.720 --> 00:21:50.079
<v Speaker 2>It's not.

378
00:21:50.359 --> 00:21:53.039
<v Speaker 1>They did not put the hole directly in the center.

379
00:21:53.319 --> 00:21:56.759
<v Speaker 1>It's not balanced. You don't have any other choices, though,

380
00:21:56.799 --> 00:21:59.240
<v Speaker 1>except to use that hole. Here's what you can do.

381
00:21:59.359 --> 00:22:04.359
<v Speaker 1>You get a little tiny piece of adhesive velcrow and

382
00:22:04.680 --> 00:22:08.119
<v Speaker 1>you're gonna stick one side onto the wall, the other

383
00:22:08.680 --> 00:22:14.000
<v Speaker 1>onto the bottom of the plaque, and then peel off. Well,

384
00:22:14.079 --> 00:22:16.039
<v Speaker 1>actually you can stick them both together, stick it all

385
00:22:16.079 --> 00:22:20.400
<v Speaker 1>onto the plaque, peel off the adhesive that's gonna face

386
00:22:20.480 --> 00:22:24.279
<v Speaker 1>the wall, and then line that plaque up exactly how

387
00:22:24.319 --> 00:22:27.039
<v Speaker 1>it's supposed to hang on that nail, and then push

388
00:22:27.079 --> 00:22:28.920
<v Speaker 1>it in the velcrow.

389
00:22:28.559 --> 00:22:29.079
<v Speaker 2>Is gonna grab.

390
00:22:29.200 --> 00:22:31.960
<v Speaker 1>It's gonna grab the wall, and even though it's technically

391
00:22:32.039 --> 00:22:35.279
<v Speaker 1>going against its balance point, it will hold it nice

392
00:22:35.279 --> 00:22:37.920
<v Speaker 1>and straight for you, and it won't hold it against

393
00:22:38.160 --> 00:22:41.519
<v Speaker 1>you out from the wall in any significant way of consequence.

394
00:22:41.599 --> 00:22:44.240
<v Speaker 1>So there you go. Right, So you got the toothbar,

395
00:22:44.319 --> 00:22:48.960
<v Speaker 1>you got the drilled hole d rings. D rings are

396
00:22:49.480 --> 00:22:53.079
<v Speaker 1>especially for larger pieces of art or frames. A d

397
00:22:53.279 --> 00:22:56.279
<v Speaker 1>ring is not anything a top of the frame, but

398
00:22:56.400 --> 00:22:59.359
<v Speaker 1>you'll they're on the sides of the frames down a

399
00:22:59.400 --> 00:23:02.200
<v Speaker 1>few inches. You're gonna there's a little kind of almost

400
00:23:02.200 --> 00:23:05.200
<v Speaker 1>a hinge plate and then a ring or a loop

401
00:23:05.319 --> 00:23:08.640
<v Speaker 1>in the shape of a d okay on both sides.

402
00:23:09.839 --> 00:23:11.880
<v Speaker 1>They may be facing up, they may be able to

403
00:23:12.039 --> 00:23:16.079
<v Speaker 1>swivel and pivot. Most of the time they're facing inward.

404
00:23:16.839 --> 00:23:19.920
<v Speaker 1>And a d ring can be a great thing, but

405
00:23:20.079 --> 00:23:21.720
<v Speaker 1>I'll just tell you right now, it can be a

406
00:23:21.799 --> 00:23:26.079
<v Speaker 1>super frustrating thing. If you're thinking that the D ring

407
00:23:26.279 --> 00:23:29.440
<v Speaker 1>should have a you know, a nail or a screw

408
00:23:29.880 --> 00:23:32.200
<v Speaker 1>in each ring on each side, because then you've got

409
00:23:32.240 --> 00:23:35.400
<v Speaker 1>to get the spacing exactly right, and you got to

410
00:23:35.440 --> 00:23:39.119
<v Speaker 1>get those screws and or nails in the wall perfectly

411
00:23:39.359 --> 00:23:43.920
<v Speaker 1>level with each other. Assuming again that the D rings

412
00:23:43.920 --> 00:23:46.839
<v Speaker 1>have been hung on the frame perfectly level each with

413
00:23:46.920 --> 00:23:49.799
<v Speaker 1>each other. A better way to go if you find

