WEBVTT

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<v Speaker 1>Escape. Escape Tonight to Ancient Egypt.

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<v Speaker 2>The Columbia Broadcasting System and it's a plated stations presents Escape,

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<v Speaker 2>a new series of programs, of which this the sixth

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<v Speaker 2>is The Ring of Though by Sir Arthur Conan Doyle,

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<v Speaker 2>produced and directed by William and Robson wherever the English

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<v Speaker 2>language is spoken. Sir Arthur Conan Doyle is known for

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<v Speaker 2>two things, his immortal character Sherlock Holmes, and his unshakable

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<v Speaker 2>belief in life beyond the grave. So great is the

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<v Speaker 2>statue of Sherlock Holmes that Conan Doyle's earlier stories are

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<v Speaker 2>all but forgotten, stories like The Ring of Thought, which

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<v Speaker 2>so clearly anticipates the author's later fascination with spiritualism. We

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<v Speaker 2>invite you now to Escape to Ancient Egypt and The

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<v Speaker 2>Ring of Pot, an adventure told in the words of

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<v Speaker 2>John Vamsidard Smith, British edyptologist.

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<v Speaker 3>I arrived in Paris on the three fourteen express from

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<v Speaker 3>d'epp and went immediately to my hotel in the Rue

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<v Speaker 3>de la Fitte. My actions so far had worked out

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<v Speaker 3>according to my planned schedule. I slept for exactly two hours,

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<v Speaker 3>got up and dressed, donned a greatcoat, walked down the

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<v Speaker 3>Avenue de l'o parre and entered the side door of

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<v Speaker 3>the louver. Once inside and amid surroundings entirely familiar to me,

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<v Speaker 3>I made my way immediately to the chamber of Egyptian Relics,

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<v Speaker 3>or more specifically, to the cabinet in that chamber which

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<v Speaker 3>contained the El Kabre collection of papyri. Drawing out the

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<v Speaker 3>particular role I wished, I placed it on a near

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<v Speaker 3>by table, sat down began to study it when I

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<v Speaker 3>noticed one of the museum attendants, who was polishing some

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<v Speaker 3>brass work across the room. His face struck me as

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<v Speaker 3>being curiously Egyptian. On sudden impulse, I decided to cross

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<v Speaker 3>the room and speak to him. Approaching closer, I was

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<v Speaker 3>impressed at once by the appearance of his skin, drawn

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<v Speaker 3>tautly across temple and cheek. It seemed as glazed in,

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<v Speaker 3>as shiny as varnished parchment, and out of narrowed slits

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<v Speaker 3>there glowed two green and vitreous eyes, misty with a

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<v Speaker 3>dry shininess, eyes of a kind never seen in a

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<v Speaker 3>human head. Before I I beg your pardon, I need

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<v Speaker 3>one of the papyrye from the Memphis collection. Could you

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<v Speaker 3>tell me where it is?

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<v Speaker 4>You'll find it in the last cabinet at the end

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<v Speaker 4>of the room.

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<v Speaker 3>Monsieur M thank you. Uh your Egyptian, aren't you.

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<v Speaker 4>No, Monsieur I I am a Frenchman?

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<v Speaker 3>But oh, I thought the happy if Monsieur.

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<v Speaker 4>Will excuse me, now, I have other work.

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<v Speaker 3>To I went back to the table and took up

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<v Speaker 3>the papyrus I had been studying before. But my former

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<v Speaker 3>calmness in translating the intricate hieroglyphics was gone, and out

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<v Speaker 3>of the depths of my mind whiled a feeling of

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<v Speaker 3>terrible familiarity. I concentrated more deeply on my studies, pushing

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<v Speaker 3>aside those thoughts conducive to mental turmoil, and at last,

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<v Speaker 3>worn out by the inward struggle, I fell asleep. I

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<v Speaker 3>awoke with a start, not remembering where I was. It

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<v Speaker 3>was quite dark for a moment, Then gradually my eyes

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<v Speaker 3>focused on the glints of moonlight reflected from the glass

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<v Speaker 3>tops of specimen tables, from the shiny vanish of the

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<v Speaker 3>mummy cases, and I realized, with a feeling of sudden dread,

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<v Speaker 3>that I was alone in the egypt room of the museum.

