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Speaker 1: I'm standing in air shovel.

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Speaker 2: And listen to you and the one who has God.

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I how the white man may hook. I been.

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Speaker 3: Standing the.

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Speaker 2: Fast the time a begger.

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Speaker 3: That staying.

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Speaker 1: Cle see me ad got miss it on spar at

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the time.

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Speaker 3: He got he got.

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Speaker 2: A bigel.

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Speaker 3: Bigel kill.

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Speaker 4: Good morning, everybody, welcome, Here we go. It is that

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time again, Matt Connorton unleashed and we are live from

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the studios of w m n H ninety five point

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three f M Inglorious, Manchester, New Hampshire. Of course, you

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can stream the show from anywhere. Go to Matt connorton

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dot com slash live for all your live streaming options,

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social media links, contact info, show archives, et cetera, et cetera.

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Today is a Saturday, December thirteen, twenty twenty five, and

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I am not alone.

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Speaker 5: Jenny shows Good morning Sunshine.

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Speaker 4: As Jenny is here at the news table, I am present,

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and we got a well you've got something we should

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mention plug before we get Oh, by the way, that

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opening song was the Ocean by replaced by robots. I

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know I've been playing it on the show, but I'm

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not sure I had opened with it before today, so

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I wanted to mention that quickly because such a great song,

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and they're they're starting to get some play on college

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stations across the country, and they're gotting a lot of

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good press right now too for that, for that single

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and everything that they do. Such a such a great band.

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And we've got a packed show for you. But there's

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an event happening today at one of our favorite places.

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Speaker 5: Absolutely the Mosaic Are Collective.

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Speaker 4: Today.

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Speaker 5: You've got some last minute gifts you need to pick up.

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See all that glitters display is still up. It is

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open for holiday shopping today from five to seven pm.

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There is a collection of gorgeous small art work perfect forgiving,

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buy it right off the wall. So go check out

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the mosaic Are Collective from five to seven pm today

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right here in the Queens City, Manchester and see if

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you can buy some priceless, one of a kind art

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for your loved one.

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Speaker 4: Very nice, very nice. So we do have a very

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busy show for you today, starring in order of appearance,

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we have Dots in Moon. We're gonna be talking to

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Richard from Dots and Moon in just a couple of minutes.

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We're going to play as New as Single and then

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talk to him. On the second hour, we have down

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Boys coming in. They've got a brand new single we're

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gonna play for you today. They will be here with

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us in studio. And then in the third hour, I

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actually have to look at my notes. We got a

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busy show. Oh yes. In the third hour we have

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Jesse Kil guests from New York City we're gonna be

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talking to and Audio gust which is a very interesting project.

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So we've got a busy show. Chris Evans from audio guest,

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not Chris Evans the actor, it's a different Chris Evans.

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I believe that he's from Seattle, so he's gonna be

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joining us to be a WhatsApp. So we got a

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busy show ahead of us, So welcome everybody. I do

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want to mention also quickly, and I shared this out

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on social media. Our friends chasing the Devil of a

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brand new single. And usually when whenever they release a

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new single, we like to do the world radio premiere

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right here on Matt Connorton Unleashed. But we're not doing

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it for that, but I do for this one. But

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I do suggest that you check it out. It's a really,

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really good song. It's called liar. The only thing is

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it's one of those things where in the chorus of

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the song, and I was surprised because I don't think

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there's any swears in any of their other songs, but

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in the chorus of this particular song, there's a word

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that has said quite a few times, and I was like,

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I don't think I can make a radio edit of

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this one. I don't mind making radio edits for guests

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sometimes have to do it and whatnot, but this was

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one of those cases where kind of like with that

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Kenny Troon song, uh, you know, the one I'm talking about,

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Jenny Don't one of my favorite which he played on

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the he played a self censored He played a self

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censored version of it on the show Don't mess this

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thing up. But the actual edit it, yeah, the actual

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studio track of it. Yeah, there's no way to take

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that word out without just completely wrecking the chorus. And

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I had the same thought when I was listening to Liar,

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the new single from Chasing the Devil. So we're not

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gonna play it here, you know, unless they unless they

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make a radio edit and they give it to us,

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because it should be on the radio. It's very very catchy,

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really great track. And you know, Jay Bellow from Chasing

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the Devil is a big supporter of the show. He

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might even be in the chat room. I haven't uh,

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I haven't had a chance to look, but but definitely

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uh check check out the track. It's on streaming platforms.

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It dropped. I think it dropped at midnight and it's

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so good. The song is called Liar. The band is

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Chasing the Devil. Please support them. Amazing band. But I

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play that here, so check it out. Not right now,

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stay with us for now, but check it out after

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the show. I think what we will do now, We're

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gonna go ahead and play a song from Dots and Moon,

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a great, great track called Moments in the Sun. And

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then when we come back from the song, we will

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have Richard from Dots and Moon on with us via WhatsApp.

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Can't wait to talk with him. I love this project.

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Take a listen Moments in the Sun by Dots and Moon.

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Speaker 3: Still five.

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Speaker 6: D side.

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Speaker 1: So mused.

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Speaker 7: So you know.

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Speaker 2: Thecome Omen's son.

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Speaker 3: I have sne.

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Speaker 6: Was the man child a friend.

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Speaker 3: Sis she.

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Speaker 6: Shows the sun e the Sun.

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Speaker 4: Oh I like that a lot. That is Moments in

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the Sun. The project is Dots and Moon and we

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have Richard from Dots and Moon on the line with

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us via WhatsApp. Hello are you there?

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Speaker 7: Yes, I'm here. Thanks for having me. I really appreciate it.

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Speaker 4: Absolutely No, I'm glad you can join us today. I

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really like what you're doing. The songs they've got. I mean,

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obviously they you know, they sound different, but a lot

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of these have a kind of a dreamy, sort of

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atmospheric kind of vibe. I really like. I really like

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these a lot.

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Speaker 7: Nice to hear.

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Speaker 4: Absolutely absolutely. And you're in Are you in upstate New

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York or where where are you?

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Speaker 7: Exactly New York north of Buffalo. Were getting the cliched

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pummel of snow right now? Are you too?

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Speaker 3: Yeah?

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Speaker 7: But you probably you're in New Hampshire, right.

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Speaker 4: We're in New Hampshire. Yeah, yeah, you.

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Speaker 7: Must get a good chunk of snow.

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Speaker 4: We get, well, not as much as you might think.

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The winters I grew up here, and the winters here

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are considerably easier now overall than they were when I

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was a kid. So some years we get some years

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we get a lot of snow, but we don't get

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we don't get pummeled too badly. Some years we get

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very little, so it's not it's not too bad. Here

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we've had a cold snap, but it's it's not too bad.

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But where you are, so were you because Buffalo, if

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I remember a number of years ago, had like, uh,

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I know, Buffalo gets a lot of snow, but didn't

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that hurt the city?

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Speaker 7: And then south of the city, if you go north,

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it'll have an inch of snow.

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Speaker 4: Oh, so it's not bad. So you're north of Buffalo, yeah,

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oh Goodmerally.

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Speaker 7: It's not too bad. Today, it's a little it's a

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little rough.

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Speaker 4: So I remember, I remember seeing on the news a

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few years ago it was like like multiple feet of

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snow and like it just like snowed for like five

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days straight.

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Speaker 7: So but well, ever since that blizzard of seventy seven,

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one hundred years ago, it's just it's, you know, it's

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just a news cliche. They always you know, because we're

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right in the lake.

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Speaker 4: Okay, so right on Lake Erie.

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Speaker 7: So it just comes right off the lake and we

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get slammed.

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Speaker 4: Gotcha, gotcha. I'd like to know more. Tell us more

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about dots and moon. Well, first of all, let me

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ask you this right off the top. I'm sure you

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answer this question all the time. But what does where

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does the name come from? Dots and Moon?

