Speaker 1: Weird.
Speaker 2: We welcome back midnight viewers to Father Malone's weekly round up.
Speaker 2: I'm Father Malone, and with me barking at all the
Speaker 2: thunder lizards, is miss ripley gen? How are you rip?
Speaker 2: And how is everyone? Hope you had an enjoyable holiday?
Speaker 2: I think right now is a good time to remind
Speaker 2: everyone that George Lucas is a prophet undeniable. Now, Nerds, Okay, okay,
Speaker 2: you're right. You can go first hit at HP to.
Speaker 1: Ship K.
Speaker 2: Thank you. New York City has two million rats. We
Speaker 2: used to have eight million rats. Now we're down to two.
Speaker 2: You know what that means we lose four electoral votes.
Speaker 2: Speaking of NYC, in nineteen seventy seven, the randomness of
Speaker 2: lightning strikes. Three lightning strikes plunged the entirety of New
Speaker 2: York City into darkness for three days, during which there
Speaker 2: was looting an arson the likes of which no major
Speaker 2: American city had seen since the Civil War. It's this
Speaker 2: same bit of happenstance fate that caused Henry Buttle to
Speaker 2: get snatched up by government thugs and not Henry Tuttle.
Speaker 2: In Terry Gilliam's dystopian masterpiece, of Brazil, the same bit
Speaker 2: of twisted cosmic humor that allowed every system to fail
Speaker 2: on Jurassic Park's inaugural weekends some thirty years ago. They
Speaker 2: recreate that situation here, but they make it even more random,
Speaker 2: which would be lovely if it wasn't a fucking commercial
Speaker 2: Jurassic World the Confectionery Age. I lost count of the
Speaker 2: number of product placements in this very cynical follow up
Speaker 2: to the endlessly creaking along Jurassic series of films. Studios
Speaker 2: realize that if we get a movie every couple of years,
Speaker 2: that we can't be nostalgic for it. Right The bit
Speaker 2: of business at the film start that pulled a fucking
Speaker 2: grown out of me. In the theater, a technician in
Speaker 2: an environmental suit walking through a giant clean room of
Speaker 2: a facility approaches an air lock door, but before he
Speaker 2: goes through, he scarfs down a Snickers and lets the
Speaker 2: wrapper fall to the floor, which then gets sucked into
Speaker 2: a door mechanism, and the next thing you know, some gigantic,
Speaker 2: unseen dinosaur is chowing down on the candy enthusiast and
Speaker 2: potentially everyone else in that facility. Which facility, oh, is
Speaker 2: it the one on Eastla New Bar. No, it's the
Speaker 2: other one East La Sorna, no Isla de Moerde. No,
Speaker 2: how about wherever the fuck that giant theme park they
Speaker 2: built was. Nope, this is a yet another facility we've
Speaker 2: never heard of until now. Boy, oh boy, let's get
Speaker 2: into it. This is Jurassic World Rises or something. I
Speaker 2: don't know. It's bullshit.
Speaker 3: I don't care.
Speaker 4: Nor on the island we're headed to. Two dozen species
Speaker 4: have survived there alone.
Speaker 5: The theme park owners did experimental work. Maybe only the
Speaker 5: worst ones here. I don't see that every day forever.
Speaker 5: Let's go. If we get this DNA, millions of glad.
Speaker 5: You said, maybe we should make this quick. Huh, don't move.
Speaker 4: We put ourselves in a place where we don't belong.
Speaker 5: Survival is a long shot. That's kind of our specialty.
Speaker 1: She's scared, she's scared of what the hell?
Speaker 3: Why we're not going to let you get hurt?
Speaker 4: Okay?
Speaker 1: Okay? Then was a source?
Speaker 2: We found it?
Speaker 1: No, it found us?
Speaker 3: Okay, dig this.
Speaker 2: It's thirty years later and now the dinosaurs that were
Speaker 2: freed and roaming the earth have mostly died off, except
Speaker 2: for an area around the equator which most closely mirrors
Speaker 2: the environment they originally existed in. Okay, that's a fine start.
Speaker 2: The film is also cleverly predicated on the notion that
Speaker 2: the public at large no longer cares about dinosaurs. They're
Speaker 2: a novelty whose time has come and gone.
Speaker 3: Now.
Speaker 2: I don't know if that screenwriter David kept making a
Speaker 2: comment on the series as a whole, but it is
Speaker 2: apt apt as a motherfucker. Also, this development dispenses with
Speaker 2: all the skullduggery and evil corporations and government agencies trying
Speaker 2: to weaponize dinosaurs or whatever the fuck right right, Nope,
Speaker 2: this is once again they get in and gather the
Speaker 2: dinosaurs mission like Part two or Part five, only now
Speaker 2: they're trying to get blood samples from these three particular
Speaker 2: species for a pharmaceutical company who is then going to
Speaker 2: use that dino blood to turn it into I don't know,
Speaker 2: it doesn't make any goddamn sense. And notice the script's
Speaker 2: super fucking obvious structure. One dinosaur is in the water,
Speaker 2: another is on the land, and another flies Act one,
Speaker 2: Act two, Act three. I'm being generous that this in
Speaker 2: any way resembles drama. This is a fetch quest extravaganza
Speaker 2: where the cut scenes never fucking end. It is not sweet,
Speaker 2: certainly not sweet as a delicious bag of EM and m's.