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<v Speaker 3>Of the louver, locked in for the night, and I

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<v Speaker 3>saw at that moment, approaching through the moonlit halls, a

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<v Speaker 3>dim yellow flame. Nearer and nearer it came, until I

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<v Speaker 3>could perceive above it, as though floating in the air,

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<v Speaker 3>the eerie, glistening face of the man I had spoken

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<v Speaker 3>to earlier. I shrank into the dark shadow of my corner,

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<v Speaker 3>and he passed without seeing me, stopping before the mummy

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<v Speaker 3>cases a few yards away. Scarcely daring to breathe, I

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<v Speaker 3>watched him place the light on a table and begin

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<v Speaker 3>feverishly to examine the tags on the specimens. In a moment,

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<v Speaker 3>he gave up a cry of delight, and uh drawing

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<v Speaker 3>one of the mummies from its resting place, laid it

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<v Speaker 3>on the table in the full glow of the lantern,

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<v Speaker 3>and set to work. He was unwinding the wrappings from

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<v Speaker 3>the head of the corpse. A few turns revealed a

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<v Speaker 3>tumbled cascade of black curls, a few more the snow

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<v Speaker 3>white brow, then the delicate nostrils, and at last the full, warm,

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<v Speaker 3>passionate lips, the face of the most beautiful woman the

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<v Speaker 3>world has ever seen.

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<v Speaker 4>Ah, my poor Petitte, So long it has been so

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<v Speaker 4>very long. You must forgive me, beloved.

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<v Speaker 3>I could hardly believe my eyes. The man was obviously

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<v Speaker 3>in love with this mummy. After a while, he left

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<v Speaker 3>the body, turning his attention to one of the glass

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<v Speaker 3>cases filled with an assortment of rings. From a pocket

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<v Speaker 3>of his garment, he'd taken a small glass bottle containing

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<v Speaker 3>some kind of liquid, and he used this now to

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<v Speaker 3>test the rings, rejecting them one after another. Then at last,

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<v Speaker 3>this is it.

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<v Speaker 4>It's the one. At last I found it, the ring

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<v Speaker 4>of thought.

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<v Speaker 3>In his excitement, he dropped the bottle, and I gasped

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<v Speaker 3>in surprise at the sudden sound.

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<v Speaker 4>Who's there?

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<v Speaker 3>I I, I beg your pardon.

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<v Speaker 4>Ah, so it is you. No, do not mo i.

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<v Speaker 3>I I didn't mean to spy on you. I I

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<v Speaker 3>fell asleep.

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<v Speaker 4>Who are you, monsieur?

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<v Speaker 3>I am John Vansittart Smith, a student of Egyptology.

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<v Speaker 4>No matter, you will observe this knife. Yes, had I

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<v Speaker 4>discovered you five minutes ago, monsieur, I should have slain

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<v Speaker 4>you without a word. What as it is now? I

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<v Speaker 4>have found the ring, but I warn you not to

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<v Speaker 4>interfere with me in any way.

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<v Speaker 3>I really haven't the slightest intention of it. After all,

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<v Speaker 3>I'm only here by accident. Perhaps, I say, you shouldn't

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<v Speaker 3>have unwrapped that mummy. You know it's starting to deteriorate already, Oh,

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<v Speaker 3>my beloved, Yes, before our eyes, the lovely face was crumbling,

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<v Speaker 3>the hair falling away, the skin shriveling and cracking, the

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<v Speaker 3>lips fading. The man hovered over the decaying body a moment,

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<v Speaker 3>murmuring sorrowfully, and then he turned again.

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<v Speaker 4>No matter, that will not make the least difference in

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<v Speaker 4>a little while. Of what importance is the dead shell?

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<v Speaker 4>So long as her spirit waits for me at the

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<v Speaker 4>other side of the vale?

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<v Speaker 3>What are you talking about? What is it you're proposing

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<v Speaker 3>to do.

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<v Speaker 4>To night, monsieur? I have ended a quest and broken

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<v Speaker 4>at last the ancient curse. Nothing now can prevent my

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<v Speaker 4>joining her.

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<v Speaker 3>I are you actually claiming that you you knew her?

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<v Speaker 4>She was Atma, daughter of the governor of Abaris, and

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<v Speaker 4>both she and I lived in the reign of Tutmosis

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<v Speaker 4>three thousand, five hundred years ago.

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<v Speaker 3>You're obviously mad.

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<v Speaker 4>Perhaps, but not in the way you think. There may

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<v Speaker 4>be desire this you are coming here. It may be

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<v Speaker 4>decreed that I should leave some account behind as a

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<v Speaker 4>warning to other mortals as rash as myself very well,

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<v Speaker 4>then so be it. I am, as you surmised, an Egyptian.

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<v Speaker 4>My name was Sassrah, and my father had been the

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<v Speaker 4>chief priest of Osiris in the great Temple of Abaris,

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<v Speaker 4>which stood in those days upon the bubastic branch of

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<v Speaker 4>the Nile. I was brought up in the temple and

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<v Speaker 4>was trained in all those mystic arts and sciences known

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<v Speaker 4>to the pre.

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<v Speaker 1>All of all the mysteries that I studied, none intrigued

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<v Speaker 1>me more than the question of life and death. And

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<v Speaker 1>even to this question, in time I found an answer.

