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Speaker 1: Welcome to the Great Detectives of Old Time Radio and

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our first listener support and Appreciation special from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we

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are going to bring you today's program, but first I

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do want to encourage you. If you're enjoying the podcast,

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please follow us using your favorite podcast software. Now, since

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this is our first podcast in the month of March,

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I do want to take a moment to thank all

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of our latest Platinum Patreon supporters. These are listeners who

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have been supporting the podcast for ten years this month,

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and we have quite a few. And I want to

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thank Dan and Nancy currently supporting the podcast at the

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Detective Sergeant level of seven dollars and fourteen cents or

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more per month. And I want to go ahead and

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thank James, Lisa, Judith and Michael and Jim and Rachel

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and Jennifer supporting the podcast at the Shawmas level of

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four dollars or more per month. And I want to

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thank Jesse and Paul currently supporting the podcast at the

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Rookie level of two dollars or more per month. Again,

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thank you so much for supporting the podcasts these last

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ten years. I really appreciate it. Our listener support and

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appreciation campaign begins tomorrow and we'll talk more about that

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after tomorrow's show. But as part of that, we will

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bring you three special episodes, and we're going to start

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with another adaptation of a story we brought you previously.

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And I actually thought this one was more recent that

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we did the first adaptation of it, but when I

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was looking back, I see that this was actually we

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did our three thousand, eight hundredth episode special, which was

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the Campbell's Playhouse adaptation of The Glass Key. Today, we

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are going to bring you the screen Yield Theater adaptation

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of The Glass Keep. This, of course, is based on

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the nineteen forty two film starring Alan Ladd, Veronica Lake,

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and Brian don Levy. Now let's go back to the

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screen ye Old Theater, the Lake the Esther Screen Guild Theater,

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this time from July twenty second, nineteen forty six. Please

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enjoy The Glass Key.

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Speaker 2: Lady Esther presents the Screen Guild players, the Lady Astra

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Screen Guild play Tonight the Glass Key, the starring players,

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the selling lad This.

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Speaker 3: Is Marjorie Reynolds and this is Ward Bond.

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Speaker 2: Tonight, Lady Esther presents the Screen Guild players in Paramount

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Pictures exciting mystery drama The Glass Key. It stars Marjorie

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Reynolds as Janet Alan Ladder's Ed and Ward Bond as Paul,

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the Lady Esther screen Guild players in The Glass Key.

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Speaker 4: Paul used to say, we made a great combination. He

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had the fists and I had the brains. Not that

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you could call him dumb. You don't get to be

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political boss of his state without having something under your hat.

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The trouble was when he wanted something, he just grabbed

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it off and didn't count the costs. And that's what

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worried me that night.

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Speaker 5: So had the new posters just came in?

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Speaker 6: How do you like him?

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Speaker 4: Elect Gralph and three color job?

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Speaker 5: Not bad?

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Speaker 4: Huh, Paul, are you really going through that crazy idea?

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Speaker 5: What crazy idea?

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Speaker 4: Throwing him with old man Henry the whole reform ticket.

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Speaker 5: Sure, we're making the deal tonight at dinner at his house. Hey,

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what's the matter.

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Speaker 4: Don't you like it now more than I like those

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socks you're wearing?

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Speaker 5: Huh? What's wrong with him?

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Speaker 4: The clocks? They tick too loud? Yeah? I thought it

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was pretty Nick Vegas isn't going to like it either.

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Speaker 5: No, I ain't that just too bad?

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Speaker 4: You know they rated his gambling joint last night.

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Speaker 5: Yeah, I know. I passed the word myself.

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Speaker 4: Nick budd protection. He's going to want it.

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Speaker 5: Yeah, but it just happens that we're cleaning up this time, Paul.

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He's too big to take the boot from you now,

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I mean, he's too big to take it laying down,

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but he'll take it. This is the kiss off.

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Speaker 4: And after election, you think Henry will play ball.

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Speaker 5: I know he will. Add why he's practically giving me

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the key to his house.

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Speaker 4: Yeah, yeah, a glass key. Look out it don't break

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off in your hand. I know what the score was,

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of course, oh man. Henry had a daughter, Janet Henry.

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Paul had met her and gone off his nut about her.

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I'd never seen the dame myself, So that night, when

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Paul was at her place for dinner, I dropped in too.

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Just happened. I had to deliver some papers. I sat

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there and I watched Paul shooting off his mouth, and

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I watched her laughing to herself, laughing at Paul. Then

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I couldn't take it anymore, so I.

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Speaker 7: Got up to go you're going so early.

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Speaker 4: Yeah, I had some things to do.

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Speaker 7: I'll go to the door with you.

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Speaker 4: Eating, mister Henry. Good night, Paul, good night ahead, see

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you in the morning.

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Speaker 7: I'm sorry you're leaving, mister Beaumont. I'm sure you must

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have some interesting stories too.

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Speaker 4: My off sister. I don't like your technique.

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Speaker 7: Technique.

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Speaker 4: Yeah, you've had enough lass from the wrong side of

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the tracks for one night.

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Speaker 7: Oh I've had enough forever, mister Beaumont. I'm sorry for you.

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Speaker 4: Yeah, you work for it.

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Speaker 7: You have to be with him every day, you stand it.

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Speaker 4: I gotta suck you right in the eye. She wasn't

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the only one in that family who was bothering me

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right then. She had a brother name was Taylor Henry.

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No good kid had been hitting all the gambling joints

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for months. I've seen lots of times in Nick Vegas's place,

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and I knew that Nick Hady's hooks in him. Because

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it wasn't enough by itself. The young punk was running

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around with Paul's sister, and well, that's one thing you've

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got to understand. Paul loved that kid's sister of his.

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Wasn't anything he wouldn't do for and I've been wondering

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what was going to happen when he found out she'd

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been going to Taylor Henry's apartment. I didn't have long

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to wait. Just a few nights later. Hello, this is awful. Oh,

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I'll slow down, kidd with Samanta.

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Speaker 7: Paul fought out about Taylor Henry and he's going up

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to his house.

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Speaker 8: He's gonna kill.

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Speaker 4: Him'll get easy, snif Paul wouldn't be that crazy.

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Speaker 9: Oh, I tell you we will.

