Speaker 1: OnlyFan is a satire podcast and there is no other
Speaker 1: meaning or attempt to hurt it.
Speaker 2: OnlyFans, hello, what a pleasure you're back. Not only OnlyFans,
Speaker 2: this is our alternative name, Djora Kfula. Here with us,
Speaker 2: Adi Sasson, hello to you.
Speaker 1: Hello to everyone, I think there's another unknown name that
Speaker 1: we haven't discovered yet. Ah, another third name, you say?
Speaker 1: A third name, yes. Here with us, Yalad Moshe, hello,
Speaker 1: Dima XR.
Speaker 3: Hello, hello, hello.
Speaker 1: Hello, hello, hello. We're making a video for a children's channel.
Speaker 3: Yes.
Speaker 1: This is the second time in On Lifan. The second year,
Speaker 1: of course, yes. Beautiful. Which is the only year, actually, but...
Speaker 1: I just want to remind you.
Speaker 3: Me and Adi, we're a family. Family, family. And my
Speaker 3: grandmother managed to get married. Right. We'll remind you again.
Speaker 1: Okay, great.
Speaker 3: My father and Elad's father... Grandchildren.
Speaker 1: Bnei Dodim. Bnei Ashkara?
Speaker 3: Bnei Dodim?
Speaker 1: Bnei Dodim? Bnei Dodim? Bnei Dodim?
Speaker 3: Bnei Dodim? Bnei Dodim?
Speaker 1: Because if there's something that Iraqis like more than Cuba,
Speaker 1: it's to get married.
Speaker 3: With their cousins. It's like a dream.
Speaker 1: Well, first of all, Dima, it's really... It's strange for everyone, Dima,
Speaker 1: excuse me.
Speaker 3: I'm not.
Speaker 2: That's it, because now I saw, just yesterday, this week,
Speaker 2: I started a binge. I do every day a whole
Speaker 2: week of... A whole week?
Speaker 3: Yes.
Speaker 1: That's the most fun thing in the.
Speaker 3: World, to sit and watch a show every day. It
Speaker 3: requires some focus.
Speaker 4: Like, there's two and a half hours, two and a
Speaker 4: half hours every time. Is it two and a half hours?
Speaker 4: A binge of Onar is two and a half hours.
Speaker 4: It's two and a half hours.
Speaker 3: Two and a half hours.
Speaker 1: Which I think is the only reality. Can you even
Speaker 1: describe it as reality? By the way, to those who
Speaker 1: are whispering, Dima, the star of the current season of Borla,
Speaker 1: eat with me.
Speaker 3: Central week. Central week.
Speaker 2: Central week is the last place, and respected, but it's
Speaker 2: known that Russians don't know how to cook.
Speaker 1: Yes, people don't like Tel Aviv either.
Speaker 4: Ah, no, what?
Speaker 1: In what part?
Speaker 3: Pasta? What? First of all, I'll say... What's going on there?
Speaker 3: I talked to my friend, I have a friend, Nechosh Tan.
Speaker 3: He's a chef.
Speaker 4: Let's go to Nechosh Tan, he's a chef. Oh, you're
Speaker 4: Nechosh Tan. Yes, Nechosh Tan. I said to him, I
Speaker 4: want to bring a fork.
Speaker 1: A fork, I want to bring a fork.
Speaker 4: I want to bring a fork. I'm good at making pastas.
Speaker 4: You know how to make all the ravioli, all the amayat.
Speaker 4: I'm good with pickles, of course. Oh, how delicious pickles are.
Speaker 4: And he gave me a few pieces, I did the
Speaker 4: test with him, he gave me more delicious ones.
Speaker 1: Konadta le'ezem. I'm not going to shut you up.
Speaker 3: You're not going to shut me up. I have to
Speaker 3: know how to play, friends. I have to know how
Speaker 3: to play.
Speaker 2: If you decided to go to this show, you probably said, well,
Speaker 2: I have enough. I came to the show to make.
Speaker 3: Fun of you.
Speaker 4: No, of course, but you still have to know how
Speaker 4: to play.
Speaker 2: Like, to Avdi Lelef, Alex Schultz, who, if I remember correctly,
Speaker 2: just invited all the artists to.
Speaker 1: Right?
Speaker 3: It was him.
Speaker 1: He invited all the artists.
Speaker 3: It was amazing. I don't remember him.
Speaker 1: Inviting everyone, but he was amazing.
Speaker 3: It was really amazing.
Speaker 1: It was fun to watch.
Speaker 2: It's really a joke, but I think you came to
Speaker 2: play the game, and in the end, like.
Speaker 2: Yes, you really played the game, you came as Dima.
Speaker 2: People were very angry about it, because it really was
Speaker 2: some kind of... Because the part about the four weddings,
Speaker 2: which is also a reality that happens here, for those
Speaker 2: who don't know.
Speaker 1: Because of them, they fell for Dima.
Speaker 3: Exactly.
Speaker 1: Exactly, because what happened is that one of the... It
Speaker 1: was a wedding reality show.
Speaker 2: And one of the guests said she couldn't hear Russian,
Speaker 2: it makes her.
Speaker 3: Deaf, and that... They called her a deaf. Really? They
Speaker 3: called her a deaf.
Speaker 2: I don't feel like I need to remember her name.
Speaker 2: I don't know, I don't feel like she respects me.
Speaker 2: So I don't remember her name.
Speaker 5: Oh, we missed it.
Speaker 1: No, it's okay, it's very... It starts with Russians. She
Speaker 1: can't hear the language.
Speaker 3: She can't hear the language.
Speaker 2: First of all, a lot of Russians woke up here
Speaker 2: in the country who came and talked about this thing.
Speaker 1: By the way, she also spoke about Ethiopians.
Speaker 3: Not just about Russians. Right, right. She said... Wait, she said.
Speaker 1: She said... She can't hear Russian.
Speaker 3: Yes. And Amharic, that's what she said.
Speaker 1: I don't want to... I'm going to be direct.
Speaker 2: I saw it once, and I mostly saw the reactions
Speaker 2: to it after that.
Speaker 1: I mean, I heard more reactions than... It sounds like
Speaker 1: you hate strangers, Gvirti. Yes, yes, yes. It sounds like
Speaker 1: you hate strangers. By the way, I have a disease
Speaker 1: of most of Israel's countries. They just don't like strangers.
Speaker 1: It's a crazy thing.
Speaker 4: I had a story where I did a stitch with it,
Speaker 4: and then I said, let's see, it's not me who
Speaker 4: didn't like Rabin.
Speaker 3: Then they told me, what a jerk you are, I said...
Speaker 3: I don't know. I don't know. I don't know. No,
Speaker 3: because it's an offensive term.
Speaker 1: Also, breaking up is offensive.
Speaker 2: But I'll tell you what, it's not breaking up. I
Speaker 2: think breaking up is really an area that is, in.
Speaker 1: My opinion, breaking up. Breaking up religions.
Speaker 3: Yes, there are breaking up. There are Moroccan, Egyptian, European.
Speaker 3: I feel that when they say that French and Czech
Speaker 3: are related to the East, then they'll come.
Speaker 4: And say, there are also French and Czech, but it's
Speaker 4: an offensive term to the East. And breaking up, you
Speaker 4: have breaking up.
Speaker 3: I know Polish breaking up.
Speaker 1: Americans have breaking up. Wow, Americans know how to be stupid.
Speaker 1: What do you mean stupid? All the Jews are stupid.
Speaker 1: You're exaggerating.
Speaker 3: I'm exaggerating. Stupid Jews are stupid.
Speaker 1: I'm exaggerating. Stupid Jews are stupid.
Speaker 4: There are no stupid Jews like that.
Speaker 3: Wow.
Speaker 1: You don't understand. In this thing, you came there by hand.
Speaker 1: Now you're coming and cutting the line between Dima and
Speaker 1: this girl who came and said she couldn't hear Russian.
Speaker 2: First of all, there are two opposite cases here. There's
Speaker 2: someone who can't speak Russian, and someone who can!
Speaker 3: He put it on the mainstream.
Speaker 2: First of all, I think that if you didn't do
Speaker 2: the Russian performance, Cobra in the Salon wouldn't have been
Speaker 2: able to do it.
Speaker 1: I remember writing to you then, how stupid it is.
Speaker 2: Because really, the performance, it's the song that ultimately is
Speaker 2: based on.
Speaker 3: Baila Funk.
Speaker 1: Yes, of Brazilians.
Speaker 2: And the Brazilian performance and the Russian performance, they're so similar.
Speaker 2: They're so similar that it's so logical that there's a
Speaker 2: song like this that I'm shocked that even the original
Speaker 2: Russian didn't do this dance.
Speaker 1: Of this music. Wait, but Brazil, their dance is Portuguese, right? Portuguese, right.
Speaker 1: And I don't... There's a lot of... Yes, I don't know.
Speaker 3: The songs.
Speaker 4: If you're talking in Russian about Brazilian rhythm, it sounds
Speaker 4: like it's been there all your life.
Speaker 3: Exactly. Exactly.
Speaker 2: And that, I'm like, my head got stuck because I
Speaker 2: really like the Brazilian style. Also the vocal production of
Speaker 2: the singers in Russian hip-hop.
Speaker 1: Like he's a little bit like that.
Speaker 2:
Speaker 2: .
Speaker 1: I do want to refer to the context of things here. Wait,
Speaker 1: you mean to say that he was accused of racism?
