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<v Speaker 1>Hmm, But to me again at the beginning, and let

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<v Speaker 1>me see.

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<v Speaker 2>It was a murky midsummer day in the late nineties

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<v Speaker 2>when Holmes came into breakfast. You found a large envelope

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<v Speaker 2>addressed in a scrawling, rather flamboyant hand, and with a

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<v Speaker 2>decidedly grandiose purple seal appixed to the back flap. Worrying Watson,

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<v Speaker 2>per Holmes.

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<v Speaker 1>I thought you were never going to get up.

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<v Speaker 2>I see there's a tremendously important looking letter waiting for you.

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<v Speaker 3>Really a communication from a court chamberlain, I presume telling

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<v Speaker 3>me I'm to be knighted.

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<v Speaker 1>Oh, don't be an ass.

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<v Speaker 3>And what's so asinine about that? What did I do

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<v Speaker 3>with my tobacco? Plenty of pumpous non entities. Without one

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<v Speaker 3>tenth my brains have managed to get themselves on the

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<v Speaker 3>honors list. Con found that tobacco pouch? Where is it?

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<v Speaker 2>I'll never manage your tobacco pouch. Here, have a cigar

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<v Speaker 2>and sit down and open your mail.

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<v Speaker 3>Oh, thank you, Watson. Yes, your practice must be improving

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<v Speaker 3>your cigars of becoming quite respectable, yes, quite respectable.

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<v Speaker 2>Homes your old fraud. I don't think for one minute

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<v Speaker 2>you mislaid your tobacco patch. There it is in the

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<v Speaker 2>pocket of your dressing gown.

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<v Speaker 3>Well, so it is now fancy.

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<v Speaker 2>That as you are just trying to wrangle one of

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<v Speaker 2>man youw cigars.

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<v Speaker 1>I see how emblazed? Did you know?

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<v Speaker 2>I've been given a box of Corona coronas.

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<v Speaker 3>My dear Wat's in the Morning Times lists the birth

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<v Speaker 3>of another son to mister Harridge, the hair tonic millionaire,

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<v Speaker 3>and to missus harriage too. Of course he always gives

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<v Speaker 3>you Corona coronas on these occasions.

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<v Speaker 2>Homes, Will you stop blithering and open that letter?

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<v Speaker 3>Dear, dear impatient this morning, aren't we, Yes, Watson, you're

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<v Speaker 3>as anxious and high strung as any prospective father when

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<v Speaker 3>you think you see a new case in the office, Homes,

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<v Speaker 3>Will you please, very well, very well? Ah, what have

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<v Speaker 3>we heard?

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<v Speaker 1>The person?

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<v Speaker 2>Mark says Mort's Bay that's in North Devin. If I'm

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<v Speaker 2>not mistaken, No, for once you're correct, I believe Mortalake

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<v Speaker 2>Castle overlooks Mort's Bay.

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<v Speaker 3>Correct again, your average is rising, Watson.

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<v Speaker 2>Will and the letter must be from Lord Roger Mortlake,

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<v Speaker 2>the seventh baron Embers. Only the man who's head of

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<v Speaker 2>the family would have such a dashing handwriting and would

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<v Speaker 2>see the letters with the family.

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<v Speaker 3>Cress back to normal, Watson, what do you mean in

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<v Speaker 3>the first place, it's not the Mortlake Seal, so much

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<v Speaker 3>newer cress, the one invented by the late Samuel Pridgett,

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<v Speaker 3>first baron Waterhole, the ginger peer Tycoon. Furthermore, the letter

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<v Speaker 3>was written by a woman his widow to be exact,

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<v Speaker 3>so you're wrong on both counts. However, it was sent

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<v Speaker 3>from Mortlake Castle, where it seems lady Pridgett is visiting.

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<v Speaker 1>Well, what does the old girl want us.

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<v Speaker 3>Watson, or more specifically me, You may come along if

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<v Speaker 3>you can manage to tear yourself away from the herriages

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<v Speaker 3>and their progeny?

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<v Speaker 1>What's up at more Castle? Mortlake?

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<v Speaker 4>Here?

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<v Speaker 2>Read the letter for yourself, Dear mister Sherlock Holmes. I'm

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<v Speaker 2>not easily intimidated. However, when I find a note pinned

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<v Speaker 2>to my pillow which reads beware if you proceed with

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<v Speaker 2>the marriage, the chandelier will rip blood in such an event,

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<v Speaker 2>mister Holmes idea me it wise to seek counsel and

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<v Speaker 2>possibly protection. Will you come to Mortlake as my guest

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<v Speaker 2>incognitove of course, I shall introduce you as my cousin

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<v Speaker 2>Sherwood Jones. I suggest to arrive at Barnstable by the

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<v Speaker 2>three ten on Thursday. I myself shall meet you. The

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<v Speaker 2>walls of this old mausoleum called Mortlake Castle have many ears,

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<v Speaker 2>it seems. However, the drive to the castle is a

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<v Speaker 2>long one. I shall be able to give you all

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<v Speaker 2>the details of a thoroughly sinister situation in the privacy

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<v Speaker 2>of the carriage. Furthermore, the family coachman is quite deaf.