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Speaker 7: He's gonna kill him. Oh, and you've got to stop him.

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Speaker 4: Please, Okay, Okay, relax, I'll go right over and headymore.

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I kept my promise. I went up to the house

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of Big House. There wasn't a light, the place was dark.

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I thinkured everything was under control, so I stepped off

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the curb to hail a cabin. I saw something laying

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there in the street. Yeah, something Taylor Henry. And he

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was dead.

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Speaker 5: Ok okay just a minute. Oh hello, ahed pretty late

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to be sociable. I was just getting ready to brush

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my teeth.

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Speaker 4: Come on in, Oh, Paul, did you find Taylor Henry?

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Speaker 10: Oh?

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Speaker 5: So Opal calls here.

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Speaker 4: Huh yeah, yeah, did you find him?

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Speaker 5: I found his old man I had a wrong talk

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with him.

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Speaker 4: H wasn't Taylor there?

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Speaker 11: No?

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Speaker 2: Why?

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Speaker 4: Well, he's laying in the gutter outside his house. He's

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he's dead.

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Speaker 5: H that's all.

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Speaker 4: And you hear what I said? Sure? Well, well what

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he was killed?

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Speaker 5: Do you want me to get hysterical about it?

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Speaker 4: They want me to do? Should I call it the police?

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Speaker 5: Don't they know about it?

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Speaker 4: Wasn't anybody around when I found him? Is it all

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right for me to say I found him?

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Speaker 5: Why not? Go ahead? Use the phone? Okay, you're a

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big fool ed well one of them.

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Speaker 4: Sit. Come on, step don't take it so hard. Everybody's

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got to go to a funeral sometime.

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Speaker 7: You love me?

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Speaker 9: I know he did.

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Speaker 4: Sure, maybe he did. When you get a.

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Speaker 7: Bad excuse me, miss Madwig, I'm Janet Henry. Yeah, I

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speak to you for a minute if you want. It's

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just that I think you ought to know something I

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just heard about. What about Taylor's murder?

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Speaker 4: Come on, let's go sniff.

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Speaker 7: I beg your pardon. I was talking to miss Madwig.

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Speaker 4: Funeral is no place to talk about murder.

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Speaker 9: It is.

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Speaker 7: If you just heard Nick Vegas talking to my.

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Speaker 4: Father Vegas, Huh, what'd he say?

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Speaker 7: He said, he's got evidence that would convict someone for

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Taylor's murder?

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Speaker 4: Who who did?

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Speaker 7: He say? It was your brother?

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Speaker 4: Listen to you? Why don't you peddle your scandal to

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someone who wants to hear it? But Ed, come on,

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let's go snip. I don't like the company, he.

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Speaker 12: Said, Ed, glad to see you. Hi, Sure, but what

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brings you to the DA's office.

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Speaker 4: If you didn't know what about Taylor Henry?

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Speaker 12: Well, of course some people think we're kind of slow

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and cleaning up that murder.

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Speaker 4: Yeah, think so?

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Speaker 12: Oh I want special. It's just well, here take a

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look at this a letter. You know how it is

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a lot of cranks around. They always write anonymous letters.

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Speaker 4: And well, if if.

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Speaker 12: Paul Madviick didn't kill Taylor Henry, how did his best

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friend happen to find the body?

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Speaker 4: Said anything about that?

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Speaker 9: To?

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Speaker 4: No, don't now it.

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Speaker 12: Huh. I'm not taking this letter seriously. It's just that, well,

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there's a lot of pressure on this case. The paper

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is The Observer, especially.

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Speaker 4: I know Nick Vegas owns the Observer. Matthew's only one

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hundred grand dice, Well, just have it far? What is

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Nick got?

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Speaker 12: He's coming in tomorrow? I mean well ed ed. I

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I just can't sit.

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Speaker 4: Around and oh tell you tell your set stand and

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ride a bicycle.

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Speaker 12: Listen, I'm district attorney of this city in county. I

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of course a few with Paul. I mean, if there's

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any reason why I shouldn't.

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Speaker 4: There isn't any reason. And I wouldn't like you to

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think you're going around thinking it was I'm going up

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to see Paul, and if I were you, i'd buy

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that bicycle.

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Speaker 5: Now look here, I just forget about it. I've had

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the newspapers after me before, and I'm still sitting.

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Speaker 4: Pretty ever tried sitting pretty in electric chair. Don't scare me.

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I'm serious. Paul, he observe is hitting about a secret

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witness hot hair. You're wrong. Vegas has promised to give

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them something. Patch up your trouble within. Paul, he's the

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one who's spreading all the dirt.

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Speaker 5: I'll patch up nothing with that monkey. He's got to

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learn the When I say things are closed down, they're

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closed down.

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Speaker 4: All right, have it your own way, but don't calm

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me in what I'm pulling out New York Tonight.

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Speaker 7: Comn Hello, do you mind?

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Speaker 4: Will you? Huh? What is this slumming again.

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Speaker 7: You don't like me, do you, mister Beaumont.

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Speaker 4: I don't know. I think I do.

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Speaker 7: I'm pleased. Why why you're very direct, aren't you?

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Speaker 4: Yeah? Why are you so pleased?

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Speaker 7: Well, for some obscure reason, I think you're nice.

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Speaker 4: Okay, now let's have a not so obscure reason.

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Speaker 7: Well, I I was hoping you'd help me tell me

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something I want to know. Now, what did Paul mad

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Big kill my brother? No, you're sure, after all, you're

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Paul's best friend and you found Taylor's boy, did you not?

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Speaker 4: Huh? All right? Handed up? What ladder? Come on? Yeh?

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Now you're being smart. I knew you had, But I mean,

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I don't sure exactly like the one far got some

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half footed crackpie.

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Speaker 7: But what if it isn't. I've got to be sure.

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Please help me you want to I can tell you too.

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Speaker 4: No, I know why.

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Speaker 7: It's because you're Paul's friend.

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Speaker 4: Now, lesson not getting corny ideas I wanted. Dude, wouldn't

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make any difference whose friend I was.

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Speaker 7: But you do like me? You just said you did.

