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Speaker 1: Today you're listening to Mattconnorton Unleashed on w M and

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H ninety five point three.

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Speaker 2: And now the world radio premiere of the new single

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from Yon Man. He is covering the Stone Roses classic

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The Sun Still Shines.

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Speaker 3: She said, everywhere please brea.

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Speaker 2: From Stan.

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Speaker 4: So some states.

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Speaker 3: So shut behind long.

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Speaker 5: Time you woll long. But now.

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Speaker 3: Since study by my.

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Speaker 5: Said we're going, I'm Stan. Some stat sounds.

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Speaker 3: So so, she said, says.

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Speaker 5: Songs s Songstan story.

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Speaker 3: Listen a.

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Speaker 2: Good morning everybody, welcome, Here we go. It is that

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time again, Matt Connorton Unleashed and we are live from

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the studios of wm n H ninety five point three

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FM and Glorious Manchester, New Hampshire. Also, you can stream

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the show anywhere. Go to Matt connorton dot com, slash

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live to get access to the live show and of

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course all the live streaming options, social media links, contact

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and foshow archives, et cetera, et cetera. And of course

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I am not alone Jenny jun go morning as Jenny

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is here at the news table. It's on. Yeah, I

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gotta is it on now? Oh yeah, yeah, it was on.

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I started to turn it up a little bit you're

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at a weird now that's okay though, it seems to

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work all right.

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Speaker 6: Is that better?

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Speaker 2: Yeah, that's a little better. Yeah, yeah, yeah, there you go.

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Speaker 6: Morning.

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Speaker 2: Welcome everyone. Of course, today is Saturday, October twenty five,

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twenty twenty five. Just a quick note for our live

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listeners this morning. By the way, So if you're looking

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for the show on the Facebook, where we usually stream

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the video of the show, a software issue is this

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is a weird one. This is one I have not

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encountered before. There's some kind of software issue that's preventing

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us from streaming the show to Facebook. But we are

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streaming the video feed of the show to YouTube, and

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let's see, we're also streaming it to LinkedIn. I never

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mentioned it, but we do stream the show to LinkedIn

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as well, and I'm even streaming it to Rumble because

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I do have it set up to stream to Rumble.

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I don't think anybody's ever going to actually watch the

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show on Rumble, but I do have a Rumble account

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and I am streaming the show to it and it

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seems to be working. But for some reason the Facebook,

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none of the Facebook pages are accepting the feed. I

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don't know why. I don't know if it might be

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a software issue here or it might be something to

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do with my Facebook settings on my various pages. You know,

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we have my personal page and the Matt Connerton Unleashed

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page and we we stream it to both of those usually,

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but neither of those is working this morning, so I

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don't know what is the deal with that. I'm gonna

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have to figure that out. But of course you can

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stream the audio of the show. It is first and

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foremost of radio show. Go to Matt Connerton dot com,

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slash live and if you're in the local Manchester, New

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Hampshire area, you can tune into your FM dial at

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ninety five point three. So here we are, and we've

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got a great show for you coming up. In just

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a couple of minutes. Rivia, a great band from the UK,

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is going to be joining us. We're gonna be talking

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about We haven't talked since their newest single came out,

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Piece of View. Love that track. We feature it many

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times on the show, very often we play it. I

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will find any excuse I can to play it. And

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they're starting to make inroads in American radio as well.

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They're having a lot of success in the UK so

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we're gonna speak with them in a few minutes, and

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let's see, in the second hour we have Kevin Kirstat,

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who is going by the stage name k t K.

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He's gonna be here with us in studio. And then

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in the third hour we have Euphemea or Euphemia, I'm

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not sure how to say it, but we'll find out.

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Great band from Portland though. I was listening to them

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yesterday and uh, they've got a lot of really good music.

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They sent us their full album and it's so good.

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So we have a very busy, very full show for

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you today. Let's see.

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Speaker 6: So oh I want to give a show?

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Speaker 2: Yeah, oh yes, yes absolutely, fis.

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Speaker 6: I had an awesome lift driver this morning, Ralph. Thank

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you so much for helping me run back grab what

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I mistakenly left behind and got back here in time

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to start to show.

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Speaker 2: Yes, thank you very good. Yes, thank you, Ralph. So

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I think what we're gonna do is, uh, in a moment,

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we're going to play the newest single as I mentioned,

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from Rivia, such a great band and I love this song.

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This is one of those songs I cannot get enough of.

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And then we're going to have them on the line

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with us via WhatsApp. No, they did not travel all

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the way from the UK to be with us to way. Yeah,

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that's something we have not had yet. You know, we've

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we've had a lot of touring artists from the area.

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I mean not from the area rather, but who are

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coming through the area, I should say, who will come

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in and sit down with us? But uh, but we

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have not had anyone come from the UK specifically to

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visit the show. That would be something I would imagine

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that would be a very very expensive trip. But we're

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gonna play this again. This is the newest single from Rivia.

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This is called Piece of You. I love this song.

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And then uh, and then when we come back from that,

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we should have them on the line via WhatsApp, And

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then I think at the end of our conversation we'll

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play another great Rivia track that I love. And I

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believe we were the first American radio station, by the way,

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to play this BANDY very proud of that. It's such

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a good band. But if you have not heard this yet,

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you're in for something. This is such a great song.

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It gets stuck in my head every time I hear it.

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This is called Piece of you and this is the

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newest single from Rivia.

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Speaker 4: You right up.

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Speaker 7: I don't want to be like show recognizable from the person.

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Speaker 8: Probably don't wait, Hill, don't wait, chow.

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Speaker 4: Now ain't long?

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Speaker 9: God?

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Speaker 4: How didn't love?

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Speaker 3: No brocky k.

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Speaker 4: That ain't long guy, Now ain't love? God?

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Speaker 10: Can say I didn't hit the ring set, but I

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don't want to start. John said, ain't don't please like choke.

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Betty started like you want star Suddy who wasn't what

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your wanter?

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Speaker 4: He said?

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Speaker 3: Jo why John is sun?

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Speaker 2: We can't waste some min and we want to waste

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some minutes a jo ways some man, don't.

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Speaker 5: Wait child, that ain't long, guy, I ain't loguy.

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Speaker 4: My blacky yard guy, that ain't long guy, that ain't long?

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Speaker 11: M h.

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Speaker 3: I've got that sick chim feeling what we used to feeling.

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Speaker 2: I don't know what to do.

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Speaker 3: I still love he shook you.

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Speaker 7: I got that sick chim feeling out right now.

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Speaker 3: I know where still I don't know what sometime sell

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no wait.

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Speaker 4: Long long long God?

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Speaker 3: No, Saint Jeff very not always to him? No, so

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sell sell.

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Speaker 2: Yow, Oh there it is. I love it. That is

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such a great track piece of you. The band is

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Rivia and let's see. I know we've got members of

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the band on the line. Let's see who we've got.

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Welcome everybody, can you hear me? Oh, it's always such

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a relief when this works. You know, these international calls

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don't always go as planned. Welcome to the show, Welcome back,

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I should say. I know you've been on before, but

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it's been a while since we've talked. Uh, who do

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we have? Who do we have with us from the band?

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Speaker 12: Full house all of us?

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Speaker 13: Oh?

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Speaker 2: Nice, nice, wonderful. So how are things, Uh, how are

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things going over there? Says what did we talk last?

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It's been a few months, right, I think we talked

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after the the release of Fallen was the last time

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we had you on? Correct?

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Speaker 14: Yeah?

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Speaker 15: That was a July definitely earl on in the year,

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wasn't it.

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Speaker 16: Yeah, loads of gigs spinning the studio, festivals stock too.

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Speaker 2: Wonderful, wonderful, So you had to you had a busy summer.

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Speaker 17: It sounds like, hell, yeah, it's been it's been great.

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Speaker 2: Outstanding, outstanding. Tell me about tell me about festivals. What

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what festivals have you done? Because I always say festivals

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are such a fantastic opportunity for bands, especially younger new

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bands like you, new were bands like you, because not

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only does it get you in front of audiences, large

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audiences that might not otherwise come across you, but it's

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also such a fantastic networking opportunity too. You know, you

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get in front of new fans, but you also get

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in front of people in the industry and other artists

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that you might work with in the future or have

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worked with in the past. Even But what are some

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of the festivals that y'all did this past summer.

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Speaker 15: We've done a couple to mean, the most most memorable

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for us because we made a weekend out at Isle

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of Wight Festival, so we have to we'll drive down

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hop on the ferry and then head into Islow eight

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and that was a full weekend, well just all of it,

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but they all weekend. Yeah, we brought some posters down

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with us and just meeting a loads of people and

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chatting about the band and just made it really personal

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to no seeing them come down to the show and

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never gave and they of us and then they just

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meet us with a post I say come to our show,

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please come. We got some nice messages.

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Speaker 14: Well, people like and we've had a few comments on

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things on YouTube and stuff saying, you know, like this

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was a really nice thank you for coming and saying

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all though.

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Speaker 17: It was just so glad we caught your set and stuff.

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Speaker 16: It goes to that human interactions still goes along way definitely.

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Speaker 2: That's a yeah. And that's a good reminder too, because

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as Ai continues to uh to take hold of you know, especially,

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I mean, it affects everything, but it certainly is affecting

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the music industry. So uh, that's a good thing to

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remind people about the importance of human interaction, especially when

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it comes to music or any kind of art that

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you're making. How does a piece of you must go

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over really well live? I would imagine the song's got

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such a great energy about it. I just love it

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so much. How does that go over? How does that

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go over live? Because I would imagine, I mean, do

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you do you open or close your set with it?

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Or where do you put it in the set?

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Speaker 17: It's usually second, doesn't it?

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Speaker 11: Yeah?

