WEBVTT

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<v Speaker 1>Will you waits exist Sis, Welcome back midnight Viewers to

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<v Speaker 1>fuse Goo Fest. Do we have a theme song? HP?

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<v Speaker 1>Do we have a Fusco Fest theme? Something? Easy?

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<v Speaker 2>We I know we don't have anything. I don't know.

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<v Speaker 2>You're well, you're producing these. What do you think? What

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<v Speaker 2>do you want?

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<v Speaker 1>Something bluesy? Obviously?

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<v Speaker 3>Oh I can I yeah, I can provide you. Remember

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<v Speaker 3>after we did Crossroads, I sent you too late. I

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<v Speaker 3>sent you a little blues thing that I had worked up.

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<v Speaker 2>We could use that. It's kind of mozy.

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<v Speaker 1>Working into a thirty second thing. You'll hear that on

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<v Speaker 1>the next few sco Fest everybody, I'm keeping all of

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<v Speaker 1>this in buddy. This is Fusco Fest here on midnight Viewing.

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<v Speaker 1>Joining me as always is our best friend from fucking

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<v Speaker 1>thirty years or so now, mister HP. He's from Noise

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<v Speaker 1>Junkie and he's also from Night Mister Walter's a taxi podcast.

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<v Speaker 2>Very very, very very exciting.

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<v Speaker 3>I'm always excited to do Fusco Fest, but it's been

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<v Speaker 3>a while, fatherm alone, so I'm very excited to talk

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<v Speaker 3>some Fusco with you, sir.

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<v Speaker 1>Now so far on Fusco Fest. Hey, everybody, in case

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<v Speaker 1>you don't know what the fuck we're talking about, but

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<v Speaker 1>we're discussing the works of mister John Fusco, screenwriter extraordinaire.

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<v Speaker 1>Turns out that HP and I have a shared love

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<v Speaker 1>of all of the man's work basically, and figured why

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<v Speaker 1>not dive in so so far in chronological order, we've

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<v Speaker 1>been doing them, and we've had Crossroads Young Guns Young

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<v Speaker 1>Guns too, and next up is of course Thunderheart, which

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<v Speaker 1>is why we're doing The Babe. No, we're just doing

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<v Speaker 1>things a little bit out of order. We've got a

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<v Speaker 1>special guest on our Thunderheart episode. That's a really fucking

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<v Speaker 1>good movie and it deserves a little extra attention, so

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<v Speaker 1>we didn't want to rush through it just for the

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<v Speaker 1>sake of fucking some arbitrary rule about chronology. So instead

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<v Speaker 1>we aren't doing The Babe starring James Cromwell, about a

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<v Speaker 1>tiny pit on a farm in New Zealand. I believe, no, no, no, wait,

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<v Speaker 1>we're doing The Babe about Babe Ruth starring James Cromwell,

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<v Speaker 1>about a guy who likes to hit balls.

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<v Speaker 4>HP.

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<v Speaker 1>If I were to ask you, who are the greatest

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<v Speaker 1>ball players of all time? Is Ruth on there talking

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<v Speaker 1>about Babe Ruth. Everybody, Babe Ruth.

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<v Speaker 2>Babe Ruth. I'm not the biggest baseball fan. I'm more

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<v Speaker 2>of a casual fan.

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<v Speaker 1>Get off of this podcast right now.

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<v Speaker 3>Okay, but yeah, I think for the casual fan like myself, sure,

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<v Speaker 3>Babe Ruth is one of the more prodigious names that

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<v Speaker 3>you'll hear. And also being from Boston or being from

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<v Speaker 3>the Boston area, we have our own checkered history with

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<v Speaker 3>the Bambino, which hate that nickname, I gotta tell you,

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<v Speaker 3>But yeah, I would say Babe Ruth.

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<v Speaker 2>Is one of the greats.

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<v Speaker 3>I mean, his home run record lasted until when the

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<v Speaker 3>nineteen seventy four and that's pretty remarkable.

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<v Speaker 1>So yeah, the Bambino not your favorite. How about the

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<v Speaker 1>Sultan of Swat.

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<v Speaker 3>See when you start to give me the Sultan of Swat,

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<v Speaker 3>I start to hear all the names that Apollo Creed

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<v Speaker 3>had for himself in Rocky. Give us some the Master

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<v Speaker 3>of Disaster, the Ayatola of Fistola or something.

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<v Speaker 2>I don't know what.

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<v Speaker 1>Christ Calm down, Apollo, Okay, so we are talking about

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<v Speaker 1>the Babe. This is from nineteen ninety two, written as

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<v Speaker 1>always as all of the movies here on fuscof Has

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<v Speaker 1>written by mister John Fusco. This one was directed by

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<v Speaker 1>Arthur Hiller, starring John Goodman, Kelly McGillis, Triny Alvarado, Bruce

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<v Speaker 1>box Lightner. How excited were you when Bruce box Lightner

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<v Speaker 1>showed up in the fucking movie?

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<v Speaker 3>I was so excited because, full disclosure, this was my

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<v Speaker 3>first time watching the Babe. I missed it and it's

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<v Speaker 3>an Ishola run, so I was very excited to see

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<v Speaker 3>Tron up there on the screen or what scarecrow missus King.

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<v Speaker 3>Bruce box Lightner very much an eighties guy, so I

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<v Speaker 3>was very excited.

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<v Speaker 2>Does he bruce up there?

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<v Speaker 1>I can do no wrong. As I mentioned, James Cromwell

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<v Speaker 1>shows up in it for a bit. Ralph Morero as ping.

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<v Speaker 1>I'm only bringing up Ralph Morrero because my late wife

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<v Speaker 1>Jessica could not pronounce the name of my favorite filmmaker,

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<v Speaker 1>which was George Romero. She would always say George Morrero.

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<v Speaker 1>So to see a man named Ralph Morrero in this film,

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<v Speaker 1>I thought, wow, Jessica would have had a ball. Anyway,

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<v Speaker 1>this is the story of George Ruth, the Babe Ruth

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<v Speaker 1>who the house that Ruth built, The Yankees. The He

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<v Speaker 1>pointed once at the outfield and said, I'm going to

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<v Speaker 1>hit that ball, and then he hit that ball.

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<v Speaker 2>Where did they come from? Where'd you come from?

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<v Speaker 1>Rock from out of nowhere?

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<v Speaker 2>To play inside ball?

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<v Speaker 5>Hit him when they ate, Well, they aren't over the punches,

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<v Speaker 5>So that's where I have him. I used to get

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<v Speaker 5>arrested for that. Now they give me a check from

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<v Speaker 5>a boy.

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<v Speaker 2>He isn't all the bad his life.

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<v Speaker 1>Two of them balla Yeah, I know.

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<v Speaker 2>You're making more money than the president. Here's three of ballins.

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<v Speaker 5>Let's have a hell of season.

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<v Speaker 2>He lived his life to make a bottle all rampacks

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<v Speaker 2>last night, like he played the game, you're gonna.

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<v Speaker 1>Do it a son of a gun like that.

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<v Speaker 5>You're still a big kid with forty four home runs

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<v Speaker 5>with the saddest eyes I've ever seen.

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<v Speaker 4>I don't even like beings cool, but I loved it

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<v Speaker 4>watching Sacho run dry did it? Why don't we go

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<v Speaker 4>to your ride? No, guy, you are incorrigible, Nor.

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<v Speaker 5>What babe's gonna sock you a home run? Did that

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<v Speaker 5>make you feel a better? Johnny too?

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<v Speaker 2>That's good?

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<v Speaker 4>Well, No, kiddo, I favorite human. He's an animal.

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<v Speaker 1>He's a God the man was a legends about way Rock.

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<v Speaker 1>The legend was real, John Goodman the babe.

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<v Speaker 3>Sorry to break in that is I believe that is

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<v Speaker 3>actually not a true fact. There's a few things like

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<v Speaker 3>that we're gonna get into, but that actually, it's my

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<v Speaker 3>understand that he did not, in fact, truly call his shot.

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<v Speaker 3>He did point to the picture to say, oh, strike one,

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<v Speaker 3>strike two, but it's unclear whether he truly called his

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<v Speaker 3>shot or was just gesturing to the picture to say,

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<v Speaker 3>let's do this. So just one little bit of an accuracy,

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<v Speaker 3>I have to break in about.

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<v Speaker 1>Now, this was your first time watching the film. This

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<v Speaker 1>was also my first time watching the film. I remember

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<v Speaker 1>when the film came out. I remembered a bit of

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<v Speaker 1>hoopla around it. I certainly remember Genny Ande Garoffolo excoriating

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<v Speaker 1>the film in that she was talking about the treatment

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<v Speaker 1>of women in cinema and how they were expected to

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<v Speaker 1>maintain a ridiculous body image. When John Goodman had to

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<v Speaker 1>lose weight to play Babe Ruth, and he's still too fat.

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<v Speaker 3>He's way too big. Because I went back to just

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<v Speaker 3>to refresh my memory, and I looked at pictures of

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<v Speaker 3>Ruth in his prime and he's They make him out

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<v Speaker 3>to be this moose in the bab but he really wasn't.

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<v Speaker 2>He wasn't crazy.

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<v Speaker 3>I mean compared to modern day athletes. Sure he was

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<v Speaker 3>probably a bit big, but he wasn't as massive as

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<v Speaker 3>John Goodman is. And the fact that he had to

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<v Speaker 3>lose weight, which I think is a funny irony about

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<v Speaker 3>this movie.

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<v Speaker 2>But I thought that was kind of silly.

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<v Speaker 1>You know who he reminds me of looking at the

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<v Speaker 1>actual Babe Ruth, his body time reminded me of John Belushi.

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<v Speaker 2>Yeah, like younger John Belushi.

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<v Speaker 1>Right, anytime a fat comedian makes the scene, suddenly they're

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<v Speaker 1>the next John Belushi, because he was the fat comedian. Right.

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<v Speaker 1>I go back and I look at him, and I go,

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<v Speaker 1>he's just fucking big. He's just a big dude, but

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<v Speaker 1>it seems to be mostly muscle under there because he's

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<v Speaker 1>doing fucking backflips.

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<v Speaker 3>Yeah, the same thing goes for Babe Ruth. He was

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<v Speaker 3>a solid individual guy who could knock the.

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<v Speaker 2>Hell out of the ball.

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<v Speaker 3>So, sure he's going to be big, but big doesn't

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<v Speaker 3>mean fat, it doesn't mean overweight.

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<v Speaker 1>So this was your first experience, as it was mine.

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<v Speaker 2>What'd you think it was interesting.

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<v Speaker 3>First thing I did before I even started watching it.

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<v Speaker 2>Let me back up a minute.

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<v Speaker 3>I was surprised to see that Arthur Hiller had directed it.

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<v Speaker 3>I completely spaced on that. Obviously, I know him through reputation.

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<v Speaker 3>Of course, he did Love Story, He did Silver Streak.

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<v Speaker 3>Do you remember Silver Streak with Gene Wilder?

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<v Speaker 1>Of course you do, naturally, Yeah, Richard Pryor absolutely.

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<v Speaker 3>And then a funny connection to Our Night, mister Walter's podcast.

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<v Speaker 3>He also did Teachers, which featured jud Hirsh in a role.

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<v Speaker 1>That's right, and I love that movie. I love a

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<v Speaker 1>lot of Arthur Hiller's movies. Actually, The Lonely Guy I

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<v Speaker 1>think as an underrated Steve Martin gem that he did.

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<v Speaker 1>He also did The in Laws for God's Sake with

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<v Speaker 1>a fucking Alan Alan Arkin, fucking Peter Peter Fowk.

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<v Speaker 2>Yeah, it's amazing.

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<v Speaker 3>So the pedigree was pretty solid as far as I

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<v Speaker 3>was concerned. I was kind of excited by the way.

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<v Speaker 3>Fun fact Arthur Hiller was he used to golf with

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<v Speaker 3>my uncle Martin. I don't know if I ever told

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<v Speaker 3>you that story.

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<v Speaker 1>I remember Uncle Martin, but I didn't know that he

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<v Speaker 1>once golf. That's amazing fun fact.

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<v Speaker 2>Yeah, I don't. I don't remember how it came up.

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<v Speaker 3>He just was talking about some guy that he was

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<v Speaker 3>golfing with who at the time, Arthur Hiller was the

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<v Speaker 3>president of the Academy of Motion Pictures, Arts and Sciences.

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<v Speaker 3>So that was where my uncle Martin thought that I

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<v Speaker 3>would be interested in it. But then come to find

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<v Speaker 3>out that it was Arthur Hiller who had done all

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<v Speaker 3>these amazing pictures. He my uncle Martin couldn't have cared less.

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<v Speaker 3>I think he was just happy to have somebody to

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<v Speaker 3>golf with.

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<v Speaker 1>But that's there was a lot of way, isn't it.

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<v Speaker 1>Like you see Bill Burr and Star Wars and you're

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<v Speaker 1>just like, he does not give one shit about Star Wars.

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<v Speaker 3>No, but I mean you can tell he loves it

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<v Speaker 3>and interviews and stuff. But so Arthur Hiller directed. Haskell

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<v Speaker 3>Wexler was the DP on this picture. Yeah, mate, Wan

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<v Speaker 3>in the Heat of the Night, One Floor with the

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<v Speaker 3>Cuckoo's Nest. This movie had some pedigree. Elmer Bernstein did

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<v Speaker 3>the music. For God's sake, this seemed like a can't

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<v Speaker 3>miss proposition to me coming into this, Father Malone, and

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<v Speaker 3>if I'm.

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<v Speaker 2>Being perfectly honest, it was.

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<v Speaker 3>I had some problems with the picture, which will break

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<v Speaker 3>down I think first and foremost, if the first thing

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<v Speaker 3>that I had a problem with was John Goodman. Not

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<v Speaker 3>to say that John Goodman isn't a fine actor. He's

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<v Speaker 3>a fantastic actor, but as we just got through saying

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<v Speaker 3>he was not. So he has to play Babe Ruth

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<v Speaker 3>from basically age nineteen through age I don't know, fifty

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<v Speaker 3>one or forty eight or something, or he was like

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<v Speaker 3>his I think his mid forties when he ended his

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<v Speaker 3>career with the Boston Braves.

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<v Speaker 1>No, I don't think so. He was nineteen in nineteen

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<v Speaker 1>twenty five, I believe, or twenty four when he starts

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<v Speaker 1>his career, and then his career is over in nineteen

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<v Speaker 1>thirty five. So that's what sixteen years, making him thirty

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<v Speaker 1>seven or thirty six. My math is terrible. Nevertheless, he

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<v Speaker 1>not yet forty.

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<v Speaker 3>Oh okay, but that makes it even more vexing, because

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<v Speaker 3>John Goodman isn't believable at nineteen. He looks terrible. He

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<v Speaker 3>looks like somebody who's had a lot of makeup applied.

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<v Speaker 3>He's too big. They squeeze him into this suit. He

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<v Speaker 3>it just it didn't work for me, and then you're

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<v Speaker 3>having him play with or play.

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<v Speaker 1>He's forty, by the way.

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<v Speaker 2>He's so John Goodman is forty when he's.

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<v Speaker 1>He is older than Babe Ruth was. Babe Ruth died

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<v Speaker 1>before getting to the age John Goodman is when he's

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<v Speaker 1>going to play Babe Ruth nearly for his entire lifespan.

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<v Speaker 3>I'm not surprised because he I thought he looked every

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<v Speaker 3>bit his age. Because he's playing next to Bruce box Lightner,

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<v Speaker 3>who's supposed to be his contemporary. He's playing another true

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<v Speaker 3>actual ballplayer named Jumping Joe Dugan.

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<v Speaker 2>And what a great name.

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<v Speaker 1>Man. They had great names back then, they really did.

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<v Speaker 2>But he just he's up there in his prime.

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<v Speaker 3>He's supposed to be in his twenties, and he partially

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<v Speaker 3>the way he's shot, the way the makeup looks on him,

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<v Speaker 3>the die that they use for his hair, it just

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<v Speaker 3>was so unconvincing to me, Father Malone, and it really

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<v Speaker 3>unfortunately that part of it tended to take me out

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<v Speaker 3>of the picture. He didn't lose himself in the role.