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Speaker 4: Sure, Sure you've got a pretty face, nice manners that

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I wouldn't trust you out of this room. You're slumming,

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and I don't go for it. You think you're too

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good for me, But sister, it happens. I think I'm

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too good for you. Now, if you don't mind, I'll

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answer my phone. Hello, Yeah, speaking you do? What for? Well,

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I'm not promising anything. Don't be surprised on there. Yeah,

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that's right about fifteen minutes. Well, miss Henry, I guess

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you'd better run along.

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Speaker 7: But aren't you going me?

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Speaker 5: Beat it?

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Speaker 4: I just made a date.

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Speaker 6: I'm glad you're acting sensible, and I'm glad you came over.

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Speaker 4: I'm glad you're glad. Nick. That makes everybody happy.

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Speaker 6: You're quite a guy.

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Speaker 5: Ed.

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Speaker 6: That's why I've been thinking about you. I figured you

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and I could slice some turkey together if you'd break

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down and do me a little favorite.

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Speaker 4: Noh, what you want to know?

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Speaker 6: Plenty about Medley?

263
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Speaker 4: Got your proposition?

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Speaker 6: Why did Paul bump off young Taylor?

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Speaker 4: Hey, that's a nice desk cost very.

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Speaker 6: Much plenty, But you haven't answered my question.

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Speaker 4: You haven't made your proposition.

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Speaker 6: I'll stick you to the finest gambling place in town.

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I'll let you run at the suit yourself. Give you

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plenty of protection.

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Speaker 4: Where would you be getting protection?

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Speaker 6: You are not so hot for putting in with me,

273
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are you? It wasn't my it is, so I guess

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I'm shut down. Yeah, sure, sure, I'll give you ten

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grand in cash right now, ken more on election night

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if we beat Paul and the gambling house.

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Speaker 5: Office still goes, what do I have to do?

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Speaker 6: Give you a story to the observer, how Paul's sister

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phoned you, how you went up to Taylor's house about that?

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Speaker 4: Sure?

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Speaker 6: Sure, I know everything about that kid. I had to

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yield me so much dough say you didn't. Don't be funny. Look,

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00:16:03,679 --> 00:16:06,279
if you'll talk, tell me why Paul bumped the kid off.

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Speaker 12: We can go to the DA and I.

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Speaker 4: Get that neck. Nobody's going to see the DA. Nobody's

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going to talk.

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Speaker 6: That's what you think. Hey, Rusty Jeff, what's up?

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Speaker 5: Nick? Do you want okay ed?

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Speaker 6: If you want it this way, you can thanks.

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Speaker 4: I guess I'll just buy it.

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Speaker 6: Hey, what do you know he passed out from one clip?

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00:16:28,279 --> 00:16:32,200
Speaker 5: Yeah so he did, all right?

293
00:16:32,279 --> 00:16:35,519
Speaker 6: Now bring him to and then clip him again and

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keep on clipping him until he talks.

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Speaker 2: The second act of the Lady Uster Scream Girl Play

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will follow in a moment. Now a word from Lady Ester.

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Speaker 13: So many of you have ask me in your letters

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why your face shows signs of age sooner than other

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00:17:04,599 --> 00:17:07,920
parts of your body. The answer is simply this. The

300
00:17:07,960 --> 00:17:11,839
skin of your face is much finer textured. It's more delicate,

301
00:17:12,279 --> 00:17:15,440
more easily damaged by wind and sun, by dirt, by

302
00:17:15,559 --> 00:17:18,960
rough or careless treatment. That's why I think it's such

303
00:17:18,960 --> 00:17:21,759
a mistake to use beauty creams that must be rubbed

304
00:17:21,759 --> 00:17:24,960
in to do their job. You see, rubbing your skin,

305
00:17:25,640 --> 00:17:29,440
Rubbing and stretching those fine, delicate skin structures may easily

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00:17:29,519 --> 00:17:32,319
do more harm than good. That may surprise you, but

307
00:17:32,519 --> 00:17:36,240
it's an important thing to know. Rubbing may stretch the skin,

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00:17:36,359 --> 00:17:39,720
may break down its firm texture. Yes, it can make

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00:17:39,759 --> 00:17:43,440
you look years older than you are. However, millions of

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00:17:43,440 --> 00:17:46,200
women who use Lady Ester four Purpose face cream have

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no such problems. For this famous cream isn't rubbed in

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00:17:50,279 --> 00:17:53,920
as most other creams are. Being so velvety soft, it

313
00:17:53,960 --> 00:17:57,119
doesn't need to be rubbed in. Lady Ester four Purpose

314
00:17:57,160 --> 00:18:00,920
face cream is just smoothed on, gently wiped off. That's

315
00:18:00,960 --> 00:18:03,799
all there is to it. The cream itself does the work,

316
00:18:03,960 --> 00:18:08,160
not your fingers. Lady Esther four Purpose face cream thoroughly

317
00:18:08,200 --> 00:18:12,160
cleans your skin without rubbing, softens your skin, helps nature

318
00:18:12,200 --> 00:18:16,200
refine the pores, and leaves a lovely smooth base for powder,

319
00:18:16,680 --> 00:18:19,680
all without rubbing, which may break down and damage the

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00:18:19,720 --> 00:18:23,279
delicate skin structures. And if you have an especially dry

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00:18:23,440 --> 00:18:27,720
or sensitive skin, listen. Lady Ester face cream contains one

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00:18:27,720 --> 00:18:31,319
of the most beautifying ingredients known to modern science. A

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00:18:31,359 --> 00:18:35,440
single application often makes your skin look softer, more pliable,

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00:18:35,480 --> 00:18:40,480
and younger looking. Tomorrow, make this simple experiment, Get a

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00:18:40,559 --> 00:18:43,359
jar of Lady Ester for Purpose face cream and prove

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00:18:43,440 --> 00:18:46,279
to yourself that here, at last, is a face cream

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00:18:46,319 --> 00:18:49,000
you don't have to rub in to bring out the

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beautiful qualities of your skin.

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Speaker 2: And now Lady As represents the second act of The

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00:19:07,000 --> 00:19:11,880
Glass Key, starring Ward Bond, Marjorie Reynolds and Alan Ladd.