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<v Speaker 2>Do come and relieve the anxiety of a troubled woman

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<v Speaker 2>yours in desperation, Amelia, Lady pridgitt ps. I understand you

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<v Speaker 2>have a medical secretary or helper by all means, fetch

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<v Speaker 2>him along. He can be my husband's cousin, Dr Botsam,

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<v Speaker 2>or I refuse to be called Botsom.

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<v Speaker 3>Very well, then stay and minister to the herriages personally.

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<v Speaker 3>I shall go and pack.

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<v Speaker 2>Yes, we haven't soo much time if we're to catch

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<v Speaker 2>today's train, I see Holmes. If for if there's a

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<v Speaker 2>wedding house party of Mortlake Castle, should be all rather party?

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<v Speaker 1>Shall we take white tie or black?

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<v Speaker 3>Do you think you may take your entire true soul?

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<v Speaker 3>My dear Watson. Personally, I shall be content with a

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<v Speaker 3>rather complete chemical kit and your army revolver.

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<v Speaker 2>I see these old family carriages are quite comfortable in

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<v Speaker 2>roomy homes.

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<v Speaker 4>We shall be lucky if this ancient omnibus doesn't fall

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<v Speaker 4>apart before we return to Castle Morty.

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<v Speaker 3>Yes, I gather, Lady Pridgett, that it's been in the

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<v Speaker 3>family for some.

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<v Speaker 4>Time has indeed, mister Holmes, it's the famous old Berlin

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<v Speaker 4>in which Roger's Greek Greek. Well. I can't remember how

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<v Speaker 4>many greats grandfather made his famous Grand Tour of Europe

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<v Speaker 4>take in three years. I believe people went as far

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<v Speaker 4>as Saint Petersburg. That's where the trouble began.

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<v Speaker 1>What double, Lady Pridgett.

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<v Speaker 4>When the young fool met a princess all Off and

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<v Speaker 4>fell head over heels in love with her. Seems she

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<v Speaker 4>was a favorite god child of Catherine. The Great Lord

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<v Speaker 4>Mortlake managed to marry her, and they returned to England

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<v Speaker 4>with an enormous Russian wolfhound and that cursed silver chandelier

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<v Speaker 4>in this very carriage.

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<v Speaker 3>This chandelier, I take it, Lady Bridgett, is the same

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<v Speaker 3>one which is now supposed to drip blood whenever there's

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<v Speaker 3>to be a catastrophe at the Martlic family.

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<v Speaker 4>That's right, mister Holmes.

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<v Speaker 3>When is this colorful phenomenon supposed to have occurred?

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<v Speaker 4>It all began with the death of the Russian princess herself.

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<v Speaker 4>She had a bit of a temperate seems. No one

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<v Speaker 4>could polish her silver chandelier to suit her. She had

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<v Speaker 4>the habit of hitting anyone who didn't please her with

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<v Speaker 4>a nasty little riding whip. One morning, there was a

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<v Speaker 4>new red headed girl up on a ladder, working away

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<v Speaker 4>at the silver chandelier. When her ladyship swept into the

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<v Speaker 4>banquet hall, one look and the Russian burst into her

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<v Speaker 4>usual torrent of rage. She hit the redhead across the face.

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<v Speaker 4>Now it so happened. The girl was Irish, and if

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<v Speaker 4>there's a stronger temperament in this world than the Russian,

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<v Speaker 4>sure it's the Irish. You are there, well, Bridget or

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<v Speaker 4>Nora or whatever her name was, snatched the little whip

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<v Speaker 4>from her mistress's hand, and then, looking her straight in

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<v Speaker 4>the eye, she laid on her the terrible, strangless curse

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<v Speaker 4>of Donegal. Then she strode from the room and slammed

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<v Speaker 4>the great door after her.

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<v Speaker 1>Good for her.

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<v Speaker 4>The Russian could be heard screaming that she'd polish the

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<v Speaker 4>chandelier herself. They heard her both the door. All afternoon.

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<v Speaker 4>She could be heard laughing and singing wild Cossack songs.

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<v Speaker 4>As evening came on, the singing ceased. The Russian princess

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<v Speaker 4>didn't appear at the supper table, but no one dared

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<v Speaker 4>go fetch her. As the evening wore on, her wolfhound

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<v Speaker 4>began to whimper outside the locked door. Shortly before midnight,

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<v Speaker 4>he started to howl. Finally, Lord Mortlake could stand it

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<v Speaker 4>no longer.

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<v Speaker 5>It's midnight, She sulked, long enough, I'm going enoughter her

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<v Speaker 5>boris down, boy, Sonya, Sonya, let us in, Sonya on

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<v Speaker 5>both the.

