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<v Speaker 1>Hello, I'm welcomed stories all the time. The glad you

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<v Speaker 1>are here. Let's get into it. A shaft of morning

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<v Speaker 1>light slanted through the tall, wavy glassed windows, painting buttery

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<v Speaker 1>rectangles across the reading tables. I arrived processly at nine,

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<v Speaker 1>as I become my habit in retirement, but tucked under

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<v Speaker 1>my alm and coffee in hand, our library has always

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<v Speaker 1>settled me. The slow, steady hash, the faint smell of

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<v Speaker 1>wood polish and aging paper, and the comforting weight of

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<v Speaker 1>so many collected words. I've spent years wandering these stacks,

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<v Speaker 1>first as a grade school of tracing my finger along

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<v Speaker 1>the spines, later as a language arts teacher, checking references

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<v Speaker 1>for lessons, and now finally as a daily patron with

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<v Speaker 1>long stretches of un hurried time. That morning I made

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<v Speaker 1>for the British History Shelves section nine hundred forty when,

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<v Speaker 1>according to the DW system to which both memory and

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<v Speaker 1>muscle had oriented me since Missess Cavanaugh gave me a

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<v Speaker 1>shelving job during high school, I had borrowed a slim

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<v Speaker 1>paperback on Cromwell Last Week Social Form in seventeenth century England,

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<v Speaker 1>and today I slaid it gently into its home spot

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<v Speaker 1>between the Civil War diaries and how the tudors ate

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<v Speaker 1>I always check call number, spine, shelf and the little

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<v Speaker 1>colored sticker denoting historical nonfiiction. This ritual used to be

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<v Speaker 1>so conscious. Now, with more time to nose its life

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<v Speaker 1>small graces, I find myself slow walking each step to day.

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<v Speaker 1>Something made me linger. The spine label was correct cell

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<v Speaker 1>for the author, but the JWY number I'd always remembered

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<v Speaker 1>nine hundred forty one point twenty one. That was the

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<v Speaker 1>tidy arrangement since at least the late eighties. Yet now

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<v Speaker 1>the spinewed nine hundred forty two point four slashus al

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<v Speaker 1>in crisp fresh type, and the sticker underneath blue not yellow,

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<v Speaker 1>carried a thin faded red stripe. I couldn't recall ever

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<v Speaker 1>seeing on this section. I set my coffee down and

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<v Speaker 1>checked the shelf. On both sides. The Civil War diaries

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<v Speaker 1>bore a new number two, a shift from nine hundred

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<v Speaker 1>forty one point two slash key and two nine hundred

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<v Speaker 1>forty one point two hundred forty two slash k yen.

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<v Speaker 1>Another familiar brook Marine changes around red point once slotted

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<v Speaker 1>at five hundred seventy four point five hundred thirty two

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<v Speaker 1>was now five hundred seventy seven point fourteen. Even the

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<v Speaker 1>pattern on its sticker change a blue and green dot

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<v Speaker 1>in the lower corner. A mistake new cataloging. But I

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<v Speaker 1>couldn't remember seeing any big staff pushes or notifications, and

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<v Speaker 1>our library prided itself on traditions. Every small re catalog

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<v Speaker 1>set off weeks of careful transition. Was this some late

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<v Speaker 1>night project by a stell our energetic part time clerk.

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<v Speaker 1>I made a mental note, then, handing the matter the

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<v Speaker 1>light touch of curiosity, it seemed I reached into my

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<v Speaker 1>batted brand journal, my library lock, half diary, half scavenger

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<v Speaker 1>hunt had scribbled a line Cromwell book call number NA

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<v Speaker 1>nine hundred forty two point four new stick of code

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<v Speaker 1>check After lunch. The day pressed on with easy rhythms

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<v Speaker 1>and old friend's letter to answer a walk to the

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<v Speaker 1>bakery errands. But the image of those numbers and near

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<v Speaker 1>unfamiliar sticker codes lingered like a puzzle piece that were

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<v Speaker 1>quite fit. In all my decades of shelving and borrowing,

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<v Speaker 1>I'd never seen a reclassification so subtle, almost as if

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<v Speaker 1>the world's order had shifted half a degree. While I

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<v Speaker 1>wasn't looking. I took it as a gift, not an intrusion,

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<v Speaker 1>but a quiet invitation. It was a good morning for

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<v Speaker 1>invitations asturisk. By noon the following day, the Lifeburry was

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<v Speaker 1>in full drousy bustle. It isn't large, just a few rooms,

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<v Speaker 1>a wood flow of reading hall and a back office,

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<v Speaker 1>but it holds its own in our coastal town. Half Victorian,

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<v Speaker 1>half makedew modern, with carved banisters and book displays touting

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<v Speaker 1>poetry slams on Thursday evenings. It draws every one, from

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<v Speaker 1>school children to elderly mariners. Missesqua Havanogg posides from behind

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<v Speaker 1>the main desk, her sharp eyes in softer voice, enforcing

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<v Speaker 1>a kind of benevolent orador. She's caught more hours here

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<v Speaker 1>than any living person. She knows which novels have been

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<v Speaker 1>checked out twelve times, and which local genealogist likes to

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<v Speaker 1>rearrange the true crime display. A steale zips around in sneakers,

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<v Speaker 1>sorting new donations, her pony tail bobbing, and there's always

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<v Speaker 1>a ractic of regulars. Mister de Witt, mild mannered and precise,

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<v Speaker 1>who keeps a twice folded map of British regiments in

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<v Speaker 1>his breast pocket. Retired Captain Farnsworth, a tall man with

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<v Speaker 1>arms like ropes, who write senseless notes in the margins

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<v Speaker 1>of adventure novels. The Angel twins who giggle through reading

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<v Speaker 1>out whenever a story mentions sea monsters. At least once

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<v Speaker 1>or twice a week, some out of town visitor appears,

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<v Speaker 1>hunting for a marriage record and a cure family legend,

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<v Speaker 1>or a photograph of the Red Point Lighthouse. I'm known

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<v Speaker 1>here two not quite staff, but not merely a patron.

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<v Speaker 1>My former students sometimes return in summer, leaving anonymousticky notes

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<v Speaker 1>in the poetry section. Hi, mister al picked up Alden

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<v Speaker 1>like he said. I've written years worth of postcards from

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<v Speaker 1>these tables, posted to old colleagues, from schools, a tourt

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<v Speaker 1>in three states. The little routines, the quite rituals, shuffling books,

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<v Speaker 1>marking my place in my lark, memorizing changes in the stacks,

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<v Speaker 1>fill my days. The local history Alchover's Park Museum with

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<v Speaker 1>glass case's displaying she appracked art facts and weathered photos

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<v Speaker 1>of the wharf. Though small is a center of communal gravity,

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<v Speaker 1>neighbors have built memories here of every detail is fiercely remembered,

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<v Speaker 1>especially by the likes of mister de Witt, who will

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<v Speaker 1>cheerfully recount which marine atlis used to sit on which

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<v Speaker 1>shelf in nineteen eighty six, and who move it? I

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<v Speaker 1>lingered after lunch, trace in my finger once more along

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<v Speaker 1>the spines in the nine hundred forty ones, Please sticked now,

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<v Speaker 1>I half hummed an ancient foot too, in half conjured

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<v Speaker 1>my teaching days. Miss Ess Kavanaugh appeared beside me, sitting

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<v Speaker 1>down the stack of interlibrary loans back to the British neil.

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<v Speaker 1>She asked, with the wink. One day you'll exhaust them,

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<v Speaker 1>I smiled, Not at this rate, this seems question for you.

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<v Speaker 1>Have we read on the call numbers lately? Her brow furrowed. No,

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<v Speaker 1>No major system since the computer conversion years ago, just

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<v Speaker 1>the usual relabels here and there. Notice the stickers, I pointed,

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<v Speaker 1>some new colors in the nine hundreds. She took a

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<v Speaker 1>book from the shelf, peered at it through her half

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<v Speaker 1>moon glasses, and shirked, odd, might be a misprint from

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<v Speaker 1>the sticker sheets. I'll run it by stell. She lowered

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<v Speaker 1>her voice to a conspiratorial whisper. The longer you stay here,

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<v Speaker 1>my dear, the more you'll see things arranged themselves. I

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<v Speaker 1>laughed at that, her tone dry familiar. But after she left,

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<v Speaker 1>I fished up my lug again, handwriting, now a bit

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<v Speaker 1>more intent, perhaps, I wrote, the library has developed a

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<v Speaker 1>mind of its own. As a teacher, had always encouraged questioning, noticing,

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<v Speaker 1>cross checking, wisdom. Start small. On my way out, Old

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<v Speaker 1>Captain fonzw With nodded to me from the periodicals, his

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<v Speaker 1>hands tracing the faded chot of a whaling row. He

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<v Speaker 1>nodded at the shells, grinning. I once borrowed a book

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<v Speaker 1>from there that was mostly sea myths, but found it

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<v Speaker 1>later written up as historical record. Libraries are as changeable

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<v Speaker 1>as tides lie, he declared. You'll see. I accepted these

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<v Speaker 1>easy oddities most days. That was enough asterisk. On the

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<v Speaker 1>third morning, I found myself drawn, perhaps stubbornly, to test

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<v Speaker 1>my own memory. There was a particular old hog cover,

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<v Speaker 1>a collection of local legends called Legends of Red Point

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<v Speaker 1>that had sat to my recollection on the bottom shelf

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<v Speaker 1>of the local focal section. Since I was eleven, I

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<v Speaker 1>wanted to confirm it. The book itself was nothing fancy,

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<v Speaker 1>but as a child, I'd read its Tale of the

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<v Speaker 1>Red Point like Keeper's Ghost in a purple sleep under torchlight.

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<v Speaker 1>Convinced the stories slid into the town with the afternoon tide.