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<v Speaker 5>But for a man to live beyond his allotted span

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<v Speaker 5>of years, Master Sostra, the gods have not so ordained.

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<v Speaker 1>It, ha, Then perhaps they will have to revise their ordinances,

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<v Speaker 1>now that I have discovered their secret.

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<v Speaker 5>Tis not well to jest I tremble, for though I

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<v Speaker 5>have labored in your service for a year, I knew

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<v Speaker 5>not the goal of your endeavors, your cyahs.

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<v Speaker 1>Forgive me, ah, what a pity you look upon it

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<v Speaker 1>this way, For I'd thought that in return for your assistance,

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<v Speaker 1>I should grant you too the gift of centuries of

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<v Speaker 1>indestructible life.

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<v Speaker 5>I would not have it, Master Sascer, and I beg

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<v Speaker 5>that you too, forgo it.

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<v Speaker 3>Forego it.

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<v Speaker 1>I introduced the fluid into my my veins one month ago.

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<v Speaker 3>Oh no, then you are lost, indeed lost?

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<v Speaker 1>Do you call this being lost? Let's see now my

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<v Speaker 1>heart should be about here, about life.

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<v Speaker 3>No, don't muster you.

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<v Speaker 1>You've killed yourself, not at all. See it bleeds a little,

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<v Speaker 1>but in a while the wound will close up, and

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<v Speaker 1>that's all you. It's it's immortality. No, I shall not

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<v Speaker 1>live forever, but for five thousand, perhaps six thousand years,

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<v Speaker 1>I shall be immune from all dangers of violence, poison, disease, starvation.

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<v Speaker 1>You you cannot die now with this fluid in my veins. Nothing,

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<v Speaker 1>nothing in this world can end my life.

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<v Speaker 3>Dottra, doltra, Are you there?

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<v Speaker 1>Someone cast it's Parmes, the priest of thought in here,

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<v Speaker 1>my friend.

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<v Speaker 3>Enter, Oh greeting sorcerer, master of sciences and his worthy assistant.

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<v Speaker 5>If you will excuse me, masters, I go to make

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<v Speaker 5>my peace with those halves.

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<v Speaker 3>What's wrong with your helper, sauser?

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<v Speaker 1>The thought of a well nigh eternal life has frightened

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<v Speaker 1>him into gibbering superstition.

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<v Speaker 3>Then you still believe in the discovery.

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<v Speaker 1>Believe in it. Parme's my friend. Look, by the heavens,

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<v Speaker 1>what a scar it pierces the heart was done only

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<v Speaker 1>a moment ago with this knife.

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<v Speaker 4>Hmmm.

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<v Speaker 1>See I can put it back in the wound.

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<v Speaker 3>So you you suffered no ill effects, none whatever. And

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<v Speaker 3>if I if I turned the knife in the wound,

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<v Speaker 3>that would do you no harm.

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<v Speaker 1>You may try it. I feel nothing. I walked last

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<v Speaker 1>week in the snake pits by the river, was struck

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<v Speaker 1>innumerable times. It caused no.

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<v Speaker 3>Harm by the greater Nubis.

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<v Speaker 1>Will you have it? Then, out of all Egypt, I

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<v Speaker 1>have chosen only you, my friend, to share the gift.

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<v Speaker 1>But the choice is yours.

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<v Speaker 3>It's not'd be a fool to refuse Saser. I'll have it.

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<v Speaker 3>And now what must I do?

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<v Speaker 1>First? We must open a vein in your wrists like this. Oh,

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<v Speaker 1>then we drip the elixir slowly into your blood stream. Steady.

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<v Speaker 3>Now, I I don't feel anything.

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<v Speaker 1>There is no sensation. It is done so.

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<v Speaker 3>Simple, there is nothing more.

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<v Speaker 1>That's all and now done. It can never be changed.

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<v Speaker 3>It seems incredible, supernatural.

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<v Speaker 1>It's no more than a chemical discovery. But with it.

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<v Speaker 1>While all this about us passes away, You and I

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<v Speaker 1>parmeis we'll live on for fifty centuries. Think of it,

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<v Speaker 1>my friend, five thousand years of life, five.

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<v Speaker 3>Thousand years only the two of us.

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<v Speaker 1>Listen that noise. Some procession must be passing in the street.

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<v Speaker 3>I have an idea what it may be. Come on

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<v Speaker 3>over to the window the road, Stand back, and make

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<v Speaker 3>weight for the loveliest pearl of deeps.

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<v Speaker 1>She's being carried on the shoulders of slaves, parmies. She

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<v Speaker 1>must be some woman of rank.

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<v Speaker 3>Her name is Atmah. She's the daughter of the new governor.

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<v Speaker 1>Her curtains are drawn back. Perhaps we'll have a look

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<v Speaker 1>at her.

