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<v Speaker 1>Tape deck Media see the.

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<v Speaker 2>Welcome to see what the Patti Richta, Maaron Frescus, and

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<v Speaker 2>with me as always are Joseph Beck Castro and Chris Chapman.

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<v Speaker 2>And today we're gonna be finishing up the summary for

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<v Speaker 2>Arnold's nineteen seventy six Forgets Your Piece. That's like masterpiece

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<v Speaker 2>and forgettable mixed together. I guess it's not really masterpiece though,

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<v Speaker 2>so for I got nothing. Seriously, there's there just gotta

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<v Speaker 2>be a name like for like the seventies movies gritty.

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<v Speaker 2>It's not gritty though poorly aged, I'm not sure anyway.

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<v Speaker 3>Stay Hungry is the name of this film.

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<v Speaker 2>Yeah, yeah, So we're gonna finish up the summary. We're

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<v Speaker 2>also gonna do all the other fun stuff that we

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<v Speaker 2>do afterwards before we throw the film to the spreaditor.

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<v Speaker 2>But before we do any of that, we first one

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<v Speaker 2>hundred sent own apology to the great Gene Hackman, who

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<v Speaker 2>sadly passed away today literally today. Yeah, and for some reason,

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<v Speaker 2>this is your first episode you listened to and you

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<v Speaker 2>have no idea what we're talking about. Well, we recorded

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<v Speaker 2>the first part of the summary is at least about

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<v Speaker 2>a month ago.

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<v Speaker 4>At the entire summary was recorded, yeah a while ago.

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<v Speaker 2>Yeah, and like mid January, I take forever to get

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<v Speaker 2>everything done, and I was like, okay, cool, whatever.

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<v Speaker 3>So I finally get.

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<v Speaker 2>It, Like if you only get everything edited, and we

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<v Speaker 2>post the episode and we have this like running like

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<v Speaker 2>it's not even a sort of a running joke.

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<v Speaker 4>You know, in my opinion, it was like sort of

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<v Speaker 4>a good natured yeah. Really, you know, it was like,

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<v Speaker 4>we made some comments about Gene Hackman's appearance during the episode.

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<v Speaker 2>But we're in disparaging.

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<v Speaker 4>Yes, we focused a little bit on his more tuber

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<v Speaker 4>like qualities, but uh, you know, no disrespect was meant.

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<v Speaker 3>No, none at all.

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<v Speaker 2>I loved you. I love Yeah, He's I always movies exactly,

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<v Speaker 2>Like what's your favorite genackmy movie Get Shorty? Really?

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<v Speaker 4>I like Superman is good? Have you seen Get Shorty recently?

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<v Speaker 4>I have really funny.

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<v Speaker 2>I haven't seen the second one, but I've seen the

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<v Speaker 2>first one.

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<v Speaker 4>Yeah, it'd be cool. It's not as good, Okay, it's yeah.

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<v Speaker 4>Who was he in Get Shorty? He's the he's the

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<v Speaker 4>slimy movie producer gets his shit kicked in by the

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<v Speaker 4>end of the movie. He's really funny.

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<v Speaker 2>Okay, I really like him. In Heartbreakers.

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<v Speaker 4>I haven't it's been so long since I've seen Heartbreakers.

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<v Speaker 4>Obviously I love him.

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<v Speaker 3>As it's probably the same character too.

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<v Speaker 4>Yeah, he's just like it's just total.

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<v Speaker 2>Yeah, like just does it very well. And then Royal

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<v Speaker 2>Tannem Bombs is awesome too.

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<v Speaker 4>The Replacements, The replacement. I mean, I'm sure everybody else

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<v Speaker 4>thinks Hoosiers, but I'm like, the Replacements. That's you got

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<v Speaker 4>to set that up better.

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<v Speaker 2>You know that one sports movie that he's really good in.

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<v Speaker 3>The Replacements.

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<v Speaker 4>Enemy of the Estate, that's another good one.

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<v Speaker 2>Okay, So basically what the joke, the whole thing was.

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<v Speaker 4>Well, we were talking about how the beauty standards of

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<v Speaker 4>the seventies.

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<v Speaker 2>Were not even the beauty standards. It was the action

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<v Speaker 2>hero changed. Yeah, yeah, yeah, like what the action here

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<v Speaker 2>to look like basically changed from the seventies to the

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<v Speaker 2>eighties because in the seventies you had Clint Eastwood and

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<v Speaker 2>Charles Bronson. Exactly when we did the Pumping Iron episode

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<v Speaker 2>that's never going to get released, we were talking about

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<v Speaker 2>that and we said that Gene Hackman.

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<v Speaker 3>Looks like basically he looks like a potato with a

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<v Speaker 3>hat on.

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<v Speaker 4>Yes.

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<v Speaker 2>In the French Connection.

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<v Speaker 3>But the whole thing that's funny to me.

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<v Speaker 2>Is just a potato wearing a hat.

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<v Speaker 3>I don't know why. That's what's that's what's funny to me.

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<v Speaker 3>I don't know.

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<v Speaker 4>That is the basic conceit of mister potato head. It's

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<v Speaker 4>not like you're the first person to get there. It's

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<v Speaker 4>funny potato.

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<v Speaker 2>Pissed off, like like French connection. Yeah exactly, which I

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<v Speaker 2>guess is just mister potato head and toy story.

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<v Speaker 3>So yeah, Gene Hackman, I play that.

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<v Speaker 2>But anyway, so that was unintentional.

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<v Speaker 4>Yeah, we love Gene Hackman. It was bad timing, Yeah,

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<v Speaker 4>just by pure coincidence. It was really poor timing to

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<v Speaker 4>release this episode. But again, no disrespect man, no none

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<v Speaker 4>at all of Gene Hackman. Just wanted to say, like,

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<v Speaker 4>you know, we're not being dickbags on purpose.

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<v Speaker 2>Yeah, exactly. Okay, So anyway, yeah, so we just wanted

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<v Speaker 2>to say.

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<v Speaker 4>That, sorry, genuinely sorry.

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<v Speaker 2>Very stupid jokes. Yes, speaking of stupid jokes, how about

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<v Speaker 2>we get this episode going and finish off the rest

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<v Speaker 2>of this gos darn summary.

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<v Speaker 4>Huh sounds good.

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<v Speaker 3>Cool.

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<v Speaker 2>We also sometimes play a clip of a line from

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<v Speaker 2>the movie to segue into the episode. But since I

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<v Speaker 2>can't think of a single memorable line off the top

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<v Speaker 2>of my head, how about we just do one from

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<v Speaker 2>Gene Hackman's scene in Young Frankenstein Is Dead. Huh yeah what.

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<v Speaker 4>Wait, where are you going?

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<v Speaker 1>I was gonna make a spresso?

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<v Speaker 4>Okay. So back at the gym, Mary Tate shows up

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<v Speaker 4>to collect her things. As Thor wakes up from his bender,

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<v Speaker 4>he goes into his office and does some cocaine. I think, no, no, okay,

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<v Speaker 4>what is that?

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<v Speaker 2>Okay? So, according to Bob Rafelson in an interview with

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<v Speaker 2>Senses of Cinnamon dot com, the actor who plays Thor,

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<v Speaker 2>uh whose name is Rgie Armstrong, was actually doing They're

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<v Speaker 2>called poppers. There's an actual names the poppers. They're called poppers,

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<v Speaker 2>but that's what he's sniffing. So it's it's actually called

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<v Speaker 2>amiel nitrite.

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<v Speaker 1>Uh huh.

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<v Speaker 2>So do you guys have haven't heard of that before?

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<v Speaker 2>Because I've never heard.

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<v Speaker 4>I have heard of poppers, and all the contexts that

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<v Speaker 4>I've ever gotten about it is that they are popular

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<v Speaker 4>among the homosexual community. Okay, that's That's the only thing

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<v Speaker 4>ever heard about.

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<v Speaker 1>It happening at a gym in the seventies.

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<v Speaker 2>Soon allegedly throw that in there because anyway, So, okay,

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<v Speaker 2>this was Wikipedia, and it says, quote, it was used

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<v Speaker 2>recreationally as an inhalent drug that induces a brief euphoric state,

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<v Speaker 2>and when combined with other intoxicant stimulate drugs such as

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<v Speaker 2>cocaine or MDMA, which.

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<v Speaker 1>Is Mollie right, yeah, pretty much ecstasy.

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<v Speaker 3>Is it different than ecstasy?

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<v Speaker 1>They're all kind of in the same, right.

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<v Speaker 2>Okay, you forced. It intensifies and is prolonged once some

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<v Speaker 2>stimulative drugs wear off. A common side effect is appeared

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<v Speaker 2>to depression and anxiety collinoqually, collilically called a come down,

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<v Speaker 2>colloquially yeah, yeah, whatever. Anyways, amyl nitrite is sometimes used

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<v Speaker 2>to combat these negative after effects. Huh huh, I did

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<v Speaker 2>not read this far ahead. This effect, combined with its

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<v Speaker 2>disassociative effects, has led to it being used as a

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<v Speaker 2>recreational drug.

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<v Speaker 1>Hummm, I thought it was smelling salts. That's what I

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<v Speaker 1>was thinking.

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<v Speaker 2>That's what I thought it was too. And then I

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<v Speaker 2>read the interview where he okay, so, Bob Rafelson in

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<v Speaker 2>an interview said that he was doing these things. He

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<v Speaker 2>actually was doing those poppers. Damn yes, he was sniffing

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<v Speaker 2>and which I'm sure was like super fum for Sally

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<v Speaker 2>filled out to deal with.

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<v Speaker 4>Yeah.

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<v Speaker 2>Yeah, so great job on maintaining that safe set there,

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<v Speaker 2>Bob Ravelson.

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<v Speaker 4>Yeah, she's anyway.

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<v Speaker 2>But yeah, so it's like which again, like it's ephours.

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<v Speaker 2>I know, I'm sure he was drinking at the same time,

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<v Speaker 2>but it seems like it's like something to calm me

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<v Speaker 2>down though, because Joe, like, how does I'm sorry, I

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<v Speaker 2>didn't mean to throw to you like you're the drug expert,

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<v Speaker 2>but I think you were just about to say something

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<v Speaker 2>like MDMA. It makes you feel like like the next.

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<v Speaker 1>Day, like yeah, well, basically what it does is it

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<v Speaker 1>takes like all your serotonin that she's like you're happy, horrible, horron,

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<v Speaker 1>thank you, and just like dumps it so you're like, yeah,

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<v Speaker 1>I feel great, like everything is awesome, and then you know,

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<v Speaker 1>usually it'll take a little bit to you know, get

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<v Speaker 1>back going. That's so I should only do it like

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<v Speaker 1>once every six months at the most. And this also

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<v Speaker 1>thing called suicide Tuesday, which is usually like Tuesdays like

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<v Speaker 1>the day you feel really bad. No, I don't think

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<v Speaker 1>I want to kill themselves, but like.

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<v Speaker 4>Yeah, yeah, just like you take it over the weekend

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<v Speaker 4>and so then by the time Tuesday rolls around, Yeah,

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<v Speaker 4>you feel like horrible.

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<v Speaker 1>Like fucking I need some serotonin. So there's actually, uh,

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<v Speaker 1>it's like Omega five or some shit, some like over

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<v Speaker 1>the counter stuff that you can take that's supposed to

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<v Speaker 1>boost your serotonin allegedly, but it's or not over the

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<v Speaker 1>counter but like herbal whatever, you know, all that bullshit.

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<v Speaker 1>So yeah, that's basically what else would so MDMA like

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<v Speaker 1>when you want to do it in the dance stuff

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<v Speaker 1>like it can be an upper because one of the

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<v Speaker 1>m's is like basically meth, but you can get it.

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<v Speaker 1>I always forget the difference between a MDMA, molly uh

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<v Speaker 1>ecstasy and sas one of them or some of them

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<v Speaker 1>don't have like the the meth part. So if you

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<v Speaker 1>take it like the stuff, and you take it and

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<v Speaker 1>you go to a club and you dance all night

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<v Speaker 1>because you're all hyped up and you serotonin's going, some

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<v Speaker 1>of the other ones you're just like, well, I want

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<v Speaker 1>to hang out and cuttle and laugh and talk stuff. Allegedly.

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<v Speaker 2>By the way, the actual reason or the actual use

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<v Speaker 2>for this is for people with heart problems. So yes,

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<v Speaker 2>that's the uh, there's one, two, three, there's four uses

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<v Speaker 2>that are listed on Wikipedia.

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<v Speaker 3>That's number four.

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<v Speaker 2>That's the last one because the first one is.

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<v Speaker 4>What does it like funk with your blood pressure? Like

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<v Speaker 4>what do you mean heart?

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<v Speaker 2>So yes, it says uh am amelin nitrate and historically

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<v Speaker 2>uh employed medically to treat heart diseases as well as angina,

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<v Speaker 2>which just makes me laugh every time, Like my angina.

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<v Speaker 2>I mean, I know it's a very serious thing and

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<v Speaker 2>I'm sorry, but the word angina, I'm like, we are

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<v Speaker 2>you really gonna name it angina? It sounds like vagina,

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<v Speaker 2>my angina, And then they reach.

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<v Speaker 3>For their heart, and like why they reaching for their heart?

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<v Speaker 2>I want to every now and then I think of

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<v Speaker 2>like sitcom jokes that are really bad dru I'm like,

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<v Speaker 2>it's always for stupid characters to where it's like someone's like,

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<v Speaker 2>oh my aunt Jennet and then he grabs like his

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<v Speaker 2>like dick like he's like, oh, like that's not what angina,

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<v Speaker 2>or like a girl, a girl like that's not why

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<v Speaker 2>an Ngiina is like, oh my aunt Johina's acting up

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<v Speaker 2>and then she like grabs her like I don't know,

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<v Speaker 2>like it's it's a hard thing anyway. It's also was

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<v Speaker 2>used as an intido for cyanide poisoning apparently. But yeah,

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<v Speaker 2>and then it says that Popper's which is weird because

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<v Speaker 2>I feel like he wouldn't have the effect that it

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<v Speaker 2>does in this movie because he gets fucking crazy. And

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<v Speaker 2>it's like, I guess if it's like something that brings

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<v Speaker 2>you back. Actually that makes sense, if it's something that

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<v Speaker 2>brings you back up from when you're feeling like shit.

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<v Speaker 2>But I don't, I don't know.

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<v Speaker 1>I don't know.

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<v Speaker 4>It's hard to say. He takes the stuff and then

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<v Speaker 4>this is how I imagine a fucking like this is

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<v Speaker 4>what I imagined PCP does to you. Yeah, he gets

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<v Speaker 4>all weird and aggressive and like, I don't know, Yeah.

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<v Speaker 2>Joe, not no PCP yet, No, okay, I was waiting

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<v Speaker 2>for like next year. Actually actually does not do that

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<v Speaker 2>to you.

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<v Speaker 3>Well.

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<v Speaker 1>See, the thing is, I don't know. It's one of

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<v Speaker 1>those drugs they would ever touch. I mean, just like

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<v Speaker 1>all drugs. Yeah, I'll stick with my beer.

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<v Speaker 2>Speaking of drugs, the any situations where you'll be like, well,

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<v Speaker 2>PCPs or heroin is like like okay, like is it

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<v Speaker 2>like a dying thing to where you like like like

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<v Speaker 2>a little of sunshine sort of like thing to where

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<v Speaker 2>it's like you're Allen Arcis.

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<v Speaker 1>See.

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<v Speaker 4>Heroin seems like one of those things, uh like if.

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<v Speaker 1>The world was ending or I'm dying or something, you know.

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<v Speaker 1>I mean, because I'm not gonna lie. They seem like

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<v Speaker 1>fucking fun. They just life.

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<v Speaker 2>I don't know.

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<v Speaker 1>I want to fucking stort a bunch of meth and

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<v Speaker 1>stay at for three days and fucking draw shit. I

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<v Speaker 1>don't know. It sounds cool, but then I have like

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<v Speaker 1>the rest of my fucking life and.

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<v Speaker 2>What if it's like super awesome? So yes, like that's

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<v Speaker 2>why I try to do. Like besides like the pills

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<v Speaker 2>that I do take, I don't touch anything chemical because

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<v Speaker 2>my I have a very addictive personality, So it's like

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<v Speaker 2>nothing chemical whatsoever, because I don't want to have to

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<v Speaker 2>be like end up turning into like a requin for

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<v Speaker 2>a dream situation.

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<v Speaker 5>Yeah, thank you, And we all know the situation he's

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<v Speaker 5>talking about.

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<v Speaker 2>I mean, yeah, it's not like I'm doing that now,

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<v Speaker 2>but that was like, no, no, I want to stop

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<v Speaker 2>the ass. That's why it'll it'll stop me from the

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<v Speaker 2>Heroin's what gets me. You get too high to do

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<v Speaker 2>ass ass and you're like, oh, no, I ain't doing

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<v Speaker 2>that anymore, Like I.

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<v Speaker 4>Gotta go all the way to the warehouse downtown.

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<v Speaker 2>So when that movie, like, why is he shooting up

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<v Speaker 2>into the same spot every single time?

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<v Speaker 3>That's that's what I don't get. Like I think I

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<v Speaker 3>mentioned this the first time.