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<v Speaker 3>Door, Sonia found the woman. We shall have to break

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<v Speaker 3>in the door, boris top.

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<v Speaker 6>That doors heavy. We need a battering ram. Bring that

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<v Speaker 6>long bench.

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<v Speaker 3>That's it. Let you do the drink now, then one, two, three,

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<v Speaker 3>that's done it.

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<v Speaker 6>Good Lord, it's black in there, Sonia, come out, Sonya,

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<v Speaker 6>do you hear me?

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<v Speaker 7>Someone give me the torch, Boris. What's the matter. The

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<v Speaker 7>animals trembling like a leaf. Bring me the torch. That's better,

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<v Speaker 7>then we'll see the ladder is lying on the floor.

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<v Speaker 7>Good Lord, she's.

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<v Speaker 3>Hanging from the chandelier.

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<v Speaker 4>She's strangle pone on her. Well, that was the end

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<v Speaker 4>of the Russian Princess, mister Holmes. Of course, she had

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<v Speaker 4>thoughtfully provided the Mortlegs with an air before her fatal accident.

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<v Speaker 3>Consequently, there is a streak of violent Russian blood in

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<v Speaker 3>the present inhabitants of fortleke Castle.

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<v Speaker 4>I take it right, mister Holmes, and whenever there's to

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<v Speaker 4>be a death in the family, that blood is supposed

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<v Speaker 4>to flow from the Russian chandelier. Personally, after Roger and

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<v Speaker 4>I are married, I shall insist he get rid of

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<v Speaker 4>the ugly I saw, yes, and I shall see he

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<v Speaker 4>buys a new carriage too. He pretends the family still

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<v Speaker 4>uses this ancient relic for sentimental reasons, but everyone knows

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<v Speaker 4>it's because he can't afford a new one. Well you

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<v Speaker 4>look shocked, Dr Watson.

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<v Speaker 1>No, no, no, no, not at all.

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<v Speaker 4>To be brutally frank, gentlemen, it is the accepted opinion

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<v Speaker 4>in all the drawing rooms and public houses of Devonshire

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<v Speaker 4>that I am marrying Lord Roger Mortlake for his social position,

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<v Speaker 4>and he is marrying me for my money. I'm sure

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<v Speaker 4>that well they're wrong, doctor Watson. Roger and I have

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<v Speaker 4>been in love ever since we first attended Mistermione Tillsbury's

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<v Speaker 4>dancing classes. We should have been married twenty years ago,

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<v Speaker 4>but his father broke off the match. You see, we

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<v Speaker 4>were both as poor as church mice, and it takes

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<v Speaker 4>a whacking amount of money to run Mortlake Castle.

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<v Speaker 2>One of the blessings of being nobody, Holmes, ad manage

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<v Speaker 2>to suit yourself, got it rops.

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<v Speaker 4>The irony of the situation, mister Holmes, is that Roger

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<v Speaker 4>was persuaded to marry one of the Burdock girls whose

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<v Speaker 4>father was supposed to have wits. The father managed to

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<v Speaker 4>go through his fortune shortly afterwards and died.

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<v Speaker 1>Bankrupt in poetic justice at home. I.

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<v Speaker 4>On the other hand, Mary married Henry Prigetter, a jolly,

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<v Speaker 4>good natured little man with no prospects whatever, and he

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<v Speaker 4>up and a quiet millions. Dear Henry, we had a

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<v Speaker 4>very pleasant life together.

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<v Speaker 3>So now you're determined to marry your first love.

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<v Speaker 4>We females are curiously single minded creatures, mister Holmes. It's

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<v Speaker 4>always dangerous to frustrate a woman.

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<v Speaker 3>Quite tell me, Lady Pridgeton, is there anyone at Mortlake

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<v Speaker 3>Castle who's opposed to your marriage to Lord Roger Motleke.

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<v Speaker 4>Quite a few, I should imagine, mister Holmes, the first

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<v Speaker 4>Lady Mortlake's personal maid, Old Buffon. She glares at me

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<v Speaker 4>as if I were a mangle that had wandered in

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<v Speaker 4>off the streets. James, he's Roger's son. He resents the

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<v Speaker 4>fact that we didn't wait at least two years after

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<v Speaker 4>his mother's death. The girls, I must say, are more realistic,

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<v Speaker 4>possibly because they realize my money will buy them quite

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<v Speaker 4>a few social opportunities they should not otherwise enjoy. Yes,

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<v Speaker 4>on the whole, I have more respect for James's attitude,

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<v Speaker 4>although I shall pay it no heed, mind you, I

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<v Speaker 4>quite understand. And then, of course there's Hubert. He's Roger's

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<v Speaker 4>younger brother, still a bachelor at fifty seven. He's the

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<v Speaker 4>only one that's really enthusiastic about the match. But then

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<v Speaker 4>I've always been able to wind Hubert a round my.