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Speaker 15: Seconds in the It's it's a little bit heavier than

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some of the other stuff that we've done, so we

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before we were unsure on how it will go down,

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but the reaction to it's been really good so far.

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It's made mistake. Should we just go a bit heavy?

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Speaker 3: Right right?

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Speaker 15: Ye gets the people going.

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Speaker 2: Like it is a little more aggressive than the other songs.

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But I love it. I love it. There's almost this

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is you know what I hear? What I hear in

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that song. There's almost like a sort of a desperation

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to it and and earnestness maybe that's a better word.

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Who wrote that? Who in the band? Did you all

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write that together? Or who wrote the song?

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Speaker 16: So the the instruments are a team effort, like everyone

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puts the bits on it and Matt and Matt hello,

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I wrote the lyrics for it. And for me, it's

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basically like sort of it's about about getting revenge basically,

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but knowing and being aware enough to know that it's

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not the right thing to do.

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Speaker 15: Yeah.

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Speaker 16: So it's it's tackling trying to tackle the sort of

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thoughts and the feelings that you get when you've been

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wronged and you want to you want to get revenge

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on people who've done done you wrong, but you know

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better effectively and just trying to trying to grapple with

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that and trying to move forward with that, and like

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I've I've been on a bit of a journey personally

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of trying to look after myself a little bit more

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and trying to trying to live life a little bit

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healthier and things like that and be a bit more positive.

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So it's really sort of it's a it's a it's

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a time capsual for me lyrically in that respect.

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Speaker 2: Yeah, yeah, I think it's I think it's really good.

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And I think that you know, the theme that you

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just described, I think is universal. I think we've all

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had moments like that, situations where you know where you're

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thinking about, you know, trying to get revenge on somebody,

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and you know, as you get older, you learn, you know,

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really the best revenge is living well and being successful.

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But but but we certainly have we we certainly have

256
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those situations occur, no doubt, no doubt. Now, what what

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what is the what is the plan? I mean, you know,

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you've released some great singles and I think I think

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one of you at the start of our conversation said

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something about being in the studio. Are you working on

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an album or do you have another single you're working on,

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or what's kind of the future plan.

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Speaker 15: So we have.

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Speaker 16: We have another one sort of in the chamber, ready

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ready to fire, and then we're going we're going back

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in the studio on Monday actually.

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Speaker 15: To do another one to follow.

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Speaker 13: That up, and then if all goes well, next year,

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I think we'd really like to do an album. I

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feel like we're at that sort of point as a

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band where we kind of want to do that, but

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it's just a case of whether we can make it happen.

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Speaker 15: Yeah, if the time, yeah, at the time, trying, I'd

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love to.

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Speaker 2: Oh yeah, yeah, no doubt. I you know, I'm old

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enough to remember when it was you know, you release

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an album and then first single goes to radio six

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eight weeks before the album comes out, and then if

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everything goes well, you know, you release the album, and

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then if everything goes well, you get a second single

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and and maybe a third single and so forth. But

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today there's so many different ways to release music. And yeah,

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a lot of the guests that we have on the show, uh,

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in these times are are just doing a series of

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singles and just kind of seeing which does keep you

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well engaged? Uh, you know, in terms of the algorithms

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with social media and whatnot, if you're you know, because

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you release, if you release an album, you know, you

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get that big bump from that, and then you don't

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necessarily depending on what happens after that, you don't necessarily

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get get a lot of traction on social media. But

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releasing a series of singles and maybe when you do,

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if the goal is to do an album, will the

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singles Maybe I haven't thought this far ahead, but I'll

295
00:19:48,279 --> 00:19:50,400
just ask you, will the singles that you've released so

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far be a part of that album? Or will will

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the album be a completely separate thing? Do you think?

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Speaker 15: I think they might be one or two that have

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to be.

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Speaker 17: We have talked about re recording and the like.

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Speaker 14: Yeah, there's tunes that we've got in the set that

302
00:20:05,519 --> 00:20:08,839
we've had for years that we would like. We've always

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said that's going on the album.

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Speaker 16: They've sort of as we've played them over the years,

305
00:20:12,640 --> 00:20:17,000
they've they've evolved into not new songs, but they're definitely

306
00:20:19,079 --> 00:20:22,480
and they're sort of different in their versions and and

307
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how we sort of play them.

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Speaker 17: And yeah, the standard that we're right now as a band,

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00:20:27,400 --> 00:20:28,440
we'd love to sort.

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Speaker 16: Of get back in the studio and redo them and

311
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do them to the standard that that we could do

312
00:20:33,799 --> 00:20:35,559
them to now would be really cool.

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Speaker 2: That makes sense, and to be able to do them

314
00:20:37,519 --> 00:20:40,119
too with the current lineup, right, because Rush, you've been

315
00:20:40,160 --> 00:20:42,519
in the band for a while just you joined this

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year correct?

317
00:20:44,319 --> 00:20:47,079
Speaker 18: Yeah, I joined like kendewards the end of April, so

318
00:20:47,400 --> 00:20:52,240
what like sexially seven months. So yeah, so it's fairly recent. Well,

319
00:20:52,279 --> 00:20:53,400
it feels like I've been here forever.

320
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Speaker 2: That's good, that's good. Yeah.

321
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Speaker 14: There was a funny moment where because we said, oh,

322
00:21:01,440 --> 00:21:03,440
we'll do like a little trial period, Shaw we get

323
00:21:03,480 --> 00:21:05,119
on you know, shout for all Joe and and that,

324
00:21:05,559 --> 00:21:07,319
and then we came to the end of that trial

325
00:21:07,400 --> 00:21:12,160
period and basically like Rush came in and went, so,

326
00:21:12,880 --> 00:21:15,240
are we gonna have a discussion about you know, like

327
00:21:15,599 --> 00:21:19,000
being being in the band and stuff, and we just went, oh,

328
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we thought you were.

329
00:21:19,920 --> 00:21:24,720
Speaker 18: In plan And I was like, you know, it's the

330
00:21:24,799 --> 00:21:29,480
trials coming to it, and they're like, okay, break it

331
00:21:29,599 --> 00:21:30,759
up and be like, you know what am I in?

332
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Speaker 15: We're still in trial?

333
00:21:36,759 --> 00:21:39,000
Speaker 2: Yeah that's funny, but that's how you know it's a

334
00:21:39,039 --> 00:21:40,920
good fit. Right when when some of you didn't even

335
00:21:41,160 --> 00:21:43,119
you know, give it another thought, it was just like, oh, yeah,

336
00:21:43,160 --> 00:21:45,559
this makes sense. And then but it's good.

337
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Speaker 17: I think that was the big giveaway for us, was there.

338
00:21:48,319 --> 00:21:51,720
Speaker 2: We were like, yeah, definitely, yeah, Oh that's excellent, that's

339
00:21:51,799 --> 00:21:55,599
excellent going into I mean now that we're geez, I

340
00:21:55,640 --> 00:21:57,519
can't believe it's already almost the end of October?

341
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Speaker 15: Are you?

342
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Speaker 2: Are you still playing a lot of shows? As I

343
00:22:00,799 --> 00:22:03,480
know in the United States, a lot of a lot

344
00:22:03,519 --> 00:22:05,960
of bands, they kind of they don't go into hibernation.

345
00:22:06,039 --> 00:22:08,039
They're still working, but they kind of use, at least

346
00:22:08,039 --> 00:22:09,519
in this part of the country where it gets cold

347
00:22:09,559 --> 00:22:12,880
in the winter, they kind of use winter time to

348
00:22:13,279 --> 00:22:16,759
maybe focus more on recording because traveling isn't so great

349
00:22:16,799 --> 00:22:19,279
when it's snowing and icy out. But I mean, what,

350
00:22:19,400 --> 00:22:20,880
what's kind of your plan? Are you still playing a

351
00:22:20,920 --> 00:22:22,599
lot of shows now? Do you plan to play through

352
00:22:22,640 --> 00:22:24,599
the winter or I don't even know what the winter

353
00:22:24,759 --> 00:22:25,920
is like exactly where you are.

354
00:22:27,359 --> 00:22:29,359
Speaker 15: Yeah, I mean it's not it's not great. It's definitely wet.

355
00:22:29,680 --> 00:22:34,359
Ye've got a couple to see us out. But that's

356
00:22:34,400 --> 00:22:36,519
the plan for us as well, to be honest, do

357
00:22:36,680 --> 00:22:39,680
some bits behind the scenes and they say again next year.

358
00:22:39,720 --> 00:22:42,640
So we've got two Liverpool shows, you know, one on Halloween,

359
00:22:42,720 --> 00:22:44,279
which will all go in this pilots.

360
00:22:44,480 --> 00:22:49,759
Speaker 17: Yeah, we want we want everyone to come. Everyone crew

361
00:22:49,839 --> 00:22:51,559
is taking over nice.

362
00:22:51,279 --> 00:22:54,720
Speaker 15: And we've got there on the sixth of December as well,

363
00:22:54,759 --> 00:22:57,359
which is really good, really good line up on that.

364
00:22:57,440 --> 00:23:00,200
So we're looking forward to that and you know, who know,

365
00:23:00,400 --> 00:23:03,200
something some might come our way. I don't know. I

366
00:23:03,359 --> 00:23:05,839
was just squeeze in there, but at the moment, definitely

367
00:23:05,880 --> 00:23:06,759
slow it down a little bit.

368
00:23:07,000 --> 00:23:10,880
Speaker 17: Yeah, yeah, yeah, we want to focus only on writing

369
00:23:11,000 --> 00:23:11,599
for next year.

370
00:23:11,920 --> 00:23:14,279
Speaker 2: Excellent, excellent. Oh by the way too, I wanted to

371
00:23:14,680 --> 00:23:16,359
circle back to a Piece of You for a moment.