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<v Speaker 2>I have weird like remember weird stuff, but like the

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<v Speaker 2>much I was with at Joe's fucking parents.

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<v Speaker 1>House watch parents house.

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<v Speaker 3>Yes, I remember watching.

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<v Speaker 2>At your parents house, Like, why is he shooting in

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<v Speaker 2>the same fucking spot. I'm pretty sure that was one

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<v Speaker 2>of our friends. Was was like the one that showed

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<v Speaker 2>it to us?

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<v Speaker 3>Who actually did it?

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<v Speaker 1>Was that him? I don't know. I just I just

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<v Speaker 1>remember seeing it once and I'm like.

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<v Speaker 2>That was at your parents' house. Yeah yeah, I was like,

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<v Speaker 2>why why is he shooting it into the same spot

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<v Speaker 2>every single time?

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<v Speaker 1>Yeah? That was kind of a dumb ass move on

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<v Speaker 1>his part.

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<v Speaker 2>Yeah, you got how many different toes come on? Get

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<v Speaker 2>it in between those toes? Maybe that's what they did

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<v Speaker 2>before the internet.

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<v Speaker 1>I don't know. Anyway, No, because there was some movie

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<v Speaker 1>with Joshua Jackson where he was shooting out in between

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<v Speaker 1>his toes. Was it cruel intentions. I don't know.

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<v Speaker 4>Joshua Jackson wasn't in Yeah it was.

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<v Speaker 1>It was.

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<v Speaker 2>Yeah, he's a he plays the gay character and cruel intentions.

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<v Speaker 2>But uh that drug is that drugs?

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<v Speaker 4>Anyway?

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<v Speaker 3>Sorry?

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<v Speaker 4>Okay, So he does some poppers before heading downstairs and

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<v Speaker 4>sexually assault taking Mary Tate. Back at the competition, Bridges

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<v Speaker 4>is whining at Arnold about how bad he feels until

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<v Speaker 4>Arnold can't take it anymore and tells him off before

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<v Speaker 4>going on stage.

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<v Speaker 2>Okay, so wait what turned him?

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<v Speaker 1>What turned to Jeff Bridges?

301
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<v Speaker 4>What turned him?

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<v Speaker 1>Uh?

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<v Speaker 3>Yeah?

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<v Speaker 2>Like why is he? Like I think, okay, that's twenty

305
00:14:20.399 --> 00:14:23.519
<v Speaker 2>minutes before the movie. He's a dictor because she infronts him.

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<v Speaker 2>She was like, you didn't want anything to do with

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<v Speaker 2>me at the party, and he's like lying, like he's

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<v Speaker 2>lying to worries like I was, Uh no, I was

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00:14:29.960 --> 00:14:32.159
<v Speaker 2>trying to introduce you to people or doing whatever, Like

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<v Speaker 2>he's fucking lied to.

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<v Speaker 4>I mean first he tries to gas light at first,

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<v Speaker 4>he's like, ah, that was your first party, You'll get

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<v Speaker 4>used to those, like.

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<v Speaker 2>Yeah, but then he tells her he's like, I wasn't

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<v Speaker 2>doing that. I was, I was, I was proud of

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00:14:43.159 --> 00:14:43.759
<v Speaker 2>you or what.

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<v Speaker 4>Was the lamest fucking excuse he was like, I was

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<v Speaker 4>just trying to show him who you are. You're so

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<v Speaker 4>real baby.

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00:14:49.759 --> 00:14:52.799
<v Speaker 2>Yeah yeah, like that's ship. But then he goes and

321
00:14:52.840 --> 00:14:55.279
<v Speaker 2>apologizes to uh what's his name? Like I was just

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00:14:55.360 --> 00:14:57.679
<v Speaker 2>curious what turned him like his billy master.

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<v Speaker 4>He really apologized to Arnold like he's about too when they.

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<v Speaker 2>Get interrupted, you know what I mean, I wonder if

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00:15:05.799 --> 00:15:07.159
<v Speaker 2>he was thankful for they's like, oh, thank god?

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00:15:07.200 --> 00:15:13.200
<v Speaker 4>Who exactly apologize? So uh, Arnold goes on stage after

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<v Speaker 4>kind of telling him off. Franklin tells Bridges that Mary

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<v Speaker 4>Tate was planning to go to the gym, so Bridges

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<v Speaker 4>heads there and one of the secret Language brothers follows

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<v Speaker 4>him to make sure Thor isn't fleeing with all the money.

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<v Speaker 4>Bridges shows up to the gym and finds a very

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<v Speaker 4>shaken Mary Tate. Realizing what happened, he sends Mary to

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00:15:32.159 --> 00:15:35.720
<v Speaker 4>find Arnold as Thor starts throwing all sorts of weight

334
00:15:35.759 --> 00:15:40.000
<v Speaker 4>and jim equipment at him. They have Oh sorry, go ahead, she.

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00:15:40.679 --> 00:15:42.120
<v Speaker 2>I thought he just sent her out of the gym.

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<v Speaker 4>No, no, no, he says, go find Joe, Go find Joe.

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<v Speaker 2>Oh, because the whole reason that that that uh that

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<v Speaker 2>Joe ran there was because he heard there was a yeah.

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00:15:51.360 --> 00:15:56.000
<v Speaker 4>Like the script is bad, yes, okay, but no he

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<v Speaker 4>as like as Thor starts throwing the weights, he her

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<v Speaker 4>to leave and he says, go find Joe, Go find Joe.

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00:16:03.039 --> 00:16:05.799
<v Speaker 4>So they have a pretty like I don't know, in

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<v Speaker 4>my opinion, they have a pretty exciting and realistic fight

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<v Speaker 4>throughout the gyms. That is pretty much like the highlight

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<v Speaker 4>of this movie for me.

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<v Speaker 2>Yeah, the first time I watched this, it was very tense.

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00:16:15.320 --> 00:16:18.559
<v Speaker 4>Yeah. Yeah, it's like a well choreographed and well thought

348
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<v Speaker 4>out fight.

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00:16:19.399 --> 00:16:22.759
<v Speaker 2>Yes, which that same sense of cinema dot Com interview

350
00:16:23.000 --> 00:16:26.120
<v Speaker 2>praises Bob Raefelson about that, and he actually says that

351
00:16:26.200 --> 00:16:29.679
<v Speaker 2>they mostly use real weights during that scene Jesus using

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<v Speaker 2>an example with it dropping on the stairs in front

353
00:16:32.279 --> 00:16:36.240
<v Speaker 2>Jeff Bridges and the stairs breaking, which I'm like, hardly, well,

354
00:16:36.279 --> 00:16:38.720
<v Speaker 2>are you trying to kill it? I don't know, it's

355
00:16:38.759 --> 00:16:39.440
<v Speaker 2>just a very I.

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<v Speaker 4>Mean, he was on poppers man, what do you want

357
00:16:40.799 --> 00:16:41.159
<v Speaker 4>from him?

358
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<v Speaker 2>Which it's like, if that's true, it's just like, dude,

359
00:16:44.720 --> 00:16:45.519
<v Speaker 2>set safety.

360
00:16:45.639 --> 00:16:49.399
<v Speaker 4>Yeah, what the fuck? Although that that move that Jeff

361
00:16:49.399 --> 00:16:51.559
<v Speaker 4>Bridges pulls when he throws the weight down the stairs

362
00:16:51.600 --> 00:16:53.480
<v Speaker 4>at him, not not the Olympic weight, but like the

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00:16:53.480 --> 00:16:55.320
<v Speaker 4>bar bell at him, and he like jumps up into

364
00:16:55.320 --> 00:16:57.639
<v Speaker 4>the hall. Yeah yeah, yeah, like a fucking spider monkey.

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00:16:57.720 --> 00:16:58.559
<v Speaker 4>That was pretty sweet.

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00:16:58.799 --> 00:17:01.919
<v Speaker 2>But like the the fucking uh the weight that they

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<v Speaker 2>he drops.

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00:17:02.519 --> 00:17:06.079
<v Speaker 4>Right before he's walking big like fifty pound Olympic weight

369
00:17:06.119 --> 00:17:07.359
<v Speaker 4>that he throws down at him. Yeah.

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<v Speaker 2>Yeah.

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00:17:08.039 --> 00:17:11.039
<v Speaker 4>At one point, the brother like comes to the gym

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<v Speaker 4>and sees them fighting and then runs back to the competition.

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<v Speaker 4>Back at the competition, we see a pose off between

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<v Speaker 4>Arnold and uh.

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<v Speaker 1>What's his name?

376
00:17:21.200 --> 00:17:23.240
<v Speaker 4>I just have some blonde Ken Waller?

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00:17:23.319 --> 00:17:25.880
<v Speaker 2>Ken Waller, Yeah, so I post on his name in

378
00:17:25.880 --> 00:17:26.920
<v Speaker 2>the movie, but that's his real name.

379
00:17:27.000 --> 00:17:27.160
<v Speaker 1>Yeah.

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00:17:27.200 --> 00:17:30.079
<v Speaker 4>Yeah. We see a pose off between Arnold and ken Waller,

381
00:17:30.359 --> 00:17:33.200
<v Speaker 4>which Arnold wins pretty decisively according to the crowd.

382
00:17:33.720 --> 00:17:37.640
<v Speaker 2>Yeah, and he like, sorry, it's just an Arnold body comment,

383
00:17:37.720 --> 00:17:39.559
<v Speaker 2>but like the definition is.

384
00:17:39.519 --> 00:17:40.480
<v Speaker 3>Just so much better with.

385
00:17:42.119 --> 00:17:44.839
<v Speaker 2>Yeah Ken Waller, which I'm I'm assuming it's just why.

386
00:17:44.720 --> 00:17:48.160
<v Speaker 4>He won everything, yeah, like all the time. Yeah, Like

387
00:17:48.200 --> 00:17:51.079
<v Speaker 4>you really see it the moment before they call him

388
00:17:51.119 --> 00:17:55.319
<v Speaker 4>on stage when he's doing the barbell thing, and uh

389
00:17:55.440 --> 00:17:58.400
<v Speaker 4>he when he's doing the barbells, I was just like, oh,

390
00:17:58.440 --> 00:18:01.559
<v Speaker 4>he looks different from every other body builder in this movie. Yeah,

391
00:18:01.680 --> 00:18:04.440
<v Speaker 4>let's see. So as Arnold comes off the stage, the

392
00:18:04.440 --> 00:18:07.400
<v Speaker 4>weirdo with the secret language comes back and tells his

393
00:18:07.440 --> 00:18:10.359
<v Speaker 4>brother about the fight at the gym. So Arnold and

394
00:18:10.480 --> 00:18:14.119
<v Speaker 4>all the bodybuilders go running through the streets to get

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<v Speaker 4>to the gym. And so suddenly this movie decides that

396
00:18:18.160 --> 00:18:21.279
<v Speaker 4>it wants to be a mad cap comedy, not even

397
00:18:21.559 --> 00:18:26.319
<v Speaker 4>ten minutes after showing us a terrifying and like very

398
00:18:26.400 --> 00:18:30.640
<v Speaker 4>uncomfortable assault, which it still hasn't resolved, by the way.

399
00:18:31.480 --> 00:18:34.480
<v Speaker 4>So anyway, the bodybuilders are all trying to figure out

400
00:18:34.480 --> 00:18:37.400
<v Speaker 4>where Arnold went, but are being mobbed by people on

401
00:18:37.440 --> 00:18:39.720
<v Speaker 4>the street who want to see them do poses. So

402
00:18:39.759 --> 00:18:42.279
<v Speaker 4>they say fuck it and start posing in the middle

403
00:18:42.319 --> 00:18:45.599
<v Speaker 4>of the street, literally stopping traffic as we get like

404
00:18:46.400 --> 00:18:48.799
<v Speaker 4>almost like Benny Hill music in the back.

405
00:18:49.920 --> 00:18:53.519
<v Speaker 2>Like American Benny Hill music, yeah, Southern Benny Hill music.

406
00:18:53.640 --> 00:18:53.880
<v Speaker 4>Yeah.

407
00:18:54.000 --> 00:18:54.200
<v Speaker 3>Yeah.

408
00:18:54.240 --> 00:18:56.599
<v Speaker 1>There's even a bunch of them posing on top of

409
00:18:56.640 --> 00:18:57.599
<v Speaker 1>a bus that's going back.

410
00:18:57.680 --> 00:18:57.920
<v Speaker 3>Yeah.

411
00:18:58.000 --> 00:18:58.200
<v Speaker 4>Yeah.

412
00:18:58.200 --> 00:19:01.160
<v Speaker 2>They start climbing on cars and there's so did they

413
00:19:01.200 --> 00:19:03.880
<v Speaker 2>think that Joe Santos tole the money because I.

414
00:19:03.759 --> 00:19:07.359
<v Speaker 4>Know, I think they were following Joe because well they

415
00:19:07.359 --> 00:19:11.440
<v Speaker 4>were like, okay, you know what I mean. Those guys

416
00:19:11.480 --> 00:19:13.880
<v Speaker 4>don't know where the gym is. The registration wasn't at

417
00:19:13.920 --> 00:19:16.039
<v Speaker 4>the gym. Nothing was at the gym.

418
00:19:15.880 --> 00:19:18.400
<v Speaker 2>So far, all right, Okay, yeah, I don't know.

419
00:19:18.920 --> 00:19:21.799
<v Speaker 4>So back at the gym, the fight is over. Arnold

420
00:19:21.839 --> 00:19:24.480
<v Speaker 4>is trying to comfort Mary Tate as Bridges and Thor

421
00:19:24.599 --> 00:19:27.599
<v Speaker 4>are taken to the hospital. We cut to some time

422
00:19:27.720 --> 00:19:30.559
<v Speaker 4>later as the League of Evil realtors catch us up

423
00:19:30.599 --> 00:19:34.039
<v Speaker 4>on what happened after the fight. Thor agreed to sell

424
00:19:34.079 --> 00:19:37.039
<v Speaker 4>the gym to Bridges in exchange for Mary Tate dropping

425
00:19:37.119 --> 00:19:40.680
<v Speaker 4>the rape charges, which I only realized I only really

426
00:19:41.079 --> 00:19:44.680
<v Speaker 4>paid attention to on the second watch. And wow, that's

427
00:19:44.680 --> 00:19:49.759
<v Speaker 4>fucked up, Like that's yes, fucking monstrous. Yes, And now

428
00:19:49.799 --> 00:19:53.720
<v Speaker 4>that Bridges owns the gym, he decided not to sell

429
00:19:53.759 --> 00:19:56.200
<v Speaker 4>it to the realtors but to run the gym with Arnold.

430
00:19:56.839 --> 00:19:59.880
<v Speaker 4>We get a little more duration, first from the civil

431
00:20:00.119 --> 00:20:03.119
<v Speaker 4>or uncle, who is now proud of his nephew. Then

432
00:20:03.200 --> 00:20:06.079
<v Speaker 4>we get bridges narration, in which he tells his uncle

433
00:20:06.160 --> 00:20:08.960
<v Speaker 4>that he sold the mansion and gave the butler all

434
00:20:09.000 --> 00:20:11.839
<v Speaker 4>the best stuff to start his own thrift shop. Bridges

435
00:20:11.960 --> 00:20:17.119
<v Speaker 4>and Mary Tate are back together, and I guess that passes.

436
00:20:16.759 --> 00:20:17.279
<v Speaker 1>For an ending.

437
00:20:17.680 --> 00:20:21.559
<v Speaker 2>So wait, when does he make his way to the

438
00:20:21.599 --> 00:20:22.480
<v Speaker 2>Shining Hotel?

439
00:20:24.279 --> 00:20:28.960
<v Speaker 4>Shortly after he opens the thrift shop. It doesn't do well,

440
00:20:29.119 --> 00:20:31.319
<v Speaker 4>so he has to move to Colorado or wherever the fuck.

441
00:20:31.319 --> 00:20:35.880
<v Speaker 4>The overlook is, yeah, become a chef because take care

442
00:20:35.920 --> 00:20:37.359
<v Speaker 4>as of training. Well, I get shit.

443
00:20:39.279 --> 00:20:43.039
<v Speaker 2>Yeah, so he's already had the shinings.

444
00:20:43.240 --> 00:20:45.000
<v Speaker 3>Why didn't he fuck with it?

445
00:20:46.000 --> 00:20:47.000
<v Speaker 2>Maybe he didn't want to use it.

446
00:20:47.599 --> 00:20:50.920
<v Speaker 1>Well, it's not like like Jedi mind trick, Like you

447
00:20:50.960 --> 00:20:53.839
<v Speaker 1>can't convince people to do stuff. You just kind of

448
00:20:54.079 --> 00:20:55.000
<v Speaker 1>understand stuff.

449
00:20:55.920 --> 00:20:58.119
<v Speaker 2>So that is that why he knew that. I mean,

450
00:20:58.480 --> 00:20:59.759
<v Speaker 2>it was pretty obviously tip.

451
00:21:01.039 --> 00:21:06.079
<v Speaker 1>But yeah, seems like a scene to your mind.

452
00:21:06.319 --> 00:21:08.559
<v Speaker 4>Well, now that's how we knew what Jeff Bridges' grandma

453
00:21:08.559 --> 00:21:10.200
<v Speaker 4>would think of what Jeff Bridges.