414
00:23:49.839 --> 00:23:53.359
<v Speaker 1>a D ring is to celebrate, Yay, it's a D ring,

415
00:23:54.119 --> 00:23:57.839
<v Speaker 1>and then get yourself a nice length of picture wire

416
00:23:58.519 --> 00:24:02.559
<v Speaker 1>and run wire in between the D rings so then

417
00:24:03.039 --> 00:24:05.559
<v Speaker 1>we can actually put a hanger or two on the

418
00:24:05.599 --> 00:24:09.079
<v Speaker 1>wall and hook the wire over the hangar. That's really

419
00:24:09.519 --> 00:24:14.279
<v Speaker 1>actually what the D rings originally made for. Okay, And

420
00:24:14.319 --> 00:24:16.599
<v Speaker 1>then you might have found nothing on the back of

421
00:24:16.640 --> 00:24:18.279
<v Speaker 1>something that you want to hang on a wall, and

422
00:24:18.359 --> 00:24:22.160
<v Speaker 1>now it's a dealer's choice as to how you want

423
00:24:22.200 --> 00:24:24.400
<v Speaker 1>to address it. And we'll talk about that as well,

424
00:24:24.440 --> 00:24:27.799
<v Speaker 1>because the very next step are the types of hangers

425
00:24:28.200 --> 00:24:32.599
<v Speaker 1>that we can use other than what came on the frame,

426
00:24:32.759 --> 00:24:35.599
<v Speaker 1>and we'll well, you know what, like I said, when

427
00:24:35.640 --> 00:24:38.200
<v Speaker 1>we come back from the break, we're going to table

428
00:24:38.240 --> 00:24:41.160
<v Speaker 1>this conversation. Just press pause, and we're going to take

429
00:24:41.200 --> 00:24:43.440
<v Speaker 1>some of our calls, because we got a lot of

430
00:24:43.440 --> 00:24:45.799
<v Speaker 1>them waiting for us on the board. When we return

431
00:24:45.920 --> 00:24:48.960
<v Speaker 1>to this subject, we'll talk about those hangers, everything from

432
00:24:49.119 --> 00:24:54.519
<v Speaker 1>the angled nail to the expansion anchor to one of

433
00:24:54.559 --> 00:24:59.799
<v Speaker 1>my favorite, the monkey hook. So go nowhere, we will

434
00:24:59.839 --> 00:25:01.799
<v Speaker 1>take make your calls when we return.

435
00:25:02.559 --> 00:25:05.880
<v Speaker 3>You're listening to Home with Dean Sharp on demand from

436
00:25:05.960 --> 00:25:07.440
<v Speaker 3>KFI Am sixty.

437
00:25:07.640 --> 00:25:10.759
<v Speaker 1>There you go, little Beetlejuice music. We just we just

438
00:25:10.880 --> 00:25:14.160
<v Speaker 1>watched that last night, Tony, not the new one. We

439
00:25:14.240 --> 00:25:16.519
<v Speaker 1>got the new one, but we don't want to watch.

440
00:25:16.279 --> 00:25:16.920
<v Speaker 2>The new one yet.

441
00:25:16.960 --> 00:25:20.799
<v Speaker 1>We wanted to go back and watch the original Beetlejuice

442
00:25:21.079 --> 00:25:22.640
<v Speaker 1>so we could just kind of be in the flow.

443
00:25:22.720 --> 00:25:26.680
<v Speaker 1>And I think we're going to watch Beetlejuice Beetlejuice later today.

444
00:25:28.240 --> 00:25:30.759
<v Speaker 1>But yeah, you know what, if you're going to become

445
00:25:30.839 --> 00:25:34.440
<v Speaker 1>demon possessed, do it to Harry Belafonte music.

446
00:25:34.519 --> 00:25:38.519
<v Speaker 2>That's the best way to do it. That's the best way,

447
00:25:38.759 --> 00:25:38.960
<v Speaker 2>is it?

448
00:25:39.039 --> 00:25:39.119
<v Speaker 4>Not?

449
00:25:40.279 --> 00:25:40.759
<v Speaker 2>Lay right?

450
00:25:42.000 --> 00:25:42.240
<v Speaker 4>Yeah?

451
00:25:42.279 --> 00:25:44.920
<v Speaker 2>Well that seems a little dark. Except a little dark.