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Speaker 7: I just liked the sound of it, and it's just,

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you know, brought up certain ideas in my mind. I mean,

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the sun and the moon are both at dot you know,

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and and the sky and it just really you know,

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I just I hope it produces an image in someone's mind,

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you know, of something interesting. Yeah, but it wasn't you know,

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it wasn't the car as most people would think. You know,

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it's not D A T, S U N. But I

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even thought that was kind of cool, the idea of

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an old dots on full moon.

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Speaker 4: Absolutely. And now the project has changed over the years, correct,

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because from what I was reading, did it used to

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be a female fronted collaboration and now it's a solo project?

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Is that true?

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Speaker 7: Well? Even before that, it was me and then I

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had a friend of mine and it was just the

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two of us and we would play guitar. When we

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would play out, the two of us played guitar, and

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then I would have all the synse and all that

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stuff recorded on a digital recorder. And especially here Western

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New York, you know, like there were rules, you know,

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you didn't have pre recorded tracks and all this stuff.

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But I don't know if you're familiar with carter usm

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by any chance, a real old band.

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Speaker 4: No, I'm not familiar with them.

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Speaker 7: All right. So they're from England and they came here

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and they played and it was two guys with the

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guitar on their backing tracks. And I said to my

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and it sounded amazing, and I'm like, you know, I'd

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rather hear a band with backing tracks. It sounds fantastic

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than a band with all live members that doesn't sound good.

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And it's just easy, you know. It was just easier

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to put everything together and play. And then I met

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somebody I was friends with and she's like, you know,

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I can sing. So I asked her to sing this

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song called Glory and then he'd the warning and then

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those two songs. I was like, wow, and it sounded fantastic,

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and we would and we slowly had a band, a

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five piece BANDA and I had a lap, I had

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a laptop and say, you know, say the drummer moved,

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I could then just unmute the drum tracks that I

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had made or had recorded from the drummer, and that

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allowed the band to play out a lot more. I've

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played everything from you know, me and a singer to

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me and four other bandmates with you know, no backing tracks.

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Speaker 4: Wow.

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Speaker 7: So yeah, that must have been.

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Speaker 4: That must have been kind of exciting, right, to have

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that sort of flexibility with it where you could work

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with that. I'm always fascinated by that kind of dynamic

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because you know, obviously we interview a lot of musicians

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on the show, and I've i myself. I'm a musician,

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and I've played in a bunch of bands, but I

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was never I never played in a band where you

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could just where you had that kind of flexibility, you know,

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where you could play in multiple different configurations over the

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course of shows and and always just make it work.

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Like all the bands I ever played, and it was like,

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you know, we got we got the same group of

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guys who are going to have to be here at

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every single show because if you remove one piece, it

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all falls apart. So it must have been it must

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have been cool. And to be able to use technology

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to to sort of give you that flexibility.

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Speaker 7: Yeah, because I was a big fan of New Order,

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you know, growing up, you know, I saw them live

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and it just ity didn't seem like there was anything

240
00:19:07,839 --> 00:19:10,039
wrong with it to me to you know, go ahead

241
00:19:10,079 --> 00:19:13,359
and do that. Yeah, and and it was great too,

242
00:19:13,839 --> 00:19:17,240
but the best. And then I went and I got

243
00:19:17,279 --> 00:19:20,920
an electric drum kit because the frequency of the synse

244
00:19:21,240 --> 00:19:25,200
and then the symbol crashes, it was just piercing and

245
00:19:26,559 --> 00:19:29,960
it was unreal. So but i'd have I think I

246
00:19:30,160 --> 00:19:33,079
played with three or four drummers over the years, and

247
00:19:33,119 --> 00:19:35,920
it's a long time, and they'd all be like, kind

248
00:19:35,960 --> 00:19:37,799
of am not sure And then they come over and

249
00:19:37,839 --> 00:19:39,680
they play that electronic drum kit and they'd be like,

250
00:19:39,799 --> 00:19:43,000
this is amazing. I love this. They'd be having so

251
00:19:43,119 --> 00:19:44,759
much fun with all the songs, but they'd have to

252
00:19:44,799 --> 00:19:48,240
play with a click, right, and they didn't mind that either,

253
00:19:48,400 --> 00:19:51,000
they you know, So it was just a lot of fun.

254
00:19:51,039 --> 00:19:51,160
Speaker 3: You know.

255
00:19:51,240 --> 00:19:54,200
Speaker 7: It was more the enjoyment of getting together with other

256
00:19:54,279 --> 00:19:57,119
people and playing. You know, we never really had the

257
00:19:57,160 --> 00:20:00,920
opportunity to tour much. We played, you know, arounding cities,

258
00:20:01,000 --> 00:20:01,759
but that was about it.

259
00:20:02,279 --> 00:20:04,039
Speaker 4: Do you feel like as you were doing that that

260
00:20:04,200 --> 00:20:06,920
the certain stigma, because there are you know, even today,

261
00:20:06,960 --> 00:20:09,839
I mean it's gotten a lot better as as people

262
00:20:09,920 --> 00:20:12,599
continue to embrace technology and using technology and music but

263
00:20:12,640 --> 00:20:14,599
I feel like even today, there's there's always going to

264
00:20:14,640 --> 00:20:18,400
be some people who just if you don't have everything

265
00:20:18,480 --> 00:20:23,400
completely live, if you've got someone on stage with something

266
00:20:23,480 --> 00:20:26,920
that is creating some sort of sound other than instruments,

267
00:20:27,079 --> 00:20:28,880
you know, you've got somebody up there with a laptop

268
00:20:28,960 --> 00:20:30,880
or whatever. There's there's always going to be certain people

269
00:20:30,880 --> 00:20:34,200
who are judgmental of that or using backing tracks or anything.

270
00:20:34,279 --> 00:20:36,640
But do you feel like over the course of your

271
00:20:36,799 --> 00:20:39,200
doing that that, at least in the area where you

272
00:20:39,319 --> 00:20:43,279
were out playing live, that the you kind of overcame that.

273
00:20:43,400 --> 00:20:47,400
Speaker 7: Do you think, oh yeah, because well, and then when

274
00:20:47,480 --> 00:20:52,920
we started, we you know, we'd be playing with bands

275
00:20:52,960 --> 00:20:56,279
that were ten years younger because they were already embracing that, right,

276
00:20:57,240 --> 00:21:00,519
you know. And some of those stuff I love now,

277
00:21:00,759 --> 00:21:05,960
like a group called Aso or keep Shelley in Athens.

278
00:21:06,160 --> 00:21:08,920
They're a singer and a DJ, so it's not even

279
00:21:09,079 --> 00:21:12,759
like a musician. It's a DJ who has found samples

280
00:21:12,799 --> 00:21:14,720
and put them all together and that type of thing.

281
00:21:15,319 --> 00:21:17,799
But you know, I see where people are coming from

282
00:21:17,839 --> 00:21:20,440
with live music. I mean, last night I was at

283
00:21:20,480 --> 00:21:23,799
a Hofbra house, you know, with the Oompampa and you know,

284
00:21:24,519 --> 00:21:27,160
and I'm watching them and the guy's playing the accordion

285
00:21:27,319 --> 00:21:30,799
and the other guys singing, and like what talent. He

286
00:21:30,920 --> 00:21:34,359
makes it look so easy. So you know, I get it,

287
00:21:34,480 --> 00:21:37,039
you know, with all live musicians, I mean, you know,

288
00:21:37,240 --> 00:21:41,240
that's that's incredible skill and dedication and keeps showing up

289
00:21:41,279 --> 00:21:46,119
and practicing together, and so I get the stigma. And

290
00:21:46,319 --> 00:21:50,640
I also you know, if I could have all live musicians,

291
00:21:51,039 --> 00:21:53,240
I would, but you know, life gets in the.

