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<v Speaker 7>Statue for the warners, this podcast is designed to take

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<v Speaker 1>Fellas.

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<v Speaker 8>This ain't my first time at the rodeo. M all right, everyone,

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<v Speaker 8>thanks for being here. I'm so excited for this episode.

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<v Speaker 8>I have one of my best sties in the podcasting world, Drew,

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<v Speaker 8>on tonight, and we are going to cover one of

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<v Speaker 8>our favorite movies, or at least, let me just speak

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<v Speaker 8>for myself, one of my favorite movies of all time.

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<v Speaker 8>But before we get into it, Drew, how are you?

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<v Speaker 9>I am? Good, mate, really good. I'm really happy to

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<v Speaker 9>be on for this film because, like you said, it's

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<v Speaker 9>not just yours. It's one of my favorite films of

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<v Speaker 9>all time as well. It's an epic eighties film, the

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<v Speaker 9>tail endb eighties. But I really can't wait to get

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<v Speaker 9>into this one because after going back and watching it

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<v Speaker 9>with a keen eye this time, I picked up on

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<v Speaker 9>a lot of things that just went straight over my

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<v Speaker 9>head as a kid growing.

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<v Speaker 8>Up watching this, oh for sure, And like I said,

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<v Speaker 8>before we started recording. I hope we didn't find all

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<v Speaker 8>the same stuff. I still hope to blow your mind

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<v Speaker 8>a little bit. Like that's always I have to set

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<v Speaker 8>the bar, like if I don't blow Drew's mind, I've failed.

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<v Speaker 8>So hopefully I found something. But it is the verbs.

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<v Speaker 8>And of course, you know, with Tom Hanks and everything,

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<v Speaker 8>it's one of those conspiracy theories that even people who

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<v Speaker 8>aren't into conspiracy theories are starting to know about. You know,

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<v Speaker 8>it's always Tom Hanks that gets brought up. He's like

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<v Speaker 8>the conspiracy candy at this point.

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<v Speaker 9>Yeah, Tom Hanks has become very much a thorn in

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<v Speaker 9>the side of the Q people. He's this big personality

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<v Speaker 9>that when everyone talks about Hollywood and the city Underbelly,

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<v Speaker 9>Tom Hanks just happens to be the lead head of this.

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<v Speaker 9>It's like he's some kind of a patriarch of the

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<v Speaker 9>of the pedophilex pedophile satanic elite or something. He's just Yeah,

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<v Speaker 9>and it came out nowhere too. America's Dad, as he's

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<v Speaker 9>been known, has somehow become the most nefarious name in Hollywood.

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<v Speaker 8>Yeah, and it was also he was also linked to

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<v Speaker 8>all that Isaac Cappy stuff and just all the weirdness,

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<v Speaker 8>you know, and like one of his sons is like

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<v Speaker 8>pretty hot. Actually he's like a buff dude and doesn't

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<v Speaker 8>really look like Tom Hanks at all. And then you

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<v Speaker 8>have his other son, Colin, that has been in a

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<v Speaker 8>lot of movies that looks almost just like him, like

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<v Speaker 8>a twin of him, And you almost wonder, like, are

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<v Speaker 8>they into all this stuff too? I guess they'd have

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<v Speaker 8>to be right, it's like that's their dad. Guilt by association.

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<v Speaker 8>But I mean, I guess it's one of those separating

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<v Speaker 8>the art from the artist or whatever they say. Because

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<v Speaker 8>I still love the movie. I still watch Tom Hanks

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<v Speaker 8>movies all the time. I always talk about The Money Pit.

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<v Speaker 8>I don't know if you like that one, but.

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<v Speaker 9>It's pretty good. The money Pit, Big passed away this

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<v Speaker 9>all these great Hollywood films of Tom Hanks. Like I said,

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<v Speaker 9>when you think of the elites of Hollywood and people

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<v Speaker 9>who were genuinely entertaining in their craft, Tom Hanks is

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<v Speaker 9>rought up there. Oh so for all these conspiracy theories

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<v Speaker 9>to come out and say at bare minim the last

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<v Speaker 9>five to six years, that just blew up the scene

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<v Speaker 9>and conspiracy big time. Because we all grew up on

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<v Speaker 9>Tom Hanks A fantastic.

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<v Speaker 8>ACTA one hundred and I know you have a little

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<v Speaker 8>bit of an article do you want to read for everyone,

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<v Speaker 8>just maybe to get us started, Yeah, sir, little tease test.

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<v Speaker 9>Absolutely So this is an article I came across and

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<v Speaker 9>I'll just bring it up on the screen. It really

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<v Speaker 9>spins the tale of what conspiracy theory is for Normish

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<v Speaker 9>and probably what i'd say is left wing politics in

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<v Speaker 9>America and how it's considered today. Tom Hanks movie that

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<v Speaker 9>explains modern conspiracy theories, The Burbs, continues to be underrated

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<v Speaker 9>by Cracked dot com. A lot of Tom Hanks movies

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<v Speaker 9>help us untangle the complexities of the modern world. Philadelphia

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<v Speaker 9>taught many of us about AIDS discrimination, Apollo thirteen was

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<v Speaker 9>a painstakingly accurate look at the space program, and of

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<v Speaker 9>course Larry Crown was a hard look at well whatever

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<v Speaker 9>it was that happened in the Larry Crown. But we'd

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<v Speaker 9>like to take a minute to talk about Tom hanks

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<v Speaker 9>most sadly underrated projects, the nineteen eighty nine comedy The Burbs,

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<v Speaker 9>directed by Joe Dante. The Suburbs been a subject of

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<v Speaker 9>a lot of political discourse this year. Donald Trump's reelection

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<v Speaker 9>strategy heavily involved stoking racist fears among white suburbanites, and

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<v Speaker 9>earlier this year, the Republican National Convention hosted Mark and

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<v Speaker 9>Patricia McCloskey, the recently indicted gun toting rejects from the

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<v Speaker 9>Freedom fifty five commercial who threatened Black Lives Matter protesters.

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<v Speaker 9>The couple warned viewers that the Democrats were attempting to

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<v Speaker 9>abolish the suburbs, presumably their warning that Joe Biden would

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<v Speaker 9>personally bathe in the blood of each and every peer

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<v Speaker 9>one shopper, shopper that was cut for time.

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<v Speaker 8>What the fuck right?

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<v Speaker 9>This is varied, politicized spin, every single conspiracy theorist as

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<v Speaker 9>a gun toting white American. Of course, the American suburb's

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<v Speaker 9>real story is inherently racist one the state's sponsored housing

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<v Speaker 9>projects purposely segregated communities out of the fears of property

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<v Speaker 9>values of white homes would decline Otherwise, One could argue

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<v Speaker 9>that the urbs exclusion of black characters in the story

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<v Speaker 9>about suburbans and a phobia is a giant oversight, But

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<v Speaker 9>the film also grapples with another theme that are sadly

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<v Speaker 9>relevant today. Ultimately, the movie is about how fear, privilege,

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<v Speaker 9>and isolation are the gears to crank out the conspiracy

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<v Speaker 9>theory sausage alarmingly quickly. Hanks and friends convince themselves that

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<v Speaker 9>their residents foreigners are Satanists and reflect in real life

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<v Speaker 9>Satanic panic of the mid nineteen eighties, the massisteria of

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<v Speaker 9>the Satanists were abusing children throughout the country, sometimes through

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<v Speaker 9>the unholy vessel of the Smurfs. Certainly has echoes in

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<v Speaker 9>today's batshit crazy QAnon conspiracy theory, and it to has

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<v Speaker 9>been spreading in the suburbs. While the verbs ultimately ends

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<v Speaker 9>in the revelation that the mysterious foreign invaders did commit murder,

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<v Speaker 9>the twist almost feels like an aft of thought and

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<v Speaker 9>they could easily exist solely in rais fractured psyche. The

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<v Speaker 9>points that this titular verbs can be conserved as the

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<v Speaker 9>perfect breeding ground for irrational, toxic obsession. And while so

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<v Speaker 9>has gone through like twenty Batman's since nineteen eighty nine,

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<v Speaker 9>sadly that hasn't changed. What the app a compolete absolute

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<v Speaker 9>drama of politics that's been thrown into this.

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<v Speaker 8>What do you know when we do episodes like this

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<v Speaker 8>and I have people say like, oh, you're grasping at straws.

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<v Speaker 8>Oh you're splitting hairs, you're doing this, and now that article,

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<v Speaker 8>that article is doing that.

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<v Speaker 9>Okay, exactly, it's the article is.

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<v Speaker 8>Doing that, not us, not the stuff. No, no, no, no, no,

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<v Speaker 8>that shit is grasping at straws.

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<v Speaker 9>It took something that was a nineteen eighty nine classic

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<v Speaker 9>comedy and made it purposely political for no reason. If

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<v Speaker 9>anyone's stoking the now and yeah, it's stoked the fire

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<v Speaker 9>division by making it race related, not at all about

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<v Speaker 9>the actual content of the film, but anyway, it just

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<v Speaker 9>hintsept things like Satanism, which are clearly within this film

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<v Speaker 9>by the way, yeah the script, but let's just go

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<v Speaker 9>off that and everyone's a gun toning Trump supporter. Wow,

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<v Speaker 9>I just found that article very interesting in my research.

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<v Speaker 8>Dude, that is fucking wild, Drew. I'm telling you, they

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<v Speaker 8>hit us at every angle with some shit like that.

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<v Speaker 8>Like somebody who wasn't like us, who wasn't into this stuff,

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<v Speaker 8>come across an article like that and they'd be like, oh,

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<v Speaker 8>I never knew that about the Burbs. It's like, what

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<v Speaker 8>the like what That's not what the movie was about

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<v Speaker 8>at all.

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<v Speaker 9>Not at all it's it's one of those like lecturers

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<v Speaker 9>at university which has a whole unit on white oppression

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<v Speaker 9>of minority groups, and they'd use this as a focus

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<v Speaker 9>for their students reading something into it that's not actually.

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<v Speaker 8>There, right right, Okay, Well we're gonna have to school

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<v Speaker 8>people now because we gotta we gotta make it right

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<v Speaker 8>for anybody out there who found that article. We got

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<v Speaker 8>to tell them the truth about the fucking verbs. How

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<v Speaker 8>do you want to get started? You you always do

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<v Speaker 8>like the kind of like the overview and the names

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<v Speaker 8>and stuff. You want to do that first?

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<v Speaker 9>Yeah, let's get in so I've got synopsis there and

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<v Speaker 9>did you know your facts? And then the etymology of

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<v Speaker 9>the names.

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<v Speaker 10>All Tom Hanks wanted was a quiet vacation at home.

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<v Speaker 9>This is what I need, Carol, I need this.

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<v Speaker 10>Welcome to Mayfield Place, a typical street in the burbs

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<v Speaker 10>whine Water where nothing much ever happened. I just tick

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<v Speaker 10>a dump on Rumsfield's lining until the Clopex moved in

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<v Speaker 10>Clopex Clopex clopek. No one goes in, no one comes out.

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<v Speaker 10>Neighbors from how it was a nice place to live,

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<v Speaker 10>he said.

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<v Speaker 11>He thinks the Clopex are evil incarnate.

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<v Speaker 1>Well you're much too smart to fall for that, aren't you, honey?

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<v Speaker 10>But no, Carol, you would't want a visit there.

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<v Speaker 9>Ray, This is Walter.

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<v Speaker 10>The Burbs.

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<v Speaker 12>I'm going over the fence when I'm not coming back

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<v Speaker 12>till I find a dead Bonnie.

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<v Speaker 9>Great.

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<v Speaker 12>Do you wanted to take your family kidnap and tear

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<v Speaker 12>their livers out and make some kind of satanic pante

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<v Speaker 12>We Ron, Walter.

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<v Speaker 13>We got a real problems, Ron.

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<v Speaker 9>I love this street.

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<v Speaker 10>Tom Hanks, I think we are overreacting. No, the Urbs,

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<v Speaker 10>it's one hell of a neighborhood.

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<v Speaker 11>Hey, Hi, I think we should move.

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<v Speaker 9>So. The Urbs is the nineteen eighty nine dark comedy

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<v Speaker 9>thriller written by Dana Olson and directed by Joey Dante

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<v Speaker 9>that tells the tale of a typical American neighborhood.

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<v Speaker 4>Top reasons your career wants you to move to Ohio.

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<v Speaker 4>So many amazing growth opportunities, high paying jobs and technology,

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<v Speaker 15>A job that can take you further and a place

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<v Speaker 9>When new neighbors come to leave in the Haus, next

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<v Speaker 9>tool to write Payson, he finds that least people are

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<v Speaker 9>really strange. Nobody's ever seen them. The Haus is a

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<v Speaker 9>real man, and during the night, weird noises keep coming

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<v Speaker 9>from their basement. The only thing they know is their name, Clopex.

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<v Speaker 9>One day, Walter, an old man in the neighborhood, suddenly

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<v Speaker 9>disappears under mysterious circumstances. Ray begins to question the CLOPEXX involvement,

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<v Speaker 9>while his friend and fellow neighbor Art is convinced that

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<v Speaker 9>the new family on the block is part of a

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<v Speaker 9>murderous satanic cult. Straight off the bat, Joe Dante as

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<v Speaker 9>the director.

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<v Speaker 8>Don't even say anything because I got all the shit

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<v Speaker 8>on the drug. You know, that's my thing.

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<v Speaker 9>I just got to just just a little bit Dante

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<v Speaker 9>Dante's Inferno, the literal story about a man who goes

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<v Speaker 9>to hall to save his wife who's committed suicide. I

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<v Speaker 9>just jumped off the bat for me as a historian

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<v Speaker 9>and a literary lover. Sot on the dragon.

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<v Speaker 8>I actually this is an m Nate Charmalan twit in

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<v Speaker 8>our episode because I'm not going to reveal anything about

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<v Speaker 8>the director until we get like halfway through the breakdown

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<v Speaker 8>because there's a specific scene that triggers the conspiracy. So

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<v Speaker 8>I'll get to it like kind of halfway through. But

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<v Speaker 8>let me hear about the names. Give me the name, Okay, I'll.

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<v Speaker 9>Go through the names. Then we'll go through some did

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<v Speaker 9>you know facts? Ray Peterson. Tom Hanks plays our main

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<v Speaker 9>character in Old German tongue. Ray finds fitting roots in Reagan,

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<v Speaker 9>meaning counsel or advice, elevating the bearer to a moral

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<v Speaker 9>learned stature. Peterson, meaning Peter's son, is derived from the

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<v Speaker 9>given name Peter, which is from the Greek Petros, meaning

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<v Speaker 9>rock or stone. So Ray is the bedrock of his

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<v Speaker 9>small community of Mayfield Place. He forms his council with

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<v Speaker 9>fellow neighbors, seeking advice on the new mysterious neighbors and

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<v Speaker 9>what they've been doing within the confines of the dark

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<v Speaker 9>and ominous home. So he's the counselor and the bedrock

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<v Speaker 9>of his community.

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<v Speaker 8>Yeah.

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<v Speaker 9>Carol, his wife, Carol, just being synonymous with folk songs

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<v Speaker 9>and religious significance, she's almost like his moral grounding. She's

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<v Speaker 9>his voice of reason throughout. Oh you're crazy, you're looking

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<v Speaker 9>too much into this, So she's almost like his balancing scale.

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<v Speaker 9>In this film, bitch was wrong though she was very wrong. Yeah.

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<v Speaker 9>Mark Rumsfeld, who plays the neighbor who's like a grizzled

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<v Speaker 9>Vietnam Veteran Roman Latin name Markos or Martkos has been

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<v Speaker 9>thought to mean god of war and warlock. Rumsfeld is

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<v Speaker 9>Old English, which means wild Garlic. It is believed that

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<v Speaker 9>a strong sense an essence of garlic repels creatures, protecting

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<v Speaker 9>individuals from their harmful intentions. Whiles association with vampires is

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<v Speaker 9>mostly mythical, the symbolism of garlic is a potent guardian

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<v Speaker 9>against darkness still persists. Mark is a grizzled war veteran

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<v Speaker 9>from Vietnam, a man with a keen eye on what

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<v Speaker 9>happens with his street. He forms the physical protect for

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<v Speaker 9>the town, using his military tactical knowledge to keep those

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<v Speaker 9>he cares about safe, repelling those who mean to do

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<v Speaker 9>them harm. He's the physical soldier and the esoteric guardian

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<v Speaker 9>of his street.

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<v Speaker 8>He definitely is that.

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<v Speaker 9>Art Wagner, which is the conspiracy theorist in this film

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<v Speaker 9>who kind of aligns with what our thinking is. It's

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<v Speaker 9>hilarious loved art Art Winegardner Art is a Celtic masculine

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<v Speaker 9>name meaning bear and figuratively means champion, whereas white Gardener

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<v Speaker 9>is a German surname meaning wine. Gardener. Art embodies the

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<v Speaker 9>essence of his namesake the as he wanders in and

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<v Speaker 9>around the town and the street, going through people's houses,

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<v Speaker 9>eating their food, sitting down, lazing about. He also enjoys

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<v Speaker 9>a good drink. In this case it's beer, not wine,

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<v Speaker 9>so he's just the lays of our easy going guy.

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<v Speaker 9>The last one in the small little group is Ricky Butler,

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<v Speaker 9>who's played by oh from Grimlins with his Corey Feldman Corey,

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<v Speaker 9>one of his last films before he dropped off the

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<v Speaker 9>face of the earth. Butler German origins meaning powerful leader

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<v Speaker 9>or brave ruler, and it's a short form of Richard,

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00:17:13.960 --> 00:17:18.519
<v Speaker 9>whereas Butler is Old English meaning a bottle bearer. Ricky

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<v Speaker 9>is the leader amongst his group of youthful friends doing

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<v Speaker 9>the typical things of those in his age, hanging around

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<v Speaker 9>partying drinking. He brings the beer, the location and the

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<v Speaker 9>entertainment for his friends group, so you see throughout this

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<v Speaker 9>film he's always got his young group of friends around

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<v Speaker 9>watching what other people are doing and not going out

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<v Speaker 9>and partying like the stereotypical things of the kids at

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<v Speaker 9>that age. Last one doctor Werner Clopek, which is our

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<v Speaker 9>villain for this film. Werner is a name of German origin,

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<v Speaker 9>Werner meaning the defender or the defending warrior. Clopek is

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<v Speaker 9>Polish in origin, a diminutive vermin version sorry of Kloss

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<v Speaker 9>a nickname from Kloss roughly translates to ear or spike

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<v Speaker 9>of cereal, which generally means in Polish tongue, probably for

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<v Speaker 9>someone who's small or lanky. Doctor Werner is a small

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<v Speaker 9>man and fierce defender of his family's ancient Germanic Slavic arts,

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<v Speaker 9>practices and secrets. Whilst he cannot defend his family in

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<v Speaker 9>the sense of martial strength and power, he does so

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<v Speaker 9>through his intellect, charm, and panash. We see this guy

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<v Speaker 9>as a very well educated, very worldly man, very different

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<v Speaker 9>from his brother and his nephew, but he defends them

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<v Speaker 9>in that manner through his intellect.

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<v Speaker 8>And he is small as fun like he looks, Yeah,

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<v Speaker 8>he looks like a fucking madjit or something. But you know,

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<v Speaker 8>I thought that it might be significant because they kept

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<v Speaker 8>bringing it up in the movie, like Klopec, Like what

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<v Speaker 8>is that a Slavic name? Like, they kept bringing it

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<v Speaker 8>up in the movie, so I thought, like it might

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<v Speaker 8>be I don't know, do you think it fits the

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<v Speaker 8>care well or do you think it was just some randomness.

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<v Speaker 9>I think they wanted a Pollock Slavic type of name,

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<v Speaker 9>but it tends to be the more Germanic in their origin.

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<v Speaker 9>In this film, and it kind of comes back to

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<v Speaker 9>one of the key sequences later on I'll get into,

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<v Speaker 9>but it refers to a Zoroastrian god or demon in

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<v Speaker 9>this case.

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<v Speaker 8>Yeah, Drew, why are you going to come in with

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<v Speaker 8>the heat so early on? Geez what let me grab

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00:19:32.000 --> 00:19:36.000
<v Speaker 8>my water real quick, Hang on, no problem, Okay, So

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<v Speaker 8>the beginning of the movie, let's just walk ourselves through it. Uh,

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<v Speaker 8>did anything strike you? I'm talking about even the opening

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<v Speaker 8>of the opening of the movie when they're zooming down

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<v Speaker 8>in on the house and like everything after that, did

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<v Speaker 8>anything strike you right off the top?

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<v Speaker 9>Well, straight off the get go. If you're going to

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<v Speaker 9>go down to conspiracy routes, it had and it's the

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<v Speaker 9>producer of the film, the company that helped build it

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<v Speaker 9>and fund it. It goes stretch to the globe earth

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<v Speaker 9>versus flat earth analogy, because we've got the globe. It

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<v Speaker 9>shows the globe that zooms in, It goes specific part

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<v Speaker 9>of America and goes down to a straight level straight away.

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<v Speaker 9>It's setting up the idea or the sigh up that

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<v Speaker 9>the Earth is a globe versus a flat plane. And

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<v Speaker 9>if you're a biblical person, it's a flat plane.

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<v Speaker 8>Yeah, that's what. That's the first thing that I noticed too, right,

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<v Speaker 8>Like they got the globe model going for us, and

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<v Speaker 8>then it's zooming down in and you know, compared to

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<v Speaker 8>everything else on the street, obviously the Klopex house, everything

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<v Speaker 8>is fucking dead. The grass is dead, the trees are dead.

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<v Speaker 8>The house looks fucking dilapidated. Which doesn't make sense to

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<v Speaker 8>me because if they had just moved in and just

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<v Speaker 8>murdered the Naps, why weren't the Naps keeping up with

359
00:20:53.920 --> 00:20:56.680
<v Speaker 8>their shit, Like they moved in and literally everything fucking

360
00:20:56.720 --> 00:20:59.440
<v Speaker 8>died overnight or like what I mean. Obviously it's just

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<v Speaker 8>part of the movie for the theatrical version of it,

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00:21:02.200 --> 00:21:07.279
<v Speaker 8>but they had literally freshly murdered the Naps, and fucking

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<v Speaker 8>the whole house looks like it's been vacant for seventy

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<v Speaker 8>two years.

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<v Speaker 9>Yeah, it almost looks as if the land's cursed because

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<v Speaker 9>you've got the immaculate lawns on everyone else's front yards

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00:21:17.920 --> 00:21:21.720
<v Speaker 9>and there's literally a delineation of lime grain that suddenly stops.

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<v Speaker 9>There's no overlap of a little bit of grass slowly dying.

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<v Speaker 9>It's just dead in lines, as if almost it's like

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<v Speaker 9>cursed earth. Assaulted earth.

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<v Speaker 8>Yeah, yeah, so now we have to take into consideration.

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<v Speaker 8>Just teer me out that it goes beyond just the

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<v Speaker 8>physical aspects of these guys being fucking weird, because if

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<v Speaker 8>you can kill grass overnight and trees, then there's probably

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<v Speaker 8>a spiritual aspect to this, like everything is dead around

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<v Speaker 8>these motherfuckers. And the next scene, like when I put

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<v Speaker 8>in some stuff that I just thought was funny, but

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<v Speaker 8>like the newspaper boy is doing his route or whatever

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00:22:00.359 --> 00:22:03.680
<v Speaker 8>and he gets to Tom Hanks his house and he

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00:22:04.039 --> 00:22:08.680
<v Speaker 8>splashes the coffee at him, like I don't know, but

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00:22:08.839 --> 00:22:12.359
<v Speaker 8>it just gets me every time. It's so funny.

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<v Speaker 9>The hilarious thing I found was the name of the

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<v Speaker 9>straight Mayfield Place because it's a winking a nod to Mayfield,

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00:22:18.880 --> 00:22:20.839
<v Speaker 9>which was the town which the Claves lived in, and

385
00:22:20.920 --> 00:22:23.440
<v Speaker 9>leave it to Beva. Oh so it's trying to type, Yeah,

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00:22:23.440 --> 00:22:27.200
<v Speaker 9>it's trying to tie back into that Americana like golden age,

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00:22:27.400 --> 00:22:28.720
<v Speaker 9>white pick offence Tom frame.

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00:22:29.240 --> 00:22:32.759
<v Speaker 8>Oh yeah, And like we kind of get introduced in

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00:22:32.839 --> 00:22:35.400
<v Speaker 8>a way to all of the characters in this like

390
00:22:35.480 --> 00:22:39.319
<v Speaker 8>first five minutes of the movie, because you know, Tom Hanks,

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00:22:39.359 --> 00:22:42.160
<v Speaker 8>he splashes his coffee at the newspaper boy, and then

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00:22:42.200 --> 00:22:45.319
<v Speaker 8>it kind of goes over to Rumsfield and his wife,

393
00:22:45.319 --> 00:22:48.119
<v Speaker 8>who is smoking hot. By the way, if we were

394
00:22:48.160 --> 00:22:52.400
<v Speaker 8>gonna rate like eighties wives, she's right up there. I mean,

395
00:22:52.480 --> 00:23:00.319
<v Speaker 8>she's classic eighties wife material. Rumsfield's wife is smoking hot.

396
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<v Speaker 9>And good twenty years younger than him.

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00:23:02.359 --> 00:23:07.440
<v Speaker 8>Oh yeah, definitely, definitely. And you know, I think we

398
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<v Speaker 8>see Walter, you know, his dog takes a shit on

399
00:23:10.599 --> 00:23:18.599
<v Speaker 8>Rumsfield's lawn. We see Corey Feldman aka Ricky Butler, and uh.

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418
00:24:10.079 --> 00:24:12.480
<v Speaker 4>to a job that can take you further and a

419
00:24:12.519 --> 00:24:14.960
<v Speaker 4>place you can't wait to come home to have it

420
00:24:15.000 --> 00:24:17.200
<v Speaker 4>all in the heart of it all. Launch your search

421
00:24:17.319 --> 00:24:19.279
<v Speaker 4>at call Ohio home dot com.

422
00:24:19.880 --> 00:24:23.559
<v Speaker 8>I don't think we see art until a little bit later.

423
00:24:24.319 --> 00:24:28.279
<v Speaker 8>But did anything strike you between like the opening and

424
00:24:28.319 --> 00:24:31.160
<v Speaker 8>then the kitchen scene. Uh?

425
00:24:31.319 --> 00:24:33.640
<v Speaker 9>Noria really kicked off in the kitchen, saying that's where

426
00:24:33.640 --> 00:24:34.079
<v Speaker 9>I stopped.

427
00:24:34.119 --> 00:24:36.799
<v Speaker 8>To me too, Well, I'll let you go first and

428
00:24:36.839 --> 00:24:38.599
<v Speaker 8>then I'll tell you what I found in the kitchen.

429
00:24:40.000 --> 00:24:42.839
<v Speaker 9>So this is the scene where we do get introduced

430
00:24:42.839 --> 00:24:45.920
<v Speaker 9>into art. Kanna just makes his way over and starts

431
00:24:45.920 --> 00:24:48.799
<v Speaker 9>eating the food and they're chatting. I noticed a little

432
00:24:48.880 --> 00:24:52.680
<v Speaker 9>nod to a previous Corey Feldman film. In the background

433
00:24:52.839 --> 00:24:56.319
<v Speaker 9>there's a box of Grimlin cereal sitting on the shelf.

434
00:24:56.480 --> 00:24:59.680
<v Speaker 9>I guess I'll go first, go for it, please.