452
00:25:45.319 --> 00:25:47.960
<v Speaker 1>I would rather, you know, I'd rather be dancing if

453
00:25:48.000 --> 00:25:51.319
<v Speaker 1>I had to, all right, Some people who have seen

454
00:25:51.359 --> 00:25:53.920
<v Speaker 1>me dance say that I am possessed, so you know,

455
00:25:54.079 --> 00:25:55.519
<v Speaker 1>it just works out that way.

456
00:25:55.720 --> 00:25:59.880
<v Speaker 2>Anyway, Tina wanted to where did she go? She wanted

457
00:25:59.920 --> 00:26:01.960
<v Speaker 2>to let me have tell me.

458
00:26:02.920 --> 00:26:07.839
<v Speaker 1>She told me to tell you that she has posted

459
00:26:07.880 --> 00:26:11.960
<v Speaker 1>a couple of videos on our social media Home with

460
00:26:12.039 --> 00:26:16.880
<v Speaker 1>Dean or at Home with Dean on Instagram, Facebook X

461
00:26:17.839 --> 00:26:18.720
<v Speaker 1>probably TikTok.

462
00:26:18.759 --> 00:26:19.119
<v Speaker 2>I don't know.

463
00:26:19.319 --> 00:26:22.400
<v Speaker 1>I didn't ask her about that, but we got a

464
00:26:22.400 --> 00:26:25.319
<v Speaker 1>couple of videos that we've popped up. One that I

465
00:26:25.359 --> 00:26:28.480
<v Speaker 1>took this morning just letting the chickens out. Another one

466
00:26:28.759 --> 00:26:35.119
<v Speaker 1>talking about our lightning bug lights that we've are experiment

467
00:26:35.200 --> 00:26:38.160
<v Speaker 1>that we've been moving forward with. So anyway, you can

468
00:26:38.200 --> 00:26:40.279
<v Speaker 1>go to our social media at Home with Dean check

469
00:26:40.279 --> 00:26:42.000
<v Speaker 1>them out. You should check them out while you're there.

470
00:26:42.279 --> 00:26:45.440
<v Speaker 1>Won't you press follow or share them? Even better, just

471
00:26:45.680 --> 00:26:48.079
<v Speaker 1>share them with friends if you find them interesting. So

472
00:26:48.160 --> 00:26:51.599
<v Speaker 1>that's going on as well. All right, as promised, it's

473
00:26:51.599 --> 00:26:53.160
<v Speaker 1>time to go to the phones. We're going to get

474
00:26:53.160 --> 00:26:55.880
<v Speaker 1>a call in before we take our next break. Here,

475
00:26:56.880 --> 00:27:03.839
<v Speaker 1>let's talk to the bump bumb Judith. Judith, welcome home.

476
00:27:04.359 --> 00:27:08.359
<v Speaker 4>Thank you. I have a quick question about retaining walls.

477
00:27:08.440 --> 00:27:11.240
<v Speaker 4>If you couldn't expand a little bit on that. I

478
00:27:11.279 --> 00:27:15.319
<v Speaker 4>had water and children in my home during heavy rains,

479
00:27:15.920 --> 00:27:19.680
<v Speaker 4>and my patio outside is raised, so even if I

480
00:27:19.799 --> 00:27:24.240
<v Speaker 4>dig the dirt away from the wall it's in a corner,

481
00:27:24.279 --> 00:27:27.000
<v Speaker 4>it's still going to be a lot of water coming in.

482
00:27:27.759 --> 00:27:32.119
<v Speaker 4>So I've heard some ideas though, what do I need

483
00:27:32.160 --> 00:27:36.359
<v Speaker 4>to know about putting in a retaining wall, like some

484
00:27:36.519 --> 00:27:40.839
<v Speaker 4>distance from that place so it's water doesn't come right

485
00:27:40.920 --> 00:27:44.039
<v Speaker 4>to the wall and sits there when it rains.

486
00:27:44.519 --> 00:27:49.400
<v Speaker 1>Okay, all right, so the soil, even if you say

487
00:27:49.400 --> 00:27:52.559
<v Speaker 1>if you dig down away right there, there's still a

488
00:27:52.559 --> 00:27:53.920
<v Speaker 1>lot of water happening there.

489
00:27:53.960 --> 00:27:55.759
<v Speaker 2>Why is there a lot of water happening right.

