1 00:00:00,120 --> 00:00:02,799 Speaker 1: Welcome everybody. Here we go our number three New Marrow 2 00:00:02,839 --> 00:00:06,919 trace of Matt Connerton unleashed and we are live from 3 00:00:06,960 --> 00:00:11,880 the studios of wm n H ninety five point three FM, Inglorious, Manchester, 4 00:00:12,039 --> 00:00:17,079 New Hampshire. Today is a Saturday, December seven, twenty twenty four, 5 00:00:17,719 --> 00:00:20,719 and I am very excited. I've been really looking forward 6 00:00:20,719 --> 00:00:23,559 to this. We've got two of the guys from the 7 00:00:23,600 --> 00:00:27,960 band Regals here in studio and let me bring those 8 00:00:28,440 --> 00:00:30,960 mics up because these guys are all they're all set up, 9 00:00:30,960 --> 00:00:33,880 they're going to play live for us. Really looking forward 10 00:00:33,960 --> 00:00:38,799 to that. So let's see here. Oh, I'm glad you're playing. Yeah, 11 00:00:38,920 --> 00:00:39,399 keep playing. 12 00:00:43,960 --> 00:00:44,920 Speaker 2: What's up y'all? 13 00:00:46,799 --> 00:00:47,799 Speaker 1: Oh that sounds good? 14 00:00:49,000 --> 00:00:52,200 Speaker 2: Go ahead, knowing how we doing out there, Manchester, New 15 00:00:52,200 --> 00:00:54,880 Hampshire radio listeners. 16 00:00:54,759 --> 00:00:56,079 Speaker 1: Go ahead and introduce yourself, sir. 17 00:00:56,119 --> 00:00:57,920 Speaker 2: My name is Ryan. My name is Ryan from the 18 00:00:57,960 --> 00:00:58,799 band Regals. 19 00:00:59,439 --> 00:01:01,880 Speaker 1: All right, very good, and then let me get that 20 00:01:01,960 --> 00:01:04,879 other mic up here and then over here, sir. 21 00:01:05,079 --> 00:01:09,879 Speaker 3: Hello, Hello, how is everyone out there in radio land? 22 00:01:10,280 --> 00:01:10,719 Speaker 2: Hello? 23 00:01:13,200 --> 00:01:16,599 Speaker 3: My name is Lucas and I played the Steel for Regals. 24 00:01:19,120 --> 00:01:22,319 Speaker 1: I think I'm gonna let's see, I think I'm gonna 25 00:01:22,359 --> 00:01:24,200 pull down that mic and turn up this other mic, 26 00:01:27,439 --> 00:01:36,519 go and talk a little more, Lucas, Hello, Oh that 27 00:01:36,599 --> 00:01:43,319 sounds nice. That sounds really nice. 28 00:01:44,599 --> 00:01:46,439 Speaker 3: I had a surreal moment on my way to the 29 00:01:46,480 --> 00:01:51,640 studio today as I heard regals over the airwaves, big shoutout. 30 00:01:53,280 --> 00:01:55,799 Speaker 1: Absolutely happy to do it, happy to do it. I 31 00:01:55,879 --> 00:01:57,799 kind of want to get that other mic closer to you. 32 00:01:58,840 --> 00:02:04,159 I'm thinking about uh, hang on a second, yeah, keep 33 00:02:04,239 --> 00:02:11,719 keep keep strumming. 34 00:02:13,360 --> 00:02:15,759 Speaker 4: I want to get this m. 35 00:02:19,400 --> 00:02:33,039 Speaker 2: Hey, world, what are we thinking about today? 36 00:02:33,360 --> 00:02:34,599 Speaker 1: Oh? That sounds really. 37 00:02:34,360 --> 00:02:57,960 Speaker 2: Good live mixing on the radio, right. 38 00:02:59,159 --> 00:03:01,439 Speaker 1: Yeah, I think we're I think we're good. If you 39 00:03:01,479 --> 00:03:03,199 guys wanna if you guys want to play something, and 40 00:03:03,240 --> 00:03:04,520 then we'll pull ch out for a bit. 41 00:03:05,360 --> 00:03:05,599 Speaker 4: Yeah. 42 00:03:05,680 --> 00:03:10,520 Speaker 2: Yeah, Look, you want to do a little town, Let's 43 00:03:10,560 --> 00:03:11,719 do little town? Right? 44 00:03:14,960 --> 00:03:15,319 Speaker 5: M hm. 45 00:03:35,599 --> 00:03:37,879 Speaker 6: You're hanging around. 46 00:03:40,319 --> 00:03:46,800 Speaker 7: Just like that in this little town, and everybody knows. 47 00:03:48,680 --> 00:03:52,240 Speaker 2: What's knowing, no want to know. It's gonna go. 48 00:03:52,800 --> 00:04:01,400 Speaker 7: And I'm feeling strange, stranger than iver I thought I. 49 00:04:01,240 --> 00:04:08,360 Speaker 4: Was now much longer. Now I'm getting stuck down low 50 00:04:08,520 --> 00:04:15,960 and still down yet yet yet. 51 00:04:17,839 --> 00:04:25,040 Speaker 8: I've been down, so down yet yet yet day. 52 00:04:25,079 --> 00:04:38,920 Speaker 9: Here I've been down. I'm magging around. 53 00:04:41,319 --> 00:04:45,079 Speaker 10: I guess it happen saying, and I'll shirt be free. 54 00:04:45,399 --> 00:04:46,920 Speaker 4: God didn't coming. 55 00:04:52,560 --> 00:04:53,680 Speaker 5: That's gonna up. 56 00:04:53,959 --> 00:04:57,079 Speaker 4: Go when you're calling and alone. 57 00:04:58,959 --> 00:05:03,079 Speaker 7: Below, don't full all out of trees a getting above 58 00:05:03,360 --> 00:05:05,600 and I'm on the hounds. 59 00:05:07,759 --> 00:05:14,040 Speaker 4: You make decisions like a fish and water drown a house. 60 00:05:16,360 --> 00:05:25,959 Speaker 8: Yeah yeah, yeah, yeah, I've been down so down he yeah, yeah, 61 00:05:26,240 --> 00:06:06,920 yeahhead him, I've been down in this little town. 62 00:06:09,399 --> 00:06:13,360 Speaker 2: I know there's not enough love to go over around 63 00:06:13,839 --> 00:06:15,720 snow and dreamy days. 64 00:06:18,000 --> 00:06:22,120 Speaker 7: They refragil like arms over this place. 65 00:06:22,319 --> 00:06:28,160 Speaker 2: And you can get it all back, all that compassion you. 66 00:06:28,560 --> 00:06:33,240 Speaker 7: Gave away to those who lie. Can we stop in grounds? 67 00:06:35,399 --> 00:06:39,600 I know we shave it, bud, who knows anymore any how? 68 00:06:41,160 --> 00:06:41,439 Speaker 5: Home? 69 00:06:43,639 --> 00:06:48,399 Speaker 6: Yeah, yeah here, I've been down. 70 00:06:49,839 --> 00:06:50,720 Speaker 7: So down. 71 00:06:52,360 --> 00:07:05,879 Speaker 6: Yeah yeah, Oh I've been down. Yeah, I've been down. 72 00:07:07,279 --> 00:07:08,199 Speaker 2: So down. 73 00:07:09,879 --> 00:07:14,319 Speaker 6: Yeah yeah yeah, I've been down. 74 00:07:34,639 --> 00:07:36,319 Speaker 1: Oh my god, that sounds so good. 75 00:07:37,399 --> 00:07:38,120 Speaker 2: Thank you very much. 76 00:07:38,240 --> 00:07:40,759 Speaker 1: Absolutely, if you're just joining us out, we have Regals 77 00:07:40,800 --> 00:07:42,800 here with us alive in the studio. 78 00:07:43,240 --> 00:07:44,319 Speaker 2: Thanks for listening out there. 79 00:07:44,720 --> 00:07:49,120 Speaker 1: Absolutely absolutely. Where does the name come from? Regals? 80 00:07:50,720 --> 00:07:50,920 Speaker 7: Yeah? 81 00:07:51,120 --> 00:07:56,600 Speaker 2: Interesting question, I guess so like it kind of I 82 00:07:56,759 --> 00:07:59,800 was like trying to create a character, I guess like 83 00:07:59,839 --> 00:08:05,560 a while ago for like this project, you know, and 84 00:08:07,199 --> 00:08:10,040 it kind of uh, you know, it's based off of 85 00:08:10,120 --> 00:08:12,800 my name in a way. Like my name is Ryan 86 00:08:13,600 --> 00:08:16,120 rock Egan. My middle name is rock. By the way, 87 00:08:16,199 --> 00:08:20,240 it's like some corny like Instagram handle thing or anything. 