Speaker 1: What if the cities that you read about in Greek philosophy,
you know, the Golden Ages that supposedly sank beneath the waves.
What if they weren't metaphors but we're actually historical fact.
Speaker 2: And what if the gods we now categorize as myth
were in fact a specific lineage of our own ancestors.
Speaker 1: Welcome to Thrilling Threads Today, we are diving into a
realm where high level archaeology collides head on with some
really deep esoteric philosophy.
Speaker 2: We are and our guide for this journey is the
incredible research and you know the claims put forth by
Matt Lacroix. All of this is featured in the source material.
A YouTube presentation called Ancient Civilization Researcher discovers the true
origin of human life on the Best of Danny Jones channel.
Speaker 1: And this is not just about listing off a few
ancient sites. It's about really accepting a single pretty provocative premise,
which is that the myths we just dismiss as fiction
are actually meticulously recorded, geographically specific records of a forgotten
world civilization, a blueprint of knowledge that was just wiped
out by a global catastrophe.
Speaker 2: That is the mission for you, the learner. We have
to try and synthesize these really startling, interlocking claims.
Speaker 1: We're going to cross reference the archaeological evidence right from
submerged cities in Turkey to impossible stonework in Peru and China.
Speaker 2: Exactly and understand how this single alternative history just completely
challenges the slow linear narrative of human civilization that has
dominated academia for centuries. We are connecting threads that span
twelve thousand years and every single continent.
Speaker 1: Okay, let's unpack this. We have to start where Lacroix
claims he found the literal.
Speaker 2: Missing key, far eastern Turkey.
Speaker 1: Yeah. Region that's already famous for goubic Le Tape, which
completely reset the timeline of civilization.
Speaker 2: But the research suggests we actually need to shift our
focus to Lake Van sometimes called Lake Vaughan. They describe
it as the new Nexus, and it could potentially reveal
a level of sophistication that Gebekley tape only hinted at.
Speaker 1: So Lakefan geologically this place is pretty remarkable.
Speaker 2: Oh, it's genuinely unique. It's the largest soda lake in
the world, which is critical.
Speaker 1: And a Soda lake means it's highly alkaline and salty.
Speaker 2: And crucially it has no natural outlet, right.
Speaker 1: So everything that goes into the lake just stays trapped there.
Speaker 2: It's trapped, and that creates this incredibly unique environment.
Speaker 1: And that no outlet aspect is why the water level
has shifted so radically over the millennia. Sometimes it would
dry out, sometimes it expand massively.
Speaker 2: Exactly, and that high alkaline nature it leads to the
development of these unique formations, these microbiolites, yes, large carbon structures.
They're basically these massive mounds of calcium carbonate that form underwater,
and that is precisely what led to this accidental discovery
back in twenty seventeen.
Speaker 1: So there was a well known diver and videographer, Toss
and Jalen. He was down there filming these natural formations
near a town called jenez He had zero intention of
looking for megalis.
Speaker 2: None at all. And he didn't just find a few stones.
He stumbled upon what are now considered the deepest confirmed
underwater ruins.
Speaker 1: In the world, scattered across a huge area from what
thirty to seventy five feet deep.
Speaker 2: Yes, and that word confirmed is absolutely critical to this research.
You have to remember the academic chaos around the Yonaguni
structures in Japan, oh right.
Speaker 1: For decades it was held up as a submerged.
Speaker 2: City until researchers like doctor Robert Schuck, who will definitely
mention again later determine that Yonaguni was primarily a natural formation,
even with its startling symmetry.
Speaker 1: But the Lake Fan stones, according to the divers and
the researchers who've been down there, are unequivocally man made.
Speaker 2: Without a doubt. They show intentional hard cut blocks, precision joins,
it's undeniable, and the material itself is extremely resistant to weathering.
Speaker 1: Which helps explain how it survived for so long.
Speaker 2: The primary building material is identified as andesite, a very
hard of volcanic rock. The fact that these stones survived
in that high alkaline environment and at that depth for
what must be millennia is just it's evidence of the
material's durability and the builder's understanding of long term preservation.
Speaker 1: And the architecture itself that provides the first global clue.
The stone work here shows two primary, really distinct architectural
forms that we see repeated worldwide in these alleged loss
civilization sites.
Speaker 2: The first one is that sharp, perfectly cut ninety degree
angle look. It demands absolute precision and planning.
Speaker 1: The kind of stone work we honestly struggle to replicate today,
even with modern lasers and CAD mapping.
Speaker 2: And then you also find the polygnonal natural look.
Speaker 1: Those are the massive, irregularly shaped, often pillow like stones,
the kind you see at Sexeomon in Peru.