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<v Speaker 3>I think somebody should be able to disappear into the

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<v Speaker 3>character of Babe Ruth to make it believable. But let

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<v Speaker 3>me ask you, how did you find John Goodman, his performance,

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<v Speaker 3>his appearance, what have you?

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<v Speaker 1>I think he's wildly miscast. I don't think he looks

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<v Speaker 1>anything like Babe Ruth. I don't think he comes off

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<v Speaker 1>like Babe Ruth. My problem is maybe that for the

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<v Speaker 1>majority of the film, Babe Ruth is an uncouth thug

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<v Speaker 1>of a human being, and John Goodman is just play

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<v Speaker 1>acting at being a thug of a human being. And

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<v Speaker 1>I never believe it. Somebody like Dennis Franz could have

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<v Speaker 1>played Babe Ruth and I would have bought into every

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<v Speaker 1>bit of his Everything untoward about him, everything just gross

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<v Speaker 1>and unrefined, I would have bought, and I would have

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<v Speaker 1>maybe given it the credence I would have given in

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<v Speaker 1>the credence to somebody like Robert de Niro and Raging Ball.

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<v Speaker 3>True, I agree because I think John Goodman fundamentally is

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<v Speaker 3>such a likable actor, such a likable presence, that I

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<v Speaker 3>think what you said about him play acting towards being

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<v Speaker 3>this unrefined brood of a man, because we see him

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<v Speaker 3>do an awful lot of things that we don't agree with.

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<v Speaker 3>I guess they Fusco should be given some credit for

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<v Speaker 3>making this a truly warts and all depiction.

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<v Speaker 2>Of Babe Ruth.

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<v Speaker 3>This is not really this. You could not call this hagiography.

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<v Speaker 3>This is You're getting the worst of it. But that's

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<v Speaker 3>also I think part of the problem, because he's so

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<v Speaker 3>thoroughly unlikable that I don't enjoy spending any time with

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<v Speaker 3>this character, So that as a viewer, that's a real negative.

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<v Speaker 1>Kind of a big problem when he's our lead, right,

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<v Speaker 1>it is what here's the thing, but Travis Bickle, I

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<v Speaker 1>always go back to a taxi driver. Travis Bickle is

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<v Speaker 1>also a despicable character who you would not want to

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<v Speaker 1>spend one minute of your life beside. And yet I'm

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<v Speaker 1>with that fucking guy. I feel his pain, I understand

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<v Speaker 1>his isolation, and I want more somehow, Whereas this is

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<v Speaker 1>just a fucking kind of an asshole, unrepentantly provocatively rude

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<v Speaker 1>at times, to the degree.

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<v Speaker 3>Where I started to wonder, does he have something wrong

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<v Speaker 3>with him, something seriously clinically.

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<v Speaker 2>Wrong with him in his head?

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<v Speaker 3>Because he's especially early on, he's childlike. He doesn't understand

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<v Speaker 3>the ways and means of social interaction. But the things

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<v Speaker 3>he does are so far over the top gross and

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<v Speaker 3>mean spirit in some cases, and just it's hard for

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<v Speaker 3>me to see what the other characters saw in him

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<v Speaker 3>besides the fact that he was a home run machine,

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<v Speaker 3>that he was a hell of a ballplayer, but otherwise

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<v Speaker 3>he I kind of sympathize with these managers that are

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<v Speaker 3>shown in this who are supposed to I'm assuming they're

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<v Speaker 3>supposed to be antagonists, where you know, hey, let babe

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<v Speaker 3>be babe, let him do his thing. He's but I'm like, no, no, no, Babe.

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<v Speaker 3>Is he made a commitment to the team. He's got

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<v Speaker 3>to show up on time, he's got to be in shape,

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<v Speaker 3>he's got to take it seriously.

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<v Speaker 2>But he does none of those things.

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<v Speaker 3>And maybe that's true to the actual individual Babe Ruth,

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<v Speaker 3>but that doesn't make for fun watching. It was frustrating

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<v Speaker 3>to me. More often than.

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<v Speaker 1>Not, I couldn't understand the point of view at times.

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<v Speaker 1>There's a scene where he is being shown off by Frizzy,

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<v Speaker 1>the owner of the Red Sox, and there's a fancy

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<v Speaker 1>cotillion going on with all these stuffed shirts and he's

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<v Speaker 1>showing off Babe Ruth and he's told he's given Babe

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<v Speaker 1>Ruth a joke to recite once they get him up

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<v Speaker 1>on stage, but he forgets the joke, so instead he

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<v Speaker 1>does the only joke he really knows as a surefire winner,

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00:18:13.559 --> 00:18:16.200
<v Speaker 1>pull my finger, and he fart's and everyone is just

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<v Speaker 1>disgusted by it, and then he's a little embarrassed. Then

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<v Speaker 1>end of scene. And I kept thinking, am I supposed

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<v Speaker 1>to be enjoying it? Am I supposed to be the

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<v Speaker 1>audience perspective and find his find this behavior boorish?

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<v Speaker 2>Or am I.

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<v Speaker 1>Supposed to be with him sticking it to the stuff shirts?

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<v Speaker 1>Like why can't they take a joke? I didn't know.

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<v Speaker 3>The movie doesn't really take a side on that, because

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<v Speaker 3>we're supposed to cheer him for his achievements, But at

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<v Speaker 3>the same time, are we supposed to condemn his off

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<v Speaker 3>the field antics, because a lot of that I'm sure

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<v Speaker 3>is totally true. That he was a womanizer, He did

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<v Speaker 3>indulge his passions, maybe a little too much. But I

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<v Speaker 3>just found and actually that was another thing that I

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<v Speaker 3>found a little confusing. Father alone, is this is a

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<v Speaker 3>baseball movie. Now, at the time, just you probably remember

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<v Speaker 3>baseball was big in the movies.

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<v Speaker 2>Around this time.

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<v Speaker 3>There were so many movies. There was a little big

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<v Speaker 3>league there was a league of their own, the sand

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<v Speaker 3>Lot Rookie of the Year, mister baseball, baseball was big.

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<v Speaker 1>Movies, Field of Dreams, Field of Dreams, Bull dur huge

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<v Speaker 1>and some of these are bona fide major league.

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<v Speaker 3>That's which I think is probably one of my favorites,

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<v Speaker 3>because that's that seems for me, that's truest to the

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<v Speaker 3>idea of the game and the players of the game.

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<v Speaker 2>It's just funny. It's a fun movie.

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<v Speaker 1>All right, you might stop, stop, stop before you go further.

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<v Speaker 1>Let's do it. What's the best baseball movie?

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<v Speaker 3>The best baseball mo oh now anytime period or yeah,

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<v Speaker 3>best movie that you've enjoyed about the sport of baseball.

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<v Speaker 1>I don't you are a sports fan, you know me.

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<v Speaker 1>I cannot stand and sports. I don't get it. I

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00:20:01.920 --> 00:20:04.319
<v Speaker 1>just don't understand them at all. But I fucking love

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<v Speaker 1>sports movie. Hmmm, research, I already have my answer.

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<v Speaker 3>No, I actually I already I anticipated this, and but

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<v Speaker 3>now I remember my favorite baseball movie, The Natural.

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<v Speaker 1>That seems to be a lot of a lot of

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<v Speaker 1>fans' favorites. Favorite baseball movie. And why is that?

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<v Speaker 2>Oh? Why is that?

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<v Speaker 3>Because I think it captures, if not the actual grandeur

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<v Speaker 3>of the game. It captures that, it captures the mythology.

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<v Speaker 2>Behind the game. These larger than life characters.

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<v Speaker 3>I love the character of Roy Hobbs because he's so

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<v Speaker 3>larger than life. He's got that bat wonder boy. I

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<v Speaker 3>think it's called He's he hits. There's something very iconic

355
00:20:48.359 --> 00:20:53.440
<v Speaker 3>about that character, and I think it The managers of

356
00:20:53.519 --> 00:20:56.519
<v Speaker 3>the team are all that they all feel real. All

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<v Speaker 3>the actors inhabit their roles as I think they feel

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<v Speaker 3>authentic to me.

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<v Speaker 2>That's what I'm trying to say. There's it's larger than.

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<v Speaker 3>Life, and I just think it's shot really well. The

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00:21:06.519 --> 00:21:09.720
<v Speaker 3>soundtrack is amazing. I hate to use the word again,

362
00:21:09.720 --> 00:21:12.039
<v Speaker 3>but it's iconic. The scene where he hits the ball

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<v Speaker 3>into the lights at the end, it's you can't get

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<v Speaker 3>any better than that for me for a baseball movie.

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<v Speaker 3>Not in all times sports movie necessarily, but if you're

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<v Speaker 3>limiting me to baseball, that's the one for me.

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<v Speaker 1>Certainly. That shot of him hitting the ball that bursts

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<v Speaker 1>the lights over the field is one of the most

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<v Speaker 1>beautiful images in any sports movie ever. I totally agree

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<v Speaker 1>with that. My favorite baseball movie, however, is from nineteen

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<v Speaker 1>eighty eight and that's Eight Men Out. Ah, that's a

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<v Speaker 1>good one, written and directed by John sALS about the

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<v Speaker 1>Black Sox scandal of nineteen nineteen, which takes place it's

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<v Speaker 1>contemporary to this.

375
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<v Speaker 2>But what makes you.

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<v Speaker 3>Appreciate that one over some of these more sort of

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<v Speaker 3>popular choices. What is it about eight Men Out that

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<v Speaker 3>speaks to you?

379
00:21:59.119 --> 00:22:02.200
<v Speaker 1>It shows? Okay, First of all, I love this time period,

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<v Speaker 1>So that's the thing I really did respond to in

381
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<v Speaker 1>the Babe as well, something about those uniforms and that

382
00:22:09.680 --> 00:22:14.519
<v Speaker 1>time period and just seeing a crowd shot of men

383
00:22:14.640 --> 00:22:17.680
<v Speaker 1>and voters sharing us on. Something about that in the

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00:22:17.759 --> 00:22:23.279
<v Speaker 1>nineteen nineteen early twenties time period is great. Second, it's

385
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<v Speaker 1>John Sales, who is one of the best out there.

386
00:22:27.680 --> 00:22:29.640
<v Speaker 1>He always has been. We should probably cover him at

387
00:22:29.680 --> 00:22:33.160
<v Speaker 1>some point. And I love that scandal. I love it. It's

388
00:22:33.119 --> 00:22:36.200
<v Speaker 1>the first time that it's the first time we realized

389
00:22:36.240 --> 00:22:39.039
<v Speaker 1>that there was major corruption going on in this most

390
00:22:39.119 --> 00:22:42.599
<v Speaker 1>beloved of American pastimes, that there was something deeper and

391
00:22:42.680 --> 00:22:47.640
<v Speaker 1>darker going on. And it also manages to to me

392
00:22:48.319 --> 00:22:51.440
<v Speaker 1>embody the spirit of baseball because in the form of

393
00:22:51.640 --> 00:22:55.279
<v Speaker 1>John Cusack's character's name I can't remember right now, but

394
00:22:55.519 --> 00:22:57.839
<v Speaker 1>he's the sort of one decent guy who gets fucked

395
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<v Speaker 1>at the end by the thing and well, I guess

396
00:22:59.759 --> 00:23:02.680
<v Speaker 1>was Joe did too. But anyway, I just, I don't know.

397
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<v Speaker 1>I love that movie. I love the drama of it

398
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<v Speaker 1>because it's it is a sports movie. We get tons

399
00:23:06.920 --> 00:23:09.759
<v Speaker 1>of great sports shit. It's also a courtroom drama. It's

400
00:23:09.799 --> 00:23:14.480
<v Speaker 1>also this like corporate political intrigue movie. It's I don't know,

401
00:23:14.599 --> 00:23:18.519
<v Speaker 1>I just and the one thing I really like about

402
00:23:18.559 --> 00:23:22.519
<v Speaker 1>it is the stuff on the ballfield is really well shot,

403
00:23:22.720 --> 00:23:25.400
<v Speaker 1>and it feels vital and makes you feel like you're

404
00:23:25.480 --> 00:23:29.559
<v Speaker 1>like at the game and crossover with night mister Walters.

405
00:23:29.680 --> 00:23:32.160
<v Speaker 1>Christopher Lloyd is in it as I don't know if

406
00:23:32.200 --> 00:23:35.799
<v Speaker 1>he's playing Arnold Rothstein, but he's he's one of Rothstein's guys.

407
00:23:36.200 --> 00:23:37.880
<v Speaker 3>I gotta go back and rewatch that. That is a

408
00:23:37.920 --> 00:23:40.119
<v Speaker 3>great choice that never even occurred to me. But you're

409
00:23:40.400 --> 00:23:42.720
<v Speaker 3>what you just said takes me to One of my

410
00:23:42.759 --> 00:23:46.400
<v Speaker 3>big problems with the Babe is that the on the

411
00:23:46.519 --> 00:23:51.799
<v Speaker 3>field stuff, the actual ball games, they seem totally disinterested

412
00:23:52.160 --> 00:23:55.200
<v Speaker 3>in giving us any sort of context with any of

413
00:23:55.200 --> 00:23:59.440
<v Speaker 3>his achievements or any of the sort of psychology.

414
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<v Speaker 2>In any of these games. I don't know.

415
00:24:01.440 --> 00:24:05.119
<v Speaker 3>Every scene that takes place on the ballfield is completely

416
00:24:05.160 --> 00:24:08.279
<v Speaker 3>interchangeable for me, unless they had a little text on

417
00:24:08.319 --> 00:24:10.400
<v Speaker 3>the bottom of the screen that tells me it's the

418
00:24:10.440 --> 00:24:14.599
<v Speaker 3>Tigers versus the Socks in nineteen seventeen or whatever. It

419
00:24:14.640 --> 00:24:17.519
<v Speaker 3>all looked the same to me, and it all boils

420
00:24:17.559 --> 00:24:19.920
<v Speaker 3>down to him just getting a few pitches, strike one,

421
00:24:19.920 --> 00:24:23.200
<v Speaker 3>strike two, Boom, he hits a home run. Every scene

422
00:24:23.319 --> 00:24:28.119
<v Speaker 3>felt like that to me. There was no interesting coverage

423
00:24:28.119 --> 00:24:30.920
<v Speaker 3>of the game, giving me a flow, something to get

424
00:24:30.960 --> 00:24:33.519
<v Speaker 3>my blood pumping, to get excited about what's happening on

425
00:24:33.559 --> 00:24:36.400
<v Speaker 3>the field. There was none of that what was your

426
00:24:36.440 --> 00:24:37.680
<v Speaker 3>take on the field action.

427
00:24:38.240 --> 00:24:41.119
<v Speaker 1>It's the thing that could have saved the movie, if

428
00:24:41.160 --> 00:24:43.119
<v Speaker 1>I hate to say it, because we praised him pretty

429
00:24:43.160 --> 00:24:45.640
<v Speaker 1>heavily at the top, but Arthur Hiller was the wrong

430
00:24:45.640 --> 00:24:47.960
<v Speaker 1>guy to direct this movie. This is a situation where

431
00:24:47.960 --> 00:24:51.200
<v Speaker 1>it just seems like everyone who seemed perfect was the

432
00:24:51.279 --> 00:24:55.200
<v Speaker 1>incorrect choice. Because Arthur Hiller is a great like with

433
00:24:55.400 --> 00:25:01.720
<v Speaker 1>comedy and physical comedy, but he's not like greatest crafter

434
00:25:02.440 --> 00:25:07.160
<v Speaker 1>of images. Necessarily. I didn't feel any of the electric

435
00:25:07.599 --> 00:25:11.880
<v Speaker 1>snap you get when you're playing sports or watching sports.

436
00:25:11.960 --> 00:25:16.279
<v Speaker 1>Not one time. There was nothing magical going on. There

437
00:25:16.319 --> 00:25:19.160
<v Speaker 1>needed to be some fucking magic and that doesn't come

438
00:25:19.160 --> 00:25:21.759
<v Speaker 1>from the script or the actors. The fucking filmmaker needs

439
00:25:21.799 --> 00:25:22.240
<v Speaker 1>to do that.