454
00:21:09.880 --> 00:21:13.519
<v Speaker 2>Was he was communing with Okay, is it?

455
00:21:13.519 --> 00:21:13.720
<v Speaker 3>Wait?

456
00:21:13.759 --> 00:21:14.279
<v Speaker 2>Can he do that?

457
00:21:14.799 --> 00:21:16.720
<v Speaker 1>Uh? You talk to ghosts? So that's part of the

458
00:21:16.759 --> 00:21:19.799
<v Speaker 1>shiny Okay, I mean that's kind of like the entire

459
00:21:20.359 --> 00:21:23.640
<v Speaker 1>kind of point. And then doctor Sleep Danny talks to

460
00:21:24.079 --> 00:21:26.160
<v Speaker 1>oh yeah to Thecatman.

461
00:21:26.680 --> 00:21:32.000
<v Speaker 4>Yeah, that would be great. He's like, would you stop

462
00:21:32.039 --> 00:21:35.839
<v Speaker 4>calling me that? Okay, so we're at the end of

463
00:21:35.880 --> 00:21:38.400
<v Speaker 4>the movie and now we get to the only fucking

464
00:21:38.480 --> 00:21:40.640
<v Speaker 4>reason that I bothered to finish this movie, which is

465
00:21:40.720 --> 00:21:41.279
<v Speaker 4>Joe Namath.

466
00:21:42.319 --> 00:21:46.000
<v Speaker 1>Now we're going to do something extremely fun. We're going

467
00:21:46.000 --> 00:21:49.400
<v Speaker 1>to play a wonderful game called who is My Daddy?

468
00:21:49.759 --> 00:21:50.720
<v Speaker 3>And what does she do?

469
00:21:51.759 --> 00:21:56.480
<v Speaker 1>Yes, well, be ready because I have a long list.

470
00:21:58.000 --> 00:21:58.240
<v Speaker 4>Alright.

471
00:21:58.359 --> 00:22:04.519
<v Speaker 1>First off, I got somebody named Maith Nutter, m A

472
00:22:04.720 --> 00:22:09.599
<v Speaker 1>y F. Nutter, and that has been this episode's version

473
00:22:09.920 --> 00:22:13.119
<v Speaker 1>of Joe Namath. That was pretty much it.

474
00:22:13.359 --> 00:22:18.160
<v Speaker 6>Uh you know what, Yeah, yeah, I do find it

475
00:22:18.279 --> 00:22:20.519
<v Speaker 6>though that uh, this movie does have like a lot

476
00:22:20.519 --> 00:22:23.400
<v Speaker 6>of stars that are in people that are still relevant

477
00:22:23.480 --> 00:22:24.000
<v Speaker 6>or well known.

478
00:22:24.079 --> 00:22:26.960
<v Speaker 1>I mean you have Arnold, Jeff Bridges, Scatman, Crothers, at

479
00:22:26.960 --> 00:22:32.279
<v Speaker 1>Bagley Junior, Robert Englyn, Sally Fields. Like that's like if

480
00:22:32.279 --> 00:22:34.960
<v Speaker 1>you look at most movies in the seventies, like You're

481
00:22:35.039 --> 00:22:38.640
<v Speaker 1>lucky and you guys know like eighteen other random white

482
00:22:38.640 --> 00:22:39.680
<v Speaker 1>actors in this movie too.

483
00:22:39.720 --> 00:22:43.680
<v Speaker 2>So yeah there. I mean it helps that the director

484
00:22:43.799 --> 00:22:46.720
<v Speaker 2>was super uh like that's a director you wanted to

485
00:22:46.720 --> 00:22:49.400
<v Speaker 2>work with, but like Bobert, you want to work Yeah. Yeah,

486
00:22:49.440 --> 00:22:52.440
<v Speaker 2>so like everyone wanted to be in the movie. So yeah,

487
00:22:52.720 --> 00:22:53.920
<v Speaker 2>it was like definitely makes sense.

488
00:22:54.079 --> 00:22:58.839
<v Speaker 1>Yeah, like Tina oneion to your belt. It was a

489
00:22:58.880 --> 00:23:06.480
<v Speaker 1>style heah, okay, yeah, okay, real quick, before we get

490
00:23:06.519 --> 00:23:07.400
<v Speaker 1>to all the other stuff.

491
00:23:07.440 --> 00:23:08.880
<v Speaker 2>I have a couple of things I left out of

492
00:23:08.880 --> 00:23:11.559
<v Speaker 2>the production episode because I wanted to save them for

493
00:23:11.839 --> 00:23:14.400
<v Speaker 2>when we finished the summary, got it. So yeah, this

494
00:23:14.480 --> 00:23:16.799
<v Speaker 2>all comes from one of the interviews we discussed during

495
00:23:16.799 --> 00:23:20.759
<v Speaker 2>the production episode, specifically the nineteen seventy six interview director

496
00:23:20.799 --> 00:23:23.920
<v Speaker 2>Bob Rayfielson did for the British Film Institute. And we're

497
00:23:23.920 --> 00:23:26.160
<v Speaker 2>going to start with a quote from Rafelson with him

498
00:23:26.160 --> 00:23:29.279
<v Speaker 2>discussing Charles Gaines adapting his own novel and the reason

499
00:23:29.319 --> 00:23:31.920
<v Speaker 2>behind some of the changes to the source material. And

500
00:23:31.960 --> 00:23:35.039
<v Speaker 2>he says, quote but rather than being redundant and trying

501
00:23:35.039 --> 00:23:38.119
<v Speaker 2>to capture the energies he had put into the novel,

502
00:23:38.279 --> 00:23:40.240
<v Speaker 2>Gaines might be able to bring new life into a

503
00:23:40.279 --> 00:23:43.759
<v Speaker 2>new creative experience based on the same basic body of material.

504
00:23:44.240 --> 00:23:46.440
<v Speaker 2>If you can break the logic of the original piece

505
00:23:46.519 --> 00:23:48.599
<v Speaker 2>of thinking and open it some, the quality of writing

506
00:23:48.640 --> 00:23:51.960
<v Speaker 2>becomes more energized. Otherwise you're merely trying to figure it out.

507
00:23:52.079 --> 00:23:54.200
<v Speaker 2>How can I translate the novel experience into the film

508
00:23:54.279 --> 00:23:56.279
<v Speaker 2>experience at any rate? I did not relent in my

509
00:23:56.319 --> 00:23:58.759
<v Speaker 2>feelings about wanting to make a more optimistic film and

510
00:23:58.839 --> 00:23:59.960
<v Speaker 2>express that aspect of myself.

511
00:24:00.279 --> 00:24:02.759
<v Speaker 4>So I'm sorry. So he's saying he wanted a more

512
00:24:02.839 --> 00:24:04.480
<v Speaker 4>positive like he wanted the movie to.

513
00:24:04.720 --> 00:24:08.599
<v Speaker 2>Yes, apparently the which we didn't. Apparently the book ended

514
00:24:08.640 --> 00:24:10.880
<v Speaker 2>on a fucking downer. I think someone died at the end.

515
00:24:11.200 --> 00:24:13.079
<v Speaker 4>Yeah, but I thought that's what he liked about the book.

516
00:24:13.319 --> 00:24:14.519
<v Speaker 4>That's what we talked about.

517
00:24:14.359 --> 00:24:16.079
<v Speaker 2>Is that he liked that. That's what That's what's weird

518
00:24:16.160 --> 00:24:17.920
<v Speaker 2>is because he's he says that, But then like, the

519
00:24:17.920 --> 00:24:19.920
<v Speaker 2>whole reason that he did that like this movie is

520
00:24:19.960 --> 00:24:22.839
<v Speaker 2>because he wanted something more positive. So I don't know.

521
00:24:22.880 --> 00:24:24.880
<v Speaker 2>He's like, I like, I like the fact that you

522
00:24:24.920 --> 00:24:28.759
<v Speaker 2>think like me, But I'm changing the end of your book. Okay,

523
00:24:28.799 --> 00:24:30.160
<v Speaker 2>that's all I got from that. I don't know.

524
00:24:30.519 --> 00:24:30.799
<v Speaker 1>Okay.

525
00:24:30.799 --> 00:24:32.839
<v Speaker 2>He also mentions why the gym owner ends up fighting

526
00:24:32.880 --> 00:24:37.079
<v Speaker 2>with Jeff Bridges instead of the developers. Yeah, so, uh,

527
00:24:37.119 --> 00:24:40.440
<v Speaker 2>he says, quote, I suppose that in more conventional narrative, structures.

528
00:24:40.480 --> 00:24:43.200
<v Speaker 2>The enemy in the film would have been the cartel members,

529
00:24:44.000 --> 00:24:46.799
<v Speaker 2>and the fight would have taken place openly between them

530
00:24:46.799 --> 00:24:50.680
<v Speaker 2>and the hero, Craig Blake. Instead, they simply subvert the

531
00:24:50.759 --> 00:24:53.559
<v Speaker 2>gym owner, and the big confrontation comes between those two.

532
00:24:54.039 --> 00:24:56.279
<v Speaker 2>I don't do this kind of thing intentionally. It's more

533
00:24:56.319 --> 00:24:59.119
<v Speaker 2>that I find the intentions of simple, straightforward narrative so

534
00:24:59.200 --> 00:25:03.079
<v Speaker 2>compellingly and embarrassingly predictable in most instances that I tend

535
00:25:03.079 --> 00:25:07.000
<v Speaker 2>to search out other possibilities. I don't mind looking at

536
00:25:07.000 --> 00:25:08.960
<v Speaker 2>movies that are made this way, but I find it

537
00:25:09.079 --> 00:25:11.519
<v Speaker 2>very difficult myself to make movies where I know right

538
00:25:11.559 --> 00:25:12.880
<v Speaker 2>from the beginning what the end is going to be.

539
00:25:13.000 --> 00:25:17.720
<v Speaker 2>Unquo and again each like it's it's just this is

540
00:25:17.759 --> 00:25:20.200
<v Speaker 2>why all this stuff right here is why, like just

541
00:25:20.359 --> 00:25:22.640
<v Speaker 2>such a pretentious and like I don't.

542
00:25:22.480 --> 00:25:28.400
<v Speaker 4>Know, Yeah, no, he's an asshole. Again and again. Going

543
00:25:28.440 --> 00:25:30.519
<v Speaker 4>back to the park earlier, we were talking about where

544
00:25:30.519 --> 00:25:33.599
<v Speaker 4>he was in the production episode where he was talking

545
00:25:33.759 --> 00:25:35.319
<v Speaker 4>they were kind of shitting on Jaws.

546
00:25:35.880 --> 00:25:36.599
<v Speaker 2>Yeah, it just it.

547
00:25:36.960 --> 00:25:40.680
<v Speaker 4>It is really fucking stupid to me because it's like, yeah,

548
00:25:40.720 --> 00:25:42.680
<v Speaker 4>I bet you in Jaws, the end of the movie

549
00:25:42.759 --> 00:25:45.759
<v Speaker 4>is going to be they fight the shark, But that doesn't.

550
00:25:45.559 --> 00:25:47.960
<v Speaker 2>Make it fucking less out that was exactly.

551
00:25:47.720 --> 00:25:50.079
<v Speaker 4>Doesn't make it less exciting or what I was like that.

552
00:25:50.319 --> 00:25:54.720
<v Speaker 2>By the way, Joe, during the filming of this, they

553
00:25:54.759 --> 00:25:57.319
<v Speaker 2>all went out and watched Jaws because it was in

554
00:25:57.359 --> 00:26:01.640
<v Speaker 2>the theater, and Bob Rafelson told it was him.

555
00:26:01.759 --> 00:26:02.640
<v Speaker 4>And Robert England.

556
00:26:03.519 --> 00:26:04.960
<v Speaker 2>I don't even I don't even know if he was there.

557
00:26:05.680 --> 00:26:07.400
<v Speaker 4>Yeah, but wasn't Robert England one of the people.

558
00:26:07.759 --> 00:26:09.559
<v Speaker 2>Yeah, he told the story, so I don't know, Like,

559
00:26:09.920 --> 00:26:12.240
<v Speaker 2>so it was it was the three main people and

560
00:26:12.279 --> 00:26:14.720
<v Speaker 2>Bob Rafelson for sure, and then maybe Robert Elkin too.

561
00:26:14.960 --> 00:26:17.240
<v Speaker 2>But Bob Rafelson told him this is this movie right

562
00:26:17.279 --> 00:26:19.119
<v Speaker 2>here is going to be the end, Like this is

563
00:26:19.119 --> 00:26:23.559
<v Speaker 2>going to end our type of movies. He was right, yeah, right,

564
00:26:24.519 --> 00:26:27.599
<v Speaker 2>because that was like the big blockbuster, like summer blockbuster.

565
00:26:27.680 --> 00:26:30.680
<v Speaker 2>And then you get like which I've read in a

566
00:26:30.720 --> 00:26:33.440
<v Speaker 2>few places, where you get like, they don't blame it.

567
00:26:33.480 --> 00:26:36.119
<v Speaker 2>They're they're kind of but not like it's what are

568
00:26:36.119 --> 00:26:37.839
<v Speaker 2>they they're like saying.

569
00:26:37.559 --> 00:26:41.119
<v Speaker 4>That the kind of blame like And again again we

570
00:26:41.160 --> 00:26:42.880
<v Speaker 4>went over this part when we talked about it in

571
00:26:42.880 --> 00:26:46.799
<v Speaker 4>the Protection episode. They're not like entirely wrong. He made

572
00:26:46.880 --> 00:26:50.960
<v Speaker 4>the first blockbuster and that changed cinema, Like Summer Batch

573
00:26:51.039 --> 00:26:53.480
<v Speaker 4>the way the movie. Yeah, the movie business works.

574
00:26:53.680 --> 00:26:53.920
<v Speaker 3>Yeah.

575
00:26:54.319 --> 00:26:57.960
<v Speaker 2>So it's just like them talk like this is when

576
00:26:58.079 --> 00:26:59.240
<v Speaker 2>that great era ended.

577
00:26:59.279 --> 00:27:01.319
<v Speaker 4>I'm like, also, if this is your example of your

578
00:27:01.359 --> 00:27:03.680
<v Speaker 4>great era, fuck you. This fucking sucks.

579
00:27:04.039 --> 00:27:06.680
<v Speaker 1>I have a lot of thoughts about this, and I

580
00:27:06.720 --> 00:27:10.359
<v Speaker 1>was saving it for I pumped. Like, you know me,

581
00:27:10.440 --> 00:27:14.480
<v Speaker 1>I'm a constant contrarian, so I'll play both sides and

582
00:27:14.559 --> 00:27:18.200
<v Speaker 1>I'm gonna do that in the Uh cool, I pumped.

583
00:27:18.599 --> 00:27:22.079
<v Speaker 2>Let me hear. Okay, so there's a reason for why

584
00:27:22.119 --> 00:27:25.559
<v Speaker 2>the movie might seem kind of uh disjointed. I guess

585
00:27:25.559 --> 00:27:27.480
<v Speaker 2>I think that's the word he uses. Okay, So anyway,

586
00:27:27.680 --> 00:27:29.960
<v Speaker 2>so he also mentions in that same this this comes

587
00:27:29.960 --> 00:27:32.559
<v Speaker 2>from the British Film Institute article that they did that

588
00:27:32.599 --> 00:27:34.359
<v Speaker 2>like profile on him, But this also comes from the

589
00:27:34.400 --> 00:27:36.160
<v Speaker 2>same article. He said that he shoots his films in

590
00:27:36.319 --> 00:27:39.359
<v Speaker 2>order and usually doesn't know how the movie's going to

591
00:27:39.480 --> 00:27:42.680
<v Speaker 2>end until the day before shooting the scene because quote,

592
00:27:43.640 --> 00:27:46.519
<v Speaker 2>in the movies I've made so far, the greatest reward

593
00:27:46.599 --> 00:27:49.200
<v Speaker 2>has been that they have yielded to me privileges of

594
00:27:49.240 --> 00:27:53.559
<v Speaker 2>experimentation and exploration. I don't like to know what my

595
00:27:53.640 --> 00:27:55.680
<v Speaker 2>movies are about. I don't like to know how they're

596
00:27:55.720 --> 00:27:59.240
<v Speaker 2>going to end. It's a constant puzzlement and a challenge. Okay,

597
00:27:59.319 --> 00:28:02.839
<v Speaker 2>before you say anything, Rafelson also unquote, but Rafelson also

598
00:28:02.839 --> 00:28:07.480
<v Speaker 2>admits that this can be quote quite exasperating for my collaborators.

599
00:28:06.720 --> 00:28:07.519
<v Speaker 4>The fucking audience.

600
00:28:07.599 --> 00:28:12.480
<v Speaker 2>Yeah, particularly in the production department, who are constantly receiving

601
00:28:12.480 --> 00:28:14.640
<v Speaker 2>new pages at the last moment, sometimes to be shot

602
00:28:14.680 --> 00:28:19.440
<v Speaker 2>in locals thousands of miles away from where they are unquote. Which,

603
00:28:19.880 --> 00:28:24.039
<v Speaker 2>first of all, like I've seen articles with longtime actors

604
00:28:24.079 --> 00:28:26.160
<v Speaker 2>that are talking to people that like to improvise, you

605
00:28:26.240 --> 00:28:27.960
<v Speaker 2>do it at least once the way that they want

606
00:28:28.000 --> 00:28:31.799
<v Speaker 2>you to do it, because it's disrespectful to the screenwriter. Yeah,

607
00:28:32.440 --> 00:28:34.160
<v Speaker 2>the fact that you're just like, fuck it, I can

608
00:28:34.200 --> 00:28:36.079
<v Speaker 2>I can make it better, So at least do it.