Speaker 2: Yes, when Elad does a Russian crime, then because of
Speaker 2: the crime, it's racist. And I must say, sometimes the
Speaker 2: things that Elad thinks and produces through Dima, the way
Speaker 2: I see it at least, I look at you as
Speaker 2: a person, which wants to judge the Israeli culture according
Speaker 2: to what's going on here, but it's very, very hard
Speaker 2: to do that from within the culture. Because the moment
Speaker 2: you say it in your usual way, you're part of us,
Speaker 2: what are you trying to do with us, what are
Speaker 2: you this? The moment you put yourself, you're trying to
Speaker 2: catch this Russian, that everyone knows what this claim of
Speaker 2: Russianness brings him, this temptation that we sanctify, and and intelligence,
Speaker 2: and wisdom, and to be serious people, and to work hard,
Speaker 2: and all that kind of stuff. Wow, that's a hard
Speaker 2: Russian joke, you have, listen to me, that.
Speaker 3: We don't know. We'll get to that, we'll.
Speaker 1: Get to that. Okay, I gave, for those who know,
Speaker 1: I gave in my life, maybe 600 takes on how
Speaker 1: much I love the culture, and this and that. The idea,
Speaker 1: what's it called? My idea of a Russian garden. I
Speaker 1: know a lot of people love it, because there's... Education!
Speaker 1: Not just education, also.
Speaker 3: Education for their parents.
Speaker 1: They work on holidays, in Shuketo. They work on holidays.
Speaker 1: I didn't do it because of that. So from Kippur,
Speaker 1: the girl is in the garden every day.
Speaker 3: I met this person. The girl is in the garden
Speaker 3: every day. She doesn't get to the garden. Even with Kippur, Knesset.
Speaker 5: Work.
Speaker 1: She has to come.
Speaker 3: She's been cooking for half a year.
Speaker 4: If she doesn't get there, she's sick too, without her hands.
Speaker 1: I had a conversation about how Russians are straight and happy.
Speaker 1: Where do we see this? I don't want to say
Speaker 1: that I'm a Gizanite. It's not from a place of
Speaker 1: yes-man-ness either. It's from a place of exactly... Of, like, I.
Speaker 1: That's it! You don't have to dress up. You don't
Speaker 1: have to dress up.
Speaker 3: You don't have to dress up. You don't have to
Speaker 3: dress up. You don't have.
Speaker 1: To dress up. You don't have to dress up. You
Speaker 1: don't have to dress up. It's a powerful performance.
Speaker 2: She's a character of Russia that you can't mess with.
Speaker 2: By the way, one of the most popular shows is
Speaker 2: Sabliminal and Atzel. They come to Luba and she shouts
Speaker 2: at them again. It's like she's covering them. At the
Speaker 2: end of the day, it's like she's covering the rap
Speaker 2: artists' annoying hard work because she's really tired.
Speaker 1: That's the thing.
Speaker 2: Wonderful country, a year or two or three years later, they.
Speaker 1: Made the image of, it's not Yuri, it's Rui.
Speaker 3: Rui.
Speaker 1: Do you remember?
Speaker 3: Yes.
Speaker 2: This is an image of a man who wants to
Speaker 2: integrate in Israel. What's the excuse here? That there's a
Speaker 2: Russian guy here who wants to be accepted as an Israeli,
Speaker 2: and he complains about it.
Speaker 3: And what?
Speaker 1: And what's funny? Ha ha, you want.
Speaker 3: To take over, yeah, zero.
Speaker 1: What's funny? We're not joking with you, yes, we're joking.
Speaker 3: Exactly.
Speaker 1: So what's funny here?
Speaker 2: In contrast to Irena, who came after her in the parliament,
Speaker 2: who is, yes, stronger.
Speaker 1: Stronger. Who has to be a strong figure.
Speaker 2: In contrast to that, and I always use this example.
Speaker 4: I feel that Irena and Shauli, we're talking now about
Speaker 4: a social, sociological, significant conversation.
Speaker 3: Yes. It's the difficulty of two very significant elections.
Speaker 1: The eastern ones.
Speaker 3: Shauli, it's not clear if he's eastern, but he's apparently eastern. Yes.
Speaker 3: He's apparently eastern.
Speaker 4: But on the other hand, yes, it's a community that
Speaker 4: has become phenomenal.
Speaker 3: The Russians, of course. So here, please, I'm a socialist.
Speaker 1: What I'm about to say... No, wait a second, just...
Speaker 1: I just wanted to say, about.
Speaker 4: Maybe just the writers of The Wonderland love Russians, and
Speaker 4: less love Russians.
Speaker 3: Everything can... No, the second... What I'm about to say....
Speaker 2: That, for the sake of the matter, Shlisiat Prozac, and
Speaker 2: I always use this phrase as an example, didn't make
Speaker 2: a Russian mistake.
Speaker 1: Fine, didn't make a Russian mistake.
Speaker 2: But when they asked, Yulia is Russian, she's from the
Speaker 2: United States of America, it's a thousand times worse, a
Speaker 2: thousand times more racist.
Speaker 1: That is, the presence of a.
Speaker 2: Mistake or the presence of an argument doesn't necessarily mean
Speaker 2: that the thing is racist, like Hadro doesn't necessarily.
Speaker 1: Mean that it's not racist.
Speaker 2: You can say very, very racist things without a mistake,
Speaker 2: and you can come and do It's a surprise, but
Speaker 2: not to say, I'm Russian, I drink alcohol. That's not
Speaker 2: what Dima does. Dima comes and at the end of
Speaker 2: the day gives a criticism.
Speaker 1: Of the Israeli society. I'm from outside, because to keep
Speaker 1: it a barrier.
Speaker 4: It's fun to hear, because one who grew up much
Speaker 4: more as a Soviet than me, I'm not talking, I
Speaker 4: know how to read Russian, and until I was four
Speaker 4: I lived with my grandmother.
Speaker 1: You really know how to read Russian?
Speaker 3: I don't understand what I'm saying.
Speaker 1: I understand your ideas.
Speaker 4: Let's say, my grandmother, may she rest in peace, she
Speaker 4: was proud of me that I don't speak Russian, because
Speaker 4: she said, if she were a little girl, she would
Speaker 4: understand everything.
Speaker 3: It's like.
Speaker 1: Right, right. You kind of forget this thing.
Speaker 3: I just want to.
Speaker 4: You live this thing, second, you live this thing, and
Speaker 4: when you say this, it makes me very happy, but
Speaker 4: it also closed this thing with a big heart.
Speaker 3: Because during the week, until.
Speaker 4: We understood what the idea behind this act is, because.
Speaker 3: It takes time, people in the groups here are talking about,
Speaker 3: why is he doing this thing? Why do you need
Speaker 3: this thing? What does it serve? And then.
Speaker 4: Just a second after our era is over, she rises
Speaker 4: her voice and says, Russians.
Speaker 3: I can't hear the language.
Speaker 4: That's exactly the reason I'm doing this. What do you
Speaker 4: mean you can't hear me? What's the fun in this country?
Speaker 4: You used to go once, every block had Bulgarians, Russians, Caucasians, Yemenis, Iraqis,
Speaker 4: and you're like, wow, this is really cool, there's a
Speaker 4: lot of culture here, and everyone can learn their thing.
Speaker 1: You've experienced it, how many Israelis have experienced it, as
Speaker 1: all these people have spoken to us here? A lot,
Speaker 1: and that's what's sad. By the way, I want to
Speaker 1: say something about what you said to her.
Speaker 3: Yes.
Speaker 1: I think that not every person who uses a certain
Speaker 1: stereotype is a racist, even the other way around. I
Speaker 1: think that people who are not really allowed to use
Speaker 1: stereotypes and can throw these things, are actually the least
Speaker 1: racist people. Yes, but I don't use stereotypes.
Speaker 3: As you said, I can't... No, no, no.
Speaker 1: I'm not talking about her. I'm talking about her take
Speaker 1: in a general way. Because I think that people, the gizans, really,
Speaker 1: whenever they come and tell you, it's gizani, no, no, no,
Speaker 1: you're a gizan. I'm not a gizan. I have nothing
Speaker 1: to hide. So I can come and laugh and say, no, no,
Speaker 1: you're joking. It doesn't matter. You understand? That's what I feel.
Speaker 1: And it's worth saying this about everything in the country
Speaker 1: that's related to humor of certain groups.
Speaker 3: That's what the right always says about the left. What?
Speaker 3: The right says, I... I can't make the connection. Don't
Speaker 3: judge me.
Speaker 1: They don't know how to connect it. He's a friend
Speaker 1: of Salah. He calls Bibi. Don't call him.
Speaker 3: We'll go back to Dolev.
Speaker 4: The reason Dolev can't speak the language. is that she
Speaker 4: didn't hear the language in culture, in education. Every time
Speaker 4: they brought a Soviet figure, he was either a rami,
Speaker 4: or a tipeesh, or a.
Speaker 3: Megokach, and every time a strong figure.
Speaker 4: The whole idea of the Khoridim is to bring a
Speaker 4: strong Soviet figure, who can handle this thing. And by
Speaker 4: the way, that's also a privilege, because they didn't give
Speaker 4: me my Russian uniform, which I don't have, They never
Speaker 4: played with me about it. So when I do the
Speaker 4: Russian game, I don't feel the pressure. I don't feel
Speaker 4: like everyone will look at me and say, ah, ah, ah,
Speaker 4: he's out.
