Speaker 1: Oh hello, did you think I was a killer clown
Speaker 1: from outer space? It's just me, not scary, but we
Speaker 1: are going to be talking about very scary things like
Speaker 1: we always do on this channel. It's not the scariest
Speaker 1: channel ever, but it's close. And today I have a
Speaker 1: Paul from Understanding Conspiracy. How are you today?
Speaker 2: I'm good, Thanks for having me.
Speaker 1: And he has been compiling this evidence that clowns actually
Speaker 1: look like Nephlom and you cannot deny it after watching
Speaker 1: his was it sixty six part series on YouTube?
Speaker 2: It's fun. I think it's like forty five episodes.
Speaker 1: Oh forty five now, okay.
Speaker 2: Yeah, there's some extras thrown in there now oh yeah, yeah.
Speaker 1: Because the playlists sixty six. But I mean it's amazing
Speaker 1: and there's so much detail in it. And tonight we
Speaker 1: are going to get into the look like clowns. Now,
Speaker 1: you have a very deep understanding actually of Nephelim to
Speaker 1: begin with, which a lot of people don't go that
Speaker 1: deep into it. But can you explain how the nephilm
Speaker 1: are actually souls of the giants? Yes?
Speaker 2: Okay, so a lot of my work is that's part
Speaker 2: of the punt based on the back of giants who
Speaker 2: game before me, if you get what I mean. In
Speaker 2: the industry of conspiracy, So people like Gary Wayne and
Speaker 2: Rob Skieber and Michael Hyes, and people have been in
Speaker 2: the game a lot long.
Speaker 1: Either I've read and Tom Horne I've read.
Speaker 2: Yeah, Yeah, there's been There's been many big names over
Speaker 2: the years. And I've been doing this for about ten
Speaker 2: years myself, maybe a bit longer when I started the
Speaker 2: channel in twenty fourteen. And I'm a bit of a
Speaker 2: scattershot conspiracy theorist, you know, I talk about anything and everything,
Speaker 2: but I did kind of start honing in specifically on
Speaker 2: biblical history, in Ocian history, and so I read the
Speaker 2: works of these people and they tell the story or
Speaker 2: recount many of the stories you can find in these
Speaker 2: extra biblical texts like the Book of Binoch that basically
Speaker 2: explained that. Yeah, in the ancient Antediluvian times, so pre
Speaker 2: flood world, while you know, Adam was kicked out of
Speaker 2: the garden and his family were populating the earth, there
Speaker 2: was a lot of crazy stuff going on, basically, and
Speaker 2: by the sixth generation of this of humanity coming down
Speaker 2: from Adam all the way down to the times of
Speaker 2: Gerard angels descended and their job was basically to watch
Speaker 2: over people. They were known as the Watchers. Perhaps sent
Speaker 2: by God, but it seems like they requested to come
Speaker 2: down and do this thing, And it seems like a
Speaker 2: large portion of them all got together on Mount Herman
Speaker 2: and decided to make a pact, and under mutual imprecations
Speaker 2: of the consequences which they knew they'd have to suffer
Speaker 2: for doing such a thing, they all made a deal
Speaker 2: to basically take wives of human women and create their
Speaker 2: own offspring. And those offspring are the Nephelim, which became
Speaker 2: giants demigods half human half angel hybrids which were worshiped
Speaker 2: as gods themselves practically connections to God's ladders to God,
Speaker 2: you know, the intermediaries between the angels and man type
Speaker 2: of thing. Right, But they kept they kept getting bigger,
Speaker 2: and they ended up eating people because the provisions mankind
Speaker 2: were creating just weren't enough to satiate giants the size
Speaker 2: of mountains. It just got a bit, you got a
Speaker 2: bit out of hand, you know.
Speaker 1: Well, Google Mesh actually talks about that they could not
Speaker 1: subdue him because he was eating everyone, and our wording
Speaker 1: and all the women.
Speaker 2: Right, Oh yeah, yeah, that stories everywhere. It's all over
Speaker 2: the earth. A lot of my work kind of goes
Speaker 2: into this on my channel, and it's kind of you
Speaker 2: find that the Nephelin story has many names and the
Speaker 2: many characters, with many culturally specific ways of telling the story,
Speaker 2: with different costumes and different imagery, but they're bold basically
Speaker 2: talking about the same odd occurrence. Were dragons serah film
Speaker 2: class angels, which is sah sarah basically means in Hebrew
Speaker 2: fiery flying serpents, So serpent like angels. So dragons mixed
Speaker 2: with humans and created monstrous dragon like hybrid human creatures
Speaker 2: which eight people. Now to fast forward and summarize what
Speaker 2: happened here is after a few generations after that, to
Speaker 2: the generation of Noah, it was time basically to hit
Speaker 2: the reset. From God's perspective, all man carried utterly corrupted themselves,
Speaker 2: given into worshiping the false gods, the watchers and the children,
Speaker 2: and all mankind was just evil continuously and was taught
Speaker 2: a lot of terrible things by these watcher class angels.
Speaker 2: So it seems like the watches basically had an agenda
Speaker 2: to corrupt God's creation, right, and so yeah.
Speaker 1: Well, we go into that in a show we did
Speaker 1: about the Book of Enochs. So the Watchers teaching things
Speaker 1: like metalworking and seduction and.
Speaker 2: Uh oh yeah right, absolutely, the making of weapons. Makeup
Speaker 2: and makeups a double edged sword, and it's kind of
Speaker 2: not simply just to attract mate and to play with
Speaker 2: sexual immorality. But as my work points out, the act
Speaker 2: of using makeup and dressing a certain way is actually
Speaker 2: a spiritually understood tool to channel entities from the spirit realm.
Speaker 2: So it's also teaching basically teaching necromancy and the rest.
Speaker 2: So the punishment for the Watchers who did this, if
Speaker 2: you follow all these stories, is that they had to
Speaker 2: watch their beloved ones kill each other. And that's their children,
Speaker 2: the nephel Limb, and it seems like the War of
Speaker 2: the Giants in the Book of the Giants. All the
Speaker 2: Nephelm basically wiped each other out in petty feudal squabbles
Speaker 2: over rulership and land. They were very prideful creatures and
Speaker 2: they basically thought they should be the only gods on earth,
Speaker 2: so started killing each other and the angels had to
Speaker 2: watch this, and then the angels were bound in chains
Speaker 2: in Tartarus until the final judgment again. But after that
Speaker 2: there was like a time period maybe two hundred and
Speaker 2: fifty years before the flood came. The giants were all gone,
Speaker 2: but it seems like the giant's children and their children
Speaker 2: and their children's children were still around. So these are
Speaker 2: the feel the lud and the lee O. They're like lesser, smaller,
Speaker 2: one eighth angel, one sixteenth angel hybrids, human hybrids, and
Speaker 2: it seems like some of the angels didn't mate with
Speaker 2: human women so didn't suffer the consequences and didn't get changed.
Speaker 2: But they were still in rebellion. So they decided, okay,
Speaker 2: so we're not going to have sex with people again,
Speaker 2: but instead let's teach mankind how to corrupt their own DNA.
Speaker 2: And this is what's called in the Book of gered
Speaker 2: is the mixing of kinds. I was also mentioned in
Speaker 2: the Book of Giants as well that they basically just
Speaker 2: slapped a bunch of animals together and created monsters, you know,
Speaker 2: hybrid camrors, Yeah, exactly.
Speaker 1: Text Mars, he's a classic. He would talk about those things.
Speaker 2: That's it, and that's the.
Speaker 1: Time cams and spaders in space exactly.
Speaker 2: And that was happening just before the flood. So that's
Speaker 2: what it's explained. And the humanity was mixing themselves with
Speaker 2: animals too, so that's what you get centaurs. But were wolves,
Speaker 2: fish men, mermaid sirens, half horse, half human, half bull,
Speaker 2: half human, half fish, half human, whatever you want to
Speaker 2: mix together, spider men, moth men, name a cryptid. That's
Speaker 2: where they were all created.
Speaker 1: Yeah, Well, later at night we put on like super
Speaker 1: silly you know, like spooky videos and stuff like unsolved
Speaker 1: mysteries and like things that you could never even what
Speaker 1: even is that thing crawling around?
Speaker 2: Well, biblically, there is an explanation. There was a time
Speaker 2: where mankind was taught the knowledge to genetically engineered themselves
Speaker 2: to be half human animal hybrids, and they basically became
Speaker 2: mutants or to name a comic book, that they are
Speaker 2: X men that used to be men. And now there's
Speaker 2: something else, And it seems like.
Speaker 1: We talked about X Men lasting.
Speaker 2: Yeah, but if you think about it, if a floods
Speaker 2: on it, if a floods on its way and you
Speaker 2: see nowhere over there building this boat telling everybody repent,
Speaker 2: God's going to send judgment. The rain's coming, and a
Speaker 2: lot of people are like, well, he seems like he's
Speaker 2: well well colluded, but I don't really want to give
Speaker 2: up all my power, and maybe I'll just give myself
Speaker 2: gills instead. Maybe I can survive a flood, you know.
Speaker 2: So that's to be what a lot of the choices
Speaker 2: people were making was to corrupt themselves to try and
Speaker 2: be hardier, stronger, and more able to survive something like
Speaker 2: a global deluge. If you can, if you can hibernate
Speaker 2: for long periods of time like a bear underground, then
Speaker 2: you may not suffer the consequences of everything on the
Speaker 2: dry land getting destroyed.
Speaker 1: You know.
Speaker 2: If you can have the fins of a fish or
Speaker 2: the gills of a fish, a flood's not really much
Speaker 2: of a problem, you know. So it seems like that
Speaker 2: was happening, and the flood came, and somehow they made
Speaker 2: it afterwards. So I give you some explanations of how
Speaker 2: that could have happened if you don't want to go
Speaker 2: that far, because it could be considered blasphoms of a
Speaker 2: lot of Christians. I think the flood didn't do his
Speaker 2: job other than destroying all the infrastructure of the nephilin
Speaker 2: they survived.
Speaker 1: I mean said there's giants and then after exactly.
Speaker 2: But what I have many theories in my book I
Speaker 2: explained in the first ten chapters, this biblical history narrative.
Speaker 2: I'm summarizing very quickly here for the time. But over
Speaker 2: the ten chapters I give many theories and how that happened.
Speaker 2: And there's many ways they could have come afterwards, and
Speaker 2: I've just given you a couple there. Another one could
Speaker 2: simply be the knowledge was maintained somehow. The Book of
Speaker 2: Enoch talks about tablets being kept in vaults underground. It's
Speaker 2: possible Nimrod rediscovered the vaults when he was building his
Speaker 2: Tower of Babel and making his own kingdom and found
Speaker 2: the knowledge and learned how to make mutants again, and
Speaker 2: how to resurrect the nephilim, or maybe get in touch
Speaker 2: with angels and then have a second incursion type thing
Speaker 2: going on. Who knows, but we know they did come
Speaker 2: after the flood. Now it makes it very clear in
Speaker 2: the Book of Enoch. When a nephilim dies, its spirit
Speaker 2: wanders the earth and it's stuck here and they become
Speaker 2: unclean spirits or demons. It's unclear whether or not people
Speaker 2: who have done the genetic engineering thing also suffer the
Speaker 2: same fate by virtue of corrupting their body and their soul.
Speaker 2: Maybe they're also stuck on the other side or what
Speaker 2: we define as demons. But we do know for certain
Speaker 2: the half angel half human hybrids, the original og official Nephilim,
Speaker 2: not these faux petty nephelin humans who did it to
Speaker 2: themselve elves. Yeah, yeah, not the fake ones, not the
Speaker 2: humans trying to be like, but the original Netho that
Speaker 2: we know one. They are what we call demas today
Speaker 2: to hear on earth just behind a veil, we can't
Speaker 2: perceive they never left the earth. They are still there,
Speaker 2: and that's we're getting into today. They look like clowns
Speaker 2: when they were wandering the earth, and they look like
Speaker 2: gestures in the spirit realm today.
Speaker 1: Well, just explain that a little bit, because so you're saying,
Speaker 1: the records describe them as having pale skin, right, red hair, Uh,
Speaker 1: the big red mouth. You're explaining that's from you know,
Speaker 1: blood and cannibalism, and that's how they're depicted. And this
Speaker 1: might explain why, you know, we have this universal distaste
Speaker 1: for clowns, like nobody likes them. But somehow they're here,
Speaker 1: and well, let me just show you what I got
Speaker 1: real quick, and then we can talk about all of
Speaker 1: the cloud the demonic things that you've sussed out. So
Speaker 1: we were talking about Beyonce on Sam Tripoli and I
Speaker 1: forgot that. Maybe you can add this to your knowledge
Speaker 1: repertoire about clowns. But this is from a video promotion
Speaker 1: that Beyonce did back maybe like ten years ago for
Speaker 1: her tour where it was like a royal theme. The
Speaker 1: esthetic was that she is the queen. But in this
Speaker 1: like vignette that they made about her coming to London,
Speaker 1: they show this evil gesture. So they put a crown
Speaker 1: on her, they put all the vestments on her. She's
Speaker 1: coming out regal. They forget the skirt for some reason,
Speaker 1: even though it has the structure of a skirt. And
Speaker 1: then this evil like DJ Jester comes out and he's
Speaker 1: really like gross looking, and it's very mind controlled, very
Speaker 1: monarch mind control, and he's like the up at master
Speaker 1: controlling even Beyonce and her court.
Speaker 2: Have you seen that, I've not seen it?
Speaker 1: No, okay, So yeah, look up her promotion for the
Speaker 1: show at the O two Arena in London, a video
Speaker 1: called bowed down, So maybe, yeah, add that to your
Speaker 1: stuff because this I kind of well, the joker, the jester,
Speaker 1: that's a Youngian archetype, right. People could just explain it
Speaker 1: like that, or it's the full cart of the tarot, yes,
Speaker 1: but if you look closer, it's actually well, it's connected
Speaker 1: to freemasonry through the Royal Order of the Jesters and
Speaker 1: their Invitation Only, which is like a shriner's group that's
Speaker 1: affiliated with masonry, but it's a it's more private group,
Speaker 1: and so they're known for like drinking, gambling, just like
Speaker 1: debauchery kind of stuff, hazing, sex stuff. But they've also
Speaker 1: kind of gotten in trouble in the past or been
Speaker 1: suspected of worse things like you know, human tr aff
Speaker 1: and stuff like that. So he is also connected to
Speaker 1: the well he said the part of their oath in
Speaker 1: the Royal Order of the Jesters it says, I am
Speaker 1: a jester. What I see here, what I hear here,
Speaker 1: shall stay here when I leave here. And then they
Speaker 1: have another motto, mirth is King, and they do this
Speaker 1: performance which is a ritual called the Book of the Play,
Speaker 1: and they actually bow down to call a king. Momis
Speaker 1: have you heard of that guy? Okay, and so moments
Speaker 1: was like cast out of heaven for being a trickster
Speaker 1: of the gods. And then they also have this mascot
Speaker 1: called the Billican, and this is so weird and creepy.
Speaker 1: So the Billican was like part of this twentieth century
Speaker 1: no worry fad that was going around. Yeah, and I
Speaker 1: don't know if you've seen this little guy. Here's Billican.
Speaker 2: Oh sure, I've got it in my book. Everything you're
Speaker 2: saying here is you couldn't have said it better than
Speaker 2: myselfs I'm on the right absolutely.
Speaker 1: Because I wrote this in twenty thirteen, so at least
Speaker 1: you know I know something. And here's the Saint Louis mascot.
Speaker 1: I don't know if you've seen the Billigan.
Speaker 2: Yeah, the official story he was created by an English teacher,
Speaker 2: like some female English teacher for this movement you're talking about.
Speaker 2: But if you if you actually look at him, he's
Speaker 2: identical to the Greek god Bes, which is a trickster
Speaker 2: dwarf god, yes, and a protector of the home. He's
Speaker 2: all like a fat buddy you put on the top
Speaker 2: of the doorway. They kind of do the same thing
Speaker 2: in the Egyptian Yeah, with this best god.
Speaker 1: Yeah, yeah, best Egyptian. And also just before we were
Speaker 1: coming on, I just like googled where does clowns come from?