609
00:28:36.119 --> 00:28:38.960
<v Speaker 2>They're a way once and this ship would be frustrating

610
00:28:39.000 --> 00:28:39.359
<v Speaker 2>as fuck.

611
00:28:39.440 --> 00:28:44.359
<v Speaker 1>As I was listening to the Conan podcast where Woody

612
00:28:44.400 --> 00:28:46.960
<v Speaker 1>Harrison and Ted Danson were on, which probably came out

613
00:28:46.960 --> 00:28:49.160
<v Speaker 1>a long as a time ago, but wood he was

614
00:28:49.279 --> 00:28:51.799
<v Speaker 1>talking about him and Javier Burden and they were talking

615
00:28:51.799 --> 00:28:56.160
<v Speaker 1>about that scene in No Country Old Men, No Country

616
00:28:56.160 --> 00:29:02.680
<v Speaker 1>for Men, you know, cheers.

617
00:29:00.880 --> 00:29:04.319
<v Speaker 5>Really really tense scene and cheers with Woody Harrelson and

618
00:29:04.359 --> 00:29:07.200
<v Speaker 5>Bobby a fucking a toddler.

619
00:29:08.279 --> 00:29:09.279
<v Speaker 2>The whole quarter scene.

620
00:29:09.319 --> 00:29:10.880
<v Speaker 3>The quarter scene happened.

621
00:29:13.160 --> 00:29:15.480
<v Speaker 1>But he was bouncing the quarter into the shop class

622
00:29:15.559 --> 00:29:24.440
<v Speaker 1>because but yeah, yeah, I don't know, mister, I don't know,

623
00:29:24.480 --> 00:29:31.519
<v Speaker 1>You're sorry, But yeah, they were. They were talking about

624
00:29:31.519 --> 00:29:35.799
<v Speaker 1>that and like, uh, Javier and Woody I'll call him

625
00:29:35.799 --> 00:29:39.519
<v Speaker 1>on their first names because her homies now basically we're

626
00:29:39.559 --> 00:29:43.240
<v Speaker 1>all in the bizz. Uh. They were like they like

627
00:29:43.319 --> 00:29:45.880
<v Speaker 1>reworked the scene. They like worked on it, like did

628
00:29:45.920 --> 00:29:48.160
<v Speaker 1>conversations for like two days or whatever, and they go

629
00:29:48.319 --> 00:29:50.480
<v Speaker 1>to like give it to the Cohen brothers like we're

630
00:29:50.480 --> 00:29:52.039
<v Speaker 1>gonna think we're gonna do it like that, and like

631
00:29:54.000 --> 00:29:58.920
<v Speaker 1>they do it how it's written and what. He's like, yeah, no,

632
00:29:59.000 --> 00:30:03.480
<v Speaker 1>there they were right like like you know, you got

633
00:30:03.480 --> 00:30:05.559
<v Speaker 1>to give credit to the guys whose job it is

634
00:30:05.599 --> 00:30:07.960
<v Speaker 1>to fucking like rate and direct the ship.

635
00:30:08.680 --> 00:30:14.119
<v Speaker 2>They wrote that too. What they Yeah, okay, we met

636
00:30:14.160 --> 00:30:14.440
<v Speaker 2>the book.

637
00:30:14.480 --> 00:30:17.039
<v Speaker 1>It's a Cormack McCarthy book. Who is who is?

638
00:30:17.200 --> 00:30:17.279
<v Speaker 4>What?

639
00:30:17.480 --> 00:30:20.680
<v Speaker 1>You? Helson in that he wasn't in it for very long,

640
00:30:20.720 --> 00:30:25.519
<v Speaker 1>but he he was in Mexico and spoilers. If you

641
00:30:25.559 --> 00:30:27.480
<v Speaker 1>haven't seen that movie, what the fuck are doing with

642
00:30:27.480 --> 00:30:28.519
<v Speaker 1>your life? But spoilers.

643
00:30:28.599 --> 00:30:30.400
<v Speaker 2>I saw recently. I was like, holy shoot, this movie

644
00:30:30.440 --> 00:30:30.759
<v Speaker 2>is good.

645
00:30:31.160 --> 00:30:34.119
<v Speaker 1>Yeah, he was in it for a little bit in Mexico.

646
00:30:34.160 --> 00:30:37.200
<v Speaker 1>Then he tries to like talk down Javier Bardem and

647
00:30:37.279 --> 00:30:39.920
<v Speaker 1>like he's like, he's like another he shoots him.

648
00:30:40.200 --> 00:30:43.640
<v Speaker 4>Yeah, he's like another hit man hired by what's his name,

649
00:30:43.680 --> 00:30:48.920
<v Speaker 4>Stephen Root to find Javier Bardem and and like stop

650
00:30:49.000 --> 00:30:50.400
<v Speaker 4>him from But.

651
00:30:50.400 --> 00:30:52.240
<v Speaker 1>He's the first one to be like you don't have

652
00:30:52.319 --> 00:30:54.799
<v Speaker 1>to do this, man, you know, and he tries to.

653
00:30:55.240 --> 00:30:57.720
<v Speaker 1>He's like, let the coin decide or whatever.

654
00:30:58.240 --> 00:30:59.960
<v Speaker 4>Okay, they have like a history.

655
00:30:59.680 --> 00:31:02.759
<v Speaker 2>So they no, they wrote they like, uh, workshop this

656
00:31:02.759 --> 00:31:06.480
<v Speaker 2>all thing. The Coin Brothers like, no, basically, yeah.

657
00:31:06.359 --> 00:31:08.799
<v Speaker 4>The story tells on Conan is just like like Joe said,

658
00:31:08.960 --> 00:31:13.359
<v Speaker 4>they spent like two days like offset like reworking the

659
00:31:13.359 --> 00:31:15.160
<v Speaker 4>script and be like, oh, yeah, this is a great idea.

660
00:31:15.200 --> 00:31:15.839
<v Speaker 3>This is a great idea.

661
00:31:15.920 --> 00:31:18.000
<v Speaker 4>Let's improvise this and that. And then they took them

662
00:31:18.000 --> 00:31:20.200
<v Speaker 4>to the Coen Brothers and they read through it and

663
00:31:20.240 --> 00:31:22.480
<v Speaker 4>then they were just like I think we'll do it

664
00:31:22.519 --> 00:31:23.160
<v Speaker 4>as really.

665
00:31:24.839 --> 00:31:26.960
<v Speaker 2>Just like not even thinking about it.

666
00:31:27.400 --> 00:31:29.839
<v Speaker 1>And yeah, even what Harrison's like, yeah you know they

667
00:31:29.880 --> 00:31:33.440
<v Speaker 1>were right, Yeah, like we didn't I don't all overthinking.

668
00:31:33.119 --> 00:31:34.920
<v Speaker 4>Yeah they were the Coen Brothers man.

669
00:31:35.240 --> 00:31:36.559
<v Speaker 3>Yeah, well to.

670
00:31:36.720 --> 00:31:38.720
<v Speaker 2>Give a Bobby Refles some credit in this instance started

671
00:31:38.720 --> 00:31:40.799
<v Speaker 2>to bring it back, but in this isn't instance.

672
00:31:40.960 --> 00:31:42.480
<v Speaker 1>Yeah, started bringing back to the.

673
00:31:42.759 --> 00:31:44.279
<v Speaker 4>Tope we're talking about.

674
00:31:44.359 --> 00:31:49.920
<v Speaker 2>Yeah, well, Charles Gaines was like do whatever, like whatever,

675
00:31:50.079 --> 00:31:53.119
<v Speaker 2>like yeah, he just was, Yes, as long as as

676
00:31:53.119 --> 00:31:55.720
<v Speaker 2>long as I get to work with you, man, it's

677
00:31:55.759 --> 00:31:59.279
<v Speaker 2>in honor, do whatever you want to my script. So whatever,

678
00:31:59.359 --> 00:32:01.359
<v Speaker 2>I guess. But then anyway, so he goes on to

679
00:32:01.400 --> 00:32:03.240
<v Speaker 2>say in that same article that he kind of like

680
00:32:03.319 --> 00:32:06.960
<v Speaker 2>fiells out the characters sure, saying that his approach means

681
00:32:07.000 --> 00:32:09.799
<v Speaker 2>that the audience, which Chris was just saying, audiences find

682
00:32:09.839 --> 00:32:12.599
<v Speaker 2>his movie is hard to follow and or like are

683
00:32:12.599 --> 00:32:15.839
<v Speaker 2>disorienting or whatever, saying quote, I shoot in continuity, and

684
00:32:15.880 --> 00:32:17.839
<v Speaker 2>I pay very close attention to what the characters in

685
00:32:17.839 --> 00:32:20.119
<v Speaker 2>the movie are telling me. Rather than being myself this

686
00:32:20.240 --> 00:32:24.279
<v Speaker 2>dictatorial force telling the characters how they should respond. I

687
00:32:24.400 --> 00:32:26.559
<v Speaker 2>place a great deal of faith in the collaboration of

688
00:32:26.599 --> 00:32:29.240
<v Speaker 2>the entire company and in the atmosphere in which I'm shooting.

689
00:32:29.359 --> 00:32:31.799
<v Speaker 2>I try to remain susceptible to what the characters are

690
00:32:31.799 --> 00:32:33.880
<v Speaker 2>telling me, what the weather is telling me, what the

691
00:32:33.920 --> 00:32:36.440
<v Speaker 2>sounds are telling me. While I do in enormous amounts

692
00:32:36.440 --> 00:32:40.000
<v Speaker 2>of preparation, I go through a strange, empty process before

693
00:32:40.039 --> 00:32:42.000
<v Speaker 2>I go to the stage and try to evaporate all

694
00:32:42.039 --> 00:32:44.839
<v Speaker 2>the preconceived notions. This is just a bunch of fucking

695
00:32:44.960 --> 00:32:47.960
<v Speaker 2>asshole shit that I try to stay vulnerable. This also

696
00:32:48.000 --> 00:32:50.079
<v Speaker 2>accounts I think, Okay, sorry, this is what I'm trying

697
00:32:50.079 --> 00:32:52.640
<v Speaker 2>to get to. This also accounts is talking about the audience.

698
00:32:52.680 --> 00:32:54.880
<v Speaker 2>This also accounts I think for a certain amount of

699
00:32:54.880 --> 00:32:57.240
<v Speaker 2>confusion on the part of the audiences that see my movies.

700
00:32:57.720 --> 00:33:01.400
<v Speaker 2>They find them disorienting, problematic, and diicult to follow. Illogical,

701
00:33:01.400 --> 00:33:04.000
<v Speaker 2>if you will. My film seemed totally logical to me,

702
00:33:04.079 --> 00:33:08.640
<v Speaker 2>But I'm pursuing a psychological god. Shut okay anyway, Yeah,

703
00:33:08.720 --> 00:33:11.319
<v Speaker 2>so he knows that it fucks with the health people

704
00:33:11.359 --> 00:33:12.279
<v Speaker 2>are watching stuff.

705
00:33:12.039 --> 00:33:14.319
<v Speaker 4>He knows it makes for a worse movie. He just

706
00:33:14.319 --> 00:33:14.839
<v Speaker 4>doesn't care.

707
00:33:15.279 --> 00:33:18.559
<v Speaker 2>He says, quote, Stay Hungry Again does begin on an

708
00:33:18.559 --> 00:33:20.920
<v Speaker 2>incredibly solemn note, a boy riding through a force and

709
00:33:20.920 --> 00:33:24.559
<v Speaker 2>sitting alone, A leftover voiceover, sorry, a letter voiceover introducing

710
00:33:24.599 --> 00:33:26.400
<v Speaker 2>us to the problems of his life, the despair of

711
00:33:26.400 --> 00:33:29.279
<v Speaker 2>his life, and immediately stamp. We're dealing with the wild

712
00:33:29.319 --> 00:33:32.559
<v Speaker 2>flourishes of middle class Birmingham businessman talking on cebe units.

713
00:33:32.880 --> 00:33:35.920
<v Speaker 2>The film constantly, almost maniacally, shifts from one mood to

714
00:33:35.960 --> 00:33:39.480
<v Speaker 2>the next. It does take on totally unexpected confrontations. There

715
00:33:39.559 --> 00:33:41.640
<v Speaker 2>is a sudden explosion of comic energy when the body

716
00:33:41.640 --> 00:33:44.039
<v Speaker 2>of logical racing to the streets of Birmingham. But these

717
00:33:44.079 --> 00:33:46.839
<v Speaker 2>things are I hope anticipated, No, they're not at all.

718
00:33:47.319 --> 00:33:49.559
<v Speaker 2>How how would they have been so that they don't

719
00:33:49.599 --> 00:33:53.720
<v Speaker 2>just happen arbitrarily or as radically stylistic departures?

720
00:33:54.359 --> 00:33:56.160
<v Speaker 4>And I thought you didn't want us to anticipate what's

721
00:33:56.160 --> 00:33:57.640
<v Speaker 4>gonna happen at the end of the movie. Fuck you,

722
00:33:57.799 --> 00:33:58.960
<v Speaker 4>fuck you and everything you do.

723
00:34:00.079 --> 00:34:04.039
<v Speaker 1>I mean, look to be fair, God, we want to

724
00:34:04.079 --> 00:34:07.880
<v Speaker 1>say we're familiar with seventies cinema, but we're only familiar

725
00:34:07.960 --> 00:34:11.800
<v Speaker 1>with like ten movies in the entire fucking decade, like

726
00:34:11.920 --> 00:34:12.679
<v Speaker 1>Star Wars.

727
00:34:12.719 --> 00:34:16.880
<v Speaker 2>Yeah, but there's a reason those movies have like lasted.

728
00:34:17.840 --> 00:34:21.000
<v Speaker 1>I know, I know, well there's a reason they've lasted

729
00:34:21.039 --> 00:34:24.679
<v Speaker 1>and some didn't. But like it's kind of a it's

730
00:34:24.679 --> 00:34:27.679
<v Speaker 1>like tighten and onion to your bilt, like it was

731
00:34:27.679 --> 00:34:29.599
<v Speaker 1>a style at the time. This is like how things

732
00:34:29.599 --> 00:34:31.719
<v Speaker 1>were done. Like people don't realize like you were able

733
00:34:31.760 --> 00:34:34.920
<v Speaker 1>to get it's like eighties REP. Like like it was

734
00:34:34.960 --> 00:34:36.400
<v Speaker 1>a new groundbreaking thing.

735
00:34:36.599 --> 00:34:37.679
<v Speaker 2>See that's something that I get.

736
00:34:37.800 --> 00:34:40.800
<v Speaker 1>Yeah, but then you like listen to like eighties REP

737
00:34:40.960 --> 00:34:44.440
<v Speaker 1>like pre NWA or whatever, and just like like, you know,

738
00:34:44.519 --> 00:34:46.559
<v Speaker 1>there's there's a couple of ones you can like get into,

739
00:34:46.639 --> 00:34:49.679
<v Speaker 1>but you're not like, wow, this is fucking mind breaking

740
00:34:49.800 --> 00:34:53.840
<v Speaker 1>or like early's like early like late fifties, early sixties rock,

741
00:34:54.320 --> 00:34:56.039
<v Speaker 1>like rock and roll, like when the white people got

742
00:34:56.039 --> 00:34:58.400
<v Speaker 1>ahold of it. It's like the same sort of thing,

743
00:34:58.480 --> 00:35:00.480
<v Speaker 1>like yeah, there's a couple of bops in there or whatever,

744
00:35:00.519 --> 00:35:02.519
<v Speaker 1>but like it's not you know, it wasn't until like

745
00:35:02.519 --> 00:35:05.039
<v Speaker 1>the late sixties where people were like, oh fuck man,

746
00:35:05.119 --> 00:35:07.679
<v Speaker 1>like rock people can like make it art or whatever.

747
00:35:08.840 --> 00:35:12.920
<v Speaker 1>So I feel like that's kind of like that. I'm

748
00:35:12.920 --> 00:35:16.199
<v Speaker 1>not I'm not trying to justify like this movie or anything,

749
00:35:16.280 --> 00:35:19.639
<v Speaker 1>but you know, it's a fucking different time in art

750
00:35:19.840 --> 00:35:23.559
<v Speaker 1>and art and cinema and by cinema meaning art, but

751
00:35:23.599 --> 00:35:27.679
<v Speaker 1>it's just different. People didn't make like good ass crazy

752
00:35:27.760 --> 00:35:29.360
<v Speaker 1>ship till till later.

753
00:35:29.280 --> 00:35:32.199
<v Speaker 2>But they did, you know they did because a.

754
00:35:32.119 --> 00:35:32.960
<v Speaker 4>Couple of people did.

755
00:35:33.239 --> 00:35:37.039
<v Speaker 1>Okay, like what what what? What? Like what fucking movies?