Speaker 3: Ah, he's out. He's out. No.
Speaker 4: So I use this privilege and my ability to play
Speaker 4: to advance some agenda, perception, and in general to open
Speaker 4: the thought.
Speaker 3: I think it did a great job this week for
Speaker 3: the community.
Speaker 1: I'll tell you something. In the beginning, I suddenly said,
Speaker 1: I'll talk to you about this. I said, I don't
Speaker 1: understand why he goes there. He goes there and does
Speaker 1: the image of Dima. Like, why isn't he Elad? Elad,
Speaker 1: who is funny, and he's smart, and he's interesting, and he's...
Speaker 1: And suddenly I understood, like, while I was watching it...
Speaker 1: that I think you just enjoy it, like, when you're like,
Speaker 1: leave the message and the agenda for a second, there's
Speaker 1: something in it that you enjoy doing, like, you come
Speaker 1: and play, and tell your characters, and Arya in the
Speaker 1: last episode, and then I say, let's, like, it's just, like,
Speaker 1: the extremism between Arya and, like, it's... I really, really
Speaker 1: like my characters.
Speaker 4: Like, I enjoy doing my characters, I don't feel like
Speaker 4: I'm at work and stuff like that. But when they
Speaker 4: approached me.
Speaker 1: Which is amazing, because it looks tiring to me! I'm
Speaker 1: telling you how to lose!
Speaker 4: But when they approached me to use the program, several
Speaker 4: times they approached me, and it didn't work out, and
Speaker 4: I didn't want to, and so on. And then in
Speaker 4: the end I said, well, I have a stage here.
Speaker 4: I can do whatever I want. I feel like Elad,
Speaker 4: I don't care about my personal life, what I like
Speaker 4: to eat, what I like to drink.
Speaker 1: It's amazing.
Speaker 3: It doesn't interest me. It's amazing, because a lot of people.
Speaker 1: I don't care about my skill.
Speaker 4: There are people, I don't know, a guitarist, so it
Speaker 4: interests him to play. Like, I, that's my skill, and
Speaker 4: that's what I know how to do. So if I
Speaker 4: can already, on the way, to make... And that was
Speaker 4: the most fun, that, like, that was.
Speaker 3: The most fun. to wake up to this word. Right. Yes,
Speaker 3: it's a surprise, not a surprise. It's coming, not coming.
Speaker 4: Ah, she has an Ukrainian grandmother.
Speaker 3: He can, he can't. Great, they talked about identity. Just
Speaker 3: talked about identity.
Speaker 1: Right, it's more interesting. It's true for everyone. Let's sum
Speaker 1: up the discussion by the fact that Nina broke Putin's bracelet.
Speaker 3: Wow.
Speaker 1: Putin's bracelet.
Speaker 3: Yay.
Speaker 1: I have this kind of thing that I love the character.
Speaker 1: Like I love Tupa, the vibe. So I love her.
Speaker 1: Thank you. Thank you, Nina.
Speaker 3: Wow.
Speaker 4: Wow.
Speaker 1:
Speaker 1: I can't say more than that. I thought
Speaker 1: you were talking about the whole wedding, until you realized
Speaker 1: what you were talking about. I compare it to this.
Speaker 3: I'm enjoying it.
Speaker 1: I'm suffering from the time of Bar Ifaeli. I can't
Speaker 1: hear it anymore. I want to see what's going on there.
Speaker 1: I want to.
Speaker 3: I'm happy.
Speaker 1: Give me everything. First of all, I want to say something.
Speaker 1: He's in Portofino. I visited there once.
Speaker 4: Wait.
Speaker 1: Guys, guys, first of all, I didn't... How did the
Speaker 1: Russians move forward?
Speaker 3: How did they fly? How did they fly abroad?
Speaker 2: I just wanted to say something. I didn't fly in Portofino,
Speaker 2: I flew next door, but we took a flight and
Speaker 2: got to Portofino, we got there and we went around there.
Speaker 1: First of all, how do you fix it there? All
Speaker 1: this area, you.
Speaker 2: Just have Louis Vuitton, Gucci, tap, tap, tap, tap. You
Speaker 2: have all this there. The most expensive, but you hear it,
Speaker 2: and then you come like, ah, because of this. And
Speaker 2: of course, my husband's cousins. Let's go in to Louis Vuitton.
Speaker 1: And we're going in to Louis Vuitton just so the
Speaker 1: seller in Louis.
Speaker 2: Vuitton can look at us and really give us the clothes.
Speaker 1: That are the most embarrassing in the world.
Speaker 2: Like, sir, you can buy yourself in this store. Sir,
Speaker 2: you're a seller in Louis Vuitton. You're not a millionaire.
Speaker 3: Do you know the story with Adam Sandler's daughter? No.
Speaker 4: That Adam Sandler's daughter went into some kind of store,
Speaker 4: something like that, at the top of the stairs.
Speaker 1: She made a huge mistake.
Speaker 3: They made her a wanta. Yeah! father came and bought
Speaker 3: the whole store.
Speaker 1: He made a huge steak!
Speaker 3: He bought the whole store. I'm shocked.
Speaker 1: It's a beautiful woman. You understand? It's just on the
Speaker 1: same day.
Speaker 3: I'm going to come with my wife. It's the most Jewish.
Speaker 3: The most Jewish.
Speaker 2: The most Moroccan.
Speaker 3: Adav, I'm curious.
Speaker 1: If we leave Omer and the wedding for a second,
Speaker 1: it reminds me that I saw TikTok this week. After all,
Speaker 1: we already talked about the issue of tags, of you
Speaker 1: look like me.
Speaker 3: Okay?
Speaker 1: You look like me. I saw a funny TikTok of
Speaker 1: someone who gets on the plane and says, here I am,
Speaker 1: my Gucci bag is going to Moshe and 40D. And
Speaker 1: it happened to me. And it was subconscious. But I
Speaker 1: saw TikTok. of someone who explains, listen, I didn't believe
Speaker 1: it was true, how to get to these stores, what
Speaker 1: to wear.
Speaker 3: How to behave, how to talk, so that.
Speaker 1: They won't do to Julia Roberts, because it turns out
Speaker 1: that they're there, these sellers, you earn 40 shekels a lifetime, okay,
Speaker 1: let's relax.
Speaker 3: Right?
Speaker 1: So she really.
Speaker 2: Explained what you need to do.
Speaker 1: To get in, so they'll believe you, that you have money,
Speaker 1: and give you things. And it's a crazy thing, and
Speaker 1: I want another second, a take on the products, on the... Girls,
Speaker 1: you look amazing. You look amazing. Not just anyone. Even
Speaker 1: if I get this t-shirt now, what do they call it? Birkin, Birkin.
Speaker 1: First of all, the ugliest t-shirt I've ever seen in
Speaker 1: my life. It's a t-shirt.
Speaker 3: It's a t-shirt. Even if I get a Birkin t-shirt now,
Speaker 3: there's no chance I'll go up.
Speaker 1: Because it's me. This is how I look when I
Speaker 1: go up in line three at home. With the Birkin, enough!
Speaker 1: Enough with this show! Shame on your money! Enough with
Speaker 1: this show-off! I'm shocked! You see all the scum you see!
Speaker 1: It's a waste of soul, these products!
Speaker 4: You go to the international bank.
Speaker 3: The international bank.
Speaker 4: How do you know who is the most broke and
Speaker 4: has no teeth?
Speaker 3: The one who comes with a replacement.
Speaker 4: I remember people from the east of Jerusalem with a
Speaker 4: replacement coming to the bank, me with my finger out
Speaker 4: in the morning, going to collect a checkbook and I say, wow.
Speaker 3: That guy, he won't accept a 10 shekel discount.
Speaker 1: What a shame.
Speaker 3: How can you not give him the money?
Speaker 1: What a waste of soul, all the girls who earn
Speaker 1: 50 shekels an hour and they buy the Birkin, God,
Speaker 1: what a shame. I always hate when I walk around
Speaker 1: in Europe and I see people with these bags, these
Speaker 1: huge bags.
Speaker 3: Right. Can you please bring me a paper bag? So
Speaker 3: let's go back to Omer Adam and the summary of.
Speaker 1: Thank you very much. I'm sure there's no... Wait, we
Speaker 1: have to be careful, because there was this story. Like,
Speaker 1: I think, okay, in my opinion, in my opinion, in
Speaker 1: my opinion, there's no, it's not true, there's no love,
Speaker 1: but listen to what I thought. I'm telling you, I
Speaker 1: was in despair. By the way, the wedding is still
Speaker 1: going on. Yes, there's 17 weeks. How many hours have
Speaker 1: you been there? It's 20 events. I'll tell you something.
Speaker 1: What makes me happy is that I said, we saw
Speaker 1: the song Entrance to the Cup, where they claim that T.L.
Speaker 1: is mentioned in the song, because there's a text. When
Speaker 1: are you coming back? You're coming back. The person broke.
Speaker 3: Up with her and broke up with him, and the
Speaker 3: ego there didn't give them anything.
Speaker 1: But listen to what happens. At least we will continue
Speaker 1: to receive good music from Omer Adam. Now that he
Speaker 1: got married, not out of love, but out of anger,
Speaker 1: in my opinion.
Speaker 3: The truth is that to sum up, a very, very
Speaker 3: short period of time.
Speaker 1: Still good, broken music.
Speaker 3: No, he brought broken music. What is broken? Broken heart.