88 00:08:20,360 --> 00:08:20,480 Speaker 6: You know. 89 00:08:22,759 --> 00:08:24,759 Speaker 2: Yeah, I know, it's come. It's a family thing. It's 90 00:08:24,839 --> 00:08:28,920 a great ancestor of ours was a priest and he 91 00:08:29,000 --> 00:08:34,879 had cancer and had a maggot treatment. Uh really yeah, 92 00:08:35,000 --> 00:08:37,799 like way way back in the day, like and uh 93 00:08:39,279 --> 00:08:41,240 bid out the cant they bid out the cancer and 94 00:08:41,399 --> 00:08:43,440 uh he lived for a long life after that and 95 00:08:43,519 --> 00:08:44,639 then considered it a miracle. 96 00:08:44,840 --> 00:08:45,080 Speaker 1: Wow. 97 00:08:45,559 --> 00:08:48,879 Speaker 2: And that became a namesake for my family. My dad 98 00:08:49,000 --> 00:08:54,759 has that middle name, and uh my brother also so yeah, 99 00:08:55,919 --> 00:08:58,879 so I'm my middle name is rock and U Ryan 100 00:08:59,120 --> 00:09:04,600 Egan eagal r e g A. It's close. But basically, 101 00:09:04,720 --> 00:09:08,480 like you know, like I was like gonna try to 102 00:09:08,559 --> 00:09:11,759 do like a character named like Rocky Regal like when 103 00:09:11,759 --> 00:09:14,080 I grew up. When I was growing up, everyone called 104 00:09:14,120 --> 00:09:17,120 me Rocky and uh. But then one day I was like, 105 00:09:18,200 --> 00:09:19,639 I want to be normal. I want to be Ryan. 106 00:09:20,679 --> 00:09:23,080 I don't know why I wanted to be normal because 107 00:09:23,080 --> 00:09:29,360 I'm not normal. So yeah, that's basically you know. And 108 00:09:29,440 --> 00:09:31,759 then regals. It's kind of like an irony thing, you know, 109 00:09:31,960 --> 00:09:36,440 like we call ourselves regals, but we're you know, we're 110 00:09:36,480 --> 00:09:41,639 paycheck to paycheck types of guys. Class were working warehouses, 111 00:09:41,720 --> 00:09:48,399 truck drivers. I recently trust funded, but you know that's 112 00:09:48,399 --> 00:09:49,080 another story. 113 00:09:49,320 --> 00:09:52,279 Speaker 1: Okay, all right, Lukas. So I'm gonna ask you can 114 00:09:52,360 --> 00:09:54,559 you pick up that other that other mic there that 115 00:09:54,639 --> 00:09:57,360 I put on on that table, And I'm gonna because 116 00:09:57,360 --> 00:09:58,519 I want to talk to you guys a little bit. 117 00:09:58,559 --> 00:09:59,879 But I want to have used that one because that 118 00:10:00,000 --> 00:10:01,679 it is just too far away. I can't make it work. 119 00:10:01,720 --> 00:10:03,759 But that one there we go. Hello, I want to 120 00:10:03,759 --> 00:10:05,600 make sure we can hear you. Got your voice is familiar, 121 00:10:05,879 --> 00:10:09,279 but happy to be here, happy, happy to be here. Yes, 122 00:10:09,480 --> 00:10:11,159 it's a little inside but if you know, you know, 123 00:10:12,000 --> 00:10:14,759 not that I told anybody, not that I told anybody. 124 00:10:14,639 --> 00:10:14,720 Speaker 2: But. 125 00:10:16,240 --> 00:10:18,399 Speaker 1: No, you guys sound amazing, Lucas, Can you tell us 126 00:10:18,840 --> 00:10:22,440 what you're playing for listeners who might be like, oh, 127 00:10:22,519 --> 00:10:24,960 what what is that? That doesn't sound like a normal guitar. 128 00:10:25,919 --> 00:10:27,879 Speaker 3: Nope, it's a little bit of a different kind of guitar. 129 00:10:28,080 --> 00:10:32,799 I've got sixty four Fender eight hundred pedal steel guitar. 130 00:10:33,320 --> 00:10:37,679 It's my favorite instrument that I've ever purchased. I bought 131 00:10:37,720 --> 00:10:40,519 it about a year ago off a new friend I 132 00:10:40,639 --> 00:10:45,519 made on Craigslist. Okay, our friend Jason actually recorded all 133 00:10:45,559 --> 00:10:48,039 of our tracks that we're playing. Most of the tracks 134 00:10:48,080 --> 00:10:53,279 we're playing today, most of the songs Project Sound down 135 00:10:53,360 --> 00:10:57,440 in Clinton, Mass is my friend that I purchased. Yeah, 136 00:10:57,840 --> 00:11:04,639 i'd lose dinery yet, lad. So it's a ten string, 137 00:11:05,240 --> 00:11:09,399 six pedal guitar. It stands like a table and uh, 138 00:11:10,039 --> 00:11:11,919 you play it country Western styles? 139 00:11:12,039 --> 00:11:13,440 Speaker 2: Yeah, people call it table guitar. 140 00:11:13,639 --> 00:11:15,240 Speaker 3: Yeah's table top guitar. 141 00:11:15,440 --> 00:11:16,919 Speaker 2: Really, I think it. 142 00:11:17,639 --> 00:11:20,320 Speaker 3: Okay, call it that now, we call it that makes 143 00:11:21,519 --> 00:11:24,320 But I've played guitar normal six string guitar for a 144 00:11:24,399 --> 00:11:26,399 long time and tried to emulate a lot of the 145 00:11:26,600 --> 00:11:31,320 country Western stuff that I like. Yeah, And after simulating 146 00:11:31,360 --> 00:11:33,960 it for many, many years, I finally found a guitar 147 00:11:34,080 --> 00:11:36,879 that I could afford. Because boy, are these things expensive 148 00:11:37,639 --> 00:11:40,720 and to find in New England. Yeah, they're tough to 149 00:11:40,759 --> 00:11:43,039 find in New England. There's plenty of country music around 150 00:11:43,080 --> 00:11:47,000 here as far as ones that are affordable to me. 151 00:11:47,279 --> 00:11:49,919 This is the first one I found. Yeah, I've got 152 00:11:50,000 --> 00:11:54,200 friends down in Virginia and down in North Carolina, and 153 00:11:54,679 --> 00:11:57,159 pedal steels are all over the place, I can imagine. Yeah, 154 00:11:57,159 --> 00:12:01,279 but up here they're very expensive. Our friend from Slim Volume, 155 00:12:01,320 --> 00:12:04,000 which is selling one, you missed your chance. 156 00:12:04,080 --> 00:12:05,480 Speaker 7: It's sorry. 157 00:12:05,759 --> 00:12:06,080 Speaker 11: Sorry. 158 00:12:06,960 --> 00:12:09,519 Speaker 1: So what's it like going from playing just a regular 159 00:12:09,600 --> 00:12:11,600 six string guitar to playing that? I mean, is it 160 00:12:11,720 --> 00:12:14,960 a big It must have been. Obviously, it's an adjustment. 161 00:12:15,039 --> 00:12:17,559 It's different, But like, how hard was it to learn 162 00:12:17,600 --> 00:12:18,039 to play that? 163 00:12:18,840 --> 00:12:21,879 Speaker 3: I did tons of research beforehand? Yeah, YouTube is a 164 00:12:21,960 --> 00:12:27,879 good friend, plenty of research. The Steel Players Forum dot 165 00:12:28,000 --> 00:12:31,759 com is the place for steel nerds to go to 166 00:12:31,840 --> 00:12:35,279 go chat. It's it's an old forum site that's still 167 00:12:35,480 --> 00:12:39,000 very much active, and you can go directly to the 168 00:12:39,120 --> 00:12:41,639 manufacturer a lot of the times and they can answer 169 00:12:41,679 --> 00:12:44,840 any sort of technical questions. But as far as playing it, yeah, 170 00:12:44,919 --> 00:12:47,080 it had a little bit of a learning curve. Like 171 00:12:47,159 --> 00:12:49,240 I said, I was trying to emulate this sort of sound. 