292
00:21:53,279 --> 00:21:55,960
Speaker 4: Way, absolutely absolutely what you know when one you're in

293
00:21:56,000 --> 00:21:58,079
a band. At somebody on the show, I wish I

294
00:21:58,079 --> 00:21:59,759
could remember who said it. Somebody on the show who

295
00:21:59,839 --> 00:22:02,440
had gone from being in a band to doing everything

296
00:22:02,559 --> 00:22:06,160
solo like like like you have done, essentially made the

297
00:22:06,240 --> 00:22:09,160
observation that being in a band with say you're in

298
00:22:09,200 --> 00:22:10,880
a band with three other people, it's like being in

299
00:22:10,960 --> 00:22:13,279
a relationship with three other people who are also in

300
00:22:13,359 --> 00:22:17,319
a relationship with three other people, and it's and that's challenging,

301
00:22:17,359 --> 00:22:19,640
and you've got to work with everyone's schedules and varying

302
00:22:19,759 --> 00:22:22,400
levels of commitment within that project, and it can be

303
00:22:22,519 --> 00:22:26,480
very very difficult. I mean, do you find is it

304
00:22:26,599 --> 00:22:29,720
less stressful because you've you have transitioned to doing this

305
00:22:29,799 --> 00:22:32,519
as a solo project, is it? Is it overall just

306
00:22:32,680 --> 00:22:34,160
less stressful doing it this way?

307
00:22:37,200 --> 00:22:37,839
Speaker 7: Are you still there?

308
00:22:38,119 --> 00:22:38,279
Speaker 4: Yes?

309
00:22:39,039 --> 00:22:42,920
Speaker 7: Okay, Well, you know, as far as writing this stuff goes,

310
00:22:44,880 --> 00:22:48,359
you know, I always wrote everything and then people would

311
00:22:48,400 --> 00:22:52,559
learn how to play what I wrote through. For the

312
00:22:52,640 --> 00:22:55,720
first album, did have a bass player, but even he

313
00:22:55,799 --> 00:22:59,680
would come over and just jam with the song for

314
00:22:59,759 --> 00:23:02,119
four minutes, and then I have to go through what

315
00:23:02,279 --> 00:23:06,119
he played and cut out the you know, the snippets

316
00:23:06,200 --> 00:23:08,599
that I really like the best and put them in order.

317
00:23:08,799 --> 00:23:11,200
So as far as writing the stuff goes, it was

318
00:23:11,279 --> 00:23:16,039
always solo. Yeah, But playing live it's just more enjoyable

319
00:23:16,359 --> 00:23:19,079
to play with other people. When you play live, you know,

320
00:23:19,279 --> 00:23:23,440
it's it's a lot better. But you know, I don't

321
00:23:23,440 --> 00:23:25,920
even know if I'm gonna bother because I for a

322
00:23:26,039 --> 00:23:29,599
year we had a singer and a guitarist and a drummer,

323
00:23:29,599 --> 00:23:32,480
and then the drummer couldn't make it because of work

324
00:23:32,599 --> 00:23:36,559
obligations and another band, and then you know, the singer

325
00:23:36,799 --> 00:23:41,200
got accepted into a music program, and you know, I

326
00:23:41,400 --> 00:23:45,559
just was I thought, you know, it's it's okay, it's

327
00:23:45,599 --> 00:23:47,759
but it's a little stressful playing out Maybe I'll just

328
00:23:49,039 --> 00:23:50,359
you know, do a studio thing.

329
00:23:50,720 --> 00:23:53,359
Speaker 4: Yeah. Yeah, the other thing with drummers too, Because you

330
00:23:53,400 --> 00:23:58,720
mentioned drummers, it's kind of become well, almost a running joke.

331
00:23:58,759 --> 00:24:01,480
But it's not even a joke. Like every every band

332
00:24:01,519 --> 00:24:03,640
we have on the show, the drummer in the band

333
00:24:03,799 --> 00:24:07,519
is always in like ten other bands. Yeah, and I

334
00:24:07,599 --> 00:24:10,240
feel like it's I feel like it's that way everywhere.

335
00:24:10,240 --> 00:24:12,279
I have a theory about that. I think it's because

336
00:24:12,400 --> 00:24:14,960
drummers are have become so rare because you know, when

337
00:24:14,960 --> 00:24:17,680
you're growing up and you first become interested in music

338
00:24:17,720 --> 00:24:20,000
and you want to learn a musical instrument. If you

339
00:24:20,200 --> 00:24:22,039
approach your parents and you say, I want to pick

340
00:24:22,079 --> 00:24:25,440
up an instrument, but I want to learn drums, you know,

341
00:24:25,640 --> 00:24:28,079
if it's that or I don't know, maybe the tuba,

342
00:24:28,680 --> 00:24:30,240
there's a good chance they're going to try to talk

343
00:24:30,319 --> 00:24:32,559
you out of it because they'd rather, you know, because

344
00:24:32,640 --> 00:24:35,480
nobody wants all that noise in their house, you know,

345
00:24:35,559 --> 00:24:38,599
unless they're just very very supportive. So that's that's my theory,

346
00:24:38,640 --> 00:24:41,640
because yeah, every yeah, every drummer I know is in

347
00:24:41,759 --> 00:24:46,599
ten bands. And can you tell tell us too about

348
00:24:47,759 --> 00:24:49,599
I had read something you said you were talking about

349
00:24:49,599 --> 00:24:53,720
how the technology, about how it it both isolates us

350
00:24:53,920 --> 00:24:56,680
but also helps us to make personal connections.

351
00:25:00,240 --> 00:25:09,000
Speaker 7: Wow, sometimes I forget I have little deep nuggets like that. Yeah. Well,

352
00:25:09,039 --> 00:25:12,039
I mean, so, you know, writing the song on my

353
00:25:12,160 --> 00:25:16,359
own it it can be really lonely.

354
00:25:16,440 --> 00:25:16,559
Speaker 8: You know.

355
00:25:16,559 --> 00:25:21,240
Speaker 7: I'd rather have this, you know, have someone else coming

356
00:25:21,319 --> 00:25:25,880
over and and working with them and you know, having

357
00:25:26,079 --> 00:25:28,519
you know, having a co writer, that would be great.

358
00:25:28,680 --> 00:25:28,839
Speaker 8: You know.

359
00:25:29,039 --> 00:25:33,400
Speaker 7: So that's lonely. But on the other hand, where I

360
00:25:33,519 --> 00:25:35,920
went to record this album, I wish I would have

361
00:25:36,640 --> 00:25:38,960
known about him sooner. I actually I did. A friend

362
00:25:38,960 --> 00:25:40,759
of mine kept urging me to go to This guy's

363
00:25:40,880 --> 00:25:43,920
name is Doug White, and he's got a studio called

364
00:25:44,240 --> 00:25:48,559
Watchman's Studio after the comic book. He had two shoegaze bands,

365
00:25:48,640 --> 00:25:53,759
one Macar's Pen and one called Tearwave and recorded a

366
00:25:55,480 --> 00:25:59,240
you know, that's like he really is Wheelhouse and he's

367
00:25:59,319 --> 00:26:03,640
so easy to work with. He's really reasonable to play with.