Speaker 1: The best music there is.
Speaker 3: No, something, something.
Speaker 1: And he continues to be broken hearted. And because of that,
Speaker 1: we will receive another album. I love it. Another album.
Speaker 1: It's better for us.
Speaker 3: Of course.
Speaker 1: Of course.
Speaker 3: No, no, no.
Speaker 1: They're not professional.
Speaker 3: They're not good artists. And now, the most amazing item
Speaker 3: that was, is an item from Iran-Switzerland.
Speaker 1: What was it? I'm doing it. I'm doing it. It's
Speaker 1: actually an item that was given to her, which turns
Speaker 1: out that the day they really tried it, is the date,
Speaker 1: the Hebrew birthday of the Abiyah's son. And they were
Speaker 1: celebrating In Hebrew. And I said, why are you breaking
Speaker 1: this woman? Stop everything. Go tell her, Yael, my life. Enough,
Speaker 1: let's leave everything. And it didn't happen. And I said,
Speaker 1: I'm going to sleep, I'll wake up, maybe with some item,
Speaker 1: that's useless. Really, really, they need to be together.
Speaker 2: I think it was like Meryl Streep, Martin Short, that
Speaker 2: after years, they suddenly started to come out like that,
Speaker 2: they were.
Speaker 1: 50, no one would care anymore, but it was like, oh,
Speaker 1: how nice, in the end they stopped each other.
Speaker 3: Andrea Bocelli! Bocelli! But no, no, no. We came to Italy....
Speaker 1: I'll tell you exactly what. There's something that needs to
Speaker 1: be special.
Speaker 4: To be special, to be a person who wears the suits,
Speaker 4: you have the suits... He's telling me that Sasha is Italian.
Speaker 1: That's true, but it's okay. But Omer is the one
Speaker 1: who met him, it's not for Sasha, it's for the audience.
Speaker 3: But you have to agree with these.
Speaker 4: Suits of the suits, with the doobie, and with the Amiri,
Speaker 4: and all that, and all of a sudden there's this frenzy.
Speaker 3: There's this frenzy, and Omer says, what, special, no? Special.
Speaker 3: I was in an event with Amos Muzon, someone I know.
Speaker 1: There were men with clutches. Do you know what a
Speaker 1: clutch is? Come on, come on. Now, with Dana, I
Speaker 1: was like.
Speaker 3: Armani Exchange, you're holding it in your hand.
Speaker 1: He tells me, what's this? Why does he have such
Speaker 1: a bag? It's this mess between style and... I agree
Speaker 1: with that.
Speaker 3: And by the way... No, no, no.
Speaker 2: Don't talk to me about masculinity here.
Speaker 3: No, no, no.
Speaker 1: No, no, no.
Speaker 3: No, no, no. No, no, no. No, no, no. I'll
Speaker 3: talk about it.
Speaker 4: I know all kinds of Soviet people that if you
Speaker 4: just say my name, they're not right.
Speaker 3: They'll beat you up under 10 times.
Speaker 4: They go out to restaurants with this Latcha bag, and
Speaker 4: then what do they find from the bag?
Speaker 1: Vogue cigarettes.
Speaker 3: What's that?
Speaker 4: Vogue cigarettes, cigarette butts, people, people, you look at them,
Speaker 4: you're a mother's brother, just to see them.
Speaker 3: They're sitting outside, smoking Vogue.
Speaker 1: No Russians.
Speaker 2: A beautiful story, by the way, with all this Italian stuff,
Speaker 2: I just say, if ever Omer Adam and I get married,
Speaker 2: I ask you to bring me Philip Kirkurov.
Speaker 1: I don't know who that is. You know, I understand.
Speaker 2: It's the one from Novi God.
Speaker 3: Who gives the show at Novi God.
Speaker 2: Also, yes, and you can also know him, maybe he's Israeli,
Speaker 2: he did a cover for Diva.
Speaker 1: Of Dana International. I'm in shock.
Speaker 3: With an old man?
Speaker 1: Yes, he's with an old man most of the time. Conchita,
Speaker 1: the Russian.
Speaker 3: No, no, no.
Speaker 1: That's how it sounds.
Speaker 3: I know what I'm talking about.
Speaker 1: He's with an old man, and he's a little grumpy. Yes,
Speaker 1: he's one of the most friendly singers in Russia, I know.
Speaker 3: He lived here in Herzliya for a year and then.
Speaker 2: So this young man is one of the biggest comedians
Speaker 2: in Russia, because he's young.
Speaker 1: We got to Pines Moskva. Wow, it's a life-changing story.
Speaker 3: We'll move on.
Speaker 1: We'll move on, we have another wedding tonight. But listen
Speaker 1: to the twist. We're not going to get a summary
Speaker 1: of this wedding. I mean, you know, I love this man.
Speaker 1: I met you. I'm gonna marry Daniela meet me tonight.
Speaker 1: I mean, I'm not sure. I mean, I'm not sure.
Speaker 1: I'm not sure. so tonight the wedding of Emily Damari
Speaker 1: and Daniel Amit the wedding got closed at the end
Speaker 1: there are things.
Speaker 2: That we are also wrong about Leah I thought we
Speaker 2: said we talked here about the fact that it won't
Speaker 2: happen I said they got married in a wedding and
Speaker 2: got divorced in a wedding ah that's funny that's what
Speaker 2: I said then and I I mean you.
Speaker 1: You think they paid for something at the wedding so
Speaker 1: not that I opened my eyes now that I'm in
Speaker 1: the world of weddings like I told you Now that
Speaker 1: I'm in the world. I think that... No!
Speaker 2: That partially, yes, apparently.
Speaker 3: Yes!
Speaker 1: Listen, Daniela Meeta, I don't think she suffers from me.
Speaker 3: Let's say that.
Speaker 1: Ah, that's the story. She's doing well. She's doing well,
Speaker 1: but it's the people who, because of their work, they can...
Speaker 1: It's like in a game of hide-and-seek. Look, I like
Speaker 1: the idea. She can... I'll give you an example.
Speaker 3: She can get what she can get for us.
Speaker 1: I like the idea now. Did you do a.
Speaker 3: Shut-up with the director? No, but if I want... And
Speaker 3: I want to. And I want to. And I want to.
Speaker 1: And I'm interested.
Speaker 3: I bring the whole house to you.
Speaker 1: Really? I understand you. Why don't you do it? If I.
Speaker 5: So here I am now, I want clothes. I am now,
Speaker 5: three days of filming, So what I.
Speaker 1: Think is that I can assume that But I Omer
Speaker 1: Adam can exist, even if he doesn't have a single
Speaker 1: story in his life. B, D, U, that's the difference.
Speaker 1: He can't exist. Right, right.
Speaker 2: The difference is, in the end, in the way they exist,
Speaker 2: and not only that, but notice that Omer Adam He's
Speaker 2: not one of the musicians that... It's not something that's
Speaker 2: very common in Israel, right? But he's really one of
Speaker 2: the musicians that can convince themselves to live like they
Speaker 2: do abroad.
Speaker 3: Right?
Speaker 1: A wedding in Italy... It's Kim Kardashian's shit, guys. Because
Speaker 1: he's a businessman. He's a businessman, he makes money.
Speaker 4: It's like a man who released one hit in New York,
Speaker 4: he'll live like Omer Adam here.
Speaker 2: Omer Adam, but really, lives now in a way where
Speaker 2: he can invite people to his wedding, on his own account.
Speaker 1: To say, don't put a check. By the way, she's also.
Speaker 2: She's also not missing. And they can ask the guests
Speaker 2: to come and donate this money.
Speaker 1: It's amazing. It's very nice that they can donate money.
Speaker 3: What will he do?
Speaker 1: Because you see him and Radha going to the bar.
Speaker 1: The check of Ed and Sinnes.
Speaker 4: Really?
Speaker 1: That's it.
Speaker 4: All the checks in the banking, and he's with Hanifa?
Speaker 3: I got fired yesterday. What a class.
Speaker 1: Guys, it's a fucking human in terms of.
Speaker 3: What a class.
Speaker 2: It's really a fucking human in terms of Daniel Amit,
Speaker 2: and not only Daniel Amit, no influence, I think, in Israel,
Speaker 2: I can't even imagine him living in this form, just
Speaker 2: from a coupon code. There's money here, from Nadlan, from companies,
Speaker 2: from tech, from doing it in AI, from doing it already,
Speaker 2: it's really being a businesswoman, really, really.
Speaker 1: I just want to add to a take that Daniel
Speaker 1: Amit gave a week ago.
Speaker 3: Yes.
Speaker 1: That she just didn't understand the tricks of taking a
Speaker 1: picture and doing social media in the middle of the wedding.
Speaker 3: What?
Speaker 5: What?
Speaker 1: Now, I really, of course, I don't love the persona,
Speaker 1: but I have to say something. What a crazy cut
Speaker 1: to live from this thing called a reference to health
Speaker 1: a thousand times, and then to go out to people
Speaker 1: who are afraid. It's just, I don't know.
Speaker 4: But you know, Daniela Mead, part of everything she does, It's... Again,
Speaker 4: I don't think she does it intentionally, and she plans steps.
Speaker 3: But... But she goes a lot... She goes a lot.
Speaker 1: To events that are very, very....
Speaker 4: She spoke about the period when she was a refugee. Oh,
Speaker 4: I didn't hear.
Speaker 1: What did she say?