172 00:12:49,759 --> 00:12:54,120 So I found a guitar that bends singular string when 173 00:12:54,159 --> 00:12:58,080 you play it, an old b Bender Telecaster Pulley arm 174 00:12:58,240 --> 00:13:02,600 inside guitar, and I was trying to emulate this sort 175 00:13:02,639 --> 00:13:06,759 of style, but getting on there, sitting in front of 176 00:13:06,799 --> 00:13:10,840 it is very different than just researching. So it's played 177 00:13:11,679 --> 00:13:14,480 almost in an open tuning, kind of like a blues 178 00:13:14,799 --> 00:13:17,919 slide guitar, but they have ten strings, so you have 179 00:13:18,080 --> 00:13:21,639 intervals between the normal strings, where if you play it 180 00:13:21,720 --> 00:13:25,360 open it just doesn't sound great. So you have to 181 00:13:25,440 --> 00:13:30,960 find different groupings, and there's different strings that work together, 182 00:13:32,919 --> 00:13:35,120 so you do groups of three most of the time, 183 00:13:35,440 --> 00:13:38,080 and then you have your pedals down below. So a 184 00:13:38,159 --> 00:13:41,840 grouping of two, the two different strings are controlled by 185 00:13:41,879 --> 00:13:47,320 two different petals, so each one can raise it full 186 00:13:47,440 --> 00:13:53,720 step or half step. There's half step. But finding the 187 00:13:53,799 --> 00:13:56,720 different groupings and then learning to use your whole body 188 00:13:57,080 --> 00:13:57,759 is very different. 189 00:13:58,000 --> 00:13:59,240 Speaker 1: I was just thinking about that when you said that 190 00:13:59,240 --> 00:14:02,080 it's almost like playing drums where you're using limbs. 191 00:14:02,200 --> 00:14:04,879 Speaker 3: Very similar o the pus style. Yeah, every limb. But 192 00:14:05,360 --> 00:14:09,080 this is an old school pedal steel that doesn't have 193 00:14:09,159 --> 00:14:10,519 any knee levers. 194 00:14:10,799 --> 00:14:11,200 Speaker 12: Yeah I have. 195 00:14:11,360 --> 00:14:16,399 Speaker 3: I have one pedal here that can drop strings, but 196 00:14:16,679 --> 00:14:19,879 on a more contemporary style they have knee levers that 197 00:14:19,960 --> 00:14:24,480 can drop your string. Yeah, this one I'm still learning. Yeah, 198 00:14:24,559 --> 00:14:28,159 I've had it about a year and it's really fun. Yeah, 199 00:14:28,240 --> 00:14:31,360 it's really fun. Been very thankful playing shows with Ryan, 200 00:14:31,559 --> 00:14:33,440 some of his solo gigs. I've been able to sit 201 00:14:33,519 --> 00:14:37,080 in with a few other people. Yeah, so playing with 202 00:14:37,240 --> 00:14:40,720 other folks is a whole different experience too. I'm I'm 203 00:14:40,759 --> 00:14:43,000 getting used to playing with Ryan, we've been we've been 204 00:14:43,039 --> 00:14:45,960 buddies a long time. Yeah, but playing this thing with 205 00:14:46,120 --> 00:14:48,799 other people, uh, fake it till you make it right. 206 00:14:49,039 --> 00:14:50,600 Speaker 1: Yeah, they sound great. 207 00:14:50,759 --> 00:14:51,039 Speaker 3: Thank you. 208 00:14:51,200 --> 00:14:52,960 Speaker 1: And like I said, you know, we when Jenny and 209 00:14:53,000 --> 00:14:54,679 I were at the shaft Skin that night to see 210 00:14:54,960 --> 00:14:55,440 her son. 211 00:14:55,399 --> 00:14:57,000 Speaker 3: Jesse play, Jenny shout outs. 212 00:14:57,080 --> 00:15:00,000 Speaker 1: Yeah. Yeah, you guys were playing and and sounded incredible. 213 00:15:00,159 --> 00:15:01,679 I was like, Jez, we gotta get him on the show. 214 00:15:02,519 --> 00:15:04,279 You had been played on the show before when we 215 00:15:04,320 --> 00:15:06,679 had Mosaic Art collect If you're and you guys had 216 00:15:06,720 --> 00:15:10,559 that show coming up at uh at Mosaic. But but yeah, 217 00:15:10,600 --> 00:15:13,240 it's it's great to have you in. Do you guys 218 00:15:13,279 --> 00:15:15,639 want to play another song? Sure, I'm dying here more 219 00:15:16,159 --> 00:15:18,639 and Lucas, yeah you can. You can just put that 220 00:15:18,799 --> 00:15:20,480 on the on the chair if you don't mind. Sorry 221 00:15:20,480 --> 00:15:26,279 about that. We do a lot of improvising here, but no, 222 00:15:26,399 --> 00:15:28,399 you guys sound great in the headphone, so that's for sure. 223 00:15:28,679 --> 00:15:31,120 If you are just joining us, uh regals here with 224 00:15:31,279 --> 00:15:36,679 us a live in studio. You said, you still call 225 00:15:36,720 --> 00:15:39,120 it regals when it's just the two of you are Yeah. 226 00:15:39,399 --> 00:15:41,159 Speaker 2: Okay, those are the songs are playing? 227 00:15:41,440 --> 00:15:43,519 Speaker 1: Yeah, yeah, all right, might as well. 228 00:15:43,679 --> 00:15:47,679 Speaker 2: Yeah, and Lucas and Ryan show, there you go, there 229 00:15:47,720 --> 00:16:01,240 you go, Rocky and Luke. You cut me on. 230 00:16:03,559 --> 00:16:13,039 Speaker 7: Each and every time. I guess I won't into much 231 00:16:16,000 --> 00:16:23,159 now catch me drowning every nine. I thought what we 232 00:16:23,519 --> 00:16:30,120 had was good, you even said it yourself and waish. 233 00:16:31,519 --> 00:16:37,840 But now I'm past sins or floating locked at bodies 234 00:16:38,480 --> 00:16:45,559 from the depths of this river bed. And now you're gone, 235 00:16:46,759 --> 00:16:51,679 and that's fine. I hope the way you choose away 236 00:16:52,120 --> 00:17:25,599 your time now it's worth it. Tend all the God 237 00:17:25,960 --> 00:17:32,200 love now is one picture. It helps me remember what 238 00:17:32,720 --> 00:17:38,880 you look like, because I'm forgetting most things these days. 239 00:17:40,160 --> 00:17:44,160 I'm blacking out and crossing down inch roadway. 240 00:17:45,279 --> 00:17:45,480 Speaker 3: Yeah. 241 00:17:45,480 --> 00:17:53,000 Speaker 7: Because after you heard me seeing I swear you fell 242 00:17:53,279 --> 00:17:59,359 in love, he said, I was gonna be famans. 243 00:18:00,640 --> 00:18:04,680 Speaker 2: I said, I really care about that stuff. 244 00:18:08,319 --> 00:18:14,559 Speaker 7: But leave me when I say I really hate the 245 00:18:14,759 --> 00:18:21,640 way you're talking about me? Why do you do this study? 