435
00:24:59.519 --> 00:25:03.680
<v Speaker 8>All right? So first I want to say, though, in

436
00:25:03.720 --> 00:25:06.000
<v Speaker 8>the kitchen scene at the beginning of the movie, when

437
00:25:06.200 --> 00:25:09.960
<v Speaker 8>he's walking through the house and he's arguing with Carol

438
00:25:10.039 --> 00:25:12.240
<v Speaker 8>about whether or not he's gonna go on vacation. There

439
00:25:12.279 --> 00:25:15.400
<v Speaker 8>is a painting in the background of a little girl

440
00:25:15.480 --> 00:25:19.119
<v Speaker 8>in a red overall dress with what looks to be

441
00:25:19.759 --> 00:25:22.400
<v Speaker 8>a bullet hole in the middle of her head, and

442
00:25:22.519 --> 00:25:24.759
<v Speaker 8>it's like kind of creepy, and I zoomed in on

443
00:25:24.799 --> 00:25:27.079
<v Speaker 8>it and made it extra big, and it looks like

444
00:25:27.119 --> 00:25:29.920
<v Speaker 8>there's just a dark circle like right in the middle

445
00:25:29.960 --> 00:25:32.720
<v Speaker 8>of her forehead. Like She's like, it's like a dead

446
00:25:32.759 --> 00:25:35.440
<v Speaker 8>girl in the painting, and I look at all the

447
00:25:35.480 --> 00:25:38.200
<v Speaker 8>background stuff. Right then we get into the other part

448
00:25:38.279 --> 00:25:41.119
<v Speaker 8>of the kitchen scene and they're they're either eating Grimlin

449
00:25:41.279 --> 00:25:46.160
<v Speaker 8>cereal or they are it's on the counter. Obviously, the

450
00:25:46.160 --> 00:25:49.480
<v Speaker 8>Grimlin cereal is out. I me and my sister do

451
00:25:49.559 --> 00:25:51.839
<v Speaker 8>this with me. By the way, we were both watching it.

452
00:25:51.880 --> 00:25:53.720
<v Speaker 8>She was born in the eighties. She knows things I

453
00:25:53.759 --> 00:25:56.000
<v Speaker 8>don't know. I said, is that a real fucking cereal?

454
00:25:56.559 --> 00:25:59.519
<v Speaker 8>I was like, did bitches be eating Grimlin cereal? She

455
00:25:59.599 --> 00:26:00.279
<v Speaker 8>was like, oh my, oh god.

456
00:26:00.400 --> 00:26:01.079
<v Speaker 9>Yeah.

457
00:26:01.119 --> 00:26:04.559
<v Speaker 8>And so I watched the commercial for the Grimlin cereal

458
00:26:05.200 --> 00:26:11.079
<v Speaker 8>and it goes satisfy the demon inside Ah Okay, that's

459
00:26:11.119 --> 00:26:15.400
<v Speaker 8>what the Grimlin ceial commercial says. And the director of

460
00:26:15.519 --> 00:26:21.440
<v Speaker 8>The Urbs directed the Grimlins bro like literally, and there

461
00:26:21.559 --> 00:26:25.240
<v Speaker 8>is a lot of shit in the Grimlins that is

462
00:26:25.480 --> 00:26:31.359
<v Speaker 8>fucking conspiracy theorists shit like there is. The term Grimlins

463
00:26:31.680 --> 00:26:35.759
<v Speaker 8>came from the conspiracy Fuck me, it came from the

464
00:26:35.839 --> 00:26:39.559
<v Speaker 8>conspiracy theorist guy in the Grimlins, because he was like,

465
00:26:39.599 --> 00:26:42.319
<v Speaker 8>they're all coming to get us. There's Grimlins everywhere. So

466
00:26:42.599 --> 00:26:47.440
<v Speaker 8>even that word came from like a conspiracy theory. And

467
00:26:47.680 --> 00:26:51.480
<v Speaker 8>he's also one of the directors of the Twilight Zone movie.

468
00:26:52.720 --> 00:26:57.119
<v Speaker 8>He directed the Twilight Zone movie alongside of Steven Spielberg.

469
00:26:57.599 --> 00:27:00.680
<v Speaker 8>And there were two kids in the Twilight Zone movie

470
00:27:00.720 --> 00:27:05.000
<v Speaker 8>that got their heads completely decapitated and uh in this

471
00:27:05.039 --> 00:27:10.200
<v Speaker 8>fucking horrible helicopter accident while they were filming. And so

472
00:27:10.440 --> 00:27:15.119
<v Speaker 8>there's all this weird darkness around this director, and he's

473
00:27:15.200 --> 00:27:19.880
<v Speaker 8>putting little clues about stuff in the Burbs. If you

474
00:27:19.960 --> 00:27:23.839
<v Speaker 8>look for it, it's there. He's already referenced the Grimlins there.

475
00:27:24.079 --> 00:27:29.000
<v Speaker 8>Corey Feldman's wearing a Batman T shirt underneath his other

476
00:27:29.160 --> 00:27:32.559
<v Speaker 8>T shirt and quite a few scenes. But I mean,

477
00:27:32.559 --> 00:27:35.279
<v Speaker 8>what do you think about that? I think it's interesting.

478
00:27:36.000 --> 00:27:36.359
<v Speaker 9>It is.

479
00:27:36.440 --> 00:27:36.839
<v Speaker 17>I will.

480
00:27:37.079 --> 00:27:40.119
<v Speaker 9>You mentioned the artwork, right, So I looked at that

481
00:27:40.200 --> 00:27:42.400
<v Speaker 9>artwork and something. I didn't notice the bullet hole, but

482
00:27:42.440 --> 00:27:44.920
<v Speaker 9>I noticed the style in which it was painted. It

483
00:27:44.960 --> 00:27:48.680
<v Speaker 9>looks eerily reminiscent of some Pizzagate guest.

484
00:27:48.799 --> 00:27:53.480
<v Speaker 8>The paintings, right, the painting eerily similar, very much so.

485
00:27:54.160 --> 00:27:56.880
<v Speaker 8>And then you get like the the way that they

486
00:27:57.000 --> 00:28:02.400
<v Speaker 8>set up everything in the background. It has to be

487
00:28:02.519 --> 00:28:05.799
<v Speaker 8>on purpose because it catches your eye. The Grimlin cereal

488
00:28:05.880 --> 00:28:10.960
<v Speaker 8>box catches your eye, and the painting in the background

489
00:28:11.039 --> 00:28:17.440
<v Speaker 8>caught my eye for sure. But anyways, so after this scene, actually,

490
00:28:17.519 --> 00:28:19.839
<v Speaker 8>and why I know it's got to be on purpose,

491
00:28:20.039 --> 00:28:23.920
<v Speaker 8>is because Art comes through the backyard and he's got

492
00:28:23.920 --> 00:28:28.720
<v Speaker 8>a fucking gun and he there's no other figurines in

493
00:28:28.759 --> 00:28:34.079
<v Speaker 8>the entire backyard, in raised backyard other than what an ow,

494
00:28:34.359 --> 00:28:39.119
<v Speaker 8>a fucking owl, and he shoots the head of it off.

495
00:28:40.279 --> 00:28:44.119
<v Speaker 8>So I mean, do you think I'm grasping at straws

496
00:28:44.160 --> 00:28:44.960
<v Speaker 8>because I think.

497
00:28:46.720 --> 00:28:49.480
<v Speaker 9>That there's the council of like a council of owls

498
00:28:49.559 --> 00:28:52.640
<v Speaker 9>or wisdom of owls, and the owl is very reminiscent

499
00:28:52.640 --> 00:28:56.079
<v Speaker 9>of certain now elates that gather together at a certain

500
00:28:56.200 --> 00:29:01.160
<v Speaker 9>grove and raise this Moloch. It's almost as if they're

501
00:29:01.160 --> 00:29:05.480
<v Speaker 9>trying to symbolize the death of one kind of ancient

502
00:29:05.519 --> 00:29:09.079
<v Speaker 9>deety to ushering another one lighter in the film, mm

503
00:29:09.160 --> 00:29:10.000
<v Speaker 9>hmmm hmm.

504
00:29:10.519 --> 00:29:13.440
<v Speaker 8>Yeah, I mean I thought it was interesting. And just

505
00:29:13.519 --> 00:29:18.920
<v Speaker 8>again in the kitchen scene, they're kind of at the

506
00:29:19.000 --> 00:29:22.200
<v Speaker 8>table and Art is talking his head off, and in

507
00:29:22.240 --> 00:29:25.440
<v Speaker 8>the background they're watching a cartoon. Did you catch the

508
00:29:25.680 --> 00:29:27.200
<v Speaker 8>cartoon in the back?

509
00:29:27.279 --> 00:29:28.279
<v Speaker 9>Now? I missed it? What was it?

510
00:29:28.440 --> 00:29:31.359
<v Speaker 8>All right? So again, props to my sister because she

511
00:29:31.440 --> 00:29:33.720
<v Speaker 8>recognized it. I never would have. She was like, oh,

512
00:29:33.759 --> 00:29:36.440
<v Speaker 8>I know exactly what that was. They're watching Felix the

513
00:29:36.559 --> 00:29:38.200
<v Speaker 8>cat step.

514
00:29:37.880 --> 00:29:41.960
<v Speaker 10>Into the world of power, loyalty and luck.

515
00:29:42.200 --> 00:29:44.599
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516
00:29:44.680 --> 00:29:48.759
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517
00:29:48.880 --> 00:29:51.359
<v Speaker 13>Now you want to get mixed up in the family.

518
00:29:51.079 --> 00:29:55.799
<v Speaker 10>Business, Introducing the Godfather at Champa Casino dot com.

519
00:29:56.160 --> 00:29:57.039
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520
00:29:57.000 --> 00:30:00.279
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521
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522
00:30:02.839 --> 00:30:05.680
<v Speaker 10>Play the Godfather now at Chumpacasino dot com.

523
00:30:05.720 --> 00:30:07.160
<v Speaker 13>Welcome to the family.

524
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525
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526
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527
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<v Speaker 4>Top reasons your career wants you to move to Ohio.

528
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529
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530
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531
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532
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<v Speaker 4>their careers all took off in Ohio.

533
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<v Speaker 15>And yours can too. A job that can take you

534
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<v Speaker 15>further and a place you can't wait to come home.

535
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<v Speaker 5>To have it all in the heart of it all.

536
00:30:38.160 --> 00:30:41.359
<v Speaker 4>Launch your search at call Ohio home dot com.

537
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<v Speaker 8>And my sister actually found the exact episode they were

538
00:30:45.400 --> 00:30:49.519
<v Speaker 8>watching in the movie, and it's called The Rainbow Parade

539
00:30:49.920 --> 00:30:54.440
<v Speaker 8>in Technicolor. And if you look at the cover for

540
00:30:54.559 --> 00:30:59.400
<v Speaker 8>this cartoon, this episode, it's like all Wizard of Ozzie

541
00:31:00.039 --> 00:31:05.599
<v Speaker 8>and there's like rainbows and just the symbolism is off

542
00:31:05.680 --> 00:31:10.559
<v Speaker 8>the charts. And they're watching that episode in the background

543
00:31:10.599 --> 00:31:12.920
<v Speaker 8>of this kitchen scene. But I mean the funny part

544
00:31:12.920 --> 00:31:15.079
<v Speaker 8>of it. If you're not looking at the background and

545
00:31:15.079 --> 00:31:18.880
<v Speaker 8>you're looking at the forefront. Art is eating his fucking

546
00:31:18.960 --> 00:31:22.440
<v Speaker 8>ass off, and Ray looks at him and he's like,

547
00:31:23.359 --> 00:31:25.920
<v Speaker 8>why didn't you go with your wife to her mother's house?

548
00:31:25.960 --> 00:31:29.079
<v Speaker 8>And he's like, hey, I'm eating here.

549
00:31:29.160 --> 00:31:31.200
<v Speaker 9>So why didn't you go with suzetto a mother's house?

550
00:31:32.200 --> 00:31:34.160
<v Speaker 10>Okay, I'm eating here. Okay.

551
00:31:34.200 --> 00:31:36.240
<v Speaker 12>Can you imagine me and the two of them alone

552
00:31:36.279 --> 00:31:38.119
<v Speaker 12>for a week, I'd rather chew broken glass.

553
00:31:40.720 --> 00:31:41.279
<v Speaker 9>Then he eats.

554
00:31:41.559 --> 00:31:44.240
<v Speaker 8>He eats a dog food out of the dog food bowl.

555
00:31:44.279 --> 00:31:47.920
<v Speaker 8>I mean, there's so many iconic moments. There's there's actually

556
00:31:47.960 --> 00:31:54.279
<v Speaker 8>Aunt Jemimah's syrup on the table, rip Aunt Jemima But like, also.

557
00:31:54.119 --> 00:31:56.240
<v Speaker 9>Do you guess what he grabs out of the fridge

558
00:31:56.279 --> 00:32:03.079
<v Speaker 9>as well? Ribs, ribs, and damn pineapple. He pulls a

559
00:32:03.160 --> 00:32:06.480
<v Speaker 9>pineapple out and pineapple in Hawaiian culture is a symbol

560
00:32:06.519 --> 00:32:08.640
<v Speaker 9>of hospitality, friendship, and fertility.

561
00:32:09.640 --> 00:32:15.119
<v Speaker 8>But it also upside down means swingers, so it's a

562
00:32:15.160 --> 00:32:16.960
<v Speaker 8>sexual reference and.

563
00:32:17.240 --> 00:32:19.200
<v Speaker 9>It's that's the fertility side of things.

564
00:32:19.039 --> 00:32:21.519
<v Speaker 8>Right yeah, yeah yeah, But I mean the kitchen scene

565
00:32:21.519 --> 00:32:25.200
<v Speaker 8>in itself is pure comedy because I mean, if I

566
00:32:25.279 --> 00:32:27.640
<v Speaker 8>was going to be a character in this movie, I'm

567
00:32:27.799 --> 00:32:31.680
<v Speaker 8>one art there is no other character I would be.

568
00:32:32.039 --> 00:32:34.559
<v Speaker 8>I'm actually like that in real life. I can't stop

569
00:32:34.559 --> 00:32:37.759
<v Speaker 8>eating and I can't stop talking about dumb shit. So

570
00:32:38.240 --> 00:32:42.480
<v Speaker 8>I'm Art, I think you're I think your RUMs Field

571
00:32:43.720 --> 00:32:49.759
<v Speaker 8>really unless you I mean, I'm not gonna tell you

572
00:32:49.759 --> 00:32:52.400
<v Speaker 8>who you identify with, but if I was gonna say who,

573
00:32:53.079 --> 00:32:54.839
<v Speaker 8>probably probably Rumsfield.

574
00:32:55.279 --> 00:32:56.640
<v Speaker 9>I probably would be yeah, you're not wrong.

575
00:32:58.279 --> 00:32:58.400
<v Speaker 8>Thing.

576
00:32:58.480 --> 00:33:04.599
<v Speaker 18>Yeah, So why don't we go to next?

577
00:33:06.079 --> 00:33:09.319
<v Speaker 9>So this is where because prior to this this scene

578
00:33:09.519 --> 00:33:13.839
<v Speaker 9>sequence where we see Art talking to our main character

579
00:33:13.839 --> 00:33:16.240
<v Speaker 9>about the neighbors, we've skimmed over a little part at

580
00:33:16.240 --> 00:33:19.720
<v Speaker 9>the start where our main character played by Tom Hanks,

581
00:33:19.759 --> 00:33:22.480
<v Speaker 9>he goes out and he's watching the neighbors. There's some

582
00:33:22.519 --> 00:33:25.720
<v Speaker 9>weird noises coming from the basement. You hear over and

583
00:33:25.720 --> 00:33:29.720
<v Speaker 9>you see Rumsfeld having a cigarette or a cigar in

584
00:33:29.759 --> 00:33:32.240
<v Speaker 9>the window, watching over at night. Being he's creepy little

585
00:33:32.240 --> 00:33:34.839
<v Speaker 9>self as well, and they start to get into the

586
00:33:34.960 --> 00:33:37.640
<v Speaker 9>minuture of you know, he's got a week off, he's

587
00:33:37.640 --> 00:33:40.079
<v Speaker 9>on vacation. He doesn't really want to do anything. He

588
00:33:40.119 --> 00:33:42.799
<v Speaker 9>wants to lays about, drink a few beers, doesn't want

589
00:33:42.839 --> 00:33:46.559
<v Speaker 9>to go anywhere. But this storyline starts to take over

590
00:33:46.640 --> 00:33:49.000
<v Speaker 9>his life. He's a bit too invested in the neighbors

591
00:33:49.000 --> 00:33:51.880
<v Speaker 9>and the issues are surrounding them. And the weird noises

592
00:33:51.880 --> 00:33:55.240
<v Speaker 9>he hears and sees. And this is where Art really

593
00:33:55.319 --> 00:33:59.480
<v Speaker 9>tapped into the schizo conspiracy society of things. When he's

594
00:33:59.519 --> 00:34:01.559
<v Speaker 9>eating his food and he's just blah blah blah, going

595
00:34:01.599 --> 00:34:03.960
<v Speaker 9>off about all the things that he's noticed about these neighbors.

596
00:34:04.680 --> 00:34:07.960
<v Speaker 9>He says, one thing, though, I spoke to the real

597
00:34:08.079 --> 00:34:11.559
<v Speaker 9>estate agent about the Clopex buying the house, and that's

598
00:34:11.559 --> 00:34:13.079
<v Speaker 9>how he knows the last name. So the only thing

599
00:34:13.079 --> 00:34:16.039
<v Speaker 9>we know about him the last name Clopex, which is

600
00:34:16.159 --> 00:34:19.800
<v Speaker 9>interesting later on the film, there was no sale of

601
00:34:19.840 --> 00:34:25.039
<v Speaker 9>the house. The house wasn't purchased spoilers. So how does

602
00:34:25.320 --> 00:34:27.760
<v Speaker 9>is Art just talking shit or.

603
00:34:27.800 --> 00:34:28.719
<v Speaker 8>Or we catch a f.

604
00:34:30.199 --> 00:34:34.679
<v Speaker 9>We catched a flood, that is, there was a massive

605
00:34:34.840 --> 00:34:38.239
<v Speaker 9>error in the continuity of the story, or Art's actually

606
00:34:38.280 --> 00:34:38.760
<v Speaker 9>in on it.

607
00:34:39.559 --> 00:34:43.280
<v Speaker 8>Maybe I still think I would be Art, though in

608
00:34:43.400 --> 00:34:45.639
<v Speaker 8>this story it would be like me to be like

609
00:34:45.760 --> 00:34:48.519
<v Speaker 8>fucking hiding some shit like that too, Like I did

610
00:34:48.519 --> 00:34:53.079
<v Speaker 8>some fucking digging and shit fucking spying on the neighbors. Well,

611
00:34:53.159 --> 00:34:56.679
<v Speaker 8>you know, when they're standing outside the garage and he's like,

612
00:34:56.920 --> 00:34:59.960
<v Speaker 8>oh did I show you these these tools? It? Carol's dead,

613
00:35:00.159 --> 00:35:03.360
<v Speaker 8>got me and you know, they're talking back and forth

614
00:35:03.400 --> 00:35:05.079
<v Speaker 8>and he's like, oh, yeah, those are beautiful. What are

615
00:35:05.119 --> 00:35:06.639
<v Speaker 8>you gonna build something with those?

616
00:35:07.920 --> 00:35:08.000
<v Speaker 16>So?

617
00:35:08.440 --> 00:35:13.360
<v Speaker 10>What are you gonna do first? I no, no, hey,

618
00:35:13.400 --> 00:35:16.360
<v Speaker 10>that show you my new tools. No, were great.

619
00:35:17.639 --> 00:35:18.679
<v Speaker 9>Carol's father gave.

620
00:35:18.559 --> 00:35:20.880
<v Speaker 11>Him to me for Christmas.

621
00:35:22.239 --> 00:35:27.039
<v Speaker 10>Huh Oh, those are beauties.

622
00:35:27.239 --> 00:35:28.599
<v Speaker 9>You're gonna build something with us?

623
00:35:29.400 --> 00:35:29.880
<v Speaker 10>I think so.

624
00:35:30.239 --> 00:35:34.559
<v Speaker 8>I mean, it's just so, it's just pure comedy, pure comedy.

625
00:35:34.599 --> 00:35:36.159
<v Speaker 8>He's like, you want to go stop by the deli

626
00:35:36.199 --> 00:35:40.519
<v Speaker 8>and get one of those sandwiches. I mean, I just

627
00:35:40.599 --> 00:35:43.079
<v Speaker 8>love this movie so much. It's near and dear to

628
00:35:43.119 --> 00:35:45.199
<v Speaker 8>my heart. But there is so much stuff in there,

629
00:35:46.719 --> 00:35:49.880
<v Speaker 8>and you know, raise a pussy like for the first

630
00:35:50.000 --> 00:35:52.800
<v Speaker 8>like half of the movie because even when they're standing

631
00:35:52.840 --> 00:35:56.719
<v Speaker 8>outside at you know, talking back and forth in the garage,

632
00:35:57.239 --> 00:36:00.599
<v Speaker 8>fucking this is where we see the first low peck

633
00:36:01.039 --> 00:36:08.000
<v Speaker 8>fucking Hans makes his debut. And I don't know, Drew,

634
00:36:08.159 --> 00:36:11.760
<v Speaker 8>I mean, I'm not a hater against Gingers, obviously for

635
00:36:12.079 --> 00:36:17.840
<v Speaker 8>apparent reasons, but damn, okay, they couldn't have picked a

636
00:36:17.880 --> 00:36:21.599
<v Speaker 8>more crip keeper ass looking purple circles under the eye

637
00:36:21.599 --> 00:36:26.800
<v Speaker 8>of fucking nasty ass Ginger. I mean that dude looked

638
00:36:26.880 --> 00:36:28.960
<v Speaker 8>like walking hepatitis.

639
00:36:29.320 --> 00:36:30.800
<v Speaker 9>Yeah, he fell out of the ugly tree and hit

640
00:36:30.840 --> 00:36:31.880
<v Speaker 9>every branch on the way down.

641
00:36:32.760 --> 00:36:36.800
<v Speaker 8>Yeah yeah, yeah, I mean obviously some of its makeup,

642
00:36:36.840 --> 00:36:39.960
<v Speaker 8>but god damn, Hans is fucked up.

643
00:36:41.679 --> 00:36:44.239
<v Speaker 9>Yeah, this is this is where we see him. They

644
00:36:44.360 --> 00:36:46.400
<v Speaker 9>notice him because no one's ever seen these people, and

645
00:36:46.480 --> 00:36:49.440
<v Speaker 9>he's standing out the front and everyone's like once, you

646
00:36:49.480 --> 00:36:52.400
<v Speaker 9>guys say hello, No, no, you guys say hello. You're

647
00:36:52.440 --> 00:36:54.480
<v Speaker 9>his neighbor. You're his neighbor too. You're in the same

648
00:36:54.480 --> 00:36:56.280
<v Speaker 9>could a sec Yeah, but you live right next to him,

649
00:36:56.280 --> 00:36:58.679
<v Speaker 9>you share a border. And it's like that almost like

650
00:36:58.719 --> 00:37:01.000
<v Speaker 9>the kid type of a ringing the doorbell. Now you're

651
00:37:01.039 --> 00:37:02.519
<v Speaker 9>ring the doorbell a parts. And this is when a

652
00:37:02.599 --> 00:37:05.719
<v Speaker 9>comedy really comes into its own, where we say these characters,

653
00:37:06.360 --> 00:37:08.920
<v Speaker 9>although they've got this conspiracy going on, they're trying to

654
00:37:08.920 --> 00:37:12.559
<v Speaker 9>figure it out. It's very reminiscent of almost like a

655
00:37:12.679 --> 00:37:17.880
<v Speaker 9>pre teen kid's story about them ding dong ditching houses

656
00:37:18.079 --> 00:37:20.079
<v Speaker 9>and that weird neighbor that's trying to figure out, but

657
00:37:20.119 --> 00:37:22.360
<v Speaker 9>they've transplant it to an adult thing.

658
00:37:22.760 --> 00:37:26.159
<v Speaker 8>Mm hmmm, because just in the kitchen something else I

659
00:37:26.199 --> 00:37:29.599
<v Speaker 8>think I guess I forgot to mention is like arts

660
00:37:29.639 --> 00:37:32.480
<v Speaker 8>eating ribs and he's talking to raised kid and he

661
00:37:32.599 --> 00:37:35.760
<v Speaker 8>was like I saw him in the backyard digging and

662
00:37:36.199 --> 00:37:42.440
<v Speaker 8>like grave. Yeah. So they know nothing about the family

663
00:37:42.559 --> 00:37:44.960
<v Speaker 8>other than their last name, but now they're grave diggers

664
00:37:45.559 --> 00:37:49.840
<v Speaker 8>and you know all this stuff and fucking they're daring

665
00:37:49.920 --> 00:37:51.719
<v Speaker 8>each other to go up to well, you know, he's

666
00:37:51.760 --> 00:37:53.840
<v Speaker 8>about to go back in the house. You could just say, oh,

667
00:37:53.920 --> 00:37:56.000
<v Speaker 8>you're gonna miss him, You're gonna miss him, and like

668
00:37:56.400 --> 00:38:00.400
<v Speaker 8>they're daring each other to go say hello, and he

669
00:38:00.519 --> 00:38:04.840
<v Speaker 8>goes back. Hans goes back into the house, and they

670
00:38:04.880 --> 00:38:07.639
<v Speaker 8>pretty much dare each other to knock on the door.

671
00:38:08.360 --> 00:38:11.679
<v Speaker 8>And this is where some more conspiracy stuff comes in.

672
00:38:12.079 --> 00:38:13.599
<v Speaker 8>I'll let you go first.

673
00:38:14.159 --> 00:38:16.840
<v Speaker 9>Yeah yeah, So this they go, I'll go if you go,

674
00:38:16.960 --> 00:38:19.119
<v Speaker 9>and they work up the courage. They go up to

675
00:38:19.159 --> 00:38:22.519
<v Speaker 9>the front door. As they're walking in book goes through

676
00:38:22.519 --> 00:38:25.280
<v Speaker 9>the decking of the front of the house, lift their

677
00:38:25.280 --> 00:38:28.280
<v Speaker 9>foot up and as they go to knock on the door,

678
00:38:29.039 --> 00:38:33.039
<v Speaker 9>it's originally stated as house six six ' nine knock

679
00:38:33.079 --> 00:38:35.840
<v Speaker 9>on the door, nail falls out and becomes six sixty six.

680
00:38:36.159 --> 00:38:38.400
<v Speaker 9>Very intentional on the film and to be the Devil's number.

681
00:38:39.119 --> 00:38:41.239
<v Speaker 9>But the interesting part is when they go to hit

682
00:38:41.320 --> 00:38:44.840
<v Speaker 9>the doorbell and they push their finger through and the

683
00:38:44.880 --> 00:38:47.039
<v Speaker 9>bees start coming out from everywhere. Now, this is a

684
00:38:47.360 --> 00:38:50.000
<v Speaker 9>purely comedy effect that they're getting chased by bees and

685
00:38:50.039 --> 00:38:52.199
<v Speaker 9>the neighbor has to wet them down with the hose.

686
00:38:52.599 --> 00:38:57.039
<v Speaker 9>But the bee itself is very symbolic of masonry, the

687
00:38:57.760 --> 00:39:01.119
<v Speaker 9>form of a hive, mind, the hexagon, the bear, the

688
00:39:01.119 --> 00:39:03.719
<v Speaker 9>idea that the bee is a sacred symbol and has

689
00:39:03.920 --> 00:39:06.480
<v Speaker 9>this energetic field around it that can heal and be

690
00:39:06.559 --> 00:39:09.880
<v Speaker 9>used for certain things. It's built into the fabric of

691
00:39:09.920 --> 00:39:13.039
<v Speaker 9>freemasonry because it's like the perfect structure in nature and

692
00:39:13.119 --> 00:39:15.280
<v Speaker 9>bees the capable of building it. So I thought that

693
00:39:15.320 --> 00:39:17.440
<v Speaker 9>was a bit of a cheeky nod to it. They

694
00:39:17.519 --> 00:39:21.119
<v Speaker 9>kind of distracted us with the six sixty six, which

695
00:39:21.159 --> 00:39:23.639
<v Speaker 9>was very intentional, but hit away bees as being the

696
00:39:23.679 --> 00:39:25.079
<v Speaker 9>real symbol and what's going on there.