368
00:26:03,759 --> 00:26:05,680
And I can go in there with all my stems

369
00:26:05,759 --> 00:26:09,559
and you know, a raw idea and work with him

370
00:26:09,599 --> 00:26:11,759
for seven or eight hours and walk out with a

371
00:26:11,880 --> 00:26:15,279
song and recording. I'm really happy with. Yeah, And that's

372
00:26:15,519 --> 00:26:17,960
you know, and you're bonding when you're hanging out together

373
00:26:18,119 --> 00:26:21,880
talking and playing and making stuff, so you know, or

374
00:26:22,279 --> 00:26:24,440
when we would have band practice on a Saturday morning,

375
00:26:24,519 --> 00:26:26,319
that was like the highlight of my week, just getting

376
00:26:26,319 --> 00:26:30,799
together with people I considered friends and you know, playing

377
00:26:30,920 --> 00:26:34,920
music and then going out and socializing and meeting other bands.

378
00:26:35,319 --> 00:26:39,319
So you know, you're isolated kind of when you're writing, right,

379
00:26:39,839 --> 00:26:43,039
but you know when you go to record or practice

380
00:26:43,160 --> 00:26:45,759
or play out, you get to socialize. So yeah, yeah,

381
00:26:45,759 --> 00:26:49,440
I think that's yeah. I mean, I don't think it

382
00:26:49,480 --> 00:26:51,400
could be much more than that. I guess.

383
00:26:51,720 --> 00:26:55,440
Speaker 4: Yeah, it's interesting how and I think I think the

384
00:26:55,519 --> 00:26:58,279
pandemic kind of really brought this to the forefront for

385
00:26:58,319 --> 00:27:00,480
a lot of people because I always say, you know,

386
00:27:00,880 --> 00:27:04,039
that was a terrible experience for everybody, but it also

387
00:27:04,599 --> 00:27:06,599
we have to find these silver linings where we can.

388
00:27:07,480 --> 00:27:09,720
And one of the few silver linings about it was

389
00:27:09,799 --> 00:27:12,200
it kind of forced people to be creative in new ways,

390
00:27:12,759 --> 00:27:15,000
even though the technology was already there. You know, you

391
00:27:15,039 --> 00:27:17,400
could already send files back and forth through Dropbox or

392
00:27:17,440 --> 00:27:19,559
Google Drive or whatever, and you so you could you

393
00:27:19,599 --> 00:27:23,279
could already do all that collaborating with people from a distance,

394
00:27:23,400 --> 00:27:25,680
and people had been doing that, but I think the

395
00:27:25,759 --> 00:27:28,680
pandemic kind of forced people who maybe were averse to

396
00:27:28,799 --> 00:27:32,200
doing that to give it a try, and it created

397
00:27:32,279 --> 00:27:38,519
this entire new wave of collaboration amongst people who thought, well,

398
00:27:38,599 --> 00:27:40,519
this person's on the other side of the country, how

399
00:27:40,519 --> 00:27:42,920
am I ever going to collaborate with them? Oh, okay,

400
00:27:43,000 --> 00:27:44,920
well we'll give this a try. Oh turns out this

401
00:27:45,000 --> 00:27:49,000
works pretty well, and so I think it. You know,

402
00:27:49,240 --> 00:27:51,759
that was the most isolating thing that you know, we've

403
00:27:51,839 --> 00:27:55,200
been through, you know, was the pandemic, right, and yet

404
00:27:55,680 --> 00:27:58,839
and yet, because of technology, it also helped people make

405
00:27:58,839 --> 00:28:01,839
a lot of new connections in profound ways that allowed

406
00:28:01,880 --> 00:28:02,839
them to create together.

407
00:28:04,400 --> 00:28:07,480
Speaker 7: My friend's son is I don't know, twenty one, and

408
00:28:07,559 --> 00:28:10,839
the majority of the bands he listens to are you know,

409
00:28:11,279 --> 00:28:16,279
kids in their twenties early twenties, and the bands are

410
00:28:16,319 --> 00:28:18,039
made up of seven people and none of them are

411
00:28:18,079 --> 00:28:18,839
in the same city.

412
00:28:19,039 --> 00:28:19,240
Speaker 9: Yep.

413
00:28:20,599 --> 00:28:23,240
Speaker 7: It's you know, that's not even a big deal. That's

414
00:28:23,319 --> 00:28:27,119
just like how it is, right, you know. So, yeah,

415
00:28:27,559 --> 00:28:30,119
you know, that was the good part about the pandemic.

416
00:28:30,759 --> 00:28:33,359
It's interesting, though, when that was finally done and we

417
00:28:33,440 --> 00:28:36,519
could go back to works, I remember somebody said, oh,

418
00:28:36,599 --> 00:28:38,519
we might have to wear masks again. And when I

419
00:28:38,640 --> 00:28:42,839
heard that, I realized how I didn't realize during the

420
00:28:42,920 --> 00:28:46,200
pandemic how much of a strain that was putting on me.

421
00:28:46,440 --> 00:28:50,079
It wasn't until afterwards and someone saying something that we

422
00:28:50,200 --> 00:28:53,279
might have to go back to, you know, some of

423
00:28:53,359 --> 00:28:55,279
the ways we were like we thought there was going

424
00:28:55,359 --> 00:28:57,160
to be another wave, and I was just like, oh

425
00:28:57,240 --> 00:28:59,799
my god, I hated that. Yeah awful.

426
00:29:00,119 --> 00:29:02,640
Speaker 4: Yeah, there were a lot of moments like that where

427
00:29:02,640 --> 00:29:05,319
it was like, oh, oh, maybe this is finally winding

428
00:29:05,440 --> 00:29:08,599
down and maybe oh no, no it's not.

429
00:29:09,599 --> 00:29:11,599
Speaker 7: Did you get it? I got it? I got I

430
00:29:11,759 --> 00:29:14,920
was like four or six weeks. I can't remember, you know,

431
00:29:15,000 --> 00:29:18,160
it was the first wave. Yeah, it was just it

432
00:29:18,319 --> 00:29:18,839
was awful.

433
00:29:19,119 --> 00:29:21,559
Speaker 4: I had COVID, but not until I didn't get it

434
00:29:21,680 --> 00:29:24,759
until after the pandemic was kind of over, you know,

435
00:29:24,960 --> 00:29:26,839
and I was I was vaxed and everything, but I

436
00:29:26,920 --> 00:29:30,000
did I did test positive at least on one occasion.

437
00:29:30,240 --> 00:29:34,000
I think eventually eventually I dodged it for a long

438
00:29:34,119 --> 00:29:35,640
time though, but.

439
00:29:37,359 --> 00:29:40,839
Speaker 7: You know, yeah, I wouldn't worste it on anybody.

440
00:29:41,119 --> 00:29:44,039
Speaker 4: No, No, it's it's not well being being sick just

441
00:29:44,160 --> 00:29:47,000
generally is uh, it's my my least favorite thing about winter.

442
00:29:48,000 --> 00:29:48,079
Speaker 3: Ye.

443
00:29:48,880 --> 00:29:52,920
Speaker 4: But now, so how is how is your live situation now?

444
00:29:53,240 --> 00:29:56,359
Like are you are you performing live currently or are

445
00:29:56,400 --> 00:29:57,400
you going out and playing show?

446
00:29:57,400 --> 00:30:00,680
Speaker 7: No, you know, like I said, it was a year

447
00:30:00,960 --> 00:30:04,599
we and I think we might have even gotten more viewership.

448
00:30:04,680 --> 00:30:07,720
But we at band practice, we would get stuff done

449
00:30:07,880 --> 00:30:10,960
and then we would play something on Facebook. You know,

450
00:30:11,119 --> 00:30:14,759
we would actually you know, play the second half of

451
00:30:14,839 --> 00:30:18,519
band practice on Facebook and a number of views and

452
00:30:18,599 --> 00:30:20,880
the number of people who saw it. I started thinking,

453
00:30:21,119 --> 00:30:25,880
maybe this is better than thing out. But no, yeah,

454
00:30:26,000 --> 00:30:28,079
right now, like I said, I don't know if I

455
00:30:28,240 --> 00:30:31,920
really And that's the other problem too, like you know,

456
00:30:32,000 --> 00:30:33,799
I can sing, but when I when it comes to

457
00:30:33,880 --> 00:30:38,720
playing live, I don't know. I just I'm not impressed

458
00:30:38,759 --> 00:30:40,759
with what I hear when I when I play live.