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<v Speaker 3>Little finger, even more easily than Lord Roger.

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<v Speaker 4>Oh good heavens, yes, Roger's a mule. And besides that,

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<v Speaker 4>he has principles. He absolutely refused to run away with

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<v Speaker 4>me twenty years ago, and I had the devil of

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<v Speaker 4>a time persuading him to propose after we were both

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<v Speaker 4>free again. He has scruples about accepting my money, it seems.

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<v Speaker 4>I finally pointed out that it was pure selfishness. He

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<v Speaker 4>might enjoy being a pauper and watching Motlake Castle crumble

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<v Speaker 4>over his head, but was it fair to the children.

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<v Speaker 1>And that persuaded him.

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<v Speaker 4>Well. Of course I was wearing my new Paris shirtwaist

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<v Speaker 4>at the time, the one with the pekaboo bodice. Oh,

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<v Speaker 4>by the way, that mminds me. I must warn you

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<v Speaker 4>about one thing, gentlemen. There's to be the usual big

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<v Speaker 4>wedding rehearsal dinner at the banquet for tonight. The Motlakes

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<v Speaker 4>are great ones for drinking toasts.

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<v Speaker 1>Who but I champagne and all that jolly.

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<v Speaker 4>Hold jam paying my foot at Mortlake Castle toasts are

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<v Speaker 4>drunk in Mortlake, mead. The recipe bod goes back to

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<v Speaker 4>their Saxon ancestors. Look out for it. I warn you.

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<v Speaker 4>It's liquid dynamite.

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<v Speaker 3>Es me. I'm a Figland to use the ancient term

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<v Speaker 3>as a drink supposed to promote health, long life and vitality.

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<v Speaker 3>It's made from honey. I'm a bit of a bee

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<v Speaker 3>fancy on myself.

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<v Speaker 1>You.

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<v Speaker 4>Oh, then you'll have something in common with Hulett. He

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<v Speaker 4>takes care of the bees at Mortlake. Won't let anyone

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<v Speaker 4>else go near the hives, not that anyone wants to.

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<v Speaker 4>Heaven knows. The bees at Mortlake are notoriously short tempered.

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<v Speaker 3>Interesting. I shall see if I can't persuade too. But yeah,

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<v Speaker 3>what's up?

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<v Speaker 1>Something's tracking the horses.

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<v Speaker 4>Oh dear, look the running away.

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<v Speaker 1>No, the coachman has them under control.

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<v Speaker 4>He stopped the carriage. What's the trouble, Benjamin? Dare I

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<v Speaker 4>keep forgetting his death? He's getting down.

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<v Speaker 2>Off the box, sir, Homes. There's something lying in the

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<v Speaker 2>road up the head. The driver's gone to investigate it.

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<v Speaker 2>It's getting so dark. I can't wait.

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<v Speaker 3>Why is not w you stay out here with Lady

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<v Speaker 3>Bridget I'll go and see if Benjamin needs help. H

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<v Speaker 3>wind rising that pounding up a hen? That will be

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<v Speaker 3>the sea must be close to Marteke Castle. Yes, let's

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<v Speaker 3>see what you've got. Lantern, Benjamin, give you the lantern.

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<v Speaker 3>I hm, A sheep quite dead, still breeding. Nastiest series

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<v Speaker 3>of gashes across the throat.

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<v Speaker 1>There be evil coming to mort Lake.

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<v Speaker 4>It's a sign.

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<v Speaker 8>When that Russian ghost dog comes back and kills the sheep,

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00:13:32.519 --> 00:13:37.200
<v Speaker 8>it's a sure sign. Mark my word. Tonight the chandelier

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<v Speaker 8>will drip blood.

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<v Speaker 9>Men take real pride in the clipper Craft label. For

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<v Speaker 9>not alone is it the mark of fine quality. It's

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<v Speaker 9>proof positive that you're alert enough to get the most

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<v Speaker 9>for your money. Few have the follow through that makes

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<v Speaker 9>really great values possible the famous clipper Craft plan. Our

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<v Speaker 9>follow through literally assures you of satisfaction. Through it, you

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<v Speaker 9>get the benefit of great savings made by the fact

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<v Speaker 9>that ten hundred thirty six of the nation's finest independence

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<v Speaker 9>stores from coast to coast, have voluntarily concentrated their buying

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<v Speaker 9>car It's the reason your Clippercraft dealer shows you such

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00:14:25.200 --> 00:14:28.679
<v Speaker 9>remarkably fine quality in suits for only forty to forty

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<v Speaker 9>seven fifty, in tropicals for only thirty three seventy five

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<v Speaker 9>to forty dollars, and in sport jackets for only twenty

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<v Speaker 9>six fifty. For selling expensive clothes at inexpensive low prices

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<v Speaker 9>at the nation's finest stores is the great, big idea

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<v Speaker 9>behind the clipper Craft plan. That's why men who know

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00:14:47.200 --> 00:14:50.440
<v Speaker 9>insist on clipper Craft clothes, so be sure to visit

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<v Speaker 9>the clipper Craft store in your city.