440
00:25:22.640 --> 00:25:24.920
<v Speaker 3>This was This is not I mean, if you really

441
00:25:25.000 --> 00:25:27.720
<v Speaker 3>dig down deep, this is not really a sports movie.

442
00:25:27.759 --> 00:25:31.799
<v Speaker 3>This is ultimately a melodrama about the babe and his

443
00:25:32.480 --> 00:25:35.240
<v Speaker 3>life off of the field. And maybe that's shame on

444
00:25:35.319 --> 00:25:37.440
<v Speaker 3>me for going into this hoping that it was going

445
00:25:37.519 --> 00:25:40.720
<v Speaker 3>to be a sports movie in the more traditional mold,

446
00:25:41.200 --> 00:25:44.599
<v Speaker 3>but we didn't get that here it really is. So

447
00:25:45.200 --> 00:25:48.160
<v Speaker 3>we didn't get the Arthur Hiller of those other pictures.

448
00:25:48.160 --> 00:25:50.920
<v Speaker 3>We got the Arthur Hiller of Love Story, which it

449
00:25:51.000 --> 00:25:54.759
<v Speaker 3>never pretended to be anything other than this sappy melodrama

450
00:25:54.799 --> 00:25:57.960
<v Speaker 3>about these two kids at Harvard. That's what we're getting here.

451
00:25:58.319 --> 00:26:01.200
<v Speaker 3>It's I wanted to see the babe and his baseball

452
00:26:01.240 --> 00:26:04.400
<v Speaker 3>exploits a little more or a lot more, and I

453
00:26:04.440 --> 00:26:05.200
<v Speaker 3>got none of that.

454
00:26:05.920 --> 00:26:11.279
<v Speaker 1>If this had been a slice of life of Babe Ruth,

455
00:26:11.400 --> 00:26:14.480
<v Speaker 1>maybe like going through the divorce or getting that we

456
00:26:14.480 --> 00:26:17.640
<v Speaker 1>find out about his kid, or any of the travails,

457
00:26:17.720 --> 00:26:20.279
<v Speaker 1>Like if we had focused intimately on that and just

458
00:26:20.440 --> 00:26:23.240
<v Speaker 1>jettison to baseball entirely. Then I think Arthur Hiller would

459
00:26:23.240 --> 00:26:26.039
<v Speaker 1>have been the perfect filmmaker for this. Unfortunately, there's a

460
00:26:26.079 --> 00:26:28.640
<v Speaker 1>lot of goddamn baseball in it, and none of it

461
00:26:28.720 --> 00:26:29.319
<v Speaker 1>is exciting.

462
00:26:29.799 --> 00:26:32.039
<v Speaker 3>And would you go to see a movie about Babe

463
00:26:32.119 --> 00:26:35.519
<v Speaker 3>Ruth that did not have at least the promise of

464
00:26:35.960 --> 00:26:40.279
<v Speaker 3>baseball action, baseball footage, everything that goes.

465
00:26:40.119 --> 00:26:41.119
<v Speaker 2>Into sports movie.

466
00:26:41.200 --> 00:26:42.720
<v Speaker 3>I don't know that I would have been that excited

467
00:26:42.720 --> 00:26:46.119
<v Speaker 3>if this had been billed as a melodrama that covered

468
00:26:46.200 --> 00:26:50.200
<v Speaker 3>everything but his baseball exploits. That's not interesting to me.

469
00:26:51.200 --> 00:26:52.519
<v Speaker 3>Maybe I don't know, But.

470
00:26:52.599 --> 00:26:55.920
<v Speaker 1>Remember the movie Wonderland. It was with Val Kilmer.

471
00:26:56.000 --> 00:26:58.839
<v Speaker 2>Actually, oh yeah, yeah, yeah, John Holmes movie.

472
00:26:59.119 --> 00:27:02.319
<v Speaker 1>Right where the movie begins and there's an opening crawl

473
00:27:02.720 --> 00:27:05.799
<v Speaker 1>which tells us all about John Holmes's exploits in the

474
00:27:06.160 --> 00:27:09.200
<v Speaker 1>entertainment in the aldonfl entertainment industry, about how crazy it

475
00:27:09.279 --> 00:27:11.519
<v Speaker 1>was and how fucking fantastic it all was, and then

476
00:27:11.559 --> 00:27:14.440
<v Speaker 1>it says this movie takes place after that, and you're like, ah,

477
00:27:14.880 --> 00:27:17.200
<v Speaker 1>like literally in the theater that I saw it, and

478
00:27:17.240 --> 00:27:20.000
<v Speaker 1>somebody went, ah.

479
00:27:19.440 --> 00:27:20.960
<v Speaker 2>Yeah, I was.

480
00:27:21.200 --> 00:27:24.880
<v Speaker 3>That part of it was rather disappointing, But maybe that's

481
00:27:24.920 --> 00:27:26.519
<v Speaker 3>just not the movie that they were trying. Maybe they

482
00:27:26.559 --> 00:27:28.799
<v Speaker 3>tried to have their cake and eat it too, But

483
00:27:28.920 --> 00:27:30.680
<v Speaker 3>I don't see how you can have a movie about

484
00:27:30.720 --> 00:27:34.759
<v Speaker 3>Babe Ruth and not have equal coverage given to the

485
00:27:34.759 --> 00:27:37.559
<v Speaker 3>baseball stuff, and not have the baseball stuff be super

486
00:27:37.599 --> 00:27:39.640
<v Speaker 3>exciting and super kinetic.

487
00:27:39.839 --> 00:27:40.319
<v Speaker 2>Well maybe not.

488
00:27:40.480 --> 00:27:43.359
<v Speaker 3>Doesn't have to be like jump cuts and eighty style,

489
00:27:43.400 --> 00:27:45.559
<v Speaker 3>but it has to be interesting to the viewer. And

490
00:27:45.960 --> 00:27:47.920
<v Speaker 3>it was, like I said, it all it boiled down

491
00:27:47.960 --> 00:27:50.480
<v Speaker 3>to was him at the plate smacking a home run,

492
00:27:50.880 --> 00:27:51.880
<v Speaker 3>go on to the next scene.

493
00:27:51.880 --> 00:27:52.920
<v Speaker 2>That it was boring to me.

494
00:27:53.359 --> 00:27:55.799
<v Speaker 1>You said, this is a melodrama, and that's ultimately what

495
00:27:55.839 --> 00:27:58.480
<v Speaker 1>it reminded me of. And it ultimately the problem, and

496
00:27:58.519 --> 00:28:01.599
<v Speaker 1>I apologize, mister Fusco. The problem with the screenplay is

497
00:28:01.960 --> 00:28:08.519
<v Speaker 1>this feels like a biography from the nineteen fifties or sixties.

498
00:28:08.920 --> 00:28:13.440
<v Speaker 1>As far as it's construction, it's the life of the guy.

499
00:28:14.200 --> 00:28:18.920
<v Speaker 1>So because that's our story, we're telling the story of

500
00:28:19.079 --> 00:28:22.839
<v Speaker 1>Babe Ruth. There's no plot at all. It's just a

501
00:28:22.960 --> 00:28:26.400
<v Speaker 1>series of events of his life, which is how every

502
00:28:26.400 --> 00:28:29.920
<v Speaker 1>biography has always been done. This is more warts and

503
00:28:29.960 --> 00:28:32.079
<v Speaker 1>all than you would have gotten in the fifties or sixties,

504
00:28:32.240 --> 00:28:33.799
<v Speaker 1>but it's not that far off.

505
00:28:33.880 --> 00:28:36.440
<v Speaker 2>Honestly, it was very conventional in that way.

506
00:28:36.559 --> 00:28:38.599
<v Speaker 3>This could have come, like you said, like prior to

507
00:28:38.640 --> 00:28:42.440
<v Speaker 3>the Yankees, a movie like that, which is just the

508
00:28:42.559 --> 00:28:45.119
<v Speaker 3>kind of high level view of the of the athlete,

509
00:28:45.680 --> 00:28:49.039
<v Speaker 3>and like I said, more hay geography, this isn't this

510
00:28:49.079 --> 00:28:52.359
<v Speaker 3>isn't that. But it comes damn close, and it certainly doesn't. It.

511
00:28:52.559 --> 00:28:55.240
<v Speaker 3>Just the disheartening part of it is it just seemed

512
00:28:55.599 --> 00:28:59.359
<v Speaker 3>disinterested in all of the stuff that should have been

513
00:28:59.440 --> 00:29:02.759
<v Speaker 3>really excited at a slam dunk, like the baseball scenes.

514
00:29:02.799 --> 00:29:04.880
<v Speaker 2>It just didn't seem to care about that part of it.

515
00:29:05.359 --> 00:29:08.400
<v Speaker 1>Not only that, but okay, here's my hot take on

516
00:29:08.440 --> 00:29:11.480
<v Speaker 1>the movie. Watching the movie and I'm not enjoying it, right,

517
00:29:12.000 --> 00:29:14.440
<v Speaker 1>And then we get to about an hour and a

518
00:29:14.519 --> 00:29:19.759
<v Speaker 1>half into it and suddenly there's a teammate you just mentioned,

519
00:29:19.799 --> 00:29:23.359
<v Speaker 1>the Pride of the Yankees, iron Man, who's a competitor

520
00:29:23.400 --> 00:29:29.559
<v Speaker 1>of Ruts. And this is like nineteen twenty six, twenty seven,

521
00:29:29.839 --> 00:29:32.279
<v Speaker 1>And if you look at Baber's life around then, nineteen

522
00:29:32.279 --> 00:29:34.440
<v Speaker 1>twenty six twenty seven, that's around the time when he

523
00:29:34.519 --> 00:29:37.799
<v Speaker 1>hit the most home runs he ever hit sixty home runs.

524
00:29:38.359 --> 00:29:41.200
<v Speaker 1>That should be the most exciting part why this movie

525
00:29:41.279 --> 00:29:46.079
<v Speaker 1>did not begin in nineteen twenty six. I didn't need

526
00:29:46.119 --> 00:29:48.279
<v Speaker 1>to know one fucking thing about his early life. You

527
00:29:48.359 --> 00:29:50.759
<v Speaker 1>know why, because I still don't know one fucking thing

528
00:29:50.759 --> 00:29:51.920
<v Speaker 1>about his early life.

529
00:29:52.039 --> 00:29:53.880
<v Speaker 2>And the thing with Luke Eereg was they had a

530
00:29:53.920 --> 00:29:57.519
<v Speaker 2>real rivalry. They did not like each.

531
00:29:57.359 --> 00:30:00.519
<v Speaker 3>Other for most of their playing game, and they do

532
00:30:00.599 --> 00:30:03.640
<v Speaker 3>pay some lip service to that where there's a scene

533
00:30:03.640 --> 00:30:06.720
<v Speaker 3>where Babe Ruth is on the down the downward sort

534
00:30:06.720 --> 00:30:10.799
<v Speaker 3>of trajectory and Greg is on the upswing and Greg

535
00:30:10.920 --> 00:30:13.000
<v Speaker 3>hits a home run, and I think Babe Ruth is

536
00:30:13.079 --> 00:30:17.599
<v Speaker 3>just sulking saying, ah, lucky, lucky hit. But they didn't

537
00:30:17.640 --> 00:30:20.119
<v Speaker 3>do anything. By the way, fun fact, the guy who

538
00:30:20.119 --> 00:30:22.720
<v Speaker 3>played lou Gareg in this movie is an actor named

539
00:30:22.720 --> 00:30:25.119
<v Speaker 3>Michael McGrady. Did you recognize who that was?

540
00:30:25.359 --> 00:30:26.000
<v Speaker 2>Father Malone?

541
00:30:26.240 --> 00:30:27.200
<v Speaker 1>No.

542
00:30:27.200 --> 00:30:29.599
<v Speaker 3>Now, let me preface this by saying, I'm going to

543
00:30:29.640 --> 00:30:32.039
<v Speaker 3>pepper more of these things. And I also wasn't really

544
00:30:32.119 --> 00:30:35.160
<v Speaker 3>enjoying a lot of what I was seeing in this movie.

545
00:30:35.240 --> 00:30:39.000
<v Speaker 3>So but fortunately for me, this movie is positively peppered

546
00:30:39.440 --> 00:30:43.559
<v Speaker 3>with interesting actors in little, tiny roles. Here and there,

547
00:30:43.559 --> 00:30:45.200
<v Speaker 3>and this was one of them. So the actor Mike

548
00:30:45.400 --> 00:30:48.839
<v Speaker 3>McGrady was in the movie Back to School. Now, think

549
00:30:48.839 --> 00:30:50.640
<v Speaker 3>about the scene and Back to School where.

550
00:30:51.920 --> 00:30:54.039
<v Speaker 1>I know exactly okay, go ahead, no, no, no no.

551
00:30:55.240 --> 00:30:59.759
<v Speaker 3>It's after Rodney Dangerfield does twist and shout and one

552
00:30:59.799 --> 00:31:03.000
<v Speaker 3>of the football players come in complaining that some anarchists

553
00:31:03.079 --> 00:31:05.319
<v Speaker 3>have like spray painted or they threw paint all over

554
00:31:05.359 --> 00:31:08.680
<v Speaker 3>their rally. And the head football player is the guy

555
00:31:08.720 --> 00:31:10.880
<v Speaker 3>who played lou Gareg. This actor Michael McGrady, he's the

556
00:31:10.880 --> 00:31:14.240
<v Speaker 3>guy who says he's holding Robert Downey Junior by the face,

557
00:31:14.599 --> 00:31:16.640
<v Speaker 3>and he says, you call his mother, you tell him

558
00:31:16.680 --> 00:31:17.759
<v Speaker 3>he's never coming home.

559
00:31:18.079 --> 00:31:20.519
<v Speaker 2>I said, that's crazy. You know this guy. I was

560
00:31:20.559 --> 00:31:21.960
<v Speaker 2>tickled by that.

561
00:31:21.960 --> 00:31:24.559
<v Speaker 1>That's hilarious. Now I didn't even know that. That's amazing.

562
00:31:25.240 --> 00:31:27.440
<v Speaker 3>There's a few others I'll bring up when they come up.

563
00:31:27.480 --> 00:31:31.119
<v Speaker 3>But actually here's another one. Rooth's dad, bay Ruth's dad.

564
00:31:31.240 --> 00:31:33.680
<v Speaker 3>There's a scene where he brings his son to the

565
00:31:34.559 --> 00:31:36.119
<v Speaker 3>school for boys whatever it's called.

566
00:31:36.440 --> 00:31:37.559
<v Speaker 2>Actor named Robert.

567
00:31:37.279 --> 00:31:41.000
<v Speaker 1>Swan, Saint Mary's Industrial School for Boys.

568
00:31:41.759 --> 00:31:42.359
<v Speaker 2>Very bleak.

569
00:31:42.680 --> 00:31:45.640
<v Speaker 3>The actor's name is Robert Swan. It's hard to see,

570
00:31:45.640 --> 00:31:48.519
<v Speaker 3>because honestly, a lot of this movie was murky and

571
00:31:48.640 --> 00:31:51.359
<v Speaker 3>didn't really wasn't had it was very crisp. But the

572
00:31:51.400 --> 00:31:53.799
<v Speaker 3>actor Robert Swan, you know, he's been in a bunch

573
00:31:53.839 --> 00:31:56.119
<v Speaker 3>of things. What I remember him from was he was

574
00:31:56.160 --> 00:31:59.440
<v Speaker 3>the Mountie captain in the movie The Untouchables. We do

575
00:31:59.519 --> 00:32:02.160
<v Speaker 3>not proove of your methods.

576
00:32:03.359 --> 00:32:06.960
<v Speaker 1>I love that guy. Yeah, he was the data. Yeah,

577
00:32:07.000 --> 00:32:11.720
<v Speaker 1>that's so credy, you know what, let's give it. Yeah, okay,

578
00:32:11.799 --> 00:32:16.839
<v Speaker 1>So that scene they drop him off at the school orphanage, right, Yeah?