246 00:18:23,279 --> 00:18:24,359 Speaker 4: Dead't name. 247 00:18:29,160 --> 00:18:30,839 Speaker 5: Door you to this. 248 00:18:31,279 --> 00:18:34,400 Speaker 4: Stay, don't name. 249 00:18:38,480 --> 00:18:39,480 Speaker 5: H dor? 250 00:18:40,119 --> 00:18:51,799 Speaker 4: Do these stays dead name ah dor to this day? 251 00:18:53,519 --> 00:19:32,119 Doesn't nametsday dot to this day? 252 00:19:42,160 --> 00:19:42,519 Speaker 2: Hm hmm. 253 00:19:43,319 --> 00:19:48,160 Speaker 1: So good, Ryan and Lucas are here from Regals and 254 00:19:48,599 --> 00:19:51,279 these guys sound amazing. If you are just tuning in, 255 00:19:52,359 --> 00:19:54,240 what can you can? Can you tell us more about 256 00:19:54,279 --> 00:19:56,720 the new the new album coming out, Lucas, feel free 257 00:19:56,759 --> 00:19:58,720 to to grab that mic. 258 00:20:00,079 --> 00:20:05,880 Speaker 2: So the new album, it's called a Love Sick Purgatory. 259 00:20:06,039 --> 00:20:08,920 It's kind of a just a collection of songs that 260 00:20:09,000 --> 00:20:17,480 are just about mostly heartbreak and just love and junk 261 00:20:17,640 --> 00:20:20,240 like that. I just kind of find it easier to 262 00:20:20,279 --> 00:20:23,599 write songs about stuff like that than yeah, you know, 263 00:20:23,680 --> 00:20:27,039 there's like a lot heavier things, but those way harder 264 00:20:27,079 --> 00:20:29,319 to write songs about. But you know, a love song, 265 00:20:29,559 --> 00:20:33,319 it's a theme. Yeah, so you know, yeah, you know, 266 00:20:33,519 --> 00:20:38,440 I'm okay, guys, all right, it's all water under the bridge. 267 00:20:38,599 --> 00:20:41,599 But yeah, it's just a bunch of songs that, you know, 268 00:20:42,519 --> 00:20:46,920 definitely for people that are you know, feel in a 269 00:20:46,960 --> 00:20:47,680 certain type of way. 270 00:20:47,839 --> 00:20:51,400 Speaker 1: Sure, But and that's that's coming out soon. 271 00:20:51,759 --> 00:20:54,799 Speaker 2: Yeah, it's gonna be out around February, like late February. 272 00:20:55,000 --> 00:20:55,400 Speaker 1: Excellent. 273 00:20:57,119 --> 00:20:59,319 Speaker 2: Yeah, we're gonna do a little run of shows at 274 00:20:59,359 --> 00:21:02,920 the end of the month than to March, and you know, 275 00:21:03,200 --> 00:21:06,319 like we're just kind of finishing up some loose ends 276 00:21:06,359 --> 00:21:09,720 and we'll be announcing the tour very soon and excellent. 277 00:21:10,440 --> 00:21:12,480 Gonna have a lot of fun and you know, just 278 00:21:12,720 --> 00:21:16,279 play some shows and do the thing. Yeah, yeah, and 279 00:21:16,480 --> 00:21:17,240 thing for a little bit. 280 00:21:17,319 --> 00:21:19,119 Speaker 1: You know, it must be nice for you to have 281 00:21:19,200 --> 00:21:21,519 a configuration where you can you can approach it different, 282 00:21:21,680 --> 00:21:23,880 like if you know, if you're doing something like just 283 00:21:23,960 --> 00:21:25,640 the two of you like this, or like you did 284 00:21:25,680 --> 00:21:28,000 at the Shaft skiing, or if it's the full band 285 00:21:28,119 --> 00:21:30,200 or you know, to have that flexibility like I used 286 00:21:30,200 --> 00:21:31,720 to play it. I played in a bunch of bands, 287 00:21:31,799 --> 00:21:34,440 but I never played in anything where you know, you're 288 00:21:34,440 --> 00:21:36,240 really well I mean, I guess I did. Technically I 289 00:21:36,279 --> 00:21:38,400 played in a band where we could do an acoustic set, 290 00:21:39,160 --> 00:21:42,160 but nothing nothing like this where you know, you can 291 00:21:42,279 --> 00:21:43,759 sort of mix it up a little bit and it 292 00:21:43,839 --> 00:21:46,599 gives maybe maybe the songs have a different texture depending 293 00:21:46,640 --> 00:21:49,279 on what configuration of the band is playing them. And 294 00:21:49,839 --> 00:21:50,759 that must be kind of fun. 295 00:21:51,240 --> 00:21:53,440 Speaker 2: Yeah, you know, it's it's nice for the people that 296 00:21:53,480 --> 00:21:56,680 I really want to focus on, you know, my voice 297 00:21:56,759 --> 00:21:59,119 and kind of like you know, with the band it 298 00:21:59,160 --> 00:22:01,680 gets a little noise year but it's you know, I 299 00:22:01,799 --> 00:22:05,720 mean that our rhythm sections real tight. But yeah, you know, 300 00:22:05,759 --> 00:22:09,519 we keep we keep it real tight, I feel, but 301 00:22:09,960 --> 00:22:12,079 you know, still, you know, it's nice to bring it 302 00:22:12,160 --> 00:22:15,160 down a couple of notches and just you know, just 303 00:22:15,240 --> 00:22:17,680 feel the raw motion of the songs. Yeah, you know 304 00:22:17,799 --> 00:22:22,519 sometimes but yeah, you know, I love just playing with Lucas. 305 00:22:22,559 --> 00:22:24,759 It's nice and fun. Yeah, we have a good time. 306 00:22:24,880 --> 00:22:25,519 Speaker 3: You have a good time. 307 00:22:25,680 --> 00:22:27,880 Speaker 2: Yeah, yeah, hit the road, play a couple of shows 308 00:22:27,920 --> 00:22:31,640 and little towns. We just played at Pembroke City Limit Limits. 309 00:22:31,720 --> 00:22:33,039 Speaker 1: Excellent shot out. 310 00:22:34,839 --> 00:22:35,839 Speaker 2: Yeah, cool guy. 311 00:22:36,200 --> 00:22:38,200 Speaker 1: Yeah right, you guys have been on Rob Show, right 312 00:22:38,240 --> 00:22:40,519 Grand State of Mines. Yeah, a little plug for that 313 00:22:40,880 --> 00:22:44,680 Friday nights at six pm here on w m n H. Yeah, 314 00:22:44,720 --> 00:22:46,480 that's great what he's doing at Pembroke City Limits. 315 00:22:46,759 --> 00:22:48,880 Speaker 3: Such a cool spot, absolutely little spot. 316 00:22:49,000 --> 00:22:50,640 Speaker 2: Yeah, absolutely enjoyed that. 317 00:22:50,720 --> 00:22:52,880 Speaker 1: A lot of great talent from the area that plays there. 318 00:22:53,400 --> 00:22:57,559 Speaker 2: And then super attentive crowd yeah yeah, which was which 319 00:22:57,640 --> 00:22:58,240 is really nice. 320 00:22:58,400 --> 00:23:01,640 Speaker 3: Yeah. When our friend shout outs to Trent again. 321 00:23:01,799 --> 00:23:02,039 Speaker 2: Trent. 