Speaker 1: Just for fun and see able to pop up, and
Speaker 1: I got Ancient Egypt. Clowns were the first recorded in
Speaker 1: fifth century Egyptian Empire, who they wore leopard skin mask
Speaker 1: and imitated Egyptian gods. So that's something we talk a
Speaker 1: lot about here on this channel. The self transformative psychodrama
Speaker 1: of theater and clowns are a big part of this,
Speaker 1: and it's a big part of Satanic rituals, it's a
Speaker 1: big part of OTO, it's a big part of sex magic,
Speaker 1: putting on costumes of Egyptian gods. And then just this
Speaker 1: little like wiki came up with ancient Greece, and we
Speaker 1: also talk about the origin of mystery schools and how
Speaker 1: play acting and theater actually comes from worship of these
Speaker 1: original gods and goddesses. Right, So you've got clowns in
Speaker 1: ancient Egypt, clowns in ancient Greece both connected to mystery
Speaker 1: schools and play acting dressing up. Also in Rome, it
Speaker 1: says they were present, typically bald or pointy hats. Medieval
Speaker 1: Europe America and then circuses, so we talk about circus
Speaker 1: is in connection to monarch mind control sometimes like the
Speaker 1: whole circus and the ring Master. So that's all I
Speaker 1: ever knew about, like gestures and clowns, but you had
Speaker 1: so much more and it just like came together, like
Speaker 1: you can't deny it once you watch all of your
Speaker 1: YouTube and get your great book about It's like, this
Speaker 1: is what they look like, demonic clowns. And Okay, I
Speaker 1: didn't want to go here, but you know, Tucker just
Speaker 1: talked about getting attacked by demon you know, Tucker Carlson
Speaker 1: or whatever, and I was thinking, you know, every time
Speaker 1: I've had something spooky happened to me, something I couldn't explain,
Speaker 1: there was always the like the feeling or the presence
Speaker 1: of something mocking me. Does that make any Laughter was
Speaker 1: always involved, like a weird demonic laughter and the feeling
Speaker 1: that I was being made a full out of or
Speaker 1: a joke out of.
Speaker 2: And so yeah, yeah, very very common, very common association
Speaker 2: with the from modern descriptions. It's funny. I was just
Speaker 2: I'm writing part two right now. Volume two, which is
Speaker 2: called The Now. Volume one is called The History, and
Speaker 2: like I said, Volume one with my book just lays
Speaker 2: out the biblical narrative of the Nephilim from start to finish,
Speaker 2: and then it talked about the moral lord of the jesters,
Speaker 2: the secret societies connection where we get the modern costume
Speaker 2: of a clown from and how it's intrinsticularly with secret societies,
Speaker 2: and then it goes briefly into kind of clown societies
Speaker 2: ancient cultures in America, especially native tribal cultures like the Hayoka,
Speaker 2: and how it's a representation of a thunder god and
Speaker 2: so forth. But when talking about like the giant bones
Speaker 2: of America that get that were kind of discovered in
Speaker 2: the eighteen hundreds, and the mythos and the stories of
Speaker 2: tribes encountering white skinned, redheaed cannibalistic giants and the nung
Speaker 2: nungs were described which the Dwamish people had to deal
Speaker 2: with in the northern plains as these jokesters pranks to
Speaker 2: giants that were giant with red hair, white skin, big smiles,
Speaker 2: but they will play pranks on the people because the
Speaker 2: people couldn't do anything back to them. But the planks,
Speaker 2: the pranks are really cruel. They would like pick up
Speaker 2: the hut and put it on top of a tree.
Speaker 2: It's kind of like just laughed that the human can't
Speaker 2: sleep now, which you are the stupid things like that,
Speaker 2: So they like it, just just play with the tribe.
Speaker 2: It's kind of like, what's the tribe going to do?
Speaker 2: They had a magic cream apparently that made them go invisible,
Speaker 2: and that would open them up to doing more pranks.
Speaker 2: And but it's like mockery of humanity. Look how pathetic
Speaker 2: weak they are compared to what's type of bullying basically.
Speaker 2: But then there's another tale by the way the Dwamish
Speaker 2: people stood up to them and all got murdered brutally,
Speaker 2: and that's the tail that still goes on today that
Speaker 2: you know, you don't mess with them because it's kind
Speaker 2: of like if you stand up to these things, they'll
Speaker 2: be so affronted that a human dead stand up to them.
Speaker 2: They basically threw young boys into the air and let
Speaker 2: them slap onto the ground and die and just pop
Speaker 2: their heads off the young men, you know what I mean.
Speaker 2: That's kind of the retribution that the people suffered for
Speaker 2: standing up to them. The Piutes dealt with the similar
Speaker 2: tribes is the exact same thing. They called them. The
Speaker 2: CT car and the city car, which had the same description,
Speaker 2: were basically driven underground into a cave, and then the
Speaker 2: entrance to the cave was blocked and set fire too
Speaker 2: to kill them and smoked them out, but the cave
Speaker 2: was empty by the time they actually checked, so clearly
Speaker 2: they're living underground or something in America. But there's another
Speaker 2: tale from the Inuit culture and I've just just done
Speaker 2: this one because I'm going through that now in my
Speaker 2: second book, and they have a demon which is withered, pale, crooked,
Speaker 2: long fingers, long limbs, big horrible smile, called them mahaha.
Speaker 2: It actually has haha mahahahaha.
Speaker 1: I'm gonna look at it.
Speaker 2: Yeah, And apparently this thing has a horrible laugh. It
Speaker 2: giggles when it hunts people, you know, and it tickles
Speaker 2: them to death. It's some of the things it talks about.
Speaker 2: But it's it's basically a horrible did you just say,
Speaker 2: tickles them to It's stories of bit tickling people to death. Yeah,
Speaker 2: with its long, horrible, sharp, jagged fingers while giggling. I
Speaker 2: imagine a clown looking monster tickling you to death with me.
Speaker 1: Check it out, because that's my reoccurring childhood nightmare.
Speaker 2: Well there you go, laughing.
Speaker 1: Gross mask that tickles me till I can't breathe, and
Speaker 1: I and I like wake up. I haven't had a
Speaker 1: dream like thirty years, but I would have it a lot,
Speaker 1: a lot, like probably several times a week. And I
Speaker 1: was terrified of being like tickled and touched and of
Speaker 1: Halloween masks because the mask was going to tickle me
Speaker 1: to death. Yeah.
Speaker 2: Well, they have a whole mythos of demons. The shamans
Speaker 2: of those cultures work with demons for power and they
Speaker 2: that's one exactly if you have a creepy looking mahaha,
Speaker 2: a long limbed, creepy creature with a big smile at giggles. Yeah,
Speaker 2: but there's this one demon of many, there's many forms
Speaker 2: of these things. They have their own giant mythos and
Speaker 2: Inuit and by Inuit, that covers a broad land by
Speaker 2: the way, we're talking to Siberia, Northern Canada, Alaska, the
Speaker 2: circle at the top, you know, And they have a
Speaker 2: lot of horrible, grotesque masks to represent these demons. Shamans
Speaker 2: channel these demons for power, and they'll tell you that's
Speaker 2: what they're doing. And they also have a giant mythos
Speaker 2: called the Tunics, which are basically the offspring of frost
Speaker 2: giants from the north mating with human women and creating
Speaker 2: the Dorset culture, which are these giants. And the Dorset
Speaker 2: men could like sling waluses over the shoulder like it
Speaker 2: was nothing, you know what I mean. They were monstrous,
Speaker 2: giant things. And I think the mythos is that the
Speaker 2: Inuit moved into the lands, killed the giants, and those
Speaker 2: spirits became the demons that they deal with today. That
Speaker 2: seems to be what I figured out, and that's the
Speaker 2: mythos pretty much everywhere else. But that's interesting to talk
Speaker 2: about this joke still attitude the demons seem to have.
Speaker 2: It seems to be like a running theme throughout most
Speaker 2: cultures I look into. They have They always have this big, grotesque,
Speaker 2: wide smile with bulging eyes, and they have this attitude
Speaker 2: of mockery behind them. And the demons are infamous for
Speaker 2: being like and the clown is in the embodiment of
Speaker 2: them at you know, mockery at the expensive brothers, unless
Speaker 2: you're talking about the more modern, you know, silly clowns
Speaker 2: where it's the fool and the idiot, you know, like
Speaker 2: the they were the ones with the big red noses
Speaker 2: and the silly floppy hats and stuff. That's more of
Speaker 2: a modernist iteration, but the origin the original clown from
Speaker 2: the eighteen hundreds, So this is the one that all
Speaker 2: modern clowns are kind of based off of today in
Speaker 2: the Western culture, and that was actually introduced quite strangely
Speaker 2: in seventeen ninety nine. So at this time there was
Speaker 2: quite an up and coming actor called Joseph Grimaldi. Grimaldi
Speaker 2: had always been in the theater, born and raised in
Speaker 2: it to his own father who was an Italian actor
Speaker 2: as well, and he kind of married into the industry.
Speaker 2: He married the daughter of the guy who runs the theater.
Speaker 2: So Richard Hughes has a daughter called Marie, and he
Speaker 2: married her and she basically died a childbirth. He was
Speaker 2: really a sad, sad time for this actor, Joseph Grimaldi.
Speaker 2: He lost his wife and his child. Apparently her last
Speaker 2: words to her father, Richard were look after poor Joe,
Speaker 2: look after him please. So Richard went to this brand
Speaker 2: new showrunner he just hired. He just hired this guy
Speaker 2: to run the run the theater for him. Richard was
Speaker 2: a busy rich man, had other things to deal with,
Speaker 2: you know. But he hired this this son of one
Speaker 2: of his mates called Charles Dimden now Charles Dibden. His
Speaker 2: mate was a prominent member of the Leicestershire Freemason Lodge
Speaker 2: number two three two six I think it was, and
Speaker 2: you can find obituaries and ods written to him in
Speaker 2: the lodge's later iterations of meetings. You can find the
Speaker 2: minutes of the meetings. I've got them. I paid my
Speaker 2: book to document all this. But he was a freemason
Speaker 2: and quite a well renowned one. He's very famous for
Speaker 2: his time. He wrote a lot of songs for the
Speaker 2: British military that the sailors sung while colonizing indial Ats
Speaker 2: say at the time they he was a big deal.
Speaker 2: Like today, we don't know who this guy he is,
Speaker 2: but then he's like everyone knows who Charles Dibdn is.
Speaker 2: You know, he's like you, if you're in the industry,
Speaker 2: you've heard of this dude. Anyway. He had a son
Speaker 2: who was also called Charles Dibden, because that's just what
Speaker 2: they were like back then. Just to complicate things, they
Speaker 2: named each other after each other continuously, you know. But
Speaker 2: his son was given this position of running up in
Speaker 2: this theater just after Joe had lost his wife and
Speaker 2: son and was given basically, he was given the leading
Speaker 2: roles as like sympathy. So you know, his father, now
Speaker 2: ex father in law, said to the new show, and
Speaker 2: you better give him some leading roles, you better keep
Speaker 2: him on his feet. So he did. He gave him
Speaker 2: the head a role as lead clown. Now, clowning as
Speaker 2: it's traditionally stood was a part of something called the
Speaker 2: camde de larte movement, which developed over like a thousand
Speaker 2: years through the medieval period, coming out of the collapse
Speaker 2: of Rome. That Roman clowning was more like mimicry. They
Speaker 2: would wear masks to mock generals, kings, leaders, military men, bankers,
Speaker 2: people of affluence, you know, and they would mimic them.
Speaker 2: They were mimes. And that's kind of where the mask
Speaker 2: comedy comes from. That in those earlier Greek kind of
Speaker 2: iterations of it as well. But masks like clowns as
Speaker 2: we understand them today, didn't really exist then. It was
Speaker 2: just people wearing masks acting silly. And there's always been
Speaker 2: funny people, even back to Egypt. There's always been funny people,
Speaker 2: but that's not what a clown is traditionally that we're
Speaker 2: talking about today, that red nose honk honk, silly red wig,
Speaker 2: multi colored clothed clown. They didn't really exist then. The
Speaker 2: only existed when this son of a freemason decided to
Speaker 2: change the costume of a clown, which had always been
Speaker 2: the same for a thousand years. It used to be
Speaker 2: plain white servant rags, just servant rags, no color, nothing
Speaker 2: at all.
Speaker 1: Did it have a ruffle around his neck or it.
Speaker 2: Did, Yeah, with a ruffle, it looked like, Yeah, the
Speaker 2: Elizabethan trend kind of came. You know, a floppy ruffle
Speaker 2: is a sign of not being rich because rich people
Speaker 2: put starch in their stiff ruffle. Then it was stiff
Speaker 2: and hard. But if you couldn't afford the starch, then
Speaker 2: it was floppy. So it's kind of the joke. You know.
Speaker 2: It was a thing of aristocracy to have a stiff ruffle. Anyway,
Speaker 2: So this floppy ruffled Elizabethan's servant rag. Earlier iterations, it
Speaker 2: didn't necessarily have a ruffle, but it was still just
Speaker 2: plain white servant rags of the time of the era.
Speaker 2: And he was the servant of the rich man, and
Speaker 2: he had his foil, his comedic foil, which was Harley Quinn.
Speaker 2: Harley Quinn was also the servants of the rich man.
Speaker 2: So two servants of the rich man.
Speaker 1: One the comics Harley Quinn.
Speaker 2: Well, no, this is DC comics has ripped off and
Speaker 2: made their character based on who I'm telling you about. Now,
Speaker 2: where you get Harley Quinn, the baseball bat worrying woman
Speaker 2: from this is what it's based on. So Harley Quinn,
Speaker 2: let's go back in time here. So there's a pattern.
Speaker 2: So the comedie al art movement develops out of a
Speaker 2: collapsed Roman empire. Christendom takes over and actors of prostitutes,
Speaker 2: the dirty people. They pretend to be something they're not.
Speaker 2: It's frowned upon to be an actor. So they have
Speaker 2: to leave Rome and they travel Europe in little groups
Speaker 2: called the Comedia lot Band, you know. And they were
Speaker 2: basically improv actors who traveled the first circuses were talking
Speaker 2: about here through Europe. They traveled from village to village,
Speaker 2: put up a quick stage, did a quick improv performance,
Speaker 2: took money in a hat from people who saw it
Speaker 2: with the stage down, get it on the back of
Speaker 2: the carriages, moved to the next place, and that was
Speaker 2: their business. That was their live of the good. That's
Speaker 2: what they did.
Speaker 1: Go ahead, Sorry, do you think they're connected what they
Speaker 1: were looked down on, because that was connected to paganism directly.
Speaker 2: It was more like it's lying, it's being deceitful and
Speaker 2: it and the stuff that the comedia a lot the
Speaker 2: comedians and actors did was like mockery. It was of
Speaker 2: the devil to act and behave that way. At the time,
Speaker 2: being an actor was on par socially like being a prostitute.
Speaker 2: You're for sale, you pretend, you'll pretend to be anything
Speaker 2: for money, you know what I mean. It's kind of
Speaker 2: it's just frowned upon the culture at the time. So
Speaker 2: they kind of had to travel and move and get
Speaker 2: away from this stuffy, newly Christianized Catholic rule type realm
Speaker 2: they were living in. Basically this is the official narrative anyway.
Speaker 2: So they kind of they banded together and they traveled Europe,
Speaker 2: and they made it all across Europe east, south, northwest,
Speaker 2: you know, even as far as Russia to the Peninsulas
Speaker 2: and the bottom end of Portugal. They were everywhere, and
Speaker 2: they did it for a thousand years, and they developed
Speaker 2: their art and their craft, you know, and they had
Speaker 2: what were called stock characters, and a stock character basically
Speaker 2: just represents something anyone could recognize no matter where you're from.
Speaker 2: So everyone knows what a soldier is, everyone knows what
Speaker 2: a rich man is, everyone says yeah, I think yeah,
Speaker 2: basic characters that everyone would know because they're going to
Speaker 2: different countries with different languages and different cultures. But they
Speaker 2: had the thing called stock characters, and there were all clowns.
Speaker 2: If you want to say, a clown is just someone
Speaker 2: who's a comedian or a funny character. They were all
Speaker 2: funny characters, that's the point, you know. And it was
Speaker 2: a comedy show. And clown kind of developed out of
Speaker 2: being this servant. And he was called Pedrolino in the
Speaker 2: Italian tradition, and Britain called him a clown when it
Speaker 2: got to Britain, finally it became popular there because it's
Speaker 2: just a cooke fiald term for like Claude, hopper or fool,
Speaker 2: and so it just changed because out of the two
Speaker 2: servants Harlequinn and Pedrolino, Pedrolino was the slow to get
Speaker 2: the point, dim wit, fool, okay, and Harlequinn was the
Speaker 2: quick witted, snappy, fast talking you know, right, that's his comedy.
