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Speaker 1: Come in, we welcome.

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Speaker 2: I'm E. G.

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Speaker 3: Marshall.

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Speaker 1: It's pleasant out with the moon riding high, bright enough

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almost to read by the very opposite of the night

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that Julie Connor's story begins for us, a black and

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lowering night, the atmosphere heavy with a promise of rain, dark,

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the dark, not being able to see, only to imagine

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what surrounds us. For some, it is peopled with presences, things,

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and unimaginable horrors. Why that's what our story is about.

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It begins as we listened to Julie move and moan

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in her sleep. Our mystery drama The Dark Closet was

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written especially for the Mystery Theater by Ian Martin and

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stars Fred Gwynn. It is sponsored in part by Buick

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Motor Division and sin Off the Sinus Medicines. I'll be

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back shortly with that one for the goblins of Get

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You if you don't watch out. No American kid of

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my generation escaped the dire prediction of little orphan Annie,

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for whom James Whitcomb Riley had begun his poem prophetically

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with the words came to our house to stay.

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Speaker 3: I know for me she did.

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Speaker 1: I can still remember the little boy who went to

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bed and when they turned the covers down, he wasn't

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there at all. The little girl who says, two great

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big black things are standing by her side, who snatched

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her through the ceiling, for she knowed what she's about,

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For the goblins, he'll get you. Hiss, you don't watch out.

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I wonder what goblin holds Julie Connors in his stall.

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Speaker 4: Tell me help, Julie.

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Speaker 2: What is it?

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Speaker 5: The the light? Please?

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Speaker 6: Thank god, thank god?

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Speaker 2: Why didn't you turn on the light by the bed.

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Did you have to break that lamb?

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Speaker 3: I didn't mean to.

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Speaker 7: I was just so scared I reached out to turn

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it on and knocked.

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Speaker 6: It over by accident.

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Speaker 2: That was one of your mother's favors.

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Speaker 6: Pop, don't blame me too much. Someone turned it off,

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someone meaning me.

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Speaker 2: I told you time and time again, Julie, waste not,

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want not. I looked in here when I got home

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and you were sound asleep, lamp still lit.

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Speaker 7: I only keep it that way this time of year,

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when it gets dark so early. Just tell me, knowing

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you're home.

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Speaker 2: Huh, Why what are you afraid of? And you don't

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have to go to bed so early?

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Speaker 5: I got nothing else to do.

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Speaker 4: Oh, we're in town.

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Speaker 2: You've got the television.

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Speaker 6: I'm tired of that old too. Living other people's lives though,

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I want to live my own.

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Speaker 2: Yeah, time enough for that.

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Speaker 6: I'm seventeen going on eighteen.

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Speaker 2: All the more reason. You don't need lights on when

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you're sleeping, and stop having those nightmares. I reckon. That's

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what it was again, huh an one of them?

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Speaker 8: Yeah, what.

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Speaker 6: Doesn't matter, m.

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Speaker 2: Then I'll say it for you. The Boogeyman again. That's book.

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I swear. I don't know what I'm gonna do with you.

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Speaker 4: Child, Child, that's the trouble.

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Speaker 2: That's what you ain't anymore, except in half the time

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you act like it was one.

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Speaker 6: Maybe it would help pop if you stop trying to

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cheat you like one.

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Speaker 2: You think you're not.

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Speaker 5: Last year of high school.

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Speaker 6: I've been keeping house for you ever since, Mamma.

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Speaker 2: Do we won't talk about your mom?

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Speaker 3: Okay, Bob.

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Speaker 7: All I meant to say was if you can trust

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me to take care of the house, well you could

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trust me to take care of myself.

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Speaker 9: You work afore the midnight shift.

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Speaker 8: Eh.

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Speaker 6: I kept living here nights I could date, except I don't.

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Speaker 2: Want you dating, and I'm not around me, the kind

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of guy you're going with, not these days the riff raft.

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Speaker 7: That's abroad, because maybe a guy has long hair, and

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whereas old jeans should make so much difference on the.

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Speaker 6: Farm, what we wore was Jean.

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Speaker 4: I just don't want to see you run around the trash.

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Speaker 2: He was all in the level, Julie. Don't try to

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be one hair in the city. Thank you, Thank you.

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Speaker 6: Ma.

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Speaker 2: That's the way you are to turn now.

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Speaker 3: And see.

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Speaker 6: Can't you have it for kept?

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Speaker 8: Mo?

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Speaker 5: What I mean?

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Speaker 6: Try to hide your way in the back of your

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mind like we all have to.

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Speaker 5: I think of today?

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Speaker 2: Uh I can. I can never shut your mother away. Yeah.

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I just wish you could learn and live like it,

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make your peace with the world. Then maybe you could

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shut off these dreams that hurt you. Yeah, and it

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hurt me too.

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Speaker 7: Maybe if I just got a little more freedom.

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Speaker 2: In a couple of months, you'll be eighteen. I have

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no control over you then, But until you reach that birthday,

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I will not let you run wild like all the

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other kids. I promise your mother that force died.

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Speaker 6: Why don't you trust me, Pop, leave me to make

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my own decisions?

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Speaker 2: I can't, I promise Mary. She wanted only the best

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for you.

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Speaker 7: She isn't here to find it for me anymore. Let

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me do my own finding.

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Speaker 2: No, by heaven, I give my word, I keep it.

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Speaker 6: Ten seventh, that's mean for a day, tomorrow night.

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Speaker 2: Yeah, I don't hear good things about 'em.

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Speaker 6: You mean I can't go.

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Speaker 2: I mean you better not. I have six months left

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to bring you to your mother's image. I will do

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everything I can to make you that. But it's about

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your dream.

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Speaker 9: I forget it.

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Speaker 7: It doesn't matter anymore. I'm just being a child, and

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I know it. I can see that. It's time for

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me to glow up.

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Speaker 6: Good night, Pop. You need your sleep, me too?

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Speaker 2: Yeah? Yeah, sure you okay, don't.

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Speaker 6: Worry about me. Three teens, Yeah, go.

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Speaker 2: Out, and they left for me. I just wish I

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could make sure that the whole lifetime I might have

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to feel well, Uh, turn off a life.

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Speaker 6: No, I I mean I I'll get it.

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Speaker 3: I I have I.

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Speaker 6: Have to go to the bathroom, I pop, Ah, I love.

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Speaker 4: You, sure, I you know how I.

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Speaker 2: Try to feel. Julie. It's just since married. I yeah,

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there is much together. Yeah, good night.

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Speaker 6: When she was alive, it wasn't much for you to give.

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Oh god, well the daylight never come.

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Speaker 10: Hey, you are pretty freaked out there, my old lady.

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Speaker 6: Thanks for the lift, and I'm not your old lady.

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Speaker 10: Oh these last few weeks, uh, I thought we were

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finally gonna begin to make it.

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Speaker 6: Oh damn, it's not you.

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Speaker 2: It's ah, I know your father.

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Speaker 6: No, no, not that so much. Something else? H oh,

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something I can't explain.

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Speaker 5: May you ought to dump me?

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Speaker 6: Not any good for you?

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Speaker 2: Well?

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Speaker 5: Yeah, I've been stringing me along there. What's got you down?

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Speaker 4: Sneaking out with me? Knight spine?

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Speaker 5: You old dodos back.

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Speaker 6: I don't like it. For what other way is there.

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Speaker 2: Still expects you to sit on the knit or something?

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Speaker 3: Huh?

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Speaker 6: What's the way he was brought up and mom? They

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were fond people.

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Speaker 10: Your mother's been dead for uh six years, hasn't she.

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Speaker 6: Yeah that's a big hang up.

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Speaker 7: Really, Pop goes overboard about trying to you know, pre

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tech me, like he thinks mom would have.

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Speaker 6: Forget it.

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Speaker 2: Look, he still got a dates for tonight, right.

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Speaker 3: Oh sure.

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Speaker 6: I even tried to tell Pap about going out with

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you when he came home.

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Speaker 9: When he blew a gaskt.

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Speaker 5: I let it go.

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Speaker 6: I didn't wanna upset him.

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Speaker 4: I'm shut up. He's gotten out of style.

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Speaker 10: Baby, he belongs to a wax museum.

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Speaker 2: Take a good look at yourself in the mirror.

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Speaker 10: He got circles under your eyes like some old uh

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broader thirty.