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Speaker 4: Let Jeff Wait over two hundred pods. Yeah, it fists

332
00:19:27,599 --> 00:19:30,720
like hams. You know how to use. How many times

333
00:19:30,720 --> 00:19:32,400
he clipped me? How many times I got to my feet?

334
00:19:33,400 --> 00:19:36,319
How many times he clipped me again? The next thing,

335
00:19:36,359 --> 00:19:39,799
They had me in a little room somewhere. When I

336
00:19:39,880 --> 00:19:42,000
came to I was stretched out on a cot and

337
00:19:42,079 --> 00:19:44,920
Jeff and Rusty were sitting at the table. They were

338
00:19:44,960 --> 00:19:46,079
playing two hundred poker.

339
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Speaker 5: What are you guys? Right?

340
00:19:47,319 --> 00:19:48,359
Speaker 4: Stee two bare?

341
00:19:49,599 --> 00:19:50,559
Speaker 5: That makes four bucks?

342
00:19:50,599 --> 00:19:51,119
Speaker 4: I owe you.

343
00:19:53,839 --> 00:19:58,000
Speaker 5: Like he's coming to again. Ain't that nice?

344
00:19:59,039 --> 00:20:02,119
Speaker 4: We can have some more one and you beat it.

345
00:20:02,480 --> 00:20:03,799
He's still trying to get up.

346
00:20:07,960 --> 00:20:11,640
Speaker 14: Oh, sweetheart, you shouldn't do to try to get out.

347
00:20:12,279 --> 00:20:16,200
Remember we warned you.

348
00:20:15,279 --> 00:20:16,839
Speaker 5: Be right there, rushy tail him out.

349
00:20:18,720 --> 00:20:20,319
Speaker 4: Listen, sweetie, but you want.

350
00:20:20,119 --> 00:20:22,400
Speaker 5: To lay down. You don't feel so.

351
00:20:22,599 --> 00:20:26,839
Speaker 4: Good, watch out, you'll croak him.

352
00:20:27,079 --> 00:20:33,279
Speaker 14: You can't croak him. He's tough. He likes this, don't

353
00:20:33,359 --> 00:20:39,519
you baby? You ain't that too bad? He's thrown in

354
00:20:39,599 --> 00:20:42,039
at the joke him la Jeff.

355
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Speaker 4: God is delt right. I'll take two too off the top.

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Speaker 6: Say how long you're gonna keep working on him?

357
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Speaker 4: You know what Nick said, until he spills the dope

358
00:20:55,640 --> 00:20:56,240
on mepic.

359
00:20:57,279 --> 00:20:59,240
Speaker 6: You don't show no signs of talking yet.

360
00:21:00,440 --> 00:21:01,240
Speaker 4: And it is shame.

361
00:21:01,799 --> 00:21:03,039
Speaker 5: I'll have to keep her train.

362
00:21:10,079 --> 00:21:12,119
Speaker 4: After a while, a long while, I guess the bell

363
00:21:12,160 --> 00:21:14,720
stopped ringing in my head. I managed to get one

364
00:21:14,759 --> 00:21:18,359
eye open, and finally I realized I was alone. Lasteen

365
00:21:18,440 --> 00:21:20,119
Jeff rob in the kitchen. I could hear the meeting

366
00:21:20,160 --> 00:21:23,160
even from there. Of course, said locked my door, and

367
00:21:24,160 --> 00:21:26,160
there wasn't any window in the room, just the cot

368
00:21:26,200 --> 00:21:30,640
and a lot of newspapers. That's that's what gave me

369
00:21:30,680 --> 00:21:33,119
the big idea. I crumbled them up and piled them

370
00:21:33,119 --> 00:21:34,920
by the door, and for once, my cigarette light have

371
00:21:34,920 --> 00:21:37,119
worked on the first try. Pretty soon I had a

372
00:21:37,200 --> 00:21:39,839
nice fire going, and pretty soon they smelled the smoke.

373
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Speaker 5: I told you we shouldn't have left him rusty to heel.

374
00:21:44,279 --> 00:21:47,400
He's got the place on fire yet, pile of fire

375
00:21:47,599 --> 00:21:49,440
crab where is he? I can't see a thing with

376
00:21:49,519 --> 00:21:50,000
the smoke.

377
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Speaker 14: He's gotta be an here somewhere.

378
00:21:51,319 --> 00:21:54,480
Speaker 6: He couldn't get out, I couldn't.

379
00:21:54,279 --> 00:21:55,200
Speaker 5: Step through the window.

380
00:21:59,319 --> 00:22:03,160
Speaker 4: Yeah, it was just simple as that. A nice clean drop,

381
00:22:03,200 --> 00:22:06,079
and I was on my way to the hospital.

382
00:22:09,759 --> 00:22:11,759
Speaker 11: He's been calling for you, mister Madvick, ever since they

383
00:22:11,759 --> 00:22:12,240
brought him in.

384
00:22:13,519 --> 00:22:16,599
Speaker 4: Well there he goes again. Listen, you have mad Vic,

385
00:22:18,440 --> 00:22:19,119
se mad Vic.

386
00:22:19,799 --> 00:22:22,200
Speaker 5: I'm here, ed, Yeah, it's me, it's Paul.

387
00:22:22,799 --> 00:22:30,400
Speaker 10: Oh. I guess ye gotta stop and fall he's he's

388
00:22:30,519 --> 00:22:33,119
alwa he's fainted again. Lead another transfusion.

389
00:22:33,480 --> 00:22:36,880
Speaker 5: Don't stand here talking, get going, will you? Of course? Listen, doc,

390
00:22:36,920 --> 00:22:39,359
If this guy dies, I'll turn this joint into a warehouse.

391
00:22:48,359 --> 00:22:49,920
Speaker 4: I felt fine by the time he let me out

392
00:22:49,920 --> 00:22:53,720
of the hospital. Yeah, I felt fine until I saw

393
00:22:53,799 --> 00:22:57,240
the Observer, big screaming headlines right across the front page,

394
00:22:57,839 --> 00:23:01,200
practically accusing paula murder. I knew I had to move fast,

395
00:23:01,240 --> 00:23:03,599
so I followed a hunch. That night, I went to

396
00:23:03,640 --> 00:23:06,039
Taylor Henry's apartment. I found what I was looking for,

397
00:23:06,559 --> 00:23:09,079
a hordible typewriter on the desk. And that wasn't all.

