Speaker 1: Hello, and welcome to Deep Blue Sea the podcast. I
Speaker 1: am Mark, It's a yeadie half Myron and.
Speaker 2: I am Jay doctor Kittle's cluet. Welcome you on board.
Speaker 2: See the podcast Dror It's very little Sup of this
Speaker 2: episode is the name mentioned in the show, and I
Speaker 2: liked it. This is on this show we've been to
Speaker 2: the entire DeepC trilogy scene by scene. Maybe we're doing
Speaker 2: it again, I don't know. We've also talked about deep
Speaker 2: adjacent films, which is what we're doing today, which is
Speaker 2: shows a shark's aquadic accent or directed by Rennie Harlan,
Speaker 2: and today we are amongst the last few Nny Harlan
Speaker 2: films we have to cover. So they were talking about
Speaker 2: Devil's Pass or the Diatlov Pass Incident, depending on where
Speaker 2: you live, because for me it's al past incident. And
Speaker 2: who doesn't love a film with the word incident in
Speaker 2: the title, A sexy word down in the toddle of
Speaker 2: your film Devil's Pass?
Speaker 1: What are you going to go to theaters to watch tonight?
Speaker 2: I'm going to go and see the Tornado Incident with
Speaker 2: Glenn Powell and the other people in Twisters. Incident is
Speaker 2: such a just a clumsy, awkward, bureaucratic work the depth
Speaker 2: of past incident. It's anyway, that's not It's Devil's Pass
Speaker 2: Front Devil's Pass, which is a twenty thirteen Rennie Hardened film.
Speaker 2: Found Footage tells the story of five college kids who
Speaker 2: go into the euro Mountains to track down the true
Speaker 2: the true story of the nine guys, nine Russian guys
Speaker 2: who in nineteen fifty nine went into the euro Mountains
Speaker 2: died mysteriously. Let's go check that out, and what do
Speaker 2: you know, hilarity ensues. So we didn't know if this
Speaker 2: film was going to be any good or not, so
Speaker 2: we thought, let's have a guest on this show just
Speaker 2: in case, and it turned out well, we'll find out
Speaker 2: how it turned out. But Mark, who's joining us today?
Speaker 1: We have a man who has traveled all the way
Speaker 1: in northern Russia, embedded himself in the mountains to record
Speaker 1: this episode.
Speaker 3: It's no more Van Greetings. I'm suffering from hypothermic dementia.
Speaker 1: That sounds like every movie and I feel like fine episode.
Speaker 2: I'm glad you haven't a little still tongue.
Speaker 1: Yeah, if I find your tongue in a box, Norbert,
Speaker 1: I'm gonna be I'm gonna be confused because you're a
Speaker 1: Northern Russian. Right now, I'm gonna I'm in America. I
Speaker 1: open up my nailbox and your tongues there.
Speaker 3: Look, man, you never know when about of paradoxical undressing
Speaker 3: is going to just spring upon you. So you know
Speaker 3: or these are the things that happen. Well, YETI with
Speaker 3: the powers of Nightcrawler.
Speaker 1: So I was looking through Rendy Harlan's career, and so
Speaker 1: he shot this thing in northern Russia. But then he's
Speaker 1: also like in the beginning, like from the from when
Speaker 1: he started filming until now, he's been all over the place.
Speaker 1: He's been in Finland in skip. Tracy shot all over China, Mongolia,
Speaker 1: every region of China that you could imagine. He's been
Speaker 1: to Thailand, Malta, Mexico, Netherlands, Italy, Morocco, Canada, America. He
Speaker 1: had a decent stint in Louisiana. He filmed in the
Speaker 1: country of Georgia. He went to Abu Dhabi, he filmed
Speaker 1: in Italy, Greece, Dubai, Bulgaria, like Russia, like this guy,
Speaker 1: he doesn't stay still with this. I feel like he's
Speaker 1: been all over the world with his movies, and then
Speaker 1: so it just makes sense that you know what I
Speaker 1: love about this movie, He's like, we need to find
Speaker 1: a place that always has snow. So they went north.
Speaker 1: They went north of where the incident took place.
Speaker 2: He learned from die Hard too. Yeah, because die Hard Too,
Speaker 2: he shot and there was no snow and everywhere he went,
Speaker 2: and so they spent a bloody fortune on making fake snow.
Speaker 2: I feel like it was mashed potato. Oh and no,
Speaker 2: it's just fixed. So yeah, he went where there was snow,
Speaker 2: it's gonna be snow.
Speaker 1: And it made it.
Speaker 2: An awful place to film because they they filmed I
Speaker 2: can't remember name in the town, but they where they
Speaker 2: were kind of based was it was like a prison
Speaker 2: town where most of the people that lived in the
Speaker 2: town had moved there because their relatives were in the prison,
Speaker 2: and so to only go and visit them, they've been
Speaker 2: nearby because Russia is a big place, and so to
Speaker 2: go to go visit your family in the prison would
Speaker 2: take like three days on a plane to get there,
Speaker 2: and so they stayed in there. And so also it
Speaker 2: was and the reason they filmed there was because it
Speaker 2: was one of the few towns that had hotels, just
Speaker 2: in Russia in the mountains at hotels, and so Rennie's
Speaker 2: talking about he survived in a diet of boiled potatoes, herring,
Speaker 2: and vodka for the entire shoot. And it was just
Speaker 2: a real unpleasant shoot for a lot of the cast
Speaker 2: members to be in this real backer beyond location.
Speaker 3: My god, man, the bathrooms were just destroyed during this photo.
Speaker 3: I think, weren't they.
Speaker 2: They could have just shot in Vancouver, but that that's
Speaker 2: not that's not what Rennie does.
Speaker 1: That's a nice style, but I love it though. He's like,
Speaker 1: you know what, let's just go like, let's go to Russia.
Speaker 1: Let's bring some snowcats and some snowmobiles and like that.
Speaker 1: That's why I love Rennie. Like so many people would
Speaker 1: have filmed this in a Georgia backlot during the summer,
Speaker 1: like every Hallmark movie just dumps coats on people, throws
Speaker 1: fake snow on the ground and goes it's fine, it's fine.
Speaker 1: He's like, no, we're going in northern Russia. Because in
Speaker 1: Skip Trace Too, they wanted to film what all those
Speaker 1: rice patties, but they were all dry at that time
Speaker 1: of the year, so then they had to rewet them,
Speaker 1: so I think he's tired of it. He's like, no,
Speaker 1: we are going to no wait Skip Trace was afterwards.
Speaker 1: Oh so he didn't really learn his lesson Jay.
Speaker 2: Hed done different Diehode too, Yeah, because he learned a
Speaker 2: snow lesson there it is. He had yet to learn
Speaker 2: the rice paddy lesson.
Speaker 1: He's just learning as he goes. But I just love
Speaker 1: it all these countries that he's been in. I mean
Speaker 1: like Misfits was like in Dubai and then like just
Speaker 1: Skip Trace was all over and Georgia Three Days of
Speaker 1: War was he actually went to the country of Georgia
Speaker 1: and filmed there, lived in a one bedroom house. So
Speaker 1: just at least this movie has that devil's past. It
Speaker 1: has a guy named Jensen, which I don't like, but
Speaker 1: it I never I don't like the name Jensen. Guys
Speaker 1: I don't And they.
Speaker 2: Say it's a last name.
Speaker 1: They say, yeah, Mike is c a last name, It's
Speaker 1: not like Jensen, Yeah yeah, But like they say about
Speaker 1: forty three times, like where's Jensen, Yeah, where's Jensen? And
Speaker 1: they have very o like early two thousand's facial hair,
Speaker 1: which is interesting in twenty thirteen, but it is a
Speaker 1: time travel movie.
Speaker 2: So that yeah, I mean spoiler.
Speaker 1: What's this? What's this experience for you? Norbert watching this?
Speaker 4: What happens is it starts off, uh with pictures of
Speaker 4: frozen corpses uh in rictus with the most terrifying expressions
Speaker 4: on their face.
Speaker 3: And then you cut to Sonny Holly, Hi, I'm making
Speaker 3: a movie, so you're just what, huh, And then it's
Speaker 3: the most complicated setup in the world. In nineteen fifty nine,
Speaker 3: nine people froze to death in the mountain. We don't
Speaker 3: know why. And the whole time I'm thinking, because it's cold,
Speaker 3: maybe it could be. But then they do have the
Speaker 3: look of terror, and you find out that one had
Speaker 3: their head crushed, two were holding onto each other tight.
Speaker 2: Poisoning.
Speaker 5: Another one was poisoned, right, just one, just one, uh,
Speaker 5: you know, the one was putting the finish and touches
Speaker 5: on his letter to Santa before he died.
Speaker 3: And it's it's just a lot. It's just a lot,
Speaker 3: but more interesting than blair Witch during the same span
Speaker 3: of time because blair Witch was only I feel like
Speaker 3: blair Witch was less than ninety minutes, just barely ninety minutes,
Speaker 3: and a lot of the time they're just yelling at
Speaker 3: each other and her anchor and the saliva, the salivary
Speaker 3: glens were just working. Uh this one, you know, we
Speaker 3: get to see uh, relatively attractive women. We get teased
Speaker 3: with potential nudity. Uh, we got we got avalanches.
Speaker 2: We thenorting mutants.
Speaker 3: We have teleporting mutants who do the now post two
Speaker 3: thousand screaming thing.
Speaker 6: You know.
Speaker 3: I find this movie fascinating And if you catch it
Speaker 3: on the rewatch, you have to wonder if when they
Speaker 3: killed the boy JP spoiler alert for your kids who
Speaker 3: haven't seen it, does he kind of recognize the tattoo
Speaker 3: on the chick's neck because I love that twist at
Speaker 3: the end.
