Speaker 1: Welcome everyone to the latest episode of Jeff Jeffson Sorry Adventure.
Speaker 1: I have a sore throat, so whether I'll be able
Speaker 1: to maintain this timber till the end of the sentence
Speaker 1: is anyone's game. But it's looking good. No, no, I
Speaker 1: got Jesus.
Speaker 2: Yeah, you gave it a really good shot.
Speaker 3: Thought that just burned out.
Speaker 1: You know what I've been saying that my whole life.
Speaker 1: To my left kind of it's uh, the captain of
Speaker 1: the lead raid squad, it's Lucy James Games.
Speaker 2: Wait, hang on, let me have a sip in my coffee. Hi, John,
Speaker 2: I am delighted to be here. I'm so excited to
Speaker 2: talk about Zack with you five folks today him.
Speaker 1: And to her right and known as the savior of
Speaker 1: the Midlands. It's two more.
Speaker 4: Oh. I don't think I can provide that level of energy,
Speaker 4: but I'm also glad to be here. That's that good.
Speaker 1: But you know what, we can work on it.
Speaker 4: I'm excited to be hell up and I love you guys,
Speaker 4: and I can't wait to talk about it.
Speaker 1: Okay, now we want to Now we want to bring it,
Speaker 1: bring it because.
Speaker 4: Now now we mute myself and work on it.
Speaker 1: Now, Now, what you've done is that you've provided an
Speaker 1: impossible standard for Jeff to live up to, and we
Speaker 1: all know that he doesn't have it in them.
Speaker 3: Nothing is impossible if you try hard and raise your voice.
Speaker 3: As we all know, the true level of authority comes
Speaker 3: from your diaphragm. Isn't that right? And also, John, I
Speaker 3: want to wish you specifically a very happy I mean.
Speaker 1: I'm gonna be real, that's more you guys thing.
Speaker 3: But okay, this from what I've told, from what I've
Speaker 3: learned from.
Speaker 1: Irish American Heritage Month or so no one, no one
Speaker 1: asked me, but none of us.
Speaker 3: I understand being look as someone who is oft confused
Speaker 3: as an irishman, But really, when I have more hair, you, Tim,
Speaker 3: what the fuck do you know?
Speaker 4: Fucking white people was trying to be exotic? Just shut up, relaxed.
Speaker 3: Irish doesn't feel exotic to me. Number one. Number two,
Speaker 3: it's not a stretch for how I present. You know,
Speaker 3: I I look Irish sometimes it's not present. Was a
Speaker 3: pinball fan and nothing else? Cool? Well, this is going well.
Speaker 3: I I think.
Speaker 1: What do you mean what I mean look Irish? Yeah?
Speaker 3: I really want to say I've been I've been looks
Speaker 3: an entire nation for by no fault of my own,
Speaker 3: just by living my life and living where I live
Speaker 3: in America. You know, everyone's like, hey, hey, you happy
Speaker 3: Saint Patrick's Day. And I'm like, why me specifically, and
Speaker 3: they go, well, you got like a red beard and
Speaker 3: you kind of look a little like, you know, a
Speaker 3: stereotypically Irish. And I'm like, look, I can't help you.
Speaker 3: I don't know what to say to that. Absolutely in
Speaker 3: the in the traditional American stereotype of what an Irish
Speaker 3: person looks like, not in the slightest.
Speaker 1: Right.
Speaker 3: So as the person who looks the most Irish on
Speaker 3: this podcast, I would like to wish everyone out there
Speaker 3: a happy Saint Patrick's Day. May all of your parades
Speaker 3: go well, and you know this and that and whatnot.
Speaker 3: Take it away John, how.
Speaker 2: You expected to take it away from that?
Speaker 1: John Like, uh, yeah, I don't know just what no
Speaker 1: notes appropriate, perfect intro, insulted, and just you know that
Speaker 1: the potato famine, Jeff was it was a very serious
Speaker 1: thing to a lot of That's not what I'm talking
Speaker 1: about here, you know, I mean he kind of kind of,
Speaker 1: you know, kind of is.
Speaker 2: What's your favorite bit of flocking Irish Jeff.
Speaker 4: Me, you're gonna say, what's your favorite bit of a potato?
Speaker 1: Uh?
Speaker 3: Probably drop, gig Murphy's all right, flogging Molly.
Speaker 4: You know that's crazy.
Speaker 2: Wow did you drop when he said, uh, the favorite
Speaker 2: part of his potato? The there's an infamous, infamous fucking
Speaker 2: story on the internet, like a scan from a magazine
Speaker 2: about a couple that doesn't want to have sex, and
Speaker 2: there's a woman. The woman in the relationship is like,
Speaker 2: you know, when she gets in the mood but doesn't
Speaker 2: want to give in to the temptations of the flesh,
Speaker 2: she reads a book or goes and calms down. And
Speaker 2: then there's just an incredible line where it says the
Speaker 2: husband eats a whole potato raw.
Speaker 3: Whenever I want to get onnhorny, I do that.
Speaker 1: Just go pound one out, dude, jesus, a whole potato.
Speaker 3: Well maybe that's code. Maybe eat a whole potatoes code
Speaker 3: for that.
Speaker 1: So like you want to, you want too, I'll be
Speaker 1: right back, eat a whole potato. So, guys, I'm watching them.
Speaker 1: I'm in the middle of watching every installment of the
Speaker 1: Leprechaun horror series.
Speaker 3: To celebrate.
Speaker 1: In the first one, and she is.
Speaker 4: I cannot believe you. You just sat there and talked
Speaker 4: about Irish and then immediately followed up by being the
Speaker 4: most stereotypical thing that you could be.
Speaker 2: Corn.
Speaker 4: That's incredible.
Speaker 1: Well okay, okay, so first of all, like leprechauns, that's
Speaker 1: another American thing. I've never had a conversation with another
Speaker 1: Irish leprechauns.
Speaker 3: Ever where did that come from? You think? I have
Speaker 3: no idea.
Speaker 1: It's some like old Celtic like creature. We have way
Speaker 1: cooler creatures in Ireland than leprecauns. But so I've always
Speaker 1: been curious about this series, mainly just because I love
Speaker 1: the horror genre of spooky little guy. You know, you
Speaker 1: got your critters, you got gremlins, you got your graboids,
Speaker 1: which is maybe a little maybe a little different langoliers.
Speaker 1: I like spooky ligolies. I like spooky little mischief makers,
Speaker 1: and this is kind of a genre of horror that
Speaker 1: falls into that. And you know what, I will say,
Speaker 1: it's not really that offensive towards Irish people until the
Speaker 1: third movie, where the leprechaun develops what I can only
Speaker 1: describe as vampire likabilities, where if he bites you, you become
Speaker 1: a leprechaun, and apparently, and so he bites a guy
Speaker 1: and the guy literally starts going, oh, potato, potato, potato,
Speaker 1: and it's.
Speaker 2: Like, whoa.
Speaker 1: Fucking okay, that's that's not the great.
Speaker 4: Do they shrink as well? No, like full man sized leprechns.
Speaker 1: He's a man sized leprechaun, which is very unsettling size.
Speaker 1: The titles of each Leprechaun film before we.
Speaker 3: Move on to preserve please Yeah, I was waiting for
Speaker 3: you to do that.
Speaker 1: Okay, Leprechaun. That's ninety featuring Jennifer Aniston.
Speaker 3: What is she? Is she the leprechaun.
Speaker 1: Battling the Leprechaun.
Speaker 4: Where it's like alien aliens lepren leprecorns.
Speaker 1: Said that, Tim, That is my favorite naming convention in
Speaker 1: horror films, Like that's just make it plural. It's the
Speaker 1: best anyway. Leprechaun and Leprechaun two. That one doesn't have
Speaker 1: a subtitle, but you could call it Leprechaun two, Leprechaun
Speaker 1: in New York. Then uh, Leprechaun three again no subtitle,
Speaker 1: but you call this one Leprechaun in Las Vegas. Actually,
Speaker 1: my favorite one Oh, good to know Leprechaun four in space.
Speaker 3: Oh wow, Yeah, No, why do they do that?
Speaker 2: Lepreca the one thing we didn't want to happen Spice.
Speaker 3: That's weird, huh, I I do indeed, indeed.
Speaker 4: It doesn't. It doesn't.
Speaker 1: One has no number in the title, but it's simply
Speaker 1: called Leprechaun in the Hood.
Speaker 4: Oh okay. I was about to say, say the.
Speaker 1: Next one, the next one does not have a title
Speaker 1: Leprechaun back to the Hood.
Speaker 3: They went back. They went back. They were like, they're like, oh,
Speaker 3: we have to ride the high that we achieved the
Speaker 3: first time in the Hood.
Speaker 1: Yeah, because Leprechaun in the Hood was such a smash
Speaker 1: that they needed to do it again. We then have
Speaker 1: the twenty fourteen film, Leprechawn origins, the twenty eighteen film,
Speaker 1: and I really think this title is a choice. Leprechaun returns.
Speaker 2: Sorry, how many of them are?
Speaker 1: Eight? Lucy?
Speaker 2: When was the last one?
Speaker 1: Twenty eighteen?
Speaker 3: So it's been a minute. They might be done.
Speaker 2: That's much more recent than I expected.
Speaker 3: Yeah, but they might be done. That's that's almost seven
Speaker 3: years ago, gone on seven years there. I feel like
Speaker 3: it might be done there it.
Speaker 2: Was like two years ago. Dude, what are you talking about?
