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<v Speaker 1>Suta Ugrashrava, the son of Romaharshna and a distinguished expert

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<v Speaker 1>in the Puranas, stood before the Rishis gathered in a

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<v Speaker 1>Namesha forest during the twelve year sacrifice that was led

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<v Speaker 1>by Sonaka Kulapati. He had pursued the study of the

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<v Speaker 1>Puranas with rigorous commitment and had acquired exhaustive knowledge of them.

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<v Speaker 1>With hands clasped in respect, he addressed the sages courteously saying,

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<v Speaker 1>I have presented the story of Utanka in complete detail,

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<v Speaker 1>and his narrative was one of the catalysts for King

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<v Speaker 1>Janimajaya's Sarpai Yagna, or the ritual sacrifice of serpents. What O,

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<v Speaker 1>revered ones, do you wish to hear next? What shall

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<v Speaker 1>I recount for you? The Rishi's answer, son of Roma Harshina,

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<v Speaker 1>We will pose the questions we most wish to explore,

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<v Speaker 1>and you must narrate the accounts sequentially. Our leader Sonica

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<v Speaker 1>is presently performing worship in the sacred Agnigriha. He is

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<v Speaker 1>thoroughly acquainted with the divine narratives of the devas or

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<v Speaker 1>demigods and the Asuras or demons. He possesses in depth

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<v Speaker 1>understanding of the histories pertaining to humans, the Nagas and gandharvas. Moreover, Sothi,

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<v Speaker 1>the scholarly Sonica, holds the position of chief priest for

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<v Speaker 1>this sacrifice or yugna. He is competent, adheres flawlessly to

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<v Speaker 1>his fasts, demonstrates exceptional wisdom, excels in the shastras and

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<v Speaker 1>the aranyaka, upholds truth unwaveringly. Foster's peace, exercises self mortification,

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<v Speaker 1>and conducts tapasia in strict accordance with established ascetic guidelines.

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<v Speaker 1>We all accord him the utmost respect. It is fitting

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<v Speaker 1>that we await his return, and when he occupies this

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<v Speaker 1>seat made of dharba grass or dharbashna, you shall address

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<v Speaker 1>whatever that pre eminent Vidya or twice born individual inquires

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<v Speaker 1>of you. Sati responded as you wish. When that illustrious

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<v Speaker 1>soul is seated among us and directs me to do so,

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<v Speaker 1>I will relate sacred narratives covering a broad spectrum of topics.

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<v Speaker 1>Soon after having completed all prescribed rituals, offered prayers to

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<v Speaker 1>the demigods and performed tarbana for the pitters or ancestors.

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<v Speaker 1>The eminent Brahmana Sonka returned to the hall where the

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<v Speaker 1>sacred fire rituals take place, where other Rishis of firm

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<v Speaker 1>resolve sat comfortably with sought the positioned before them all.

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<v Speaker 1>And when Sonica took his seat among the Rithvics and Sadhyas,

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<v Speaker 1>he spoke to them. This is the fourth section of

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<v Speaker 1>the Mahabharata, the fourth canto. Now, I am going to

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<v Speaker 1>proceed to provide you my reflections, my analyzes of this

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<v Speaker 1>specific section in this same episode, because it's a rather

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<v Speaker 1>small section of story or poem that I just read

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<v Speaker 1>to you. Before the story of wars and kings, before

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<v Speaker 1>the cries of Dropadi, or the council of Krishna, or

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<v Speaker 1>the surrender of our Juna, the struggles of our Juna,

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<v Speaker 1>there was silence in a forest in the Mahabarata. The

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<v Speaker 1>Mahabharata does not begin with battle. It begins with listening.