Speaker 2: Yeah, maybe we should say full spoiler for I mean,
Speaker 2: if it was this part hasn't seen it yet, I'm
Speaker 2: gonna say, watch this film. I was surprised. I already
Speaker 2: enjoyed it. I thought it was great. I'm good. I'm
Speaker 2: liking our journey through some of Rainie's kind of forgotten
Speaker 2: films and finding some that are actually like entertaining, like this.
Speaker 2: This is a film that just flower doesn't exist, Like
Speaker 2: no one talks about the Devil's past. This is probably
Speaker 2: his like lost period, but I like, I put this
Speaker 2: on a level with like Prison, which I really enjoyed,
Speaker 2: and not quite other with Mind Hunters.
Speaker 3: Easily long kiss good night quality of this movie.
Speaker 2: Yeah, I mean that's that's I think. So, yeah, I
Speaker 2: I had a fun time with this one. I could
Speaker 2: call you up on saying like relatively good looking women.
Speaker 2: Jem Ratkinson is the sound engineer, and she has been
Speaker 2: a long term crush for me, so I had no
Speaker 2: idea she was in this film, and like when they
Speaker 2: paneled and this is Denise alredo engineer and like recognize
Speaker 2: your face and wait in a minute, it is generally
Speaker 2: what the hell? Because she was in She's done. So,
Speaker 2: she was in soap operas in the UK. She's on
Speaker 2: Hollyoaks and Emmadale, two shows that I've never really watched,
Speaker 2: but I've always been aware of her. She did like
Speaker 2: strictly come dancing and I'm de serting to get me
Speaker 2: out of that kind of thing. So she's always been
Speaker 2: like present as a celebrity and I always like, yeah,
Speaker 2: I'm a fan of yours. So just to see like
Speaker 2: watching Renny hard on him was like, wait, jam Rackinson's
Speaker 2: fifth building this hell, Yes, I mean.
Speaker 1: When he was casting, He's like, yeah, I needed to
Speaker 1: find unknowns, but they also need to be attractive because
Speaker 1: we got to look at him for ninety minutes. Like
Speaker 1: that's what he said.
Speaker 2: Yeah, yeah, he knows. I'd say she's not unknown in
Speaker 2: the UK. But also I didn't immediately recognize her, so
Speaker 2: because this is like eight eight years after she left Hollyoaks,
Speaker 2: which he'd been on for five years. So anyway that
Speaker 2: I just had to go out of the way and
Speaker 2: then we can just get back to the fump.
Speaker 3: But Jenson's probably that changed her facial structure and she
Speaker 3: didn't recognize her at first.
Speaker 2: Maybe maybe this is why she's also the first.
Speaker 1: To go You just you send him up in the
Speaker 1: Northern Russia and he comes back with something very cromulent,
Speaker 1: like he just it doesn't matter where you send him,
Speaker 1: you'll get something very like worth watching back in fun
Speaker 1: like Rennie, you have four days to prep for the
Speaker 1: Legend of Hercules and you're filming in Bulgaria and you
Speaker 1: have thirty you know, you have twenty two days to
Speaker 1: shoot it. He's like a yeah, cool, I got you.
Speaker 1: Like you'll like you got to go to Georgia and
Speaker 1: film with a cast crew of people who speak eighteen
Speaker 1: different languages, and you have thirteen days to shoot it. Yeah, yeah,
Speaker 1: it's fine, I got it. Then he comes out with
Speaker 1: the movie it's it's just something I love about him,
Speaker 1: and you're like, the one thing I do hate about
Speaker 1: found footage is the fake ums. The good actors got
Speaker 1: to know how to get the ums. See Blair Witch
Speaker 1: works because the actors had no idea what's going on.
Speaker 1: They're like, yeah, go in the woods and walk around
Speaker 1: with the camera, and so that's why it feels very
Speaker 1: authentic because they're like, I have no idea what's going
Speaker 1: on out here, Like we're just in the middle of
Speaker 1: the woods and there's no script, So that one feels natural.
Speaker 1: But I always hate the fake ums. I don't know
Speaker 1: if you guys notice that, Like in the beginning when
Speaker 1: they're being interviewed, they just throw a little um in
Speaker 1: there to make it seem like found footage. And we
Speaker 1: talked about that. There's a Mermaid documentary, Yeah, normally have you
Speaker 1: never heard about the Mermaid mockumentary that animal of course, yes, yes, yes, yes,
Speaker 1: Like all the actors go um but then but then,
Speaker 1: and people um but their arms still very inorganic. That's
Speaker 1: my major annoyance of found footage there.
Speaker 2: I feel like I'm gonna notice that every time I
Speaker 2: see any found footage film from now on. So thanks,
Speaker 2: appreciate it.
Speaker 3: But for me, the most annoying thing about fine footage
Speaker 3: is the inevitable oh shit, and the camera just has
Speaker 3: the conniption and now.
Speaker 2: It's still film running, still, keep inframe.
Speaker 3: That's always the worst part.
Speaker 2: Uh.
Speaker 3: What's the movie where the guy goes over to do
Speaker 3: an exorcism but he doesn't believe it. But then and
Speaker 3: by the end of the movie, oh my god, they're
Speaker 3: actually conjuring up a demon and he's running, and not
Speaker 3: only is it found footage, but he's running and it's
Speaker 3: night and it's the woods. So the camera goes up left, down, right, up, left,
Speaker 3: upside down. Oh look behind you. That's so that's always
Speaker 3: the worst for me in the found footage films.
Speaker 1: I gotta keep it in frame.
Speaker 2: Guys, why someone's gonna together one day?
Speaker 3: Yeah, Survival of the Dead, Why are you still recording?
Speaker 3: It's just the thing I have to keep going.
Speaker 2: Oh not that, not that movie, Diary of the Dead.
Speaker 1: I think we're in the middle of the it's the
Speaker 1: apocalypse and we're all sad, we're all speaking monotone. The
Speaker 1: world's gone. The crab like that's the whole movie. But
Speaker 1: I don't know.
Speaker 2: We're making a zombie movie and there's attack and the
Speaker 2: scenes you wrote this is what you wanted. You're filming
Speaker 2: the scenes the lady running in the dress and the
Speaker 2: dress is God.
Speaker 3: See dead things do more. So I told you that.
Speaker 1: I love that the Russians got a hold of that
Speaker 1: guy's cell phone camera footage and edited it together into.
Speaker 2: The Okay, right, I like this film. There's a massive
Speaker 2: plot hole in as a couple towards the end, but
Speaker 2: like so the that there's we're all being shown this
Speaker 2: film because there's okay, okay, I'll go circle back to this,
Speaker 2: but I really like this film. Early on, when we
Speaker 2: have order that we meet our five teens to whatever
Speaker 2: they are college kids and they're going away and and
Speaker 2: I can't now time to go cut to news report
Speaker 2: of them trying to be found. I laughed out loud
Speaker 2: and like, oh great, that's this film. Is like we've
Speaker 2: set the carriage and then really dead and we're going
Speaker 2: to go and do something else. I didn't I didn't
Speaker 2: expected to circle back around and now we're going to
Speaker 2: see their story. I was like, and this is our
Speaker 2: five people and dead and something else is gonna happen.
Speaker 2: So I found that hilarious, and I was a little
Speaker 2: disappointed that they went back and like and now two
Speaker 2: weeks earlier, here's their stories. Okay, Fine, so we're being
Speaker 2: shown this footage because there's like a news broadcast like
Speaker 2: these five people have disappeared in the mountains. We found
Speaker 2: their camera. Well, no, the footage has been hacked. And
Speaker 2: here is the footage uploaded?
Speaker 3: Right?
Speaker 2: How we hacked from where?
Speaker 3: Because like this this spoiler the government.
Speaker 2: Because this camera went back in time to nineteen fifty
Speaker 2: nine and it's just still in this lab when they
Speaker 2: come across it. In the lab, the batteries are still
Speaker 2: hanging on for a teeny tiny thirty seconds of quick
Speaker 2: watch this for the batteries die out that have been
Speaker 2: going for fifty years fifty and now they're going to
Speaker 2: die out. Fine, whatever, Fine, but at what point did
Speaker 2: somebody upload it somewhere it could be hacked?
Speaker 1: When did that happen?
Speaker 2: How is it hacked from this bunker that is not
Speaker 2: connected to the internet.
Speaker 3: You have to understand, you know, WikiLeaks. WikiLeaks spent so
Speaker 3: much time uncovering footage of American soldiers shooting unarmed people
Speaker 3: and exposing democratic and Republican secrets that they decided, you
Speaker 3: know what, let's get this found footage out there. Let's
Speaker 3: do that. That's the next big thing that we have
Speaker 3: to do, because people have to find out what happened
Speaker 3: to these five kids who traveled through time and became
Speaker 3: in humanoids and.
Speaker 2: Potentially yet, I think that the name of the hacker organization,
Speaker 2: it's on screen briefy. I think it's Crypto Leaks, which
Speaker 2: might be smart as well.
Speaker 3: A film incident.
Speaker 2: But other than that, I'm on board with his whole film,
Speaker 2: which is that a little bit like how okay, the
Speaker 2: batteries and then how did they get this from?
Speaker 1: What put it there? Why?
Speaker 2: But other than that, I loved its machine.
Speaker 3: What is this machine? He said in Russian? I don't know,
Speaker 3: but I'm going to keep it perfectly framed on my
Speaker 3: face at all sides. I love that. I love that man.
Speaker 1: The editing is great. I mean it's a tight it's
Speaker 1: a tight package. I mean, these kids actually got a
Speaker 1: lot of coverage, and I dig that and Also, I
Speaker 1: love the poster too of The Devil's Past. It's like
Speaker 1: a naked lady with like freezing on a leak hand.
Speaker 2: It looks like my DVD cover is a mountain screaming,
Speaker 2: which I also kind of like, oh my god.
Speaker 3: That's terrifying. Actually that's actually the way to go. That's
Speaker 3: that's scary as hell.