697
00:39:25.519 --> 00:39:28.079
<v Speaker 8>And the door knocker is a little devil with a

698
00:39:28.079 --> 00:39:29.960
<v Speaker 8>little devil horns.

699
00:39:29.679 --> 00:39:31.880
<v Speaker 9>It is, and that'll come back to a certain deity

700
00:39:31.960 --> 00:39:34.719
<v Speaker 9>later on, which I find very interesting that the house

701
00:39:34.840 --> 00:39:38.880
<v Speaker 9>already had that structures associated with it before they moved in.

702
00:39:39.639 --> 00:39:45.920
<v Speaker 18>Ah Okay, all right, Yeah, so I think that within

703
00:39:45.960 --> 00:39:48.079
<v Speaker 18>the five seconds they were standing on the porch, we

704
00:39:48.119 --> 00:39:50.880
<v Speaker 18>found three things, right, like the six six six obviously,

705
00:39:50.920 --> 00:39:53.880
<v Speaker 18>but the bees and the knocker to the door with the.

706
00:39:53.840 --> 00:39:57.239
<v Speaker 8>Little devil head on it. I actually have in my notes.

707
00:39:57.360 --> 00:39:59.880
<v Speaker 8>They used the color blue a lot in this movie,

708
00:40:00.199 --> 00:40:05.039
<v Speaker 8>and blue I was kind of looking into it. It's

709
00:40:05.079 --> 00:40:13.360
<v Speaker 8>supposed to be related to expression and communication within occultism,

710
00:40:14.400 --> 00:40:18.880
<v Speaker 8>but I kind of saw it as like some times

711
00:40:18.920 --> 00:40:22.320
<v Speaker 8>they use blue in movies to convey a certain emotion,

712
00:40:22.599 --> 00:40:26.119
<v Speaker 8>like isolation and shit like that. But I felt like

713
00:40:26.159 --> 00:40:28.800
<v Speaker 8>they were using it a lot in this movie. And

714
00:40:28.840 --> 00:40:32.000
<v Speaker 8>it's almost like they're getting into our minds because everything

715
00:40:32.039 --> 00:40:35.519
<v Speaker 8>you see on screen somehow translates into your mind as

716
00:40:35.519 --> 00:40:39.320
<v Speaker 8>something else, right, So by bombarding us with imagery and

717
00:40:39.599 --> 00:40:42.800
<v Speaker 8>certain colors, it does trigger something in the mind. So

718
00:40:43.079 --> 00:40:47.119
<v Speaker 8>I did notice that a lot of the outfits, a

719
00:40:47.119 --> 00:40:51.239
<v Speaker 8>lot of the houses, a lot of the just random stuff.

720
00:40:51.280 --> 00:40:54.719
<v Speaker 8>It was like blue pig.

721
00:40:54.639 --> 00:40:55.519
<v Speaker 9>Is said, is Ryan.

722
00:40:55.639 --> 00:40:57.079
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723
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729
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730
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731
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734
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735
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736
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744
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<v Speaker 8>And uh yeah, so I just wanted to mention that,

745
00:41:59.000 --> 00:42:02.920
<v Speaker 8>And then did you do you catch anything right after that?

746
00:42:02.960 --> 00:42:04.760
<v Speaker 8>Because I have something in my nose. But it's the

747
00:42:04.800 --> 00:42:06.079
<v Speaker 8>next scene.

748
00:42:06.320 --> 00:42:08.960
<v Speaker 9>Well, there was another gaff that occurred in this scene,

749
00:42:09.039 --> 00:42:10.920
<v Speaker 9>and I thought I was hearing things and had to

750
00:42:10.920 --> 00:42:13.159
<v Speaker 9>go back deliberately and like, listen to it three times.

751
00:42:13.599 --> 00:42:15.800
<v Speaker 9>There's someone screaming, help me, help me, at the top

752
00:42:15.840 --> 00:42:17.920
<v Speaker 9>of their lungs, and I thought, oh, maybe this is

753
00:42:17.960 --> 00:42:21.280
<v Speaker 9>one of the people in the basement. Turns out depends

754
00:42:21.280 --> 00:42:24.360
<v Speaker 9>on which edition you got a hold of. There's background

755
00:42:24.840 --> 00:42:28.199
<v Speaker 9>noise which has been saturated into it because that lot

756
00:42:28.239 --> 00:42:31.000
<v Speaker 9>which they filmed on was right next to the Jaws ride,

757
00:42:31.719 --> 00:42:33.880
<v Speaker 9>So people who are on the ride are screaming, help

758
00:42:34.199 --> 00:42:36.000
<v Speaker 9>help me, Help me. It's a part of the ride.

759
00:42:36.360 --> 00:42:39.679
<v Speaker 9>And it was put into the original soundtrack of digital

760
00:42:39.719 --> 00:42:42.760
<v Speaker 9>backing noise, and they're only deleted at post production. But

761
00:42:42.800 --> 00:42:45.440
<v Speaker 9>there's some versions of this that you can get that

762
00:42:45.480 --> 00:42:47.159
<v Speaker 9>are old enough. It has the scenes so you.

763
00:42:47.079 --> 00:42:50.119
<v Speaker 8>Can hear it. Oh my god, Well that goes along

764
00:42:50.159 --> 00:42:53.480
<v Speaker 8>with the movie. They probably should have amplified the sound

765
00:42:53.519 --> 00:42:55.440
<v Speaker 8>of it and made it part of the movie, like

766
00:42:55.519 --> 00:42:58.320
<v Speaker 8>somebody was like screaming in the basement or something.

767
00:42:58.840 --> 00:43:01.679
<v Speaker 9>Yeah, so there's the sound saturation that was in there

768
00:43:01.880 --> 00:43:05.360
<v Speaker 9>the house we just spoke about. Beyond that, this is

769
00:43:05.360 --> 00:43:08.880
<v Speaker 9>where we move into starting to understand and get to

770
00:43:08.880 --> 00:43:10.960
<v Speaker 9>know the neighbors a little bit more. And this all

771
00:43:11.039 --> 00:43:16.000
<v Speaker 9>kinds of coalesces are around. Walter disappearing. So the old

772
00:43:16.039 --> 00:43:18.039
<v Speaker 9>guy at the start with Queen, the cute little black

773
00:43:18.039 --> 00:43:20.840
<v Speaker 9>toy poodle, he's just up and disappeared. And the only

774
00:43:20.840 --> 00:43:23.480
<v Speaker 9>reason they know he's disappeared is because Queen is running

775
00:43:23.480 --> 00:43:26.719
<v Speaker 9>around out in the street by herself. Ironically, Queeny is

776
00:43:26.760 --> 00:43:29.239
<v Speaker 9>the exact same dog that played Precious in Silence of

777
00:43:29.239 --> 00:43:30.039
<v Speaker 9>the Lamps.

778
00:43:31.280 --> 00:43:31.800
<v Speaker 10>This film.

779
00:43:32.119 --> 00:43:34.360
<v Speaker 15>Oh she's so cuteye it.

780
00:43:34.400 --> 00:43:37.760
<v Speaker 9>Is right, just got these weird owners. Queenie runs up

781
00:43:37.800 --> 00:43:47.239
<v Speaker 9>to Queenie runs up to uh to one of Rumsfeld's wife,

782
00:43:47.280 --> 00:43:49.159
<v Speaker 9>and she looks after him. Mother, there's something that's got

783
00:43:49.159 --> 00:43:50.960
<v Speaker 9>to be wrong with Walter, because Walters wouldn't let her

784
00:43:51.000 --> 00:43:54.000
<v Speaker 9>by herself. And they go to check the house out

785
00:43:54.039 --> 00:43:57.000
<v Speaker 9>to see what's happened to Walter, and it's locked. They

786
00:43:57.000 --> 00:44:00.199
<v Speaker 9>can't see him there until we see Rumsfeld. He is

787
00:44:00.239 --> 00:44:02.159
<v Speaker 9>in through the back, you know, very cloak and dagger.

788
00:44:02.239 --> 00:44:04.840
<v Speaker 9>Special forces goy pulled the glass out and they go

789
00:44:04.920 --> 00:44:07.800
<v Speaker 9>into the house to check on rumsfeldt to check RUMs

790
00:44:07.840 --> 00:44:10.280
<v Speaker 9>out to check for Walter, and he walks in. The

791
00:44:10.320 --> 00:44:12.719
<v Speaker 9>first thing he notices the TV's on, but the chairs

792
00:44:12.800 --> 00:44:15.119
<v Speaker 9>on the ground looks like there's been a struggle here.

793
00:44:15.760 --> 00:44:18.519
<v Speaker 8>Sign a struggle A.

794
00:44:18.599 --> 00:44:23.400
<v Speaker 9>Chair a chair over isn't really a sign of a

795
00:44:23.440 --> 00:44:27.119
<v Speaker 9>struggle there. And they're just looking around the house. And

796
00:44:27.159 --> 00:44:30.480
<v Speaker 9>it's quite funny during this whole time, because what we

797
00:44:30.639 --> 00:44:33.559
<v Speaker 9>end up seeing is that at a certain point in

798
00:44:33.599 --> 00:44:36.840
<v Speaker 9>this sequence they're looking through at the house and they're

799
00:44:36.880 --> 00:44:40.599
<v Speaker 9>looking for things, and we've got Art looking for food. Ironically,

800
00:44:41.039 --> 00:44:42.920
<v Speaker 9>he's like, hey, I found some cookies, and he opens

801
00:44:42.960 --> 00:44:47.119
<v Speaker 9>the door and smashes and breaks things. When he leaves

802
00:44:47.159 --> 00:44:50.199
<v Speaker 9>the house, he's got two wristwatches on, so he's pinched

803
00:44:50.199 --> 00:44:56.000
<v Speaker 9>one of his watches. These starts off going in with

804
00:44:56.079 --> 00:44:58.920
<v Speaker 9>one watch, leaves of the second one. So there's something

805
00:44:58.960 --> 00:45:02.280
<v Speaker 9>about this guy WHI bit off, he takes advantage, he

806
00:45:02.679 --> 00:45:04.599
<v Speaker 9>watches what else he's.

807
00:45:04.440 --> 00:45:08.800
<v Speaker 8>Doing, literally a fucking kleptomaniac. Maybe I'm not art, Maybe

808
00:45:08.800 --> 00:45:11.800
<v Speaker 8>I'm not. No I am I am minus the thievery,

809
00:45:12.119 --> 00:45:20.400
<v Speaker 8>I'm definitely art. But is this before or after Ray

810
00:45:20.559 --> 00:45:24.199
<v Speaker 8>sneaks out of the house to have a cigar and

811
00:45:24.320 --> 00:45:27.719
<v Speaker 8>they talk outside. Is that before do they go to

812
00:45:27.760 --> 00:45:33.519
<v Speaker 8>Walters before or after that? Okay, okay, because what my

813
00:45:33.639 --> 00:45:37.800
<v Speaker 8>notes pick up on that conversation when he takes the

814
00:45:37.880 --> 00:45:40.079
<v Speaker 8>dog for a walk and goes over and talk to

815
00:45:40.280 --> 00:45:46.000
<v Speaker 8>Art and Ricky Butler because Corey Feldman. Ricky Butler brings

816
00:45:46.119 --> 00:45:51.679
<v Speaker 8>up the movie The Sentinel about a doorway being opened

817
00:45:51.760 --> 00:45:56.719
<v Speaker 8>up into Hell, and I went and watched the trailer

818
00:45:56.880 --> 00:46:01.800
<v Speaker 8>for this movie. It's got like Jeff Goldbloom and Christopher

819
00:46:01.920 --> 00:46:04.159
<v Speaker 8>walking and it actually looks like it would be a

820
00:46:04.239 --> 00:46:08.280
<v Speaker 8>really classic horror movie. I had never seen it before,

821
00:46:08.679 --> 00:46:12.559
<v Speaker 8>but it reminded me of the original Exorcist a little bit,

822
00:46:14.079 --> 00:46:17.800
<v Speaker 8>So it's a real movie. I don't know if you

823
00:46:17.880 --> 00:46:23.199
<v Speaker 8>had any notes on that part in particular. But Art

824
00:46:23.239 --> 00:46:27.199
<v Speaker 8>also tells this story about Skip and murdering in his

825
00:46:27.280 --> 00:46:30.480
<v Speaker 8>old house. Did it not remind you or was it

826
00:46:30.559 --> 00:46:34.480
<v Speaker 8>not similar kind of to like maybe John Wayne Gacy

827
00:46:34.599 --> 00:46:38.559
<v Speaker 8>a little bit murdering people in burying him in his basement,

828
00:46:38.599 --> 00:46:39.920
<v Speaker 8>and he was a big fat.

829
00:46:39.639 --> 00:46:42.800
<v Speaker 9>Guy in like a little bit, And they kind of

830
00:46:42.840 --> 00:46:46.719
<v Speaker 9>reference aspects of that that there was a certain time

831
00:46:46.800 --> 00:46:49.760
<v Speaker 9>in American culture in which people were almost activated to

832
00:46:49.800 --> 00:46:52.280
<v Speaker 9>be serial killers. And they seem to be like the

833
00:46:52.360 --> 00:46:55.119
<v Speaker 9>average person. They all seem to have had military experience

834
00:46:55.199 --> 00:46:58.199
<v Speaker 9>where they'll probably brainwash but they just snap and they

835
00:46:58.280 --> 00:47:00.920
<v Speaker 9>kill people. And the skip story of this guy that

836
00:47:01.639 --> 00:47:04.800
<v Speaker 9>would serve Stas at the Sarta Fountain and one night

837
00:47:04.840 --> 00:47:07.280
<v Speaker 9>he just snapped and kiwity his family put the bodies

838
00:47:07.280 --> 00:47:09.199
<v Speaker 9>down the cool room, but the pow went out that

839
00:47:09.239 --> 00:47:12.719
<v Speaker 9>summer and everyone could smell that they composing bodies, very

840
00:47:12.760 --> 00:47:16.000
<v Speaker 9>reminiscent of us serial killers that just you know, hid

841
00:47:16.000 --> 00:47:17.599
<v Speaker 9>bodies in their houses.

842
00:47:17.679 --> 00:47:20.400
<v Speaker 8>Hid bodies in the basement. Yeah, it's crazy. And they

843
00:47:20.400 --> 00:47:23.519
<v Speaker 8>were like, yeah, I just snapped one day and just

844
00:47:23.599 --> 00:47:25.599
<v Speaker 8>went back to making it.

845
00:47:25.679 --> 00:47:28.760
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846
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847
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848
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849
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850
00:47:37.800 --> 00:47:39.719
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851
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852
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853
00:47:46.960 --> 00:47:50.960
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854
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855
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856
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857
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858
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859
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860
00:48:09.800 --> 00:48:13.119
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861
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<v Speaker 4>Their careers all took off in Ohio, and yours can too.

862
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863
00:48:19.679 --> 00:48:21.960
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864
00:48:22.039 --> 00:48:24.239
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865
00:48:24.280 --> 00:48:26.719
<v Speaker 4>call Ohio home dot com.

866
00:48:26.880 --> 00:48:31.360
<v Speaker 8>Cherry phosphates for the whatever you said. But the thing is, though,

867
00:48:31.440 --> 00:48:33.360
<v Speaker 8>is it reminded me of John Gacy just because of

868
00:48:33.400 --> 00:48:35.880
<v Speaker 8>the bodies in the basement thing. And then later on

869
00:48:37.039 --> 00:48:41.320
<v Speaker 8>in the dream sequence, there's an appearance by Skip and

870
00:48:41.599 --> 00:48:44.280
<v Speaker 8>it's obviously art, but it's like a big fat guy

871
00:48:44.320 --> 00:48:48.119
<v Speaker 8>who makes fucking ice cream treats for the townsfolk who

872
00:48:48.239 --> 00:48:51.719
<v Speaker 8>ends up snapping. And they always make serial killers out

873
00:48:51.760 --> 00:48:54.320
<v Speaker 8>to be like that, but in my opinion, it's it's

874
00:48:54.320 --> 00:48:57.920
<v Speaker 8>always by design in some form or fashion. Like serial killers.

875
00:48:58.880 --> 00:49:00.960
<v Speaker 8>Some of them may be, but a lot of them

876
00:49:01.239 --> 00:49:06.760
<v Speaker 8>don't act out of random acts of violence. It is

877
00:49:06.960 --> 00:49:11.519
<v Speaker 8>definitely more programmed, in my opinion. But I thought that

878
00:49:11.599 --> 00:49:17.840
<v Speaker 8>was interesting that they included that as a tidbit in

879
00:49:17.920 --> 00:49:19.159
<v Speaker 8>this movie.

880
00:49:19.559 --> 00:49:21.719
<v Speaker 9>And They almost try to saturate it into the public

881
00:49:21.719 --> 00:49:25.000
<v Speaker 9>psyche because they preface it with every small town's got

882
00:49:25.000 --> 00:49:27.199
<v Speaker 9>one of these stories, and then he tells me a

883
00:49:27.199 --> 00:49:30.039
<v Speaker 9>story about skip. It's almost like planting the seed that

884
00:49:30.039 --> 00:49:33.800
<v Speaker 9>would later become the serial killer phenomenon that we see,

885
00:49:33.840 --> 00:49:37.159
<v Speaker 9>which mean white housewives who are hooked on these podcasts

886
00:49:37.199 --> 00:49:41.960
<v Speaker 9>about and every goddamn town seems to have one of

887
00:49:41.960 --> 00:49:44.559
<v Speaker 9>those stories. Right. My own hometown has one of these

888
00:49:44.559 --> 00:49:47.519
<v Speaker 9>stories where a guy killed his wife, buried her, and

889
00:49:47.559 --> 00:49:48.960
<v Speaker 9>then built a shed over the.

890
00:49:48.840 --> 00:49:53.400
<v Speaker 8>Top shut up the town.

891
00:49:54.039 --> 00:49:55.960
<v Speaker 9>Someone in my town. So I used to walk past

892
00:49:55.960 --> 00:49:57.440
<v Speaker 9>this guy's house as a little kid on the way

893
00:49:57.440 --> 00:50:00.480
<v Speaker 9>to kindergarten, and he killed his wife. No one knew

894
00:50:00.480 --> 00:50:03.360
<v Speaker 9>what happened to her, buried, he built a concrete slab

895
00:50:03.400 --> 00:50:04.880
<v Speaker 9>over the top, built a shed on top of it,

896
00:50:04.960 --> 00:50:07.159
<v Speaker 9>and they didn't find it until I was like twenty five,

897
00:50:07.199 --> 00:50:08.079
<v Speaker 9>twenty six years old.

898
00:50:08.119 --> 00:50:11.159
<v Speaker 8>So he did he blab or they just found her body.

899
00:50:11.960 --> 00:50:13.719
<v Speaker 9>I think they found the body, but he must have

900
00:50:13.760 --> 00:50:16.440
<v Speaker 9>been talking to someone for them to look had.

901
00:50:16.199 --> 00:50:18.360
<v Speaker 8>To have been you know what my sister said the

902
00:50:18.400 --> 00:50:21.239
<v Speaker 8>other day, she's worse than me about watching true crime shows.

903
00:50:21.559 --> 00:50:24.920
<v Speaker 8>She's got this whole thing worked out where she's gonna

904
00:50:25.079 --> 00:50:30.079
<v Speaker 8>if it ever needed to happen, she would kill someone

905
00:50:30.639 --> 00:50:33.639
<v Speaker 8>and bury them up and down, straight up and down,

906
00:50:34.239 --> 00:50:37.639
<v Speaker 8>and then bury a dog over top of them sideways,

907
00:50:38.320 --> 00:50:40.199
<v Speaker 8>so that if they ever went.

908
00:50:40.079 --> 00:50:42.519
<v Speaker 9>Flicking, they find pick out that dog.

909
00:50:46.199 --> 00:50:48.519
<v Speaker 8>I was like, you know how deep of a hole

910
00:50:48.559 --> 00:50:52.119
<v Speaker 8>you'd have to take to bury someone standing up and

911
00:50:52.159 --> 00:50:56.039
<v Speaker 8>then bury a dog on top of them sideways like that.

912
00:50:56.559 --> 00:50:58.760
<v Speaker 8>She's put a lot of thought into this.

913
00:50:59.519 --> 00:51:01.679
<v Speaker 9>To south to not be alone with Julia's sister.

914
00:51:03.039 --> 00:51:04.119
<v Speaker 8>I'm living with her.

915
00:51:04.400 --> 00:51:05.679
<v Speaker 9>How do you think.

916
00:51:07.760 --> 00:51:10.239
<v Speaker 8>Did I do the dishes well enough.

917
00:51:10.079 --> 00:51:12.719
<v Speaker 9>For your sister? I didn't put the towels back on

918
00:51:12.760 --> 00:51:16.239
<v Speaker 9>the regulation? Can I get you anything?

919
00:51:17.239 --> 00:51:20.599
<v Speaker 8>But yeah, no, So I thought that was a little

920
00:51:20.639 --> 00:51:25.599
<v Speaker 8>interesting thing that they tossed into the movie. And do

921
00:51:25.679 --> 00:51:29.639
<v Speaker 8>you have anything else after that? Because the next note

922
00:51:29.679 --> 00:51:34.199
<v Speaker 8>I have is something that Ricky Butler was saying about

923
00:51:34.239 --> 00:51:39.280
<v Speaker 8>the neighborhood to his little girlfriend. That's the next scene

924
00:51:39.320 --> 00:51:39.800
<v Speaker 8>I have.

925
00:51:39.719 --> 00:51:42.280
<v Speaker 9>Not signed right, just to finish off when they went

926
00:51:42.320 --> 00:51:44.679
<v Speaker 9>into Walter's house to check if he was alive, there's

927
00:51:44.719 --> 00:51:47.920
<v Speaker 9>a photo of Walter and Lucy ll Ball on one

928
00:51:47.960 --> 00:51:52.119
<v Speaker 9>of the side Cabinets group, which is interesting because Walter

929
00:51:52.239 --> 00:51:54.800
<v Speaker 9>is played by a man named Gordon, who actually was

930
00:51:54.840 --> 00:51:58.119
<v Speaker 9>a character on a lot of Lucy's Bowl shows. I

931
00:51:58.199 --> 00:52:01.239
<v Speaker 9>Love Lucy my favorite husband, and they were on these

932
00:52:01.280 --> 00:52:03.679
<v Speaker 9>television shows together. Now, this could just be a wink

933
00:52:03.679 --> 00:52:06.199
<v Speaker 9>and a nod within Hollywood that these people worked together before.

934
00:52:06.480 --> 00:52:11.360
<v Speaker 9>But Lucille Bolin in herself has a conspiratorial background surrounding.

935
00:52:11.079 --> 00:52:15.119
<v Speaker 8>Because she does. But you know, Drew, this is why

936
00:52:15.159 --> 00:52:17.199
<v Speaker 8>I say, and I'm so glad you brought that up,

937
00:52:17.280 --> 00:52:21.320
<v Speaker 8>because I know I've already said this. But when people

938
00:52:21.440 --> 00:52:25.800
<v Speaker 8>say that we grasp at straws or we're splitting hairs

939
00:52:25.840 --> 00:52:28.239
<v Speaker 8>when we do episodes like this, because we're looking at

940
00:52:28.280 --> 00:52:31.239
<v Speaker 8>the background, we're looking at all these minute details, and

941
00:52:31.440 --> 00:52:35.719
<v Speaker 8>they think that it's just a coincidence or we're you know,

942
00:52:36.199 --> 00:52:38.639
<v Speaker 8>trying to make it something that it's not. But putting

943
00:52:38.679 --> 00:52:42.039
<v Speaker 8>all those little clues in there, that's not an accident.

944
00:52:42.159 --> 00:52:45.920
<v Speaker 8>Like he, like the director he directed Gremlins, puts the

945
00:52:45.960 --> 00:52:50.760
<v Speaker 8>gremlin cereal in there. You know, the small little details

946
00:52:50.800 --> 00:52:54.360
<v Speaker 8>like that are on purpose. And so having that picture

947
00:52:54.400 --> 00:52:58.639
<v Speaker 8>sitting there, that wasn't an accident. You know, there is

948
00:52:58.719 --> 00:53:01.159
<v Speaker 8>stuff going on in the back round of these movies.

949
00:53:02.280 --> 00:53:04.559
<v Speaker 9>Yeah, the average person would say that these are easter

950
00:53:04.639 --> 00:53:08.199
<v Speaker 9>eggs or little just nuggets put in the artistic flare.

951
00:53:08.239 --> 00:53:10.039
<v Speaker 9>But I tend to think that there's probably a bit

952
00:53:10.079 --> 00:53:12.920
<v Speaker 9>more revelation of the method and kind of showing their

953
00:53:12.920 --> 00:53:16.559
<v Speaker 9>hand without overtly saying it, and doing it through symbolism

954
00:53:16.639 --> 00:53:19.280
<v Speaker 9>of having things in the background, in the foreground, hidden

955
00:53:19.320 --> 00:53:20.760
<v Speaker 9>away in dialogue, that type of.

956
00:53:20.679 --> 00:53:23.679
<v Speaker 8>Thing, and like the imagery, you know, even if it's

957
00:53:23.719 --> 00:53:26.400
<v Speaker 8>just a flash of a second of seeing something like that,

958
00:53:26.480 --> 00:53:29.159
<v Speaker 8>you may have not processed it, but it went into

959
00:53:29.199 --> 00:53:30.280
<v Speaker 8>your mind, you know.

960
00:53:32.159 --> 00:53:33.039
<v Speaker 15>And so the.

961
00:53:33.400 --> 00:53:37.400
<v Speaker 8>Next notes that I have is that Corey Feldman is

962
00:53:37.480 --> 00:53:40.840
<v Speaker 8>saying watching people in his neighborhood is more entertaining than

963
00:53:40.840 --> 00:53:44.960
<v Speaker 8>going to the movies because it's real. And I was like,

964
00:53:45.119 --> 00:53:49.880
<v Speaker 8>isn't that the truth? Because reality is always stranger than fiction.

965
00:53:50.320 --> 00:53:56.320
<v Speaker 8>And the way Corey describes living in that neighborhood, it's

966
00:53:56.559 --> 00:54:01.559
<v Speaker 8>very stuck in the matrix c kind of vibe because

967
00:54:02.159 --> 00:54:05.360
<v Speaker 8>everyone has a routine. It's almost like the Truman Show.

968
00:54:06.239 --> 00:54:09.559
<v Speaker 8>He knows exactly what each of his neighbors does at

969
00:54:09.599 --> 00:54:12.800
<v Speaker 8>each you know, given time. Oh, he's about to walk

970
00:54:12.840 --> 00:54:14.559
<v Speaker 8>out of his door and say he's taking the dog

971
00:54:14.639 --> 00:54:16.639
<v Speaker 8>for a while. Oh, he's doing this, always doing that.