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<v Speaker 1>I reached the shelf and stopped. The space was occupied

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<v Speaker 1>now by Red Point Foukrps, a community reader, slim and glossy,

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<v Speaker 1>not the rough, dark green cover. I remembered the titles

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<v Speaker 1>to eat aside assaltwa to songs and lighthouses of turners

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<v Speaker 1>in it poor reordered to the former, moved he shell's left,

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<v Speaker 1>displaying a ge number shifted by four digits. It all

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<v Speaker 1>seemed subtly unmore. I opened the cattalog computer and typed

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<v Speaker 1>the Legends of Red Point. No results. I searched by

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<v Speaker 1>author Harriet Sally's, whose by line still echoed in my memory. Nothing.

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<v Speaker 1>Even the usual fall buck of printed card catalogs saved

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<v Speaker 1>as a compromise to modernity, held no trace of the title.

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<v Speaker 1>I caught Missus kavanoggh as she returned from a parent's

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<v Speaker 1>group meeting holding a box of tattered magazines Harriet Sally's

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<v Speaker 1>book on Sea Legends. Did it get checked out or moved?

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<v Speaker 1>Missus Kavanaugh pursed her lips, thoughtful, I've never catalog to Salli's.

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<v Speaker 1>Might you be thinking of Red Point Folklore? That's the

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<v Speaker 1>collectionist still orders a knew every few years. The book

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<v Speaker 1>I mean was older, green cover used to be in

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<v Speaker 1>the lower left corner by the fire exit. She shook

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<v Speaker 1>her head. I've worked here forty years, dear, I think

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<v Speaker 1>he may be mixing it up. No, Salli's here and

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<v Speaker 1>up before ninety five, at least. I bit back my protests,

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<v Speaker 1>unwilling to press. Maybe it really was confusion, yet doubt aroused.

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<v Speaker 1>I returned home that evening and leave through my library

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<v Speaker 1>log book siers of dojio pages, check out dates, quarts,

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<v Speaker 1>coffee down for class, and little clip reviews. In an

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<v Speaker 1>entry from March two thousand four, I found it Legends

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<v Speaker 1>of Red Point by Harriet Sally's Dewey three hundred ninety

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<v Speaker 1>eight point two hundred nine, great account of spillwater Sunday quote.

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<v Speaker 1>No one alive remembers the bellst whole, but I'll hear

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<v Speaker 1>after dark. There on the facing page had pasted a

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<v Speaker 1>fold copy check at card with my own name and

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<v Speaker 1>the date. A second stamped entry two months later listed

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<v Speaker 1>the Sally's title beneath it, the scrolled numbers three hundred

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<v Speaker 1>ninety eight point two hundred nine slash assail my own handwriting,

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<v Speaker 1>my own checkout's dam And Yet now both catalog and

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<v Speaker 1>librarian was certain no such book had ever occupied a shelf. Here,

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<v Speaker 1>the contradiction hovered between trivial and quietly magnificent. Back at

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<v Speaker 1>the library, just to be sure, I checked a battered

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<v Speaker 1>copy of Saltwater Song's The next nearest title from that

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<v Speaker 1>chef Wedged into its back cover was an old yellow

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<v Speaker 1>checkout slipped from two thousand eight in faint purple ink.

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<v Speaker 1>Under the column for a date returned, the words of

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<v Speaker 1>Sally's Sea Tales appeared sandwiched between two other titles, a

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<v Speaker 1>phantom ghost book hiding in the traces of a real

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<v Speaker 1>and official record. Suddenly, what had seemed to harm this

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<v Speaker 1>oddity began to feel like a question that might rearrange

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<v Speaker 1>the entire room asterisk. I caught mister de wit by

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<v Speaker 1>the reverend Shelves, whose brow furroud as he compared two atlases.

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<v Speaker 1>He listened to my story about legends of Red Point,

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<v Speaker 1>then brightened, Oh, certainly I recall a version, though in

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<v Speaker 1>a copy I read as a lad The illustrations all

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<v Speaker 1>had women in red shawls, not the blue uniforms everyone

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<v Speaker 1>draws now. And the first story was about a black dog,

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<v Speaker 1>not the light keepers goes. He gave a little laugh.

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<v Speaker 1>Estel will insist on a different edition. Her mother recited

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<v Speaker 1>her the Fisherman's tale. The book is like one of

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<v Speaker 1>those houses the changes when you're away for the holidays.

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<v Speaker 1>Later A checked in at the front desk, as Estelle

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<v Speaker 1>scan your arrivals. She wore him this smatch pair of

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<v Speaker 1>Christmas socks, and as always tapped along with some absent

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<v Speaker 1>internal beat. Estelle, do you have that Sally See Legends

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<v Speaker 1>book in your records? She shook her head, scrolling through

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<v Speaker 1>the digital catalog with practice speed. No, Sally's we do

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<v Speaker 1>Red Point Folk Corps edited by Mary Sweetman, several editions,

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<v Speaker 1>big blue wave on the cover. I remember helping my

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<v Speaker 1>mom replace it when the old copy walked to the

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<v Speaker 1>pipe burst. No green cover Sali's ever, as far as

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<v Speaker 1>I know, strange, I said, because I checked it out myself.

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<v Speaker 1>Mark two thousand four wrote about it for the Elementary

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<v Speaker 1>Legends Night. Could you be mixing up authors? I know

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<v Speaker 1>the Sweetmen copyright has the black dog story, but she

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<v Speaker 1>trailed off. I skeptical, but not unfriendly. This wider net

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<v Speaker 1>of memory left me with more questions than anzos. I

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00:10:14.720 --> 00:10:16.799
<v Speaker 1>began to feel as if feach person who entered the

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00:10:16.799 --> 00:10:20.000
<v Speaker 1>library lived inside their own annotated edition. I turned to

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<v Speaker 1>the archives, the microphone corner, where old newspapers, staff locks

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<v Speaker 1>and donated anniversary pamphlets were stored. Rooting through the spring

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<v Speaker 1>nineteen seventy nine local directorate, I found a yellow print

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00:10:30.080 --> 00:10:33.519
<v Speaker 1>out of circulation ledgers. There in fine gray print were

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<v Speaker 1>two entries on a folklore red point focalo slash and

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<v Speaker 1>Sweetman slash three hundred ninety eight point two hundred nine

215
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<v Speaker 1>slash s w slush replaced nineteen eighty one and Father

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<v Speaker 1>Dam Legends of red Point slash h Sally slash three

217
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<v Speaker 1>hundred ninety eight point two hundred nine slash sal slash

218
00:10:47.720 --> 00:10:51.919
<v Speaker 1>mark lost. Marginality ruled the record. One book survived, another

219
00:10:51.960 --> 00:10:55.120
<v Speaker 1>Bailey noted, and then gone. The basement storage rooms held

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00:10:55.159 --> 00:10:58.279
<v Speaker 1>their own eccentricities, as always. Two metal island cabinets full

221
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<v Speaker 1>of clippings, a row of musty hard god was pressed

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00:11:00.480 --> 00:11:03.320
<v Speaker 1>against the concrete wall, flipping through a shelf labeled a

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<v Speaker 1>red punt Lending with draw on. I discovered a sheaf

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<v Speaker 1>of loose, yellowing papers half a story on the Lost

225
00:11:09.000 --> 00:11:12.120
<v Speaker 1>Bells of Knob's Hollow. The paper was stamped Redpunt Lending

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<v Speaker 1>with drawn it with an unfamiliar logo, a stylized heron

227
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<v Speaker 1>not seen anywhere else in the library. As the hours passed,

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<v Speaker 1>a fog of variation settled in. I started to hear faintly,

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<v Speaker 1>not simple gaps or confusions, but a shape of shifting,

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00:11:24.639 --> 00:11:27.879
<v Speaker 1>live in pattern of collective history, mismatched memories, perhaps even

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<v Speaker 1>physical ambiguity. On my desk at home, I began laying

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<v Speaker 1>out small evidence, my own old notes, check out stubbs,

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00:11:33.600 --> 00:11:37.120
<v Speaker 1>printed catalog numbers, a cutting from a newspaper, naming h salies,

234
00:11:37.279 --> 00:11:40.000
<v Speaker 1>emails from teaching colleagues, mentioning the Green Atlas, and quoting

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00:11:40.000 --> 00:11:42.639
<v Speaker 1>passages I could no longer find in my copy. It

236
00:11:42.679 --> 00:11:44.480
<v Speaker 1>grew clear that this wasn't a trick of my aging

237
00:11:44.480 --> 00:11:47.120
<v Speaker 1>mind or a byproduct of poor I could keeping here

238
00:11:47.360 --> 00:11:50.399
<v Speaker 1>now was a persuasive, insistent pattern, a dance of shifting

239
00:11:50.399 --> 00:11:54.080
<v Speaker 1>call numbers, editions, even texts. I not only did every

240
00:11:54.120 --> 00:11:57.000
<v Speaker 1>person seem to experience their own private version of each book,

241
00:11:57.159 --> 00:11:59.720
<v Speaker 1>but the library's official records flexed and trank round a

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00:11:59.799 --> 00:12:03.440
<v Speaker 1>tide of collective memory and conversation. One afternoon, in the

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00:12:03.519 --> 00:12:05.559
<v Speaker 1>lull between children's story Hout and the arrival of the

244
00:12:05.559 --> 00:12:08.120
<v Speaker 1>Crosswick Group, a leaf through my own notes cross the years.

245
00:12:08.759 --> 00:12:12.720
<v Speaker 1>There were annotations and spidery pencil stacked with contradictions. Nineteen

246
00:12:12.799 --> 00:12:15.440
<v Speaker 1>ninety six marine atlas, page forty two, map with three

247
00:12:15.440 --> 00:12:18.960
<v Speaker 1>bait inlets two thousand and two, same matlas, only two inlets,

248
00:12:19.000 --> 00:12:21.720
<v Speaker 1>but a handwritten annotation third point see sendbos curve and

249
00:12:21.799 --> 00:12:25.559
<v Speaker 1>blue two thousand nine. See also the Green Heron index.

