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<v Speaker 1>Hello, and welcome to Deep Blue Sea the podcast. I

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<v Speaker 1>am Mark, It's a yeadie half Myron and.

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<v Speaker 2>I am Jay doctor Kittle's cluet. Welcome you on board.

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<v Speaker 2>See the podcast Dror It's very little Sup of this

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<v Speaker 2>episode is the name mentioned in the show, and I

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<v Speaker 2>liked it. This is on this show we've been to

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<v Speaker 2>the entire DeepC trilogy scene by scene. Maybe we're doing

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<v Speaker 2>it again, I don't know. We've also talked about deep

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<v Speaker 2>adjacent films, which is what we're doing today, which is

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<v Speaker 2>shows a shark's aquadic accent or directed by Rennie Harlan,

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<v Speaker 2>and today we are amongst the last few Nny Harlan

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<v Speaker 2>films we have to cover. So they were talking about

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<v Speaker 2>Devil's Pass or the Diatlov Pass Incident, depending on where

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<v Speaker 2>you live, because for me it's al past incident. And

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<v Speaker 2>who doesn't love a film with the word incident in

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<v Speaker 2>the title, A sexy word down in the toddle of

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<v Speaker 2>your film Devil's Pass?

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<v Speaker 1>What are you going to go to theaters to watch tonight?

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<v Speaker 2>I'm going to go and see the Tornado Incident with

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<v Speaker 2>Glenn Powell and the other people in Twisters. Incident is

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<v Speaker 2>such a just a clumsy, awkward, bureaucratic work the depth

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<v Speaker 2>of past incident. It's anyway, that's not It's Devil's Pass

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<v Speaker 2>Front Devil's Pass, which is a twenty thirteen Rennie Hardened film.

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<v Speaker 2>Found Footage tells the story of five college kids who

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<v Speaker 2>go into the euro Mountains to track down the true

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<v Speaker 2>the true story of the nine guys, nine Russian guys

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<v Speaker 2>who in nineteen fifty nine went into the euro Mountains

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<v Speaker 2>died mysteriously. Let's go check that out, and what do

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<v Speaker 2>you know, hilarity ensues. So we didn't know if this

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<v Speaker 2>film was going to be any good or not, so

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<v Speaker 2>we thought, let's have a guest on this show just

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<v Speaker 2>in case, and it turned out well, we'll find out

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<v Speaker 2>how it turned out. But Mark, who's joining us today?

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<v Speaker 1>We have a man who has traveled all the way

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<v Speaker 1>in northern Russia, embedded himself in the mountains to record

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<v Speaker 1>this episode.

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<v Speaker 3>It's no more Van Greetings. I'm suffering from hypothermic dementia.

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<v Speaker 1>That sounds like every movie and I feel like fine episode.

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<v Speaker 2>I'm glad you haven't a little still tongue.

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<v Speaker 1>Yeah, if I find your tongue in a box, Norbert,

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<v Speaker 1>I'm gonna be I'm gonna be confused because you're a

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<v Speaker 1>Northern Russian. Right now, I'm gonna I'm in America. I

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<v Speaker 1>open up my nailbox and your tongues there.

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<v Speaker 3>Look, man, you never know when about of paradoxical undressing

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<v Speaker 3>is going to just spring upon you. So you know

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<v Speaker 3>or these are the things that happen. Well, YETI with

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<v Speaker 3>the powers of Nightcrawler.

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<v Speaker 1>So I was looking through Rendy Harlan's career, and so

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<v Speaker 1>he shot this thing in northern Russia. But then he's

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<v Speaker 1>also like in the beginning, like from the from when

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<v Speaker 1>he started filming until now, he's been all over the place.

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<v Speaker 1>He's been in Finland in skip. Tracy shot all over China, Mongolia,

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<v Speaker 1>every region of China that you could imagine. He's been

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<v Speaker 1>to Thailand, Malta, Mexico, Netherlands, Italy, Morocco, Canada, America. He

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<v Speaker 1>had a decent stint in Louisiana. He filmed in the

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<v Speaker 1>country of Georgia. He went to Abu Dhabi, he filmed

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<v Speaker 1>in Italy, Greece, Dubai, Bulgaria, like Russia, like this guy,

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<v Speaker 1>he doesn't stay still with this. I feel like he's

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<v Speaker 1>been all over the world with his movies, and then

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<v Speaker 1>so it just makes sense that you know what I

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<v Speaker 1>love about this movie, He's like, we need to find

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<v Speaker 1>a place that always has snow. So they went north.

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<v Speaker 1>They went north of where the incident took place.

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<v Speaker 2>He learned from die Hard too. Yeah, because die Hard Too,

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<v Speaker 2>he shot and there was no snow and everywhere he went,

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<v Speaker 2>and so they spent a bloody fortune on making fake snow.

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<v Speaker 2>I feel like it was mashed potato. Oh and no,

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<v Speaker 2>it's just fixed. So yeah, he went where there was snow,

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<v Speaker 2>it's gonna be snow.

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<v Speaker 1>And it made it.

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<v Speaker 2>An awful place to film because they they filmed I

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<v Speaker 2>can't remember name in the town, but they where they

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<v Speaker 2>were kind of based was it was like a prison

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<v Speaker 2>town where most of the people that lived in the

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<v Speaker 2>town had moved there because their relatives were in the prison,

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<v Speaker 2>and so to only go and visit them, they've been

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<v Speaker 2>nearby because Russia is a big place, and so to

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<v Speaker 2>go to go visit your family in the prison would

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<v Speaker 2>take like three days on a plane to get there,

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<v Speaker 2>and so they stayed in there. And so also it

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<v Speaker 2>was and the reason they filmed there was because it

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<v Speaker 2>was one of the few towns that had hotels, just

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<v Speaker 2>in Russia in the mountains at hotels, and so Rennie's

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<v Speaker 2>talking about he survived in a diet of boiled potatoes, herring,

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<v Speaker 2>and vodka for the entire shoot. And it was just

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<v Speaker 2>a real unpleasant shoot for a lot of the cast

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<v Speaker 2>members to be in this real backer beyond location.

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<v Speaker 3>My god, man, the bathrooms were just destroyed during this photo.

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<v Speaker 3>I think, weren't they.

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<v Speaker 2>They could have just shot in Vancouver, but that that's

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<v Speaker 2>not that's not what Rennie does.

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<v Speaker 1>That's a nice style, but I love it though. He's like,

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<v Speaker 1>you know what, let's just go like, let's go to Russia.

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<v Speaker 1>Let's bring some snowcats and some snowmobiles and like that.

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<v Speaker 1>That's why I love Rennie. Like so many people would

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<v Speaker 1>have filmed this in a Georgia backlot during the summer,

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<v Speaker 1>like every Hallmark movie just dumps coats on people, throws

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<v Speaker 1>fake snow on the ground and goes it's fine, it's fine.

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<v Speaker 1>He's like, no, we're going in northern Russia. Because in

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<v Speaker 1>Skip Trace Too, they wanted to film what all those

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<v Speaker 1>rice patties, but they were all dry at that time

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<v Speaker 1>of the year, so then they had to rewet them,

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<v Speaker 1>so I think he's tired of it. He's like, no,

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<v Speaker 1>we are going to no wait Skip Trace was afterwards.

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<v Speaker 1>Oh so he didn't really learn his lesson Jay.

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<v Speaker 2>Hed done different Diehode too, Yeah, because he learned a

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<v Speaker 2>snow lesson there it is. He had yet to learn

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<v Speaker 2>the rice paddy lesson.

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<v Speaker 1>He's just learning as he goes. But I just love

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<v Speaker 1>it all these countries that he's been in. I mean

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<v Speaker 1>like Misfits was like in Dubai and then like just

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<v Speaker 1>Skip Trace was all over and Georgia Three Days of

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<v Speaker 1>War was he actually went to the country of Georgia

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<v Speaker 1>and filmed there, lived in a one bedroom house. So

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<v Speaker 1>just at least this movie has that devil's past. It

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<v Speaker 1>has a guy named Jensen, which I don't like, but

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<v Speaker 1>it I never I don't like the name Jensen. Guys

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<v Speaker 1>I don't And they.

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<v Speaker 2>Say it's a last name.

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<v Speaker 1>They say, yeah, Mike is c a last name, It's

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<v Speaker 1>not like Jensen, Yeah yeah, But like they say about

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<v Speaker 1>forty three times, like where's Jensen, Yeah, where's Jensen? And

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<v Speaker 1>they have very o like early two thousand's facial hair,

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<v Speaker 1>which is interesting in twenty thirteen, but it is a

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<v Speaker 1>time travel movie.

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<v Speaker 2>So that yeah, I mean spoiler.

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<v Speaker 1>What's this? What's this experience for you? Norbert watching this?

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<v Speaker 4>What happens is it starts off, uh with pictures of

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<v Speaker 4>frozen corpses uh in rictus with the most terrifying expressions

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<v Speaker 4>on their face.

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<v Speaker 3>And then you cut to Sonny Holly, Hi, I'm making

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<v Speaker 3>a movie, so you're just what, huh, And then it's

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<v Speaker 3>the most complicated setup in the world. In nineteen fifty nine,

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<v Speaker 3>nine people froze to death in the mountain. We don't

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<v Speaker 3>know why. And the whole time I'm thinking, because it's cold,

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<v Speaker 3>maybe it could be. But then they do have the

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<v Speaker 3>look of terror, and you find out that one had

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<v Speaker 3>their head crushed, two were holding onto each other tight.

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<v Speaker 2>Poisoning.

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<v Speaker 5>Another one was poisoned, right, just one, just one, uh,

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<v Speaker 5>you know, the one was putting the finish and touches

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<v Speaker 5>on his letter to Santa before he died.

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<v Speaker 3>And it's it's just a lot. It's just a lot,

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<v Speaker 3>but more interesting than blair Witch during the same span

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<v Speaker 3>of time because blair Witch was only I feel like

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<v Speaker 3>blair Witch was less than ninety minutes, just barely ninety minutes,

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<v Speaker 3>and a lot of the time they're just yelling at

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<v Speaker 3>each other and her anchor and the saliva, the salivary

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<v Speaker 3>glens were just working. Uh this one, you know, we

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<v Speaker 3>get to see uh, relatively attractive women. We get teased

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<v Speaker 3>with potential nudity. Uh, we got we got avalanches.

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<v Speaker 2>We thenorting mutants.

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<v Speaker 3>We have teleporting mutants who do the now post two

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<v Speaker 3>thousand screaming thing.

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<v Speaker 6>You know.

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<v Speaker 3>I find this movie fascinating And if you catch it

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<v Speaker 3>on the rewatch, you have to wonder if when they

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<v Speaker 3>killed the boy JP spoiler alert for your kids who

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<v Speaker 3>haven't seen it, does he kind of recognize the tattoo

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<v Speaker 3>on the chick's neck because I love that twist at

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<v Speaker 3>the end.

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<v Speaker 2>Yeah, maybe we should say full spoiler for I mean,

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<v Speaker 2>if it was this part hasn't seen it yet, I'm

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<v Speaker 2>gonna say, watch this film. I was surprised. I already

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<v Speaker 2>enjoyed it. I thought it was great. I'm good. I'm

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<v Speaker 2>liking our journey through some of Rainie's kind of forgotten

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<v Speaker 2>films and finding some that are actually like entertaining, like this.

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<v Speaker 2>This is a film that just flower doesn't exist, Like

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<v Speaker 2>no one talks about the Devil's past. This is probably

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<v Speaker 2>his like lost period, but I like, I put this

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<v Speaker 2>on a level with like Prison, which I really enjoyed,

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<v Speaker 2>and not quite other with Mind Hunters.

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<v Speaker 3>Easily long kiss good night quality of this movie.

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<v Speaker 2>Yeah, I mean that's that's I think. So, yeah, I

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<v Speaker 2>I had a fun time with this one. I could

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<v Speaker 2>call you up on saying like relatively good looking women.

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<v Speaker 2>Jem Ratkinson is the sound engineer, and she has been

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<v Speaker 2>a long term crush for me, so I had no

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<v Speaker 2>idea she was in this film, and like when they

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<v Speaker 2>paneled and this is Denise alredo engineer and like recognize

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<v Speaker 2>your face and wait in a minute, it is generally

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<v Speaker 2>what the hell? Because she was in She's done. So,

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<v Speaker 2>she was in soap operas in the UK. She's on

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<v Speaker 2>Hollyoaks and Emmadale, two shows that I've never really watched,

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<v Speaker 2>but I've always been aware of her. She did like

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<v Speaker 2>strictly come dancing and I'm de serting to get me

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<v Speaker 2>out of that kind of thing. So she's always been

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<v Speaker 2>like present as a celebrity and I always like, yeah,

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<v Speaker 2>I'm a fan of yours. So just to see like

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<v Speaker 2>watching Renny hard on him was like, wait, jam Rackinson's

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<v Speaker 2>fifth building this hell, Yes, I mean.

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<v Speaker 1>When he was casting, He's like, yeah, I needed to

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<v Speaker 1>find unknowns, but they also need to be attractive because

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<v Speaker 1>we got to look at him for ninety minutes. Like

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<v Speaker 1>that's what he said.

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<v Speaker 2>Yeah, yeah, he knows. I'd say she's not unknown in

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<v Speaker 2>the UK. But also I didn't immediately recognize her, so

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<v Speaker 2>because this is like eight eight years after she left Hollyoaks,

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<v Speaker 2>which he'd been on for five years. So anyway that

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<v Speaker 2>I just had to go out of the way and

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<v Speaker 2>then we can just get back to the fump.

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<v Speaker 3>But Jenson's probably that changed her facial structure and she

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<v Speaker 3>didn't recognize her at first.

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<v Speaker 2>Maybe maybe this is why she's also the first.

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<v Speaker 1>To go You just you send him up in the

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<v Speaker 1>Northern Russia and he comes back with something very cromulent,

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<v Speaker 1>like he just it doesn't matter where you send him,

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<v Speaker 1>you'll get something very like worth watching back in fun

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<v Speaker 1>like Rennie, you have four days to prep for the

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<v Speaker 1>Legend of Hercules and you're filming in Bulgaria and you

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<v Speaker 1>have thirty you know, you have twenty two days to

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<v Speaker 1>shoot it. He's like a yeah, cool, I got you.

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<v Speaker 1>Like you'll like you got to go to Georgia and

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<v Speaker 1>film with a cast crew of people who speak eighteen

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<v Speaker 1>different languages, and you have thirteen days to shoot it. Yeah, yeah,

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<v Speaker 1>it's fine, I got it. Then he comes out with

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<v Speaker 1>the movie it's it's just something I love about him,

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<v Speaker 1>and you're like, the one thing I do hate about

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<v Speaker 1>found footage is the fake ums. The good actors got

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<v Speaker 1>to know how to get the ums. See Blair Witch

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<v Speaker 1>works because the actors had no idea what's going on.

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<v Speaker 1>They're like, yeah, go in the woods and walk around

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<v Speaker 1>with the camera, and so that's why it feels very

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<v Speaker 1>authentic because they're like, I have no idea what's going

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<v Speaker 1>on out here, Like we're just in the middle of

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<v Speaker 1>the woods and there's no script, So that one feels natural.

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<v Speaker 1>But I always hate the fake ums. I don't know

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<v Speaker 1>if you guys notice that, Like in the beginning when

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<v Speaker 1>they're being interviewed, they just throw a little um in

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<v Speaker 1>there to make it seem like found footage. And we

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<v Speaker 1>talked about that. There's a Mermaid documentary, Yeah, normally have you

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<v Speaker 1>never heard about the Mermaid mockumentary that animal of course, yes, yes, yes, yes,

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<v Speaker 1>Like all the actors go um but then but then,

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<v Speaker 1>and people um but their arms still very inorganic. That's

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<v Speaker 1>my major annoyance of found footage there.

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<v Speaker 2>I feel like I'm gonna notice that every time I

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<v Speaker 2>see any found footage film from now on. So thanks,

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<v Speaker 2>appreciate it.

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<v Speaker 3>But for me, the most annoying thing about fine footage

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<v Speaker 3>is the inevitable oh shit, and the camera just has

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<v Speaker 3>the conniption and now.

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<v Speaker 2>It's still film running, still, keep inframe.

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<v Speaker 3>That's always the worst part.

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<v Speaker 2>Uh.

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<v Speaker 3>What's the movie where the guy goes over to do

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<v Speaker 3>an exorcism but he doesn't believe it. But then and

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<v Speaker 3>by the end of the movie, oh my god, they're

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<v Speaker 3>actually conjuring up a demon and he's running, and not

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<v Speaker 3>only is it found footage, but he's running and it's

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<v Speaker 3>night and it's the woods. So the camera goes up left, down, right, up, left,

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<v Speaker 3>upside down. Oh look behind you. That's so that's always

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<v Speaker 3>the worst for me in the found footage films.

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<v Speaker 1>I gotta keep it in frame.

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<v Speaker 2>Guys, why someone's gonna together one day?

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<v Speaker 3>Yeah, Survival of the Dead, Why are you still recording?

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<v Speaker 3>It's just the thing I have to keep going.

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<v Speaker 2>Oh not that, not that movie, Diary of the Dead.

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<v Speaker 1>I think we're in the middle of the it's the

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<v Speaker 1>apocalypse and we're all sad, we're all speaking monotone. The

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<v Speaker 1>world's gone. The crab like that's the whole movie. But

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<v Speaker 1>I don't know.