Speaker 2: The ones that fit together so precisely you can't even
slide a sheet of paper between them.
Speaker 1: And you find both styles in the same regions, sometimes
in the very same.
Speaker 2: Site, which suggests this lost civilization had a dual toolkit.
They mastered both GM metric precision and this seemingly impossible
organic fitting stone work, so they.
Speaker 1: Weren't evolving one technique to the other, they were using
both as needed exactly.
Speaker 2: But here's where the evidence moves from just archaeology to synthesis.
This is the missing key piece of the puzzle. The
research isolates a critical deep submerged capstone found in Lake van.
This capstone has three worn but identifiable symbols on it.
Speaker 1: And the focus is on two of them, specifically.
Speaker 2: A six pedal flower of lifelike symbol in the middle
and a counterclockwise spiral right next to it.
Speaker 1: What makes this a key and not just another interesting
carving is the exact duplication of these symbols at sites
across the world.
Speaker 2: I mean, we're talking about finding the identical pattern deep
underwater in Turkey and.
Speaker 1: Then finding it repeated at nearby sites like Ionis and Kevcleesy, and.
Speaker 2: Most astonishingly, at the Ossyrian in Abydos, Egypt, which is
separated by thousands of miles.
Speaker 1: That's the crux of the argument right there.
Speaker 2: It is this isn't random. It's a shared language, a
standardized set of religious or esoteric symbols and architectural signatures.
Speaker 1: So if the same geometric language, the same capstone is
in Turkey and Egypt, we are looking at evidence of
a single, unified, advanced global.
Speaker 2: Culture, a culture that was systematically sharing knowledge before it
was completely wiped out.
Speaker 1: It basically transforms these unique symbols into a kind of
ancient corporate logo. It proves there was centralized knowledge.
Speaker 2: Which then raises that natural critical question.
Speaker 1: If the evidence of a global network is literally submerged
under Turkish water, that fundamentally contradicts the timeline we all accept.
So how does the source address this accepted narrative of
slow linear progress.
Speaker 2: Well, you have to move beyond that strictly linear view
of history. The source really insists that the academic default
position that humanity slowly and gradually crawled its way to
civilization is just fundamentally flawed, and.
Speaker 1: The best way to challenge that linearity is to look.
Speaker 2: At the climate exactly the evidence from ice cores pulled
from places like Greenland and Antarctica. They are not showing
gradual change. They show violent, rapid, nonlinear shifts, what.
Speaker 1: The research calls cyclical violence.
Speaker 2: We see massive sudden spikes and temperature, often followed by
catastrophic plunges, not over thousands of years, but sometimes just decades.
Speaker 1: So if Earth's climate history is violently cyclical and erratic,
then the human history that developed on that planet can't
be a simple predictable crawl.
Speaker 2: It can't. And that realization brings us directly to the
site of Ionis.
Speaker 1: Okay. So Ionis is this stunning discovery near Lake van
It's described as an incredibly sophisticated temple complex that was
deliberately buried on a mountain.
Speaker 2: And it's built from those high quality hard stones and
to site the salt and alabaster. The finding itself is
relatively recent too, rediscovered around the turn of the millennium.
Speaker 1: And the conflict with established archaeology is immediate and profound.
Speaker 2: It is traditional dating attributes Ionis to the Eurasian culture
roughly twenty eight hundred years ago.
Speaker 1: The source argues the Urarchians only built these comparatively primitive
mud brick structures and castles on top of the far older,
highly sophisticated megalithic stone work.
Speaker 2: It's like finding a modern garden shed built on top
of the foundation of the Pentagon. The two just don't match.
Speaker 1: So the age dispute really hinges on the technical impossibility
of the masonry. We talked about Andesite earlier. Can we
zoom in on that?
Speaker 2: Sure? And Asi ranks between a seven and a seven
point five on the most hardness scale. That's out of
a perfect ten, and.
Speaker 1: For reference glasses about a five. A copper penny is
a three, quartz is a seven. So this is really
hard stuff.
Speaker 2: Incredibly hard. So to cut a stone that hard using
only bronze or iron tools the kind ascribed to the
Urartians three thousand years ago is physically and mathematically almost impossible.
Speaker 1: The process would just require exponentially more time and effort
than the Urartians supposedly.
Speaker 2: Had, and this is where the precision element is so critical.
The description suggests a precision that just defies conventional tooling.
They call it laser cut.
Speaker 1: And symbols were not just carved into individual blocks, they
were cut through multiple fitted blocks after the stones were
already assembled and slotted together.
Speaker 2: That implies not just incredible precision, but a lost technique.
Whether it was high speed drilling using unknown abrasives, some
form of sonic resonance, or even chemical softening, the result
is the same.