250
00:12:26.200 --> 00:12:27.759
<v Speaker 1>I had no idea what I ad meant by this.

251
00:12:28.559 --> 00:12:30.519
<v Speaker 1>Each entry felt less like a record and more alike

252
00:12:30.519 --> 00:12:33.200
<v Speaker 1>an uncertainty principle. The more I remembered, the less stable

253
00:12:33.200 --> 00:12:36.639
<v Speaker 1>the past appeared. One afternoon, Folding myself into a chair

254
00:12:36.679 --> 00:12:39.399
<v Speaker 1>by the windows, I struck up conversation with Missus Finton,

255
00:12:39.399 --> 00:12:41.799
<v Speaker 1>who had come from North Carolina for a few weeks research.

256
00:12:42.600 --> 00:12:44.960
<v Speaker 1>She spoke in a warm roll, telling me your recipe

257
00:12:44.960 --> 00:12:47.159
<v Speaker 1>book on the town's cooking contest for a print recipes

258
00:12:47.360 --> 00:12:49.799
<v Speaker 1>one hundred one years of pies, completely different than the

259
00:12:49.799 --> 00:12:51.759
<v Speaker 1>one my cousin sent me from here ten years ago,

260
00:12:51.840 --> 00:12:54.639
<v Speaker 1>hers a spiral bound chok full of barbecue tipped, and

261
00:12:54.679 --> 00:12:57.399
<v Speaker 1>never did find the sweet potato pie I remembered. I

262
00:12:57.440 --> 00:12:59.600
<v Speaker 1>saw it. Then. Not only were the library's holdings in

263
00:12:59.639 --> 00:13:02.559
<v Speaker 1>apparent flux, but so two were its histories, its own records,

264
00:13:02.600 --> 00:13:06.360
<v Speaker 1>infecting the outside world like some slow blooming coral. That week,

265
00:13:06.440 --> 00:13:09.080
<v Speaker 1>a biography I'd borrowed long ago, Hammer of the Fog,

266
00:13:09.279 --> 00:13:11.399
<v Speaker 1>The Life of Ernest Fenn, turned up in a donation

267
00:13:11.480 --> 00:13:15.000
<v Speaker 1>box at the back press flat was a worn checkout

268
00:13:15.000 --> 00:13:18.000
<v Speaker 1>slip with my name, dated August twenty three, nineteen eighty two,

269
00:13:18.519 --> 00:13:20.679
<v Speaker 1>and on the line just below mine Legends of Red

270
00:13:20.720 --> 00:13:23.720
<v Speaker 1>point three hundred ninety eight point two hundred nine slash Sail.

271
00:13:24.360 --> 00:13:26.759
<v Speaker 1>The slip was attached to no book by Salies, yet

272
00:13:26.759 --> 00:13:30.639
<v Speaker 1>the title and familiar fountain pending quietly persisted. I stared

273
00:13:30.639 --> 00:13:33.200
<v Speaker 1>at my own signature to memory, physically preserved and yet

274
00:13:33.200 --> 00:13:36.600
<v Speaker 1>disavowed by every outward trace. In that moment, I realized

275
00:13:36.639 --> 00:13:39.399
<v Speaker 1>the contradiction ran deeper than simple error, and whatever was

276
00:13:39.440 --> 00:13:41.279
<v Speaker 1>at what was thoroughly woven into the bones of this

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00:13:41.360 --> 00:13:45.159
<v Speaker 1>place and into the memory of everyone who came here. Asterisk.

278
00:13:45.720 --> 00:13:48.159
<v Speaker 1>For days, I rambled the aisles with purpose I hadn't

279
00:13:48.159 --> 00:13:50.080
<v Speaker 1>felt in years, resolved to put my mind at rest,

280
00:13:50.080 --> 00:13:53.080
<v Speaker 1>if only by test or refutation, the comfort of order.

281
00:13:53.120 --> 00:13:55.320
<v Speaker 1>After all, had long to find both my teaching and

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00:13:55.360 --> 00:13:58.840
<v Speaker 1>my notions of history. I had believed, without saying as much,

283
00:13:58.919 --> 00:14:00.559
<v Speaker 1>that the library was as good and a model of

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00:14:00.600 --> 00:14:02.679
<v Speaker 1>memory as any town could hope for, a keeper of

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00:14:02.720 --> 00:14:05.759
<v Speaker 1>stories and a map to our collective past. The past.

286
00:14:05.840 --> 00:14:09.120
<v Speaker 1>I still wanted to believe deserve stability. But what if

287
00:14:09.120 --> 00:14:12.200
<v Speaker 1>that faith was misplaced? What if, instead of a bulwork

288
00:14:12.240 --> 00:14:15.120
<v Speaker 1>of continuity, the shelves and their contents with themselves a fluid,

289
00:14:15.200 --> 00:14:17.440
<v Speaker 1>quietly shaped change in campas the collective memory of the

290
00:14:17.480 --> 00:14:19.919
<v Speaker 1>town not imposed from above, but written and were written

291
00:14:19.960 --> 00:14:23.120
<v Speaker 1>by hands in stories and unregistered impulses. What if each

292
00:14:23.120 --> 00:14:27.679
<v Speaker 1>book existed not only in multiple editions, but in multiple realities, shifted, renamed, misremembered,

293
00:14:27.759 --> 00:14:30.559
<v Speaker 1>made new with each retelling. I needed to test this theory.

294
00:14:31.120 --> 00:14:33.320
<v Speaker 1>I chose not cure volume about it. A Field Guide

295
00:14:33.320 --> 00:14:37.519
<v Speaker 1>to Coastal Shells unchanged my mind since childhood, brown cloth bound,

296
00:14:37.519 --> 00:14:40.639
<v Speaker 1>published in nineteen forty eight with the same water Danish dedication.

297
00:14:41.279 --> 00:14:44.200
<v Speaker 1>I borrowed it, this time making exhaustive notes, page numbers,

298
00:14:44.320 --> 00:14:47.559
<v Speaker 1>illustration sequences, chapter headings. Even the flourishes in the letter

299
00:14:47.639 --> 00:14:50.240
<v Speaker 1>are on the title page. I mapped the index on

300
00:14:50.279 --> 00:14:53.440
<v Speaker 1>a scrap of drawing paper. Satisfied that I had captured

301
00:14:53.440 --> 00:14:56.879
<v Speaker 1>its essence, I returned it after a day. The following morning,

302
00:14:57.000 --> 00:14:59.159
<v Speaker 1>I pulled it from the shelf and sat at the corner. Table.

303
00:15:00.039 --> 00:15:02.799
<v Speaker 1>Number had shifted a minor rebel in digits, perhaps, but

304
00:15:02.879 --> 00:15:05.159
<v Speaker 1>now the guide bore a five hundred seventy eight point

305
00:15:05.240 --> 00:15:08.559
<v Speaker 1>seven hundred sixty five. In the index, My old list

306
00:15:08.639 --> 00:15:11.519
<v Speaker 1>was scrambled. New entries appeared, including a rope in beamont

307
00:15:11.559 --> 00:15:13.480
<v Speaker 1>flats and the kings Law muscle. Beds of places I

308
00:15:13.519 --> 00:15:15.320
<v Speaker 1>had never seen marked on a map, but which now

309
00:15:15.360 --> 00:15:17.000
<v Speaker 1>will label both in the guide and on a new

310
00:15:17.120 --> 00:15:19.879
<v Speaker 1>hand colored Ford up map. At the back, even the

311
00:15:19.919 --> 00:15:23.000
<v Speaker 1>illustration for Atlantic rib muscle was redrawn, showing a varian

312
00:15:23.039 --> 00:15:26.720
<v Speaker 1>shell coloration across the inside back cover. A pencil denotation

313
00:15:26.840 --> 00:15:30.200
<v Speaker 1>reader for Dad, so you never get lost. After staring,

314
00:15:30.279 --> 00:15:32.600
<v Speaker 1>blinking and comparing the facts, I walked to the desk

315
00:15:32.639 --> 00:15:35.559
<v Speaker 1>and asthmas es Kavanagh Estelle and mistered a wit for

316
00:15:35.600 --> 00:15:39.000
<v Speaker 1>their recollections of the Field Guide. Each described their version

317
00:15:39.039 --> 00:15:42.200
<v Speaker 1>and assass Kavanock favored it for its shell sketching section,

318
00:15:42.240 --> 00:15:45.519
<v Speaker 1>which mine no longer contained. Estelle recalled a children's activity

319
00:15:45.519 --> 00:15:47.679
<v Speaker 1>in a back never present in any edition. I remembered,

320
00:15:47.879 --> 00:15:50.279
<v Speaker 1>misted a whitch, sighted the small chart of migratory birds

321
00:15:50.279 --> 00:15:53.480
<v Speaker 1>preceding the title page. Not one version matched what I

322
00:15:53.480 --> 00:15:55.919
<v Speaker 1>had borrowed, what I had so carefully documented twenty four

323
00:15:55.919 --> 00:15:59.480
<v Speaker 1>hours before. Rather than threatened, I felt strange relief, amusement.