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<v Speaker 2>We're making a zombie movie and there's attack and the

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<v Speaker 2>scenes you wrote this is what you wanted. You're filming

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<v Speaker 2>the scenes the lady running in the dress and the

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<v Speaker 2>dress is God.

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<v Speaker 3>See dead things do more. So I told you that.

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<v Speaker 1>I love that the Russians got a hold of that

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<v Speaker 1>guy's cell phone camera footage and edited it together into.

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<v Speaker 2>The Okay, right, I like this film. There's a massive

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<v Speaker 2>plot hole in as a couple towards the end, but

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<v Speaker 2>like so the that there's we're all being shown this

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<v Speaker 2>film because there's okay, okay, I'll go circle back to this,

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<v Speaker 2>but I really like this film. Early on, when we

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<v Speaker 2>have order that we meet our five teens to whatever

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<v Speaker 2>they are college kids and they're going away and and

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<v Speaker 2>I can't now time to go cut to news report

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<v Speaker 2>of them trying to be found. I laughed out loud

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<v Speaker 2>and like, oh great, that's this film. Is like we've

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<v Speaker 2>set the carriage and then really dead and we're going

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<v Speaker 2>to go and do something else. I didn't I didn't

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<v Speaker 2>expected to circle back around and now we're going to

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<v Speaker 2>see their story. I was like, and this is our

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<v Speaker 2>five people and dead and something else is gonna happen.

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<v Speaker 2>So I found that hilarious, and I was a little

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<v Speaker 2>disappointed that they went back and like and now two

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00:14:35.200 --> 00:14:39.000
<v Speaker 2>weeks earlier, here's their stories. Okay, Fine, so we're being

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<v Speaker 2>shown this footage because there's like a news broadcast like

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<v Speaker 2>these five people have disappeared in the mountains. We found

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<v Speaker 2>their camera. Well, no, the footage has been hacked. And

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<v Speaker 2>here is the footage uploaded?

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<v Speaker 3>Right?

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<v Speaker 2>How we hacked from where?

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00:14:57.240 --> 00:15:00.279
<v Speaker 3>Because like this this spoiler the government.

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<v Speaker 2>Because this camera went back in time to nineteen fifty

295
00:15:04.799 --> 00:15:08.000
<v Speaker 2>nine and it's just still in this lab when they

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00:15:08.080 --> 00:15:10.519
<v Speaker 2>come across it. In the lab, the batteries are still

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00:15:10.559 --> 00:15:15.559
<v Speaker 2>hanging on for a teeny tiny thirty seconds of quick

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<v Speaker 2>watch this for the batteries die out that have been

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<v Speaker 2>going for fifty years fifty and now they're going to

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00:15:20.799 --> 00:15:24.639
<v Speaker 2>die out. Fine, whatever, Fine, but at what point did

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00:15:24.639 --> 00:15:26.360
<v Speaker 2>somebody upload it somewhere it could be hacked?

302
00:15:26.919 --> 00:15:27.759
<v Speaker 1>When did that happen?

303
00:15:28.320 --> 00:15:31.440
<v Speaker 2>How is it hacked from this bunker that is not

304
00:15:31.480 --> 00:15:32.600
<v Speaker 2>connected to the internet.

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00:15:33.559 --> 00:15:37.039
<v Speaker 3>You have to understand, you know, WikiLeaks. WikiLeaks spent so

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00:15:37.120 --> 00:15:43.519
<v Speaker 3>much time uncovering footage of American soldiers shooting unarmed people

307
00:15:44.080 --> 00:15:48.480
<v Speaker 3>and exposing democratic and Republican secrets that they decided, you

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00:15:48.480 --> 00:15:51.799
<v Speaker 3>know what, let's get this found footage out there. Let's

309
00:15:51.840 --> 00:15:54.000
<v Speaker 3>do that. That's the next big thing that we have

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00:15:54.080 --> 00:15:56.320
<v Speaker 3>to do, because people have to find out what happened

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00:15:56.320 --> 00:15:59.679
<v Speaker 3>to these five kids who traveled through time and became

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00:15:59.799 --> 00:16:01.679
<v Speaker 3>in humanoids and.

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<v Speaker 2>Potentially yet, I think that the name of the hacker organization,

314
00:16:05.759 --> 00:16:08.200
<v Speaker 2>it's on screen briefy. I think it's Crypto Leaks, which

315
00:16:08.639 --> 00:16:09.679
<v Speaker 2>might be smart as well.

316
00:16:11.399 --> 00:16:12.279
<v Speaker 3>A film incident.

317
00:16:14.200 --> 00:16:16.480
<v Speaker 2>But other than that, I'm on board with his whole film,

318
00:16:16.480 --> 00:16:18.159
<v Speaker 2>which is that a little bit like how okay, the

319
00:16:18.200 --> 00:16:22.159
<v Speaker 2>batteries and then how did they get this from?

320
00:16:22.200 --> 00:16:24.440
<v Speaker 1>What put it there? Why?

321
00:16:24.759 --> 00:16:28.080
<v Speaker 2>But other than that, I loved its machine.

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00:16:28.440 --> 00:16:30.799
<v Speaker 3>What is this machine? He said in Russian? I don't know,

323
00:16:30.840 --> 00:16:32.840
<v Speaker 3>but I'm going to keep it perfectly framed on my

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00:16:32.960 --> 00:16:35.879
<v Speaker 3>face at all sides. I love that. I love that man.

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00:16:38.519 --> 00:16:41.360
<v Speaker 1>The editing is great. I mean it's a tight it's

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00:16:41.360 --> 00:16:43.559
<v Speaker 1>a tight package. I mean, these kids actually got a

327
00:16:43.600 --> 00:16:46.360
<v Speaker 1>lot of coverage, and I dig that and Also, I

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00:16:46.600 --> 00:16:48.360
<v Speaker 1>love the poster too of The Devil's Past. It's like

329
00:16:48.360 --> 00:16:52.320
<v Speaker 1>a naked lady with like freezing on a leak hand.

330
00:16:52.440 --> 00:16:58.200
<v Speaker 2>It looks like my DVD cover is a mountain screaming,

331
00:16:58.559 --> 00:17:01.639
<v Speaker 2>which I also kind of like, oh my god.

332
00:17:01.840 --> 00:17:05.759
<v Speaker 3>That's terrifying. Actually that's actually the way to go. That's

333
00:17:06.119 --> 00:17:06.960
<v Speaker 3>that's scary as hell.

334
00:17:07.799 --> 00:17:08.519
<v Speaker 2>That's pretty cool.

335
00:17:08.559 --> 00:17:11.880
<v Speaker 1>I like that screaming mountain screaming mountains.

336
00:17:12.000 --> 00:17:13.759
<v Speaker 2>Can you can you see all the changes the milk

337
00:17:13.880 --> 00:17:20.599
<v Speaker 2>if you? Yeah, screaming face kind of superposed. It's pretty cool.

338
00:17:21.039 --> 00:17:21.839
<v Speaker 1>Yeah, that's a good one.

339
00:17:22.599 --> 00:17:24.880
<v Speaker 3>It's way scarier than Naked Chicken the snow.

340
00:17:26.720 --> 00:17:28.599
<v Speaker 1>I love that. The marketing departments like, how should we

341
00:17:28.599 --> 00:17:30.279
<v Speaker 1>market this naked lady in the snow?

342
00:17:30.799 --> 00:17:33.799
<v Speaker 2>Naked lady something that doesn't happen in the film.

343
00:17:34.079 --> 00:17:36.839
<v Speaker 1>They just have they have a board of like ten things,

344
00:17:37.519 --> 00:17:39.240
<v Speaker 1>these people who do the posters, and they're like, okay,

345
00:17:39.319 --> 00:17:42.440
<v Speaker 1>let's do that, Like, yeah, that one works for me.

346
00:17:43.000 --> 00:17:48.480
<v Speaker 1>But yeah, and.

347
00:17:48.240 --> 00:17:53.480
<v Speaker 3>And unfortunately my man who's out there doing the classic

348
00:17:53.599 --> 00:17:57.440
<v Speaker 3>high hookup, he just gets badly killed. I was really

349
00:17:57.519 --> 00:18:00.759
<v Speaker 3>rooting for Luke as he was trying to hook up

350
00:18:00.799 --> 00:18:04.559
<v Speaker 3>with Denise, because you know, you try to spit game,

351
00:18:04.799 --> 00:18:08.079
<v Speaker 3>you know what I'm saying. It wasn't him that initially

352
00:18:08.200 --> 00:18:12.519
<v Speaker 3>zoomed in on her boobs. It was definitely that zoomed

353
00:18:12.519 --> 00:18:13.400
<v Speaker 3>in on her boobs.

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00:18:13.640 --> 00:18:16.480
<v Speaker 2>It was him not telling her he's filming her in

355
00:18:16.519 --> 00:18:18.359
<v Speaker 2>the morning when she's naked in bed, after they've had

356
00:18:18.400 --> 00:18:21.960
<v Speaker 2>zex and planning to And then when she sees the camera,

357
00:18:22.039 --> 00:18:23.519
<v Speaker 2>she's like, turn that off, and he doesn't.

358
00:18:24.039 --> 00:18:26.920
<v Speaker 3>He's like, no, because I'm a creep and you're not

359
00:18:27.000 --> 00:18:28.799
<v Speaker 3>the first and this is going to continue.

360
00:18:28.799 --> 00:18:32.359
<v Speaker 2>And she's like, whatever, this tape and put it in

361
00:18:32.359 --> 00:18:35.920
<v Speaker 2>my library of other tapes. I don't like this guy.

362
00:18:35.960 --> 00:18:36.480
<v Speaker 1>And then he dies.

363
00:18:36.519 --> 00:18:40.400
<v Speaker 3>This fine, he's Dennis Reynolds of the Snow you know. Sure,

364
00:18:42.359 --> 00:18:44.839
<v Speaker 3>you know he's got the Dennis system, you know, and

365
00:18:44.839 --> 00:18:47.960
<v Speaker 3>and this complication. Unfortunately, he's a bad person for the

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00:18:48.039 --> 00:18:48.839
<v Speaker 3>Andy system.

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00:18:49.720 --> 00:18:52.160
<v Speaker 1>He has the shortest gunfight too on the planet, and

368
00:18:52.160 --> 00:18:54.200
<v Speaker 1>it just makes me happy. He shoots one flair then

369
00:18:54.240 --> 00:18:57.079
<v Speaker 1>gets pegged right in the head immediately.

370
00:18:56.480 --> 00:19:00.519
<v Speaker 3>In theory you knew that you literally only have one shot.

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00:19:00.559 --> 00:19:04.599
<v Speaker 3>It's a flare gun. Yeah, yeah, you're done for And

372
00:19:04.599 --> 00:19:06.759
<v Speaker 3>I mean he's already sticking out the pants.

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00:19:06.440 --> 00:19:09.640
<v Speaker 2>So good jump for trying. I guess there's two guys.

374
00:19:09.640 --> 00:19:12.720
<v Speaker 2>You have one flare. It's probably not gonna work, but

375
00:19:12.880 --> 00:19:14.319
<v Speaker 2>you know, good on you.

376
00:19:15.480 --> 00:19:19.119
<v Speaker 3>These people literally brought explosives to a mountain they tried

377
00:19:19.119 --> 00:19:22.039
<v Speaker 3>to drop, which they tried to.

378
00:19:22.240 --> 00:19:25.680
<v Speaker 2>Flut on you bro filming this. Rennie wanted to do

379
00:19:25.720 --> 00:19:28.079
<v Speaker 2>that as well. Rennie wanted to make an avalanche, which

380
00:19:28.079 --> 00:19:31.519
<v Speaker 2>I think he wanted to. He didn't. They talked him

381
00:19:31.519 --> 00:19:33.799
<v Speaker 2>out of it, but he wanted to cause an avantage.

382
00:19:35.160 --> 00:19:36.640
<v Speaker 1>That's almost anything ever too.

383
00:19:38.880 --> 00:19:40.799
<v Speaker 2>They settled on C G I and then just like

384
00:19:40.839 --> 00:19:43.400
<v Speaker 2>snow blowing some snow in their faces, and I think

385
00:19:43.400 --> 00:19:44.359
<v Speaker 2>the effect is fine.

386
00:19:44.440 --> 00:19:48.839
<v Speaker 3>Yeah, oh it's wonderful, especially when Denise's just face planted

387
00:19:48.839 --> 00:19:49.839
<v Speaker 3>into the God.

388
00:19:51.839 --> 00:19:53.240
<v Speaker 2>Yeah, she's just taken hour.

389
00:19:54.960 --> 00:19:57.640
<v Speaker 3>I was like, well, she's clearly dead. And that's why

390
00:19:57.640 --> 00:19:59.200
<v Speaker 3>I wasn't mad that he didn't go back for it,

391
00:19:59.200 --> 00:20:01.359
<v Speaker 3>because click, there's nothing you can do.

392
00:20:02.240 --> 00:20:05.640
<v Speaker 2>If someone got that camera out, We're saying someone when

393
00:20:05.680 --> 00:20:06.400
<v Speaker 2>I go there.

394
00:20:07.559 --> 00:20:09.240
<v Speaker 3>Well, not only that, the cell phone too.

395
00:20:09.279 --> 00:20:12.119
<v Speaker 7>See when they say that they hacked this footage, there

396
00:20:12.200 --> 00:20:16.240
<v Speaker 7>was at least two three cameras being shot at all times.

397
00:20:16.279 --> 00:20:18.640
<v Speaker 7>Of course, you know you got Lucille, you know, because

398
00:20:18.680 --> 00:20:21.680
<v Speaker 7>she's got she's got night vision and she's got a light.

399
00:20:22.079 --> 00:20:24.000
<v Speaker 3>But people were shooting on their phones too.

400
00:20:24.759 --> 00:20:24.960
<v Speaker 1>Yeah.

401
00:20:25.079 --> 00:20:28.559
<v Speaker 3>Right, So they found all of this, uploaded it all

402
00:20:29.599 --> 00:20:33.000
<v Speaker 3>and edited it together in between hacking the d n C,

403
00:20:33.200 --> 00:20:37.599
<v Speaker 3>the RNC, and just the general the United States government. Yeah,

404
00:20:37.640 --> 00:20:38.240
<v Speaker 3>it's important.

405
00:20:38.480 --> 00:20:42.000
<v Speaker 1>What's gonna happen to the Russians? Now? Like, is this

406
00:20:42.079 --> 00:20:43.319
<v Speaker 1>gonna be a hoax? Is it gonna be?

407
00:20:43.359 --> 00:20:43.440
<v Speaker 6>Like?

408
00:20:43.480 --> 00:20:47.599
<v Speaker 1>What's gonna people can be like, wait, what a.

409
00:20:47.559 --> 00:20:53.680
<v Speaker 2>Bunch more kind of a conspiracy? Theorists are gonna head

410
00:20:53.720 --> 00:20:57.240
<v Speaker 2>to the mountain and find out for themselves. The last

411
00:20:57.240 --> 00:20:59.599
<v Speaker 2>thing that's gonna happen is people flocking from the all

412
00:20:59.640 --> 00:21:01.400
<v Speaker 2>over the world world trying to go to the Daalo

413
00:21:01.480 --> 00:21:05.599
<v Speaker 2>Pass and see what happens. And then maybe that'll die too.

414
00:21:05.640 --> 00:21:06.119
<v Speaker 1>I don't know.

415
00:21:07.000 --> 00:21:09.640
<v Speaker 3>Okay, so we're just going to have a proliferation of

416
00:21:09.720 --> 00:21:13.279
<v Speaker 3>teleporting mutants in North Asia is what you're saying.

417
00:21:13.720 --> 00:21:16.319
<v Speaker 2>Oh God, but then that would it would have already happened,

418
00:21:17.279 --> 00:21:20.640
<v Speaker 2>that the teleporting mutants, because like the nine people that

419
00:21:20.759 --> 00:21:25.480
<v Speaker 2>died died because Holly and Jensen teleported back. I think

420
00:21:25.480 --> 00:21:26.640
<v Speaker 2>this is what the film was trying to get out.

421
00:21:26.680 --> 00:21:29.759
<v Speaker 2>They back there and then that radiation or whatever whatever

422
00:21:29.759 --> 00:21:33.119
<v Speaker 2>that event was called that incident, it caused the nine

423
00:21:33.119 --> 00:21:35.960
<v Speaker 2>people to die as well. So any more people going

424
00:21:36.000 --> 00:21:39.519
<v Speaker 2>there must be prevented from going into the portal or

425
00:21:39.720 --> 00:21:42.799
<v Speaker 2>we don't already know about the mutants going back unless

426
00:21:43.720 --> 00:21:46.519
<v Speaker 2>the pile of mutant bodies that they find in the

427
00:21:46.559 --> 00:21:49.960
<v Speaker 2>bunker with the weird teeth and whatever. Are the people

428
00:21:50.440 --> 00:21:52.880
<v Speaker 2>who go to the bunker to find out what's happening

429
00:21:52.920 --> 00:21:54.400
<v Speaker 2>because of the events of their well.

430
00:21:55.240 --> 00:21:57.680
<v Speaker 3>Well they were also they've also been they've also been

431
00:21:57.759 --> 00:22:01.799
<v Speaker 3>launching their soldiers through and then sure, yeah, when they

432
00:22:01.839 --> 00:22:04.519
<v Speaker 3>come out. So that's why that would happen.

433
00:22:04.599 --> 00:22:09.680
<v Speaker 2>Is that definitely their soldiers and not just more ghost

434
00:22:09.720 --> 00:22:10.920
<v Speaker 2>hunters or yetti hunters.