372
00:23:16,400 --> 00:23:19,799
I wanted to ask about the video because I love

373
00:23:19,839 --> 00:23:22,319
the video. It's really really cool. I like that. I

374
00:23:22,400 --> 00:23:24,319
really dig the whole aesthetic of it, and and I

375
00:23:24,440 --> 00:23:27,519
was just curious if that was something that you all

376
00:23:27,599 --> 00:23:30,240
did on your own, or if you worked with with somebody,

377
00:23:30,440 --> 00:23:32,440
or how did the video come about.

378
00:23:34,039 --> 00:23:43,240
Speaker 15: Yeah, it was quite funny. It was just kind of yeah, yeah,

379
00:23:43,319 --> 00:23:45,119
it was kind of It was just an idea that

380
00:23:45,279 --> 00:23:47,160
come to us and we went, what's the best and

381
00:23:47,319 --> 00:23:49,640
cheapest way we can do this? Yeah, and it ended

382
00:23:49,720 --> 00:23:54,359
up being Matt in the alley hole were holding the

383
00:23:54,400 --> 00:23:58,359
hose pipe over to z on the waterfall moment and

384
00:23:59,319 --> 00:24:01,200
one of us fell with it and that was it.

385
00:24:02,039 --> 00:24:03,440
Stick it in black and white. It's good to go.

386
00:24:03,759 --> 00:24:05,480
Speaker 17: Well, you can't see behind the camera is me and

387
00:24:05,799 --> 00:24:07,880
was in suits because we just come from where. Yeah,

388
00:24:08,480 --> 00:24:10,359
he's molding the camera.

389
00:24:10,279 --> 00:24:18,960
Speaker 11: And posters laughing at me while I'm shivering. Right, it's

390
00:24:19,000 --> 00:24:21,559
a good idea for like shark time colored dragons.

391
00:24:21,599 --> 00:24:23,079
Speaker 15: Then no warm hose pipes.

392
00:24:25,640 --> 00:24:28,119
Speaker 2: Well, if you go down, I mean, if you can,

393
00:24:28,279 --> 00:24:30,799
if you can come up with something that that is cheap,

394
00:24:31,119 --> 00:24:34,359
you know, but but still looks cool, then you've got something, right,

395
00:24:35,559 --> 00:24:36,119
you know what I mean?

396
00:24:37,519 --> 00:24:42,480
Speaker 15: That really good, some good feedback. Yeah, yeah, like videos

397
00:24:42,640 --> 00:24:48,359
cost us a few quids. Yeah, that was maybe three pounds.

398
00:24:49,720 --> 00:24:51,880
Speaker 2: There you go, there you go. Oh you've also got

399
00:24:51,960 --> 00:24:54,079
this is cool too, by the way, and I want

400
00:24:54,119 --> 00:24:57,279
our listeners to know about this on YouTube. A piece

401
00:24:57,319 --> 00:25:00,279
of you Rivia in Matchbox Studios a live record and

402
00:25:00,359 --> 00:25:02,960
this is really good too. This is really cool.

403
00:25:03,279 --> 00:25:07,000
Speaker 15: Thank you, Sean. Yeah, we love those guys. Patchbox a

404
00:25:07,119 --> 00:25:11,400
great over there and you've got an amazing story the

405
00:25:11,519 --> 00:25:13,799
recording as well as well as all the video stuff.

406
00:25:14,680 --> 00:25:17,880
The package. Man. Yeah, the spot on really nice lads.

407
00:25:17,920 --> 00:25:19,680
That was a good day. Every done fall In there

408
00:25:19,720 --> 00:25:22,920
as well. Yeah, so yeah, that's really good.

409
00:25:23,440 --> 00:25:25,160
Speaker 2: Do you intend to continue to work with them?

410
00:25:26,400 --> 00:25:28,440
Speaker 15: Yeah? Absolutely, absolutely, yeah, yeah.

411
00:25:28,720 --> 00:25:30,680
Speaker 14: I did the live the live videos a great with

412
00:25:30,759 --> 00:25:33,079
them and they do go down well. Falling Us now

413
00:25:33,240 --> 00:25:35,240
you can know, go and see that on the on

414
00:25:35,400 --> 00:25:36,200
YouTube as well.

415
00:25:36,559 --> 00:25:37,039
Speaker 15: Ready to go.

416
00:25:37,759 --> 00:25:39,960
Speaker 14: Yeah, so if anybody listening, it's only on YouTube. You

417
00:25:39,960 --> 00:25:41,680
can see the full thing if you want to go see.

418
00:25:41,480 --> 00:25:44,400
Speaker 15: It, but we'd recommend them. That's to anyone for videos

419
00:25:44,680 --> 00:25:47,640
or the fantastic Yeah, oh yeah.

420
00:25:47,799 --> 00:25:52,200
Speaker 2: Oh there's also two Falling there's this this acoustic version

421
00:25:52,319 --> 00:25:56,559
live from Northwest Connection that's also very very cool. We're

422
00:25:56,599 --> 00:25:58,359
going to play actually at the end of our conversation

423
00:25:58,440 --> 00:26:00,759
today too, we're going to play fall In too, because

424
00:26:00,759 --> 00:26:02,559
that's another that's another great, great track.

425
00:26:02,640 --> 00:26:05,640
Speaker 15: But I forgot me Tom. That was the boss.

426
00:26:08,400 --> 00:26:11,359
Speaker 2: Yeah, it looks like it looks like there's only three

427
00:26:11,400 --> 00:26:14,680
of you there, but the the oh this was yeah,

428
00:26:14,799 --> 00:26:17,200
live from Northwest Connect. What is Northwest Connection?

429
00:26:18,920 --> 00:26:23,960
Speaker 15: So that those guys with the same talents that can't

430
00:26:24,000 --> 00:26:27,359
remember the exact location, but it's a really cool spot

431
00:26:27,519 --> 00:26:28,599
to radio station.

432
00:26:29,559 --> 00:26:32,960
Speaker 16: A podcast MM hmmm, So we were, we were on

433
00:26:33,039 --> 00:26:36,160
the podcast where we had a good, good shot for

434
00:26:36,279 --> 00:26:37,559
a good forty five minutes.

435
00:26:37,759 --> 00:26:42,400
Speaker 15: Yeah, a couple of tubes, Yeah, would good luck with them?

436
00:26:43,279 --> 00:26:44,160
Speaker 2: Very nice, very nice?

437
00:26:44,480 --> 00:26:44,759
Speaker 11: So what.

438
00:26:46,640 --> 00:26:49,240
Speaker 2: I know, I've asked you this question before the last

439
00:26:49,279 --> 00:26:51,240
time we talked, but for newer listeners or people who

440
00:26:51,240 --> 00:26:53,559
aren't familiar with you, uh, tell us about the name.

441
00:26:53,720 --> 00:26:56,160
I'm sure this is probably you probably hate this question

442
00:26:56,200 --> 00:26:58,279
because you probably get asked this question every single day

443
00:26:58,279 --> 00:27:01,160
of your lives. But what does what does Rivia mean?

444
00:27:03,599 --> 00:27:07,960
Speaker 11: It's it's from It's from the Witcher if if you

445
00:27:08,039 --> 00:27:08,799
know what that is.

446
00:27:09,359 --> 00:27:11,240
Speaker 13: It's a it was a series of books that got

447
00:27:11,319 --> 00:27:14,839
turned into video games that's now a crappy Netflix show.

448
00:27:15,079 --> 00:27:19,480
Speaker 2: Yeah, and basically the main guy and it's.

449
00:27:19,440 --> 00:27:21,799
Speaker 16: Called Garrels of Rivia. And when we were when we

450
00:27:21,880 --> 00:27:24,440
were making the band, I really I fell in love

451
00:27:24,480 --> 00:27:26,279
with this character. Basically, I just thought he was the

452
00:27:26,400 --> 00:27:29,880
coolest dude ever. And I was like, Riva is a

453
00:27:29,960 --> 00:27:31,680
really cool name. And then I was like, are there

454
00:27:31,680 --> 00:27:34,960
any other bands called Rivia? And looked through the fire

455
00:27:35,079 --> 00:27:38,039
Instagram like every sort of music thing you can find,

456
00:27:38,359 --> 00:27:41,359
and there was no bands called Rivia, So we were like, well,

457
00:27:41,440 --> 00:27:42,839
that's that's a good start.

458
00:27:44,319 --> 00:27:49,079
Speaker 13: So the rarely condensed version of the story is he's

459
00:27:49,640 --> 00:27:52,440
in the sort of books. He's not actually from there.

460
00:27:52,559 --> 00:27:55,119
He sort of goes there and he saves them and

461
00:27:55,279 --> 00:27:58,559
they accept them. And I thought it was really cool,

462
00:27:58,599 --> 00:28:01,240
the idea of like, it doesn't matter where you come from,

463
00:28:01,400 --> 00:28:03,319
it's what you do that defines who you are.

464
00:28:04,240 --> 00:28:07,440
Speaker 2: Yes, I like that. I like that very much. That

465
00:28:07,680 --> 00:28:11,160
is that's excellent. So what is now? What's kind of

466
00:28:11,200 --> 00:28:14,000
the short term do you do you have where's your

467
00:28:14,200 --> 00:28:17,440
Obviously we're in the United States, but we have listeners everywhere.

468
00:28:17,640 --> 00:28:19,559
When is when is your next show? When do you

469
00:28:19,759 --> 00:28:21,559
do you have anything this weekend that you're doing that

470
00:28:21,599 --> 00:28:22,079
you're playing?

471
00:28:23,400 --> 00:28:28,839
Speaker 15: Is it next next Rounday? Halloween and we will be pirates.

472
00:28:30,079 --> 00:28:31,759
Speaker 17: Yeah.