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<v Speaker 10>These leading stores in the metropolitan area are proud to

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<v Speaker 10>add their names to Clippercraft and your Suits, Fort Jackets

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<v Speaker 10>and Tropic In Manhattan Sacks thirty fourth Broadway at thirty

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<v Speaker 10>four John Wannamaker Men's Stores Broadway at eighth and sixty

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<v Speaker 10>seven Liberty Street. In Brooklyn, Abraham and Strauss in Newark,

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<v Speaker 10>New Jersey Boulevard Men's Shop presby Newarck. And in Jamaica,

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<v Speaker 10>the B and B Clothes Shop, one sixty four oh

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<v Speaker 10>eight Jamaica Avenue.

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<v Speaker 9>And now back to Mortlake Castle, where doctor Watson and

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<v Speaker 9>Sherlock Holmes, all done up in their stiffest shirts and

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<v Speaker 9>highest colors, are being given a personally conducted tour around

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<v Speaker 9>the castle by its future mistress, Lady Bridget.

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<v Speaker 1>And this is the banquet, good lord, it's enormous.

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<v Speaker 4>The early Mortlakes took their banqueting seriously. It seems that's

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<v Speaker 4>the old maid button arranging the flowers. Oh buffoon, you

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00:15:51.679 --> 00:15:54.159
<v Speaker 4>might draw the curtains and open the glass doors a moment.

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<v Speaker 4>I want the gentlemen to have a look at the view.

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<v Speaker 2>From this room, bedian, but grudging homes.

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<v Speaker 1>The surf sounds ominous.

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00:16:08.960 --> 00:16:14.159
<v Speaker 4>Ay, there's a sound of dome inutes. Tonight you do well,

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00:16:14.240 --> 00:16:16.720
<v Speaker 4>my lady, The lay for his arm done.

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00:16:17.600 --> 00:16:20.159
<v Speaker 3>What what do you mean by that, bubbam?

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00:16:20.559 --> 00:16:24.159
<v Speaker 4>She's just trying to frighten me off. It won't work,

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00:16:24.200 --> 00:16:27.000
<v Speaker 4>my girl. It takes more than dead sheep, pounding surf

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00:16:27.039 --> 00:16:29.919
<v Speaker 4>and dripping chandeliers to get rid of me. That's all.

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00:16:30.679 --> 00:16:32.360
<v Speaker 4>You may close the doors and go.

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00:16:36.120 --> 00:16:38.960
<v Speaker 3>By the way. That is the chandelier. I take it,

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00:16:39.080 --> 00:16:41.279
<v Speaker 3>the enormous silver one near the great center windows.

308
00:16:41.320 --> 00:16:41.559
<v Speaker 4>Right.

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00:16:41.799 --> 00:16:46.120
<v Speaker 2>It's certainly spectacular. Hey, homes must hold nearly one hundred.

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00:16:45.919 --> 00:16:48.240
<v Speaker 4>Candle one hundred and twenty two to be exact. When

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00:16:48.240 --> 00:16:50.159
<v Speaker 4>they're all lit, it creates quite a show of.

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00:16:50.159 --> 00:16:52.360
<v Speaker 3>Light and heat too. I imagine.

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00:16:53.720 --> 00:16:57.759
<v Speaker 4>Butham expressing her disapproval. Well, I'm glad she's gone. She

314
00:16:57.840 --> 00:16:58.799
<v Speaker 4>was giving me the fidgets.

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00:16:59.039 --> 00:17:00.720
<v Speaker 3>I see there's a ladder under the chandelier.

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00:17:00.759 --> 00:17:02.919
<v Speaker 4>Yes, they're about to like the stupid thing, I imagine.

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00:17:02.960 --> 00:17:04.839
<v Speaker 3>I think I'll just mounted and take a closer look

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<v Speaker 3>at You've no objection.

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00:17:05.720 --> 00:17:07.359
<v Speaker 4>None at all. I'll hold it steady for you.

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<v Speaker 3>Thank you, Lady bridget Yes, I thought I recognized it.

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00:17:12.000 --> 00:17:14.000
<v Speaker 4>You mean you've seen the chandelier before.

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00:17:14.240 --> 00:17:17.200
<v Speaker 3>No, it's twin sister in the winter Palace in Saint Petersburg.

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00:17:17.599 --> 00:17:19.559
<v Speaker 3>It's supposed to have been made for catin the grape

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00:17:19.640 --> 00:17:22.960
<v Speaker 3>to eliminate any suitors who had lost their chance.

325
00:17:23.400 --> 00:17:24.200
<v Speaker 4>What do you mean by that?