756
00:35:37.079 --> 00:35:41.320
<v Speaker 1>Like okay, okay, no one, I mean Jaws is.

757
00:35:42.760 --> 00:35:43.079
<v Speaker 2>Made.

758
00:35:44.400 --> 00:35:47.400
<v Speaker 1>I was getting there, like like you have your scorseses

759
00:35:47.440 --> 00:35:50.960
<v Speaker 1>and you have like your fucking Francis for and you're.

760
00:35:50.840 --> 00:35:53.400
<v Speaker 2>Like monster directors, like they're really good directors.

761
00:35:53.440 --> 00:35:56.760
<v Speaker 1>But yeah, like you guys, guys like that are like

762
00:35:56.880 --> 00:35:59.239
<v Speaker 1>cutting edge, but you guys, you need people who are

763
00:35:59.280 --> 00:36:02.760
<v Speaker 1>just like have fun B B plus movies like any

764
00:36:03.239 --> 00:36:07.559
<v Speaker 1>any early thing, like any early straw or whatever. It's

765
00:36:07.599 --> 00:36:11.880
<v Speaker 1>just the fucking bar has been raised so much since then.

766
00:36:12.199 --> 00:36:15.719
<v Speaker 2>Yes, he's the uh, he's the Michael Michael Bay of

767
00:36:15.719 --> 00:36:20.000
<v Speaker 2>the seventies basically, like but you know not like like

768
00:36:20.400 --> 00:36:22.480
<v Speaker 2>it's where a stouts were like why was this popular?

769
00:36:22.639 --> 00:36:24.920
<v Speaker 2>Like when like when people are watching it thirty years later,

770
00:36:25.159 --> 00:36:26.360
<v Speaker 2>like look at it.

771
00:36:26.360 --> 00:36:27.360
<v Speaker 1>It's don't get it.

772
00:36:29.239 --> 00:36:32.039
<v Speaker 4>Even Michael Bay, he's like the fucking he's like the

773
00:36:32.079 --> 00:36:34.039
<v Speaker 4>fucking Peter Berg or what it like.

774
00:36:34.000 --> 00:36:35.559
<v Speaker 3>Peter Berg, I don't know who that is.

775
00:36:35.719 --> 00:36:39.000
<v Speaker 4>Yeah, and I don't know he's uh the Yule Bowl,

776
00:36:40.239 --> 00:36:41.280
<v Speaker 4>Yeah yeah, there you go.

777
00:36:41.760 --> 00:36:45.760
<v Speaker 2>Or maybe it was one that they made that movie

778
00:36:45.800 --> 00:36:50.280
<v Speaker 2>about Mark uh oh the Long Hair, Yeah, Temmy it

779
00:36:50.360 --> 00:36:54.159
<v Speaker 2>was so yeah, yeah, that's probably a little worse. That's

780
00:36:54.440 --> 00:36:55.719
<v Speaker 2>that's the kind of probably an insult.

781
00:36:55.719 --> 00:36:59.639
<v Speaker 1>But anyway, well, okay, so think think about it like TV, like, uh,

782
00:36:59.800 --> 00:37:01.960
<v Speaker 1>TV shows that came in the nineties, you know that

783
00:37:02.039 --> 00:37:06.880
<v Speaker 1>were like fucking great or whatever ninety something percent. Don't

784
00:37:06.920 --> 00:37:09.079
<v Speaker 1>have to fucking candle to what we have for like

785
00:37:09.159 --> 00:37:11.079
<v Speaker 1>TV today, Like yeah, you had Seinfeld, and you had

786
00:37:11.119 --> 00:37:13.760
<v Speaker 1>the Simpsons, and in the late nineties you had like

787
00:37:13.760 --> 00:37:16.719
<v Speaker 1>the Sopranos or whatever. But like like all the other

788
00:37:16.760 --> 00:37:20.480
<v Speaker 1>shows like fucking Dharma and greg Or, like, uh, Drew

789
00:37:20.519 --> 00:37:24.159
<v Speaker 1>Carrey Show, The Drew Carrey Show, like that was about Cleveland.

790
00:37:24.239 --> 00:37:28.360
<v Speaker 1>No one goes a fuck about Cleveland. I wouldn't say, uh, Reba,

791
00:37:28.440 --> 00:37:30.599
<v Speaker 1>but you like this show and you kind of made

792
00:37:30.639 --> 00:37:31.239
<v Speaker 1>me like that show.

793
00:37:31.400 --> 00:37:31.920
<v Speaker 3>That's pretty good.

794
00:37:32.360 --> 00:37:35.800
<v Speaker 1>Okay, Home Improvement there, we'll go with that one. Everyone

795
00:37:35.800 --> 00:37:37.960
<v Speaker 1>hates that show like that. That was like this thing

796
00:37:37.960 --> 00:37:40.559
<v Speaker 1>in there that was like upper. That was like a

797
00:37:40.599 --> 00:37:43.760
<v Speaker 1>fucking solid B show. That show came out. Now that's

798
00:37:43.800 --> 00:37:46.119
<v Speaker 1>like a f plus at best.

799
00:37:46.280 --> 00:37:48.679
<v Speaker 2>I think that show just came re came out, like

800
00:37:48.719 --> 00:37:49.280
<v Speaker 2>with whatever.

801
00:37:49.320 --> 00:37:50.639
<v Speaker 1>He's just cat Dennis.

802
00:37:51.159 --> 00:37:54.519
<v Speaker 4>Yes, the last two Tim Allen shows that made Yes, Uh,

803
00:37:54.960 --> 00:37:55.519
<v Speaker 4>that's correct.

804
00:37:55.559 --> 00:37:59.639
<v Speaker 1>So I'm just saying the standard was the bar was

805
00:37:59.639 --> 00:38:03.719
<v Speaker 1>allowed lower. So you anybody with art and everything says

806
00:38:03.760 --> 00:38:07.559
<v Speaker 1>a sana like I'm not reaching the top. I'm standing

807
00:38:07.559 --> 00:38:10.119
<v Speaker 1>on the shoulders of giants. Yeah I'm not saying like

808
00:38:10.280 --> 00:38:13.320
<v Speaker 1>I'm not saying fucking raffleson. And this movie is like

809
00:38:13.360 --> 00:38:16.239
<v Speaker 1>a giant people in cinema, tough one, but like you know,

810
00:38:16.760 --> 00:38:19.880
<v Speaker 1>like you can't reach the top unless you stand on

811
00:38:19.920 --> 00:38:22.679
<v Speaker 1>some fucking shoulders and so you know what, I can

812
00:38:22.960 --> 00:38:23.639
<v Speaker 1>see that for.

813
00:38:23.599 --> 00:38:26.719
<v Speaker 2>Sure, like uh with whatever, like the time. But like

814
00:38:27.440 --> 00:38:29.760
<v Speaker 2>I think my problem with this movie is how people

815
00:38:29.840 --> 00:38:32.679
<v Speaker 2>look at it still like now it's still it's still

816
00:38:32.679 --> 00:38:35.199
<v Speaker 2>not enough towards he's actually remembered. But like the articles

817
00:38:35.199 --> 00:38:37.320
<v Speaker 2>that I do read, they're like the movies were like groundbreaking.

818
00:38:37.440 --> 00:38:38.400
<v Speaker 2>I'm like this, they're fine.

819
00:38:38.599 --> 00:38:39.039
<v Speaker 3>I don't know.

820
00:38:39.199 --> 00:38:41.320
<v Speaker 2>But also I haven't gotten a film school and all

821
00:38:41.360 --> 00:38:43.960
<v Speaker 2>that stuff. Maybe when I did it. I'm like, man,

822
00:38:44.239 --> 00:38:48.320
<v Speaker 2>you've got a good point, Like this represents the whatever of.

823
00:38:48.360 --> 00:38:51.039
<v Speaker 1>I mean, it's the same idea with Citizen Kan. Like

824
00:38:51.119 --> 00:38:52.719
<v Speaker 1>if you go and watch that movie now, you like,

825
00:38:53.280 --> 00:38:55.559
<v Speaker 1>it's fine, It's boring as fuck, it's fine.

826
00:38:55.599 --> 00:38:56.960
<v Speaker 2>I've never seen I don't think I've seen it.

827
00:38:57.239 --> 00:39:02.480
<v Speaker 1>Yeah, Like it's it's fine. But I can easily understand

828
00:39:02.559 --> 00:39:05.039
<v Speaker 1>the argument for the greatest movie of all time because

829
00:39:05.480 --> 00:39:08.639
<v Speaker 1>like it just completely changed the fucking way the game

830
00:39:08.719 --> 00:39:09.079
<v Speaker 1>was played.

831
00:39:09.119 --> 00:39:11.199
<v Speaker 2>You know, this didn't do that though, Like I'm not.

832
00:39:11.159 --> 00:39:15.000
<v Speaker 1>Saying it did that, but like it could be in

833
00:39:15.039 --> 00:39:18.039
<v Speaker 1>that kind of level, Like it's.

834
00:39:17.880 --> 00:39:21.199
<v Speaker 4>But art is iterative, so everything is building on top

835
00:39:21.280 --> 00:39:24.119
<v Speaker 4>of everything else. Even if it is not the most

836
00:39:24.119 --> 00:39:27.039
<v Speaker 4>famous movie from the seventies, everything that came after it

837
00:39:27.079 --> 00:39:29.280
<v Speaker 4>is built on top of it. That for sure. I

838
00:39:29.320 --> 00:39:33.519
<v Speaker 4>guess the only reason I'm upset is because this dude

839
00:39:33.719 --> 00:39:35.280
<v Speaker 4>talks like he's a genius.

840
00:39:35.559 --> 00:39:37.599
<v Speaker 2>Yes that I think, and he's not.

841
00:39:37.840 --> 00:39:41.320
<v Speaker 4>He's not Coppola, he's not square. He's not one of

842
00:39:41.320 --> 00:39:44.199
<v Speaker 4>those dudes. If somebody just came up to me and said,

843
00:39:44.239 --> 00:39:46.400
<v Speaker 4>I like, stay hungry, I don't got a problem with that.

844
00:39:46.840 --> 00:39:49.280
<v Speaker 4>Like whatever you like Man, but the fact that we're

845
00:39:49.320 --> 00:39:53.639
<v Speaker 4>listening to him specifically talk shit about other people's movies

846
00:39:53.760 --> 00:39:56.639
<v Speaker 4>or directing styles or whatever, and talks so much about

847
00:39:56.679 --> 00:40:00.519
<v Speaker 4>how like wax poetic about the way he's doing things

848
00:40:00.559 --> 00:40:03.320
<v Speaker 4>when the way he's doing things are fucking objectively wrong.

849
00:40:03.920 --> 00:40:07.079
<v Speaker 4>Nobody shoots a movie in sequence. I mean nobody does

850
00:40:07.079 --> 00:40:09.519
<v Speaker 4>that because it's the least efficient, dumbest way to shoot

851
00:40:09.519 --> 00:40:09.840
<v Speaker 4>a movie.

852
00:40:10.639 --> 00:40:13.199
<v Speaker 2>That's like, and don't you hear about you hear about

853
00:40:13.199 --> 00:40:15.719
<v Speaker 2>it when it does happen, because you're they're like, well,

854
00:40:15.880 --> 00:40:17.840
<v Speaker 2>shout and like I think the Revenant was shot in

855
00:40:17.880 --> 00:40:19.039
<v Speaker 2>sequence or.

856
00:40:19.320 --> 00:40:21.000
<v Speaker 4>Like those movies that try to be one take, they

857
00:40:21.000 --> 00:40:22.840
<v Speaker 4>probably shoot, yes, yes they.

858
00:40:22.719 --> 00:40:25.519
<v Speaker 2>Might, which I think is the same director is uh

859
00:40:25.679 --> 00:40:29.760
<v Speaker 2>oh was it really? I think Birdman, I think, oh yeah, yeah, yeah,

860
00:40:29.800 --> 00:40:32.159
<v Speaker 2>you're right, so yes, probably, But.

861
00:40:32.199 --> 00:40:35.239
<v Speaker 1>It's I mean, I don't I get it, Like it's

862
00:40:35.440 --> 00:40:39.400
<v Speaker 1>I'm not going to be out here, like like, oh,

863
00:40:39.400 --> 00:40:43.760
<v Speaker 1>our podcast genius, the rest of Yel's podcast, And sometimes

864
00:40:43.800 --> 00:40:46.039
<v Speaker 1>I feel like that and like every motherfucker's got a podcast,

865
00:40:46.039 --> 00:40:47.960
<v Speaker 1>like these fucking losers and like, oh wait, I got

866
00:40:48.000 --> 00:40:53.840
<v Speaker 1>a podcast too, yea yeah, But honestly, like we are visionaries.

867
00:40:53.960 --> 00:40:57.679
<v Speaker 1>We are the bob rapherson Ano our time. When it

868
00:40:57.719 --> 00:40:58.920
<v Speaker 1>comes to podcasts, Oh.

869
00:40:58.800 --> 00:41:04.880
<v Speaker 2>God, oh yeah you could. I feel like you should

870
00:41:04.920 --> 00:41:09.159
<v Speaker 2>listen to the rest of the episodes, because.

871
00:41:09.719 --> 00:41:12.000
<v Speaker 1>I mean, hey, we record them all in order, right

872
00:41:13.000 --> 00:41:15.280
<v Speaker 1>like we start at the beginning and we keep talking

873
00:41:15.320 --> 00:41:15.679
<v Speaker 1>to the end.

874
00:41:15.760 --> 00:41:17.320
<v Speaker 3>So okay.

875
00:41:17.400 --> 00:41:20.760
<v Speaker 2>So this last quote that I have, he says, quote,

876
00:41:20.760 --> 00:41:23.559
<v Speaker 2>there's a character who invents his own language, who takes

877
00:41:23.599 --> 00:41:26.039
<v Speaker 2>us to the edge of farce and becomes communicator of

878
00:41:26.039 --> 00:41:28.480
<v Speaker 2>a bedlam that's going on between the gym and the auditorium.

879
00:41:28.599 --> 00:41:28.920
<v Speaker 1>M hm.

880
00:41:29.400 --> 00:41:31.480
<v Speaker 2>There is a kind of challenge to see what would

881
00:41:31.480 --> 00:41:35.480
<v Speaker 2>happen if the Martians landed, so to speak. So this

882
00:41:35.559 --> 00:41:37.440
<v Speaker 2>is not so, this is not unlike I suspect the

883
00:41:37.440 --> 00:41:39.159
<v Speaker 2>way people's lives are lived all the time. We are

884
00:41:39.159 --> 00:41:42.199
<v Speaker 2>despairing and ecstatic and in various degrees from moment to

885
00:41:42.239 --> 00:41:44.320
<v Speaker 2>moment in day to day anyway. So I tried to

886
00:41:44.360 --> 00:41:46.440
<v Speaker 2>put that kind of energy into the movie. But this

887
00:41:46.599 --> 00:41:49.840
<v Speaker 2>all makes my work somewhat abrasive to a movie audience,

888
00:41:50.159 --> 00:41:52.920
<v Speaker 2>and it's one of the consequences that I have to

889
00:41:53.079 --> 00:41:56.159
<v Speaker 2>suffer if I'm going to continue to work in this form,

890
00:41:56.519 --> 00:41:58.920
<v Speaker 2>which I don't necessarily anticipate doing for the rest of

891
00:41:58.920 --> 00:42:01.039
<v Speaker 2>my life. That shit right there is where I'm like,

892
00:42:01.079 --> 00:42:03.239
<v Speaker 2>fuck this guy. He's like, if I have to suffer

893
00:42:03.280 --> 00:42:05.719
<v Speaker 2>from my art, then that's the way it's gotta be.