490
00:27:55.680 --> 00:28:00.000
<v Speaker 4>There because the patio is raised. I have a raised,

491
00:28:00.079 --> 00:28:03.759
<v Speaker 4>tiled patio and it's higher than that little area that

492
00:28:04.079 --> 00:28:08.119
<v Speaker 4>the water is coming down. So I'm thinking it's still

493
00:28:08.200 --> 00:28:11.240
<v Speaker 4>going to be because the patio is in the middle

494
00:28:11.279 --> 00:28:16.319
<v Speaker 4>of the yard outside and it's just a small narrow

495
00:28:16.400 --> 00:28:22.119
<v Speaker 4>area that goes from the fence back fence into the house.

496
00:28:22.640 --> 00:28:23.200
<v Speaker 2>To the house.

497
00:28:23.880 --> 00:28:26.599
<v Speaker 4>Okay, so it's a little bit more of a problem thing.

498
00:28:26.680 --> 00:28:28.839
<v Speaker 4>I did a lot of things, but it's just the

499
00:28:28.920 --> 00:28:31.079
<v Speaker 4>last thing I think I need to do, just to.

500
00:28:30.960 --> 00:28:37.119
<v Speaker 1>Make sure, Okay, I got you all right, So so

501
00:28:37.279 --> 00:28:42.000
<v Speaker 1>Judith and everybody who has experienced water getting too close

502
00:28:42.039 --> 00:28:45.680
<v Speaker 1>to the house. There's a number of things we can do.

503
00:28:45.839 --> 00:28:49.759
<v Speaker 1>One is the big mistake is don't do nothing. Because

504
00:28:49.799 --> 00:28:51.960
<v Speaker 1>we got to keep water away from the house.

505
00:28:52.160 --> 00:28:52.799
<v Speaker 2>We have to.

506
00:28:54.319 --> 00:28:58.519
<v Speaker 1>Everything about the building code begs you to have water

507
00:28:58.640 --> 00:29:03.640
<v Speaker 1>moving away from the base of your walls, not toward it. Okay,

508
00:29:04.160 --> 00:29:08.559
<v Speaker 1>So anything number one to divert a large amount of

509
00:29:08.559 --> 00:29:12.400
<v Speaker 1>water that's coming toward your house. Another thing that a

510
00:29:12.440 --> 00:29:14.559
<v Speaker 1>lot of people struggle with is that they've got gutter

511
00:29:14.680 --> 00:29:19.359
<v Speaker 1>down spouts that are dropping rain water from the roof

512
00:29:19.799 --> 00:29:21.960
<v Speaker 1>and the down spout comes to the base of the

513
00:29:22.000 --> 00:29:25.400
<v Speaker 1>wall and it just ends right there and there's no

514
00:29:25.519 --> 00:29:28.200
<v Speaker 1>concern about where all of that water goes once it

515
00:29:28.279 --> 00:29:31.440
<v Speaker 1>hits the soil. So again, we need to lengthen that

516
00:29:31.480 --> 00:29:34.480
<v Speaker 1>down spout, the actual bend at the bottom. We need

517
00:29:34.519 --> 00:29:36.759
<v Speaker 1>to put an extension on it. We got to get

518
00:29:36.759 --> 00:29:40.599
<v Speaker 1>that water away from the house. If we can change

519
00:29:40.599 --> 00:29:44.440
<v Speaker 1>the pitch of the soil at all. If we've got

520
00:29:44.759 --> 00:29:48.039
<v Speaker 1>just a situation where there's too much water flowing on

521
00:29:48.359 --> 00:29:52.200
<v Speaker 1>grade towards the house, then we need to think about

522
00:29:52.240 --> 00:29:55.480
<v Speaker 1>maybe digging down doing a little bit of water proofing

523
00:29:56.799 --> 00:30:00.839
<v Speaker 1>on the edge of the slab, digging down six eight

524
00:30:01.279 --> 00:30:03.519
<v Speaker 1>ten inches. It doesn't have to be a massive trench,

525
00:30:03.519 --> 00:30:05.920
<v Speaker 1>but we just need to dig down enough to get

526
00:30:05.960 --> 00:30:11.640
<v Speaker 1>some roll on waterproofing mastick or surface waterproofing on the

527
00:30:11.759 --> 00:30:15.920
<v Speaker 1>edge of that concrete so that again the slab which