473
00:28:31,920 --> 00:28:35,599
Speaker 15: So that's in Liverpool Cosmia stock Room, Saty Fairs, re

474
00:28:35,680 --> 00:28:38,000
Sport and the band called Holy Cove so a Welsh

475
00:28:38,519 --> 00:28:41,519
I believe in the great bands. Looking forward to getting

476
00:28:41,519 --> 00:28:42,279
down seeing them there.

477
00:28:43,440 --> 00:28:46,599
Speaker 2: Excellent, excellent, And then uh, where should people go online?

478
00:28:46,599 --> 00:28:48,240
Where's the best place for people to go to keep

479
00:28:48,319 --> 00:28:50,200
up with everything that Rivia is doing?

480
00:28:51,440 --> 00:28:56,480
Speaker 15: Instagram and definitely Instagram at Rivia top band. Most of

481
00:28:56,559 --> 00:28:58,920
our stuff goes there to always putting up stories what

482
00:28:58,960 --> 00:28:59,720
we're up to as well.

483
00:28:59,759 --> 00:29:01,559
Speaker 14: So we I've got all the other we've got like

484
00:29:01,680 --> 00:29:04,440
TikTok YouTube, you've got Twitter and stuff, all of them.

485
00:29:04,880 --> 00:29:08,039
Speaker 17: All of our main sort of go to is his Instagram.

486
00:29:08,279 --> 00:29:12,480
Speaker 13: Yeah, and you like nonsensical quotes and there is the

487
00:29:12,519 --> 00:29:12,960
place to go.

488
00:29:14,319 --> 00:29:16,200
Speaker 17: Can full control of the Twitter and he does just

489
00:29:16,279 --> 00:29:17,319
put his thoughts out there.

490
00:29:17,480 --> 00:29:21,599
Speaker 15: Yes, all welcome, you'rektok.

491
00:29:22,119 --> 00:29:22,680
Speaker 2: Oh, go ahead.

492
00:29:23,480 --> 00:29:25,559
Speaker 17: I was gonna say our TikTok's more like our behind

493
00:29:25,599 --> 00:29:27,640
the scenes stuff, isn't it Like he stills having a bit.

494
00:29:27,599 --> 00:29:28,640
Speaker 15: Of fun silly stuff.

495
00:29:28,839 --> 00:29:32,519
Speaker 2: Yeah, now that's excellent. Well, your social media game is

496
00:29:32,559 --> 00:29:36,480
strong and that's very very important of course, uh these days.

497
00:29:36,559 --> 00:29:39,680
So I commend you for that. And that's excellent And.

498
00:29:40,160 --> 00:29:42,279
Speaker 17: Yeah, thanks man. We've been working on that a lot

499
00:29:42,359 --> 00:29:43,759
this year, so appreciate that.

500
00:29:43,880 --> 00:29:45,599
Speaker 15: I think we've got Rush to thank for a lot

501
00:29:45,640 --> 00:29:49,599
of that. Yeah, absolutely saved excellent.

502
00:29:49,680 --> 00:29:52,519
Speaker 18: Hard work for me is stock hard work, like you know,

503
00:29:52,680 --> 00:29:55,200
thinking and stuff and then just having the time to

504
00:29:55,319 --> 00:29:57,200
like film it and and then edit stuff.

505
00:29:57,200 --> 00:29:58,079
Speaker 15: It's hard, is it, like?

506
00:29:58,359 --> 00:30:01,640
Speaker 18: Yeah, Well it's just it's so important today, Like it's

507
00:30:01,720 --> 00:30:03,160
just a massive part of the music industry.

508
00:30:03,160 --> 00:30:05,599
Speaker 2: And I so right, right, because you're you're doing it

509
00:30:05,680 --> 00:30:07,880
all yourselves too, right, You're or do you have a

510
00:30:07,960 --> 00:30:09,720
label that you work with or is this all the.

511
00:30:09,759 --> 00:30:12,440
Speaker 15: I y, that's all the one.

512
00:30:12,599 --> 00:30:13,440
Speaker 2: Yeah, that's what I think.

513
00:30:14,920 --> 00:30:18,599
Speaker 15: We've got managers of management engineering from we believe that

514
00:30:19,000 --> 00:30:22,759
love those guys the bits. In terms of social media, yeah,

515
00:30:22,839 --> 00:30:24,480
that's unfortunately just.

516
00:30:26,559 --> 00:30:30,400
Speaker 2: Well unfortunately in the sense that it's a lot of work, right,

517
00:30:30,519 --> 00:30:33,920
but fortunately in the sense that that gives you maximum control,

518
00:30:34,000 --> 00:30:36,559
total control really over what you're putting out there and

519
00:30:36,720 --> 00:30:38,880
in terms of your image and everything, and that that

520
00:30:38,960 --> 00:30:40,759
can be that can be a wonderful thing to have

521
00:30:40,880 --> 00:30:42,880
that kind of autonomy. So that's that's.

522
00:30:43,000 --> 00:30:46,160
Speaker 14: Yeah, it's a bit more personal for social media now.

523
00:30:46,240 --> 00:30:48,119
That's kind of we talk, isn't that.

524
00:30:48,200 --> 00:30:48,359
Speaker 19: Yeah.

525
00:30:48,359 --> 00:30:50,279
Speaker 14: We used to really struggle with like what what should

526
00:30:50,319 --> 00:30:52,240
we put up and then we've realized we could put

527
00:30:52,319 --> 00:30:56,319
up with everyone ourselves and it's just us exactly.

528
00:30:56,480 --> 00:30:59,519
Speaker 2: It's it's easy to overthink it, but once you once

529
00:30:59,559 --> 00:31:02,319
you're real, you know your fans they just want engagement.

530
00:31:02,799 --> 00:31:04,720
So whatever you can put out there you know, and

531
00:31:04,960 --> 00:31:07,440
and uh and if they don't like it, whatever, they'll

532
00:31:07,480 --> 00:31:09,640
ignore it. But if they do like it, then great,

533
00:31:09,720 --> 00:31:11,960
you know, then you've you've created that engagement that is

534
00:31:12,319 --> 00:31:15,319
absolutely critical to being successful in the music industry today.

535
00:31:15,400 --> 00:31:19,640
So uh so, yeah, absolutely, I commend you on that. Well, listen,

536
00:31:19,720 --> 00:31:22,079
we're gonna we'll uh, we'll let you go. We're gonna

537
00:31:22,079 --> 00:31:24,039
get to this track. We're gonna play fall and to

538
00:31:24,079 --> 00:31:25,960
close out the segment, another great song.

539
00:31:26,440 --> 00:31:26,559
Speaker 4: Uh.

540
00:31:26,640 --> 00:31:29,000
Speaker 2: But I do want to thank all of you, Matt, Warren, Rash, Chris,

541
00:31:29,160 --> 00:31:29,839
thank you all.

542
00:31:30,319 --> 00:31:30,480
Speaker 18: You know.

543
00:31:30,559 --> 00:31:32,519
Speaker 2: It doesn't always work out where we get an entire

544
00:31:32,599 --> 00:31:39,720
band on all at once, so I appreciate that. Absolutely.

545
00:31:39,799 --> 00:31:41,839
We'll do it again and keep us posted on when

546
00:31:41,880 --> 00:31:43,799
the next single is ready to and and we'll uh,

547
00:31:44,119 --> 00:31:45,599
we'll give it. We'll give it a spin here of

548
00:31:45,640 --> 00:31:47,720
course always and uh and we'll have you back on

549
00:31:47,839 --> 00:31:49,720
to talk about it and uh and I wish you

550
00:31:49,799 --> 00:31:52,000
continued success and thanks for joining us today.

551
00:31:52,960 --> 00:31:53,279
Speaker 15: Thank you.

552
00:31:56,160 --> 00:31:57,920
Speaker 2: All right, Rivia, thank you, we'll talk to you soon.

553
00:31:58,000 --> 00:32:02,920
Take care, bye bye power. All right, that is the

554
00:32:03,039 --> 00:32:06,240
members of the band Rivia, and we're gonna close out

555
00:32:06,279 --> 00:32:09,640
our conversation with this track. This is another great single.

556
00:32:09,680 --> 00:32:11,440
We were the first American radio station to play this.

557
00:32:11,519 --> 00:32:14,039
Of course, this is Fallen and the band is Rivia.

558
00:32:14,200 --> 00:32:16,799
And if you are listening live on Saturday, stick around.

559
00:32:17,079 --> 00:32:18,440
We've got plenty more to come.

560
00:32:36,680 --> 00:32:37,279
Speaker 3: We would just.

561
00:32:37,440 --> 00:32:40,880
Speaker 7: Chance back then, just a little bit more then for

562
00:32:41,039 --> 00:32:44,039
us that it's always a talbot and we're figuring it

563
00:32:44,160 --> 00:32:48,359
out with them with just my mantence. We were so close,

564
00:32:48,480 --> 00:32:53,160
but sofa always to jam the mamas apart. Yeah, we

565
00:32:53,279 --> 00:32:55,359
know all it has us till we try a jam.

566
00:32:55,480 --> 00:32:59,079
But chuse me, chest, my manchion, can't you have text down?

567
00:32:59,240 --> 00:33:01,400
Let's see show mo monight like.

568
00:33:01,519 --> 00:33:02,799
Speaker 4: This probably won't.

569
00:33:04,200 --> 00:33:10,000
Speaker 3: Ways you got me far around that feels song like

570
00:33:10,200 --> 00:33:11,079
nuts at work?

571
00:33:11,519 --> 00:33:15,759
Speaker 7: Joe around and around any sorry Joe, soo whitch you

572
00:33:15,920 --> 00:33:16,240
got me?