Speaker 2: That's pretty cool.
Speaker 1: I like that screaming mountain screaming mountains.
Speaker 2: Can you can you see all the changes the milk
Speaker 2: if you? Yeah, screaming face kind of superposed. It's pretty cool.
Speaker 1: Yeah, that's a good one.
Speaker 3: It's way scarier than Naked Chicken the snow.
Speaker 1: I love that. The marketing departments like, how should we
Speaker 1: market this naked lady in the snow?
Speaker 2: Naked lady something that doesn't happen in the film.
Speaker 1: They just have they have a board of like ten things,
Speaker 1: these people who do the posters, and they're like, okay,
Speaker 1: let's do that, Like, yeah, that one works for me.
Speaker 1: But yeah, and.
Speaker 3: And unfortunately my man who's out there doing the classic
Speaker 3: high hookup, he just gets badly killed. I was really
Speaker 3: rooting for Luke as he was trying to hook up
Speaker 3: with Denise, because you know, you try to spit game,
Speaker 3: you know what I'm saying. It wasn't him that initially
Speaker 3: zoomed in on her boobs. It was definitely that zoomed
Speaker 3: in on her boobs.
Speaker 2: It was him not telling her he's filming her in
Speaker 2: the morning when she's naked in bed, after they've had
Speaker 2: zex and planning to And then when she sees the camera,
Speaker 2: she's like, turn that off, and he doesn't.
Speaker 3: He's like, no, because I'm a creep and you're not
Speaker 3: the first and this is going to continue.
Speaker 2: And she's like, whatever, this tape and put it in
Speaker 2: my library of other tapes. I don't like this guy.
Speaker 1: And then he dies.
Speaker 3: This fine, he's Dennis Reynolds of the Snow you know. Sure,
Speaker 3: you know he's got the Dennis system, you know, and
Speaker 3: and this complication. Unfortunately, he's a bad person for the
Speaker 3: Andy system.
Speaker 1: He has the shortest gunfight too on the planet, and
Speaker 1: it just makes me happy. He shoots one flair then
Speaker 1: gets pegged right in the head immediately.
Speaker 3: In theory you knew that you literally only have one shot.
Speaker 3: It's a flare gun. Yeah, yeah, you're done for And
Speaker 3: I mean he's already sticking out the pants.
Speaker 2: So good jump for trying. I guess there's two guys.
Speaker 2: You have one flare. It's probably not gonna work, but
Speaker 2: you know, good on you.
Speaker 3: These people literally brought explosives to a mountain they tried
Speaker 3: to drop, which they tried to.
Speaker 2: Flut on you bro filming this. Rennie wanted to do
Speaker 2: that as well. Rennie wanted to make an avalanche, which
Speaker 2: I think he wanted to. He didn't. They talked him
Speaker 2: out of it, but he wanted to cause an avantage.
Speaker 1: That's almost anything ever too.
Speaker 2: They settled on C G I and then just like
Speaker 2: snow blowing some snow in their faces, and I think
Speaker 2: the effect is fine.
Speaker 3: Yeah, oh it's wonderful, especially when Denise's just face planted
Speaker 3: into the God.
Speaker 2: Yeah, she's just taken hour.
Speaker 3: I was like, well, she's clearly dead. And that's why
Speaker 3: I wasn't mad that he didn't go back for it,
Speaker 3: because click, there's nothing you can do.
Speaker 2: If someone got that camera out, We're saying someone when
Speaker 2: I go there.
Speaker 3: Well, not only that, the cell phone too.
Speaker 7: See when they say that they hacked this footage, there
Speaker 7: was at least two three cameras being shot at all times.
Speaker 7: Of course, you know you got Lucille, you know, because
Speaker 7: she's got she's got night vision and she's got a light.
Speaker 3: But people were shooting on their phones too.
Speaker 1: Yeah.
Speaker 3: Right, So they found all of this, uploaded it all
Speaker 3: and edited it together in between hacking the d n C,
Speaker 3: the RNC, and just the general the United States government. Yeah,
Speaker 3: it's important.
Speaker 1: What's gonna happen to the Russians? Now? Like, is this
Speaker 1: gonna be a hoax? Is it gonna be?
Speaker 6: Like?
Speaker 1: What's gonna people can be like, wait, what a.
Speaker 2: Bunch more kind of a conspiracy? Theorists are gonna head
Speaker 2: to the mountain and find out for themselves. The last
Speaker 2: thing that's gonna happen is people flocking from the all
Speaker 2: over the world world trying to go to the Daalo
Speaker 2: Pass and see what happens. And then maybe that'll die too.
Speaker 1: I don't know.
Speaker 3: Okay, so we're just going to have a proliferation of
Speaker 3: teleporting mutants in North Asia is what you're saying.
Speaker 2: Oh God, but then that would it would have already happened,
Speaker 2: that the teleporting mutants, because like the nine people that
Speaker 2: died died because Holly and Jensen teleported back. I think
Speaker 2: this is what the film was trying to get out.
Speaker 2: They back there and then that radiation or whatever whatever
Speaker 2: that event was called that incident, it caused the nine
Speaker 2: people to die as well. So any more people going
Speaker 2: there must be prevented from going into the portal or
Speaker 2: we don't already know about the mutants going back unless
Speaker 2: the pile of mutant bodies that they find in the
Speaker 2: bunker with the weird teeth and whatever. Are the people
Speaker 2: who go to the bunker to find out what's happening
Speaker 2: because of the events of their well.
Speaker 3: Well they were also they've also been they've also been
Speaker 3: launching their soldiers through and then sure, yeah, when they
Speaker 3: come out. So that's why that would happen.
Speaker 2: Is that definitely their soldiers and not just more ghost
Speaker 2: hunters or yetti hunters.
Speaker 1: Well, they had all the papers, right, they had all
Speaker 1: the ideas, and they found the same one twice.
Speaker 2: Yes, you're right, that makes sense.
Speaker 1: Yeah, yeah.
Speaker 3: And in case you didn't understand, they were like remember
Speaker 3: that movie the Philadelphia Experience, I mean that thing, the
Speaker 3: Philadelphi Experience, you know, the Philadelphia Incident.
Speaker 2: If you will, sure, I do. I do really like
Speaker 2: just the idea of Rennie or is it written by
Speaker 2: victrom Wheat, like him finding out about this true thing
Speaker 2: that happened in the fifties is unexplained event, and like,
Speaker 2: let's make a horror film. How could it have been?
Speaker 2: What's the least like the explanation that it could have
Speaker 2: been time travel? Let's go and just making a film
Speaker 2: around that. It feels a little not great for the
Speaker 2: people who actually he died a little coughing of the
Speaker 2: word yeah, a little bit for them, because the real
Speaker 2: people that really died and we're just gonna, like, hey,
Speaker 2: make a horror film out of it. Uh, It'd be
Speaker 2: like if Jack and Rose were real people on the Titanic.
Speaker 1: Got it?
Speaker 3: Could it could also be the result of someone who
Speaker 3: consists on a diet of potatoes and harry and vodka
Speaker 3: one day sitting down, Oh got a great idea hearing
Speaker 3: Harrying numnum.
Speaker 1: Yeah.
Speaker 2: Yeah, but I just thought that they were taking this
Speaker 2: unexplained event and strapping all of them around it. I
Speaker 2: think that's an interesting concept.
Speaker 1: And I mean sending college kids is smart too, because
Speaker 1: you know, just college kids are dumb. They think they're
Speaker 1: really smart, Like Jensen thinks he's like the smartest man
Speaker 1: on the planet. You know, like this one guy's like,
Speaker 1: I like the Appalachian Trail. I can go to Northern
Speaker 1: Russia and do this. And it's but but but you
Speaker 1: feel like people with it just makes sense though, Like
Speaker 1: you think college kids in Oregon would do that because
Speaker 1: they have the hubris to do it like that. It
Speaker 1: makes sense to me, Like it's not like you know,
Speaker 1: the cast of Everest up there doing it. It's a
Speaker 1: bunch of just kind of dummies going up there unprepared.
Speaker 2: Yeah, Like the two climbers they have, Like one I
Speaker 2: was like, I like to climb because you know, you
Speaker 2: really get back to nature and you can do do
Speaker 2: things out in equipment, and then he has all of
Speaker 2: his GPS, sat NAV and all of his actual tech
Speaker 2: stuff to help with the climb. Techout guy exactly doesn't see.
Speaker 2: And the other one is clearly from a very wealthy
Speaker 2: family because he has the same surname as the school
Speaker 2: they go to. And he's just like, yeah, you know,
Speaker 2: I'm just kind of a just like hanging out, you know.
Speaker 2: But no, you're just really a real rich kid who's
Speaker 2: had a free ride in life, and so you're just
Speaker 2: gonna go to check out and go traveling for you sure,
Speaker 2: and then yeah, Jensen being the real like Noah to
Speaker 2: all guy because they have an expert. They've interviewed an
Speaker 2: expert for this documentary and he's doing some kind of
Speaker 2: TikTok reaction video to them where he's playing them pause
Speaker 2: the and turns the camera like this is what I'm
Speaker 2: thinking about this. I just I couldn't wait for him to.
Speaker 3: Die, and it took so long as whatever, yet he
Speaker 3: come on that doesn't exist. It's so ridiculous.
Speaker 2: I mean, I went into this completely blind. Not no
Speaker 2: one was about to it, Like is it gonna be
Speaker 2: like the Russell Franklin story, like people get lost? I know,
Speaker 2: it's like cold in a mountains somewhere. That's all I knew.
Speaker 2: So I thought I were gonna see like the Sam
Speaker 2: Jackson origin story where they're up there and eat people
Speaker 2: and get out of the snow and stuff. So I
Speaker 2: didn't know where this was going, and I thought it
Speaker 2: was great.
Speaker 3: And just so bizarre.