322 00:23:02,319 --> 00:23:05,480 Speaker 3: I heard his interview with Rob and he was describing 323 00:23:05,759 --> 00:23:08,480 Pembroke City Limits as a listening room. 324 00:23:08,720 --> 00:23:08,960 Speaker 1: Yeah. 325 00:23:09,119 --> 00:23:11,039 Speaker 3: I thought that was really cool. Yeah, I thought that 326 00:23:11,160 --> 00:23:15,359 was really neat because it's not exactly a noisy bar, right, 327 00:23:15,599 --> 00:23:19,240 like a dive bar whatever. People are there to appreciate 328 00:23:19,319 --> 00:23:21,759 the music, right, So that was really neat. We went 329 00:23:21,839 --> 00:23:25,400 there without without showing our drummer, so we had a 330 00:23:25,680 --> 00:23:29,559 very modified set. Yeah, and we missed him big time, 331 00:23:29,680 --> 00:23:31,039 but it sounded really cool. 332 00:23:31,240 --> 00:23:31,960 Speaker 2: Yeah, good spot. 333 00:23:32,160 --> 00:23:35,039 Speaker 1: Yeah, yeah, yeah, it's yeah because a lot of bars, 334 00:23:35,119 --> 00:23:37,519 you know, it's like people are there to drink and 335 00:23:37,559 --> 00:23:40,880 the music becomes sort of secondary. But so yeah, it 336 00:23:41,000 --> 00:23:42,680 is more of a listening room. You're right, and that's 337 00:23:42,799 --> 00:23:45,039 that's really cool. We need more places like that. There 338 00:23:45,079 --> 00:23:49,680 aren't any places like that around. And then when you 339 00:23:50,240 --> 00:23:51,920 so when you go on tour, where do you know 340 00:23:52,000 --> 00:23:53,559 yet where you're going? Like are you going? Are you 341 00:23:53,640 --> 00:23:54,720 getting out of New England? 342 00:23:54,799 --> 00:23:57,599 Speaker 2: And we're playing while we're playing some shows in New England, 343 00:23:57,680 --> 00:24:05,359 we're going down Richmond, Ashville, Nashville excellent. Yeah, I'm gonna 344 00:24:05,359 --> 00:24:07,519 meet up with some friends down there and play some 345 00:24:07,640 --> 00:24:12,079 shows as well. And yeah, so I'm real stoked to 346 00:24:12,160 --> 00:24:15,720 kind of see what people think of our sound in 347 00:24:15,920 --> 00:24:21,240 that area because I feel like we're like a alt 348 00:24:21,359 --> 00:24:26,759 rock country hybrid type of group. So it's uh, you know, yeah, 349 00:24:26,839 --> 00:24:29,559 hopefully people like what we got to offer. 350 00:24:29,480 --> 00:24:29,640 Speaker 5: You know. 351 00:24:30,440 --> 00:24:30,640 Speaker 2: Yeah. 352 00:24:30,799 --> 00:24:32,759 Speaker 1: And in terms of radio format too, I feel like 353 00:24:32,799 --> 00:24:36,079 you kind of fit into that Americana genre on radio, 354 00:24:36,279 --> 00:24:37,839 like I could imagine. I don't know if you've been 355 00:24:37,839 --> 00:24:39,680 played on the River in Boston at all. 356 00:24:40,960 --> 00:24:42,559 Speaker 2: No, I don't think we've been on the radio, but 357 00:24:43,000 --> 00:24:44,079 I can imagine. 358 00:24:44,119 --> 00:24:46,119 Speaker 1: You guys would fit into that playlist really well. 359 00:24:46,200 --> 00:24:46,799 Speaker 7: Yeah, you know we have. 360 00:24:47,119 --> 00:24:50,839 Speaker 3: We have been featured on Country one oh two point five. 361 00:24:51,440 --> 00:24:52,440 Speaker 2: Yeah, that's true, excellent. 362 00:24:53,359 --> 00:24:58,039 Speaker 3: We were the local catch back in September, right up 363 00:24:58,079 --> 00:24:59,119 from Carolyn Cruz. 364 00:24:59,279 --> 00:24:59,839 Speaker 2: That was cool. 365 00:25:00,000 --> 00:25:05,359 Speaker 1: Oh wow, oh that's very cool. Yeah, congratulations. Yeah, well 366 00:25:05,559 --> 00:25:07,519 do you guys, uh yeah, we gotta talk. 367 00:25:07,440 --> 00:25:09,759 Speaker 2: About that song if you want to do that. Yeah, 368 00:25:10,039 --> 00:25:10,480 all right, you. 369 00:25:10,519 --> 00:25:12,039 Speaker 1: Want to do that if you are just joining us 370 00:25:12,079 --> 00:25:15,039 reals here live in studio. We have Ryan and Lucas 371 00:25:15,119 --> 00:25:18,599 here sounding amazing, and yeah, they're gonna play another one 372 00:25:18,680 --> 00:25:18,960 for us. 373 00:25:49,640 --> 00:25:52,000 Speaker 2: Don't morn to go out tonight. 374 00:25:53,200 --> 00:25:54,960 Speaker 4: What about a fresh back? 375 00:25:55,160 --> 00:26:01,720 Speaker 7: If I then want to enjoy the morning, get so heavily. 376 00:26:02,000 --> 00:26:03,039 I me by. 377 00:26:03,240 --> 00:26:08,279 Speaker 4: Myself deep ben sorrow's fight, looking for familiar and pleased 378 00:26:08,480 --> 00:26:16,000 and ease my mind. He is my my mind, and 379 00:26:16,200 --> 00:26:20,440 I always keep the dream the same. So we find 380 00:26:20,559 --> 00:26:23,319 that we all know who to blame. 381 00:26:26,039 --> 00:26:28,200 Speaker 5: Oh yeah too well. 382 00:26:28,720 --> 00:26:33,799 Speaker 4: Lead in business to maintain the healthy life will be 383 00:26:34,000 --> 00:26:37,799 living for fear the man rowing. 384 00:26:37,799 --> 00:26:38,759 Speaker 5: And see. 385 00:26:41,200 --> 00:26:42,960 Speaker 7: And same, and. 386 00:26:44,559 --> 00:26:48,759 Speaker 4: That I've been lone for healthy helbits. But my heart 387 00:26:48,960 --> 00:26:50,279 is eating badly. 388 00:26:51,240 --> 00:26:55,240 Speaker 7: So if you want to drown with me, oh, accept 389 00:26:55,440 --> 00:27:00,799 that off regladly. But jambis saying, yes, it's my friend. 390 00:27:01,519 --> 00:27:06,440 Speaker 4: I cannot deny them. A couple beers that we love 391 00:27:06,599 --> 00:27:10,160 two old ears, but we're not really every yem. 392 00:27:10,880 --> 00:27:15,519 Speaker 7: I always keep the drink the same, so wef I die, 393 00:27:16,079 --> 00:27:23,319 we all know who is blame. Oh yeah, I'm really 394 00:27:23,759 --> 00:27:28,119 in the business to maintain Let hell the life have 395 00:27:28,240 --> 00:27:29,519 been living vote. 396 00:27:29,319 --> 00:27:33,319 Speaker 4: A fear deep down, I'm growing and saying. 397 00:27:33,640 --> 00:27:44,400 Speaker 11: Lord and say, and I'm not dream in mad unless 398 00:27:44,599 --> 00:27:46,920 somebody begs me too. 399 00:27:48,640 --> 00:27:54,400 Speaker 4: Oh yeah, then if they do, I promise you it'll 400 00:27:54,599 --> 00:28:03,480 be enough to almost kill me. Please do, please do 401 00:28:04,559 --> 00:28:07,240 hold he hope. 402 00:28:19,000 --> 00:28:22,480 Speaker 12: Oh Lie, I don't want to go out tonight. 403 00:28:23,200 --> 00:28:32,720 Speaker 7: O the bar a fresh peck about mine? Sick to 404 00:28:32,920 --> 00:28:36,960 my stomach, sick in my mind. All it needs a 405 00:28:37,079 --> 00:28:42,720 fresh pack Hold me tie, hold me tight? Oh my high, 406 00:28:44,839 --> 00:28:48,200 because if find about tonight. 407 00:28:49,599 --> 00:28:51,920 Speaker 4: Owen makes it my life. 408 00:28:57,759 --> 00:28:58,480 Speaker 5: Oh lod, I. 409 00:28:58,519 --> 00:29:04,920 Speaker 7: Don't want to go out tonight about a fresh packet mine? 410 00:29:05,839 --> 00:29:06,559 Speaker 5: Yeah? Mine? 411 00:29:07,400 --> 00:29:09,200 Speaker 4: Oh I'm my hind you think? 412 00:29:09,279 --> 00:29:23,920 Speaker 3: I wait, My. 413 00:29:45,920 --> 00:29:49,680 Speaker 1: God, what a great song. Welcome, well done guys. I 414 00:29:49,839 --> 00:29:51,799 love that. I love that. If you're just joining us 415 00:29:52,200 --> 00:29:55,640 Regals is here with us live in studio, Ryan, I'm 416 00:29:55,759 --> 00:29:59,000 curious about vocal influences. 