Speaker 3: Yeah, I gotta say. Only cool thing about Leprechaun is
Speaker 3: that's kind of a cool word if we're just looking
Speaker 3: at like the sound of words, like the espra Khan
Speaker 3: is a.
Speaker 1: Cool Irish board game convention called lepre Kahn, And I
Speaker 1: deemed that appropriate. When I think of Leprekun, I think
Speaker 1: of Wayne's world, when Mike Myers.
Speaker 3: Oh yeah, yeah, yeah, he's like, I'm the lepre Kaan
Speaker 3: that kind of thing.
Speaker 1: He is a freaky looking little fella. And Warwick Davis
Speaker 1: does a great job as him.
Speaker 3: Oh, I didn't know it's work Davis.
Speaker 4: Yeah.
Speaker 1: The Leprechaun series is really important to Aric Davis because
Speaker 1: it helped him get over the tragic passing of his
Speaker 1: child child.
Speaker 3: Oh, I thought it was his wife.
Speaker 1: I think I think it was a I think it
Speaker 1: was a miscarriage kind of deal. But yeah, he really
Speaker 1: and him and Jennifer Aniston fell out because he felt
Speaker 1: that Jennifer Aniston was ashamed of the first Leprechaan movie
Speaker 1: because she never talked about it.
Speaker 2: How often are they coming into contact?
Speaker 3: You know, I'm gonna see he's just he's I think
Speaker 3: he just won an award. I think he just win
Speaker 3: like a sag like a Sag Award or something.
Speaker 1: But he's he's he's great in the films. He's he
Speaker 1: does a really good little Leprechaun. Mm hmm.
Speaker 3: He seems like a really cool dude Leprecaun.
Speaker 1: If you guys want to watch one of the movies.
Speaker 1: The first Leprecaun is genuinely like, it's just a fun
Speaker 1: horror movie. The third one is fucking book Wild. It's
Speaker 1: so insane. That's the one. In Last Day we're.
Speaker 2: Looking we're looking for some like bad films to watch
Speaker 2: at the moment. Last night we watched Crave in the Hunter.
Speaker 1: Oh wow, that in like a fun way or was
Speaker 1: it just kind of No?
Speaker 2: It was bad in a boring way.
Speaker 1: It was boring.
Speaker 2: I was sad because I fell asleep during Madam Web
Speaker 2: when we watched that. But last year Ben and I watched.
Speaker 3: Moon Moonfall, Moonfall.
Speaker 2: Where the moon is falling. But can I John, I'd
Speaker 2: actually love for you to make a video for it,
Speaker 2: because do you know the premise of Moonfall, is it
Speaker 2: that the moon's falling. It's the moon is falling, but
Speaker 2: it's also that the moon is a hyperstructure, a mega structure.
Speaker 3: Oh come on?
Speaker 2: Uh. And it's so good because it has Sam Tarley
Speaker 2: from Game of Thrones in it, who pronounces Nasa not one,
Speaker 2: but two different ways.
Speaker 3: Okay, what's the second way Nasa get out of town?
Speaker 2: Yeah, at one point he says Nasa. And my other
Speaker 2: favorite thing is that because the movie was co financed
Speaker 2: by like net ease, there are multiple points where they say,
Speaker 2: thanks to our Chinese friends, we're able to go to
Speaker 2: the moon. Like it's kind of insane, it's incredible. Also,
Speaker 2: Oscar Winner halle Berry's in it, and so is Patrick Wilson.
Speaker 2: Patrick Wilson's to be the only person who is acutely
Speaker 2: aware that he is in a camp ass movie like this.
Speaker 2: Oh and he he doesn't.
Speaker 3: Where's Tim Robbins? Where do you go?
Speaker 4: He's in?
Speaker 1: Isn't he in?
Speaker 2: He's in Silo?
Speaker 3: Oh? There he is.
Speaker 1: I didn't know.
Speaker 3: I didn't know I was looking for it.
Speaker 2: Well, Silo season one is good. Season one Season two ship.
Speaker 1: I've I checked out a few episodes. We think you
Speaker 1: should leave and it wasn't really London with me is
Speaker 1: the kind of thing.
Speaker 3: No, No, that's Tim Robinson. Tim Robbin that's Tim Robinson.
Speaker 3: I'm talking about the the prestigious Tim Robbins at the
Speaker 3: actor Redemption.
Speaker 4: You should like.
Speaker 3: I think you should leave. Also, I need you to
Speaker 3: go back and do your homework. It's very hit or miss,
Speaker 3: for sure, but the hits are there are good. So
Speaker 3: I'm gonna need you to watch all three seasons again
Speaker 3: if you could. Okay, I think the first season is
Speaker 3: still the best, but two and three have really good ones.
Speaker 2: Jeff, do you didn't because I went to that.
Speaker 3: Life show.
Speaker 2: Yeah, so I've seen some unaired skits.
Speaker 1: Do you guys want to hear a Facebook status update
Speaker 1: for me from fifteen years ago?
Speaker 3: More than anything, More than anything.
Speaker 1: Sometimes Facebook shows me these. I still use Facebook to
Speaker 1: like message some people. Oh, oh my god, you will.
Speaker 3: I have a burner for that.
Speaker 1: Okay, here we go an hour and a half into
Speaker 1: f F thirteen. I would greatly appreciate if the game
Speaker 1: would start soon.
Speaker 2: Damn got him?
Speaker 1: Man, John Savage, Jesus, Damn John.
Speaker 3: Have you always been this funny?
Speaker 1: Jeff? I would say, But I feel like the evidence
Speaker 1: is it's right there.
Speaker 3: It's overwhelming, it's overhowling. How old were you back then?
Speaker 1: I'm twenty three.
Speaker 3: That's cool getting on Facebook talking about FF thirteen being
Speaker 3: a wise ass.
Speaker 2: If I have one for my Facebook memories.
Speaker 4: Mine is usually around watching like latest episodes of TV
Speaker 4: shows and being like today's episode was good slash bad hey.
Speaker 2: Two years ago? Because it also it also includes your
Speaker 2: Instagram now two years ago, I was trying to play
Speaker 2: Diablo for and I couldn't get in.
Speaker 3: That's kind of recent and less interesting.
Speaker 2: Okay, let me go away back, let me go all
Speaker 2: the way back. Um, see, I guess I never posted
Speaker 2: store like status's.
Speaker 3: I get it. You didn't have a lot going on.
Speaker 3: It's okaying.
Speaker 2: Pictures of me going out and enjoying time with my friends, Jeff,
Speaker 2: something that I know you can never relate to. You
Speaker 2: definitely have posted because you've You've sent me them, some
Speaker 2: of them, some of them have deleted. There's one that
Speaker 2: I always remember and I always enjoy it. Coming up
Speaker 2: every year is the time that my mom is getting
Speaker 2: some fitted wardrobes done. And she asked if she could
Speaker 2: see the bleached ash sample of the wood, but instead
Speaker 2: she asked him if he could if she could see
Speaker 2: his bleached ass.
Speaker 1: Speaking of bleached grasses, Griffith lies wounded after after the
Speaker 1: after the battle with Zod and we encounter are we
Speaker 1: encounter a group of we'll say, troublesome nobles. We got
Speaker 1: we got, we got, we got, we got Corcus two
Speaker 1: point zero, and we also have the little this little
Speaker 1: eggheaded fella who I'm just gonna say it, trouble.
Speaker 3: Yeah, he seems like trouble. He's just bad virus, bad virus.
Speaker 2: What was Oh?
Speaker 3: Yeah, it's little spiders, did he not?
Speaker 1: Here's little his little birds.
Speaker 3: These little birds talk to me and they tell me
Speaker 3: things about middle Well, what's the place we live in
Speaker 3: the realm? Realm? We're not just general realm general Westerner's gossip.
Speaker 4: He was mostly just just he was mostly just ratting
Speaker 4: on people, shagging, wasn't he.
Speaker 3: Yeah, he's ragging on people because he didn't.
Speaker 1: Have the B but he also he also had that.
Speaker 1: He also had that, he had that wizard in the table.
Speaker 3: I'm sorry the.
Speaker 1: US has Like he's like, what do you know the
Speaker 1: one who mutilated me? And he's talking to whoever he's
Speaker 1: talking to is like okay, and he's like, would you
Speaker 1: like to see them? And then he just like lives
Speaker 1: up the.
Speaker 2: Yeah, man, American weird I just don't have any Game
Speaker 2: of Thrones knowledge anymore.
Speaker 4: The way you presented that was was just like joker,
Speaker 4: like you want to know how I lost this dick.
Speaker 1: That's so sick.
Speaker 3: And yeah, so he's he's a general shitster, this little egghead.
Speaker 1: He does seem to be a professional shitster, like that's
Speaker 1: kind of what he does.
Speaker 3: What we'll get to the end of the end of
Speaker 3: the episode. A really shown his colors there, we'll get there.
Speaker 1: Yeah, we sure will. And that's when our boy Guts
Speaker 1: shows up and immediately we just get this fucking guy.
Speaker 1: There's like, okay, look the timecode is three minutes and
Speaker 1: thirty two seconds into the episode, but yeah, he just
Speaker 1: immediately makes this face of guts and it's like, oh
Speaker 1: my god, this fucking dude, let me see.
Speaker 3: Yeah he's what's up face?
Speaker 4: What is that guy?
Speaker 3: What do you are? They like paupers, like what would
Speaker 3: you call them? They're just like they're like the they're
Speaker 3: like congress people, like shitty elite congress people, like.
Speaker 1: They all have like they're all from rich families and
Speaker 1: have places in the king's court, and they wreck them.