972
00:54:17.079 --> 00:54:20.079
<v Speaker 8>And it does tend to be like that when you

973
00:54:20.159 --> 00:54:24.599
<v Speaker 8>live in neighborhoods that are so you get up, you

974
00:54:24.719 --> 00:54:26.920
<v Speaker 8>nine to five, it, you come home, you watch the

975
00:54:26.960 --> 00:54:30.440
<v Speaker 8>same show at night, you do your little routine. It's

976
00:54:30.639 --> 00:54:35.079
<v Speaker 8>very stuck in the matrixy. It's really a study in

977
00:54:36.199 --> 00:54:42.159
<v Speaker 8>human psychology almost how people get stuck in these matrix neighborhoods.

978
00:54:42.239 --> 00:54:45.159
<v Speaker 8>It's almost like is anything real? The only thing that

979
00:54:45.239 --> 00:54:47.599
<v Speaker 8>seems real to me is the Clopex.

980
00:54:48.239 --> 00:54:51.159
<v Speaker 9>That dialogue that where he says that it's everything here

981
00:54:51.239 --> 00:54:54.199
<v Speaker 9>is real, it's better than television. It throws away to

982
00:54:54.239 --> 00:54:56.159
<v Speaker 9>a lawn Later in the film, which I've got to mention.

983
00:54:56.280 --> 00:54:59.679
<v Speaker 9>Now Tom Hank's a main character. He goes on a

984
00:54:59.679 --> 00:55:02.760
<v Speaker 9>bit of a rant about how you know the Klopex

985
00:55:02.760 --> 00:55:04.760
<v Speaker 9>were good people and where you were the monsters all

986
00:55:04.760 --> 00:55:08.519
<v Speaker 9>arong along where the bear guys, where the evildoers? Well,

987
00:55:08.559 --> 00:55:11.480
<v Speaker 9>was that just revelation of the method in himself? Considering

988
00:55:11.519 --> 00:55:16.480
<v Speaker 9>the controversy surrounding Tom Hanks and Podesta emails and Pizza Gates,

989
00:55:17.119 --> 00:55:18.840
<v Speaker 9>is he just putting it out in the open telling

990
00:55:18.840 --> 00:55:21.599
<v Speaker 9>people what really is going on allegedly.

991
00:55:21.719 --> 00:55:26.599
<v Speaker 16>Oh good catch, Like we are the monsters and the

992
00:55:26.639 --> 00:55:29.039
<v Speaker 16>ones that we make out to be the monsters are not,

993
00:55:29.119 --> 00:55:32.960
<v Speaker 16>even though they were, but it's like in that context, yeah,

994
00:55:33.039 --> 00:55:33.599
<v Speaker 16>that's good.

995
00:55:33.719 --> 00:55:38.800
<v Speaker 8>That was a good catch. Did you have anything before

996
00:55:38.960 --> 00:55:41.360
<v Speaker 8>Hans drives to the end of the street and beats

997
00:55:41.400 --> 00:55:42.760
<v Speaker 8>the garbage with a stick.

998
00:55:45.440 --> 00:55:46.199
<v Speaker 10>I've never seen that.

999
00:55:47.800 --> 00:55:50.119
<v Speaker 13>I never seen anybody drive their garbage down to the

1000
00:55:50.119 --> 00:55:51.880
<v Speaker 13>street and then bang the hell out of it with

1001
00:55:51.960 --> 00:55:53.199
<v Speaker 13>a stick going I've never seen that.

1002
00:55:58.280 --> 00:56:00.920
<v Speaker 9>I don't I just had the way in which he

1003
00:56:01.079 --> 00:56:03.679
<v Speaker 9>was really going to town on my cottage.

1004
00:56:06.280 --> 00:56:06.920
<v Speaker 5>That's one of.

1005
00:56:06.880 --> 00:56:09.320
<v Speaker 8>My favorite seats is like, who do you know that

1006
00:56:09.480 --> 00:56:11.960
<v Speaker 8>drives their trash down to the end of the street

1007
00:56:12.079 --> 00:56:13.719
<v Speaker 8>and then beats it with a stick?

1008
00:56:15.000 --> 00:56:17.280
<v Speaker 9>Well, this is a funny thing because some driveways in

1009
00:56:17.320 --> 00:56:21.000
<v Speaker 9>Australia can be kilometers long at some point, So my

1010
00:56:22.119 --> 00:56:25.960
<v Speaker 9>wife's family home, where my father still lives, you literally

1011
00:56:26.000 --> 00:56:28.000
<v Speaker 9>have to drive half a kilometer down the road.

1012
00:56:28.159 --> 00:56:29.920
<v Speaker 8>He beat it with his stick, though.

1013
00:56:29.760 --> 00:56:31.079
<v Speaker 9>Sometimes depends on how.

1014
00:56:34.599 --> 00:56:37.199
<v Speaker 8>Oh my god, I hope he's not a redhead. Is

1015
00:56:37.320 --> 00:56:40.559
<v Speaker 8>fucking Hans Hans is your father in law?

1016
00:56:44.639 --> 00:56:46.280
<v Speaker 9>Quite, but.

1017
00:56:48.079 --> 00:56:52.039
<v Speaker 8>So I actually have some notes on the next morning,

1018
00:56:52.119 --> 00:56:54.599
<v Speaker 8>after Hans beats the shit out of the garbage with

1019
00:56:54.679 --> 00:56:57.639
<v Speaker 8>the stick. Should I go first or should.

1020
00:56:57.400 --> 00:56:59.320
<v Speaker 9>You please go for it? Let me value it?

1021
00:56:59.719 --> 00:57:00.519
<v Speaker 5>Okay.

1022
00:57:00.760 --> 00:57:05.119
<v Speaker 8>So one of the garbage men has a rainbow badge

1023
00:57:05.119 --> 00:57:09.760
<v Speaker 8>on his coverall okay, and he's talking about metaphysics and

1024
00:57:10.000 --> 00:57:13.239
<v Speaker 8>quote unquote the power of crystals, blah blah blah, literally

1025
00:57:13.280 --> 00:57:16.559
<v Speaker 8>talking about witchcraft and tells the other guy he needs

1026
00:57:16.599 --> 00:57:19.639
<v Speaker 8>to open himself up and talking about the laying on

1027
00:57:19.760 --> 00:57:23.400
<v Speaker 8>of hands and shit, and he's wearing this Democrat pin

1028
00:57:24.039 --> 00:57:26.599
<v Speaker 8>on the other side of his Coverall that, says McCarty.

1029
00:57:27.239 --> 00:57:31.079
<v Speaker 8>And so this dude, I mean, you can break in

1030
00:57:31.320 --> 00:57:34.039
<v Speaker 8>and tell me what you think. But I mean I

1031
00:57:34.119 --> 00:57:38.239
<v Speaker 8>never noticed that until I watched it yesterday about that

1032
00:57:38.280 --> 00:57:39.559
<v Speaker 8>conversation they were having.

1033
00:57:40.320 --> 00:57:43.639
<v Speaker 9>Well, likewise, I knew you'd pick up on the crystals

1034
00:57:43.639 --> 00:57:46.199
<v Speaker 9>and the metaphysical stuff, so I didn't take too many

1035
00:57:46.320 --> 00:57:48.440
<v Speaker 9>nights on it. But I found it really interesting that

1036
00:57:48.480 --> 00:57:49.760
<v Speaker 9>it was the Democrat.

1037
00:57:50.159 --> 00:57:50.559
<v Speaker 8>Mm hmm.

1038
00:57:50.840 --> 00:57:52.000
<v Speaker 9>What's going on with.

1039
00:57:52.039 --> 00:57:53.400
<v Speaker 8>The rainbow badge?

1040
00:57:53.760 --> 00:57:57.199
<v Speaker 9>The inversion of the rainbow? Right, the rainbow and Christian

1041
00:57:57.199 --> 00:57:59.280
<v Speaker 9>theology is God's promised not to flood the world again,

1042
00:57:59.360 --> 00:58:02.599
<v Speaker 9>but for the Ages that means something completely different. And

1043
00:58:02.760 --> 00:58:06.119
<v Speaker 9>he had almost like this weird dialectical conversation with the

1044
00:58:06.159 --> 00:58:10.079
<v Speaker 9>garbage man who is from Grimlins. You know, Dante's just

1045
00:58:10.079 --> 00:58:13.239
<v Speaker 9>re using the same cast, exact same character too.

1046
00:58:13.559 --> 00:58:16.719
<v Speaker 8>He's the conspiracy theorist in the Grimminals, Yeah.

1047
00:58:16.519 --> 00:58:22.039
<v Speaker 9>Right, and he's having this conversation about you, like you said,

1048
00:58:22.039 --> 00:58:24.559
<v Speaker 9>the metaphysicals of the world and how you can lay

1049
00:58:24.599 --> 00:58:27.440
<v Speaker 9>hands on people healing, this new age type of approach.

1050
00:58:27.480 --> 00:58:30.199
<v Speaker 9>And this guy's very much a grounded, solid blue collar

1051
00:58:30.239 --> 00:58:32.360
<v Speaker 9>worker just wants to put the rubbish in the bin.

1052
00:58:32.840 --> 00:58:35.599
<v Speaker 9>And this is where we see our art run over,

1053
00:58:35.800 --> 00:58:38.320
<v Speaker 9>grab the rubbish and start just dumping it on the ground,

1054
00:58:38.559 --> 00:58:40.480
<v Speaker 9>and he starts going through like the legal ease of

1055
00:58:40.519 --> 00:58:43.320
<v Speaker 9>things you have according to the law. You know, people

1056
00:58:43.360 --> 00:58:45.159
<v Speaker 9>have access to garbage. Once it's on the side of

1057
00:58:45.159 --> 00:58:48.440
<v Speaker 9>the road, it's becomes public domain. So they're very much

1058
00:58:48.840 --> 00:58:52.199
<v Speaker 9>focusing on some legal le's that I thought was very strange.

1059
00:58:52.239 --> 00:58:54.480
<v Speaker 9>Can see in the context of the film, and.

1060
00:58:54.480 --> 00:58:56.840
<v Speaker 8>It's almost like, of course, the Democrat guy with the

1061
00:58:56.960 --> 00:58:59.800
<v Speaker 8>rainbow stick around his coveralls is the one that's like

1062
00:59:00.199 --> 00:59:02.360
<v Speaker 8>you can't tell him he can't throw garbage in the

1063
00:59:02.400 --> 00:59:04.880
<v Speaker 8>street and all the and then the person with the

1064
00:59:04.920 --> 00:59:07.119
<v Speaker 8>common sense that's got to pick it all up is like,

1065
00:59:07.159 --> 00:59:09.440
<v Speaker 8>what the fuck are you doing throw garbage in the street.

1066
00:59:09.800 --> 00:59:13.239
<v Speaker 8>It's almost like the juxtaposition of people who are in

1067
00:59:13.320 --> 00:59:16.119
<v Speaker 8>their right mind and people who are not. He's literally

1068
00:59:16.159 --> 00:59:18.239
<v Speaker 8>just got done talking about laying on of hands and

1069
00:59:18.320 --> 00:59:21.360
<v Speaker 8>crystals and metaphysical and you need to change your life

1070
00:59:21.400 --> 00:59:24.159
<v Speaker 8>and talking about witchcraft, and then the other guy's like,

1071
00:59:24.199 --> 00:59:27.440
<v Speaker 8>you're fucking bonkers. And he's also the one that's like,

1072
00:59:27.480 --> 00:59:29.440
<v Speaker 8>why the fuck are you thrown trash in the street,

1073
00:59:29.480 --> 00:59:33.360
<v Speaker 8>Like he's he's the grounded, common sense guy, and the

1074
00:59:33.360 --> 00:59:35.679
<v Speaker 8>other guy's in fucking lala land somewhere, like what does

1075
00:59:35.679 --> 00:59:37.960
<v Speaker 8>that sound like that it's still a problem?

1076
00:59:38.280 --> 00:59:40.519
<v Speaker 9>Well, it sounds like it sounds like a little sayg

1077
00:59:40.599 --> 00:59:43.599
<v Speaker 9>that we're familiar with, do what thous wilt m people

1078
00:59:43.679 --> 00:59:46.119
<v Speaker 9>just doing what they want. And it gets to the

1079
00:59:46.119 --> 00:59:48.519
<v Speaker 9>point where the garbage man's like, can you help this

1080
00:59:48.599 --> 00:59:50.559
<v Speaker 9>guy out, like, you know, stop the guy from putting

1081
00:59:50.599 --> 00:59:52.679
<v Speaker 9>robbish on the ground, And what's he doing? Helps him?

1082
00:59:54.199 --> 00:59:56.599
<v Speaker 8>Yeah, he starts putting more garbage on the ground. That's

1083
00:59:56.639 --> 00:59:59.320
<v Speaker 8>the thing, though, isn't it. It's such a like that

1084
00:59:59.480 --> 01:00:02.239
<v Speaker 8>scene in even in itself is kind of like telling

1085
01:00:02.320 --> 01:00:03.400
<v Speaker 8>of a lot of things.

1086
01:00:03.880 --> 01:00:06.519
<v Speaker 2>Every day, when you log into chumbacasino dot com, the

1087
01:00:06.679 --> 01:00:10.239
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1088
01:00:10.400 --> 01:00:13.199
<v Speaker 2>Imagine if you got daily bonuses in other parts of

1089
01:00:13.239 --> 01:00:13.719
<v Speaker 2>your life.

1090
01:00:13.840 --> 01:00:16.480
<v Speaker 1>I chose French fries, overloaded French Fries.

1091
01:00:17.039 --> 01:00:19.679
<v Speaker 3>I asked Stuart from accounting about his weekend, even though

1092
01:00:19.679 --> 01:00:20.239
<v Speaker 3>I don't care.

1093
01:00:20.840 --> 01:00:24.639
<v Speaker 16>I updated my operating system without having to call tech support.

1094
01:00:24.760 --> 01:00:27.840
<v Speaker 2>Collect your free daily bonus at jumbacasino dot com. Now

1095
01:00:28.639 --> 01:00:32.119
<v Speaker 2>to jump and live the Jumba life. Don't you rememb're

1096
01:00:32.119 --> 01:00:34.840
<v Speaker 2>necessary boy, We're phibited by locksy terms, conditions, eating plus.

1097
01:00:34.639 --> 01:00:37.639
<v Speaker 4>Top reasons your career wants you to move to Ohio.

1098
01:00:38.159 --> 01:00:42.400
<v Speaker 4>So many amazing growth opportunities, high paying jobs and technology,

1099
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<v Speaker 4>advanced manufacturing, engineering, life sciences and more.

1100
01:00:46.360 --> 01:00:47.119
<v Speaker 5>You'll start to.

1101
01:00:47.199 --> 01:00:50.639
<v Speaker 4>New heights just like the Wright Brothers, John Gleunn, even

1102
01:00:50.719 --> 01:00:54.400
<v Speaker 4>Neil Armstrong. Their careers all took off in Ohio, and

1103
01:00:54.519 --> 01:00:55.519
<v Speaker 4>yours can too.

1104
01:00:55.719 --> 01:00:58.039
<v Speaker 15>A job that can take you further and a place

1105
01:00:58.079 --> 01:00:59.480
<v Speaker 15>you can't wait to come home to.

1106
01:01:00.119 --> 01:01:01.280
<v Speaker 5>It all in the heart of it all.

1107
01:01:01.480 --> 01:01:04.559
<v Speaker 4>Launch your search at call ohio home dot com.

1108
01:01:05.360 --> 01:01:11.599
<v Speaker 8>But so I don't know how quickly this next scene happens.

1109
01:01:11.679 --> 01:01:14.679
<v Speaker 8>But my notes go to when they're in the basement

1110
01:01:15.320 --> 01:01:19.639
<v Speaker 8>with the uh Demonology book? Did you have anything before that?

1111
01:01:20.800 --> 01:01:23.639
<v Speaker 9>No, you keep going, okay, so let's.

1112
01:01:23.519 --> 01:01:27.559
<v Speaker 8>Keep the They're in the basement. I actually had this.

1113
01:01:27.639 --> 01:01:29.320
<v Speaker 8>I don't know if you remember or ever heard it,

1114
01:01:29.360 --> 01:01:32.760
<v Speaker 8>but I had this scene as my intro to my showy.

1115
01:01:32.960 --> 01:01:33.320
<v Speaker 13>Yeah.

1116
01:01:34.199 --> 01:01:37.079
<v Speaker 8>Yes, this has always been near and dear to my

1117
01:01:37.119 --> 01:01:39.719
<v Speaker 8>heart because I find it absolutely hilarious.

1118
01:01:40.360 --> 01:01:42.320
<v Speaker 9>Oh, I can't believe you're still bringing that out.

1119
01:01:42.440 --> 01:01:44.119
<v Speaker 10>Dream A plane was going to crash, or it took

1120
01:01:44.119 --> 01:01:45.159
<v Speaker 10>the bus to Las Vegas.

1121
01:01:45.159 --> 01:01:46.760
<v Speaker 12>If I'd have been on the plane it went a crash,

1122
01:01:47.039 --> 01:01:49.119
<v Speaker 12>And it doesn't matter. This was in a dream. This

1123
01:01:49.480 --> 01:01:51.920
<v Speaker 12>was a vision. I'm telling you. These people are Satanists.

1124
01:01:51.920 --> 01:01:53.639
<v Speaker 12>As I sit here, they are Satanists.

1125
01:01:53.639 --> 01:01:53.840
<v Speaker 17>Look.

1126
01:01:53.960 --> 01:01:55.480
<v Speaker 21>Look, the world is all of these kind of things.

1127
01:01:55.519 --> 01:02:00.320
<v Speaker 12>Look at this black masses, mutilations, mutilations, the ink us,

1128
01:02:00.360 --> 01:02:03.559
<v Speaker 12>the suck of us. I'm telling you, Walter was a

1129
01:02:03.639 --> 01:02:05.039
<v Speaker 12>human sacrifice.

1130
01:02:05.800 --> 01:02:06.960
<v Speaker 11>You should have gone to the lake.

1131
01:02:08.159 --> 01:02:11.719
<v Speaker 12>I should listen to your wife who listens to their wife.

1132
01:02:11.920 --> 01:02:14.239
<v Speaker 21>Listen, you gotta listen to me. You know what deal is.

1133
01:02:14.280 --> 01:02:15.639
<v Speaker 21>What we gotta do is we gotta go down to

1134
01:02:15.679 --> 01:02:17.840
<v Speaker 21>the religious supply store. We gotta get ourselves a couple

1135
01:02:17.880 --> 01:02:19.880
<v Speaker 21>of gallons of holy water. My cousin Jerry's a preat

1136
01:02:19.920 --> 01:02:21.920
<v Speaker 21>you can get us a deal. No, no, we gotta

1137
01:02:21.960 --> 01:02:23.599
<v Speaker 21>then we gotta go to the market. We gotta get

1138
01:02:23.599 --> 01:02:25.480
<v Speaker 21>ourselves a couple of those big strings. You know they

1139
01:02:25.480 --> 01:02:27.800
<v Speaker 21>string that garlic, A couple of big strings of garlic.

1140
01:02:27.800 --> 01:02:30.400
<v Speaker 12>We gotta get ourselves some fresh lambs blood, and then

1141
01:02:30.440 --> 01:02:32.320
<v Speaker 12>we gotta ray. Do you want them to take your

1142
01:02:32.360 --> 01:02:34.480
<v Speaker 12>family kidnap and tear their livers out and make some

1143
01:02:34.559 --> 01:02:42.719
<v Speaker 12>kind of satanic pante I'm not going to Hey, you're chanting,

1144
01:02:43.920 --> 01:02:45.599
<v Speaker 12>unconscious chanting. You're chanting.

1145
01:02:46.679 --> 01:02:48.599
<v Speaker 10>I want to kill everyone.

1146
01:02:49.039 --> 01:02:51.360
<v Speaker 6>Satan is good, Satan is our pal.

1147
01:02:52.039 --> 01:02:58.760
<v Speaker 12>Ray, ray, you're chanting. Hey, once they get in here,

1148
01:03:00.119 --> 01:03:00.639
<v Speaker 12>it's over.

1149
01:03:00.760 --> 01:03:01.000
<v Speaker 10>Pal.

1150
01:03:04.199 --> 01:03:07.960
<v Speaker 8>They're reading a book called The Theory and Practice of

1151
01:03:08.000 --> 01:03:13.800
<v Speaker 8>Demonology by Julian Carswell, and I did a lot of

1152
01:03:13.840 --> 01:03:16.599
<v Speaker 8>looking that I didn't ever do before because we're doing

1153
01:03:16.639 --> 01:03:21.000
<v Speaker 8>this episode. But doctor Julian Carswell was a character in

1154
01:03:21.039 --> 01:03:24.920
<v Speaker 8>the British horror film Night of the Demon from nineteen

1155
01:03:25.000 --> 01:03:30.440
<v Speaker 8>fifty seven, which in which an American psychologist travels to

1156
01:03:30.679 --> 01:03:35.679
<v Speaker 8>England to investigate a Satanic cult and it turned out

1157
01:03:35.679 --> 01:03:40.760
<v Speaker 8>that doctor Julian Carswell was the leader of the cult.

1158
01:03:41.679 --> 01:03:46.920
<v Speaker 8>So it's one of those twist m night Shyamalan fucking endings,

1159
01:03:47.440 --> 01:03:50.880
<v Speaker 8>and that this is the book they're reading in you know,

1160
01:03:53.719 --> 01:03:56.559
<v Speaker 8>it's not a real book, but this is where a

1161
01:03:56.559 --> 01:04:02.760
<v Speaker 8>lot of the conspiracy theories come from, because he's down

1162
01:04:02.840 --> 01:04:05.559
<v Speaker 8>there and he's like, they're gonna they're gonna tear your

1163
01:04:05.559 --> 01:04:09.280
<v Speaker 8>livers out and turn him into a Satanic pat and

1164
01:04:09.360 --> 01:04:12.440
<v Speaker 8>all this stuff. And he's like, I'm not going to

1165
01:04:12.480 --> 01:04:13.239
<v Speaker 8>listen to this.

1166
01:04:13.719 --> 01:04:15.719
<v Speaker 9>I'm not going to chance chess.

1167
01:04:16.159 --> 01:04:20.639
<v Speaker 8>You're chanting. Once they get in here, it's all over pale.

1168
01:04:21.039 --> 01:04:24.480
<v Speaker 8>Like That's why I say I'm art, because I have

1169
01:04:24.519 --> 01:04:27.199
<v Speaker 8>a tendency to go to tin with stuff like this,

1170
01:04:27.320 --> 01:04:30.119
<v Speaker 8>and that sounds like me talking to people about stuff

1171
01:04:30.159 --> 01:04:32.719
<v Speaker 8>like that are not really into conspiracies. I'm like, listen,

1172
01:04:33.119 --> 01:04:36.199
<v Speaker 8>they're coming for your kids. They're coming from and they're

1173
01:04:36.199 --> 01:04:39.559
<v Speaker 8>like calm down, calm down, Like fucked, this.

1174
01:04:41.519 --> 01:04:44.320
<v Speaker 9>Is stacking up more and more I think is the sacred,

1175
01:04:44.719 --> 01:04:49.599
<v Speaker 9>like actual practicing occultist, Like he's he's.

1176
01:04:49.440 --> 01:04:51.960
<v Speaker 8>Gotta be because he's so into it.

1177
01:04:52.440 --> 01:04:54.760
<v Speaker 9>He's got the book, he knows all about it. You

1178
01:04:54.760 --> 01:04:58.840
<v Speaker 9>could say, yeah, that's conspiratorial level understanding. He shoots the

1179
01:04:58.920 --> 01:05:01.159
<v Speaker 9>head off an l with which I think was intentional.

1180
01:05:01.639 --> 01:05:04.360
<v Speaker 9>He was also trying to kill a crow or a raven,

1181
01:05:04.480 --> 01:05:07.480
<v Speaker 9>and the crow a raven is symbolic of the eyes

1182
01:05:07.599 --> 01:05:11.199
<v Speaker 9>of odin being able to view and say things. So

1183
01:05:11.239 --> 01:05:14.239
<v Speaker 9>it's almost as if he's trying to take out the

1184
01:05:14.280 --> 01:05:18.199
<v Speaker 9>competing criminal syndicates within the area. Like he sees this

1185
01:05:18.480 --> 01:05:21.559
<v Speaker 9>level of occultism and groups, and he's got his own

1186
01:05:21.599 --> 01:05:22.840
<v Speaker 9>little control on the town.

1187
01:05:24.239 --> 01:05:27.320
<v Speaker 8>That is interesting, And he's got the scoop on all

1188
01:05:27.360 --> 01:05:31.159
<v Speaker 8>the murderers and shit, he's got his wife's out of

1189
01:05:31.199 --> 01:05:33.639
<v Speaker 8>town so he can do whatever he wants. He's at

1190
01:05:33.679 --> 01:05:37.480
<v Speaker 8>home by himself. I mean, it is kind of crazy,

1191
01:05:38.760 --> 01:05:40.519
<v Speaker 8>but yeah, that's one of the best scenes in the

1192
01:05:40.639 --> 01:05:43.199
<v Speaker 8>entire movie in my opinion, because it's so it's just

1193
01:05:43.280 --> 01:05:46.599
<v Speaker 8>pure comedy. And the next bit of notes I have,

1194
01:05:46.719 --> 01:05:50.320
<v Speaker 8>unless you have anything else about that scene, no, that's it.

1195
01:05:51.480 --> 01:05:56.400
<v Speaker 8>So Ray goes upstairs and he's watching TV. He's trying

1196
01:05:56.440 --> 01:06:01.280
<v Speaker 8>to like wind down, and he flips through through three channels,

1197
01:06:01.280 --> 01:06:05.760
<v Speaker 8>specifically three channels all playing horror films, and a couple

1198
01:06:05.800 --> 01:06:08.079
<v Speaker 8>of them you will know what they are right off

1199
01:06:08.079 --> 01:06:11.000
<v Speaker 8>the bat. At least I Died the Exorsus nineteen seventy

1200
01:06:11.000 --> 01:06:15.920
<v Speaker 8>three and The Chainsaw Massacre Part two easily identifiable. But

1201
01:06:16.039 --> 01:06:20.159
<v Speaker 8>the first movie showing the ritual murder of a woman

1202
01:06:20.239 --> 01:06:25.280
<v Speaker 8>behind a bonfire is not as easily recognizable, and it

1203
01:06:25.360 --> 01:06:28.719
<v Speaker 8>actually comes from a horror film called Race with the

1204
01:06:28.840 --> 01:06:34.480
<v Speaker 8>Devil from nineteen seventy five, in which motorists accidentally witness

1205
01:06:34.559 --> 01:06:38.519
<v Speaker 8>a satanic ritual and have to fight for their lives.

1206
01:06:39.199 --> 01:06:41.639
<v Speaker 8>So what do you think about that? And like the

1207
01:06:41.679 --> 01:06:45.000
<v Speaker 8>whole dream sequence, Well.

1208
01:06:45.000 --> 01:06:46.480
<v Speaker 9>It's a bit on the nose that all three of

1209
01:06:46.519 --> 01:06:48.559
<v Speaker 9>those shows are on prime time television at the same

1210
01:06:48.760 --> 01:06:52.679
<v Speaker 9>exact time, right, yeah, that one right after Yeah, It

1211
01:06:52.760 --> 01:06:56.679
<v Speaker 9>leads into the dream sequence of a main character, and

1212
01:06:56.960 --> 01:07:00.559
<v Speaker 9>each of those elements appear and is not mere. So

1213
01:07:00.679 --> 01:07:02.920
<v Speaker 9>we start off with he's going down the stairs and

1214
01:07:02.960 --> 01:07:05.679
<v Speaker 9>the chainsaw comes through the wall. He tries to escape it,

1215
01:07:05.719 --> 01:07:08.039
<v Speaker 9>and he ends up on this barbecue, which is almost

1216
01:07:08.079 --> 01:07:11.320
<v Speaker 9>like the sacrifice scene from the first film, yep, and

1217
01:07:11.360 --> 01:07:14.960
<v Speaker 9>then we get skip the appearance of our serial killer

1218
01:07:14.960 --> 01:07:19.440
<v Speaker 9>and he comes in. Yeah, it's almost foreboding of what's

1219
01:07:19.480 --> 01:07:21.159
<v Speaker 9>going to happen later in the film. In a lot

1220
01:07:21.199 --> 01:07:23.639
<v Speaker 9>of ways that we know that. It gives us a

1221
01:07:23.679 --> 01:07:27.360
<v Speaker 9>real glimpse into the colpex, who they are, and maybe

1222
01:07:27.400 --> 01:07:31.159
<v Speaker 9>the satanic kind of background behind them and their practices

1223
01:07:31.159 --> 01:07:31.800
<v Speaker 9>as a people.