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Speaker 6: I told you that isn't pop it. It's this this

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crazy nightmare I have all the time.

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Speaker 5: Oh yeah, well, okay, let's see.

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Speaker 2: I tell you what.

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Speaker 10: You're gonna get a good sleep tonight. Old Doc Tim

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is gonna guarantee it. Oh how I'm gonna borrow at

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some wheels and take a little booze, and you're gonna

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take a couple of belts.

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Speaker 5: See what you need is to relax.

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Speaker 6: Maybe you'll write him. I'm so uptight.

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Speaker 9: I you know something.

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Speaker 7: Last few weeks, I I think he's gonna flight.

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Speaker 6: I went with my legs.

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Speaker 4: Well at the night.

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Speaker 7: We're gonna do better than that.

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Speaker 10: You're gonna blow your mind.

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Speaker 6: Gee, where'd you get a.

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Speaker 5: Car like this?

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Speaker 9: That's dove but stoj can bean god.

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Speaker 2: Marvel a magician.

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Speaker 5: I waved my match ground.

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Speaker 6: And you've been drinking?

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Speaker 3: How did you do?

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Speaker 7: Hey?

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Speaker 5: Open the glove compartment.

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Speaker 3: Oh it's a liquor.

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Speaker 5: Where'd you get that.

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Speaker 10: So on the family, kiddo wave, my old man boys

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is down. You'll never miss one bottle? Uh here there

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and the cars, m uncle Joe's go ahead, take the

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bottle out.

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Speaker 3: Uh.

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Speaker 6: I don't want yet. You shouldn't have any more.

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Speaker 10: Oh come on, I'm just putting you on. I only

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had one little drink. And if I remember, you promised

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you were gonna join me.

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Speaker 6: Okay, why not right out of a bottle?

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Speaker 4: I got no glasses.

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Speaker 6: Okay, here are go? Hey it's almost empty.

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Speaker 10: No, no, no, I ain't steak a phone bottle.

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Speaker 2: Go ahead, come on.

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Speaker 5: And kill it.

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Speaker 9: No, I just want a small ship.

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Speaker 6: Where are we going?

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Speaker 4: Yeah, Starland?

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Speaker 10: Live it up, big goll and ride the games that disco?

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Speaker 9: How liquor?

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Speaker 3: Starland?

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Speaker 6: What ain't gonna use for money?

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Speaker 10: That is no problem?

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Speaker 6: What we're starting down for?

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Speaker 4: There's uh liquor store up ahead of you.

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Speaker 6: Oh why don't we forget it? I I I don't

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want anymore?

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Speaker 10: Baby, baby, don't you remember the night? The night we're

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gonna open up your skull and let all those little

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men out.

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Speaker 5: You just keep a running. I'll be right back. It's

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serious so deserted. Uh yeah, tell on the radio. Keep

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the company.

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Speaker 8: Okay, put a shot.

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Speaker 5: It sounded like joy, my joy? Kid him joy? Help

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me kick him? What happen?

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Speaker 9: Hold me? I can't stay.

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Speaker 2: You gotta get to the car.

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Speaker 9: Get me hold I've got you.

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Speaker 6: Kill let the gun?

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Speaker 9: You coulda gun?

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Speaker 5: Kill him that?

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Speaker 3: What are you doing?

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Speaker 6: You the gun?

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00:11:15,000 --> 00:11:15,840
Speaker 9: I'm killing you here?

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00:11:15,960 --> 00:11:19,159
Speaker 8: Men?

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Speaker 3: How curious are today?

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Speaker 2: I just took your gun.

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Speaker 6: It isn't mind up of the Hi.

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Speaker 1: Okay, Jake, get in the side the liaquer store and

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see what happened.

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Speaker 5: I'll handle this end of it.

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Speaker 3: I'll put your hand.

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Speaker 2: Behind your back. Oh I do you want your sidekick

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00:11:32,159 --> 00:11:32,480
here to.

257
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Speaker 5: Bleed the death?

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Speaker 1: Now behind the back?

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Speaker 2: All right?

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Speaker 5: Oh no, I'm sorry you too.

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00:11:38,879 --> 00:11:40,159
Speaker 2: I'm sorry you play rough games.

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Speaker 3: You gotta take what comes with them.

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Speaker 2: I climb over to the car.

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Speaker 3: I've got a radio emergency for an ambulance.

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Speaker 1: Well, doctor Sarah Brown me, what are you doing here

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this time of night?

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Speaker 5: Well, I'll tell you, Reverend Samuel Prior, I've been called

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in as a special consultant on the shooting case that

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was brought in.

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Speaker 1: Oh you mean the boy killed the liquor shop older

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mm hmmmmm. Well he doesn't need a psychiatrist Sally, he's

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more out to need me. They've had he been on

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R two and a half hours already.

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Speaker 5: He's not my patient.

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Speaker 3: Little girl who was with him finally took her back

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to the station house for questioning and.

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Speaker 4: To lock her up.

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Speaker 5: Mmm, only she didn't stay locked up. There's a Sergeant

279
00:12:27,960 --> 00:12:30,080
Lawrence on the way back here with her. Oh, oh,

280
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I guess I hear. Now let me go there, Connors.

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Speaker 1: Just you pull him down now, if you'll only talk for.

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Speaker 5: Oh? Is that gonna lock me up again? This time?

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Speaker 7: I will burk my head wide open.

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Speaker 5: I won't let him get me. Of course, we won't

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let him get you, whoever he is, Julie, this is

286
00:12:48,559 --> 00:12:52,480
a hospital. You're perfectly safe, now, aren't you being foolish?

287
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How do you know me? Come on, I've been expecting you.

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I'm doctor Browning.

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Speaker 6: Oh sure, they head doctor.

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Speaker 7: Well, don't figure out putting me in any.

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Speaker 6: Pet itself, cause if you do, you'll see the biggest

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00:13:05,000 --> 00:13:05,679
wing being yet.

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Speaker 5: No padded sell, no keys. You'll have to be confined

294
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to your room, but you don't have to close the door,

295
00:13:12,039 --> 00:13:17,360
and there are two big windows alright, honest, Well, in

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what it's late, I want you to get undressed and

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get into bed. Then I'll give you something to help

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00:13:23,000 --> 00:13:24,799
you sleep, and while we're waiting for it to work,

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we'll talk a little. Nurse when you show Ms Connors

300
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to her room, Miss, do I have hey? Sergeant, does

301
00:13:33,519 --> 00:13:34,600
she have to be handcuffed?

302
00:13:34,759 --> 00:13:37,240
Speaker 2: I know if you don't think she needs 'em?

303
00:13:37,240 --> 00:13:42,440
Speaker 5: Now? Doctor, No, I don't. Okay, okay, doctor, you go

304
00:13:42,559 --> 00:13:44,120
with the nurse and the sergeant. I'll be up in

305
00:13:44,159 --> 00:13:44,519
a moment.

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Speaker 3: I will for you. Well, looks like you just made

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00:13:50,360 --> 00:13:50,720
a friend.

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00:13:51,480 --> 00:13:53,600
Speaker 5: Yes, and I need you, Sam. Could we go to

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00:13:53,679 --> 00:13:56,720
my office for a moment or two. Something's haunting that child,

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00:13:57,679 --> 00:14:02,240
something beyond tonight. You talked to her earlier. Maybe you

311
00:14:02,320 --> 00:14:05,279
can give me a clue to who her private boogein

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00:14:05,360 --> 00:14:05,720
in is.

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00:14:11,320 --> 00:14:13,919
Speaker 1: It's so easy for all of us, no matter how

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00:14:14,080 --> 00:14:16,919
sure we think we are, to panic at what we

315
00:14:17,000 --> 00:14:21,720
don't understand, terrors and strange noises that come to us

316
00:14:21,799 --> 00:14:26,480
from the dark outside. But when the nameless fight wells

317
00:14:26,600 --> 00:14:30,759
up from inside, creating our own boogeyman, call it what

318
00:14:30,919 --> 00:14:35,279
you want, then we are truly possessed, and the only

319
00:14:35,440 --> 00:14:39,759
last hope is to exorcise the unnamed thing within us.