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<v Speaker 1>Here in Nimesha forest, sages gather for a twelve year sacrifice,

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<v Speaker 1>a sacrificial ritual of twelve years. It's not of animals

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<v Speaker 1>or wealth, but of attention. They sit fasting, watching the

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<v Speaker 1>sacred fire and waiting for stories that purify thought. And

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<v Speaker 1>standing before them is Soti or Suta or Ugra Shrava, Suta, Ugrashrava,

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<v Speaker 1>the son of Romaharshna. Those are all the ways in

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<v Speaker 1>which Soti is referred to in the Mahabharata. He's a

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<v Speaker 1>man whose very name means one whose hair stands on end,

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<v Speaker 1>as if forever in awe. Suta has inherited the art

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<v Speaker 1>of sacred narration, which is the ability to hold fire

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<v Speaker 1>in his words, to hold power with the words that

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<v Speaker 1>he speaks or conveys to others. Now, to those of

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<v Speaker 1>you who have read plenty of Hindu stories from Hindu mythology, yes,

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<v Speaker 1>this beginning in the Mahabada that might be very redundant

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<v Speaker 1>to you. It might be highly familiar, very repetitive. It

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<v Speaker 1>just seems very ceremonial. But we are watching a lineage

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<v Speaker 1>of storytelling awaken here. This is what we have to remember.

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<v Speaker 1>The forest scene in the Mahabada that at the beginning

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<v Speaker 1>is not just filler. It's not a filler scene. It's

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<v Speaker 1>the DNA of Hindu thought on knowledge. It says truth

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<v Speaker 1>is not found in isolation, it is transmitted. So we

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<v Speaker 1>must continue this lineage of storytelling very actively. And Ugra

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<v Speaker 1>Shava he bows right. The Rishi's question sonica praise. Each

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<v Speaker 1>character represents a link in a chain between silence and speech,

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<v Speaker 1>a chain. This chain defines storytelling. In our modern world,

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<v Speaker 1>we might call this just simply data transfer, right, information transfer,

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<v Speaker 1>knowledge transfer, But what's really happening is energy transfer. You

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<v Speaker 1>have to realize that Ubra Shava has this power where

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<v Speaker 1>his words hold energy. They are fire, right, That's how we,

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<v Speaker 1>maybe the young people in the modern world would refer

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<v Speaker 1>to his words. They fire, they have fire to them.

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<v Speaker 1>So it is actually shukti moving through sound when we

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<v Speaker 1>engage in Hindu mythology, storytelling or Hindu storytelling recounting these

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<v Speaker 1>stories of Hindu ancient Hindu scriptures. So shakti is moving

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<v Speaker 1>through sound. Shakti is functioning. Power is functioning through sound

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<v Speaker 1>through verbal storytelling. And notice the structure here. The storyteller

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<v Speaker 1>saw thee asks what do you wish to hear? The

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<v Speaker 1>listener say, we will ask okay, and you will answer

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<v Speaker 1>all right. That's so conditions are being set here. This

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<v Speaker 1>isn't like bureaucracy or leader like follower command, kind of

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<v Speaker 1>like domination taking place. It's actually teaching us these conditions,

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<v Speaker 1>these rules, so to speak, that are being set between

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<v Speaker 1>the storyteller and the listener, that not every truth can

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<v Speaker 1>be uttered without sacred alignment, without the listener being ready,

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<v Speaker 1>the space purified, the intention clear. Okay, not every truth

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<v Speaker 1>can be uttered without sacred alignment. It cannot be uttered

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<v Speaker 1>without the listener being ready for that truth, without there

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<v Speaker 1>being a sense of purification and clear intention. These are

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<v Speaker 1>the requirements for every truth to be uttered. Okay, this

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<v Speaker 1>is why you know we we don't offer up our

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<v Speaker 1>opinions and advice to p when they're truly not ready

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<v Speaker 1>for it, because we're just going to be facing obstacles anyways.

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<v Speaker 1>In some ways when we give advice, inherent to the

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<v Speaker 1>advice that we give are stories that have demonstrated the

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<v Speaker 1>power of that advice, the effects of that advice, and

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<v Speaker 1>the value of that advice. But when the listeners are

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<v Speaker 1>not ready for that advice, then we should not really

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<v Speaker 1>be offering it up so freely, so liberally. But so

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<v Speaker 1>this is why conditions are set here. The storyteller demonstrates, well,

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<v Speaker 1>what do you want to hear? I'm ready to give

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<v Speaker 1>you the truth, and the listeners these reshe's in the forest.