398
00:23:09,839 --> 00:23:11,559
While I was standing there at the front door open,

399
00:23:12,200 --> 00:23:13,680
so I tuck behind the drapes and waited.

400
00:23:23,680 --> 00:23:26,440
Speaker 7: I thought, so you, what are you doing here?

401
00:23:26,599 --> 00:23:28,640
Speaker 4: I could ask you the same question, only it happens

402
00:23:28,680 --> 00:23:32,119
I know the answer. Yeah, the same as all those

403
00:23:32,119 --> 00:23:35,279
other little poison letters. Paul Madvick didn't kill Taylor Henry

404
00:23:35,279 --> 00:23:36,440
out of his best friend.

405
00:23:36,200 --> 00:23:39,519
Speaker 7: All right, I wrote those letters. I'm sure Paul killed Taylor,

406
00:23:39,519 --> 00:23:40,359
and I mean to prove it.

407
00:23:40,480 --> 00:23:41,759
Speaker 4: Yeah, what do you think Paul's going to do when

408
00:23:41,799 --> 00:23:42,160
I tell him?

409
00:23:42,160 --> 00:23:45,880
Speaker 7: You're not going to tell him? What good would it do? Besides,

410
00:23:46,160 --> 00:23:47,880
you're too fond of him to hurt him.

411
00:23:48,160 --> 00:23:48,759
Speaker 4: You'll get over it.

412
00:23:48,960 --> 00:23:52,240
Speaker 7: And there's another reason I'm asking you not.

413
00:23:52,319 --> 00:23:55,480
Speaker 4: To cut it. Stay on your own side.

414
00:23:55,519 --> 00:23:57,640
Speaker 7: Oh, what's the matter? Can't you forget Paul? For once?

415
00:23:57,880 --> 00:23:59,519
Speaker 4: I would settle all that I told you, Paul wouldn't

416
00:23:59,519 --> 00:24:02,000
ma any difference. I wanted you, but I don't now

417
00:24:02,039 --> 00:24:03,799
that you know how I feel. Let's get out of here.

418
00:24:10,200 --> 00:24:11,680
Hi ed Hello, Paul.

419
00:24:12,279 --> 00:24:14,359
Speaker 5: Well it looks like you were right about that rat far.

420
00:24:14,640 --> 00:24:16,799
Speaker 4: Yeah, get the indict Yeah.

421
00:24:16,720 --> 00:24:18,759
Speaker 5: But don't worry. I ain't a judge in town that'll

422
00:24:18,759 --> 00:24:19,079
hold me.

423
00:24:19,240 --> 00:24:21,599
Speaker 4: Oh, Paul, listen, then he judge will hold your evidence.

424
00:24:21,640 --> 00:24:23,319
Demand sat Look, you've got.

425
00:24:23,240 --> 00:24:25,119
Speaker 5: A level with me, haven't I always?

426
00:24:25,319 --> 00:24:27,119
Speaker 4: Yeah? What about Taylor Henry?

427
00:24:27,599 --> 00:24:28,240
Speaker 6: What about him?

428
00:24:28,400 --> 00:24:32,440
Speaker 4: I'll ask you first? Oh what's the matter? You covering

429
00:24:32,480 --> 00:24:35,759
up for somebody or something? Come on, let's have it, Paul.

430
00:24:36,839 --> 00:24:38,480
All right, I killed Taylor Henry.

431
00:24:41,039 --> 00:24:44,680
Speaker 5: But what happened. I was laying into him about my sister.

432
00:24:45,160 --> 00:24:46,799
He got excited and took a poke at me, and

433
00:24:46,799 --> 00:24:49,519
I hit him. He fell back and smashed his head

434
00:24:49,559 --> 00:24:50,000
on the curb.

435
00:24:50,160 --> 00:24:51,960
Speaker 4: Oh I didn't just say so before. You've got a

436
00:24:51,960 --> 00:24:53,240
perfect self defense please.

437
00:24:54,160 --> 00:24:58,920
Speaker 5: Wow, it's kind of janety I want Janet Henry. I

438
00:24:58,960 --> 00:25:01,839
want her more than I ever want anything. What chance

439
00:25:01,839 --> 00:25:04,119
should I have with her, even if it was an accident?

440
00:25:04,119 --> 00:25:05,279
Speaker 4: A chance you to give God with her?

441
00:25:05,279 --> 00:25:05,400
Speaker 11: Now?

442
00:25:05,400 --> 00:25:07,559
Speaker 5: She doesn't even like you. Oh look there's something I'm

443
00:25:07,559 --> 00:25:08,960
telling you, Paul. She's been trying to shove you right

444
00:25:08,960 --> 00:25:11,359
into electric chair. She's been writing all those letters. Are

445
00:25:11,359 --> 00:25:13,039
you shut up? Shut up and get out of here.

446
00:25:13,240 --> 00:25:14,880
I'll get out when I finished. You'll get out when

447
00:25:14,880 --> 00:25:17,160
you're told to. You haven't said anything. I believe you

448
00:25:17,240 --> 00:25:18,559
never will. No, I'll get out of here. You hell,

449
00:25:18,599 --> 00:25:19,319
this is the kiss off.

450
00:25:20,960 --> 00:25:27,559
Speaker 4: Okay, Paul, have it your way.

451
00:25:30,680 --> 00:25:32,960
Speaker 12: Hello, Glad to see you sit down.

452
00:25:33,599 --> 00:25:34,359
Speaker 4: Thanks.

453
00:25:34,200 --> 00:25:36,200
Speaker 12: That's sort of a surprise you dropping in.

454
00:25:36,720 --> 00:25:37,799
Speaker 4: That's what you always say.

455
00:25:37,839 --> 00:25:39,440
Speaker 12: I didn't think you were going to hang around town.

456
00:25:39,480 --> 00:25:42,400
I heard you and Paul had split up. Did you

457
00:25:42,799 --> 00:25:44,000
pool on ed? What's on your mind?

458
00:25:44,440 --> 00:25:44,519
Speaker 1: You?