324
00:15:59.600 --> 00:16:02.879
<v Speaker 1>Almost there were as many libraries as there were patrons,

325
00:16:02.919 --> 00:16:05.480
<v Speaker 1>and yet somehow the same space, the same shelves, held

326
00:16:05.480 --> 00:16:08.320
<v Speaker 1>them all. Increasingly, it seemed as if the library grew

327
00:16:08.360 --> 00:16:12.080
<v Speaker 1>in response to recollection expectation or need my lock, but

328
00:16:12.159 --> 00:16:14.799
<v Speaker 1>began to fill not with certainty, but with comparison's versions

329
00:16:14.840 --> 00:16:19.120
<v Speaker 1>of versions and mismatched catalog codes, admirable contradictions. The lesson

330
00:16:19.159 --> 00:16:21.399
<v Speaker 1>of my teaching years returned to me. All history is

331
00:16:21.399 --> 00:16:24.120
<v Speaker 1>a partial, all stories incomplete. But here was a living

332
00:16:24.159 --> 00:16:26.679
<v Speaker 1>canvas and narka that rured itself as freely and subtly

333
00:16:26.720 --> 00:16:31.120
<v Speaker 1>as a tide rewriting the shore. Asterisk conversation spun outward

334
00:16:31.840 --> 00:16:34.679
<v Speaker 1>the regulars grew interested in the puzzle through disagreements. Always

335
00:16:34.720 --> 00:16:37.440
<v Speaker 1>gentle mister DeWitt joked about checking the spine of his

336
00:16:37.519 --> 00:16:39.759
<v Speaker 1>World War Roam and Two compendium every visit to see

337
00:16:39.759 --> 00:16:41.759
<v Speaker 1>if to day's Battle of Arnham had made the indicts.

338
00:16:42.600 --> 00:16:45.480
<v Speaker 1>Estelle always up for riddle, proposed trying to stabilize a

339
00:16:45.519 --> 00:16:47.399
<v Speaker 1>book by reading it allowed to three or more people

340
00:16:47.440 --> 00:16:50.960
<v Speaker 1>at once, an experiment for the following weekend. Missus karaknox

341
00:16:50.960 --> 00:16:54.159
<v Speaker 1>scene then phased at a friendly library. She said, the

342
00:16:54.200 --> 00:16:56.559
<v Speaker 1>stories do you settled differently depending on how you lean?

343
00:16:57.279 --> 00:16:59.519
<v Speaker 1>Her eyes glinted, though she quickly turned to scold two

344
00:16:59.559 --> 00:17:02.759
<v Speaker 1>children rough housing by the dictionary. Stand for my part,

345
00:17:02.840 --> 00:17:04.960
<v Speaker 1>I grew more attached to the vary uncertainty that had

346
00:17:05.000 --> 00:17:07.599
<v Speaker 1>first and settled me. I watched duoteenages dispute the order

347
00:17:07.640 --> 00:17:10.519
<v Speaker 1>of a poetry anthology's table of contents, the winner perhaps

348
00:17:10.599 --> 00:17:13.920
<v Speaker 1>being whichever one belief just a little harder. Returning home

349
00:17:13.920 --> 00:17:16.599
<v Speaker 1>that afternoon, I leave through the older, sloppy of volumes

350
00:17:16.640 --> 00:17:19.119
<v Speaker 1>of my loger, noting places where, even in youth I

351
00:17:19.160 --> 00:17:21.519
<v Speaker 1>had recorded small changes that at the time seemed only

352
00:17:21.559 --> 00:17:25.000
<v Speaker 1>the usual fog of memory. Now in retrospect, they formed

353
00:17:25.000 --> 00:17:28.160
<v Speaker 1>an emerging misaic one. Had the town's founding dick slipped

354
00:17:28.160 --> 00:17:31.279
<v Speaker 1>from eighteen forty seven to eighteen forty eight in various pamphlets?

355
00:17:31.680 --> 00:17:33.640
<v Speaker 1>Why did the recipes for a ripoint britt call for

356
00:17:33.680 --> 00:17:36.839
<v Speaker 1>both molasses and honey depending on whose grandmother had most

357
00:17:36.839 --> 00:17:40.599
<v Speaker 1>recently visited the archive? The clues now came not just

358
00:17:40.640 --> 00:17:42.559
<v Speaker 1>in new books or missing stories, but in the texture

359
00:17:42.559 --> 00:17:45.200
<v Speaker 1>of the Blacer communal palmsist were written in quiet and

360
00:17:45.279 --> 00:17:48.640
<v Speaker 1>observable increments. The collection was not a monument. It was

361
00:17:48.680 --> 00:17:51.559
<v Speaker 1>a garden. I found myself smiling as I wrote to

362
00:17:51.599 --> 00:17:54.880
<v Speaker 1>live in red points, to keep tending the stack asterisk.

363
00:17:55.240 --> 00:17:57.359
<v Speaker 1>It was a chill, misty afternoon when I decided to

364
00:17:57.400 --> 00:18:01.359
<v Speaker 1>dig deeper. Rumors had long swirled among attentive patrons about

365
00:18:01.400 --> 00:18:05.160
<v Speaker 1>a hidden arcave beneath the library's old reference desk. Whispers

366
00:18:05.200 --> 00:18:07.960
<v Speaker 1>of an ancient ledger pre digital handriton by a librarian

367
00:18:07.960 --> 00:18:10.880
<v Speaker 1>whose own memory outlasted any technology had lingered for as

368
00:18:10.920 --> 00:18:14.000
<v Speaker 1>long as I coovcal. I approached Missus Cavanagh as she

369
00:18:14.079 --> 00:18:16.920
<v Speaker 1>labeled new poetry books to tasks she performed with ceremonial care.

370
00:18:17.559 --> 00:18:19.400
<v Speaker 1>I'd like to look in the old reference room desk.

371
00:18:19.519 --> 00:18:21.720
<v Speaker 1>If I may for research folk or section. I have

372
00:18:21.759 --> 00:18:25.119
<v Speaker 1>a hunch she made a face, But relent it. You're

373
00:18:25.119 --> 00:18:27.559
<v Speaker 1>as qualified as anyone if you find the missing nineteen

374
00:18:27.599 --> 00:18:30.599
<v Speaker 1>eighty one Annual report, let me know. The archive room

375
00:18:30.599 --> 00:18:33.279
<v Speaker 1>sits at the library's northern edge, a chill tiled alcove

376
00:18:33.359 --> 00:18:36.720
<v Speaker 1>lined with gray metal cabinets. At its heart, the asilent

377
00:18:36.960 --> 00:18:40.079
<v Speaker 1>was the enormous wooden reference desk. Warnsmooth drawers sticking just so,

378
00:18:40.839 --> 00:18:44.680
<v Speaker 1>I rummished, gingerly, pausing to admire the fading flables nineteen

379
00:18:44.720 --> 00:18:48.039
<v Speaker 1>seventeen Survivors less a turner's in that census, A walker's

380
00:18:48.039 --> 00:18:51.519
<v Speaker 1>card catalog. The back metal drawer, nearly welded by decades

381
00:18:51.559 --> 00:18:54.559
<v Speaker 1>of dust, opened grudgingly within lay a thick green ledger,

382
00:18:54.599 --> 00:18:56.960
<v Speaker 1>cracked at the spine, scold in four different scripts, its

383
00:18:57.000 --> 00:19:00.039
<v Speaker 1>pages faintly redolent of clothes and must I opened the

384
00:19:00.119 --> 00:19:03.519
<v Speaker 1>cover on the fly leaf Red Point Memorial Library Catalog

385
00:19:03.559 --> 00:19:06.920
<v Speaker 1>cumult of Record nineteen sixteen, nineteen seventy eight. It was

386
00:19:06.960 --> 00:19:10.440
<v Speaker 1>a marvel, a master list of books acquired withdrawn relocated.

387
00:19:11.160 --> 00:19:14.759
<v Speaker 1>Each line consisted of title, author, call number, date at

388
00:19:14.799 --> 00:19:17.559
<v Speaker 1>it was attracted, but also scattered between the official notation,

389
00:19:17.640 --> 00:19:22.039
<v Speaker 1>personal notes, cryptic instructions, tiny debates, and overlapping hands. A

390
00:19:22.079 --> 00:19:25.000
<v Speaker 1>sample entry for a missin volume called The Green Atlas

391
00:19:25.680 --> 00:19:28.319
<v Speaker 1>moved three hundred four point eight hundred twenty one slash

392
00:19:28.400 --> 00:19:32.039
<v Speaker 1>rpl six slash seventy one reads one line in another

393
00:19:32.079 --> 00:19:35.119
<v Speaker 1>hand marriage w slash, Mariner's Guide threes last seventy four

394
00:19:35.160 --> 00:19:38.880
<v Speaker 1>c P two hundred nine per consensus, three signatures in

395
00:19:38.920 --> 00:19:42.279
<v Speaker 1>different incs. Four Hammer of the Fog and note pages

396
00:19:42.279 --> 00:19:44.880
<v Speaker 1>two hundred threeman is two hundred six changed. New appendix

397
00:19:44.920 --> 00:19:48.519
<v Speaker 1>added for DeWitt. Some listings were bizally and familiar Birds

398
00:19:48.559 --> 00:19:51.799
<v Speaker 1>of the Western Pines j A. Cross five hundred ninety

399
00:19:51.799 --> 00:19:54.079
<v Speaker 1>eight point one hundred thirty six removed to close stack

400
00:19:54.160 --> 00:19:58.400
<v Speaker 1>never return per Messe, nineteen seventy six. For others, personal

401
00:19:58.559 --> 00:20:01.000
<v Speaker 1>sides crowd The margins were called to main per community

402
00:20:01.039 --> 00:20:05.000
<v Speaker 1>consensus or merged after town debate. Tucked inside were Arment's

403
00:20:05.039 --> 00:20:08.200
<v Speaker 1>brittle envelope fragments, obscure postmarks read when lending loan to

404
00:20:08.240 --> 00:20:10.079
<v Speaker 1>turners in it a torn page from a book on

405
00:20:10.119 --> 00:20:13.119
<v Speaker 1>local shipwrecks describing a nineteen sixteen disaster I had never

406
00:20:13.160 --> 00:20:17.039
<v Speaker 1>heard recounted. The notations were argumentative, even playful. A slow

407
00:20:17.079 --> 00:20:21.000
<v Speaker 1>motion conversation across decades, it became blazingly clear. The official

408
00:20:21.039 --> 00:20:23.720
<v Speaker 1>history even here, was the product not of stability, but

409
00:20:23.759 --> 00:20:27.720
<v Speaker 1>of negotiation, memory, and even community desire. The ledgers didn't

410
00:20:27.720 --> 00:20:30.359
<v Speaker 1>preserve a record of the attract a weber shifting living narratives.