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<v Speaker 1>They say, wait a minute, we are going to ask

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<v Speaker 1>you what we want to hear. Okay, we'll tell you.

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<v Speaker 1>We'll tell you basically what we want to hear, and

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<v Speaker 1>you will answer. So there's a demonstration here of receptivity. Okay, reception, receptivity.

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<v Speaker 1>Shukti is able to move through this scene. She's able

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<v Speaker 1>to move through sound. She's able to be received and perceived.

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<v Speaker 1>You know, in today's world we consume stories endlessly, so

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<v Speaker 1>many podcasts, reels, opinions, noise. But the Mahabadata opens with

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<v Speaker 1>a warning. Sacred speech requires a ready listener, not just

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<v Speaker 1>a ready listener, a sacred ready listener. And what is

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<v Speaker 1>a listener or what qualities does a listener who is

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<v Speaker 1>sacred have? That individual has clear, clean intentions, not any

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<v Speaker 1>intentions to hurt the provider of advice, the provider of wisdom,

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<v Speaker 1>No envy, no jealousy. We see in the Baga ad Ghita.

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<v Speaker 1>When we're going to get to that later on. You know,

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<v Speaker 1>Krishna says that this information, in this spiritual discourse of

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<v Speaker 1>the bug of ad Ghita is not to be provided

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<v Speaker 1>to those who are envious of me. So the a

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<v Speaker 1>listener who is sacred, who will consume shukti through sacred

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<v Speaker 1>listening is an individual who is clear of jealousy and envy,

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<v Speaker 1>especially toward the master teacher or the master advisor. And

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<v Speaker 1>that individual is also truly open and willing to receive. Okay,

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<v Speaker 1>willing to receive the truth no matter how harsh it

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<v Speaker 1>is or how beautiful it is, does not matter. That

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<v Speaker 1>individual is willing to receive. So there's a sense of

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<v Speaker 1>wise surrender within the sacred listener. To here, to listen

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<v Speaker 1>correctly in itself is a form of yoga. Okay, Now,

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<v Speaker 1>why is there this twelve year sacrifice? Why? Twelve years

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<v Speaker 1>twelve is a very important number, right, Twelve marks completion

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<v Speaker 1>twelve sons, twelve cycles, twelve months of the inner zodiac.

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<v Speaker 1>The sages long fire ritual mirrors the human psyche's long

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<v Speaker 1>journey through ignorance into illumination, and the fire they tend

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<v Speaker 1>in the forest is not just a flame, its awareness.

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<v Speaker 1>In psychological terms, this forest scene in this fourth section

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<v Speaker 1>of the Mahabarata represents the preparation of the psyche before

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<v Speaker 1>deep inquiry, deep self inquiry. The ego or Soughty, as

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<v Speaker 1>a metaphor, awaits until or waits I should say until

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<v Speaker 1>the higher self, meaning Sonica returns from worship. Only then

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<v Speaker 1>can revelation begin. And that is because the revelation occurs

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<v Speaker 1>not in the realm, when everything is pure and of

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<v Speaker 1>the highest state. It has to occur where there's still

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<v Speaker 1>more learning and healing and fix seeing left to do.

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<v Speaker 1>Sonica is returning from this deep agnigriha what I describe

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<v Speaker 1>as a sanctum of consciousness, but it's a very deep sanctum.