435
00:22:11.000 --> 00:22:12.920
<v Speaker 1>Well, they had all the papers, right, they had all

436
00:22:12.960 --> 00:22:17.279
<v Speaker 1>the ideas, and they found the same one twice.

437
00:22:17.920 --> 00:22:19.000
<v Speaker 2>Yes, you're right, that makes sense.

438
00:22:19.039 --> 00:22:21.839
<v Speaker 1>Yeah, yeah.

439
00:22:21.880 --> 00:22:23.640
<v Speaker 3>And in case you didn't understand, they were like remember

440
00:22:23.680 --> 00:22:26.079
<v Speaker 3>that movie the Philadelphia Experience, I mean that thing, the

441
00:22:26.119 --> 00:22:30.880
<v Speaker 3>Philadelphi Experience, you know, the Philadelphia Incident.

442
00:22:30.960 --> 00:22:35.079
<v Speaker 2>If you will, sure, I do. I do really like

443
00:22:35.240 --> 00:22:38.160
<v Speaker 2>just the idea of Rennie or is it written by

444
00:22:38.480 --> 00:22:43.519
<v Speaker 2>victrom Wheat, like him finding out about this true thing

445
00:22:43.559 --> 00:22:46.119
<v Speaker 2>that happened in the fifties is unexplained event, and like,

446
00:22:46.359 --> 00:22:48.799
<v Speaker 2>let's make a horror film. How could it have been?

447
00:22:48.839 --> 00:22:50.799
<v Speaker 2>What's the least like the explanation that it could have

448
00:22:50.839 --> 00:22:54.240
<v Speaker 2>been time travel? Let's go and just making a film

449
00:22:54.240 --> 00:22:59.319
<v Speaker 2>around that. It feels a little not great for the

450
00:22:59.359 --> 00:23:02.839
<v Speaker 2>people who actually he died a little coughing of the

451
00:23:02.839 --> 00:23:07.000
<v Speaker 2>word yeah, a little bit for them, because the real

452
00:23:07.039 --> 00:23:08.920
<v Speaker 2>people that really died and we're just gonna, like, hey,

453
00:23:08.920 --> 00:23:11.799
<v Speaker 2>make a horror film out of it. Uh, It'd be

454
00:23:11.880 --> 00:23:15.079
<v Speaker 2>like if Jack and Rose were real people on the Titanic.

455
00:23:16.200 --> 00:23:18.480
<v Speaker 1>Got it?

456
00:23:18.519 --> 00:23:20.960
<v Speaker 3>Could it could also be the result of someone who

457
00:23:21.079 --> 00:23:24.680
<v Speaker 3>consists on a diet of potatoes and harry and vodka

458
00:23:24.759 --> 00:23:28.359
<v Speaker 3>one day sitting down, Oh got a great idea hearing

459
00:23:28.359 --> 00:23:29.279
<v Speaker 3>Harrying numnum.

460
00:23:32.440 --> 00:23:32.680
<v Speaker 1>Yeah.

461
00:23:32.799 --> 00:23:34.640
<v Speaker 2>Yeah, but I just thought that they were taking this

462
00:23:34.720 --> 00:23:36.960
<v Speaker 2>unexplained event and strapping all of them around it. I

463
00:23:36.960 --> 00:23:38.480
<v Speaker 2>think that's an interesting concept.

464
00:23:38.880 --> 00:23:41.400
<v Speaker 1>And I mean sending college kids is smart too, because

465
00:23:41.759 --> 00:23:43.640
<v Speaker 1>you know, just college kids are dumb. They think they're

466
00:23:43.680 --> 00:23:46.160
<v Speaker 1>really smart, Like Jensen thinks he's like the smartest man

467
00:23:46.200 --> 00:23:48.319
<v Speaker 1>on the planet. You know, like this one guy's like,

468
00:23:48.319 --> 00:23:50.240
<v Speaker 1>I like the Appalachian Trail. I can go to Northern

469
00:23:50.319 --> 00:23:53.920
<v Speaker 1>Russia and do this. And it's but but but you

470
00:23:54.000 --> 00:23:56.960
<v Speaker 1>feel like people with it just makes sense though, Like

471
00:23:57.000 --> 00:24:01.160
<v Speaker 1>you think college kids in Oregon would do that because

472
00:24:01.440 --> 00:24:04.880
<v Speaker 1>they have the hubris to do it like that. It

473
00:24:04.920 --> 00:24:07.319
<v Speaker 1>makes sense to me, Like it's not like you know,

474
00:24:07.359 --> 00:24:09.880
<v Speaker 1>the cast of Everest up there doing it. It's a

475
00:24:09.880 --> 00:24:12.000
<v Speaker 1>bunch of just kind of dummies going up there unprepared.

476
00:24:12.880 --> 00:24:15.720
<v Speaker 2>Yeah, Like the two climbers they have, Like one I

477
00:24:15.799 --> 00:24:18.000
<v Speaker 2>was like, I like to climb because you know, you

478
00:24:18.119 --> 00:24:20.440
<v Speaker 2>really get back to nature and you can do do

479
00:24:20.519 --> 00:24:23.119
<v Speaker 2>things out in equipment, and then he has all of

480
00:24:23.119 --> 00:24:26.079
<v Speaker 2>his GPS, sat NAV and all of his actual tech

481
00:24:26.160 --> 00:24:29.119
<v Speaker 2>stuff to help with the climb. Techout guy exactly doesn't see.

482
00:24:29.759 --> 00:24:33.160
<v Speaker 2>And the other one is clearly from a very wealthy

483
00:24:33.160 --> 00:24:35.079
<v Speaker 2>family because he has the same surname as the school

484
00:24:35.079 --> 00:24:37.279
<v Speaker 2>they go to. And he's just like, yeah, you know,

485
00:24:37.319 --> 00:24:39.359
<v Speaker 2>I'm just kind of a just like hanging out, you know.

486
00:24:39.599 --> 00:24:42.200
<v Speaker 2>But no, you're just really a real rich kid who's

487
00:24:42.599 --> 00:24:44.119
<v Speaker 2>had a free ride in life, and so you're just

488
00:24:44.119 --> 00:24:47.000
<v Speaker 2>gonna go to check out and go traveling for you sure,

489
00:24:47.680 --> 00:24:51.079
<v Speaker 2>and then yeah, Jensen being the real like Noah to

490
00:24:51.119 --> 00:24:53.039
<v Speaker 2>all guy because they have an expert. They've interviewed an

491
00:24:53.079 --> 00:24:56.000
<v Speaker 2>expert for this documentary and he's doing some kind of

492
00:24:56.680 --> 00:24:59.799
<v Speaker 2>TikTok reaction video to them where he's playing them pause

493
00:24:59.839 --> 00:25:01.440
<v Speaker 2>the and turns the camera like this is what I'm

494
00:25:01.440 --> 00:25:05.440
<v Speaker 2>thinking about this. I just I couldn't wait for him to.

495
00:25:05.400 --> 00:25:08.920
<v Speaker 3>Die, and it took so long as whatever, yet he

496
00:25:09.000 --> 00:25:11.759
<v Speaker 3>come on that doesn't exist. It's so ridiculous.

497
00:25:13.559 --> 00:25:15.200
<v Speaker 2>I mean, I went into this completely blind. Not no

498
00:25:15.279 --> 00:25:17.240
<v Speaker 2>one was about to it, Like is it gonna be

499
00:25:17.319 --> 00:25:20.440
<v Speaker 2>like the Russell Franklin story, like people get lost? I know,

500
00:25:20.519 --> 00:25:23.559
<v Speaker 2>it's like cold in a mountains somewhere. That's all I knew.

501
00:25:23.680 --> 00:25:25.240
<v Speaker 2>So I thought I were gonna see like the Sam

502
00:25:25.319 --> 00:25:28.319
<v Speaker 2>Jackson origin story where they're up there and eat people

503
00:25:28.400 --> 00:25:30.359
<v Speaker 2>and get out of the snow and stuff. So I

504
00:25:30.359 --> 00:25:31.759
<v Speaker 2>didn't know where this was going, and I thought it

505
00:25:31.759 --> 00:25:32.319
<v Speaker 2>was great.

506
00:25:34.079 --> 00:25:35.519
<v Speaker 3>And just so bizarre.

507
00:25:35.799 --> 00:25:38.400
<v Speaker 1>People keep calling Jensen gay too, like there's a running

508
00:25:38.440 --> 00:25:40.319
<v Speaker 1>theme in this movie, and they're like, yeah.

509
00:25:40.079 --> 00:25:42.759
<v Speaker 2>He's named his camera a female name. It's not how

510
00:25:42.799 --> 00:25:43.599
<v Speaker 2>can it be more clear?

511
00:25:43.680 --> 00:25:46.039
<v Speaker 1>But it's just like it's kind of interesting, Like they're like, yeah,

512
00:25:46.079 --> 00:25:47.920
<v Speaker 1>because you're the gay one, and you're.

513
00:25:47.759 --> 00:25:53.799
<v Speaker 3>Like, what, it's still that time. It's still that time.

514
00:25:54.640 --> 00:25:56.440
<v Speaker 1>Yeah, you're right, like a decade ago. But it was

515
00:25:56.440 --> 00:26:00.319
<v Speaker 1>just it came out of nowhere. Who wrote the someone?

516
00:26:00.400 --> 00:26:00.960
<v Speaker 3>He's random?

517
00:26:01.079 --> 00:26:03.000
<v Speaker 1>You know what, this is good. I'm gonna this isn't

518
00:26:03.039 --> 00:26:05.119
<v Speaker 1>two thousand and four anymore. I'm gonna I'm gonna keep this,

519
00:26:05.720 --> 00:26:08.039
<v Speaker 1>like did just going after Jensen like that. Every I

520
00:26:08.079 --> 00:26:10.920
<v Speaker 1>love how everyone was really like chuffed buy it. Everyone

521
00:26:10.960 --> 00:26:15.000
<v Speaker 1>was very happy whenever Jensen was called gay and you're

522
00:26:15.160 --> 00:26:17.559
<v Speaker 1>just a very I don't know.

523
00:26:18.440 --> 00:26:21.240
<v Speaker 3>And he's clearly got a thing for Holly. Yeah, he's

524
00:26:21.279 --> 00:26:24.359
<v Speaker 3>so repressed and he's such a jerk.

525
00:26:24.799 --> 00:26:25.599
<v Speaker 1>He's so jealous.

526
00:26:25.680 --> 00:26:33.000
<v Speaker 6>He is really angry that JP is just everyone wants

527
00:26:33.039 --> 00:26:36.200
<v Speaker 6>to bang JP because like she says.

528
00:26:36.039 --> 00:26:41.319
<v Speaker 3>JP, oh, he's arrogant. Oh rugged. She came quick with that.

529
00:26:42.240 --> 00:26:45.200
<v Speaker 3>But it seems like the whole time that Holly wants

530
00:26:45.240 --> 00:26:48.160
<v Speaker 3>to hook up with uh oh, no, JP is Houser

531
00:26:48.279 --> 00:26:51.799
<v Speaker 3>JP Hawser. Yeah, yeah, yes, it seems like Abdy wants

532
00:26:51.839 --> 00:26:54.759
<v Speaker 3>to hook up with Houser. Yeah, it seems like Holly

533
00:26:54.759 --> 00:26:58.160
<v Speaker 3>wants to look up with Houser, but she totally gives

534
00:26:58.160 --> 00:27:00.839
<v Speaker 3>the vibe that, you know what, Bush comes to shove.

535
00:27:01.079 --> 00:27:03.240
<v Speaker 3>I would me and Andy, let's go.

536
00:27:03.559 --> 00:27:05.480
<v Speaker 1>You know, I loved.

537
00:27:07.119 --> 00:27:10.160
<v Speaker 2>I loved it if one of the wake up the

538
00:27:10.200 --> 00:27:12.839
<v Speaker 2>after one of the camping nights, and like the camera

539
00:27:13.200 --> 00:27:14.920
<v Speaker 2>was now next to one of the climbers as well,

540
00:27:15.039 --> 00:27:17.759
<v Speaker 2>like Lucille had abandoned JP to go.

541
00:27:20.039 --> 00:27:23.559
<v Speaker 1>How dare you? Oh my god?

542
00:27:23.839 --> 00:27:25.799
<v Speaker 3>Oh man, No one touches her zoom like I do.

543
00:27:27.039 --> 00:27:31.079
<v Speaker 1>Have you heard of Emmerdale Farm Jay Emmadale the soap opera.

544
00:27:31.119 --> 00:27:33.039
<v Speaker 2>I've heard Rackinson was one.

545
00:27:33.160 --> 00:27:36.720
<v Speaker 1>Ryan Holly's on that the guy from this movie or

546
00:27:36.759 --> 00:27:40.400
<v Speaker 1>Andy from this movie. He's he's on thirty four episodes

547
00:27:40.440 --> 00:27:40.640
<v Speaker 1>of it.

548
00:27:41.920 --> 00:27:46.440
<v Speaker 2>There's a lot sucked in. Okay, sure he's not on it.

549
00:27:46.519 --> 00:27:48.720
<v Speaker 2>When my when I would live with my parents and

550
00:27:48.759 --> 00:27:50.759
<v Speaker 2>they watched it, so I was aware of it then,

551
00:27:52.000 --> 00:27:55.160
<v Speaker 2>but I did. I haven't watched it during his tenure. No,

552
00:27:55.920 --> 00:27:58.400
<v Speaker 2>but yeah he's been. He's on casualty at the moment.

553
00:28:00.440 --> 00:28:02.759
<v Speaker 1>So that soapactors are the best because they have to

554
00:28:02.799 --> 00:28:06.079
<v Speaker 1>learn about seventy three lines like pages of dialogue a day,

555
00:28:06.519 --> 00:28:08.279
<v Speaker 1>and then they just have to stand there and recite

556
00:28:08.319 --> 00:28:11.000
<v Speaker 1>it like just seventy three pages, so it just takes.

557
00:28:11.160 --> 00:28:13.079
<v Speaker 1>Like if I ever made a really low budget film,

558
00:28:13.119 --> 00:28:15.680
<v Speaker 1>I just hire soap actors because like they got steel

559
00:28:15.720 --> 00:28:18.599
<v Speaker 1>trap memories and they can just knock scenes out real quick.

560
00:28:19.319 --> 00:28:21.440
<v Speaker 1>Just do some over the shoulder. I would have twins,

561
00:28:21.599 --> 00:28:24.519
<v Speaker 1>someone would dine in an elevator, and then that would

562
00:28:24.519 --> 00:28:27.680
<v Speaker 1>be I could make a really quick movie with soappactors.

563
00:28:28.480 --> 00:28:30.480
<v Speaker 1>That's my plan. They do that with every Almost Christmas

564
00:28:30.480 --> 00:28:32.559
<v Speaker 1>movie too, Like there's so many soap actors in those

565
00:28:32.599 --> 00:28:36.359
<v Speaker 1>Hallmark movies because they can just stand there and deliver about,

566
00:28:36.559 --> 00:28:39.119
<v Speaker 1>you know, thirty pages a day of dialogue.

567
00:28:39.759 --> 00:28:43.119
<v Speaker 2>Yeah, it's it's the writers of soap operas that I

568
00:28:43.119 --> 00:28:45.799
<v Speaker 2>get more frustrated with, just because everything has to be

569
00:28:45.839 --> 00:28:49.359
<v Speaker 2>so depressing. Like eighty to nine of soap storylines are

570
00:28:50.039 --> 00:28:52.440
<v Speaker 2>just the most grim die things you could, especially in

571
00:28:52.440 --> 00:28:55.240
<v Speaker 2>the UK, and occasionally have like a lighthearted episode now

572
00:28:55.319 --> 00:28:57.000
<v Speaker 2>and then, but for the most part, it's like, oh

573
00:28:57.079 --> 00:28:59.839
<v Speaker 2>everyone's dead and now I'm dying too, and my wife

574
00:29:00.240 --> 00:29:04.160
<v Speaker 2>me and I've gone bankrupt, and the cat's got over

575
00:29:04.240 --> 00:29:08.119
<v Speaker 2>by car and how is the asteroid coming? Everything's just

576
00:29:08.119 --> 00:29:14.079
<v Speaker 2>one thing off for another's.

577
00:29:11.640 --> 00:29:17.319
<v Speaker 3>Pretty great American soaps. You know, we're rich and somebody

578
00:29:17.400 --> 00:29:20.920
<v Speaker 3>sleeping with somebody, and he died in a car crash,

579
00:29:20.960 --> 00:29:23.680
<v Speaker 3>but it was actually his twin brother. And now I've

580
00:29:23.799 --> 00:29:28.359
<v Speaker 3>inherited his maserati and I'm going to murder you. It's

581
00:29:29.240 --> 00:29:32.839
<v Speaker 3>it's very sordid. It's very sordid and hilarious. And oh

582
00:29:32.839 --> 00:29:36.000
<v Speaker 3>here Stephen A. Smith, Suddenly he's there, the sports commentator

583
00:29:36.079 --> 00:29:38.640
<v Speaker 3>slash journalist. It's real random.

584
00:29:38.839 --> 00:29:41.160
<v Speaker 1>If I wrote a soap, Norbert would be in it,

585
00:29:41.200 --> 00:29:43.759
<v Speaker 1>and you'd have about forty three characters that have been

586
00:29:43.799 --> 00:29:45.240
<v Speaker 1>like killed off like this.

587
00:29:45.400 --> 00:29:50.839
<v Speaker 3>All brothers just keep coming back. I'm Philip.