Speaker 1: The mastery of stone cutting greatly exceeds the capabilities of
the supposed builders.
Speaker 2: The cuts are seamless, there are no discernible errors or
tool marks that suggest traditional hammer and chisel methods, and.
Speaker 1: This precision was used to encode foundational symbols. Let's focus
on the.
Speaker 2: Sun cross found directly behind the altar at ionis a
simple but incredibly potent circle with the four equal arms
extending to the circumference, and.
Speaker 1: This symbol acts as one of the key thrilling threads
connecting this ancient world to well modern elite groups.
Speaker 2: The research traces the symbol through history. It suggests it
represents ancient protected knowledge that was passed down through secretive
ord oral traditions during the dark ages that followed the cataclysm.
Speaker 1: The first clear traceable jump is to high echelon organizations
like the Knights Templar.
Speaker 2: Right where it transforms into the red cross or the
Solar Cross, the symbol of their spiritual and financial power.
Speaker 1: Now here's a fair challenge given its basic geometric simplicity,
a circle bisected by a cross. Couldn't the symbol have
just naturally re emerged in different cultures totally unrelated to iis.
Speaker 2: That's a fair point, and you always have to watch
for confirmation bias. But the research focus is not just
on the symbol itself, but the specific context.
Speaker 1: The fact that it's located directly behind the central altar,
marking the spiritual heart of the temple exactly.
Speaker 2: And the tracing of the symbol doesn't stop with the templars,
it continues right into the highest echelons of modern religious authority.
Speaker 1: The source highlights the startling persistence of this symbol. The
modern pope is shown wearing this identical cross.
Speaker 2: The argument is that this links the ancient, buried sacred
knowledge of Ionis through the preservation efforts of groups like
the Knights Templar, directly to the highest levels of modern
organized religion.
Speaker 1: So it suggests an unbroken chain of symbolic knowledge surviving
even if the true original meaning has been obscured or
intentionally lost to the common people.
Speaker 2: And this knowledge seems to have been built on mathematical foundations.
Speaker 1: Absolutely, the structures weren't just religious, they were repositories of
fundamental physics and math. Look at the T pillar found
nearby at a site called Shahweh.
Speaker 2: Right, when researchers measured a specific center cut on that pillar,
it came out to exactly.
Speaker 1: Twelve inches a perfect foot.
Speaker 2: The standardization of measurement itself centuries before we assumed such
standardization existed. Is it's a profound discovery, and.
Speaker 1: That two pillar design itself. The shape strongly resembles the
Greek capital letter Pi, which is often associated with pie
and the golden ratio.
Speaker 2: The research claims these structures encoded the origins of sacred geometry, mathematics,
and astronomy, connecting them to directly to agricultural cycles and
calendar keeping.
Speaker 1: So these sites weren't primitive temples to local gods. They
were advanced textbooks left for future generations to.
Speaker 2: Rediscover, built with near indestructible materials and buried on mountaintops
to survive anticipated global cataclysms.
Speaker 1: Which immediately leads to the question, if this blueprint existed
in Turkey, where else did this culture build well.
Speaker 2: The evidence for a single global blueprint becomes, i would say,
irrefutable when we look at the recurrence of a single
highly specific architectural.
Speaker 1: Signature, the three level step pyramid.
Speaker 2: Exactly this design is found at Kevklissi in Turkey, the
site where the Lion artifact was found, and it acts
as a global corporate stamp.
Speaker 1: The research ties the three levels of this design to
fundamental physics, referencing that famous Nikola Tesla observation about the
numbers three, six, and nine.
Speaker 2: Suggesting these levels relate to the fractal energetic nature of
the universe. The construction reflects a deeply held cosmological belief.
Speaker 1: And the ultimate symbolic expression of this fractal philosophy is
found in South.
Speaker 2: America, the Chicana. It is maybe the most important esoteric
symbol in the Andes, and it is a literal representation
of this three level design.
Speaker 1: The chicana is basically the three level step pyramid combined
with its inverted version, creating the square design with the
central hole and.
Speaker 2: The steps represent the different planes of existence. Esoterically, the
three levels often represent the three realms the hanan Pacha
the upper world or heavens.
Speaker 1: K pacha which is this world our earth.
Speaker 2: And Ukupacha the lower world the underground. So merging the
non inverted and inverted pyramid, like the chicana does, represents
the union and the dividing of these realms.
Speaker 1: And we see this blueprint physically embedded in ancient architecture
across continents.
Speaker 2: In Peru. At Alantitambo, this three level step pyramid design
is clearly carved into the rock face, sometimes with water
flowing over the top, which suggests it was part of
a ritual connected to the flow of life or agriculture.
