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<v Speaker 1>And what's up. Guys.

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<v Speaker 2>Welcome to a special bonus episode of Dinner with the Healers.

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<v Speaker 2>My name is Eric and if this is your first

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<v Speaker 2>time listening to us, we are normally an episode by

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<v Speaker 2>episode Blue podcast, where we watch an episode of Blue

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<v Speaker 2>and then talk about it and the lessons we learned.

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<v Speaker 2>In this special bonus episode, I sat down and talked

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<v Speaker 2>with Christopher Menino, the author of Making It Up, a

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<v Speaker 2>Revolutionary way to bond.

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<v Speaker 3>With kids through Play.

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<v Speaker 2>We had a really fun time talking about a book

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<v Speaker 2>and the ideas behind it and how it relates to Blue,

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<v Speaker 2>and I think that you guys are really going.

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<v Speaker 3>To enjoy it.

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<v Speaker 2>Christopher, thank you so much for being here today. We're

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<v Speaker 2>glad to have you.

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<v Speaker 4>Thanks so much for having me tell us a little

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<v Speaker 4>bit about your book. So Making It Up. This is

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<v Speaker 4>a book and a course. They're both out there now,

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<v Speaker 4>and the reason I'm on this podcast right now is

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<v Speaker 4>because they are a direct response to Blue. About three

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<v Speaker 4>years ago, there was a woman who made all of

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<v Speaker 4>the Blue fangroups go mad. I was in more than

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<v Speaker 4>one of them, and this woman, stay at home mom,

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<v Speaker 4>went onto a magazine and was basically saying that she

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<v Speaker 4>hated Blue. Because all of a sudden her kids had

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<v Speaker 4>unrealistic expectations about parenting. That was kind of the title

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<v Speaker 4>of her article, that the healers made parenting unrealistic. And

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<v Speaker 4>so I was kind of joking about this with my wife.

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<v Speaker 4>We were just laughing, and my wife just looks at

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<v Speaker 4>me very you know, my wife is very very I'm,

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<v Speaker 4>you know, kind of straightforward at times, wonderful person. But

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<v Speaker 4>my wife, Rachel, she looks at me. She's just like, well,

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<v Speaker 4>you're a writer, and you know what's going on. You

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<v Speaker 4>know that there's a lot of improv here. Joe Brumm

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<v Speaker 4>and the team are creating these based on all these

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<v Speaker 4>theater skills that are what you parent like, but most

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<v Speaker 4>people don't. You're a writer, write a book. That's literally

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<v Speaker 4>what she said to me, And so that's how the

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<v Speaker 4>book starts. It starts as a response to this angry

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<v Speaker 4>woman is like, this is impossible, and my wife is like, well,

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<v Speaker 4>no it's not. And the truth is is very bluey adjacent.

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<v Speaker 4>It's perfect for those fans. And the other thing that

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<v Speaker 4>really kind of inspired my method I realized as I

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<v Speaker 4>was digging into the editing and the writing of it

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<v Speaker 4>is I realized a lot of my parenting sort of

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<v Speaker 4>took shape in the pandemic actually, because all of a

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<v Speaker 4>sudden kids were at home. You know, you can't do anything.

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<v Speaker 4>The world is closed. We all remember that. Yes, fun

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<v Speaker 4>times with fun in quotes. And my background was in

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<v Speaker 4>theater too. This is me. I was a theater teacher

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<v Speaker 4>as a theater coach, and so I was doing all

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<v Speaker 4>this theater stuff with my kids. I was using all

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<v Speaker 4>these theater techniques on myself and it was like, wow,

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<v Speaker 4>this kind of method was born. That yeah, pass forward

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<v Speaker 4>to today and that's where making it up really evolves.

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<v Speaker 2>That's interesting that you say that, because I remember very

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<v Speaker 2>specifically when that rant hit the internet and in the

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<v Speaker 2>Bluey fandom the ripples through it, and I questioned myself, said,

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<v Speaker 2>I feel like I parent quite a bit like Bandit.

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<v Speaker 2>One of the things we joke about on dinner with

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<v Speaker 2>the Healers is that he and I could be brothers

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<v Speaker 2>because we're very similar with slowing things down and really

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<v Speaker 2>listening to what the kids have to say and that

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<v Speaker 2>sort of thing. And I was shocked at this person's

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<v Speaker 2>revelation about it. But interestingly, when I talked to my dad,

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<v Speaker 2>he was watching it with his wife's grandkids, and he's like,

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<v Speaker 2>that's show Blewie boy. Those kids think they can get

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<v Speaker 2>away with anything now. And I said, well, I guess

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<v Speaker 2>maybe that's like a certain slice of life that maybe

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<v Speaker 2>does view it like that. So that was interesting to me.

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<v Speaker 2>But COVID is something that really forced a lot of

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<v Speaker 2>changes in people and a lot of introspection. So it's

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<v Speaker 2>interesting how that came about for you. Tell us about

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<v Speaker 2>your theater background.

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<v Speaker 4>Sure, I mean, my degree is in theater education. I'm

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<v Speaker 4>for about twenty years I was involved directly in theater.

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<v Speaker 4>I'm actually just getting back into it. I just had

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<v Speaker 4>a callback audition this Week's my first audition on this

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<v Speaker 4>side of the stage in a long time since having kids.

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<v Speaker 4>But I've been the director of the playwright and the

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<v Speaker 4>theater teacher. Mostly the teacher I taught young kids. I'm

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<v Speaker 4>for a couple of years, and I taught young kids

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<v Speaker 4>in the summers. I kept going this is mostly in

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<v Speaker 4>the Washington, DC area, and then I was running a

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<v Speaker 4>wonderful high school theater program, like sort of my dream job.

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<v Speaker 4>I six classes a theater. I'm over four levels. We

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<v Speaker 4>did a lot of shows. We had a separate improfitruy,

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<v Speaker 4>but really a dream program. The downside was when we

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<v Speaker 4>had my son on nine years ago. You know, he

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<v Speaker 4>was in daycare and I was working twelve hours a day,

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<v Speaker 4>five sometimes six days a week. I was always the

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<v Speaker 4>first one to school, the last one to leave, and

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<v Speaker 4>I was making half of what my wife was making.

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<v Speaker 3>So we had a.

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<v Speaker 4>Long talk and we you know, I became a stay

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<v Speaker 4>at home dad after that, and I it was one

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<v Speaker 4>of the best decisions I ever made. So my background

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<v Speaker 4>was in teaching and in theater and that all pivoted

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<v Speaker 4>with my my son. And then you know, you talk

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<v Speaker 4>about the where does this method come from? Like I

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<v Speaker 4>didn't really realize it until the pandemic a few years later,

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<v Speaker 4>but suddenly I'm drawing on that theater experience. I'm drawing

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<v Speaker 4>on like how can I not feel so isolated? And

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<v Speaker 4>as a dad especially I'm not sure where you are,

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<v Speaker 4>but where I was in Maryland, Man, every library group,

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<v Speaker 4>every playground, there was one dad and it was me

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<v Speaker 4>and all the other kids are there with their moms.

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<v Speaker 4>And it feels, you know, a little weird. It can be,

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<v Speaker 4>and you know, and I had trouble, like, you know,

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<v Speaker 4>I wanted to talk to them, but I don't want

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<v Speaker 4>them to be scared of me because I I'm male,

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<v Speaker 4>and you know, it's it's all those dynamics rolled up

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<v Speaker 4>in the one and then the pandemic comes crashing down.

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<v Speaker 4>It's like, oh God, what do we do? And so

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<v Speaker 4>for me, what I ended up digging into was in

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<v Speaker 4>theater method acting, what most people are familiar with, that

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<v Speaker 4>is all about using memories to create emotion. You did

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<v Speaker 4>this on stage. This is how any screen or stage

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<v Speaker 4>actor does it. And I realized I was actually doing

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<v Speaker 4>that just to make it through the day, just to

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<v Speaker 4>go to these playdates, just to connect with my kids.