417 00:30:00,039 --> 00:30:00,480 Speaker 5: You've got to. 418 00:30:01,960 --> 00:30:05,359 Speaker 1: You've got such a raw delivery, and I mean but 419 00:30:05,440 --> 00:30:07,039 I mean that in the best possible way, Like it's 420 00:30:07,119 --> 00:30:11,039 just awesome. It's you really emote when you sing, Like 421 00:30:11,640 --> 00:30:13,640 is is there anyone who really influenced you when you 422 00:30:13,720 --> 00:30:16,480 were learning to sing as far as as far as 423 00:30:16,519 --> 00:30:17,039 your style? 424 00:30:17,480 --> 00:30:21,599 Speaker 2: Yeah, well, I mean growing up my parents were really 425 00:30:21,640 --> 00:30:27,680 into Rolling Stones, Fleetwood Mac like really like emotional animated, 426 00:30:29,160 --> 00:30:33,000 you know, sixties seventies rock and roll. But yeah, you know, 427 00:30:34,599 --> 00:30:38,039 exploring music like early on, like I found some bands 428 00:30:38,240 --> 00:30:44,039 like Lucero and just kind of like, you know, mostly 429 00:30:44,200 --> 00:30:47,480 Lucero and Ben Nichols is a huge influence on me. Yeah, 430 00:30:48,519 --> 00:30:51,079 and uh yeah, I just I've been trying to find 431 00:30:51,119 --> 00:30:53,440 that voice for a long time, kind of like I've 432 00:30:53,440 --> 00:30:59,160 always been really into this kind of like all country 433 00:30:59,599 --> 00:31:05,440 like but kind of like gravelly, like nasty, but like 434 00:31:05,720 --> 00:31:10,960 it can still be kind of pretty kind of sound that. Yeah, Now, 435 00:31:11,000 --> 00:31:13,119 it took me a while to find this voice. I've 436 00:31:13,599 --> 00:31:17,400 bounced along on different lines of genres. I used to 437 00:31:17,480 --> 00:31:23,240 be in hardcore punk bands, experimental indie like pixies like 438 00:31:23,559 --> 00:31:29,920 rock bands, and yeah, so I mean I got away 439 00:31:29,960 --> 00:31:34,440 from music for a little while, and over COVID, I 440 00:31:34,559 --> 00:31:38,839 really like went back to like what got me into music, 441 00:31:38,960 --> 00:31:41,880 Like Credence is a huge one too, Like I've always 442 00:31:41,920 --> 00:31:46,160 loved John Fogerty's voice, and I just wanted to find 443 00:31:46,319 --> 00:31:49,680 that voice like through my own filter, you know. And 444 00:31:51,440 --> 00:31:55,759 during COVID, I had like time to really like just 445 00:31:56,039 --> 00:31:59,880 sit down, and you know, I played a bunch of 446 00:32:00,559 --> 00:32:08,039 created songs Kinks, Rolling Stones, Fleetwood Mac, and then from 447 00:32:08,119 --> 00:32:10,839 there I just kind of started writing songs again. Yeah, 448 00:32:10,960 --> 00:32:13,640 and that's kind of how it happened. And then now 449 00:32:13,680 --> 00:32:16,279 we're here, I got Lucas with me. I always had 450 00:32:16,359 --> 00:32:20,720 Merkle my counterpart, who I've been playing in bands with 451 00:32:21,200 --> 00:32:27,200 since like you know, like late early twenties or early 452 00:32:27,559 --> 00:32:32,440 late teens. Yeah, and yeah, it's been a really fun 453 00:32:32,519 --> 00:32:35,960 little ride kind of like getting back into like feeling 454 00:32:36,000 --> 00:32:37,400 what it's like to be in a band again. 455 00:32:37,680 --> 00:32:39,839 Speaker 1: Yeah. Yeah, so excellent. 456 00:32:39,960 --> 00:32:40,599 Speaker 2: It's been cool. 457 00:32:40,720 --> 00:32:43,720 Speaker 1: Yeah. Yeah, how about you, Lucas. In terms of influence, 458 00:32:43,799 --> 00:32:46,400 like like who who influence influences you as far as 459 00:32:46,440 --> 00:32:47,240 you're playing. 460 00:32:48,640 --> 00:32:53,799 Speaker 3: Well, I've been into country western music. In my late teens, 461 00:32:54,160 --> 00:32:59,759 I got into more like folk music. Yeah, and some 462 00:32:59,839 --> 00:33:03,839 of the some of the stuff I was playing was 463 00:33:03,960 --> 00:33:07,559 kind of folk rock. Been in a few bands around 464 00:33:07,640 --> 00:33:10,920 Manchester and it was a little more folky oriented. I 465 00:33:11,079 --> 00:33:16,000 was playing banjo and accordion along with like a solo 466 00:33:16,119 --> 00:33:19,839 acoustic a little more folk punk sort of stuff, fast 467 00:33:20,319 --> 00:33:25,960 and loud, but acoustic. But I didn't really care for 468 00:33:26,160 --> 00:33:30,799 country music. I guess I wasn't very familiar. But I 469 00:33:31,039 --> 00:33:34,960 found a bunch of cassette tapes back in high school, 470 00:33:35,200 --> 00:33:38,200 and that was I only had the cassette in the truck, 471 00:33:40,119 --> 00:33:43,480 and that just sort of snowballed. I think once I 472 00:33:45,000 --> 00:33:48,880 started playing with other bands and then really sunk my 473 00:33:48,960 --> 00:33:51,559 teeth into country music is when I started trying to 474 00:33:51,640 --> 00:33:54,680 hone it in. And there's so many steel players and 475 00:33:54,759 --> 00:33:57,680 you can go down a huge list. But Lord helped me. 476 00:33:57,720 --> 00:34:01,519 If I can remember all the names, but George Jones, 477 00:34:01,920 --> 00:34:07,559 Hank Williams Senior, uh, everything from Buck Owens. Yeah, I 478 00:34:07,720 --> 00:34:11,519 like a lot of the classics. George and Hank are 479 00:34:11,760 --> 00:34:12,480 up there on top. 480 00:34:12,599 --> 00:34:12,800 Speaker 12: For me. 481 00:34:13,559 --> 00:34:16,960 Speaker 3: I'm really into bluegrass too. So it's still playing banjo 482 00:34:17,760 --> 00:34:18,480 and things like that. 483 00:34:18,840 --> 00:34:20,519 Speaker 2: Yeah, so we have we have lots of. 484 00:34:20,519 --> 00:34:25,280 Speaker 3: Different stuff that I think regals could explore. Toot An 485 00:34:25,320 --> 00:34:27,320 a little bit like that. But our bass player, Mike 486 00:34:27,480 --> 00:34:30,800 is pretty good at banjo, so I think, yeah, surprising 487 00:34:31,159 --> 00:34:35,280 trying to Yeah, really good. He's got these he's got 488 00:34:35,320 --> 00:34:37,079 these hands that are just made for it. 489 00:34:37,280 --> 00:34:39,960 Speaker 2: Yeah, he's really good. Really, I didn't know that about him. Yeah, 490 00:34:40,039 --> 00:34:45,239 he's really good. Also a fun fact is that no 491 00:34:45,440 --> 00:34:48,920 shame at all. Morgan Wallen is both Lucas and I 492 00:34:49,039 --> 00:34:50,760 is number one Spotify. 493 00:34:51,320 --> 00:34:54,079 Speaker 3: Real, Yeah, you surprised both of us. 494 00:34:55,480 --> 00:34:57,679 Speaker 2: A lot of passive listening. It's just I mean, it's 495 00:34:57,679 --> 00:34:57,960 a great. 496 00:34:58,400 --> 00:35:00,760 Speaker 1: It surprises me. Actually, yeah, it's awesome. 497 00:35:01,360 --> 00:35:04,039 Speaker 3: It's pretty good. As far as like contemporary country stuff, 498 00:35:04,119 --> 00:35:08,320 like mainstream country, it's awesome. 