411
00:20:31.000 --> 00:20:35.000
<v Speaker 1>This library wasn't just inconsistent. It was quietly physically remaking itself,

412
00:20:35.079 --> 00:20:36.960
<v Speaker 1>with books acreting and shedding, not at the touch of

413
00:20:36.960 --> 00:20:39.480
<v Speaker 1>time alone, but by the invisible tides of the town stories.

414
00:20:40.079 --> 00:20:42.799
<v Speaker 1>The familiar sensation of being lost in this docks acquired

415
00:20:42.799 --> 00:20:45.079
<v Speaker 1>a richness of feeling, less of being disoriented and more

416
00:20:45.240 --> 00:20:48.279
<v Speaker 1>being within a kaleidoscop, each turn refracting a new potential

417
00:20:48.319 --> 00:20:51.359
<v Speaker 1>history interview. I sat back ledger on my knees, the

418
00:20:51.400 --> 00:20:54.119
<v Speaker 1>click of wonder in much chest. It wasn't about finding

419
00:20:54.119 --> 00:20:57.440
<v Speaker 1>a single missing title or exposing a cataloging error. It

420
00:20:57.519 --> 00:21:00.400
<v Speaker 1>wasn't about mess filed books for accidents of memory. The

421
00:21:00.519 --> 00:21:03.359
<v Speaker 1>arc of revealed something larger. The library was not a monument,

422
00:21:03.440 --> 00:21:06.680
<v Speaker 1>but a living, evolving reflection of our shared experience. The

423
00:21:06.759 --> 00:21:11.200
<v Speaker 1>record was mutable. Every patron every conversation, every recollection, shaped

424
00:21:11.240 --> 00:21:13.559
<v Speaker 1>not only memory, but the physical order of the collection.

425
00:21:14.160 --> 00:21:16.319
<v Speaker 1>The true archive of the town was not a fixed record.

426
00:21:16.319 --> 00:21:19.160
<v Speaker 1>It was a quietly shifting terrain, and by reading, remembering,

427
00:21:19.279 --> 00:21:22.440
<v Speaker 1>and sharing, we each helped form it. Shade ledger in hand,

428
00:21:22.640 --> 00:21:24.880
<v Speaker 1>legs folded beneath the coal hush of the arc of room,

429
00:21:24.960 --> 00:21:27.039
<v Speaker 1>I watched us shimmer and settle in the slantid light,

430
00:21:27.319 --> 00:21:30.559
<v Speaker 1>my pulse oddly quick. The room solitude gave the illusion

431
00:21:30.599 --> 00:21:32.839
<v Speaker 1>that I might step outside into a world already altered,

432
00:21:32.920 --> 00:21:35.319
<v Speaker 1>that the boundaries of this building, as steadfast as the

433
00:21:35.319 --> 00:21:38.759
<v Speaker 1>granite outside, could never again appear fixed to me Again,

434
00:21:39.039 --> 00:21:41.519
<v Speaker 1>I re merged after town debate, recalled to main per

435
00:21:41.559 --> 00:21:45.480
<v Speaker 1>community consensus, the narrower, perhaps for script of librarians had

436
00:21:45.480 --> 00:21:48.759
<v Speaker 1>never known, making negotiation out of memory, summoning consensus into

437
00:21:48.759 --> 00:21:52.039
<v Speaker 1>the physicality of the stacks. The light shifted overhead as

438
00:21:52.079 --> 00:21:55.119
<v Speaker 1>afternoon deepened. I let the heavy ledgerest open in my

439
00:21:55.200 --> 00:21:58.039
<v Speaker 1>lap and called out into the empty space Estelle. The

440
00:21:58.079 --> 00:22:00.680
<v Speaker 1>word warped as it landed among the cabinets, but soon

441
00:22:00.720 --> 00:22:02.599
<v Speaker 1>her sneak is tapped down the tiled howy, and her

442
00:22:02.640 --> 00:22:05.759
<v Speaker 1>ponytail flashed in the doorway. What do you find, she asked,

443
00:22:05.799 --> 00:22:08.880
<v Speaker 1>already curious. Have you ever looked at the old catalog

444
00:22:08.920 --> 00:22:12.799
<v Speaker 1>from the sixties and seventies? She shrugged, only the photo

445
00:22:12.839 --> 00:22:15.920
<v Speaker 1>album sections. When Missess Cavenot needed old article clippings. I

446
00:22:15.960 --> 00:22:19.240
<v Speaker 1>get a headache, all the scritch jumping around. Come see this,

447
00:22:20.119 --> 00:22:22.319
<v Speaker 1>I gestured her closer, pointing to the entruf of the

448
00:22:22.319 --> 00:22:25.640
<v Speaker 1>Green Atlas. She frowned. We have that sort of but

449
00:22:25.680 --> 00:22:27.519
<v Speaker 1>the one I grew up with her poems inside my

450
00:22:27.559 --> 00:22:30.319
<v Speaker 1>aunt's wears. That was an almanac. I've seen three different covers.

451
00:22:30.920 --> 00:22:33.519
<v Speaker 1>She ran her finger over the column merged per consensus,

452
00:22:33.599 --> 00:22:36.720
<v Speaker 1>merged with what apparently the Mariner's Guide. I checked a

453
00:22:36.759 --> 00:22:39.039
<v Speaker 1>shelf copy last week and it had an oudated map

454
00:22:39.079 --> 00:22:41.519
<v Speaker 1>pasted between the pages, one I don't ever remember seeing.

455
00:22:41.640 --> 00:22:43.680
<v Speaker 1>It's not just the record. The books themselves seemed to

456
00:22:43.759 --> 00:22:46.920
<v Speaker 1>change composition as people recall, forget, and talk about them.

457
00:22:47.240 --> 00:22:49.680
<v Speaker 1>Estelle looked at me, then the ledger, with an expression

458
00:22:49.680 --> 00:22:52.440
<v Speaker 1>of slightly and nerved delay. Are you saying the collection

459
00:22:52.559 --> 00:22:56.160
<v Speaker 1>is reactive? She added, like to what just us? I

460
00:22:56.200 --> 00:22:58.599
<v Speaker 1>don't know yet, but it's more than faulty memory or

461
00:22:58.640 --> 00:23:02.839
<v Speaker 1>bad shelving, there's a pattern community negotiation. I hesitated choosing

462
00:23:02.839 --> 00:23:07.359
<v Speaker 1>my words. Maybe we can make that visible. Stelle straighten,

463
00:23:07.400 --> 00:23:10.240
<v Speaker 1>lipping her hair through the scrunchy on her wrist. Missess

464
00:23:10.319 --> 00:23:14.079
<v Speaker 1>Kavanog should see this. Within minutes, I found myself standing

465
00:23:14.160 --> 00:23:16.000
<v Speaker 1>at the main desk, under the stone gaze of Missess

466
00:23:16.079 --> 00:23:18.400
<v Speaker 1>Kavanogg and the mild skepticism of mister de Wit. The

467
00:23:18.519 --> 00:23:22.640
<v Speaker 1>ledger opened between us. Captain Fonz were tumbled over, coffee

468
00:23:22.640 --> 00:23:25.480
<v Speaker 1>in hand. The weekday Law had left the library hush,

469
00:23:25.599 --> 00:23:28.480
<v Speaker 1>so it felt momentous to gather the small core. Missess

470
00:23:28.519 --> 00:23:31.000
<v Speaker 1>Kavanog peered through her glasses and flipped a few pages.

471
00:23:31.720 --> 00:23:34.519
<v Speaker 1>What you're telling me, she said, half in jest, is

472
00:23:34.559 --> 00:23:38.559
<v Speaker 1>that we're accounts of unreliable narrators. Not unreliable, are replied,

473
00:23:39.160 --> 00:23:42.519
<v Speaker 1>we're sponsor. The records here showed debate, handritten changes, fusion,

474
00:23:42.559 --> 00:23:45.920
<v Speaker 1>sometimes by explicit consensus, but no single official version survives

475
00:23:46.000 --> 00:23:48.240
<v Speaker 1>un touch. If we are the library's memory, perhaps the

476
00:23:48.279 --> 00:23:53.200
<v Speaker 1>library is also remembering us. Fawnsworth winked, amused, sounding mormistic.

477
00:23:53.240 --> 00:23:56.359
<v Speaker 1>Every year, Neil Stelle spoke up, let's test it. Pick

478
00:23:56.400 --> 00:23:59.000
<v Speaker 1>a book. We each remember something old and familiar. Write

479
00:23:59.000 --> 00:24:01.200
<v Speaker 1>down what we recalls the opening line, then find the

480
00:24:01.200 --> 00:24:05.039
<v Speaker 1>book and check. Mister de Wickern producing a notebook. Miss

481
00:24:05.119 --> 00:24:07.720
<v Speaker 1>Ess Kavanagh rolled her eyes with a long suffering oh ye,

482
00:24:07.839 --> 00:24:10.759
<v Speaker 1>children aire, but reach for the nearest receipt pad. In

483
00:24:10.799 --> 00:24:12.839
<v Speaker 1>the end, we made a game of it. Each participants

484
00:24:12.880 --> 00:24:15.319
<v Speaker 1>elected the book a favorite or formative local title, wrote

485
00:24:15.319 --> 00:24:18.000
<v Speaker 1>down at first line from memory, then ventured into the stacks.

486
00:24:18.599 --> 00:24:20.759
<v Speaker 1>The task land the library in air of reverence as

487
00:24:20.759 --> 00:24:23.960
<v Speaker 1>each of us move amid the orderly shelves, pausing, double checking,

488
00:24:24.079 --> 00:24:28.000
<v Speaker 1>consulting memory with faint anxiety. Twenty minutes later, we gathered

489
00:24:28.000 --> 00:24:31.440
<v Speaker 1>in the reading alcove, each clutching a volume. One by one,

490
00:24:31.559 --> 00:24:35.279
<v Speaker 1>we read aloud our sentences with Cis Cavanagh. The fog

491
00:24:35.319 --> 00:24:37.279
<v Speaker 1>at red point is the keeper of all promises to

492
00:24:37.279 --> 00:24:40.880
<v Speaker 1>her copy slim and blue backed match the line exactly Estelle.