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00:17:25.440 --> 00:17:28.680
<v Speaker 3>Both chandeliers are hollow. The one in Saint Petersburg were

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00:17:28.680 --> 00:17:30.880
<v Speaker 3>so hung that boiling lead could be poured into it

328
00:17:30.920 --> 00:17:33.839
<v Speaker 3>from the room above. It eventually found its way out

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00:17:33.880 --> 00:17:37.079
<v Speaker 3>of the mouths of these little silver dolphins and poured

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00:17:37.079 --> 00:17:40.359
<v Speaker 3>itself over the guest of honor, as he did below. Yes,

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00:17:40.880 --> 00:17:43.960
<v Speaker 3>mouths of these particular dolphins seem to be stopped up.

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00:17:43.960 --> 00:17:48.799
<v Speaker 4>However, heaven balderdash. That chandelier doesn't reach to the ceiling.

333
00:17:48.839 --> 00:17:51.200
<v Speaker 4>It's too high up. It's hung to a great hook

334
00:17:51.240 --> 00:17:52.599
<v Speaker 4>by a long velvet cord.

335
00:17:53.039 --> 00:17:54.519
<v Speaker 3>Yes, the cord looks rather praise.

336
00:17:54.599 --> 00:17:57.759
<v Speaker 4>Furthermore, there's no room above this, nothing but that vaulted

337
00:17:57.799 --> 00:18:00.640
<v Speaker 4>ceiling up there. Or if you think anyone can make

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00:18:00.680 --> 00:18:03.279
<v Speaker 4>the chandelier drip blood by crawling around on the roof,

339
00:18:03.319 --> 00:18:04.559
<v Speaker 4>you're very much mistaken.

340
00:18:04.640 --> 00:18:08.079
<v Speaker 3>Yes, it doesn't seem very practical. Who is due to

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00:18:08.079 --> 00:18:10.559
<v Speaker 3>sit at these places directly below the chandelier, Lady Bridget?

342
00:18:10.720 --> 00:18:14.039
<v Speaker 4>Why well that is Roger and I. I suppose it's

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00:18:14.039 --> 00:18:15.079
<v Speaker 4>the head of the table, you know.

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00:18:15.279 --> 00:18:17.640
<v Speaker 3>Yes, Now, I suppose we shift things around a bit.

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00:18:17.759 --> 00:18:20.240
<v Speaker 3>Help me, Watson, if we pull the table to one

346
00:18:20.279 --> 00:18:26.920
<v Speaker 3>side a little further, Watson, that's better'n yes. Now if

347
00:18:26.920 --> 00:18:29.359
<v Speaker 3>your seat, Watson, and myself to your left, Lady Bridget.

348
00:18:29.599 --> 00:18:32.559
<v Speaker 2>Now we be directly under the chandelier. I say, who

349
00:18:32.680 --> 00:18:33.240
<v Speaker 2>do you have clight?

350
00:18:33.319 --> 00:18:34.599
<v Speaker 3>Watson? Someone's coming down the hall.

351
00:18:35.759 --> 00:18:37.599
<v Speaker 6>Ah, there you are a million, My dear.

352
00:18:37.880 --> 00:18:40.079
<v Speaker 8>Roger's looking all over for you. They're having a sherry

353
00:18:40.119 --> 00:18:41.000
<v Speaker 8>and the pink drawing robe.

354
00:18:41.079 --> 00:18:43.079
<v Speaker 4>We'll go right along you. But thank you for telling me.

355
00:18:43.519 --> 00:18:46.200
<v Speaker 4>I was just showing my cousins the schandelier.

356
00:18:47.319 --> 00:18:50.160
<v Speaker 3>How do you right the old monstratedy to be quite frank,

357
00:18:50.880 --> 00:18:51.599
<v Speaker 3>I don't.

358
00:18:51.559 --> 00:18:54.480
<v Speaker 1>Neither do I. Ah, well, I came in to light

359
00:18:54.480 --> 00:18:55.559
<v Speaker 1>the candles on this anything.

360
00:18:56.039 --> 00:18:59.799
<v Speaker 3>Tell me, mister Motwick, do you believe this chandelier drips blood? Whenever?

361
00:18:59.839 --> 00:19:01.359
<v Speaker 3>This to be a catastrophe in the family.

362
00:19:01.480 --> 00:19:03.680
<v Speaker 8>Well, something of the sort did happen, you know when

363
00:19:03.720 --> 00:19:06.440
<v Speaker 8>my uncle Edgo was drowned. I was quite young at

364
00:19:06.480 --> 00:19:08.839
<v Speaker 8>the time, terribly impressed by the great brownish drops.

365
00:19:09.160 --> 00:19:10.759
<v Speaker 1>Of course, looking back, I realized there was.