320
00:14:40,799 --> 00:14:56,480
How the turn shortly with that too. Exorcism is a covenient,

321
00:14:56,720 --> 00:15:01,360
old fashioned word. It conjures picture of the damned or

322
00:15:01,480 --> 00:15:05,720
possessed rising under the influence of some foul demon r

323
00:15:06,039 --> 00:15:09,480
It once was the sole province of the religious and

324
00:15:09,600 --> 00:15:13,320
even in modern terms still is. But it is well

325
00:15:13,480 --> 00:15:17,799
established by now that the psychiatrist is equally important, and

326
00:15:18,120 --> 00:15:22,799
church and medicine work as partners, like the Reverend Sam

327
00:15:22,919 --> 00:15:25,279
Pryor and doctor Sarah Browning.

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00:15:25,759 --> 00:15:29,159
Speaker 5: So the police waught a psychiatric evaluation of Julie Connor's

329
00:15:29,559 --> 00:15:31,960
They were holding her for bail and locked her in

330
00:15:32,039 --> 00:15:34,440
a cell, and she went berserk. Did you see the

331
00:15:34,519 --> 00:15:35,159
bruises on her?

332
00:15:35,240 --> 00:15:38,600
Speaker 3: Foreheg I did claustrophogia.

333
00:15:38,039 --> 00:15:41,200
Speaker 5: Apparently, but that's for later. The point is that even

334
00:15:41,279 --> 00:15:45,000
if it is bonafide, it's only a symptom, not a disease.

335
00:15:46,320 --> 00:15:48,960
What worries me is less a girl than the father.

336
00:15:49,320 --> 00:15:50,720
Speaker 3: Oh smarter with mister Cunners.

337
00:15:51,279 --> 00:15:54,759
Speaker 5: What kind of father abandons a seventeen year old girl

338
00:15:54,840 --> 00:15:58,320
who's never been in any real trouble to face jail

339
00:15:58,440 --> 00:15:59,720
before she's been found guilty.

340
00:16:00,159 --> 00:16:02,480
Speaker 1: Well, she's a suspected accomplice, and the murder of a

341
00:16:02,519 --> 00:16:07,039
liquor store, hald up her even the murder, Sam, can.

342
00:16:06,960 --> 00:16:09,759
Speaker 5: You honestly believe that child could handle a heavy gun

343
00:16:09,919 --> 00:16:10,919
like the one that was used?

344
00:16:11,440 --> 00:16:13,720
Speaker 3: Was no way of proving that until the boys she

345
00:16:14,000 --> 00:16:19,000
was with comes too. If he ever does that, bad Sam.

346
00:16:20,200 --> 00:16:23,679
He's young, but not so good Sally. Uh, what was

347
00:16:23,720 --> 00:16:24,480
the bond on the girl?

348
00:16:25,159 --> 00:16:27,799
Speaker 5: The police don't really suspect her as a principal, only

349
00:16:27,799 --> 00:16:30,919
a few thousand mm, except that her father refused to

350
00:16:31,000 --> 00:16:31,360
post it.

351
00:16:31,879 --> 00:16:33,399
Speaker 3: Well, maybe he can't afford it.

352
00:16:33,720 --> 00:16:37,759
Speaker 5: He can. I call him this morning, he repears, to

353
00:16:37,840 --> 00:16:38,240
talk to me.

354
00:16:39,360 --> 00:16:43,799
Speaker 1: Do you seriously imagine that my winning personality might succeed

355
00:16:43,919 --> 00:16:44,879
where yours failed?

356
00:16:44,960 --> 00:16:49,720
Speaker 5: A doctor, you might apply a little occupational leverage. The

357
00:16:49,840 --> 00:16:52,960
father is a deacon at the plane View's church, Oh.

358
00:16:53,559 --> 00:16:56,399
Speaker 1: Of which the minister happens to be a close friend

359
00:16:56,440 --> 00:16:56,720
of mine.

360
00:16:58,120 --> 00:17:01,279
Speaker 5: Sam, mm, I can't judge's the girl without knowing something

361
00:17:01,320 --> 00:17:05,680
about her background, her history, her life. There isn't time

362
00:17:05,839 --> 00:17:09,759
for deep analysis. Her father is the only one who

363
00:17:09,799 --> 00:17:10,880
can tell me quickly.

364
00:17:11,160 --> 00:17:12,440
Speaker 3: Oh, no mother or relatives.

365
00:17:12,559 --> 00:17:14,839
Speaker 5: No mother, no relatives close enough to be of value.

366
00:17:15,279 --> 00:17:16,400
I know it's an imposition.

367
00:17:17,880 --> 00:17:20,279
Speaker 1: Well, that's when you ask me, Shelley, you give me

368
00:17:20,400 --> 00:17:24,680
the address and I'll go beard your lion in his death.

369
00:17:30,000 --> 00:17:35,000
Speaker 6: Hello, Julie, Oh to you, doctor, Hu's Tim.

370
00:17:35,839 --> 00:17:38,359
Speaker 5: He's still in the recovery room. How are you?

371
00:17:39,720 --> 00:17:40,079
Speaker 7: I don't know.

372
00:17:40,839 --> 00:17:43,000
Speaker 5: I promise you a view from a window? Is it

373
00:17:43,079 --> 00:17:43,359
all right?

374
00:17:44,480 --> 00:17:49,519
Speaker 7: Ever since the sun came up, Trees and shrubs, flowers

375
00:17:51,000 --> 00:17:52,960
and green rolling out as far as.

376
00:17:52,920 --> 00:17:56,400
Speaker 6: You can see, just like the farm was the.

377
00:17:56,480 --> 00:17:59,720
Speaker 9: Farm where I grew up before we moved to the city.

378
00:18:01,519 --> 00:18:07,759
Speaker 6: About a thousand years ago, or maybe five thousand. Okay, Doc,

379
00:18:08,119 --> 00:18:08,880
what always.

380
00:18:08,559 --> 00:18:10,079
Speaker 9: To start with the lie detector?

381
00:18:10,480 --> 00:18:13,559
Speaker 5: Don't fight me, Julie, I'm on your side. Do me

382
00:18:13,640 --> 00:18:14,039
a favor.

383
00:18:15,480 --> 00:18:18,160
Speaker 6: I guess I owe you one getting those handcuffs offt

384
00:18:18,160 --> 00:18:19,880
of me, so i'll trade.

385
00:18:20,759 --> 00:18:24,720
Speaker 5: Just tell me the truth about everything, good, bad and different.

386
00:18:25,160 --> 00:18:27,680
Just all the truth. That's what I'm after.

387
00:18:28,960 --> 00:18:30,160
Speaker 6: You don't ask so much, Huh.

388
00:18:31,440 --> 00:18:33,559
Speaker 5: When I was a little girl, my father used to

389
00:18:33,599 --> 00:18:38,279
say to me, Sally, Sally, Well, my name's really Sarah,

390
00:18:38,319 --> 00:18:39,799
but I always hated it, so I got to be

391
00:18:39,880 --> 00:18:41,480
called Sally anyway.

392
00:18:41,680 --> 00:18:44,240
Speaker 6: Pop, Uh, that's what I call my father.

393
00:18:46,200 --> 00:18:49,440
Speaker 5: Anyway. Pop always said to me, don't do a power

394
00:18:49,519 --> 00:18:51,960
of wishing, Sally, cause the Lord's too busy to come

395
00:18:52,039 --> 00:18:55,799
through for everyone. But if you do wish, always wish big.

396
00:18:57,200 --> 00:18:58,880
So that's how it is with you and me, Julie.

397
00:18:59,559 --> 00:19:02,680
I wish and bid. You'll tell me everything.

398
00:19:04,160 --> 00:19:08,559
Speaker 6: Gee dot ah, what's the difference?

399
00:19:09,799 --> 00:19:10,960
Speaker 9: What have I got to lose?

400
00:19:17,440 --> 00:19:19,880
Speaker 6: So too, It's just like any other boy. I had

401
00:19:19,920 --> 00:19:21,680
to bust out of home for some kicks some of

402
00:19:21,759 --> 00:19:22,079
the time.

403
00:19:22,920 --> 00:19:24,839
Speaker 5: But you've known him for a while. Well, sure we

404
00:19:24,960 --> 00:19:27,799
were in the same class at school. You weren't surprised

405
00:19:27,839 --> 00:19:29,559
when he picked you up in a car this time.