579
00:32:17.000 --> 00:32:18.920
<v Speaker 1>Did you assume that he was now an orphan?

580
00:32:20.160 --> 00:32:21.480
<v Speaker 2>Did I assume he was? I'm not.

581
00:32:21.599 --> 00:32:25.279
<v Speaker 3>My assumption, as just as a viewer, was that they

582
00:32:25.279 --> 00:32:26.839
<v Speaker 3>were going to come back and get him at some point.

583
00:32:26.880 --> 00:32:27.559
<v Speaker 2>I didn't realize.

584
00:32:27.599 --> 00:32:29.319
<v Speaker 3>I don't know how true that is. I don't think

585
00:32:29.319 --> 00:32:31.440
<v Speaker 3>that's totally true that they just left him there for

586
00:32:31.480 --> 00:32:34.920
<v Speaker 3>twelve years to fend for himself. I think I think

587
00:32:34.960 --> 00:32:36.680
<v Speaker 3>there's a little more contact than that. But I didn't

588
00:32:36.720 --> 00:32:39.000
<v Speaker 3>assume that he was going to be there for twelve years,

589
00:32:39.039 --> 00:32:39.759
<v Speaker 3>which is awful.

590
00:32:40.119 --> 00:32:41.000
<v Speaker 2>Why what did you think?

591
00:32:41.759 --> 00:32:45.160
<v Speaker 1>No, that is what happened, actually, and it's really horrible.

592
00:32:45.559 --> 00:32:47.680
<v Speaker 3>I just I thought his they I thought they had

593
00:32:47.680 --> 00:32:50.160
<v Speaker 3>some contact with his parents over the years. I don't

594
00:32:50.160 --> 00:32:51.680
<v Speaker 3>know about his mother, but I thought his father was

595
00:32:51.720 --> 00:32:54.480
<v Speaker 3>still around it. It's terrible that's not the case.

596
00:32:54.799 --> 00:32:55.279
<v Speaker 2>It's sad.

597
00:32:55.480 --> 00:32:58.599
<v Speaker 1>No, they never came back for him, and I do

598
00:32:58.640 --> 00:33:02.319
<v Speaker 1>think they might have had some course bonds, but they

599
00:33:02.359 --> 00:33:06.200
<v Speaker 1>his father, I guess, often promised to come but never did.

600
00:33:06.640 --> 00:33:09.599
<v Speaker 3>That's terrible, but no, I guess I just I didn't.

601
00:33:09.640 --> 00:33:13.559
<v Speaker 3>Just as a compassionate person, maybe I hoped that they

602
00:33:13.559 --> 00:33:15.960
<v Speaker 3>would not leave him there to just let the brothers

603
00:33:16.000 --> 00:33:16.559
<v Speaker 3>deal with them.

604
00:33:16.640 --> 00:33:22.759
<v Speaker 1>But sad, you know, they I just Okay. Triny Elvarado,

605
00:33:23.039 --> 00:33:24.680
<v Speaker 1>who I think is great in this mission, I think

606
00:33:24.680 --> 00:33:27.759
<v Speaker 1>she's doing a really great job considering she just needs

607
00:33:27.759 --> 00:33:30.400
<v Speaker 1>to be reacting to all of his terrible behavior and

608
00:33:30.400 --> 00:33:32.039
<v Speaker 1>then forgiving him when she gets a gift.

609
00:33:32.519 --> 00:33:35.200
<v Speaker 3>Yeah, she's quite natural. She had a moment at this time.

610
00:33:35.240 --> 00:33:38.319
<v Speaker 3>I remember going to see Stella. I think that might

611
00:33:38.319 --> 00:33:40.599
<v Speaker 3>have been her one of her first movies, and she

612
00:33:40.720 --> 00:33:42.599
<v Speaker 3>was in Little Women choosing a bunch of stuff around.

613
00:33:42.640 --> 00:33:45.559
<v Speaker 1>She was the drummer in satisfaction Baby.

614
00:33:46.519 --> 00:33:48.480
<v Speaker 2>That's right, Like I said, she had a moment.

615
00:33:48.759 --> 00:33:52.960
<v Speaker 1>The Justine Bateman classic I saw that in the theater.

616
00:33:53.079 --> 00:33:54.640
<v Speaker 1>Liam Neesen is in that fucking room.

617
00:33:55.440 --> 00:33:57.440
<v Speaker 2>You saw satisfaction in the theater.

618
00:33:58.240 --> 00:34:03.039
<v Speaker 1>Hb up until I'd say, two thousand and ten, I

619
00:34:03.079 --> 00:34:04.920
<v Speaker 1>saw everything in the I.

620
00:34:04.920 --> 00:34:07.759
<v Speaker 3>Just said that, having just admitted that I saw Stella

621
00:34:08.000 --> 00:34:10.280
<v Speaker 3>in the theater. So I guess there goes my argument,

622
00:34:10.840 --> 00:34:12.519
<v Speaker 3>so it's no longer valid.

623
00:34:12.960 --> 00:34:16.159
<v Speaker 1>What's next? Oh okay, So we're talking about Triny Albarado

624
00:34:16.199 --> 00:34:19.320
<v Speaker 1>here I interrupted you, and we're talking about that character

625
00:34:19.360 --> 00:34:23.639
<v Speaker 1>in particular, who was He was nineteen, she was sixteen

626
00:34:23.880 --> 00:34:26.840
<v Speaker 1>when they married, and things were fine for a few

627
00:34:26.920 --> 00:34:29.400
<v Speaker 1>years there for lived in Boston for five years, they

628
00:34:29.440 --> 00:34:31.840
<v Speaker 1>lived in the back Bay. We don't really see any

629
00:34:31.880 --> 00:34:34.679
<v Speaker 1>of that. Time is a problem in this because they

630
00:34:34.760 --> 00:34:37.119
<v Speaker 1>spend so much of it, and just giving us a

631
00:34:37.119 --> 00:34:38.639
<v Speaker 1>title card doesn't mean a fucking thing.

632
00:34:38.840 --> 00:34:41.840
<v Speaker 3>Honestly, there's not a lot of sign posting in this movie.

633
00:34:41.960 --> 00:34:43.960
<v Speaker 3>You're right, you would never have thought that he was

634
00:34:44.000 --> 00:34:47.360
<v Speaker 3>supposed to be nineteen when they met and fell in love,

635
00:34:47.440 --> 00:34:50.400
<v Speaker 3>because he looks every bit that forty year old with

636
00:34:50.480 --> 00:34:51.519
<v Speaker 3>his dyed hair.

637
00:34:52.079 --> 00:34:55.199
<v Speaker 1>Anyway, go ahead, now, look, if you want to do

638
00:34:55.280 --> 00:34:58.599
<v Speaker 1>this expose of Ruth, you know he does do some

639
00:34:58.719 --> 00:35:02.119
<v Speaker 1>horrendous things, like basically every time he acts out, he

640
00:35:02.199 --> 00:35:04.440
<v Speaker 1>just brings something home as a present, and then that

641
00:35:04.559 --> 00:35:08.199
<v Speaker 1>smooths things over. He's seen in the paper. He's crashed

642
00:35:08.199 --> 00:35:12.000
<v Speaker 1>a car on a drunken spree with a sixteen year

643
00:35:12.079 --> 00:35:16.079
<v Speaker 1>old girl. It's in the fucking newspapers. She's thumbtacking it

644
00:35:16.559 --> 00:35:20.519
<v Speaker 1>to the wall in the house. And so he shows

645
00:35:20.599 --> 00:35:22.280
<v Speaker 1>up with a pair of horses, and that's going to

646
00:35:22.320 --> 00:35:24.679
<v Speaker 1>smooth things over. It's okay, baby, I bunch, just some horses,

647
00:35:24.960 --> 00:35:28.639
<v Speaker 1>which leads to the ultimate which is he brings home

648
00:35:28.800 --> 00:35:32.000
<v Speaker 1>a child because they can't have children, because she wants

649
00:35:32.039 --> 00:35:34.239
<v Speaker 1>a child this whole time. They want to start a family,

650
00:35:34.679 --> 00:35:37.079
<v Speaker 1>and he brings it home as if he's gotten it

651
00:35:37.079 --> 00:35:40.960
<v Speaker 1>from an adoption agency, when the fact is this is

652
00:35:41.079 --> 00:35:43.760
<v Speaker 1>his child, but from one of his mistresses.

653
00:35:44.119 --> 00:35:45.039
<v Speaker 2>I read that also.

654
00:35:45.119 --> 00:35:47.800
<v Speaker 3>I wasn't aware of that, and because I'm watching that

655
00:35:47.920 --> 00:35:51.639
<v Speaker 3>scene where he brings this child home, and just on

656
00:35:51.679 --> 00:35:55.039
<v Speaker 3>the face of it, it's a pretty scary thing, like

657
00:35:55.159 --> 00:35:59.639
<v Speaker 3>how can you just bring home a baby adoption? Maybe

658
00:35:59.639 --> 00:36:02.440
<v Speaker 3>adoptions were a little more loosey goosey back in the

659
00:36:02.559 --> 00:36:05.800
<v Speaker 3>teens or the twenties, but the fact is but you

660
00:36:05.880 --> 00:36:09.400
<v Speaker 3>said three or four seasons, three or four scenes before

661
00:36:09.559 --> 00:36:13.039
<v Speaker 3>he's bringing home horses to smooth things over. Now he's

662
00:36:13.079 --> 00:36:15.960
<v Speaker 3>bringing home a baby girl to smooth things over. So

663
00:36:16.000 --> 00:36:18.119
<v Speaker 3>then I had to go, all right, I need to

664
00:36:18.159 --> 00:36:21.039
<v Speaker 3>know the real story behind this child. Did he truly

665
00:36:21.159 --> 00:36:23.760
<v Speaker 3>just adopt a baby and bring it home? And that's

666
00:36:23.800 --> 00:36:26.159
<v Speaker 3>when I read, like you did. I read today that

667
00:36:26.280 --> 00:36:28.960
<v Speaker 3>oh no, this was as this was a birth of

668
00:36:29.400 --> 00:36:33.480
<v Speaker 3>one of his mistresses, so it was actually his blood relative.

669
00:36:34.079 --> 00:36:35.280
<v Speaker 1>And they don't cover that.

670
00:36:35.960 --> 00:36:38.840
<v Speaker 3>They don't, which I think is a much more interesting

671
00:36:39.480 --> 00:36:41.360
<v Speaker 3>thing like line to follow.

672
00:36:41.719 --> 00:36:46.639
<v Speaker 1>Right, Yeah, man, this look, the ultimate sin of this

673
00:36:46.760 --> 00:36:50.239
<v Speaker 1>movie is it's trying to fucking tell too much. I

674
00:36:50.320 --> 00:36:53.719
<v Speaker 1>say this every time we talk about a biography. Larry

675
00:36:53.840 --> 00:36:57.840
<v Speaker 1>Karazuski and Scott Alexander figured out the fucking method to

676
00:36:57.920 --> 00:37:01.119
<v Speaker 1>make a biography, which is fine, to a moment that

677
00:37:01.199 --> 00:37:05.280
<v Speaker 1>person is important, and tell that story. And they could

678
00:37:05.320 --> 00:37:07.719
<v Speaker 1>have told this story. They could have told us if want,

679
00:37:07.800 --> 00:37:10.239
<v Speaker 1>if we want to know the story of Babe Ruth

680
00:37:10.320 --> 00:37:12.679
<v Speaker 1>and his family life and all of this fucked up

681
00:37:12.719 --> 00:37:14.960
<v Speaker 1>shit he was doing, that would be fascinating. But we're

682
00:37:14.960 --> 00:37:17.800
<v Speaker 1>not getting that. But we are being told that story

683
00:37:18.199 --> 00:37:21.079
<v Speaker 1>without some of those details. Obviously we're getting all of that.

684
00:37:22.199 --> 00:37:25.079
<v Speaker 1>This movie starts to be seven years old. But don't

685
00:37:25.119 --> 00:37:26.639
<v Speaker 1>do that too much.

686
00:37:26.679 --> 00:37:31.480
<v Speaker 2>It was too much, And I agree Yarzuski. Those movies, Edward.

687
00:37:31.760 --> 00:37:35.320
<v Speaker 3>They're masterclasses and how to do a biography, to make

688
00:37:35.320 --> 00:37:39.199
<v Speaker 3>it interesting, make it funny, make it poignant, which this

689
00:37:39.320 --> 00:37:41.719
<v Speaker 3>wants to be all of those things. It wants to

690
00:37:41.760 --> 00:37:45.679
<v Speaker 3>tug at the heart strings. And I'm just left cold

691
00:37:46.079 --> 00:37:48.440
<v Speaker 3>by the whole thing because it just doesn't really it's

692
00:37:48.440 --> 00:37:50.719
<v Speaker 3>not adding up for me as a viewer watching.

693
00:37:50.400 --> 00:37:56.159
<v Speaker 1>This People Versus Larry Flint, Karazuski and Alexander's screenplay there

694
00:37:56.400 --> 00:37:58.679
<v Speaker 1>that even opens with the scene of Larry Flint as

695
00:37:58.679 --> 00:38:01.920
<v Speaker 1>a child, and I don't mind because it's fucking brief.

696
00:38:02.719 --> 00:38:04.880
<v Speaker 1>It just like sets up who this fucking guy is.

697
00:38:04.920 --> 00:38:06.679
<v Speaker 1>And then we jump right into the story and we

698
00:38:06.719 --> 00:38:09.000
<v Speaker 1>get the story from here to here. And they actually

699
00:38:09.000 --> 00:38:11.119
<v Speaker 1>do a span of time in that movie that's about

700
00:38:11.159 --> 00:38:13.679
<v Speaker 1>at least at ten or fifteen year period, which is

701
00:38:13.679 --> 00:38:16.639
<v Speaker 1>what this movie is essentially telling us from nine human

702
00:38:16.719 --> 00:38:20.760
<v Speaker 1>from age nineteen till thirty six. But it's just a

703
00:38:20.880 --> 00:38:24.679
<v Speaker 1>series of events that happened as opposed to it doesn't

704
00:38:24.719 --> 00:38:27.119
<v Speaker 1>feel like we're on a train going anywhere.

705
00:38:27.639 --> 00:38:29.400
<v Speaker 2>Yeah, it's You're right, it doesn't.

706
00:38:29.599 --> 00:38:32.840
<v Speaker 3>There's no real momentum that's carrying you through this something

707
00:38:32.840 --> 00:38:35.280
<v Speaker 3>that is it's leading up to. I think you're absolutely

708
00:38:35.360 --> 00:38:37.639
<v Speaker 3>right on that. It just and maybe that's why.

709
00:38:38.960 --> 00:38:40.920
<v Speaker 2>I just was. It just felt inert to me.

710
00:38:41.400 --> 00:38:44.679
<v Speaker 3>It didn't really have a lot of snap, like you said,

711
00:38:44.719 --> 00:38:47.239
<v Speaker 3>like a good sports movie should have snap. Any movie

712
00:38:47.360 --> 00:38:51.360
<v Speaker 3>that has emotion that has some interesting aspects to it

713
00:38:51.400 --> 00:38:52.320
<v Speaker 3>should grab you.

714
00:38:52.360 --> 00:38:54.119
<v Speaker 2>And I was never grabbed in that way.

715
00:38:54.559 --> 00:38:57.519
<v Speaker 1>What did you like about the movie I was thinking about.

716
00:38:57.960 --> 00:39:01.039
<v Speaker 3>I'm a little conflicted about one thing. Decided if I.

717
00:39:00.920 --> 00:39:01.760
<v Speaker 2>Really like it or not.

718
00:39:02.559 --> 00:39:05.960
<v Speaker 3>I'm a little I'm at loggerheads about the soundtrack. About

719
00:39:05.960 --> 00:39:09.920
<v Speaker 3>Elmer Bernstein's soundtrack. Is it Bernstein or Bernstein? I keep

720
00:39:09.960 --> 00:39:10.639
<v Speaker 3>mispronouncing it.

721
00:39:10.679 --> 00:39:14.159
<v Speaker 2>I think it's Bernstein, So Bernstein, Elmer Bernstein, who I love?