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<v Speaker 4>And so when I came to editing the book and stuff,

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<v Speaker 4>I was like, wait a sec, I got to talk

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<v Speaker 4>about that too, because Bluie is great and it's all

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<v Speaker 4>improv and fun. That was sort of the first half

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<v Speaker 4>of the book. But there's also this other half where

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<v Speaker 4>it's like, I want to talk about using memories. So

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<v Speaker 4>I call that the anchor technique, and that's what that is.

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<v Speaker 4>It's using kind of method acting style memories, these recent

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<v Speaker 4>memories to get you through tough moments. Actually, I'm going

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<v Speaker 4>to give you an example because that ties perfectly into example,

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<v Speaker 4>right before this interview, my son added tantrum and I

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<v Speaker 4>don't even remember what it was about. I was about nothing.

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<v Speaker 4>It's like pustantrums are right, and in if you know,

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<v Speaker 4>rewind a few years, I would get to the point

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<v Speaker 4>where things like that would fluster me, or or the

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<v Speaker 4>library times and I'm the one Dad would fluster me.

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<v Speaker 4>And now it's like I don't even now, I'm the

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<v Speaker 4>bandit or chili now. And how do they get to

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<v Speaker 4>that level? How do they get to that level where

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<v Speaker 4>they're dancing in the street and they're not even faced?

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<v Speaker 4>And for me, what works is this anchor technique. I

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<v Speaker 4>instantly think of something recent, less than a month ago

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<v Speaker 4>that brought me intense joy. And it doesn't have to

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<v Speaker 4>be kid rely, it can be, it doesn't have to be.

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<v Speaker 4>And so like for me, we just had I live

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<v Speaker 4>in Malta. Now we just had Carnival, which is this

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<v Speaker 4>five day party before Lent and it's huge, and my

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<v Speaker 4>wife and I were at a masquerade. I mean, I

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<v Speaker 4>have never been at anything like this. If you've ever

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<v Speaker 4>seen Fridgerton, we were in Ridgerton for a night in masks,

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<v Speaker 4>doing the dancing. I mean, they're playing the Bridgerton music

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<v Speaker 4>and everything with with a live protect and so the

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<v Speaker 4>second he goes in that tantrum, I'm like, well, I'm

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<v Speaker 4>just gonna think about that mass breed. I'm happy again.

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<v Speaker 4>That's like I'm not even phased. And I think that

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<v Speaker 4>really helps. I think that really helps bring you up

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<v Speaker 4>to that healer level parenting that that mom can say

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<v Speaker 4>is impossible and it's not is very doable.

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<v Speaker 2>It's so interesting that you talk about being the only dad.

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<v Speaker 2>I during COVID especially, I have a job where I

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<v Speaker 2>had the unique opportunity where I could be at home

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<v Speaker 2>with the kids, and my wife, Amanda, had a job

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<v Speaker 2>where it was considered an essential and so she was

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<v Speaker 2>at work all the time, and I spent a ton

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<v Speaker 2>of time with my kids and I enjoyed it. I

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<v Speaker 2>loved it, and a lot of times like after that,

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<v Speaker 2>I would be the only dad at things, for example,

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<v Speaker 2>a field trip at the kids' school. I could take

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<v Speaker 2>off work and go, and so it would be a

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<v Speaker 2>bunch of moms and me, and even if there were

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<v Speaker 2>other dads, the other dads a lot of times would

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<v Speaker 2>group together and talk about work, and I would spend

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<v Speaker 2>time with the moms talking about the kids and what

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<v Speaker 2>they're up to, and that is such a unique perspective.

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<v Speaker 2>I'm glad you brought that up, because it really does

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<v Speaker 2>present a challenge. And once you realize that it's completely normal,

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<v Speaker 2>it's it's our own trepidation that makes it seem not normal.

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<v Speaker 3>Yeah, and then the idea.

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<v Speaker 2>That being free to be yourself is such an important thing.

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<v Speaker 2>And I talked to my kids about that a lot.

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<v Speaker 2>I remember being young and I was the kid who

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<v Speaker 2>was too cool to do things. And I look at Amanda,

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<v Speaker 2>my wife, and she is like this free spirit. She'll

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<v Speaker 2>dance in the grocery store and embarrass the kids and stuff.

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<v Speaker 2>And I told Stella and Henry, the way your mom

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<v Speaker 2>is is an enviable thing, and you should feel comfortable

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<v Speaker 2>doing that and being that way, because you're not going

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<v Speaker 2>to look back later and regret being free. You're going

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<v Speaker 2>to look back later and regret putting these confines on yourself.

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<v Speaker 4>I completely agree. There's literally an example in the book,

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<v Speaker 4>one of the first examples, I want to say, chapter

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<v Speaker 4>one or two, and it's this is a real thing

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<v Speaker 4>that happened my daughter. I was shopping with her at

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<v Speaker 4>Trader Joe's I'm this is in Delaware and she was

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<v Speaker 4>three at the time, and you can picture that three

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<v Speaker 4>major phase where she was like on the cusp of

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<v Speaker 4>a meltdown. I'm sure any of my everyone has been there, yep.

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<v Speaker 4>And I mean she was there and you could see

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<v Speaker 4>all the warning sun, the steam blown out of her ears,

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<v Speaker 4>basically like she was right there and we're in the

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<v Speaker 4>middle of the grocery store, and I just went full bandit.

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<v Speaker 4>I mean, this is one of the things I loved

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<v Speaker 4>about Louie right away is it's so dad centered too.

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<v Speaker 4>And the dad's not an idiot. This is not Pep

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<v Speaker 4>the Pig's dad. This is not Homer Simpson. God, how

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<v Speaker 4>many cartoon dads have been like the buffoon right He's

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<v Speaker 4>you know, he's goofy, but he's also a great dad.

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<v Speaker 4>And so I went full bandit, and I you know,

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<v Speaker 4>I brought out my freezer ray and I was using

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<v Speaker 4>it and I handed it to her, and then I

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<v Speaker 4>was doing all these things, and then she had to

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<v Speaker 4>melt me in the right there in the supermarket. And

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<v Speaker 4>one of the reasons that that memory stood out and

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<v Speaker 4>made it into the book is at the end of

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<v Speaker 4>us playing around and she was laughing, and then we

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<v Speaker 4>had fun and she started helping me shop. This random

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<v Speaker 4>stranger came up to me a mother and it's like,

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<v Speaker 4>you are such a good dad.

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<v Speaker 5>I was like thanks, but you know, it felt kind

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<v Speaker 5>of nice and it was like, okay, you know, just

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<v Speaker 5>getting out of your comfort zone, just as he said,

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<v Speaker 5>dancing in front of people, being able to take those risks,

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<v Speaker 5>because I think, ultimately, you know, you matter, and the

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<v Speaker 5>kid matters.

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<v Speaker 4>You know, that bond, that connection matters. Ultimately, does anybody

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<v Speaker 4>else really matter in that situation? Do those other shoppers?

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<v Speaker 4>You know, does it really matter if you look like

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<v Speaker 4>a full Not?

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<v Speaker 3>Really.

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<v Speaker 2>That's a great way to look at it, because a

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<v Speaker 2>lot of times we as humans in society are convinced

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<v Speaker 2>that everybody around us is analyzing our every move.

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<v Speaker 3>Oh my gosh, they're all looking at me. And when

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<v Speaker 3>you think.

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<v Speaker 2>About the realities of that, everybody's thinking that, so they're

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<v Speaker 2>not looking at anybody else because they're so inward focused

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<v Speaker 2>and not in a narcissistic way. But that's just the

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<v Speaker 2>tendency because people are so self conscious about things. But

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<v Speaker 2>those are the kind of activities that kids will remember forever.