894
00:42:05.800 --> 00:42:08.960
<v Speaker 2>Like he's just like the epitome of like douchebag like

895
00:42:09.519 --> 00:42:12.639
<v Speaker 2>film artsy elite exactly. It's like this guy is the

896
00:42:12.840 --> 00:42:16.519
<v Speaker 2>fucking epitome of it. Anyway, It's just whatever. But there's

897
00:42:16.559 --> 00:42:18.239
<v Speaker 2>something with the review that made a good point about

898
00:42:18.239 --> 00:42:21.320
<v Speaker 2>the movie. But the New York Times review of this

899
00:42:21.480 --> 00:42:24.039
<v Speaker 2>says it quote was written by because the New York

900
00:42:24.079 --> 00:42:27.559
<v Speaker 2>Times addresses everyone by mister mister Raffleson and Charles Gaines,

901
00:42:27.559 --> 00:42:29.800
<v Speaker 2>who also wrote the original novel and who, according to

902
00:42:29.840 --> 00:42:32.360
<v Speaker 2>program Notes, was ready to make any changes in the

903
00:42:32.400 --> 00:42:36.119
<v Speaker 2>novel that mister Raffleson wanted, It says, quote Frankly, mister

904
00:42:36.159 --> 00:42:38.760
<v Speaker 2>Gaines is reported to have said, I just want to

905
00:42:38.760 --> 00:42:43.079
<v Speaker 2>write a screenplay. Mister Raffleson is quoted as saying, quote,

906
00:42:43.320 --> 00:42:45.480
<v Speaker 2>it was more than just adapting a novelist screen It

907
00:42:45.519 --> 00:42:48.320
<v Speaker 2>meant restructuring the script, bringing new characters to life. Mister

908
00:42:48.400 --> 00:42:51.679
<v Speaker 2>Gaines's creative juices flowed as though it was a new

909
00:42:51.679 --> 00:42:54.920
<v Speaker 2>project in this whole experience was exhilarating. This, I fear,

910
00:42:55.000 --> 00:42:56.840
<v Speaker 2>is just what's wrong with Stay hungry. Mister Gaines was

911
00:42:56.840 --> 00:42:58.800
<v Speaker 2>ready to jettison a lot of his novel, on which

912
00:42:58.800 --> 00:43:01.360
<v Speaker 2>I assume he worked long and hard in order to

913
00:43:01.360 --> 00:43:05.760
<v Speaker 2>make a movie, any movie, while mister Raffleson ran around

914
00:43:05.880 --> 00:43:08.280
<v Speaker 2>keeping those old creative juices flowing instead of turning off

915
00:43:08.280 --> 00:43:12.039
<v Speaker 2>the taps once in a while, I was like, this

916
00:43:12.079 --> 00:43:14.760
<v Speaker 2>guy's fucking on fire. The experience of me have been

917
00:43:14.800 --> 00:43:16.760
<v Speaker 2>exhilarating for the two of them, but for us, it's

918
00:43:16.760 --> 00:43:19.679
<v Speaker 2>all clutter. It's just sort of it. It is a

919
00:43:19.840 --> 00:43:23.079
<v Speaker 2>sort of movie whose vapidity is exposed as soon as

920
00:43:23.119 --> 00:43:26.199
<v Speaker 2>the clutter is removed. So that's the end of that,

921
00:43:26.719 --> 00:43:30.320
<v Speaker 2>like the last thing I had. But so how about

922
00:43:30.360 --> 00:43:32.079
<v Speaker 2>we move on to our favorite lines?

923
00:43:33.280 --> 00:43:33.719
<v Speaker 1>Were cooking.

924
00:43:34.519 --> 00:43:39.320
<v Speaker 2>He has powers, as we do, certainly, but oh, magnificent one.

925
00:43:39.400 --> 00:43:45.960
<v Speaker 1>He is just one, or you are three or four

926
00:43:46.000 --> 00:43:47.280
<v Speaker 1>if you count even twice.

927
00:43:47.719 --> 00:43:48.639
<v Speaker 4>I've got a line.

928
00:43:48.760 --> 00:43:51.599
<v Speaker 2>Okay, let's start with Chris then, Okay.

929
00:43:52.199 --> 00:43:56.239
<v Speaker 4>I just really like when Robert England is given him

930
00:43:56.280 --> 00:43:58.159
<v Speaker 4>the tour and he's talking about the hot Top and

931
00:43:58.199 --> 00:44:01.920
<v Speaker 4>he goes it's got herbs in it. Herbs, herbs. Sorry,

932
00:44:02.159 --> 00:44:03.199
<v Speaker 4>it's got herbs in it.

933
00:44:03.239 --> 00:44:04.719
<v Speaker 2>He was talking about the hot he was talking about

934
00:44:04.719 --> 00:44:06.280
<v Speaker 2>hot dogs, hot tub.

935
00:44:06.920 --> 00:44:07.280
<v Speaker 3>Oh.

936
00:44:07.440 --> 00:44:10.320
<v Speaker 2>I was like, hot dogs like.

937
00:44:10.440 --> 00:44:12.760
<v Speaker 4>Herbs, and yeah, I don't know if there's not a

938
00:44:12.800 --> 00:44:14.360
<v Speaker 4>lot of good lines in this but that I like

939
00:44:14.440 --> 00:44:14.800
<v Speaker 4>that one.

940
00:44:15.440 --> 00:44:19.480
<v Speaker 1>No, I literally have, I have nothing. I was watching

941
00:44:19.480 --> 00:44:22.039
<v Speaker 1>it and like waiting for something to make me laugh

942
00:44:22.719 --> 00:44:26.320
<v Speaker 1>or something like literally anything. I mean, I guess like

943
00:44:27.320 --> 00:44:29.559
<v Speaker 1>the stay hungry line is the only line that I'll

944
00:44:29.559 --> 00:44:33.320
<v Speaker 1>probably still remember. And maybe that line, yeah, maybe not

945
00:44:33.400 --> 00:44:36.440
<v Speaker 1>just because it's the name of the movie, but maybe

946
00:44:36.440 --> 00:44:39.400
<v Speaker 1>that's what made me notice it more. But that's all

947
00:44:39.440 --> 00:44:39.760
<v Speaker 1>I got.

948
00:44:39.960 --> 00:44:42.039
<v Speaker 4>It's probably like the only well written.

949
00:44:41.760 --> 00:44:45.119
<v Speaker 2>That that is a very good line. Yeah, yeah, Joe's

950
00:44:45.119 --> 00:44:46.599
<v Speaker 2>probably got a better answer. And the only one that

951
00:44:46.599 --> 00:44:48.079
<v Speaker 2>made me laugh was the why don't you have some

952
00:44:48.119 --> 00:44:51.960
<v Speaker 2>more weight on that? That bar pery what made me laugh,

953
00:44:52.000 --> 00:44:53.679
<v Speaker 2>But it was just more like because it felt it

954
00:44:53.679 --> 00:44:56.039
<v Speaker 2>fell dead flat and then just jeff Bert Bridges smirking

955
00:44:56.119 --> 00:44:58.199
<v Speaker 2>like it was like, I don't know, it just made

956
00:44:58.199 --> 00:45:01.880
<v Speaker 2>it seem like it was U provides. But anyway, all right,

957
00:45:02.199 --> 00:45:04.320
<v Speaker 2>moving on, have.

958
00:45:04.280 --> 00:45:07.480
<v Speaker 3>You ever killed anyone yeah, but they were all bad.

959
00:45:08.599 --> 00:45:10.039
<v Speaker 2>We were supposed to actually start with the kill can,

960
00:45:10.119 --> 00:45:10.880
<v Speaker 2>which was zero.

961
00:45:11.000 --> 00:45:15.159
<v Speaker 4>I would assume, Yeah, let's see, did they kill anyone? Oh?

962
00:45:15.199 --> 00:45:16.079
<v Speaker 2>No, no, no, no, two?

963
00:45:16.639 --> 00:45:16.840
<v Speaker 3>Two?

964
00:45:16.960 --> 00:45:19.199
<v Speaker 2>Yess yeah, his parents.

965
00:45:20.840 --> 00:45:25.320
<v Speaker 4>That's off screen, motherfucker. I'm three before the movie starts.

966
00:45:25.599 --> 00:45:26.079
<v Speaker 3>Three.

967
00:45:26.679 --> 00:45:28.039
<v Speaker 2>I have no idea. I didn't look it up because

968
00:45:28.039 --> 00:45:29.320
<v Speaker 2>I was I thought it was zero.

969
00:45:29.719 --> 00:45:32.280
<v Speaker 1>Well, his parents and that fish.

970
00:45:32.679 --> 00:45:35.840
<v Speaker 2>Oh yeah, I was on a stick. I was on screen,

971
00:45:35.920 --> 00:45:37.960
<v Speaker 2>so yeah, okay, but yeah, I don't think there was

972
00:45:38.000 --> 00:45:39.519
<v Speaker 2>anything else in there now.

973
00:45:39.599 --> 00:45:41.800
<v Speaker 4>I'm sure. I'm sure he shot some stuff before the

974
00:45:41.800 --> 00:45:42.639
<v Speaker 4>beginning of the movie.

975
00:45:43.480 --> 00:45:47.199
<v Speaker 2>Yeah, okay. So uh And then before we get to

976
00:45:47.239 --> 00:45:50.000
<v Speaker 2>the irons pumped, how about we get our asses tomus

977
00:45:50.000 --> 00:45:51.800
<v Speaker 2>and play a little perto recall.

978
00:45:51.840 --> 00:45:55.719
<v Speaker 1>What do you want, mister quay? The same as you

979
00:45:56.079 --> 00:45:58.239
<v Speaker 1>to remember opening your.

980
00:45:58.119 --> 00:46:07.800
<v Speaker 2>Mind for anyone listening who doesn't know, all it is

981
00:46:07.800 --> 00:46:10.480
<v Speaker 2>is five randm trivia questions from the movie we just watched,

982
00:46:10.920 --> 00:46:13.480
<v Speaker 2>and the first one to get three correct wins, so

983
00:46:13.800 --> 00:46:16.639
<v Speaker 2>quick rule thing. Chris reads the questions, whoever knows the

984
00:46:16.679 --> 00:46:19.320
<v Speaker 2>answer buzzes and using their name as the buzzer. Keep

985
00:46:19.360 --> 00:46:22.199
<v Speaker 2>in mind, whoever like the second someone buzzes in they'll

986
00:46:22.199 --> 00:46:25.880
<v Speaker 2>separate in the question, so just gotta yeah anyway, Yeah, Chris,

987
00:46:25.960 --> 00:46:28.800
<v Speaker 2>go right ahead, you got it. Also, Joe always wins,

988
00:46:28.800 --> 00:46:29.760
<v Speaker 2>which is kind of annoying.

989
00:46:31.679 --> 00:46:35.559
<v Speaker 4>Yeah, okay, we got five questions here, and uh yeah,

990
00:46:35.599 --> 00:46:37.159
<v Speaker 4>that's all I could squeeze out of this movie.

991
00:46:37.679 --> 00:46:37.840
<v Speaker 1>Uh.

992
00:46:38.639 --> 00:46:41.480
<v Speaker 4>How long has it been since Blake's parents died?

993
00:46:42.480 --> 00:46:44.519
<v Speaker 1>Joe Joe? Two years?

994
00:46:44.760 --> 00:46:47.920
<v Speaker 4>Nope, Aaron, Aaron with the chance to steal.

995
00:46:48.719 --> 00:46:50.880
<v Speaker 2>I mean, I know it's not right, but.

996
00:46:52.800 --> 00:46:54.199
<v Speaker 3>Two weeks is my own.

997
00:46:54.880 --> 00:46:57.039
<v Speaker 2>I know that that's how long he was. Like I

998
00:46:57.039 --> 00:46:58.719
<v Speaker 2>would say three months besides that, but I.

999
00:46:58.679 --> 00:47:00.559
<v Speaker 4>Know that two weeks is how long it took for

1000
00:47:00.639 --> 00:47:04.639
<v Speaker 4>his uncle to reach it because he was No, it's

1001
00:47:04.679 --> 00:47:05.719
<v Speaker 4>five months.

1002
00:47:06.119 --> 00:47:06.559
<v Speaker 1>Okay.

1003
00:47:07.159 --> 00:47:14.239
<v Speaker 4>Number two, What is Newton gonna do with his bonus money?

1004
00:47:17.599 --> 00:47:20.280
<v Speaker 1>Bye? I don't.

1005
00:47:22.920 --> 00:47:23.719
<v Speaker 2>I have no idea?

1006
00:47:24.000 --> 00:47:24.360
<v Speaker 1>All right?

1007
00:47:24.960 --> 00:47:26.440
<v Speaker 4>Yeah, does Joe have a guess?

1008
00:47:27.239 --> 00:47:30.880
<v Speaker 1>He is going to go to a different gym.

1009
00:47:32.360 --> 00:47:33.159
<v Speaker 3>I remember him.

1010
00:47:33.079 --> 00:47:35.239
<v Speaker 2>Mentioning the bonus bonus money, but I don't remember what

1011
00:47:35.239 --> 00:47:35.519
<v Speaker 2>he said.

1012
00:47:36.119 --> 00:47:39.400
<v Speaker 4>He's going to start a chicken farm. And then like

1013
00:47:39.920 --> 00:47:42.440
<v Speaker 4>I think he said he's he just goes off in

1014
00:47:42.480 --> 00:47:44.639
<v Speaker 4>this weird rant where I think he says he's going

1015
00:47:44.719 --> 00:47:48.360
<v Speaker 4>to create a competing chicken restaurant, like to compete.

1016
00:47:48.440 --> 00:47:51.400
<v Speaker 1>Oh yeah, Well he also asked the question, what is

1017
00:47:51.480 --> 00:47:53.239
<v Speaker 1>Newton plan?

1018
00:47:55.400 --> 00:47:58.079
<v Speaker 2>Jesus, Yeah, I should have said he's just going to

1019
00:47:58.119 --> 00:47:58.920
<v Speaker 2>start a fig farm.

1020
00:48:00.079 --> 00:48:00.519
<v Speaker 3>There you go.

1021
00:48:00.960 --> 00:48:03.599
<v Speaker 4>That would have been a better answer. What are the

1022
00:48:03.840 --> 00:48:07.639
<v Speaker 4>three sports that Joe Santo participates in besides bodybuilding?

1023
00:48:08.320 --> 00:48:10.719
<v Speaker 1>Oh, Joe, Joe? Curling?

1024
00:48:12.159 --> 00:48:18.679
<v Speaker 4>Really, javelin, No, you got curling? I guess I should

1025
00:48:18.760 --> 00:48:19.320
<v Speaker 4>have told you that.

1026
00:48:19.480 --> 00:48:19.719
<v Speaker 3>Yeah.

1027
00:48:19.760 --> 00:48:26.320
<v Speaker 2>Sorry, Well I knew curling like water skiing, Nope, like okay, the.

1028
00:48:26.960 --> 00:48:31.320
<v Speaker 4>Sport, but uh it's he when when Robert England is

1029
00:48:31.360 --> 00:48:34.159
<v Speaker 4>talking him up, he says he bowls a two hundred,

1030
00:48:34.960 --> 00:48:38.400
<v Speaker 4>he's damn near an Olympic swimmer and he's a curling champion.

1031
00:48:39.000 --> 00:48:41.559
<v Speaker 2>Okay, joking have that one? If if we don't, if we,

1032
00:48:41.719 --> 00:48:42.400
<v Speaker 2>I mean, that's fair.

1033
00:48:42.480 --> 00:48:45.280
<v Speaker 4>I don't think that's that's the first that's the first

1034
00:48:45.400 --> 00:48:48.440
<v Speaker 4>even answer that anybody's had. So joking on that one.

1035
00:48:49.400 --> 00:48:52.519
<v Speaker 4>What did Mary Tate think the stolen painting was before

1036
00:48:52.519 --> 00:48:53.360
<v Speaker 4>she saw it up close?

1037
00:48:54.079 --> 00:48:56.199
<v Speaker 2>She says it before he goes in the building.

1038
00:48:56.320 --> 00:48:59.599
<v Speaker 4>No, but she says it after he brings it out,

1039
00:48:59.679 --> 00:49:01.880
<v Speaker 4>and then She's like, oh, I thought it was.

1040
00:49:02.079 --> 00:49:05.760
<v Speaker 2>I mean, I know what it is after well, sure, Joe,

1041
00:49:06.280 --> 00:49:09.360
<v Speaker 2>Joe boats, I have no answer.

1042
00:49:09.519 --> 00:49:11.760
<v Speaker 4>It's a lion. She thought it was a lion when

1043
00:49:11.800 --> 00:49:12.679
<v Speaker 4>she saw it in the window.

1044
00:49:13.320 --> 00:49:14.440
<v Speaker 3>Oh okay.

1045
00:49:14.679 --> 00:49:17.679
<v Speaker 2>And last question is what happens when you watch it

1046
00:49:17.719 --> 00:49:20.320
<v Speaker 2>three times? Because I guess twice.

1047
00:49:21.199 --> 00:49:24.159
<v Speaker 4>This is also what happens when I can't. Yeah, I

1048
00:49:24.199 --> 00:49:27.920
<v Speaker 4>just picked random ship. The hot tub is always kept

1049
00:49:28.000 --> 00:49:33.400
<v Speaker 4>precisely at what Joe? And there you go. Joe's got it.

1050
00:49:34.079 --> 00:49:36.760
<v Speaker 2>Dad, I had, I had, I wrote down one thing

1051
00:49:37.440 --> 00:49:39.800
<v Speaker 2>was it was a number two?

1052
00:49:39.880 --> 00:49:41.480
<v Speaker 1>It was what was it?

1053
00:49:41.840 --> 00:49:44.400
<v Speaker 2>How many kids or something like that?

1054
00:49:44.559 --> 00:49:45.360
<v Speaker 1>Or cousins?

1055
00:49:45.519 --> 00:49:46.920
<v Speaker 2>Is how many cousins?

1056
00:49:46.960 --> 00:49:50.199
<v Speaker 4>Yeah, that probably would have been all right. See, but

1057
00:49:50.239 --> 00:49:52.760
<v Speaker 4>then you both would have known that. And my aim

1058
00:49:52.920 --> 00:49:54.360
<v Speaker 4>is for this game to be terrible.

1059
00:49:57.519 --> 00:49:58.960
<v Speaker 2>Well should accomplished.

1060
00:50:00.400 --> 00:50:01.840
<v Speaker 3>Okay, all right, when.

1061
00:50:01.639 --> 00:50:05.440
<v Speaker 1>The big man was killed, you must have wounded it.

1062
00:50:05.440 --> 00:50:06.880
<v Speaker 1>It's blood, wasn't the leaves?