722
00:39:14.800 --> 00:39:17.199
<v Speaker 1>I know, I just hp Did I just ask you

723
00:39:17.239 --> 00:39:19.079
<v Speaker 1>to name something you liked about it? Now you're gonna

724
00:39:19.079 --> 00:39:20.320
<v Speaker 1>slag off Elmer Bernstein.

725
00:39:20.639 --> 00:39:23.079
<v Speaker 3>No, I'm saying that. I think it's I think it's

726
00:39:23.119 --> 00:39:26.760
<v Speaker 3>a good soundtrack. But my dilemma is I don't think

727
00:39:26.760 --> 00:39:30.400
<v Speaker 3>it's a good soundtrack for this movie. I think objectively

728
00:39:30.480 --> 00:39:33.880
<v Speaker 3>it's a great soundtrack. It has the sort of fanfare

729
00:39:34.360 --> 00:39:38.000
<v Speaker 3>of horns. It wants to make the movie exciting. It

730
00:39:38.039 --> 00:39:40.559
<v Speaker 3>wants to be to make it propulsive in a way

731
00:39:40.599 --> 00:39:46.119
<v Speaker 3>that the actual story isn't. So I guess in isolation,

732
00:39:46.320 --> 00:39:49.079
<v Speaker 3>I really like the music because I think Emma Bernstein

733
00:39:49.199 --> 00:39:53.039
<v Speaker 3>is a fantastic composer. I just don't think it was

734
00:39:53.079 --> 00:39:55.960
<v Speaker 3>the right match for the Again, it's something that doesn't

735
00:39:55.960 --> 00:39:58.119
<v Speaker 3>really match the tone of the movie.

736
00:39:58.239 --> 00:40:01.039
<v Speaker 1>Yes, I thought his score would have been great in

737
00:40:01.039 --> 00:40:04.639
<v Speaker 1>that nineteen fifties or sixties version of this movie, and

738
00:40:04.679 --> 00:40:05.119
<v Speaker 1>that's it.

739
00:40:05.119 --> 00:40:08.920
<v Speaker 3>It's a real throwback soundtrack, which maybe that's maybe I

740
00:40:09.000 --> 00:40:11.000
<v Speaker 3>just wanted something a little bit more modern and a

741
00:40:11.000 --> 00:40:14.360
<v Speaker 3>little more subdued. But this year getting the like I said,

742
00:40:14.400 --> 00:40:17.559
<v Speaker 3>fanfare of horns as he's calling his shot out to

743
00:40:17.639 --> 00:40:20.920
<v Speaker 3>center field. It wants to be exciting and it wants

744
00:40:21.039 --> 00:40:23.280
<v Speaker 3>to give you that feeling of Wow, this guy's a

745
00:40:23.360 --> 00:40:27.840
<v Speaker 3>sports giant. But it just didn't. But I objectively, I

746
00:40:27.840 --> 00:40:29.079
<v Speaker 3>think it's a great soundtrack.

747
00:40:29.280 --> 00:40:32.199
<v Speaker 1>Do you know that Babe Ruth had a vaudeville show

748
00:40:32.320 --> 00:40:34.960
<v Speaker 1>in between seasons while he was on the Yankees.

749
00:40:35.480 --> 00:40:37.800
<v Speaker 3>I've heard that, and I think the trailer had a

750
00:40:37.880 --> 00:40:42.519
<v Speaker 3>scene with him doing his show, but we don't actually

751
00:40:42.519 --> 00:40:44.000
<v Speaker 3>see any of that in the movie itself.

752
00:40:44.039 --> 00:40:44.599
<v Speaker 2>I don't think.

753
00:40:44.960 --> 00:40:47.599
<v Speaker 1>Do you know that he was making triple his salary

754
00:40:47.800 --> 00:40:50.960
<v Speaker 1>outside of his Yankee salary.

755
00:40:51.079 --> 00:40:52.320
<v Speaker 2>With endorsements and stuff.

756
00:40:52.519 --> 00:40:56.639
<v Speaker 1>Yes, Babe Ruth was a fucking superstar. Babe Ruth was

757
00:40:56.679 --> 00:41:00.679
<v Speaker 1>the first fucking sports superstar. He was the endorse he

758
00:41:00.719 --> 00:41:04.039
<v Speaker 1>made everything, he did everything, and we don't That's an

759
00:41:04.079 --> 00:41:05.480
<v Speaker 1>angle we could have gone on.

760
00:41:06.119 --> 00:41:07.119
<v Speaker 2>Yeah, he was.

761
00:41:07.199 --> 00:41:09.800
<v Speaker 3>I was actually on the Wikipedia page. I think they

762
00:41:09.840 --> 00:41:13.199
<v Speaker 3>make reference. I guess he starred in a silent movie,

763
00:41:13.599 --> 00:41:16.880
<v Speaker 3>which unfortunately has been lost as many of these. I'm

764
00:41:16.880 --> 00:41:18.880
<v Speaker 3>sure a lot of movies from that time period of loss.

765
00:41:18.920 --> 00:41:21.199
<v Speaker 2>But I'd love to see that Babe Ruth acting in

766
00:41:21.239 --> 00:41:22.639
<v Speaker 2>a silent movie. That'd be awesome.

767
00:41:22.760 --> 00:41:25.119
<v Speaker 1>There is footage of him. There's plenty of footage of

768
00:41:25.159 --> 00:41:27.239
<v Speaker 1>Babe Ruth if you want to see it. Yeah, I mean,

769
00:41:27.280 --> 00:41:30.039
<v Speaker 1>he would show up in things as Babe Ruth and

770
00:41:30.039 --> 00:41:31.079
<v Speaker 1>here's my friend, Babe Ruth.

771
00:41:31.519 --> 00:41:33.960
<v Speaker 3>Sure, I just I it's just one of those things.

772
00:41:34.000 --> 00:41:36.519
<v Speaker 3>I think it would be interesting to see because I

773
00:41:36.559 --> 00:41:39.599
<v Speaker 3>don't know silent movie acting, and seeing him do that

774
00:41:39.679 --> 00:41:42.159
<v Speaker 3>sort of pantomiming I think would have been interesting because

775
00:41:42.159 --> 00:41:45.159
<v Speaker 3>I've seen all the usual footage of him, like swinging

776
00:41:45.199 --> 00:41:48.280
<v Speaker 3>the bad and winking and trotting out the bases and

777
00:41:48.280 --> 00:41:50.400
<v Speaker 3>stuff I can't I can't get over by the way,

778
00:41:50.760 --> 00:41:54.119
<v Speaker 3>it makes me more and more annoyed how big John

779
00:41:54.199 --> 00:41:58.239
<v Speaker 3>Goodman is in this Just he's too big. I would

780
00:41:58.239 --> 00:42:00.400
<v Speaker 3>have loved to have seen, like you said, like Dennis

781
00:42:00.400 --> 00:42:03.480
<v Speaker 3>Franz or something, someone who's a little more felt.

782
00:42:04.000 --> 00:42:06.440
<v Speaker 2>I think it would have been more impactful.

783
00:42:05.920 --> 00:42:09.199
<v Speaker 3>When he finally got because the whole point of it

784
00:42:09.280 --> 00:42:11.440
<v Speaker 3>is as when he and later in life, is when

785
00:42:11.440 --> 00:42:15.039
<v Speaker 3>he really let himself go, and that's when the jeers

786
00:42:15.360 --> 00:42:17.159
<v Speaker 3>of hey, get out of here, you too, You can't

787
00:42:17.199 --> 00:42:19.760
<v Speaker 3>run the bases anymore, You sucked. That would have been

788
00:42:19.840 --> 00:42:24.480
<v Speaker 3>much more impactful if you see the younger, more robust

789
00:42:24.840 --> 00:42:27.639
<v Speaker 3>babe Ruth, who could really do it. Let me ask you,

790
00:42:27.639 --> 00:42:30.360
<v Speaker 3>father Malone, what's something you really loved about this movie?

791
00:42:30.679 --> 00:42:34.280
<v Speaker 1>I thought the fucking production design and the costumes were spectacular.

792
00:42:34.719 --> 00:42:35.199
<v Speaker 2>I agree.

793
00:42:35.320 --> 00:42:38.079
<v Speaker 3>Actually, you're right, it actually seemed very spot on. The

794
00:42:38.199 --> 00:42:39.599
<v Speaker 3>uniforms and everything sure.

795
00:42:39.960 --> 00:42:43.239
<v Speaker 1>And just the people on the streets there. There are

796
00:42:43.360 --> 00:42:46.719
<v Speaker 1>hundreds of extras in this movie, not discounting just the

797
00:42:46.760 --> 00:42:49.400
<v Speaker 1>scenes in the stadium. There are tons of on the

798
00:42:49.440 --> 00:42:55.079
<v Speaker 1>street sequences. He's riding motorcycles on fucking sidewalks and just

799
00:42:55.119 --> 00:42:58.079
<v Speaker 1>like running into people, and all of that seems like

800
00:42:58.159 --> 00:42:59.840
<v Speaker 1>it could be back lot. I don't know if it

801
00:42:59.880 --> 00:43:01.719
<v Speaker 1>was or not. And I think that's a fucking triumph

802
00:43:01.800 --> 00:43:05.079
<v Speaker 1>of the movie and the and the cinematography during those sequences.

803
00:43:05.480 --> 00:43:09.440
<v Speaker 1>And it's so easy in a big old period piece

804
00:43:09.599 --> 00:43:13.880
<v Speaker 1>like this to have at least a portion of the

805
00:43:13.920 --> 00:43:17.360
<v Speaker 1>costumes look like costumes, and none of them did here.

806
00:43:17.519 --> 00:43:21.239
<v Speaker 1>It all looked like people from the twenties, and.

807
00:43:21.280 --> 00:43:24.079
<v Speaker 2>It looked authentic. I totally agree. It looked authentic.

808
00:43:24.079 --> 00:43:28.000
<v Speaker 3>There's a scene where Babe has he's gotten lost or

809
00:43:28.280 --> 00:43:31.440
<v Speaker 3>they can't find him, and finally his second wife and

810
00:43:31.760 --> 00:43:34.920
<v Speaker 3>Bruce box Lightner's character find him and they take him

811
00:43:34.960 --> 00:43:38.039
<v Speaker 3>to like to basically shower him to sober him up

812
00:43:38.039 --> 00:43:42.159
<v Speaker 3>because he's drunk, and Bruce box Lightner is taking off

813
00:43:42.199 --> 00:43:44.519
<v Speaker 3>his pants so that they can bathe them. And I'm

814
00:43:44.559 --> 00:43:46.880
<v Speaker 3>watching this and you can tell that the material of

815
00:43:46.920 --> 00:43:50.519
<v Speaker 3>the pants It's not just some kind of like fake

816
00:43:51.320 --> 00:43:54.239
<v Speaker 3>textile that you would have now, not spandex, but something

817
00:43:54.920 --> 00:43:57.400
<v Speaker 3>like you could see that the material was basically like

818
00:43:57.440 --> 00:43:59.960
<v Speaker 3>a cotton because the way it's folding and rumpling as

819
00:44:00.039 --> 00:44:02.880
<v Speaker 3>he's pulling it off. The hats, like the baseball hats

820
00:44:02.880 --> 00:44:07.119
<v Speaker 3>all have that like very distinct twenties profile with a

821
00:44:07.239 --> 00:44:11.280
<v Speaker 3>very small brim, and it all that all looked very

822
00:44:11.519 --> 00:44:12.920
<v Speaker 3>The look and feel of it was great.

823
00:44:13.000 --> 00:44:13.960
<v Speaker 2>I totally agree with you.

824
00:44:13.920 --> 00:44:17.039
<v Speaker 1>There now about those uniforms. Do you think those were

825
00:44:17.119 --> 00:44:20.719
<v Speaker 1>very uncomfortable? Was George Costanza right? Should we have brought

826
00:44:21.119 --> 00:44:24.400
<v Speaker 1>should we have brought back the cotton uniforms? I think

827
00:44:24.440 --> 00:44:26.519
<v Speaker 1>we should. The look of them is so great.

828
00:44:27.159 --> 00:44:27.760
<v Speaker 2>It is great.

829
00:44:27.800 --> 00:44:30.480
<v Speaker 3>But wasn't he proven wrong because didn't they try to

830
00:44:30.800 --> 00:44:32.679
<v Speaker 3>someone like was it like what the hell's his name?

831
00:44:32.880 --> 00:44:36.760
<v Speaker 3>Didn't didn't Derek Jeter like slide into home and because

832
00:44:36.800 --> 00:44:40.159
<v Speaker 3>it was cotton, it all basically basically all eroded when

833
00:44:40.159 --> 00:44:41.400
<v Speaker 3>he took his slide.

834
00:44:41.119 --> 00:44:42.760
<v Speaker 2>And he got a bruise or something on his leg.

835
00:44:42.840 --> 00:44:45.239
<v Speaker 3>Wasn't that the whole thing where it couldn't hold up

836
00:44:45.239 --> 00:44:46.480
<v Speaker 3>to sliding into home?

837
00:44:47.119 --> 00:44:49.440
<v Speaker 1>It's not what it was. I don't know, it doesn't matter.

838
00:44:49.480 --> 00:44:51.360
<v Speaker 1>Everyone should be wearing those uniforms.

839
00:44:51.639 --> 00:44:53.159
<v Speaker 2>It they're also very baggy.

840
00:44:53.639 --> 00:44:55.360
<v Speaker 3>I just think that's part of the charm and the

841
00:44:55.360 --> 00:44:57.280
<v Speaker 3>look of it is when you see one of those

842
00:44:57.280 --> 00:45:00.360
<v Speaker 3>old tiny pitchers do the old time wind up, and

843
00:45:00.400 --> 00:45:02.960
<v Speaker 3>it's the uniforms are basically hanging off of them because

844
00:45:02.960 --> 00:45:05.639
<v Speaker 3>they're not very well tailored at that time. There was

845
00:45:05.719 --> 00:45:08.480
<v Speaker 3>a charm to that. But I guess I don't know.

846
00:45:08.559 --> 00:45:10.599
<v Speaker 3>I'm fine with modern day textiles.

847
00:45:10.639 --> 00:45:14.199
<v Speaker 1>I guess, oh, the profile of those uniforms, man.

848
00:45:14.440 --> 00:45:17.320
<v Speaker 2>But you'd want those little beanies to come back to hell.

849
00:45:17.400 --> 00:45:20.199
<v Speaker 1>Yeah, and those big wonky gloves that just are like

850
00:45:20.199 --> 00:45:22.920
<v Speaker 1>a real glove. It's just a leather, like a Mickey

851
00:45:23.000 --> 00:45:23.599
<v Speaker 1>mouse hand.

852
00:45:27.039 --> 00:45:29.400
<v Speaker 2>I see what you're saying. I don't know, maybe maybe

853
00:45:29.400 --> 00:45:29.800
<v Speaker 2>they should.

854
00:45:29.840 --> 00:45:33.199
<v Speaker 3>It's funny because in football occasionally they'll have a game

855
00:45:33.199 --> 00:45:34.880
<v Speaker 3>and they'll do throwback uniforms.

856
00:45:35.360 --> 00:45:37.000
<v Speaker 1>Would they have helmet?

857
00:45:37.559 --> 00:45:38.800
<v Speaker 2>No, they don't go that far.

858
00:45:39.000 --> 00:45:40.800
<v Speaker 3>But like for the Patriots, they'll go back to the

859
00:45:40.840 --> 00:45:43.400
<v Speaker 3>old pat Patriot logo of the patriot.

860
00:45:43.039 --> 00:45:44.000
<v Speaker 2>Who's hiking the ball.

861
00:45:46.920 --> 00:45:48.719
<v Speaker 3>But I guess my point is they don't ever do

862
00:45:48.760 --> 00:45:51.199
<v Speaker 3>anything quite like that with baseball, and I think it's

863
00:45:51.199 --> 00:45:54.559
<v Speaker 3>a missed opportunity. If they all have the knickerbockers and

864
00:45:54.679 --> 00:45:57.920
<v Speaker 3>like the hat and the old style gloves like you described,

865
00:45:57.960 --> 00:45:58.440
<v Speaker 3>that would be.