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<v Speaker 2>And my stepmom told me that my dad had told

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<v Speaker 2>her once after visiting us that I wish I had

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<v Speaker 2>been a dad like Eric is, And that blew my

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<v Speaker 2>mind because he grew up in an era where he

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<v Speaker 2>did better than his dad did, but he was a

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<v Speaker 2>lot more stoic and way less demonstrative with his emotions

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<v Speaker 2>and that sort of thing. And to know that he

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<v Speaker 2>said that about my parenting style, it blessed my soul

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<v Speaker 2>and it made me so happy to know that, because

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<v Speaker 2>that is something I have consciously made an effort to do,

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<v Speaker 2>is be there for my kids in a way that

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<v Speaker 2>relates to them.

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<v Speaker 3>I can't talk to them like they're adults. They're not adults.

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<v Speaker 2>They will understand certain things and remember certain things, and

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<v Speaker 2>I know from my perspective there are things that my

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<v Speaker 2>kids will probably remember forever because I decided to step

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<v Speaker 2>out of that comfort zone.

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<v Speaker 4>Honestly, that's the method. In a nutshell, that's what I'm

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<v Speaker 4>going for, is you talk about it. I'm going to

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<v Speaker 4>borrow the phrase from inside out that you're creating these

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<v Speaker 4>core memories and a lot of those memories with your kids.

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<v Speaker 4>When I was first staying at home as a stay

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<v Speaker 4>at home dad, I started looking up resources eventually, and

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<v Speaker 4>I came across a guy who's now my friend. I'm

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<v Speaker 4>Shandon Carpenter, just an internet friend. We've never met, but

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<v Speaker 4>he had a book out for stay at home dads,

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<v Speaker 4>and I had never come across one of those, and

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<v Speaker 4>he was encouraging these dad ventures. And I still do

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<v Speaker 4>it five years after reading that book. This is becoming.

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<v Speaker 4>I just took my last one last week. I make

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<v Speaker 4>sure I get one on one time where we will

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<v Speaker 4>take some sort of trip, something fun, just one on

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<v Speaker 4>one with each kid, and you talk about the core

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<v Speaker 4>memories though that you're building, and it doesn't have to

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<v Speaker 4>be an adventure, a dad venture, you know. One of

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<v Speaker 4>the examples I gave, ironically, and that was honestly really

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<v Speaker 4>fundamental to the method, to the book and to me

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<v Speaker 4>as a parent, is the first day of homes school,

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<v Speaker 4>the first day during lockdown to go back to COVID.

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<v Speaker 4>And I remember that day so well, for all the

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<v Speaker 4>good and the bad. I'm sure a lot of people

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<v Speaker 4>have similar memories. And that day I went like nuts,

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<v Speaker 4>like we did. My daughter was born, but she was,

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<v Speaker 4>you know, breastfeeding infants, so I didn't really have much

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<v Speaker 4>time with her. My son and I was. I was like, well,

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<v Speaker 4>we're gonna do this, We're gonna do this, We're gonna

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<v Speaker 4>do it. I mean, we had it. And so the

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<v Speaker 4>next day I could barely move because I was so exhausted.

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<v Speaker 4>I blew it that way. But one of the things

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<v Speaker 4>we did is we went and explored the solar system.

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<v Speaker 4>I mean we literally built an entire rocket, got in

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<v Speaker 4>it and went to like all the different planets. And

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<v Speaker 4>this is what improv is all about. That's this is

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<v Speaker 4>what you're seeing in blue is you're seeing improvisation. You're

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<v Speaker 4>seeing Blui or Bingo come up with an idea, and

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<v Speaker 4>we call these bricks in theater and idea. Any type

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<v Speaker 4>of unit of information is a brick. This is a

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<v Speaker 4>rocket is a brick. To think about, Bluie, We're in

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<v Speaker 4>a bus. That's a brick. I'm Janet. That's a brick.

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<v Speaker 4>You're the driver. Every single one of those is a brick,

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<v Speaker 4>and you go build a wall. That's how you think

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<v Speaker 4>of it. An improv is you say yes to their

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<v Speaker 4>brick and you put a brick on top of it.

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<v Speaker 4>This is what I was doing with my son. We

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<v Speaker 4>built a rocktep. He's like, oh, mill engines are busted.

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<v Speaker 4>I was like, that's why we're landing here on Venus.

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<v Speaker 4>We're looking for engines going We're doing the whole thing.

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<v Speaker 4>But I gotta tell you something, Eric, we still sing

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<v Speaker 4>the song we wrote a song because I really was

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<v Speaker 4>overdoing it as a teacher, and we still sing the

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<v Speaker 4>song though it's been years. He's only nine now, and

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<v Speaker 4>it's like around those song we have fun. It's the

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<v Speaker 4>stupidest little song, like the Order of the Planets, but

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<v Speaker 4>it's such a core memory that it's like, you know

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<v Speaker 4>this this work, peopill remember this just at our basement

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<v Speaker 4>with pillows on the first day of lockdown, Like I

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<v Speaker 4>don't know. That's what it's about in my head. Creating

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<v Speaker 4>those core memories, creating those bombs.

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<v Speaker 3>That's so cool.

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<v Speaker 2>My kids, we get a lot of that's the same

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<v Speaker 2>way because my wife would be the same way with

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<v Speaker 2>the kids, and there's a song that she made up

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<v Speaker 2>whenever they would brush their teeth and they still remember

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<v Speaker 2>it even though they're much older now and they're like, oh,

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<v Speaker 2>how embarrassing, but they remember it because it meant something

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<v Speaker 2>to them, And what a cool approach. That's so neat.

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<v Speaker 2>I'm so glad that you shared that with me. I'm curious,

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<v Speaker 2>how did you discover Bluie Oh ma'n.

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<v Speaker 4>I am not sure. I think I saw it recommended

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<v Speaker 4>on a dad's group. I'm pretty sure you. I'm pretty

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<v Speaker 4>sure some people were talking about it. I want to

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<v Speaker 4>stay on Facebook. I was in a number of dad's

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<v Speaker 4>groups because I was feeling isolated. I was already a

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<v Speaker 4>stann out and it kind of feel isolating. I eventually

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<v Speaker 4>met one other step dad. I'm he was like in

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<v Speaker 4>a gay couple.

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<v Speaker 3>I'm so.

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<v Speaker 4>He stayed at home law his husband worked. I had

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<v Speaker 4>never met until him, and he ended up being a neighbor.

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<v Speaker 4>I had never met another stand up dad in person.

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<v Speaker 4>I wanted to do the round there. So I went

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<v Speaker 4>on the internet and I was like, come on, there

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<v Speaker 4>must be other dads and I'm Kip, just be me,

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<v Speaker 4>I'm and I yeah, definitely a lot of the dads

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<v Speaker 4>were talking about this show. It's like, you got to

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<v Speaker 4>check this out, and so I remember checking it out

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<v Speaker 4>and one of the first episodes I saw was was

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<v Speaker 4>Magic Xylophone, and I was instantly like, wait a second,

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<v Speaker 4>because magic Xylophone is freeze is what we call it

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<v Speaker 4>in improv, and it is the introductory lesson. So I

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<v Speaker 4>used to teach improv, as I said, theater teacher, improv coach,

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<v Speaker 4>and when you teach improv, that's the first unit is

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<v Speaker 4>that episode.

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<v Speaker 3>And this is one of.

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<v Speaker 4>The first shows I'm seeing a Blue. I'm like, wait

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<v Speaker 4>a second, they're just doing freeze and he's turned into show.

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<v Speaker 4>And then the more I watched, the more I realized

359
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<v Speaker 4>that and this is true. Ninety eight percent of Blue

360
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<v Speaker 4>that is actually true is improvisation. That's how it works.