1063
00:50:07.960 --> 00:50:11.199
<v Speaker 3>If you please, we can kill it.

1064
00:50:13.480 --> 00:50:17.880
<v Speaker 1>All right. So now we're gonna get into rating this movie.

1065
00:50:17.920 --> 00:50:20.159
<v Speaker 1>We're gonna rid on a scale for one to five

1066
00:50:20.280 --> 00:50:23.199
<v Speaker 1>or irons pumped. Please remember this is a scale of

1067
00:50:23.280 --> 00:50:26.280
<v Speaker 1>just Arnold movies only because if it included all movies,

1068
00:50:26.320 --> 00:50:30.880
<v Speaker 1>it'll be five's. So, h Chris, why don't you go

1069
00:50:30.920 --> 00:50:32.960
<v Speaker 1>ahead and tell us you're sure?

1070
00:50:33.320 --> 00:50:38.840
<v Speaker 4>Uh, this movie is not an Arnold movie in the least,

1071
00:50:39.079 --> 00:50:43.119
<v Speaker 4>like as we define it. It's just not He's barely

1072
00:50:43.159 --> 00:50:46.480
<v Speaker 4>in it really, like he's in I don't know, he's

1073
00:50:46.519 --> 00:50:48.239
<v Speaker 4>got maybe twenty minutes of.

1074
00:50:48.199 --> 00:50:49.599
<v Speaker 2>Screen time off to win an award.

1075
00:50:50.519 --> 00:50:54.000
<v Speaker 4>Yeah, it's fine, and like I don't he's doing a

1076
00:50:54.320 --> 00:50:57.519
<v Speaker 4>fine acting job. Like, clearly he has not fully honed

1077
00:50:57.519 --> 00:51:01.079
<v Speaker 4>his acting skills yet, but this movie is actually asking

1078
00:51:01.079 --> 00:51:02.920
<v Speaker 4>a little more of him than some of his earlier

1079
00:51:02.960 --> 00:51:05.679
<v Speaker 4>films did. So he's doing a fine job, but he

1080
00:51:05.719 --> 00:51:07.920
<v Speaker 4>doesn't get to do any of the fun arnoldy ship

1081
00:51:08.039 --> 00:51:12.199
<v Speaker 4>that we made this podcast for. So like, uh, you know,

1082
00:51:13.159 --> 00:51:16.599
<v Speaker 4>trying trying to brush aside my even trying to brush

1083
00:51:16.639 --> 00:51:19.119
<v Speaker 4>aside my personal feelings about whether I like this movie

1084
00:51:19.199 --> 00:51:22.360
<v Speaker 4>or not. It's just not a good Arnold movie. I'm

1085
00:51:22.360 --> 00:51:24.920
<v Speaker 4>gonna go with a one point oh okay, one point

1086
00:51:24.920 --> 00:51:27.119
<v Speaker 4>what just one point?

1087
00:51:27.119 --> 00:51:28.840
<v Speaker 2>Oh okay? I thought you said one point four.

1088
00:51:28.920 --> 00:51:34.119
<v Speaker 7>I was like, oh, well, whoever came up with this

1089
00:51:34.199 --> 00:51:36.599
<v Speaker 7>scale is an idiot, because like, why are we just

1090
00:51:36.639 --> 00:51:38.679
<v Speaker 7>doing on ten because we're out here giving me point

1091
00:51:38.800 --> 00:51:39.360
<v Speaker 7>rides and ship.

1092
00:51:40.599 --> 00:51:45.360
<v Speaker 1>Yeah, I guys, a fucking moron. Speaking of morons, I'll

1093
00:51:45.360 --> 00:51:48.199
<v Speaker 1>go next.

1094
00:51:50.840 --> 00:51:51.679
<v Speaker 4>Would have been funny.

1095
00:51:51.679 --> 00:51:54.719
<v Speaker 1>No, it is me Kevin the Scale. Okay, this movie,

1096
00:51:54.880 --> 00:51:59.039
<v Speaker 1>I think I kind of let my feelings out. I

1097
00:51:59.039 --> 00:52:03.360
<v Speaker 1>guess a little bit early. I think it's there's so

1098
00:52:03.599 --> 00:52:05.280
<v Speaker 1>back in the day, I used to just go to

1099
00:52:06.480 --> 00:52:10.159
<v Speaker 1>like Goodwill and just find a book for a dollar

1100
00:52:10.599 --> 00:52:13.480
<v Speaker 1>and then just read through it. And a lot of

1101
00:52:13.480 --> 00:52:16.000
<v Speaker 1>them sucked. A lot of them I didn't even get through.

1102
00:52:16.000 --> 00:52:18.239
<v Speaker 1>And a lot of them were just like they were

1103
00:52:18.280 --> 00:52:21.199
<v Speaker 1>just like good, they were enjoyable, Like you got into

1104
00:52:21.239 --> 00:52:23.639
<v Speaker 1>the characters, Like the plot didn't really matter, but it

1105
00:52:23.719 --> 00:52:26.079
<v Speaker 1>kind of like kept you going with like the characters,

1106
00:52:26.079 --> 00:52:27.800
<v Speaker 1>like you were kind of put in this world. I

1107
00:52:27.840 --> 00:52:31.239
<v Speaker 1>feel like that's probably what this book was, and maybe

1108
00:52:31.320 --> 00:52:34.480
<v Speaker 1>like when this movie came out, like they try to

1109
00:52:35.320 --> 00:52:38.039
<v Speaker 1>give you the feeling of that. Like my biggest problem

1110
00:52:38.079 --> 00:52:40.960
<v Speaker 1>with Stephen King like adaptations is like that they never

1111
00:52:41.000 --> 00:52:44.880
<v Speaker 1>get the feel of the characters, just because the plot

1112
00:52:44.920 --> 00:52:48.960
<v Speaker 1>can definitely be secondary to like the world and the

1113
00:52:49.039 --> 00:52:53.639
<v Speaker 1>characters that are there in his books. But everybody's like, oh,

1114
00:52:53.719 --> 00:53:00.679
<v Speaker 1>it's fucking scary clown like clown scary whatever clowns are scary. Yeah,

1115
00:53:00.719 --> 00:53:03.280
<v Speaker 1>well you feel that because of him. But that's kind

1116
00:53:03.280 --> 00:53:06.039
<v Speaker 1>of what I feel like with Like, I imagine that's

1117
00:53:06.079 --> 00:53:09.280
<v Speaker 1>what the book was like, because like there's not a

1118
00:53:09.320 --> 00:53:11.880
<v Speaker 1>lot of fucking plot in this, you know, like, but

1119
00:53:12.079 --> 00:53:15.320
<v Speaker 1>I imagine the book was like You're feeling these characters in

1120
00:53:15.360 --> 00:53:17.920
<v Speaker 1>these like situations and the plot was kind of secondary,

1121
00:53:18.239 --> 00:53:20.920
<v Speaker 1>and maybe when this movie came out, it kind of

1122
00:53:22.039 --> 00:53:24.039
<v Speaker 1>was was like the same way. You know, like you

1123
00:53:24.559 --> 00:53:26.239
<v Speaker 1>like you probably didn't you didn't watch a lot of

1124
00:53:26.239 --> 00:53:29.000
<v Speaker 1>fucking movies in nineteen seventy six because you didn't watch

1125
00:53:29.039 --> 00:53:31.559
<v Speaker 1>them at home, you know, like unless there was a

1126
00:53:31.599 --> 00:53:34.679
<v Speaker 1>TV movie, like you went to this, you went to

1127
00:53:34.719 --> 00:53:36.800
<v Speaker 1>the theater or whatever, and maybe you got like kind

1128
00:53:36.800 --> 00:53:38.599
<v Speaker 1>of engrossed in it. You know, your boys talked about it,

1129
00:53:38.639 --> 00:53:41.280
<v Speaker 1>maybe you saw it twice. I don't know. I feel

1130
00:53:41.280 --> 00:53:43.400
<v Speaker 1>like it's definitely a movie for a different time. That said,

1131
00:53:43.400 --> 00:53:45.639
<v Speaker 1>I don't think it's particularly a great movie, Like it

1132
00:53:45.760 --> 00:53:49.719
<v Speaker 1>definitely didn't age well. I do think Arnold was actually

1133
00:53:49.960 --> 00:53:53.360
<v Speaker 1>pretty fucking fantastic in this and very not in a

1134
00:53:53.480 --> 00:53:57.519
<v Speaker 1>very not Arnold ye way like he was kind of

1135
00:53:58.119 --> 00:54:02.840
<v Speaker 1>subdued and played his part right, and that speaks a

1136
00:54:02.880 --> 00:54:07.239
<v Speaker 1>lot to what he's become and not what he immediately became.

1137
00:54:07.719 --> 00:54:11.159
<v Speaker 1>So I am gonna give it a one point by

1138
00:54:11.800 --> 00:54:14.719
<v Speaker 1>I thought I was gonna go higher with their your No,

1139
00:54:15.079 --> 00:54:19.239
<v Speaker 1>I don't want to watch it again. It's not very arnoldy.

1140
00:54:20.960 --> 00:54:24.639
<v Speaker 1>I'm just trying to get a retrospective on it, you know,

1141
00:54:24.960 --> 00:54:28.679
<v Speaker 1>like Aaron, you and I I talk like I showed

1142
00:54:29.480 --> 00:54:32.800
<v Speaker 1>Laura dumb and dumber and she did not like it.

1143
00:54:32.920 --> 00:54:34.920
<v Speaker 1>And then you told me like, if you're ever considering

1144
00:54:34.880 --> 00:54:40.719
<v Speaker 1>a divorce shore a Centura, Like I just yes, you did,

1145
00:54:41.400 --> 00:54:44.400
<v Speaker 1>And I still laugh at that.

1146
00:54:45.199 --> 00:54:48.880
<v Speaker 2>Yeah, I think it was just like Jim Carrey, Like

1147
00:54:48.920 --> 00:54:51.079
<v Speaker 2>it's the older I get, the more I'm like, but

1148
00:54:51.280 --> 00:54:53.719
<v Speaker 2>I still I can still watch him. Just yeah.

1149
00:54:53.719 --> 00:54:55.599
<v Speaker 1>But like when that came out, that was amazing and

1150
00:54:55.639 --> 00:55:00.519
<v Speaker 1>like comedy comedy, like like comedy doesn't he Well, I

1151
00:55:00.519 --> 00:55:05.159
<v Speaker 1>guess you can say, and I think, certainly, No, I

1152
00:55:05.760 --> 00:55:07.960
<v Speaker 1>don't want ever. The only way we're breaking up is

1153
00:55:08.400 --> 00:55:12.480
<v Speaker 1>went on his dice or she divorces me, but.

1154
00:55:13.360 --> 00:55:14.159
<v Speaker 2>One of us dies.

1155
00:55:15.920 --> 00:55:20.760
<v Speaker 1>But no, like like that was like our fucking ship

1156
00:55:21.320 --> 00:55:23.599
<v Speaker 1>back in the day and now, like like if you

1157
00:55:23.760 --> 00:55:27.079
<v Speaker 1>release fucking Asin Dumb and Din in theaters, people are

1158
00:55:27.440 --> 00:55:30.199
<v Speaker 1>like even the fucking kids that are our age would

1159
00:55:30.239 --> 00:55:33.360
<v Speaker 1>be like what the fuck? Like this is this sucks.

1160
00:55:33.840 --> 00:55:36.039
<v Speaker 1>It's like time and taste and how you feel about

1161
00:55:36.119 --> 00:55:40.000
<v Speaker 1>art and ship changes and uh yeah, I feel like

1162
00:55:40.559 --> 00:55:42.559
<v Speaker 1>wait with with with movies?

1163
00:55:42.800 --> 00:55:44.239
<v Speaker 2>Wait did she not like Dumma Dummer?

1164
00:55:44.559 --> 00:55:46.199
<v Speaker 3>No, I can't remember.

1165
00:55:46.119 --> 00:55:47.960
<v Speaker 2>Eric she did like k is okay with this?

1166
00:55:48.079 --> 00:55:51.159
<v Speaker 1>She did like Bad Santa, which I was surprised at that.

1167
00:55:50.960 --> 00:55:52.239
<v Speaker 2>That's that's way different.

1168
00:55:52.280 --> 00:55:54.960
<v Speaker 4>That's different dumbd Dummer's like I think.

1169
00:55:54.800 --> 00:55:57.000
<v Speaker 2>It's just Jim Carrey. He's where you're like, this guy's

1170
00:55:57.000 --> 00:55:57.760
<v Speaker 2>a fucking idiot.

1171
00:55:58.039 --> 00:56:00.840
<v Speaker 4>Well no, no, I mean the Fairly Brothers movies for

1172
00:56:00.880 --> 00:56:03.199
<v Speaker 4>the most part, if not aged no, yeah, but like

1173
00:56:03.639 --> 00:56:04.519
<v Speaker 4>in general, but.

1174
00:56:04.480 --> 00:56:07.000
<v Speaker 2>Like if you get like the Ace Mature is way

1175
00:56:07.039 --> 00:56:09.840
<v Speaker 2>worse than dum Dumber as far as like this fucking

1176
00:56:09.840 --> 00:56:12.119
<v Speaker 2>guy like this movie just oh.

1177
00:56:12.440 --> 00:56:16.039
<v Speaker 1>It's yeah, like she should carry Yeah, well, I thought

1178
00:56:16.039 --> 00:56:18.719
<v Speaker 1>you would hate Beds because everyone's just a fucking asshole

1179
00:56:18.800 --> 00:56:21.280
<v Speaker 1>and most of the comedy is just everybody being a

1180
00:56:21.320 --> 00:56:24.360
<v Speaker 1>piece of ship. And it's written very like well, they

1181
00:56:24.480 --> 00:56:27.880
<v Speaker 1>was like, yeah, yeah, yeah, presently like that.

1182
00:56:27.960 --> 00:56:30.199
<v Speaker 2>So hey, hey, can you like dumb and dummer?

1183
00:56:31.480 --> 00:56:37.599
<v Speaker 1>Okay, it's all right, all right, jesus.

1184
00:56:37.239 --> 00:56:40.079
<v Speaker 2>I was trying to think of Tommy boy You see,

1185
00:56:40.159 --> 00:56:41.239
<v Speaker 2>she's seen Tommy Boy.

1186
00:56:41.119 --> 00:56:46.400
<v Speaker 1>Right, I think show, and she's probably like it's fine, Okay.

1187
00:56:46.280 --> 00:56:48.559
<v Speaker 2>She likes that's just Chris Fraley is just.

1188
00:56:48.559 --> 00:56:51.360
<v Speaker 4>Very uh I mean the Tommy Boys. Yeah, I think

1189
00:56:51.360 --> 00:56:53.239
<v Speaker 4>Tommy Boy age is better because it's.

1190
00:56:53.440 --> 00:56:55.519
<v Speaker 2>Because Chris Farley is dead and you're like, fuck this guy,

1191
00:56:55.719 --> 00:56:56.280
<v Speaker 2>like he's dead.

1192
00:56:57.719 --> 00:57:01.440
<v Speaker 1>No. We I was like sick last weekend and we

1193
00:57:01.480 --> 00:57:05.440
<v Speaker 1>watched like a lot of like ninety shit no, like

1194
00:57:05.639 --> 00:57:09.840
<v Speaker 1>uh vines. I can't stop thinking about like YouTube populations

1195
00:57:10.480 --> 00:57:13.840
<v Speaker 1>and like anytime somebody falls down, I'm laughing my ass off,

1196
00:57:14.000 --> 00:57:16.920
<v Speaker 1>I'm like, And then I had to like I had

1197
00:57:16.960 --> 00:57:19.199
<v Speaker 1>to like make sure I was like aware of how

1198
00:57:19.239 --> 00:57:22.719
<v Speaker 1>dumb I'm like, guy fall down, funny. I'm like look

1199
00:57:22.760 --> 00:57:24.400
<v Speaker 1>over at her and be like, yeah, I realize I'm

1200
00:57:24.480 --> 00:57:27.760
<v Speaker 1>stupid for like laughing when people fall down. But I'm

1201
00:57:27.800 --> 00:57:28.840
<v Speaker 1>smart enough to know.

1202
00:57:29.280 --> 00:57:32.559
<v Speaker 2>That I'm stupid, Like we should watch them.

1203
00:57:32.960 --> 00:57:33.000
<v Speaker 1>No.

1204
00:57:33.280 --> 00:57:36.119
<v Speaker 4>Then, Burney's film has heart, but football in the groin

1205
00:57:36.239 --> 00:57:37.199
<v Speaker 4>has a football in.

1206
00:57:37.159 --> 00:57:39.320
<v Speaker 1>The That's what I cannot stop thinking about.

1207
00:57:39.679 --> 00:57:42.400
<v Speaker 4>Any older I get. I'm like, I don't know.

1208
00:57:42.360 --> 00:57:48.599
<v Speaker 1>Football on the grind, like that's dollars.

1209
00:57:49.559 --> 00:57:50.679
<v Speaker 2>It's kind of like.

1210
00:57:52.880 --> 00:57:54.639
<v Speaker 1>If I saw somebody to get football on the groin

1211
00:57:54.840 --> 00:57:56.880
<v Speaker 1>right now, I at forty one years old, I probably

1212
00:57:56.960 --> 00:57:59.039
<v Speaker 1>laughed my ass my grind.