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<v Speaker 3>Oh, parness, is she not beautiful?

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<v Speaker 1>She is the most desirable, the only utterly desirable woman

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<v Speaker 1>I've ever seen in my life.

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<v Speaker 3>Yes, I saw her yesterday at the temple.

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<v Speaker 1>Then you're most fortunate, my friend. You've had twenty four

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<v Speaker 1>more hours to dream about her than I have had.

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<v Speaker 1>I must know her, Parmies, I must make her love me.

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<v Speaker 1>I'll send gifts. I'll call on her tomorrow. Oh it

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<v Speaker 1>has to be then.

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<v Speaker 6>I couldn't wait any longer than tomorrow.

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<v Speaker 4>Ah.

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<v Speaker 2>A visitor calls upon the beloved of the universe.

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<v Speaker 7>He is Sasser, priest of the Temple of Osiris.

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<v Speaker 8>Well bid him approach and.

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<v Speaker 1>Per Sastra, almost beautiful of all Egypt. I cast myself

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<v Speaker 1>at your feet.

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<v Speaker 8>That's a noble ambition. But wouldn't it be much better

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<v Speaker 8>to sit here beside me and watch the fish in

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<v Speaker 8>the fallen?

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<v Speaker 1>Much better?

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<v Speaker 8>You will all withdraw, except you, my girl, play something

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<v Speaker 8>for us at a distance. Well, Sasser, For so I

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<v Speaker 8>understand your called. Am I to deem this an official

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<v Speaker 8>visit by a master of the temple.

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<v Speaker 4>Oh that Mama beloved.

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<v Speaker 1>That is no, it is not official.

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<v Speaker 8>Oh perhaps then you wish to see my father on

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<v Speaker 8>personal business of your own.

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<v Speaker 1>Oh no, no, I shall pay my respects to him

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<v Speaker 1>at some other time.

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<v Speaker 8>Then, could it be I you've come to see? Yes, yes,

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<v Speaker 8>And since you've said the visits not official, your reason

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<v Speaker 8>must be a personal one. Oh it is, well, what

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<v Speaker 8>is it?

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<v Speaker 1>Otmah? I have known women who are famed for their

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<v Speaker 1>beauty throughout the valley of the Nile, but not one,

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<v Speaker 1>not all of them, are so lovely as you.

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<v Speaker 8>How thoughtful of you to come here and tell me, Otmah,

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<v Speaker 8>I've no wish to intrude my desires, my hopes beyond

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<v Speaker 8>such extent as you may wish to hear.

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<v Speaker 1>But oh, I'm finding this very difficulty.

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<v Speaker 8>Oh su ser, I've been told that you're a master

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<v Speaker 8>of science, that you've unlocked the secrets of the universe,

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<v Speaker 8>learned all the mystery of nature itself.

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<v Speaker 1>Your informants have been most generous.

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<v Speaker 8>Yes, I'm inclined to think, so, why because you've discovered

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<v Speaker 8>nothing at all about such a simple thing as a

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<v Speaker 8>woman's heart.

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<v Speaker 1>What do you mean?

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<v Speaker 8>I come from Thebes, and the women of Thebes are

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<v Speaker 8>warm blooded, passionate, and we know what we want. I

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<v Speaker 8>saw you first three days ago. Why do you think

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00:16:30.720 --> 00:16:33.279
<v Speaker 8>I told my bearers to carry me down that street

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<v Speaker 8>beneath your window.

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00:16:43.080 --> 00:16:48.039
<v Speaker 1>And so, miracle of all miracles, Atma love me worshiping

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00:16:48.039 --> 00:16:51.279
<v Speaker 1>the very ground her feet had trod upon. I lived

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00:16:51.279 --> 00:16:55.120
<v Speaker 1>through those glorious weeks, and with it all our love

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00:16:55.200 --> 00:16:59.759
<v Speaker 1>grew apace. But one thing bore heavily upon my mind,

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00:17:00.440 --> 00:17:02.320
<v Speaker 1>and I came to speak of it more often to

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00:17:02.399 --> 00:17:05.000
<v Speaker 1>my beloved as we sat and talked by the fountain

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<v Speaker 1>in her garden.

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<v Speaker 8>Look sascer see how the stars shine from the water.

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<v Speaker 1>Yesatma, more lovely even than their glow in the heavens?

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<v Speaker 8>Are they very old?

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<v Speaker 1>The stars very old, beloved, as old as time, and.

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<v Speaker 8>They're gone, gleaming there long years after you and I are.

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00:17:27.400 --> 00:17:33.279
<v Speaker 1>Gone and forgotten. Hatma, my dearest. We've talked of this before,

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00:17:33.359 --> 00:17:35.079
<v Speaker 1>and I know it distresses you to think of it.