366
00:19:10.759 --> 00:19:13.279
<v Speaker 8>A terrific rainstorm, and there may have been a leak

367
00:19:13.279 --> 00:19:15.400
<v Speaker 8>in the roof, and the water splatted through onto the

368
00:19:15.440 --> 00:19:18.359
<v Speaker 8>chandelier and gathered rust and ripped off of something of

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00:19:18.359 --> 00:19:18.720
<v Speaker 8>the sort.

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00:19:18.839 --> 00:19:21.519
<v Speaker 3>But it's a silver chandelier, mister Mortlake.

371
00:19:21.759 --> 00:19:24.000
<v Speaker 4>Why that's right, Hubert, silver doesn't rust.

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00:19:24.839 --> 00:19:28.559
<v Speaker 8>Oh maybe there's some other explanation. I'd better start to

373
00:19:28.640 --> 00:19:30.839
<v Speaker 8>light it, or they'll be ready for dinner before I finished.

374
00:19:31.279 --> 00:19:33.440
<v Speaker 1>Butler's getting old, you know. Let us give him vertigo.

375
00:19:33.440 --> 00:19:35.319
<v Speaker 1>I'm fed, so it's up to me.

376
00:19:35.640 --> 00:19:37.680
<v Speaker 3>May I help you? Let me take that silver picture?

377
00:19:38.039 --> 00:19:38.319
<v Speaker 1>Thank you?

378
00:19:38.359 --> 00:19:41.119
<v Speaker 8>No, I'll just put it here on the sideboard. It's

379
00:19:41.160 --> 00:19:43.440
<v Speaker 8>the famous Mortlake media know I was just a canny.

380
00:19:43.680 --> 00:19:46.319
<v Speaker 8>But you better run along, Amelia, and take along your cousins.

381
00:19:46.319 --> 00:19:48.400
<v Speaker 8>My dear or Roger will be wilting his car out

382
00:19:48.440 --> 00:20:12.000
<v Speaker 8>of sheer anxiety.

383
00:20:01.759 --> 00:20:04.160
<v Speaker 2>I say, Homes, I hope you don't have to drink

384
00:20:04.279 --> 00:20:05.359
<v Speaker 2>many more toasts.

385
00:20:05.839 --> 00:20:07.680
<v Speaker 1>This me is two dashed potent.

386
00:20:07.880 --> 00:20:11.640
<v Speaker 3>Yes, it has what you might call authority confounded homes.

387
00:20:11.640 --> 00:20:14.440
<v Speaker 2>Did you have to put us under the chandelier? Another

388
00:20:14.480 --> 00:20:16.640
<v Speaker 2>drop of wax just splashed on my shirt front?

389
00:20:16.759 --> 00:20:20.799
<v Speaker 3>Yes, but this time it's slightly brownish. Yes, the chandelier

390
00:20:20.839 --> 00:20:21.680
<v Speaker 3>is really getting hot.

391
00:20:22.079 --> 00:20:24.119
<v Speaker 1>Wax doesn't turn brown with heat.

392
00:20:24.319 --> 00:20:28.640
<v Speaker 3>This wax does, Watson. It's beeswax, beeswax. Yes, but the

393
00:20:28.720 --> 00:20:31.680
<v Speaker 3>candles a tallow interesting, very interesting?

394
00:20:31.680 --> 00:20:33.960
<v Speaker 1>What's so interesting about it? Oh? Confounded?

395
00:20:33.960 --> 00:20:35.000
<v Speaker 3>There's another blob.

396
00:20:34.720 --> 00:20:35.680
<v Speaker 1>On the back of my head.

397
00:20:35.839 --> 00:20:38.279
<v Speaker 3>Yes, yes, it shouldn't be long now.

398
00:20:38.720 --> 00:20:42.680
<v Speaker 8>And and no toast to their happy couple, long life

399
00:20:42.759 --> 00:20:46.920
<v Speaker 8>and joy in the living A millium, My dear, I'm

400
00:20:46.960 --> 00:20:48.960
<v Speaker 8>sure you'd like to say a few words were hoombs.

401
00:20:49.559 --> 00:20:52.240
<v Speaker 1>There's blood, blood dripping on the tablecloth.

402
00:20:52.599 --> 00:20:54.880
<v Speaker 4>Look the chandeliers bleating.

403
00:21:10.480 --> 00:21:12.680
<v Speaker 8>Amelia, my dear, I do think you might have told

404
00:21:12.720 --> 00:21:15.400
<v Speaker 8>us your guests through the famous Sherlock Holmes and Dr Watson,

405
00:21:15.640 --> 00:21:17.319
<v Speaker 8>not passed them off as your cousin.

406
00:21:17.480 --> 00:21:21.279
<v Speaker 4>Do you be quiet, Hubert? Heavens? How long does it

407
00:21:21.319 --> 00:21:24.400
<v Speaker 4>take the man to finish his chemical experiments? It looks

408
00:21:24.440 --> 00:21:27.720
<v Speaker 4>like a great sinister raven crouched over that retort, with

409
00:21:27.839 --> 00:21:30.440
<v Speaker 4>a light from that spirit lamp shining up into his eyes.