459
00:30:40,880 --> 00:30:42,519
So I was, you know, I need to have to

460
00:30:42,599 --> 00:30:47,079
practice these songs, you know a lot, you know, and

461
00:30:48,279 --> 00:30:52,920
I mean, you know, I take voice lessons, you know,

462
00:30:53,119 --> 00:30:55,240
just to keep working on my voice. I'm not a

463
00:30:55,960 --> 00:30:58,400
you know, we probably can tell, but I'm not a

464
00:30:58,519 --> 00:30:59,279
natural singer.

465
00:30:59,440 --> 00:30:59,599
Speaker 8: You know.

466
00:31:00,000 --> 00:31:03,000
Speaker 7: It's more of that kind of guy from the church

467
00:31:03,200 --> 00:31:09,200
type of feel ye. So but yeah, but losing the

468
00:31:09,279 --> 00:31:11,640
singer we had and she was amazing, she was great.

469
00:31:11,799 --> 00:31:14,359
You know, if you want to find a singer, go

470
00:31:14,559 --> 00:31:18,920
to your local alternative karaoke because you'll find a lot

471
00:31:18,920 --> 00:31:20,599
of people are dying to find bands there.

472
00:31:20,839 --> 00:31:21,240
Speaker 4: Interesting.

473
00:31:21,359 --> 00:31:27,000
Speaker 7: And yeah, and but she, you know, we hadn't played

474
00:31:27,079 --> 00:31:35,319
out and she was starting a music program, and I

475
00:31:36,000 --> 00:31:37,519
just don't know if I really want to search for

476
00:31:38,000 --> 00:31:40,319
another band again. You know, I think I'd like to

477
00:31:40,400 --> 00:31:42,960
just focus on playing music and maybe even go more

478
00:31:42,960 --> 00:31:46,519
towards the piano. I don't know if you read that,

479
00:31:46,759 --> 00:31:49,480
but there's a guy named Harold Budd. He did an

480
00:31:49,519 --> 00:31:53,079
album with Cocktail Twins and then he's done at least

481
00:31:53,279 --> 00:31:56,000
two or three albums with Robin Guthrie. But he's the

482
00:31:56,039 --> 00:31:59,640
guy that got me into playing piano in my early twenties.

483
00:32:00,319 --> 00:32:03,519
And yeah, we lost him to COVID, but he put

484
00:32:03,559 --> 00:32:07,880
out an album with well, he put out a lot

485
00:32:07,960 --> 00:32:09,880
of albums, but he put out an album with Brian

486
00:32:10,119 --> 00:32:17,400
Eno and the Pearl. It's called and it's just amazing

487
00:32:17,440 --> 00:32:20,279
and it's gorgeous. And for the longest time I couldn't

488
00:32:20,279 --> 00:32:21,960
figure out what he was doing. And then I figured

489
00:32:22,000 --> 00:32:25,119
out he pretty much just played major seventh chords every

490
00:32:25,119 --> 00:32:27,839
record he played, And that's what Robin Guthrie does for

491
00:32:27,920 --> 00:32:33,440
any of your listeners that are into music theory and yeah,

492
00:32:33,839 --> 00:32:39,079
and so there's like I think one, there's not two.

493
00:32:39,119 --> 00:32:42,680
I think there's at least one piano interlude on Yeah,

494
00:32:42,720 --> 00:32:45,079
there's one before the last three songs on the CD

495
00:32:45,920 --> 00:32:48,960
on the new album, and just kind of going down

496
00:32:49,079 --> 00:32:52,039
more that vein. Yeah, Like you know, I don't know

497
00:32:52,079 --> 00:32:53,759
if you know like Stars of the Lid or the

498
00:32:53,839 --> 00:33:00,359
Cranky Label at all. It's kind of it's atmosphere ambient,

499
00:33:00,559 --> 00:33:07,680
but it's not, you know, yoga ambient. It's got just

500
00:33:07,759 --> 00:33:10,079
a little bit of a twist to it when you listen.

501
00:33:10,759 --> 00:33:12,680
Speaker 4: Okay, okay, but I'm really rambling.

502
00:33:12,720 --> 00:33:13,599
Speaker 7: I didn't really, I'm tired.

503
00:33:13,680 --> 00:33:16,480
Speaker 4: I Hey, No, that's okay. That's what we do here.

504
00:33:18,000 --> 00:33:20,720
That's what we do. That's that's perfect. I'd much rather that.

505
00:33:21,960 --> 00:33:22,000
Speaker 7: No.

506
00:33:22,119 --> 00:33:23,920
Speaker 4: The worst thing is when someone comes on and they

507
00:33:23,920 --> 00:33:26,640
have nothing to say, which is rarest Most musicians like

508
00:33:26,720 --> 00:33:28,400
to talk about music. But every once in a while,

509
00:33:28,480 --> 00:33:30,279
you know, we might have somebody who kind of clams

510
00:33:30,359 --> 00:33:38,200
up and it's like uh, yeah, yeah, person, and can

511
00:33:38,279 --> 00:33:40,039
you tell us you about some of the themes. I mean,

512
00:33:40,160 --> 00:33:42,079
like I said, you know, the music, it's got a

513
00:33:42,240 --> 00:33:44,720
very you know, it's got kind of a dreamy, atmospheric

514
00:33:44,759 --> 00:33:47,400
sort of vibe to it. But I mean, what are

515
00:33:47,680 --> 00:33:50,799
some of the themes that you like to write about?

516
00:33:52,119 --> 00:33:56,160
Speaker 7: Well, this one, you know, before, you know, when when

517
00:33:56,200 --> 00:34:00,640
I had a female singer, like I like to have,

518
00:34:02,880 --> 00:34:06,400
you know, empowered lyrics, something that was strong, something like

519
00:34:06,880 --> 00:34:10,960
you know, where someone was coming back from being the

520
00:34:11,119 --> 00:34:14,280
underdog or something like that. Yeah, And with this one,

521
00:34:15,760 --> 00:34:17,679
I just wanted there to be kind of like a

522
00:34:18,519 --> 00:34:23,840
hopeful message, you know. And but a lot of times,

523
00:34:24,039 --> 00:34:27,239
you know, and I wonder if this is true for

524
00:34:27,400 --> 00:34:29,920
most you know, singers, I would like kind of add

525
00:34:30,039 --> 00:34:33,199
lib lyrics and then as I sang them and looked

526
00:34:33,199 --> 00:34:36,559
at them and then you know, redid them. Like you know,

527
00:34:36,760 --> 00:34:39,440
moments in the sun. Everybody has moments in the sun.