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<v Speaker 1>It is a place of extraordinarily deep self inquiry. That's

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<v Speaker 1>the area or depth of our psyche that Sonica represents

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<v Speaker 1>prior to him stepping into the worship hall in front

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<v Speaker 1>of Sothi to listen to Soughti. In that place of

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<v Speaker 1>being where everything is of the highest, deepest self, there's

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<v Speaker 1>not a lot there that can be that is left

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<v Speaker 1>to be revealed. It's only when we step back into

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<v Speaker 1>sort of the like the real world and we start

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<v Speaker 1>engaging with others, and in this case Soughti is that's

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<v Speaker 1>where the ego begins. That's where the ego is activated,

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<v Speaker 1>and that's where the ego is alive. That ego is

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<v Speaker 1>represented by Sthi in this very small scene in the Mahabharata,

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<v Speaker 1>and that is exactly where the revelation begins. It's going

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<v Speaker 1>to begin from Sothi's mouth, right, We already know that

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<v Speaker 1>he's going to start answering the requests for stories and

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<v Speaker 1>the lessons from the Rishi's So that's what Sathi is

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<v Speaker 1>going to do. He represents that ego. That's where the

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<v Speaker 1>place where revelation begins exactly there, because there is a

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<v Speaker 1>lot there to be healed. Okay, the place that Sonica,

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<v Speaker 1>being a highly spiritually advanced individual, comes from, that place

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<v Speaker 1>is already mostly purified or nearly purified. Revelation learning can

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<v Speaker 1>only happen where the ego is active and playing. That's

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<v Speaker 1>the meaning of these character placements in just this small

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<v Speaker 1>scene of the Mahabharata. So how is that relevant for

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<v Speaker 1>you in the postmodern world? Well, so many times in

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<v Speaker 1>life we find ourselves saying, how many lessons do I

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<v Speaker 1>have to learn? God? Like? Why do I keep facing

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<v Speaker 1>problems all the time. You have to understand that you

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<v Speaker 1>are playing, in a sense, in the field of ego,

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<v Speaker 1>and in that field there's always going to be obstacles

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<v Speaker 1>and problems, right kind of like you know, imagine like

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<v Speaker 1>soccer players almost in front of each other trying to

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<v Speaker 1>obstruct each other from making a goal, from reaching a goal.

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<v Speaker 1>That's always going to be the place, but one can

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<v Speaker 1>quickly gather the intelligence or the revelation that they need

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<v Speaker 1>as they are playing on this field to be able

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<v Speaker 1>to quickly bypass the obstacles and reach or score the

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<v Speaker 1>goals that they want to reach. So that's the meaning

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<v Speaker 1>of this. But first we have to be prepared for

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<v Speaker 1>that transmission. We have to be receptive. We have to

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<v Speaker 1>be sacred listeners for those powerful words that Soughty is

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<v Speaker 1>going to speak to us that will help us gather

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<v Speaker 1>develop that intelligence we need. When every time there is

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<v Speaker 1>another player in front of us in this field of ego,

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<v Speaker 1>ready to obstruct us from our goals, ready to keep

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<v Speaker 1>us from reaching our goal or from scoring our goals. Okay,

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<v Speaker 1>we have to be ready for that transmission. And how

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<v Speaker 1>often do we rush also into our own introspection without

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<v Speaker 1>preparing the field, without cleansing intention, without sitting in silence

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<v Speaker 1>long enough for wisdom to approach us. This reminds me

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<v Speaker 1>of what I write in my book Who God Really Is,

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<v Speaker 1>where I say most humans and this is actually in

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<v Speaker 1>the free Preview chapters in the very beginning of the

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<v Speaker 1>book that you can preview, you can read on Amazon

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<v Speaker 1>dot com rite for free. I say, you know, we

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<v Speaker 1>most humans begin their journeys for truth, for real knowledge,

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<v Speaker 1>for expansive knowledge, with pre existing biases. They still hold

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<v Speaker 1>on to biases. That impacts a lot of atheists too,

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<v Speaker 1>It really does, and that prevents us from really gathering

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<v Speaker 1>the knowledge and intention that we excuse me, the knowledge

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<v Speaker 1>that we need to have, the real knowledge that we

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<v Speaker 1>need to have. Even as we are gathering knowledge, it

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<v Speaker 1>prevents us from reaching the most powerful or useful or

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<v Speaker 1>valuable knowledge easily, quickly fast. The mob Hadata begins with