Speaker 1: But geographically this blueprint just defies all known historical diffusion
models oh completely.
Speaker 2: We find the same step concept in the immense rock
cut architecture of Madane Sola in Saudi Arabia. The Nabatin tombs.
Speaker 1: And then moving dramatically to Southeast Asia in specific, older
isolated temples within the massive Enkor Watt and Anchor Tom
complex in Cambodia.
Speaker 2: And those Cambodian structures are particularly fascinating because the research
points out they're stylistically distinct from the later well documented
Komer Empire work. They look much.
Speaker 1: Older, suggesting they belong to that original global culture that
built these foundational steps.
Speaker 2: It's truly like finding the same logo and design standards
on construction sites separated by ten thousand miles. It proves
an integrated global engineering firm was operating across the planet.
Speaker 1: And the T pillar design we first saw at Shao
and Turkey is also integrated into this step pyramid concept,
especially in South America.
Speaker 2: Yes, the T pillar design is merged with the inverted
pyramid structure in the massive, deeply perplexing doorways found at
Pumapungu in Bolivia.
Speaker 1: The stoneloks themselves are cut with a specific inverted pyramid
indentation where the T shape would perfectly slot in the
foreknowledge required for that It baffles modern engineers.
Speaker 2: This theme of duality the above and the below. It
culminates at the Gate of the Sun in Tijuana, Ku, Bolivia.
Speaker 1: Which has three distinct doors, the center door being the
most important.
Speaker 2: So the non inverted pyramid represents Earth, our realm. The
inverted pyramid represents the above, the heavens. The architecture itself
is conveying fundamental metaphysical knowledge.
Speaker 1: They aren't just walls, They are encoded instructions about the
nature of reality. They communicate the existence of two realms
and may be a path between.
Speaker 2: Them and the source ties us all the way back
to keV Clazy in Turkey to complete the symbolic loup.
Speaker 1: Right here, the god Haldy, often equated with the Sumerian
god Anki, is shown facing the center doorway, and what
he's holding is critical.
Speaker 2: A pine cone, a global symbol for the pineal gland
and spiritual illumination, and what is claimed to be the
first cup or chalice in history.
Speaker 1: The chalice a defining symbol in esoteric and religious iconography.
Speaker 2: It signifies the passing of a spiritual or religious doctrine
or knowledge from a higher source to a student. And
Haldy is positioned directly facing that center doorway of the
three doors, and.
Speaker 1: This composition is said to echo profoundly in later spiritual art.
The source makes this fascinating connection to Leonardo da Vinci's
Last Supper.
Speaker 2: Where Jesus is framed centrally positioned inside the largest of
the three doorways depicted in the painting.
Speaker 1: So this suggests the three doors, the three levels, the
three concepts. They are not accidental.
Speaker 2: They relate to the esoteric trinity, which goes way beyond father,
Son and Holy Spirit. It represents the balance of the
three fundamental components of existence mind, body, and spirit or soul, and.
Speaker 1: The architecture implies that only through balancing these three aspects
do you unlock the central doorway to higher consciousness or
the upper realm.
Speaker 2: It's a remarkable synthesis. You have ancient megalie encoding the
exact same spiritual doctrines seen in Renaissance art, all focused
on duality and balance.
Speaker 1: But if this civilization was so incredibly advanced and spiritually unified,
why did it vanish so completely?
Speaker 2: The disappearance of this global civilization is tied directly to
geological history, the catastrophic events during the Older Dryas and
Younger Dryest periods, and.
Speaker 1: This was not a gradual climate change. This was an
era of cyplical, violent, and truly apocalyptic disasters.
Speaker 2: Lasting over fifteen hundred years, roughly from fourteen thousand, five
hundred to eleven thousand, five hundred years ago.
Speaker 1: A key part of the research involved dismantling the mainstream
narrative of why the megafaun had disappeared.
Speaker 2: The scale of death is just staggering. Forty four million megafaunas,
including the wooly mammoth, died across the northern hemisphere.
Speaker 1: The slow extinction narrative or the theory of indigenous overhunting,
it just doesn't account for the suddenness in the sheer
volume of these deaths, not at all.
Speaker 2: The source sites the massive bone yards, particularly across Siberia
and the New Siberian Islands, where explorers discovered mammoths that
were flash frozen instantly.
Speaker 1: We mean instantly. They had undigested buttercups and grass in
their throats and.
Speaker 2: Stomachs, they were in the middle of eating, and in
the space of a few seconds they were turned into
frozen blocks of meat.
Speaker 1: The explorer Edward Tole noted finding frozen mammoths surrounded by
green leaves on trees This happened in the middle of summer.