528
00:34:39,559 --> 00:34:42,119
It's just like, you know, even if things are tough,

529
00:34:42,440 --> 00:34:44,840
you know, you'll have good days, you know. I mean,

530
00:34:44,840 --> 00:34:50,840
it's not that complex of an idea or bring love,

531
00:34:51,000 --> 00:34:53,519
Bring loves a breakup song, but it's a song about

532
00:34:53,559 --> 00:34:57,360
accepting that that breakup. But you know it, don't really

533
00:34:57,440 --> 00:35:02,320
realize it until you're done kind of improvising lyrics two

534
00:35:02,440 --> 00:35:04,880
or three times. You know. That's the great thing about

535
00:35:04,960 --> 00:35:08,360
having home recording studios. You know, you've got that freedom

536
00:35:08,360 --> 00:35:09,800
to do that, and then you look at what you've

537
00:35:09,840 --> 00:35:12,519
come up with and you're like, oh, there's just kind

538
00:35:12,519 --> 00:35:14,760
of a good idea here, or have you know, come

539
00:35:14,880 --> 00:35:18,599
up with a story. We're an atmosphere of just you know,

540
00:35:20,440 --> 00:35:24,519
you know, I really liked a lot of trip hop stuff,

541
00:35:24,639 --> 00:35:27,960
so just having something being kind of a little dark,

542
00:35:28,599 --> 00:35:33,320
you know, but yeah, but not like in the end

543
00:35:33,360 --> 00:35:35,000
of the world kind of way, but kind of like

544
00:35:35,119 --> 00:35:42,039
you know, like you know, a dark movie like what's

545
00:35:42,079 --> 00:35:44,880
that Black Mirror something like that.

546
00:35:45,159 --> 00:35:48,599
Speaker 4: Oh yeah, I haven't seen that, but I it comes

547
00:35:48,679 --> 00:35:51,280
up in conversation though with people. So I people have

548
00:35:51,360 --> 00:35:52,239
told me I would enjoy it.

549
00:35:52,960 --> 00:35:56,000
Speaker 7: Yeah, you go back to I wouldn't. I'd skipped the

550
00:35:56,280 --> 00:35:58,639
very very first episode, but I go back to the

551
00:35:59,559 --> 00:36:02,239
British show first and check it out.

552
00:36:02,800 --> 00:36:02,880
Speaker 8: Ye.

553
00:36:03,400 --> 00:36:07,320
Speaker 7: So yeah, So either something that's kind of a dark twist,

554
00:36:07,360 --> 00:36:10,840
a little Halloween ish, or something that's got a you know,

555
00:36:10,960 --> 00:36:14,639
a hopeful message on one or the other. Yeah, generally

556
00:36:14,719 --> 00:36:17,840
seems what comes out, you know, things will be okay.

557
00:36:18,800 --> 00:36:22,880
Speaker 4: I'm also curious too about So your newest is an EP,

558
00:36:24,039 --> 00:36:26,599
but why so Moments in the Sun is an EP

559
00:36:27,000 --> 00:36:30,280
but Tiger, the previous release was was a full album. Correct.

560
00:36:30,960 --> 00:36:36,039
Speaker 7: Yeah, And here's why this ended up happening. And I

561
00:36:36,159 --> 00:36:41,599
hope you know this doesn't sound bad, but something got

562
00:36:41,760 --> 00:36:46,039
messed up in the last three songs of Tiger, where

563
00:36:46,800 --> 00:36:52,159
they're all they're named wrong. Three songs are like Moments

564
00:36:52,199 --> 00:36:56,920
in the Sun is Winter Streets and Winter Streets is

565
00:36:57,079 --> 00:37:01,360
Army of Me. So I put the EP out with

566
00:37:02,400 --> 00:37:04,800
you know, an extra news song and then just to

567
00:37:05,320 --> 00:37:10,360
get the right names on the songs because because I

568
00:37:10,480 --> 00:37:13,599
know this is going to sound horrible. But if I

569
00:37:13,719 --> 00:37:16,639
take Tiger down and then put it back up again, yeah,

570
00:37:18,239 --> 00:37:20,679
well you lose all the streams. If you lose all

571
00:37:20,719 --> 00:37:24,559
the streams, then you're starting from scratch and your music

572
00:37:24,639 --> 00:37:30,440
doesn't get placed in you know, Spotify Radio or Apple

573
00:37:31,000 --> 00:37:36,119
Music Suggestions and that type of thing. So you know,

574
00:37:36,239 --> 00:37:40,280
you just it's just how the algorithm works. You know,

575
00:37:40,400 --> 00:37:44,000
you're kind of like going back to zero. So that

576
00:37:44,840 --> 00:37:48,400
is why it was done, was to try to get

577
00:37:48,440 --> 00:37:53,400
the right names on the songs and yeah, so it's

578
00:37:54,719 --> 00:37:59,079
not the best reason to put out of put out

579
00:37:59,119 --> 00:38:00,800
on an ep no, but.

580
00:38:00,920 --> 00:38:03,519
Speaker 4: It well, but it does, you know, it is illustrative

581
00:38:03,559 --> 00:38:05,920
of of some of the pitfalls of you know, the

582
00:38:06,000 --> 00:38:08,039
technology that we're working with and how it works now

583
00:38:08,119 --> 00:38:11,119
with with streaming and everything. You know, it's there's a

584
00:38:11,320 --> 00:38:13,280
there's a lot that can go wrong, and you know

585
00:38:13,400 --> 00:38:15,679
a lot of musicians and industry people listen to the show.

586
00:38:15,800 --> 00:38:18,559
So it's it's kind of a good lesson, you know,

587
00:38:18,679 --> 00:38:21,360
something to be aware of. And you're right, I mean,

588
00:38:21,480 --> 00:38:23,639
you know, practically speaking, yeah, you you know, you could,

589
00:38:23,679 --> 00:38:25,159
you could take it down and then put it back

590
00:38:25,239 --> 00:38:28,400
up with but then, yeah, like you said, you you lose.

591
00:38:29,639 --> 00:38:32,079
You know, you don't want to lose whatever momentum you've

592
00:38:32,159 --> 00:38:35,039
you've built, whatever equity you've built in that with the algorithms,

593
00:38:35,119 --> 00:38:35,280
you know.

594
00:38:35,440 --> 00:38:38,039
Speaker 7: Yeah, because you know, you know that long tail theory.

595
00:38:38,159 --> 00:38:41,840
You know, it's just you know, you keep getting you know,

596
00:38:42,400 --> 00:38:46,880
because you know, I'm not gonna make any money off this,

597
00:38:47,000 --> 00:38:48,880
and I'm not going to be famous. The goal is

598
00:38:49,239 --> 00:38:52,639
I when I was a kid, when I was like twelve,

599
00:38:53,440 --> 00:38:56,000
I discovered Echo and the bunny Man and I I

600
00:38:56,280 --> 00:38:58,639
I was able to, you know, get a CD or

601
00:38:58,880 --> 00:39:02,960
an album once a month, and I, you know, no Internet,

602
00:39:03,239 --> 00:39:05,320
and I thought they were the coolest band. I didn't

603
00:39:05,360 --> 00:39:07,800
realize there was a whole genre called goth where there

604
00:39:07,880 --> 00:39:09,440
was other stuff like them. And I got the he

605
00:39:09,519 --> 00:39:13,639
An up Here album, and I remember as a kid,

606
00:39:13,960 --> 00:39:17,519
my whole motivation to make music was that I just

607
00:39:17,639 --> 00:39:21,559
want to make something that fits like a niche, you know,

608
00:39:21,880 --> 00:39:25,320
in someone's record collection, you know, like you know, and

609
00:39:25,559 --> 00:39:30,159
just make something. You know, anytime I get a new

610
00:39:30,199 --> 00:39:33,639
follower on YouTube or someone picks up the music on

611
00:39:33,800 --> 00:39:37,480
band camp, I am just thrilled that I made something

612
00:39:37,639 --> 00:39:42,480
that someone liked enough to spend their time listening to.

613
00:39:42,920 --> 00:39:46,320
You know, I'm like, oh, I'm giving, you know, paying

614
00:39:46,480 --> 00:39:50,239
forward what these bands that at the time were obscure,

615
00:39:50,480 --> 00:39:52,599
you know, I know from Danny Darko and everything that

616
00:39:52,719 --> 00:39:56,199
you know more everybody you know knows who the Bunnymen

617
00:39:56,280 --> 00:39:59,480
are now, but back then, no one you know, had

618
00:39:59,519 --> 00:40:03,800
a clue. Right, So I don't know if that makes sense.