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<v Speaker 4>Almost every episode, Joe is going to take a different

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<v Speaker 4>scenario and he's going to have them improvise together. One

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<v Speaker 4>of my favorite episodes when it came out that really

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<v Speaker 4>blew my mind was Octopus because that was the first

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<v Speaker 4>time you take it away from the healers and I

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<v Speaker 4>have been like, gosh, this feels like improv. This feels

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<v Speaker 4>like improv. And then I really felt like Joe was

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<v Speaker 4>acknowledging it to the audience because there's this moment when

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<v Speaker 4>clothing her dad. This is the one where Chloe wants

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<v Speaker 4>to to parent like Louie's dad and stop and she

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<v Speaker 4>wants her dad to and he's struggling, and so they

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<v Speaker 4>discover what's the is there saying no, They need to

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<v Speaker 4>say yes, which is the foundation of improv need to

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<v Speaker 4>build off each others. It's like I I felt like

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<v Speaker 4>that was for those of us who know theater, that

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<v Speaker 4>was the let's break the fourth wall and acknowledge what's

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<v Speaker 4>happening behind the scenes episode. I don't know if that

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<v Speaker 4>was its intent or not, but that's how it how

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<v Speaker 4>it's to me. But yeah, once I discovered it, I

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<v Speaker 4>was hooked. And it's a great show and I've I've

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<v Speaker 4>loved it ever since.

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<v Speaker 2>It is amazing. I was shocked at how much I

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<v Speaker 2>connected to it. I am a big Star Wars fan

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<v Speaker 2>and a lot of my Star Wars friends are from Australia,

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<v Speaker 2>and because culturally Australians, they travel and so whenever we

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<v Speaker 2>would have the big Star Wars conventions, that's how I

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<v Speaker 2>met them. And they kept telling me, You've got to

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<v Speaker 2>check out this show, Bluie. You would love it, I'm

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<v Speaker 2>telling you. And that was right when it was coming

390
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<v Speaker 2>on Disney Plus and I was floored. I was hooked

391
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<v Speaker 2>immediately because I identified with bandit so much and just watching

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<v Speaker 2>the style of play, watching the respect he showed the

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<v Speaker 2>kids and their thought process while still pointing them in

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<v Speaker 2>the right direction, not being afraid to have fun, all

395
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<v Speaker 2>of that stuff. It really spoke to me on a

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<v Speaker 2>big level. And it's interesting that you talk about that

397
00:22:10.359 --> 00:22:14.359
<v Speaker 2>episode Octopus, because it felt very familiar to me. I

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<v Speaker 2>do a lot of things that are theater adjacent, and

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<v Speaker 2>I have a friend who's big in improv and he

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<v Speaker 2>talks about it. It's always yes and yes, and and

401
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<v Speaker 2>I'm like, man, that feels exactly like what he talks about.

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<v Speaker 3>So that's how cool is that.

403
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<v Speaker 2>Starting the podcast was just like a random thing, one

404
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<v Speaker 2>of those you know what we should do in moments,

405
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<v Speaker 2>and it just grew from there.

406
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<v Speaker 3>Who is the target audience for your book?

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<v Speaker 4>I would say, I mean, for sure, I'm kids. Blui's

408
00:22:46.119 --> 00:22:48.880
<v Speaker 4>age and Blue fans are big target audience, but it's

409
00:22:48.920 --> 00:22:52.839
<v Speaker 4>parents of kids about three to seven are the super target.

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<v Speaker 4>But it definitely applies to kids older and there's a

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<v Speaker 4>whole section in there, you know, up through middle school.

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<v Speaker 4>I'm new parents as well. Honestly, anybody wants to connect

413
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<v Speaker 4>with kids. It does connect to teachers too, and my

414
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<v Speaker 4>background obviously isn't teaching. So if you're a daycare worker,

415
00:23:14.240 --> 00:23:20.200
<v Speaker 4>you're you're elementary teacher something like that. But the primary,

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<v Speaker 4>the mediast I'm group and the reason I say three

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<v Speaker 4>to seven most of all, and and it'll you'll definitely

418
00:23:28.559 --> 00:23:32.720
<v Speaker 4>get stuff out of this with older ore kids, but

419
00:23:32.839 --> 00:23:35.599
<v Speaker 4>it's that age and we all remember around the time

420
00:23:35.640 --> 00:23:37.799
<v Speaker 4>they hit three, especially when you're in the why phase.

421
00:23:39.480 --> 00:23:42.880
<v Speaker 4>Not only are they constantly saying why, why, why?

422
00:23:42.960 --> 00:23:43.119
<v Speaker 3>Why?

423
00:23:43.160 --> 00:23:45.880
<v Speaker 4>Why? Not only are they constantly doing that, but they're

424
00:23:45.920 --> 00:23:48.039
<v Speaker 4>also becoming what I like to refer to as a

425
00:23:48.039 --> 00:23:52.599
<v Speaker 4>brick factory, because neurologically their brain is at the point

426
00:23:52.680 --> 00:23:56.400
<v Speaker 4>where they're trying to figure out what is the world?

427
00:23:56.680 --> 00:24:00.839
<v Speaker 4>I think born yesterday? In Bluie, I love that they

428
00:24:01.440 --> 00:24:03.759
<v Speaker 4>you know, let's do a role reversal. Let's have him

429
00:24:04.079 --> 00:24:07.640
<v Speaker 4>experience everything from the first time, and you know, just

430
00:24:07.720 --> 00:24:09.119
<v Speaker 4>like band, just like, well, what is this?

431
00:24:09.240 --> 00:24:09.720
<v Speaker 3>What is this?

432
00:24:09.880 --> 00:24:13.319
<v Speaker 4>Why? He's basically in the why phase, like he's also

433
00:24:13.480 --> 00:24:17.519
<v Speaker 4>dropping ideas NonStop. They actually really did that very cleverly,

434
00:24:18.000 --> 00:24:21.799
<v Speaker 4>And this is the kind of golden moment for this

435
00:24:22.039 --> 00:24:25.920
<v Speaker 4>method and for what Joe's doing in Bluey for saying

436
00:24:26.000 --> 00:24:29.559
<v Speaker 4>yes and for taking these ideas, for building on them,

437
00:24:30.160 --> 00:24:32.920
<v Speaker 4>and for using that as a way to connect with kids.

438
00:24:33.000 --> 00:24:35.880
<v Speaker 4>That would be the definitely the core group.

439
00:24:36.720 --> 00:24:40.559
<v Speaker 2>One of the things I find so endearing about Blue is,

440
00:24:41.279 --> 00:24:43.880
<v Speaker 2>especially with Bandit because I relate to him as a dad,

441
00:24:44.240 --> 00:24:47.000
<v Speaker 2>is the way he'll slow down and look at things

442
00:24:47.039 --> 00:24:50.079
<v Speaker 2>from a child's perspective. Because if you want to be

443
00:24:50.160 --> 00:24:53.480
<v Speaker 2>reminded of how magic the world is, look at it

444
00:24:53.559 --> 00:24:57.480
<v Speaker 2>like a child would. And that episode when he's filled

445
00:24:57.519 --> 00:25:01.160
<v Speaker 2>with wonderment at things because he's slow down and took

446
00:25:01.240 --> 00:25:04.799
<v Speaker 2>a minute to put all of the problems aside and

447
00:25:05.240 --> 00:25:09.240
<v Speaker 2>really look at things through a brand new lens, and man,

448
00:25:09.319 --> 00:25:11.599
<v Speaker 2>that is an exercise that people should get involved in

449
00:25:11.799 --> 00:25:12.480
<v Speaker 2>more often.

450
00:25:14.000 --> 00:25:16.240
<v Speaker 4>It's it's not just the looking at it through their eyes.