493
00:24:41.000 --> 00:24:43.559
<v Speaker 1>According to aunt Live, the only honest wind blows north,

494
00:24:43.599 --> 00:24:46.440
<v Speaker 1>and that's why the lighthouse faces the wrong way again.

495
00:24:46.519 --> 00:24:49.599
<v Speaker 1>Textbook match to her childhood edition. Mister DeWitt in his

496
00:24:49.720 --> 00:24:52.519
<v Speaker 1>crisp Bartune. No record survives of the first anchor dropped

497
00:24:52.640 --> 00:24:56.839
<v Speaker 1>Turner's inlet, but every mariner feel's necker below the surface, Fonsworth,

498
00:24:57.000 --> 00:24:59.200
<v Speaker 1>pausing before thumbing the flya leaf. I have made a

499
00:24:59.200 --> 00:25:01.880
<v Speaker 1>list of twelve loss bells, but can account for only eleven.

500
00:25:02.400 --> 00:25:04.680
<v Speaker 1>My book Field Guide to Coastal Shells now in a

501
00:25:04.759 --> 00:25:07.400
<v Speaker 1>dust jacket I didn't recall. Opened with this shoreline is

502
00:25:07.400 --> 00:25:10.519
<v Speaker 1>the winnowing hand of memory itself. There were silence, gentle

503
00:25:10.680 --> 00:25:13.519
<v Speaker 1>and not entirely comfortable. Each of us have found a

504
00:25:13.559 --> 00:25:15.759
<v Speaker 1>match to memory. Yet as we laid the book's side

505
00:25:15.759 --> 00:25:19.480
<v Speaker 1>by side, nothing about them was externally identical. Cover art

506
00:25:19.559 --> 00:25:23.519
<v Speaker 1>publishers lists to ecode, none perfectly aligned. Each of us insisted,

507
00:25:23.599 --> 00:25:25.359
<v Speaker 1>even laughing at ourselves, for it that or as was

508
00:25:25.359 --> 00:25:27.839
<v Speaker 1>the real edition. Yet to compare any she was to

509
00:25:27.839 --> 00:25:31.920
<v Speaker 1>wait into contradiction. Something rippled beneath the surface, and awareness

510
00:25:31.920 --> 00:25:34.519
<v Speaker 1>that the collection did not simply mirror a town static history,

511
00:25:34.559 --> 00:25:38.599
<v Speaker 1>but actively distributed into visualized experience. The library, in a

512
00:25:38.599 --> 00:25:41.519
<v Speaker 1>subtle but insistent way, was a plural archivalatis, where every

513
00:25:41.519 --> 00:25:45.400
<v Speaker 1>reader's memory formed a unique note. Well, said Farnsworth, scratching

514
00:25:45.440 --> 00:25:47.839
<v Speaker 1>his chin. If the books are shifting, so are we,

515
00:25:48.400 --> 00:25:52.839
<v Speaker 1>Missess Kavanagh nodded, more pensive than before. Perhaps it's friendlier

516
00:25:52.839 --> 00:25:54.960
<v Speaker 1>than we'd imagine that this business of stories shifting to

517
00:25:54.960 --> 00:25:57.680
<v Speaker 1>meet us. People change with time. Why shouldn't their books.

518
00:25:58.200 --> 00:26:00.920
<v Speaker 1>For the first time, she smiled with something like we

519
00:26:01.000 --> 00:26:04.720
<v Speaker 1>passed the ledger among us. Inside the cover still discovered

520
00:26:04.759 --> 00:26:07.039
<v Speaker 1>a stub from another library, a green received date stamp

521
00:26:07.079 --> 00:26:09.799
<v Speaker 1>from the turners in a branch which closed decades ago.

522
00:26:10.359 --> 00:26:12.279
<v Speaker 1>The slip of paper was tucked inside a book that

523
00:26:12.319 --> 00:26:15.000
<v Speaker 1>had only appeared in the repping collection after the two thousands.

524
00:26:15.680 --> 00:26:19.599
<v Speaker 1>Another marker artifacts surfacing from Tannin's that by linear accounting

525
00:26:19.680 --> 00:26:22.960
<v Speaker 1>should never meet A still toned to me when I

526
00:26:23.000 --> 00:26:24.960
<v Speaker 1>was a kid, my mom said libraries kept the world's

527
00:26:24.960 --> 00:26:27.240
<v Speaker 1>memory safe. I always thought that meant facts e no

528
00:26:27.319 --> 00:26:29.720
<v Speaker 1>fixed stuff. But maybe it's more like gardening. We prune

529
00:26:29.799 --> 00:26:33.599
<v Speaker 1>plant and sometimes things show up no one expected. Mester Dewait,

530
00:26:33.759 --> 00:26:36.559
<v Speaker 1>who had grown even quieter, offered, I once visited cathedral

531
00:26:36.559 --> 00:26:38.079
<v Speaker 1>in the north of England, where the guide told me

532
00:26:38.160 --> 00:26:40.839
<v Speaker 1>to recoved all the saints' faces every three or four centuries.

533
00:26:40.880 --> 00:26:42.759
<v Speaker 1>I thought it was vandalism. Now I think it's just

534
00:26:42.839 --> 00:26:47.640
<v Speaker 1>living tradition. A comfortable silence settled. The big realization gradual

535
00:26:47.680 --> 00:26:49.759
<v Speaker 1>as tide, was that no two of us, perhaps no

536
00:26:49.839 --> 00:26:52.839
<v Speaker 1>two people had ever quite inhabited the same library, yet

537
00:26:52.880 --> 00:26:54.799
<v Speaker 1>we all belonged to the place and it to us.

538
00:26:55.519 --> 00:26:57.680
<v Speaker 1>Taking the ledger home in the evening, I found myself

539
00:26:57.720 --> 00:26:59.759
<v Speaker 1>unable to look at the shells or ricords the static.

540
00:27:00.400 --> 00:27:03.839
<v Speaker 1>I began to suspect small, almost invisible echoes beyond our walls.

541
00:27:04.359 --> 00:27:06.880
<v Speaker 1>The childhood red point fuc code that missus Finton's cousin

542
00:27:06.920 --> 00:27:09.039
<v Speaker 1>owned to the spiral binding. The pie recipes might well

543
00:27:09.079 --> 00:27:11.559
<v Speaker 1>have existed in her memory alone, or perhaps only as

544
00:27:11.599 --> 00:27:14.400
<v Speaker 1>a possibility drawn forth by her family's stories and longing.

545
00:27:14.920 --> 00:27:16.960
<v Speaker 1>The casual mention of a lost bell, the offan joke

546
00:27:16.960 --> 00:27:20.680
<v Speaker 1>about the town's founding dates in fiercely consequential. Perhaps every

547
00:27:20.680 --> 00:27:23.279
<v Speaker 1>act of reco every anecdote shared under the reading lamps,

548
00:27:23.680 --> 00:27:26.960
<v Speaker 1>was a seed planted in fertile, shifting ground. For several

549
00:27:27.079 --> 00:27:31.000
<v Speaker 1>days I found myself fixated on these possibilities. I traced

550
00:27:31.119 --> 00:27:34.400
<v Speaker 1>entries in the ledger, cross referencing with my own reading histories,

551
00:27:34.680 --> 00:27:37.279
<v Speaker 1>Combing through old class reading lists, comparing clippings from the

552
00:27:37.319 --> 00:27:41.759
<v Speaker 1>town paper. Passions emerged subtle but persistent volumes, most often

553
00:27:41.759 --> 00:27:45.319
<v Speaker 1>discussed or jointly remembered, de ripointsands the community cookbook maps

554
00:27:45.319 --> 00:27:48.319
<v Speaker 1>annotated with seal in time. Ins remained over years, vivid

555
00:27:48.359 --> 00:27:52.759
<v Speaker 1>and findable on the shelf. Obscure texts less mentioned, less mourned,

556
00:27:52.920 --> 00:27:55.680
<v Speaker 1>faded from the indexes, or else grew amalgamated with others,

557
00:27:55.680 --> 00:28:00.200
<v Speaker 1>absorbing new chapters, covers, or authors. One afternoon, I ran

558
00:28:00.279 --> 00:28:02.279
<v Speaker 1>into Messess Finton again at the coffee shop where she

559
00:28:02.359 --> 00:28:06.039
<v Speaker 1>produces a battered spiral notebook. Out of curiosity, I described

560
00:28:06.039 --> 00:28:07.799
<v Speaker 1>to her the version of the red point Frocre, that

561
00:28:07.880 --> 00:28:10.240
<v Speaker 1>is Cell and I had each found, reciting the differences

562
00:28:10.240 --> 00:28:14.799
<v Speaker 1>in first stories and illustrations. Missus Finton shook her head. Darlin,

563
00:28:14.960 --> 00:28:16.519
<v Speaker 1>the one I read as a girl started with the

564
00:28:16.559 --> 00:28:19.480
<v Speaker 1>off wind whisper's warnings, not bells, not the light keeper's

565
00:28:19.519 --> 00:28:22.359
<v Speaker 1>ghost heart. Do you suppose they published regional versions or

566
00:28:22.440 --> 00:28:24.680
<v Speaker 1>did everybody's momma just invent the opening line to make

567
00:28:24.759 --> 00:28:28.440
<v Speaker 1>us behave? I tried to explain and guarded terms, what

568
00:28:28.519 --> 00:28:31.960
<v Speaker 1>we had observed at the library's shifting versions, recurring contradictions,

569
00:28:32.079 --> 00:28:36.240
<v Speaker 1>the ledger's history of consensus. She responded with a certain worldliness,

570
00:28:36.440 --> 00:28:39.559
<v Speaker 1>you know every times remembers itself. Nobody agrees what street

571
00:28:39.559 --> 00:28:41.880
<v Speaker 1>the Bickery burned down on in sixty three. People remember

572
00:28:41.920 --> 00:28:44.880
<v Speaker 1>what they need. Maybe the library does too. That evening,

573
00:28:45.079 --> 00:28:47.279
<v Speaker 1>struck by a need to experiment, I selected an old

574
00:28:47.279 --> 00:28:50.000
<v Speaker 1>title from a forgotten list in the ledger, Moscow and Stones,

575
00:28:50.160 --> 00:28:53.799
<v Speaker 1>Red Punship Bulder's poems. No copy existed in the prison collection,

576
00:28:53.960 --> 00:28:56.960
<v Speaker 1>nor could a Stelle find a traces in the computer. Undeterred,

577
00:28:57.000 --> 00:28:59.960
<v Speaker 1>I recounted its supposed highlights to Missess Kavanough and Celle,

578
00:29:00.119 --> 00:29:02.799
<v Speaker 1>quoting as best I could, fabricated opening Stanza with the

579
00:29:02.839 --> 00:29:05.799
<v Speaker 1>tide curves, its own story slashed stones lessen more than men.