Speaker 1: People keep calling Jensen gay too, like there's a running
Speaker 1: theme in this movie, and they're like, yeah.
Speaker 2: He's named his camera a female name. It's not how
Speaker 2: can it be more clear?
Speaker 1: But it's just like it's kind of interesting, Like they're like, yeah,
Speaker 1: because you're the gay one, and you're.
Speaker 3: Like, what, it's still that time. It's still that time.
Speaker 1: Yeah, you're right, like a decade ago. But it was
Speaker 1: just it came out of nowhere. Who wrote the someone?
Speaker 3: He's random?
Speaker 1: You know what, this is good. I'm gonna this isn't
Speaker 1: two thousand and four anymore. I'm gonna I'm gonna keep this,
Speaker 1: like did just going after Jensen like that. Every I
Speaker 1: love how everyone was really like chuffed buy it. Everyone
Speaker 1: was very happy whenever Jensen was called gay and you're
Speaker 1: just a very I don't know.
Speaker 3: And he's clearly got a thing for Holly. Yeah, he's
Speaker 3: so repressed and he's such a jerk.
Speaker 1: He's so jealous.
Speaker 6: He is really angry that JP is just everyone wants
Speaker 6: to bang JP because like she says.
Speaker 3: JP, oh, he's arrogant. Oh rugged. She came quick with that.
Speaker 3: But it seems like the whole time that Holly wants
Speaker 3: to hook up with uh oh, no, JP is Houser
Speaker 3: JP Hawser. Yeah, yeah, yes, it seems like Abdy wants
Speaker 3: to hook up with Houser. Yeah, it seems like Holly
Speaker 3: wants to look up with Houser, but she totally gives
Speaker 3: the vibe that, you know what, Bush comes to shove.
Speaker 3: I would me and Andy, let's go.
Speaker 1: You know, I loved.
Speaker 2: I loved it if one of the wake up the
Speaker 2: after one of the camping nights, and like the camera
Speaker 2: was now next to one of the climbers as well,
Speaker 2: like Lucille had abandoned JP to go.
Speaker 1: How dare you? Oh my god?
Speaker 3: Oh man, No one touches her zoom like I do.
Speaker 1: Have you heard of Emmerdale Farm Jay Emmadale the soap opera.
Speaker 2: I've heard Rackinson was one.
Speaker 1: Ryan Holly's on that the guy from this movie or
Speaker 1: Andy from this movie. He's he's on thirty four episodes
Speaker 1: of it.
Speaker 2: There's a lot sucked in. Okay, sure he's not on it.
Speaker 2: When my when I would live with my parents and
Speaker 2: they watched it, so I was aware of it then,
Speaker 2: but I did. I haven't watched it during his tenure. No,
Speaker 2: but yeah he's been. He's on casualty at the moment.
Speaker 1: So that soapactors are the best because they have to
Speaker 1: learn about seventy three lines like pages of dialogue a day,
Speaker 1: and then they just have to stand there and recite
Speaker 1: it like just seventy three pages, so it just takes.
Speaker 1: Like if I ever made a really low budget film,
Speaker 1: I just hire soap actors because like they got steel
Speaker 1: trap memories and they can just knock scenes out real quick.
Speaker 1: Just do some over the shoulder. I would have twins,
Speaker 1: someone would dine in an elevator, and then that would
Speaker 1: be I could make a really quick movie with soappactors.
Speaker 1: That's my plan. They do that with every Almost Christmas
Speaker 1: movie too, Like there's so many soap actors in those
Speaker 1: Hallmark movies because they can just stand there and deliver about,
Speaker 1: you know, thirty pages a day of dialogue.
Speaker 2: Yeah, it's it's the writers of soap operas that I
Speaker 2: get more frustrated with, just because everything has to be
Speaker 2: so depressing. Like eighty to nine of soap storylines are
Speaker 2: just the most grim die things you could, especially in
Speaker 2: the UK, and occasionally have like a lighthearted episode now
Speaker 2: and then, but for the most part, it's like, oh
Speaker 2: everyone's dead and now I'm dying too, and my wife
Speaker 2: me and I've gone bankrupt, and the cat's got over
Speaker 2: by car and how is the asteroid coming? Everything's just
Speaker 2: one thing off for another's.
Speaker 3: Pretty great American soaps. You know, we're rich and somebody
Speaker 3: sleeping with somebody, and he died in a car crash,
Speaker 3: but it was actually his twin brother. And now I've
Speaker 3: inherited his maserati and I'm going to murder you. It's
Speaker 3: it's very sordid. It's very sordid and hilarious. And oh
Speaker 3: here Stephen A. Smith, Suddenly he's there, the sports commentator
Speaker 3: slash journalist. It's real random.
Speaker 1: If I wrote a soap, Norbert would be in it,
Speaker 1: and you'd have about forty three characters that have been
Speaker 1: like killed off like this.
Speaker 3: All brothers just keep coming back. I'm Philip.
Speaker 1: Bill, But I just give you it. I just give
Speaker 1: you a different color, you know, glasses.
Speaker 3: Different classes exactly.
Speaker 1: Yeah.
Speaker 3: I question, quick question, Jay, how do you say blueberry?
Speaker 3: Because as soon as they started saying blue okay, that's
Speaker 3: what tripped me out in this movie they're eating do
Speaker 3: you like blueberry pancakes? Why you're from Oregon?
Speaker 1: Blueberry?
Speaker 3: That's what you looked at the American What are you
Speaker 3: doing to me? Oh my god, blueberry, bluer blueberry.
Speaker 2: We have we have a we have two blueberry Prounce
Speaker 2: in the garden and how to pronounced the word. Nobody's blueberry.
Speaker 3: It's in Blueberry. I said, this movie is insane. I
Speaker 3: love it.
Speaker 1: Yeah, Holly, Holly's accent definitely goes in and out. I
Speaker 1: noticed that.
Speaker 3: Yeah, yeah, oh wait, oh yeah.
Speaker 1: Oh wait. And Luke JP was in Twelve Rounds, guys,
Speaker 1: so we have a he's any JP, he's from He's
Speaker 1: in twelve Rounds. So he's a Renny Renny, a veteran
Speaker 1: and that I just want to get that out there.
Speaker 1: And it's between between Blueberry, between Blueberry and the fact
Speaker 1: that her character had never seen Scooby Doo.
Speaker 2: Yes, okay, okay, that's that doesn't make her not English.
Speaker 2: We have Scooby do in this country. Everyone knows who
Speaker 2: Velma is that frustrated to meet and no end, I
Speaker 2: don't care where you're from. You have heard of Velma?
Speaker 3: What is just by os Moses, exactly, just by us Moses.
Speaker 3: Someone around you has mentioned Velma somehow my like and.
Speaker 2: She's of the age. This isn't like a generational thing.
Speaker 2: Been Scooby Do so like he's always been on but
Speaker 2: like my wife has, she works with someone who won't
Speaker 2: watch anything in standard definition because it's fuzzy, so like
Speaker 2: she's never seen Friends because which I even see his
Speaker 2: friends whatever, but she won't watch Friends because it's fuzzy,
Speaker 2: not for any other reason, just because it's blurry. She
Speaker 2: can't watch it. So you watch anything in standard definition? Wait,
Speaker 2: wait a broken mark. She's like early twenties, so she
Speaker 2: was born like around two thousand.
Speaker 1: It's blur.
Speaker 2: There you got anything blurry? Yeah, so she's oh she
Speaker 2: knows is HD like before blu ray happen not going
Speaker 2: on nothing, so yeah, but she probably.
Speaker 1: Yeah, Thelma's big now right then Mandy Kaling has many
Speaker 1: king Yeah, I guess this has happened before that, but
Speaker 1: yeah that joke well.
Speaker 3: And also she would be dead so she wouldn't have
Speaker 3: seen it.
Speaker 1: Yeah that's true, Holly. And then she I love the truth,
Speaker 1: like okay. One thing that always bothers me with horror
Speaker 1: cinema is like when people do the lying, Like when
Speaker 1: so they find the radiation, they find the door, they
Speaker 1: know they're there, and like, what's not tell anybody? And
Speaker 1: then a giant avalanche lands on them and kills them
Speaker 1: all like just like something. I kind of like this
Speaker 1: some of the hikers though, because we need to leave,
Speaker 1: like we got to get out of here, like, let's go.
Speaker 1: Andy says, let's go. I think even Jensen's like, let's
Speaker 1: get the hell out of here.
Speaker 2: It's everybody apart from basically.
Speaker 1: Yeah, He's just like, no, we gotta stay. I gotta
Speaker 1: get my story, and they're like, no, we can hike back,
Speaker 1: you know, a couple hours and then come back during
Speaker 1: the day and we can get footage and no one
Speaker 1: will know the difference. No, I need it, and then
Speaker 1: everyone dies. So it's it's always kind of that problem
Speaker 1: of I guess you need decisions to fuel everyone dying,
Speaker 1: because like I think, rational people a lot of times
Speaker 1: probably wouldn't die in horror movies. But yeah, it's definitely
Speaker 1: Holly becomes sort of the I need. But she's also
Speaker 1: in college. They flew all the way out there, and
Speaker 1: it's very important to her.
Speaker 2: Yeah, like this is this is part of her course,
Speaker 2: is part of her like degree, Like if they leave,
Speaker 2: is she going to get a grade she needs to?
Speaker 2: Like she wants to go into film school, doesn't.
Speaker 3: I don't know.
Speaker 1: Listen, guys, if I was a teacher and my students
Speaker 1: got a grant to go to Northern Russia, to film
Speaker 1: what happened at the you know, the Devil's pass, I
Speaker 1: just give him an a. I don't even if I
Speaker 1: didn't see the footage, I'll be like, these college.
Speaker 2: Kids should become you should become a producers.
Speaker 3: The most driven people on earth. Exactly.