1224
01:07:32.400 --> 01:07:32.719
<v Speaker 17>Yeah.

1225
01:07:32.760 --> 01:07:36.199
<v Speaker 8>And if you notice, in the dream sequence, everything is blue,

1226
01:07:36.719 --> 01:07:39.239
<v Speaker 8>Like I was saying, very interesting to me, how they

1227
01:07:39.320 --> 01:07:42.559
<v Speaker 8>use colors in certain ways. Everything's blue in the dream sequence,

1228
01:07:43.199 --> 01:07:46.199
<v Speaker 8>and he wakes up to mister Rogers.

1229
01:07:47.119 --> 01:07:53.239
<v Speaker 9>He does. Ironically, he later plays mister Rogers career it's right,

1230
01:07:55.679 --> 01:07:58.599
<v Speaker 9>that's right, a beautiful day in twenty nineteen. He would

1231
01:07:58.639 --> 01:08:00.159
<v Speaker 9>later go to play Red.

1232
01:08:04.519 --> 01:08:08.719
<v Speaker 8>That's interesting. I forgot about that. I forgot about that.

1233
01:08:08.760 --> 01:08:11.639
<v Speaker 8>I mean his pedo ass of course he would volunteer

1234
01:08:11.719 --> 01:08:14.719
<v Speaker 8>to play anything that's connected to having children around.

1235
01:08:14.760 --> 01:08:17.840
<v Speaker 9>But just very ironic, because do you know what Tom

1236
01:08:17.880 --> 01:08:22.600
<v Speaker 9>Hanks was adamant against being in this film. What he

1237
01:08:22.800 --> 01:08:25.560
<v Speaker 9>fought Dante on this every single way he could. He

1238
01:08:25.600 --> 01:08:27.680
<v Speaker 9>did not want to play a father. He didn't want

1239
01:08:27.680 --> 01:08:28.720
<v Speaker 9>to be around kids.

1240
01:08:29.359 --> 01:08:33.520
<v Speaker 8>Why, oh, why uh, but yeah, that's interesting.

1241
01:08:34.079 --> 01:08:37.199
<v Speaker 9>Didn't want to be a father, and according to the

1242
01:08:37.239 --> 01:08:40.159
<v Speaker 9>mainstream approaches, he didn't want it to impact his career

1243
01:08:40.199 --> 01:08:42.600
<v Speaker 9>where he was typecast as a father for the rest

1244
01:08:42.640 --> 01:08:45.680
<v Speaker 9>of his life. But he went from big where you're

1245
01:08:45.720 --> 01:08:49.359
<v Speaker 9>surrounded by children, went into the burbs where he didn't

1246
01:08:49.359 --> 01:08:51.680
<v Speaker 9>want to be surrounded by kids. That almost sounds like

1247
01:08:51.720 --> 01:08:55.840
<v Speaker 9>someone who has an addiction. And first off in Big

1248
01:08:55.960 --> 01:08:59.239
<v Speaker 9>was made a year before this. He was surrounded by

1249
01:08:59.319 --> 01:09:02.560
<v Speaker 9>it and had the of something allegedly then moved on.

1250
01:09:02.640 --> 01:09:05.680
<v Speaker 9>He has almost had that like where addicts go. No, no,

1251
01:09:05.720 --> 01:09:07.079
<v Speaker 9>I can go on the straight. Now I just have

1252
01:09:07.079 --> 01:09:09.199
<v Speaker 9>to distance myself from it. I can't be around it.

1253
01:09:09.439 --> 01:09:11.880
<v Speaker 8>Like the odd like the alcoholic that doesn't want to

1254
01:09:11.920 --> 01:09:13.319
<v Speaker 8>take one more drink.

1255
01:09:13.520 --> 01:09:15.680
<v Speaker 9>Yeah, well, the day before they're on the biggest bend

1256
01:09:15.680 --> 01:09:17.079
<v Speaker 9>there of the life, and the next day they wake

1257
01:09:17.159 --> 01:09:18.640
<v Speaker 9>up and they start pouring the rest of the alcohol

1258
01:09:18.680 --> 01:09:21.479
<v Speaker 9>down the drain. It's almost like he slipped on a script.

1259
01:09:22.119 --> 01:09:25.079
<v Speaker 8>Wait till I tell my sister, because even while we

1260
01:09:25.079 --> 01:09:27.000
<v Speaker 8>were watching this, she was like, Julie, I don't want

1261
01:09:27.000 --> 01:09:30.079
<v Speaker 8>to believe that he was doing stuff to kids, And

1262
01:09:30.119 --> 01:09:32.880
<v Speaker 8>I said, I know, Sis, but it's this is the

1263
01:09:32.920 --> 01:09:35.000
<v Speaker 8>world we live in. This is the reality. Now I'm

1264
01:09:35.039 --> 01:09:37.479
<v Speaker 8>going to tell her that shit, she's really gonna fucking blow.

1265
01:09:37.640 --> 01:09:40.439
<v Speaker 8>It's gonna blow the tits off her chest. Because I

1266
01:09:40.479 --> 01:09:43.520
<v Speaker 8>did not know that. I did not know that. And

1267
01:09:43.560 --> 01:09:46.359
<v Speaker 8>but he still went on to like do stuff around kids,

1268
01:09:46.399 --> 01:09:49.479
<v Speaker 8>obviously because he just went full on into it because

1269
01:09:49.520 --> 01:09:52.960
<v Speaker 8>he wanted to become Tom Hanks. You know.

1270
01:09:53.560 --> 01:09:55.680
<v Speaker 9>Yeah, well, and this is this is where we get

1271
01:09:55.720 --> 01:09:58.840
<v Speaker 9>into the really deep sadie side of things. Corey Feldman

1272
01:09:58.880 --> 01:10:01.600
<v Speaker 9>has publicly come outultiple times in interviews saying that there's

1273
01:10:01.600 --> 01:10:04.640
<v Speaker 9>a pedophile problem in Hollywood and both he and Corey

1274
01:10:04.720 --> 01:10:08.119
<v Speaker 9>Haim were victims of the abuse on set by directors

1275
01:10:08.119 --> 01:10:11.359
<v Speaker 9>and prominent actors. He's never come out and publicly named them,

1276
01:10:11.640 --> 01:10:15.760
<v Speaker 9>but it's very, very telling that Corey Feldman would go

1277
01:10:15.840 --> 01:10:18.760
<v Speaker 9>into this one of his last big name films and

1278
01:10:18.760 --> 01:10:21.880
<v Speaker 9>then disappear. It's like this was one of his last films,

1279
01:10:22.119 --> 01:10:25.359
<v Speaker 9>so much so that there's talk between what was going

1280
01:10:25.399 --> 01:10:28.840
<v Speaker 9>on behind the scenes. Carrie Fisher was one of his

1281
01:10:29.479 --> 01:10:32.199
<v Speaker 9>confidants and spoke to this guy every day just to

1282
01:10:32.319 --> 01:10:34.119
<v Speaker 9>keep him on the straight and narrow. To finish the

1283
01:10:34.119 --> 01:10:37.159
<v Speaker 9>film because he was losing his mind. He was about

1284
01:10:37.159 --> 01:10:40.800
<v Speaker 9>to completely lose himself, and she kept him on set.

1285
01:10:41.880 --> 01:10:45.000
<v Speaker 9>So was there something on set around him that was

1286
01:10:45.079 --> 01:10:49.880
<v Speaker 9>a previous abuser? Allegedly that could be true. We don't know.

1287
01:10:50.399 --> 01:10:55.479
<v Speaker 8>Yeah, right, fuck have you seen him recently, Drew? Yeah,

1288
01:10:55.840 --> 01:11:00.560
<v Speaker 8>he thinks he's like the generic Michael Jackson, and he's

1289
01:11:00.600 --> 01:11:03.840
<v Speaker 8>like the fucking he's like fucking doing all this shit

1290
01:11:04.000 --> 01:11:05.439
<v Speaker 8>like wow and stuff.

1291
01:11:06.199 --> 01:11:08.800
<v Speaker 9>Because he was friends with Michael Jackson. Guess who visited

1292
01:11:08.840 --> 01:11:13.199
<v Speaker 9>the set Michael during the film. Michael Jackson and Bubbles

1293
01:11:13.199 --> 01:11:17.079
<v Speaker 9>the Monkey was often on set on the burbs.

1294
01:11:17.479 --> 01:11:23.359
<v Speaker 8>Yep, really, you got MJ and Tom Hanks.

1295
01:11:23.359 --> 01:11:27.199
<v Speaker 9>All on set? Whoa with Corey Feldman, the guy who

1296
01:11:27.239 --> 01:11:29.640
<v Speaker 9>was supposedly molested by Hollywood of lights.

1297
01:11:30.039 --> 01:11:32.680
<v Speaker 8>Dude, he's come off as rocker. He's like out of

1298
01:11:32.720 --> 01:11:40.439
<v Speaker 8>his fucking medulla. He is totally bonkers, bonkers in his

1299
01:11:40.479 --> 01:11:44.159
<v Speaker 8>little MJ act like nobody's buying it. Corey, you don't

1300
01:11:44.239 --> 01:11:46.520
<v Speaker 8>fucking look like Michael when you do that shit, you

1301
01:11:46.560 --> 01:11:49.880
<v Speaker 8>look like you have fucking Parkinson's. He looks more like

1302
01:11:50.239 --> 01:11:52.479
<v Speaker 8>Michael J. Fox than Michael Jackson.

1303
01:11:52.760 --> 01:11:58.359
<v Speaker 9>Okay, he looks like serious.

1304
01:11:59.640 --> 01:12:02.319
<v Speaker 8>But this is the world we live in and everybody's

1305
01:12:02.600 --> 01:12:05.920
<v Speaker 8>blown smoke up his ass Like good job, Corey, Like

1306
01:12:05.960 --> 01:12:06.520
<v Speaker 8>I get it.

1307
01:12:06.439 --> 01:12:09.439
<v Speaker 14>He's fucked up, Ryan Seacrest here. When you have a

1308
01:12:09.439 --> 01:12:12.760
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1313
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1314
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1315
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1317
01:12:38.159 --> 01:12:41.199
<v Speaker 4>Top reasons your career wants you to move to Ohio.

1318
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<v Speaker 4>So many amazing growth opportunities, high paying jobs and technology,

1319
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1320
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1321
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1322
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<v Speaker 4>Their careers all took off in Ohio, and yours can too.

1323
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<v Speaker 15>A job that can take him further in.

1324
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<v Speaker 4>A place you can't wait to come home to have

1325
01:13:03.600 --> 01:13:05.600
<v Speaker 4>it all in the heart of it all. Launch your

1326
01:13:05.600 --> 01:13:08.039
<v Speaker 4>search at carll ohio home dot com.

1327
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<v Speaker 8>He's been through a lot of stuff in his life,

1328
01:13:11.000 --> 01:13:15.319
<v Speaker 8>but it doesn't mean he's he's a great musician or anything.

1329
01:13:16.039 --> 01:13:18.560
<v Speaker 8>I feel sorry for him when I see him, like

1330
01:13:18.680 --> 01:13:21.319
<v Speaker 8>it hurts my heart because he's so screwed up.

1331
01:13:22.159 --> 01:13:24.520
<v Speaker 9>I feel really sorry for the guy because he came

1332
01:13:24.560 --> 01:13:26.920
<v Speaker 9>out roughly the same time as the Me Too movement.

1333
01:13:27.880 --> 01:13:30.520
<v Speaker 9>Everyone believed the victims of Me Too.

1334
01:13:31.039 --> 01:13:38.439
<v Speaker 8>He came out, Drew, Drew, your thing is cut out.

1335
01:13:39.159 --> 01:13:43.680
<v Speaker 8>Your sound is cut out. Yep, it's muted. I can't

1336
01:13:43.720 --> 01:13:48.800
<v Speaker 8>hear yet. Fuck oh back back, go ahead.

1337
01:13:49.199 --> 01:13:53.960
<v Speaker 9>That's right, why we'll do so. The interesting thing is

1338
01:13:54.000 --> 01:13:57.359
<v Speaker 9>that Corey came out during the Me Too movement with

1339
01:13:57.399 --> 01:14:00.479
<v Speaker 9>his allegations. All the attention, all the black went to

1340
01:14:00.479 --> 01:14:03.800
<v Speaker 9>the victims of me too, with prominent businessmen, actors, directors.

1341
01:14:04.159 --> 01:14:07.800
<v Speaker 9>They are all believed. Corey Felman comes out with groundbreaking

1342
01:14:07.880 --> 01:14:11.439
<v Speaker 9>allegations and things that should be investigated, swept under the rug,

1343
01:14:11.760 --> 01:14:12.880
<v Speaker 9>and he started.

1344
01:14:12.560 --> 01:14:15.520
<v Speaker 8>Some of the worst dude, like the stuff about the

1345
01:14:15.640 --> 01:14:22.479
<v Speaker 8>Crisco and all the very very intense abuse. So and

1346
01:14:22.560 --> 01:14:25.760
<v Speaker 8>the poor guy, I'm telling you, it's just it's sad.

1347
01:14:26.199 --> 01:14:32.520
<v Speaker 8>It's sad. But and Corey Ham too. I mean that

1348
01:14:32.560 --> 01:14:35.039
<v Speaker 8>shit is just the worst shit I've ever heard, well,

1349
01:14:35.119 --> 01:14:37.199
<v Speaker 8>not ever heard, but it's it's up there. I mean,

1350
01:14:37.239 --> 01:14:42.479
<v Speaker 8>it's really bad. I just can't when I go back

1351
01:14:42.520 --> 01:14:43.600
<v Speaker 8>and watch these movies.

1352
01:14:43.640 --> 01:14:43.800
<v Speaker 18>Though.

1353
01:14:43.840 --> 01:14:45.720
<v Speaker 8>I don't know if you do this, but almost just

1354
01:14:45.840 --> 01:14:47.520
<v Speaker 8>if I want to watch the movie, I just I

1355
01:14:47.520 --> 01:14:48.479
<v Speaker 8>can't think about it.

1356
01:14:49.319 --> 01:14:51.439
<v Speaker 9>No, you have to like almost put yourself into a

1357
01:14:51.479 --> 01:14:54.039
<v Speaker 9>state of just watching, like a vegetative state.

1358
01:14:54.359 --> 01:14:56.439
<v Speaker 1>Yeah, enjoy, Like.

1359
01:14:56.359 --> 01:14:58.680
<v Speaker 8>Even when I watch the Goonies and stuff. I love

1360
01:14:58.760 --> 01:15:02.359
<v Speaker 8>the Truffle Shuffle. I love all those movies. You know,

1361
01:15:02.720 --> 01:15:05.319
<v Speaker 8>they're just it's just core memories for me growing up

1362
01:15:05.319 --> 01:15:08.880
<v Speaker 8>watching that ship and even the next thing I have

1363
01:15:08.960 --> 01:15:11.760
<v Speaker 8>in my notes is one of the funnier lines after

1364
01:15:11.840 --> 01:15:15.640
<v Speaker 8>the dream sequence that they have Rumsfield and Art come

1365
01:15:15.640 --> 01:15:16.800
<v Speaker 8>over to the house like their.

1366
01:15:16.760 --> 01:15:20.600
<v Speaker 16>Kids, asking can.

1367
01:15:19.439 --> 01:15:20.600
<v Speaker 9>You come out and play?

1368
01:15:20.920 --> 01:15:24.239
<v Speaker 21>Come on, we've got a plan, Come on, we.

1369
01:15:24.279 --> 01:15:28.760
<v Speaker 17>Got sorry boys. My husband's not feeling well. He has

1370
01:15:28.760 --> 01:15:33.279
<v Speaker 17>to stay in his room. Oh come on, please, Carol,

1371
01:15:33.359 --> 01:15:34.119
<v Speaker 17>let him come out.

1372
01:15:35.680 --> 01:15:36.199
<v Speaker 11>Come on.

1373
01:15:36.720 --> 01:15:39.319
<v Speaker 21>He can't come out until he resembles the man that

1374
01:15:39.359 --> 01:15:40.199
<v Speaker 21>I'm married, Carol.

1375
01:15:40.199 --> 01:15:41.479
<v Speaker 17>We don't have that kind of time.

1376
01:15:41.800 --> 01:15:44.760
<v Speaker 21>Please let him come on, come on, I think that

1377
01:15:44.840 --> 01:15:46.079
<v Speaker 21>I have given you my answer.

1378
01:15:46.880 --> 01:15:50.079
<v Speaker 8>And Carol goes, he can't come out until he resembles

1379
01:15:50.119 --> 01:15:52.600
<v Speaker 8>the man I married, and Art goes, Carol, we don't

1380
01:15:52.640 --> 01:15:53.720
<v Speaker 8>have that kind of time.

1381
01:16:00.039 --> 01:16:01.960
<v Speaker 9>He even does the thing where he kicks the ground.

1382
01:16:02.000 --> 01:16:08.319
<v Speaker 9>He's like a friend, yeah, oh, and.

1383
01:16:08.239 --> 01:16:10.000
<v Speaker 8>This is where I don't know if you have anything

1384
01:16:10.039 --> 01:16:12.720
<v Speaker 8>after that, but arn't slips this. I know what you

1385
01:16:12.760 --> 01:16:15.199
<v Speaker 8>did last summer note under the door.

1386
01:16:16.119 --> 01:16:19.680
<v Speaker 9>And yeah he's like yeah, he says. He comes over

1387
01:16:19.720 --> 01:16:21.439
<v Speaker 9>and he tells hims like I slipped a note under

1388
01:16:21.479 --> 01:16:23.680
<v Speaker 9>the door, when in the sequence he actually slipped it

1389
01:16:23.680 --> 01:16:26.279
<v Speaker 9>through the mail slot. Could just be a saying anyway.

1390
01:16:26.560 --> 01:16:29.159
<v Speaker 9>He's out there talking and as they're having this argument

1391
01:16:29.199 --> 01:16:31.920
<v Speaker 9>about like, you know, you're being too conspiratorial. There's nothing

1392
01:16:31.960 --> 01:16:33.199
<v Speaker 9>to it. I just want to relax and have some

1393
01:16:33.239 --> 01:16:36.239
<v Speaker 9>beers on my time off. The dog has a femur,

1394
01:16:36.399 --> 01:16:38.239
<v Speaker 9>a human femur, in his mouth and he's running up

1395
01:16:38.239 --> 01:16:40.079
<v Speaker 9>and they're throwing it. The whole time. They touched like

1396
01:16:40.079 --> 01:16:43.560
<v Speaker 9>three or four times during this sequence, and he goes,

1397
01:16:43.600 --> 01:16:45.600
<v Speaker 9>do you know what this is? It's a bone? Why

1398
01:16:45.600 --> 01:16:48.159
<v Speaker 9>I throws it again. No, this is a fema. Yeah,

1399
01:16:48.319 --> 01:16:51.079
<v Speaker 9>do you know intro to biology? This is a human femur.

1400
01:16:51.600 --> 01:16:52.399
<v Speaker 13>Do you know what this is?

1401
01:16:53.199 --> 01:16:53.880
<v Speaker 11>It's a bond.

1402
01:16:55.279 --> 01:17:02.039
<v Speaker 10>It's a femur bond. A femur just happens to be

1403
01:17:02.119 --> 01:17:03.159
<v Speaker 10>a human thigh bone.

1404
01:17:03.279 --> 01:17:08.479
<v Speaker 11>Right, wait, how do you know that biology?

1405
01:17:08.560 --> 01:17:09.199
<v Speaker 8>One on one?

1406
01:17:09.880 --> 01:17:12.039
<v Speaker 10>I mean, look at the size of this thing.

1407
01:17:13.199 --> 01:17:14.800
<v Speaker 21>I think this came off a chicken or something.

1408
01:17:15.600 --> 01:17:16.720
<v Speaker 10>Where the hell the vins get this?

1409
01:17:24.199 --> 01:17:27.039
<v Speaker 9>He dug it up from underneath the fence and.

1410
01:17:26.920 --> 01:17:30.880
<v Speaker 8>He looks that right, He goes, you think this came

1411
01:17:30.920 --> 01:17:32.159
<v Speaker 8>off a chicken or something.

1412
01:17:32.199 --> 01:17:37.319
<v Speaker 9>You think it came off a chicken. Then then they

1413
01:17:37.439 --> 01:17:41.079
<v Speaker 9>noticed someone's walking around in the backyard of the clopex,

1414
01:17:41.199 --> 01:17:43.600
<v Speaker 9>and we say, the shadowy figure walk past the slats,

1415
01:17:44.079 --> 01:17:45.920
<v Speaker 9>and then the piece of paper gets thrown over, and

1416
01:17:45.960 --> 01:17:48.840
<v Speaker 9>we naturally know that it's the note again, and he goes, oh,

1417
01:17:48.880 --> 01:17:50.279
<v Speaker 9>what is that And he goes, oh, could just be

1418
01:17:50.279 --> 01:17:55.880
<v Speaker 9>a bit of rubbish or saat, maybe it's my note

1419
01:17:56.960 --> 01:17:59.560
<v Speaker 9>And he freaks out and he's cracking it. And this

1420
01:17:59.640 --> 01:18:02.239
<v Speaker 9>is the where the wives really take over. They try

1421
01:18:02.279 --> 01:18:04.039
<v Speaker 9>to be the common sense approach to this, and they

1422
01:18:04.039 --> 01:18:08.560
<v Speaker 9>try to stomp it out. Fucking fucking whole scene. Everything,

1423
01:18:09.520 --> 01:18:12.079
<v Speaker 9>this whole scene foreshadows what's about to happen. So when

1424
01:18:12.119 --> 01:18:14.960
<v Speaker 9>the dog finds the femur, we get the great foreshadowing.

1425
01:18:15.680 --> 01:18:19.279
<v Speaker 9>After they find it, Carol says, before anyone falls off

1426
01:18:19.279 --> 01:18:22.159
<v Speaker 9>a roof or sets themselves on fire, let me put

1427
01:18:22.199 --> 01:18:24.840
<v Speaker 9>an end to this right now. Later on the film,

1428
01:18:24.920 --> 01:18:27.960
<v Speaker 9>Rumsfeld falls off a roof and Ray sets himself on

1429
01:18:28.000 --> 01:18:28.960
<v Speaker 9>fire with the explosion.

1430
01:18:29.039 --> 01:18:34.439
<v Speaker 8>Yep, yep, yep, yep. One hundred, one hundred and so

1431
01:18:36.079 --> 01:18:38.520
<v Speaker 8>my next bit of notes is when they go over

1432
01:18:38.600 --> 01:18:46.560
<v Speaker 8>to the house, I found two things, and one of

1433
01:18:46.600 --> 01:18:49.319
<v Speaker 8>them I found from an article about the movie. Actually,

1434
01:18:49.720 --> 01:18:53.960
<v Speaker 8>it said that filmmakers inserted several visual clues that things

1435
01:18:54.079 --> 01:18:58.199
<v Speaker 8>aren't what they appear, and when they first get to

1436
01:18:58.199 --> 01:19:01.079
<v Speaker 8>the Clopex house there's a sh shatto of a noose

1437
01:19:01.399 --> 01:19:06.920
<v Speaker 8>on the wall. One and then it also said it's

1438
01:19:07.000 --> 01:19:09.359
<v Speaker 8>easy to miss if you're not looking for it, but

1439
01:19:09.560 --> 01:19:13.000
<v Speaker 8>when Reuben walks past the front door, the window frame

1440
01:19:13.279 --> 01:19:18.159
<v Speaker 8>forms a large backlit inverted cross, which of course is

1441
01:19:18.199 --> 01:19:24.680
<v Speaker 8>the anti Christianity symbol in pop culture. So those were

1442
01:19:24.680 --> 01:19:26.680
<v Speaker 8>two things I don't know about. You, Drew, if I

1443
01:19:26.720 --> 01:19:29.039
<v Speaker 8>wouldn't have read that article about it. I fucking I

1444
01:19:29.039 --> 01:19:30.359
<v Speaker 8>don't know if I would have seen that shit in

1445
01:19:30.359 --> 01:19:32.840
<v Speaker 8>the movie.

1446
01:19:31.680 --> 01:19:33.920
<v Speaker 9>But I didn't catch the.

1447
01:19:33.840 --> 01:19:36.119
<v Speaker 8>Other one, the inverted cross.

1448
01:19:36.800 --> 01:19:37.880
<v Speaker 9>Did not catch that one.

1449
01:19:38.000 --> 01:19:40.119
<v Speaker 8>If you go back and watch it, you'll see it

1450
01:19:40.159 --> 01:19:42.399
<v Speaker 8>and it's like, damn, it's like right there. But of

1451
01:19:42.439 --> 01:19:44.920
<v Speaker 8>course everything is right. It's right in plain sight and

1452
01:19:44.960 --> 01:19:48.439
<v Speaker 8>you're just not looking for it. Before they get into

1453
01:19:48.479 --> 01:19:51.560
<v Speaker 8>the house, though, fucking. Another pure comedy moment is when

1454
01:19:51.720 --> 01:19:54.399
<v Speaker 8>Rumsfield steps through the porch and he's like, go there

1455
01:19:54.439 --> 01:20:00.000
<v Speaker 8>goes the goddamn brownies. Brownie's flying everywhere. She picks them up.

1456
01:20:00.079 --> 01:20:03.279
<v Speaker 8>They got fucking leaves and shit on them. Something for

1457
01:20:03.359 --> 01:20:04.399
<v Speaker 8>the old sweet tooth.

1458
01:20:07.600 --> 01:20:11.159
<v Speaker 9>And you see this house inside it hasn't changed since

1459
01:20:11.199 --> 01:20:11.840
<v Speaker 9>it's been built.

1460
01:20:11.920 --> 01:20:14.039
<v Speaker 8>No, it looks like dark shadows, right. It looks like

1461
01:20:14.439 --> 01:20:16.319
<v Speaker 8>Barnabas Colling shit in there.

1462
01:20:16.560 --> 01:20:19.479
<v Speaker 9>Which leads you to think where the original people own

1463
01:20:19.560 --> 01:20:22.640
<v Speaker 9>the house shadier and not of the up and up themselves,

1464
01:20:22.640 --> 01:20:25.880
<v Speaker 9>because nothing has changed in this house. The door knocker,

1465
01:20:26.479 --> 01:20:29.039
<v Speaker 9>a lot of the artwork that we see in the

1466
01:20:29.079 --> 01:20:32.239
<v Speaker 9>houses of the original household, they haven't really changed anything.

1467
01:20:32.880 --> 01:20:35.960
<v Speaker 8>Now this brings up a good point because we know

1468
01:20:36.119 --> 01:20:39.439
<v Speaker 8>later on that they murdered the naps, but when in

1469
01:20:39.520 --> 01:20:42.239
<v Speaker 8>this moment is pure comedy as well, when he goes,

1470
01:20:42.239 --> 01:20:43.720
<v Speaker 8>oh that's a pretty girl.

1471
01:20:48.359 --> 01:20:55.319
<v Speaker 11>Oh, pretty girl, fund yours no game with the frame?