619
00:40:03,840 --> 00:40:06,239
I feel like I'm kind of rambling, but you know

620
00:40:06,440 --> 00:40:10,079
that that's the goal is do it for myself because

621
00:40:10,119 --> 00:40:13,159
I love it. And then I just really hope someone

622
00:40:13,360 --> 00:40:14,360
out there enjoys it.

623
00:40:15,000 --> 00:40:18,320
Speaker 4: Yeah, yeah, no very well said, yeah, absolutely, that's what

624
00:40:18,400 --> 00:40:22,719
it's all about. And then so in a moment, well,

625
00:40:23,400 --> 00:40:25,159
it's been wonderful speaking with you this morning.

626
00:40:25,199 --> 00:40:26,800
Speaker 7: We'll thank you so much for having me on.

627
00:40:26,960 --> 00:40:28,760
Speaker 4: We'll definitely have you back in the future. I do

628
00:40:28,880 --> 00:40:31,360
want to And in a moment, we'll play We'll play

629
00:40:31,440 --> 00:40:36,000
this track never had a Heart from Tiger, but from

630
00:40:36,039 --> 00:40:39,800
the Tiger album. But where should Where's the best place

631
00:40:39,880 --> 00:40:41,760
to go Richard for people to keep up with everything

632
00:40:41,800 --> 00:40:44,199
that you're doing, with everything, all things Dots and Moon.

633
00:40:44,239 --> 00:40:45,000
Where should people go?

634
00:40:46,840 --> 00:40:50,800
Speaker 7: Probably between band camp and I know it's not the

635
00:40:51,280 --> 00:40:53,760
most popular place, but the Dots and Moon page on

636
00:40:53,880 --> 00:40:59,920
Facebook it's probably the best place to follow and keep

637
00:41:00,079 --> 00:41:03,320
track of stuff coming out, so you know, singles.

638
00:41:02,920 --> 00:41:05,039
Speaker 4: In that Okay, okay, wonderful.

639
00:41:05,039 --> 00:41:07,480
Speaker 7: I mean, yeah, because I have a website, but it'll

640
00:41:07,559 --> 00:41:10,119
just send you to those places Instagram or you know

641
00:41:10,280 --> 00:41:11,519
or social media.

642
00:41:11,400 --> 00:41:15,639
Speaker 4: Sites, gotcha, gotcha? Yeah, speaking of algorithms and all that.

643
00:41:15,880 --> 00:41:19,079
Speaker 7: Yeah, and then band Camp because you know, I try

644
00:41:19,320 --> 00:41:21,400
not to send much out, but you know, if you're

645
00:41:21,400 --> 00:41:24,280
a follower on band camp, then I can send a

646
00:41:24,400 --> 00:41:27,800
message out, you know, all the followers saying, oh there's

647
00:41:27,800 --> 00:41:30,199
a new EP out or there's a new video out.

648
00:41:30,519 --> 00:41:34,519
Speaker 4: Yeah, exactly, absolutely, what wonderful, wonderful. And then so we're

649
00:41:34,559 --> 00:41:36,599
going to end the segment with I Never Had a

650
00:41:36,679 --> 00:41:39,840
Heart from your your previous release Tiger, And this is

651
00:41:39,880 --> 00:41:42,400
one of the ones that you had mentioned when you

652
00:41:42,599 --> 00:41:44,760
when you email Jenny, what what a special like? What

653
00:41:44,840 --> 00:41:45,920
should we know about this song?

654
00:41:46,000 --> 00:41:46,159
Speaker 10: Why?

655
00:41:46,360 --> 00:41:48,280
Speaker 4: Why does this one of the ones you chose?

656
00:41:48,920 --> 00:41:51,559
Speaker 7: Well? I like because it's really upbeat, you know, yeah,

657
00:41:51,880 --> 00:41:56,320
moves along. But also it's not negative like the title

658
00:41:56,360 --> 00:41:59,159
would you'd think. It's actually goes you know, heaven never

659
00:41:59,239 --> 00:42:03,360
had a heart like yours, And it's just someone is

660
00:42:03,599 --> 00:42:09,000
just so amazing that even you know, uh, the image

661
00:42:09,039 --> 00:42:12,360
of having like pales in comparison to someone who's just

662
00:42:13,039 --> 00:42:14,559
a great person to be around.

663
00:42:14,880 --> 00:42:17,039
Speaker 4: Yeah. No, it's a great concept. I love it. I

664
00:42:17,119 --> 00:42:18,920
love it all right, So we're gonna play that in

665
00:42:18,960 --> 00:42:21,519
a moment. We'll let you go. But Richard from Dots

666
00:42:21,559 --> 00:42:22,800
and Moon, thank you so much.

667
00:42:23,079 --> 00:42:24,679
Speaker 7: Like I said to you, I really appreciate it.

668
00:42:24,880 --> 00:42:27,039
Speaker 4: Absolutely. Well, we'll have you back when when you've got

669
00:42:27,079 --> 00:42:28,760
some new stuff. We'll definitely have you back on love,

670
00:42:28,960 --> 00:42:31,639
love what you're doing. Keep up the great work, and uh,

671
00:42:32,159 --> 00:42:37,360
good luck with whatever weather you're experiencing right in that

672
00:42:37,519 --> 00:42:38,320
part of New York.

673
00:42:39,960 --> 00:42:42,599
Speaker 7: All Right, we'll take care and thank you for having

674
00:42:42,679 --> 00:42:43,519
me on. I appreciate it.

675
00:42:43,719 --> 00:42:45,280
Speaker 4: You got it. We'll talk to you soon. Take care,

676
00:42:45,400 --> 00:42:46,199
bye bye bye.

677
00:42:46,800 --> 00:42:47,119
Speaker 7: All right.

678
00:42:47,159 --> 00:42:50,199
Speaker 4: That is Richard from Dots and Moon. I do love

679
00:42:50,280 --> 00:42:52,079
this project so much, and we're gonna play this. This

680
00:42:52,199 --> 00:42:55,599
is from the previous release Tiger Now. This is called

681
00:42:55,840 --> 00:43:36,840
never had a Heart. I never felt hat like yours.

682
00:43:37,559 --> 00:43:43,639
Speaker 11: All example, mote is more and more the idea like

683
00:43:43,960 --> 00:43:45,199
SI stuff.

684
00:43:45,000 --> 00:43:49,039
Speaker 2: Because I haven't never felt hat like yours.

685
00:43:49,800 --> 00:43:56,440
Speaker 11: All my troubles you don't great queen tiny by the

686
00:43:56,800 --> 00:44:03,639
throats love that you never know, he said, La bells

687
00:44:03,760 --> 00:44:23,280
are like gils, trees to the.

688
00:44:23,599 --> 00:44:30,559
Speaker 7: Side and supicideh.

689
00:44:35,719 --> 00:44:40,280
Speaker 2: How like the others before pasts now.

690
00:44:41,599 --> 00:44:42,039
Speaker 3: Grids.

691
00:44:42,880 --> 00:44:45,480
Speaker 6: I seeking every.

692
00:44:46,960 --> 00:44:49,880
Speaker 7: Everything that especially.

693
00:44:49,760 --> 00:44:54,360
Speaker 3: Down to have black gulls become.

694
00:44:56,079 --> 00:44:58,239
Speaker 12: Felt like girls.

695
00:44:59,360 --> 00:45:01,960
Speaker 6: That's want to know.

696
00:45:03,639 --> 00:45:10,519
Speaker 11: What you start Jos friends never felt about like yours.

697
00:45:11,559 --> 00:45:12,880
Speaker 3: It's time to.

698
00:45:15,840 --> 00:45:16,719
Speaker 2: Something wanting.