588
00:29:52.279 --> 00:29:54.799
<v Speaker 1>Bill, But I just give you it. I just give

589
00:29:54.799 --> 00:29:57.359
<v Speaker 1>you a different color, you know, glasses.

590
00:29:57.640 --> 00:29:58.839
<v Speaker 3>Different classes exactly.

591
00:29:58.880 --> 00:29:59.319
<v Speaker 1>Yeah.

592
00:29:59.400 --> 00:30:02.400
<v Speaker 3>I question, quick question, Jay, how do you say blueberry?

593
00:30:02.680 --> 00:30:06.000
<v Speaker 3>Because as soon as they started saying blue okay, that's

594
00:30:06.039 --> 00:30:09.519
<v Speaker 3>what tripped me out in this movie they're eating do

595
00:30:09.559 --> 00:30:12.480
<v Speaker 3>you like blueberry pancakes? Why you're from Oregon?

596
00:30:13.000 --> 00:30:16.440
<v Speaker 1>Blueberry?

597
00:30:17.200 --> 00:30:20.480
<v Speaker 3>That's what you looked at the American What are you

598
00:30:20.559 --> 00:30:25.519
<v Speaker 3>doing to me? Oh my god, blueberry, bluer blueberry.

599
00:30:26.119 --> 00:30:28.960
<v Speaker 2>We have we have a we have two blueberry Prounce

600
00:30:29.079 --> 00:30:32.960
<v Speaker 2>in the garden and how to pronounced the word. Nobody's blueberry.

601
00:30:33.880 --> 00:30:37.000
<v Speaker 3>It's in Blueberry. I said, this movie is insane. I

602
00:30:37.000 --> 00:30:37.400
<v Speaker 3>love it.

603
00:30:38.559 --> 00:30:42.960
<v Speaker 1>Yeah, Holly, Holly's accent definitely goes in and out. I

604
00:30:43.119 --> 00:30:43.640
<v Speaker 1>noticed that.

605
00:30:43.720 --> 00:30:46.759
<v Speaker 3>Yeah, yeah, oh wait, oh yeah.

606
00:30:46.319 --> 00:30:49.039
<v Speaker 1>Oh wait. And Luke JP was in Twelve Rounds, guys,

607
00:30:49.279 --> 00:30:52.279
<v Speaker 1>so we have a he's any JP, he's from He's

608
00:30:52.279 --> 00:30:55.960
<v Speaker 1>in twelve Rounds. So he's a Renny Renny, a veteran

609
00:30:57.160 --> 00:30:59.480
<v Speaker 1>and that I just want to get that out there.

610
00:30:59.559 --> 00:31:04.759
<v Speaker 1>And it's between between Blueberry, between Blueberry and the fact

611
00:31:04.759 --> 00:31:06.880
<v Speaker 1>that her character had never seen Scooby Doo.

612
00:31:07.279 --> 00:31:09.680
<v Speaker 2>Yes, okay, okay, that's that doesn't make her not English.

613
00:31:09.720 --> 00:31:11.559
<v Speaker 2>We have Scooby do in this country. Everyone knows who

614
00:31:11.599 --> 00:31:16.000
<v Speaker 2>Velma is that frustrated to meet and no end, I

615
00:31:16.000 --> 00:31:18.440
<v Speaker 2>don't care where you're from. You have heard of Velma?

616
00:31:19.000 --> 00:31:22.200
<v Speaker 3>What is just by os Moses, exactly, just by us Moses.

617
00:31:22.599 --> 00:31:27.519
<v Speaker 3>Someone around you has mentioned Velma somehow my like and.

618
00:31:27.440 --> 00:31:29.839
<v Speaker 2>She's of the age. This isn't like a generational thing.

619
00:31:30.759 --> 00:31:32.319
<v Speaker 2>Been Scooby Do so like he's always been on but

620
00:31:32.400 --> 00:31:34.759
<v Speaker 2>like my wife has, she works with someone who won't

621
00:31:34.759 --> 00:31:38.279
<v Speaker 2>watch anything in standard definition because it's fuzzy, so like

622
00:31:38.319 --> 00:31:41.440
<v Speaker 2>she's never seen Friends because which I even see his

623
00:31:41.440 --> 00:31:43.640
<v Speaker 2>friends whatever, but she won't watch Friends because it's fuzzy,

624
00:31:44.079 --> 00:31:46.160
<v Speaker 2>not for any other reason, just because it's blurry. She

625
00:31:46.240 --> 00:31:50.640
<v Speaker 2>can't watch it. So you watch anything in standard definition? Wait,

626
00:31:50.920 --> 00:31:57.480
<v Speaker 2>wait a broken mark. She's like early twenties, so she

627
00:31:57.839 --> 00:31:59.240
<v Speaker 2>was born like around two thousand.

628
00:31:59.480 --> 00:31:59.920
<v Speaker 1>It's blur.

629
00:32:00.279 --> 00:32:04.519
<v Speaker 2>There you got anything blurry? Yeah, so she's oh she

630
00:32:04.680 --> 00:32:10.240
<v Speaker 2>knows is HD like before blu ray happen not going

631
00:32:10.240 --> 00:32:14.440
<v Speaker 2>on nothing, so yeah, but she probably.

632
00:32:15.599 --> 00:32:20.799
<v Speaker 1>Yeah, Thelma's big now right then Mandy Kaling has many

633
00:32:20.880 --> 00:32:23.599
<v Speaker 1>king Yeah, I guess this has happened before that, but

634
00:32:23.920 --> 00:32:25.319
<v Speaker 1>yeah that joke well.

635
00:32:25.160 --> 00:32:26.960
<v Speaker 3>And also she would be dead so she wouldn't have

636
00:32:26.960 --> 00:32:27.319
<v Speaker 3>seen it.

637
00:32:27.440 --> 00:32:32.279
<v Speaker 1>Yeah that's true, Holly. And then she I love the truth,

638
00:32:32.440 --> 00:32:34.640
<v Speaker 1>like okay. One thing that always bothers me with horror

639
00:32:34.720 --> 00:32:37.319
<v Speaker 1>cinema is like when people do the lying, Like when

640
00:32:37.640 --> 00:32:41.079
<v Speaker 1>so they find the radiation, they find the door, they

641
00:32:41.119 --> 00:32:42.960
<v Speaker 1>know they're there, and like, what's not tell anybody? And

642
00:32:43.000 --> 00:32:45.359
<v Speaker 1>then a giant avalanche lands on them and kills them

643
00:32:45.359 --> 00:32:48.640
<v Speaker 1>all like just like something. I kind of like this

644
00:32:48.880 --> 00:32:50.759
<v Speaker 1>some of the hikers though, because we need to leave,

645
00:32:50.960 --> 00:32:52.759
<v Speaker 1>like we got to get out of here, like, let's go.

646
00:32:52.880 --> 00:32:54.880
<v Speaker 1>Andy says, let's go. I think even Jensen's like, let's

647
00:32:54.880 --> 00:32:55.759
<v Speaker 1>get the hell out of here.

648
00:32:56.039 --> 00:32:58.519
<v Speaker 2>It's everybody apart from basically.

649
00:32:58.319 --> 00:33:01.839
<v Speaker 1>Yeah, He's just like, no, we gotta stay. I gotta

650
00:33:01.880 --> 00:33:04.240
<v Speaker 1>get my story, and they're like, no, we can hike back,

651
00:33:04.839 --> 00:33:06.880
<v Speaker 1>you know, a couple hours and then come back during

652
00:33:06.920 --> 00:33:09.400
<v Speaker 1>the day and we can get footage and no one

653
00:33:09.440 --> 00:33:12.480
<v Speaker 1>will know the difference. No, I need it, and then

654
00:33:12.519 --> 00:33:15.440
<v Speaker 1>everyone dies. So it's it's always kind of that problem

655
00:33:15.480 --> 00:33:20.359
<v Speaker 1>of I guess you need decisions to fuel everyone dying,

656
00:33:20.440 --> 00:33:22.759
<v Speaker 1>because like I think, rational people a lot of times

657
00:33:22.799 --> 00:33:25.720
<v Speaker 1>probably wouldn't die in horror movies. But yeah, it's definitely

658
00:33:25.720 --> 00:33:28.400
<v Speaker 1>Holly becomes sort of the I need. But she's also

659
00:33:28.440 --> 00:33:31.119
<v Speaker 1>in college. They flew all the way out there, and

660
00:33:31.200 --> 00:33:32.319
<v Speaker 1>it's very important to her.

661
00:33:32.440 --> 00:33:34.519
<v Speaker 2>Yeah, like this is this is part of her course,

662
00:33:34.839 --> 00:33:37.559
<v Speaker 2>is part of her like degree, Like if they leave,

663
00:33:37.880 --> 00:33:39.720
<v Speaker 2>is she going to get a grade she needs to?

664
00:33:39.960 --> 00:33:42.079
<v Speaker 2>Like she wants to go into film school, doesn't.

665
00:33:42.119 --> 00:33:42.480
<v Speaker 3>I don't know.

666
00:33:42.880 --> 00:33:45.160
<v Speaker 1>Listen, guys, if I was a teacher and my students

667
00:33:45.160 --> 00:33:47.400
<v Speaker 1>got a grant to go to Northern Russia, to film

668
00:33:47.440 --> 00:33:50.039
<v Speaker 1>what happened at the you know, the Devil's pass, I

669
00:33:50.240 --> 00:33:52.000
<v Speaker 1>just give him an a. I don't even if I

670
00:33:52.000 --> 00:33:53.920
<v Speaker 1>didn't see the footage, I'll be like, these college.

671
00:33:53.720 --> 00:33:57.960
<v Speaker 2>Kids should become you should become a producers.

672
00:33:56.519 --> 00:33:58.759
<v Speaker 3>The most driven people on earth. Exactly.

673
00:33:58.960 --> 00:34:01.559
<v Speaker 1>Yeah, they got work view, they got flights, they got

674
00:34:01.559 --> 00:34:03.839
<v Speaker 1>a grant, they got cameras, they had a crew. Like,

675
00:34:04.079 --> 00:34:07.039
<v Speaker 1>they made it there, they made it to that spot.

676
00:34:07.599 --> 00:34:09.039
<v Speaker 1>That's oba, it's fine, it's cool.

677
00:34:09.239 --> 00:34:12.559
<v Speaker 3>Like, however, what you what you all have forgotten is

678
00:34:12.840 --> 00:34:16.639
<v Speaker 3>Chekhov's nightmare. That she's had this dream since she was

679
00:34:16.679 --> 00:34:20.039
<v Speaker 3>a kid, drawn and so she's been drawn to this place.

680
00:34:20.480 --> 00:34:24.840
<v Speaker 3>Something is making her have night terrors where she sees

681
00:34:24.880 --> 00:34:28.480
<v Speaker 3>the door in the cave. She has the door in

682
00:34:28.519 --> 00:34:32.360
<v Speaker 3>the cave, and so that's really the driving force, not

683
00:34:32.400 --> 00:34:34.760
<v Speaker 3>even so much the story. The story, like you said,

684
00:34:34.760 --> 00:34:36.000
<v Speaker 3>it's just a way for her to be a go

685
00:34:36.039 --> 00:34:39.440
<v Speaker 3>getter and a person who is always trying to do

686
00:34:39.519 --> 00:34:41.440
<v Speaker 3>things to fill out her college resume. So she doesn't

687
00:34:41.440 --> 00:34:45.400
<v Speaker 3>have time to watch Scooby Doo. For Christ's sake, She's

688
00:34:45.440 --> 00:34:48.239
<v Speaker 3>got to research what happened to the nine Russians because

689
00:34:48.239 --> 00:34:50.719
<v Speaker 3>it ties to her origin story as.

690
00:34:50.480 --> 00:34:55.480
<v Speaker 2>An X men, so that that nightmare, my guess will

691
00:34:55.519 --> 00:34:58.239
<v Speaker 2>be that comes from there's like her consciousness exists in

692
00:34:58.280 --> 00:35:01.320
<v Speaker 2>two places at this time, like she's alive here and there,

693
00:35:01.599 --> 00:35:07.719
<v Speaker 2>so there's some kind of intertwining. It's it's Karen Gillen

694
00:35:07.719 --> 00:35:08.599
<v Speaker 2>and what kind.

695
00:35:08.519 --> 00:35:09.039
<v Speaker 1>Of thing of my name?

696
00:35:09.800 --> 00:35:18.960
<v Speaker 2>Uh quote quote Nova Nova, Nora, normal, no Taurus.

697
00:35:19.639 --> 00:35:25.199
<v Speaker 1>And I'm playing adventures in Doctor Gillen.

698
00:35:28.079 --> 00:35:30.920
<v Speaker 2>Nebula the brains run out of my ears. Yeah, it's

699
00:35:30.960 --> 00:35:33.039
<v Speaker 2>like Nebular Adventures endgame with there's two nebulas and they

700
00:35:33.039 --> 00:35:33.800
<v Speaker 2>can see she gets them.

701
00:35:34.000 --> 00:35:34.280
<v Speaker 1>It's that.

702
00:35:36.199 --> 00:35:40.159
<v Speaker 3>What's doctor Manette who lives every time? At the same time?

703
00:35:40.559 --> 00:35:42.639
<v Speaker 2>This is my second podcast today, I'm speaking.

704
00:35:42.400 --> 00:35:46.199
<v Speaker 1>Terror form and guys. And also it's I don't know

705
00:35:46.199 --> 00:35:47.360
<v Speaker 1>how you do it? Well, you know, I guess you

706
00:35:47.400 --> 00:35:48.840
<v Speaker 1>record it like nine am. It was the time with

707
00:35:48.840 --> 00:35:52.079
<v Speaker 1>me seven a m. Recordings. Are I need more coffee?

708
00:35:52.199 --> 00:35:54.280
<v Speaker 1>That's for sure. This is this is a very international

709
00:35:54.320 --> 00:35:57.880
<v Speaker 1>episodes today. We're three different continents and many different time zones.

710
00:36:00.400 --> 00:36:03.079
<v Speaker 3>I have been drinking since July third, ladies and gentlemen,

711
00:36:03.199 --> 00:36:05.960
<v Speaker 3>in July fourteen. I don't know what to tell you, but.

712
00:36:06.000 --> 00:36:08.559
<v Speaker 1>You know, what this is one of Rennie's highest rated films.

713
00:36:08.719 --> 00:36:12.360
<v Speaker 1>This is a fifty percent Unrotten Tomatoes, but I think

714
00:36:12.360 --> 00:36:15.159
<v Speaker 1>it's a very fifty percent movie. Like I yes, he

715
00:36:15.239 --> 00:36:18.400
<v Speaker 1>went out and did it like this is this is

716
00:36:18.679 --> 00:36:21.519
<v Speaker 1>I think this is a lot better than a lot

717
00:36:21.519 --> 00:36:27.000
<v Speaker 1>of other found footage films that I've watched, and found

718
00:36:27.039 --> 00:36:30.039
<v Speaker 1>footage movies I don't think are traditionally that well rated,

719
00:36:30.079 --> 00:36:32.280
<v Speaker 1>Like I love as above, so below, but it's rotten

720
00:36:32.360 --> 00:36:33.719
<v Speaker 1>like there's a lot of them that don't have the

721
00:36:33.760 --> 00:36:36.800
<v Speaker 1>highest scores. But I think I think this one's just

722
00:36:37.199 --> 00:36:39.159
<v Speaker 1>when you look at it in context of what it is, like,

723
00:36:39.320 --> 00:36:41.559
<v Speaker 1>I think it's fun, like it's a good one. It's

724
00:36:41.599 --> 00:36:45.719
<v Speaker 1>it's actually his highest rated movie. Yeah, it's his highest

725
00:36:45.840 --> 00:36:50.800
<v Speaker 1>rated film of Wow. Well, No Bodies Arrest as a

726
00:36:50.840 --> 00:36:53.840
<v Speaker 1>eighty three percent, but it's the second highest since like

727
00:36:54.280 --> 00:36:58.280
<v Speaker 1>ninety nine, which is kind of crazy. No, it's rank

728
00:36:58.360 --> 00:37:02.440
<v Speaker 1>number three, So it's it's Bodies at Rest eighty three percent,

729
00:37:02.599 --> 00:37:05.800
<v Speaker 1>Deep Blue Ce's sixty percent, and then Devil's Past fifty percent,

730
00:37:06.400 --> 00:37:09.079
<v Speaker 1>So it's it's actually one of his highest rated movies.

731
00:37:11.719 --> 00:37:17.400
<v Speaker 1>Clarifyinger no since ninety nine, since ninety nine, Okay, if

732
00:37:17.440 --> 00:37:24.320
<v Speaker 1>we're adding those into it, then let's see one. Okay, okay, okay, yeah, yeah,

733
00:37:24.360 --> 00:37:27.280
<v Speaker 1>so then it's like it's number seven, it's the seven

734
00:37:27.400 --> 00:37:31.960
<v Speaker 1>highest rated. It's a seventh best rated film, which.

735
00:37:32.239 --> 00:37:34.760
<v Speaker 2>It doesn't say a lot for his post ninety nine work.

736
00:37:34.840 --> 00:37:37.320
<v Speaker 3>I would say, but you.

737
00:37:37.239 --> 00:37:39.920
<v Speaker 2>Know what, there, yeah, there's some there's some films in

738
00:37:39.920 --> 00:37:41.039
<v Speaker 2>there that should be rated below this.