Speaker 3: We have superior blood. It's obvious, right, that kind of
Speaker 3: because that's the voice I'm doing for Brazark's on One
Speaker 3: Trick Pony, and that's what I'm doing.
Speaker 1: Okay, Yeah, Jeff's gonna have to ask you to save
Speaker 1: your Corcus voice for a couple of minutes.
Speaker 3: Here, fair enough, no problem, this is my normal voice.
Speaker 1: And Guts basically stamps on the dude's toe and he's like,
Speaker 1: kind of stuff you a weenie, and the dude is like,
Speaker 1: my blade shall have your blood and our boy Guts
Speaker 1: just just fucking stares. Just give me.
Speaker 3: He's like, what's that, bitch? What did you say?
Speaker 4: Bitch?
Speaker 3: You talking to me? And yeah, it's pretty sick.
Speaker 1: It's it's pretty fucking cool. Goods catches up with the
Speaker 1: rest of the band a hawk outside I guess some
Speaker 1: kind of like Middle Ages infirmary, and they're all kind
Speaker 1: of looking at big Gloam. They're all kind of looking
Speaker 1: looking like a little sad read.
Speaker 2: Up on the history of medicine. You'd be looking glum too,
Speaker 2: I said it like that.
Speaker 3: You'd be gloom too.
Speaker 2: If you've been to the Welcome Collection and Welcome Collection,
Speaker 2: I don't think so. A few years ago. I don't
Speaker 2: know if they still have it. I don't know if
Speaker 2: it's the standing exhibits. The Welcome Collection is a gallery
Speaker 2: in London, like a museum in London, and they had
Speaker 2: all of these devices from the history of medicine, and
Speaker 2: let's just say there are some spiky looking things to
Speaker 2: go around, so I would love you know, you know
Speaker 2: what the coolest thing they had was so they had
Speaker 2: they had like like a slice of ham but of
Speaker 2: a person from to toe. I think it was it
Speaker 2: was so so thin that you could basically like see
Speaker 2: through and you could see where the lungs were and
Speaker 2: all the organs and the skin. Yeah, it was cool.
Speaker 2: And then it was like you know when you put
Speaker 2: stuff on a microscope, like a piece of glass to
Speaker 2: go under a microscope, it like it was flat. It
Speaker 2: was really cool. I really enjoyed it.
Speaker 3: I don't like it.
Speaker 2: You can got body Works in Las Vegas and you
Speaker 2: can see the body parts.
Speaker 1: I was actually just in Amsterdam and they had that
Speaker 1: there as well.
Speaker 4: Work.
Speaker 1: Yeah, but Michelle's like, I want to see bodies and
Speaker 1: I'm like, oh, okay, Well.
Speaker 2: The problem with Bodyworks is it's the exhibit itself. It's
Speaker 2: really old and it's all this really old plastic that's
Speaker 2: not really been taken care of the best, because when
Speaker 2: I saw it years ago, there was like bits snapped
Speaker 2: off and all that. But it was cool that guy
Speaker 2: used to do autopsies live on TV, Jeff, and that's
Speaker 2: what we used to watch in the UK.
Speaker 4: They used to show that on like Friday Night, a
Speaker 4: man doing a live autopsy and like embalming preservation and
Speaker 4: explaining what he's doing with a live studio audience.
Speaker 3: Yeah, I'm good, I'm good.
Speaker 1: Speaking of live autopsies, Griffith is being basically swarmed by
Speaker 1: these nobles who are all kind of like getting behind
Speaker 1: him and being kind of like, okay, this this guy
Speaker 1: is the guy, and I want to make sure that
Speaker 1: I'm at his bedside while he's injured because he can't
Speaker 1: run away from me. Yep, yep totally. And Guts is like, well,
Speaker 1: let's just go in, and everyone's like you can't do that. Goods.
Speaker 1: All the nobles are in there. They get Griffith first basically.
Speaker 3: And yeah, they get to smell him first. You have
Speaker 3: to wake your turn to smell him.
Speaker 1: And Goots is basically like nah, and just just proves
Speaker 1: these two guards to be the most ineffective humans possible.
Speaker 1: He basically trips them up, and when he trips them up,
Speaker 1: both of them are just like, well I had my
Speaker 1: chance and just stay down.
Speaker 2: There's a lot of in this yeah, which I enjoy.
Speaker 4: Also, I think the bers universe there's a very noticeable
Speaker 4: shift in Gutz's demeanor as well, like he's being shitty,
Speaker 4: Like he's being really like snot nosed to everyone, which
Speaker 4: is which isn't like what we like. In the last episode,
Speaker 4: he's still very broody in this episode, he's like, I'm
Speaker 4: gonna be an asshole to everyone. And I think it
Speaker 4: does come from, you know, that wounded ego where he
Speaker 4: got his ass kicked by Nozaratuza and then got like
Speaker 4: admonished by Kaska. So it feels like his ego has
Speaker 4: been hurt and now he's just being a bit of
Speaker 4: a shithead to kind of reassert some of that.
Speaker 1: Yeah, And I think maybe there's a sense of it
Speaker 1: as well, where it's like he senses these nobles closing
Speaker 1: in on his boy right, Yeah, he doesn't like this boyfriend. Yes, oh, Jeff,
Speaker 1: come on, there's no like I.
Speaker 3: Want to get in there. There's my my boyfriend, my
Speaker 3: leaders in there.
Speaker 1: Any boy friend slightly this episode.
Speaker 3: No, you're right, John, I could not agree more, except
Speaker 3: for the twenty minute gay scene that's about to happen
Speaker 3: because there is a leaf blowing in the wind gay
Speaker 3: scene that takes up the majority of this episode, where
Speaker 3: almost nothing is set except for do you want to
Speaker 3: do you want to go out? Like for real? For real?
Speaker 3: I don't know, do you want to go out? For real?
Speaker 1: For real?
Speaker 3: Let's just sit here and stand.
Speaker 2: You know what, we'll get there.
Speaker 4: Let's just sit here and stand.
Speaker 3: That's what That's what they did. They sat down while
Speaker 3: standing only.
Speaker 2: In We should have sent him the Garfield hates mondays.
Speaker 3: Cut totally yes of that scene because it oh my lord,
Speaker 3: oh my lord. Anyway, I'm sorry, Joan. Yeah, I've seen nothing, okay, John,
Speaker 3: Oh yes, very very familiar. Yeah, I know you.
Speaker 1: Oh yeah.
Speaker 3: But it wasn't a question.
Speaker 1: That was that's Vandyke Garfield and Berserk is just me?
Speaker 3: That is that is intersecting mm hmm.
Speaker 1: But before it gets can get in, Caska lands the
Speaker 1: meanest fucking right on him, and our boy goes down, stumbles,
Speaker 1: his knees are wobbling, He's he's down.
Speaker 3: Yeah's just like Casco.
Speaker 4: What the fuck was that.
Speaker 2: Me too? He just like he just looks he knows
Speaker 2: what he did.
Speaker 1: Corcus's face here is fucking incredible. I'm gonna looks.
Speaker 3: Like he's melting, you know.
Speaker 1: Oh I I have the episode open and yeah, I'm.
Speaker 3: Scrubbing through it.
Speaker 1: Yep. It just helps. It's I am really bad at
Speaker 1: taking notes, and I actually just prefer like looking at
Speaker 1: it and being like, oh ship, yeah this bit and
Speaker 1: just again some some real weird drawns of Casket, but
Speaker 1: some just fucking beautiful drawings of her as well, Like
Speaker 1: I think she looks so cool in this and that
Speaker 1: bit with the punch. It's like, I feel like Casket
Speaker 1: in these early episodes comes across like maybe a little
Speaker 1: a little like yeah sometimes, but moments like that make
Speaker 1: like a little goods like you.
Speaker 3: Know, oh sure, like a like a like a sibling
Speaker 3: kind of thing.
Speaker 1: Yeah she could. She spends a lot of time being angry,
Speaker 1: guts and complaining when I think like, there's there's a
Speaker 1: lot more to her than that, but it's like that
Speaker 1: that side of it we get, but little moments like
Speaker 1: that I just think characterized her so well.
Speaker 3: I can never understand her pants, Like can I understand
Speaker 3: if like she's wearing pants or not, or if it's
Speaker 3: just really high boots. You know, I'm not sure where
Speaker 3: women can wear pants. Yeah they can, of course they can't.
Speaker 3: I just don't understand them the way they're Hey, a
Speaker 3: little bit of calment, a little bit of calm beat
Speaker 3: tam if you might know. But like that's what I'm saying.
Speaker 3: Like anyway, it's just an observation about the way she's drawn,
Speaker 3: that's all. Okay.
Speaker 4: This is also the part where it becomes as obvious
Speaker 4: as it will be that she's very jealous of Guts.
Speaker 3: Mm hmm. Yeah.
Speaker 1: In the next scene, we find Guts just hanging out
Speaker 1: on some stairs and he's just swinging his sword over
Speaker 1: and over and yep, and that is when he has
Speaker 1: encountered Bike Griffith. And this sure is a scene.
Speaker 3: And why is that? Why would you describe it as
Speaker 3: a scene? Is it because it's forever forever that they
Speaker 3: It's very long.
Speaker 1: It's a long scene. But I think there's a lot
Speaker 1: here that is very important to this general relationship and
Speaker 1: ynamic and sure.
Speaker 2: Things breathed, Jeff, you don't have to have you know,
Speaker 2: you know, we're not making Bersik for the TikTok generation here.
Speaker 3: This is Oh, they made a meal out of this scene.
Speaker 3: That's definitely what happened. Uh, you know, it's just a
Speaker 3: series of like, you know, it's just dudes being dudes.