410
00:21:31.279 --> 00:21:32.920
<v Speaker 4>I almost wish I hadn't.

411
00:21:32.599 --> 00:21:34.519
<v Speaker 3>Asked him to try and turn down the lamp, Watson.

412
00:21:34.599 --> 00:21:39.920
<v Speaker 4>The tests so conclusive, mister Holmes, is it is it blood?

413
00:21:40.119 --> 00:21:44.599
<v Speaker 3>It is blood, Lady Bridget, oh dear, not human blood, however,

414
00:21:45.240 --> 00:21:47.799
<v Speaker 3>sheep's blood. As a matter of fact. It's blood from

415
00:21:47.799 --> 00:21:49.640
<v Speaker 3>the same sheep we saw on the road this evening.

416
00:21:50.400 --> 00:21:52.599
<v Speaker 3>More blood from that sheep is spattered here on this

417
00:21:52.759 --> 00:21:54.839
<v Speaker 3>macintosh I found rolled up in a chest in the

418
00:21:54.839 --> 00:21:55.319
<v Speaker 3>front hall.

419
00:21:56.240 --> 00:21:59.160
<v Speaker 4>Roger, that's your nacintar.

420
00:21:59.279 --> 00:22:01.720
<v Speaker 3>Don't be alarm, my dear, Lady Bridget. Your fiance hasn't

421
00:22:01.720 --> 00:22:03.960
<v Speaker 3>step foot outside all day. The polish on all of

422
00:22:04.000 --> 00:22:07.440
<v Speaker 3>his boots is quite untouched. The polish on Hubert Mortlik's

423
00:22:07.440 --> 00:22:10.400
<v Speaker 3>brown Oxford has been spotched. However, by blood, sheep's blood.

424
00:22:10.839 --> 00:22:13.599
<v Speaker 3>It's quite easy to borrow a macintosh. You know. Shoes, however,

425
00:22:13.640 --> 00:22:14.480
<v Speaker 3>aren't so adaptable.

426
00:22:14.920 --> 00:22:17.680
<v Speaker 4>You mean Hubert is responsible for the gory chandelier.

427
00:22:18.119 --> 00:22:20.759
<v Speaker 3>Yes, Subert, you filled the hollow in terrier with sheep's

428
00:22:20.799 --> 00:22:22.640
<v Speaker 3>blood from that silver pitcher when you came in to

429
00:22:22.720 --> 00:22:23.359
<v Speaker 3>light the candles.

430
00:22:23.359 --> 00:22:24.799
<v Speaker 4>But why didn't it drip through at once?

431
00:22:24.839 --> 00:22:27.640
<v Speaker 3>Because he had stocked up the silver dolphins mouths with beeswax,

432
00:22:27.640 --> 00:22:29.680
<v Speaker 3>which only melted from the heat of the candles after

433
00:22:29.680 --> 00:22:32.519
<v Speaker 3>they've been burning for some time. I suspected Hubert was

434
00:22:32.599 --> 00:22:34.960
<v Speaker 3>up to something the moment I discovered the dolphin's mouth

435
00:22:34.960 --> 00:22:36.119
<v Speaker 3>had been stocked with beeswax.

436
00:22:36.279 --> 00:22:37.839
<v Speaker 4>Hubert, why did you do it?

437
00:22:37.880 --> 00:22:41.640
<v Speaker 8>Because I've always loved you and hated Roger. I was

438
00:22:41.680 --> 00:22:43.599
<v Speaker 8>glad when father made him marry an ugly bird.

439
00:22:43.480 --> 00:22:46.359
<v Speaker 1>Of girl, which she wouldn't look at me even enemy.

440
00:22:46.920 --> 00:22:48.640
<v Speaker 8>Well, I made up my mind he'd never get you, never,

441
00:22:49.039 --> 00:22:50.519
<v Speaker 8>And now I've lost out of my way.

442
00:22:50.559 --> 00:22:52.960
<v Speaker 2>Everything's running along the tabletop.

443
00:22:54.039 --> 00:22:55.160
<v Speaker 1>He's free for the window.

444
00:23:00.119 --> 00:23:03.200
<v Speaker 4>Shut in your ashore, and then rushed through the window.

445
00:23:04.599 --> 00:23:06.880
<v Speaker 1>Come over the cliff. You'll be pounded to death on

446
00:23:06.920 --> 00:23:07.319
<v Speaker 1>the rocks.

447
00:23:07.400 --> 00:23:08.039
<v Speaker 3>I'm afraid, so.

448
00:23:10.279 --> 00:23:14.680
<v Speaker 4>I wont irm. A lady, I said it was the

449
00:23:14.960 --> 00:23:25.440
<v Speaker 4>sound of done.