580
00:29:06.240 --> 00:29:08.240
<v Speaker 1>A stone mused a lot about having perhaps seen an

581
00:29:08.240 --> 00:29:12.240
<v Speaker 1>anthology with a similar theme. The witt eavesdropping suggested checking

582
00:29:12.279 --> 00:29:15.519
<v Speaker 1>the poetry section's deepest stacks. The next we call it

583
00:29:15.559 --> 00:29:18.559
<v Speaker 1>coincidence or otherwise. A Scinny typecript booklet materialized in the

584
00:29:18.559 --> 00:29:21.440
<v Speaker 1>poetry display plain cover labeled moss grown stones, red Points,

585
00:29:21.440 --> 00:29:24.839
<v Speaker 1>Shipbolders eighteen ninety four and US one thousand, nine hundred

586
00:29:24.839 --> 00:29:28.440
<v Speaker 1>twenty seven compiled H. Sally's Flipping through, I found my

587
00:29:28.519 --> 00:29:31.240
<v Speaker 1>invented line nestled in the preface, surrounded by generational ship

588
00:29:31.240 --> 00:29:34.240
<v Speaker 1>at verse, complete within afterward by an editor, no one recognized.

589
00:29:34.880 --> 00:29:37.680
<v Speaker 1>I felt a jolt of unembarrassed wonder. I showed it

590
00:29:37.720 --> 00:29:41.160
<v Speaker 1>to the group, who responded with delight, familiarity, or feigned suspicion,

591
00:29:41.200 --> 00:29:44.839
<v Speaker 1>depending on the page. We debated the boundaries of possibility

592
00:29:44.839 --> 00:29:48.400
<v Speaker 1>over tea. In the reading room, De Whitt flourished his cap, whimsical,

593
00:29:48.480 --> 00:29:50.960
<v Speaker 1>if the world won't remember us, we'll remember ourselves. Back

594
00:29:50.960 --> 00:29:54.119
<v Speaker 1>into the shells, Estelle ruffled the pages, tracing her finger

595
00:29:54.160 --> 00:29:56.920
<v Speaker 1>down the margins. How many things do you think we've

596
00:29:56.960 --> 00:29:59.160
<v Speaker 1>lost and found again just by needing them? This way

597
00:29:59.680 --> 00:30:02.680
<v Speaker 1>the census developed. The collection was most stable, most concrete.

598
00:30:02.720 --> 00:30:06.319
<v Speaker 1>The more it was engaged, disgusted, shared, neglected things faded.

599
00:30:06.880 --> 00:30:10.200
<v Speaker 1>The distinctions between remembering and creating blurred, until it became folly.

600
00:30:10.240 --> 00:30:13.480
<v Speaker 1>To insist on the difference, I spent several quiet days

601
00:30:13.480 --> 00:30:17.079
<v Speaker 1>in the archive room, cross checking ledger entries, handwritten class lists,

602
00:30:17.119 --> 00:30:20.640
<v Speaker 1>clipp references, and library memory locks. The more I am at,

603
00:30:20.720 --> 00:30:23.359
<v Speaker 1>the less linear it all became the same books. Ey

604
00:30:23.359 --> 00:30:26.000
<v Speaker 1>The Green Atlas appeared in five catalog eras, each with

605
00:30:26.039 --> 00:30:31.039
<v Speaker 1>different editions, covers, locations, and even listed authors. Sometimes it

606
00:30:31.119 --> 00:30:34.039
<v Speaker 1>was joined with another book, Sometimes the very topic shifted

607
00:30:34.119 --> 00:30:38.240
<v Speaker 1>under its title, reflecting changes in local conversation. What persisted

608
00:30:38.240 --> 00:30:40.839
<v Speaker 1>most over the years, What survived was what the town

609
00:30:40.880 --> 00:30:45.079
<v Speaker 1>spoke of, remembered together, complained about, or mourned. Patterns of

610
00:30:45.079 --> 00:30:49.400
<v Speaker 1>consensus became tangible each time a memory was repeated, codified,

611
00:30:49.480 --> 00:30:52.759
<v Speaker 1>or quoted. As forming, the library sharpened. When old accounts

612
00:30:52.799 --> 00:30:55.599
<v Speaker 1>were reconciled, their composite details began to surf as physically,

613
00:30:55.599 --> 00:30:59.559
<v Speaker 1>sometimes as new editions, sometimes as insertions inside existing texts.

614
00:31:00.160 --> 00:31:03.079
<v Speaker 1>In rare cases, a subject long to seize vanish altogether,

615
00:31:03.200 --> 00:31:05.480
<v Speaker 1>leaving only a trace in some one's handcockpet quote or

616
00:31:05.519 --> 00:31:08.599
<v Speaker 1>legis gribble. Absence too was a kind of presents a

617
00:31:08.640 --> 00:31:11.319
<v Speaker 1>hollow in the stacks, a story shaped indentation resistant to

618
00:31:11.319 --> 00:31:14.400
<v Speaker 1>tidy erasure. And so we began to play with the idea.

619
00:31:15.079 --> 00:31:17.480
<v Speaker 1>Once a week, as regulars filtered in for poetry hour

620
00:31:17.599 --> 00:31:19.880
<v Speaker 1>or over tea in the archive room, we held impromptu

621
00:31:20.000 --> 00:31:24.279
<v Speaker 1>memory councils. Individuals presented their favorite vanished volume, recounted to

622
00:31:24.319 --> 00:31:27.920
<v Speaker 1>stories within debated cover illustrations, quote had remembered passages until

623
00:31:27.920 --> 00:31:31.960
<v Speaker 1>the table rang with contradiction. Sometimes Missess Kavanaugh contributed her

624
00:31:31.960 --> 00:31:34.359
<v Speaker 1>own We should move the historical gardening books back by

625
00:31:34.359 --> 00:31:36.720
<v Speaker 1>the windows where they were in spirit twenty years ago.

626
00:31:37.319 --> 00:31:40.799
<v Speaker 1>Laughter often followed, so did a kind of respect. After

627
00:31:40.839 --> 00:31:43.599
<v Speaker 1>these sessions, I found that more than once a shelf

628
00:31:43.599 --> 00:31:46.400
<v Speaker 1>would shuffle, and newly bounded gardens of red paint nineteen

629
00:31:46.440 --> 00:31:49.559
<v Speaker 1>twelve minutes one thousand, nine hundred seventy four would slip

630
00:31:49.599 --> 00:31:51.799
<v Speaker 1>between cookbooks and whether records of volume no one could

631
00:31:51.799 --> 00:31:55.680
<v Speaker 1>recall acquiring. We grew less insistent collectively on the truth

632
00:31:55.720 --> 00:31:58.799
<v Speaker 1>of any one version. Mister de Witt, the arch institution

633
00:31:58.880 --> 00:32:01.799
<v Speaker 1>of taxonomic certainty, confided that perhaps there were as many

634
00:32:01.839 --> 00:32:04.920
<v Speaker 1>repernd histories as there were at stretched arms. A Stelle

635
00:32:04.920 --> 00:32:07.960
<v Speaker 1>summarized in her youthfully blunt way. Maybe libraries don't just

636
00:32:08.039 --> 00:32:11.359
<v Speaker 1>keep memory safe. The asters make asteriskic real. No longer

637
00:32:11.400 --> 00:32:13.799
<v Speaker 1>did I seek out solely confirmation of my own memory

638
00:32:13.920 --> 00:32:17.599
<v Speaker 1>or proof of cataloging accuracy. Instead, the process itself, the

639
00:32:17.640 --> 00:32:20.359
<v Speaker 1>mutual recall, the slow sediment of conversation, became the real

640
00:32:20.400 --> 00:32:23.559
<v Speaker 1>matter of interest. If the ledgers or earliest entries, those

641
00:32:23.559 --> 00:32:26.319
<v Speaker 1>written and tight, stubborn cursive, had taught me anything, it

642
00:32:26.359 --> 00:32:28.240
<v Speaker 1>was that each generation made their own order out of

643
00:32:28.240 --> 00:32:30.880
<v Speaker 1>the same material as mutables, clay, but stead fast and intent.