1472
01:20:55.880 --> 01:20:56.720
<v Speaker 11>Game with the frame?

1473
01:20:57.439 --> 01:21:01.640
<v Speaker 8>Yes, because it came with the frame. Is that did

1474
01:21:01.680 --> 01:21:03.720
<v Speaker 8>it really come with the frame? Or is that like

1475
01:21:03.760 --> 01:21:06.720
<v Speaker 8>the naps, like family photos and shit that they just

1476
01:21:06.800 --> 01:21:07.960
<v Speaker 8>never like dig down?

1477
01:21:09.600 --> 01:21:11.960
<v Speaker 9>Yeah? Is it something that they like take as a

1478
01:21:12.000 --> 01:21:13.279
<v Speaker 9>trophy when they've killed people?

1479
01:21:13.439 --> 01:21:16.359
<v Speaker 8>Because the great he said it came with the frame,

1480
01:21:16.479 --> 01:21:18.479
<v Speaker 8>but we don't know that. We don't know that a

1481
01:21:18.560 --> 01:21:21.199
<v Speaker 8>game with the frame that could be like somebody else's

1482
01:21:21.199 --> 01:21:26.079
<v Speaker 8>whole family pictures in there. I mean they murdered the

1483
01:21:26.159 --> 01:21:27.520
<v Speaker 8>naps and just kind of moved in.

1484
01:21:29.119 --> 01:21:32.359
<v Speaker 9>Yeah. Did you notice when the doctor was coming up

1485
01:21:32.399 --> 01:21:35.880
<v Speaker 9>from the basement that his shadow actually defied the laws

1486
01:21:35.880 --> 01:21:36.479
<v Speaker 9>of physics?

1487
01:21:37.159 --> 01:21:37.399
<v Speaker 17>Oh?

1488
01:21:37.479 --> 01:21:39.239
<v Speaker 8>Yeah, for sure, because he's like a midget.

1489
01:21:40.000 --> 01:21:43.039
<v Speaker 9>Yeah, but actually where the light source was coming from,

1490
01:21:43.199 --> 01:21:45.600
<v Speaker 9>it looked as if the shadow was moving out from

1491
01:21:45.640 --> 01:21:49.199
<v Speaker 9>the wall towards the people. Ooh, it's going up the stairs.

1492
01:21:49.960 --> 01:21:52.319
<v Speaker 9>So it's almost like there's be foreshadowing of something coming

1493
01:21:52.319 --> 01:21:52.840
<v Speaker 9>before him.

1494
01:21:53.319 --> 01:21:57.760
<v Speaker 8>Yeah, yeah, I don't really have a lot else of

1495
01:21:57.880 --> 01:22:00.479
<v Speaker 8>notes from when they're in the house other than than.

1496
01:22:01.880 --> 01:22:03.399
<v Speaker 9>Sardines. Impressed gardine.

1497
01:22:03.520 --> 01:22:06.359
<v Speaker 8>Dude, the sardine sardine.

1498
01:22:08.560 --> 01:22:09.600
<v Speaker 9>M m.

1499
01:22:29.039 --> 01:22:32.840
<v Speaker 7>M m h m hmmm.

1500
01:23:03.279 --> 01:23:05.880
<v Speaker 17>So how are you enjoying Hinckley Hills.

1501
01:23:06.159 --> 01:23:06.920
<v Speaker 10>We just love it.

1502
01:23:07.279 --> 01:23:10.520
<v Speaker 8>He's like eating it with that little tiny pretzel, and

1503
01:23:10.680 --> 01:23:13.680
<v Speaker 8>I just this is why I say like, I can't,

1504
01:23:14.079 --> 01:23:19.560
<v Speaker 8>I can't cancel these movies because I used to laugh

1505
01:23:19.720 --> 01:23:23.399
<v Speaker 8>so hard I fucking needed a bladdersling after watching this

1506
01:23:23.600 --> 01:23:26.479
<v Speaker 8>movie because when he puts that little fucking sardine on

1507
01:23:26.560 --> 01:23:32.840
<v Speaker 8>the pretzel and choose it up, I mean just hilarious, hilarious,

1508
01:23:33.039 --> 01:23:35.880
<v Speaker 8>And the candles on the table.

1509
01:23:36.720 --> 01:23:38.800
<v Speaker 9>Uh, I thought it would be romantic for the ladies.

1510
01:23:39.319 --> 01:23:44.600
<v Speaker 8>Yeah, painting and shit. Yeah, no, it's just there's too much.

1511
01:23:44.760 --> 01:23:46.600
<v Speaker 8>There's too much. It's just so funny. Did you have

1512
01:23:46.680 --> 01:23:49.239
<v Speaker 8>any other notes though from the when they the first.

1513
01:23:49.119 --> 01:23:53.000
<v Speaker 9>Visit, So just on the Rumsfeld playing with the painting.

1514
01:23:53.039 --> 01:23:56.000
<v Speaker 9>It's a painting of like an open surgery, and Rumsfeld's

1515
01:23:56.000 --> 01:23:58.439
<v Speaker 9>trying to figure out which orientation it goes, and Rumsfeld

1516
01:23:58.520 --> 01:24:02.840
<v Speaker 9>keeps putting it from the patient's perspective. So the orientation

1517
01:24:02.960 --> 01:24:05.000
<v Speaker 9>of you of the patient looking up and when the

1518
01:24:05.119 --> 01:24:07.520
<v Speaker 9>doctor comes along lighter to Ray said it, he sets

1519
01:24:07.560 --> 01:24:10.640
<v Speaker 9>it to his perspective of Hay's doing the surgery mm hmm.

1520
01:24:11.439 --> 01:24:13.760
<v Speaker 9>And he makes it that he's been painting down in

1521
01:24:13.840 --> 01:24:15.760
<v Speaker 9>the basement and that's what the red was on his hands.

1522
01:24:15.800 --> 01:24:17.520
<v Speaker 9>It was paint right.

1523
01:24:17.880 --> 01:24:23.279
<v Speaker 8>Right right, yeah. And I paused it on a couple

1524
01:24:23.399 --> 01:24:26.000
<v Speaker 8>of different scenes when he's flipping it because I was like.

1525
01:24:26.079 --> 01:24:27.960
<v Speaker 5>What what it really is it?

1526
01:24:28.199 --> 01:24:30.000
<v Speaker 8>And if you flip it in a certain way you

1527
01:24:30.039 --> 01:24:31.880
<v Speaker 8>can kind of tell like it's an open heart surgery

1528
01:24:32.000 --> 01:24:34.439
<v Speaker 8>or whatever. But I always thought that that part of

1529
01:24:34.520 --> 01:24:39.279
<v Speaker 8>the kitchen Chloe Peck kitchen scene was kind of interesting

1530
01:24:39.439 --> 01:24:44.239
<v Speaker 8>because the doctor guy is such a pompous ass and

1531
01:24:44.560 --> 01:24:47.920
<v Speaker 8>you can tell they're fucking hiding something. He's the only

1532
01:24:48.039 --> 01:24:51.279
<v Speaker 8>one that's openly social and shit, and those are always

1533
01:24:51.319 --> 01:24:53.560
<v Speaker 8>the ones that are the most fucked up, Like the

1534
01:24:53.640 --> 01:24:56.720
<v Speaker 8>other two are visibly fucked up. Hans looks like he

1535
01:24:56.840 --> 01:25:00.159
<v Speaker 8>just came out of a concentration camp, fucking the but

1536
01:25:00.520 --> 01:25:03.680
<v Speaker 8>the doctor guy, he's just so debonair and you know,

1537
01:25:04.199 --> 01:25:07.920
<v Speaker 8>it's like, what are you really up to? Doctor Kloepeck.

1538
01:25:09.600 --> 01:25:11.840
<v Speaker 9>And this is where he gets into the we start

1539
01:25:11.880 --> 01:25:14.039
<v Speaker 9>to have a seeding of doubt that maybe the wife's

1540
01:25:14.079 --> 01:25:17.000
<v Speaker 9>are right all along, there's nothing about these people that

1541
01:25:17.039 --> 01:25:21.319
<v Speaker 9>they're just being conspiratorial. And he talks it's about they've

1542
01:25:21.359 --> 01:25:24.000
<v Speaker 9>had to move multiple times, and you know, because of

1543
01:25:24.000 --> 01:25:26.159
<v Speaker 9>the university, and they've just moved into the town and

1544
01:25:26.279 --> 01:25:28.119
<v Speaker 9>they haven't had a chance to meet with people, blah

1545
01:25:28.159 --> 01:25:31.880
<v Speaker 9>blah blah. The whole time we have our Vietnam vet

1546
01:25:32.000 --> 01:25:36.600
<v Speaker 9>just drilling them through information. Is that a Slavic name? No, verydly, no,

1547
01:25:36.640 --> 01:25:39.640
<v Speaker 9>it's not Slavic. And he's asking all these niggling little

1548
01:25:39.720 --> 01:25:42.760
<v Speaker 9>questions hoping that they'll slip up, and they don't. And

1549
01:25:43.039 --> 01:25:45.279
<v Speaker 9>he gets to the point where he says, well, we're

1550
01:25:45.319 --> 01:25:47.319
<v Speaker 9>going to be out of the house tomorrow. We've got

1551
01:25:47.359 --> 01:25:50.560
<v Speaker 9>to go to the university about possibly moving again. And

1552
01:25:51.279 --> 01:25:53.279
<v Speaker 9>their eyes kind of prick up like awesome, they're going

1553
01:25:53.359 --> 01:25:55.840
<v Speaker 9>to be out of the house. That's our window for opportunity.

1554
01:25:56.960 --> 01:26:01.439
<v Speaker 9>They leave the house and he's then the wives like, see,

1555
01:26:01.479 --> 01:26:04.279
<v Speaker 9>you boys were just going crazy? Is nothing to it, okay?

1556
01:26:04.359 --> 01:26:07.439
<v Speaker 9>And the men go down into like the man cave

1557
01:26:07.479 --> 01:26:09.720
<v Speaker 9>and they're having a beer and he's like, are you

1558
01:26:09.880 --> 01:26:11.720
<v Speaker 9>siding with the girls. Now, how are you beginning to

1559
01:26:11.800 --> 01:26:13.920
<v Speaker 9>chick show us your balls? You have balls or not?

1560
01:26:14.039 --> 01:26:16.079
<v Speaker 9>And Tom Hanks starts to riffle around and he's very

1561
01:26:16.119 --> 01:26:18.680
<v Speaker 9>short shorts. Well, man, we'll just kidding. You don't need

1562
01:26:18.720 --> 01:26:21.199
<v Speaker 9>to show us. He pulls out the two pay of

1563
01:26:21.319 --> 01:26:24.399
<v Speaker 9>the neighbor who's disappeared, the two pay that was originally

1564
01:26:24.439 --> 01:26:27.600
<v Speaker 9>seen in the house. So we now get the idea

1565
01:26:27.640 --> 01:26:30.279
<v Speaker 9>that the Klopex have gone into the house, they've taken

1566
01:26:30.359 --> 01:26:32.000
<v Speaker 9>the two pays. So the men are running with the

1567
01:26:32.079 --> 01:26:35.079
<v Speaker 9>idea that they've killed Walter. They've taken the two pay

1568
01:26:35.199 --> 01:26:38.560
<v Speaker 9>as like a souvenir. And they get to the grand

1569
01:26:38.640 --> 01:26:41.640
<v Speaker 9>plan of they're out tomorrow that at the university all day.

1570
01:26:42.079 --> 01:26:44.760
<v Speaker 9>That's when we're going in that backyard. I'm scaling that fence.

1571
01:26:45.840 --> 01:26:52.159
<v Speaker 8>There's another digging scene too that like kind of adds

1572
01:26:52.279 --> 01:26:54.520
<v Speaker 8>to the like, what the fuck are they digging for?

1573
01:26:54.880 --> 01:26:58.600
<v Speaker 8>It never really says, now the bones in the trunk,

1574
01:26:58.680 --> 01:27:00.680
<v Speaker 8>What the fuck were they digging in.

1575
01:27:00.720 --> 01:27:02.319
<v Speaker 9>The middle of the not during Rhine.

1576
01:27:02.159 --> 01:27:06.680
<v Speaker 8>Star his fuck and yeah, just digging and shit. And

1577
01:27:06.840 --> 01:27:10.279
<v Speaker 8>so they come up with this master plan They're gonna

1578
01:27:10.319 --> 01:27:13.680
<v Speaker 8>break into the house while they're out and fucking Art

1579
01:27:13.880 --> 01:27:19.000
<v Speaker 8>has to cut this electrical line. Oh my god, this

1580
01:27:19.159 --> 01:27:21.279
<v Speaker 8>is why I say I'm Art, because that's some shit

1581
01:27:21.319 --> 01:27:24.439
<v Speaker 8>I would do. Fucking electriccute myself up and down the

1582
01:27:24.560 --> 01:27:28.319
<v Speaker 8>fucking neighborhood. His fucking fingernails are black, the fillings in

1583
01:27:28.399 --> 01:27:31.399
<v Speaker 8>his teeth are boiling lava hot. He goes to like

1584
01:27:32.600 --> 01:27:34.520
<v Speaker 8>get something out of his wallet later, all of his

1585
01:27:34.640 --> 01:27:41.880
<v Speaker 8>freaking credit cards and sh it's just, oh god, it's

1586
01:27:41.920 --> 01:27:44.640
<v Speaker 8>so funny, and like Tom Hanks is totally in because

1587
01:27:44.680 --> 01:27:47.520
<v Speaker 8>like he thinks they killed Walter. So when they break

1588
01:27:47.560 --> 01:27:51.279
<v Speaker 8>in the house, they're down in the basement freaking shoveling

1589
01:27:51.800 --> 01:27:55.560
<v Speaker 8>down to like the sewer lines and shit, and they

1590
01:27:55.640 --> 01:27:58.520
<v Speaker 8>don't find anything. They find nothing in the house.

1591
01:27:59.319 --> 01:28:02.039
<v Speaker 9>This is the using thing about Art again. He likes

1592
01:28:02.079 --> 01:28:04.840
<v Speaker 9>to wear costumes or disguises. He dresses up in golf

1593
01:28:04.920 --> 01:28:07.119
<v Speaker 9>clothes to sell deal. Oh, we're gonna go play some

1594
01:28:07.199 --> 01:28:09.439
<v Speaker 9>golf later. Do you think she bought it? Then in

1595
01:28:09.520 --> 01:28:12.880
<v Speaker 9>this scene he's wearing an electrical company shirt and overalls,

1596
01:28:13.880 --> 01:28:16.199
<v Speaker 9>Like does he actually work for the electrical company or

1597
01:28:16.279 --> 01:28:19.039
<v Speaker 9>is that another disguise this guy has Because he's starting

1598
01:28:19.079 --> 01:28:20.119
<v Speaker 9>to become very suspicious.

1599
01:28:20.159 --> 01:28:26.000
<v Speaker 8>Literally, he's literally like have you ever watched Pineapple Express? Yeah,

1600
01:28:26.640 --> 01:28:29.279
<v Speaker 8>he's like the guy who serves people. He's got all

1601
01:28:29.359 --> 01:28:33.039
<v Speaker 8>these costumes and shit, he's a doctor. But it just

1602
01:28:33.159 --> 01:28:34.920
<v Speaker 8>makes you wonder, like, art, what do you do?

1603
01:28:35.520 --> 01:28:38.720
<v Speaker 20>You can get lonely climbing, Mam McKinley. So to entertain myself,

1604
01:28:38.840 --> 01:28:41.640
<v Speaker 20>I go to chumbacasino dot com. At chum a Casino,

1605
01:28:41.800 --> 01:28:44.640
<v Speaker 20>I give lay hundreds of online casino style games for free,

1606
01:28:44.840 --> 01:28:47.560
<v Speaker 20>like online slots, bingos, slingo and more.

1607
01:28:47.840 --> 01:28:49.640
<v Speaker 5>Plus I get a daily login bonus.

1608
01:28:49.880 --> 01:28:51.199
<v Speaker 20>It's just too bad that I'm here.

1609
01:28:51.359 --> 01:28:53.159
<v Speaker 9>I don't have anyone to share my excitement with.

1610
01:28:57.039 --> 01:28:59.920
<v Speaker 1>Um live the tum a life anytime, anywhere.

1611
01:29:00.239 --> 01:29:03.479
<v Speaker 3>Play for free now at Chumpocasino dot com ewroom no

1612
01:29:03.640 --> 01:29:06.000
<v Speaker 3>necessary FORID recivity. My loss in terms of conditions eating.

1613
01:29:05.840 --> 01:29:09.159
<v Speaker 4>Plus top reasons your career wants you to move to Ohio.

1614
01:29:09.760 --> 01:29:13.960
<v Speaker 4>So many amazing growth opportunities, high paying jobs and technology,

1615
01:29:14.079 --> 01:29:17.600
<v Speaker 4>advanced manufacturing, engineering, life sciences and more.

1616
01:29:17.960 --> 01:29:19.439
<v Speaker 5>You'll start to new heights.

1617
01:29:19.840 --> 01:29:23.119
<v Speaker 4>Just like the Wright brothers, John Glenn, even Neil Armstrong,

1618
01:29:23.399 --> 01:29:26.880
<v Speaker 4>their careers all took off in Ohio, and yours can.

1619
01:29:26.880 --> 01:29:29.199
<v Speaker 15>To a job that can take you further and a

1620
01:29:29.319 --> 01:29:30.520
<v Speaker 15>place you can't wait.

1621
01:29:30.439 --> 01:29:32.479
<v Speaker 4>To come home to have it all in the heart

1622
01:29:32.520 --> 01:29:35.279
<v Speaker 4>of it all. Launch your search at call ohio home

1623
01:29:35.439 --> 01:29:35.880
<v Speaker 4>dot com.

1624
01:29:36.520 --> 01:29:37.600
<v Speaker 13>What do you do? Art?

1625
01:29:37.720 --> 01:29:39.720
<v Speaker 9>Please doesn't mention it at all in the shop.

1626
01:29:40.439 --> 01:29:43.720
<v Speaker 8>No, he just has costumes on costumes, just hidden in

1627
01:29:43.800 --> 01:29:44.199
<v Speaker 8>his house.

1628
01:29:45.600 --> 01:29:49.279
<v Speaker 9>Sorry, as you said, They test the fence, security alarm

1629
01:29:49.359 --> 01:29:51.680
<v Speaker 9>doesn't go off. They've cut the power, ends up cutting

1630
01:29:51.680 --> 01:29:54.079
<v Speaker 9>the power for the entire street, maybe even half the town.

1631
01:29:54.840 --> 01:29:57.680
<v Speaker 9>They scale the fence and we get these time lapse

1632
01:29:57.720 --> 01:30:00.279
<v Speaker 9>where there's no holes in sudden there's holes all over

1633
01:30:00.319 --> 01:30:03.000
<v Speaker 9>the backyard and Art's being extremely lazy laying in one

1634
01:30:03.039 --> 01:30:05.319
<v Speaker 9>of the holes. He's like, how are you going to

1635
01:30:05.439 --> 01:30:07.159
<v Speaker 9>find anything? Is? I don't know. Maybe you could start

1636
01:30:07.199 --> 01:30:09.520
<v Speaker 9>digging your own hole. He's like, oh, you know, but

1637
01:30:09.680 --> 01:30:12.359
<v Speaker 9>I've done this and I've done that, and I fell

1638
01:30:12.399 --> 01:30:15.319
<v Speaker 9>out of the powerpole, my fingers hurt, blah blah blah.

1639
01:30:16.119 --> 01:30:17.960
<v Speaker 9>Maybe we should check the basement. And this is where

1640
01:30:18.000 --> 01:30:19.880
<v Speaker 9>they go in. And they go down to the basement

1641
01:30:20.680 --> 01:30:22.800
<v Speaker 9>and the furnace is very prominent in this scene. The

1642
01:30:22.880 --> 01:30:25.720
<v Speaker 9>furnace has the exact same symbol of a demonic entity

1643
01:30:26.079 --> 01:30:29.560
<v Speaker 9>on it from the door knocker, from the door knocker,

1644
01:30:29.600 --> 01:30:31.800
<v Speaker 9>the exact same one. So this is already in the house.

1645
01:30:31.880 --> 01:30:33.880
<v Speaker 9>They haven't brought this with them. They did make some

1646
01:30:34.000 --> 01:30:36.039
<v Speaker 9>adjustments to it, as we see with the rigged up

1647
01:30:36.119 --> 01:30:39.279
<v Speaker 9>yacht batteries and the furnace being much higher and higher

1648
01:30:39.319 --> 01:30:42.239
<v Speaker 9>than it should be. But it has the entity's name

1649
01:30:42.319 --> 01:30:45.000
<v Speaker 9>on it. It says on the top of it Ata

1650
01:30:45.359 --> 01:30:48.920
<v Speaker 9>a a r Ata was the god of fire and

1651
01:30:49.119 --> 01:30:53.039
<v Speaker 9>the element itself, son of Ahura master. He's depicted as

1652
01:30:53.079 --> 01:30:57.239
<v Speaker 9>a flame and follows behind Mithtress's chariot into battle. Fire

1653
01:30:57.399 --> 01:31:00.359
<v Speaker 9>was considered the presence of Ata himself in rich rules

1654
01:31:00.760 --> 01:31:04.239
<v Speaker 9>and after the rise of zoo Astrianism, and is present

1655
01:31:04.399 --> 01:31:07.439
<v Speaker 9>in the horror Mazda worship. So this is like an

1656
01:31:07.479 --> 01:31:11.920
<v Speaker 9>ancient Iranian god. Right. Fuck they fied the god of

1657
01:31:12.039 --> 01:31:16.079
<v Speaker 9>firesonification of flame itself. What do we see leap out

1658
01:31:16.119 --> 01:31:18.520
<v Speaker 9>of this furnace? Huge amounts of flame?

1659
01:31:19.720 --> 01:31:24.000
<v Speaker 8>Dude, drew you fucking crushed that. I didn't even worst that.

1660
01:31:25.000 --> 01:31:27.359
<v Speaker 9>The worst part is it says something underneath it in

1661
01:31:27.439 --> 01:31:30.760
<v Speaker 9>a script, and it says something something cometh and it's

1662
01:31:31.600 --> 01:31:37.560
<v Speaker 9>I can't make it, but it's Ata something something cometh.

1663
01:31:38.760 --> 01:31:44.680
<v Speaker 8>Fuck, dude, that is intense. That is intense. And they

1664
01:31:44.760 --> 01:31:46.560
<v Speaker 8>got it on the door knocker too. So it's like

1665
01:31:46.640 --> 01:31:49.800
<v Speaker 8>when you come in the house, you're like.

1666
01:31:49.920 --> 01:31:50.720
<v Speaker 9>What are you like?

1667
01:31:51.119 --> 01:31:53.479
<v Speaker 8>Like, like Corey Feldman said in the Sentinel, like they

1668
01:31:53.600 --> 01:31:57.600
<v Speaker 8>opened up a portal into hell in the guy's apartment

1669
01:31:57.720 --> 01:32:00.439
<v Speaker 8>or whatever. It is the same thing. When you walk

1670
01:32:00.520 --> 01:32:03.800
<v Speaker 8>into the house, you're walking into some type of fucking

1671
01:32:04.680 --> 01:32:07.159
<v Speaker 8>god knows what. But I did not see that on

1672
01:32:07.239 --> 01:32:11.800
<v Speaker 8>the furnace. Great catch, ten out of ten, great catch.

1673
01:32:13.720 --> 01:32:15.920
<v Speaker 9>And this is where we break into. They figure out

1674
01:32:15.920 --> 01:32:18.640
<v Speaker 9>the furnace burns way too hot, and they make the

1675
01:32:18.720 --> 01:32:21.119
<v Speaker 9>connection with you know, furnaces that burn this hot, they

1676
01:32:21.199 --> 01:32:23.680
<v Speaker 9>burn bodies. And he's like, they've burnt the bodies and

1677
01:32:23.720 --> 01:32:27.760
<v Speaker 9>they've buried them somewhere, and they start digging within the

1678
01:32:27.840 --> 01:32:30.520
<v Speaker 9>basement itself. They find that the soil is loose, so

1679
01:32:30.640 --> 01:32:33.399
<v Speaker 9>they start digging. And during this time, we see what's

1680
01:32:33.439 --> 01:32:36.840
<v Speaker 9>happened outside. It's become dark now and the kids are

1681
01:32:36.880 --> 01:32:41.039
<v Speaker 9>out there watching and drinking along, laughing at at our

1682
01:32:41.239 --> 01:32:44.520
<v Speaker 9>Vietnam falling off the roof, and he's going off all

1683
01:32:44.560 --> 01:32:48.199
<v Speaker 9>those great little comedy tropes. The guy's just sitting on

1684
01:32:48.279 --> 01:32:50.319
<v Speaker 9>a roof with a firearm. I don't know if that's

1685
01:32:50.479 --> 01:32:53.279
<v Speaker 9>just an American thing, but a little bit concerned, right.

1686
01:32:54.039 --> 01:32:58.079
<v Speaker 9>It runs, which it never says what he was, It

1687
01:32:58.199 --> 01:33:00.880
<v Speaker 9>never says his rank, but he's wearing a command over ray,

1688
01:33:01.000 --> 01:33:03.520
<v Speaker 9>so you would assume that he's special Forces to some degree.

1689
01:33:04.000 --> 01:33:06.439
<v Speaker 9>And he's like the spotter. He's there with the radiators

1690
01:33:06.479 --> 01:33:07.359
<v Speaker 9>and special lead.

1691
01:33:09.479 --> 01:33:11.479
<v Speaker 8>He does so much stupid ship.

1692
01:33:13.039 --> 01:33:15.279
<v Speaker 9>He just need a special helmet. He's sitting there and

1693
01:33:15.359 --> 01:33:19.119
<v Speaker 9>he's watching. He's the lookout and he communicates to Art

1694
01:33:19.800 --> 01:33:22.319
<v Speaker 9>that you know, watch out there coming. And while this

1695
01:33:22.520 --> 01:33:24.720
<v Speaker 9>is going on, we've still got Tom digging a hole

1696
01:33:24.800 --> 01:33:26.960
<v Speaker 9>in the basement. He's covering the radio with mud. He's

1697
01:33:27.000 --> 01:33:29.119
<v Speaker 9>digging that far and he's like, we've found that, we

1698
01:33:29.159 --> 01:33:31.039
<v Speaker 9>found something. We've hit it. And he goes back in

1699
01:33:31.600 --> 01:33:34.079
<v Speaker 9>and he realized he's hit a gas maine. He's like,

1700
01:33:34.439 --> 01:33:37.560
<v Speaker 9>hit a gas maine. Run just bailing like little kids again, like,

1701
01:33:37.880 --> 01:33:40.960
<v Speaker 9>oh no, we've set the house on fire. Light runs

1702
01:33:41.039 --> 01:33:42.960
<v Speaker 9>out saying there's a gas that's going to explode. And

1703
01:33:42.960 --> 01:33:45.680
<v Speaker 9>as soon as he says that house explodes behind him.

1704
01:33:46.159 --> 01:33:50.720
<v Speaker 8>And we assume he doesn't bothered to check on Raye.

1705
01:33:50.800 --> 01:33:53.800
<v Speaker 9>He was on his way out too. Ray's still within

1706
01:33:53.880 --> 01:33:56.840
<v Speaker 9>the building and the neighbors are there with the police

1707
01:33:56.960 --> 01:33:59.560
<v Speaker 9>now because they've seen that the house is being interrupted.

1708
01:33:59.600 --> 01:34:03.159
<v Speaker 9>They've called the police. Is fire, EMT ambulance. All this

1709
01:34:03.239 --> 01:34:07.600
<v Speaker 9>stuff going on, and we think raised it explosions happen.