Speaker 2: He was like sharp, like a demon, you know, but
Speaker 2: Pedrolino was slow, like an idiot, and that's the comedy.
Speaker 2: Then two bouncing off of each other, you know what
Speaker 2: I mean. But Harlequin didn't appear until about the late
Speaker 2: fifteen hundreds, coming out of the Dark Ages. It's the
Speaker 2: Enlightenment period. And you'll find the reason he was added
Speaker 2: as a stock character, this is Harlequinn is because no
Speaker 2: matter where this troop went, they kept encountering a specific
Speaker 2: character in the mythology of each folk tradition of every
Speaker 2: country in Europe. It's called the wild man, and everyone
Speaker 2: knew what the wild man was. So they decided to
Speaker 2: incorporate that into the show because no matter where they went,
Speaker 2: people would know what the wild man is. And the
Speaker 2: wilder man are basically club wielding giants who eat people
Speaker 2: who are just demonic monsters, and they have a band
Speaker 2: of wild little demons that follow them around everywhere, you know,
Speaker 2: and they live in tribes and in the forests, you know.
Speaker 2: And they basically hairy, multicolored hairy beasts with a club.
Speaker 2: So they're basically the European flavor of Nephelim. Now in
Speaker 2: Europe it's cold, so I think the Nephilim there developed
Speaker 2: fur climaties. You go to other places and some of
Speaker 2: them are completely naked in like India because it's very hot,
Speaker 2: or in Australia. But this version of Nephelim seems to
Speaker 2: be hairy in the north and think of like Bigfoot
Speaker 2: for example, something like that. But they're always like depictor
Speaker 2: is very colorful. So the early first prototype Harlequin cast
Speaker 2: he wore a white suit that was loose with multicolored
Speaker 2: patches all over his body and that kind of slowly
Speaker 2: developed into a skin tight leotard over one hundred to
Speaker 2: two years with diamonds, multiple the diamonds everywhere, and that's
Speaker 2: the Harley Quinn pattern. We call it the Harley Quinn pattern.
Speaker 2: That's what it's named after. And he has this stick
Speaker 2: like the club of the Giant, and he called it
Speaker 2: the slapstick, and he would slap the stage and the
Speaker 2: scene would change. He'd have magic powers because he is
Speaker 2: the demon, that's what he represents, and he had demonic powers.
Speaker 2: He could talk to the audience and no one else
Speaker 2: could hear him on stage. He could like break that
Speaker 2: fourth wall. He could do backflips and summersaults. He almost
Speaker 2: seemed like he was flying across the stage, you know,
Speaker 2: because he was also kind of mixed not only with
Speaker 2: the brutal wild man of the northern area of Europe,
Speaker 2: but he was also mixed with the Mediterranean mythos of
Speaker 2: like Hermes and Dionysus, who has the Thersus the stick
Speaker 2: or you know, the the two snakes widening the caducs
Speaker 2: and the Thersus. Yes, so Thersis was Dionysus with the
Speaker 2: pine cone, and the Caducus was like mercury. It's now
Speaker 2: the modern medicine symbol, you know. But basically they kind
Speaker 2: of mixed those to ancient gods with northern giants together
Speaker 2: and created Harlequinn. And he was the demonic comedy nasty character.
Speaker 2: He would do rude things with his stick, you know
Speaker 2: what I mean. He was brash, brutal and rude and
Speaker 2: quick witted and smart and intelligence and outright. He was
Speaker 2: meant to be a demon. And I documented in the
Speaker 2: book this is well understood. He is a demon, that's
Speaker 2: the point of his character. And he doesn't care about
Speaker 2: his boss, the rich man. He doesn't really do what
Speaker 2: he says. He's like a rogue. And the comedy would
Speaker 2: come from Harlequint stealing the rich man's daughter, Columbine and
Speaker 2: just running away, and then the rich man and the
Speaker 2: clown or Pedrolino would chase after Harlequinn and the daughter,
Speaker 2: and then he'd like a Looney Tunes mad chase scene
Speaker 2: for like an hour, but ridiculous things happened to each other,
Speaker 2: you know, and then they'd suddenly just magically be healed
Speaker 2: for the next scene and do more funny stuff. He
Speaker 2: was like, just ridiculous, ridiculous stuff. But that was the comedy,
Speaker 2: That was the show, and it never really changed for
Speaker 2: like three hundred years. But for some reason in seventeen
Speaker 2: ninety nine, in the British version of what we call Pantomime,
Speaker 2: which is the version of this the son of a
Speaker 2: Freemason decided to change the costume of Pedrolino, the clown,
Speaker 2: from plain white to multi colored insane frills and patterns.
Speaker 1: It was just odd.
Speaker 2: It was such an odd change. But when you look
Speaker 2: at it, you've noticed that Harlequin by like the eighteenth
Speaker 2: century wasn't really as witty as he used to be,
Speaker 2: He wasn't really as demonic as he used to be.
Speaker 2: He seemed a bit more fancy, a bit of a
Speaker 2: fancy romantic, hopeless, romantic adulating love sick fool, and the
Speaker 2: British clown was kind of taking over as the role
Speaker 2: of the quick witted demon. So they gave a costume
Speaker 2: change and basically made the clown similar to Harlequin in
Speaker 2: costume design, but this time the costume design is modeled
Speaker 2: after Indian demons instead, so not the European flavor which
Speaker 2: Harlequin was. It seems like and I only know this
Speaker 2: to my own research, Indian interest, right, not Native No, Yeah,
Speaker 2: the continent of India. Yeah say that, ye're not. We're
Speaker 2: not talking about.
Speaker 1: Because I did want to circle back when you're done
Speaker 1: explaining that and talk about it. And that's Native Americans.
Speaker 2: So we can get into that, and there is there
Speaker 2: is reasonings for that, so we'll get into that. But
Speaker 2: just just to finalize the story of where the modern
Speaker 2: costume of a clown comes from, comes out of this
Speaker 2: old tradition the Comedia lats and a freemason's son made
Speaker 2: the costume change in the nine, in the seventeen ninety nine,
Speaker 2: the eighteen hundreds, and we know it's modeled after an
Speaker 2: Indian ractious edemon because Charles Dibdin Senior was always moving
Speaker 2: back and forth to India. His brother Thomas was a
Speaker 2: member of the East India Company. Is that like something
Speaker 2: like that, that's a ractious adem Yeah, correct, that it
Speaker 2: like a clown. That's one example of a ractious If
Speaker 2: you type in ractious Island temple. Just type that in
Speaker 2: Okay with an r just rack shaas as it sounds
Speaker 2: are a k s h a raksha rasha sap with
Speaker 2: an essay at the end of the essay and just
Speaker 2: Thailand temple. And you'll find that these this is their
Speaker 2: slightly different artistic flavor and style and it's these ones specifically,
Speaker 2: the modern costume of a clown was first based upon.
Speaker 2: And well you can see what it's a very visual
Speaker 2: thing I'm talking about here and obviously on the video.
Speaker 1: But I recommend your YouTube series because we're not doing
Speaker 1: it justice, but and we don't have enough.
Speaker 2: Is that that's one example? Yeah, perfect, So on temples,
Speaker 2: you've got a lot of smaller versions of them with
Speaker 2: their arms up and they're holding up the pillars like this,
Speaker 2: and you may may may see many examples of that.
Speaker 2: If you just type in ractious Thailand temple demon or
Speaker 2: something like that, you'll find one of them will come
Speaker 2: up eventually, and it looks like there's loads of them
Speaker 2: in a row and they're roll holding up their arms
Speaker 2: and they're roll holding up the temple. Mm hmm, you
Speaker 2: got it. Yeah, like that perfect. So that right there
Speaker 2: is exactly what Joseph Grimaldi's first brand new costume for
Speaker 2: his leading role was dressed. He was dressed in that costume.
Speaker 2: Can you type in type in Joseph Grimaldi and you
Speaker 2: will see the picture. He's doing a handstand and he's
Speaker 2: looking up smiling. It's a drawing and he's doing a handstand.
Speaker 1: Okay, Joseph grimaldy images. I don't see a handstand, but
Speaker 1: I see like this guy.
Speaker 2: Yes, so there is in his later older years. So
Speaker 2: I can I share the screen with you. I can
Speaker 2: probably show you quickly.
Speaker 1: Myself if you know how I'm so bad at this, if.
Speaker 2: You know what you're doing, please, yeah, I could definitely
Speaker 2: do this. Just give me a second, let me get
Speaker 2: my folder up, so okay, just clicking get air, so
Speaker 2: desktop and I've got let's go to So is.
Speaker 1: This also connected to like Tibetan demons and shambala? And
Speaker 1: because I'm thinking those, I mean, they have those weird
Speaker 1: elongated eyes, but they do have the big bright colors
Speaker 1: and the mouth and the teeth and like do you
Speaker 1: think that's part of it too?
Speaker 2: Yes, it's pretty much all of them. So I'll just shure.
Speaker 2: I have a folder here called top Examples of Nephilin.
Speaker 2: I made it a while ago from another podcast, So
Speaker 2: there's quite enough stuff in here for me just to
Speaker 2: give you some brief overviews of things. So I'll share
Speaker 2: this with you quickly if you just click the share.
Speaker 2: So if you go on to zooming at the bottom
Speaker 2: of a green box that says share, if you click
Speaker 2: that and say allow anybody to share screen, I should
Speaker 2: just be able to do it.
Speaker 1: You just have to tick a box one participant can
Speaker 1: share a time, multiple.
Speaker 2: Yeah, multiple, okay, and I should be able. There we go,
Speaker 2: and if I just do the whole thing, awesome. Can
Speaker 2: you see my screen now? Perfect? So in this find here,
Speaker 2: so this you had the Thailand temple up there, the
Speaker 2: Rakshasa and here's another version of it. This is the
Speaker 2: Callous sung Sang Demon.
Speaker 1: So can we see this one, lumers.
Speaker 2: Yeah, this is in Bali and it's a ractious demon.
Speaker 2: It's the same thing as you saw in Thailand there
Speaker 2: in India, but this one's called the callous sung Sang
Speaker 2: which basically means upside down demon, and it has the
Speaker 2: red lips, wide smile, wild bulging eyes and the checkerboard.
Speaker 2: Think now you also show the Thailand Temples, which I
Speaker 2: don't have a photo of here, I don't think, but
Speaker 2: you saw what they were on there. That's basically the
Speaker 2: exact same costume as this, which he was dressed in
Speaker 2: for the first time. Yeah, and this is Joseph Grimaldo
Speaker 2: and who's even painted in the same style as the
Speaker 2: calas sung Sang demon as you see here.
Speaker 1: I don't know if you had this show in England,
Speaker 1: but we have one called Are You Afraid of the
Speaker 1: Dark on Nickelodeon that.
Speaker 2: Rings a bell from my childhood.
Speaker 1: Millennials will definitely remember this, but one of their staple
Speaker 1: monsters was this evil clown and it always creeped me
Speaker 1: out absolutely.
Speaker 2: So if I just share with you us for this
Speaker 2: in slide show mode. There we go, and I'll make
Speaker 2: the screen bigger, so it's taking up the whole thing. Okay,
Speaker 2: there we go, So if I go through this, These
Speaker 2: are some of the early clowns after Joseph Grimaldi, who
Speaker 2: modeled their costume off of his because it was such
Speaker 2: a hit. People had never seen the clown dressed like
Speaker 2: this before. It was unheard of. It was prior to
Speaker 2: this it was plain white and now it's this monstrous
Speaker 2: thing because it's modeled after the righteous demons of India.
Speaker 2: So the original, the original harlequin was modeled after the
Speaker 2: European flavor, and then clown was later modeled after the
Speaker 2: Indian version. Is another example of a raction. So this
Speaker 2: is this is disclosure. This is an Ai image somebody
Speaker 2: made for me as an example. This is more likely
Speaker 2: what the Nephelin would have looked like. This is my example,
Speaker 2: but I know this based off of the real art
Speaker 2: work like this. For example, this is a demon which
Speaker 2: was in Sri Lanka. The mythos behind this demon is
Speaker 2: that he was born to a queen, but the king
Speaker 2: saw it and said, that is not my child. So
Speaker 2: clearly the queen had been impregnated by some other means,
Speaker 2: and she had this child, which was a half serpent
Speaker 2: human monster, and he basically rejected the queen and the child,
Speaker 2: and the child being born ate the mother's dead body
Speaker 2: because they were kind of thrown into a pit. And
Speaker 2: he came out of the pit as he got older
Speaker 2: after feasting on dead bodies and came out and basically
Speaker 2: cannibalized and destroyed the entire kingdom as revenge for his
Speaker 2: father for rejecting him. But it was never his father
Speaker 2: to begin with. This is clearly the product of a
Speaker 2: fallen angel mixing with the human woman to try and
Speaker 2: legitimately insert through the kingship through the lineage of bloodlines
Speaker 2: their own offspring. But it obviously went terribly wrong. And
Speaker 2: this thing is always depicted holding two people in its
Speaker 2: hands and a bunch of mass yeah, basically eating it
Speaker 2: with this giant grin and bulging eyes and serpents for hair.
Speaker 2: Here we have the fighter con which is I think
Speaker 2: it is it Taiwan. It's Taiwan, I think, And they
Speaker 2: have this. It's basically the Day of the Dead festival.
Speaker 2: It's the version of these represent the ghosts of the dead.
Speaker 1: Ghosts ghost Face from.
Speaker 2: Scream disembodied spirits. Yeah, and they have big, horrible smiles
Speaker 2: with these clown like complexions. This is in Spain. This
Speaker 2: is one of their traditions. This is Red Nose Day
Speaker 2: tradition we do every year in the West. And you
Speaker 2: have to wonder why when you start thinking about this.
Speaker 2: Theory now states to raise money for kids and people
Speaker 2: dying children in Africa. But I'm starting to think it's
Speaker 2: maybe a ritual of some kind. And this is in Africa.
Speaker 2: This is a mating ritual. The men take a lot
Speaker 2: of drugs, stand in a line and chatter their teeth
Speaker 2: and make their eyes really wide, so they're trying to
Speaker 2: give a wide smile and big bulging eyes with this
Speaker 2: red tasseled head look in this clownish look because they're
Speaker 2: trying to emulate something that they consider a beauty standard,
Speaker 2: and this is to attract women. They've got the dragon
Speaker 2: face changes of China. This is another racture mask from
Speaker 2: Sri Lanka. This is what a human dragon hybrid would
Speaker 2: look like this. These are the nephil them and this
Speaker 2: is what the clowns are based on. So this is
Speaker 2: a very special one. This is actually in the Kimberly region.
Speaker 2: Of Australia. So this is called a wan gina. Now
Speaker 2: our wang Gina is the offspring of the rainbow serpents,
Speaker 2: and the rainbow serpents sent their children down to teach
Speaker 2: mankind how to build things. So these are the nephoil them.
Speaker 2: These are the offspring of fiery, multicolored dragons, and they
Speaker 2: look like clowns. This is a clown. This is an
Speaker 2: ancient depiction of an ancient entity from Australia. Why does
Speaker 2: it literally have pompons on its chest, a multiplor polka
Speaker 2: dot right, has a white ruffle, it has a red afroy.
Speaker 1: Almost looks like if you put a gray alien with
Speaker 1: a clown's exactly.
Speaker 2: It's actually an owl. They're linked intrinsically with owls as well.
Speaker 2: Very very odd. But if we go over so you
Speaker 2: have this depiction here, and these are painted all over
Speaker 2: the rock walls of these caves in the Kimdy region,
Speaker 2: you see hundreds of depictions of these wan ginas. But
Speaker 2: then if you go over to Greece, they have their
Speaker 2: own mythology of something called a gorgon. A gorgon enough
Speaker 2: from stranger Things. Well, yes, I guess, so, yeah, I
Speaker 2: guess it's named after this ancient mythos. But a gorgon
Speaker 2: is Medusa. Medusa was a gorgon quite famously, and she's
Speaker 2: always depicted like a snakehead, green snake woman. But that's
Speaker 2: actually a very modern, bastardized image. That's not actually what
Speaker 2: she looked like at all. It was a very modern reinterpretation.
Speaker 2: What she looked like was a lot like a wangina,
Speaker 2: pale white skin like a ractious are, big grin with
Speaker 2: the bulging thing, tongue sticking out, and red hair with
Speaker 2: white skin. This is what Medusa looks like. Oh a
Speaker 2: Medusa like this here? Whoa?