Speaker 3: She spoke about a few years ago, I think.
Speaker 4: She spoke about the fact that she was a poor
Speaker 4: refugee and didn't want to go to this prison, that
Speaker 4: someone died, that someone this, that someone that.
Speaker 3: Now, things that... All those who worked in the police
Speaker 3: department know that this is the best solution.
Speaker 1: Whoever does things like this is the best solution. Get
Speaker 1: rid of the security. Really, eat the customer's food and
Speaker 1: don't get rid of the security.
Speaker 4: So she said something in the style, I don't remember
Speaker 4: exactly the millimeter, but something like that. And you see
Speaker 4: the answers.
Speaker 3: Iconic! What's up with you now?
Speaker 4: You're going to a funeral tomorrow morning, you're going to
Speaker 4: a funeral and they do this to you, you put
Speaker 4: up the songs that Zahava Ben killed himself, killed himself
Speaker 4: at home on this thing, and when Daniela talks.
Speaker 3: About it on the internet, it's iconic.
Speaker 1: No, but outside, really.
Speaker 3: We love masochists, we love people who laugh at us,
Speaker 3: we love ourselves.
Speaker 4: I'm going crazy from all the ha-ha and tra-la-la around
Speaker 4: the wedding. You want to get married, brother, get married.
Speaker 4: Go put on your t-shirt, put on your t-shirt. Make
Speaker 4: it equal. I don't have the strength, you mother-in-law, enough.
Speaker 3: That's it, it's like they're telling us. Guys, he doesn't
Speaker 3: know anything else. I have pictures.
Speaker 1: Wow!
Speaker 3: Wow! Wow.
Speaker 4: Wow.
Speaker 1: You can see it now, with my old eyes, it
Speaker 1: was impossible. You saw my life with that.
Speaker 2: That's the good thing about being a photographer, that there's
Speaker 2: a moment, unlike a DJ, that you have to keep
Speaker 2: going with these crazy things.
Speaker 3: Continue until the end. I took your DJ to your
Speaker 3: little brother's wedding.
Speaker 1: Right, I'm a big fan, really, one of the amazing ones.
Speaker 3: What's the difference between a DJ.
Speaker 1: And a photographer?
Speaker 2: Oh, no, it's just that with these crazy things, when
Speaker 2: you're a photographer, at some point you see how people look,
Speaker 2: and you say, this is it, it's over.
Speaker 1: The event for me is over.
Speaker 3: There are so many pictures.
Speaker 1: You know, you have to take a picture of a
Speaker 1: person crying and you have to take a picture of
Speaker 1: a person, what's.
Speaker 3: Called, open in his eyes. Yes, we'll take that for granted.
Speaker 1: I said, eye here, eye there.
Speaker 2: Wow, guys, we don't have time.
Speaker 1: Come on, let's move on.
Speaker 3: Good luck.
Speaker 1: Only good luck. Ah, yes. Omer, Sasha, Amir.
Speaker 3: Good luck.
Speaker 1: Daniel Amit.
Speaker 2: Many icons of Lomo died on the first day.
Speaker 1: Dolly Parton and Tim Carey. I want to tell a story.
Speaker 3: What?
Speaker 1: You want to tell a story? About Dolly Parton? That
Speaker 1: I killed Dolly Parton. Oh, you talked about her. A
Speaker 1: friend comes to me.
Speaker 3: Yes.
Speaker 1: On that day, what day was it?
Speaker 3: Tuesday?
Speaker 1: Tuesday. Ariel Angel, our friend, had some idea. He wants
Speaker 1: to launch a project related to country.
Speaker 3: Okay?
Speaker 1: And conversations, and I, and Idan, the owner, the manager,
Speaker 1: I'm talking about music, and a conversation for a few
Speaker 1: hours about country. Country music? Yes, that during the conversation,
Speaker 1: the name of Dolly Parton went up, maybe, 3,000 times,
Speaker 1: and Dolly Parton, and this, and Dolly Parton, and this,
Speaker 1: and Dolly Parton, and Dolly Parton, and when you get home,
Speaker 1: make me a playlist of Dolly Parton, and then.
Speaker 1: You're in the group. The director is tired. He sends
Speaker 1: me Dolly Parton. And I'm like, what? I don't understand.
Speaker 1: Did he talk to Angel about the conversation?
Speaker 3: What?
Speaker 1: And I, like an idiot, I ask him a few times,
Speaker 1: what's the matter? What happened? What happened? And then he says,
Speaker 1: she died. And I'm like, now I'm sending to, I
Speaker 1: can't say what I wrote to the friend. I wrote
Speaker 1: to him, it's a pity we didn't talk about it. Yes.
Speaker 1: For those who understand, understand. I killed her. I just
Speaker 1: had a conversation with her. The girl died. So if
Speaker 1: you want to call for an abortion, talk to me.
Speaker 4: It's not possible to do it, that you did a
Speaker 4: country evening and destroyed her beautiful children.
Speaker 1: I said that in the sentence, and that explains it.
Speaker 1: Maybe if Dea does Jolene, it's... Now, of course, she died.
Speaker 3: Dea does Jacqueline.
Speaker 1: I have to say... There's breaking, yes?
Speaker 4: What?
Speaker 1: She didn't die?
Speaker 2: Adar Mukhtar is going to be the head of the
Speaker 2: youth campaign in the Likud campaign?
Speaker 1: Is that considered?
Speaker 3: What?
Speaker 1: Wow, the youth are dying for Adar Mukhtar.
Speaker 3: She broke him.
Speaker 1: She broke him. Wow, Adar Mukhtar's breaking. What a genius. God,
Speaker 1: I had a good mood.
Speaker 3: What a woman.
Speaker 1: Wow, I can't hear her. Okay, wait. Dolly Parton. Wait
Speaker 1: a second, we'll get to Adar Mukhtar. Dolly Parton, I'll
Speaker 1: tell you something about all this thing of artists who die.
Speaker 1: Every time someone dies, what? What can I say about that?
Speaker 3: It's not right.
Speaker 1: The first thing is, it's not right.
Speaker 3: You love Dolly Parton.
Speaker 1: Me too.
Speaker 3: And, really, a woman.
Speaker 1: A woman, wow, everyone knows what she did and what
Speaker 1: this and that. But the songs, the songs remain. Okay,
Speaker 1: you can go up as a fan, Dolly Parton, I
Speaker 1: went up right away, I wrote, wow, as the woman
Speaker 1: who wrote Jolene and I Will Always Love You, which
Speaker 1: they say is also a not-true magadah, she wrote them
Speaker 1: on the same day. What a beauty of, like, it's okay,
Speaker 1: it's a song, and yalla, we advanced. on. But the
Speaker 1: monologues that go, Oh no, oh no, what oh no?
Speaker 1: What would you see in the cafe every morning? And
Speaker 1: you wouldn't see it anymore.
Speaker 3: What oh no?
Speaker 1: How does Donny Parton's death hurt you? I love it.
Speaker 4: In my hardest moments, you were there next to me.
Speaker 3: Wow.
Speaker 1: Yeah.
Speaker 3: You're winning in the store! What are you doing?
Speaker 1: You're winning in the store!
Speaker 3: No! You're winning 49 hours before the race!
Speaker 1: But everything is good in cooperation. We love Dolly Parton.
Speaker 3: Share.
Speaker 1: I can't see the posts of the spectators. What are
Speaker 1: you connected to?
Speaker 3: Yes.
Speaker 1: What are you connected to the spectators?
Speaker 3: Oh, oh. What? Oh, oh.
Speaker 1: Write something nice about her.
Speaker 3: Share a song. Write a joke.
Speaker 1: I like it.
Speaker 3: Eyal Golan.
Speaker 1: Dolly Parton.
Speaker 3: George Michael.
Speaker 1: No, Maya!
Speaker 3: 2016, we're talking. 2016.
Speaker 4: Eyal Golan wrote about George Michael. Itamar Shlomo Cohen, shout out,
Speaker 4: he's the one who introduced me to this event.
Speaker 1: I'm dead.
Speaker 3: That George Michael was one of the great influences of
Speaker 3: Eyal Golan. Of all of us. Of all of us.
Speaker 3: In the end, all the people, like.
Speaker 1: It's an inspiration.
Speaker 3: It's... Wow, I was.
Speaker 1: Father figure. Father figure.
Speaker 3: Father finger.
Speaker 1: George Michael.
Speaker 3: No, no, that's enough.
Speaker 1: Father figure, God. I was on... Okay, wow, how many
Speaker 1: Samim talks are there today?
Speaker 3: What, what happened?
Speaker 1: No, because he... The day he... I really... Like, it
Speaker 1: was more than just singing. I was like... Wow, amazing.
Speaker 1: So I was under such or such an influence, and
Speaker 1: I cried. I was under such an influence, not because
Speaker 1: I became a friend.
Speaker 4: I remember that I found out that Michael Jackson died,
Speaker 4: because I was in Jerusalem. I was in Jerusalem, and
Speaker 4: every bar you went to was Michael Jackson, and then
Speaker 4: someone came out with... Michael Matt? Yes, no, I'm just saying, it's...
Speaker 4: It's a joke. It's a joke, Michael Jackson. When did
Speaker 4: he speak? There was someone at home, in the office.
Speaker 3: What a joke, wow. Oh, wow, that's what's going on
Speaker 3: right now.
Speaker 1: And I said, wow, she's dead every day.