499 00:35:09,119 --> 00:35:11,000 Speaker 1: I will say this so I'm not a big I'm 500 00:35:11,039 --> 00:35:14,119 not a big mainstream country guy, but I have to 501 00:35:14,159 --> 00:35:17,800 say in terms of audio production, Nashville has it down. 502 00:35:17,920 --> 00:35:19,039 Speaker 3: Oh yeah, you know what I mean. 503 00:35:19,360 --> 00:35:22,320 Speaker 1: Like nobody does drums better. 504 00:35:23,079 --> 00:35:27,199 Speaker 2: Songs and the drugs is my opinion. Yeah they are. Yeah, 505 00:35:27,239 --> 00:35:29,400 they have an addictive quality to them. 506 00:35:29,519 --> 00:35:32,119 Speaker 3: No, it's wild, it's really wild. And I love the 507 00:35:32,239 --> 00:35:39,320 history of Nashville. Yeah, and the recent optick in interest 508 00:35:39,480 --> 00:35:42,920 in country music is really cool. Yeah, but it's some 509 00:35:43,000 --> 00:35:47,880 of it's like stadium rock, really big, and the Morgan 510 00:35:47,960 --> 00:35:51,800 Wall and stuff is like that too, just sonically it 511 00:35:51,960 --> 00:35:54,639 sounds so huge, and that's what really drew me in, 512 00:35:55,000 --> 00:35:58,119 really really drew me in. My my Spotify wrapped is 513 00:35:59,360 --> 00:36:03,760 Morgan Wall and then like the All Stars of Bluegrass 514 00:36:04,119 --> 00:36:07,679 it's like Bill Monroe and Stanley Brothers. Yeah, pretty much it. 515 00:36:08,159 --> 00:36:11,119 Speaker 2: Yeah, drive by Truckers was all Yeah, I saw that. Yeah. 516 00:36:11,159 --> 00:36:13,719 I listened to a lot of this guy Steven Wilson 517 00:36:13,800 --> 00:36:16,800 Junior this year, who I'm actually seeing tomorrow and in Brighton, 518 00:36:16,880 --> 00:36:17,480 mass And he's. 519 00:36:17,360 --> 00:36:18,880 Speaker 1: Really Yeah, I'm not familiar with it. 520 00:36:19,039 --> 00:36:20,599 Speaker 2: And then I also listened to a lot of Third 521 00:36:20,639 --> 00:36:24,920 Eye Blind this year. Yeah that's good. Yeah, yeah, they 522 00:36:24,960 --> 00:36:25,760 were in the top five. 523 00:36:26,000 --> 00:36:28,159 Speaker 1: Stephen Jenkins, I think is a great songwriter. I think 524 00:36:28,159 --> 00:36:31,360 he's really underrated. I think he's a very very good songwriter. 525 00:36:31,760 --> 00:36:33,679 Speaker 2: Oh, and I'm actually seeing them at the end of 526 00:36:33,760 --> 00:36:36,800 a just se or two Third Eye Blind. Yeah, I 527 00:36:36,840 --> 00:36:38,360 don't know even Foxwood's Oh. 528 00:36:38,400 --> 00:36:39,440 Speaker 1: Kid, I didn't know they were touring. 529 00:36:39,519 --> 00:36:39,679 Speaker 6: Yeah. 530 00:36:39,679 --> 00:36:41,199 Speaker 1: I thought they were all done for some reason. 531 00:36:42,079 --> 00:36:43,119 Speaker 2: Maybe one last. 532 00:36:43,920 --> 00:36:47,079 Speaker 1: One last yeah, one last ride. 533 00:36:47,559 --> 00:36:47,760 Speaker 7: Yeah. 534 00:36:48,480 --> 00:36:50,280 Speaker 2: If any friends are listening, let's go to Third Eye 535 00:36:50,280 --> 00:36:52,440 Blind and have a have a fun little time. Yeah 536 00:36:52,480 --> 00:36:52,760 think so. 537 00:36:52,960 --> 00:36:55,159 Speaker 1: Oh speaking of friends listening, By the way, I want 538 00:36:55,199 --> 00:36:58,599 to make sure I mentioned Derek Smith. Uh sent me 539 00:36:58,639 --> 00:37:02,920 an instant message, Yeah, says hey, homies, I'm tuning in. Well, well, 540 00:37:03,440 --> 00:37:04,320 I think, oh, tuneing in. 541 00:37:04,760 --> 00:37:06,519 Speaker 3: I read that as lol, thanks buddy. 542 00:37:08,400 --> 00:37:11,480 Speaker 1: I'm used to people sending me messages with loll and yeah. 543 00:37:11,519 --> 00:37:13,719 Derek Smith. Yeah, Derek and I have known each other 544 00:37:13,760 --> 00:37:15,000 for a very long time. We used to do a 545 00:37:15,039 --> 00:37:16,679 lot of we used to like promote a lot of 546 00:37:16,719 --> 00:37:19,760 concerts together, like I'm talking like twenty years ago. And 547 00:37:20,400 --> 00:37:22,159 then when I saw him that night at Mosaic, it 548 00:37:22,280 --> 00:37:23,679 was like the first time I'd see and he looks 549 00:37:23,719 --> 00:37:24,320 the same. 550 00:37:24,280 --> 00:37:26,960 Speaker 3: Like he hasn't got timeless we call it, yeah, time. 551 00:37:27,320 --> 00:37:31,320 Speaker 1: Dude hasn't changed. So yeah, I want to make sure 552 00:37:31,320 --> 00:37:33,880 our listeners know, especially for people just joining us. So 553 00:37:34,079 --> 00:37:35,920 the new album is February. 554 00:37:36,239 --> 00:37:39,440 Speaker 2: Yeah, it's coming out around February. We'll make some more 555 00:37:39,800 --> 00:37:42,400 formal announcements online if you want to follow us at 556 00:37:42,599 --> 00:37:47,480 underscore regals, on Instagram, Facebook, wherever. But yeah, the album 557 00:37:47,559 --> 00:37:50,719 is called Love Sick Purgatory will be out late February, 558 00:37:51,079 --> 00:37:54,880 and we will be racing releasing a single for that 559 00:37:55,079 --> 00:37:58,280 on Summer twenty seventh called Hissing and the Wind. So okay, 560 00:37:58,519 --> 00:38:03,280 stay alert, very good attention, all right, yes, yes, appreciate it. 561 00:38:03,519 --> 00:38:05,960 Speaker 1: And then, uh, and for shows you got, do you 562 00:38:06,039 --> 00:38:06,920 have anything this weekend? 563 00:38:07,599 --> 00:38:12,679 Speaker 3: Not this weekend, this weekend, but working on the next 564 00:38:12,719 --> 00:38:19,960 show that's the next We'll be there you will too, right, Well, 565 00:38:20,000 --> 00:38:21,280 that would just be the two of you are. 566 00:38:23,760 --> 00:38:27,000 Speaker 2: Playing with a cool band from the Seacoast called Coyote 567 00:38:27,119 --> 00:38:31,639 Smoke and some local friends of ours called Dead Time, 568 00:38:32,719 --> 00:38:36,840 and yeah, it'll be a nice eclectic bill with you know, 569 00:38:36,960 --> 00:38:43,639 some bluesy country rock, some experimental psychedelic ish type of 570 00:38:44,159 --> 00:38:46,519 rock and roll indie stuff. Yeah, the Dead Time they 571 00:38:46,639 --> 00:38:51,599 just played last night at Shasking with Chromas. Actually they cromags. 572 00:38:51,920 --> 00:38:52,679 Speaker 1: Oh very cool. 573 00:38:52,840 --> 00:38:53,280 Speaker 3: That's cool. 574 00:38:53,360 --> 00:38:56,320 Speaker 2: Yeah, they're cool guys. Yeah, it'll be a nice little time. 575 00:38:56,920 --> 00:38:59,880 Speaker 3: Definitely come hang and it's free. Yeah, it's also free 576 00:39:00,239 --> 00:39:01,280 all Shaskine. 