Speaker 1: That is exactly like a clown.
Speaker 2: So this is what And she didn't have snakes for hair,
Speaker 2: she didn't have a snake body, she had legs, okay,
Speaker 2: she had this big, wide grin, red lips, white skin,
Speaker 2: tongue sticking out. This is the ractiouses of India. It's
Speaker 2: the same creature, just on a different continent with a
Speaker 2: different mythology surrounding it. But it's the same creature too.
Speaker 2: Yeah exactly, yeah, exactly. You see this is what I do.
Speaker 2: You see a similar thread across all cultures. They all
Speaker 2: encountered this same creature with these specific esthetics. And I mean,
Speaker 2: for example, Athena. It's said that Perseus killed Medusa because
Speaker 2: off her head and turning her to stone. A lot
Speaker 2: of mythology behind it, but she basically gifted Medusa's head
Speaker 2: to Athena, and she then wore Medusa's head on her
Speaker 2: chest like a tiny little medallion, because Athena is a
Speaker 2: giant goddess, an angel basically, and she wears it for
Speaker 2: good luck. And a lot of soldiers of Athens wear
Speaker 2: what's called a gogon, you know, this face on the
Speaker 2: shields as protection. Anyway, there's a famous relief of her
Speaker 2: on a pot piece of pottery with an owl there
Speaker 2: because she's known as the goddess of wisdom with the
Speaker 2: Sofia owl. She has this on her chest to represent Medusa. Whoa,
Speaker 2: this is a clown.
Speaker 1: Ogi. Medusa looks exactly like a Bozo the Clown or
Speaker 1: some you know.
Speaker 2: Some cartoon exactly this is what she really looks like.
Speaker 2: So this whole snakehead depiction is a really modern lie.
Speaker 2: She looked nothing like that. She looked like this. And
Speaker 2: this is what you finally get really to the roots
Speaker 2: of these places. You find that the cultures all over
Speaker 2: the earth. I mean, here's a random tribe in Papua
Speaker 2: New Guinea m the red nose and they wipe the
Speaker 2: skin up and give themselves a red nose because they're
Speaker 2: trying to emulate something the spirit.
Speaker 1: They're just chowing down on raw flesh and like it
Speaker 1: gets on them.
Speaker 2: No, they would have had big red lips, like a
Speaker 2: imagine because snakes, for example, they can dislocate their jaws
Speaker 2: to eat their prey, so they have snakes have big
Speaker 2: wide moors, like there's a big line exactly. Snakes have
Speaker 2: big wide mouths like that, and.
Speaker 1: Not all the discount Halloween masks all.
Speaker 2: But they have to understand as well, they're mixed with humans,
Speaker 2: so imagine a reptile mouth with big human lips. They
Speaker 2: look like a big red smile. They look terrifying a
Speaker 2: lot like the book here behind you, you know, like
Speaker 2: that's pretty much and it's not like they were smiling
Speaker 2: all the time. It's that that it just looks like
Speaker 2: that from the front because of the way their mouth
Speaker 2: is shaped. It's just by virtue of them. But there
Speaker 2: is this also this aspect they were cannibal, so maybe
Speaker 2: it's like a baby eating spaghetti bolonnaise to get smeared
Speaker 2: all over them, you know, that type of thing. But
Speaker 2: I think more realistically, they would have just had big
Speaker 2: red lips like Medusa. Here.
Speaker 1: Did you see Kim Kardashian's Halloween costume?
Speaker 2: She was a lizard I believe, wasn't.
Speaker 1: She albino reptile. All that's missing is the red hair.
Speaker 1: But this is like fully alien or reptilian DNA almost right.
Speaker 2: Something like that. Yeah, yeah, Well a lot of these
Speaker 2: people believe themselves have bloodlines going back to the Nepheli,
Speaker 2: and that's where you get the royal blood idea from
Speaker 2: these people having the divine rights of rule is having
Speaker 2: angel blood in them because they are descendants of this.
Speaker 2: I do believe these power families think they have some
Speaker 2: kind of connection to all of this. So again, in
Speaker 2: modern circuses, you know, when they first were coming around,
Speaker 2: you find they always did true clowns with these big, horrible,
Speaker 2: wide grins that are not human, terrifying.
Speaker 1: Barnum actually was a freemin and he his motto was
Speaker 1: the same motto. I don't know if he got from
Speaker 1: Crawley or Croly got it for him. I don't know
Speaker 1: the origin of that, but they would both say that
Speaker 1: there's a sucker born every minute.
Speaker 2: Okay, well the story behind that is okay. So Phineas
Speaker 2: Taylor Barnum, he's known as Like the Like. He created
Speaker 2: the Big Top tenth three ring circus. You know, he
Speaker 2: brought the freak show into the circus. He was that guy.
Speaker 2: But prior to joining the circus when he was sixty
Speaker 2: years old, he used to be like a Charlattan con
Speaker 2: man businessman, and he had his own little like museum
Speaker 2: of curiosities type of thing where he would just make
Speaker 2: stuffup about the things he'd found, and people would traveled
Speaker 2: to come and see them. So he said he had
Speaker 2: a real mermaid at one point, and all they did
Speaker 2: was so the head of a monkey onto a fish body. Yeah,
Speaker 2: but people came, believe it or not? Right, Yeah, yeah, yeah.
Speaker 2: People came for the spectacle because of the advertisements, but
Speaker 2: what they got was this nonsense. You know. But he
Speaker 2: also claimed to have the body of a real giant.
Speaker 2: But what he had done he had heard there was
Speaker 2: some other guy out there claiming the same thing and
Speaker 2: making money, so he copied it and made a hoax body,
Speaker 2: like a hoax Giant's body like mummified, and then he said,
Speaker 2: I've got a real giant, come and see it. But
Speaker 2: the guy who had supposedly the real body tried to
Speaker 2: sue P. T. Barnum for stealing his business. Right, So
Speaker 2: Phineas Taylor Barnum had the hoax body and he got
Speaker 2: the inspiration from hearing about this guy who supposedly had
Speaker 2: a real giants body. So the whole thing was so
Speaker 2: ridiculous that apparently the prosecutor said there's a soccer born
Speaker 2: every minute. The judge threw the whole case out he
Speaker 2: didn't want to deal with it. This is just absolutely
Speaker 2: absolutely insanity, Like what am I even dealing with here?
Speaker 2: One of those those type of things. But I think
Speaker 2: it was quite a graad.
Speaker 1: Old.
Speaker 2: Yeah, I think that there was the prosecutor who said
Speaker 2: that famous phrase there's a soccer baarne every minute Toribe.
Speaker 2: Probably he probably got it from this whole situation, to
Speaker 2: be honest, And P. T. Barnum is quite infamous. Like
Speaker 2: I said, he was a bad person. He was not
Speaker 2: a good person. Really, his history is terrible. He is
Speaker 2: a terrible human being who exploits people for money and power,
Speaker 2: and he's also a member of the odd Fellows. Funnily enough,
Speaker 2: her Freemasonic offshoots were whose symbol coincidentally is three interlocking
Speaker 2: rings and P. T. Barman invented these ringed circus And
Speaker 2: if you.
Speaker 1: Don't know, odd Fellows also go on to be a
Speaker 1: lot of funeral directors.
Speaker 2: So there were and presidents at generals and prime ministers
Speaker 2: and actors. Charlie Chaplin was a member as well. Yeah,
Speaker 2: they have incredibly powerful members in that fraternity and organization,
Speaker 2: world leaders, kings, King George the Fourth was a member.
Speaker 2: It's really odd like kings and prime ministers and Senate
Speaker 2: members and leaders of countries and members, but also actors
Speaker 2: and entertainers. It's a really odd mix of people. Maybe
Speaker 2: there's no real difference between somebody playing the role of
Speaker 2: the president or playing the role of somebody on stage,
Speaker 2: you know, maybe the role actors, and that's why they're
Speaker 2: a part of the same guild.
Speaker 1: Who knows the way I lean towards the theater for real?
Speaker 2: Absolutely, But you find circuses around this period they developed
Speaker 2: a style and it turns out all the early circus
Speaker 2: of America. You have to understand Traditionally, these shows in
Speaker 2: Britain were done in theaters with let's say, Joseph Grimaldi
Speaker 2: dressed like a clown. In America, they couldn't be stationary.
Speaker 2: There was a business for it. They had to travel.
Speaker 2: So the railroads are being laid and they were traveling
Speaker 2: up and down the country with traveling circuses. Stationary theaters
Speaker 2: kept burning down for some reason, and they just weren't.
Speaker 2: Once the villagers sin the show, they don't really want
Speaker 2: to go again, you know what I mean. So they
Speaker 2: always had to move to keep business going. So they
Speaker 2: invented the big top tent, and they worked together and
Speaker 2: kind of made up this whole thing. But you find
Speaker 2: they were all run by Freemasons, every last one of them.
Speaker 2: And it's like ten circuses led by Freemasons all came
Speaker 2: together at once put on a giant, massive spectacle with
Speaker 2: like a thousand cast members. And they called this show
Speaker 2: King Solomon and the Queen of Sheba because free Masons
Speaker 2: Masonic right there, Yeah, exactly. They're obsessed with King Solomon,
Speaker 2: aren't they, and building his temple, you know, and they
Speaker 2: have this giant show put on. And you'll find when
Speaker 2: you actually break down a circus, and it's symbolism. So
Speaker 2: remember every costume for this show was created by the
Speaker 2: same companies, Henderson Arms Company. They didn't exist anymore, but
Speaker 2: they made all the aprons and costumes and medallions for
Speaker 2: free Masonic rituals and lodges. So they made all the
Speaker 2: costumes for this show. All the artwork was created by
Speaker 2: Rossi Kilalfi, a famous London artist Freemason. Everything was free Masonic,
Speaker 2: lead and run. All the circuses were free Masonic and
Speaker 2: they put on this massive show and it ran all
Speaker 2: up and down the country. I think even traveled to
Speaker 2: Europe as well. It was a big deal. And when
Speaker 2: you actually look at a circus and you realize something.
Speaker 2: You have the ringleader, Robert Circus, the ring master, shall
Speaker 2: we and he wears his black top hat. Doesn't in
Speaker 2: a riding crop?
Speaker 1: Oh exactly?
Speaker 2: And they say the riding crop is a throwback to
Speaker 2: the British circuses, the original circuses, the original British circus, which,
Speaker 2: by the way, Charles Dibden Senior invented. He created the
Speaker 2: first thing called a royal circus. He used the word
Speaker 2: circus first. And who did the team up with Richard Hughes,
Speaker 2: the guy owned that theater. I was telling you about
Speaker 2: who made Joseph from Oldy famous. So they're all connected here,
Speaker 2: and obviously all Freemasons. Now, prior to that, someone called
Speaker 2: Philip Astley, an ex general, had his own thing, and
Speaker 2: he didn't call it a circus. He called it like
Speaker 2: an amphitheater, and it was basically just horse tricks. He
Speaker 2: would stand on the back of a horse that would
Speaker 2: run around in a circle and do backflips and handstands
Speaker 2: and all sorts of things. And then that developed into
Speaker 2: the Royal Circus, which was Charles Dibdin's thing, which got
Speaker 2: a bit more grander and a bit bigger. That's where
Speaker 2: clown started to first come in as entertainers to between shows.
Speaker 2: And then that riding crop horse riding esthetic went to
Speaker 2: America into the traveling big top circuses. But then that's
Speaker 2: the official story. That's what we're supposed to understand. When
Speaker 2: you actually look at it a bit deeper and you
Speaker 2: look at free Masonic lodges. The only person who's allowed
Speaker 2: to wear a black top hat in a lodge is
Speaker 2: the leader, the Grand worshipful Master. No one else is.
Speaker 2: They're allowed to wear a hat because it represents the
Speaker 2: crown of the king. Specifically, Solomon. So the black top
Speaker 2: hat represents the crown of Solomon. So the ring leader
Speaker 2: is King Solomon in a circus. And what does King
Speaker 2: Solomon quite famously in throughout Jewish traditions, is known for
Speaker 2: his building the temple by using a magic ring given
Speaker 2: to him by angels to control demons, and he would
Speaker 2: make the demons build the temple for him with his
Speaker 2: magic signet ring. Well, the ring master or the ring
Speaker 2: leader is Solomon orchestrating the clowns to put on the ritual.
Speaker 2: It's that it's just analogue for the king.
Speaker 1: I get what you're saying.
Speaker 2: The clowns perfectly, I mean this makes.
Speaker 1: Sense. The ring master also in monarch mind control is
Speaker 1: you know, can be the handler.
Speaker 2: Right, Yeah, he's the sharman. He is a shaman of
Speaker 2: the modern age. And then you'll find a lot through
Speaker 2: my books as well my research. You find every of
Speaker 2: these folk traditions. The first of all, they have their
Speaker 2: representations of demons. Then they also every folksresson has a
Speaker 2: shaman who channels them. And traditionally a lot of these
Speaker 2: shamans wear hats, big brimmed hats. It's very common, very
Speaker 2: common motif. So it's kind of it's like it's a tool.
Speaker 2: It's a funneling energy, channeling tool of some kind. The
Speaker 2: hat Man is quite an infamous demon as well in
Speaker 2: the Shadow People Realm People. Yeah, they into that one.
Speaker 2: That's terrifying spooky.
Speaker 1: Videos that we come across. So if you take too
Speaker 1: much Benadryl, you will see hat Man.
Speaker 2: Yes, I interviewed the guy who made that video. Oh really,
Speaker 2: Cryptic Candy. Yeah, I saw the same thing.
Speaker 1: You know.
Speaker 2: I was blown away because it ties in a lot
Speaker 2: with my research. It's called aerial the land where you
Speaker 2: go when you take too much Benderyl, And basically it's
Speaker 2: the realm of the hat Man. He runs the whole show,
Speaker 2: and he has his shadow demons with him, but shadow
Speaker 2: entities and the hat Man ring leader of the shadow
Speaker 2: Entities is a very old tale for most of the
Speaker 2: paranormal community, way before the mentoral stuff, even Brook and
Speaker 2: I think you've noticed all the Sharmans dressed like the
Speaker 2: hat Man basically, so maybe has something to do with
Speaker 2: channeling and orchestrating rituals that bring demons forward summon the
Speaker 2: nephelim in some way. And not only that, but dressing
Speaker 2: like demons also seems to channel them in some way,
Speaker 2: so it's all kind of ancient witchcraft through and through.
Speaker 2: I mean, you have a famous example of the hat
Speaker 2: man channeling shark and his baron Semidi from the Haitian
Speaker 2: Vodu culture, and he obviously has the snake around him
Speaker 2: with the black top hat and there's a cigar in
Speaker 2: his mouth and he's drinking rumor.
Speaker 1: Master of the lodge on the other side, they say.
Speaker 2: Yes, yeah, well you find Haitian Vodu culture is a
Speaker 2: mashup of Vodon from Western African Western Africa kind of
Speaker 2: animistic shamanism, we'll call it, mixed with French Catholicism and
Speaker 2: French Freemasonry, all kind of mashed together into one thing.
Speaker 2: So you find a Vodon Voden Vodu culture uses a
Speaker 2: lot of Freemason symbols in the sigils while summoning demons,
Speaker 2: and they chalk the face up, wipe the face up,
Speaker 2: do these chants, and dressed in a certain way to
Speaker 2: let the spirits in their body. And that's that's the
Speaker 2: general trend for all these cultures all around the earth.
Speaker 2: He is in He's India, for example, they're trying to
Speaker 2: channel one of their primordial gods. And here is in Portugal.
Speaker 2: They call this the karatos and they say these are demons.
Speaker 2: We're dressing like demons. And the the western cultures have
Speaker 2: this weird view. They kind of believe they're dressing this
Speaker 2: way to scare away bad spirits for winter. All these
Speaker 2: other cultures like this one, they dressed this way to
Speaker 2: let the demon in their body. Now they can't both
Speaker 2: be right. What are you doing? Are you scaring them
Speaker 2: away or you're letting them in your body when you
Speaker 2: dress this way. I'm going to go with the older culture.
Speaker 2: You're letting them in. You know, you're leading them in.
Speaker 2: You're not scaring them away. He is an African. Another
Speaker 2: African example. This is the cookery of Bulgaria.
Speaker 1: They have.