Speaker 3: Amazing music. Really. Every day.
Speaker 4: So, it's amazing to share something, but.
Speaker 1: I can't imagine the excitement of, oh, I'm sad, what's
Speaker 1: sad about it? When did you think of Dolly Parton
Speaker 1: last month? On the contrary to Adi, who really talked about.
Speaker 3: It that day.
Speaker 2: Guys, hold on a second, I have something to say
Speaker 2: about Tzvi Sukkot, about this whole event.
Speaker 3: By the way, the Israeli Dolly Parton. Tzvi Sukkot.
Speaker 1: Tzvi Sukkot, you have to work on the way he uses.
Speaker 3: Fireworks.
Speaker 2: Because, the meaning of Patish, why do we use Patish
Speaker 2: and not.
Speaker 1: Just use a stone? There's a tool at the end
Speaker 1: of the stone, right?
Speaker 2: So that there will be a movement, so that the
Speaker 2: stone will give more strength to it. He gave there, tank, tank,
Speaker 2: like that, like, excuse me, women, really, because there's nothing
Speaker 2: to do, we have more physical strength in our hands.
Speaker 3: If he comes to the Pag, Tzvi Sukkot, we'll beat him.
Speaker 1: What does that mean?
Speaker 3: In the Pag.
Speaker 1: What is beating?
Speaker 3: What is beating him in the Pag? What does that mean?
Speaker 3: Do you know what the Pag is? The dog?
Speaker 1: No, the blind gaze.
Speaker 3: The blind gaze.
Speaker 1: The blind gaze.
Speaker 3: The blind gaze.
Speaker 1: The blind gaze. The blind gaze.
Speaker 2: I thought it was a bad word in English.
Speaker 3: Pug?
Speaker 2: I thought it was a bad word in English.
Speaker 3: Pug? I thought it was a bad word in English.
Speaker 1: Pug?
Speaker 3: I thought it was a bad word in English.
Speaker 1: Pug? I thought it was a bad.
Speaker 3: Word in English. Pug? I thought it was a bad.
Speaker 1: Word in English. Pug?
Speaker 3: I thought it was a bad word in English. Pug?
Speaker 1: I thought it was a bad word in English.
Speaker 4: Pug?
Speaker 3: I thought it was a bad word in English. Pug?
Speaker 3: I thought it was a bad word in English. I'm
Speaker 3: sorry I'm making you laugh.
Speaker 1: No, I'm just imagining things.
Speaker 3: But with this thing... I understand, I understand, I understand.
Speaker 1: I don't understand how gay people are still seen as feminine.
Speaker 1: Tell me, did you see these people, the homeless? No,
Speaker 1: there are and there are. These people bring you to
Speaker 1: the toilet with all their muscles.
Speaker 3: There are and there are.
Speaker 1: They ruin your look.
Speaker 3: I'm in the country, at the top, I wouldn't speak
Speaker 3: a word with anyone. A word.
Speaker 4: A word, I wouldn't... Even before, I wouldn't speak a word.
Speaker 3: They ruin you.
Speaker 1: One significant.
Speaker 2: I just think that what Tzvi Sukkot did there is really,
Speaker 2: it shows, it's a kind of thing that makes up
Speaker 2: this entire government.
Speaker 1: You're already there, you've already reached the place. You're not
Speaker 1: doing shit.
Speaker 2: Because you know that in the end, you just came
Speaker 2: to film this TikTok, and you're doing the performance of it.
Speaker 1: What's the difference between him and Daniel Amit, for the
Speaker 1: sake of it? Exactly, there's no difference. There's no difference.
Speaker 1: They're just there to do one thing.
Speaker 3: One thing. One thing. One thing. One thing. One thing.
Speaker 3: One thing. One thing. One thing.
Speaker 1: One thing. One thing.
Speaker 3: One thing. Daniel Amit.
Speaker 1: That's a different problem.
Speaker 3: That's exactly the problem.
Speaker 1: That's a different problem.
Speaker 2: It's clear that it's much worse than what Tzvi Sukkot
Speaker 2: is doing. I'm just saying, how much you don't... Look
Speaker 2: for a second, really open your eyes. You don't see
Speaker 2: that Ashkera Ben-Gvir, with all this party, that's exactly what
Speaker 2: they're doing.
Speaker 1: They're coming... They're coming to the point.
Speaker 2: He's come to this point of being a national security
Speaker 2: minister to do what? To keep recording TikTok and not
Speaker 2: do anything next to the song?
Speaker 1: And what is he doing?
Speaker 3: And who taught him?
Speaker 1: To be strong on social media?
Speaker 3: Who?
Speaker 1: From Hamas! Of course. I'm not joking. After all, who's
Speaker 1: the most amazing on social media? One of the most amazing.
Speaker 3: That? I don't know about them all. But let me,
Speaker 3: I can, I look, he says, what's the effect? He says,
Speaker 3: you see Arabs looking, he says, I see this, I
Speaker 3: don't do anything anymore. I'm now in a good position,
Speaker 3: I pay the salaries.
Speaker 1: So the Arab profile... It's the other way around.
Speaker 3: Of course, of course, I see the Shia, they do this.
Speaker 1: Thing, they say, come on. The Jews are weak, I
Speaker 1: don't know who to use them for.
Speaker 3: I don't know. I don't know.
Speaker 5: No, we don't call transgender people coccinelli in life.
Speaker 2: Coccinelli has already become this.
Speaker 1: No, no, friends, the meaning is not.
Speaker 4: To say, what, the Arabs use this word, okay?
Speaker 1: So, speaking of Arabs.
Speaker 3: Yes.
Speaker 1: Let's move on. Yosef Haddad joined the party of Ofer Winter,
Speaker 1: who announced this week.
Speaker 3: Yes.
Speaker 1: And we're all, you know, confused, those who are interested
Speaker 1: in politics. Is Ofer Winter, in the end, going to
Speaker 1: be with Bibi, where the Arabs are forbidden, who gave
Speaker 1: them Yosef Haddad, or... When he took down Smotrich, because
Speaker 1: that's what he said, I found out too quickly, politically.
Speaker 1: I'll tell you what, we're one Daniel Amit and one
Speaker 1: Adam Bosch. First of all, let's explain who Zoffer Winter is. Yes, explain.
Speaker 3: Please.
Speaker 1: Explain. I have an idea.
Speaker 3: Really?
Speaker 1: I really have an idea. Wow, I don't have the strength.
Speaker 1: I think it's a bit confusing. But he's a security officer, right?
Speaker 1: He's a security officer. What was his job?
Speaker 3: To do Google? Really?
Speaker 1: I think, if it's not interesting, you can come here.
Speaker 1: You understand? Because of that, I'm like, you came, you said, yes,
Speaker 1: Ofer Winter and this.
Speaker 3: And he buys.
Speaker 1: I'll tell you what. He was a womanizer. He was
Speaker 1: a womanizer. Yes, I don't think it's interesting. It's not
Speaker 1: even the highest level in the IDF. I don't know,
Speaker 1: the story with Ofer Winter.
Speaker 3: Really?
Speaker 1: I think I would have stayed.
Speaker 3: For another two weeks if I had been a womanizer. Really?
Speaker 2: No, no, of course, it's a high degree, but what
Speaker 2: does it matter to me? Like, really, what does it
Speaker 2: matter to me?
Speaker 1: I'll tell you the first thing that matters to me,
Speaker 1: they told me that their plan is a transfer to Gaza,
Speaker 1: and Yusuf Haddad is in it. Yusuf, what are you doing?
Speaker 1: Except for Yusuf Haddad. He's not an Arab, he's from us.
Speaker 1: He's not an Arab, he's from us. He's not an Arab,
Speaker 1: he's from us.
Speaker 3: He's not an Arab, he's from us.
Speaker 1: What do you mean? I'll tell you briefly, a lot
Speaker 1: of people are curious and love Ofer Winter, and he
Speaker 1: also made a list of Yosef Haddad, and also the
Speaker 1: journalist Nitali Shemtov, who people really love. And there was
Speaker 1: a talk about you being in Likud, and the story
Speaker 1: is that apparently... there are a few mandates that can
Speaker 1: deprive this thing. Some say, friends, move on, go with Bibi.
Speaker 1: Some say no, because if he comes, Smotrich is dead.
Speaker 1: He's sitting on Smotrich. But it feels to me that
Speaker 1: we're a little... Maybe it's too heavy for us for
Speaker 1: the OnlyFans. Maybe it's not only fun. I'm just watching
Speaker 1: all the news, and then all week, and I'm like.
Speaker 4: Wow, another party that wants to transfer. Really, it's breaking
Speaker 4: news in Israel.
Speaker 1: Another party that hates the.
Speaker 3: Arabs, and there are Arabs. No, because it turns out.
Speaker 2: That they're talking about the Volpani, and this, and Ofer Winter,
Speaker 2: it's an issue, it's an issue.
Speaker 1: I'm like, really, excuse me, what is this cut from
Speaker 1: this thing, from my point of view? It doesn't exist.
Speaker 1: Yair Golan, all the way.
Speaker 3: Sorry, guys. Bye.
Speaker 1: Oh, what a joke. What a joke. Aiden Benzaken, they
Speaker 1: got you. Look what a joke. Let's go. When I'm
Speaker 1: for the first time in my life, I don't know
Speaker 1: the words.
Speaker 3: Really?
Speaker 1: Talk to me.
Speaker 3: I don't have a clue. I don't have a clue.