Speaker 2: And to quantify this impossibility, the frozen food company Bird's Eye,
of all places, conducted studies on this. Seriously, yes, they
calculated the required temperature drop to flash freeze a massive
wooly mammoth instantly. The temperature must have plummeted to at
least minus one hundred and fifty degrees fahrenheit minus.
Speaker 1: One hundred and fifty That is, that's an unimaginable plut.
Speaker 2: You cannot explain that with standard weather patterns or even
a typical commet impact dust cloud. The planet was turned
into a deep freezer instantaneously.
Speaker 1: But here's the twist that complicates even the simple freeze narrative.
This deep freeze was preceded by any extreme heat spike.
Speaker 2: Greenland ice cores show that approximately fourteen thousand, five hundred
years ago, temperatures spiked dramatically to levels warmer than present day,
right before the chaos and the rapid cooling began.
Speaker 1: So the event wasn't just cold or just hot. It
was erratically violent and sudden.
Speaker 2: So if it wasn't a standard asteroid impact which usually
leads to a gradual cooling, blackout, scenario. How do you
drop the temperature by hundreds of degrees and cause massive
heating instantaneously.
Speaker 1: The source contrasts the cosmic impact theory with the solar
mass ejection or CME theory.
Speaker 2: This is the camp supported by figures like doctor Robert showed.
The theory posits that the Sun experienced a massive charged
particle event, a superflare that severely weakened Earth's magnetosphere.
Speaker 1: So imagine our magnetic shield just suddenly collapsing.
Speaker 2: This allowed massive amounts of charged particles to bombard the surface,
causing rapid pulse shifts and opening holes in the protective grid.
This electromagnetic violence would instantly fry surfaces, caused plasma discharges.
Speaker 1: And lead to an instantaneous cataclysmic temperature drop.
Speaker 2: And the ultimate physical evidence for this extreme energy event,
the proof that the planet was subjected to temperatures far
exceeding anything a typical fire or volcano could produce, is
ftrification melted stone melted stone. This is a critical technical
data point that has to be detailed. The research claims
that Matt Lacroix collaborated with doctor Shop to examine the
Turkish site of Kevclesy.
Speaker 1: What do they find on the fifty ton basalt megalith.
Speaker 2: They identified clear evidence of vitrification. The basalt stone had
been melted and turned to glass on its surface.
Speaker 1: And basalt is a hard volcanic stone that requires temperatures
approaching two thousand degrees fahrenheit to melt.
Speaker 2: Right, this is not surface turning, this is the stone
structure itself turning glassy.
Speaker 1: So if the stone was already in place, cut and assembled,
this proves that the stone work predated the catastrophic.
Speaker 2: Event, and it suggests not just extreme heat, but an
instantaneous application of plasma energy that defies all conventional geological
explanations for short term climate shift.
Speaker 1: And this leads directly to the theory of why these
specific ancient sites were repeatedly targeted in the cataclysms.
Speaker 2: The builders intentionally used highly magnetic stones like basalt and
andesite in their construction.
Speaker 1: Causing these massive megaliths to act as enormous, high sensitivity
lightning rods during extreme electromagnetic events like the CME.
Speaker 2: The destruction wasn't just gradual decay, it was explosive. At
the nearby Turkish site of Shawa, the source claims the
temples literally exploded, scattering fragments across the landscape in a
measurable arc, and this.
Speaker 1: Is consistent with the evidence seen at other global sites
like the giant granite syropium boxes in Egypt. They also
show signs of an overload of energy that warped the stone.
Speaker 2: The global scale of the catastrophe the Younger Dryas is
further substantiated by another profound archaeological pattern.
Speaker 1: The synchronous abrupt stoppage the largest megalithic projects ever attempted worldwide.
Speaker 2: My civilization was clearly at its technological height when the
work just stopped.
Speaker 1: I mean, think of the evidence for this global halt.
In Egypt, the unfinished obelisk still in the quarry is
more than double the size of the largest finished one.
Speaker 2: In China, at the yang Shen Quarry, blocks weighing over
a thousand tons were found mid extraction tools just dropped
to where they lay.
Speaker 1: On Easter Island, the largest Moai statues, two or three
times bigger than the finished ones, are still rooted in
the host rock half carved.
Speaker 2: And famously at Belbeck in Lebanon, the largest cut stones
ever planned still sit in the quarry abandoned forever.
Speaker 1: This synchronized abandonment tells us two things beyond doubt. First,
the event was sudden, immediate, and global. It destroyed the
workforce and the infrastructure simultaneously.
Speaker 2: And second, the catastrophe was so severe that the survivors
couldn't return to complete these feats for millennia. They had
to go somewhere else.