866
00:45:58.440 --> 00:46:01.599
<v Speaker 1>Great, just an exit game. What would be wrong with that?

867
00:46:02.280 --> 00:46:04.360
<v Speaker 3>I think it would be if it would be good

868
00:46:04.400 --> 00:46:06.719
<v Speaker 3>for a few laughs. And I think if it's just

869
00:46:06.800 --> 00:46:09.360
<v Speaker 3>I mean, look, they play so many games in a season.

870
00:46:09.440 --> 00:46:11.559
<v Speaker 3>What is it, one hundred and eighty two games, like

871
00:46:11.679 --> 00:46:14.000
<v Speaker 3>or one hundred and sixty two games? Excuse me, you

872
00:46:14.039 --> 00:46:16.880
<v Speaker 3>can't take one meaningless game and just dress them up

873
00:46:16.920 --> 00:46:18.480
<v Speaker 3>as they were in nineteen nineteen.

874
00:46:18.519 --> 00:46:19.719
<v Speaker 2>I think that'd be hilarious.

875
00:46:20.159 --> 00:46:24.000
<v Speaker 1>Yeah, there's a joke on Futurama because the blurns ball

876
00:46:24.119 --> 00:46:26.840
<v Speaker 1>is what it is in the future, and they say, yeah,

877
00:46:26.880 --> 00:46:28.559
<v Speaker 1>oh no, they jazzed it up back in the twenty

878
00:46:28.559 --> 00:46:32.239
<v Speaker 1>third century and baseball doesn't need Hey they chested it up.

879
00:46:34.880 --> 00:46:34.920
<v Speaker 3>No.

880
00:46:35.039 --> 00:46:35.519
<v Speaker 2>I like the way.

881
00:46:35.559 --> 00:46:37.320
<v Speaker 3>I like your the way you're thinking on this. I

882
00:46:37.320 --> 00:46:39.440
<v Speaker 3>think that would bring a lot of people to the sport.

883
00:46:39.519 --> 00:46:41.079
<v Speaker 3>I think, I mean, who wouldn't want to see these

884
00:46:41.119 --> 00:46:43.559
<v Speaker 3>guys playing in these old timey uniforms.

885
00:46:43.559 --> 00:46:44.159
<v Speaker 2>That'd be awesome.

886
00:46:44.400 --> 00:46:48.079
<v Speaker 1>I mean, look, clearly, they don't need any attendance isn't

887
00:46:48.360 --> 00:46:52.239
<v Speaker 1>waning at the ballpark at these days. But we're getting

888
00:46:52.280 --> 00:46:55.119
<v Speaker 1>some here in Las Vegas. Everybody, We're getting a ball team.

889
00:46:55.760 --> 00:46:58.920
<v Speaker 1>You are, yeah, man, we're still the Athletics.

890
00:46:59.559 --> 00:47:01.400
<v Speaker 2>Oh so that actually is happening.

891
00:47:01.519 --> 00:47:03.599
<v Speaker 1>The Las Vegas A's they just did. They just approved

892
00:47:03.599 --> 00:47:04.440
<v Speaker 1>the stadium.

893
00:47:04.719 --> 00:47:07.199
<v Speaker 3>They're not even changing the name. It's they're gonna stay

894
00:47:07.199 --> 00:47:07.559
<v Speaker 3>the A's.

895
00:47:07.800 --> 00:47:09.719
<v Speaker 1>Yeah, man, what kind.

896
00:47:09.599 --> 00:47:10.519
<v Speaker 2>Of sucks the.

897
00:47:13.000 --> 00:47:16.360
<v Speaker 3>Las Vegas Dealers or the Aces or something that would be.

898
00:47:16.440 --> 00:47:18.039
<v Speaker 2>That's a missed opportunity right there.

899
00:47:18.280 --> 00:47:21.760
<v Speaker 1>Next up basketball, Looking at you, Celtics.

900
00:47:21.719 --> 00:47:23.400
<v Speaker 2>It's a tough week for Celtics fans.

901
00:47:23.880 --> 00:47:26.719
<v Speaker 1>Speaking of Boston, we get the Green Monster, we get

902
00:47:26.719 --> 00:47:27.880
<v Speaker 1>the Green Monster Kid.

903
00:47:28.599 --> 00:47:30.960
<v Speaker 3>A little bit, but it's again, these ballparks are so

904
00:47:31.039 --> 00:47:34.199
<v Speaker 3>interchangeably filmed in this movie that it's hard to get

905
00:47:34.199 --> 00:47:35.119
<v Speaker 3>any sense for that.

906
00:47:35.559 --> 00:47:37.960
<v Speaker 1>It said Fenway Park on the screen, and I went, hey,

907
00:47:38.000 --> 00:47:39.800
<v Speaker 1>we're at Fenway, And then they showed a green wall

908
00:47:39.840 --> 00:47:41.280
<v Speaker 1>and I went, hey, the Green Monster.

909
00:47:41.840 --> 00:47:43.719
<v Speaker 3>But they also did that thing that I hate. I

910
00:47:43.760 --> 00:47:45.960
<v Speaker 3>think you brought this up when we did the Late

911
00:47:46.039 --> 00:47:49.639
<v Speaker 3>Lamented Banchick podcast. At one point they're playing in Fenway

912
00:47:49.639 --> 00:47:52.800
<v Speaker 3>Park and the Red Sox manager. I think Babe Ruth

913
00:47:52.840 --> 00:47:55.280
<v Speaker 3>hits a home run or something, and the Red Sox

914
00:47:55.320 --> 00:47:58.760
<v Speaker 3>manager says, no one's ever done that at Fenway, Like

915
00:47:58.960 --> 00:48:01.519
<v Speaker 3>his emphasis is to totally on the wrong. It should

916
00:48:01.519 --> 00:48:05.119
<v Speaker 3>have been Fenway, the hard syllable on the first syllable.

917
00:48:05.400 --> 00:48:10.199
<v Speaker 3>But he says Fenway, which tells me that I don't know.

918
00:48:10.320 --> 00:48:12.920
<v Speaker 2>It's they should have caught that. It just seemed silly.

919
00:48:12.960 --> 00:48:16.480
<v Speaker 3>It's like scull A Square's talking about that.

920
00:48:16.480 --> 00:48:18.920
<v Speaker 1>That's the big one. Yeah, Scully Square. If you look

921
00:48:18.920 --> 00:48:21.840
<v Speaker 1>at the word Scully written out s c O l

922
00:48:22.000 --> 00:48:24.920
<v Speaker 1>l A Y, Yes, Scully that's what it says. Right. No,

923
00:48:24.960 --> 00:48:27.960
<v Speaker 1>not if you're from Boston and there's a Scully Square

924
00:48:28.440 --> 00:48:32.679
<v Speaker 1>reference in the Perfect Storm, and he shouldn't even be

925
00:48:32.760 --> 00:48:35.599
<v Speaker 1>mentioning Scully Square. Scully Square has been government center for

926
00:48:35.639 --> 00:48:38.880
<v Speaker 1>fucking ever. But fucking George Glooney's out there talking about

927
00:48:38.880 --> 00:48:42.320
<v Speaker 1>Scullay Square. I'm like, what, First of all, you wouldn't

928
00:48:42.360 --> 00:48:44.039
<v Speaker 1>be talking about it. Second of all, you wouldn't be

929
00:48:44.079 --> 00:48:45.920
<v Speaker 1>saying it that way. Baby. No.

930
00:48:46.239 --> 00:48:49.440
<v Speaker 3>But in fairness, the Boston area is filled with hard

931
00:48:49.480 --> 00:48:54.840
<v Speaker 3>to pronounce cities and towns like Worcester. Wister is spelled Worcester,

932
00:48:55.039 --> 00:48:56.760
<v Speaker 3>So if you're not from here, that's how you would

933
00:48:56.760 --> 00:48:57.199
<v Speaker 3>pronounce it.

934
00:48:57.199 --> 00:49:00.119
<v Speaker 2>But it's Worcester woo.

935
00:48:59.320 --> 00:48:59.920
<v Speaker 4>S t e r.

936
00:49:00.039 --> 00:49:04.199
<v Speaker 3>It's pronounced like or even I'm from a place called Peabody, Peabody.

937
00:49:04.320 --> 00:49:05.880
<v Speaker 3>But you know, when I would when I went to

938
00:49:05.880 --> 00:49:08.800
<v Speaker 3>school in the Midwest for college, they would always say, oh,

939
00:49:08.800 --> 00:49:11.800
<v Speaker 3>you're from Peabody. It became like a joke in my

940
00:49:11.840 --> 00:49:14.519
<v Speaker 3>friend group. So anyway, they fell into that trap.

941
00:49:14.639 --> 00:49:16.440
<v Speaker 1>You know, there is mister Peabody and Sherman.

942
00:49:17.000 --> 00:49:19.320
<v Speaker 3>This is true, So that's even more of a reason

943
00:49:19.320 --> 00:49:21.519
<v Speaker 3>why they should have understood that. It's well, actually they

944
00:49:21.559 --> 00:49:22.480
<v Speaker 3>call him Peabody.

945
00:49:22.679 --> 00:49:24.840
<v Speaker 1>That's why that's what I'm saying. I called it pavity

946
00:49:24.880 --> 00:49:26.639
<v Speaker 1>because I'm I grew up next to you.

947
00:49:27.199 --> 00:49:31.239
<v Speaker 3>That's right, that's true. But anyway that it's funny that

948
00:49:31.239 --> 00:49:33.360
<v Speaker 3>that didn't catch your ear. Also, but like the fact

949
00:49:33.360 --> 00:49:37.280
<v Speaker 3>that he said Fenway, it's like and it's it's almost

950
00:49:37.320 --> 00:49:39.559
<v Speaker 3>like you have to think harder to pronounce it that way.

951
00:49:39.639 --> 00:49:43.639
<v Speaker 3>It's an intentional thing because you should naturally just say Fenway.

952
00:49:44.159 --> 00:49:46.480
<v Speaker 2>I don't know. It bugs me follow alone.

953
00:49:46.639 --> 00:49:50.800
<v Speaker 1>Final regional reference light dawns on marblehead.

954
00:49:50.360 --> 00:49:56.960
<v Speaker 2>Mar that's it. That's your Massachusetts minute. Thank you, everybody.

955
00:49:58.000 --> 00:50:00.760
<v Speaker 1>Jumping. Joe Dugan didn't get on to the Red Sox

956
00:50:00.800 --> 00:50:02.760
<v Speaker 1>until after if that had already left.

957
00:50:03.159 --> 00:50:04.039
<v Speaker 2>Yeah, I read that too.

958
00:50:04.519 --> 00:50:07.599
<v Speaker 3>A lot of this is surprising because, as we've talked

959
00:50:07.599 --> 00:50:11.039
<v Speaker 3>about John Fusco and Young Guns and Young Guns too

960
00:50:11.119 --> 00:50:15.639
<v Speaker 3>in particular, he is very much a stickler for historical detail.

961
00:50:16.159 --> 00:50:19.000
<v Speaker 3>I think we've spoken his praises with that, the fact that,

962
00:50:19.400 --> 00:50:22.559
<v Speaker 3>I mean he takes some liberties when necessary. But that

963
00:50:22.639 --> 00:50:26.000
<v Speaker 3>was a little surprising too, that these little details didn't

964
00:50:26.039 --> 00:50:26.679
<v Speaker 3>quite add up.

965
00:50:27.119 --> 00:50:29.719
<v Speaker 1>Now I've now said that I think this movie should

966
00:50:29.719 --> 00:50:33.519
<v Speaker 1>have begun already well into his career. He should have

967
00:50:33.559 --> 00:50:36.599
<v Speaker 1>already been married to Claire, who's played by Kelly McGillis.

968
00:50:36.639 --> 00:50:38.679
<v Speaker 1>In this movie, he has this on again, off again

969
00:50:38.800 --> 00:50:42.719
<v Speaker 1>romance with this woman who is Ty Cobbs manager or

970
00:50:42.840 --> 00:50:45.280
<v Speaker 1>accountant or something at some point when he first meets

971
00:50:45.280 --> 00:50:48.440
<v Speaker 1>her and they end up getting married. And that's the

972
00:50:48.519 --> 00:50:51.920
<v Speaker 1>actual good part of the movie is during that scene.

973
00:50:52.159 --> 00:50:54.360
<v Speaker 2>Kelly McGillis is really good in this by the way.

974
00:50:54.639 --> 00:50:57.039
<v Speaker 3>I think the fact that I don't know if she

975
00:50:57.320 --> 00:51:00.519
<v Speaker 3>just stopped acting out of choice or or maybe the

976
00:51:00.639 --> 00:51:04.079
<v Speaker 3>roles weren't coming to her for whatever reason. But she

977
00:51:04.280 --> 00:51:07.440
<v Speaker 3>was really good in her quote unquote, heyday, she's really

978
00:51:07.480 --> 00:51:10.519
<v Speaker 3>good in this. I thought she was very genuine if.

979
00:51:10.440 --> 00:51:12.960
<v Speaker 1>The most recent thing I saw her in was Ty

980
00:51:13.039 --> 00:51:16.639
<v Speaker 1>West's film The Innkeeper, and she was great.

981
00:51:17.800 --> 00:51:18.119
<v Speaker 2>Right on.

982
00:51:18.440 --> 00:51:20.239
<v Speaker 1>I have I have not in it.

983
00:51:21.079 --> 00:51:23.199
<v Speaker 3>I've had that forever. I've not had the chance to

984
00:51:23.239 --> 00:51:24.960
<v Speaker 3>watch it, but I will check it out.

985
00:51:25.000 --> 00:51:25.199
<v Speaker 1>Now.

986
00:51:25.679 --> 00:51:27.559
<v Speaker 3>Did you realize that we had a bit of a

987
00:51:27.639 --> 00:51:30.559
<v Speaker 3>six degrees of Fusco in this movie?

988
00:51:31.039 --> 00:51:31.199
<v Speaker 1>No?

989
00:51:31.800 --> 00:51:33.320
<v Speaker 2>Can I walk you through this a little bit? Take

990
00:51:33.360 --> 00:51:33.599
<v Speaker 2>a look?

991
00:51:33.679 --> 00:51:34.079
<v Speaker 4>Oh?

992
00:51:34.119 --> 00:51:35.639
<v Speaker 1>Please do so.

993
00:51:36.159 --> 00:51:39.039
<v Speaker 3>At towards the end when Babe Ruth is playing for

994
00:51:39.039 --> 00:51:42.039
<v Speaker 3>the Boston Braves and he's on the down swing, they're

995
00:51:42.079 --> 00:51:45.719
<v Speaker 3>playing Pittsburgh and the picture for Pittsburgh.

996
00:51:45.199 --> 00:51:47.360
<v Speaker 2>It's like this thing. They have a bit of a.

997
00:51:47.360 --> 00:51:51.440
<v Speaker 3>Duel and the pitch is really trash talking babe, and

998
00:51:52.039 --> 00:51:55.199
<v Speaker 3>of course this ends with the babe hitting a home run.

999
00:51:55.239 --> 00:51:58.559
<v Speaker 2>The picture for Pittsburgh. Did you recognize who it was?

1000
00:51:58.599 --> 00:51:59.679
<v Speaker 1>Father Malone? No?

1001
00:52:00.559 --> 00:52:02.199
<v Speaker 3>See, once they say the actor, You're going to know

1002
00:52:02.199 --> 00:52:03.800
<v Speaker 3>exactly where I'm going with this, But I'm gonna go

1003
00:52:03.840 --> 00:52:06.239
<v Speaker 3>ahead anyway. The actor's name is A guy named Richard

1004
00:52:06.280 --> 00:52:09.119
<v Speaker 3>Tyson who who you and.

1005
00:52:09.039 --> 00:52:15.239
<v Speaker 2>I both three Lock Buddy Buddy Ravel.

1006
00:52:15.000 --> 00:52:17.840
<v Speaker 3>From Three o'clock High, the antagonist one of our favorite movies,

1007
00:52:17.880 --> 00:52:18.679
<v Speaker 3>Three o'clock High.