406
00:19:29,720 --> 00:19:31,880
Speaker 7: Sure he was, especially when he said we were heading

407
00:19:31,920 --> 00:19:34,680
the Star and Park, you know, the rides and all,

408
00:19:35,240 --> 00:19:36,759
and he wanted to gave a disc attack.

409
00:19:37,720 --> 00:19:38,680
Speaker 5: I just didn't feel right.

410
00:19:38,759 --> 00:19:40,279
Speaker 6: He never had money like that before.

411
00:19:41,000 --> 00:19:43,319
Speaker 5: But you went, yeah, I went.

412
00:19:44,160 --> 00:19:46,480
Speaker 6: I was ready to go anywhere that night. I thought

413
00:19:47,799 --> 00:19:48,759
I even had a drink.

414
00:19:49,079 --> 00:19:50,759
Speaker 9: Now I don't usually because it it it makes me

415
00:19:50,839 --> 00:19:55,519
feel kind of dizzy. And I thought it right, chase away.

416
00:19:56,960 --> 00:20:02,680
Speaker 6: But the guy that follows me go on, Tim had

417
00:20:02,720 --> 00:20:05,480
an almost empty bottle. He gave me a drink and

418
00:20:05,680 --> 00:20:06,440
and he he said, you.

419
00:20:06,480 --> 00:20:08,559
Speaker 5: Wanted to stop and get more tell me about the

420
00:20:08,680 --> 00:20:09,839
man you say follows you.

421
00:20:11,079 --> 00:20:12,079
Speaker 6: I don't wanna talk about that.

422
00:20:13,400 --> 00:20:15,640
Speaker 5: Then don't tell me more about what happened.

423
00:20:16,759 --> 00:20:20,680
Speaker 7: Well, we stopped at this liquor store and Tim left

424
00:20:20,759 --> 00:20:21,319
me in the car.

425
00:20:22,519 --> 00:20:24,240
Speaker 5: M called me to turn on the radio.

426
00:20:25,839 --> 00:20:27,799
Speaker 9: I heard him throw away the empty cause it.

427
00:20:27,839 --> 00:20:29,680
Speaker 6: Broke, and the smashing the street. I didn't like that.

428
00:20:30,599 --> 00:20:32,240
Speaker 5: Why, well, things should be.

429
00:20:32,359 --> 00:20:33,599
Speaker 9: Tidy and need normalways.

430
00:20:36,119 --> 00:20:39,000
Speaker 7: Well, I I was listening to the radio and then

431
00:20:40,720 --> 00:20:43,960
these two noises. I just couldn't believe they were shot.

432
00:20:45,200 --> 00:20:47,440
When Tim came out, he was all bleeding.

433
00:20:48,079 --> 00:20:50,240
Speaker 6: He could hardly stand up. And then I don't know,

434
00:20:50,359 --> 00:20:51,920
the police came in the ambulance.

435
00:20:51,960 --> 00:20:54,000
Speaker 9: They took Tim away to the hospital.

436
00:20:53,599 --> 00:20:56,720
Speaker 6: And needed stations house.

437
00:20:57,359 --> 00:21:01,960
Speaker 5: And booked you as an accessory. Yes, do you know

438
00:21:02,079 --> 00:21:08,400
the charges? Well, M Roberrian, you didn't know Tim was

439
00:21:08,480 --> 00:21:09,559
driving a stolen car.

440
00:21:10,519 --> 00:21:12,240
Speaker 9: No, he said it with his.

441
00:21:12,359 --> 00:21:15,880
Speaker 6: Uncles and he meant it to him. Why are you

442
00:21:16,000 --> 00:21:17,240
asking me all these questions?

443
00:21:17,799 --> 00:21:19,720
Speaker 5: Well, some of them I'm asking because I felt you'd

444
00:21:19,799 --> 00:21:21,200
rather have me do it than the police.

445
00:21:21,400 --> 00:21:23,160
Speaker 9: Oh, why doesn't Tim tell him the truth?

446
00:21:24,200 --> 00:21:28,799
Speaker 5: Julie, Dear, Tim is still unconscious, he can't talk and

447
00:21:28,920 --> 00:21:33,079
tim isn't my interest? You are? Tell me more about

448
00:21:33,079 --> 00:21:36,079
the police station. Oh, I don't know.

449
00:21:37,519 --> 00:21:38,359
Speaker 6: Things took forever.

450
00:21:39,279 --> 00:21:41,559
Speaker 5: They came, took my fingerprints, and then.

451
00:21:43,319 --> 00:21:48,640
Speaker 7: Uh they put me to sell and uh locked the door. Yes,

452
00:21:50,480 --> 00:21:53,559
they turned up the light and I try to tell

453
00:21:53,599 --> 00:21:56,799
him not to because my pop was coming. I asked

454
00:21:56,880 --> 00:21:59,319
him to call him. They just didn't pay any attention

455
00:21:59,480 --> 00:22:00,680
and got me in the wall.

456
00:22:02,000 --> 00:22:04,200
Speaker 5: He was there. I knew he was gonna get me.

457
00:22:04,279 --> 00:22:05,519
I just screamed and screamed it.

458
00:22:06,000 --> 00:22:07,000
Speaker 6: The police lady came.

459
00:22:07,039 --> 00:22:08,640
Speaker 7: I told her to get my bob to get me

460
00:22:08,720 --> 00:22:09,160
out of there.

461
00:22:09,240 --> 00:22:10,079
Speaker 5: And what did she say?

462
00:22:10,519 --> 00:22:12,200
Speaker 6: She said he'd been there and.

463
00:22:12,240 --> 00:22:13,559
Speaker 5: He wasn't going to let me out.

464
00:22:14,799 --> 00:22:16,000
Speaker 7: I've just been all day.

465
00:22:17,640 --> 00:22:20,680
Speaker 6: That's how he went bananas and beat my head against

466
00:22:20,680 --> 00:22:21,880
the wall and the boy.

467
00:22:23,599 --> 00:22:27,079
Speaker 5: Then I don't know. Everything just went to last and

468
00:22:27,160 --> 00:22:30,240
when you woke up, he'll bring me in here to

469
00:22:30,319 --> 00:22:36,240
the hospital when I met you, all right, Julie, just

470
00:22:36,319 --> 00:22:42,279
a few more questions. Sit on the bed, Okay, then okay,

471
00:22:42,799 --> 00:22:48,039
whyn't you just lie back? That's right. Look, I know

472
00:22:48,160 --> 00:22:50,880
you've been through a bad time and jail would scare

473
00:22:50,920 --> 00:22:54,319
the daylights out of me, But Why would it drive

474
00:22:54,400 --> 00:22:55,680
you up the wall the way it did?

475
00:22:57,079 --> 00:23:02,200
Speaker 9: Because it was just like like when I was a

476
00:23:02,279 --> 00:23:07,720
kid and I I could in my closet.

477
00:23:08,119 --> 00:23:08,720
Speaker 5: To punish you.

478
00:23:09,839 --> 00:23:12,440
Speaker 3: F who who?

479
00:23:12,519 --> 00:23:19,319
Speaker 5: What? Who? Locked you up like my mother? And inside

480
00:23:19,359 --> 00:23:22,960
in the dark you were terrified. I always the hype

481
00:23:23,039 --> 00:23:24,400
choke it.

482
00:23:25,039 --> 00:23:27,480
Speaker 9: There wasn't any light nm you couldn't see.

483
00:23:28,960 --> 00:23:29,480
Speaker 3: The walls.

484
00:23:31,079 --> 00:23:34,680
Speaker 5: You could just feel them. You could feel the moving in.

485
00:23:36,240 --> 00:23:37,160
I closed my eyes.

486
00:23:38,200 --> 00:23:40,880
Speaker 6: I always hope my own private dark.

487
00:23:41,279 --> 00:23:45,680
Speaker 5: Wouldn't be scary if the other and the other would

488
00:23:45,759 --> 00:23:47,759
come the other.

489
00:23:49,519 --> 00:23:49,799
Speaker 3: First.

490
00:23:50,640 --> 00:24:01,720
Speaker 9: I could hear his breathing, his voice, terrible whispering sound.

491
00:24:21,039 --> 00:24:23,839
Speaker 5: But how did you know that this, this boogie man

492
00:24:23,920 --> 00:24:24,519
wouldn't get you?

493
00:24:26,319 --> 00:24:28,359
Speaker 7: I always knew Pop would come to Setney.