Speaker 1: And that leads us to the engineering marvels built specifically
to survive these cyclical cataclysms.
Speaker 2: The massive underground cities in southern Turkey, most notably during
Couyu and Kamokli in the Cappadocia region.
Speaker 1: The discovery of during Couyu sounds like something out of folklore.
Speaker 2: It does. It was found accidentally in the nineteen forties
by a man who was puzzled because his chickens kept
disappearing down a fissure in his basement wall.
Speaker 1: So he followed the birds and discovered this massive subterranean complex.
Speaker 2: And this was no simple bomb shelter. It was an
astonishing multi level feet of engineering capable of holding up
to twenty thousand people.
Speaker 1: Twenty thousand, yeah, And it had libraries, animal areas, schools,
wine presses. It was designed for long term civilization, and the.
Speaker 2: Life support system demonstrates their advanced planning. The air shafts
are not just vertical holes. They were meticulously cut on
an angle. Why to prevent catastrophic surface rain water or
flood surges from rushing straight down and drowning the inhabitants.
It's an elegant solution to a massive engineering problem.
Speaker 1: And the ultimate proof of the catastrophic surface conditions comes
the connection between the two largest known cities.
Speaker 2: Right the lowest level of during Couyu contains a five
point five mile tunnel connecting it directly to its sister city, Commockly.
Speaker 1: So the inhabitants needed to be able to travel underground
because the surface was uninhabitable, likely for generations.
Speaker 2: And to protect against the massive deluge described in global
flood Myths the cyclical water catastrophe, they relied on massive
circular stone doors which.
Speaker 1: They could roll across the corridors and seal from the inside,
making the cities water tight and impervious to mudflows or tsunamis.
Speaker 2: I mean considering the younger drives events lasted over fifteen
hundred years of chaotic cycles, we have to pause and
reflect on the social cost. Imagine generations living in these.
Speaker 1: Cities, born, learning, and dying underground.
Speaker 2: Knowing their entire life was defined by the surface being uninhabitable.
What kind of knowledge or mythology would they have created
in that total darkness? And what knowledge would they have
fought tooth and nail to preserve?
Speaker 1: It changes the entire context of human history. People weren't primitive.
They were trauma survivors, meticulously preserving what they knew to
be true about the universe in their architecture and critically
in their oldest written texts.
Speaker 2: And now we shift from the hard evidence of vitrified
stone and tunnels to the deepest layer of the research,
the foundation of the civilization's belief system and the claim
regarding the true origin of humanity.
Speaker 1: The research reposits that the key lies in the oldest
single written record in human history, discovered in Sumeria, the
Myth of a Dappa.
Speaker 2: And we must be clear here, this cuneiform tablet is
potentially older than any other known organized religious narrative, which
makes its specific claim about human divinity highly significant.
Speaker 1: The Myth of a Dappa offers a radically different origin
story than the one most of us are familiar with Adaba,
the figure who became Adam is created, but the description
of his nature is just astonishing.
Speaker 2: The core lines, according to the sources translation, are that
adop was created as the chief among men, granted vast wisdom,
but intentionally denied the food of life and eternal life.
Speaker 1: But the most profound line, which serves as the ultimate
identity claim, is that Adappa was the most wise among
the Ananaki.
Speaker 2: Which is a revolutionary implication that we as human beings, are,
or at least were, the Ananaki.
Speaker 1: So we didn't begin as primitive, slowly evolving hominids. We
started in a perfect divine, hyperintelligent state.
Speaker 2: A civilization potentially more powerful and wise than the gods
or maybe the creators who oversaw us.
Speaker 1: And this leads directly to the concept of a fall,
not as a punishment for eating a fruit, but as
an act of intentional, strategic jealousy and entrapment.
Speaker 2: The research connects Adapa's story to the nag Hamadi scriptures,
specifically the esoteric Gnostic text the Secret Book of John, and.
Speaker 1: In the Gnostic view, the creator God, often equated with
the Sumerian and Layls or Yahweh, becomes jealous of man's
inherent light and.
Speaker 2: Perfection, so he deliberately threw him into a lower form
of existence, creating this restrictive veil. The material world of
war sception and confusion to trap humanity and mortality and
prevent us from remembering our true divine nature.
Speaker 1: This just turns the linear progression narrative completely on its head.
We aren't slowly evolving towards some future divinity. We're trying
to find our way back to the perfection and wisdom.
Speaker 2: We were created with a perfection that was actively stolen
from us, and this notion of being trapped in a
lower existence is consistent with the idea of cosmic governance.
Speaker 1: Ancient tablets across Sumerian and Babylonian cultures refer to higher
forces as the ordainers.