Speaker 1: Yeah, they got work view, they got flights, they got
Speaker 1: a grant, they got cameras, they had a crew. Like,
Speaker 1: they made it there, they made it to that spot.
Speaker 1: That's oba, it's fine, it's cool.
Speaker 3: Like, however, what you what you all have forgotten is
Speaker 3: Chekhov's nightmare. That she's had this dream since she was
Speaker 3: a kid, drawn and so she's been drawn to this place.
Speaker 3: Something is making her have night terrors where she sees
Speaker 3: the door in the cave. She has the door in
Speaker 3: the cave, and so that's really the driving force, not
Speaker 3: even so much the story. The story, like you said,
Speaker 3: it's just a way for her to be a go
Speaker 3: getter and a person who is always trying to do
Speaker 3: things to fill out her college resume. So she doesn't
Speaker 3: have time to watch Scooby Doo. For Christ's sake, She's
Speaker 3: got to research what happened to the nine Russians because
Speaker 3: it ties to her origin story as.
Speaker 2: An X men, so that that nightmare, my guess will
Speaker 2: be that comes from there's like her consciousness exists in
Speaker 2: two places at this time, like she's alive here and there,
Speaker 2: so there's some kind of intertwining. It's it's Karen Gillen
Speaker 2: and what kind.
Speaker 1: Of thing of my name?
Speaker 2: Uh quote quote Nova Nova, Nora, normal, no Taurus.
Speaker 1: And I'm playing adventures in Doctor Gillen.
Speaker 2: Nebula the brains run out of my ears. Yeah, it's
Speaker 2: like Nebular Adventures endgame with there's two nebulas and they
Speaker 2: can see she gets them.
Speaker 1: It's that.
Speaker 3: What's doctor Manette who lives every time? At the same time?
Speaker 2: This is my second podcast today, I'm speaking.
Speaker 1: Terror form and guys. And also it's I don't know
Speaker 1: how you do it? Well, you know, I guess you
Speaker 1: record it like nine am. It was the time with
Speaker 1: me seven a m. Recordings. Are I need more coffee?
Speaker 1: That's for sure. This is this is a very international
Speaker 1: episodes today. We're three different continents and many different time zones.
Speaker 3: I have been drinking since July third, ladies and gentlemen,
Speaker 3: in July fourteen. I don't know what to tell you, but.
Speaker 1: You know, what this is one of Rennie's highest rated films.
Speaker 1: This is a fifty percent Unrotten Tomatoes, but I think
Speaker 1: it's a very fifty percent movie. Like I yes, he
Speaker 1: went out and did it like this is this is
Speaker 1: I think this is a lot better than a lot
Speaker 1: of other found footage films that I've watched, and found
Speaker 1: footage movies I don't think are traditionally that well rated,
Speaker 1: Like I love as above, so below, but it's rotten
Speaker 1: like there's a lot of them that don't have the
Speaker 1: highest scores. But I think I think this one's just
Speaker 1: when you look at it in context of what it is, like,
Speaker 1: I think it's fun, like it's a good one. It's
Speaker 1: it's actually his highest rated movie. Yeah, it's his highest
Speaker 1: rated film of Wow. Well, No Bodies Arrest as a
Speaker 1: eighty three percent, but it's the second highest since like
Speaker 1: ninety nine, which is kind of crazy. No, it's rank
Speaker 1: number three, So it's it's Bodies at Rest eighty three percent,
Speaker 1: Deep Blue Ce's sixty percent, and then Devil's Past fifty percent,
Speaker 1: So it's it's actually one of his highest rated movies.
Speaker 1: Clarifyinger no since ninety nine, since ninety nine, Okay, if
Speaker 1: we're adding those into it, then let's see one. Okay, okay, okay, yeah, yeah,
Speaker 1: so then it's like it's number seven, it's the seven
Speaker 1: highest rated. It's a seventh best rated film, which.
Speaker 2: It doesn't say a lot for his post ninety nine work.
Speaker 3: I would say, but you.
Speaker 2: Know what, there, yeah, there's some there's some films in
Speaker 2: there that should be rated below this.
Speaker 1: I guess this one's fun because it listen, this is
Speaker 1: the era when people were like the paranormal activity hit
Speaker 1: big in what two thousand and nine, twenty ten, So
Speaker 1: then this one probably got this one probably got greenlit,
Speaker 1: and then you know, Renny definitely follows the trends. I mean,
Speaker 1: they hired him to make Legends of Hercules because they
Speaker 1: wanted to beat Hercules to theaters, and you know, Five
Speaker 1: Days of War. They're like, hey, we need you go
Speaker 1: make a movie about the war in Georgia. You know,
Speaker 1: like twelve Rounds. I think is very much so well,
Speaker 1: that's like a it's very much like a Diehard with
Speaker 1: a Vengeance knockoff. Like they follow trends with him, I think.
Speaker 2: So it's what what I find interesting is Rainnie being
Speaker 2: the worst person to ask to make a found footage film.
Speaker 2: I like him, he's great. I think he did a
Speaker 2: good job with it. But the real benefit of a
Speaker 2: found footage film is they're really cheap to make, and
Speaker 2: Rennie doesn't have a reputation for making things on a
Speaker 2: really low budget, like Paranormativity was made for twenty seven
Speaker 2: p Oh no, it's nothing like. It's like I had
Speaker 2: a blame Wich put it, which is like, hey, three
Speaker 2: guys in the woods, off you go have fun, have
Speaker 2: a tenth Maybe we're gonna take it away at someone
Speaker 2: when the rentals up. But he managed to make a
Speaker 2: found footage film. But I couldn't find a budget for this.
Speaker 2: But I'm guessing more expensive than most other found footage
Speaker 2: films because he tried to make an avalanche.
Speaker 1: In the cameras they brought out there, like they had
Speaker 1: some huge cameras that they just they shot a lot
Speaker 1: on sticks. They couldn't do any dollies, but they're like
Speaker 1: big camera gear. And then you watch it behind the
Speaker 1: scenes footage and they have snowcats and and snowmobiles and
Speaker 1: and but you know what, though maybe he said they
Speaker 1: didn't shoot much, they just rehearsed a lot so well.
Speaker 2: I looked into that because they didn't want to once
Speaker 2: you walk in the snow, you've walked in the snow,
Speaker 2: you can't you can't film it again because you've just
Speaker 2: walked in the snow. So they would rehearse a bit.
Speaker 2: They would shoot most things once but with a lot
Speaker 2: of research, a lot of rehearsal, and and so they'd
Speaker 2: be like making these yetty footprints, but like having big
Speaker 2: molded feet on a long pole so that reach out
Speaker 2: and push the pole in. And they'd called north big
Speaker 2: areas like don't go over here, could be going to
Speaker 2: film here, but rehearse over here, which you know it's
Speaker 2: don't I've never ready thought about that. I figured you
Speaker 2: can just shoot things again and again and again, but
Speaker 2: not in the snow, not when it's supposed to be
Speaker 2: there's crystal clear, virgin, pure white snow. Uh No, that's
Speaker 2: a good point. And they realized that before they filmed it,
Speaker 2: or they filmed one and like, oh bollocks, we gotta
Speaker 2: wait for the snow again. Let's not do this again.
Speaker 1: That could be a good Just why are these prints
Speaker 1: here already? Someone's here already. They were just too filmed it.
Speaker 1: They were just too lazy to take them off, like
Speaker 1: you know, when it's funny in Stargate, they hired crews
Speaker 1: to go like go over the sand every time somebody
Speaker 1: walked over it. But you can't really do that, you know,
Speaker 1: in Northern Russia on a giant SnowCat or something that
Speaker 1: would just create a lot more so, I mean it
Speaker 1: makes sense.
Speaker 2: Apparently there were times when they'd like film, they'd pack
Speaker 2: up for the day and they'll be like heading back
Speaker 2: to the hotel, and then Rennie would like, see this
Speaker 2: new beautiful vista and he'd be like, stop, stop, stop
Speaker 2: trekking shot. Unpack all the gear, everyone, get back to it.
Speaker 2: I want to film all of the actors heading it
Speaker 2: off over the horizon. And they just add another like
Speaker 2: three hours to the day.
Speaker 1: So he went full Terrence Malick on this one.
Speaker 2: I think, sir, yeah, they used but he just did
Speaker 2: be heading home. Ah, that's a cool shot. Let's do
Speaker 2: that now, let's go, and everyone be like I just
Speaker 2: wanted some haring. I don't want to go back to
Speaker 2: my potatoes, and I have been I have a good
Speaker 2: enough shoe.
Speaker 3: You see that that's a leader, that's what that's what
Speaker 3: I've been trying to interject the whole time. You say, yeah,
Speaker 3: found footage movies are cheap. CEGI is not that great
Speaker 3: in this movie when we get to show Hitchman, it's
Speaker 3: not that great. Right, So where did the money go?
Speaker 3: As of today, the retail price range in British pounds
Speaker 3: sterling for herring is between two pound thirty sevenpence and
Speaker 3: four pound thirty seven pence per kilo. Okay, herring is pricey, man, Yeah,
Speaker 3: all right, you're inspiring vodka.
Speaker 2: If it's yeah, sure, yeah, I didn't know where you
Speaker 2: were going with that.
Speaker 1: I just I want to see behind the scenes where
Speaker 1: everyone's just eating hairing like you just everyone is just
Speaker 1: munching on haring, just constantly.
Speaker 2: Salty Broke.
Speaker 3: It's it's a salty tasting fish, man. So you gotta
Speaker 3: bang out the vodka with it. You gotta bang out
Speaker 3: the vodka with it and have the potatoes as the
Speaker 3: palate cleanser. So this is where your money goes. You know,
Speaker 3: you're not You're not just getting some Idaho potatoes. You're
Speaker 3: in Russia. Bro that's loamy soil. You're getting solid potatoes
Speaker 3: out there.