739
00:37:41.960 --> 00:37:45.239
<v Speaker 1>I guess this one's fun because it listen, this is

740
00:37:45.280 --> 00:37:48.280
<v Speaker 1>the era when people were like the paranormal activity hit

741
00:37:48.280 --> 00:37:51.159
<v Speaker 1>big in what two thousand and nine, twenty ten, So

742
00:37:51.239 --> 00:37:54.159
<v Speaker 1>then this one probably got this one probably got greenlit,

743
00:37:54.360 --> 00:37:57.239
<v Speaker 1>and then you know, Renny definitely follows the trends. I mean,

744
00:37:57.599 --> 00:38:00.599
<v Speaker 1>they hired him to make Legends of Hercules because they

745
00:38:00.639 --> 00:38:04.880
<v Speaker 1>wanted to beat Hercules to theaters, and you know, Five

746
00:38:04.960 --> 00:38:06.320
<v Speaker 1>Days of War. They're like, hey, we need you go

747
00:38:06.360 --> 00:38:08.679
<v Speaker 1>make a movie about the war in Georgia. You know,

748
00:38:08.719 --> 00:38:12.719
<v Speaker 1>like twelve Rounds. I think is very much so well,

749
00:38:12.719 --> 00:38:15.000
<v Speaker 1>that's like a it's very much like a Diehard with

750
00:38:15.039 --> 00:38:18.400
<v Speaker 1>a Vengeance knockoff. Like they follow trends with him, I think.

751
00:38:18.760 --> 00:38:23.280
<v Speaker 2>So it's what what I find interesting is Rainnie being

752
00:38:23.320 --> 00:38:25.920
<v Speaker 2>the worst person to ask to make a found footage film.

753
00:38:26.000 --> 00:38:27.800
<v Speaker 2>I like him, he's great. I think he did a

754
00:38:27.800 --> 00:38:29.800
<v Speaker 2>good job with it. But the real benefit of a

755
00:38:29.800 --> 00:38:32.920
<v Speaker 2>found footage film is they're really cheap to make, and

756
00:38:33.079 --> 00:38:35.639
<v Speaker 2>Rennie doesn't have a reputation for making things on a

757
00:38:35.679 --> 00:38:40.159
<v Speaker 2>really low budget, like Paranormativity was made for twenty seven

758
00:38:40.199 --> 00:38:44.000
<v Speaker 2>p Oh no, it's nothing like. It's like I had

759
00:38:44.039 --> 00:38:45.400
<v Speaker 2>a blame Wich put it, which is like, hey, three

760
00:38:45.400 --> 00:38:47.440
<v Speaker 2>guys in the woods, off you go have fun, have

761
00:38:47.480 --> 00:38:50.159
<v Speaker 2>a tenth Maybe we're gonna take it away at someone

762
00:38:51.239 --> 00:38:53.840
<v Speaker 2>when the rentals up. But he managed to make a

763
00:38:53.840 --> 00:38:56.400
<v Speaker 2>found footage film. But I couldn't find a budget for this.

764
00:38:56.559 --> 00:38:59.400
<v Speaker 2>But I'm guessing more expensive than most other found footage

765
00:38:59.400 --> 00:39:01.920
<v Speaker 2>films because he tried to make an avalanche.

766
00:39:03.880 --> 00:39:05.719
<v Speaker 1>In the cameras they brought out there, like they had

767
00:39:05.719 --> 00:39:08.440
<v Speaker 1>some huge cameras that they just they shot a lot

768
00:39:08.480 --> 00:39:10.760
<v Speaker 1>on sticks. They couldn't do any dollies, but they're like

769
00:39:11.039 --> 00:39:13.599
<v Speaker 1>big camera gear. And then you watch it behind the

770
00:39:13.639 --> 00:39:18.800
<v Speaker 1>scenes footage and they have snowcats and and snowmobiles and

771
00:39:18.800 --> 00:39:21.199
<v Speaker 1>and but you know what, though maybe he said they

772
00:39:21.239 --> 00:39:24.639
<v Speaker 1>didn't shoot much, they just rehearsed a lot so well.

773
00:39:24.760 --> 00:39:29.280
<v Speaker 2>I looked into that because they didn't want to once

774
00:39:29.280 --> 00:39:31.480
<v Speaker 2>you walk in the snow, you've walked in the snow,

775
00:39:31.920 --> 00:39:34.679
<v Speaker 2>you can't you can't film it again because you've just

776
00:39:34.719 --> 00:39:36.639
<v Speaker 2>walked in the snow. So they would rehearse a bit.

777
00:39:37.599 --> 00:39:40.440
<v Speaker 2>They would shoot most things once but with a lot

778
00:39:40.480 --> 00:39:44.920
<v Speaker 2>of research, a lot of rehearsal, and and so they'd

779
00:39:45.000 --> 00:39:48.760
<v Speaker 2>be like making these yetty footprints, but like having big

780
00:39:49.159 --> 00:39:51.679
<v Speaker 2>molded feet on a long pole so that reach out

781
00:39:51.679 --> 00:39:54.039
<v Speaker 2>and push the pole in. And they'd called north big

782
00:39:54.079 --> 00:39:55.559
<v Speaker 2>areas like don't go over here, could be going to

783
00:39:55.599 --> 00:39:59.800
<v Speaker 2>film here, but rehearse over here, which you know it's

784
00:40:00.079 --> 00:40:01.920
<v Speaker 2>don't I've never ready thought about that. I figured you

785
00:40:01.920 --> 00:40:03.639
<v Speaker 2>can just shoot things again and again and again, but

786
00:40:03.719 --> 00:40:05.840
<v Speaker 2>not in the snow, not when it's supposed to be

787
00:40:05.840 --> 00:40:11.199
<v Speaker 2>there's crystal clear, virgin, pure white snow. Uh No, that's

788
00:40:11.199 --> 00:40:14.400
<v Speaker 2>a good point. And they realized that before they filmed it,

789
00:40:14.480 --> 00:40:16.719
<v Speaker 2>or they filmed one and like, oh bollocks, we gotta

790
00:40:17.519 --> 00:40:19.280
<v Speaker 2>wait for the snow again. Let's not do this again.

791
00:40:19.719 --> 00:40:22.079
<v Speaker 1>That could be a good Just why are these prints

792
00:40:22.119 --> 00:40:26.159
<v Speaker 1>here already? Someone's here already. They were just too filmed it.

793
00:40:26.239 --> 00:40:29.559
<v Speaker 1>They were just too lazy to take them off, like

794
00:40:29.639 --> 00:40:31.800
<v Speaker 1>you know, when it's funny in Stargate, they hired crews

795
00:40:31.840 --> 00:40:34.679
<v Speaker 1>to go like go over the sand every time somebody

796
00:40:34.719 --> 00:40:36.960
<v Speaker 1>walked over it. But you can't really do that, you know,

797
00:40:37.000 --> 00:40:40.400
<v Speaker 1>in Northern Russia on a giant SnowCat or something that

798
00:40:40.440 --> 00:40:42.480
<v Speaker 1>would just create a lot more so, I mean it

799
00:40:42.519 --> 00:40:43.159
<v Speaker 1>makes sense.

800
00:40:44.199 --> 00:40:47.039
<v Speaker 2>Apparently there were times when they'd like film, they'd pack

801
00:40:47.119 --> 00:40:49.760
<v Speaker 2>up for the day and they'll be like heading back

802
00:40:49.800 --> 00:40:51.840
<v Speaker 2>to the hotel, and then Rennie would like, see this

803
00:40:51.920 --> 00:40:54.840
<v Speaker 2>new beautiful vista and he'd be like, stop, stop, stop

804
00:40:55.159 --> 00:40:58.559
<v Speaker 2>trekking shot. Unpack all the gear, everyone, get back to it.

805
00:40:58.639 --> 00:41:00.800
<v Speaker 2>I want to film all of the actors heading it

806
00:41:00.920 --> 00:41:04.119
<v Speaker 2>off over the horizon. And they just add another like

807
00:41:04.199 --> 00:41:05.320
<v Speaker 2>three hours to the day.

808
00:41:06.039 --> 00:41:08.559
<v Speaker 1>So he went full Terrence Malick on this one.

809
00:41:08.360 --> 00:41:11.159
<v Speaker 2>I think, sir, yeah, they used but he just did

810
00:41:11.400 --> 00:41:13.920
<v Speaker 2>be heading home. Ah, that's a cool shot. Let's do

811
00:41:14.000 --> 00:41:15.920
<v Speaker 2>that now, let's go, and everyone be like I just

812
00:41:15.960 --> 00:41:17.559
<v Speaker 2>wanted some haring. I don't want to go back to

813
00:41:17.599 --> 00:41:20.119
<v Speaker 2>my potatoes, and I have been I have a good

814
00:41:20.159 --> 00:41:20.559
<v Speaker 2>enough shoe.

815
00:41:20.840 --> 00:41:25.840
<v Speaker 3>You see that that's a leader, that's what that's what

816
00:41:25.840 --> 00:41:30.000
<v Speaker 3>I've been trying to interject the whole time. You say, yeah,

817
00:41:30.119 --> 00:41:32.800
<v Speaker 3>found footage movies are cheap. CEGI is not that great

818
00:41:32.800 --> 00:41:36.320
<v Speaker 3>in this movie when we get to show Hitchman, it's

819
00:41:36.400 --> 00:41:39.239
<v Speaker 3>not that great. Right, So where did the money go?

820
00:41:40.239 --> 00:41:44.400
<v Speaker 3>As of today, the retail price range in British pounds

821
00:41:44.440 --> 00:41:51.440
<v Speaker 3>sterling for herring is between two pound thirty sevenpence and

822
00:41:51.719 --> 00:41:59.280
<v Speaker 3>four pound thirty seven pence per kilo. Okay, herring is pricey, man, Yeah,

823
00:41:59.360 --> 00:42:01.840
<v Speaker 3>all right, you're inspiring vodka.

824
00:42:03.760 --> 00:42:07.400
<v Speaker 2>If it's yeah, sure, yeah, I didn't know where you

825
00:42:07.400 --> 00:42:08.039
<v Speaker 2>were going with that.

826
00:42:08.280 --> 00:42:09.960
<v Speaker 1>I just I want to see behind the scenes where

827
00:42:09.960 --> 00:42:12.960
<v Speaker 1>everyone's just eating hairing like you just everyone is just

828
00:42:13.079 --> 00:42:15.079
<v Speaker 1>munching on haring, just constantly.

829
00:42:15.079 --> 00:42:15.880
<v Speaker 2>Salty Broke.

830
00:42:16.119 --> 00:42:19.760
<v Speaker 3>It's it's a salty tasting fish, man. So you gotta

831
00:42:19.880 --> 00:42:22.519
<v Speaker 3>bang out the vodka with it. You gotta bang out

832
00:42:22.519 --> 00:42:24.519
<v Speaker 3>the vodka with it and have the potatoes as the

833
00:42:24.519 --> 00:42:28.159
<v Speaker 3>palate cleanser. So this is where your money goes. You know,

834
00:42:28.320 --> 00:42:31.239
<v Speaker 3>you're not You're not just getting some Idaho potatoes. You're

835
00:42:31.239 --> 00:42:36.000
<v Speaker 3>in Russia. Bro that's loamy soil. You're getting solid potatoes

836
00:42:36.039 --> 00:42:36.360
<v Speaker 3>out there.

837
00:42:36.440 --> 00:42:39.719
<v Speaker 1>Man're not gonna be cheap line producers looking at the budget,

838
00:42:39.840 --> 00:42:45.320
<v Speaker 1>like THEFX budget six bucks, hairy midget three million, three million?

839
00:42:45.960 --> 00:42:47.440
<v Speaker 1>What were they doing out there?

840
00:42:49.079 --> 00:42:52.159
<v Speaker 2>So the VFX there isn't that that. The creatures at

841
00:42:52.199 --> 00:42:54.280
<v Speaker 2>the end are the EFFX. They did initially shoot that.

842
00:42:54.400 --> 00:42:58.280
<v Speaker 2>They got some like contortionists and and like shot that,

843
00:42:58.320 --> 00:42:59.960
<v Speaker 2>but it just didn't look great, so they did they

844
00:43:00.079 --> 00:43:04.159
<v Speaker 2>painted the VFX over them, so that would have raised

845
00:43:04.159 --> 00:43:05.000
<v Speaker 2>the budget a little bit.

846
00:43:05.079 --> 00:43:09.559
<v Speaker 3>It's so janky. That Spanish movie with the zombies record

847
00:43:09.800 --> 00:43:14.239
<v Speaker 3>R E C D VHS. That was a person.

848
00:43:15.000 --> 00:43:15.480
<v Speaker 1>Mm hmmm.

849
00:43:15.760 --> 00:43:20.199
<v Speaker 3>That is the creepiest looking thing with the night vision camera.

850
00:43:20.880 --> 00:43:24.960
<v Speaker 3>It's so spooky. Man, It's just a very tall, creepy human.

851
00:43:25.119 --> 00:43:28.559
<v Speaker 3>It would have been so much scarier with a real, lanky,

852
00:43:28.639 --> 00:43:29.639
<v Speaker 3>freakish human being.

853
00:43:30.119 --> 00:43:32.400
<v Speaker 2>Yeah, I mean that this felt like playing a Resident

854
00:43:32.440 --> 00:43:34.599
<v Speaker 2>Evil game at that last second where it's like so

855
00:43:35.039 --> 00:43:37.599
<v Speaker 2>first person, You've got like one beam of torch like

856
00:43:37.599 --> 00:43:39.440
<v Speaker 2>this kind of shooting around the screen, and then you've

857
00:43:39.440 --> 00:43:42.400
<v Speaker 2>got these creatures that are like glitching from like one

858
00:43:42.480 --> 00:43:44.800
<v Speaker 2>chord to the other. Basically, it felt so much like

859
00:43:44.840 --> 00:43:49.840
<v Speaker 2>playing Side and Hills something just it's it's a perfect

860
00:43:49.880 --> 00:43:51.159
<v Speaker 2>video game recreation.

861
00:43:52.239 --> 00:43:55.000
<v Speaker 1>Yeah, Polly is really strong because she wings a cherry

862
00:43:55.000 --> 00:43:57.039
<v Speaker 1>at one of them, Like she throws a good twenty

863
00:43:57.079 --> 00:44:00.119
<v Speaker 1>feet and explodes against the.

864
00:44:00.119 --> 00:44:06.159
<v Speaker 3>Yeah, launches that hip, just yeats it across the room.

865
00:44:05.719 --> 00:44:07.639
<v Speaker 1>You know, one of the things fuses with the chair

866
00:44:07.960 --> 00:44:11.360
<v Speaker 1>and then like it's just a chair monster running around.

867
00:44:12.159 --> 00:44:13.280
<v Speaker 3>It's got ted limbs.

868
00:44:14.800 --> 00:44:17.679
<v Speaker 1>The Yeah, they could have just gotten Doug Jones out

869
00:44:17.679 --> 00:44:21.400
<v Speaker 1>there chase him around. That'd be interesting if Holly recognized Holly,

870
00:44:22.360 --> 00:44:23.280
<v Speaker 1>because Holly.

871
00:44:23.320 --> 00:44:25.960
<v Speaker 2>Recognized Dug shirts, Hey you're in Punslev.

872
00:44:26.079 --> 00:44:28.599
<v Speaker 1>But like Holly was in there, correct, Holly was one

873
00:44:28.599 --> 00:44:29.159
<v Speaker 1>of those.

874
00:44:29.079 --> 00:44:31.400
<v Speaker 2>Yes, yeah, Holley and Jensen with the two great that

875
00:44:31.440 --> 00:44:33.400
<v Speaker 2>is Holly and Jensen correct spoiler.

876
00:44:33.719 --> 00:44:36.559
<v Speaker 1>They could have looked at him and like hmm or

877
00:44:36.679 --> 00:44:42.159
<v Speaker 1>wait a minute, yeah right, yeah, yeah, definitely and the

878
00:44:42.280 --> 00:44:43.880
<v Speaker 1>way the people that do that, because we see how

879
00:44:43.880 --> 00:44:47.239
<v Speaker 1>to wait wait a minute, it's here right right.

880
00:44:47.280 --> 00:44:49.599
<v Speaker 3>And the things, the things in your face, and it's

881
00:44:49.599 --> 00:44:54.639
<v Speaker 3>not standard still, it's glitching, it's teleporting, it's doing you know,

882
00:44:55.639 --> 00:44:59.000
<v Speaker 3>buy a weapon noise at you. You don't have time

883
00:44:59.039 --> 00:45:03.039
<v Speaker 3>to oh, hey that's too yeah that's true. And then

884
00:45:03.119 --> 00:45:06.639
<v Speaker 3>and then the bone structure, you know, they're really emaciated

885
00:45:06.679 --> 00:45:10.159
<v Speaker 3>for some reason because they're messed up, you know, fifty

886
00:45:10.239 --> 00:45:12.480
<v Speaker 3>years of being freeze dried in the in the ural

887
00:45:12.559 --> 00:45:17.639
<v Speaker 3>mountains on top of going through temporal radiation space time.

888
00:45:18.400 --> 00:45:21.639
<v Speaker 1>Yeah, so they're just radiated jerky.

889
00:45:22.199 --> 00:45:25.079
<v Speaker 2>Yeah, they went they went through an incident. They've been

890
00:45:25.159 --> 00:45:27.079
<v Speaker 2>the incident. They've been incidented.

891
00:45:27.400 --> 00:45:31.719
<v Speaker 3>Yeah, incident, they've been incidentalized.