699
00:45:17,039 --> 00:45:25,199
Speaker 6: His story pans that I felt.

700
00:45:25,079 --> 00:46:04,480
Speaker 3: Tos had av ls all I.

701
00:46:04,599 --> 00:46:12,159
Speaker 2: Said, no by sort of stuff because.

702
00:46:13,360 --> 00:46:19,159
Speaker 6: Balds at les all the show that you had no

703
00:46:20,199 --> 00:46:23,639
cont be tiny by by approach.

704
00:46:25,480 --> 00:46:31,920
Speaker 2: She ever, I guess had a bals of f us.

705
00:47:14,159 --> 00:47:16,360
Speaker 13: Nana's Kitchen and Pizzeria.

706
00:47:16,719 --> 00:47:22,719
Speaker 3: From Nana's handss to York play tradition, love and taste.

707
00:47:22,840 --> 00:47:26,840
Speaker 4: That's great, so fermented dough flavor, so.

708
00:47:27,360 --> 00:47:34,679
Speaker 2: True each bite the story made just for you.

709
00:47:35,719 --> 00:47:39,480
Speaker 13: Six O three two three two nine three six six

710
00:47:40,280 --> 00:47:45,119
Nana's Kitchen and Pizzerive fifteen Yartmouth Dry Auburn, New Hampshire.

711
00:47:45,599 --> 00:47:48,960
Speaker 6: NAS Kitchen and Hissary.

712
00:47:53,079 --> 00:47:55,840
Speaker 12: The two greatest rock and roll bands of all time

713
00:47:56,039 --> 00:47:59,320
face off as the Chubb Theater hosts tributes to the

714
00:47:59,400 --> 00:48:01,159
Beatles and the Rolling Stone.

715
00:48:01,440 --> 00:48:04,159
Speaker 4: Beatles Versus Stones, A musical.

716
00:48:03,880 --> 00:48:06,559
Speaker 12: Showdown comes to Chubb Theater at the Capitol Center for

717
00:48:06,639 --> 00:48:10,599
the Arts on Thursday, December eleventh at seven thirty pm.

718
00:48:11,039 --> 00:48:14,079
Tickets can be purchased at the theater box office or

719
00:48:14,159 --> 00:48:18,719
online at CCANH dot com. The Capital Center for the

720
00:48:18,880 --> 00:48:22,320
Arts is located at forty four South Main Street, Conquered,

721
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New Hampshire. The show was appropriate for all ages. Luigi's

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Pizza Barren Grill.

723
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Speaker 14: Under one Let's phrases lies on hides with Top and

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all the Ground Pizza, Pizza.

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Speaker 12: Barto Line, Luigi's Pizza Barren Grill, seven to twelve Valley Street, Manchester.

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Come on in or call six two two one zero

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two one Luigi keeping the tradition alive since nineteen seventy five.

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Speaker 15: Pizza for every one.

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Speaker 4: Come join a beast to night with these slye sets

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of it.

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Speaker 2: Everything's feels so right.

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Speaker 12: In times of crisis.

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Speaker 16: You need a law firm that stands by your side.

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to fighting for your rights. As former state prosecutors, our

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aggressive defense against any charge, from duys to homicides. If

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and fight for the compensation you deserve. Serving all of

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New Hampshire, Craigan Getzulis is here when you need us most.

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Visit craigatzulis dot com for a free consultation. Craigan getsulus,

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your advocates, your allies.

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Speaker 9: Bring your kitchen to life with Queen City Cabinetry, located

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at eighty seven Elm Street in the historic Sunbeam Law

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in Manchester. Open Monday through Friday eight nine am to

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five thirty pm, in Saturdays ten am to two pm.

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They can be reached at three two two two to

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NH dot com. Come see the possibility. It's Queen City

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Cabinet Tree, another Crown sponsor of w MNH.

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Speaker 14: Hey everyone, there's Rob Azevedo, host a grantite State of Mind,

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and I want to tell you about Pembrook City Limits

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and the Historic Suncook Village. PCL's an award winning bar,

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restaurant and music venue where there's live music five days

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a week and twice on Saturdays, everything from blues, country, folk, funk,

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and a whole lot of jazz. We have twelve craft

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beers on tap dedicated to the local brewers in the

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area and some of the friendliest bartenders around. Please come

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visit Pembrook City Limits at one thirty four Main Street,

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the historic sunk Cook Village, only six miles outside of Manchester.

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Open Tuesdays to Wednesdays four to ten Thursday's Sunday eleven

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to ten Pembrook City Limits, where it's all about the music.

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Speaker 12: Business cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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bring your.

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Speaker 7: Appetite and tree your taste.

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Speaker 12: Bus right. Disine's Cafe is always a winning choice. Breakfast,

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lunch or supper Dizze's Cafe at eight sixty Elm Street

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in downtown Manchester. Dine in, take out or make a

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reservation call six oh three, six oh six two five

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three two, Eat, drink and be happy Dizze's Cafe.

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Speaker 17: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust growl In Computers,

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Speaker 8: Midnight seven times out of ten we listened to our

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music at night. That's one titled books Business program.

783
00:52:10,960 --> 00:52:13,400
Speaker 12: Late Night to Light with DJ Midas right here on

784
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WMNH Manchester because.

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Speaker 7: Saturdays and Sunday nights midnight to four am.

786
00:52:22,239 --> 00:52:27,679
Speaker 13: This hour on WMNH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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Their phone number is eight sixty six eighty four to

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Speaker 18: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w MNHLP. The sonic heartbeats of

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Manchester is transcending through the ether at ninety five point

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three megahertz frequency modulation or transmissions M and E from

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the ZEDE at the one thousand Elm Streets ensure into

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the hearts of our creative realm at one nineteen Canal Street,

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where innovation and sound colloge. They're the impro moder of

800
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Manchester Public Television Service in the venerable City of Manchester,

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New Hampshire, USA.

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Speaker 10: Enrich your auditory journey with the depth of our.

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Speaker 18: License to Wesidens spent your missives to w m n

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H ninety five to three at gmail dot com, or

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traverse the virtual corridors of w mnhradio dot org. Engage

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with our sonic vibrations by communing with us through the

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digital channel or radio beckons eager to enthrall you with

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its mesmerizing cadence and develop you with a symony of

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foundless auditories.

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Speaker 10: Won dude, w MNH rip the novels.

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Speaker 19: You're listening to Mattconnorton Unleashed on w M and H

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ninety five point three.

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Speaker 10: You are listening to double m n H ninety five.

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Speaker 7: Point three World Premiere.

815
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Speaker 10: Times my prison.

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Speaker 2: My mind is my.

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Speaker 3: Even with these guys.

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Speaker 14: We says it's see him to see his hair coil.

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Speaker 6: But I'm looking for light and a real easy to

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go wong.

821
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Speaker 19: Want someone's head a hole and not beel some long

822
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good lot know something that word not honey.

823
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Speaker 10: And good times.

824
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Speaker 19: We haird something that was said, scanty hot, Why sorry girl?

825
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Speaker 10: A black come a gray potion?

826
00:56:54,400 --> 00:56:59,519
Speaker 19: The way jesup passed snooks the father's shore.

827
00:57:00,800 --> 00:57:05,039
Speaker 15: Just how long misstill Mack has so I guess my

828
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time has come.

829
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Speaker 2: That must be Feno, Live Right.

830
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Speaker 15: Care, can ride homies, what happens good God does have that.

831
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Speaker 19: Burning on the hobby.

832
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Speaker 15: And to the time feed. He can't set, just can't

833
00:57:56,440 --> 00:57:57,199
be content.

834
00:57:58,559 --> 00:58:02,239
Speaker 10: Wan Smy Girl loose Back,