528
00:30:15.960 --> 00:30:19.200
<v Speaker 1>is concrete, which is a stone sponge, is not in

529
00:30:19.240 --> 00:30:22.920
<v Speaker 1>a position where it is absorbing too much water and

530
00:30:22.920 --> 00:30:25.680
<v Speaker 1>then conveying that up into the walls, which it will

531
00:30:26.000 --> 00:30:30.160
<v Speaker 1>because water will travel against gravity through a process called

532
00:30:30.640 --> 00:30:35.359
<v Speaker 1>surface tension percolation up for quite a ways, and so

533
00:30:35.440 --> 00:30:38.519
<v Speaker 1>we want to stop that from happening. So a little

534
00:30:38.559 --> 00:30:41.359
<v Speaker 1>bit of that, and while we have that open trench,

535
00:30:41.480 --> 00:30:44.519
<v Speaker 1>maybe a small French drain which is a pipe with

536
00:30:44.839 --> 00:30:48.160
<v Speaker 1>perforated holes in it to receive the water that's coming

537
00:30:48.200 --> 00:30:51.720
<v Speaker 1>towards the house, and again running that along away from

538
00:30:51.720 --> 00:30:55.279
<v Speaker 1>that critical area before it lets out and distributes the

539
00:30:55.319 --> 00:30:59.039
<v Speaker 1>water elsewhere, or tie it into the yard drains, what

540
00:30:59.240 --> 00:31:03.319
<v Speaker 1>have you. It's hard for me to picture the exact

541
00:31:03.359 --> 00:31:07.119
<v Speaker 1>solution for you, Judith, just because I don't have the

542
00:31:07.160 --> 00:31:09.799
<v Speaker 1>full picture in my head. But these are the things

543
00:31:09.839 --> 00:31:13.000
<v Speaker 1>we have to do to keep water away from the house,

544
00:31:13.440 --> 00:31:18.160
<v Speaker 1>even something as simple as digging down and creating a deeper,

545
00:31:18.279 --> 00:31:23.319
<v Speaker 1>little gravel filled well there so that surface water doesn't

546
00:31:23.319 --> 00:31:28.119
<v Speaker 1>build up right there and creep into the wall line

547
00:31:28.559 --> 00:31:30.960
<v Speaker 1>at the bottom of the sole plate of the wall.

548
00:31:31.160 --> 00:31:34.119
<v Speaker 1>Anything we can do to keep the water from getting

549
00:31:34.160 --> 00:31:37.279
<v Speaker 1>near the wood bottom of the wall, that's what we

550
00:31:37.400 --> 00:31:39.839
<v Speaker 1>need to do. So anything you can do in the

551
00:31:39.920 --> 00:31:41.960
<v Speaker 1>yard to keep it from getting there in the first place.

552
00:31:41.960 --> 00:31:44.519
<v Speaker 1>But if you can't avoid that, then once it's there,

553
00:31:44.759 --> 00:31:48.440
<v Speaker 1>we've got to grab it and convey it elsewhere. Drain gravel,

554
00:31:48.559 --> 00:31:53.119
<v Speaker 1>French drain, waterproofing, and generally speaking, all of the above,

555
00:31:53.359 --> 00:31:56.359
<v Speaker 1>a layer after layer after layer approach, because there's usually

556
00:31:56.359 --> 00:31:59.119
<v Speaker 1>no one silver bullet for the whole thing. All right,

557
00:31:59.160 --> 00:32:01.960
<v Speaker 1>thank you for your call, Judith, appreciate the question. When

558
00:32:01.960 --> 00:32:04.799
<v Speaker 1>we come back, more of your calls. You are home

559
00:32:05.279 --> 00:32:08.720
<v Speaker 1>Dean Sharp, the House Whisperer on KFI. This has been

560
00:32:08.880 --> 00:32:12.079
<v Speaker 1>Home with Dean Sharp, the House whisper. Tune into the

561
00:32:12.119 --> 00:32:15.680
<v Speaker 1>live broadcast on KFI AM six forty every Saturday morning

562
00:32:15.880 --> 00:32:18.839
<v Speaker 1>from six to eight Pacific time, and every Sunday morning

563
00:32:18.920 --> 00:32:22.759
<v Speaker 1>from nine to noon Pacific time, or anytime on demand

564
00:32:22.839 --> 00:32:24.519
<v Speaker 1>on the iHeartRadio app,