1213
00:58:00.360 --> 00:58:00.880
<v Speaker 4>Who was it?

1214
00:58:01.280 --> 00:58:01.599
<v Speaker 2>George?

1215
00:58:02.440 --> 00:58:03.599
<v Speaker 5>George?

1216
00:58:04.400 --> 00:58:07.960
<v Speaker 1>But yeah, No. After that, I was like, let's watch

1217
00:58:08.000 --> 00:58:10.480
<v Speaker 1>Mementos feel smart or whatever.

1218
00:58:11.840 --> 00:58:17.199
<v Speaker 2>That's your go to now, your smart movie to Eception,

1219
00:58:17.480 --> 00:58:18.480
<v Speaker 2>something more confusing.

1220
00:58:18.960 --> 00:58:21.079
<v Speaker 1>Now we watched momental lesson. I've seen this Eception two

1221
00:58:21.119 --> 00:58:24.280
<v Speaker 1>my times. I know what's going on. Watch less Memento.

1222
00:58:25.079 --> 00:58:27.119
<v Speaker 1>I have a lot of feelings about the movie. I

1223
00:58:27.159 --> 00:58:30.400
<v Speaker 1>watched it back like in like two thousand, thousand and one.

1224
00:58:31.039 --> 00:58:35.800
<v Speaker 1>Right now, it is a very smart and well done movie.

1225
00:58:37.119 --> 00:58:41.920
<v Speaker 1>It's entertainment value. I think it's like twenty minutes too long,

1226
00:58:43.000 --> 00:58:45.519
<v Speaker 1>maybe just because I know what like kind of what

1227
00:58:45.599 --> 00:58:49.360
<v Speaker 1>happens happened? Yeah, yeah, that makes sense. Like the rewatchability

1228
00:58:49.440 --> 00:58:52.559
<v Speaker 1>is just kind of like you gotta wait a long

1229
00:58:52.599 --> 00:58:54.239
<v Speaker 1>time because I watched it and it's still a couple

1230
00:58:54.280 --> 00:58:56.679
<v Speaker 1>of years ago, and I was like, this movie's fucking good,

1231
00:58:57.000 --> 00:58:58.079
<v Speaker 1>even though I knew it's gonna happen.

1232
00:58:58.119 --> 00:58:59.760
<v Speaker 2>But if you like, I'm trying to think of something

1233
00:58:59.800 --> 00:59:02.280
<v Speaker 2>else that I waited, and then I was like, I

1234
00:59:02.280 --> 00:59:04.840
<v Speaker 2>think Gladiator to Where, which is a completely different but

1235
00:59:04.840 --> 00:59:06.760
<v Speaker 2>it was like, God, this movie's I was telling Rick,

1236
00:59:06.800 --> 00:59:09.239
<v Speaker 2>I'm like, this movie's fucking good. Yeah, but I had

1237
00:59:09.360 --> 00:59:13.039
<v Speaker 2>seen it since I was like twenty, maybe I was like,

1238
00:59:13.119 --> 00:59:15.400
<v Speaker 2>fuck men. Well that's the thing.

1239
00:59:15.320 --> 00:59:20.440
<v Speaker 1>About like, uh, mystery stuff like books or obs or

1240
00:59:20.480 --> 00:59:23.519
<v Speaker 1>shows like the game too, Like yeah, you can go

1241
00:59:23.599 --> 00:59:27.199
<v Speaker 1>back and watch it again and be like wow, like

1242
00:59:27.199 --> 00:59:29.000
<v Speaker 1>like all the signs are there, like this is amazing.

1243
00:59:29.079 --> 00:59:33.039
<v Speaker 1>Like the game or like Themento were just like fucking

1244
00:59:33.039 --> 00:59:36.000
<v Speaker 1>get to the point. Let's speed it up, like you

1245
00:59:36.039 --> 00:59:37.719
<v Speaker 1>watched it the first time. You're like, this is amazing,

1246
00:59:37.920 --> 00:59:41.719
<v Speaker 1>just like Inception kind of does that too, but Inception

1247
00:59:41.880 --> 00:59:45.000
<v Speaker 1>is actually like entertaining to watch because there's like the

1248
00:59:45.079 --> 00:59:48.280
<v Speaker 1>dream and the dream and the fucking like Joseph Gordon

1249
00:59:48.320 --> 00:59:50.320
<v Speaker 1>Levitz fight that guy in the hallway and ship. You know,

1250
00:59:50.519 --> 00:59:52.519
<v Speaker 1>you're just like, wow, this is like good. But like

1251
00:59:52.599 --> 00:59:56.480
<v Speaker 1>Memento is just like what, like I get it. There's

1252
00:59:56.480 --> 00:59:59.880
<v Speaker 1>no like action scene or anything. You know, like once

1253
01:00:00.119 --> 01:00:02.679
<v Speaker 1>kind of know what's going on, then it takes the.

1254
01:00:03.679 --> 01:00:07.480
<v Speaker 2>It's it's second time just to like you can follow it.

1255
01:00:07.559 --> 01:00:13.679
<v Speaker 2>But yeah, yeah, anyway, okay, so I'm gonna go with uh.

1256
01:00:13.840 --> 01:00:17.199
<v Speaker 1>Sorry real quick. What they need to make is memento

1257
01:00:17.320 --> 01:00:21.480
<v Speaker 1>porn where you see the kind of shot and you're like, whoa,

1258
01:00:21.760 --> 01:00:24.920
<v Speaker 1>what happened? And then it goes back to the scene

1259
01:00:24.960 --> 01:00:26.639
<v Speaker 1>before and he realized, like.

1260
01:00:26.599 --> 01:00:30.039
<v Speaker 4>I can't imagine how we got Like Dick goes about, whoa,

1261
01:00:30.119 --> 01:00:31.000
<v Speaker 4>how did that happen?

1262
01:00:31.039 --> 01:00:33.000
<v Speaker 1>And it just goes back to them like meeting at

1263
01:00:33.000 --> 01:00:35.719
<v Speaker 1>a grocery store, you know, he's like, oh, you like

1264
01:00:35.800 --> 01:00:38.360
<v Speaker 1>oranges or like we'nges too, you know, and then.

1265
01:00:39.519 --> 01:00:42.519
<v Speaker 4>The reveal is that she was hungry in ordered a pizza.

1266
01:00:43.400 --> 01:00:48.280
<v Speaker 2>Extra weird the weirdest porn all of a sudden, like

1267
01:00:48.360 --> 01:00:50.559
<v Speaker 2>the porn starts are just like like right in her

1268
01:00:50.559 --> 01:00:53.079
<v Speaker 2>face going on.

1269
01:00:54.400 --> 01:00:57.480
<v Speaker 5>But that would be you're like, wait, well, I'm sorry,

1270
01:00:57.679 --> 01:01:00.280
<v Speaker 5>I just I feel like we have to do that now.

1271
01:01:00.480 --> 01:01:01.920
<v Speaker 4>Just a shot where somebody.

1272
01:01:01.639 --> 01:01:03.920
<v Speaker 5>Gets blasted in the face and hits the wall just

1273
01:01:03.960 --> 01:01:06.199
<v Speaker 5>like Joey Pants and just sits there.

1274
01:01:06.320 --> 01:01:09.360
<v Speaker 1>Yeah.

1275
01:01:10.000 --> 01:01:14.719
<v Speaker 2>Uh, and it slowly rewinds like at then it goes

1276
01:01:14.719 --> 01:01:17.599
<v Speaker 2>all the way back to it coming out of his yeah.

1277
01:01:17.840 --> 01:01:21.840
<v Speaker 1>Like scenes, but instead of shaking the he's shaking his dick.

1278
01:01:22.159 --> 01:01:28.920
<v Speaker 1>Liked just just just meant, don't know.

1279
01:01:33.679 --> 01:01:36.199
<v Speaker 4>It sound No, you gotta make it sound smart. It's

1280
01:01:36.199 --> 01:01:37.280
<v Speaker 4>gotta be called refractory.

1281
01:01:37.440 --> 01:01:40.280
<v Speaker 1>Oh yeah, there.

1282
01:01:40.079 --> 01:01:43.199
<v Speaker 2>You go, Factor P and then anyway, okay, okay, so

1283
01:01:43.199 --> 01:01:43.920
<v Speaker 2>I'm sorry.

1284
01:01:43.880 --> 01:01:45.519
<v Speaker 1>I cut I cut you off, but I just gave

1285
01:01:45.679 --> 01:01:47.079
<v Speaker 1>my brain. I needed to get that.

1286
01:01:47.079 --> 01:01:52.519
<v Speaker 2>Out, Okay, so uh yeah, again, my opinion has been known.

1287
01:01:52.599 --> 01:01:53.960
<v Speaker 2>I'm not I don't have to say anything about this.

1288
01:01:54.199 --> 01:01:56.119
<v Speaker 2>The movie is what it is. I don't think I

1289
01:01:56.159 --> 01:01:59.559
<v Speaker 2>have to say much because yeah, you guys know I feel. Yeah,

1290
01:01:59.679 --> 01:02:01.840
<v Speaker 2>I'm sure you've decide whether give it a one or

1291
01:02:02.000 --> 01:02:02.800
<v Speaker 2>I'm not going one.

1292
01:02:04.039 --> 01:02:06.800
<v Speaker 1>Okay, that is gonna leave stay hungry at a one

1293
01:02:06.840 --> 01:02:10.440
<v Speaker 1>point one six six is six seven, that's gonna put

1294
01:02:10.440 --> 01:02:13.119
<v Speaker 1>it in last place. So Batman and Robin is one

1295
01:02:13.159 --> 01:02:17.840
<v Speaker 1>point six six, Maggie Sabotage and the Villain or one

1296
01:02:17.880 --> 01:02:21.280
<v Speaker 1>point five after Man's a one point three and it's

1297
01:02:21.320 --> 01:02:21.639
<v Speaker 1>gonna be.

1298
01:02:21.719 --> 01:02:26.159
<v Speaker 2>Ready Ready sorry, ready was so bad that the score

1299
01:02:26.239 --> 01:02:26.679
<v Speaker 2>doesn't work?

1300
01:02:26.800 --> 01:02:31.280
<v Speaker 4>Yeah, it can be calculating how terrible warning morning.

1301
01:02:33.039 --> 01:02:35.559
<v Speaker 1>And that will put Stay Hungry at the bottom of

1302
01:02:35.599 --> 01:02:38.960
<v Speaker 1>the one point one six. You know what's actually weird

1303
01:02:39.360 --> 01:02:44.280
<v Speaker 1>is I think it is a better movie than Sabotage.

1304
01:02:45.039 --> 01:02:47.599
<v Speaker 1>And it's definitely a better movie than Batman and Robin.

1305
01:02:47.639 --> 01:02:49.920
<v Speaker 1>It is, and Hercules and New York. It is not

1306
01:02:50.039 --> 01:02:51.239
<v Speaker 1>more entertaining.

1307
01:02:51.159 --> 01:02:54.440
<v Speaker 2>But I'd rather watch two of those. Yeah, probably Sabotage,

1308
01:02:54.440 --> 01:02:57.679
<v Speaker 2>I'd probably rather watch. Yeah, I'd rather watch Batman and Robin.

1309
01:02:58.400 --> 01:03:02.159
<v Speaker 1>It's a better movie, but I'm not saying more entertaining.

1310
01:03:02.840 --> 01:03:05.159
<v Speaker 1>But it's not a better art ole movie. And that's

1311
01:03:05.159 --> 01:03:07.760
<v Speaker 1>what the scale's forep. So that is gonna do it.

1312
01:03:07.800 --> 01:03:12.559
<v Speaker 1>For our coverage of Stay Hungry, I just want to

1313
01:03:12.559 --> 01:03:15.440
<v Speaker 1>say to all of you out there, stay hungry or don't.

1314
01:03:15.519 --> 01:03:18.159
<v Speaker 1>I don't know if it's literal, don't, like, you know,

1315
01:03:18.239 --> 01:03:21.599
<v Speaker 1>make sure to eat. Food banks are a great a

1316
01:03:21.639 --> 01:03:25.400
<v Speaker 1>great place for that. But most importantly, like if you're

1317
01:03:25.400 --> 01:03:29.440
<v Speaker 1>listening to this, like honestly, thank you, Like if you're

1318
01:03:29.480 --> 01:03:32.800
<v Speaker 1>a friends, thank you for supporting us. If you're not,

1319
01:03:33.400 --> 01:03:36.000
<v Speaker 1>also fucking thank you for just randomly listening to this,

1320
01:03:36.159 --> 01:03:40.920
<v Speaker 1>and especially like like listening to this episode on this

1321
01:03:40.960 --> 01:03:44.239
<v Speaker 1>fucking movie, like no one, Like, we didn't even hear

1322
01:03:44.239 --> 01:03:47.679
<v Speaker 1>about this movie before. Weirdly, I was talking to a

1323
01:03:47.719 --> 01:03:51.599
<v Speaker 1>guy tonight. I was like, oh, I got to record

1324
01:03:51.679 --> 01:03:54.159
<v Speaker 1>the podcast and he was trying to guess all these movies.

1325
01:03:54.199 --> 01:03:56.360
<v Speaker 1>I'm like, dude, you're never gonna guess it. Was like,

1326
01:03:56.360 --> 01:03:58.440
<v Speaker 1>stay hungry. He's like, oh, stay hungry. I know that

1327
01:03:58.480 --> 01:04:01.320
<v Speaker 1>it's filmed in Birmingham. From there, I should have guessed that.

1328
01:04:01.360 --> 01:04:03.039
<v Speaker 1>I was like, what the fuck, Like, you know about

1329
01:04:03.119 --> 01:04:03.840
<v Speaker 1>this movie.

1330
01:04:03.719 --> 01:04:05.559
<v Speaker 2>The Parents, it's a big thing, and like that. I

1331
01:04:05.639 --> 01:04:07.840
<v Speaker 2>read an article I think that came out like five

1332
01:04:07.920 --> 01:04:09.599
<v Speaker 2>years ago or so, and it was like, oh, yeah,

1333
01:04:09.599 --> 01:04:12.280
<v Speaker 2>it's one of the things that Birmingham. It's don'ty four anywow.

1334
01:04:12.840 --> 01:04:16.000
<v Speaker 1>But honestly, if you're listening this far into this fucking

1335
01:04:16.039 --> 01:04:19.199
<v Speaker 1>episode and you're not the three of us, even if

1336
01:04:19.199 --> 01:04:23.199
<v Speaker 1>you're my mom, Hi mom, seriously, thank you, Like we

1337
01:04:23.320 --> 01:04:24.960
<v Speaker 1>really appreciate it. We put in a lot of work

1338
01:04:25.519 --> 01:04:29.440
<v Speaker 1>and money in this and we we're not like Raffleson.

1339
01:04:29.679 --> 01:04:32.760
<v Speaker 1>You know, maybe we are like Raffleson. We just do

1340
01:04:32.800 --> 01:04:33.400
<v Speaker 1>it for the fuck it.

1341
01:04:33.440 --> 01:04:35.000
<v Speaker 4>We're not We're not out.

1342
01:04:35.480 --> 01:04:38.599
<v Speaker 1>But our next movie is going to be the very

1343
01:04:38.840 --> 01:04:42.639
<v Speaker 1>extremely underrated super frankly nineties, way ahead of a design

1344
01:04:42.679 --> 01:04:46.840
<v Speaker 1>masterpiece slash Last Action Hero. So please stay tuned. You're

1345
01:04:46.880 --> 01:04:49.119
<v Speaker 1>listening to this, You're definitely gonna listen to that, but

1346
01:04:49.280 --> 01:04:53.280
<v Speaker 1>that one's gonna be fucking straight fire. So for me, Joe,

1347
01:04:53.800 --> 01:04:57.679
<v Speaker 1>for Chris Shavian and Aaron Frescus, thank you so much

1348
01:04:57.679 --> 01:05:00.800
<v Speaker 1>for listening, And I guess there's only like one thing left. See.

1349
01:05:02.559 --> 01:05:05.079
<v Speaker 4>If you enjoy our show, please consider giving us a

1350
01:05:05.119 --> 01:05:09.039
<v Speaker 4>positive review on Apple Podcasts or your podcast app of choice.

1351
01:05:09.400 --> 01:05:12.119
<v Speaker 4>You can follow us on Twitter and Instagram at the

1352
01:05:12.159 --> 01:05:14.840
<v Speaker 4>Potty Richter to make sure you never miss an episode.

1353
01:05:15.159 --> 01:05:17.239
<v Speaker 4>See You at the Potty Richter is a production of

1354
01:05:17.280 --> 01:05:21.079
<v Speaker 4>tape Deck Media. Follow tape Deck on Instagram at tape

1355
01:05:21.079 --> 01:05:24.239
<v Speaker 4>deck Underscore Media, or look us up on Facebook for

1356
01:05:24.320 --> 01:05:25.800
<v Speaker 4>more hilarious podcasts.

1357
01:05:26.800 --> 01:05:30.079
<v Speaker 2>This has been a tape Deck Media production. Thank you

1358
01:05:30.199 --> 01:05:30.800
<v Speaker 2>for listening.