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<v Speaker 8>No, Sorcerer, to night, everything is beautiful. We shall not

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00:17:38.680 --> 00:17:39.480
<v Speaker 8>talk of death.

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00:17:39.319 --> 00:17:42.960
<v Speaker 1>Not of death, but of life. They are only counterparts

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00:17:42.960 --> 00:17:43.559
<v Speaker 1>of one another.

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<v Speaker 8>Oh if we could only live together, grow old together,

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00:17:48.079 --> 00:17:49.680
<v Speaker 8>and die in the same instant.

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00:17:50.160 --> 00:17:53.799
<v Speaker 1>But how much better to live and love five thousand years?

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00:17:54.480 --> 00:17:57.519
<v Speaker 1>Will you not do it? Does so long a time

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00:17:57.640 --> 00:17:59.720
<v Speaker 1>seem too great for the love you feel for.

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00:17:59.759 --> 00:18:04.319
<v Speaker 8>Me, beloved? No, the time would pass in an instant,

290
00:18:05.160 --> 00:18:07.519
<v Speaker 8>and the loss then be no easier born than now.

291
00:18:08.200 --> 00:18:11.680
<v Speaker 1>Then why draw back? Will you not take the elixir now?

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00:18:11.799 --> 00:18:12.119
<v Speaker 1>To night?

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00:18:12.240 --> 00:18:14.359
<v Speaker 8>I'm afraid, Saser, we'll anger the gods.

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00:18:14.440 --> 00:18:16.519
<v Speaker 1>They will outlive the god. They will have their revenge

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00:18:16.839 --> 00:18:18.720
<v Speaker 1>whate'er occurred. We'd be together.

296
00:18:19.599 --> 00:18:23.559
<v Speaker 8>Yes, I've thought of that. Were it not so, I'd

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<v Speaker 8>not even consider doing it.

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00:18:25.319 --> 00:18:27.559
<v Speaker 1>Then you'll do it, Otma, you'll do it.

299
00:18:27.599 --> 00:18:30.160
<v Speaker 8>I need more time, only a little more to assure myself.

300
00:18:30.200 --> 00:18:33.839
<v Speaker 8>How much to night, Sorcerer, give me to night.

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00:18:35.079 --> 00:18:38.279
<v Speaker 1>Every hour you live without the elixir is another hazard.

302
00:18:40.720 --> 00:18:45.319
<v Speaker 1>All right, Then to night, and may Isis herself guard

303
00:18:45.359 --> 00:18:57.400
<v Speaker 1>over you until the fluid courses in your veins, and

304
00:18:57.559 --> 00:19:00.000
<v Speaker 1>so on. That accursed night I went to my chain

305
00:19:00.000 --> 00:19:03.160
<v Speaker 1>members and slept. And while I slept, the moon of

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00:19:03.200 --> 00:19:06.599
<v Speaker 1>Isis shone over the delta of the nile, shone, but

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00:19:06.680 --> 00:19:08.880
<v Speaker 1>to light as foul a scene as was ever done

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00:19:08.920 --> 00:19:11.759
<v Speaker 1>on earth. Some hours had passed away.

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00:19:12.640 --> 00:19:16.079
<v Speaker 8>Master sorcerl awakened, Master, awaken at once?

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00:19:17.160 --> 00:19:18.480
<v Speaker 1>You know who?

311
00:19:18.599 --> 00:19:20.799
<v Speaker 3>Is it true? Where the terrible thing has transpired?

312
00:19:22.519 --> 00:19:25.559
<v Speaker 1>You? You're one of ATMA's slaves. Why do you come here?

313
00:19:25.640 --> 00:19:28.039
<v Speaker 3>Oh Master Muster.

314
00:19:27.920 --> 00:19:30.079
<v Speaker 1>What has happened? What's the matter? Speak?

315
00:19:30.359 --> 00:19:32.640
<v Speaker 3>It is she the light of the world.

316
00:19:32.759 --> 00:19:33.880
<v Speaker 1>Tell me what has happened to her?

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00:19:34.200 --> 00:19:39.920
<v Speaker 3>Muster, Muster brigands came in the night. She she is dead?

318
00:19:40.079 --> 00:19:40.519
<v Speaker 4>You lie?

319
00:19:40.759 --> 00:19:43.559
<v Speaker 3>You lie, speaks the truth.

320
00:19:43.640 --> 00:19:46.440
<v Speaker 1>FARMI is my friend. What foul jokes behind these words

321
00:19:46.480 --> 00:19:46.640
<v Speaker 1>of his?

322
00:19:46.880 --> 00:19:51.279
<v Speaker 3>It's not a joke. Atma is dead. You slave, depart

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00:19:51.279 --> 00:19:57.240
<v Speaker 3>from us, Yes, Masters, by your gracious.