892
00:45:35.519 --> 00:45:37.239
<v Speaker 1>That looks like me, but it looks it looks a

893
00:45:37.239 --> 00:45:42.599
<v Speaker 1>lot more like jerky than I do. That's hens a bit. Yeah,

894
00:45:42.639 --> 00:45:44.639
<v Speaker 1>and then what so then eventually they just shut down

895
00:45:44.679 --> 00:45:46.559
<v Speaker 1>the program? Did they kill everyone in there? Like?

896
00:45:46.599 --> 00:45:48.519
<v Speaker 3>What? Like? What like?

897
00:45:48.519 --> 00:45:49.000
<v Speaker 1>What happened?

898
00:45:50.159 --> 00:45:52.159
<v Speaker 2>I guess it is if they found out this isn't working.

899
00:45:52.239 --> 00:45:55.519
<v Speaker 2>This is this is problematic. We're trying things and we're

900
00:45:55.519 --> 00:46:00.000
<v Speaker 2>getting monsters. We should we don't want monsters, degenerating mutes stuff.

901
00:46:00.360 --> 00:46:03.719
<v Speaker 2>Let's stop with the monsters.

902
00:46:05.239 --> 00:46:06.880
<v Speaker 3>We want we want to we want to teleport a

903
00:46:06.960 --> 00:46:11.000
<v Speaker 3>nuclear bomb into Washington, d C. We keep getting any humanoids.

904
00:46:11.000 --> 00:46:12.280
<v Speaker 1>Just attacking the populace.

905
00:46:13.280 --> 00:46:16.880
<v Speaker 2>Not only are we not teleporting bombs, we're getting more problems.

906
00:46:16.920 --> 00:46:22.239
<v Speaker 2>That's no something else. We tried this, Yeah, glad you

907
00:46:22.280 --> 00:46:25.280
<v Speaker 2>came to an idea. We tried it. Great, didn't work

908
00:46:25.599 --> 00:46:28.480
<v Speaker 2>back to the drawerboard someone else exactly.

909
00:46:28.679 --> 00:46:32.039
<v Speaker 3>Jay and Mark have created a teleportation portal. Awesome, it

910
00:46:32.079 --> 00:46:35.800
<v Speaker 3>only teleports things back into the left. Not aw you

911
00:46:35.840 --> 00:46:40.920
<v Speaker 3>know what I mean? That's right? Did they come out

912
00:46:40.920 --> 00:46:42.639
<v Speaker 3>sideways and insane? You know?

913
00:46:43.000 --> 00:46:46.280
<v Speaker 2>So you know, stop doing stop it.

914
00:46:46.960 --> 00:46:49.639
<v Speaker 3>You also we get we get the fact that Russian

915
00:46:49.679 --> 00:46:54.119
<v Speaker 3>author Yuri Yaavoy was killed in a car accident on

916
00:46:54.159 --> 00:46:57.079
<v Speaker 3>an empty road. You know, so what did happen to them?

917
00:46:57.639 --> 00:47:01.320
<v Speaker 3>Seems like we're just going back in the ussr R.

918
00:47:01.440 --> 00:47:05.519
<v Speaker 3>We're just getting our communists stereotype on. They killed everybody,

919
00:47:05.679 --> 00:47:12.480
<v Speaker 3>the government they like, wipe them out because because we're

920
00:47:12.519 --> 00:47:13.880
<v Speaker 3>un Yeah.

921
00:47:14.480 --> 00:47:18.599
<v Speaker 2>I mean, if we've established it, if people found out

922
00:47:18.639 --> 00:47:21.400
<v Speaker 2>this thing like time travel, great mutants, people would try

923
00:47:21.400 --> 00:47:25.559
<v Speaker 2>and use it. So maybe the best solution for the

924
00:47:25.559 --> 00:47:29.039
<v Speaker 2>greater good is hide it away, don't let people near it.

925
00:47:29.360 --> 00:47:32.239
<v Speaker 2>I'm not saying they should cause car crashes and avalanches,

926
00:47:32.519 --> 00:47:34.599
<v Speaker 2>but I'm saying do what you can to stop people

927
00:47:34.599 --> 00:47:35.079
<v Speaker 2>getting there.

928
00:47:35.480 --> 00:47:37.280
<v Speaker 3>That feels like from the outside.

929
00:47:37.519 --> 00:47:40.079
<v Speaker 2>From as soon as I found out, I was like, hell, yes,

930
00:47:40.119 --> 00:47:42.920
<v Speaker 2>there is something else looking forward to where this is going.

931
00:47:44.400 --> 00:47:47.760
<v Speaker 3>Something in the inside. Yeah, something horrific.

932
00:47:47.480 --> 00:47:50.519
<v Speaker 2>In this the first reactually opened the door.

933
00:47:50.559 --> 00:47:54.760
<v Speaker 1>What are you doing? Ever opened the door.

934
00:47:55.880 --> 00:47:58.559
<v Speaker 3>Insteader dreams, man, she has to see what's inside, even

935
00:47:58.559 --> 00:48:01.360
<v Speaker 3>though it locks from the outside. And then their escape

936
00:48:01.400 --> 00:48:03.920
<v Speaker 3>plan to run for the bullets is to go inside,

937
00:48:04.000 --> 00:48:06.199
<v Speaker 3>and they're like block the door, and he has to

938
00:48:06.239 --> 00:48:09.199
<v Speaker 3>reminder from the outside.

939
00:48:09.880 --> 00:48:11.679
<v Speaker 1>Yeah, we're just gonna wait, We're just gonna die in

940
00:48:11.719 --> 00:48:14.719
<v Speaker 1>here of what hypotherbia and thirst starvation.

941
00:48:15.159 --> 00:48:17.559
<v Speaker 2>Yeah, it does make sense to look to like head

942
00:48:17.559 --> 00:48:19.400
<v Speaker 2>into the bunker when you're being shot at. There's not

943
00:48:19.440 --> 00:48:22.039
<v Speaker 2>a lot there's not a lot of other options. But

944
00:48:22.159 --> 00:48:24.079
<v Speaker 2>then you remember, oh, yeah, now the people with the

945
00:48:24.079 --> 00:48:26.000
<v Speaker 2>lock aren't here with us.

946
00:48:26.400 --> 00:48:31.920
<v Speaker 3>Yeah we've seen YETI feet and a ripped out tongue.

947
00:48:32.320 --> 00:48:36.679
<v Speaker 3>So going into basically where the YEI are? I don't know, bro,

948
00:48:36.960 --> 00:48:38.119
<v Speaker 3>shoot me, I don't know.

949
00:48:38.719 --> 00:48:41.480
<v Speaker 2>Oh yeah, that I mean of the fates, that is

950
00:48:41.480 --> 00:48:44.920
<v Speaker 2>the better one rather than what well I've been saying

951
00:48:44.920 --> 00:48:46.760
<v Speaker 2>that maybe Holly and Jensen having a great time.

952
00:48:48.440 --> 00:48:50.199
<v Speaker 1>Happened aliens.

953
00:48:50.519 --> 00:48:53.039
<v Speaker 2>Yeah, maybe they're really enjoying like teleporting around the blaze

954
00:48:53.239 --> 00:48:58.320
<v Speaker 2>night quartering into people and just inable who can say.

955
00:48:59.119 --> 00:49:02.920
<v Speaker 3>The implication is because we get the ancient drawings of

956
00:49:03.159 --> 00:49:06.719
<v Speaker 3>those who walk before us on the wall, that this

957
00:49:06.880 --> 00:49:10.880
<v Speaker 3>is probably where the Yeti do come from, actually, because

958
00:49:10.880 --> 00:49:13.559
<v Speaker 3>the ancient drawings from the people on the wall showed it.

959
00:49:13.599 --> 00:49:15.880
<v Speaker 3>They have been here, and some of those drums on

960
00:49:15.880 --> 00:49:19.719
<v Speaker 3>the wall had freaky looking dudes or things, if you will,

961
00:49:20.400 --> 00:49:25.320
<v Speaker 3>and so giant humanoid footprints, that's always what they say. Yeah,

962
00:49:25.360 --> 00:49:29.360
<v Speaker 3>that's the sign of the Yeti. And so even before

963
00:49:29.840 --> 00:49:34.199
<v Speaker 3>these two unfortunates became inhumanoids, they probably were those that

964
00:49:34.320 --> 00:49:38.119
<v Speaker 3>walked among us. That's I think another implication.

965
00:49:37.760 --> 00:49:42.360
<v Speaker 1>Of this movie, because that thing's been around, presumably for

966
00:49:42.400 --> 00:49:44.000
<v Speaker 1>a while forever.

967
00:49:44.159 --> 00:49:47.360
<v Speaker 3>There's no buttons, there's no controls. You just think of

968
00:49:47.360 --> 00:49:49.400
<v Speaker 3>where you want to go, and it always puts you

969
00:49:49.480 --> 00:49:51.159
<v Speaker 3>right outside as an inhumanoid.

970
00:49:51.239 --> 00:49:56.440
<v Speaker 1>Jerky yeh, I'd be so pissed in my dreams. It's

971
00:49:56.480 --> 00:50:00.360
<v Speaker 1>like my entire life where dreams are like, hey, you

972
00:50:00.440 --> 00:50:03.159
<v Speaker 1>gotta go out to northern Russia and do this, and

973
00:50:03.239 --> 00:50:04.599
<v Speaker 1>I end out there. I'm like, I got to pursue

974
00:50:04.639 --> 00:50:07.960
<v Speaker 1>my dreams and then I become just a humanoid who

975
00:50:07.960 --> 00:50:08.599
<v Speaker 1>could teleports.

976
00:50:10.199 --> 00:50:12.079
<v Speaker 2>You have the dragons to go out there, You go

977
00:50:12.119 --> 00:50:13.679
<v Speaker 2>out there, and then you sleep that night and the

978
00:50:13.760 --> 00:50:18.239
<v Speaker 2>dream you have is like a sucker. Gotcha, he just

979
00:50:18.280 --> 00:50:19.639
<v Speaker 2>wasted twenty five years.

980
00:50:22.320 --> 00:50:26.000
<v Speaker 1>Victoram West, the person who wrote this, they they got

981
00:50:26.000 --> 00:50:29.000
<v Speaker 1>their start in reality, so they did the real world

982
00:50:29.079 --> 00:50:32.239
<v Speaker 1>the challenge and keeping up with the Kardashians. So I wonder,

983
00:50:33.440 --> 00:50:35.880
<v Speaker 1>like that's a lot of I wonder if Found footage

984
00:50:35.960 --> 00:50:38.719
<v Speaker 1>was a natural segue for the person because they're just

985
00:50:38.760 --> 00:50:41.320
<v Speaker 1>so used to that setup. So they just wrote it

986
00:50:41.440 --> 00:50:45.679
<v Speaker 1>like that because Rennie found the script of that. So

987
00:50:45.719 --> 00:50:48.440
<v Speaker 1>I just I don't know, I find that interesting. So

988
00:50:48.480 --> 00:50:52.199
<v Speaker 1>they they worked in reality and then wrote The Devil's

989
00:50:52.199 --> 00:50:54.360
<v Speaker 1>Paw or the Dyat Love Incident.

990
00:50:55.519 --> 00:50:59.159
<v Speaker 2>I've never considered that The Kardashians is found footage. Well

991
00:50:59.199 --> 00:51:02.840
<v Speaker 2>like reality, maybe I like it move man fe. I

992
00:51:02.880 --> 00:51:05.719
<v Speaker 2>don't know, I've never watched it.

993
00:51:06.360 --> 00:51:09.599
<v Speaker 3>Well, we've established that these are attractive people and he

994
00:51:09.719 --> 00:51:13.199
<v Speaker 3>sends them to horrific deaths. So all the years of

995
00:51:13.239 --> 00:51:16.360
<v Speaker 3>working with these attractive people on these reality shows, this

996
00:51:16.519 --> 00:51:19.920
<v Speaker 3>is what they were thinking time. I wish these people

997
00:51:19.960 --> 00:51:23.320
<v Speaker 3>would die brutally, all of them. And so I'm going

998
00:51:23.400 --> 00:51:27.079
<v Speaker 3>to make this movie that I get to just put

999
00:51:27.119 --> 00:51:29.719
<v Speaker 3>all my feelings out on film. And The Blonde is

1000
00:51:29.719 --> 00:51:30.639
<v Speaker 3>going to get it the worst.

1001
00:51:35.800 --> 00:51:38.880
<v Speaker 1>I mean, yeah, that makes sense, but it's I have

1002
00:51:38.880 --> 00:51:42.280
<v Speaker 1>a question guys, like I think sometimes the best found

1003
00:51:42.280 --> 00:51:45.360
<v Speaker 1>footage films are just the best horror movies in general.

1004
00:51:45.440 --> 00:51:49.079
<v Speaker 1>Keep things really simple. This one gets quite convoluted. Is

1005
00:51:50.719 --> 00:51:53.719
<v Speaker 1>there like a simpler way to tell this story or

1006
00:51:53.760 --> 00:51:55.480
<v Speaker 1>do you think it works as is?

1007
00:51:56.239 --> 00:51:59.119
<v Speaker 2>I think that the whole like time loop aspect of it,

1008
00:51:59.159 --> 00:52:03.960
<v Speaker 2>is always going to make things complicated. Yeah, there's no

1009
00:52:05.119 --> 00:52:07.239
<v Speaker 2>hm hmm, it either be. It's either going to be

1010
00:52:07.239 --> 00:52:10.159
<v Speaker 2>complicated or unsatisfying. So like ground Took Day, they Averredy

1011
00:52:10.199 --> 00:52:11.760
<v Speaker 2>explained the time. It's just there's a time ate. But

1012
00:52:11.760 --> 00:52:15.000
<v Speaker 2>and then there's no if you plug that into a

1013
00:52:15.000 --> 00:52:17.159
<v Speaker 2>horror film, it's probably gonna be less satisfying. I think

1014
00:52:17.400 --> 00:52:19.039
<v Speaker 2>we're gonna go there and find what the secret is,

1015
00:52:19.159 --> 00:52:21.119
<v Speaker 2>and we're not going to tell you what it is.

1016
00:52:20.920 --> 00:52:25.199
<v Speaker 2>It's a time that would be like, oh, I'm satisfying.

1017
00:52:26.760 --> 00:52:28.519
<v Speaker 2>So yeah, I think there's always gonna be a degree

1018
00:52:28.559 --> 00:52:29.519
<v Speaker 2>of complexity to it.

1019
00:52:31.559 --> 00:52:34.599
<v Speaker 3>If if you take the time loop out and you

1020
00:52:34.800 --> 00:52:38.079
<v Speaker 3>just make it a cave where your wishes are going

1021
00:52:38.119 --> 00:52:40.480
<v Speaker 3>to come true. But it's the Monkey's Paul cave of wishes.

1022
00:52:40.519 --> 00:52:44.679
<v Speaker 3>Coming true, and you know, there's no place like home,

1023
00:52:44.840 --> 00:52:50.320
<v Speaker 3>and we're back outside and now we're jerky monsters. So

1024
00:52:50.519 --> 00:52:53.599
<v Speaker 3>it's not necessarily time loop. It's just, yeah, you are

1025
00:52:53.599 --> 00:52:55.639
<v Speaker 3>trapped in the cave and you have to use this

1026
00:52:55.760 --> 00:53:01.880
<v Speaker 3>way out and you're in humanoids the evil that lies within? Yeah,

1027
00:53:00.679 --> 00:53:01.119
<v Speaker 3>can you tell?

1028
00:53:01.440 --> 00:53:08.119
<v Speaker 2>That wouldn't explain the original incident, but then wouldn't necessarily

1029
00:53:08.159 --> 00:53:09.800
<v Speaker 2>need to be explained, because the whole point is it's

1030
00:53:09.800 --> 00:53:12.639
<v Speaker 2>an explained phenomena in the real world, so they could

1031
00:53:13.000 --> 00:53:15.599
<v Speaker 2>remain that way. This this tries to explain it with

1032
00:53:15.679 --> 00:53:18.400
<v Speaker 2>a real, like a real out there idea of hey,

1033
00:53:18.440 --> 00:53:21.400
<v Speaker 2>there's't ipeo that I had, maybe they would be maybe

1034
00:53:21.440 --> 00:53:25.119
<v Speaker 2>it was this thing. Maybe it was teleporting college kids

1035
00:53:25.199 --> 00:53:28.199
<v Speaker 2>from fifty years after they died. No one's thought about

1036
00:53:28.199 --> 00:53:30.400
<v Speaker 2>that before, haven'ty.

1037
00:53:29.760 --> 00:53:32.760
<v Speaker 3>No, And that's that's the way a lot of Twilight

1038
00:53:32.880 --> 00:53:36.480
<v Speaker 3>Zone and those anthology horror series used to work. Uh,

1039
00:53:36.559 --> 00:53:39.159
<v Speaker 3>you know, you go into this room and there's a toilet,

1040
00:53:39.199 --> 00:53:41.960
<v Speaker 3>and when you flush the toilet, suddenly you're transported to

1041
00:53:42.000 --> 00:53:48.800
<v Speaker 3>the land and make believe why episodes over it wasn't

1042
00:53:48.800 --> 00:53:49.559
<v Speaker 3>that creepy.

1043
00:53:54.039 --> 00:53:56.719
<v Speaker 1>Don't touch the toilet, that's the way things work, don't

1044
00:53:56.760 --> 00:53:59.320
<v Speaker 1>flush well, don't be cheap, and then they press it.

1045
00:53:59.480 --> 00:54:01.280
<v Speaker 1>Then it's like like, oh no.