Speaker 3: Let's be honest. Like he's like, hey, I gotta ask
Speaker 3: you something, Griffith, just like, why are you always like
Speaker 3: putting your life out on the line for me? Like
Speaker 3: do you need a reason? You need a reason? Like
Speaker 3: He's like, yeah, I don't know reason, but do you
Speaker 3: want one? Yeah? I need it. Maybe I guess i'd
Speaker 3: like a reason while I clutch my gigantic penis sword.
Speaker 4: What a reason?
Speaker 3: Yeah, he's they're both yes, a lot of sword clutching. Okay,
Speaker 3: so let me I'll throw it back to you, John,
Speaker 3: What do you think is like the one sentence takeaway
Speaker 3: from this scene on this little landing here in the wind,
Speaker 3: in the blowing leaves.
Speaker 2: Hmm.
Speaker 1: Okay, So I think the takeaway from this scene is
Speaker 1: that there is something about guts that makes Griffith act
Speaker 1: in a way that he would not normally act, and
Speaker 1: specifically putting another person over his dream.
Speaker 4: Hmm.
Speaker 3: But do you do you think they're see I think
Speaker 3: they've established that already before they see.
Speaker 4: I think they've established that, and I think, sorry, I
Speaker 4: think this is what I take away is actually the
Speaker 4: other way around, Like it's it is an interaction where
Speaker 4: guts the mercenary, who are traditionally avoided committing to anyone
Speaker 4: or believing in anyone, as a conversation with someone charismatic
Speaker 4: that he's connected with that that has an impact on
Speaker 4: him in a way that he fully commits to someone.
Speaker 4: That's why he has that bit where he's like, you know,
Speaker 4: my life has been one way, but I'm gonna fight
Speaker 4: for him. So it's like his he's the person. Cuts
Speaker 4: is the person that's changing based on what Griffith says,
Speaker 4: where it's like do I need a reason for this?
Speaker 4: I just I just want to do it. And I
Speaker 4: think that's the first time he's had that since ever
Speaker 4: because he was born you know then it was just
Speaker 4: Gambino treating him like shit for a really long time
Speaker 4: being on the run, so you never trusted anyone up
Speaker 4: until now.
Speaker 1: I think that's pretty I would agree with all that.
Speaker 1: And that is when the King comes out and he's
Speaker 1: basically like Griffith, my boy, and it's here you see
Speaker 1: Griffith kind of he sort of goes right back into
Speaker 1: like playing the game, playing the noble game, right, He's
Speaker 1: like trying to appeal to the king, and the king's
Speaker 1: brother is here, and the king's brother is like Corcus
Speaker 1: three point zero. This fucking dude is so angry at
Speaker 1: Griffith all the time. Yeah, and.
Speaker 4: He's all.
Speaker 3: I just I just liked how he was sort of
Speaker 3: just like standing beside him, and he's like, look, I'm
Speaker 3: super old, but you make me pretty horny for fighting.
Speaker 3: I gotta say, no, one's really I haven't had that
Speaker 3: feeling in twenty years. But when I see you fight,
Speaker 3: it makes me think I could get back on the horse,
Speaker 3: if you know what I'm saying.
Speaker 2: It stoked my fires.
Speaker 1: Meanwhile, his furious brother is just completely what's what's the
Speaker 1: opposite of eyes dilating, ice dilating is when they get
Speaker 1: big right, sneering?
Speaker 2: Oh wait, wait, no, no, no, okay. So I don't know
Speaker 2: how much smut you guys read, but what I don't know,
Speaker 2: So there's this thing where a lot of like smut
Speaker 2: and romanticy whatever his ex bloated in popularity in the
Speaker 2: last couple years. No that it wasn't always big, but
Speaker 2: like through TikTok and whatever.
Speaker 3: Even like horny, like horny novels.
Speaker 4: Yeah, but there are.
Speaker 2: Always these phrases that they use, and there's stuff like
Speaker 2: his jaw tightened and what John is talking about the
Speaker 2: phrase is his eyes darkened. But they were like, what
Speaker 2: the fuck does that even mean? What does it even mean?
Speaker 3: Yeah, but you know what it means. But like you,
Speaker 3: but I know what.
Speaker 2: I'm sorry that this is an audio podcast, but Jeff,
Speaker 2: can you darken your eyes for me?
Speaker 3: No? Exactly, not at all all, but but as a
Speaker 3: but as a literary device, I know what it means.
Speaker 3: It means like blood is flowing, if you catch my meaning.
Speaker 1: So I actually I can show you blood flowing. I
Speaker 1: agree with Lucy on this one. This is one of
Speaker 1: those things where like like, this is the kind of
Speaker 1: thing where you're using words to describe the feeling you
Speaker 1: want to convey, as opposed to communicating it in a
Speaker 1: more visual way. So like every lead. Classic example of
Speaker 1: this is someone being like he jealously turned around, right,
Speaker 1: that's crazy.
Speaker 2: Yeah, but this is the issue with a lot of
Speaker 2: the smart books these days. Like I like people, I
Speaker 2: haven't they always been like I read all of the
Speaker 2: court Thorns and Roses.
Speaker 3: I don't even know what that is.
Speaker 2: There was a book that I stopped reading because the
Speaker 2: this bitch, this girl who is the main character, bit
Speaker 2: the inside of her cheek six times in one chapter,
Speaker 2: and I was like, I'm done, Jesus, this bitch has
Speaker 2: got she's got saws. Okay, it sounds like it hurts. Yeah,
Speaker 2: she's got ulcers. Now anyway, this is my big pet
Speaker 2: peeve that we've accidentally started.
Speaker 3: That's what's smutters now.
Speaker 2: And that's why now I'm reading a book about the
Speaker 2: history of the home.
Speaker 3: Mhm Okay.
Speaker 4: There's a lot of dragons smut as well now in
Speaker 4: those oh dragons happening in those books.
Speaker 3: I was on a dragon.
Speaker 1: I sent to dinner with some friends recently, and the
Speaker 1: my friend's wife was very into like spot and stuff,
Speaker 1: and she was telling me about some of them. And
Speaker 1: she told me one about dinosaurs and oh really the
Speaker 1: trecerah tops and bottoms.
Speaker 2: Oh sorry, no, I was thinking of a different one.
Speaker 2: There's a there's some about vegetables that went viral recently.
Speaker 1: Jesus, Yeah, dude, I mean, hey, look all kinds of
Speaker 1: people out there, right.
Speaker 3: Yeah, all walks of life and you know, get it
Speaker 3: where you can find it, as long as you're not
Speaker 3: hurting anyone, right totally.
Speaker 1: So then I think we've seen her in one or
Speaker 1: two scenes before, but this is the scene where we're
Speaker 1: kind of more introduced to Princess Charlotte. Yes, that's just this,
Speaker 1: the shy, retiring little princess who I don't wanna. I
Speaker 1: don't wanna, you know, I don't want to speak for
Speaker 1: the princess, right, but I think might have a little
Speaker 1: might have a little speak for Griffith here.
Speaker 3: Yeah, this sleepy little princess who can barely speak, I
Speaker 3: guess seems like it seems like she's got the hots
Speaker 3: for our silver haired boy.
Speaker 4: But they say that she's very like. She doesn't like
Speaker 4: and doesn't like being around traditionally like military men. She
Speaker 4: doesn't like it. So she sees Griffithan's like this man
Speaker 4: is a feather blowing in the winds. I love him.
Speaker 3: Mm hmm. And then let's talk about the slowest trip imaginable.
Speaker 1: Well, I mean I think maybe maybe maybe maybe the
Speaker 1: princess was like a trip slowly. Maybe she got some game.
Speaker 2: You know, he's got a lot of she's got a
Speaker 2: lot of dresses and stuff. Maybe that's slows down, that's
Speaker 2: the thing.
Speaker 4: It looked slow. But I remember when I was in
Speaker 4: school one time, my friend falling off his chair and
Speaker 4: it was the slowest thing I had ever all my life.
Speaker 4: And I get, I get the various points. I knew
Speaker 4: I could stand up and stop him from falling. He
Speaker 4: was going that slow, and I just watched it happen.
Speaker 4: And at the end he looked at me and went,
Speaker 4: why did I fall so slowly?
Speaker 1: No, there's nothing. There's nothing like a good slow fall.
Speaker 1: And like you know what, it'll happen in like several
Speaker 1: steps where there will be several failed attempts to write
Speaker 1: one no one.
Speaker 3: Because no one gets hurt in a slow fall. The
Speaker 3: impact is just too brief, you know, it's.
Speaker 1: Never but the damage to one's aura is so high.
Speaker 2: It's like a psychic damage that you carry with you.
Speaker 1: Yeah, because like it's it's like your trade in physical
Speaker 1: damage for mental damage.
Speaker 3: Right. Well, this clumsy little fuck, let's hear it. What
Speaker 3: did she do?
Speaker 2: I I'm gonna tell a story about my slow fall.
Speaker 3: Okay, sure.
Speaker 2: I fall. I had a slow fall. That was one
Speaker 2: of those things that no one saw, so you don't
Speaker 2: have to even believe me, but it was the most
Speaker 2: incredible thing that ever happened to me. I kicked a football.
Speaker 3: Because wait, you weren't the one holding it.
Speaker 2: Hey, damn it. I was trying to make that joke myself.
Speaker 3: Sorry.
Speaker 2: I kicked a football and I kind of kept going
Speaker 2: with the force of my swing of my foot and
Speaker 2: the ball bounced off the wall, came back, and my
Speaker 2: butt landed on the on the ball I was falling, so.