451
00:25:16.279 --> 00:25:19.400
<v Speaker 4>The empathies is huge. But what you said just now

452
00:25:19.920 --> 00:25:23.519
<v Speaker 4>putting it, putting everything else aside, and that what I

453
00:25:23.599 --> 00:25:25.759
<v Speaker 4>was mentioning with the anchor is trying to touch on

454
00:25:25.960 --> 00:25:28.559
<v Speaker 4>in the second that's the whole kind of second pillar

455
00:25:28.559 --> 00:25:31.079
<v Speaker 4>of the method. I think that is key. Is he

456
00:25:31.400 --> 00:25:35.480
<v Speaker 4>every episode or chilling what they are pros at, what

457
00:25:35.559 --> 00:25:38.480
<v Speaker 4>they succeed in our models at is they can take

458
00:25:38.759 --> 00:25:42.160
<v Speaker 4>whatever is going on and they put it aside and

459
00:25:42.200 --> 00:25:46.079
<v Speaker 4>they are fully in. They are in the playtime, they

460
00:25:46.079 --> 00:25:49.319
<v Speaker 4>are in the game, whatever, crazy game. It is honestly,

461
00:25:49.359 --> 00:25:52.359
<v Speaker 4>even Pat, I'm in the middle of doing my warning. Okay,

462
00:25:52.559 --> 00:25:55.599
<v Speaker 4>that's out the way to Alien, let's go. You know,

463
00:25:55.920 --> 00:25:58.920
<v Speaker 4>it's that ability to put it all. You know, it's

464
00:25:59.119 --> 00:26:02.960
<v Speaker 4>because we all have other stuff, you know where right,

465
00:26:03.519 --> 00:26:05.839
<v Speaker 4>you know, our spouses or our jobs or the news

466
00:26:05.960 --> 00:26:10.119
<v Speaker 4>or whatever. You know, we all have as adults, other

467
00:26:10.240 --> 00:26:14.160
<v Speaker 4>stuff and to be able to take just you know,

468
00:26:14.319 --> 00:26:17.960
<v Speaker 4>ten minutes a day or so and set that all aside,

469
00:26:18.000 --> 00:26:21.960
<v Speaker 4>being like, you know, it's still there, It'll be there

470
00:26:22.039 --> 00:26:25.000
<v Speaker 4>in ten minutes. I'm going to put it aside. And

471
00:26:25.039 --> 00:26:30.440
<v Speaker 4>for these ten minutes, I'm just dad or I'm just mom, whatever,

472
00:26:30.559 --> 00:26:34.400
<v Speaker 4>and you're just in that moment that I think is

473
00:26:34.440 --> 00:26:39.000
<v Speaker 4>the truest key to it all and to Bluie too.

474
00:26:39.119 --> 00:26:41.920
<v Speaker 4>I think that's why they are such great parents. It's

475
00:26:41.920 --> 00:26:44.160
<v Speaker 4>because they really do. They set it aside and they

476
00:26:44.160 --> 00:26:44.839
<v Speaker 4>are all in.

477
00:26:46.480 --> 00:26:48.799
<v Speaker 2>That's awesome, and that is one of the things I

478
00:26:48.839 --> 00:26:51.720
<v Speaker 2>love so much about the show. In our segment did

479
00:26:51.720 --> 00:26:55.200
<v Speaker 2>we learn Anything Today, we talk about what was the

480
00:26:55.839 --> 00:26:59.559
<v Speaker 2>overarching lesson of this episode and we just started to

481
00:26:59.599 --> 00:27:01.680
<v Speaker 2>rewatch because we reach the end of the episodes where

482
00:27:01.720 --> 00:27:03.759
<v Speaker 2>we still love Blue. Let's go back to the top

483
00:27:04.039 --> 00:27:06.599
<v Speaker 2>and talk about how we feel about it now three

484
00:27:06.839 --> 00:27:10.319
<v Speaker 2>or like really almost four years after we first watched

485
00:27:10.319 --> 00:27:13.640
<v Speaker 2>the episodes and talked about them, and the change in

486
00:27:13.680 --> 00:27:16.240
<v Speaker 2>perspective is really cool. But when we get in some

487
00:27:16.319 --> 00:27:19.200
<v Speaker 2>of the early episodes, there might not be a very

488
00:27:19.279 --> 00:27:23.200
<v Speaker 2>specific lesson. Did we learn anything today? But we were

489
00:27:23.240 --> 00:27:27.680
<v Speaker 2>just talking about the episode Hotel where Bandit is supposed

490
00:27:27.720 --> 00:27:30.519
<v Speaker 2>to be cleaning the bedroom up, Chili gets in the shower,

491
00:27:30.920 --> 00:27:33.960
<v Speaker 2>and the kids they want to play, and I mentioned

492
00:27:34.000 --> 00:27:34.839
<v Speaker 2>that specifically.

493
00:27:34.880 --> 00:27:35.599
<v Speaker 3>I don't think.

494
00:27:35.440 --> 00:27:39.079
<v Speaker 2>There's a particular lesson, but one thing that you could

495
00:27:39.079 --> 00:27:42.160
<v Speaker 2>take away from it is Bandit new those chores are

496
00:27:42.200 --> 00:27:46.000
<v Speaker 2>going to be there fifteen minutes from now. I can

497
00:27:46.039 --> 00:27:48.799
<v Speaker 2>put that aside and do this right now. Because for

498
00:27:48.960 --> 00:27:52.079
<v Speaker 2>parents out there, if you're a new parent or not

499
00:27:52.160 --> 00:27:55.799
<v Speaker 2>a parent yet, the amount of time that your kids

500
00:27:55.880 --> 00:27:59.720
<v Speaker 2>will want to have all of your attention goes away

501
00:28:00.160 --> 00:28:02.440
<v Speaker 2>in what feels like a blink of an eye. They

502
00:28:02.480 --> 00:28:05.880
<v Speaker 2>grow up and they move forward as they should. That's

503
00:28:05.920 --> 00:28:09.119
<v Speaker 2>how people develop, is they find their own sense of self.

504
00:28:10.160 --> 00:28:13.519
<v Speaker 2>But do not miss that window of opportunity when your

505
00:28:13.599 --> 00:28:18.200
<v Speaker 2>kids desire and crave your time because it will mean

506
00:28:18.240 --> 00:28:21.160
<v Speaker 2>the world to them, and that is what you're going

507
00:28:21.200 --> 00:28:24.279
<v Speaker 2>to think about later. And honestly, and I'm saying this

508
00:28:24.359 --> 00:28:26.920
<v Speaker 2>a little jokingly, once your kids get a little older

509
00:28:27.039 --> 00:28:30.480
<v Speaker 2>and a little more angsty, you need those memories to

510
00:28:30.599 --> 00:28:35.480
<v Speaker 2>remember why you love them. But yeah, it makes such

511
00:28:35.559 --> 00:28:39.000
<v Speaker 2>a difference to just put it aside. And it's a joke.

512
00:28:39.079 --> 00:28:43.079
<v Speaker 2>If you remember the movie What About Bob Bill Murray

513
00:28:43.319 --> 00:28:46.839
<v Speaker 2>was and his doctor told him to take a vacation

514
00:28:47.240 --> 00:28:51.039
<v Speaker 2>from your problems. They'll still be there when you get back,

515
00:28:51.079 --> 00:28:54.000
<v Speaker 2>but just for right now, let's set them. And that

516
00:28:54.200 --> 00:28:56.759
<v Speaker 2>is the same kind of thing. It's so neat to

517
00:28:57.119 --> 00:28:58.000
<v Speaker 2>look at it like that.

518
00:28:59.160 --> 00:29:01.279
<v Speaker 4>When you were talking about that, I was actually reminded

519
00:29:01.319 --> 00:29:05.160
<v Speaker 4>of there's a line in on Daddy drop Off when

520
00:29:05.359 --> 00:29:07.559
<v Speaker 4>you know they're later and later and later. This is

521
00:29:07.559 --> 00:29:10.079
<v Speaker 4>the one where Bandit has to bring them to school

522
00:29:10.200 --> 00:29:13.119
<v Speaker 4>and Bingo forgets her jacket and all this other stuff,

523
00:29:13.119 --> 00:29:15.079
<v Speaker 4>and they do the wind up Bingo at the end,

524
00:29:15.680 --> 00:29:18.799
<v Speaker 4>and Bingo's has some and I'm paraphrasing terribly, but Bingo

525
00:29:18.920 --> 00:29:21.279
<v Speaker 4>is like, well, why were we still late? Would we

526
00:29:21.319 --> 00:29:23.799
<v Speaker 4>have been less late? And band It's like, yeah, we

527
00:29:23.799 --> 00:29:26.039
<v Speaker 4>would have been less late. Why did you do this?