577 00:39:02,119 --> 00:39:05,119 Speaker 1: That's always a plus. That's that is that is always 578 00:39:05,159 --> 00:39:08,639 a plus. Do you guys want to We actually do 579 00:39:08,719 --> 00:39:09,800 have time. Do you want to play one more? 580 00:39:09,800 --> 00:39:10,840 Speaker 2: I'd love to play another song? 581 00:39:10,880 --> 00:39:13,480 Speaker 1: All right? Cool? Yeah, we we do have time. Yeah, 582 00:39:13,599 --> 00:39:15,320 that last one was short, so yeah we can. We 583 00:39:15,360 --> 00:39:18,119 can fit one more in and to take us to 584 00:39:18,199 --> 00:39:19,960 the end. But if you are just joining us, uh, 585 00:39:20,280 --> 00:39:22,920 we have Ryan and Lucas from Regals here with us 586 00:39:23,000 --> 00:39:25,119 live and study, and it's Regals not the Regals. 587 00:39:26,320 --> 00:39:27,920 Speaker 2: A lot of people say the I was gonna say 588 00:39:28,119 --> 00:39:28,320 a lot. 589 00:39:28,280 --> 00:39:29,000 Speaker 1: Of people get it wrong. 590 00:39:29,639 --> 00:39:29,880 Speaker 3: I'm not. 591 00:39:32,000 --> 00:39:34,760 Speaker 2: But if you do want to be close friends with me, 592 00:39:34,960 --> 00:39:40,400 then you should start saying, yeah, we're not a punk 593 00:39:40,480 --> 00:39:43,199 band from like the eies, Yeah. 594 00:39:43,480 --> 00:39:48,719 Speaker 3: Or the vocal group from South Carolina. Oh okay, it's different. 595 00:39:48,840 --> 00:39:53,760 Speaker 2: Yeah, there's there are all caps. There's also an artist 596 00:39:53,840 --> 00:39:57,760 from New York City called Ryan Egan and oh no kidding, honestly, 597 00:39:57,840 --> 00:39:59,480 I'm cool with him. It's fine. 598 00:39:59,719 --> 00:40:01,599 Speaker 3: Yeah, that makes one of us. 599 00:40:02,039 --> 00:40:06,360 Speaker 2: I definitely have a better mental name. But let me see. 600 00:40:06,400 --> 00:40:08,760 This is a little song cold Exile. 601 00:40:10,280 --> 00:40:22,519 Speaker 5: Mmmm. 602 00:40:28,199 --> 00:40:36,159 Speaker 7: Well, it's five m sigres, some saucing rounding me. The 603 00:40:36,400 --> 00:40:42,079 matter what I do, I can get you on my head. 604 00:40:43,480 --> 00:40:48,599 And even though I'm driving, there's this black spot on 605 00:40:48,760 --> 00:40:49,599 my horn. 606 00:40:50,840 --> 00:40:54,920 Speaker 2: I can't tell if that's you, O, if I had 607 00:40:55,440 --> 00:40:56,920 that from the store. 608 00:40:58,119 --> 00:40:59,320 Speaker 3: And I'm a sorry. 609 00:40:59,440 --> 00:41:04,119 Speaker 7: Time lived a sweet wine on a mile summer and 610 00:41:04,360 --> 00:41:10,079 night his winter's gold and being a lone good soul 611 00:41:10,400 --> 00:41:12,000 that I said, wind sure by. 612 00:41:13,480 --> 00:41:16,280 Speaker 2: So tell me one small think. 613 00:41:16,199 --> 00:41:19,840 Speaker 4: My dear, do you think I how deserved this life? 614 00:41:21,280 --> 00:41:23,280 I'm old, the. 615 00:41:23,400 --> 00:41:27,440 Speaker 2: Product of what took me on this wretched flight. 616 00:41:32,639 --> 00:41:40,400 Speaker 7: It's being bigger and saw the two tonight, locked up 617 00:41:40,639 --> 00:41:48,239 in my room, smoking anything inside until I can forget 618 00:41:48,559 --> 00:41:51,079 the things that are making me lie. 619 00:41:52,880 --> 00:41:55,960 Speaker 2: Send me off to someplace. 620 00:41:55,440 --> 00:41:59,559 Speaker 7: Else in search of the tent of the Danes and digs. 621 00:42:12,800 --> 00:42:15,199 Speaker 4: There's been big grieve. 622 00:42:16,320 --> 00:42:21,719 Speaker 13: It's all to tonight, locked up in a mile from 623 00:42:23,000 --> 00:42:26,880 smoking anything, decided to listen till. 624 00:42:26,960 --> 00:42:31,320 Speaker 4: Like alfter cab the things and making me a lie 625 00:42:32,920 --> 00:42:37,320 to save me up to some place elf Timmy Kelly. 626 00:42:37,480 --> 00:42:54,320 Speaker 13: To life and exile, exile, eilie. 627 00:42:54,119 --> 00:42:58,360 Speaker 4: No I could know to keep you out of my mind. 628 00:42:59,280 --> 00:43:04,519 I don't sign not thinking in these shils on their 629 00:43:04,760 --> 00:43:09,559 married shore right to a bar one night, you know, 630 00:43:09,960 --> 00:43:16,480 make me die t see you land another may know it. 631 00:43:16,760 --> 00:43:19,400 Speaker 5: You just don't be alive that. 632 00:43:41,400 --> 00:43:51,559 Speaker 4: Can to sill, can get things to make me? Who 633 00:43:54,440 --> 00:43:59,599 send me off to some please selves in search of 634 00:44:00,159 --> 00:44:01,920 shot in lines. 635 00:44:03,559 --> 00:44:16,960 Speaker 1: Egg Another great one, another great one, regals, Ryan and Lucas, 636 00:44:17,039 --> 00:44:19,079 Thank you both so much. This has been wonderful to. 637 00:44:19,119 --> 00:44:19,519 Speaker 7: Have you here. 638 00:44:20,320 --> 00:44:23,599 Speaker 3: Thank you, Matt, and shout out to my lovely wife 639 00:44:23,679 --> 00:44:29,159 Adrian and the Troy bullfrogs out there, and uh, we're 640 00:44:29,199 --> 00:44:29,960 happy to be here. 641 00:44:30,400 --> 00:44:34,840 Speaker 1: Thank you, yes, yes, and thank you guys. And of 642 00:44:34,920 --> 00:44:36,519 course if you missed any part of today's show, it 643 00:44:36,559 --> 00:44:38,480 will be up in just a little bit at w 644 00:44:38,760 --> 00:44:41,400 m n H radio dot org and at my website 645 00:44:41,440 --> 00:44:44,079 Matt Connorton dot com. And that's it for us for now. 646 00:44:44,079 --> 00:44:46,360 I'll talk to you a little bit later. Everybody love you. 647 00:44:47,039 --> 00:44:47,440 You got it. 648 00:45:00,079 --> 00:45:04,440 Speaker 7: Want to be living on splanning stuff even on the second. 649 00:45:04,239 --> 00:45:10,320 Speaker 14: Until wish I could get we of the light brain 650 00:45:10,519 --> 00:45:15,519 and maybe you can come up to the world has 651 00:45:15,599 --> 00:45:19,000 a mess, beer Andy and all the kids. 652 00:45:18,840 --> 00:45:22,000 Speaker 4: Getting were sper. 653 00:45:23,000 --> 00:45:27,519 Speaker 13: I want shed enough chill Bill by the quitting off. 654 00:45:27,800 --> 00:45:29,360 Speaker 5: With the pens. 655 00:45:31,119 --> 00:45:57,239 Speaker 4: I've been badly manical somewhere been. I've been summern as 656 00:45:57,320 --> 00:46:01,840 a child ever live now from my to min. 657 00:46:03,480 --> 00:46:05,760 Speaker 5: And all of my problems. 658 00:46:05,400 --> 00:46:12,239 Speaker 4: About a point that's coming back can't stop less, not 659 00:46:12,519 --> 00:46:23,159 aware that dress if it's God that such a sist, 660 00:46:24,199 --> 00:46:25,599 not spending. 661 00:46:45,880 --> 00:46:46,519 Speaker 3: To do. 662 00:46:48,440 --> 00:46:53,719 Speaker 10: All that's less to give us go. So that's something 663 00:46:54,599 --> 00:46:59,400 I can't do. Not where there is knowing you. 664 00:47:00,320 --> 00:47:12,039 Speaker 4: You have been badly back Alley, soundwise, sound the d