1008
00:52:19.159 --> 00:52:21.360
<v Speaker 1>Well, so follow that that could be our other school thing.

1009
00:52:22.000 --> 00:52:24.519
<v Speaker 2>It should be, because that's a fantastic.

1010
00:52:24.000 --> 00:52:26.199
<v Speaker 1>High school, then a bunch of college.

1011
00:52:26.480 --> 00:52:30.960
<v Speaker 3>So think about this, okay. So in The Babe we

1012
00:52:31.119 --> 00:52:34.440
<v Speaker 3>have Richard Tyson from Three o'clock High. The Babe is

1013
00:52:34.480 --> 00:52:37.760
<v Speaker 3>written and produced by John Fusco. In Three o'clock High,

1014
00:52:37.840 --> 00:52:42.360
<v Speaker 3>we also have Casey Schimasco who is the protagonist. Casey

1015
00:52:42.400 --> 00:52:46.400
<v Speaker 3>Shamasco was of course in Young Guns, another John Fusco

1016
00:52:47.000 --> 00:52:47.960
<v Speaker 3>written movie.

1017
00:52:48.440 --> 00:52:49.920
<v Speaker 2>So there we have it.

1018
00:52:50.159 --> 00:52:54.280
<v Speaker 3>Six degrees of Fusco between Casey Shamasco and Richard Tyson.

1019
00:52:54.320 --> 00:52:55.519
<v Speaker 2>I was delighted by this.

1020
00:52:55.960 --> 00:52:58.199
<v Speaker 1>He fucks up Richard Tyson in that movie.

1021
00:52:58.800 --> 00:52:59.880
<v Speaker 2>He does at the end.

1022
00:53:00.079 --> 00:53:01.960
<v Speaker 1>Yeah, he lays him out. It's great.

1023
00:53:02.760 --> 00:53:04.920
<v Speaker 2>Richard Tyson is so good in that movie.

1024
00:53:05.480 --> 00:53:06.760
<v Speaker 1>Yes, I love that movie.

1025
00:53:07.159 --> 00:53:11.440
<v Speaker 3>He's like every he's every Nerds nightmare, the bully that

1026
00:53:11.599 --> 00:53:14.360
<v Speaker 3>is just waiting to kick your ass at three and

1027
00:53:14.400 --> 00:53:16.559
<v Speaker 3>there's nothing you can do about it, no matter what

1028
00:53:16.599 --> 00:53:20.719
<v Speaker 3>you do or say or plead or beg or bribe nothing.

1029
00:53:21.480 --> 00:53:22.679
<v Speaker 3>He's implacable in that.

1030
00:53:23.119 --> 00:53:27.679
<v Speaker 1>Richard Tyson has one scene basically in Blackhawk Down. I

1031
00:53:27.679 --> 00:53:30.159
<v Speaker 1>think he has maybe two lines in the entire movie,

1032
00:53:30.440 --> 00:53:33.760
<v Speaker 1>and him and those lines made me love that character

1033
00:53:33.880 --> 00:53:35.920
<v Speaker 1>and maybe really sad when he got killed.

1034
00:53:36.480 --> 00:53:38.280
<v Speaker 2>So good I got to see what he's been up to.

1035
00:53:38.360 --> 00:53:38.639
<v Speaker 2>I don't.

1036
00:53:39.000 --> 00:53:41.760
<v Speaker 3>I haven't seen too much with him for a while,

1037
00:53:42.000 --> 00:53:43.719
<v Speaker 3>and it'd be a shame because he's so good.

1038
00:53:44.239 --> 00:53:48.639
<v Speaker 1>At a certain point, Babe Ruth's first wife, Helen dies

1039
00:53:49.239 --> 00:53:52.119
<v Speaker 1>in a house fire, and now he has to take

1040
00:53:52.159 --> 00:53:54.559
<v Speaker 1>care of his child, who is his child, which we

1041
00:53:54.559 --> 00:53:56.719
<v Speaker 1>would like to have known, but we didn't know. It's

1042
00:53:56.840 --> 00:54:01.480
<v Speaker 1>just this adopted girl. And first of all, the way

1043
00:54:01.480 --> 00:54:04.079
<v Speaker 1>they deal with that is they just have her sitting

1044
00:54:04.079 --> 00:54:07.280
<v Speaker 1>in the dugout with him and hear him like hugging

1045
00:54:07.360 --> 00:54:11.400
<v Speaker 1>her tight for a few shots. Right, that's the fallout

1046
00:54:11.519 --> 00:54:15.199
<v Speaker 1>from the mother dying, and now that we don't there's

1047
00:54:15.199 --> 00:54:20.360
<v Speaker 1>no scene between those two ever. First of all, and now, okay,

1048
00:54:20.920 --> 00:54:25.360
<v Speaker 1>that's the movie. Now. I just read about how a

1049
00:54:25.440 --> 00:54:30.920
<v Speaker 1>month prior to that house fire, Babe Ruth had met

1050
00:54:30.960 --> 00:54:35.360
<v Speaker 1>with Helen Ruth to secure a divorce and she said

1051
00:54:35.679 --> 00:54:38.559
<v Speaker 1>he could have one for one hundred and fifty thousand dollars.

1052
00:54:38.719 --> 00:54:41.039
<v Speaker 1>And then one month later, while she's alone in the house,

1053
00:54:41.039 --> 00:54:45.719
<v Speaker 1>there's a mysterious house fire. Did Babe Ruth kill her?

1054
00:54:46.639 --> 00:54:51.760
<v Speaker 2>Interesting? Was it a deal where maybe? Yeah, I don't know.

1055
00:54:51.840 --> 00:54:54.159
<v Speaker 3>I can't say that that would have been an interesting

1056
00:54:54.239 --> 00:54:55.960
<v Speaker 3>thread to pull on a little bit, maybe would have

1057
00:54:56.000 --> 00:54:58.559
<v Speaker 3>added some because look, we've seen him do a lot

1058
00:54:58.559 --> 00:55:01.199
<v Speaker 3>of reprehensible things in this movie. We saw him hold

1059
00:55:01.280 --> 00:55:05.719
<v Speaker 3>his manager over, like the manager comes down on him

1060
00:55:05.760 --> 00:55:07.719
<v Speaker 3>and tells me he's gonna be cut or something, and

1061
00:55:07.760 --> 00:55:09.679
<v Speaker 3>he picks up the manager while he's on a moving

1062
00:55:09.719 --> 00:55:12.480
<v Speaker 3>train and threatens to drop him from the caboose.

1063
00:55:12.760 --> 00:55:15.360
<v Speaker 1>Okay, so I guess here's the thing about that scene.

1064
00:55:15.480 --> 00:55:18.199
<v Speaker 1>That scene starts out really, really fucking good. It's the

1065
00:55:18.239 --> 00:55:21.639
<v Speaker 1>first time that John Goodman actually seems like a fucking cocksucker.

1066
00:55:21.800 --> 00:55:24.079
<v Speaker 1>Like when he gets mad and throws that tray over,

1067
00:55:24.519 --> 00:55:27.440
<v Speaker 1>that's not the part when he approaches trainy Alvarado, he

1068
00:55:27.599 --> 00:55:30.079
<v Speaker 1>slaps a glass out of her hand, and it's the

1069
00:55:30.119 --> 00:55:34.679
<v Speaker 1>first time that you felt the weight of this man's

1070
00:55:34.719 --> 00:55:38.519
<v Speaker 1>actions in the movie, and the movie came alive for

1071
00:55:38.559 --> 00:55:41.960
<v Speaker 1>a minute with his anger because John Goodman can get there.

1072
00:55:42.039 --> 00:55:44.199
<v Speaker 1>He can get there even if he's a decent guy,

1073
00:55:44.239 --> 00:55:46.000
<v Speaker 1>he can get to that fucking level of anger. But

1074
00:55:46.039 --> 00:55:48.119
<v Speaker 1>then when he goes to dangle the fucking guy out

1075
00:55:48.159 --> 00:55:50.159
<v Speaker 1>of the back of the train, it just felt like

1076
00:55:50.960 --> 00:55:55.840
<v Speaker 1>more comedic almost, or just not visceral enough. It just

1077
00:55:56.199 --> 00:55:58.679
<v Speaker 1>it never felt like there was any danger to anybody.

1078
00:55:58.719 --> 00:56:01.000
<v Speaker 1>It seemed like that guy was just sitting with his

1079
00:56:01.079 --> 00:56:03.880
<v Speaker 1>shoulders on the back of that thing John Goodman had him,

1080
00:56:03.920 --> 00:56:05.519
<v Speaker 1>and there was a he might have been wired up

1081
00:56:05.599 --> 00:56:07.639
<v Speaker 1>or I don't know. You know what I'm saying, I do.

1082
00:56:07.960 --> 00:56:10.679
<v Speaker 3>And the fact that in all of our research there

1083
00:56:10.719 --> 00:56:14.440
<v Speaker 3>was never a factoid about the manager that Babe Ruth

1084
00:56:14.519 --> 00:56:17.239
<v Speaker 3>killed by throwing him off a train, So I knew

1085
00:56:17.239 --> 00:56:20.159
<v Speaker 3>instinctively that the guy was really in no danger of

1086
00:56:20.159 --> 00:56:24.079
<v Speaker 3>actually being killed by Babe Ruth. So that part of it,

1087
00:56:24.119 --> 00:56:26.119
<v Speaker 3>I don't know. You're right, it is played a little

1088
00:56:26.119 --> 00:56:31.119
<v Speaker 3>bit for not comedy, but you didn't. It didn't feel

1089
00:56:31.159 --> 00:56:34.000
<v Speaker 3>as electric, like you said, as the prior part of

1090
00:56:34.000 --> 00:56:36.960
<v Speaker 3>that scene where the threat of real physical violence is

1091
00:56:37.000 --> 00:56:40.199
<v Speaker 3>in the air when he loses control. And I can't

1092
00:56:40.239 --> 00:56:43.840
<v Speaker 3>help wondering, given the time that I don't know it was.

1093
00:56:44.519 --> 00:56:46.599
<v Speaker 3>Could Babe Ruth have been someone who could have been

1094
00:56:46.599 --> 00:56:51.679
<v Speaker 3>really physically abusive towards women. I think it's probably pretty likely.

1095
00:56:52.480 --> 00:56:55.280
<v Speaker 2>I don't know. I don't want to impugne the man's character,

1096
00:56:55.400 --> 00:56:56.719
<v Speaker 2>but nor do.

1097
00:56:56.679 --> 00:57:00.480
<v Speaker 1>I, but you know, there is that level of angerly.

1098
00:57:00.559 --> 00:57:03.280
<v Speaker 1>I mean, he was abandoned as a child, and he

1099
00:57:03.400 --> 00:57:06.480
<v Speaker 1>basically plays a children's sport for a living where he's

1100
00:57:06.519 --> 00:57:09.920
<v Speaker 1>given millions, not millions, but at the I guess for

1101
00:57:10.679 --> 00:57:13.960
<v Speaker 1>rated for inflation, he's basically getting millions of dollars and

1102
00:57:14.159 --> 00:57:14.920
<v Speaker 1>free equivalent.

1103
00:57:14.960 --> 00:57:17.000
<v Speaker 3>I mean he's making one hundred and twenty five thousand

1104
00:57:17.039 --> 00:57:20.599
<v Speaker 3>dollars in nineteen twenty five or whatever. That's got to

1105
00:57:20.679 --> 00:57:22.400
<v Speaker 3>be a few million now. I mean, I haven't run

1106
00:57:22.400 --> 00:57:24.679
<v Speaker 3>the numbers, but sure he was making They they take

1107
00:57:24.840 --> 00:57:27.239
<v Speaker 3>pains to say that he's making more money than the

1108
00:57:27.280 --> 00:57:30.679
<v Speaker 3>president at that time, who was probably considered the guy.

1109
00:57:31.400 --> 00:57:35.760
<v Speaker 1>So yeah, so obviously he was capable of anything. And

1110
00:57:36.320 --> 00:57:38.840
<v Speaker 1>I just thought that one scene we got a bit

1111
00:57:38.880 --> 00:57:41.360
<v Speaker 1>of what it probably felt like to be around the man.

1112
00:57:41.960 --> 00:57:43.960
<v Speaker 3>Let me ask you about something else that I had

1113
00:57:44.639 --> 00:57:48.000
<v Speaker 3>a real problem with in this movie. At the spoiler alert,

1114
00:57:48.039 --> 00:57:49.519
<v Speaker 3>we're going to talk about the very end of the movie.

1115
00:57:49.599 --> 00:57:55.079
<v Speaker 3>So this movie traffics in the middle shot almost no

1116
00:57:55.199 --> 00:57:56.920
<v Speaker 3>that what I'm talking about now is when he goes

1117
00:57:56.960 --> 00:57:59.280
<v Speaker 3>to visit the little boy in the hospital, the call

1118
00:57:59.440 --> 00:58:02.280
<v Speaker 3>to he doesn't he tells me he's gonna hit. The

1119
00:58:02.320 --> 00:58:04.440
<v Speaker 3>cold shot is when he points to center field and says,

1120
00:58:04.480 --> 00:58:07.039
<v Speaker 3>I'm gonna hit. But in that case he says, I'm

1121
00:58:07.079 --> 00:58:09.000
<v Speaker 3>gonna hit a home run for you. No.

1122
00:58:09.119 --> 00:58:09.360
<v Speaker 2>Two.

1123
00:58:09.519 --> 00:58:11.519
<v Speaker 3>Now, a couple things before I even get to what

1124
00:58:11.559 --> 00:58:15.519
<v Speaker 3>I'm talking about is number one, that it didn't happen

1125
00:58:15.599 --> 00:58:21.000
<v Speaker 3>that way. I believe Babe Ruth sent him some autographed balls,

1126
00:58:21.280 --> 00:58:23.360
<v Speaker 3>like I think the team signed a ball and basically

1127
00:58:23.360 --> 00:58:25.039
<v Speaker 3>said to him, Yeah, he never met with the boy

1128
00:58:25.079 --> 00:58:28.000
<v Speaker 3>in person, is what I'm saying. I think that's another

1129
00:58:28.079 --> 00:58:31.119
<v Speaker 3>example of this movie sort of trafficking and an old

1130
00:58:31.159 --> 00:58:35.719
<v Speaker 3>timey sports biopick sort of tropes to have him I'll

1131
00:58:35.760 --> 00:58:39.039
<v Speaker 3>hit one for you, Sonny, oh too. So number one,

1132
00:58:39.199 --> 00:58:40.920
<v Speaker 3>it wasn't even too. He was only he only promised

1133
00:58:40.960 --> 00:58:42.480
<v Speaker 3>he was going to try to hit one.

1134
00:58:43.280 --> 00:58:45.480
<v Speaker 1>Could you just win one for the kipper?

1135
00:58:47.880 --> 00:58:50.440
<v Speaker 3>So so that's but anyway, that's all preamble to what

1136
00:58:50.440 --> 00:58:53.800
<v Speaker 3>I'm getting at So the thing that caprit all of this,

1137
00:58:53.880 --> 00:58:55.960
<v Speaker 3>and the thing that kind of made me most frustrated,

1138
00:58:56.840 --> 00:58:59.440
<v Speaker 3>is at the very end of the movie, when the

1139
00:58:59.480 --> 00:59:02.400
<v Speaker 3>Babe is I finally had his last at bat with

1140
00:59:02.559 --> 00:59:05.519
<v Speaker 3>the Boston Braves. He's coughing up blood. This is all

1141
00:59:05.960 --> 00:59:09.599
<v Speaker 3>foreshadowing of his eventual demise at the hands of throat cancer.

1142
00:59:09.920 --> 00:59:13.280
<v Speaker 3>He's walking back, he's quit. He's handed in his hat

1143
00:59:13.519 --> 00:59:15.199
<v Speaker 3>or his cap to the manager.

1144
00:59:14.840 --> 00:59:16.400
<v Speaker 2>And says, I'm done. I'm finished.