Speaker 2: This is the wild Man I was telling you about
Speaker 2: earlier that they're trying to represent here. They have the
Speaker 2: party hat with the pomp poms quite common. Look there, Yeah,
Speaker 2: they're representing demons here winter.
Speaker 1: Across all these cultures, their representation of an evil spirit
Speaker 1: or a demon looks exactly like Bozo the clown.
Speaker 2: Something like a clown thing like that. They have clown esthetics,
Speaker 2: they have similar features to what we have designed in
Speaker 2: the West, which we call a clown. But the clown
Speaker 2: in the West, we have to understand it is an amalgamation.
Speaker 2: It's a caricature of Nephilim features. So they've looked at
Speaker 2: all these other cultures around the earth and they've made
Speaker 2: our own version of their costumes. We call it a clown.
Speaker 2: We're supposed to believe it's a bit of fun for
Speaker 2: the kids. But the occultists who made this costume, no,
Speaker 2: it's a tool for channeling demons. We're not supposed to
Speaker 2: know that it's hidden. It's hidden o cult. You know,
Speaker 2: it's an occult method of channeling demons publicly without the
Speaker 2: public realizing it. Esoterically what they want people to interpret
Speaker 2: the clown as it's harmless fun, So sorry, xoterically. Esoterically,
Speaker 2: the hidden meaning that we're not supposed to know and
Speaker 2: only the initiated no, is that it represents the Nephilim.
Speaker 2: So this is what we've kind of uncovered. And you
Speaker 2: find the pushing clown fashion on us since twenty twenty
Speaker 2: twenty three, it now right clown core. Yeah yeah, And
Speaker 2: if you find l during fashion week at the start
Speaker 2: of January last year, the catwalks a full of people
Speaker 2: who dressed like clowns quite ridiculously, And what you see
Speaker 2: on the catwalk is a bit extreme. But this style
Speaker 2: trickles down into the outlet stores in a watered down
Speaker 2: way eventually. And then so they're getting us to dress
Speaker 2: like clowns and think it's a legitimate fashion choice because
Speaker 2: they're trying to get us to be more willing open
Speaker 2: vessels to let the neft of them come through. Because
Speaker 2: this ancient knowledge basically is playing off a simple principle
Speaker 2: as above so below. So what you mimic in the
Speaker 2: physical is creating a mirror of something in the spiritual. Now,
Speaker 2: if you try and look like something in this realm
Speaker 2: that exists in the spirit realm, you're creating a connection
Speaker 2: to it and therefore a channel it can get through
Speaker 2: into our physical realm, into your body. So these shamans
Speaker 2: dress this way because they want it in their body.
Speaker 2: They're doing it saying, possess me. I want stuff, I
Speaker 2: want knowledge, I want I want information. You know, I
Speaker 2: want to be able to be stabbed and not bleed,
Speaker 2: all these type of things. If you let if you
Speaker 2: come in my body and give me these powers. I
Speaker 2: will give you blood, meat, alcohol, smoking, whatever your vice is, demon,
Speaker 2: I will give it to you. I will drink those
Speaker 2: things and eat these things because you can experience that
Speaker 2: through my body, through my senses. This is what possession
Speaker 2: is all about, you know. And it's kind of that's
Speaker 2: the deal. It's a transactional deal, you know. So this
Speaker 2: is what these tribes do it for. Here's the mud Men,
Speaker 2: the Mudmen of pap New Guinea. Again back to the fighter,
Speaker 2: can't there are examples because that big joke a green
Speaker 2: right there. And these are the representing the spirits of
Speaker 2: the dead. Here's an old mask of the racteous demons
Speaker 2: of Sri Lanka. Here's the Wrangda, the demon queen of
Speaker 2: Sri Lanka, with the tongue sticking out long fingers. This
Speaker 2: is a lot like the Mahaha where we're talking about
Speaker 2: in the Inuit culture. There's has similar aesthetics. And here's
Speaker 2: the shriness. So this is a Freemasonic shoot. They all
Speaker 2: have a clown sect. Every shriner organization in America have
Speaker 2: a section within each shrine. They have to dress like
Speaker 2: a clown and they go and entertain dying children in
Speaker 2: hospitals how nice of them? Right, well, why does a
Speaker 2: Middle Eastern themed sub sect of a Solomonic Free Masonic
Speaker 2: order have anything to do with dressing like a Western clown?
Speaker 2: What has the Middle East got to do with Western clowns?
Speaker 2: It doesn't make any sense until you consider everything I'm
Speaker 2: telling you right now. It's a tool for channeling demons.
Speaker 2: And why is the Highest Order that's terrifying? Why is
Speaker 2: the highest nio I remember that I'm getting flashback nostalgic
Speaker 2: memories of horror. But why is the Royal Order of
Speaker 2: the Jesters? Why is that the pinnacle of freemasonry? So odd,
Speaker 2: isn't it? Until you understand what you explained earlier on,
Speaker 2: what I'm explaining to you now is because they know something.
Speaker 2: They know what this truly means and what it represents.
Speaker 2: The dress this way, this is again going back to
Speaker 2: the cookery of Bulgaria. They're dressing in the wild Man
Speaker 2: again with the big wide grin the serpentine. Look, it's
Speaker 2: a dragon hybrid of some kind. And this is in China.
Speaker 2: This is in Sri Lanka again. Yeah, this is other
Speaker 2: actresses in Thailand. This is their version of it. There's
Speaker 2: the Wang Gina painted on the rock walls of the
Speaker 2: Kimberly regions of Australia, and there's a modern clown next
Speaker 2: to it. We have modeled what we call a clown
Speaker 2: off of these things. We're just not supposed to know that.
Speaker 2: But make no mistake that wang Gina is the offspring
Speaker 2: of a rainbow serpent from heaven. It is a dragon
Speaker 2: human hybrid. So that's what clowns are based off of.
Speaker 2: That's where clowns get the That's where the nephelin get
Speaker 2: the clown like features, right, That's where they get them from.
Speaker 2: They get the white skin from their mother, and they
Speaker 2: get the multi colored patterned skin everywhere else on their
Speaker 2: body from the snakes from the serpent gene. Because snakes
Speaker 2: are very.
Speaker 1: Look kind of like a harlequin pattern a little bit,
Speaker 1: don't they.
Speaker 2: They do scales look like that too, you're right. And
Speaker 2: also the serpents and reptiles are just very colorful creatures,
Speaker 2: and so are clowns. And that's what the clown costume represents,
Speaker 2: serpent skin. Their faces seem to be white more predominantly.
Speaker 2: The big red mouth is because they have wide lipped mouths,
Speaker 2: so it looks like they have a huge red smile.
Speaker 2: It's very weird. The slit pupil is a predator symbol.
Speaker 2: Predators have slit pupils. Reptiles have slip pupils, and clown
Speaker 2: makeup often shows a slip pupil. I think the mask
Speaker 2: you showed merely have the slip pupil on it as well,
Speaker 2: a big giant slit. Yeah, because they're predators, because they're
Speaker 2: reptilian in nature. The big red afro is just because
Speaker 2: they have red hair. Most descriptions of neflim all have
Speaker 2: red hair. Even the skulls. Elongated skulls we find still
Speaker 2: have red hair attached to them. And you'll find clowns
Speaker 2: often have big foreheads. They were like a cone cap
Speaker 2: to make the head look tall around.
Speaker 1: Oh yeah, they have like the bald frat part.
Speaker 2: Yeah, exactly, because they're trying to accentuate the elongated skull.
Speaker 2: They also have high brow ridges painted on in black
Speaker 2: sometimes and then they shade it all in blue and
Speaker 2: when they close their eyes, it looks like they have
Speaker 2: big blue glowing eyes. That's another common trait. You find
Speaker 2: everything about a clown costume is accentuating in a caricatured,
Speaker 2: cartoonish way the big feet giants. It's because they're giants,
Speaker 2: big gloves, because they were giants walking around on stilts,
Speaker 2: because they are giants originally. Tiny hats, tiny umbrellas, tiny teacups,
Speaker 2: tiny dogs, because they're giants in comparison to these normal,
Speaker 2: everyday human objects. It's all just a caricature. It's a joke,
Speaker 2: it's a remake image. It's a Western version of the
Speaker 2: nefelin features by these other cultures all around the earth.
Speaker 2: This is what they actually would have looked like. This
Speaker 2: is a rateous India. These are the masks they were
Speaker 2: in their rituals. White skin, bulging eyes, big red lip, smiles,
Speaker 2: and sharp teeth. They are a dragon human hybrid and
Speaker 2: all the cultures that channel them. Here's a hat man example.
Speaker 2: This is a shaman, a mudang of Korea, and she
Speaker 2: will be hired by rich people to channel demons so
Speaker 2: they can talk to the demon and get advice from them.
Speaker 2: And it's a prerequisite that once she's finished the ritual,
Speaker 2: she stabs herself and cuts herself to prove that she's
Speaker 2: not going to die or bleed, so the demon is
Speaker 2: in her. She has to do it to prove that, okay,
Speaker 2: that's what those ceremonial blades are for. And they take
Speaker 2: it very seriously. It's not a joke to these guys,
Speaker 2: you know what I mean. And this is again, this
Speaker 2: is just a few images compiled from other cultures all
Speaker 2: around the Earth that have represented these. The black and
Speaker 2: white fractal pattern designs a very common motive. It's also
Speaker 2: very common in the Snake Kingdom. Go some snakes, for example,
Speaker 2: with black and white lines and more ractious hybrids. There
Speaker 2: you've got the white skin, red lips, red nose. These
Speaker 2: are Tibetan spirits of the dead.
Speaker 1: Again.
Speaker 2: Here again back in India, again representing the demon queen
Speaker 2: and the demon king. He has ranged the demon queen
Speaker 2: again in Bali. Yeah, that's a clown, just a very
Speaker 2: hyperstylized version. Here's the dragon that fights the demon queen.
Speaker 2: So these are the parents. These are the dragon parents.
Speaker 2: These are the human dragon hybrids. To see the difference.
Speaker 2: It is supposed to be a dragon that fights with
Speaker 2: one of their children demon queen. So this is the
Speaker 2: nephelin fighting their own parents. The Book of Enoch talks
Speaker 2: about this, so it's the same story found again. This
Speaker 2: is Papua New Guinea. Here's another Rakshare masque, very terrifying things.
Speaker 2: This is another ranged of the demon queen modern clowns,
Speaker 2: again modeled after that Indian style. These are the Seltanum
Speaker 2: tribes of South America, right at the tip of South America,
Speaker 2: and they are practically extinct now, this tribe, but this
Speaker 2: is how they used to dress to represent the spirits
Speaker 2: initiation rituals for young men to become men. And they
Speaker 2: used address this way to scare them. And they are spirits.
Speaker 2: They represent the demons in the other realm because this
Speaker 2: is kind of what they look like now in disembodied form.
Speaker 2: They've got this more ethereal, weird looking gesturish style to them.
Speaker 2: But when they were physical, they looked like I showed
Speaker 2: you there. Here's a tribing patter in New Guinea, red
Speaker 2: nose headdress. These are the generals, so the leaders of
Speaker 2: old armies from I think this is I'm losing it now,
Speaker 2: those sorts of blend into one. There's just so many
Speaker 2: examples of what There's that Sri Lanka demon eating a
Speaker 2: human leg there, and again that's an Ai representation of
Speaker 2: what I'm talking about, not real, but everything else is real,
Speaker 2: just disclosure there nothing else has been aied, you know,
Speaker 2: another spirit of the dead there as one of those
Speaker 2: generals I was telling you about with the slip pupils,
Speaker 2: red lips, multiplor patterns, and Joseph Grimald. That's top it off.
Speaker 2: So just they're just my few examples I have from
Speaker 2: a folder together months ago, very quickly, just a sense
Speaker 2: of what who needed some images. But I have thousands,
Speaker 2: thousands of these compiled now, I mean I could probably
Speaker 2: find it very quickly. Give me one second. Let's just
Speaker 2: back that up. Let's go to well why you're.
Speaker 1: Looking for that. Let's talk about Native Americans again and
Speaker 1: the giants, because over here we are discovering that there
Speaker 1: was lots of giant bones found in North America and
Speaker 1: they wanted to keep that under wraps, and so they
Speaker 1: kind of said, well, these are dinosaurs. And they had
Speaker 1: the Smithsonian and they were like taking all of this
Speaker 1: evidence and fossils of giants and story in it at
Speaker 1: the Smithsonian, yes, and making up the cover story that
Speaker 1: we're finding, you know, fossils of dinosaurs. What do you
Speaker 1: think about that?
Speaker 2: Yeah, well, again, I have a full chapter on that
Speaker 2: in my book. And talking about the red hair giants
Speaker 2: of America and the bones and talking about the big
Speaker 2: Foot mythos as well. And yeah, it seems like in
Speaker 2: the eighteen hundreds, giant skeletons were just being uncovered everywhere
Speaker 2: in America, like NonStop archaeological discoveries of giant bones or
Speaker 2: especially in the mounds, which were everywhere as well at
Speaker 2: that time. And they were just uncovering just giant after
Speaker 2: giant after giant. And they had massive skulls, really thick,
Speaker 2: not like humans, you know. And they had like double
Speaker 2: rows of teeth, so very wide smiles, like like two
Speaker 2: sets going both ways, and they were like ranging from
Speaker 2: like seven foot tall to like fifteen foot tall. And
Speaker 2: it just got a bit out of hand, you know.
Speaker 2: But you'll find wherever very credible archaeologists discovered these bones.
Speaker 2: These aren't just whacko weirdos who says, I found a
Speaker 2: giant in my garden, you know, come check it out.
Speaker 2: These were credible archaeologists of the time who were working
Speaker 2: for universities and had no reason to lie or anything.
Speaker 1: You know.
Speaker 2: They would discover these things and report it to the
Speaker 2: authorities and to the correct official authorities through the government,
Speaker 2: which would go through the Smithsonian with true intentions that
Speaker 2: we have this amazing discovery, you know, and while they're
Speaker 2: waiting for the Sonian to turn up, you'd find they'd
Speaker 2: like do interviews with local newspapers, and the local newspapers
Speaker 2: would document quotes from these archaeologists and saying, this is
Speaker 2: like the most amazing thing we've ever seen. We don't
Speaker 2: know what's going on here, and it's like the headlines
Speaker 2: will say archaeologists find eighteen foot giant under the earth
Speaker 2: and all these type of things, and there's like one hundreds,
Speaker 2: one hundreds of these articles all throughout America from the
Speaker 2: eighteen hundreds. But then when when the Smithsonian does turn up,
Speaker 2: they take the giant bones and then never to be
Speaker 2: seen ever again, likely destroyed and disappeared. And then they
Speaker 2: would deny and they would say they would underplay it,
Speaker 2: says they weren't really that tall, they were like eight
Speaker 2: foot tall. You know, they'd like start making up stories
Speaker 2: after the fact with no evidence to back it up,
Speaker 2: because the bones have disappeared mysteriously, and that was pretty
Speaker 2: much the trend. And now they're all gone and nothing's
Speaker 2: getting found anymore. If it is getting found, you're not
Speaker 2: you're not finding out about it, that's for sure. But
Speaker 2: the Smithsonian did a full sweep during that time of
Speaker 2: the lands of America and tried to just hide and
Speaker 2: bury and destroy as much evidence as it possibly could.
Speaker 2: That much very very clear, and people have written books
Speaker 2: about that, which I reference in my book, and I've
Speaker 2: kind of compiled some of the best cases and examples
Speaker 2: just to give you a flavor of an idea of
Speaker 2: what happened there. But yes, the evidence of giants is
Speaker 2: extremely apparent, even up to modern days, but they've just
Speaker 2: kind of buried all the information and the Smithsonian played
Speaker 2: a huge role in that, and obviously it was to
Speaker 2: support their evolutionary theory. You can't have giants and an
Speaker 2: evolutionary paradigm. They don't fit, you know, so they were
Speaker 2: trying to rewrite that narrative clearly, just destroy anything that
Speaker 2: went prior to it. You'll find dinosaurs were kind of
Speaker 2: invented around the same time as well as a concept,
Speaker 2: you know, and you're finding femurs and the sale that
Speaker 2: belonged to a diplodocus or a t rex really the
Speaker 2: femur of a human, of a giant human like creature anyway,
Speaker 2: So it's kind of you find this. This chicanery was
Speaker 2: going on quite a lot during that time.