Speaker 1: They got me. First of all, if.
Speaker 2: You're asking about an old woman, if an old woman
Speaker 2: is already old, of course she'll vote for Bibi. I'm shocked,
Speaker 2: shocked by this, guys, that there are people that Ashkara
Speaker 2: is shocked by an old woman who brought Bibi to
Speaker 2: her performance. First of all, I'm not shocked by the
Speaker 2: fact that they're trying to do this asymmetry, because when
Speaker 2: Galant or Benny Gantz were in some other performance.
Speaker 1: They were after the elections.
Speaker 2: The audience clapped their hands too, it's not from the artist,
Speaker 2: it's from this, it doesn't matter, it's a waste, it's
Speaker 2: a waste.
Speaker 1: Sabaaba, put it aside for a moment. I'm sorry, but
Speaker 1: all the people who are now threatening to sue.
Speaker 3: What?
Speaker 1: Didn't you see that this sue is being organized?
Speaker 3: A sue?
Speaker 1: No, I thought... A sue.
Speaker 3: A sue.
Speaker 1: And she brought the election campaign, like... Okay, nice that
Speaker 1: you're saying that, because these are people who have never
Speaker 1: been on an old man's show, and there were also...
Speaker 1: You're not her audience. No, she was there. You don't
Speaker 1: buy the tickets. No, of course, she was there. Everyone
Speaker 1: who's asking about this thing, maybe only one, There's no way.
Speaker 1: I didn't see it, and all the talk about women
Speaker 1: came out. No one came out.
Speaker 3: Yes.
Speaker 1: That's the base. They cooperated in the blackmailing.
Speaker 3: Enough. No, I didn't see it.
Speaker 1: I didn't see it.
Speaker 4: Two weeks ago, Yael and I were at a show
Speaker 4: by Ofer Levi in Jerusalem.
Speaker 1: Please. They're recording for me, but.
Speaker 3: I didn't see it. And I was so scared that
Speaker 3: he would come up. To Bibi. Oh, not to Bibi.
Speaker 1: It was Stali Gottlieb and Amir Ohana on the stage.
Speaker 3: Stali Gottlieb and Amir Ohana on the stage. Now I
Speaker 3: hate Amir Ohana, this abuser. I hate him. Abuser underneath. No,
Speaker 3: that's not true.
Speaker 1: I hate him because.
Speaker 4: He was a minister of internal security, under this, that
Speaker 4: was forbidden to open, you know, under the house.
Speaker 3: And he finished all of Meron there, lost.
Speaker 1: Them, and didn't take responsibility.
Speaker 3: Right, right.
Speaker 1: No, he lost Meron. It was the time of Meron's disaster,
Speaker 1: just to remind you, yes.
Speaker 4: But he and Tali Gottlieb, now, I'm dead to Ofer Levi,
Speaker 4: and I know that the thing I'm very sorry that
Speaker 4: Eden Menzaken brought Bibi.
Speaker 3: I'm very sorry for this, because I think.
Speaker 1: It's important to remind people that they care enough, right?
Speaker 2: For those who care enough to see Bibi or not
Speaker 2: to see him on stage, you need to be a
Speaker 2: little aware, a little bit, to understand that such a
Speaker 2: thing can happen.
Speaker 1: When you go, put your.
Speaker 2: Feet on the line.
Speaker 1: You don't want to, so put your feet.
Speaker 3: On the line.
Speaker 2: It's not a secret that Edelman is an old supporter,
Speaker 2: and Bibi supports him for years, and you decided to
Speaker 2: go and support her.
Speaker 1: And that's the price to go and support.
Speaker 2: Someone who doesn't support your political position.
Speaker 1: That's all. There's no price, because even, excuse me, but
Speaker 1: the attitude of saying, artists... Come on, get your political
Speaker 1: ideas together, tell me who you support. We all say,
Speaker 1: in America, all the artists arrange in lines, they say,
Speaker 1: this is Trump, this is... And suddenly, the only problem,
Speaker 1: the only problem, is that she played it like it
Speaker 1: was a surprise. That's not a surprise. Come on, tell me, friends.
Speaker 1: We have here a job for the Prime Minister. I
Speaker 1: would have kept it from her. But the fact that
Speaker 1: it was as if... I'm not related to you.
Speaker 3: Why don't you stand up for it?
Speaker 4: The thing is that the left in Israel for years
Speaker 4: hasn't said anything.
Speaker 3: Since Rabin died.
Speaker 1: The left hasn't said anything. It hasn't said anything.
Speaker 4: And you're proud that the other side says, brother, you
Speaker 4: love Yair Golan, bring Yair Golan to perform with you.
Speaker 1: But there's only one positive thing here. Because I didn't
Speaker 1: see a single explanation where the problem was that Bibi
Speaker 1: came to the performance of Eden Ben-Zaken. Where is it written?
Speaker 1: I don't understand. Is there a law?
Speaker 3: No, there are laws of the performance, what's allowed and
Speaker 3: what's not. Of what?
Speaker 1: That he came to the performance? Where's the performance?
Speaker 4: If you're trying to... If you're trying to.
Speaker 1: He didn't promote anything.
Speaker 3: He didn't promote anything.
Speaker 4: I'm sure that Bibi has the best legal support that
Speaker 4: there is to do this. And even if it's forbidden
Speaker 4: to get out of it, but probably if it's forbidden,
Speaker 4: it's allowed.
Speaker 1: And also enjoy how much Sarah suffered there.
Speaker 3: Wow.
Speaker 1: How much Sarah... That's her biggest responsibility. Only the East,
Speaker 1: what is it? Right, you have this sound on TikTok?
Speaker 1: How does this sound go? What a boomer, I got out.
Speaker 1: I'm in their circle. I'm in their circle, Moody.
Speaker 3: I'm in their circle.
Speaker 1: That's the TikTok I was talking about. I'm in their circle.
Speaker 1: Because only this week they said how many Moroccans were there.
Speaker 1: The Moroccans were there for one of your workers. And
Speaker 1: he's not lost. Right, right. The last thing I wanted
Speaker 1: to talk about. The last topic. Yes, yes. We didn't
Speaker 1: miss anything. We were full of things to talk about.
Speaker 1: There's nothing to do. That's how it is, guys.
Speaker 2: I saw that now from the Pais, or Pais, I
Speaker 2: didn't understand. Pais, they're going out now, yes, they're going
Speaker 2: out now with a new campaign. They took Talia Bradfeld
Speaker 2: to be their presenter.
Speaker 1: Bradfeld, yes.
Speaker 2: They took Talia Bradfeld to be the presenter.
Speaker 1: Now, I'm going here to look closely.
Speaker 3: Who?
Speaker 1: The Pais. Their choice is both Talia and Yidok Atzir.
Speaker 2: And I know that they're coming and they're aiming, now,
Speaker 2: to the young people, to come and say, in the
Speaker 2: name of the state, it's allowed and it's okay and
Speaker 2: it's good. And more than that, I also see the responses,
Speaker 2: now in the campaign you're about to see, I see
Speaker 2: the responses of other actors, known and famous, Why?
Speaker 1: But it's funny. She puts her friend on the campaign.
Speaker 3: I know, I know.
Speaker 2: Of course, you put your friend on the campaign, but
Speaker 2: in the meantime, you're also making a joke like, well,
Speaker 2: I went to throw, I went to throw all my money.
Speaker 1: On the immigrants.
Speaker 2: It's like, it's to raise people's money on a daily basis,
Speaker 2: because it's really, at the end of the.
Speaker 1: Day, a company that works on people on a daily basis,
Speaker 1: who make their money. That's the same talk we had
Speaker 1: last week.
Speaker 2: We talked earlier with Elad, before we recorded, about this
Speaker 2: thing about the boot camp.
Speaker 3: Yes.
Speaker 1: That someone in Khan, where is the largest booth of
Speaker 1: the Paisky company? In Israel.
Speaker 3: Not only in Israel, in the area of Peripheria, but
Speaker 3: in all the hard neighborhoods.
Speaker 1: Hard neighborhoods.
Speaker 2: You have one in Tel Aviv, but you have one
Speaker 2: more in the south of Tel Aviv. Because in the end,
Speaker 2: they know exactly who their audience is. And they focus
Speaker 2: on that audience. And I think that now they're trying
Speaker 2: to drive out the dream. They're trying to drive out
Speaker 2: all the guys who are really capable, even the young ones.
Speaker 2: They use, in the end, in presenters, young and cool.
Speaker 1: Excuse me. But there's a secret here. Because if we say.
Speaker 1: Okay, the crowd is people from a little bit of a...
Speaker 1: rural neighborhood, peripheral, and so on. So they don't know
Speaker 1: Talia Bartfeld, excuse me, from Italy, right? But it's not
Speaker 1: a crowd. It's not a crowd.
Speaker 2: Right, right, they want to increase their crowd now, and
Speaker 2: focus on the young people themselves, which, by the way,
Speaker 2: could also be, maybe they do have.
Speaker 1: Some economic problems right now. So they're turning to other people.
Speaker 2: Yes, and in the end, they're turning to, but who's
Speaker 2: turning to all these things?
Speaker 1: To people who want to adapt quickly and correctly. Between
Speaker 1: selling you a cream, some influencer who sells you a cream,
Speaker 1: to Ben Talia who says, let's fill the car, maybe
Speaker 1: you'll earn something from it.
Speaker 3: I really don't like this.