324
00:19:55.319 --> 00:20:01.359
<v Speaker 1>Such a thing cannot be oh, of course, the two

325
00:20:01.440 --> 00:20:03.880
<v Speaker 1>of you planned it together, sought to frighten me out

326
00:20:03.880 --> 00:20:07.079
<v Speaker 1>of my wits. It's very amusing, really, but I was

327
00:20:07.200 --> 00:20:08.359
<v Speaker 1>terrified for a moment.

328
00:20:08.720 --> 00:20:11.880
<v Speaker 3>Atma no longer lives. She was stabbed to death only

329
00:20:11.880 --> 00:20:12.680
<v Speaker 3>a short while ago.

330
00:20:12.799 --> 00:20:16.359
<v Speaker 1>No, oh, no, no, she can't be dead.

331
00:20:16.440 --> 00:20:20.240
<v Speaker 3>She is dead, Sorcerer, and for all eternity, I must.

332
00:20:20.160 --> 00:20:24.319
<v Speaker 1>Go to her. Something. Surely, something can be done.

333
00:20:24.640 --> 00:20:25.720
<v Speaker 3>I killed her?

334
00:20:27.119 --> 00:20:27.680
<v Speaker 4>What is it?

335
00:20:28.200 --> 00:20:29.039
<v Speaker 1>What has happened?

336
00:20:31.039 --> 00:20:31.839
<v Speaker 3>I killed her?

337
00:20:31.920 --> 00:20:32.039
<v Speaker 4>Oh?

338
00:20:32.119 --> 00:20:34.279
<v Speaker 3>I struck her through the heart with this very knife.

339
00:20:34.880 --> 00:20:37.839
<v Speaker 1>You, you, parmes.

340
00:20:38.519 --> 00:20:43.720
<v Speaker 3>Why because she loved you? Why? And because I loved her, you,

341
00:20:45.039 --> 00:20:47.240
<v Speaker 3>my friend, she would not look at me?

342
00:20:47.319 --> 00:20:50.039
<v Speaker 1>And for that you would lose her to both of us, forever.

343
00:20:49.799 --> 00:20:50.519
<v Speaker 3>To both of us.

344
00:20:50.599 --> 00:20:54.079
<v Speaker 1>Sorcerer, I think not by the living O Cyrus, give

345
00:20:54.160 --> 00:20:54.880
<v Speaker 1>me that knife.

346
00:20:55.000 --> 00:20:59.960
<v Speaker 3>That's it. Strike again, here's the heart here, Strike again

347
00:21:00.000 --> 00:21:00.880
<v Speaker 3>and then again, s Uestra.

348
00:21:01.279 --> 00:21:05.440
<v Speaker 1>Wait, what foolishness, I cannot kill you.

349
00:21:05.440 --> 00:21:11.519
<v Speaker 3>You're wrong, orcer, you have killed me. Those were grief

350
00:21:11.519 --> 00:21:12.160
<v Speaker 3>as blows.

351
00:21:13.039 --> 00:21:16.359
<v Speaker 1>But the fluid, that cursed elixir of life, it runs

352
00:21:16.440 --> 00:21:18.319
<v Speaker 1>in your veins as well as mine.

353
00:21:18.480 --> 00:21:24.160
<v Speaker 3>True, but in mine is also the antidote.

354
00:21:24.559 --> 00:21:26.759
<v Speaker 1>You lie there is no antidote.

355
00:21:27.160 --> 00:21:31.599
<v Speaker 3>Yes day and night, these many weeks I've worked, Have

356
00:21:31.759 --> 00:21:32.279
<v Speaker 3>I found it?

357
00:21:32.359 --> 00:21:35.839
<v Speaker 1>You couldn't. Is there more of it?

358
00:21:36.240 --> 00:21:40.119
<v Speaker 3>Yes, a very little, But you'll never find it.

359
00:21:40.279 --> 00:21:42.519
<v Speaker 1>Where is it? Tell me where it is.

360
00:21:43.960 --> 00:21:48.240
<v Speaker 3>In the Ring Sorcerer, in the Ring of Thought, and

361
00:21:48.400 --> 00:21:49.680
<v Speaker 3>you'll never find it.

362
00:21:49.799 --> 00:21:50.759
<v Speaker 1>I will, I will.

363
00:21:50.839 --> 00:21:53.079
<v Speaker 4>I must go on live.

364
00:21:53.799 --> 00:22:00.119
<v Speaker 7>Live your fifty centuries, and every hour of them. Think

365
00:22:00.799 --> 00:22:04.680
<v Speaker 7>it was your hand that struck me down with the

366
00:22:04.759 --> 00:22:11.880
<v Speaker 7>same knife that took her from you. Think while I

367
00:22:12.200 --> 00:22:14.359
<v Speaker 7>go tis join her.

368
00:22:16.759 --> 00:22:26.279
<v Speaker 1>Oh no, they're not dead, They're not No, no, no no.