494
00:24:28,039 --> 00:24:33,000
Speaker 5: Free, and he always did, except this time. How could

495
00:24:33,000 --> 00:24:33,839
he do that to me?

496
00:24:34,720 --> 00:24:35,920
Speaker 9: How could he need he shut up?

497
00:24:35,960 --> 00:24:39,119
Speaker 5: When he loves me just the way I love him?

498
00:24:39,920 --> 00:24:41,960
Speaker 9: How can you let me be there alone, to.

499
00:24:42,039 --> 00:24:44,039
Speaker 6: Be swallowed up by the dark for everyone?

500
00:24:45,119 --> 00:24:47,440
Speaker 5: All right, all right, Julie, it's gonna be all right.

501
00:24:47,880 --> 00:24:50,000
Don't worry. We're gonna get you all straightened out.

502
00:24:50,240 --> 00:24:53,279
Speaker 6: Oh don't.

503
00:24:54,279 --> 00:24:58,240
Speaker 5: I'm afraid, We're all afraid Julie of so many things.

504
00:24:59,240 --> 00:25:01,039
If I asked you to call me Sally as I

505
00:25:01,160 --> 00:25:04,519
called you Julie, who do make it easier? Oh you're

506
00:25:04,640 --> 00:25:06,799
so kind? Huh?

507
00:25:07,240 --> 00:25:08,119
Speaker 3: I do trust you?

508
00:25:09,720 --> 00:25:13,279
Speaker 5: How you say? Oh, I just want my Bob. I

509
00:25:13,440 --> 00:25:13,880
know you do.

510
00:25:14,519 --> 00:25:17,160
Speaker 6: Well, Please don't let him walk away from me.

511
00:25:18,279 --> 00:25:20,319
Speaker 9: If he did, I I couldn't move.

512
00:25:21,599 --> 00:25:24,160
Speaker 6: You don't think he really will, do you?

513
00:25:34,599 --> 00:25:34,720
Speaker 8: Uh?

514
00:25:34,839 --> 00:25:37,519
Speaker 1: Doctor Ronnie isn't back in that office, but uh, she

515
00:25:37,640 --> 00:25:38,480
should be shortly.

516
00:25:38,839 --> 00:25:39,799
Speaker 3: We can wait for her there.

517
00:25:39,880 --> 00:25:41,519
Speaker 2: I don't know why we're talking to this except that

518
00:25:41,920 --> 00:25:45,519
you and my pastor good friends Reverend pie Ah a

519
00:25:45,640 --> 00:25:48,240
friend in need. Uh what does that mean?

520
00:25:48,880 --> 00:25:48,960
Speaker 5: Uh?

521
00:25:49,000 --> 00:25:52,279
Speaker 1: That's something we all need on particular occasions, but uh

522
00:25:53,119 --> 00:25:57,440
really all the time. Yes, this is doctor Bowne's office.

523
00:25:58,799 --> 00:26:01,160
Speaker 2: I can't imagine going to a woman psychiatrice.

524
00:26:01,400 --> 00:26:02,440
Speaker 3: We neither can I.

525
00:26:03,640 --> 00:26:07,039
Speaker 1: But because you're a minister, Uh no, no, because I

526
00:26:07,119 --> 00:26:09,839
don't need one. And uh my collar you must remember

527
00:26:10,000 --> 00:26:16,680
makes sex immaterial? Yeah, cause, hey, whatever criminal aspects this

528
00:26:16,839 --> 00:26:21,839
case involves, can scarcely touch your daughter. She was by

529
00:26:21,920 --> 00:26:25,559
all evidence, she was an innocent bystander, except for the

530
00:26:25,680 --> 00:26:29,680
impetus that we drove her out of an empty house

531
00:26:29,720 --> 00:26:30,440
and involved her.

532
00:26:30,680 --> 00:26:31,920
Speaker 2: What do you trying to say?

533
00:26:32,519 --> 00:26:35,279
Speaker 1: I'm not trying you say. I discussed this case with

534
00:26:35,359 --> 00:26:38,640
doctor Browning, and we are both in agreement. Your daughter

535
00:26:38,759 --> 00:26:43,000
is possessed by uh, a malignant spirit, something beyond her

536
00:26:43,039 --> 00:26:48,039
comprehension or ability to handle, which has driven her into

537
00:26:48,119 --> 00:26:54,480
a horrendous situation, one innocent man's death and another possible one.

538
00:26:55,079 --> 00:26:57,640
The young man was the instrument of the first.

539
00:26:58,880 --> 00:27:02,720
Speaker 3: But where does your daughter's get or has she any

540
00:27:02,759 --> 00:27:03,240
real guild?

541
00:27:03,279 --> 00:27:07,960
Speaker 1: Of all the bear on those young shaken shoulders. Oh,

542
00:27:13,279 --> 00:27:17,079
the hold up of a liquor store goes wrong, the

543
00:27:17,240 --> 00:27:21,559
owner is shocked to death. A boy is the apparent murderer,

544
00:27:22,200 --> 00:27:27,400
a girl within a possible accomplice. What peculiar twist of

545
00:27:27,559 --> 00:27:33,680
fate put her there? What punishment or resolution should come

546
00:27:33,759 --> 00:27:37,519
from the circumstances. We will leave you to judge that

547
00:27:37,960 --> 00:27:48,680
after I return shortly with the third act. This is

548
00:27:48,759 --> 00:27:53,039
a story which wanders the fields of modern psychiatry and

549
00:27:53,160 --> 00:27:57,279
tries to plumb the depths of subjective terror grown from

550
00:27:57,359 --> 00:28:02,400
within rather than impressed from without. So we returned to

551
00:28:02,480 --> 00:28:06,279
a minister who faces an anguished father and a history

552
00:28:06,480 --> 00:28:08,759
still buried in the shadows of the past.

553
00:28:09,119 --> 00:28:10,759
Speaker 2: I don't know why I let myself get talking of

554
00:28:10,799 --> 00:28:11,279
this reverend.

555
00:28:11,400 --> 00:28:14,279
Speaker 1: For your daughter's sake, I told you I'm truer her

556
00:28:14,480 --> 00:28:18,559
Ms Connors. You cannot abandon your child. She's only been arrested,

557
00:28:18,759 --> 00:28:21,640
not sentenced. She hasn't been proven guilty.

558
00:28:21,680 --> 00:28:23,519
Speaker 2: She was in a stolee call the boy? What a record?

559
00:28:23,680 --> 00:28:25,799
Speaker 3: Oh, I don't know that.

560
00:28:26,480 --> 00:28:28,920
Speaker 1: So isn't it just possible that Julie didn't eat it?

561
00:28:28,960 --> 00:28:31,920
Speaker 2: No, I forget it. She lied anyone to try and

562
00:28:31,960 --> 00:28:33,759
take him in. But there's time she didn't get away

563
00:28:33,799 --> 00:28:36,599
with it, except she managed to take away out of jail.

564
00:28:36,960 --> 00:28:38,559
Speaker 3: I mean, why are you so bitter against her?

565
00:28:38,640 --> 00:28:40,720
Speaker 2: I'm not bitter, are you sure?

566
00:28:41,279 --> 00:28:44,599
Speaker 1: And doctor Browning doesn't think she's faking. She thinks Julie

567
00:28:44,680 --> 00:28:46,240
has real claustrophobia.

568
00:28:46,799 --> 00:28:47,759
Speaker 2: Yeah, what do you mean?

569
00:28:48,839 --> 00:28:51,480
Speaker 1: A terror of being shut away in a confined or

570
00:28:51,640 --> 00:28:52,839
narrow space sick.

571
00:28:53,000 --> 00:28:54,480
Speaker 2: So that's the story she's trying to sell.

572
00:28:55,160 --> 00:28:56,799
Speaker 3: We all have it more or less.

573
00:28:57,519 --> 00:29:00,519
Speaker 5: Now, perhaps your daughter I didn't mean to eat, but

574
00:29:00,680 --> 00:29:02,799
I just had a long talk with your daughter. Mister

575
00:29:02,880 --> 00:29:05,720
Connor's I think it's true. Who are you? Oh?

576
00:29:06,079 --> 00:29:08,440
Speaker 1: This is doctor Browning the psychiatrist in charge.

577
00:29:08,200 --> 00:29:09,119
Speaker 3: Of your daughter's case.