573
00:33:20,880 --> 00:33:24,160
Speaker 3: Then it all round in shaste. Neither one of us

574
00:33:24,480 --> 00:33:25,920
was too blame, just.

575
00:33:25,960 --> 00:33:28,519
Speaker 7: Couldn't figure it out and so we put so around

576
00:33:28,599 --> 00:33:31,799
a set of chest can't say this, it's not the

577
00:33:31,880 --> 00:33:32,880
same sense.

578
00:33:32,640 --> 00:33:35,640
Speaker 3: Out big one became well when we see.

579
00:33:35,559 --> 00:33:38,960
Speaker 2: A move on to see you with Jane, I gotta try,

580
00:33:39,160 --> 00:33:39,720
but said.

581
00:33:39,559 --> 00:33:42,160
Speaker 7: It on the right back and square one get.

582
00:33:42,079 --> 00:33:45,519
Speaker 3: Your lips sixteen Let's see shirt on more night like

583
00:33:45,680 --> 00:33:46,880
this probably won't.

584
00:33:48,279 --> 00:33:49,359
Speaker 4: Why you got me?

585
00:33:49,839 --> 00:33:56,279
Speaker 5: Fut that feels song right nuts on work John around

586
00:33:56,680 --> 00:33:58,720
around any sorry Johnson.

587
00:34:00,119 --> 00:34:00,400
Speaker 3: Got me?

588
00:34:04,200 --> 00:34:09,880
Speaker 9: Come me to come me to coll me? You call

589
00:34:09,960 --> 00:34:15,559
me to come me, you come here to come me

590
00:34:16,360 --> 00:34:21,119
to come in to come me, you come ma.

591
00:34:21,880 --> 00:34:26,280
Speaker 7: To come may take out he take out catch your

592
00:34:26,360 --> 00:34:28,280
lipstick stain on my T shirt?

593
00:34:28,719 --> 00:34:30,760
Speaker 2: Woman night likeness probably.

594
00:34:30,519 --> 00:34:33,480
Speaker 3: Welcome ways you got me?

595
00:34:33,760 --> 00:34:38,280
Speaker 7: You tal around No no now it feels so right,

596
00:34:38,440 --> 00:34:42,480
but it's up, come right me around men's John said,

597
00:34:43,559 --> 00:34:44,519
where's you got me?

598
00:34:45,039 --> 00:35:08,599
Speaker 1: T you're listening to Matt connorton Unleashed on WM and

599
00:35:08,719 --> 00:35:09,519
H ninety.

600
00:35:09,320 --> 00:35:10,280
Speaker 15: Five point three.

601
00:35:17,960 --> 00:35:20,920
Speaker 2: Welcome back, everybody, and thank you again to all four

602
00:35:21,000 --> 00:35:24,000
members of Rivia for joining us this morning on the program.

603
00:35:24,119 --> 00:35:25,760
If you missed it, of course you can check the archive.

604
00:35:25,800 --> 00:35:28,519
It'll be up later after the show. But I really

605
00:35:28,639 --> 00:35:30,559
love such a great band. I love that song piece

606
00:35:30,599 --> 00:35:32,440
of You. I also love follow and that's another great song.

607
00:35:32,679 --> 00:35:35,199
But as they were talking about too during our conversation,

608
00:35:35,239 --> 00:35:37,320
piece of You is a little more aggressive than their

609
00:35:37,400 --> 00:35:41,159
previous songs, but just so good. If you are joining

610
00:35:41,280 --> 00:35:45,239
us live today is Saturday, October twenty five, twenty twenty five.

611
00:35:45,639 --> 00:35:48,440
We are live from the studios of WMNH ninety five

612
00:35:48,440 --> 00:35:50,880
point three FM and Glorious Manchester, New Hampshire. But you

613
00:35:50,920 --> 00:35:53,159
can stream the show anywhere. Go to Matt connorton dot com,

614
00:35:53,280 --> 00:35:55,880
slash live and by the way, there is a I'll

615
00:35:55,960 --> 00:35:58,880
just mention two. So don't believe everything you hear. I

616
00:35:59,000 --> 00:36:02,039
know that there is some one on social media claiming

617
00:36:02,079 --> 00:36:04,400
that I no longer have a radio show and then

618
00:36:04,400 --> 00:36:06,880
I'm only podcasting now, but that is uh, that is

619
00:36:07,000 --> 00:36:10,079
not true, as uh, we are on the radio right now.

620
00:36:10,360 --> 00:36:11,800
Speaker 6: Long has this been?

621
00:36:12,159 --> 00:36:13,920
Speaker 2: How long? What since we've been at w M and

622
00:36:14,079 --> 00:36:16,440
H Yes, jeez, it'll be nine years in April, so

623
00:36:16,519 --> 00:36:17,360
about eight and a half.

624
00:36:17,280 --> 00:36:19,960
Speaker 6: Years ago, and altogether it's been well over we've been

625
00:36:20,000 --> 00:36:21,079
here a wow nine years.

626
00:36:21,199 --> 00:36:24,559
Speaker 2: Yeah, yeah, I know right. Oh, it went so quick,

627
00:36:24,719 --> 00:36:26,400
went so quick, gone in the blink of an eye.

628
00:36:26,559 --> 00:36:28,719
Speaker 6: Seriously, I was at shopping yesterday and they had Christmas

629
00:36:28,800 --> 00:36:32,119
stuff out. I am not happy. No Christmas yet we

630
00:36:32,239 --> 00:36:32,960
haven't gotten past.

631
00:36:33,000 --> 00:36:34,960
Speaker 2: Well that's when you work in retail.

632
00:36:35,000 --> 00:36:36,800
Speaker 6: I mean, I know, want to see it.

633
00:36:36,920 --> 00:36:39,199
Speaker 2: When I when I was a store manager for f YE. Yeah,

634
00:36:39,719 --> 00:36:43,440
but we'd have our holiday meeting in September and then

635
00:36:43,599 --> 00:36:47,320
uh you know, and then we were off and running

636
00:36:47,360 --> 00:36:47,719
from there.

637
00:36:47,960 --> 00:36:50,440
Speaker 6: I don't think Santa should come out until after Halloween

638
00:36:50,559 --> 00:36:53,400
is over. Yeah, yep, I'm sticking to that story. And

639
00:36:53,480 --> 00:36:54,920
I had to take up my winter coat, so I'm

640
00:36:54,960 --> 00:36:55,639
really not happy.

641
00:36:56,400 --> 00:37:00,559
Speaker 2: Oh yeah, yeah, absolutely. So We've got a couple of

642
00:37:00,599 --> 00:37:03,159
great guests who if you're listening live on Saturday. Still

643
00:37:03,159 --> 00:37:05,199
coming up, we have KTK in the second hour, and

644
00:37:05,320 --> 00:37:08,159
in the third hour we have Euphemeia, a great band

645
00:37:08,199 --> 00:37:09,920
from Portland who are making the drive down so I

646
00:37:09,960 --> 00:37:13,800
always appreciate that, so looking forward to that. Also shout

647
00:37:13,840 --> 00:37:16,760
out in case they're listening to Replaced by Robots, because

648
00:37:16,760 --> 00:37:19,440
I just received a text message from them, oh and

649
00:37:20,119 --> 00:37:24,920
that I'm very happy about. But they were on the

650
00:37:24,960 --> 00:37:29,000
show a few months ago and love them and you'll

651
00:37:29,039 --> 00:37:29,880
be hearing more about them.

652
00:37:30,199 --> 00:37:32,039
Speaker 6: And I want to remind folks to go check out

653
00:37:32,039 --> 00:37:36,719
the Mosaic Are Collective because the Exquisite Corpse exhibit is

654
00:37:37,119 --> 00:37:39,840
up until November third, and I have a piece in

655
00:37:39,920 --> 00:37:42,159
there that I'm very proud to have in that I

656
00:37:42,880 --> 00:37:45,280
carried around inside of me for years and finally put

657
00:37:45,320 --> 00:37:46,840
it on canvas and it felt so good to get

658
00:37:46,880 --> 00:37:49,119
it out there. So definitely go check out the Mosaic

659
00:37:49,159 --> 00:37:52,559
Are Collective at sixty six Hanover Street, Sweet two one,

660
00:37:52,679 --> 00:37:55,320
right here in the Queen City. And while I'm at it,

661
00:37:55,400 --> 00:37:58,280
there is an open call submit your art to the

662
00:37:58,440 --> 00:38:01,760
All That Glitters Show that's going to be coming up next.

663
00:38:02,079 --> 00:38:06,400
The open call deadline is November first at eleven fifty

664
00:38:06,519 --> 00:38:09,920
nine pm, So the deadline is approaching. Get your work,

665
00:38:09,960 --> 00:38:12,280
and I would love to see you hanging on the

666
00:38:12,320 --> 00:38:14,159
walls in the Mosaic Art Collective.

667
00:38:14,679 --> 00:38:17,719
Speaker 2: Yeah, absolutely, absolutely, congratulations on that.

668
00:38:18,079 --> 00:38:18,320
Speaker 3: Yeah.

669
00:38:20,480 --> 00:38:23,800
Speaker 2: Our friend that reminds me too, our friend Dennis Layton

670
00:38:23,880 --> 00:38:27,000
from the Gray Curtain has he's got art up at

671
00:38:28,119 --> 00:38:30,039
Terminus Terminus Underground in Nashua.

672
00:38:30,199 --> 00:38:30,360
Speaker 3: Yeah.

673
00:38:30,400 --> 00:38:32,599
Speaker 2: I think for the full month too. And I didn't

674
00:38:32,599 --> 00:38:36,000
even know until the most recent time was a couple

675
00:38:36,000 --> 00:38:37,679
of weeks ago. Now, two or three weeks at a time,

676
00:38:37,719 --> 00:38:39,519
it becomes a blurr. He was on the show and

677
00:38:39,639 --> 00:38:41,360
talking about that in addition to his music, and I

678
00:38:41,400 --> 00:38:43,159
had no idea that he was also a visual artist.