1710
01:34:07.680 --> 01:34:11.520
<v Speaker 9>The house has collapsed, is on fire. Then Ray slowly

1711
01:34:11.600 --> 01:34:14.760
<v Speaker 9>walks out. He's staggering along. His clothes are all torn,

1712
01:34:15.760 --> 01:34:21.600
<v Speaker 9>he's burnt. He comes out. The house collapses behind him.

1713
01:34:21.720 --> 01:34:25.720
<v Speaker 9>Just as he walks out. His eye is swollen, one eye.

1714
01:34:26.159 --> 01:34:31.079
<v Speaker 9>He literally has one eye. So he walks out injured, burnt.

1715
01:34:31.319 --> 01:34:33.600
<v Speaker 9>He has the one eye swollen, that one eye symbolism.

1716
01:34:35.359 --> 01:34:37.439
<v Speaker 9>Just after this scene we see the EMT. He's got

1717
01:34:37.439 --> 01:34:40.720
<v Speaker 9>to him. They bandoned him up. They splint his pinky finger.

1718
01:34:41.439 --> 01:34:43.199
<v Speaker 9>They splint it in such a way that when he

1719
01:34:43.399 --> 01:34:45.800
<v Speaker 9>rants later on towards Art that you know where the

1720
01:34:45.880 --> 01:34:49.079
<v Speaker 9>bad guys where, the monsters where the bad people? He's

1721
01:34:49.119 --> 01:34:52.119
<v Speaker 9>pointing aunt him like this, Hello, it is Ryan.

1722
01:34:52.319 --> 01:34:54.239
<v Speaker 14>And we could all use an extra bright spot in

1723
01:34:54.359 --> 01:34:56.520
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1724
01:34:56.560 --> 01:34:59.399
<v Speaker 14>like sitting in traffic doing the dishes counting or steps,

1725
01:34:59.399 --> 01:35:02.000
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1726
01:35:02.039 --> 01:35:05.079
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1730
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1732
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1733
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1737
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1738
01:35:43.720 --> 01:35:45.760
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1739
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1740
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1741
01:35:51.159 --> 01:35:53.520
<v Speaker 9>He's pointing at him, using the Masonic symbol for the

1742
01:35:53.600 --> 01:35:58.920
<v Speaker 9>horns show Arley telling you he's telling you where the

1743
01:35:58.960 --> 01:36:01.479
<v Speaker 9>bad guys wear them, and he's actually showing it in

1744
01:36:01.560 --> 01:36:05.319
<v Speaker 9>symbolism and the horns. He's doing the horns. He's pointing

1745
01:36:05.359 --> 01:36:07.359
<v Speaker 9>out him like that, you're the monster wear the monsters.

1746
01:36:07.760 --> 01:36:10.279
<v Speaker 8>It's funny you bring that up because in my notes

1747
01:36:10.560 --> 01:36:14.439
<v Speaker 8>I have that Art when they are fighting, he bites

1748
01:36:14.520 --> 01:36:16.960
<v Speaker 8>that finger too, he does, like they make it a

1749
01:36:17.039 --> 01:36:19.960
<v Speaker 8>point to draw your attention to that hand into like

1750
01:36:20.119 --> 01:36:26.000
<v Speaker 8>the broke finger, and like, so, yeah, I mean that

1751
01:36:26.680 --> 01:36:30.279
<v Speaker 8>I didn't even notice that. That's crazy with all the

1752
01:36:30.359 --> 01:36:32.199
<v Speaker 8>other stuff that they've put in the movie, there's no

1753
01:36:32.359 --> 01:36:34.840
<v Speaker 8>way that's that's an accident.

1754
01:36:35.079 --> 01:36:39.159
<v Speaker 9>This this becomes even more interesting. Don't bite the hand

1755
01:36:39.199 --> 01:36:44.279
<v Speaker 9>that feeds you. If is really an esoteric person, He's

1756
01:36:44.359 --> 01:36:46.960
<v Speaker 9>bitten the symbol of the devil's horns. Right. What happens

1757
01:36:47.000 --> 01:36:53.079
<v Speaker 9>to Art's house later on in this sequence, fuck ambulance drive.

1758
01:36:55.760 --> 01:37:01.119
<v Speaker 8>Yeah, yeah, damn, I didn't even think about that.

1759
01:37:01.680 --> 01:37:01.960
<v Speaker 3>Fuck.

1760
01:37:03.239 --> 01:37:05.520
<v Speaker 8>I mean, there are some really funny parts of this

1761
01:37:05.880 --> 01:37:08.039
<v Speaker 8>end scene too, because he's like, I've been blown up,

1762
01:37:08.199 --> 01:37:09.279
<v Speaker 8>and you fucking.

1763
01:37:10.680 --> 01:37:17.600
<v Speaker 17>Fretcher, I've been blown up. Take me to the lot,

1764
01:37:20.079 --> 01:37:40.039
<v Speaker 17>not sick, honey. I'll just find out what hospital they're.

1765
01:37:39.880 --> 01:37:41.039
<v Speaker 1>Taking it to and then I'll.

1766
01:37:42.520 --> 01:37:43.359
<v Speaker 9>Follow right along.

1767
01:37:44.159 --> 01:37:46.439
<v Speaker 17>Okay, okay, honey, and.

1768
01:37:46.560 --> 01:37:47.439
<v Speaker 9>You fucking.

1769
01:37:48.840 --> 01:37:56.439
<v Speaker 8>Fretcher fucking throws. Yeah, and this is where we see

1770
01:37:56.560 --> 01:38:01.800
<v Speaker 8>for the first time doctor klopexass is a murdering psychopath.

1771
01:38:01.920 --> 01:38:05.039
<v Speaker 8>And he's got some unidentified green liquid and a syringe

1772
01:38:05.600 --> 01:38:07.800
<v Speaker 8>and he's like, I know you saw my skulls.

1773
01:38:08.760 --> 01:38:09.600
<v Speaker 9>I know you did.

1774
01:38:10.119 --> 01:38:12.640
<v Speaker 8>And he's like trying to get Tom Hanks and fucking

1775
01:38:13.159 --> 01:38:16.119
<v Speaker 8>is like, hello, how does it feel when people are

1776
01:38:16.159 --> 01:38:20.279
<v Speaker 8>trying to forcibly inject you? Doesn't feel nice, does it, asshole?

1777
01:38:21.680 --> 01:38:24.920
<v Speaker 8>He was I love the dialogue on the fucking vaccine.

1778
01:38:25.000 --> 01:38:27.600
<v Speaker 8>Fucking you know what I'm talking about. So it's like, exactly,

1779
01:38:28.039 --> 01:38:28.439
<v Speaker 8>fuck you.

1780
01:38:29.520 --> 01:38:32.039
<v Speaker 9>The dialogue before this is hilarious. He's laying on the beg.

1781
01:38:32.279 --> 01:38:35.119
<v Speaker 9>I'm so sorry, doctor Klopek. When I get out of jail,

1782
01:38:35.159 --> 01:38:36.960
<v Speaker 9>I'm going to help you rebuild your house. I've got

1783
01:38:37.039 --> 01:38:39.800
<v Speaker 9>to set the tools my wife's my wife's father gave

1784
01:38:39.880 --> 01:38:40.319
<v Speaker 9>them to me.

1785
01:38:42.479 --> 01:38:43.359
<v Speaker 13>I love that far.

1786
01:38:45.439 --> 01:38:49.720
<v Speaker 8>It's just pure comedy and so oh god.

1787
01:38:49.800 --> 01:38:51.520
<v Speaker 9>It's funny though that the liquid is grain.

1788
01:38:51.640 --> 01:38:51.800
<v Speaker 13>Right.

1789
01:38:52.159 --> 01:38:55.239
<v Speaker 9>People always associate red with being an evil color. Red's

1790
01:38:55.279 --> 01:38:59.520
<v Speaker 9>really a symbol of passion, anger, ferocity. That type thing

1791
01:38:59.720 --> 01:39:02.680
<v Speaker 9>great is really the symbol of evil. Yeah, he's got

1792
01:39:02.760 --> 01:39:03.640
<v Speaker 9>a green syringe.

1793
01:39:03.720 --> 01:39:03.880
<v Speaker 10>Right.

1794
01:39:04.720 --> 01:39:09.039
<v Speaker 9>Green is associated with lucifer as well, chrisipharius, the glowing substance,

1795
01:39:09.239 --> 01:39:10.520
<v Speaker 9>and this looks quite glowing.

1796
01:39:11.119 --> 01:39:14.239
<v Speaker 8>And that's the thing too, is I mentioned that in

1797
01:39:14.279 --> 01:39:18.800
<v Speaker 8>the John Benet episode because there is so much green

1798
01:39:18.880 --> 01:39:23.000
<v Speaker 8>that surrounds things about that case and John Beney herself.

1799
01:39:23.560 --> 01:39:27.520
<v Speaker 8>So green is actually where people should be looking, not red,

1800
01:39:28.359 --> 01:39:32.760
<v Speaker 8>not even blue, I mean, but green especially is the

1801
01:39:32.920 --> 01:39:33.800
<v Speaker 8>color to look for.

1802
01:39:35.279 --> 01:39:38.239
<v Speaker 9>Yeah. Well, and green is the combination of two primary colors,

1803
01:39:38.279 --> 01:39:41.319
<v Speaker 9>blue and yellow, which in themselves we say blue and

1804
01:39:41.399 --> 01:39:44.399
<v Speaker 9>yellow symbolism. Ever, everyone points out Ukraine, everyone points out

1805
01:39:44.600 --> 01:39:46.960
<v Speaker 9>the blue and yellow symbolism during COVID, But it's a

1806
01:39:47.039 --> 01:39:49.479
<v Speaker 9>combination of the two, which is the green, which ironically,

1807
01:39:49.560 --> 01:39:54.800
<v Speaker 9>in Australia all of our COVID vaccine advertising was on greening.

1808
01:39:55.079 --> 01:39:57.439
<v Speaker 8>That's what I'm talking about. And like I put down

1809
01:39:57.520 --> 01:39:59.920
<v Speaker 8>in my notes about like the forest injection and shit,

1810
01:40:00.079 --> 01:40:04.520
<v Speaker 8>because out of all the ways that you could kill someone,

1811
01:40:05.079 --> 01:40:08.239
<v Speaker 8>he had literally all those bodies burnt up in his

1812
01:40:08.399 --> 01:40:11.000
<v Speaker 8>basement and shit. But while all of a sudden it's

1813
01:40:11.039 --> 01:40:14.960
<v Speaker 8>he changing his mo and now he's injecting people, you know,

1814
01:40:15.279 --> 01:40:19.680
<v Speaker 8>like it just was so interesting, the forced injection thing,

1815
01:40:20.720 --> 01:40:22.920
<v Speaker 8>and Tom Hanks later in life is like trying to

1816
01:40:23.039 --> 01:40:26.039
<v Speaker 8>forcibly inject like, Oh, I'm Tom Hanks and I improved

1817
01:40:26.039 --> 01:40:29.960
<v Speaker 8>this message. Fuck you fucking doctor Clopec you fuck her

1818
01:40:30.199 --> 01:40:35.640
<v Speaker 8>like that. That was so foreshadowing of real life too,

1819
01:40:36.119 --> 01:40:40.680
<v Speaker 8>you know, kind of. And so they get in a

1820
01:40:40.720 --> 01:40:46.479
<v Speaker 8>scuffle whatever. Hans drives through Art's house and you know,

1821
01:40:46.560 --> 01:40:49.000
<v Speaker 8>they roll out of the back of the ambulance. The

1822
01:40:49.600 --> 01:40:52.560
<v Speaker 8>they hit the back of doctor Clopex's car and the

1823
01:40:52.680 --> 01:40:56.000
<v Speaker 8>trunk flies open and all the skulls are in there.

1824
01:40:56.359 --> 01:40:58.399
<v Speaker 8>Do you notice how the black guy at the end

1825
01:40:58.439 --> 01:41:01.239
<v Speaker 8>of the movie pronounces his named doctor Kloppik.

1826
01:41:05.039 --> 01:41:11.039
<v Speaker 9>This is your vehicle, doctor Clappick. He's like, are these

1827
01:41:11.119 --> 01:41:17.760
<v Speaker 9>your skulls, Doctor Kloppic, And He's just like, oh, maybe maybe.

1828
01:41:19.520 --> 01:41:23.399
<v Speaker 8>But before I say anything else, I just have to

1829
01:41:23.479 --> 01:41:25.239
<v Speaker 8>get this one last part out and then I'll let

1830
01:41:25.319 --> 01:41:25.560
<v Speaker 8>you go.

1831
01:41:25.720 --> 01:41:25.880
<v Speaker 9>Ham.

1832
01:41:26.600 --> 01:41:30.640
<v Speaker 8>The funniest part of that whole end scene is when

1833
01:41:30.760 --> 01:41:33.479
<v Speaker 8>Hans comes out of the ambulance.

1834
01:41:34.960 --> 01:41:37.239
<v Speaker 5>Hey, I know you.

1835
01:41:39.359 --> 01:41:45.960
<v Speaker 17>Where are you going? Gotcha?

1836
01:41:53.239 --> 01:41:54.600
<v Speaker 13>Don't you make a move, Sonny.

1837
01:41:55.479 --> 01:41:57.560
<v Speaker 10>I was eighteen months in the bush and I could

1838
01:41:57.600 --> 01:41:59.800
<v Speaker 10>snap your neck in a Heartbeat.

1839
01:42:00.520 --> 01:42:08.039
<v Speaker 8>And fucking Rumsfield is like, hey Pinocchio. Yeah, hilarious and

1840
01:42:08.239 --> 01:42:11.800
<v Speaker 8>also foreshadowing of real life, seeing as how Tom Hanks

1841
01:42:11.840 --> 01:42:15.920
<v Speaker 8>would go on to play Geppetto in Fucking Pinocchio.

1842
01:42:16.920 --> 01:42:18.760
<v Speaker 9>And the whole story is about pedophilia.

1843
01:42:19.439 --> 01:42:22.159
<v Speaker 8>Boom. So we got in just the last scene, we

1844
01:42:22.239 --> 01:42:31.640
<v Speaker 8>got Pinocchio, we got forced injections, We have fucking devil horns,

1845
01:42:31.800 --> 01:42:35.199
<v Speaker 8>Like is there? I probably am even forgetting some shit,

1846
01:42:35.279 --> 01:42:38.960
<v Speaker 8>but like, that's a lot this in the last couple

1847
01:42:39.039 --> 01:42:39.560
<v Speaker 8>of scenes.

1848
01:42:40.920 --> 01:42:43.479
<v Speaker 9>It's a huge amount. It's ridiculous how much you notice

1849
01:42:44.399 --> 01:42:47.000
<v Speaker 9>post watching something as a kid and enjoying it for

1850
01:42:47.079 --> 01:42:49.840
<v Speaker 9>what it was. These things pop out, and like you

1851
01:42:49.880 --> 01:42:52.199
<v Speaker 9>said earlier on in this episode, you have to train

1852
01:42:52.279 --> 01:42:54.800
<v Speaker 9>yourself when watching films now not to look for this stuff.

1853
01:42:55.199 --> 01:42:58.119
<v Speaker 9>But when you really zero Internet, the stuff pops out,

1854
01:42:58.119 --> 01:43:01.560
<v Speaker 9>and it's not reaching, it's not grasping at straws. It's

1855
01:43:01.760 --> 01:43:03.720
<v Speaker 9>very very evident when you see what they're doing, like

1856
01:43:03.840 --> 01:43:06.079
<v Speaker 9>the biting at the hand. What happens when you bite

1857
01:43:06.079 --> 01:43:08.199
<v Speaker 9>the hand that feeds you, you're punished. His house catches

1858
01:43:08.239 --> 01:43:10.920
<v Speaker 9>on fire, the two houses in the street that catch fire.

1859
01:43:11.279 --> 01:43:15.239
<v Speaker 9>The Satanists who are killing people, an arts house, an

1860
01:43:15.560 --> 01:43:19.239
<v Speaker 9>house dabbling in the occult for sure, now that you

1861
01:43:19.399 --> 01:43:19.880
<v Speaker 9>mention it.

1862
01:43:19.960 --> 01:43:22.039
<v Speaker 8>And all like this stuff he knew about. And like,

1863
01:43:22.600 --> 01:43:26.640
<v Speaker 8>I'm pretty sure the book they were reading was from Art. Like,

1864
01:43:26.760 --> 01:43:27.840
<v Speaker 8>I'm pretty sure that was art.

1865
01:43:28.079 --> 01:43:28.640
<v Speaker 9>It was his book.

1866
01:43:29.640 --> 01:43:33.600
<v Speaker 8>Yeah, So, I mean, did you have any other notes,

1867
01:43:33.800 --> 01:43:36.119
<v Speaker 8>like about the end part or did we pretty much

1868
01:43:36.399 --> 01:43:37.479
<v Speaker 8>crush it? We nailed it.

1869
01:43:38.279 --> 01:43:40.000
<v Speaker 9>I think he nailed it. The only other thing that

1870
01:43:40.079 --> 01:43:43.680
<v Speaker 9>I came across was that Paulie Shaw, a very young

1871
01:43:43.800 --> 01:43:46.840
<v Speaker 9>Pauli Shaw, was considered for the role of Ricky, but

1872
01:43:46.960 --> 01:43:51.039
<v Speaker 9>the director, Joe Dante, was not impressed with his audition.

1873
01:43:51.760 --> 01:43:54.880
<v Speaker 9>More so, it was Pauli Shaw's mother who put the

1874
01:43:54.960 --> 01:43:57.199
<v Speaker 9>kaibosh on it. Pauli Shaw's mother, for people who don't know,

1875
01:43:57.479 --> 01:44:00.600
<v Speaker 9>used to run the comedy store, the stand up Place La.

1876
01:44:01.479 --> 01:44:04.000
<v Speaker 9>She didn't want him getting involved in Hollywood at a

1877
01:44:04.039 --> 01:44:07.479
<v Speaker 9>young age. She wanted him to be older before he

1878
01:44:07.560 --> 01:44:10.239
<v Speaker 9>got into Hollywood. Now, a woman who's in the know

1879
01:44:10.479 --> 01:44:12.640
<v Speaker 9>was stand up comedy in that part of the world.

1880
01:44:13.000 --> 01:44:14.960
<v Speaker 9>Why would you be so protective of your child if

1881
01:44:15.000 --> 01:44:17.760
<v Speaker 9>it was all copasetic and fine, Well, maybe she knew

1882
01:44:17.800 --> 01:44:20.520
<v Speaker 9>what was going on with kids on sets especially wanted

1883
01:44:20.560 --> 01:44:22.920
<v Speaker 9>him to be of age, right right.

1884
01:44:23.439 --> 01:44:25.840
<v Speaker 8>I mean, look, it's like we were seeing earlier with

1885
01:44:25.960 --> 01:44:29.640
<v Speaker 8>Corey fucking not only you don't know what happens on set,

1886
01:44:30.119 --> 01:44:34.039
<v Speaker 8>like obviously Tom Hanks, but Michael Jackson showing up about

1887
01:44:34.079 --> 01:44:37.199
<v Speaker 8>of nowhere, and then you know, it's just do you

1888
01:44:37.279 --> 01:44:40.000
<v Speaker 8>think he's dead by the way, or you think you

1889
01:44:40.079 --> 01:44:43.960
<v Speaker 8>think that's all that's a conspiracy, the.

1890
01:44:43.960 --> 01:44:46.359
<v Speaker 9>Whole Q side of things, where he's been executed via

1891
01:44:46.399 --> 01:44:47.960
<v Speaker 9>a military tribunal.

1892
01:44:47.560 --> 01:44:50.319
<v Speaker 8>That type of jazz who Michael Jackson.

1893
01:44:50.960 --> 01:44:53.279
<v Speaker 9>Or I thought you're talking about Tom Hanks. I think

1894
01:44:53.319 --> 01:44:54.760
<v Speaker 9>Michael Jackson probably is dead.

1895
01:44:54.920 --> 01:44:56.239
<v Speaker 8>You think he is dead, okay?

1896
01:44:56.479 --> 01:44:58.720
<v Speaker 9>And all kind of ties in. There's this whole huge

1897
01:44:58.840 --> 01:45:02.840
<v Speaker 9>Q conspiracy that mj somehow faked his own death and

1898
01:45:02.880 --> 01:45:05.640
<v Speaker 9>he was giving information to the white hats and that's

1899
01:45:05.680 --> 01:45:08.159
<v Speaker 9>how they got Tom Hanks. And Tom Hanks has been

1900
01:45:08.239 --> 01:45:11.199
<v Speaker 9>arrested and executed and someone else is an actor playing him.

1901
01:45:11.600 --> 01:45:14.439
<v Speaker 9>It gets really into the weeds. Even for conspiracy theorists

1902
01:45:14.479 --> 01:45:17.199
<v Speaker 9>like me, it becomes too wild. I think it's probably

1903
01:45:17.279 --> 01:45:20.600
<v Speaker 9>more along the lines of, you know, allegedly a lot

1904
01:45:20.680 --> 01:45:23.399
<v Speaker 9>of this stuff has been going on and there's so

1905
01:45:23.600 --> 01:45:27.079
<v Speaker 9>much power and wealth associated with just the name of

1906
01:45:27.159 --> 01:45:30.199
<v Speaker 9>Tom Hanks that these people can cover this stuff up.

1907
01:45:30.399 --> 01:45:33.560
<v Speaker 8>They get away with it for fucking sure. And the

1908
01:45:34.039 --> 01:45:37.800
<v Speaker 8>thing is I am a conspiracy theorist, of course one percent.

1909
01:45:37.960 --> 01:45:42.479
<v Speaker 8>But sometimes I really do think people just die, like

1910
01:45:42.760 --> 01:45:45.960
<v Speaker 8>you know, a lot of Epstein. Don't get me wrong.

1911
01:45:46.039 --> 01:45:49.199
<v Speaker 8>I think that motherfucker is probably still alive. But like

1912
01:45:49.319 --> 01:45:52.239
<v Speaker 8>Michael Jackson some of these other people, it's fifty to

1913
01:45:52.319 --> 01:45:55.439
<v Speaker 8>fifty for some, but I think he probably is dead.

1914
01:45:55.520 --> 01:45:57.960
<v Speaker 8>And I think he probably was touching kids, which is

1915
01:45:58.039 --> 01:46:02.119
<v Speaker 8>another thing that people are like fancign that Corey Feldman

1916
01:46:02.199 --> 01:46:05.520
<v Speaker 8>said that nothing ever happened. Well, McCaulay in fucking whatever

1917
01:46:05.760 --> 01:46:07.880
<v Speaker 8>whoever is seeing that nothing ever happened. There's like a

1918
01:46:08.000 --> 01:46:10.039
<v Speaker 8>gang of other children who are like, yeah, I know,

1919
01:46:10.199 --> 01:46:14.359
<v Speaker 8>fucking shit was happening, including his own sister. LaToya Jackson

1920
01:46:14.560 --> 01:46:16.800
<v Speaker 8>said he was touching kids, So I mean, it's like,

1921
01:46:16.840 --> 01:46:19.079
<v Speaker 8>what would she have to gain from coming out and

1922
01:46:19.159 --> 01:46:19.560
<v Speaker 8>seeing that.

1923
01:46:19.840 --> 01:46:22.279
<v Speaker 9>You know, I think this is the This is the

1924
01:46:22.439 --> 01:46:25.279
<v Speaker 9>danger that you see in these types of conversations with

1925
01:46:25.359 --> 01:46:28.439
<v Speaker 9>the way trauma works. With sexual abuse of children, far

1926
01:46:28.560 --> 01:46:31.439
<v Speaker 9>more often than not, the traumatized end up becoming the

1927
01:46:31.520 --> 01:46:34.199
<v Speaker 9>predators in the future. Yeah, the trauma that they've gone

1928
01:46:34.239 --> 01:46:37.520
<v Speaker 9>and they por portray that type of trauma on other people.

1929
01:46:37.640 --> 01:46:40.640
<v Speaker 9>And you know, if these people have grown up in

1930
01:46:40.760 --> 01:46:43.640
<v Speaker 9>that kind of a system where it's accepted within the

1931
01:46:43.680 --> 01:46:45.520
<v Speaker 9>Hollywood culture that you know, you have to go on

1932
01:46:45.560 --> 01:46:48.079
<v Speaker 9>the casting couch. Regardless of whether you're an eighteen year

1933
01:46:48.119 --> 01:46:50.239
<v Speaker 9>old girl or a twelve year old boy, You're on

1934
01:46:50.319 --> 01:46:52.319
<v Speaker 9>the casting couch with these people, and they don't care.

1935
01:46:53.000 --> 01:46:55.760
<v Speaker 9>You grow up in that system of where you either

1936
01:46:55.800 --> 01:47:00.079
<v Speaker 9>think it's acceptable or you start perpetrating that trauma on

1937
01:47:00.119 --> 01:47:02.439
<v Speaker 9>other PayPal ends. I think that's why you say a

1938
01:47:02.479 --> 01:47:06.079
<v Speaker 9>lot of these people collapse up within themselves, their career

1939
01:47:06.159 --> 01:47:06.800
<v Speaker 9>goes to shoot.

1940
01:47:06.840 --> 01:47:10.720
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1941
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1942
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1943
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1944
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1945
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1946
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1947
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1948
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1949
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1950
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1951
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1952
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1953
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<v Speaker 4>So many amazing growth opportunities, high paying jobs and technology,

1954
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1955
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1956
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<v Speaker 4>Just like the Wright brothers, John Glenn, even Neil Armstrong,

1957
01:47:55.720 --> 01:47:59.199
<v Speaker 4>their careers all took off in Ohio, and yours pan.

1958
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<v Speaker 15>To a job that can take you further in a

1959
01:48:01.640 --> 01:48:02.840
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1960
01:48:02.760 --> 01:48:04.800
<v Speaker 4>To come home to have it all in the heart

1961
01:48:04.840 --> 01:48:07.600
<v Speaker 4>of it all. Launch your search at call Ohio home

1962
01:48:07.760 --> 01:48:08.199
<v Speaker 4>dot com.

1963
01:48:08.840 --> 01:48:11.640
<v Speaker 9>Their reality finally dawns on them all. Is a victim,

1964
01:48:11.640 --> 01:48:13.439
<v Speaker 9>always abused. These things have happened to me, and no

1965
01:48:13.600 --> 01:48:15.479
<v Speaker 9>one cares, and we say.

1966
01:48:15.399 --> 01:48:22.039
<v Speaker 8>That I know, it sucks. It sucks, and like I

1967
01:48:22.560 --> 01:48:25.199
<v Speaker 8>for the kids out there that are like coming out

1968
01:48:25.439 --> 01:48:28.359
<v Speaker 8>and saying like this happened to me, and like these

1969
01:48:28.399 --> 01:48:31.359
<v Speaker 8>are the things and for people to just turn a

1970
01:48:31.520 --> 01:48:35.039
<v Speaker 8>blind eye, like imagine if it was your kid. I've

1971
01:48:35.079 --> 01:48:37.520
<v Speaker 8>been covering a lot of this stuff in my new show,

1972
01:48:37.880 --> 01:48:40.600
<v Speaker 8>like for the Cult of conspiracy about like things that

1973
01:48:40.720 --> 01:48:43.319
<v Speaker 8>have happened to kids. Nobody will ever know their name,

1974
01:48:43.720 --> 01:48:46.760
<v Speaker 8>nobody will ever know their story, nobody cares to look

1975
01:48:46.840 --> 01:48:49.920
<v Speaker 8>into this kind of stuff. It's just really sad that

1976
01:48:50.079 --> 01:48:51.199
<v Speaker 8>this is the world we live in.