528
00:29:26.680 --> 00:29:28.559
<v Speaker 4>And he says something like, well, it wouldn't have been

529
00:29:28.599 --> 00:29:31.480
<v Speaker 4>as fun if we did something like that, And again

530
00:29:31.519 --> 00:29:36.039
<v Speaker 4>I'm paraphrasing, but it's the same exact idea. It's like, yeah,

531
00:29:36.240 --> 00:29:39.640
<v Speaker 4>this matters. You know, Okay, you're a couple minutes late

532
00:29:39.680 --> 00:29:42.880
<v Speaker 4>to school today. You know, don't do that every day necessarily,

533
00:29:43.440 --> 00:29:46.279
<v Speaker 4>but take those memories when you can get them. And

534
00:29:46.359 --> 00:29:48.119
<v Speaker 4>you know, to go back to your question about the

535
00:29:48.200 --> 00:29:51.480
<v Speaker 4>core group, you know, I have to say my my

536
00:29:51.599 --> 00:29:54.559
<v Speaker 4>kids are now seven and ten, so they're older than

537
00:29:54.599 --> 00:29:57.359
<v Speaker 4>this now I was saying three to seven, but I

538
00:29:57.839 --> 00:30:03.200
<v Speaker 4>still this way with both of my kids, even my

539
00:30:03.319 --> 00:30:05.559
<v Speaker 4>older son, and you know, he's at the edge. I mean,

540
00:30:05.559 --> 00:30:07.640
<v Speaker 4>we play chess and we do all the fancy old

541
00:30:07.680 --> 00:30:11.160
<v Speaker 4>stuff and he's you know, on Minecraft building, you know

542
00:30:11.319 --> 00:30:15.799
<v Speaker 4>whatever that he does. But you know, so he's into

543
00:30:15.839 --> 00:30:20.160
<v Speaker 4>all of that too. But we still use this imaginative

544
00:30:20.240 --> 00:30:23.160
<v Speaker 4>play that we still go hunt dragons, we still go

545
00:30:23.839 --> 00:30:27.680
<v Speaker 4>exploring for fairies and magic, like, we still use that

546
00:30:27.839 --> 00:30:31.920
<v Speaker 4>type of play together and that's still a cornerstone that

547
00:30:32.000 --> 00:30:34.559
<v Speaker 4>keeps us close and I'm really proud of that.

548
00:30:34.720 --> 00:30:39.559
<v Speaker 2>Honestly, Henry and I have bonded over our mutual love

549
00:30:39.759 --> 00:30:44.640
<v Speaker 2>of Star Wars and Lego and those sorts of things,

550
00:30:44.720 --> 00:30:49.119
<v Speaker 2>and I've found that I enjoy playing with the toys

551
00:30:49.200 --> 00:30:51.359
<v Speaker 2>just as much as he does. As a matter of fact,

552
00:30:51.359 --> 00:30:54.279
<v Speaker 2>I probably want Star Wars sort of made a resurgence.

553
00:30:54.319 --> 00:30:57.599
<v Speaker 2>I probably spent what most would call an irresponsible amount

554
00:30:57.599 --> 00:31:01.839
<v Speaker 2>of money on collectibles.

555
00:31:00.400 --> 00:31:03.519
<v Speaker 3>But it is. It's one of those things that it's

556
00:31:03.559 --> 00:31:04.200
<v Speaker 3>still fun.

557
00:31:04.400 --> 00:31:06.960
<v Speaker 2>And when as kids get a little bit older, if

558
00:31:06.960 --> 00:31:09.440
<v Speaker 2>they can hang that up for a little bit none

559
00:31:09.480 --> 00:31:12.519
<v Speaker 2>of your friends are around, don't worry, just be yourself.

560
00:31:13.039 --> 00:31:16.000
<v Speaker 2>We took the kids to Disneyland a few years ago,

561
00:31:16.400 --> 00:31:21.519
<v Speaker 2>and I remember telling them, listen, there's nobody here that

562
00:31:21.680 --> 00:31:25.440
<v Speaker 2>knows you don't be afraid to be a kid. If

563
00:31:26.039 --> 00:31:28.279
<v Speaker 2>you see Mickey Mouse and it makes you just want

564
00:31:28.279 --> 00:31:30.680
<v Speaker 2>to cry, cry, it's normal.

565
00:31:30.880 --> 00:31:32.319
<v Speaker 3>Embrace this for what it is.

566
00:31:32.480 --> 00:31:36.279
<v Speaker 2>Don't let other people's perception of it get in your way.

567
00:31:36.839 --> 00:31:38.759
<v Speaker 3>And I think they really took that to heart.

568
00:31:38.799 --> 00:31:41.599
<v Speaker 2>It really does make a huge difference to approach life

569
00:31:41.640 --> 00:31:46.599
<v Speaker 2>with a bit of abandon It's really healthy and it

570
00:31:46.640 --> 00:31:48.799
<v Speaker 2>makes life fun. And those are the things.

571
00:31:48.519 --> 00:31:50.720
<v Speaker 3>That you're going to remember over time.

572
00:31:51.920 --> 00:31:55.960
<v Speaker 4>They pick up on our cues too, Like if we're

573
00:31:56.039 --> 00:31:59.319
<v Speaker 4>out there having fun, whether it's in Disney or in

574
00:31:59.359 --> 00:32:02.599
<v Speaker 4>the super bar, but if we're singing in the supermarket,

575
00:32:02.759 --> 00:32:06.759
<v Speaker 4>for singing in main Street, USA or wherever, you know,

576
00:32:07.599 --> 00:32:10.400
<v Speaker 4>they are picking up on that and they're internalizing that, Oh,

577
00:32:10.480 --> 00:32:14.599
<v Speaker 4>this is okay, this is healthy. And I think that's good.

578
00:32:14.720 --> 00:32:16.440
<v Speaker 4>I think that's a good thing for them to pick

579
00:32:16.519 --> 00:32:16.720
<v Speaker 4>up on.

580
00:32:16.839 --> 00:32:18.880
<v Speaker 3>Personally, I agree. I agree.

581
00:32:19.759 --> 00:32:23.000
<v Speaker 2>What is your favorite episode of Blue if you had

582
00:32:23.000 --> 00:32:26.880
<v Speaker 2>to pick one, or can you even pick one?

583
00:32:27.119 --> 00:32:29.559
<v Speaker 4>I mean, the Sign stands out because it's, you know,

584
00:32:29.640 --> 00:32:32.759
<v Speaker 4>the long episode and it's special. I'm I don't know

585
00:32:32.799 --> 00:32:35.240
<v Speaker 4>if you can even count that because it's so different,

586
00:32:35.920 --> 00:32:37.799
<v Speaker 4>and I know I'm gonna love the movie when it comes.

587
00:32:38.400 --> 00:32:43.200
<v Speaker 4>But if I had to pick a non the Sign episode, ah, man,

588
00:32:43.319 --> 00:32:47.039
<v Speaker 4>I have a bunch of favorites. Well, off the top

589
00:32:47.079 --> 00:32:49.480
<v Speaker 4>of my head. I really do love Daddy drop Off,

590
00:32:49.640 --> 00:32:54.960
<v Speaker 4>I love I'm, I love bus bus Is sib of Fun.

591
00:32:55.680 --> 00:33:00.640
<v Speaker 4>I like Puppets, the second Unicorn episode of Unicorse episod. Sorry,

592
00:33:01.200 --> 00:33:04.640
<v Speaker 4>I'm yeah, those are some of the ones that come

593
00:33:04.680 --> 00:33:08.720
<v Speaker 4>to mind, quick guest, I think those are all. Oh,

594
00:33:08.759 --> 00:33:11.240
<v Speaker 4>and then the one where they narry I think it's

595
00:33:11.240 --> 00:33:14.720
<v Speaker 4>called stories and it keeps changing perspective. That was a

596
00:33:14.799 --> 00:33:18.119
<v Speaker 4>really interesting one too, the one with Lin Manuel as

597
00:33:18.160 --> 00:33:21.400
<v Speaker 4>the horse at the Aba. Yeah yeah, yeah, that was

598
00:33:21.400 --> 00:33:22.119
<v Speaker 4>a fun one too.