679
00:38:43,360 --> 00:38:44,880
Speaker 6: I did not know until he told us that either.

680
00:38:44,920 --> 00:38:46,559
And I'm really excited that he has that show up

681
00:38:46,559 --> 00:38:48,800
at Terminus. You should definitely go check it out. Yeah,

682
00:38:48,880 --> 00:38:51,559
great spot to also catch a lot of great musicians.

683
00:38:51,760 --> 00:38:54,840
Speaker 2: They've got a show tonight to their Halloween show is

684
00:38:54,880 --> 00:38:57,840
at Terminus Underground tonight in Nashua. If you haven't been there,

685
00:38:57,840 --> 00:38:59,280
it's amazing. It's an amazing room.

686
00:38:59,440 --> 00:39:02,119
Speaker 6: It's definitely incredible room to go see. Abandoned. It's not

687
00:39:02,280 --> 00:39:05,440
your average venue, you know, table chair whatever, man. No,

688
00:39:05,599 --> 00:39:08,880
this is this is a beautiful environment. It really immerses

689
00:39:08,920 --> 00:39:12,280
you in the experience. I highly recommend going and checkout

690
00:39:12,480 --> 00:39:15,400
a show at Terminus located in Nashua.

691
00:39:15,800 --> 00:39:20,400
Speaker 2: Absolutely. By the way, so you mentioned too, bad Bunny,

692
00:39:20,519 --> 00:39:21,480
I just wanted an award.

693
00:39:21,800 --> 00:39:26,760
Speaker 6: Congratulations Bad Bunny. How proud are we? An American has

694
00:39:27,000 --> 00:39:29,760
been named the top Latin Artist of the twenty first

695
00:39:29,800 --> 00:39:33,719
century at the twenty twenty five Latin Billboard of Music

696
00:39:33,840 --> 00:39:35,840
Awards that happened this past Thurs.

697
00:39:36,039 --> 00:39:37,400
Speaker 2: Bad Bunny's an American? Wow?

698
00:39:38,039 --> 00:39:40,679
Speaker 6: Well yeah, do we not know our geography?

699
00:39:40,840 --> 00:39:41,320
Speaker 2: So yeah?

700
00:39:41,440 --> 00:39:45,760
Speaker 6: So for America has states and territories that we all own.

701
00:39:45,880 --> 00:39:48,480
Speaker 2: That's right. Part of why why we bring that up

702
00:39:48,639 --> 00:39:51,960
is because you know, and and it's it's been a

703
00:39:52,039 --> 00:39:53,920
number of weeks now, but it was there was some

704
00:39:54,039 --> 00:39:58,000
controversy or there still is some controversy about about about

705
00:39:58,039 --> 00:40:00,320
Bad Bunny being selected to play the Super Ball this

706
00:40:00,440 --> 00:40:02,599
year because some people like to say, well, you know,

707
00:40:03,199 --> 00:40:05,440
you should have an American, and it's like, yeah, Bad

708
00:40:05,480 --> 00:40:06,360
Bunny is an American.

709
00:40:06,800 --> 00:40:08,840
Speaker 6: We've had lots and lots of Super Bowls with artists

710
00:40:08,880 --> 00:40:11,159
from all around the world. Well it's not like it's

711
00:40:11,199 --> 00:40:14,480
a fur yeah, but at first anyway, because it's not true.

712
00:40:15,239 --> 00:40:18,280
Speaker 2: But the point being Bad Bunny is an American because

713
00:40:18,320 --> 00:40:20,039
he's from Puerto Rico, and Puerto Rico is a part

714
00:40:20,079 --> 00:40:23,360
of the United States. And I'd put something on social

715
00:40:23,400 --> 00:40:27,119
media when this whole controversy first erupted. It's like, you know,

716
00:40:27,280 --> 00:40:31,119
it's it's maybe it's a failure in our education system.

717
00:40:31,599 --> 00:40:33,360
Speaker 6: If we don't know what America comprises.

718
00:40:33,480 --> 00:40:34,760
Speaker 2: But I think a lot of it, too, is just

719
00:40:34,880 --> 00:40:38,840
willful ignorance supporting people's pre existing biases. And we won't

720
00:40:38,840 --> 00:40:40,559
get too far into that because we don't do politics

721
00:40:40,639 --> 00:40:42,960
on this version of the show, but just an observation.

722
00:40:43,519 --> 00:40:48,199
It always, uh frustrates and disappoints me whenever I'm reminded

723
00:40:48,400 --> 00:40:51,239
that there is a large portion of the American population

724
00:40:51,360 --> 00:40:53,760
that doesn't seem to understand that Puerto Rico is a

725
00:40:53,800 --> 00:40:55,760
part of the United States. It's not a separate country.

726
00:40:55,840 --> 00:40:58,480
It is a part of the United States. Puerto Ricans

727
00:40:58,800 --> 00:41:00,760
and this will really annoy some people, but I'm gonna

728
00:41:00,760 --> 00:41:03,719
say it because it literally is true. Puerto Ricans are

729
00:41:03,840 --> 00:41:05,119
just as American as you or me.

730
00:41:05,360 --> 00:41:06,920
Speaker 6: Yes they are. They are citizens.

731
00:41:06,960 --> 00:41:09,400
Speaker 2: They are born American citizens.

732
00:41:09,480 --> 00:41:09,559
Speaker 3: Ye.

733
00:41:09,719 --> 00:41:13,519
Speaker 6: They got their certificates from America, get American passport, they are.

734
00:41:13,559 --> 00:41:16,280
Speaker 2: Born on American soil. Puerto Rico is a part of

735
00:41:16,360 --> 00:41:19,679
this great country, you know. And I'm sorry for the

736
00:41:19,679 --> 00:41:22,239
people who don't seem to understand that, but get it

737
00:41:22,320 --> 00:41:25,039
through your skulls and get over it.

738
00:41:25,599 --> 00:41:25,800
Speaker 11: See.

739
00:41:25,880 --> 00:41:29,360
Speaker 6: And one of the reasons I particularly have followed Bad

740
00:41:29,400 --> 00:41:35,000
Bunny because he did a thing on WW so awesome,

741
00:41:35,440 --> 00:41:38,880
Like you know, sometimes are you'll see like superstars or

742
00:41:38,920 --> 00:41:41,039
whatever get involved with wrestling and stuff, and then you know,

743
00:41:41,079 --> 00:41:43,119
they make an appearance. But once in a while you

744
00:41:43,199 --> 00:41:46,480
see artists come in that really get into it, like, oh,

745
00:41:46,559 --> 00:41:50,079
who's the other one, the country singer jelly Roll. Jelly

746
00:41:50,199 --> 00:41:53,000
Roll he did too, just like that funny they both

747
00:41:53,079 --> 00:41:56,159
like took it so seriously. They did trainings and everything.

748
00:41:56,440 --> 00:42:00,840
And if you've never seen Bad Bunny's entrance when they

749
00:42:00,920 --> 00:42:06,039
had when he did the battle against Damien Price, yeah,

750
00:42:06,079 --> 00:42:09,639
my favorite entrance. Yeah, it's awesome. They do it's it's

751
00:42:09,800 --> 00:42:12,280
it's one of the best entrances to a match I think.

752
00:42:12,360 --> 00:42:13,039
Speaker 2: Ever. I love it.

753
00:42:13,119 --> 00:42:15,480
Speaker 6: The people go absolutely insane. You can feel the floor.

754
00:42:16,840 --> 00:42:18,880
I can't, but you'd see people posted about they could

755
00:42:18,880 --> 00:42:21,360
feel the floor. That was like the building was moving.

756
00:42:21,400 --> 00:42:25,480
It was so amazing. And just the thing about Bad

757
00:42:25,559 --> 00:42:27,480
Bunny too. I want to say what he said about

758
00:42:27,519 --> 00:42:29,599
getting this award because I think it's really awesome.

759
00:42:30,199 --> 00:42:32,679
Speaker 2: And what's what's the ward again? Remind us? I'm sorry,

760
00:42:32,840 --> 00:42:33,719
what is the award again?

761
00:42:33,760 --> 00:42:36,880
Speaker 6: Remind us of So this is he was awarded the

762
00:42:37,039 --> 00:42:41,840
twenty twenty five Latin Billboard Music Awards. It's very prestigious,

763
00:42:41,880 --> 00:42:47,039
it's an honor and it's you know, the ceremony was held.

764
00:42:48,199 --> 00:42:50,239
I don't remember exactly what forgive me. I don't remember

765
00:42:50,239 --> 00:42:52,559
exactly the ceremonies. Oh, it was Thursday night. They had

766
00:42:52,599 --> 00:42:55,239
the ceremony Thursday night, and he had talked about like

767
00:42:55,320 --> 00:42:58,400
facing barriers and trying to break in into music and stuff,

768
00:42:58,840 --> 00:43:01,679
but he said, quote, for me, it's an honor to

769
00:43:01,800 --> 00:43:05,400
receive this award from your hands. I respect you and

770
00:43:05,559 --> 00:43:08,880
admire you so much. Every time I hear other artists

771
00:43:08,920 --> 00:43:11,760
speak as you did of me, it tells me that

772
00:43:11,960 --> 00:43:14,760
doing things from a good place and with your heart

773
00:43:15,360 --> 00:43:20,559
is always the best decision. He also told Marino that quote,

774
00:43:20,679 --> 00:43:23,239
I know how much I have worked, and not just

775
00:43:23,400 --> 00:43:26,559
me but my whole team. At the same time, I'm

776
00:43:26,559 --> 00:43:29,599
one hundred percent aware that any one of my colleagues

777
00:43:29,840 --> 00:43:32,559
could have been given this award. So he was very

778
00:43:32,639 --> 00:43:36,360
honored to receive it. It's you know it And he

779
00:43:36,480 --> 00:43:39,639
talks about how it's hard to be a Latino artist

780
00:43:39,800 --> 00:43:42,840
and to really to fight to get your career going.