Speaker 1: Yeah, so that makes me think of Stephen King's it
Speaker 1: because if you watch the newer Virgin of the movie,
Speaker 1: they do go into the Native American mystery of what
Speaker 1: Pennywise actually was. Have anything to comment about that because
Speaker 1: Stephen King I heard that he was like, I want
Speaker 1: to write something scary, and what is all the children
Speaker 1: of the world scared of? And he thought clowns, and
Speaker 1: so he made it a clown. I'm not saying that's
Speaker 1: the only reason, that's just what he said, but that, yeah,
Speaker 1: that's just weird that all children of the world are
Speaker 1: scared of clowns, right, And why are we always put
Speaker 1: in clowns in children's activities if they're all going to
Speaker 1: just cry? And then when you get to the heart
Speaker 1: of like what is penny Wise? He's like an alien, right,
Speaker 1: He's an alien creature that came to Earth for food,
Speaker 1: and he, you know, took on the sixteenth century version
Speaker 1: of a clown.
Speaker 2: Basically. Yeah, so Stephen King is basically played off the truth.
Speaker 2: He's probably somebody who's actually in the know about what
Speaker 2: I'm telling you right now. He knew what clown really represented,
Speaker 2: and he's highly fictionalized it in his own fictional framework mythos.
Speaker 2: So it is like an interdimensional clown entity from a
Speaker 2: specific dark dimension where the deadlights reside. He's one of
Speaker 2: many primordial cosmic horrors, shall we say. And he his
Speaker 2: way he manifests in the physical realm is through manifesting
Speaker 2: fear in his victims. The more fear that's there, the
Speaker 2: strongest he gets and the more physically become in the realm.
Speaker 2: And if he gets generates enough fear and enough power
Speaker 2: is given to him, he can then feed. That's kind
Speaker 2: of his game. And he only does it every twenty
Speaker 2: seven years, which I believe is the cycle of Saturn,
Speaker 2: and it's and some kind of like mystical paralet I'm
Speaker 2: not getting into astrology, but there's something there to do
Speaker 2: with the cycles of Saturn. Every twenty seven years it hit.
Speaker 2: It's a certain point where it's kind of like that
Speaker 2: whole mercury and retrograde thing, but for Saturn, it's got
Speaker 2: its own thing, and that's when bad things tend to
Speaker 2: happen in everyone's life when Saturn's hit this twenty seven
Speaker 2: year point. They say in based on when you were
Speaker 2: born is when you'll have this problem, you know whatever, whatever,
Speaker 2: I'm just saying that if you're a musician, you might
Speaker 2: die exactly. So it's odd that they link twenty seven
Speaker 2: years to it as well, with a satin symbology and
Speaker 2: the rest of the Lupsiferian satanic symbolism mixed in there.
Speaker 2: But basically, he chose the clown because the clown is
Speaker 2: a representation of the interdimensional nephelin, which reside on the
Speaker 2: other side of right now on Earth who are So
Speaker 2: he just took that concept and created this fake fictional
Speaker 2: version of it. And yes, the idea that demons feed
Speaker 2: off of fear is actually a very common trope, even
Speaker 2: in most paranormal circles, and I do think there is
Speaker 2: an element to that. They call it looche in more
Speaker 2: New Age terms.
Speaker 1: Where there were in a long time, yeah, where.
Speaker 2: The demons like generate fear and feed off, you know,
Speaker 2: And that's kind of what it does. And he actually
Speaker 2: manifests anything. It's not just a clown. It's just he
Speaker 2: chose the clown because that's what one of the characters
Speaker 2: was scared of the most. But he also manifests other things,
Speaker 2: throughout the film as well, you know, and for example,
Speaker 2: a leprosy riddled falling apart of the king man for
Speaker 2: the child who's a germophobe, or he manifests the picture
Speaker 2: of a woman who this child is scared of in
Speaker 2: his dad's office, things like this, you know. But the
Speaker 2: clown is just a very terrifying thing, and it's more
Speaker 2: predominant because it's based off the truth. It represents what
Speaker 2: demons looked like, you know. But it it's a complete fiction,
Speaker 2: you have to remember. But that's just based off of
Speaker 2: the truths I've been talking about today. Stephen King is
Speaker 2: not that original. It's what I'm saying. He didn't get
Speaker 2: his ideas from nothing. You'll come up with it because
Speaker 2: he's so smart. He just he's privy to some secret
Speaker 2: knowledge and has used it to capitalize off.
Speaker 1: I don't even think he writes all of his books.
Speaker 2: I think probably not. You know, no, I think he's
Speaker 2: trying to get into He's just trying to like soft
Speaker 2: disclose the occult to a lot of people. Maybe that's
Speaker 2: his job. Maybe he's a part of that externalization of
Speaker 2: the hierarchy thing, you know that people talk about quite
Speaker 2: a lot who knows. I don't know the guy personally,
Speaker 2: but I can tell you right now he did not
Speaker 2: get that idea because he's so creative. No way, the
Speaker 2: clown is just basically based off the truth of the Nephilim,
Speaker 2: and he's made up his own fiction based on it
Speaker 2: to make money.
Speaker 1: What not, only does it feed off fear, there's also
Speaker 1: like an sex component in the book and movies.
Speaker 2: Yeah, he gets dark, doesn't it. I know at the
Speaker 2: end the children kind of all collectively do things with
Speaker 2: the one girl character in order to a scare innocence
Speaker 2: to free that it gets really weird, and it's kind
Speaker 2: of like, it's, Yeah, you have to wonder what King
Speaker 2: is really into when you start thinking about that kind
Speaker 2: of thing.
Speaker 1: I think Wisea does a great breakdown of the whole
Speaker 1: book because he read the book and watched all the movies,
Speaker 1: and so if you want a detailed thing of it,
Speaker 1: go check out his stuff. But I wanted to ask you,
Speaker 1: so they are in another dimension that you can access
Speaker 1: through psychedelics.
Speaker 2: Correct, Yes, predominantly. So it's quite popular in d MT
Speaker 2: circles that people encounter what are called jesters. It's been
Speaker 2: a popular idea for a while there's many people who
Speaker 2: talk about this. Terrce mckainn have famously called them the
Speaker 2: self dribbling basketballs, or the machine elves, or the self
Speaker 2: transforming consciousness balls of some kind. But primarily most people
Speaker 2: see them manifest as something akin to a jester's kind
Speaker 2: of the only word you've got to describe them. They
Speaker 2: don't look like jesters, Like, they're not worrying, like like
Speaker 2: you steal on the screen here, like silly costumes with
Speaker 2: bells on the end and stuff like that. Their skin
Speaker 2: is quite literally that shape and color. You know, they're
Speaker 2: not wearing a costume. They look like this. Yeah, they
Speaker 2: have the parents' skin, and we've just called it something
Speaker 2: akin to a jester. And jesters, funnily enough, have actually
Speaker 2: very little to do with the Nefling. They come from comedians,
Speaker 2: a lot of these out of work actors I mentioned
Speaker 2: earlier coming out of Rome. Well, they were hired by
Speaker 2: rich men to be personal comedians because kings could have them.
Speaker 2: Who who's gonna say no to a king, you know
Speaker 2: what I mean. So became quite a hot commodity for
Speaker 2: the rich and influential to have their own personal gester.
Speaker 2: So there's a lot of money in being a private
Speaker 2: comedian for private people, and his job was to mimic
Speaker 2: the king. So he dressed in a fake floppy crown
Speaker 2: with the floppy scepter, and he would he would be
Speaker 2: a mimic. He's a mine. He would mock the king
Speaker 2: and dressed like the king in a silly way. And
Speaker 2: that's all a jester costume is really based on. It's
Speaker 2: just a coincidence that the Nephlin basically looked like jesters
Speaker 2: in the disembodied form they can, and probably by virtue
Speaker 2: of them having horns in some senses which are like
Speaker 2: jester caps, and having just clownish like features. I think
Speaker 2: later iterations of jesters started to take inspiration from Harlequinn
Speaker 2: I mentioned earlier, who's modeled after the wild Man. So
Speaker 2: it became this thing you see here now, which is
Speaker 2: closer to like a clown king hybrid. Do you get
Speaker 2: what I mean? But the original jesters didn't really look
Speaker 2: like clowns exactly. They looked like the king, you know,
Speaker 2: So it's kind of adapted closer to what they look
Speaker 2: like in the disembodied form. As the tradition went on
Speaker 2: through our history, I'd.
Speaker 1: Say, look at their costumes. You mentioned the geometric patterns
Speaker 1: on their clothing, and this is kind of what you
Speaker 1: see when you are tripping hard. Like if you take
Speaker 1: DMT or something, there you go, You're going to see
Speaker 1: a lot of bright colors. You're going to see a
Speaker 1: lot of geometric patterns. You're gonna see a lot of
Speaker 1: like undulating shapes and weird faces and things mocking you. Right.
Speaker 2: Ah, yes, absolutely, that's the most common thing people describe seeing.
Speaker 2: It's it's it's kind of like repeatable. It's scientific in
Speaker 2: a way. You take enough DMT for long enough, you
Speaker 2: get gestures like that's what you get, you know, and
Speaker 2: it's and they look like this like the fighter com Yeah,
Speaker 2: have these odd multicolored ribbon patterned bodies, big wide smiles,
Speaker 2: fieriness to them, like in ethereal nature. Here's another tribe
Speaker 2: mimicking the Nephelim in their own way, with red hair
Speaker 2: and white skin. Here's a d MT jester playing with
Speaker 2: a human toy in from the other realm, you know, and.
Speaker 1: Look at his swirly eyes like hypnotic.
Speaker 2: So these things have always been here. Here's the colors
Speaker 2: sung Sang Demon which you saw Joseph Grimaldi was based
Speaker 2: on early with his upside down handstand position I mentioned earlier. Yeah,
Speaker 2: I mean you take the NT you get gesters, and
Speaker 2: I believe that's what they look like in their disembodied form.
Speaker 2: That's who you're really dealing with when you encounter these things.
Speaker 2: I've made it quite and this is somebody who comes
Speaker 2: from the psychedelic background. I used to be a very
Speaker 2: hard psychedelic tripper before I was born again in twenty fourteen.
Speaker 2: I spent a good portion of my life taking a
Speaker 2: lot of these things quite consistently and documenting it and
Speaker 2: trying to legitately find answers. You know, so I've been there,
Speaker 2: I get it. I empathize with that community. What I
Speaker 2: realized that a Christian pipeline is not a joke, Like, no,
Speaker 2: it happens a lot people. But the thing what I'd
Speaker 2: say is, you know, what I realized is that these
Speaker 2: are not Youngian archetypes of the collective unconscious trying to
Speaker 2: show us our own personal shadow, or to teach us
Speaker 2: a way to incorporate our shadow into ourselves in order
Speaker 2: to become better people, or whatever excuse you want to
Speaker 2: come up with. Through a vein philosophical ideology, you know.
Speaker 2: But these are not reflections of ourselves. These are separate
Speaker 2: entities that have their own separate consciousness from us, that
Speaker 2: are there for a very specific, historically accurate and traceable reason.
Speaker 2: And they are not your friends, okay. They are your
Speaker 2: enemies who are out to get your body and for
Speaker 2: any means you let them in.
Speaker 1: They'll take you experience the physical world through your.
Speaker 2: Body exactly, and they will tell you anything to get
Speaker 2: there and to you for you to open a black channel.
Speaker 2: And if they can get you mimicking them, dressing like
Speaker 2: them and acting like them, then you're creating stronger channels
Speaker 2: for them to come here. Here's the one genus with
Speaker 2: a rainbow serpent father for example, you know. And that's
Speaker 2: that they are these things in the spiritual realm. In
Speaker 2: the physical they look like this. In the spirit they
Speaker 2: look like jesters. That's basically the difference here.
Speaker 1: So go ahead, I'll just I'm just going to say
Speaker 1: the rainbow serpent is big in voodoo that we were
Speaker 1: just talking about, right, the serpent and the rainbow.
Speaker 2: Yeah, it's everywhere, the dragon mythologies all throughout the land,
Speaker 2: on every single continence, and they just have a different
Speaker 2: name and a different cultural style of representing them, but
Speaker 2: they're all talking about the exact same things, and they
Speaker 2: all have the exact same mythos. They came to earth
Speaker 2: and mingled with humanity and created offspring. Are a lord
Speaker 2: of the jesters with the billikins.
Speaker 1: Oh, yes, there he is with the little belly buttonry.
Speaker 2: It's not a belly button, that's the tip of his thing. Yeah,
Speaker 2: he's always.
Speaker 1: Erect exactly Like remember troll dolls.
Speaker 2: I guess they're based off of them. Yeah, and the same.
Speaker 1: Troll dolls are like billikins and their little belly button.
Speaker 2: Jewel is like, yes, it's the same thing. They're always
Speaker 2: doing this. There was something wrong with they're doing this
Speaker 2: to us all the time, you know, they're showing it
Speaker 2: all the time. And this is one of those occult things.
Speaker 2: It's like once you see it, you don't really unsee it,
Speaker 2: you know now, And there's no really the cats out
Speaker 2: of the bag type of situation. Here is the early Greek.
Speaker 2: This is the early Greek theater, and this is where
Speaker 2: the first proto theaterre clowns existed. But they're not clowns,
Speaker 2: they're just people wearing masks, acting like famous rich people
Speaker 2: that everyone would recognize. And this is the tradition that
Speaker 2: went to Rome, and then out of Rome goes there
Speaker 2: can be the Lats, and then eventually they incorporated Harlequin.
Speaker 2: This is Harlequin's original form right here, wearing this beast
Speaker 2: mask with this multicolored patches, and he developed slowly into
Speaker 2: like a multicolored tight skin leotard thing by the eighteen hundreds.
Speaker 2: But by this point he was boring. He wasn't demonic anymore,
Speaker 2: and he needed replacing. And that's when the modern clown
Speaker 2: replaced this thing, and it became like truly demonic, you know,
Speaker 2: it became this like so there's Harlequin and the clown.
Speaker 2: The clown now dresses like this monstrous thing you see here,
Speaker 2: when originally, if I can find it, he actually dressed
Speaker 2: like I've got here. Here's the French version, plain white.
Speaker 1: That's what I was thinking of when you were talking
Speaker 1: about that.
Speaker 2: Yeah, play white, ruffled rags that sorry, that's Greek theater again.
Speaker 2: I've got it somewhere. Pedrolino, he has his hands in
Speaker 2: his pockets like some kind of anime character thinking it's
Speaker 2: really cool, but he it's just boring. He looks boring
Speaker 2: to begin with, Like, so here here's what Harlequinn and
Speaker 2: Pedrolino used to look like next to each other. And
Speaker 2: then it became that psychedelic mess I mentioned earlier. You
Speaker 2: know what I mean, It suddenly switched and it's kind
Speaker 2: of like, what the hell happened? Why did the switch happen?
Speaker 2: How did the clown go from that to this? It
Speaker 2: makes no sense until you understand that it was done
Speaker 2: on purpose by freemasons who would modeled it after Indian demons.
Speaker 2: Like it's it's bizarre, you know, it's very it's an
Speaker 2: odd story. And there's another example of Indian ractussis Yeah,
Speaker 2: I've got harms.
Speaker 1: I have this.
Speaker 2: This file is just full of hundreds. There's a drawing
Speaker 2: guy did in my early research. But they they're everywhere.
Speaker 2: Dragons are everywhere. There's the psychedelic clown demons people see
Speaker 2: on DMT, for example, they are all over them. Yeah,
Speaker 2: they are these AI generated examples because it's hard to
Speaker 2: it's hard to draw something you see on DMT. But
Speaker 2: with AI we're getting a very close look these days.
Speaker 2: But you'll find the secret to being famous today in
Speaker 2: the West is not to have any talent. It's to
Speaker 2: dress like a clown, and you will be elevated. You'll
Speaker 2: be put on the spotlight, you'll be put in front
Speaker 2: of people and made an idol of, not because your
Speaker 2: music's good, but because you look a certain way. Because
Speaker 2: the freemasons that run these industries are in the game
Speaker 2: of getting more people to dress this way, so they
Speaker 2: can put idols out there who look like they dress
Speaker 2: in this clown aesthetic. More people will emulate their idols
Speaker 2: and dress like them, and then you get more people
Speaker 2: copying that style, and then you get new up and
Speaker 2: coming musicians copying the styles of the great slightly David Bowie.