369
00:22:32.839 --> 00:22:35.960
<v Speaker 1>For months I searched the papers, test tubes, and the

370
00:22:36.039 --> 00:22:39.359
<v Speaker 1>chemical flasks in the chambers of the dead Priest of Thought,

371
00:22:40.519 --> 00:22:45.240
<v Speaker 1>searched and found nothing. I sifted the sands where he'd walked,

372
00:22:45.960 --> 00:22:52.039
<v Speaker 1>questioned his slaves and servants, and learned nothing. Every moment

373
00:22:52.079 --> 00:22:56.480
<v Speaker 1>of my life, my terrible and unwonted life, was devoted

374
00:22:56.480 --> 00:23:00.519
<v Speaker 1>to an unceasing hunt for the Ring of Thought, and

375
00:23:00.680 --> 00:23:04.759
<v Speaker 1>all to no avail. And in time a horde of

376
00:23:04.799 --> 00:23:10.480
<v Speaker 1>barbarians overran the city of a Barras, and the sands

377
00:23:10.480 --> 00:23:14.279
<v Speaker 1>of the desert buried forever. The last of my hopes

378
00:23:16.480 --> 00:23:28.000
<v Speaker 1>and so began the deadly march of the centuries. How

379
00:23:28.039 --> 00:23:32.519
<v Speaker 1>can you know how terrible a thing time is, you

380
00:23:33.400 --> 00:23:37.559
<v Speaker 1>who have experienced only the narrow course between the cradle

381
00:23:37.599 --> 00:23:38.160
<v Speaker 1>and the grave.

382
00:23:40.200 --> 00:23:45.599
<v Speaker 4>I've floated down the whole stream of history. I have

383
00:23:45.759 --> 00:23:51.200
<v Speaker 4>traveled in all lands, and I have dwelt with all nations.

384
00:23:52.440 --> 00:23:57.240
<v Speaker 4>Every tongue is the same to me. I need not

385
00:23:57.440 --> 00:24:04.400
<v Speaker 4>tell you how slowly the c is drifted by centuries

386
00:24:04.720 --> 00:24:14.359
<v Speaker 4>without end, years without number. And so I came to

387
00:24:14.440 --> 00:24:20.599
<v Speaker 4>be one day a few weeks past in San Francisco,

388
00:24:21.720 --> 00:24:25.440
<v Speaker 4>where I came across a certain item in a newspaper.

389
00:24:26.319 --> 00:24:29.960
<v Speaker 9>Among recent discoveries in Lower Egypt is an unopened mummy

390
00:24:29.960 --> 00:24:33.480
<v Speaker 9>case containing, according to the inscription on the outside, the

391
00:24:33.480 --> 00:24:35.920
<v Speaker 9>body of the daughter of the governor of Arbaris in

392
00:24:35.960 --> 00:24:39.559
<v Speaker 9>the days of Tutmosis. In the same burial crypt, dropped

393
00:24:39.559 --> 00:24:42.720
<v Speaker 9>into a crevice between the stones, was found a large

394
00:24:42.799 --> 00:24:46.599
<v Speaker 9>platinum ring of singular design. Both specimens have been sent

395
00:24:46.640 --> 00:24:52.039
<v Speaker 9>for examination to the Louver in Paris.

396
00:24:53.200 --> 00:24:56.160
<v Speaker 3>So I presume you came here to Paris obtained this

397
00:24:56.319 --> 00:24:59.119
<v Speaker 3>position of attendant in the Louver with the idea.

398
00:24:58.880 --> 00:25:04.359
<v Speaker 4>Only yesterday, Monsieur Smith, as you may imagine I had

399
00:25:04.400 --> 00:25:08.279
<v Speaker 4>little difficulty in convincing the director of my knowledge of

400
00:25:08.279 --> 00:25:09.359
<v Speaker 4>Egyptian relics.

401
00:25:09.480 --> 00:25:12.160
<v Speaker 3>The ring, then, the one I saw you remove from

402
00:25:12.160 --> 00:25:16.640
<v Speaker 3>the case is the ring of thought. Without question, You've

403
00:25:16.759 --> 00:25:18.720
<v Speaker 3>discovered how the ring must be used.

404
00:25:19.640 --> 00:25:26.359
<v Speaker 4>The secret is obvious. See the stone is hollow, and

405
00:25:26.559 --> 00:25:29.559
<v Speaker 4>drops of liquid move within it.

406
00:25:30.200 --> 00:25:33.640
<v Speaker 3>Have you considered the possibility that this antidote may not

407
00:25:33.720 --> 00:25:35.839
<v Speaker 3>perform the function which has been claimed for it?