781
00:43:42,719 --> 00:43:44,960
Speaker 2: And well to get to break into the mainstream. It

782
00:43:45,159 --> 00:43:47,480
is really can be really challenging, but.

783
00:43:47,559 --> 00:43:52,840
Speaker 6: When you are doing it in Spanish, yeah, it's much harder.

784
00:43:52,960 --> 00:43:53,440
Speaker 2: Absolute.

785
00:43:54,400 --> 00:43:54,559
Speaker 15: Yeah.

786
00:43:55,760 --> 00:43:58,280
Speaker 6: The show that you guys did on retro a few

787
00:43:58,320 --> 00:44:01,079
weeks ago where it was artist who did their songs

788
00:44:01,119 --> 00:44:02,039
and other languages.

789
00:44:02,159 --> 00:44:05,480
Speaker 2: Oh yeah, yeah, that was so cool on Retrospect Radio. Yeah,

790
00:44:05,559 --> 00:44:06,400
check out that episode.

791
00:44:06,480 --> 00:44:08,159
Speaker 6: Yeah, I think there was a David Bowie one that

792
00:44:08,280 --> 00:44:08,920
was like in French.

793
00:44:09,199 --> 00:44:12,320
Speaker 2: Yeah, and there was David Lee Roth, who, of course,

794
00:44:12,719 --> 00:44:15,639
at least one, maybe two of the early David Lee

795
00:44:15,719 --> 00:44:18,960
Roth solo albums he recorded separate versions because he's fluent

796
00:44:19,039 --> 00:44:21,360
in Spanish. I had no idea he grew up in

797
00:44:21,559 --> 00:44:24,199
where he grew up in South Texas. He said, the

798
00:44:24,360 --> 00:44:26,840
Spanish was just as prevalent. I know. Another thing that

799
00:44:26,840 --> 00:44:29,039
will annoy some people, but get over it. Spent where

800
00:44:29,079 --> 00:44:32,400
he grew up, Spanish was I think it might have

801
00:44:32,400 --> 00:44:36,519
been El Paso. Spanish was just as prevalent as English languages.

802
00:44:36,599 --> 00:44:39,039
Speaker 6: Yeah, no kid id teaching people languages and the little kids,

803
00:44:39,440 --> 00:44:41,360
Like I went overseas and I'm leeting like these little

804
00:44:41,440 --> 00:44:44,280
kids that are like nine years old and they speak English,

805
00:44:44,719 --> 00:44:49,039
Dutch and Fresian, and I'm like, I'm struggling to figure

806
00:44:49,039 --> 00:44:50,000
out how to tell you thank you.

807
00:44:50,320 --> 00:44:50,519
Speaker 2: Yeah.

808
00:44:51,079 --> 00:44:53,079
Speaker 6: So it's really cool when you see an artist who

809
00:44:53,239 --> 00:44:57,639
is in a genre that's harder than other genres because

810
00:44:57,679 --> 00:44:59,639
it is in a different language. Yeah, it does make

811
00:44:59,679 --> 00:45:02,639
it that much. So it's great to see an American

812
00:45:02,760 --> 00:45:07,760
gain this award and with such grace. But like I said,

813
00:45:08,000 --> 00:45:10,239
I'm a fan of him. I've been a fan of

814
00:45:10,400 --> 00:45:13,920
him basically since I was introduced to him because of WWE.

815
00:45:14,360 --> 00:45:16,039
Speaker 2: Yeah, yeah, you didn't see that.

816
00:45:16,159 --> 00:45:20,000
Speaker 6: I highly recommend it. It's fun to watch musicians involved

817
00:45:20,039 --> 00:45:24,239
in WWE, especially when I take it seriously and they

818
00:45:24,360 --> 00:45:26,880
really go all in, like Jelly Rold did and like

819
00:45:27,000 --> 00:45:30,239
Bad Bunny did. So I mean, so congratulations out there

820
00:45:30,320 --> 00:45:32,199
of Bad Bunny. I think it's great. I'm playing at

821
00:45:32,199 --> 00:45:35,000
the super Bowl. Thank you for being a great American.

822
00:45:35,840 --> 00:45:39,800
Speaker 2: Yes, love from us. Yes, yes, one other thing. And

823
00:45:39,880 --> 00:45:42,519
I wanted to send you this, but I'm logged out

824
00:45:42,559 --> 00:45:44,519
of my Facebook on this and I'm having trouble getting

825
00:45:44,559 --> 00:45:47,440
logged in. Maybe that's the problem. I just realized that

826
00:45:47,519 --> 00:45:49,679
might be the issue. That might be the issue I'm having.

827
00:45:49,719 --> 00:45:52,119
I'll have to during the break, I'll have to look

828
00:45:52,159 --> 00:45:57,400
at that. But this is on Music Business Worldwide dot Com.

829
00:45:57,559 --> 00:45:59,039
Just a quick story and then we got to get

830
00:45:59,039 --> 00:46:03,199
to a break. Lizzo sued for alleged copyright violation and

831
00:46:03,400 --> 00:46:08,480
unreleased song snippet referencing Sydney Sweeney jeans ad what you

832
00:46:08,559 --> 00:46:10,800
see this? Yeah, this just happened.

833
00:46:10,840 --> 00:46:12,000
Speaker 6: Come on, keep this.

834
00:46:12,199 --> 00:46:14,119
Speaker 2: This went up a couple days ago. It says Lizzo

835
00:46:14,280 --> 00:46:17,519
is facing a copyright infringement lawsuit over a snippet of

836
00:46:17,599 --> 00:46:20,920
a song the singer shared on social media that referenced

837
00:46:21,079 --> 00:46:27,360
the controversy around Sydney Sweeney's American Eagle ad. The GRC Trust,

838
00:46:27,400 --> 00:46:30,360
a Georgia based revocable trust, filed the lawsuit in federal

839
00:46:30,480 --> 00:46:34,119
court in California on Tuesday the twenty first, alleging that

840
00:46:34,239 --> 00:46:38,880
Lizzo's track, known alternately as I'm Going In Till October

841
00:46:39,159 --> 00:46:42,760
or Good Genes that's the full title, sampled without permission

842
00:46:42,800 --> 00:46:45,480
the nineteen seventy song win or Lose We Tried by

843
00:46:45,559 --> 00:46:50,159
soul singer and songwriter Sam Des. Lizzo's allegedly infringing work

844
00:46:50,239 --> 00:46:54,079
quote incorporates interpolates and samples instrumental and vocal elements of

845
00:46:54,239 --> 00:46:58,360
the Sam D's composition unquote. States's GRC Trust complaint, which

846
00:46:58,440 --> 00:46:59,920
can be read and full. There's a link to it

847
00:47:00,039 --> 00:47:02,280
it h if you want to check it out. Quote.

848
00:47:02,320 --> 00:47:07,000
Representatives for Lizzo acknowledge the same unquote. However, a representative

849
00:47:07,039 --> 00:47:10,639
for Lizzo told BBC News in Bloomberg Law that they

850
00:47:10,760 --> 00:47:15,159
were quote surprised that the GRC Trust filed the lawsuit,

851
00:47:15,559 --> 00:47:19,119
given that Lizzo's song has never been commercially released or monetized,

852
00:47:19,199 --> 00:47:22,159
and no decision has been made at this time regarding

853
00:47:22,199 --> 00:47:24,800
any future commercial will release of the song unquote. So

854
00:47:25,079 --> 00:47:26,840
this is an example. We talk a lot on the

855
00:47:26,840 --> 00:47:29,079
show about whether it's AI or whether it's something like this,

856
00:47:29,559 --> 00:47:32,079
all this new territory that we're entering in the music industry,

857
00:47:32,119 --> 00:47:34,000
because now this is something that was not has not

858
00:47:34,079 --> 00:47:37,559
been released. A snippet of this was shared on social media,

859
00:47:38,079 --> 00:47:40,440
and somebody's following a lawsuit over this. A snippet of

860
00:47:40,599 --> 00:47:44,199
this was shared on social media. That's interesting. I'm not

861
00:47:44,320 --> 00:47:46,360
making a judgment about whether it's right or wrong or

862
00:47:46,360 --> 00:47:48,119
who's right or wrong here. I'd have to think this

863
00:47:48,239 --> 00:47:51,639
one over a little bit. But this is but this

864
00:47:51,840 --> 00:47:54,119
is a new but this is new territory.

865
00:47:54,239 --> 00:47:57,679
Speaker 6: But it's not mentioning. It's literally taking sound.

866
00:47:58,199 --> 00:47:58,400
Speaker 2: Yeah.

867
00:47:58,559 --> 00:48:03,280
Speaker 6: And you know, so when you take somebody else's vocals

868
00:48:03,400 --> 00:48:05,960
and sound and put it in your music, I can

869
00:48:06,079 --> 00:48:08,559
understand why they say, hey, wait, you're infringing on my

870
00:48:09,199 --> 00:48:11,840
rights to control my music, my artistry.

871
00:48:12,199 --> 00:48:12,400
Speaker 2: Yeah.

872
00:48:13,000 --> 00:48:15,239
Speaker 6: And if you're gonna put something like that in a

873
00:48:15,320 --> 00:48:18,559
way that could be shared, I think you're opening yourself

874
00:48:18,639 --> 00:48:21,159
up to some liability, whether it was intended to be

875
00:48:21,239 --> 00:48:21,960
in the public or not.