578
00:29:09,200 --> 00:29:11,680
Speaker 2: Huh pschiatrist, that's.

579
00:29:11,559 --> 00:29:14,839
Speaker 5: Right, a profession I gather may not be too popular

580
00:29:14,920 --> 00:29:17,240
with you, mister Connors, but I am going to be

581
00:29:17,279 --> 00:29:18,240
important in your life.

582
00:29:18,440 --> 00:29:18,640
Speaker 2: Uh.

583
00:29:20,599 --> 00:29:22,519
Speaker 5: I want to be frank and I don't want to

584
00:29:22,559 --> 00:29:25,799
sound arbitrary. But what happens in a few weeks until

585
00:29:25,839 --> 00:29:28,599
the trial, as far as Julie is concerned, is almost

586
00:29:28,880 --> 00:29:29,839
entirely up to me.

587
00:29:30,440 --> 00:29:32,319
Speaker 2: If you're trying to trick me into posting a bond

588
00:29:32,440 --> 00:29:35,039
for the AD says no, let us stay in jail

589
00:29:35,319 --> 00:29:36,319
learn a lesson for us.

590
00:29:36,640 --> 00:29:39,680
Speaker 5: That's just what your daughter shouldn't Well, I'll amend that

591
00:29:39,920 --> 00:29:43,160
can't do. She's a very insecure and disturbed girl.

592
00:29:43,599 --> 00:29:45,720
Speaker 2: Am I supposed to be responsible for Julie? Am I

593
00:29:45,880 --> 00:29:46,519
to take the blame?

594
00:29:46,640 --> 00:29:49,160
Speaker 5: I don't like the word blame. Let's say you might

595
00:29:49,240 --> 00:29:54,680
be a factor along with others. What others Julie's mother,

596
00:29:54,839 --> 00:29:55,359
for example?

597
00:29:55,480 --> 00:29:57,960
Speaker 2: Don't you say one word against Julie's mother? Mary was

598
00:29:58,000 --> 00:29:58,480
a saint.

599
00:29:59,480 --> 00:30:02,400
Speaker 5: From what Julie told me, a different picture could be imagined.

600
00:30:02,440 --> 00:30:05,759
Speaker 2: Whatever she said was lies lies possibly.

601
00:30:05,960 --> 00:30:09,279
Speaker 5: But if she's lie, I'd like to find out why now,

602
00:30:09,359 --> 00:30:11,599
mister Connors, won't you sit down and help.

603
00:30:11,559 --> 00:30:13,480
Speaker 2: I'm sorry, doctor, I have a job do. I don't

604
00:30:13,480 --> 00:30:14,359
see how I can help you.

605
00:30:14,519 --> 00:30:17,759
Speaker 1: If you'll excuse me, I think i'm superfluous in this discussion.

606
00:30:17,839 --> 00:30:20,240
And also I have word to do now. I promise

607
00:30:20,319 --> 00:30:22,680
to visit your daughter. Can I tell her you'll be

608
00:30:22,839 --> 00:30:23,359
up to see her?

609
00:30:23,400 --> 00:30:25,599
Speaker 2: Mister Conno, you can tell her I never want to

610
00:30:25,599 --> 00:30:26,079
see her again.

611
00:30:27,440 --> 00:30:29,880
Speaker 1: Well that's a message you'll have to convey by yourself.

612
00:30:30,680 --> 00:30:42,960
Excuse me, hm, m I uh a reverend prior this

613
00:30:43,039 --> 00:30:43,720
intensive care?

614
00:30:44,799 --> 00:30:44,880
Speaker 8: Uh?

615
00:30:45,000 --> 00:30:47,759
Speaker 1: Yes, I wanna ask about Tim Sadler, the boy who

616
00:30:47,839 --> 00:30:48,640
was shot in the hold up.

617
00:30:49,799 --> 00:30:51,240
Speaker 3: Ah, I see.

618
00:30:51,319 --> 00:30:54,000
Speaker 1: Well if there's any change, I'll be on four fifty.

619
00:30:54,039 --> 00:30:55,559
Would you will notify you please immediately?

620
00:30:55,839 --> 00:31:03,599
Speaker 3: Yeah? Thank you a lot, Miss conce Hi.

621
00:31:04,640 --> 00:31:06,759
Speaker 6: Oh excuse me, reverend?

622
00:31:07,240 --> 00:31:08,880
Speaker 3: Well for what who?

623
00:31:09,119 --> 00:31:11,720
Speaker 6: You're a minister and all? I didn't mean to be rude.

624
00:31:12,920 --> 00:31:14,920
I I don't wanna answer any more questions.

625
00:31:15,039 --> 00:31:15,559
Speaker 3: Oh who does?

626
00:31:15,599 --> 00:31:15,640
Speaker 2: So?

627
00:31:15,720 --> 00:31:16,440
Speaker 3: Will avoid him?

628
00:31:16,880 --> 00:31:17,000
Speaker 5: Uh?

629
00:31:17,119 --> 00:31:20,079
Speaker 3: Leading ones anyway? Who it's a pretty nice for you.

630
00:31:20,160 --> 00:31:22,599
Speaker 6: I had that one reminds me of the farm I was,

631
00:31:23,799 --> 00:31:25,160
uh where all where I grew up.

632
00:31:26,359 --> 00:31:29,119
Speaker 5: You like being out there that in the city.

633
00:31:29,599 --> 00:31:32,680
Speaker 6: Mm these Papa was happy out there nice.

634
00:31:32,920 --> 00:31:34,640
Speaker 3: Well, he still seems pretty nice.

635
00:31:35,039 --> 00:31:38,480
Speaker 7: He's here in the hospital talking to the shrink and

636
00:31:38,640 --> 00:31:40,640
then a shrink, you know, doctor Browning.

637
00:31:41,000 --> 00:31:41,440
Speaker 3: Uh Huh.

638
00:31:42,839 --> 00:31:45,519
Speaker 6: People won't come and see me. You don't have to

639
00:31:45,599 --> 00:31:45,839
tell me.

640
00:31:45,920 --> 00:31:46,160
Speaker 1: I know.

641
00:31:47,880 --> 00:31:50,119
Speaker 6: It doesn't matter. Nothing matters.

642
00:31:50,680 --> 00:31:52,640
Speaker 3: Talk you about pupetually. Oh.

643
00:31:52,640 --> 00:31:55,920
Speaker 7: I gave it up soon after mother died, when I

644
00:31:56,000 --> 00:31:58,319
got old enough to realize he never wanted me.

645
00:31:59,319 --> 00:32:00,799
Speaker 6: Uh, I could never take her place.

646
00:32:02,200 --> 00:32:03,359
Speaker 9: I had to die too.

647
00:32:05,079 --> 00:32:07,599
Speaker 7: Never been able to admit it. He hates me for

648
00:32:07,720 --> 00:32:12,000
being alive instead of her. Only Why can't I even

649
00:32:12,079 --> 00:32:13,559
it up and hate him back?

650
00:32:13,880 --> 00:32:14,000
Speaker 8: Uh?

651
00:32:19,279 --> 00:32:21,319
Speaker 5: And I don't mean to pry, but you did love

652
00:32:21,400 --> 00:32:23,079
your wife very much, mister Connor's.

653
00:32:23,599 --> 00:32:26,240
Speaker 2: My old life began and ended with her.

654
00:32:27,039 --> 00:32:28,119
Speaker 5: She returned that love.

655
00:32:28,319 --> 00:32:30,680
Speaker 2: Oh yeah, Mary loved me.

656
00:32:32,200 --> 00:32:34,640
Speaker 5: Exact why she resented it when Julie arrived.

657
00:32:35,559 --> 00:32:39,799
Speaker 2: M Mary resent Julie. She loved her, and you h

658
00:32:40,400 --> 00:32:42,920
of course, he who doesn't want kids?

659
00:32:44,000 --> 00:32:44,160
Speaker 3: Oh?

660
00:32:45,079 --> 00:32:47,400
Speaker 2: Sure on a farm, maybe I was kind of disappointed.

661
00:32:47,440 --> 00:32:50,000
It wasn't a boy farmer needs a boy and girls.