Speaker 4: It didn't get any air. It just went forward and back.
Speaker 2: Yeah, because I was like right next to a little wall.
Speaker 4: That's crazy. Yeah, no one was around to see it.
Speaker 2: And no one was around to see it. If if
Speaker 2: a girl lands on her ass in the forest and
Speaker 2: no one's around to see it, she really happened.
Speaker 1: I just find it like, there's she have an anime
Speaker 1: podcast she can talk about it on because in that case, yeah, I.
Speaker 4: Just want to know the backstory of why you're alone
Speaker 4: just kicking a ball at the wall, because it has
Speaker 4: very much like.
Speaker 3: Charlie Brown and yeah, no, I mean was it a
Speaker 3: football football or like a European soccer hall.
Speaker 2: It was a football football.
Speaker 3: That's even a stranger because of the oblong shape.
Speaker 2: Yeah. In the UK, you would play out every night
Speaker 2: after school and I was waiting for my friend Colleen
Speaker 2: to come out, and I was playing.
Speaker 3: Oh damn, her story is air tight. Oh I don't know.
Speaker 4: I just want to know.
Speaker 2: It's a memory. Yeah, yeah, who lived opposite. I'm not
Speaker 2: going to say her surname, but I still remember it.
Speaker 2: And she was like the eldest of like five kids,
Speaker 2: and she loved Buffy the Vampire Slayer, which I had
Speaker 2: not really seen at that time. But we used to
Speaker 2: play outside all the time because I would go to
Speaker 2: my anti Branda's after school. Lovely.
Speaker 4: Damn Colleen sounds huh, I said, Colleen sounds amazing. Buffy
Speaker 4: the Vampire Slayer at that age just locked in.
Speaker 1: Well yeah, oh man, I was into Buffy the Vampire
Speaker 1: Slayer the second that shit came out.
Speaker 2: I was a bit later. Oh, it wasn't there from the.
Speaker 1: Beginning, being like eleven and watching Buffy mind blay.
Speaker 4: Unfortunately, the first thing I watched of Buffy was the
Speaker 4: original movie, and I was like, ah, not great, and
Speaker 4: then when it showed up again, I was like, I'm
Speaker 4: all right. I didn't realize it was like, oh damn.
Speaker 4: But then I watched it and I was like, this
Speaker 4: is great.
Speaker 1: Yeah, yeah, no, it's such a good show. I've been
Speaker 1: meaning to rewatch forever, much like I rewatched this scene
Speaker 1: where Griffith catches the princess and immediately corks three point
Speaker 1: oh fucking backhands the shit out of Griffith. He is
Speaker 1: not happy about this mercenary putting his hands on the princess?
Speaker 4: What did he want for the fall?
Speaker 2: Like?
Speaker 3: What are we doing?
Speaker 4: I don't think he can see.
Speaker 3: He thought he was just groping her. What do you
Speaker 3: mean come on? Yeah, yeah, he's like, my bad.
Speaker 2: Because he startn't looking for any excuse.
Speaker 1: Yeah, he just hates Griffith so much.
Speaker 3: Yeah, because Griffith is so cool.
Speaker 1: And to goods lying everything. I mean that, I mean
Speaker 1: we we literally get a scene later that's a bunch
Speaker 1: of girls being.
Speaker 3: Like, they really don't they don't mince words there, No,
Speaker 3: they really don't.
Speaker 2: Girls do not. Yeah, I mean it's group, it's teenage girls.
Speaker 4: Mm hm.
Speaker 1: And so we then get a scene and it's got
Speaker 1: the real goods theme playing the real dramatic Oh finally,
Speaker 1: and look, I'm not saying that the sword isn't a penis.
Speaker 1: But I just think the scene has multiple meanings.
Speaker 3: M yeah, multiple penis meanings. I mean, it's I'm not
Speaker 3: even I'm not even exaggerating. I'm not even exaggerating, you guys.
Speaker 3: My man like tucks that sword back and forth in
Speaker 3: the most obvious of ways, and he's just pointing it
Speaker 3: at the moon, being like.
Speaker 1: Yeah, griffits the moon, Jeff, and he wants to reach it.
Speaker 3: Shot for the moon. Yeah, sure, it's it's everything's cool,
Speaker 3: It's all cool. It's fine, this is yeah, everything's cool.
Speaker 1: Look, you know, we can all agree that there is
Speaker 1: no symbolism in this shot. Of agree it's holding his
Speaker 1: sor and thinking of Griffith.
Speaker 3: Okay.
Speaker 1: It's just sometimes things just are the way they are.
Speaker 2: It's I think you're reading into a bit much.
Speaker 4: It's like I do too. It's like that time I
Speaker 4: was walking back from trade to Joe's and I had
Speaker 4: just purchased two melons and I was holding it at
Speaker 4: chest height and walking down the road and people kept
Speaker 4: looking at me. It just sometimes it just happens and
Speaker 4: you don't understand, you know.
Speaker 2: It's yeah, it's like it's a It's why I don't
Speaker 2: really enjoy buying toilet paper because every time I come
Speaker 2: out of the shop, people see me and they're like,
Speaker 2: oh that girl shit you know.
Speaker 3: Yeah, No, Ever, it was.
Speaker 1: Okay, but Lucy, like, I don't like people seeing this ship.
Speaker 1: I can't think a way to continue this conversation in
Speaker 1: a way that I feel comfortable.
Speaker 3: Yeah, agreed, Okay.
Speaker 2: Minute, we had mood. Men, we had mood. I don't
Speaker 2: know what it is.
Speaker 3: That's the best man on him grabbing that handle on
Speaker 3: that sword man.
Speaker 1: I mean, there is one shot and it's it's so gratuitous.
Speaker 3: Yep, whatever, Let him have his fun right on that rooftop.
Speaker 3: No one's there with your guts, baby, do do your thing?
Speaker 1: Oh goots. We then cut to is it? But I
Speaker 1: always forget this guy's name.
Speaker 4: It's no the boss.
Speaker 3: It's like Cabalowitz or something.
Speaker 4: Yeah, it's it's a very weird name. But you're you're
Speaker 4: conflating Bosconi and doctor Boskonovic.
Speaker 3: His boss. It's the guy he like fights for.
Speaker 4: We've only seen his mouth.
Speaker 1: And yeah, so he's basically there and he knows that
Speaker 1: the band of Hawk has been sent to uh raid
Speaker 1: his like stronghold, and he he's like listen, dudes, I've
Speaker 1: got this great fucking plan. We're gonna put all our
Speaker 1: strongest soldiers up up front.
Speaker 4: And that goes on for so long.
Speaker 3: Mm hmm. What where does castle come from? Seems uh convenient?
Speaker 1: Wait no, hang on, UK. I feel I feel, I
Speaker 1: feel like we we we go through this every episode. Okay,
Speaker 1: there's the Midland, which is just a big fucking land
Speaker 1: full of castles and fields. Okay, full of them.
Speaker 3: But what I'm but what I'm saying is if this
Speaker 3: is the most penetrable fortress, why is that not impenetrable.
Speaker 1: It's not impenetrable.
Speaker 2: Impenetrable, you said.
Speaker 3: Oh, because I almost said in a craig, yeah, that one.
Speaker 3: Why not have this one? Just be the one?
Speaker 1: Like?
Speaker 3: What are we doing wasting our time with other stronghold.
Speaker 2: There is based on the UK.
Speaker 1: You know, but there there there is an impenetrable strongholds,
Speaker 1: but we have not got there yet. This is.
Speaker 3: This is like a mid level ball.
Speaker 4: He's the one that says it's impenetrable, and he's saying
Speaker 4: it while he's explaining how cool. Then he isn't how
Speaker 4: good I get.
Speaker 2: The guy who made the Titanic said it was unsinkable. Okay, Like.
Speaker 3: He did say unless you hit an iceberg. He said
Speaker 3: that specifically. That part never gets quoted, but.
Speaker 2: He did said, unless you hit an iceberg.
Speaker 3: I mean yeah, unless something real sharp and icy and
Speaker 3: burgee hits it, then.
Speaker 1: We have a b sharp and icy and Burgie. I
Speaker 1: can't think of anything. But if something like that were
Speaker 1: to exist, yeah, like you know.
Speaker 2: Was another hyperfixation of mine. And yeah, the fact that
Speaker 2: the water could just go over the blast.
Speaker 3: Doors was why were you obsessed with the Titanic? That's
Speaker 3: weird because we.
Speaker 2: Grew up in the nineties. You couldn't escape that ship.
Speaker 3: Oh oh, Kate winslet's the Titanic.
Speaker 2: No, But then I became obsessed with the actual ship.
Speaker 1: Did you ever get ever get into the the Alexander
Speaker 1: mummy ship on the Titanic?
Speaker 3: What?
Speaker 2: What puting a mummy?
Speaker 1: Yes? This whole fucking weird thing. I won't go into it.
Speaker 1: It's a big part of the nine to ninety nine game.
Speaker 1: It's it's it's one of those things I read about
Speaker 1: it in a video game and I was like, that's
Speaker 1: so weird and specific. It kind of sounds like there's
Speaker 1: something to it. And then I looked into it and
Speaker 1: there was and it was weird. It was really cool.
Speaker 3: Interesting, that's kind of cool.
Speaker 1: What else is kind of cool is that we then
Speaker 1: see the band of Hawk about to attack this castle
Speaker 1: and we just get this look right at the end
Speaker 1: of the episode in Griffith's eyes and it's real, like
Speaker 1: real like narrow pupils. My dude is fucking locked in his.