1046
00:54:01.440 --> 00:54:03.360
<v Speaker 3>There it is there, It is there. It is the

1047
00:54:03.440 --> 00:54:07.559
<v Speaker 3>greatest scene in creep Show the movie the roaches take

1048
00:54:07.599 --> 00:54:12.199
<v Speaker 3>over that dude's stareile apartment. Why because it was a jerk.

1049
00:54:13.280 --> 00:54:16.280
<v Speaker 3>You know, if that came out today, the roaches would

1050
00:54:16.280 --> 00:54:18.039
<v Speaker 3>have had an origin story. They were made in a

1051
00:54:18.119 --> 00:54:21.119
<v Speaker 3>lab and one day one of the roaches saw his

1052
00:54:21.159 --> 00:54:24.880
<v Speaker 3>wife killed by a scientist code man, and so now

1053
00:54:24.920 --> 00:54:29.039
<v Speaker 3>he just hates sterility and cream show was just like,

1054
00:54:29.280 --> 00:54:32.840
<v Speaker 3>this guy's a jerk, probably a racist. We're gonna fill

1055
00:54:32.880 --> 00:54:36.440
<v Speaker 3>his apartment with roaches until they kill him.

1056
00:54:36.599 --> 00:54:39.760
<v Speaker 1>You got a problem with that, You're right though. That

1057
00:54:39.840 --> 00:54:42.239
<v Speaker 1>show is just basically like this, this person's horrible. Let's

1058
00:54:42.239 --> 00:54:43.679
<v Speaker 1>have something terrible happened to them.

1059
00:54:43.920 --> 00:54:47.079
<v Speaker 3>Something's going to murder them, something mundane is gonna kill

1060
00:54:47.119 --> 00:54:57.679
<v Speaker 3>them badly, and you're gonna root for it. Soul, he

1061
00:54:57.760 --> 00:54:59.559
<v Speaker 3>was dying of cancer and then he wasn't. It was

1062
00:54:59.599 --> 00:55:00.519
<v Speaker 3>weird saw.

1063
00:55:01.400 --> 00:55:02.960
<v Speaker 1>Well, you know, but I like this movie now though,

1064
00:55:03.000 --> 00:55:05.880
<v Speaker 1>despite the middle part where Jensen is just complaining about

1065
00:55:06.039 --> 00:55:07.760
<v Speaker 1>women and trail hookups.

1066
00:55:09.760 --> 00:55:14.000
<v Speaker 2>Yeah, how dead these other people have, like have relationships.

1067
00:55:14.800 --> 00:55:17.440
<v Speaker 2>There's one more man than women here, and everyone's looking

1068
00:55:17.559 --> 00:55:17.880
<v Speaker 2>up with me.

1069
00:55:18.599 --> 00:55:23.599
<v Speaker 3>Ah yeah, but there's always I've laid out the fact

1070
00:55:23.599 --> 00:55:26.239
<v Speaker 3>that the only thing I find sexually attractive is this camera,

1071
00:55:26.480 --> 00:55:28.800
<v Speaker 3>and I'm wondering why I can't get laid. God damn it.

1072
00:55:29.880 --> 00:55:32.840
<v Speaker 2>I guess there's two attractive women like the two attractive men.

1073
00:55:33.320 --> 00:55:38.920
<v Speaker 2>I don't understand. Yeah, Mark, you and I having a

1074
00:55:38.920 --> 00:55:41.119
<v Speaker 2>breat discussion on Facebook as to like what have happened

1075
00:55:41.119 --> 00:55:42.800
<v Speaker 2>in Deep Bluz if it was a found footage film?

1076
00:55:42.800 --> 00:55:45.079
<v Speaker 2>And I really like that concept. Yeah, I've been thinking.

1077
00:55:45.079 --> 00:55:46.079
<v Speaker 2>I've been thinking about it.

1078
00:55:47.239 --> 00:55:47.920
<v Speaker 1>What do you got?

1079
00:55:48.360 --> 00:55:50.639
<v Speaker 2>Well, I mean it's the found fuish aspect. You're mainly

1080
00:55:50.679 --> 00:55:52.280
<v Speaker 2>going to have his Preacher with the camera. That's where

1081
00:55:52.280 --> 00:55:55.679
<v Speaker 2>this comes from, because he's already has that found footage thing,

1082
00:55:55.800 --> 00:55:59.280
<v Speaker 2>but he doesn't get that until Janis's Room, like two

1083
00:55:59.280 --> 00:56:00.880
<v Speaker 2>thirds of the way through the film. So that needs

1084
00:56:00.920 --> 00:56:03.239
<v Speaker 2>to just happen earlier. He needs to have a camera earlier,

1085
00:56:03.519 --> 00:56:07.119
<v Speaker 2>and all of the Preacher stuff is like him torn

1086
00:56:07.119 --> 00:56:10.239
<v Speaker 2>the camera, Foanfate and everything else is like CCTV. So

1087
00:56:10.320 --> 00:56:13.400
<v Speaker 2>you can have him like filming the Susan's birthday party, like, hey,

1088
00:56:13.440 --> 00:56:15.760
<v Speaker 2>we're all crouched down with like poking the camera out

1089
00:56:15.760 --> 00:56:17.440
<v Speaker 2>watching her come out of the thing, and it's surprise

1090
00:56:17.840 --> 00:56:20.000
<v Speaker 2>and everything else is like CCTV. But then when like

1091
00:56:20.039 --> 00:56:22.119
<v Speaker 2>those from his flood, you lose that CCTV and it's

1092
00:56:22.159 --> 00:56:24.639
<v Speaker 2>just preaching with the camera. I think, I don't think

1093
00:56:24.639 --> 00:56:28.159
<v Speaker 2>it would be as good. I think why it's preaching

1094
00:56:28.239 --> 00:56:30.840
<v Speaker 2>filming whilst he's in the oven hacking his way out

1095
00:56:30.960 --> 00:56:32.800
<v Speaker 2>that needs he needs to stop filming at this point,

1096
00:56:32.880 --> 00:56:36.559
<v Speaker 2>this is like, yes, your bird, you should be breathed.

1097
00:56:37.199 --> 00:56:40.079
<v Speaker 2>So maybe he's like dropped the camera, dropped the camera

1098
00:56:40.119 --> 00:56:42.679
<v Speaker 2>and it's still filming him floating on a little table

1099
00:56:42.719 --> 00:56:43.320
<v Speaker 2>in the kitchen.

1100
00:56:43.360 --> 00:56:45.760
<v Speaker 1>I don't know. Maybe it's like a lawsuit later on,

1101
00:56:45.840 --> 00:56:49.320
<v Speaker 1>like I'm gonna sue these people and this is proof, Yeah,

1102
00:56:49.320 --> 00:56:50.320
<v Speaker 1>because he survives.

1103
00:56:50.840 --> 00:56:53.840
<v Speaker 2>I need to sue. I need to sue cameraror.

1104
00:56:55.039 --> 00:56:55.800
<v Speaker 1>All of the like.

1105
00:56:56.079 --> 00:56:58.440
<v Speaker 2>When Susan goes down for the data, he's like, can

1106
00:56:58.480 --> 00:57:03.039
<v Speaker 2>you also like get the CCTV records please? And that's

1107
00:57:03.039 --> 00:57:04.039
<v Speaker 2>still somehow suffice.

1108
00:57:05.960 --> 00:57:10.239
<v Speaker 3>I have the solution. I have the solution. Everybody is

1109
00:57:10.800 --> 00:57:13.280
<v Speaker 3>not It's not just it's the CCTV because I thought

1110
00:57:13.280 --> 00:57:16.480
<v Speaker 3>of that too, but everybody is constantly wearing a body

1111
00:57:16.480 --> 00:57:20.320
<v Speaker 3>can it's not because it's not only an experiment for

1112
00:57:20.360 --> 00:57:25.440
<v Speaker 3>the sharks. It's a long term project that look, how

1113
00:57:25.480 --> 00:57:27.840
<v Speaker 3>long we have humans living under the sea and we

1114
00:57:27.960 --> 00:57:31.559
<v Speaker 3>monitor everything that they do and we're checking their stats

1115
00:57:31.599 --> 00:57:35.440
<v Speaker 3>and their mental capacity blah blah blah blah blah, and

1116
00:57:35.480 --> 00:57:38.039
<v Speaker 3>eventually this is just step one to us going to

1117
00:57:38.119 --> 00:57:41.159
<v Speaker 3>the moon and into Mars. So that explains a camera

1118
00:57:42.599 --> 00:57:43.039
<v Speaker 3>and they don't.

1119
00:57:44.079 --> 00:57:45.079
<v Speaker 2>Can we have one on a shark?

1120
00:57:49.760 --> 00:57:54.400
<v Speaker 3>Yeah? Absolutely, these days we use this.

1121
00:57:55.000 --> 00:57:57.880
<v Speaker 2>We use this like at outside of drug in the sharks.

1122
00:57:57.960 --> 00:58:00.599
<v Speaker 2>We need to be monitoring this. That's as well, what

1123
00:58:00.639 --> 00:58:02.679
<v Speaker 2>are lay up to? Maybe they're doing more intelligent stuff

1124
00:58:02.719 --> 00:58:05.159
<v Speaker 2>now they got that down there playing jackers. You know

1125
00:58:05.199 --> 00:58:06.280
<v Speaker 2>who knows a.

1126
00:58:06.559 --> 00:58:09.880
<v Speaker 3>Quick exposition explains right there? Uposition, you know what.

1127
00:58:09.920 --> 00:58:12.280
<v Speaker 1>They already have the cameras too. Maybe the sharks don't

1128
00:58:12.280 --> 00:58:15.039
<v Speaker 1>take out the cameras and those cameras stay up as well,

1129
00:58:15.119 --> 00:58:16.760
<v Speaker 1>like when the sharks take out the cameras.

1130
00:58:16.960 --> 00:58:18.880
<v Speaker 2>Maybe the sharks don't take out the cameras. The sharks

1131
00:58:19.039 --> 00:58:21.480
<v Speaker 2>take the cameras. They are all cameras now.

1132
00:58:22.639 --> 00:58:24.880
<v Speaker 1>Like the like the the one of the sharks, I

1133
00:58:24.920 --> 00:58:26.800
<v Speaker 1>was wearing like a backwards hat, like all the camera

1134
00:58:26.840 --> 00:58:28.800
<v Speaker 1>men in the screen movies and Screen one and two,

1135
00:58:29.280 --> 00:58:31.920
<v Speaker 1>like like, I don't know why have a camera even

1136
00:58:31.920 --> 00:58:34.159
<v Speaker 1>in both finger the camera people have backward hats, Like

1137
00:58:34.199 --> 00:58:34.519
<v Speaker 1>I think.

1138
00:58:34.400 --> 00:58:36.599
<v Speaker 2>That's because the cameras in your face and the brain

1139
00:58:36.599 --> 00:58:40.480
<v Speaker 2>would get in the way. I guess the shots are like,

1140
00:58:40.639 --> 00:58:44.079
<v Speaker 2>we're gonna the shots are gonna sue you for doing

1141
00:58:44.119 --> 00:58:46.440
<v Speaker 2>testing on us. We need proof, we're gonna start filming you.

1142
00:58:47.559 --> 00:58:50.000
<v Speaker 2>This is it's not evidence for the sharks. Cool case.

1143
00:58:52.400 --> 00:58:56.159
<v Speaker 1>Then the sequels just the the John Grisham tight novel,

1144
00:58:56.320 --> 00:58:57.639
<v Speaker 1>but with the sharks and the humans.

1145
00:58:58.880 --> 00:59:02.079
<v Speaker 3>Yeah, man, and the the sharks that that they secretly

1146
00:59:02.119 --> 00:59:05.440
<v Speaker 3>made with Shark Intercourse just have the cameras built into

1147
00:59:05.440 --> 00:59:09.199
<v Speaker 3>them now because the Alzheimer's drug was so powerful. So

1148
00:59:09.360 --> 00:59:12.480
<v Speaker 3>now you know the sharks are playing majong somehow, and

1149
00:59:12.559 --> 00:59:17.159
<v Speaker 3>the sharks are creating new forms of experimental jazz fusion.

1150
00:59:16.840 --> 00:59:17.320
<v Speaker 1>In a cave.

1151
00:59:18.960 --> 00:59:19.440
<v Speaker 3>They're smart.

1152
00:59:20.039 --> 00:59:26.239
<v Speaker 1>Yeah, that Paul camera camera all jazz.

1153
00:59:28.119 --> 00:59:36.840
<v Speaker 3>Featuring Richard link Letter techniques and Shark.

1154
00:59:34.719 --> 00:59:40.840
<v Speaker 1>Could and Ryan Goslin's this lecturing the sharks love jazz fusion. Yeah,

1155
00:59:41.199 --> 00:59:41.639
<v Speaker 1>got it all.

1156
00:59:42.440 --> 00:59:45.679
<v Speaker 2>Yeah, let's let's stop working on this one and.

1157
00:59:47.719 --> 00:59:50.000
<v Speaker 3>Get a grant. J get a grant, Go, get a

1158
00:59:50.000 --> 00:59:50.519
<v Speaker 3>grant for this.

1159
00:59:50.559 --> 00:59:53.440
<v Speaker 2>Okay, fuming in Russia.

1160
00:59:54.920 --> 00:59:56.719
<v Speaker 1>We're gonna eat. Well, we're not. I don't know if

1161
00:59:56.719 --> 00:59:57.920
<v Speaker 1>I can budget haring into this.

1162
00:59:58.679 --> 00:59:59.960
<v Speaker 3>It's pretty goddamn expense.

1163
01:00:00.480 --> 01:00:04.000
<v Speaker 1>My mom made a lot of pickled harrying because that's

1164
01:00:04.000 --> 01:00:07.480
<v Speaker 1>what Swedish people do. Like, there's always pickled harrying around

1165
01:00:07.519 --> 01:00:11.360
<v Speaker 1>my house. It's not bad, but I think everyone.

1166
01:00:12.760 --> 01:00:15.599
<v Speaker 3>You're also massive Hofmeyer, so clearly it worked. You're a

1167
01:00:15.639 --> 01:00:16.480
<v Speaker 3>massive human being.

1168
01:00:18.480 --> 01:00:18.960
<v Speaker 1>Thanks mom.

1169
01:00:19.840 --> 01:00:23.559
<v Speaker 3>All the pickled harry protein protein.

1170
01:00:24.480 --> 01:00:26.159
<v Speaker 1>And the good thing is about the vodka is the

1171
01:00:26.159 --> 01:00:29.480
<v Speaker 1>potatoes could make more vodka if you run out a vodka.

1172
01:00:30.239 --> 01:00:32.800
<v Speaker 1>Mm hm. So I mean it was a smart plan

1173
01:00:32.880 --> 01:00:35.559
<v Speaker 1>by Rennie.

1174
01:00:35.440 --> 01:00:37.960
<v Speaker 2>Like I just made herrying flavored vodka and got all

1175
01:00:38.000 --> 01:00:39.119
<v Speaker 2>three of the food groups in one.

1176
01:00:39.800 --> 01:00:42.199
<v Speaker 3>Oh god, I'm gonna puke right now.

1177
01:00:43.000 --> 01:00:45.920
<v Speaker 1>I mean, if you think of all the other flavors, like,

1178
01:00:45.960 --> 01:00:49.599
<v Speaker 1>there's pretty much been every type of vodka, so why

1179
01:00:49.679 --> 01:00:54.480
<v Speaker 1>not harring.

1180
01:00:54.880 --> 01:00:59.920
<v Speaker 2>You know, I don't think some people like doing herring.

1181
01:01:00.159 --> 01:01:01.440
<v Speaker 2>It's a thing there.

1182
01:01:01.559 --> 01:01:05.679
<v Speaker 3>Herring, Yeah, cured, it's got to come from a plant

1183
01:01:05.719 --> 01:01:09.760
<v Speaker 3>because of the defermentation. Yeah, you don't drink the juice

1184
01:01:10.480 --> 01:01:12.840
<v Speaker 3>of fermented animals too.

1185
01:01:14.840 --> 01:01:18.159
<v Speaker 2>Vodka and herring bars. I'm hoping that's somewhere you go

1186
01:01:18.199 --> 01:01:21.960
<v Speaker 2>to eat, but eat and it's not like a cereal

1187
01:01:23.599 --> 01:01:25.320
<v Speaker 2>protein bar. Maybe herring.

1188
01:01:26.400 --> 01:01:27.519
<v Speaker 3>Why do you guys want to kill me?

1189
01:01:28.760 --> 01:01:29.400
<v Speaker 2>What I mean?

1190
01:01:29.480 --> 01:01:32.239
<v Speaker 1>It saves time, Like you're just on set and you're like, man,

1191
01:01:32.239 --> 01:01:35.360
<v Speaker 1>I need some vodka and I need some herring. And

1192
01:01:34.280 --> 01:01:39.280
<v Speaker 1>then it's the finish thing, chriss bread with herring, mustard

1193
01:01:39.320 --> 01:01:39.760
<v Speaker 1>and vodka.

1194
01:01:40.159 --> 01:01:42.360
<v Speaker 2>Rennie was fine with this. He loved it. He chose

1195
01:01:42.400 --> 01:01:45.320
<v Speaker 2>this everyone else had, like McDonald's every night. He picks this.