1977
01:48:53.239 --> 01:48:55.600
<v Speaker 9>Yeah, well, when you've got big money and big personalities

1978
01:48:55.640 --> 01:48:59.000
<v Speaker 9>running the show, they are mm hmm, they're gonna cover

1979
01:48:59.079 --> 01:49:01.760
<v Speaker 9>it up, and people talk about it, it just doesn't

1980
01:49:01.760 --> 01:49:03.680
<v Speaker 9>gain the traction. Like the Me Too movement which I

1981
01:49:03.760 --> 01:49:06.479
<v Speaker 9>referred to before, that was allowed to gain traction because

1982
01:49:06.520 --> 01:49:08.279
<v Speaker 9>it was a great distraction from a lot of the

1983
01:49:08.359 --> 01:49:13.039
<v Speaker 9>more nefaries evilshit was going on. People will recognize it's

1984
01:49:13.399 --> 01:49:16.640
<v Speaker 9>downright atrocious and disgusting that men in power will exploit

1985
01:49:16.760 --> 01:49:19.079
<v Speaker 9>that to get sexual favors from women who want to

1986
01:49:19.279 --> 01:49:22.880
<v Speaker 9>progress their careers. That's terrible, don't get me wrong. That's

1987
01:49:23.359 --> 01:49:25.720
<v Speaker 9>far far more evil when children are involved, and that

1988
01:49:25.880 --> 01:49:27.159
<v Speaker 9>just seems to be skimmed over.

1989
01:49:27.640 --> 01:49:32.680
<v Speaker 8>I know, it's just fucking gut wrenching, And it's like

1990
01:49:32.840 --> 01:49:35.319
<v Speaker 8>we were seeing at the very beginning of the episode,

1991
01:49:35.479 --> 01:49:40.119
<v Speaker 8>Tom Hanks America's dad quote unquote, and I mean.

1992
01:49:41.840 --> 01:49:42.439
<v Speaker 17>There are.

1993
01:49:43.920 --> 01:49:48.159
<v Speaker 8>Movies like The Money Pit the Burbs, and I'll always

1994
01:49:48.279 --> 01:49:51.399
<v Speaker 8>have a soft spot for them and watch them, but

1995
01:49:52.760 --> 01:49:56.359
<v Speaker 8>it just I don't know. Even Castaway, I used to

1996
01:49:56.520 --> 01:49:58.920
<v Speaker 8>watch a lot because it's a really good movie.

1997
01:49:59.439 --> 01:49:59.520
<v Speaker 17>And.

1998
01:50:01.039 --> 01:50:04.119
<v Speaker 8>I haven't seen him do a lot recently, if I'm

1999
01:50:04.239 --> 01:50:06.279
<v Speaker 8>just being honest, And I think that's where a lot

2000
01:50:06.319 --> 01:50:09.079
<v Speaker 8>of the conspiracy theories are coming from. AHw, he's dead

2001
01:50:09.159 --> 01:50:12.079
<v Speaker 8>and there's like an actor playing him or whatever. Maybe

2002
01:50:12.119 --> 01:50:14.079
<v Speaker 8>he's just like, you know, when you get to a

2003
01:50:14.159 --> 01:50:17.399
<v Speaker 8>certain point when you're doing all this shit, like it

2004
01:50:17.520 --> 01:50:21.439
<v Speaker 8>catches up to you at some point. Maybe he's like

2005
01:50:22.720 --> 01:50:26.119
<v Speaker 8>worn out. I don't know, like he's just posted up

2006
01:50:26.199 --> 01:50:29.840
<v Speaker 8>somewhere with a fucking bag of a drenochrome dripping into

2007
01:50:29.880 --> 01:50:32.920
<v Speaker 8>his balls. I don't know, like at some point your

2008
01:50:33.000 --> 01:50:35.720
<v Speaker 8>body just gives out from all the evil shit you've

2009
01:50:35.760 --> 01:50:36.199
<v Speaker 8>been doing.

2010
01:50:37.720 --> 01:50:39.640
<v Speaker 9>Yeah, and you look at the background of Tom Hanks,

2011
01:50:39.760 --> 01:50:41.560
<v Speaker 9>and we're not the first people to go into this,

2012
01:50:41.680 --> 01:50:45.119
<v Speaker 9>but you see the humiliation rituals early on his career,

2013
01:50:45.159 --> 01:50:46.800
<v Speaker 9>where he was forced to dress up as a woman

2014
01:50:47.239 --> 01:50:51.359
<v Speaker 9>on TV and rolls within movies, the whole drag scenes

2015
01:50:51.439 --> 01:50:53.960
<v Speaker 9>that go on early on. It's almost like the initiation

2016
01:50:54.159 --> 01:50:56.840
<v Speaker 9>ritual that they have to do for their careers went

2017
01:50:56.920 --> 01:50:59.880
<v Speaker 9>from that into things like Bachelor PARTI, where's very so

2018
01:51:00.039 --> 01:51:03.359
<v Speaker 9>actualize that type of nature. He then somehow falls into

2019
01:51:03.439 --> 01:51:05.840
<v Speaker 9>the role of Big where he's surrounded by kids and

2020
01:51:05.920 --> 01:51:09.439
<v Speaker 9>he's a personification of a child in a man's body,

2021
01:51:10.960 --> 01:51:13.000
<v Speaker 9>which is very pedophilic. The fact that he sleeps with

2022
01:51:13.079 --> 01:51:16.199
<v Speaker 9>a woman in that film pretty disgusting when you think

2023
01:51:16.239 --> 01:51:18.920
<v Speaker 9>about it now, regardless of him being a grown up man.

2024
01:51:19.640 --> 01:51:22.680
<v Speaker 9>Then goes into this film which is almost like, let's

2025
01:51:22.760 --> 01:51:26.720
<v Speaker 9>cover up the conspiracies. Let's make the white suburban American

2026
01:51:26.760 --> 01:51:29.760
<v Speaker 9>who's starting to notice things look crazy. I think that's

2027
01:51:29.800 --> 01:51:31.760
<v Speaker 9>the real message in this we read I read out

2028
01:51:31.760 --> 01:51:33.840
<v Speaker 9>the article at the start, which is kind of pushing

2029
01:51:33.920 --> 01:51:36.960
<v Speaker 9>that idea again onto the mainstream public. But it's the

2030
01:51:37.039 --> 01:51:40.000
<v Speaker 9>inversion of that. People are noticing things because they're out

2031
01:51:40.039 --> 01:51:43.439
<v Speaker 9>in the open now, yeah, and they don't care what's

2032
01:51:43.479 --> 01:51:45.439
<v Speaker 9>being put out there. If we've got the ability to

2033
01:51:45.479 --> 01:51:48.399
<v Speaker 9>put two and two together, that's the dangerous thing for them.

2034
01:51:48.479 --> 01:51:50.399
<v Speaker 9>So now they're running cover and saying that, you know

2035
01:51:50.800 --> 01:51:55.199
<v Speaker 9>your conspiracy theorists again, it's Trump supporters, it's the maga Republicans.

2036
01:51:55.399 --> 01:51:57.199
<v Speaker 9>They don't know what's really going on. It's all about

2037
01:51:57.239 --> 01:51:59.760
<v Speaker 9>white guilt and blah blah blah. It's really not there's

2038
01:51:59.800 --> 01:52:02.279
<v Speaker 9>things you can generally notice and connect the dots with.

2039
01:52:03.279 --> 01:52:06.800
<v Speaker 8>Well, where would you rank it in Tom Hanks movies?

2040
01:52:06.960 --> 01:52:09.640
<v Speaker 8>Would you rank it as like number one? Number two?

2041
01:52:09.920 --> 01:52:11.720
<v Speaker 8>Like do you have another favorite?

2042
01:52:13.399 --> 01:52:15.560
<v Speaker 9>I would put it as maybe a number two. I

2043
01:52:15.680 --> 01:52:17.560
<v Speaker 9>really enjoyed Big as a kid growing up.

2044
01:52:18.000 --> 01:52:21.319
<v Speaker 8>Maybe we should just refresh the listeners. Let's see Tom

2045
01:52:21.399 --> 01:52:30.159
<v Speaker 8>Hanks movies in case I'm forgetting some biggies. Let's see Splash.

2046
01:52:30.439 --> 01:52:31.600
<v Speaker 8>Did you watch Splash?

2047
01:52:32.319 --> 01:52:36.000
<v Speaker 9>The Mermaid one? But it's not something that I'm deeply

2048
01:52:36.039 --> 01:52:36.520
<v Speaker 9>invested in.

2049
01:52:37.560 --> 01:52:39.720
<v Speaker 8>I'm not gonna go through every single one, but these

2050
01:52:39.720 --> 01:52:42.560
<v Speaker 8>are some of the ones that the listeners might like.

2051
01:52:43.840 --> 01:52:47.920
<v Speaker 8>For me, money Pit and then Uh Turner and hooch

2052
01:52:49.399 --> 01:52:56.479
<v Speaker 8>Uh Sleepless in Seattle. Oh, fuck Forrest Gump. That's gonna

2053
01:52:56.560 --> 01:53:00.640
<v Speaker 8>Oh I definitely am putting that up there, say private

2054
01:53:00.840 --> 01:53:06.680
<v Speaker 8>Ryan Toy story, You've got mail cast away? Oh Drew

2055
01:53:06.880 --> 01:53:10.560
<v Speaker 8>the Green Mile, Fuck about that one too.

2056
01:53:11.479 --> 01:53:13.880
<v Speaker 9>The Man with the One Red Shoe.

2057
01:53:15.000 --> 01:53:16.680
<v Speaker 8>The Man with the one red shoe? Where did you

2058
01:53:16.760 --> 01:53:17.000
<v Speaker 8>get that?

2059
01:53:17.119 --> 01:53:20.159
<v Speaker 9>For? I've never seen nineteen Tom Hanks is the Man

2060
01:53:20.399 --> 01:53:24.119
<v Speaker 9>with one red Shoe nineteen eighty five, Red Shoe Club,

2061
01:53:24.560 --> 01:53:26.640
<v Speaker 9>Red Shoe Club. There we go.

2062
01:53:27.920 --> 01:53:35.119
<v Speaker 8>How about Polar Express, the Da Vinci Code. Uh, let's see.

2063
01:53:35.880 --> 01:53:37.640
<v Speaker 9>He has done a lot. This is the thing. This

2064
01:53:37.760 --> 01:53:40.359
<v Speaker 9>is why he's America's dad, because he's been in these

2065
01:53:41.279 --> 01:53:45.119
<v Speaker 9>not always blockbusters, but they're culturally rich films that people

2066
01:53:45.159 --> 01:53:47.840
<v Speaker 9>will always remember. The Burbs is a great example of it.

2067
01:53:48.079 --> 01:53:51.399
<v Speaker 9>This movie bombed in the box office. It wasn't really that.

2068
01:53:51.600 --> 01:53:52.279
<v Speaker 8>I can't believe that.

2069
01:53:52.439 --> 01:53:54.560
<v Speaker 9>Then it became a cult hit after the fact.

2070
01:53:54.800 --> 01:53:56.680
<v Speaker 8>Yeah, he was in Elvis.

2071
01:53:57.920 --> 01:53:59.479
<v Speaker 9>Yeah, I think he was the manager, wasn't he.

2072
01:53:59.800 --> 01:54:03.439
<v Speaker 8>Oh right, Okay, So it's got obviously it's got like

2073
01:54:03.600 --> 01:54:09.000
<v Speaker 8>Pinocchio and some of his newer stuff, A Beautiful Day

2074
01:54:09.000 --> 01:54:15.159
<v Speaker 8>in the Neighborhood, Greyhound, fucking Cloud Atlas. But the ones

2075
01:54:15.239 --> 01:54:19.279
<v Speaker 8>that I'm going to go with, Uh, I'm gonna rate

2076
01:54:19.920 --> 01:54:24.119
<v Speaker 8>money Pit as my number one, The Urbs as my

2077
01:54:24.319 --> 01:54:29.279
<v Speaker 8>number two. For Scump is my number three. I quote

2078
01:54:29.279 --> 01:54:34.239
<v Speaker 8>it all the time. And I'm gonna go with cast

2079
01:54:34.399 --> 01:54:37.119
<v Speaker 8>Away for my number four. And coming in at number

2080
01:54:37.199 --> 01:54:39.039
<v Speaker 8>five is the Da Vinci Code.

2081
01:54:39.920 --> 01:54:43.000
<v Speaker 9>Yeah, fair, I'd probably go Turner and Hurts number one,

2082
01:54:43.279 --> 01:54:47.560
<v Speaker 9>big as too. The Burbs is number three. I can't

2083
01:54:47.640 --> 01:54:50.119
<v Speaker 9>go past the toy story even though it's just voice acting.

2084
01:54:50.239 --> 01:54:53.800
<v Speaker 8>The first toy story stories coming in number.

2085
01:54:53.600 --> 01:54:56.760
<v Speaker 9>Four for you, yep, and then the grain Mile.

2086
01:54:57.720 --> 01:54:59.680
<v Speaker 8>Green Mile coming in number five.

2087
01:55:03.359 --> 01:55:03.680
<v Speaker 9>That's it.

2088
01:55:04.079 --> 01:55:04.680
<v Speaker 17>That is it.

2089
01:55:04.880 --> 01:55:09.399
<v Speaker 8>That's a good lineup. That's a good lineup. I probably

2090
01:55:09.399 --> 01:55:11.319
<v Speaker 8>should have shared my screen while I was doing that.

2091
01:55:13.600 --> 01:55:13.800
<v Speaker 17>Yeah.

2092
01:55:14.000 --> 01:55:14.840
<v Speaker 2>No, So.

2093
01:55:17.800 --> 01:55:24.119
<v Speaker 8>The Burbs itself one to ten klopex on conspiracy.

2094
01:55:25.640 --> 01:55:30.199
<v Speaker 9>I would probably go maybe an eight on conspiracy. I

2095
01:55:30.239 --> 01:55:33.039
<v Speaker 9>wouldn't go full ten because there just wasn't enough. It

2096
01:55:33.159 --> 01:55:35.680
<v Speaker 9>was spaced out well enough within the film that kept

2097
01:55:35.720 --> 01:55:38.399
<v Speaker 9>you paying attention looking for it. But it wasn't just

2098
01:55:38.560 --> 01:55:40.680
<v Speaker 9>bang bang bang one after the other that were in

2099
01:55:40.800 --> 01:55:43.319
<v Speaker 9>small bite sized chunks at the start, the middle, and

2100
01:55:43.399 --> 01:55:46.680
<v Speaker 9>the end. But on the on their face, they were

2101
01:55:46.760 --> 01:55:49.159
<v Speaker 9>really good enough to dig into the weeds. Yeah, to

2102
01:55:49.239 --> 01:55:51.880
<v Speaker 9>find out that ata like this God of Fire was

2103
01:55:51.920 --> 01:55:53.920
<v Speaker 9>literally the one was that you.

2104
01:55:54.039 --> 01:55:57.000
<v Speaker 8>Blew my mind with that ship. That was a really

2105
01:55:57.079 --> 01:56:01.000
<v Speaker 8>good catch. That was a super good catch. I was

2106
01:56:01.079 --> 01:56:03.600
<v Speaker 8>gonna also, I don't want to have the same answer,

2107
01:56:03.680 --> 01:56:08.520
<v Speaker 8>so I'm gonna go eight point three three chlopex. I

2108
01:56:08.680 --> 01:56:12.000
<v Speaker 8>think it's it's almost right up there with like being

2109
01:56:12.039 --> 01:56:16.520
<v Speaker 8>one of the more obviously conspiratorial movies. But when I

2110
01:56:16.600 --> 01:56:19.399
<v Speaker 8>compared to some of the other episodes we've done that

2111
01:56:19.560 --> 01:56:23.439
<v Speaker 8>were ten out of ten, I would say our coverage

2112
01:56:23.479 --> 01:56:27.920
<v Speaker 8>on the Alien franchise was ten out of ten. I

2113
01:56:28.119 --> 01:56:31.520
<v Speaker 8>think even Dark Shadows might have been a ten out

2114
01:56:31.560 --> 01:56:33.880
<v Speaker 8>of ten for me, just like when you really dig

2115
01:56:33.960 --> 01:56:37.560
<v Speaker 8>into it. But the Urbs, I'm gonna get eight point

2116
01:56:37.680 --> 01:56:41.159
<v Speaker 8>three three on that. Did you watch, by the way,

2117
01:56:41.279 --> 01:56:44.239
<v Speaker 8>since I have you the new alien movie.

2118
01:56:44.359 --> 01:56:46.319
<v Speaker 9>Romulus, Get Romulus, I have yet?

2119
01:56:46.359 --> 01:56:48.680
<v Speaker 8>Okay, do you want to give me like the cliff notes?

2120
01:56:48.680 --> 01:56:49.520
<v Speaker 8>I haven't seen it yet?

2121
01:56:49.600 --> 01:56:49.760
<v Speaker 9>Is it?

2122
01:56:49.960 --> 01:56:50.359
<v Speaker 13>Is it good?

2123
01:56:50.520 --> 01:56:53.399
<v Speaker 9>Is it bad? Is it? It's not really, Scott, It's

2124
01:56:53.880 --> 01:56:57.000
<v Speaker 9>it's the era of alien and Aliens. Though I've gone

2125
01:56:57.079 --> 01:56:59.239
<v Speaker 9>back to the aesthetics look just like it's not the

2126
01:56:59.279 --> 01:57:03.279
<v Speaker 9>Prometheus type of everything's somehow more advanced than what the

2127
01:57:03.399 --> 01:57:07.920
<v Speaker 9>previously was. The technology looks like Alien nineteen seventies storyline.

2128
01:57:08.640 --> 01:57:13.039
<v Speaker 9>It's perfect, though, I'm telling you, fIF actually okay, it

2129
01:57:13.239 --> 01:57:17.159
<v Speaker 9>ties up all the loose ends of Prometheus. The alien

2130
01:57:17.239 --> 01:57:19.359
<v Speaker 9>that we saw ejected out of the spaceship in the

2131
01:57:19.399 --> 01:57:22.840
<v Speaker 9>first Alien film, turns itself into a chrysalis in space

2132
01:57:22.960 --> 01:57:25.399
<v Speaker 9>and whaling you Tiny gets a hold of it. They

2133
01:57:25.439 --> 01:57:27.880
<v Speaker 9>grab it, they take it back to a space station

2134
01:57:28.039 --> 01:57:31.039
<v Speaker 9>called Romulus and Remus, so straight away we've got the

2135
01:57:31.159 --> 01:57:35.720
<v Speaker 9>esoteric stuff. On the rome they start to re engineer

2136
01:57:35.960 --> 01:57:40.640
<v Speaker 9>the Black Goo, the Black Coup, which they call Prometheus five,

2137
01:57:40.720 --> 01:57:43.760
<v Speaker 9>and Prometheus was the fifth film in the Alien franchise,

2138
01:57:44.479 --> 01:57:47.920
<v Speaker 9>so they name the goop. They start genetically engineering face huggers.

2139
01:57:48.279 --> 01:57:51.680
<v Speaker 9>Something goes around on the Space Shuttle, which they don't

2140
01:57:51.760 --> 01:57:54.640
<v Speaker 9>know the space station, which it doesn't really explain until

2141
01:57:55.199 --> 01:57:57.399
<v Speaker 9>a young group of kids who want to get off

2142
01:57:57.439 --> 01:58:00.199
<v Speaker 9>a mining planet want to escape the planet and go

2143
01:58:00.279 --> 01:58:02.279
<v Speaker 9>to a new world, a free zone that's not owned

2144
01:58:02.319 --> 01:58:05.079
<v Speaker 9>by the corporation or the colonies. They go there to

2145
01:58:05.159 --> 01:58:07.319
<v Speaker 9>get some cryer beds because they want to like survive

2146
01:58:07.399 --> 01:58:12.279
<v Speaker 9>the sixty keylong trip. Right, howl ensues lots of aliens

2147
01:58:12.680 --> 01:58:13.760
<v Speaker 9>hybrid creatures.

2148
01:58:17.479 --> 01:58:19.479
<v Speaker 8>If you haven't seen it, so it has nothing to

2149
01:58:19.560 --> 01:58:24.279
<v Speaker 8>do with Covenant, then not a direct time, no, because

2150
01:58:24.760 --> 01:58:27.119
<v Speaker 8>it's not peaking up off of Covenant.

2151
01:58:27.600 --> 01:58:32.880
<v Speaker 9>Not exactly. It takes place in between alien and Aliens,

2152
01:58:33.760 --> 01:58:38.960
<v Speaker 9>but a long time after Covenant. WHOA, So there could

2153
01:58:39.039 --> 01:58:41.880
<v Speaker 9>be a third, another one a third in the Covenant

2154
01:58:41.920 --> 01:58:45.159
<v Speaker 9>Prometheus series that would help tie it all in, but

2155
01:58:45.319 --> 01:58:48.479
<v Speaker 9>it does it in this because they describe Whalen. Bishop

2156
01:58:48.520 --> 01:58:51.720
<v Speaker 9>Whalend went to the planet, found the goo, and they're

2157
01:58:51.800 --> 01:58:54.840
<v Speaker 9>naming it after his Prometheus five expedition.

2158
01:58:55.159 --> 01:58:59.760
<v Speaker 8>WHOA all right, all right, all right, I gotta watch it.

2159
01:59:00.760 --> 01:59:04.920
<v Speaker 8>I gotta watch it. That sounds fucking fucked up the

2160
01:59:05.119 --> 01:59:06.560
<v Speaker 8>face huggers.

2161
01:59:06.159 --> 01:59:10.479
<v Speaker 9>Really by Saga's drones. There's a Harbord crater at the

2162
01:59:10.600 --> 01:59:12.479
<v Speaker 9>very end of it that comes from a pregnant woman

2163
01:59:12.760 --> 01:59:15.199
<v Speaker 9>who's injected with the girl. I don't want to give

2164
01:59:15.199 --> 01:59:19.000
<v Speaker 9>buy spoilers, but it's god damn good. Opacially, it's akin

2165
01:59:19.079 --> 01:59:19.760
<v Speaker 9>to the Originals.

2166
01:59:20.199 --> 01:59:23.039
<v Speaker 8>When I watch it, I will I will have to

2167
01:59:23.159 --> 01:59:25.479
<v Speaker 8>message you and let you know what I think. But

2168
01:59:25.760 --> 01:59:28.439
<v Speaker 8>I mean, I'm excited now because you know, it looked

2169
01:59:28.560 --> 01:59:31.840
<v Speaker 8>kind of gay, like they weren't you know, they weren't

2170
01:59:31.920 --> 01:59:34.880
<v Speaker 8>like picking it up right off a Covenant. It looked

2171
01:59:35.000 --> 01:59:38.079
<v Speaker 8>like some other totally different thing to me. So I

2172
01:59:38.119 --> 01:59:39.840
<v Speaker 8>didn't know if they went in like a gay direction

2173
01:59:40.000 --> 01:59:41.640
<v Speaker 8>with it, or if they were gonna keep it with

2174
01:59:41.840 --> 01:59:45.079
<v Speaker 8>like the cool shit about like what makes alien. So cool.

2175
01:59:45.279 --> 01:59:48.880
<v Speaker 8>You know, so it sounds like they did and now

2176
01:59:48.880 --> 01:59:51.880
<v Speaker 8>I'm excited to watch it. Fucking face huggers.

2177
01:59:52.479 --> 01:59:54.319
<v Speaker 17>But so Drew.

2178
01:59:54.680 --> 01:59:56.840
<v Speaker 8>When we team up and we do breakdowns together, I

2179
01:59:56.880 --> 02:00:00.399
<v Speaker 8>always get so many compliments. Everyone loves the energy you bring,

2180
02:00:00.720 --> 02:00:03.960
<v Speaker 8>the research. Everything is dynamite. Thank you so much for

2181
02:00:04.079 --> 02:00:08.760
<v Speaker 8>joining me for yet another breakdown. And if you could

2182
02:00:09.640 --> 02:00:12.000
<v Speaker 8>those who are hearing you for the first time, let

2183
02:00:12.079 --> 02:00:13.800
<v Speaker 8>them know where they can find more of your work.

2184
02:00:14.560 --> 02:00:17.159
<v Speaker 9>Yeah, Drew, missing from your Missing the Point podcast, am

2185
02:00:17.199 --> 02:00:20.960
<v Speaker 9>I doubles and find in all the usual podcatches also

2186
02:00:21.359 --> 02:00:24.479
<v Speaker 9>co hosts a show called Conspiracy Theater three thousand, in

2187
02:00:24.560 --> 02:00:27.359
<v Speaker 9>which me and the guys Moral Bob and Ryan Dean

2188
02:00:27.399 --> 02:00:30.000
<v Speaker 9>we break down films similar to this. We do watch alungs,

2189
02:00:30.000 --> 02:00:32.880
<v Speaker 9>we do commentaries, we do breakdowns, all that good stuff.

2190
02:00:33.239 --> 02:00:35.960
<v Speaker 9>And thanks again for having me on Julia's I love these,

2191
02:00:36.000 --> 02:00:37.960
<v Speaker 9>always look forward to them. We always pick great movies,

2192
02:00:38.199 --> 02:00:41.199
<v Speaker 9>stuff that we tend to miss on Conspiracy Theater three thousand.

2193
02:00:41.479 --> 02:00:43.840
<v Speaker 9>So you're indulging me with these types of conversations, which

2194
02:00:43.880 --> 02:00:44.439
<v Speaker 9>I really enjoy.

2195
02:00:44.560 --> 02:00:46.880
<v Speaker 8>Oh, I was gonna say me too. I love teaming

2196
02:00:46.960 --> 02:00:49.439
<v Speaker 8>up on these. I think we pick some fun ones

2197
02:00:49.479 --> 02:00:52.000
<v Speaker 8>from our childhood fun ones that people would think about

2198
02:00:52.000 --> 02:00:55.800
<v Speaker 8>Harry and the Andersons. That was a great one, But

2199
02:00:56.000 --> 02:00:58.720
<v Speaker 8>so I'm looking forward. We'll team up on another one.

2200
02:00:58.800 --> 02:01:00.439
<v Speaker 8>It doesn't even have to be a breakdow. We can

2201
02:01:00.520 --> 02:01:04.439
<v Speaker 8>just pick something random maybe, but uh yeah, I hope

2202
02:01:04.479 --> 02:01:06.880
<v Speaker 8>everyone goes and checks out more of your work. Thank

2203
02:01:06.960 --> 02:01:10.239
<v Speaker 8>you again for joining me tonight into all the listeners

2204
02:01:10.319 --> 02:01:13.199
<v Speaker 8>out there. Thank you, and we will catch you on.

2205
02:01:13.439 --> 02:01:14.159
<v Speaker 5>The next one.

2206
02:01:15.039 --> 02:01:19.000
<v Speaker 12>I think the message to psychos, fanatics, murderers, nutcases all

2207
02:01:19.039 --> 02:01:22.239
<v Speaker 12>over the world is, uh, do not mess with suburbanites

2208
02:01:22.279 --> 02:01:24.560
<v Speaker 12>because frankly, we're just not going to take it anymore.

2209
02:01:24.800 --> 02:01:26.119
<v Speaker 12>You know, we're not going to be content to look

2210
02:01:26.159 --> 02:01:28.399
<v Speaker 12>after our lawns and wax our cars, paint our houses.

2211
02:01:28.640 --> 02:01:29.399
<v Speaker 10>We're out to get them.

2212
02:01:29.720 --> 02:01:31.079
<v Speaker 13>We are out together.

2213
02:01:39.800 --> 02:01:40.079
<v Speaker 17>Hello.

2214
02:01:40.319 --> 02:01:42.000
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