Speaker 2: Let's say, with his white skinned redhad you start character
Speaker 2: a legend in death, a god in death. Well, if
Speaker 2: I want to be famous, I've better dressed like he did, right,
Speaker 2: So people copy and emulate this pattern over and over again. Yeah,
Speaker 2: I know, right, I hate that thing. Yeah, and it's
Speaker 2: pushed on the kids, this thing as well. But you'll
Speaker 2: find that I said, in the modern world, this this
Speaker 2: aesthetic has been a common theme all through the eighties,
Speaker 2: you know what I mean, all through like that glam
Speaker 2: rock style up into modern fashion. And these are quite
Speaker 2: famous people here, got boy George there and you've I
Speaker 2: forgot his name, and then a whole thing at Lee
Speaker 2: Bowery right there invented this modern style, which is where
Speaker 2: the modern trans style comes from. Is mainly based off
Speaker 2: of his original aesthetic and you can clearly see where
Speaker 2: it gets his inspiration from. It's not a joke. It
Speaker 2: all comes back to these ancient traditions, sacred clowning of
Speaker 2: the hayocres of the North American planes. Now they believe
Speaker 2: these clowns are an integral part of the community. They're
Speaker 2: there to teach people how not to behave. But when
Speaker 2: actually look into what they're based themselves off of. They've
Speaker 2: based themselves off of a god called a w kin
Speaker 2: Yan who brings thunder and rain, and he looks like
Speaker 2: a psychedelic clowan monster and he is basically a human
Speaker 2: dragon hybrid or the thunderbird hybrid. Shall we see they
Speaker 2: have a different name for them, you know, here's the
Speaker 2: wild Man of Europe. This is what Harlequin's based off of,
Speaker 2: and this is what these characters are based off of
Speaker 2: as well as.
Speaker 1: Name.
Speaker 2: Yeah, same thing for the Christmas tradition, Belshnicol. Yeah, Crampus,
Speaker 2: it's all the wild Man of Europe. It's this character here.
Speaker 2: This is what Harlequin is based on. And this is
Speaker 2: the Europeans version of there's Huggy Ruggy again with the kids.
Speaker 2: There's another rightious representation. He is a d mtes. Then
Speaker 2: this is one of the old initial art works before AI,
Speaker 2: and this is how people try to describe it.
Speaker 1: Do you think it's influenced Surrealism are probably?
Speaker 2: I mean surrealists are kind of and you people like Darli.
Speaker 2: They were always intrinsically linked with trying to square the
Speaker 2: spirit realm with the physical realm, and they'll represent their
Speaker 2: dreams and things like this, and you'll find some odd
Speaker 2: things throughout surrealist art work. I think, you know, what
Speaker 2: if artists always tried to do but encapsulate the indescribable.
Speaker 2: So yeah, I think a lot of Surrealist artwork is
Speaker 2: this idea of I've seen some things and I don't
Speaker 2: know how to draw it, so I'm going to try
Speaker 2: my best.
Speaker 1: You know.
Speaker 2: But now I think with AI we're getting a real
Speaker 2: glimpse into more accurate forms, I would say, And you know,
Speaker 2: they look a lot like what these people who dress
Speaker 2: like their ancestors dress like in Africa here, for example,
Speaker 2: like these multicolored, fractal patterned messes is clown core fashion
Speaker 2: on the runways. Here's an Indian tradition. Here's Ronald McDonald
Speaker 2: with the screaming.
Speaker 1: Of McDonald and Ronald McDonald and cannibalism, because.
Speaker 2: Well, you know that's a classic one. That isn't the
Speaker 2: you're eating people type of thing. I've heard that times,
Speaker 2: but I don't know if that's true. But crying right, Yeah, Well,
Speaker 2: kids don't like clowns. This is the odd thing. People
Speaker 2: have done studies. It's like one in ten children actually
Speaker 2: like clowns, and even that and that kid's weird. No one,
Speaker 2: no one likes. It's kind of it's not the want
Speaker 2: to look out for it. Yeah, most kids don't like clowns,
Speaker 2: So why they marketed towards children so much. It's really rare,
Speaker 2: and it's it's odd that the fear of clowns, which
Speaker 2: is called color roophobia color raophobia, is actually really common.
Speaker 2: Like it's really up there next to spiders and heights,
Speaker 2: you know what I mean. It's kind of how how
Speaker 2: is that thing one of the most common figures. It's odd,
Speaker 2: isn't it? And until you actually and this is funny
Speaker 2: because they always release an article every year without fail.
Speaker 2: I've been tracking it for like eight years now. Every
Speaker 2: year they release articles saying scientists have figured out why
Speaker 2: people are scared of clowns. And they always say it's
Speaker 2: it's the uncanny valley. Is almost human but not quite
Speaker 2: and it makes us feel uneasy, you know. And also
Speaker 2: we don't trust people when we can't see the facial
Speaker 2: features move because of the makeup. So it's kind of
Speaker 2: it makes us feel naturally uneasy and that's all it is,
Speaker 2: you know. Or perhaps we used to be hunted and
Speaker 2: eaten by something that looks like that, Ye prey, and
Speaker 2: that kind of left a mark on us, and we
Speaker 2: now instinctively recoil at the thought of something that looks
Speaker 2: like that. It tells us our genes tell us run
Speaker 2: like because we are prey to these things.
Speaker 1: Yeah, our epic genetic memory is saying these things are dangerous. Yes,
Speaker 1: So alis in Wonderland is something we talk about.
Speaker 2: Oh look that pretty snake exactly.
Speaker 1: We talk about in connection to mind control. And you
Speaker 1: did a whole video on the Mad Hatter and the
Speaker 1: Red Queen. So can you speak on alis in Wonderland?
Speaker 2: And I made that video a long time ago actually,
Speaker 2: and they're not covered recently, so let me see if
Speaker 2: I can think of my memory. But yes, obviously the
Speaker 2: Red Queen is based off of Queen Elizabeth, who also
Speaker 2: has that same style. By the way, those peederlin you know,
Speaker 2: the Italian tradition originally before it became a French But
Speaker 2: there we go. But yeah, I do have a picture
Speaker 2: of her summer on here I go back to the
Speaker 2: different image. I think she's at the bottom somewhere. But yeah,
Speaker 2: obviously she's based off of Queen Elizabeth, who quite famously
Speaker 2: used Venetian cerrous. It was called it was a lead
Speaker 2: based white face paint, and her face was like decaying.
Speaker 2: It was basically damaged from lead poisoning and it's possibly
Speaker 2: the thing that killed We don't actually know that officially,
Speaker 2: but lead poisoning is serious. You know, you don't You
Speaker 2: don't come back from that very easily, especially when you're
Speaker 2: cacking your face in it all the time. But she
Speaker 2: was quite famous for having this look, red hair, white skin,
Speaker 2: multiple pattern clothing, and the Royal family to believe that
Speaker 2: they have the divine right to rule because of the
Speaker 2: special Nephelin blood. It would make sense, well exactly, it
Speaker 2: would make sense she was kind of trying to emulate it.
Speaker 2: I mean even the ruffled around the neck, which was
Speaker 2: popularized by aristocracy, which then clowns began to wear like
Speaker 2: this thing you see here that is a distinctly reptilian feature.
Speaker 2: Only reptiles have the reptilian frill it's cold, which is
Speaker 2: a big round frill around the neck and it's a
Speaker 2: very specific reptile in Australia. Yeah, they're quite famously in
Speaker 2: Jurassic Park. The one that spits in the face has
Speaker 2: the frill coming up. It's a reptilian feature. And you
Speaker 2: have the aristocracy wearing these massive frills with this look
Speaker 2: to them. Is it possible they were also trying to
Speaker 2: emulate something they believe they have a divine connection to,
Speaker 2: you know what I mean? And why clowns were given
Speaker 2: that feature, it's not because they're just trying to mock
Speaker 2: the queen in the funny way they do, but it's
Speaker 2: actually a distinctive Nethelin feature that just adds to the
Speaker 2: costume and strengthens the channeling. But yeah, that's who the
Speaker 2: Red Queen from Alice in Woodland is based off of.
Speaker 2: And obviously the Mad Hatter I mentioned the man earlier.
Speaker 2: He seems to be some kind of shaman or means
Speaker 2: or connection to the spirit realm. He is like intermediary
Speaker 2: between the spirit realm and the physical realm. That's his job.
Speaker 2: He's not just some unsuspecting person who accidentally got possessed.
Speaker 2: He willingly works with demons as contracts. Is a medium. Yeah,
Speaker 2: and perhaps that's what the Mad Hatter was also representing.
Speaker 2: And obviously Alice's descent into madness is kind of all
Speaker 2: involved with. And there's a lot of psychedelic principles throughout
Speaker 2: the whole film. And I've not watched it in so
Speaker 2: long or read the book in so long that I'd
Speaker 2: be hard pressed right now to give you much more.
Speaker 2: But just a surface glance, you have the cheshire Cat,
Speaker 2: which has the big wide grin, the big glowing eyes,
Speaker 2: the psychedelic patterns coming around. Yeah, it looks like a clown. Yeah,
Speaker 2: So you haveter the type of entity she encounters while
Speaker 2: exploring this psychedelic realm. Perhaps it's a wink and a
Speaker 2: nod to the d MT experience. We mentioned earlier. Perhaps,
Speaker 2: So that's all I could probably really say on that
Speaker 2: at a glance, at a glance right now, to be honest, Yeah,
Speaker 2: have you seen.
Speaker 1: Terrifier the movie?
Speaker 2: I've not seen it, but I've seen plenty of pictures
Speaker 2: I'm aware of. It's just look, well, look, there will
Speaker 2: always be a clown character of media. Yeah, okay, they
Speaker 2: will continuously make it front and center and reboot a
Speaker 2: new joker or a new It or a new clown
Speaker 2: serial killer. There will always be a new hot flavor
Speaker 2: cloud of the year because they want people to dress
Speaker 2: that way for Halloween, and they want people thinking it's
Speaker 2: cool empathizing with the clown character, you know what I mean.
Speaker 1: They want to invoke the nephilon in the.
Speaker 2: Public basically, and the more people that can get dressing
Speaker 2: this way, the more channels they're opening. Like I said,
Speaker 2: Lee Bar, we popularize this kind of style in the
Speaker 2: eighties and nineties, you know what I mean, So make
Speaker 2: it cool to be that way in the fashion industry,
Speaker 2: and it's trying to push it on the people. Like
Speaker 2: I said, David Bowie popularized this style through the music
Speaker 2: industry to get more people as an idol. Yeah, to
Speaker 2: get more people as an idol to copy him, and
Speaker 2: that's the game. So the only reason you see new
Speaker 2: clown characters appearing is because they want to keep it
Speaker 2: fresh in people's minds. They want people dressing that way
Speaker 2: in their own fashion, and they want to keep it
Speaker 2: popular and cool. Some more people remain as channels readily
Speaker 2: for these demons. Being ignorant of the spiritual law won't
Speaker 2: make you immune to it. You dress this way, you
Speaker 2: channel demons, whether you know it or not. That's what
Speaker 2: you're doing. So the banking on ignorance, and they're banking
Speaker 2: on people thinking it's harmless or a bit of fun
Speaker 2: for the kids. They're giving a lot of sympathy for
Speaker 2: the devil with this. They're making him a relatable, cool character.
Speaker 1: Yes, he's almost a dark hero now.
Speaker 2: Yeah, that people want to emulate and be like and
Speaker 2: associate with. But he's basically based off of these characters
Speaker 2: from ancient folk traditions of Europe. This is the wild Man,
Speaker 2: who is based off of ancient demons. So you dress
Speaker 2: like a clown, you're dressing like a ractress ed demon
Speaker 2: of India. That's what you're actually doing. You're not dressing
Speaker 2: like anything unique it's ancient, it's old. You're dressing the
Speaker 2: same reason these guys dress up, you know. I mean,
Speaker 2: you're dressing the same costume.
Speaker 1: And these are very old old traditions too. I mean,
Speaker 1: India is probably one of the.
Speaker 2: Oldest, yeah, oral traditions that have passed down through thousands
Speaker 2: of years unchanged. That's there are a glimpse into the
Speaker 2: ancient past. These remote tribes of cannibals in Papua New
Speaker 2: Guinea haven't changed the tradition.
Speaker 1: Wow.
Speaker 2: And they are all trying to remember the ancestors they
Speaker 2: call them, But they don't mean like grand moral grandad.
Speaker 2: They mean the builders of the ancient civilization. Primordial gods
Speaker 2: are their ancestors. They're talking about the Nephelin. So they
Speaker 2: dress in ways that emulate or echo the things that
Speaker 2: were around at one point, because they think they are
Speaker 2: symbols and standards of beauty, power and strength, the gods
Speaker 2: and kings, the ancient nefhelm. So they have red feathered
Speaker 2: head dresses and red noses and white skin in many
Speaker 2: different ways they do it. Every culture has their own style,
Speaker 2: but they're trying to emulate something from the ancient past.
Speaker 2: And that's it. I mean, even look at these early
Speaker 2: circuses here. This is one of the first Ringling Brothers posters.
Speaker 2: I mean, you don't notice it here because it's kind
Speaker 2: of cut off on the bottom, but this is a
Speaker 2: giant clown. He has a tiny circus tent at his feet.
Speaker 2: Oh yeah, and he is a giant among these things.
Speaker 2: They kind of been referencing it since the beginning. They've
Speaker 2: been telling you since the beginning what the clown is.
Speaker 2: We're just not supposed to know. We don't recognize the symbol.
Speaker 2: We don't we're not in on the joke, you know
Speaker 2: what I mean. It's kind of it's always been the case.
Speaker 2: There's never been a point where the clown or harlequin
Speaker 2: or is pretty and sessed of pre you know, proto clowns.
Speaker 2: They have always been representations of demons always, and you
Speaker 2: kind of we have forgotten that and we now associate
Speaker 2: it with fun and fervility and something fun for the children.
Speaker 2: You have these elongated skulls that still have the red
Speaker 2: hair attached. For example, these have these creepy creatures. It's
Speaker 2: here's here's the gorgan. This is Medusa. Okay, she's holding
Speaker 2: a horse, so she's a giant. She has wings because
Speaker 2: she's half angel. She has a human body with pale
Speaker 2: white skin, white skin, wide mouthed tongue sticking gout, and
Speaker 2: red hair predominantly this is black on here. But she
Speaker 2: she is a nephelim, She's a half human half angel hybrid.
Speaker 2: And they looked like clowns. There's no two ways about it.
Speaker 2: That's exactly what they look like. Look, she even has
Speaker 2: her hands up doing like the no, no, no, do
Speaker 2: you know what I mean? Where do you think that
Speaker 2: comes from?
Speaker 1: And this is also a Masonic.
Speaker 2: Sign of distress, isn't it. It's the Mysonic sign of
Speaker 2: distress exactly, Like this is ancient and they are the
Speaker 2: offspring of these things, okay, like dragons. They are terrifying
Speaker 2: to behold. And if we use so one today, your
Speaker 2: heart would drop. And it's kind of a lot of people,
Speaker 2: especially in the old days of conspiracy, when people were
Speaker 2: talking about the nephlimbs like a hot bunt topic, they
Speaker 2: would always have depictions of the nephlim as like really tall,
Speaker 2: ripped humans with tan skin and long brown dreadlocks, wearing
Speaker 2: like a cone in the Barbarian and here animals skin
Speaker 2: loincloth or something like that with like a golden belt buckle.
Speaker 2: It's kind of like that's too human, like they wouldn't
Speaker 2: and that was what kind of got me onto this.
Speaker 2: It's kind of like, that's not right, that's not what
Speaker 2: they would have looked like based on who the parents were,
Speaker 2: and when you put those two things together, you don't
Speaker 2: get something that looks like a human. I'm sorry, that's
Speaker 2: just what they would have looked like. So that kind
Speaker 2: of led me on this path of research, and the
Speaker 2: connections just keep coming. It's ridiculous. And like I said,
Speaker 2: I've written my first book on the thing here you
Speaker 2: can get it on Amazon, you know, and it's this
Speaker 2: is just three hundred pages laying out the foundation for
Speaker 2: the theory. I'm writing the second book now, which would
Speaker 2: be another three hundred pages, just showing all these examples
Speaker 2: I'm talking about with you right now, but giving you
Speaker 2: the meat the history of each individual culture and where
Speaker 2: they say they get their stuff from, and where my
Speaker 2: theory comes into it, and where the obvious connections are.