662
00:32:50,079 --> 00:32:55,400
But that was only at first at first, well, and

663
00:32:55,519 --> 00:32:57,960
there was things went wrong. We wanted to have any

664
00:32:58,000 --> 00:33:03,279
more kids. Uh, that was the Lord's will. Then, after

665
00:33:03,319 --> 00:33:06,359
all the years we tried and found, God said against us. Uh,

666
00:33:06,799 --> 00:33:10,039
Julie was growing up. Bad street was showing through. I

667
00:33:10,200 --> 00:33:13,279
told her she was too soft on her What bad street,

668
00:33:13,839 --> 00:33:16,440
The things she do. When she was eight, she climbed

669
00:33:16,480 --> 00:33:17,839
that big old maple behind the house and got a

670
00:33:17,839 --> 00:33:20,160
treat like a cat. We had to get the county

671
00:33:20,200 --> 00:33:22,119
hooking ladder from the fire department and set her down.

672
00:33:23,440 --> 00:33:25,400
And then one summer she fooled us off. She was

673
00:33:25,440 --> 00:33:28,480
drown the river m By the time she was ten,

674
00:33:28,519 --> 00:33:31,039
she run away from home. Regular not so much couldn't

675
00:33:31,039 --> 00:33:36,960
be found. Then at twelve, Uh, I swear I couldn't

676
00:33:36,960 --> 00:33:41,240
blame 'em. The boys came swarming around. UH tell you true.

677
00:33:41,279 --> 00:33:43,319
She was lovable and damnable to.

678
00:33:43,319 --> 00:33:46,680
Speaker 5: Handle that her and your wife tried to punish her somehow,

679
00:33:47,160 --> 00:33:49,759
or at least controller, so she took to locking her

680
00:33:49,799 --> 00:33:50,359
in the closet.

681
00:33:50,680 --> 00:33:54,519
Speaker 3: Hu, who told you that? What Julie? That was what

682
00:33:54,640 --> 00:33:57,960
she said? Yes, damn if.

683
00:33:57,920 --> 00:34:00,079
Speaker 2: Now you don't see what a liar she is. So

684
00:34:00,119 --> 00:34:02,119
I one not to punish her. Now, I was the

685
00:34:02,160 --> 00:34:03,160
one who locked her in the closet.

686
00:34:04,519 --> 00:34:07,480
Speaker 5: Oh, I see, But you were always the one who

687
00:34:07,519 --> 00:34:09,519
came back to let her out up till now.

688
00:34:09,639 --> 00:34:12,639
Speaker 2: Doctor. But I'm not there no out anymore as a

689
00:34:12,719 --> 00:34:16,079
father or a bailiff. This time she brought a whole

690
00:34:16,199 --> 00:34:18,360
problem and she can stay in the closet for good.

691
00:34:18,440 --> 00:34:20,440
Speaker 5: Mister Connors, I want you to listen.

692
00:34:20,320 --> 00:34:22,199
Speaker 2: To no, ma'am. You can take up for Julia all

693
00:34:22,239 --> 00:34:23,280
you want, but you ain't gonna.

694
00:34:23,159 --> 00:34:23,679
Speaker 3: Change my mind.

695
00:34:23,800 --> 00:34:26,440
Speaker 5: I'm not taking up for Julia. I'm taking up for

696
00:34:26,559 --> 00:34:27,000
both of you.

697
00:34:27,320 --> 00:34:27,519
Speaker 2: Huh.

698
00:34:28,280 --> 00:34:30,639
Speaker 5: And I'll thank you not to call me ma'am. I

699
00:34:30,760 --> 00:34:34,800
am doctor, doctor Sarah Brownie, and a specialist in human relationships.

700
00:34:35,199 --> 00:34:36,760
Two minutes is all I ask?

701
00:34:38,599 --> 00:34:38,800
Speaker 3: Yeah?

702
00:34:39,320 --> 00:34:41,400
Speaker 5: Two minutes, well a reasonable time.

703
00:34:41,760 --> 00:34:45,079
Speaker 2: Uh huh, No, that isn't what I mean.

704
00:34:45,159 --> 00:34:45,440
Speaker 5: It's just.

705
00:34:48,719 --> 00:34:50,880
Speaker 2: That's what Mary always used to say to me when

706
00:34:50,880 --> 00:34:51,639
she wanted something good.

707
00:34:51,679 --> 00:34:51,960
Speaker 3: First.

708
00:34:54,239 --> 00:34:56,440
Speaker 2: I I like, I'll give you a two minutes.

709
00:34:56,280 --> 00:34:56,760
Speaker 3: Doctor.

710
00:34:58,199 --> 00:35:01,039
Speaker 5: For what to try to get you to look at

711
00:35:01,079 --> 00:35:05,079
your lives clearly yours and Julie's, to give you what

712
00:35:05,320 --> 00:35:10,639
you need. Mister Connor's love I had that lusted your wife's,

713
00:35:10,760 --> 00:35:12,159
but not your daughter's.

714
00:35:12,480 --> 00:35:16,119
Speaker 2: Julie don't love me, not like not, not the way.

715
00:35:16,199 --> 00:35:17,639
Speaker 5: You couldn't be more wrong.

716
00:35:18,079 --> 00:35:19,840
Speaker 2: All her life she was set against me, trying to

717
00:35:19,840 --> 00:35:21,719
bedevil me, show me her own.

718
00:35:21,559 --> 00:35:24,360
Speaker 5: Way, fight me, because all her life you couldn't give

719
00:35:24,400 --> 00:35:27,920
her what she really wanted, a father's love. Try to

720
00:35:27,960 --> 00:35:30,159
see it from her point of view, mister Connor's. She

721
00:35:30,360 --> 00:35:32,079
was a child who grew up in a house where

722
00:35:32,119 --> 00:35:34,920
her parents loved each other so much. She felt excluded,

723
00:35:35,559 --> 00:35:38,079
an only child with nowhere else to reach for love.

724
00:35:38,480 --> 00:35:40,039
Speaker 2: But Mary loved her.

725
00:35:40,360 --> 00:35:43,159
Speaker 5: Of course, a girl takes her mother's love for granted,

726
00:35:43,840 --> 00:35:45,800
except that she so often thinks of her as a

727
00:35:45,960 --> 00:35:49,760
rival for her father's affections. How much love did you

728
00:35:50,079 --> 00:35:52,480
offer her? Did she ever find from you?

729
00:35:53,199 --> 00:35:56,000
Speaker 2: I was a farmer, I was up from donald sundown.

730
00:35:56,599 --> 00:35:58,639
Then I still chores knights.

731
00:35:58,920 --> 00:35:59,719
Speaker 4: Was so tired of.

732
00:36:02,159 --> 00:36:03,840
Speaker 3: That much time for exactly.

733
00:36:04,840 --> 00:36:07,000
Speaker 5: And there was always the thought that had Julie been

734
00:36:07,039 --> 00:36:09,480
a boy, she could have worked with you, taken some

735
00:36:09,599 --> 00:36:12,960
of those chores off your shoulders, been more of a companion.

736
00:36:13,239 --> 00:36:15,880
Speaker 2: Yeh, don't make me out no ogre. Maybe some of

737
00:36:15,880 --> 00:36:18,239
the things you say true, But Julie didn't have to

738
00:36:18,280 --> 00:36:19,159
act up the way she did.

739
00:36:19,320 --> 00:36:21,960
Speaker 5: That's just the point of course she did. She was

740
00:36:22,039 --> 00:36:24,079
trying to win your love the only way she could,

741
00:36:24,639 --> 00:36:28,519
or at least attention. She climbs a tree, pretends to drown,

742
00:36:28,679 --> 00:36:31,559
runs away from home, anything to get you to come

743
00:36:31,719 --> 00:36:36,039
and rescue her. Even the punishment was worth it, the

744
00:36:36,199 --> 00:36:39,599
agony of the dark closet, because she knows you'll be

745
00:36:39,719 --> 00:36:40,920
the one to come and save her.

746
00:36:41,840 --> 00:36:42,599
Speaker 2: I ain't proud of that.

747
00:36:43,079 --> 00:36:45,599
Speaker 5: Oh, we're human. We do what we do. But have

748
00:36:45,719 --> 00:36:48,840
you any idea what that child suffered for your love?

749
00:36:49,400 --> 00:36:49,840
Speaker 3: What do you mean?

750
00:36:50,719 --> 00:36:55,360
Speaker 5: Claustrophobia is the most common fear people have. Have you

751
00:36:55,480 --> 00:36:58,360
ever been locked up in the dark, mister Connors? Mm?