459
00:25:45,319 --> 00:25:48,599
Speaker 4: Oh listen, Fay. They tell me your wife's folks live

460
00:25:48,599 --> 00:25:51,839
in Omaha. Yeah, you a better wireman? Say you and

461
00:25:51,839 --> 00:25:54,880
the miss are on the way. Just a rib huk,

462
00:25:55,000 --> 00:25:58,119
pretty good advice. Tomorrow, Paul going to beat the indictment

463
00:25:58,160 --> 00:26:00,640
you hung on him and the first guy reaches out

464
00:26:00,680 --> 00:26:01,799
for will be you.

465
00:26:02,200 --> 00:26:03,799
Speaker 12: What do you mean he'll beat the ticket? Howe?

466
00:26:04,039 --> 00:26:05,799
Speaker 4: Well, first of all, and hang on to this one.

467
00:26:05,839 --> 00:26:07,599
It wasn't paula kill Taylor, Henry.

468
00:26:07,680 --> 00:26:08,200
Speaker 12: How do you know?

469
00:26:08,720 --> 00:26:10,039
Speaker 4: Because he told me he did.

470
00:26:10,160 --> 00:26:11,759
Speaker 12: Now listen, Ed, that don't add up?

471
00:26:11,880 --> 00:26:14,839
Speaker 4: Sure I does it. It adds a swell. If Paul

472
00:26:14,920 --> 00:26:16,960
had done it, he'd never told me a long time ago.

473
00:26:17,559 --> 00:26:20,039
So I figure he's covering up for somebody taking the rap,

474
00:26:20,640 --> 00:26:23,799
taking it for somebody extra special. And if you do

475
00:26:23,920 --> 00:26:25,680
like I say, we'll make the pinch and you can

476
00:26:25,720 --> 00:26:27,119
postpone that trip to Omaha.

477
00:26:27,240 --> 00:26:29,240
Speaker 12: Who is it dead? Who do we have to bring in?

478
00:26:29,440 --> 00:26:38,880
Speaker 4: Uh? You better come along far see for yourself, mister

479
00:26:38,960 --> 00:26:42,079
parr Oh, this is absurd. It's the middle of the night.

480
00:26:42,319 --> 00:26:43,160
Janet is sleeping.

481
00:26:43,440 --> 00:26:45,039
Speaker 5: I wouldn't think of disturbing herth.

482
00:26:44,839 --> 00:26:46,319
Speaker 4: Mister Henry better get it down here. I'll go and

483
00:26:46,319 --> 00:26:46,960
pull out of bed.

484
00:26:47,039 --> 00:26:47,880
Speaker 12: This is outrageous.

485
00:26:48,200 --> 00:26:49,039
Speaker 5: I'll call the police.

486
00:26:49,079 --> 00:26:51,720
Speaker 4: Don't bother the here. See those two cops through the window. Now,

487
00:26:51,759 --> 00:26:52,880
will you bring a down or do I.

488
00:26:52,839 --> 00:26:53,680
Speaker 7: Have to add?

489
00:26:53,839 --> 00:26:54,480
Speaker 12: What is it?

490
00:26:54,839 --> 00:26:56,079
Speaker 4: Okay? Fa, there's your party?

491
00:26:56,359 --> 00:26:56,440
Speaker 14: Ed?

492
00:26:56,480 --> 00:26:57,799
Speaker 7: What on earth does all this mean?

493
00:26:57,960 --> 00:26:59,480
Speaker 4: It means that Far has got a warrant for your

494
00:26:59,559 --> 00:27:04,920
arrest rest What for for the matter of your brother, Taylor, Henry? Okay,

495
00:27:04,960 --> 00:27:06,119
Far better bring her along.

496
00:27:06,319 --> 00:27:08,079
Speaker 12: I'm sorry, young lady. I'm afraid of the.

497
00:27:08,119 --> 00:27:12,240
Speaker 11: Moment, mister Farr. I think you'd better prepare another warrant.

498
00:27:13,720 --> 00:27:14,720
I am the one you want.

499
00:27:16,920 --> 00:27:18,559
Speaker 12: I don't understand this, mister Henry.

500
00:27:19,160 --> 00:27:22,079
Speaker 11: I killed my son. I was with Paul and Taylor

501
00:27:22,599 --> 00:27:25,440
when they were quarreling out in front. I sided with Paul.

502
00:27:26,480 --> 00:27:29,680
I told Taylor he was ruining my political career. He

503
00:27:29,759 --> 00:27:33,119
struck me, he scuffled, he slipped and hit his head

504
00:27:33,160 --> 00:27:36,519
on the curb. When Paul and I lifted him up,

505
00:27:37,839 --> 00:27:45,519
he was dead. I made Paul promise not to tell

506
00:27:45,559 --> 00:27:46,000
how Far.

507
00:27:46,079 --> 00:27:49,359
Speaker 4: I was getting worried, afraid would have to hang the

508
00:27:49,400 --> 00:28:02,799
girl to make the old man crack right. Didn't here, Cabby.

509
00:28:02,839 --> 00:28:06,559
I've got my bags all packed. You can take them down.

510
00:28:07,119 --> 00:28:10,519
Oh hello, h Cabby, you can start with those two

511
00:28:10,559 --> 00:28:14,920
over there, Yes, sir, I got him. No, what are

512
00:28:14,920 --> 00:28:15,519
you doing here?

513
00:28:15,759 --> 00:28:19,640
Speaker 7: I had to come. Why Paul said you were leaving.

514
00:28:20,400 --> 00:28:25,279
Speaker 15: I want you to take me with you. No look

515
00:28:25,319 --> 00:28:28,599
at me, and it's no use pretending you love me.

516
00:28:28,640 --> 00:28:31,160
And you know it, and whatever else you say, there's

517
00:28:31,160 --> 00:28:33,279
something inside the law. Always tell me you're lying.

518
00:28:34,240 --> 00:28:36,839
Speaker 7: Oh it's true, isn't it? Isn't it?

519
00:28:37,519 --> 00:28:39,240
Speaker 4: Yeah? Yeah, yeah, I guess it is.

520
00:28:39,599 --> 00:28:44,240
Speaker 7: Then take me with you. Why not, Paul? No, Paul

521
00:28:44,279 --> 00:28:45,079
isn't in this at all?