408
00:25:36.319 --> 00:25:39.839
<v Speaker 4>It will, monsieur, and there'll be no need of a

409
00:25:39.920 --> 00:25:44.759
<v Speaker 4>knife to strike me down. My death was due in

410
00:25:44.839 --> 00:25:50.319
<v Speaker 4>a time long past, and only this damnable fluid that

411
00:25:50.519 --> 00:25:56.039
<v Speaker 4>runs through my veins supports the weight of my years.

412
00:25:56.799 --> 00:26:01.240
<v Speaker 4>I delay no longer. I goat to join her where

413
00:26:01.279 --> 00:26:03.359
<v Speaker 4>she waits for me death.

414
00:26:03.480 --> 00:26:07.240
<v Speaker 3>No, don't, oh.

415
00:26:09.440 --> 00:26:20.079
<v Speaker 4>Too late. I've broken the gem. I've taken the antidote.

416
00:26:20.960 --> 00:26:24.200
<v Speaker 3>I stood and watched him with a terrible fascination, but

417
00:26:24.279 --> 00:26:27.799
<v Speaker 3>without pity and without compassion. He turned away from me

418
00:26:27.880 --> 00:26:30.119
<v Speaker 3>and reeled toward the mummy he'd left on the table

419
00:26:30.119 --> 00:26:34.039
<v Speaker 3>across the room. But even as he turned, the parchment

420
00:26:34.119 --> 00:26:38.759
<v Speaker 3>skin of his face cracked and shredded. Discolored lips shriveled

421
00:26:38.799 --> 00:26:42.480
<v Speaker 3>away from the yellow teeth, the vitreous eyes withered into

422
00:26:42.559 --> 00:26:46.119
<v Speaker 3>nubs of formless plasm, and the full weight of his

423
00:26:46.240 --> 00:26:49.839
<v Speaker 3>thirty five hundred years descended on him. In an instant,

424
00:26:53.000 --> 00:26:55.839
<v Speaker 3>I left that room of death and walked over the

425
00:26:55.880 --> 00:27:00.359
<v Speaker 3>marble floors toward the exit, my footsteps echoing through the

426
00:27:00.359 --> 00:27:03.680
<v Speaker 3>empty halls, even as they had echoed for so long

427
00:27:03.799 --> 00:27:07.759
<v Speaker 3>in the corridors of time. And I wondered as I walked,

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00:27:08.119 --> 00:27:11.839
<v Speaker 3>if Sorcerer knew now what I knew, that the antidote

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<v Speaker 3>in the ring of Thoth can bring death to the body,

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<v Speaker 3>but not to the soul. And I wondered in what

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00:27:18.279 --> 00:27:22.960
<v Speaker 3>cloak of flesh his spirit now dwelt, just as I Parmes,

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<v Speaker 3>Priest of Thoth, had for the last forty years of

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<v Speaker 3>my thirty five hundred dwelt in the body of John

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<v Speaker 3>vansitat Smith.

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<v Speaker 7>The Doughty.

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<v Speaker 1>He's so little and solim well now he's only two

437
00:27:55.279 --> 00:27:56.079
<v Speaker 1>days old.

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<v Speaker 8>But he doesn't look a bit like either his father

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<v Speaker 8>or me.

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<v Speaker 9>Givin time, my dear, all babies look pretty much alike

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<v Speaker 9>when they're first born.

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<v Speaker 8>I don't know it he is eyes or it's silly,

443
00:28:09.160 --> 00:28:13.440
<v Speaker 8>of course, but he looks like an Egyptian.

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<v Speaker 2>Produced and directed by William N. Robson the Ring of

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00:28:31.440 --> 00:28:34.160
<v Speaker 2>Thoth by Sir Roarthur Conan Doyle was adapted for radio

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00:28:34.240 --> 00:28:37.880
<v Speaker 2>by Les Crutchfield, with Jack Webb as Sorcerer, Thomas freebarn

447
00:28:37.960 --> 00:28:40.880
<v Speaker 2>Smith as Van Sidart Smith, and John Banks as Atma.

448
00:28:41.319 --> 00:28:44.599
<v Speaker 2>The special musical score was conceived and conducted by Cypewer.

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00:28:52.400 --> 00:28:55.200
<v Speaker 2>Escape is presented by the Columbia Broadcasting System and it's

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<v Speaker 2>affiliated stations.

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<v Speaker 3>Each week at this time.

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<v Speaker 2>Next week, we invite you to escape to our raft

453
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<v Speaker 2>been in the South Pacific with John Russell in his

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<v Speaker 2>unforgettable story of human frailty, The Fourth Man, and so

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00:29:06.720 --> 00:29:09.279
<v Speaker 2>good night until next week at this time, when again

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00:29:09.319 --> 00:29:13.720
<v Speaker 2>it will be time to escape. This is CBS, the

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<v Speaker 2>Columbia Broadcasting System.