Speaker 2: Every single culture on the earth, every continent, every village
Speaker 2: has a folk tradition and they all communicate with the
Speaker 2: ancestors by dressing a certain way, and they all have
Speaker 2: clown features, all of them because they're all communicating with
Speaker 2: the same creatures. Now, don't get me wrong, there'll be
Speaker 2: many different kinds of nephelin, but they're all fundamentally reptilian,
Speaker 2: So snakes don't all look the same. The massive variation
Speaker 2: between snakes. Okay, the nephelin two would have a wide
Speaker 2: variation of color. Some of them would have had a
Speaker 2: blue skin, some of them would have had red skin,
Speaker 2: but predominantly white it seems to be the go to.
Speaker 2: Some would have had a red nose, some may not
Speaker 2: have a red nose. Some might have plumed, feathered frills,
Speaker 2: some might be covered in hair. But the esthetic similarities
Speaker 2: of their wide smile, book teeth, bulging eyes, these these
Speaker 2: sharp fanged book teeth things are very common thing. Red hair,
Speaker 2: predominantly tall, multi colored patterns all over the body. You
Speaker 2: see the themes throughout every culture. By the way, these
Speaker 2: ancient folk traditions dress to channel their spirits. So that's
Speaker 2: our hint, that's our clue, you know what I mean.
Speaker 2: And biblically speaking, you know, we are kind of given
Speaker 2: a hint in the Book of Noah, which is found
Speaker 2: with the Book of Enoch, it talks about when Noah
Speaker 2: was born, his father freaked out and thought that his
Speaker 2: wife had given Perth to a Nephelim, because he ran
Speaker 2: to his father and says, he looks like one of
Speaker 2: the sons of the angels. And he's described as having
Speaker 2: white skin with red blotches all over it like polka dots,
Speaker 2: and golden hair with eyes that shine. So from that
Speaker 2: we can infer what Nefhelin would have looked like, something
Speaker 2: like Noah. Pale, white skin, glowing eyes, bright colored hair
Speaker 2: with red patches all over the skin. Now, Noah was
Speaker 2: a human, but he was clearly divinely inspired and chosen
Speaker 2: specially created human because he was going to repopulate the
Speaker 2: earth with more humans, so he had that aura about him.
Speaker 2: But because his dad's at first thought it's this one
Speaker 2: of the sons of the angels, we know the sons
Speaker 2: of the Angels had something like that kind of style
Speaker 2: biblically speaking. But we don't have to just go off that.
Speaker 2: We can look at all these other cultures I'm showing
Speaker 2: you here, and they show you what they look like.
Speaker 2: They dress like them, they have them all over the art.
Speaker 2: They're in stone like they are showing you what these
Speaker 2: creatures look like. And they've all they all just have
Speaker 2: their own geographically specific story that everyone thinks they're all
Speaker 2: talking about different creatures. Everyone thinks they're all talking about
Speaker 2: something separate from one another, but they're not. They are
Speaker 2: the same thing, just in different geographical places. Everyone on
Speaker 2: the Earth dealt with these things. They were everywhere. They
Speaker 2: were prolific. They were subjugating humanity and eating them. And
Speaker 2: this memory is echoed through the folk traditions, and that's
Speaker 2: where we can see what they looked like. So that's
Speaker 2: it kind of summarized.
Speaker 1: Yeah, now this is amazing. Have you seen killer clowns
Speaker 1: from outer space?
Speaker 2: Yah? Yeah, yeah, people say that to me all the time.
Speaker 2: That one. That's a classic. There's art the clown, by
Speaker 2: the way, just start I bring that up. There's the
Speaker 2: clown serial killer coming out the void from the other realm,
Speaker 2: the black and White realm. Beetle Juice wears a black
Speaker 2: and white fractal pattern thing because he's also trapped in
Speaker 2: the spirit realm. He has white skin and green hair.
Speaker 2: You find black and white patterns seem to represent them
Speaker 2: in their spirit form. He is an African tribe doing
Speaker 2: something very similar. Yeah, killer clowns from out of space
Speaker 2: basically just reptilian monsters that are eight right after killers.
Speaker 1: They're actually like consuming them. And you just made me.
Speaker 1: Remember who's that serial killer John Wayne Gacy. He was
Speaker 1: upseessed with the clowns and being a clown. Remember that.
Speaker 2: It's funny. It's funny because at the height of his spree,
Speaker 2: it's when he started dressing like a clown. He didn't
Speaker 2: do it straight away after he killed thirty three young boys.
Speaker 2: They say, what a coincidence that that number was chosen,
Speaker 2: you know, But it was only like when he was
Speaker 2: like twenty people in did he start dressing like a clown.
Speaker 2: And I don't think it's a coincidence that he was
Speaker 2: only a half hour drive away from his local Royal
Speaker 2: Order of the Jester's lodge. He was only two hour
Speaker 2: drive away from the headquarters of the Royal Order of
Speaker 2: the Jesters and in Indianapolis, and he was caught communicating
Speaker 2: with two men and it was recorded. It's one of
Speaker 2: the things that got and convicted about trafficking young boys,
Speaker 2: and he was buying them to murder rape. It's highly
Speaker 2: likely he was associating with the Royal Lord of the Jesters,
Speaker 2: who also have been implicated in humor trafficking quite publicly.
Speaker 2: He can find the FBI records. Perhaps he started dressing
Speaker 2: like a clown because he started to understand what it
Speaker 2: really represented, and maybe he was an insider. He was
Speaker 2: a member of the Moose, the Blue Lodge, the Moose
Speaker 2: Lodge in his area. He was photographed with like members
Speaker 2: of the Senate. He had a s pin in his picture,
Speaker 2: Special Services pin. You know, he seems to be well
Speaker 2: connected and just like clowns and painted clowns and murdered
Speaker 2: people and these odd connections.
Speaker 1: Any study into serial killers, you're going to find that
Speaker 1: they don't act alone a lot of times. Most times
Speaker 1: it's more of a ring and that person's just kind
Speaker 1: of a fall guy or you know they or whatever.
Speaker 2: Oh yeah, it seems that way. Honestly, I get that
Speaker 2: that guy is definitely it's sucks like, it's very sus
Speaker 2: and one thing I think it's fun. We should mention
Speaker 2: I mentioned a Red Nose Day earlier. It's like this
Speaker 2: public yearly event in the anglosphere where like they get
Speaker 2: the public to dress like a clown basically to raise
Speaker 2: money for charity, they say now the red nose. Officially,
Speaker 2: the story goes that a German actor in a circus
Speaker 2: was kicked onto the stage after an argument with his
Speaker 2: boss from the dressing room and he broke his nose
Speaker 2: and when he got up during the show that was
Speaker 2: going on, everyone laughed at him and called him a
Speaker 2: gust of gust, which went full in German, because his
Speaker 2: nose was swollen, red and bleeding, and then it became
Speaker 2: became like a staple of the circus from that day on. Now,
Speaker 2: I think that's a lot of nonsense. There's no evidence
Speaker 2: that or record of that happening anywhere. No one knows
Speaker 2: where that story came from. It she seems like a
Speaker 2: made up story, to be honest. What's more likely is
Speaker 2: that they had what's called a rhino fiber. So here
Speaker 2: is a example of a human with a rhino fibers.
Speaker 2: Some of the nose grows to be a big, bulbous
Speaker 2: mass and it gets very red in its extreme end stages.
Speaker 2: I think I've got a picture here at the top. Actually,
Speaker 2: it can get really horrible looking, and it's called the
Speaker 2: curse of the Celts, and it's something white people predominantly
Speaker 2: deal with like it's the more common and white people.
Speaker 2: That's why they call it the curse of the Celts.
Speaker 2: And it's basically roseaesia where people get patches of red
Speaker 2: all over the skin. But they call this like like
Speaker 2: end stage rose, like n stage cancer. That is end
Speaker 2: stage roseaesia. This is the most extreme manifestation of roseaesia.
Speaker 2: It's genetic. You can't catch this and you can't cause
Speaker 2: this by drinking too much alcohol or something, which a
Speaker 2: lot of people seem to equate this this sickness with
Speaker 2: nothing to do with that. It's purely genetic and it's
Speaker 2: predominantly problem people with very pale skin have, okay, and
Speaker 2: the Nephlin were known to have extremely white, pale skin,
Speaker 2: so it's like that they also developed this issue. Whereas
Speaker 2: they got old, the nose grew to be bulbous and
Speaker 2: they gained a rhino fimer, which is the curse of
Speaker 2: the Celts today. So humans get this as well. It's
Speaker 2: a genetic condition specifically, I'm not saying it's inherited from
Speaker 2: the Nephilim or something like that. If it's just a
Speaker 2: problem people with pale skin get. And there are people
Speaker 2: with like black skin, brown skin, whatever skin. Who can
Speaker 2: get it. But it's rare, it's extremely rare. So this
Speaker 2: is not caused by alcoholism. This is not self inflicted.
Speaker 2: It's a purely genetic condition. The only way to fix it,
Speaker 2: and as you can see this man's had done here
Speaker 2: is you shave it off with a hot wire and
Speaker 2: you re sculpt the nose back into normal human shape.
Speaker 2: It's the only way to get rid of it. You
Speaker 2: burn it off and literally slice it away and turn
Speaker 2: it into something new. Not pleasant, I know, but that
Speaker 2: is likely what the Nephilim had, which is why they
Speaker 2: end up the client costume show, because.
Speaker 1: They were like a prebomination type preachers.
Speaker 2: They're like a default in the genes. Yeah, some kind
Speaker 2: of corruption, Like I mean, here's an African example, and
Speaker 2: they've got the red polka dots on the face. Probably
Speaker 2: Roseatia an example of roseationha manifesting. You know, he's Inuit masks. Now,
Speaker 2: the Inuits are creepy.
Speaker 1: They have that.
Speaker 2: They're not okay that the Inuits are not okay. I
Speaker 2: have to say this. There's something wrong with them, right.
Speaker 2: They they are terrified, terrified and terrifying people. They are
Speaker 2: so scared they are scared of the spirits. They'll tell
Speaker 2: you that we're terrified of the spirits, and they make
Speaker 2: masks to appease them and to beg them not to
Speaker 2: bring drought and famine and stuff, you know. And this
Speaker 2: is what they think they look like. This is what
Speaker 2: they manifest their demon masks as they It's got a
Speaker 2: turn gack, that is what they call it. These the
Speaker 2: turn gacks are the demons that the shamans channel and
Speaker 2: work with for power. So this is what they believe
Speaker 2: the turn gats look like. White face, red mouth, wide grin.
Speaker 2: This is just their culturally specific way of depicting the
Speaker 2: exact same thing the Indians are depicting with racture starts.
Speaker 2: This is just their artistic style of doing the same thing.
Speaker 2: And yeah, like I said, you find the red nose
Speaker 2: does crop up quite a lot in some examples, and
Speaker 2: the modern clown always sports the red nose as well.
Speaker 2: So I think, I mean, here's a rakshah for example,
Speaker 2: with a red nose. It's not always there, but is
Speaker 2: there sometimes as well. Just like in humans, not all
Speaker 2: white people get it. So I think that's where we
Speaker 2: get the red nose from, really, and white clowns use
Speaker 2: red noses. I mean, I mean, look at Medusa here.
Speaker 2: She looks nothing like what you've been told through modern media.
Speaker 2: She looks more human with white, pale skin with wings
Speaker 2: because she's half angel, with its wide serpent grin and
Speaker 2: pale skin with patterns all over it like a snake.
Speaker 2: This is what the nephlim. She has a snake in
Speaker 2: her mouth there. Yeah, this is what they would have
Speaker 2: really looked like. There you go, them look like clowns.
Speaker 2: I think I've I think I've tried to prove here today.
Speaker 1: You convinced me. I mean, Paul, you blew my mind
Speaker 1: twice in the last month on your channel. And that's
Speaker 1: not easy to do because I feel like I've seen
Speaker 1: heard at all. But first with the parasites look like
Speaker 1: demons or not look like parasites are the conduit.
Speaker 2: Maybe for uh Yeah, that was an interesting moment.
Speaker 1: Yeah that And this is just amazing, Like it's it's
Speaker 1: actually really refreshing and original and mind blowing and just
Speaker 1: super informative. And I recommend everybody go to Understanding Conspiracy
Speaker 1: and check out this presentation, especially about clowns. But you
Speaker 1: have so many other great videos like you're one of
Speaker 1: the best conspiracy channels that I've I'm across. I'm usually
Speaker 1: been a long long time, so I hope, uh, if
Speaker 1: you have something new, you can come back anytime. But
Speaker 1: this was a banger. You crushed it, you convinced me,
Speaker 1: you scared me. It was creepy. It's a spooky season.
Speaker 1: We've got insane clown posse up in half and I
Speaker 1: want to thank you for coming in. Is there anything
Speaker 1: else you want to add? And tell us where we
Speaker 1: can find all of your information.
Speaker 2: Yeah, every year the Insane clown possely throw a party
Speaker 2: in a Freemason hole, so I should tell you so.
Speaker 2: Oh well, but other than that, yeah, you can find
Speaker 2: me on YouTube. I've been doing the podcast circuit for
Speaker 2: over a year now. I was you sounded like Sam
Speaker 2: Tripley for a second there, and I remember I just
Speaker 2: didn't show that why. I was on stand Tripley as
Speaker 2: well about six eight months ago talking about this as well.
Speaker 2: But like I said, I published a book three months ago.
Speaker 2: We sold two thousand copies in three months, so it's
Speaker 2: going quite well. And you can get you can get
Speaker 2: it on our on just typing the NEPHL and look
Speaker 2: like clowns and look for this thing you see right here.
Speaker 2: I'm not just making this up, is what I'm saying.
Speaker 2: I bring the evidence. There's over three hundred references in
Speaker 2: this first volume alone showing you the history of the clown.
Speaker 2: It's not actually hidden, you just have to go looking
Speaker 2: for it. And some of the connections I have made
Speaker 2: myself about the costume of a clown relating to Indian demons,
Speaker 2: it has been confirmed since my research. There's an episode
Speaker 2: of Supernatural, for example, made in two thousand and two,
Speaker 2: so way before I even got in the game, which
Speaker 2: is about a circus clown who gets invited into a
Speaker 2: house by a child. So it's vampire rules, you have
Speaker 2: to invite it in and it eats the parents. Turns
Speaker 2: out it's an ancient Indian demon called a ratuster in
Speaker 2: the show. So they were telling you then in two
Speaker 2: thousand and two. You know, it's always been there in
Speaker 2: our faces. But I only discovered that episode months after
Speaker 2: make my own connections, so it is real, it is there,
Speaker 2: and just going Look, I'm not a guy who actually
Speaker 2: cares about clowns. I wasn't raised even think giving them
Speaker 2: a second thought. It's not like I thought i'd be
Speaker 2: doing this. I really didn't think i'd be doing this.
Speaker 2: It's just one of those things. It's once you see,
Speaker 2: you can't unsee it. What I primarily am doing with
Speaker 2: my work is I'm trying to get people to take
Speaker 2: biblical history seriously, and I'm giving them a bridge here.
Speaker 2: I'm giving them something they can relate to, that they
Speaker 2: can connect to and understand and see viscerally. Spiritual warfare
Speaker 2: is real, and we are up against unseen forces, wickedness
Speaker 2: in high places, as it mentions in Ephesian six twelve,
Speaker 2: and we do have weapons against these spiritual forces. And
Speaker 2: I don't know where your audience, so you land with this,
Speaker 2: And I'm not trying to be pushy, but fundamentally, if
Speaker 2: you do encounter anything like this, just call on the
Speaker 2: name of Jesus Christ, and these things do do flee.
Speaker 1: Okay.
Speaker 2: It's it's tested or trying to say. And I'm trying
Speaker 2: to reach the psychedelic community as well. So where I
Speaker 2: come from, the jesters are not your friends. Okay, They're
Speaker 2: not what you think they are, and they're not you
Speaker 2: reflecting your shadow back at yourself. They are an ancient
Speaker 2: enemy of mankind and you need to be careful and
Speaker 2: they are liars, they will lie to you. So that's
Speaker 2: my work. Find me on YouTube, understand the conspiracy, and
Speaker 2: find the book on Amazon perfect.
Speaker 1: And we will see you all next time with Isaac
Speaker 1: Wisap and aliens and throughout history using people like you
Speaker 1: just said. You know, it's the same story, different flavor,
Speaker 1: mixing the genetics of human beings and extraterrestrials. So look
Speaker 1: for that and thanks for coming everyone,