1145
00:59:16.559 --> 00:59:19.800
<v Speaker 3>And he's walking through the tunnel and this guy comes

1146
00:59:19.800 --> 00:59:23.480
<v Speaker 3>out of nowhere and says, hey, babe, that I'm Johnny Silvester.

1147
00:59:23.639 --> 00:59:25.519
<v Speaker 3>I'm the kid that you visited in the hospital and

1148
00:59:25.559 --> 00:59:27.639
<v Speaker 3>blah blah blah, and here this.

1149
00:59:27.599 --> 00:59:28.280
<v Speaker 2>Ball you gave me.

1150
00:59:28.280 --> 00:59:30.400
<v Speaker 3>It's always given me magic and hey, I wanted to

1151
00:59:30.440 --> 00:59:32.320
<v Speaker 3>give it back to you because you're the greatest.

1152
00:59:32.920 --> 00:59:33.840
<v Speaker 2>And then he walks away.

1153
00:59:34.559 --> 00:59:37.320
<v Speaker 3>I don't know that just it was so unearned to me,

1154
00:59:37.559 --> 00:59:40.599
<v Speaker 3>and that seemed to be the worst offender as far

1155
00:59:40.679 --> 00:59:44.719
<v Speaker 3>as making this scene like Pride of the Yankees or

1156
00:59:44.760 --> 00:59:47.280
<v Speaker 3>the Babe Ruth story with William Bendix or something.

1157
00:59:48.000 --> 00:59:52.599
<v Speaker 2>I just that to me was like, so I hated

1158
00:59:52.639 --> 00:59:53.760
<v Speaker 2>that ending. What did you think.

1159
00:59:54.239 --> 00:59:58.320
<v Speaker 1>I thought, yeah, it's unearned. There's probably ways to have

1160
00:59:58.480 --> 01:00:01.679
<v Speaker 1>baked it in that would have made it acceptable. If

1161
01:00:01.679 --> 01:00:05.360
<v Speaker 1>we had met him that kid earlier in the movie

1162
01:00:05.400 --> 01:00:09.039
<v Speaker 1>as an adult, and then it's revealed I was that kid.

1163
01:00:09.159 --> 01:00:12.679
<v Speaker 1>Here's the ball. That maybe could have worked. But the

1164
01:00:12.679 --> 01:00:15.039
<v Speaker 1>way they've done it is he says, yeah, I'm the kid,

1165
01:00:15.079 --> 01:00:16.679
<v Speaker 1>here's the ball you gave me. I just wanted to

1166
01:00:16.719 --> 01:00:20.159
<v Speaker 1>thank you, and then he says I'm gone, Johnny, I'm gone,

1167
01:00:20.760 --> 01:00:24.280
<v Speaker 1>and then start staggering away. If they had just watched

1168
01:00:24.360 --> 01:00:26.840
<v Speaker 1>him stagger down the rest of the fucking hallway and

1169
01:00:26.920 --> 01:00:29.639
<v Speaker 1>out in one continuous take, then I could have been

1170
01:00:29.679 --> 01:00:33.639
<v Speaker 1>down with it. But unfortunately Johnny yells after him, You're

1171
01:00:33.639 --> 01:00:36.400
<v Speaker 1>the best. You're the best that's ever been.

1172
01:00:37.199 --> 01:00:38.320
<v Speaker 2>That's what I'm talking about.

1173
01:00:38.320 --> 01:00:41.280
<v Speaker 3>It felt like, I don't know, I got flashbacks to

1174
01:00:41.360 --> 01:00:44.480
<v Speaker 3>that old was it Doctor Pepper with me and Joe Green.

1175
01:00:44.599 --> 01:00:47.960
<v Speaker 1>Exactly what I was thinking of. The fucking handing over

1176
01:00:48.039 --> 01:00:51.320
<v Speaker 1>the jersey to the kid who's gifted him as Doctor Pepper.

1177
01:00:52.519 --> 01:00:53.199
<v Speaker 2>Dr Pepper.

1178
01:00:53.559 --> 01:00:56.840
<v Speaker 3>I it just seemed, I don't know, there's other ways

1179
01:00:56.840 --> 01:00:59.880
<v Speaker 3>that get it was like the dios x Makina isn't

1180
01:00:59.880 --> 01:01:02.039
<v Speaker 3>the is like boy ex Machina like this.

1181
01:01:02.159 --> 01:01:05.079
<v Speaker 2>He just came out of nowhere, this kid that we haven't.

1182
01:01:04.880 --> 01:01:06.840
<v Speaker 3>Thought of for three quarters of the movie, and all

1183
01:01:06.840 --> 01:01:09.519
<v Speaker 3>of a sudden, hey, remember me, I was part of

1184
01:01:09.519 --> 01:01:12.159
<v Speaker 3>that special moment that, by the way, it never really happened.

1185
01:01:12.320 --> 01:01:14.360
<v Speaker 3>And here the o the greatest baby of the greatest,

1186
01:01:14.360 --> 01:01:15.480
<v Speaker 3>don't ever forget.

1187
01:01:15.559 --> 01:01:16.440
<v Speaker 2>And that I don't know.

1188
01:01:16.480 --> 01:01:20.519
<v Speaker 3>It just seemed an odd note to end the movie on.

1189
01:01:20.719 --> 01:01:24.000
<v Speaker 3>I didn't feel his I just didn't feel the heroism

1190
01:01:24.039 --> 01:01:27.079
<v Speaker 3>of his final at bat and his prowess at the

1191
01:01:27.119 --> 01:01:29.079
<v Speaker 3>bat because of all the things we've already talked about

1192
01:01:29.119 --> 01:01:32.239
<v Speaker 3>with the issues we had, how the sport is was depicted.

1193
01:01:32.800 --> 01:01:36.519
<v Speaker 1>Yeah, and it's too episonic in nature to have led

1194
01:01:36.599 --> 01:01:40.360
<v Speaker 1>up to that there. I didn't feel his last time

1195
01:01:40.400 --> 01:01:44.159
<v Speaker 1>at bet any more weight than I felt his first,

1196
01:01:44.280 --> 01:01:46.840
<v Speaker 1>or the third, or the seventh. It was we know

1197
01:01:46.960 --> 01:01:49.800
<v Speaker 1>he was gonna he was gonna hit it. Knew he's

1198
01:01:49.800 --> 01:01:51.880
<v Speaker 1>gonna knock the ball out of the park man. That's

1199
01:01:51.880 --> 01:01:52.480
<v Speaker 1>what he does.

1200
01:01:53.079 --> 01:01:57.119
<v Speaker 2>Exactly. Do you think this is?

1201
01:01:57.199 --> 01:01:59.480
<v Speaker 3>I mean, is this something that you would ever consider

1202
01:01:59.519 --> 01:02:03.480
<v Speaker 3>recommending to someone who likes baseball or are there things

1203
01:02:03.519 --> 01:02:05.360
<v Speaker 3>you can pull out of this that make you feel

1204
01:02:05.360 --> 01:02:06.920
<v Speaker 3>like it's a worthwhile watch.

1205
01:02:07.559 --> 01:02:12.440
<v Speaker 1>I'm not going to recommend this movie. Unfortunately. There are

1206
01:02:12.440 --> 01:02:15.639
<v Speaker 1>going to be bumps on the Fusca road. But this

1207
01:02:16.599 --> 01:02:19.079
<v Speaker 1>is not an example of a biopic that I would

1208
01:02:19.239 --> 01:02:23.239
<v Speaker 1>offer to anyone. I would tell you to read about

1209
01:02:23.440 --> 01:02:26.760
<v Speaker 1>Babe Ruth. I think before I pointed you in this direction,

1210
01:02:26.920 --> 01:02:31.079
<v Speaker 1>because it doesn't really work dramatically as a just a

1211
01:02:31.159 --> 01:02:34.519
<v Speaker 1>movie where hey, we're going to take the basic facts

1212
01:02:34.519 --> 01:02:36.440
<v Speaker 1>of the guy's life and we're going to embellish it

1213
01:02:36.480 --> 01:02:38.519
<v Speaker 1>and fucking go for it, which is one way to

1214
01:02:38.559 --> 01:02:41.119
<v Speaker 1>do it and definitely could have. Or you're going to

1215
01:02:41.280 --> 01:02:43.480
<v Speaker 1>tell the facts of his life and when you're not

1216
01:02:43.519 --> 01:02:45.039
<v Speaker 1>going to get the facts of his life correct, And

1217
01:02:45.079 --> 01:02:48.039
<v Speaker 1>I can't recommend it that way. Or I could if

1218
01:02:48.760 --> 01:02:53.039
<v Speaker 1>the direction was fucking great, or the fucking music was appropriate,

1219
01:02:53.280 --> 01:02:56.440
<v Speaker 1>or the lead performance was fantastic, and none of those

1220
01:02:56.440 --> 01:02:57.039
<v Speaker 1>things happened.

1221
01:02:57.480 --> 01:03:00.679
<v Speaker 3>I really wanted to like this movie because obviously we're

1222
01:03:00.719 --> 01:03:05.599
<v Speaker 3>deep into Fusco Fest and we've had some really killer movies.

1223
01:03:05.800 --> 01:03:07.000
<v Speaker 2>Loved Young Guns one and.

1224
01:03:06.960 --> 01:03:11.079
<v Speaker 3>Two obviously, and Crossroads, of course. I think you're right.

1225
01:03:11.119 --> 01:03:13.679
<v Speaker 2>I think there's sometimes we're going to have some bumps

1226
01:03:13.679 --> 01:03:15.639
<v Speaker 2>in the road along the way. And I wanted to

1227
01:03:15.760 --> 01:03:16.119
<v Speaker 2>like it.

1228
01:03:16.039 --> 01:03:18.880
<v Speaker 3>But it just didn't add up. Like you said, it

1229
01:03:18.920 --> 01:03:22.199
<v Speaker 3>didn't really work dramatically, it didn't work as a sports picture,

1230
01:03:22.960 --> 01:03:27.199
<v Speaker 3>it didn't work. The direction didn't seem appropriate. So I

1231
01:03:27.199 --> 01:03:29.519
<v Speaker 3>don't think I could really recommend it either. It pains

1232
01:03:29.559 --> 01:03:31.400
<v Speaker 3>me to say it, but here we are.

1233
01:03:32.000 --> 01:03:34.519
<v Speaker 1>Yeahanna, I'm glad we did them out of order because

1234
01:03:34.880 --> 01:03:37.880
<v Speaker 1>next up on Fusco Fest. Everybody to tune in. Next time,

1235
01:03:37.920 --> 01:03:40.440
<v Speaker 1>we're going to be talking about thunder Heart, probably the

1236
01:03:40.480 --> 01:03:42.960
<v Speaker 1>preview for it right here. That's right, We are going

1237
01:03:43.039 --> 01:03:45.960
<v Speaker 1>to be talking about thunder Heart on the next Fusco Fest.

1238
01:03:46.599 --> 01:03:50.239
<v Speaker 1>Until then, HP, where can people find you when they

1239
01:03:50.280 --> 01:03:53.599
<v Speaker 1>want to hear all of your delicious tones, your malicious

1240
01:03:53.800 --> 01:03:56.360
<v Speaker 1>musical moments.

1241
01:03:56.039 --> 01:03:59.039
<v Speaker 3>My mushmouth, you can find me. I'm elsewhere on the

1242
01:03:59.079 --> 01:04:02.440
<v Speaker 3>Weirding Wad Network. I co host the Night Mister Walters

1243
01:04:02.559 --> 01:04:07.719
<v Speaker 3>Taxi podcast alongside my erstwhile co host Father Malone. Right here,

1244
01:04:08.119 --> 01:04:10.920
<v Speaker 3>I'm an occasional Oh, I'm an occasional guest on The

1245
01:04:11.000 --> 01:04:14.559
<v Speaker 3>Culture Cast with Chris Dashu. I also host the Noise

1246
01:04:14.639 --> 01:04:18.440
<v Speaker 3>Junkies music podcast. And to top everything off, I have

1247
01:04:18.480 --> 01:04:22.800
<v Speaker 3>a band camp site hpmusicplace dot bandcamp dot com.

1248
01:04:23.039 --> 01:04:25.119
<v Speaker 1>Yeah, go check out his music over there that I alt,

1249
01:04:25.159 --> 01:04:29.119
<v Speaker 1>but it's fucking great. Speaking of culturecast, I programmed the

1250
01:04:29.159 --> 01:04:31.519
<v Speaker 1>month of May. Those should be coming out soon and

1251
01:04:31.599 --> 01:04:34.159
<v Speaker 1>in fact, the first one features mister HP right here

1252
01:04:34.239 --> 01:04:37.039
<v Speaker 1>and myself and Chris Dashu where we were discussing the

1253
01:04:37.400 --> 01:04:42.000
<v Speaker 1>films of John Millius over there, and for our debut

1254
01:04:42.480 --> 01:04:45.639
<v Speaker 1>we chose Magnum Force. The second in the Dirty Harry

1255
01:04:45.920 --> 01:04:48.960
<v Speaker 1>films that should be out soon. Go listen to that.

1256
01:04:49.559 --> 01:04:51.840
<v Speaker 1>As for me, keep it right here, everybody here on

1257
01:04:51.880 --> 01:04:55.440
<v Speaker 1>midnight viewing every Sunday and or Monday. You gotta follow

1258
01:04:55.519 --> 01:04:58.320
<v Speaker 1>Alone weekly round up every Friday. We have a rotating

1259
01:04:58.920 --> 01:05:02.960
<v Speaker 1>assortment of pro including Fusco Fest and Anthologies Attack and

1260
01:05:03.039 --> 01:05:07.239
<v Speaker 1>the Horror Anthology podcast itself. If you want to give

1261
01:05:07.320 --> 01:05:10.119
<v Speaker 1>us a hand, help us out in any way, please

1262
01:05:10.280 --> 01:05:13.599
<v Speaker 1>go to patreon dot com slash fatherm Alone Subscribers get

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01:05:13.599 --> 01:05:17.039
<v Speaker 1>all episodes early in commercial free, and if you want

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01:05:17.039 --> 01:05:19.480
<v Speaker 1>to help us without paying any money and who can

1265
01:05:19.559 --> 01:05:23.719
<v Speaker 1>blame you these days, then just to subscribe or a follow,

1266
01:05:23.920 --> 01:05:26.199
<v Speaker 1>or like, or give us five stars or write a

1267
01:05:26.239 --> 01:05:28.480
<v Speaker 1>few nice words about us, and if you want to

1268
01:05:28.519 --> 01:05:31.239
<v Speaker 1>get in touch with me, get go to Father Malone

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01:05:31.320 --> 01:05:33.480
<v Speaker 1>seven to one at a gmail dot com drop me

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01:05:33.519 --> 01:05:37.079
<v Speaker 1>a line there, or at father Malone on all the socials.

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<v Speaker 1>You're more likely to find me there. Until next time,

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<v Speaker 1>gonna leave you with a bit of John Goodman from

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<v Speaker 1>Saturday Night Live.

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<v Speaker 5>Thank you so much. Well this year, I am here

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<v Speaker 5>to plug a movie and it's one I'm very proud

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<v Speaker 5>of the baby.

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<v Speaker 1>It's the life story at Babe Ruth.

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<v Speaker 5>But believe me, it's a far cry from those old

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<v Speaker 5>fashioned baseballm It's an object examination of the babes very

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01:06:02.800 --> 01:06:06.000
<v Speaker 5>celebrated but very turbulent life. And like I said, I'm

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<v Speaker 5>very proud, and I'd like to show you some clips.

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<v Speaker 2>I'm Babe, I'm the Babe.

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01:06:15.440 --> 01:06:19.639
<v Speaker 4>I'm the Babe. Babe, Babe, babat on the Babe by

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01:06:19.800 --> 01:06:20.840
<v Speaker 4>the Babe, the.

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<v Speaker 2>Babe, Oh Baseball.

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<v Speaker 4>Live, Babe, thank you.

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<v Speaker 5>Like I said, this is a different view of the

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01:06:32.559 --> 01:06:35.639
<v Speaker 5>Babe warts and all. We look into events in Babes's

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<v Speaker 5>life that historians had never really examined. See what I mean.

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<v Speaker 4>Susste sis sis stasist