Speaker 1: Man're not gonna be cheap line producers looking at the budget,
Speaker 1: like THEFX budget six bucks, hairy midget three million, three million?
Speaker 1: What were they doing out there?
Speaker 2: So the VFX there isn't that that. The creatures at
Speaker 2: the end are the EFFX. They did initially shoot that.
Speaker 2: They got some like contortionists and and like shot that,
Speaker 2: but it just didn't look great, so they did they
Speaker 2: painted the VFX over them, so that would have raised
Speaker 2: the budget a little bit.
Speaker 3: It's so janky. That Spanish movie with the zombies record
Speaker 3: R E C D VHS. That was a person.
Speaker 1: Mm hmmm.
Speaker 3: That is the creepiest looking thing with the night vision camera.
Speaker 3: It's so spooky. Man, It's just a very tall, creepy human.
Speaker 3: It would have been so much scarier with a real, lanky,
Speaker 3: freakish human being.
Speaker 2: Yeah, I mean that this felt like playing a Resident
Speaker 2: Evil game at that last second where it's like so
Speaker 2: first person, You've got like one beam of torch like
Speaker 2: this kind of shooting around the screen, and then you've
Speaker 2: got these creatures that are like glitching from like one
Speaker 2: chord to the other. Basically, it felt so much like
Speaker 2: playing Side and Hills something just it's it's a perfect
Speaker 2: video game recreation.
Speaker 1: Yeah, Polly is really strong because she wings a cherry
Speaker 1: at one of them, Like she throws a good twenty
Speaker 1: feet and explodes against the.
Speaker 3: Yeah, launches that hip, just yeats it across the room.
Speaker 1: You know, one of the things fuses with the chair
Speaker 1: and then like it's just a chair monster running around.
Speaker 3: It's got ted limbs.
Speaker 1: The Yeah, they could have just gotten Doug Jones out
Speaker 1: there chase him around. That'd be interesting if Holly recognized Holly,
Speaker 1: because Holly.
Speaker 2: Recognized Dug shirts, Hey you're in Punslev.
Speaker 1: But like Holly was in there, correct, Holly was one
Speaker 1: of those.
Speaker 2: Yes, yeah, Holley and Jensen with the two great that
Speaker 2: is Holly and Jensen correct spoiler.
Speaker 1: They could have looked at him and like hmm or
Speaker 1: wait a minute, yeah right, yeah, yeah, definitely and the
Speaker 1: way the people that do that, because we see how
Speaker 1: to wait wait a minute, it's here right right.
Speaker 3: And the things, the things in your face, and it's
Speaker 3: not standard still, it's glitching, it's teleporting, it's doing you know,
Speaker 3: buy a weapon noise at you. You don't have time
Speaker 3: to oh, hey that's too yeah that's true. And then
Speaker 3: and then the bone structure, you know, they're really emaciated
Speaker 3: for some reason because they're messed up, you know, fifty
Speaker 3: years of being freeze dried in the in the ural
Speaker 3: mountains on top of going through temporal radiation space time.
Speaker 1: Yeah, so they're just radiated jerky.
Speaker 2: Yeah, they went they went through an incident. They've been
Speaker 2: the incident. They've been incidented.
Speaker 3: Yeah, incident, they've been incidentalized.
Speaker 1: That looks like me, but it looks it looks a
Speaker 1: lot more like jerky than I do. That's hens a bit. Yeah,
Speaker 1: and then what so then eventually they just shut down
Speaker 1: the program? Did they kill everyone in there? Like?
Speaker 3: What? Like? What like?
Speaker 1: What happened?
Speaker 2: I guess it is if they found out this isn't working.
Speaker 2: This is this is problematic. We're trying things and we're
Speaker 2: getting monsters. We should we don't want monsters, degenerating mutes stuff.
Speaker 2: Let's stop with the monsters.
Speaker 3: We want we want to we want to teleport a
Speaker 3: nuclear bomb into Washington, d C. We keep getting any humanoids.
Speaker 1: Just attacking the populace.
Speaker 2: Not only are we not teleporting bombs, we're getting more problems.
Speaker 2: That's no something else. We tried this, Yeah, glad you
Speaker 2: came to an idea. We tried it. Great, didn't work
Speaker 2: back to the drawerboard someone else exactly.
Speaker 3: Jay and Mark have created a teleportation portal. Awesome, it
Speaker 3: only teleports things back into the left. Not aw you
Speaker 3: know what I mean? That's right? Did they come out
Speaker 3: sideways and insane? You know?
Speaker 2: So you know, stop doing stop it.
Speaker 3: You also we get we get the fact that Russian
Speaker 3: author Yuri Yaavoy was killed in a car accident on
Speaker 3: an empty road. You know, so what did happen to them?
Speaker 3: Seems like we're just going back in the ussr R.
Speaker 3: We're just getting our communists stereotype on. They killed everybody,
Speaker 3: the government they like, wipe them out because because we're
Speaker 3: un Yeah.
Speaker 2: I mean, if we've established it, if people found out
Speaker 2: this thing like time travel, great mutants, people would try
Speaker 2: and use it. So maybe the best solution for the
Speaker 2: greater good is hide it away, don't let people near it.
Speaker 2: I'm not saying they should cause car crashes and avalanches,
Speaker 2: but I'm saying do what you can to stop people
Speaker 2: getting there.
Speaker 3: That feels like from the outside.
Speaker 2: From as soon as I found out, I was like, hell, yes,
Speaker 2: there is something else looking forward to where this is going.
Speaker 3: Something in the inside. Yeah, something horrific.
Speaker 2: In this the first reactually opened the door.
Speaker 1: What are you doing? Ever opened the door.
Speaker 3: Insteader dreams, man, she has to see what's inside, even
Speaker 3: though it locks from the outside. And then their escape
Speaker 3: plan to run for the bullets is to go inside,
Speaker 3: and they're like block the door, and he has to
Speaker 3: reminder from the outside.
Speaker 1: Yeah, we're just gonna wait, We're just gonna die in
Speaker 1: here of what hypotherbia and thirst starvation.
Speaker 2: Yeah, it does make sense to look to like head
Speaker 2: into the bunker when you're being shot at. There's not
Speaker 2: a lot there's not a lot of other options. But
Speaker 2: then you remember, oh, yeah, now the people with the
Speaker 2: lock aren't here with us.
Speaker 3: Yeah we've seen YETI feet and a ripped out tongue.
Speaker 3: So going into basically where the YEI are? I don't know, bro,
Speaker 3: shoot me, I don't know.
Speaker 2: Oh yeah, that I mean of the fates, that is
Speaker 2: the better one rather than what well I've been saying
Speaker 2: that maybe Holly and Jensen having a great time.
Speaker 1: Happened aliens.
Speaker 2: Yeah, maybe they're really enjoying like teleporting around the blaze
Speaker 2: night quartering into people and just inable who can say.
Speaker 3: The implication is because we get the ancient drawings of
Speaker 3: those who walk before us on the wall, that this
Speaker 3: is probably where the Yeti do come from, actually, because
Speaker 3: the ancient drawings from the people on the wall showed it.
Speaker 3: They have been here, and some of those drums on
Speaker 3: the wall had freaky looking dudes or things, if you will,
Speaker 3: and so giant humanoid footprints, that's always what they say. Yeah,
Speaker 3: that's the sign of the Yeti. And so even before
Speaker 3: these two unfortunates became inhumanoids, they probably were those that
Speaker 3: walked among us. That's I think another implication.
Speaker 1: Of this movie, because that thing's been around, presumably for
Speaker 1: a while forever.
Speaker 3: There's no buttons, there's no controls. You just think of
Speaker 3: where you want to go, and it always puts you
Speaker 3: right outside as an inhumanoid.
Speaker 1: Jerky yeh, I'd be so pissed in my dreams. It's
Speaker 1: like my entire life where dreams are like, hey, you
Speaker 1: gotta go out to northern Russia and do this, and
Speaker 1: I end out there. I'm like, I got to pursue
Speaker 1: my dreams and then I become just a humanoid who
Speaker 1: could teleports.
Speaker 2: You have the dragons to go out there, You go
Speaker 2: out there, and then you sleep that night and the
Speaker 2: dream you have is like a sucker. Gotcha, he just
Speaker 2: wasted twenty five years.
Speaker 1: Victoram West, the person who wrote this, they they got
Speaker 1: their start in reality, so they did the real world
Speaker 1: the challenge and keeping up with the Kardashians. So I wonder,
Speaker 1: like that's a lot of I wonder if Found footage
Speaker 1: was a natural segue for the person because they're just
Speaker 1: so used to that setup. So they just wrote it
Speaker 1: like that because Rennie found the script of that. So
Speaker 1: I just I don't know, I find that interesting. So
Speaker 1: they they worked in reality and then wrote The Devil's
Speaker 1: Paw or the Dyat Love Incident.
Speaker 2: I've never considered that The Kardashians is found footage. Well
Speaker 2: like reality, maybe I like it move man fe. I
Speaker 2: don't know, I've never watched it.
Speaker 3: Well, we've established that these are attractive people and he
Speaker 3: sends them to horrific deaths. So all the years of
Speaker 3: working with these attractive people on these reality shows, this
Speaker 3: is what they were thinking time. I wish these people
Speaker 3: would die brutally, all of them. And so I'm going
Speaker 3: to make this movie that I get to just put
Speaker 3: all my feelings out on film. And The Blonde is
Speaker 3: going to get it the worst.
Speaker 1: I mean, yeah, that makes sense, but it's I have
Speaker 1: a question guys, like I think sometimes the best found
Speaker 1: footage films are just the best horror movies in general.
Speaker 1: Keep things really simple. This one gets quite convoluted. Is
Speaker 1: there like a simpler way to tell this story or
Speaker 1: do you think it works as is?