Speaker 1: Wait, wait, wait.
Speaker 3: I don't like this.
Speaker 4: No, and when you take the campaign or don't take
Speaker 4: the campaign, in the end, there's money, it exists, someone
Speaker 4: has to take it.
Speaker 3: I understand why the campaign took the.
Speaker 1: Of course.
Speaker 4: I understand why Ido, why Talia, can understand it completely.
Speaker 4: But we understand that there's something behind it. There's a
Speaker 4: difference between selling a cream that's supposed to improve... Most likely,
Speaker 4: it will improve your facial appearance.
Speaker 3: If they don't work.
Speaker 1: On you, no.
Speaker 3: Wait.
Speaker 1: You can't sit on the table. You use it on
Speaker 1: the table.
Speaker 3: Wait, wait. Cremes are recognized. Cremes are recognized.
Speaker 1: Sorry, why is there no law that says, guys, just
Speaker 1: like there are no alcohol advertisements, there are no advertisements
Speaker 1: for drugs.
Speaker 3: There are. There are restrictions on advertisements for drugs.
Speaker 4: The thing is that there is, again, I don't understand
Speaker 4: enough legally, what is the most that can be.
Speaker 3: After all, there are no drugs in general. Right? There
Speaker 3: are no drugs. It's only allowed under the Pais Act.
Speaker 3: You can't now go and do.
Speaker 2: They have, first of all, it's a monopoly of the state, really.
Speaker 4: If Avarian does casino, the police will close the casino.
Speaker 3: What is it, Roleta?
Speaker 1: What is it? So the discussion here is completely different
Speaker 1: from the commercial or not commercial of the business. There's
Speaker 1: a discussion here.
Speaker 2: I think there's also this issue of marketing and who
Speaker 2: they're promoting this thing to. First of all, I just
Speaker 2: opened Instagram and it jumped me. You know, they're also
Speaker 2: pushing it hard at the end of the day.
Speaker 1: I don't see it.
Speaker 2: I just think that there's a process here, so much, like,
Speaker 2: all the time, I see how they work, on, first,
Speaker 2: to thank you for the fact that they're coming here,
Speaker 2: also all the Mifale Pais, also the young people, we're
Speaker 2: promoting the sport in Israel, we're returning back.
Speaker 1: To the community. Where are you returning the money?
Speaker 2: Where is this money that you give to the community?
Speaker 1: It's our money. It's the money of the community.
Speaker 2: It's still the money of the community. And in the end,
Speaker 2: when you pay for a product, you get this product. Now,
Speaker 2: if you don't get this product, you can.
Speaker 1: Come and complain. You're paying for a dream. You're paying
Speaker 1: for a dream, for this option, right?
Speaker 2: And in the end, the house always wins.
Speaker 1: That's the whole essence of scholarships. The house will always win.
Speaker 2: In this thing, they come and want to bring more
Speaker 2: people into this circle.
Speaker 1: It's a bad circle. It's to invest money. It's also
Speaker 1: with the scientific group. It's also with the scientific group.
Speaker 3: That's the most important thing. Adi, let me tell you something.
Speaker 1: I don't have a problem.
Speaker 3: I don't have a problem.
Speaker 1: No, that's not the issue of the IDAN. We don't
Speaker 1: have a problem.
Speaker 4: I think there's an issue here that, from my point
Speaker 4: of view, you need to understand.
Speaker 4: There are always campaigns, I get briefs from my manager.
Speaker 4: A few years ago, I got a proposal to do
Speaker 4: the Pais.
Speaker 3: I didn't want to. Why? Because of that?
Speaker 4: I grew up in a neighborhood, there were a few
Speaker 4: children that I know, that his father and mother.
Speaker 3: What is it? What is it that they got involved?
Speaker 1: It's the house's involvement in this.
Speaker 3: But, excuse me. It's hard for me personally. It's that
Speaker 3: someone else does it, he does it. There's no problem.
Speaker 3: But I feel.
Speaker 4: that there is here, again, on the part of Miphala Pais,
Speaker 4: their attempt to obscure it, is a bit like, come on,
Speaker 4: come on, like, okay, so now this will be cool,
Speaker 4: and you'll earn a few more shekels.
Speaker 3: After all, these guys don't need the advertisement. These without teeth,
Speaker 3: who sit in.
Speaker 4: The kiosk, they don't know, they don't have an advertisement,
Speaker 4: they don't know.
Speaker 3: What an advertisement is, they're from Hebrew, from Arabic, they
Speaker 3: didn't learn anything in their lives. Amitie no, no, no, no, no, no,
Speaker 3: no Amiti!
Speaker 1: It's hard to talk about it.
Speaker 3: No, why?
Speaker 5: Why?
Speaker 3: Miri Regev's father, in my.
Speaker 1: Opinion, yesterday, at least, right?
Speaker 2: There was some kind of claim that Miri Regev's father
Speaker 2: prepared a drunk alcohol that really caused him to talk
Speaker 2: about it. Methanol or ethanol, which was there at high levels.
Speaker 4: I think the bottom line is to include it in
Speaker 4: the hipsters.
Speaker 3: It's not cool. On the part of Mifal Apai.
Speaker 1: If Mifal Apai calls us, we don't have a problem
Speaker 1: with making a campaign. If you change next year, you're
Speaker 1: a presenter. With the periphery, I know what I'm doing. No, no,
Speaker 1: it doesn't feel to me.
Speaker 2: I, in my opinion, it's really something moral already, we're
Speaker 2: already so used to the fact that even things like
Speaker 2: this go under the radar, but, wow, about the hipsters,
Speaker 2: I'm a little happy that they announced the, what's it called, the.
Speaker 1: or the quality of the state, do you understand?
Speaker 3: No, but that's very wrong.
Speaker 1: The story is over.
Speaker 2: Guys, everyone is on Katamin, and on waste paper, and
Speaker 2: on you, the state, and on you, the children.
Speaker 3: No, but Farid, you know.
Speaker 1: There's no way to close the show optimistically.
Speaker 4: My friends who, like, with the hard.
Speaker 3: this, hard-earned, and returnees, and this.
Speaker 4: They make 4 grams of coke a week, which is
Speaker 4: a poor kid who was beaten up by his dad
Speaker 4: and his mom, just because.
Speaker 3: He went and wrote a coke.
Speaker 4: Afterwards, in the fairs, the people you see, you tell
Speaker 4: a person, listen, you're in a fair here, the people
Speaker 4: you see, you're in a fucking terror fair with this coke,
Speaker 4: you think he'll give up on the pass at 5 p.m.
Speaker 3: In my Uganda Zayn. People do what's.
Speaker 1: Best for them, and that's it. Right. At the end,
Speaker 1: we're at the end of the week. It'll be short
Speaker 1: this time, because Ela didn't have anything to sell to Michalanski,
Speaker 1: so she announced that her daughter is getting stronger.
Speaker 3: Okay?
Speaker 1: She gave you this thing. My daughter is doing the effort.
Speaker 1: My daughter is doing the effort. By the way, my
Speaker 1: neighbor did a hair cut. If anyone wants to.
Speaker 2: No, I didn't do a hair cut, but if anyone
Speaker 2: wants to hear about the experience of seeing it from
Speaker 2: the side, I'd be happy.
Speaker 1: to give you the same value as Michal Lansky.
Speaker 3: Michal Lansky, her daughter.
Speaker 1: By the way, this is the first time that the
Speaker 1: headline about Michal Lansky was not... The consultation I received
Speaker 1: on the face before the 10th, and I'm still holding
Speaker 1: it with me.
Speaker 3: I have to admit that I'm still very excited.
Speaker 1: To Michal Lansky? Yes, I'm still... Very. I don't know
Speaker 1: if I would have continued.
Speaker 3: She's also my friend's sister, I don't... She's good, she's
Speaker 3: a great woman. I think there's an entity.
Speaker 2: Here, that at the end of the day, when you
Speaker 2: care a lot about how you look, something like that,
Speaker 2: that suddenly comes out of your face, and you look different,
Speaker 2: you can talk about it for 10 years, how you look.
Speaker 1: I don't change that much, I'm sorry. That's it, she's
Speaker 1: pretty much back to herself. Friends, another... Another day of OnlyFans.
Speaker 1: We're reminding you, I and Lea are reaching for the ear.
Speaker 3: Right.
Speaker 1: On September 8th, in the evening, we're... Under the umbrella
Speaker 1: reaches the ear.
Speaker 3: The ear of a bird, like, what's under the umbrella?
Speaker 1: It's a podcast. It's a podcast. It's not recorded, of course.
Speaker 1: It's not recorded, and also there... We'll say things. Yes,
Speaker 1: we'll say things, and we'll also tell about the sad
Speaker 1: case we experienced this week, that we still can't speak legally.
Speaker 1: We can't speak. It's hard for us. It's hard for
Speaker 1: us to move from responding. Come on. So first of all,
Speaker 1: Elad Moshe, Dima Eksar. What a pleasure to meet you.
Speaker 1: What characters.
Speaker 3: Tell us, what are we, what are the plans?
Speaker 1: Do you want to advance something? What are the plans?
Speaker 1: To advance... Promotions, performances.
Speaker 3: I want to advance my daughter. She's strengthening. I want
Speaker 3: to advance her.
Speaker 4: I want to advance standardization by.
Speaker 3: Standardization. Standardization.
Speaker 4: No.
Speaker 3: Bye-bye.