599
00:33:22.200 --> 00:33:22.400
<v Speaker 2>Yeah.

600
00:33:22.440 --> 00:33:24.559
<v Speaker 4>No, there's a lot of wonderful ones, but those would

601
00:33:24.599 --> 00:33:26.240
<v Speaker 4>be a few of my top ones.

602
00:33:26.359 --> 00:33:26.839
<v Speaker 3>How about you?

603
00:33:26.880 --> 00:33:29.440
<v Speaker 4>What would your favorite pay It's so tough.

604
00:33:29.759 --> 00:33:33.680
<v Speaker 2>I love Bandit and I love Pat. When you mentioned Pat,

605
00:33:33.720 --> 00:33:37.000
<v Speaker 2>he's one of my favorites. The guy's a legend. His

606
00:33:37.079 --> 00:33:40.119
<v Speaker 2>ability to just be like, Okay, let's we'll go along

607
00:33:40.160 --> 00:33:41.799
<v Speaker 2>with this, we'll do the thing. And the fact that

608
00:33:41.839 --> 00:33:44.839
<v Speaker 2>for the longest time they called him Lucky's dad as

609
00:33:44.839 --> 00:33:48.440
<v Speaker 2>a parent, you that is exactly what happens. Hey, Henry's dad,

610
00:33:48.519 --> 00:33:51.359
<v Speaker 2>Can you come over and blah blah blah. But one

611
00:33:51.440 --> 00:33:53.640
<v Speaker 2>of the things that really sticks out to me, it's

612
00:33:53.680 --> 00:33:56.240
<v Speaker 2>from a I think the first season is Bumpy and

613
00:33:56.279 --> 00:34:01.400
<v Speaker 2>the Wise Old Wolfhound because in the hospital and they

614
00:34:01.400 --> 00:34:04.599
<v Speaker 2>never say why, but Bingo's in the hospital and they

615
00:34:04.680 --> 00:34:09.320
<v Speaker 2>make this little home movie and Muffin is so cute

616
00:34:09.320 --> 00:34:11.440
<v Speaker 2>in it, and they show a lot of things that

617
00:34:11.800 --> 00:34:14.159
<v Speaker 2>as like as a podcast, we can relate to where

618
00:34:14.159 --> 00:34:16.079
<v Speaker 2>they have to keep doing a take over and over

619
00:34:16.119 --> 00:34:18.119
<v Speaker 2>and over again, a Bandit says, we can.

620
00:34:18.079 --> 00:34:21.280
<v Speaker 3>Edit that bid out right. It's it hits so close

621
00:34:21.320 --> 00:34:21.639
<v Speaker 3>to home.

622
00:34:21.880 --> 00:34:24.840
<v Speaker 2>But I love that style and the whole reason they

623
00:34:24.880 --> 00:34:28.199
<v Speaker 2>did it at the end was to let Bingo know

624
00:34:28.320 --> 00:34:33.039
<v Speaker 2>that everybody gets sick sometimes and not to worry. It

625
00:34:33.519 --> 00:34:36.000
<v Speaker 2>was such a cute thing and the amount of effort

626
00:34:36.079 --> 00:34:40.880
<v Speaker 2>they went into as a family, it was so excellent

627
00:34:40.920 --> 00:34:42.440
<v Speaker 2>to see.

628
00:34:42.519 --> 00:34:45.480
<v Speaker 4>Yeah, yeah, I will, I will say in terms of

629
00:34:45.559 --> 00:34:49.679
<v Speaker 4>the method, and it really honestly goes with any single

630
00:34:49.719 --> 00:34:53.159
<v Speaker 4>Blue episode in them in general. But one thing that

631
00:34:53.239 --> 00:34:56.119
<v Speaker 4>I do, one episode that I mentioned in the book

632
00:34:56.199 --> 00:35:00.679
<v Speaker 4>specifically because it's such an easy parallel is the episod Work,

633
00:35:01.639 --> 00:35:04.440
<v Speaker 4>because it's one of the only episodes so you talk

634
00:35:04.480 --> 00:35:07.480
<v Speaker 4>about im property and yes and work, which is the

635
00:35:07.480 --> 00:35:09.800
<v Speaker 4>one where they end up he's making drain pipes and

636
00:35:09.880 --> 00:35:12.400
<v Speaker 4>end up dancing at the end. They're kind of giving

637
00:35:12.639 --> 00:35:16.400
<v Speaker 4>Bandit and Chili jobs. Well Bandit is getting jobs. Chili

638
00:35:16.440 --> 00:35:19.880
<v Speaker 4>comes in as the dancer at the end. But it's

639
00:35:19.920 --> 00:35:22.639
<v Speaker 4>one of the only episodes where you see no a

640
00:35:22.719 --> 00:35:26.199
<v Speaker 4>few times, and the way it's handled from a theater

641
00:35:26.320 --> 00:35:31.239
<v Speaker 4>point of view is masterful from Bandit because band It

642
00:35:31.320 --> 00:35:33.719
<v Speaker 4>is like, I'm doing this, and Blui is like, no,

643
00:35:33.800 --> 00:35:37.280
<v Speaker 4>you're not. You're doing this. He takes an idea and

644
00:35:37.320 --> 00:35:43.920
<v Speaker 4>crushes it. And in the framework of the imagination and

645
00:35:43.960 --> 00:35:47.159
<v Speaker 4>the improv, that would be breaking the rules, so to speak.

646
00:35:47.199 --> 00:35:49.679
<v Speaker 4>That would be kind of getting off the track of

647
00:35:49.719 --> 00:35:53.400
<v Speaker 4>the game. But band It just goes right with it.

648
00:35:53.679 --> 00:35:56.920
<v Speaker 4>And not only that, so the earliest suggestion that Bluie

649
00:35:56.920 --> 00:35:59.000
<v Speaker 4>says no to is I want to be a dancer,

650
00:35:59.039 --> 00:36:02.760
<v Speaker 4>and Louie says, no, no, you don't, you want to

651
00:36:02.760 --> 00:36:06.400
<v Speaker 4>do this, blah blah blah, And he says, Okay, I'm

652
00:36:06.440 --> 00:36:09.000
<v Speaker 4>gonna accept your idea of Louis, I'm gonna I'm gonna

653
00:36:09.000 --> 00:36:12.360
<v Speaker 4>go with it, and then he brings it back later

654
00:36:13.199 --> 00:36:15.760
<v Speaker 4>that is, and we do this, we call these heralds

655
00:36:15.760 --> 00:36:18.400
<v Speaker 4>and long form improps. That's exactly what you're supposed to do.

656
00:36:18.480 --> 00:36:20.920
<v Speaker 4>If there's an error, you tuck it away for later

657
00:36:20.960 --> 00:36:23.880
<v Speaker 4>and you bring it back so the break is not destroyed.

658
00:36:23.880 --> 00:36:27.000
<v Speaker 4>This is why I'm like, gosh, this is like masterful

659
00:36:27.039 --> 00:36:31.599
<v Speaker 4>improv stuff, and nobody's not necessarily recognizing this. And this

660
00:36:31.679 --> 00:36:35.239
<v Speaker 4>is exactly when when I taught high school improv, I

661
00:36:35.320 --> 00:36:39.159
<v Speaker 4>ran a troop we had this one I'm improv a

662
00:36:39.280 --> 00:36:42.360
<v Speaker 4>steady improvisation that ran on for I remember it went

663
00:36:42.400 --> 00:36:45.400
<v Speaker 4>on for just over two hours and the number of

664
00:36:45.400 --> 00:36:47.079
<v Speaker 4>things that would come back, the number of things that

665
00:36:47.159 --> 00:36:49.239
<v Speaker 4>come back. It reminded me of that moment. I was like,

666
00:36:49.800 --> 00:36:52.840
<v Speaker 4>this is beautiful and band is doing that. So from

667
00:36:52.920 --> 00:36:55.519
<v Speaker 4>from a theater point of view, that episode always stands

668
00:36:55.559 --> 00:36:59.719
<v Speaker 4>out for me as God that is masterful the way

669
00:36:59.719 --> 00:37:01.360
<v Speaker 4>band and it just handles that.