644
00:32:31.640 --> 00:32:33.799
<v Speaker 1>The physical library was not a fact of intention and

645
00:32:33.839 --> 00:32:36.720
<v Speaker 1>adaptation to our shifting community or unending argument with past

646
00:32:36.720 --> 00:32:40.319
<v Speaker 1>and present. Nothing existed in isolation. Every book was surrounded

647
00:32:40.319 --> 00:32:44.400
<v Speaker 1>by context, by memory, by acts of use or neglect. Insertions,

648
00:32:44.599 --> 00:32:48.039
<v Speaker 1>errant stickers, unexpected appendices, all became legible as traces of

649
00:32:48.039 --> 00:32:51.240
<v Speaker 1>communal negotiation or loss, hope or longing. Quietly approved by

650
00:32:51.279 --> 00:32:55.519
<v Speaker 1>committee and confirmed by repetition. Still, I wanted one last demonstration,

651
00:32:55.799 --> 00:32:58.200
<v Speaker 1>something to render beyond doubt the living, mutual character of

652
00:32:58.200 --> 00:33:02.079
<v Speaker 1>the library's order. Together, the group conceived one final experiment.

653
00:33:02.759 --> 00:33:04.680
<v Speaker 1>Each of us would pick a childhood favorite, one that

654
00:33:04.839 --> 00:33:07.920
<v Speaker 1>in our respective lifetimes had vanished or marge changed title,

655
00:33:08.079 --> 00:33:11.279
<v Speaker 1>or oscillated in and out of known existence. Over or week,

656
00:33:11.400 --> 00:33:13.640
<v Speaker 1>we deliberately shared stories of the book allowed in the

657
00:33:13.680 --> 00:33:16.480
<v Speaker 1>reading room. We recruited a handful of new patrons and

658
00:33:16.519 --> 00:33:20.000
<v Speaker 1>part time staff, encouraging them to recall or even misremembered details,

659
00:33:20.000 --> 00:33:24.119
<v Speaker 1>to ask questions and invent summaries. The conversations built in intensity,

660
00:33:24.240 --> 00:33:26.880
<v Speaker 1>arguments over chapter orderings, debates about whether the red or

661
00:33:26.920 --> 00:33:29.680
<v Speaker 1>a blue edition had the correct light house illustration performances,

662
00:33:29.720 --> 00:33:33.279
<v Speaker 1>of remembered poems. The following weekend, after the library had

663
00:33:33.319 --> 00:33:35.759
<v Speaker 1>fallen mostly quiet, I circled the foc or shells and

664
00:33:35.799 --> 00:33:38.960
<v Speaker 1>found nestled between two staples of maritime legend. As slim

665
00:33:39.000 --> 00:33:43.119
<v Speaker 1>polychrome book, Tales for the Tide Ripun's children remember its contents,

666
00:33:43.160 --> 00:33:46.200
<v Speaker 1>stitched together fragments of our stories. It opened with three

667
00:33:46.240 --> 00:33:49.559
<v Speaker 1>alternative first lines, credited to three office one reel, two invented,

668
00:33:49.640 --> 00:33:53.319
<v Speaker 1>the fourth attributed to tradition. Every page was pastage. Chapters

669
00:33:53.400 --> 00:33:57.079
<v Speaker 1>ended with insertions from distant cousins, local school teachers, anonymous

670
00:33:57.119 --> 00:34:00.400
<v Speaker 1>notes welcoming corrections. In the back, a globe surree of

671
00:34:00.440 --> 00:34:03.039
<v Speaker 1>innented words, snatches of dialect no one had used aloud

672
00:34:03.119 --> 00:34:06.640
<v Speaker 1>since grade school provided a coda. I gathered the regulars

673
00:34:06.640 --> 00:34:09.000
<v Speaker 1>that day, laying the book on the table. It's as

674
00:34:09.000 --> 00:34:12.400
<v Speaker 1>if we wrote this together, I said Missus Kavanaugh, smiling

675
00:34:12.440 --> 00:34:15.599
<v Speaker 1>something soft, and Vai replied, perhaps we did every time

676
00:34:15.639 --> 00:34:19.639
<v Speaker 1>we disagreed. The wet, looking uncommonly content, said this is

677
00:34:19.679 --> 00:34:22.800
<v Speaker 1>the most honest archive I've yet seen. In the latter hours,

678
00:34:22.880 --> 00:34:25.119
<v Speaker 1>as the sun faded, I found myself sitting alone by

679
00:34:25.119 --> 00:34:28.280
<v Speaker 1>the window, half buried in familiar half light, before me

680
00:34:28.440 --> 00:34:30.960
<v Speaker 1>three copies of legends of Red Point Vul, subtlely diverged,

681
00:34:31.000 --> 00:34:34.119
<v Speaker 1>dressed against each other. On the table. I leafed through them,

682
00:34:34.280 --> 00:34:36.280
<v Speaker 1>noticing for the first time the subtle finger prints of

683
00:34:36.320 --> 00:34:39.320
<v Speaker 1>each generation on every shelf, the clusters of overlapping annotation,

684
00:34:39.440 --> 00:34:42.400
<v Speaker 1>the marginalia in half a dozen hands. In a world

685
00:34:42.400 --> 00:34:45.639
<v Speaker 1>of shifting texts and unsteady catalogs, the sense of lost diminish,

686
00:34:45.719 --> 00:34:48.960
<v Speaker 1>replaced instead by the warmth of participation. Here I was

687
00:34:49.000 --> 00:34:50.800
<v Speaker 1>not merely a cataloguer or a keep hoy. I was

688
00:34:50.840 --> 00:34:53.920
<v Speaker 1>part of the living, breathing tide. I stopped correcting the

689
00:34:53.960 --> 00:34:57.519
<v Speaker 1>inconsistencies in my log. Instead, I began to annotate with

690
00:34:57.599 --> 00:35:01.480
<v Speaker 1>recollections and certainties, even with small deodles dry ponds. I

691
00:35:01.519 --> 00:35:04.800
<v Speaker 1>wrote into the frontispecies of old books, leaving fragments of

692
00:35:04.840 --> 00:35:07.840
<v Speaker 1>story and memory for the next patron. I placed questions

693
00:35:07.840 --> 00:35:10.800
<v Speaker 1>in the margins, a pen, comments on check out slits,

694
00:35:10.840 --> 00:35:13.280
<v Speaker 1>and left notes in the attic storage. Was the lighthouse

695
00:35:13.320 --> 00:35:15.599
<v Speaker 1>really painted blue? And fifty four? Do you remember the

696
00:35:15.639 --> 00:35:18.440
<v Speaker 1>honey molass's bread? Or is that just your grandmother's stubbornness.

697
00:35:19.039 --> 00:35:22.480
<v Speaker 1>The act felt not just mischievous but meaningful. I trusted

698
00:35:22.559 --> 00:35:25.000
<v Speaker 1>now that these marks might Sunday surface in a shelf

699
00:35:25.039 --> 00:35:27.880
<v Speaker 1>copy or local folklore, even if no one remembered their origin.

700
00:35:28.519 --> 00:35:31.079
<v Speaker 1>Even so, I took care to preserve a certain humility.

701
00:35:31.719 --> 00:35:34.079
<v Speaker 1>If the library was alive, it was with us, not

702
00:35:34.199 --> 00:35:37.800
<v Speaker 1>in spite of us. Its shifting boundaries, its memories and gaps,

703
00:35:37.880 --> 00:35:39.920
<v Speaker 1>were the record not of mystic but of an ongoing

704
00:35:40.000 --> 00:35:43.000
<v Speaker 1>collective arrangement for belonging. The echo of my own teaching

705
00:35:43.079 --> 00:35:45.920
<v Speaker 1>days returned to those seminars when students were wrote poems together,

706
00:35:46.039 --> 00:35:48.599
<v Speaker 1>forging a new reality by insisting, in turn on what

707
00:35:48.679 --> 00:35:51.480
<v Speaker 1>mattered most to them. Late one evening, as I gathered

708
00:35:51.480 --> 00:35:53.599
<v Speaker 1>my things in the now empty arcaf room, I heard

709
00:35:53.599 --> 00:35:56.039
<v Speaker 1>the touch of rain on the old windows, soft and intermittent.

710
00:35:56.679 --> 00:35:59.280
<v Speaker 1>The library in shadow seen both older and more porse

711
00:35:59.320 --> 00:36:02.239
<v Speaker 1>than ever. As I moved through the stacks, each book

712
00:36:02.280 --> 00:36:04.440
<v Speaker 1>I passed felt poised and art fact in mid becoming,

713
00:36:04.519 --> 00:36:06.599
<v Speaker 1>lending itself to the hands and thoughts of whoever might

714
00:36:06.639 --> 00:36:09.639
<v Speaker 1>reach for it. Next, I turned off the lamps, pausing

715
00:36:09.679 --> 00:36:11.840
<v Speaker 1>at the main desk to consider the quiet rose beyond.

716
00:36:12.480 --> 00:36:14.519
<v Speaker 1>My mind wandered to a half remembered phrase from a

717
00:36:14.519 --> 00:36:17.199
<v Speaker 1>student project years ago. Memory is a place we returned to,

718
00:36:17.559 --> 00:36:21.039
<v Speaker 1>not the place we began. My hand almost unconsciously lingered

719
00:36:21.079 --> 00:36:23.000
<v Speaker 1>on the latest version of her tails for the tide.

720
00:36:23.360 --> 00:36:25.559
<v Speaker 1>As I stepped outside, the sky pearled with mist, the

721
00:36:25.599 --> 00:36:28.159
<v Speaker 1>distant sea, restless but invisible. I thought, if books can

722
00:36:28.199 --> 00:36:30.719
<v Speaker 1>change to meet us, were told with every generation's knee,

723
00:36:30.760 --> 00:36:34.280
<v Speaker 1>what else in our lives, our families, our towns might quietly,

724
00:36:34.400 --> 00:36:37.639
<v Speaker 1>endlessly adapt as we live. Behind me, the library waited,

725
00:36:37.679 --> 00:36:39.559
<v Speaker 1>a light in the arch of room, still faintly glowing,

726
00:36:39.719 --> 00:36:43.679
<v Speaker 1>stacks breathing, silent for the moment, Open to the next story.

727
00:36:45.320 --> 00:36:47.800
<v Speaker 1>And that is the end. Thank you for listening, and

728
00:36:47.840 --> 00:37:00.960
<v Speaker 1>I will see you in the next one.