522
00:28:45,400 --> 00:28:46,319
Speaker 4: Do you owe him plenty?

523
00:28:46,799 --> 00:28:49,119
Speaker 7: Yes, Paul has been fine, and I'm very grateful. But

524
00:28:49,920 --> 00:28:52,119
that's all I could ever give him, this gratitude.

525
00:28:52,240 --> 00:28:54,200
Speaker 12: I'm sorry, sister, that ain't enough.

526
00:28:54,319 --> 00:28:54,599
Speaker 14: Paul.

527
00:28:54,960 --> 00:28:58,200
Speaker 4: I look, PAULI, what are you waiting for your goon?

528
00:29:00,079 --> 00:29:00,720
Are you kidding?

529
00:29:01,119 --> 00:29:02,839
Speaker 5: What do you want me to do? Go out and

530
00:29:02,880 --> 00:29:05,440
get you a preacher? Go on, hurry up before I

531
00:29:05,519 --> 00:29:06,880
change my mind.

532
00:29:34,559 --> 00:29:37,960
Speaker 2: Thank you, Alan Ladd, Ward Bond, and Marjorie Reynolds for

533
00:29:38,000 --> 00:29:39,200
a thrilling half hour.

534
00:29:39,440 --> 00:29:43,000
Speaker 7: Mister Myers. The Motion Picture Relief Fund and its country House,

535
00:29:43,400 --> 00:29:47,160
both supported largely by this program, are doing such magnificent

536
00:29:47,240 --> 00:29:49,759
work that well we considered a privilege to appear here

537
00:29:49,759 --> 00:29:53,400
with the Lady Ester Screen Guild players. And now before

538
00:29:53,440 --> 00:29:56,200
we tell you about next week's program, here's a word

539
00:29:56,200 --> 00:29:59,480
from one of America's best known beauty authorities, Lady Esther.

540
00:30:00,039 --> 00:30:03,519
Speaker 13: Thank you, Miss Reynolds, ladies, I'm sure you would never

541
00:30:03,640 --> 00:30:06,160
think of rubbing cream into the delicate skin of your

542
00:30:06,160 --> 00:30:09,000
eyelid or beneath the eye, because if you did, the

543
00:30:09,000 --> 00:30:12,279
skin might be stretched and injured, it might become inflamed.

544
00:30:13,079 --> 00:30:15,440
Now to some degree, the same thing that happens to

545
00:30:15,480 --> 00:30:19,000
your eyelid happens to your face because the facial skin

546
00:30:19,079 --> 00:30:21,960
tissue is finer, more delicate than the rest of your body.

547
00:30:22,440 --> 00:30:26,240
And there's the rub Using thick, sticky cream that has

548
00:30:26,279 --> 00:30:31,119
to be rubbed in is not good treatment. Rubbing those fine,

549
00:30:31,240 --> 00:30:34,519
delicate skin structures is likely to make your skin look

550
00:30:34,559 --> 00:30:37,680
older than you are, and so it is clearly wiser

551
00:30:37,720 --> 00:30:40,880
to use a cream that requires no rubbing. Lady Esther,

552
00:30:41,079 --> 00:30:44,680
for a purpose face cream, it's so soft you need

553
00:30:44,720 --> 00:30:47,880
only smooth it on gently, then wipe it off. That's

554
00:30:47,920 --> 00:30:52,039
all the cream does the work, not your fingers. Yes,

555
00:30:52,160 --> 00:30:55,480
Lady Ester for purpose face cream thoroughly cleans your skin

556
00:30:55,599 --> 00:31:00,799
without harmful rubbing, softens your skin, helps nature, refines the pores,

557
00:31:01,319 --> 00:31:05,119
and leaves a lovely smooth base for powder. It's the

558
00:31:05,119 --> 00:31:09,039
only cream you need, the modern scientific cream, which without rubbing,

559
00:31:09,519 --> 00:31:12,519
does all four things your skin needs most for beauty.

560
00:31:13,079 --> 00:31:16,680
Try it, you will feel You will see how quickly

561
00:31:16,759 --> 00:31:20,759
your skin responds to the gentle, beautifying touch of Lady

562
00:31:20,960 --> 00:31:34,720
Ester for purpose face cream.

563
00:31:34,960 --> 00:31:37,920
Speaker 2: Next week, the Lady Ester Screen Guild players will present

564
00:31:38,440 --> 00:31:43,119
Naughty Marietta. It will star Irene Manning and Alan Jones.

565
00:31:43,640 --> 00:31:46,799
Be sure to listen. The Glass Key was produced and

566
00:31:46,799 --> 00:31:49,519
directed by Bill Lawrence and was presented through the courtesy

567
00:31:49,559 --> 00:31:53,160
of the author, Dashel Hammett and Paramount Pictures producers of

568
00:31:53,279 --> 00:31:56,240
To Each his Own, starring Olivia de Havilynd and John

569
00:31:56,319 --> 00:32:00,759
loved It was adapted for radio by Harry Cronwan. Alan

570
00:32:00,880 --> 00:32:04,519
Ladd is currently being seen in the Paramount Picture. Oss

571
00:32:05,200 --> 00:32:07,680
Marjorie Reynolds will soon be seen in the Paramount Picture.

572
00:32:07,759 --> 00:32:11,079
Monsieur Beaucaire. Lord Bond is soon to be seen in

573
00:32:11,119 --> 00:32:15,160
the Frank Kapepra production It's a Wonderful Life. Music on

574
00:32:15,200 --> 00:32:18,519
tonight's program was arranged by Wilbur Hatch and conducted by

575
00:32:18,559 --> 00:32:22,200
lud Gluskin. This is Ted Meyer speaking for Lady Esther,

576
00:32:22,839 --> 00:32:33,799
Thank you and goodnight. This is CBS the Columbia Broadcasting.

577
00:32:33,160 --> 00:32:53,319
Speaker 8: System Welcome Back Well a very different feel than the

578
00:32:53,480 --> 00:32:58,079
Campbell's Playhouse version, but that really leaned much more into the.

579
00:32:58,079 --> 00:33:02,799
Speaker 1: Novels, which tended to be where Orson Wells went when

580
00:33:02,839 --> 00:33:06,680
he did those sort of adaptations. Alan Lad's performance is

581
00:33:06,920 --> 00:33:13,079
ed Beaumont in This does still reflect his early career success.