Speaker 2: Of destinies, which suggests that our free will may be
limited and the path of humanity is governed by a
higher design moving in repeating cycles.
Speaker 1: That concept of cyclical time is another key thread moving
away from the linear, forward moving arrow of history.
Speaker 2: And it aligns perfectly with Vedic and Hindu traditions, which
view time not as a line but as a giant
repeating circle, a concept that would have been critical to
the survivors of the cyclical younger Dryess events.
Speaker 1: A fascinating threat in all this is the recurring archetype
of the civilizing.
Speaker 2: God figures like Viricoca in the Andes, Whatzocotal in mes America,
or Anki Thoth Hermes in the Middle East. They always
arrive suddenly, perform incredible feats to teach humanity foundational.
Speaker 1: Knowledge, astronomy, math, agriculture.
Speaker 2: And then vanish, promising to return.
Speaker 1: And the unifying element across these disparate cultures is the
association of these high civilizing gods with the serpent or
dragon archetype.
Speaker 2: Quz Ocotal and Kuchan are feathered serpents or dragons. Poemandres
in Hermeticism comes through as a luminous dragon of light.
Speaker 1: So the source argues that this serpent figure like Ankie
who warned Adappa or the serpent in the Garden, was
later demonized by the very corrupted religions that sought to
maintain the veil.
Speaker 2: The serpent was inverted into Prometheus, the rebellious angel, or
the devil as part of the purposeful deception to lock
away true knowledge about spiritual perfection.
Speaker 1: So if the serpent was demonized, what was its original
true esoteric meaning?
Speaker 2: Well, the true meaning is beautifully preserved in medical and
esoteric symbols, the rod of Asclepius and more complexly, the Caducius,
the symbol of Hermes.
Speaker 1: The Cadusius features two intertwined snakes balancing around a central rod.
Speaker 2: This symbology implies that the snake represents the merging of dualities,
the divine, masculine and feminine energies balancing around the spinal
cord or the chakra system. The ultimate goal of the
Serpent's knowledge is achieving a higher state of consciousness by
harmonizing those energies within ourselves.
Speaker 1: And the architecture we discussed, with its three level balance,
perfectly pre encodes this spiritual teaching.
Speaker 2: Which brings us to the biggest myth of all, the
civilization that allegedly sank and left behind only fragments of
its knowledge Atlantis.
Speaker 1: Plato's accounts in Timaeus and Critius are so often dismissed
as mere allegory designed to teach a philosophical.
Speaker 2: Lesson, but the research uses a figure often ignored by
history to validate Plato's claim.
Speaker 1: Plutarch why is Plutarch's testimony so crucial.
Speaker 2: Here because Plutock was not just a philosopher, He was
a highly respected temple priest of Apollo at Delphi, living
roughly four hundred years after the Athenian lawgiver Solon visited Egypt.
His writings, particularly his work Moralia, provide the necessary credibility
to shift Plato's story from allegory to potential fact.
Speaker 1: So Plutarch visited Egypt himself and confirmed the physical details.
He confirmed the existence of the Temple of Neith at Seiss, the.
Speaker 2: Exact location where Solon supposedly learned the Atlantis story from
the Egyptian priests.
Speaker 1: And more importantly, he supplied the missing names. Plato only
referred to the priests generally.
Speaker 2: Plutarch, however, named the two chief priests Solon met Sonchese
of Seiss and Senkopis of Heliopolis. He turned these hypothetical
figures into specific historical individuals, the guardians of the deepest
ancient wisdom at that time, and.
Speaker 1: The content of that wisdom suggests a massive repository of knowledge.
Plutarch recorded an inscription from the temple wall itself, which
he included Moralia.
Speaker 2: In the chapter isis and Osiris I am. All that
has been is n shall be. No mortal has lifted
my veil.
Speaker 1: So if the temple was a known, real repository of
vast historical records, and the priests were real individuals.
Speaker 2: Then the long form history Solon was told, including the
war between Atlantis and a preceding Athenian proto civilization, becomes
much more likely to be based on a literal historical event.
Speaker 1: And we even have physical evidence for that preceding Athenian
proto civilization. The research highlights the massive megalithic pix Wall
located outside Athens.
Speaker 2: It features some of the largest most perfectly cut stones
in Europe and.
Speaker 1: The masonry styles key. It's vastly superior and structurally different
from later Classical Greek architecture.
Speaker 2: And it exhibits those same three level corner concepts we
saw in the Turkish and South American ruins, suggesting it
belongs to that older global construction blueprint.
Speaker 1: The implication is that a preceding, highly advanced Athenian culture existed,
which engaged in the war with Atlantis and was subsequently destroyed.