Speaker 3: Eyes, his eyes darkened, eyes darken, his eyes darkened.
Speaker 2: No, it's it's a predator before he this prey like
Speaker 2: like a cat, like locking in on a mouse.
Speaker 1: And oh man, I was thinking about that today, like
Speaker 1: what what if they did a Leprechaun versus movie?
Speaker 2: What would it be?
Speaker 4: This?
Speaker 1: Yeah, see, he's a very magical little fella, like he's
Speaker 1: the closest in powers, is like Freddy Krueger in each
Speaker 1: dream state. But but that's not what you really want
Speaker 1: to go for, is it. You don't want to magic users,
Speaker 1: you want you want Freddy versus Jason. Yeah, so maybe
Speaker 1: maybe a leprechn versus Michael Myers.
Speaker 4: Oh yeah, there you go versus ghost face.
Speaker 1: Oh mmmm, yeah I could. I could see that Apricaun
Speaker 1: doesn't know how many ghost faces there are.
Speaker 4: Yeah, I know, so every time he runs into a room,
Speaker 4: he trips over a couch and.
Speaker 1: Like, so there's slender Man. There's a sequence in the
Speaker 1: first Screen movie where it's like forty seconds of ghost
Speaker 1: Face just getting his ass handed to it, yeah, by
Speaker 1: by the girl and she's like Judo flipping them and
Speaker 1: he's like crap, and it's like he's not very good
Speaker 1: at it.
Speaker 4: It's it's the movie horror movie equivalent of the Heavy
Speaker 4: Rain Jason falling over a scene where he's like failing
Speaker 4: every fucking qut and it's just every yeah, it's every
Speaker 4: time I see ghost Face and like that's the same thing.
Speaker 1: So at the start of this next episode here, Oh,
Speaker 1: first of all, what did you guys think of Episode seven?
Speaker 3: It was it was a little slow, but I thought
Speaker 3: it was a okay you know, I just as much
Speaker 3: as I like to make fun of it, I just
Speaker 3: I like how this show takes its time. I just
Speaker 3: do you know. I like White Lotus and everyone says, oh,
Speaker 3: White Lotus is taking too long to get going. I'm like,
Speaker 3: you know, what, something something about it I think shows I.
Speaker 1: Just can't wait to watch those three women to kill
Speaker 1: each other.
Speaker 3: Yeah, that's gonna be fun. They all must die, by
Speaker 3: the way, they all must die. No, I yeah, I'm
Speaker 3: just like, uh, I think slow boils are fun sometimes,
Speaker 3: and this show earns it for sure.
Speaker 1: Totally.
Speaker 2: I think that's the thing where it's like knowing what
Speaker 2: I know about what's coming. The fact that it is
Speaker 2: taking the slow approach and not rushing to any of
Speaker 2: the stuff is very like it's good.
Speaker 1: Yeah, totally, and I think, like, you know, having experienced
Speaker 1: this story however many times now, there's a lot in
Speaker 1: that last episode that I'm just like, oh, okay, I
Speaker 1: see where we're I see where we're going.
Speaker 4: Yeah, yeah, it's there. Is there is payoff for the
Speaker 4: pacing y Yeah, totally.
Speaker 2: I mean, I don't know how they do it in
Speaker 2: the anime, but after reading the manga.
Speaker 1: At the start of this episode, it's kind of interesting.
Speaker 1: It's like a three minute, like really intricate sequence of
Speaker 1: basically getting a bunch of horses across the lake.
Speaker 3: Kind of funny looking too, right.
Speaker 1: I really enjoyed it, and they like they've built this
Speaker 1: pulley system so the horses can't run away. De Yeah,
Speaker 1: you can tell it's interesting. You could. You can tell
Speaker 1: that this costs a lot of money, because when it
Speaker 1: pans over the forest, all of that looks like shit,
Speaker 1: it's just terrible drawings.
Speaker 4: It's like, what the fuck happened here? Like, oh yeah,
Speaker 4: they use the production budget on the beginning and the
Speaker 4: end of this episode. Yep.
Speaker 1: And so the band of Hawk gets to the top
Speaker 1: of the hill and just starts screaming at this castle
Speaker 1: and our boy. They really do. And at first, at
Speaker 1: first and the night the night dude in charge of
Speaker 1: the castle is like, well, time to go out there
Speaker 1: and fight them in the field, and it's like, what
Speaker 1: the fuck is wrong with you? First, and the guy's
Speaker 1: like yeah, yeah, and then it's like, well, I guess
Speaker 1: we'll just have to go ahead and fight them. And
Speaker 1: then he's literally like last second he's like, wait, no,
Speaker 1: let's not do what I just said.
Speaker 4: It's like, yeah, dude, this guy, this guy, this is
Speaker 4: a reference for people who have watch Dragon ball Z.
Speaker 4: This guy has the exact same energy. I missed a
Speaker 4: Satan and it is so annoying. Both characters are exactly
Speaker 4: the same, and missus Satan behaves just like this.
Speaker 3: Wait, there's so named mister Satan. That sounds cool.
Speaker 4: Now, he's not really, He's not any in any way
Speaker 4: demonic or devilish. He's just the man who pretends that
Speaker 4: he can do fighting and gets his ass kicked constantly.
Speaker 1: He's like the strongest normal human who is not trained
Speaker 1: by Masteruoshi, which means he's nice.
Speaker 4: Yeah, but he lives in a world where basically superhumans
Speaker 4: are everywhere.
Speaker 3: Yeah, that's funny.
Speaker 1: But he's also the person who like ends up taking
Speaker 1: credit for all the big bad guys being beaten, and
Speaker 1: so he's like a big celebrity and Goku's kind of like,
Speaker 1: ow whatever, it's cool.
Speaker 2: Yeah.
Speaker 1: So then, and I think maybe the the infiltration of
Speaker 1: the back end of the castle here is a little
Speaker 1: weak where they're just like, hey, could you let us
Speaker 1: in doors open? I don't see any problem with that,
Speaker 1: and then Guts just starts murdering people straight away.
Speaker 4: There's also that bit where they there's also a bit
Speaker 4: where Guts and Griffith are murdering people and then they
Speaker 4: cross paths and synchronize for a single glance. Lucy, can
Speaker 4: we get the smart novel description of that glance?
Speaker 1: Please?
Speaker 2: Their eyes locked and Griffith's jaw tightened, They eyeball wheeled
Speaker 2: his mighty sword.
Speaker 3: They totally have a moment.
Speaker 2: Got to wipe the sweat from his brow. I don't know.
Speaker 3: I mean, there's just it's just life and death, death
Speaker 3: and destruction all around them, and they cross paths and
Speaker 3: they're just.
Speaker 2: Like, so yeah, going back on my psychology degree here,
Speaker 2: and also most of this stuff was debunked, so you
Speaker 2: know whatever, but there was we were all taught when
Speaker 2: we were studying. Attraction is that you are brought together
Speaker 2: more in instances of high stress. So there's this infamous
Speaker 2: experiment where they had people on a rickety bridge and
Speaker 2: more people were kind of attracted to each other if
Speaker 2: they crossed paths on the rickety bridge than they.
Speaker 3: Did because they think they're gonna die.
Speaker 2: And so that's the thing where it's like I together
Speaker 2: has has brought them together in such a way. But
Speaker 2: the thing is, it's like all of these psychology experiments
Speaker 2: that you were kind of towards when you're studying psychology
Speaker 2: at like GCSE and a level whatever, even when I
Speaker 2: was doing my degree, right, it's like, none of that
Speaker 2: ship happens in real life. No. I mean sometimes, yeah,
Speaker 2: you might meet someone on a bridge, but you know,
Speaker 2: it's not.
Speaker 3: How did you two meet we were in a bank
Speaker 3: getting robbed.
Speaker 2: Hang on, I always thought, growing up, I thought bank
Speaker 2: robberies were going to be a much bigger deal.
Speaker 3: No, the joke is quicksand the joke is quicksand growing
Speaker 3: up on cartoons being much less of a problem.
Speaker 4: I feared quicksand brees. I feared quicksand. But I think,
Speaker 4: deep down I knew my chances of encounter and quicksand
Speaker 4: were very low. Whereas I went to I saw and
Speaker 4: went to banks fairly frequently, So I was definitely off
Speaker 4: the school where I thought bank robberies were going to
Speaker 4: be a much bigger part of my life.
Speaker 1: I remember when I was.
Speaker 2: When I was a kid, Actually this is quite worrying.
Speaker 2: When I was so I worked in a bunch of
Speaker 2: law firms when I was a teenager. Right, they would
Speaker 2: give me the money to take to the bank, like
Speaker 2: sometimes people were paying cash and I would just go
Speaker 2: in there with a big fucking envelope of a wadch
Speaker 2: of cash and take it in. And I was like,
Speaker 2: I'm gonna get robbed. You get robbed, Z it have
Speaker 2: to do that.
Speaker 1: I remember being little and like again also being very
Speaker 1: concerned about quicksands and deciding that I was just never
Speaker 1: going to go to a country that had quicksands, and
Speaker 1: that was my solution.
Speaker 3: Yeah, I don't think.
Speaker 2: I don't think I was as worried about quicksand because
Speaker 2: The Princess Bride is my favorite movie, and you know,
Speaker 2: I just assumed like Wesley would come save me.
Speaker 3: That's fair.
Speaker 4: There's always a copy of Princess Bride in the quicksand,
Speaker 4: so there is.
Speaker 2: With those rodents.
Speaker 4: I still haven't seen quicksand in my life, so I
Speaker 4: think that means something.