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<v Speaker 1>a pause. It tells us the story of human conflict

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<v Speaker 1>cannot be heard in haste. The Rishi's interrupt Sothie even

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<v Speaker 1>before he begins, in a way they say, wait, let

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<v Speaker 1>Sonica return. Let this chief priest who embodies discipline and

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<v Speaker 1>stop us, who is of the highest spiritual being, Let

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<v Speaker 1>him return. Okay, So before we make our requests to you,

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<v Speaker 1>let this being return. This interruption itself is symbolic. It

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<v Speaker 1>reminds us that even the sacred must be timed. That

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<v Speaker 1>insight forced too early becomes chaos, or can be even

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<v Speaker 1>lost because it's not being transmitted first and foremost to

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<v Speaker 1>the wisest amongst us, the most wise listener amongst us,

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<v Speaker 1>being present, due to proper preparation beforehand, that listener is

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<v Speaker 1>wise enough to pass on though that stories, or those

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<v Speaker 1>stories of wisdom, down right through a hierarchy, so to

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<v Speaker 1>speak amongst the people. So that individual is very important,

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<v Speaker 1>because that individual is wise enough to know that it

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<v Speaker 1>must that storytelling, that shukti that is transmitted through sound,

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<v Speaker 1>must be passed on. Sonica returns right. He has prayed,

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<v Speaker 1>he has offered, and he has cleansed himself. Only now

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<v Speaker 1>does he sit upon that sacred seat made of dha

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<v Speaker 1>daba grass. In Yogic symbolism, the dah daba grass is

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<v Speaker 1>the stable mind, where no wind of emotion can disturb concentration. Okay,

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<v Speaker 1>Sonica's re entry represents the re entry of divine order

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<v Speaker 1>into the human conversation. He has honored the demigods and

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<v Speaker 1>the ancestors, which means that he has balanced the future

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<v Speaker 1>and the past. Sonica is now ready to hold the present.

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<v Speaker 1>When we do not honor both meaning our lineage and

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<v Speaker 1>our aspirations, our storytelling becomes reactive, not revelatory. Sanica sitting

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<v Speaker 1>amid fire and sages is the image of the inner

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<v Speaker 1>witness and the wisest sacred listener. He is the consciousness

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<v Speaker 1>that listens to our own chaos without judgment, first and foremost.

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<v Speaker 1>And once he sits the narrative of the Mahabharata, which

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<v Speaker 1>is of chaos, destiny, dharma and destruction can begin because

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<v Speaker 1>now the wisest of the wise is ready, or I

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<v Speaker 1>might even say the wisest of the wisest listener is ready,

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<v Speaker 1>and so the Shakti can begin to truly move through

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<v Speaker 1>sound without obstruction, and then it will be truly transmitted

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<v Speaker 1>down even amongst all the different rishis and generations, because

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<v Speaker 1>the wisest of the wisest was present, and he knows

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<v Speaker 1>that this storytelling must be passed on. Soughty, on another level,

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<v Speaker 1>represents the voice a symbol or a or the seat

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<v Speaker 1>of creative expression, a seat of creative expression. Sonica represents

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<v Speaker 1>the mind symbol of awareness, ritual discipline, a mind truly ready,

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<v Speaker 1>a mind who understands the value of what the voice

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<v Speaker 1>Sauty is about to convey. The sacred fire ritual. The

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<v Speaker 1>fire itself is the heart, purified, charged, ready, but truly

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<v Speaker 1>truly purified, transformational. Together they form the trinity expression, creative expression, awareness,

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<v Speaker 1>and transformation. The story will flow when these three are aligned,

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<v Speaker 1>and they are now aligned in this fourth scene in

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<v Speaker 1>the Mahabarata. In the modern psyche, these often fall apart.

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<v Speaker 1>Our voices speak before, our minds are still, Our emotions

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<v Speaker 1>burn without ritual form, Our words lack sacred gravity. Many

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<v Speaker 1>people just use words for the sake of using words.