752
00:36:59,400 --> 00:37:01,800
Speaker 2: That was since no left. I uh shut myself in

753
00:37:01,880 --> 00:37:05,559
the closet. Uh hih onn't it because I don't wanna

754
00:37:05,559 --> 00:37:07,039
wake up and open the door to life again.

755
00:37:08,840 --> 00:37:11,760
Speaker 5: I had such love that you could have it again

756
00:37:12,599 --> 00:37:15,000
a different way from Julie.

757
00:37:15,280 --> 00:37:18,119
Speaker 2: No, she doesn't love me, sh she hates me.

758
00:37:18,440 --> 00:37:21,760
Speaker 5: She wants to love you. Do you wanna love her?

759
00:37:22,639 --> 00:37:23,519
Speaker 2: I don't know much.

760
00:37:23,599 --> 00:37:26,760
Speaker 5: I don't throw it away. I've talked to her, mister Connors.

761
00:37:27,880 --> 00:37:29,440
Do you know about the Boogeyman?

762
00:37:29,800 --> 00:37:29,960
Speaker 3: Oh?

763
00:37:30,519 --> 00:37:31,519
Speaker 2: Not childish nonsense.

764
00:37:31,639 --> 00:37:36,599
Speaker 5: Yeah, childish perhaps, but not nonsense. Imagine just shut your

765
00:37:36,639 --> 00:37:39,079
eyes and try to think back to your kid years,

766
00:37:40,239 --> 00:37:46,480
thrust into inky blackness that she turned no escape, the

767
00:37:46,559 --> 00:37:49,800
gradual feeling that the air was getting too thick to breathe,

768
00:37:50,880 --> 00:37:54,360
above all the dark and the fear that you were

769
00:37:54,440 --> 00:38:01,519
locked in a coffin, and then from somewhere some fairy tale,

770
00:38:02,480 --> 00:38:07,159
a ghost story. Begin to your voice.

771
00:38:07,719 --> 00:38:12,559
Speaker 11: Tryj tr Nod, tell me.

772
00:38:14,079 --> 00:38:15,239
Speaker 2: Nord to live.

773
00:38:16,559 --> 00:38:21,480
Speaker 11: At last, the way I am, the way I should have.

774
00:38:26,000 --> 00:38:30,599
Do you feel me closing you, like the walls crush

775
00:38:30,719 --> 00:38:33,119
your bread?

776
00:38:35,440 --> 00:38:36,400
Speaker 2: Stop it, stop it.

777
00:38:36,559 --> 00:38:39,760
Speaker 4: Don't you know how long I was?

778
00:38:39,920 --> 00:38:41,599
Speaker 2: Don't you see? No matter what she says, I know

779
00:38:41,719 --> 00:38:43,239
she hates me, but she doesn't.

780
00:38:43,599 --> 00:38:46,800
Speaker 5: In spite of everything, you couldn't be better loved, And

781
00:38:46,920 --> 00:38:50,280
I can prove it to you. How Whose voice do

782
00:38:50,360 --> 00:38:53,400
you think it was? She heard? Because she wasn't a

783
00:38:53,519 --> 00:38:57,039
boy but just a little girl, because she felt unwanted?

784
00:38:57,159 --> 00:39:04,639
Whose voice, mister Connors? Oh, oh no, oh, yes, yours,

785
00:39:06,239 --> 00:39:10,840
God forgive me he will. And Julie, it isn't too late,

786
00:39:12,360 --> 00:39:16,119
all her rebellion, everything she's ever done, even last night.

787
00:39:16,199 --> 00:39:18,920
If she has any guilt in what happened has been

788
00:39:18,960 --> 00:39:22,400
a cry for your love. Can't you offer it to

789
00:39:22,519 --> 00:39:23,480
her at last?

790
00:39:29,719 --> 00:39:35,599
Speaker 7: Pop, Julie, I I tellt you, I never thought you'd

791
00:39:35,679 --> 00:39:39,000
come well about time.

792
00:39:40,280 --> 00:39:42,800
Speaker 6: I I didn't rob anybody, Pop, honest, I didn't.

793
00:39:43,000 --> 00:39:43,559
Speaker 9: I didn't know it.

794
00:39:43,679 --> 00:39:46,679
Speaker 2: It doesn't matter how all all I know is you're

795
00:39:46,679 --> 00:39:49,039
at least from the hospital, and you're getting dressed, and

796
00:39:49,199 --> 00:39:51,199
you and me and going to the police station to

797
00:39:51,280 --> 00:39:55,360
post that bond, and then we're going home. And no

798
00:39:55,440 --> 00:39:58,519
matter what happens, I'm gonna fight to keep you there.

799
00:39:59,599 --> 00:40:02,519
Speaker 5: Oh hop hop I don't know what to say.

800
00:40:02,760 --> 00:40:07,039
Speaker 2: Muh not do that much. It ain't gonna be easy

801
00:40:08,000 --> 00:40:10,119
so many years to make up for you.

802
00:40:10,679 --> 00:40:16,840
Speaker 6: You could just one way, with one move, h could you?

803
00:40:18,000 --> 00:40:19,199
Speaker 8: Could you just hold out.

804
00:40:19,079 --> 00:40:24,559
Speaker 3: Your arms, Julie, Julie, m my little girl, Oh.

805
00:40:24,559 --> 00:40:26,440
Speaker 9: Pop, oh my life.

806
00:40:27,840 --> 00:40:30,559
Speaker 5: Just this, It's all I ever wanted.

807
00:40:41,880 --> 00:40:45,599
Speaker 1: All of us have closets in the mind where skeletons

808
00:40:45,719 --> 00:40:48,559
rattle and boogeymen breathe heavy in the dark.

809
00:40:49,840 --> 00:40:51,000
Speaker 5: Thank the Lord for the.

810
00:40:51,119 --> 00:40:55,800
Speaker 1: People who open the doors for us, and pity all

811
00:40:55,920 --> 00:40:58,079
those who don't.

812
00:40:57,920 --> 00:41:09,159
Speaker 3: Have the doors open it. I'll be back shortly. Well, well.

813
00:41:09,440 --> 00:41:13,599
Speaker 1: Julian Seth Conners made their piece the hard way. Perhaps

814
00:41:13,679 --> 00:41:17,079
this time it will stick. At least there won't be

815
00:41:17,159 --> 00:41:21,079
any more dark closets. Life is too full of them,

816
00:41:21,840 --> 00:41:24,480
and the trick is to find out how to open them.

817
00:41:25,599 --> 00:41:28,840
The key is easy to find, of course, it's something

818
00:41:29,039 --> 00:41:34,400
very simple love. What the real trick is, however, is

819
00:41:34,480 --> 00:41:37,440
to be able to give it to the right person.

820
00:41:38,599 --> 00:41:44,000
Our cast included Fred Gwynn, Jodda Rowland, Christopher Tabori, Francis Sternhagen,

821
00:41:44,280 --> 00:41:48,000
and Earl Hammond. The entire production was under the direction

822
00:41:48,280 --> 00:41:51,800
of Hymon Brown's Radio. Mystery Theater was sponsored in part

823
00:41:51,920 --> 00:41:55,639
by Uncle Ben's Long Grain and Wild Rice and Anheuser

824
00:41:55,679 --> 00:41:57,280
Busch Incorporated.

825
00:41:57,000 --> 00:41:58,280
Speaker 3: Brewers of Budweiser.

826
00:41:59,280 --> 00:42:01,920
Speaker 1: This is Eg Marshall inviting you to return to our

827
00:42:01,960 --> 00:42:07,760
Mystery Theater for another adventure in the macabre. Until next time,

828
00:42:08,960 --> 00:42:10,559
Pleasant Dreams.

829
00:42:26,840 --> 00:42:29,400
Speaker 2: Tonight's w R. Mystery Fitter was also brought to you,

830
00:42:29,480 --> 00:42:30,800
imparked by the Shoplight.

831
00:42:30,519 --> 00:42:32,920
Speaker 10: Supermarkets where you get a lot more for a little less.

832
00:42:38,920 --> 00:42:42,239
Speaker 1: The preceding program was produced by the Columbia Broadcasting System.

833
00:42:42,800 --> 00:42:45,559
You're able to set for news of John Scott w R.

834
00:42:45,719 --> 00:42:47,559
Speaker 2: New York and Art Old General Visue,