Speaker 3: Same never encountered it. So our boys do great in
Speaker 3: the fighting year.
Speaker 1: They infiltrate the behind the castle, then they swing the
Speaker 1: front doors open guts and Griffith have their have their
Speaker 1: little moment of gay longing in the in the battle,
Speaker 1: and everything's great.
Speaker 4: I just want to point something out the Band of Hawk, right,
Speaker 4: every time they go into a battle, everyone's like, wow,
Speaker 4: so clever. They've done the pincer move about eight times now,
Speaker 4: like every single time they go into any siege, they
Speaker 4: just use the pincer move and everyone's like, oh, these
Speaker 4: guys are so clever. It's like someone else do the
Speaker 4: pincer move, And you think.
Speaker 1: Do you think? Do you think tam, they're slow or.
Speaker 2: Someone else just assumed that the pincer move is coming.
Speaker 1: Do you think that the enemy that like enemy guys
Speaker 1: are like looking at like the battle on a table
Speaker 1: and they have like the band of hawk here and
Speaker 1: they go, okay, so if they're gonna attack us from
Speaker 1: the front, and then they're also gonna do it from no,
Speaker 1: I don't I don't know, I don't know. Just just
Speaker 1: defend the front. Just defend the front like we always do.
Speaker 1: I can't say they never be they would never be
Speaker 1: so bold as to try the pincer movement a fourth.
Speaker 4: Time, exact.
Speaker 3: Yeah, and then but but hey, listen, they're undefeated, you know,
Speaker 3: forty three forty three. And now from my from my account.
Speaker 1: Get this strange little moment right at the end of
Speaker 1: the battle where everyone's celebrating, and next thing, Judeau whips
Speaker 1: out a throwing knife and just mrks some guy across
Speaker 1: the field.
Speaker 3: Yeah, yeah, excuse me, what's the context there?
Speaker 4: What do you mean?
Speaker 1: I think that the purposes of this moment is to
Speaker 1: show that judeou is a cool motherfucker. And I think
Speaker 1: that's it.
Speaker 3: Because I thought it was like, oh, there was one
Speaker 3: more bad guy. I thought, I thought that's what they
Speaker 3: were doing. Was Okay, it's just an odd little detail.
Speaker 3: I feel like, how do you guys think? Yeah, weird?
Speaker 4: I think it just reinforces competency and also, like, you know,
Speaker 4: it's another moment that kind of builds the idea of
Speaker 4: camaraderie and the group being tight knit now and aware
Speaker 4: of each other. Yeah, totally.
Speaker 1: So then are the little the kind of crew cut,
Speaker 1: blonde night guy who's just had his castle taken by
Speaker 1: the Ganda, by.
Speaker 3: Thelowitz from.
Speaker 1: Sure, he meets the leader of the Purple Rhino Nights,
Speaker 1: and you get to feel like Kiborlowitz, he's kind of
Speaker 1: its kind of a chocolehead.
Speaker 3: I mean, yeah, he's a he's a he's a baby.
Speaker 1: Yeah, but this, this Purple Rhino Night he ain't nobody
Speaker 1: fuck around with. Is the feeling feeling I get from
Speaker 1: this guy. And he's basically like, get your fucking castle back.
Speaker 2: This is the last time I'm telling you go.
Speaker 3: Get it back. And then I loved how the guards
Speaker 3: he was with he was talking about like, oh, this
Speaker 3: raft has been in my family for five hundred years
Speaker 3: or something, and then they're like, oh, it's five hundred. Yeah,
Speaker 3: I'm pretty sure you said two fifty yesterday.
Speaker 1: And we then get we basically get the Nighting of Griffith.
Speaker 3: He's becoming a count.
Speaker 1: His a count now, and is it it?
Speaker 3: Maybe it's accounting, do it?
Speaker 1: You guys know what he what? Know what he means him?
Speaker 4: It's just jokes. It's just good to remember that he
Speaker 4: is a dad.
Speaker 2: Yeah, that's a good point. It's gotta bust them out somehow,
Speaker 2: like the little little dad jokes.
Speaker 3: Someone out there is gonna laugh. And whoever you are, listener,
Speaker 3: you will be a father to kind of you're my
Speaker 3: kind of person.
Speaker 1: Another And it's interesting like standing behind the king as
Speaker 1: Griffith is being made count, is like all these characters
Speaker 1: who are actually gonna be like pretty important in the
Speaker 1: next couple episodes. But it's just kind of cool to
Speaker 1: see them like planted here. I guess, hm, that queen
Speaker 1: sure has a nasty look on her face.
Speaker 2: Yeah, she's got a bit of the old RBF.
Speaker 4: Yeah, I think so severe looking.
Speaker 2: Maybe she just maybe she's just not get any lines.
Speaker 3: Yeah, it's kind of very much so very certainly certainly.
Speaker 1: Yeah. We then get a Corcus three point zero and
Speaker 1: he encounters.
Speaker 2: Voice ready to get the voice ready?
Speaker 1: Okay, actually know what we have in our Carcus sections episode, Jeff,
Speaker 1: could you do? Corcus preparing a meal for the band
Speaker 1: of Hawk. But he's he's gonna give Guts like very
Speaker 1: small portions compared to everyone else on casion.
Speaker 3: I've been slaving over this kitchen for four hours, nobody
Speaker 3: coming in to help me. Whatsoever a problem? What like this?
Speaker 3: It's not a problem. Oh is this God's portion? Maybe
Speaker 3: maybe a couple of pubes?
Speaker 4: And oh good Lord?
Speaker 3: Soope, Oh he won't notice. Not my problem. Guts your problem? Now,
Speaker 3: drink up?
Speaker 1: Okay, Guts enters the tents. Corcus, did you just put
Speaker 1: pubes in my dinner?
Speaker 3: What's that?
Speaker 2: How'd you talking?
Speaker 1: Yeah? You were, You were talking really loud. I was
Speaker 1: outside the tent and I heard. I heard you very
Speaker 1: loud that you put.
Speaker 3: Oh not pubes, cubes, ice cubes. It's too What is
Speaker 3: an ice cube? Ah, they've I haven't. I've invented them.
Speaker 3: Have you ever thought water should be hard? That's what
Speaker 3: I've done, and I've I've made it chili and over
Speaker 3: time it'll be water again. You're welcome.
Speaker 4: Cube is in my soup?
Speaker 3: It was, and now it's not, and therefore your soup
Speaker 3: is easier to eat. But how less hot?
Speaker 4: How does that explain the fact that you're not wearing
Speaker 4: any pants?
Speaker 3: Oh that? Oh? Whenever I cook, I need I need
Speaker 3: my undercarriage to flow freely in the wind. I'll I'll
Speaker 3: turn it into a pumpkin. I don't know, don't ask.
Speaker 3: Don't ask me that you're not supposed to see it.
Speaker 3: You're not supposed to see a chef in their prime,
Speaker 3: in the in the working environment. Thank you, Please leave
Speaker 3: my kitchen.
Speaker 1: Incredible, incredible, beautiful, beautiful.
Speaker 3: It's true. I've been working on Corcus all weekend. I'm
Speaker 3: glad I was paying off to stay.
Speaker 2: How's Stacy finding.
Speaker 3: That not a fan, not a fan, does not like it?
Speaker 1: I'm sorry, questions.
Speaker 3: No, not at all. I'm I'm protecting her from it
Speaker 3: for now. I just don't. I honestly think she would
Speaker 3: like it more than JoJo's, but I have to protect
Speaker 3: her from it. I don't. I don't you know, I
Speaker 3: I I think I know too much about where this
Speaker 3: will go, and I don't want to.
Speaker 1: I will say to this stuff we've kind of we've
Speaker 1: kind of experienced.
Speaker 3: Now, Yeah, yeah, I just I don't know if yeah,
Speaker 3: I don't, I don't she's you know, she's not a
Speaker 3: big cartoon person.
Speaker 2: I'm not listening, but there was a moment of self recognition.
Speaker 3: Then yeah, come on, we're watching Common Side Effects, which
Speaker 3: is a cartoon and it's extremely good, and you know,
Speaker 3: let this maybe be like a sort of ice breaking
Speaker 3: sorry cue breaking thing right where you know, an onboarding
Speaker 3: two more sophisticated stuff.
Speaker 1: So these three young maidens are basically like Griffith is
Speaker 1: so fucking cool and he is so much and they're
Speaker 1: literally like, I wish I was as beautiful as Griffith,
Speaker 1: And I mean, who amongst us has taught that at
Speaker 1: some point he's luscious?
Speaker 3: Hats Yeah, I mean I know why you dye your
Speaker 3: hair like that, now, John, I get it.
Speaker 1: Yeah, you know, I was thinking about this the other
Speaker 1: day and I think it's one part I like silver
Speaker 1: haired anime villains and one part of Spike from Buffy.
Speaker 1: I just think he's a cool dude put on like
Speaker 1: kind of trench trench coaty kind of thing. The other
Speaker 1: day and I looked myself in the mirror and I
Speaker 1: was like, this is like a bad Spike cosplay.
Speaker 2: Mm hmmm, I think you look great.
Speaker 4: Yeah, I think you should try it.
Speaker 1: Well, we'll give it a think. Okay, So this dude
Speaker 1: basically calls across the courtyard at these women stop that,
Speaker 1: like yeah, to.
Speaker 2: Me, leave me alone.