1196
01:01:48.320 --> 01:01:49.840
<v Speaker 1>That'd be funny. He goes and makes a movie in

1197
01:01:49.880 --> 01:01:52.840
<v Speaker 1>the desert. He's like, man alli ate where potatoes the

1198
01:01:53.039 --> 01:01:56.719
<v Speaker 1>finlandy of vodka and pickled harry and like wait what

1199
01:01:57.360 --> 01:02:00.840
<v Speaker 1>and then you learn how much it costs? Is all there?

1200
01:02:01.840 --> 01:02:06.760
<v Speaker 2>There is someone who's made pickled herring whiskey. That that

1201
01:02:06.840 --> 01:02:08.719
<v Speaker 2>is an a fish key is the company that makes

1202
01:02:08.719 --> 01:02:11.360
<v Speaker 2>pickled harring whiskey? Of course it's fish.

1203
01:02:12.760 --> 01:02:17.880
<v Speaker 1>Jesus the must Yeah, I had sheep dung smoked whiskey.

1204
01:02:18.280 --> 01:02:20.360
<v Speaker 1>So whiskey smoked with sheep dung in.

1205
01:02:20.360 --> 01:02:28.320
<v Speaker 2>Iceland, single malte, barrel age whiskey infused with pickled herring pass. Yeah, agreed.

1206
01:02:29.719 --> 01:02:31.199
<v Speaker 2>I don't like either of those things.

1207
01:02:31.440 --> 01:02:33.199
<v Speaker 1>I don't mind. I don't want harring. I don't like whiskey.

1208
01:02:34.320 --> 01:02:35.360
<v Speaker 1>I would do I would do it.

1209
01:02:36.400 --> 01:02:42.679
<v Speaker 2>Fresh cut grass vodka. Interesting interest this website. I'm not

1210
01:02:42.719 --> 01:02:44.239
<v Speaker 2>gonna I'm not gonna buy things from here.

1211
01:02:44.599 --> 01:02:48.360
<v Speaker 3>Closing tap art bag is a very It's a good

1212
01:02:48.400 --> 01:02:52.119
<v Speaker 3>p It's a good pie, single ball, So that grass

1213
01:02:52.199 --> 01:02:53.000
<v Speaker 3>might be good.

1214
01:02:53.519 --> 01:02:54.079
<v Speaker 2>I'll never know.

1215
01:02:55.119 --> 01:02:58.599
<v Speaker 1>I love Eyela Scotch. It's delicious. Log of Woolen art

1216
01:02:58.639 --> 01:02:59.679
<v Speaker 1>bag Lafroy.

1217
01:03:00.960 --> 01:03:04.960
<v Speaker 2>So, how is devils passed? Like Deep Blue C I

1218
01:03:05.000 --> 01:03:09.559
<v Speaker 2>have a list directed by Ronnie Hardin characters talking to

1219
01:03:09.599 --> 01:03:13.480
<v Speaker 2>the camera. There's a story of a mountain tragedy. They

1220
01:03:13.840 --> 01:03:18.559
<v Speaker 2>applied for research money. It's all deep is. Jensen gave

1221
01:03:18.599 --> 01:03:22.480
<v Speaker 2>me Scoggins vibes anytimes a whiny character and I gets

1222
01:03:22.480 --> 01:03:26.480
<v Speaker 2>Scoggins vibes. Basically, we see a character pee it's a dog.

1223
01:03:26.719 --> 01:03:28.239
<v Speaker 2>But we see in peach, doesn't we do with Jim?

1224
01:03:29.519 --> 01:03:34.920
<v Speaker 2>There's a bartender serving drinks. There's someone's cooking, Houser's cooking.

1225
01:03:35.880 --> 01:03:38.360
<v Speaker 2>They're eating processed food at one point, lthough Preacher doesn't

1226
01:03:38.360 --> 01:03:41.239
<v Speaker 2>eat the process food. It's all about an ill advised

1227
01:03:41.280 --> 01:03:45.039
<v Speaker 2>research expedition. There's doors with wheel locks on them and

1228
01:03:45.239 --> 01:03:48.880
<v Speaker 2>they're searching for data. There's a flare. They're trapped below

1229
01:03:48.960 --> 01:03:51.960
<v Speaker 2>the surface trying to get out. There's sparking.

1230
01:03:53.000 --> 01:03:56.679
<v Speaker 8>I can't rid my right thing right there, subterranean research lab,

1231
01:03:57.239 --> 01:04:02.159
<v Speaker 8>World War two aquatic equipment is reference to the Philadelphia incident,

1232
01:04:02.840 --> 01:04:04.480
<v Speaker 8>and they find a dead body at one point.

1233
01:04:05.440 --> 01:04:07.679
<v Speaker 2>That's how it's deep. A bunch of stuff. I don't

1234
01:04:07.679 --> 01:04:13.880
<v Speaker 2>know nothing terribly incredible about how deep blue? And because

1235
01:04:13.880 --> 01:04:16.360
<v Speaker 2>of season six of the podcast How C is this

1236
01:04:16.440 --> 01:04:19.159
<v Speaker 2>film so not. But as I'm sure you know, Deep

1237
01:04:19.400 --> 01:04:21.760
<v Speaker 2>C is on average fourteen and a half meters deep

1238
01:04:21.800 --> 01:04:24.280
<v Speaker 2>or forty seven and a half feet deep, and about

1239
01:04:24.360 --> 01:04:26.800
<v Speaker 2>thirty one percent blue. I've done this by going through

1240
01:04:26.840 --> 01:04:28.800
<v Speaker 2>the film and working out how deep and how blue

1241
01:04:28.840 --> 01:04:31.519
<v Speaker 2>the action takes place on the in the films. Do

1242
01:04:31.599 --> 01:04:35.920
<v Speaker 2>you think the action within Devil's Past is on average deeper,

1243
01:04:36.519 --> 01:04:40.159
<v Speaker 2>bluer and more at sea than in Deep Blue C.

1244
01:04:41.519 --> 01:04:44.840
<v Speaker 3>Well, we're pretty high up in the mountains, and so

1245
01:04:46.119 --> 01:04:49.519
<v Speaker 3>if you reverse deep and you make it high, we're

1246
01:04:49.559 --> 01:04:55.159
<v Speaker 3>pretty damn deep because that mountain's pretty high, pretty high.

1247
01:04:56.280 --> 01:04:57.920
<v Speaker 1>The opposite thing that's deep.

1248
01:04:58.079 --> 01:05:00.280
<v Speaker 3>Yes see how deep that was?

1249
01:05:00.840 --> 01:05:01.519
<v Speaker 1>Sure was?

1250
01:05:01.960 --> 01:05:03.760
<v Speaker 2>What about what about blueness? How blue do you think

1251
01:05:03.800 --> 01:05:04.360
<v Speaker 2>this film is?

1252
01:05:04.880 --> 01:05:10.800
<v Speaker 3>So we got the weird lights of the northern lights.

1253
01:05:11.239 --> 01:05:13.079
<v Speaker 3>Not really blue, very.

1254
01:05:13.000 --> 01:05:14.880
<v Speaker 1>Great blue, a little blue, you know.

1255
01:05:15.360 --> 01:05:18.199
<v Speaker 3>Yeah, but you know we need blue and green to

1256
01:05:18.199 --> 01:05:24.559
<v Speaker 3>make yellow, so that's not blue at all. But the

1257
01:05:24.599 --> 01:05:28.480
<v Speaker 3>monsters had the monsters had kind of a blueishue when

1258
01:05:28.480 --> 01:05:31.400
<v Speaker 3>they were in the regular light. So you get your

1259
01:05:31.400 --> 01:05:31.880
<v Speaker 3>blue there.

1260
01:05:32.840 --> 01:05:35.320
<v Speaker 2>Sure, Okay, I don't even lost that sea because this

1261
01:05:35.320 --> 01:05:36.119
<v Speaker 2>is entirely set.

1262
01:05:35.920 --> 01:05:39.239
<v Speaker 3>On land, so frozen water, frozen water.

1263
01:05:39.840 --> 01:05:40.199
<v Speaker 1>Sure.

1264
01:05:41.800 --> 01:05:45.280
<v Speaker 2>So this is, as you said, quite high up. As

1265
01:05:45.280 --> 01:05:47.079
<v Speaker 2>a rule, I do take it if they go underground.

1266
01:05:47.119 --> 01:05:48.760
<v Speaker 2>This is like the cent rules. So they go underground.

1267
01:05:48.760 --> 01:05:51.880
<v Speaker 2>I count that as deep, but only like a little bit.

1268
01:05:51.920 --> 01:05:53.840
<v Speaker 2>It's like a couple of stories deep. This works out

1269
01:05:53.880 --> 01:05:55.480
<v Speaker 2>on average one hundred and twenty four and a half

1270
01:05:55.559 --> 01:05:58.440
<v Speaker 2>meters of four hundred and eight feet up in the air,

1271
01:05:59.119 --> 01:06:05.480
<v Speaker 2>which means it is uh somehow slightly it's next to

1272
01:06:05.559 --> 01:06:08.079
<v Speaker 2>open Water. Yeah, that film takes place entirely on the

1273
01:06:08.119 --> 01:06:10.719
<v Speaker 2>sez of the water. That's one of our higher films

1274
01:06:10.719 --> 01:06:14.159
<v Speaker 2>because there's a few shots in a plane, So that's

1275
01:06:14.199 --> 01:06:17.480
<v Speaker 2>it's higher than open Water, less high than Ronny Harland's

1276
01:06:17.480 --> 01:06:20.360
<v Speaker 2>Skip Trace, which also has some plain scenes. Said, there's

1277
01:06:20.360 --> 01:06:26.320
<v Speaker 2>our ninety nine deepest film, rest deep film. Blueness three

1278
01:06:26.400 --> 01:06:29.719
<v Speaker 2>point three percent blue, not blue at all. As you know,

1279
01:06:30.559 --> 01:06:33.360
<v Speaker 2>Holly's wearing a blue jumper. That's about it. So this

1280
01:06:33.519 --> 01:06:36.519
<v Speaker 2>is bluer than another found footage film, Lake Mungo, less

1281
01:06:36.519 --> 01:06:40.239
<v Speaker 2>blue than Under Siege. Still not Renny's least blue film.

1282
01:06:40.480 --> 01:06:47.559
<v Speaker 2>In fact, he has he has eight films less blue

1283
01:06:47.559 --> 01:06:50.559
<v Speaker 2>than this, and it was three percent. He's not a

1284
01:06:50.559 --> 01:06:53.800
<v Speaker 2>blue filmmaker generally. And yet zero percent at sea because

1285
01:06:53.800 --> 01:06:57.480
<v Speaker 2>it's not it's never at sea something we're doing now

1286
01:06:57.519 --> 01:06:58.719
<v Speaker 2>on this show, because why not?

1287
01:06:59.760 --> 01:07:00.239
<v Speaker 3>But that?

1288
01:07:00.639 --> 01:07:02.800
<v Speaker 2>Did you have any other thoughts on Devil's Past? I've

1289
01:07:02.800 --> 01:07:05.559
<v Speaker 2>got to ask any other that we cover everything.

1290
01:07:06.039 --> 01:07:09.199
<v Speaker 1>I'm good, Mark, No, this was this was fun. This

1291
01:07:09.320 --> 01:07:12.039
<v Speaker 1>kind of like I'm bringing Norbert in was great.

1292
01:07:12.280 --> 01:07:12.480
<v Speaker 3>Ah.

1293
01:07:13.840 --> 01:07:17.719
<v Speaker 1>Yeah, I just don't say ah in footage films, that's it.

1294
01:07:17.960 --> 01:07:20.360
<v Speaker 2>That's all I got if you're gonna edit the footage together,

1295
01:07:20.559 --> 01:07:21.400
<v Speaker 2>edit the alms out.

1296
01:07:23.679 --> 01:07:24.119
<v Speaker 1>Why not.

1297
01:07:26.639 --> 01:07:28.800
<v Speaker 3>If you ever get the chance to go to Northern Russia,

1298
01:07:28.880 --> 01:07:33.159
<v Speaker 3>make sure you get a Samago blaming shot, because flaming

1299
01:07:33.280 --> 01:07:35.559
<v Speaker 3>drinks are always cool drinks.

1300
01:07:36.039 --> 01:07:39.239
<v Speaker 2>Sure, I was one of the guys had a mustache.

1301
01:07:39.320 --> 01:07:41.239
<v Speaker 2>I think the Barton had a mustache and its flaming

1302
01:07:41.280 --> 01:07:44.079
<v Speaker 2>drink and I was like please. I was thrilled that

1303
01:07:44.119 --> 01:07:45.960
<v Speaker 2>he blew it out before taking the shot. I was

1304
01:07:46.079 --> 01:07:48.920
<v Speaker 2>very concerned about his spatial so I'm glad that didn't

1305
01:07:48.920 --> 01:07:51.639
<v Speaker 2>happen anyway. No, but do you have anything you want

1306
01:07:51.639 --> 01:07:54.199
<v Speaker 2>to plug? Where on the listeners? Find you online?

1307
01:07:55.079 --> 01:07:58.480
<v Speaker 3>Norbert is Eddie Kane at Eddie Kane on Twitter and

1308
01:07:58.559 --> 01:08:00.159
<v Speaker 3>No more Man on South Clad.

1309
01:08:01.559 --> 01:08:04.119
<v Speaker 2>Cool great mark any plugs?

1310
01:08:04.559 --> 01:08:07.480
<v Speaker 1>Yeah, listened to any given Sunday episode that Norbert and

1311
01:08:07.519 --> 01:08:10.039
<v Speaker 1>I just dropped that that will be on Movies on

1312
01:08:10.079 --> 01:08:12.320
<v Speaker 1>the Flicks. And then also listen to the Twisters episode

1313
01:08:12.719 --> 01:08:16.239
<v Speaker 1>that Jay and I released, because that's a good time. Nice.

1314
01:08:16.399 --> 01:08:19.640
<v Speaker 2>Yeah, listened to Twist. I listened to You and Nick

1315
01:08:19.720 --> 01:08:22.800
<v Speaker 2>talking about Kitchen Fights mission of Star Kitchen Fights as

1316
01:08:22.840 --> 01:08:25.960
<v Speaker 2>a new series starting, So I recommend listeners check that

1317
01:08:26.000 --> 01:08:26.520
<v Speaker 2>out as well.

1318
01:08:26.560 --> 01:08:28.960
<v Speaker 1>Sorry about the audio on that one. That's a headline.

1319
01:08:29.680 --> 01:08:32.199
<v Speaker 2>It was I listened to it whilst mowing the lawn,

1320
01:08:32.880 --> 01:08:35.000
<v Speaker 2>so I had this other like going on the background,

1321
01:08:35.039 --> 01:08:36.039
<v Speaker 2>so it was it worked out fun.

1322
01:08:36.239 --> 01:08:40.000
<v Speaker 1>I had what Zoom updated, and then for some reason,

1323
01:08:40.760 --> 01:08:42.680
<v Speaker 1>halfway through an episode, I'm like, wait, maybe I should

1324
01:08:42.760 --> 01:08:44.479
<v Speaker 1>check the settings, and then I was like, oh, I'm

1325
01:08:44.520 --> 01:08:47.399
<v Speaker 1>recording on my computer MIC, and so I fixed it.

1326
01:08:47.399 --> 01:08:49.640
<v Speaker 2>It's always fun what happens. Well, I think it sounded

1327
01:08:49.640 --> 01:08:54.000
<v Speaker 2>great regardless it is. You're looking forward to listen to

1328
01:08:54.039 --> 01:08:56.399
<v Speaker 2>you and Nick to the mission star ratings for more

1329
01:08:56.479 --> 01:09:00.199
<v Speaker 2>kitchen fight scenes to it and listen as you can

1330
01:09:00.319 --> 01:09:03.880
<v Speaker 2>find this podcast whatever social media at Deep Blue Sea Pod.

1331
01:09:04.840 --> 01:09:07.600
<v Speaker 2>You can find very little of what I've done at

1332
01:09:08.239 --> 01:09:14.319
<v Speaker 2>Life versus Film dot com. And next week is It's

1333
01:09:14.359 --> 01:09:17.880
<v Speaker 2>finally happening. Next week is Sharknado. We said it would

1334
01:09:17.920 --> 01:09:20.960
<v Speaker 2>never happen, but here we go. We're going to set

1335
01:09:21.000 --> 01:09:26.039
<v Speaker 2>off on a quest, a very protractive, potentially cut short

1336
01:09:26.119 --> 01:09:29.960
<v Speaker 2>who knows quest to tackle as many Sharknado films as

1337
01:09:30.079 --> 01:09:30.840
<v Speaker 2>I want.

1338
01:09:30.680 --> 01:09:31.319
<v Speaker 1>To go through.

1339
01:09:31.439 --> 01:09:34.359
<v Speaker 2>As we go, we'll see. It's an ongoing process. But

1340
01:09:34.399 --> 01:09:38.079
<v Speaker 2>next week is the first Sharknado. So come back next

1341
01:09:38.079 --> 01:09:40.199
<v Speaker 2>week for that great so that will do it for

1342
01:09:40.720 --> 01:09:44.079
<v Speaker 2>the devil's past past incident. Thank you once again to

1343
01:09:44.119 --> 01:09:45.199
<v Speaker 2>our guest Nor but Movin.

1344
01:09:45.800 --> 01:09:50.640
<v Speaker 3>Thanks buddy, I've been Jake Lewet now Mark Athmeyer, and we'll.

1345
01:09:50.560 --> 01:09:51.720
<v Speaker 2>Zep bluesy you next week.

1346
01:10:04.840 --> 01:10:04.880
<v Speaker 3>The