Speaker 2: I think that the whole like time loop aspect of it,
Speaker 2: is always going to make things complicated. Yeah, there's no
Speaker 2: hm hmm, it either be. It's either going to be
Speaker 2: complicated or unsatisfying. So like ground Took Day, they Averredy
Speaker 2: explained the time. It's just there's a time ate. But
Speaker 2: and then there's no if you plug that into a
Speaker 2: horror film, it's probably gonna be less satisfying. I think
Speaker 2: we're gonna go there and find what the secret is,
Speaker 2: and we're not going to tell you what it is.
Speaker 2: It's a time that would be like, oh, I'm satisfying.
Speaker 2: So yeah, I think there's always gonna be a degree
Speaker 2: of complexity to it.
Speaker 3: If if you take the time loop out and you
Speaker 3: just make it a cave where your wishes are going
Speaker 3: to come true. But it's the Monkey's Paul cave of wishes.
Speaker 3: Coming true, and you know, there's no place like home,
Speaker 3: and we're back outside and now we're jerky monsters. So
Speaker 3: it's not necessarily time loop. It's just, yeah, you are
Speaker 3: trapped in the cave and you have to use this
Speaker 3: way out and you're in humanoids the evil that lies within? Yeah,
Speaker 3: can you tell?
Speaker 2: That wouldn't explain the original incident, but then wouldn't necessarily
Speaker 2: need to be explained, because the whole point is it's
Speaker 2: an explained phenomena in the real world, so they could
Speaker 2: remain that way. This this tries to explain it with
Speaker 2: a real, like a real out there idea of hey,
Speaker 2: there's't ipeo that I had, maybe they would be maybe
Speaker 2: it was this thing. Maybe it was teleporting college kids
Speaker 2: from fifty years after they died. No one's thought about
Speaker 2: that before, haven'ty.
Speaker 3: No, And that's that's the way a lot of Twilight
Speaker 3: Zone and those anthology horror series used to work. Uh,
Speaker 3: you know, you go into this room and there's a toilet,
Speaker 3: and when you flush the toilet, suddenly you're transported to
Speaker 3: the land and make believe why episodes over it wasn't
Speaker 3: that creepy.
Speaker 1: Don't touch the toilet, that's the way things work, don't
Speaker 1: flush well, don't be cheap, and then they press it.
Speaker 1: Then it's like like, oh no.
Speaker 3: There it is there, It is there. It is the
Speaker 3: greatest scene in creep Show the movie the roaches take
Speaker 3: over that dude's stareile apartment. Why because it was a jerk.
Speaker 3: You know, if that came out today, the roaches would
Speaker 3: have had an origin story. They were made in a
Speaker 3: lab and one day one of the roaches saw his
Speaker 3: wife killed by a scientist code man, and so now
Speaker 3: he just hates sterility and cream show was just like,
Speaker 3: this guy's a jerk, probably a racist. We're gonna fill
Speaker 3: his apartment with roaches until they kill him.
Speaker 1: You got a problem with that, You're right though. That
Speaker 1: show is just basically like this, this person's horrible. Let's
Speaker 1: have something terrible happened to them.
Speaker 3: Something's going to murder them, something mundane is gonna kill
Speaker 3: them badly, and you're gonna root for it. Soul, he
Speaker 3: was dying of cancer and then he wasn't. It was
Speaker 3: weird saw.
Speaker 1: Well, you know, but I like this movie now though,
Speaker 1: despite the middle part where Jensen is just complaining about
Speaker 1: women and trail hookups.
Speaker 2: Yeah, how dead these other people have, like have relationships.
Speaker 2: There's one more man than women here, and everyone's looking
Speaker 2: up with me.
Speaker 3: Ah yeah, but there's always I've laid out the fact
Speaker 3: that the only thing I find sexually attractive is this camera,
Speaker 3: and I'm wondering why I can't get laid. God damn it.
Speaker 2: I guess there's two attractive women like the two attractive men.
Speaker 2: I don't understand. Yeah, Mark, you and I having a
Speaker 2: breat discussion on Facebook as to like what have happened
Speaker 2: in Deep Bluz if it was a found footage film?
Speaker 2: And I really like that concept. Yeah, I've been thinking.
Speaker 2: I've been thinking about it.
Speaker 1: What do you got?
Speaker 2: Well, I mean it's the found fuish aspect. You're mainly
Speaker 2: going to have his Preacher with the camera. That's where
Speaker 2: this comes from, because he's already has that found footage thing,
Speaker 2: but he doesn't get that until Janis's Room, like two
Speaker 2: thirds of the way through the film. So that needs
Speaker 2: to just happen earlier. He needs to have a camera earlier,
Speaker 2: and all of the Preacher stuff is like him torn
Speaker 2: the camera, Foanfate and everything else is like CCTV. So
Speaker 2: you can have him like filming the Susan's birthday party, like, hey,
Speaker 2: we're all crouched down with like poking the camera out
Speaker 2: watching her come out of the thing, and it's surprise
Speaker 2: and everything else is like CCTV. But then when like
Speaker 2: those from his flood, you lose that CCTV and it's
Speaker 2: just preaching with the camera. I think, I don't think
Speaker 2: it would be as good. I think why it's preaching
Speaker 2: filming whilst he's in the oven hacking his way out
Speaker 2: that needs he needs to stop filming at this point,
Speaker 2: this is like, yes, your bird, you should be breathed.
Speaker 2: So maybe he's like dropped the camera, dropped the camera
Speaker 2: and it's still filming him floating on a little table
Speaker 2: in the kitchen.
Speaker 1: I don't know. Maybe it's like a lawsuit later on,
Speaker 1: like I'm gonna sue these people and this is proof, Yeah,
Speaker 1: because he survives.
Speaker 2: I need to sue. I need to sue cameraror.
Speaker 1: All of the like.
Speaker 2: When Susan goes down for the data, he's like, can
Speaker 2: you also like get the CCTV records please? And that's
Speaker 2: still somehow suffice.
Speaker 3: I have the solution. I have the solution. Everybody is
Speaker 3: not It's not just it's the CCTV because I thought
Speaker 3: of that too, but everybody is constantly wearing a body
Speaker 3: can it's not because it's not only an experiment for
Speaker 3: the sharks. It's a long term project that look, how
Speaker 3: long we have humans living under the sea and we
Speaker 3: monitor everything that they do and we're checking their stats
Speaker 3: and their mental capacity blah blah blah blah blah, and
Speaker 3: eventually this is just step one to us going to
Speaker 3: the moon and into Mars. So that explains a camera
Speaker 3: and they don't.
Speaker 2: Can we have one on a shark?
Speaker 3: Yeah? Absolutely, these days we use this.
Speaker 2: We use this like at outside of drug in the sharks.
Speaker 2: We need to be monitoring this. That's as well, what
Speaker 2: are lay up to? Maybe they're doing more intelligent stuff
Speaker 2: now they got that down there playing jackers. You know
Speaker 2: who knows a.
Speaker 3: Quick exposition explains right there? Uposition, you know what.
Speaker 1: They already have the cameras too. Maybe the sharks don't
Speaker 1: take out the cameras and those cameras stay up as well,
Speaker 1: like when the sharks take out the cameras.
Speaker 2: Maybe the sharks don't take out the cameras. The sharks
Speaker 2: take the cameras. They are all cameras now.
Speaker 1: Like the like the the one of the sharks, I
Speaker 1: was wearing like a backwards hat, like all the camera
Speaker 1: men in the screen movies and Screen one and two,
Speaker 1: like like, I don't know why have a camera even
Speaker 1: in both finger the camera people have backward hats, Like
Speaker 1: I think.
Speaker 2: That's because the cameras in your face and the brain
Speaker 2: would get in the way. I guess the shots are like,
Speaker 2: we're gonna the shots are gonna sue you for doing
Speaker 2: testing on us. We need proof, we're gonna start filming you.
Speaker 2: This is it's not evidence for the sharks. Cool case.
Speaker 1: Then the sequels just the the John Grisham tight novel,
Speaker 1: but with the sharks and the humans.
Speaker 3: Yeah, man, and the the sharks that that they secretly
Speaker 3: made with Shark Intercourse just have the cameras built into
Speaker 3: them now because the Alzheimer's drug was so powerful. So
Speaker 3: now you know the sharks are playing majong somehow, and
Speaker 3: the sharks are creating new forms of experimental jazz fusion.
Speaker 1: In a cave.
Speaker 3: They're smart.
Speaker 1: Yeah, that Paul camera camera all jazz.
Speaker 3: Featuring Richard link Letter techniques and Shark.
Speaker 1: Could and Ryan Goslin's this lecturing the sharks love jazz fusion. Yeah,
Speaker 1: got it all.
Speaker 2: Yeah, let's let's stop working on this one and.
Speaker 3: Get a grant. J get a grant, Go, get a
Speaker 3: grant for this.
Speaker 2: Okay, fuming in Russia.
Speaker 1: We're gonna eat. Well, we're not. I don't know if
Speaker 1: I can budget haring into this.
Speaker 3: It's pretty goddamn expense.
Speaker 1: My mom made a lot of pickled harrying because that's
Speaker 1: what Swedish people do. Like, there's always pickled harrying around
Speaker 1: my house. It's not bad, but I think everyone.
Speaker 3: You're also massive Hofmeyer, so clearly it worked. You're a
Speaker 3: massive human being.
Speaker 1: Thanks mom.
Speaker 3: All the pickled harry protein protein.
Speaker 1: And the good thing is about the vodka is the
Speaker 1: potatoes could make more vodka if you run out a vodka.
Speaker 1: Mm hm. So I mean it was a smart plan
Speaker 1: by Rennie.
Speaker 2: Like I just made herrying flavored vodka and got all
Speaker 2: three of the food groups in one.
Speaker 3: Oh god, I'm gonna puke right now.
Speaker 1: I mean, if you think of all the other flavors, like,
Speaker 1: there's pretty much been every type of vodka, so why
Speaker 1: not harring.