876
00:48:22,519 --> 00:48:24,920
Speaker 2: You did it well. Now that this is there, Now

877
00:48:25,000 --> 00:48:27,280
that this is happening, it seems inevitable that something like

878
00:48:27,360 --> 00:48:30,800
this would come up. But this is the first example

879
00:48:30,840 --> 00:48:34,639
I've seen of something like this coming up where an actual,

880
00:48:35,039 --> 00:48:40,679
an actual lawsuit has come about it. It's interesting. Again,

881
00:48:40,800 --> 00:48:43,320
I'm not making a judgment in this moment about whose

882
00:48:43,360 --> 00:48:45,480
side I'm on here or what I think. I just

883
00:48:45,559 --> 00:48:47,960
saw this. I didn't even see this before the show.

884
00:48:48,000 --> 00:48:50,199
I happened to see it just a few minutes ago.

885
00:48:50,239 --> 00:48:52,559
It popped up in my newsfeed. But very very interesting.

886
00:48:52,639 --> 00:48:55,440
So we will have to we will have to follow

887
00:48:55,559 --> 00:48:59,480
that closely going forward. What we're gonna do now is,

888
00:49:00,000 --> 00:49:02,840
if you are listening live on Saturday, we've got a great,

889
00:49:03,599 --> 00:49:05,599
great artist coming up. Katk is going to be with

890
00:49:05,719 --> 00:49:08,159
us in the second hour. So we're gonna go ahead

891
00:49:08,239 --> 00:49:10,280
and get some commercials out of the way and show

892
00:49:10,360 --> 00:49:14,719
some love to our amazing sponsors here. And I should

893
00:49:14,760 --> 00:49:16,840
have had that pulled up and ready to go. Here

894
00:49:16,920 --> 00:49:20,159
we go, So stick around plenty more Matt Connorton Unleashed

895
00:49:20,239 --> 00:49:22,199
coming up. Don't go anywhere this fall.

896
00:49:22,719 --> 00:49:26,039
Speaker 20: The ballpark isn't closing for the season. It's waking up,

897
00:49:26,920 --> 00:49:30,079
step beyond the gates and into Fright Nights at the Field,

898
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899
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has been replaced by whispers in the dark. Wander through

900
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901
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902
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903
00:49:49,760 --> 00:49:51,599
Speaker 21: The game is over, but the nightmare.

904
00:49:51,320 --> 00:49:54,000
Speaker 20: Has just begun. Fright Nights in the Field.

905
00:49:54,480 --> 00:49:55,599
Speaker 22: There to play after dark.

906
00:49:56,559 --> 00:49:58,559
Speaker 19: Luigi's Pizza Bar and Grill.

907
00:50:00,679 --> 00:50:04,239
Speaker 3: Let's raise a slyes on hide with top and all

908
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the round.

909
00:50:05,679 --> 00:50:07,559
Speaker 2: It's a pizza BARO.

910
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Speaker 19: Mine Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester.

911
00:50:12,840 --> 00:50:15,719
Come on in or call six two two one zero

912
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two one Luigi keeping the tradition alive since nineteen seventy five.

913
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Speaker 2: Pizza for every one.

914
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Speaker 9: Come join a beast to night With each sly sense

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of it, everything feels.

916
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Speaker 3: So right.

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937
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940
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942
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943
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944
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945
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946
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to ten.

948
00:52:17,559 --> 00:52:19,960
Speaker 6: Pembrook City Limits where it's all about the music.

949
00:52:20,199 --> 00:52:22,840
Speaker 19: Disneys Cafe is the place to put a smile on

950
00:52:22,920 --> 00:52:25,360
your face. Judy and the crew will take care of you,

951
00:52:25,599 --> 00:52:29,280
bring your appetite and treat your taste. Bus Right Business

952
00:52:29,400 --> 00:52:33,480
Cafe is always a winning choice. Breakfast, lunch or supper

953
00:52:33,960 --> 00:52:38,199
Dizney's Cafe at eight sixty Elm Street in downtown Manchester.

954
00:52:38,719 --> 00:52:41,559
Dine in, take out or make a reservation call six

955
00:52:41,719 --> 00:52:45,159
oh three, six oh six two five three to two,

956
00:52:45,440 --> 00:52:48,880
Eat and drink and be happy. Dizze's Cafe.

957
00:52:49,239 --> 00:52:51,960
Speaker 25: When it comes to keeping WMNH on the air and

958
00:52:52,079 --> 00:52:55,840
your own personal or business computer needs, trust Groland Computers,

959
00:52:56,079 --> 00:52:59,840
located on Elm Street in Manchester. Groland handles computer repair,

960
00:53:00,119 --> 00:53:02,920
virus removal and custom built systems. Are you looking for

961
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budget friendly options, check out our selection of fully inspected

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used computers. We offer tailored on site solutions no unnecessary

963
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expenses here. Visit Groland dot com or called Grolling Computers

964
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at six zero three six four five zero.

965
00:53:16,920 --> 00:53:17,960
Speaker 12: One zero one.

966
00:53:18,159 --> 00:53:19,239
Speaker 2: Your tech, your way.

967
00:53:19,440 --> 00:53:21,280
Speaker 25: Trust Groland Computers.

968
00:53:28,719 --> 00:53:30,480
Speaker 6: Seven times out of ten.

969
00:53:31,199 --> 00:53:37,199
Speaker 15: We listened to our music at nights on the titled

970
00:53:37,199 --> 00:53:38,639
book business program.

971
00:53:38,519 --> 00:53:40,960
Speaker 19: Late Night to Light with DJ Bidas right here on

972
00:53:41,159 --> 00:53:48,440
WMNH Manchester because Saturdays and Sunday nights midnight to four am.

973
00:53:49,760 --> 00:53:55,239
Speaker 12: This hour on wm NH is sponsored by CGI Business Solutions,

974
00:53:55,599 --> 00:53:59,559
located at five Dartmouth Drive in Auburn. They serve all

975
00:53:59,639 --> 00:54:04,159
your business needs including employee benefits, planning, corporate design and

976
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business administration, investments and wealth management and customized business insurance solutions.

977
00:54:10,519 --> 00:54:13,360
Their phone number is eight sixty six eight four one

978
00:54:13,760 --> 00:54:17,559
forty six hundred or on the web at CGI Business

979
00:54:17,639 --> 00:54:19,199
Solutions dot com.

980
00:54:22,000 --> 00:54:25,519
Speaker 22: Behold the harmony of airwaves as you immerse yourself in

981
00:54:25,599 --> 00:54:30,800
the captivating frequencies of w MNHLP, the sonic heartbeats of Manchester,

982
00:54:31,119 --> 00:54:33,760
the transcending through the ether at ninety five point three

983
00:54:33,840 --> 00:54:37,679
megahertz frequency modulation. Our transmissions emanate from the zenith of

984
00:54:37,800 --> 00:54:40,320
one thousand Elm Streets. It's insurant to the hearts of

985
00:54:40,400 --> 00:54:43,880
our creative realm at one nineteen Canal Street, where innovation

986
00:54:44,119 --> 00:54:48,000
and sound colugs. They're the impro moder of Manchester Public

987
00:54:48,039 --> 00:54:51,800
Television Service in the venerable city of Manchester, New Hampshire, USA.

988
00:54:52,239 --> 00:54:55,239
Enrich your auditory jurity with the depth of our license

989
00:54:55,320 --> 00:54:58,920
to wesidens wept your admissives. Do WMNH ninety five to

990
00:54:58,960 --> 00:55:02,079
three at gmail dot com, or to reverse the virtual

991
00:55:02,159 --> 00:55:05,360
corridors of w m n H radio dot or engage

992
00:55:05,400 --> 00:55:07,880
with our sun vibrations by communing with us through the

993
00:55:07,960 --> 00:55:11,719
digital channels or radio seconds. Eager to enthrall you with

994
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its mesmerizing kid ince and envilap, you would symony of

995
00:55:14,800 --> 00:55:17,239
foundless on its horns wonder.

996
00:55:20,760 --> 00:55:23,639
Speaker 15: W m n H rip the novels.

997
00:55:26,920 --> 00:55:32,880
Speaker 1: You're listening to. Macconnorton Unleashed on Wmnhwy five point.

998
00:55:32,800 --> 00:55:35,840
Speaker 2: Three and now the world radio premiere of the new

999
00:55:35,920 --> 00:55:39,199
single from Yon Mine. He is covering the Stone Roses

1000
00:55:39,280 --> 00:55:41,639
classic The Sun Still Shines.

1001
00:56:03,800 --> 00:56:08,519
Speaker 3: Also everywhere.

1002
00:56:10,639 --> 00:56:24,239
Speaker 26: Words, that's howsome, explaining names, chemists.

1003
00:56:28,880 --> 00:56:29,840
Speaker 4: Some stand.

1004
00:56:34,199 --> 00:56:36,800
Speaker 5: So shut.

1005
00:56:40,599 --> 00:57:00,440
Speaker 3: Kind of top you woll walk, but no one see

1006
00:57:00,559 --> 00:57:03,920
study as.

1007
00:57:09,719 --> 00:57:10,039
Speaker 11: We go.

1008
00:57:12,280 --> 00:57:30,519
Speaker 5: Stand nstant suns shot.

1009
00:57:28,880 --> 00:57:28,960
Speaker 15: So.

1010
00:57:39,239 --> 00:57:41,239
Speaker 3: She said, stay.

1011
00:57:44,840 --> 00:58:10,920
Speaker 5: S some stac anything at.

1012
00:59:20,960 --> 00:59:22,880
Speaker 4: N N.

1013
00:59:24,639 --> 00:59:26,519
Speaker 3: N n

1014
00:59:28,320 --> 00:59:28,360
Speaker 15: N