582
00:33:13,200 --> 00:33:17,079
This was released just six months after this Gun for Hire,

583
00:33:17,799 --> 00:33:22,559
so it's very different from Ladd's post war work, a

584
00:33:22,640 --> 00:33:27,319
lot of which really worked to establish him as a

585
00:33:27,400 --> 00:33:31,319
strong heroic actor. Now Ward Bond, I was kind of

586
00:33:31,400 --> 00:33:34,960
curious when they mentioned in the end that he was

587
00:33:35,200 --> 00:33:38,680
in It's a Wonderful Life And if you wondered that

588
00:33:38,839 --> 00:33:43,079
as well, Ward Bond was Bert the Cop. That's all

589
00:33:43,119 --> 00:33:47,839
for today. We will be back next Sunday with our

590
00:33:48,039 --> 00:33:53,400
second listener support and Appreciation campaign special. But in a

591
00:33:53,480 --> 00:33:57,000
week from Monday we will begin our second run through

592
00:33:57,720 --> 00:34:01,480
the Saint But join us back here tomorrow for the

593
00:34:01,559 --> 00:34:06,160
final episode of Danger with Granger. Where Why aren't.

594
00:34:06,039 --> 00:34:06,839
Speaker 9: Joining your office?

595
00:34:07,119 --> 00:34:09,920
Speaker 4: Because little Lady I wanted to come in here, so

596
00:34:10,039 --> 00:34:12,639
I did an if heard the questions.

597
00:34:12,400 --> 00:34:15,320
Speaker 9: Larry told me you'd be upstairs. I tell you come

598
00:34:15,360 --> 00:34:18,039
out and come in here. Larry didn't tell me you

599
00:34:18,079 --> 00:34:18,800
were going to do that.

600
00:34:19,400 --> 00:34:20,840
Speaker 4: Larry is not my master.

601
00:34:21,079 --> 00:34:22,119
Speaker 5: I go where I please.

602
00:34:22,599 --> 00:34:27,079
Speaker 9: I don't understand all this. Whyry was very explicit Larry

603
00:34:27,199 --> 00:34:30,599
should crawl into a hole let someone full up with water.

604
00:34:31,400 --> 00:34:36,199
Well I didn't think you felt that way. We might

605
00:34:36,239 --> 00:34:40,119
as well get home and our business. Here's the money.

606
00:34:41,039 --> 00:34:43,880
That green stuff makes it seem like Saint Patrick's day.

607
00:34:43,920 --> 00:34:45,119
Speaker 4: But you're a few months later.

608
00:34:45,280 --> 00:34:46,599
Speaker 9: Did Larry give you the paper?

609
00:34:47,320 --> 00:34:49,599
Speaker 4: Maybe take this money and put it back in your handbag?

610
00:34:49,760 --> 00:34:50,679
Makes me nervous.

611
00:34:50,760 --> 00:34:53,400
Speaker 9: What are you talking about? Larry told me you'd have

612
00:34:53,440 --> 00:34:56,320
a paper for me. I've got nothing, but he promised

613
00:34:56,320 --> 00:34:58,440
to sign a release. You were going to hand it

614
00:34:58,480 --> 00:35:00,840
to me on the right track, but you got the

615
00:35:00,840 --> 00:35:01,559
wrong train.

616
00:35:02,400 --> 00:35:05,480
Speaker 3: Your pal Larry came to me with such a proposition

617
00:35:05,880 --> 00:35:08,360
that I threw both him and proposition out the door.

618
00:35:08,280 --> 00:35:09,199
Speaker 4: Or go no paper.

619
00:35:09,679 --> 00:35:13,039
Speaker 9: You sew Marry out of your office. But he said everything,

620
00:35:13,039 --> 00:35:17,360
he'd be all right. He even promised all Larry Simon's

621
00:35:17,440 --> 00:35:18,519
promises end to end.

622
00:35:18,519 --> 00:35:20,000
Speaker 4: It would end all promises.

623
00:35:21,880 --> 00:35:22,800
Speaker 9: I think you're a lying.

624
00:35:23,000 --> 00:35:23,760
Speaker 4: We're not lying.

625
00:35:24,679 --> 00:35:27,199
Speaker 5: Also, I'm not in business with a neat, cheap little blackmailer.

626
00:35:27,800 --> 00:35:30,159
Speaker 9: I let the a greasy little friend friend.

627
00:35:30,360 --> 00:35:32,679
Speaker 5: Yeah, let me tell you something else.

628
00:35:33,559 --> 00:35:37,239
Speaker 9: A young woman as attractive as you have hundreds of boyfriends,

629
00:35:37,679 --> 00:35:40,440
none of them even remotely resembling Larry Simon's.

630
00:35:41,440 --> 00:35:42,760
Speaker 4: I make myself clear.

631
00:35:43,039 --> 00:35:46,119
Speaker 9: You think Larry is my boyfriend? Sure is not your

632
00:35:46,119 --> 00:35:51,039
cousin Moosten Granger. I hate Larry Simons. Allows another name

633
00:35:51,119 --> 00:35:54,400
to a growing list, so do I. I'm glad to

634
00:35:54,440 --> 00:35:59,559
hear that, mister Grainger. Sorry, I bothered you. Goodbye? Wait,

635
00:36:00,079 --> 00:36:00,679
watch you hurry?

636
00:36:00,679 --> 00:36:01,199
Speaker 5: And who are you?

637
00:36:01,760 --> 00:36:04,239
Speaker 9: I am the person who's going to give Larry Simon.

638
00:36:04,440 --> 00:36:07,599
Speaker 1: I hope you'll be with us then in the meantime,

639
00:36:07,719 --> 00:36:12,400
send your comments to Box thirteen at Greatdetectives dot net.

640
00:36:12,400 --> 00:36:17,280
Follow us on Twitter, Radio Detectives. Check us out on Instagram, Instagram,

641
00:36:17,360 --> 00:36:22,119
dot com, slash Great Detectives from Boise, Idaho. This is

642
00:36:22,159 --> 00:36:24,599
your host, Adam Graham. Sign and off.