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<v Speaker 1>You know what I mean, So this scene becomes a

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<v Speaker 1>spiritual diagram. Here from the Mahabada, the section four, don't

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<v Speaker 1>begin your storytelling your inner storytelling to yourself meaning your

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<v Speaker 1>self analysis. You're healing your shadow work until your inner

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<v Speaker 1>Sonica has returned from worship, until you have actually used

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<v Speaker 1>the Hindu mantras to purify your mind. Right, Sonica represents

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<v Speaker 1>the mind, the highest awareness, So don't beginner your self

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<v Speaker 1>analysis your shadow work until you have used the Hindu

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<v Speaker 1>mantras to purify your mind much more to you know,

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<v Speaker 1>to bring it closer to the kind of mind that

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<v Speaker 1>Sonica Kulapati has. Otherwise, your your voice, your sauti, your

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<v Speaker 1>creative expression will speak still from womb and misunderstanding, not

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<v Speaker 1>from understanding and wisdom, as I explain in my book

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<v Speaker 1>Who God really is, which I encourage you all. I

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<v Speaker 1>encourage you all to pick up on Amazon today. So

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<v Speaker 1>what is this all leading to? These symbols that are

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<v Speaker 1>lost often, or these meanings that are lost often under

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<v Speaker 1>the surrealism and longevity of the Hindu myths, or even

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<v Speaker 1>like the Mahabadata itself long world's longest epic poem, what's

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<v Speaker 1>it all leading to? Here? The Mahambadata is itself a

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<v Speaker 1>sacrificial fire into which various characters egos, kings, and gods

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<v Speaker 1>are all offered. But this scene here in section four

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<v Speaker 1>reveals something that the rest of the epic only dramatizes.

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<v Speaker 1>Every act of storytelling is in itself a sacrifice. Right

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<v Speaker 1>when Sothi speaks, he burns his breath into the offering.

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<v Speaker 1>That's the fire, and that fire itself will be purifying

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<v Speaker 1>not just himself, but it purifies the sacred listeners. When

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<v Speaker 1>the rishis listen, they offer their silence in return as fuel.

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<v Speaker 1>But they know not only offer their silence, their attention,

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<v Speaker 1>That's the key attention. They are willing to be attentive

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<v Speaker 1>to what Soti is going to or how Soughty is

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<v Speaker 1>going to deliver on their requests. Okay, so together they

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<v Speaker 1>create a cycle of shruti, hearing as worship, hearing itself

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<v Speaker 1>as worship a form of worship. This reminds me a

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<v Speaker 1>lot of what I write in the chapter on worship

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<v Speaker 1>in my book Who God Really Is. That's all in

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<v Speaker 1>the book. You have to read the book Who God

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<v Speaker 1>Really Is by me Sana Katiagi to understand that important

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<v Speaker 1>distinction between various forms of worship or activities of worship. Now,

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<v Speaker 1>every conversation can be a form of sacrifice if we

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<v Speaker 1>approach it with the same reverence, if we speak truthfully,

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<v Speaker 1>if we speak words that are meant to help others,

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<v Speaker 1>to assist others rather than to waste their minds, waste

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<v Speaker 1>their time. Unfortunately, a lot of that is happening in

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<v Speaker 1>our world, in our hypersocial media world, where people just

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<v Speaker 1>you know. It reminds me on Twitter, somebody just said,

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<v Speaker 1>you know, tweeting to just tweet right or posting just

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<v Speaker 1>we just post stuff like stuff that doesn't help your

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<v Speaker 1>mind grow, It doesn't create great conversation, it's untruthful, it's

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<v Speaker 1>not truthful. But they're just posting to post right, to

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<v Speaker 1>get monetized, and that's a lot of what we have

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<v Speaker 1>in this world. So one has to really be able

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<v Speaker 1>to distinguish between information that is worth having and information

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<v Speaker 1>that is mind wasting. That's very, very important we can

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<v Speaker 1>strive in our post modern world to you know, have