Speaker 1: I'm standing right here hello, and they're just like oh
Speaker 1: sh sorry loud As Caucus, and then we get the
Speaker 1: eggheaded Noble once again. And I love this scene because
Speaker 1: the egg headed Noble just keeps trying to bring him there,
Speaker 1: and the guy's like, wait, did you say that he's
Speaker 1: he's protecting the king and then and the Ediquetta guy
Speaker 1: is like, yes, well you see the thing about the
Speaker 1: band of Hawk protecting the king and then he's just
Speaker 1: like that's bullshit, that's bullshit and I won't stand for him.
Speaker 1: And guy's like, yes, but perhaps there's an opportunity here
Speaker 1: and he's like, fucking Griffith's he can't get to it.
Speaker 4: It's just sowhelmed.
Speaker 1: This scene is five minutes long of just him being
Speaker 1: like that's bullshit.
Speaker 4: And the best part of it is when he when
Speaker 4: egghead Man reveals some like cunning suggestion to him, he
Speaker 4: does the eye opening thing. But because this idiot doesn't
Speaker 4: get it. He has to reveal multiple times, and he
Speaker 4: keeps having to do the eye opening thing.
Speaker 1: He kind of gives it like this, like he keeps
Speaker 1: one eye close. Cool.
Speaker 3: Yeah, Yeah. He's like, I'm telling you to kill him.
Speaker 3: What what else do I have to say.
Speaker 1: When I stamped a wrong arrow?
Speaker 4: When I say, what do you think? He mean? Sneaky tid?
Speaker 3: You're dense. I act like you've been here before.
Speaker 2: Dude, come on.
Speaker 1: Like he even gets angry and he like grabs him
Speaker 1: by the scruff of the shirt and he's like, I
Speaker 1: hate that this is happening. Why are you telling me this?
Speaker 1: And then several minutes later, the dude's like, shure would
Speaker 1: be a shame if a stray, poisonous arrow hit Griffith.
Speaker 4: While he's in the face.
Speaker 2: Yeah, he just stumbled into that.
Speaker 4: And the guy was like, well, what do you mean?
Speaker 1: And then after another several minutes he's like, wait a minute,
Speaker 1: there is.
Speaker 3: He's an Arrow's Johnny's like, when you say, when you
Speaker 3: say a straight arrow, I just I want to make
Speaker 3: sure we're on the same page here. You mean shoot
Speaker 3: him in the shoot him in the body within arrow? Correct?
Speaker 1: Yes, And that arrow, that's that's where that's That's where
Speaker 1: I'm lost. Where does the poison go on the arrow?
Speaker 4: Yeah?
Speaker 3: What do I have to buy it?
Speaker 2: How does it go on the feather?
Speaker 3: Do you know an alchemist who who provides the poison?
Speaker 1: Just so clear, it would be us doing this. We're
Speaker 1: not just hoping it will happen.
Speaker 2: So you know if one of us, if one of
Speaker 2: us takes the falls with this, we both go down.
Speaker 3: One of us has to do this, right? Is it?
Speaker 3: You just making sure? I feel like you're the idea.
Speaker 2: Guy, But I'm the I'm the I'm gonna get stuff
Speaker 2: done guy.
Speaker 4: Now where would I find an arrow?
Speaker 3: Those are the pointy things?
Speaker 1: Oh and the episode I.
Speaker 4: Just want to I just wanted to cut to another
Speaker 4: scene where he's got the boat and he's trying to
Speaker 4: put a sword in there and he's like.
Speaker 3: What the yeah, and he's like this isn't working.
Speaker 2: Someone told me it was point I don't know, And.
Speaker 1: That brings this episode again. I would say, not like,
Speaker 1: you know, it's a little bit of a slow episode.
Speaker 1: But I really like the slow episode. I think we
Speaker 1: do a lot of interesting stuff and I think, like,
Speaker 1: you know, Griffith's momentum going up the noble Ranks is
Speaker 1: very intriguing and like as that changes his relationship with
Speaker 1: Guts and Cask. I think they all feel like they're
Speaker 1: kind of they're kind of losing their boy a little bit.
Speaker 1: And I don't know, I just I was watching this
Speaker 1: this morning and just being like, man, I fucking love
Speaker 1: Bersark so much.
Speaker 3: Yeah, I'm enjoying it. I I gotta say, I think,
Speaker 3: you know, it's so much more linear than JoJo's, Like
Speaker 3: it's so much more on the rails, Like I can't
Speaker 3: even be like, I'm I'm surprised by its like competency
Speaker 3: in narrative competency right like where I'm just like.
Speaker 2: It has been referred to as one of the greatest
Speaker 2: pieces of fiction of all time.
Speaker 3: All Right, I mean that that's good to hear. I
Speaker 3: think coming from JoJo's it is like, you know, the
Speaker 3: most grounding of.
Speaker 1: Yeah, because I love it is like there's a vampire
Speaker 1: in Egypt and then forty episodes of high Jinks and
Speaker 1: then there.
Speaker 2: Is and also just like.
Speaker 3: Yeah, and the trigonometry that's involved in every like scheme
Speaker 3: is just you know, you get it's exhausting. It's like
Speaker 3: when you where this is like, oh, this is building.
Speaker 4: It's like when you write a story as a kid
Speaker 4: and then carry on rank stories as an adult, and
Speaker 4: you go back and read your own story when you're
Speaker 4: a child and you're like, oh, I was just this
Speaker 4: freestyling here making people fun.
Speaker 2: Yeah.
Speaker 1: So, Jeff, I'm curious where right now, where is Berserk
Speaker 1: standing to you in terms of, like, you know, we
Speaker 1: would watch One Punch Main, We've watched Cowboy Bebop, We've
Speaker 1: watched JoJo's. How's how's Berserk stuck it up to them?
Speaker 3: I'm very fond of Cowboy Bebop, So I think that
Speaker 3: holds a very unique and special place for me, you know, Judge,
Speaker 3: I think JoJo's is like the nice JoJo's is like
Speaker 3: the regular, like old, you know, reliable anime. I can
Speaker 3: kind of it's it's the comfort food of anime, you know. Yeah,
Speaker 3: in many ways, in more ways than one, where I am.
Speaker 3: I feel like I'm unlocking a new level of awareness
Speaker 3: and appreciation with Berserk that I've not been able to
Speaker 3: achieve with the other shows We've watched. One Punch Man.
Speaker 3: I was it was a great little departure for sure,
Speaker 3: big fan. Uh, But this is this is on a
Speaker 3: different level. I will I will say that we.
Speaker 1: Are going places next next time, so very.
Speaker 4: Good.
Speaker 3: They are very good places.
Speaker 1: Okay, loose James, Where can the people find you?
Speaker 2: Hello? You can find me everywhere at least James games
Speaker 2: watch all the GDC stuff. Depending on when this episode
Speaker 2: goes out, I'll go back and watch our GDC stuff.
Speaker 1: Yeah, watch Block or game Spot and it's what who's saying?
Speaker 1: Where can the people find you?
Speaker 4: The same? Hatre and everything washing Block. I hope you
Speaker 4: enjoy it. I want to shout crunch roll again for
Speaker 4: sending us the blu rays for zuik pick up. Tyler
Speaker 4: been very very helpful.
Speaker 1: Yeah, Jeff, where can people find you?
Speaker 3: You can find me anywhere, you know on Blue Sky
Speaker 3: and that's it.
Speaker 4: Where can we find Caucus?
Speaker 3: Well, you could find I'm trying blue Sky out now
Speaker 3: it's much more normal. The next Finally, place like Jeff.
Speaker 4: Caucus exists is better suited for Yojo for some reason,
Speaker 4: what no.
Speaker 2: As many voices?
Speaker 3: I'm sorry? What was that, Lucy?
Speaker 2: We haven't had this many? Like, I don't know, We've
Speaker 2: got Caucuses recurring character in every episode of our podcasts,
Speaker 2: Like why have we not had that kind of thing?
Speaker 3: Before like, well, I don't know.
Speaker 1: I'm sorry, Chefs just reached a level of proficiency with
Speaker 1: anime that he's unlocked to new ability.
Speaker 2: He's just like, by the time we do next season
Speaker 2: of this, Jeff will be in anime. Can we make that?
Speaker 2: Can we make that a thing where it's like we
Speaker 2: have to get Jeff in an anime?
Speaker 4: Oh?
Speaker 3: I mean, that's just I'm getting flustered just thinking about it.
Speaker 3: I can't handle it. It's too much. It's too many
Speaker 3: cool words and a phrase.
Speaker 4: There, John, can people find you.
Speaker 1: Can sert Roy patch Wolf, and I'll most likely show up.
Speaker 1: People want to offer a little prayer that w W
Speaker 1: stop fucking me around, and I can release this two
Speaker 1: and a half a video that would be wonderful.
Speaker 3: If only we had someone on the inside there.
Speaker 4: We don't know. We don't anymore.
Speaker 3: We don't I'm saying, I know I'm doing serious. We
Speaker 3: used to, and we don't anymore. That's the predicament.
Speaker 2: The way you said that, it sounded like you do
Speaker 2: something on the inside.
Speaker 3: I know.
Speaker 1: Well, Jeff, thank you for those free moments of false hope.
Speaker 1: We'll see you guys next time.
Speaker 3: That's what I'm here for. Bye.
Speaker 4: Bye Bye.
Speaker 3: Jeff. Jeff's Bizarre Adventure is hosted by timur Hussein, Lucy James, John,
Speaker 3: Super Eye, Patch, Wolf Walsh, and me Jeff Backlar. Our
Speaker 3: post producer and editor is Jean Luke Sepke. Our logo
Speaker 3: is designed by Justin Vashon and Jesse O'Brien. Thanks so
Speaker 3: much for listening, Animy