Speaker 2: You know, I don't think some people like doing herring.
Speaker 2: It's a thing there.
Speaker 3: Herring, Yeah, cured, it's got to come from a plant
Speaker 3: because of the defermentation. Yeah, you don't drink the juice
Speaker 3: of fermented animals too.
Speaker 2: Vodka and herring bars. I'm hoping that's somewhere you go
Speaker 2: to eat, but eat and it's not like a cereal
Speaker 2: protein bar. Maybe herring.
Speaker 3: Why do you guys want to kill me?
Speaker 2: What I mean?
Speaker 1: It saves time, Like you're just on set and you're like, man,
Speaker 1: I need some vodka and I need some herring. And
Speaker 1: then it's the finish thing, chriss bread with herring, mustard
Speaker 1: and vodka.
Speaker 2: Rennie was fine with this. He loved it. He chose
Speaker 2: this everyone else had, like McDonald's every night. He picks this.
Speaker 1: That'd be funny. He goes and makes a movie in
Speaker 1: the desert. He's like, man alli ate where potatoes the
Speaker 1: finlandy of vodka and pickled harry and like wait what
Speaker 1: and then you learn how much it costs? Is all there?
Speaker 2: There is someone who's made pickled herring whiskey. That that
Speaker 2: is an a fish key is the company that makes
Speaker 2: pickled harring whiskey? Of course it's fish.
Speaker 1: Jesus the must Yeah, I had sheep dung smoked whiskey.
Speaker 1: So whiskey smoked with sheep dung in.
Speaker 2: Iceland, single malte, barrel age whiskey infused with pickled herring pass. Yeah, agreed.
Speaker 2: I don't like either of those things.
Speaker 1: I don't mind. I don't want harring. I don't like whiskey.
Speaker 1: I would do I would do it.
Speaker 2: Fresh cut grass vodka. Interesting interest this website. I'm not
Speaker 2: gonna I'm not gonna buy things from here.
Speaker 3: Closing tap art bag is a very It's a good
Speaker 3: p It's a good pie, single ball, So that grass
Speaker 3: might be good.
Speaker 2: I'll never know.
Speaker 1: I love Eyela Scotch. It's delicious. Log of Woolen art
Speaker 1: bag Lafroy.
Speaker 2: So, how is devils passed? Like Deep Blue C I
Speaker 2: have a list directed by Ronnie Hardin characters talking to
Speaker 2: the camera. There's a story of a mountain tragedy. They
Speaker 2: applied for research money. It's all deep is. Jensen gave
Speaker 2: me Scoggins vibes anytimes a whiny character and I gets
Speaker 2: Scoggins vibes. Basically, we see a character pee it's a dog.
Speaker 2: But we see in peach, doesn't we do with Jim?
Speaker 2: There's a bartender serving drinks. There's someone's cooking, Houser's cooking.
Speaker 2: They're eating processed food at one point, lthough Preacher doesn't
Speaker 2: eat the process food. It's all about an ill advised
Speaker 2: research expedition. There's doors with wheel locks on them and
Speaker 2: they're searching for data. There's a flare. They're trapped below
Speaker 2: the surface trying to get out. There's sparking.
Speaker 8: I can't rid my right thing right there, subterranean research lab,
Speaker 8: World War two aquatic equipment is reference to the Philadelphia incident,
Speaker 8: and they find a dead body at one point.
Speaker 2: That's how it's deep. A bunch of stuff. I don't
Speaker 2: know nothing terribly incredible about how deep blue? And because
Speaker 2: of season six of the podcast How C is this
Speaker 2: film so not. But as I'm sure you know, Deep
Speaker 2: C is on average fourteen and a half meters deep
Speaker 2: or forty seven and a half feet deep, and about
Speaker 2: thirty one percent blue. I've done this by going through
Speaker 2: the film and working out how deep and how blue
Speaker 2: the action takes place on the in the films. Do
Speaker 2: you think the action within Devil's Past is on average deeper,
Speaker 2: bluer and more at sea than in Deep Blue C.
Speaker 3: Well, we're pretty high up in the mountains, and so
Speaker 3: if you reverse deep and you make it high, we're
Speaker 3: pretty damn deep because that mountain's pretty high, pretty high.
Speaker 1: The opposite thing that's deep.
Speaker 3: Yes see how deep that was?
Speaker 1: Sure was?
Speaker 2: What about what about blueness? How blue do you think
Speaker 2: this film is?
Speaker 3: So we got the weird lights of the northern lights.
Speaker 3: Not really blue, very.
Speaker 1: Great blue, a little blue, you know.
Speaker 3: Yeah, but you know we need blue and green to
Speaker 3: make yellow, so that's not blue at all. But the
Speaker 3: monsters had the monsters had kind of a blueishue when
Speaker 3: they were in the regular light. So you get your
Speaker 3: blue there.
Speaker 2: Sure, Okay, I don't even lost that sea because this
Speaker 2: is entirely set.
Speaker 3: On land, so frozen water, frozen water.
Speaker 1: Sure.
Speaker 2: So this is, as you said, quite high up. As
Speaker 2: a rule, I do take it if they go underground.
Speaker 2: This is like the cent rules. So they go underground.
Speaker 2: I count that as deep, but only like a little bit.
Speaker 2: It's like a couple of stories deep. This works out
Speaker 2: on average one hundred and twenty four and a half
Speaker 2: meters of four hundred and eight feet up in the air,
Speaker 2: which means it is uh somehow slightly it's next to
Speaker 2: open Water. Yeah, that film takes place entirely on the
Speaker 2: sez of the water. That's one of our higher films
Speaker 2: because there's a few shots in a plane, So that's
Speaker 2: it's higher than open Water, less high than Ronny Harland's
Speaker 2: Skip Trace, which also has some plain scenes. Said, there's
Speaker 2: our ninety nine deepest film, rest deep film. Blueness three
Speaker 2: point three percent blue, not blue at all. As you know,
Speaker 2: Holly's wearing a blue jumper. That's about it. So this
Speaker 2: is bluer than another found footage film, Lake Mungo, less
Speaker 2: blue than Under Siege. Still not Renny's least blue film.
Speaker 2: In fact, he has he has eight films less blue
Speaker 2: than this, and it was three percent. He's not a
Speaker 2: blue filmmaker generally. And yet zero percent at sea because
Speaker 2: it's not it's never at sea something we're doing now
Speaker 2: on this show, because why not?
Speaker 3: But that?
Speaker 2: Did you have any other thoughts on Devil's Past? I've
Speaker 2: got to ask any other that we cover everything.
Speaker 1: I'm good, Mark, No, this was this was fun. This
Speaker 1: kind of like I'm bringing Norbert in was great.
Speaker 3: Ah.
Speaker 1: Yeah, I just don't say ah in footage films, that's it.
Speaker 2: That's all I got if you're gonna edit the footage together,
Speaker 2: edit the alms out.
Speaker 1: Why not.
Speaker 3: If you ever get the chance to go to Northern Russia,
Speaker 3: make sure you get a Samago blaming shot, because flaming
Speaker 3: drinks are always cool drinks.
Speaker 2: Sure, I was one of the guys had a mustache.
Speaker 2: I think the Barton had a mustache and its flaming
Speaker 2: drink and I was like please. I was thrilled that
Speaker 2: he blew it out before taking the shot. I was
Speaker 2: very concerned about his spatial so I'm glad that didn't
Speaker 2: happen anyway. No, but do you have anything you want
Speaker 2: to plug? Where on the listeners? Find you online?
Speaker 3: Norbert is Eddie Kane at Eddie Kane on Twitter and
Speaker 3: No more Man on South Clad.
Speaker 2: Cool great mark any plugs?
Speaker 1: Yeah, listened to any given Sunday episode that Norbert and
Speaker 1: I just dropped that that will be on Movies on
Speaker 1: the Flicks. And then also listen to the Twisters episode
Speaker 1: that Jay and I released, because that's a good time. Nice.
Speaker 2: Yeah, listened to Twist. I listened to You and Nick
Speaker 2: talking about Kitchen Fights mission of Star Kitchen Fights as
Speaker 2: a new series starting, So I recommend listeners check that
Speaker 2: out as well.
Speaker 1: Sorry about the audio on that one. That's a headline.
Speaker 2: It was I listened to it whilst mowing the lawn,
Speaker 2: so I had this other like going on the background,
Speaker 2: so it was it worked out fun.
Speaker 1: I had what Zoom updated, and then for some reason,
Speaker 1: halfway through an episode, I'm like, wait, maybe I should
Speaker 1: check the settings, and then I was like, oh, I'm
Speaker 1: recording on my computer MIC, and so I fixed it.
Speaker 2: It's always fun what happens. Well, I think it sounded
Speaker 2: great regardless it is. You're looking forward to listen to
Speaker 2: you and Nick to the mission star ratings for more
Speaker 2: kitchen fight scenes to it and listen as you can
Speaker 2: find this podcast whatever social media at Deep Blue Sea Pod.
Speaker 2: You can find very little of what I've done at
Speaker 2: Life versus Film dot com. And next week is It's
Speaker 2: finally happening. Next week is Sharknado. We said it would
Speaker 2: never happen, but here we go. We're going to set
Speaker 2: off on a quest, a very protractive, potentially cut short
Speaker 2: who knows quest to tackle as many Sharknado films as
Speaker 2: I want.
Speaker 1: To go through.
Speaker 2: As we go, we'll see. It's an ongoing process. But
Speaker 2: next week is the first Sharknado. So come back next
Speaker 2: week for that great so that will do it for
Speaker 2: the devil's past past incident. Thank you once again to
Speaker 2: our guest Nor but Movin.
Speaker 3: Thanks buddy, I've been Jake Lewet now Mark Athmeyer, and we'll.
Speaker 2: Zep bluesy you next week.
Speaker 3: The