670
00:37:01.360 --> 00:37:02.239
<v Speaker 3>That's really interesting.

671
00:37:02.280 --> 00:37:03.639
<v Speaker 2>I'm going to have to go back and watch that

672
00:37:03.719 --> 00:37:06.199
<v Speaker 2>today through that lens.

673
00:37:06.480 --> 00:37:08.079
<v Speaker 4>See it's very interesting.

674
00:37:08.480 --> 00:37:12.519
<v Speaker 2>One thing that I think makes Bluey so unique is

675
00:37:12.559 --> 00:37:15.159
<v Speaker 2>the way the music ties into everything.

676
00:37:15.719 --> 00:37:19.920
<v Speaker 3>There's very little He's a genius. I would love to

677
00:37:19.960 --> 00:37:20.679
<v Speaker 3>work with him.

678
00:37:21.039 --> 00:37:23.639
<v Speaker 2>And like people might not realize this, but something as

679
00:37:23.639 --> 00:37:27.199
<v Speaker 2>simple as the theme. The theme of the show is

680
00:37:27.559 --> 00:37:33.480
<v Speaker 2>it's like like freeze where what's the word I'm looking for,

681
00:37:33.840 --> 00:37:35.960
<v Speaker 2>kind of almost like musical chairs where it stops and

682
00:37:36.039 --> 00:37:40.280
<v Speaker 2>everybody has to stand still, and it feels very random.

683
00:37:40.840 --> 00:37:44.119
<v Speaker 2>There's a weird pause before the music starts up again,

684
00:37:44.719 --> 00:37:48.760
<v Speaker 2>and when to say the names seems very random, but

685
00:37:48.920 --> 00:37:52.920
<v Speaker 2>it's perfectly musically timed. And this is a very nerdy thing,

686
00:37:53.199 --> 00:37:56.480
<v Speaker 2>but it's if for for people who speak in music terms,

687
00:37:56.519 --> 00:37:58.639
<v Speaker 2>it's measures of four and then a measure of five,

688
00:37:59.400 --> 00:38:03.320
<v Speaker 2>and they say the name one quarter note earlier each time,

689
00:38:03.639 --> 00:38:06.159
<v Speaker 2>so it's don da dun da da da da da

690
00:38:06.280 --> 00:38:09.559
<v Speaker 2>da da da dada one and two three four five Dad,

691
00:38:10.000 --> 00:38:12.559
<v Speaker 2>and the next time it's one two three four momb

692
00:38:12.719 --> 00:38:13.599
<v Speaker 2>and it moves up.

693
00:38:14.199 --> 00:38:15.599
<v Speaker 3>Yeah, it moves up one day's time.

694
00:38:15.639 --> 00:38:18.320
<v Speaker 2>So it feels very random and very rushed, but it's

695
00:38:18.440 --> 00:38:21.760
<v Speaker 2>perfectly aligned to a grid because Joff is a genius.

696
00:38:22.920 --> 00:38:27.440
<v Speaker 4>He totally I fully agree with that. Job's amazing, and

697
00:38:27.679 --> 00:38:31.960
<v Speaker 4>I think the music and the incorporation of classical themes, yes,

698
00:38:32.440 --> 00:38:35.480
<v Speaker 4>I'm throughout is you know. It's honestly even kind of

699
00:38:35.559 --> 00:38:39.199
<v Speaker 4>education too for the little kids watching. But it's it's

700
00:38:39.280 --> 00:38:43.559
<v Speaker 4>just so masterfullet done, and it's it's it's a beautiful

701
00:38:43.559 --> 00:38:46.280
<v Speaker 4>part of the show. I have nothing but admiration for

702
00:38:46.320 --> 00:38:46.760
<v Speaker 4>the music.

703
00:38:47.280 --> 00:38:51.039
<v Speaker 2>I suspect if I were to work in an environment

704
00:38:51.199 --> 00:38:54.280
<v Speaker 2>like that, my process would probably be to watch as

705
00:38:54.400 --> 00:38:57.320
<v Speaker 2>close to a finished cut of the show that I

706
00:38:57.360 --> 00:38:59.559
<v Speaker 2>could get my hands on, with a little bit of

707
00:38:59.639 --> 00:39:02.440
<v Speaker 2>musical direction, and just play along with it and see

708
00:39:02.480 --> 00:39:04.440
<v Speaker 2>what popped out to me and then go back and

709
00:39:04.480 --> 00:39:07.679
<v Speaker 2>refine it into certain ideas, so that there's this level

710
00:39:07.679 --> 00:39:10.360
<v Speaker 2>of improvisation where you're drawing on things that you know

711
00:39:10.960 --> 00:39:13.760
<v Speaker 2>to fill in that emotion that you're feeling right then.

712
00:39:14.000 --> 00:39:18.000
<v Speaker 2>And the takes on the classical themes that they'll do

713
00:39:18.159 --> 00:39:20.960
<v Speaker 2>like oh to Joy pops up a lot and those

714
00:39:20.960 --> 00:39:25.960
<v Speaker 2>sorts of things, but the way they'll reinterpret the instrumentation

715
00:39:26.079 --> 00:39:28.800
<v Speaker 2>of it and the vibe of it. And for a

716
00:39:28.840 --> 00:39:32.159
<v Speaker 2>man of a certain age, that's the way we learned

717
00:39:32.199 --> 00:39:35.400
<v Speaker 2>about a lot of classical music is from classic cartoons.

718
00:39:36.360 --> 00:39:40.760
<v Speaker 4>Oh yeah, the number of Buds Bunny Ones music, yea.

719
00:39:40.880 --> 00:39:42.320
<v Speaker 3>Exactly, exactly.

720
00:39:43.239 --> 00:39:45.480
<v Speaker 2>Well, Christopher, thank you so much for spending this time

721
00:39:45.480 --> 00:39:48.639
<v Speaker 2>with me today. This has been super, super awesome. I

722
00:39:48.679 --> 00:39:52.239
<v Speaker 2>appreciate it so much. Thanks so much for having Eric.

723
00:39:52.280 --> 00:39:53.280
<v Speaker 2>This has been a joy.

724
00:39:53.360 --> 00:39:56.119
<v Speaker 4>I love talking Bluie and I and it is a

725
00:39:56.159 --> 00:39:58.760
<v Speaker 4>great book and method. I encourage people to check it out.

726
00:39:59.159 --> 00:40:02.000
<v Speaker 4>You can look up my name Christopher Menino, M A

727
00:40:02.199 --> 00:40:05.800
<v Speaker 4>N N I N O, but it's also wherever books

728
00:40:05.800 --> 00:40:08.079
<v Speaker 4>are sold, and then the course is up on my website,

729
00:40:08.199 --> 00:40:11.639
<v Speaker 4>which is just my name Christophermanino dot com.

730
00:40:11.679 --> 00:40:12.119
<v Speaker 3>Awesome.

731
00:40:12.159 --> 00:40:15.880
<v Speaker 2>Thank you so much, Thank you, Thank you guys so

732
00:40:16.000 --> 00:40:18.880
<v Speaker 2>much for listening, and I hope that you pick up

733
00:40:18.960 --> 00:40:23.719
<v Speaker 2>Christopher's book, Making it Up a revolutionary way to bond

734
00:40:23.760 --> 00:40:27.920
<v Speaker 2>with kids through play. Thank you for being awesome, and

735
00:40:28.079 --> 00:40:35.039
<v Speaker 2>until next time, we are out of here.