Speaker 2: Likely by the massive tsunamis and flooding of the Younger Dryas,
leaving only fragments like the pix wall surviving.
Speaker 1: And finally, the location of Atlantis itself fits Plato's description
with unnerving precision.
Speaker 2: Plato placed it west of the Pillars of Hercules the
Strait of Gibraltar. The research points squarely to the Azores Islands.
Speaker 1: And topographical evidence from modern oceanic tomography and geological surveys
shows a submerged subcontinent exactly where Atlantis was said to be.
Speaker 2: This area is the convergence point of three major tectonic plates,
the mid Atlantic Ridge and the Eurasian and North American Plates.
This geographical configuration perfectly fits the description of a city
that literally sank due to a subducting fault or massive
tectonic shift, which.
Speaker 1: Would have been exacerbated by the pole shifts and cme
events of the Younger Dryas. It wasn't just allegory, it
was a description of plate tectonics in action.
Speaker 2: We've tracked a single unified civils, a shared blueprint, and
a verifiable global catastrophe. But the final thread, the ultimate
piece of the puzzle suggesting outside highly curated intervention, is
the moon.
Speaker 1: The moon.
Speaker 2: The moon, according to the claims defies natural probability to
an extent that makes it statistically impossible.
Speaker 1: If precisely thirteen hundredth the size of the Sun and
exactly fourteen hundred the distance from.
Speaker 2: The Earth, this perfect alignment creates the total solar eclipse,
an event that just should not happen if the Moon
were a random capture or debris from a collision.
Speaker 1: The sheer mathematical perfection required for this ratio suggests a
perfect system was intentionally created here to stabilize and terraform
Earth to foster life. It suggests purpose, not accident.
Speaker 2: And furthermore, the physical evidence suggesting the Moon is artificial
or manufactured is compelling. The source notes that lunar craters
never exceed a certain depth regardless of the size of
the impactor right.
Speaker 1: Which suggests an extremely strong, uniform metalli shell or shield
beneath the surface that prevents deeper penetration.
Speaker 2: And most famously, there's the acoustic evidence. When a saturn
V third stage followed by a seismic probe was crashed
into the Moon during the Apollo missions, NASA reported that
the Moon rang like a bell for.
Speaker 1: Hours, suggesting a vast hollow interior and.
Speaker 2: The density supports this. The Moon is a quarter of
the diameter of Earth, but only one hundred and eighty First,
the mass its density is extremely low compared to Earth's average,
again implying a hollow interior.
Speaker 1: So the Moon is described as a deliberate, strategically placed miracle,
a cosmic machine essential for stabilizing our axial tilt and
creating the tides necessary to foster life.
Speaker 2: This final mystery reinforces the idea that humanity and Earth
are part of a highly curated and governed system, hinting
at the profound importance of our story and our origins.
Speaker 1: Okay, let's try to impac all of this. We have
followed these thrilling threads across the globe, from the submerged
symbolic key found in Lake Van, Turkey, to the megalithic
mastery of Ionis, demonstrating sophisticated math and hard cut andicite
that just defies the istabel timeline.
Speaker 2: We tracked a global blueprint, the step Pyramid and the
Trekana that reveals a unified spiritual teaching across continents.
Speaker 1: We connected the destruction of this world to the cyclical
apocalypse of the younger dreas evidenced by vitrified stone requiring
two thousand degree.
Speaker 2: Heat and mammoths flash frozen at minus one hundred and
fifty degrees. We saw how the survivors retreated to complex
underground cities like darren Cooyu to endure fifteen hundred years.
Speaker 1: Of chaos, and finally, we synthesize the esoteric core of
their belief system, the myth of Adapa, claiming we are
the Anunaki divine beings intentionally trapped by a jealous.
Speaker 2: Creator, a theory validated by the discovery of real priests
and a real temple cited by Plutarch invalidating the story
of Atlantis, all overseen by the mathematical perfection of an
unnatural moon.
Speaker 1: This raises a really important question for you to consider.
Speaker 2: If we accept that our ancestors possess technologies and spiritual
understanding far exceeding our current grasped knowledge about cyclical catastrophes
and our own divine nature, what fundamental area are we
neglecting today? By focusing exclusively on external material progress.
Speaker 1: We are constantly racing outward into space or building bigger technologies.
Speaker 2: When the greatest discovery might be internal or contained within
the preserved knowledge of the past.
Speaker 1: So what stands out to you about these connections. If
our origins truly lie in a perfect, divine past, and
we are simply beings who forgot their potential and are
trapped in a cyclical reality, what practical step could you
take today to reconnect with that lost knowledge that our
ancestors encoded in those timeless, enduring stones.
Speaker 2: Let us know what you think.