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<v Speaker 1>every conversation that we begin and engage in be a

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<v Speaker 1>form of sacrifice in the for the highest good. And

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<v Speaker 1>notice that the type of conversation that I am advocating

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<v Speaker 1>for here, based on the analysis and spiritual meanings of

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<v Speaker 1>this small section section four of the Mahabarata, notice that

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<v Speaker 1>that type of communication actually ends up building communion develop

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<v Speaker 1>allowing community communion to develop. And so when we wonder

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<v Speaker 1>why are we humans so fragmented in this world, because

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<v Speaker 1>we are very fragmented, you know, if you just think

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<v Speaker 1>about it broadly, and not to just think about just

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<v Speaker 1>the community that you are a part of, but when

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<v Speaker 1>you think about the bigger world, there is this fragmentation

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<v Speaker 1>that defines us. And a lot of that is because

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<v Speaker 1>we are not using we are not being sacred communicators,

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<v Speaker 1>and therefore we are not receiving sacred listeners back. Okay,

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<v Speaker 1>we're not putting sacred communication out. Therefore we are not

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<v Speaker 1>receiving sacred listening. Okay, we are not receiving sacred listening

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<v Speaker 1>as the result. That's why there is so much fragmentation

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<v Speaker 1>rather than communion. Naymesha forest is not a place. It

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<v Speaker 1>is a state of consciousness, the moment that we are

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<v Speaker 1>fully present before the divine conversation begins. The Rishi's sitting

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<v Speaker 1>around the sacred fire are our thoughts in meditation. Sonica

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<v Speaker 1>is the highest being, spiritual being and just a fun

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<v Speaker 1>fact to close off. In Sanskrit metrics, I believe, if

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<v Speaker 1>I'm correct here, that twelve years equals one complete cycle

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<v Speaker 1>of Jupiter, the guru planet whose orbital resonance regulates monsoon cycles,

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<v Speaker 1>crop yields, and civilizational memory. Okay, civilizational memory. What we preserve,

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<v Speaker 1>what we choose to preserve, what we value now. In

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<v Speaker 1>the previous episode, I had mentioned Janamajaya's ritual genocide or

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<v Speaker 1>ritual sacrifice eyes I should say not genocide but sacrifice

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<v Speaker 1>of serpents, and that was in Mahabadata section three that

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<v Speaker 1>was discussed in the previous two episodes. This you know,

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<v Speaker 1>this is a monarch's grief, right Janamajia being a king,

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<v Speaker 1>that's a monarch's grief weaponized in two ecological collapse or disaster. Spiritually,

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<v Speaker 1>the Nagas guard groundwater and Kundalini shakti. Their mass sacrifice

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<v Speaker 1>metaphorically fracts the subtle body of the earth. Now the

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<v Speaker 1>most wise sacred listener Sonaka Kulapati, he embodies an eightfold

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<v Speaker 1>Dharma operating system. The rishis tell us this in Mahabadata

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<v Speaker 1>section four. These are his qualities. Competence, flawless adherents to

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<v Speaker 1>fasts or sacrifice, self sacrifice, exceptional wisdom, mastery of shastras

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<v Speaker 1>and aaranyaka, unwavering truth, fostering peace, self mortification and the

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<v Speaker 1>basia right. So he has. It's almost like he's a

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<v Speaker 1>system or code, a nearly per near perfect code, almost flawless,

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<v Speaker 1>and he's capable of leading or upholding a twelve year

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<v Speaker 1>ritual without crash so to speak, or glitch so to speak.

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<v Speaker 1>That's another way to look at Sonica Kulapati. Now Sothi

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<v Speaker 1>is awaiting Sonica's direction his request. When Sonica speaks next,

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<v Speaker 1>the universe will download more than one hundred thousand verses

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<v Speaker 1>of the Mahabarata. Until then, we are all meant to

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<v Speaker 1>sit in Naimisha forest with hands clasped, breath synchronized, awaiting shuck.

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<v Speaker 1>These movement through sound