Speaker 2: I know they're eating M and ms because not only
Speaker 2: do they feature the bag, but there are half a
Speaker 2: dozen reaction shots that involve characters popping em and ms
Speaker 2: into their mouths. I'm surprised they didn't remake the Mister
Speaker 2: DNA cartoon with JK. Simmons voicing his green eminem so
Speaker 2: candy commercial. That's one way you can view this film.
Speaker 2: Another is bargain basement knockoff. Yes, it has two genuine
Speaker 2: stars in the cast, Scarlett Johansson and Mhersla Ali as
Speaker 2: two mercenaries hire to lead the team. But then it's
Speaker 2: not quite Noah Wiley as the sensitive paleontologist, and not
Speaker 2: quite Cliff Curtis as a dad whose family gets caught
Speaker 2: up in the mayhem while they're trying to sail across
Speaker 2: the Atlantic don't ask. Then there's not quite Emmy Rossam
Speaker 2: as one of the potentially most annoying characters in the
Speaker 2: entire film series. And then, most disconcertingly is not quite
Speaker 2: Julian McMahon as the pharma company's evil represent Jillian McMahon,
Speaker 2: of course, from Niptok and Fantastic Four, died just a
Speaker 2: few days ago, so this actor's resemblance to him resulted
Speaker 2: in this thought. Literally every time he came on screen,
Speaker 2: man Jillian McMahon was only fifty six and he was
Speaker 2: in shape. I'm fifty two and I'm not. That's not
Speaker 2: the filmmaker's fault. But then maybe they should count it
Speaker 2: as a bonus, because during those times I wasn't thinking
Speaker 2: how fucking boneheaded this entire film was. We meet not
Speaker 2: quite Noah Wiley, while the museum he works at is
Speaker 2: dismantling their dinosaur exhibit from lack of interest. Though we're
Speaker 2: told five years ago there were lines around the block.
Speaker 2: Five years ago there were lines around the block to
Speaker 2: see fossils when there were dinosaurs randomly showing up and
Speaker 2: causing traffic jams in major American cities. That makes sense,
Speaker 2: But at least we get to see that when dinosaurs
Speaker 2: ruled the earth banner one more time. Ah, remember when
Speaker 2: that came down and the t rex roared. This movie
Speaker 2: isn't counting on you to remember the other films fondly.
Speaker 2: It's holding you down and drawing on you. It's so
Speaker 2: desperate to rekindle those old memories, down to mirror image
Speaker 2: sequences like when the not quite velociraptor is trapped in
Speaker 2: the ceiling above a young girl and snapping at her,
Speaker 2: or when the heroes are huddled in a pantry and
Speaker 2: not quite Velociraptor is stalking around, Which isn't to say
Speaker 2: there isn't anything new. There's a water dinosaur. We haven't
Speaker 2: had those before, right except half a dozen times now,
Speaker 2: or flying dinosaurs, except we have. You're getting the idea.
Speaker 2: This is all mashed up from other films, where the
Speaker 2: first act is actually a really long take on Jaws,
Speaker 2: and the finale is basically Aliens, right down to the
Speaker 2: newest dinosaur menace. Wait, and once you see him, you'll know,
Speaker 2: because the newest and latest secret facility is a genetic
Speaker 2: lab where they've been breeding entirely new species of dinosaurs
Speaker 2: to combat waning public interest. That's new, except it's not.
Speaker 2: That's Jurassic World. That was the first film, and then
Speaker 2: again in the sequel when they had cloned children, and shit,
Speaker 2: they dropped that plotline fast, didn't They kind of felt
Speaker 2: like they were drifting into dinosaur human hybrid territory, which
Speaker 2: which could have been interesting, certainly more interesting than what
Speaker 2: we got here, because it's just more dinosaurs. They're a
Speaker 2: little bit different. They've been genetically changed. We're told they
Speaker 2: have a new Tatanosaurus, which is like a brachiosaur, only
Speaker 2: it's fucking huge, which is the game here, Bigger baby.
Speaker 2: Then there's the Ketsiquatalis. I mean, I couldn't tell the
Speaker 2: difference between those and an old terradon, but it's supposed
Speaker 2: to be scarier. And to be fair, the Ketsiuatalis sequence
Speaker 2: is the best in the movie. It's actually harrowing. The
Speaker 2: rest isn't, even though the movie spins itself in fucking
Speaker 2: circles trying to make us care about these characters, tragic
Speaker 2: grief soaked backstories for the ones we know who won't die,
Speaker 2: and then straight up annoying end or bad characters just
Speaker 2: primed for lunch. You know, it occurred to me during
Speaker 2: the t rex attack. Of course there's a t rex
Speaker 2: attack sequence. It's in his contract. It was during the
Speaker 2: t rex attack sequence. Then I suddenly had a feeling
Speaker 2: I haven't had watching a movie in forty years. I
Speaker 2: was sitting in a Theater in Revere, Massachusetts, watching Friday
Speaker 2: the Thirteenth, Part six, when it finally clicked, Jason is
Speaker 2: the hero. I want those people to get machetied. Once
Speaker 2: that happened, I found myself enjoying Jurassic World Revival ten
Speaker 2: to a great deal more. Instead of near misses, I
Speaker 2: considered the attacks near hits. Oh almost, you'll get him
Speaker 2: next time, Dinosaur. I know you can do it. The
Speaker 2: disparity and likable characters between the first film and this
Speaker 2: is stark. You just looked at Alan Grant or Ellie
Speaker 2: Sadler and you were like, I'm on board wherever they're going. Here.
Speaker 2: They just pour on all this useless backstory and you
Speaker 2: don't give a fuck. They don't even really get going
Speaker 2: for half an hour. That's the cut scene. I'm talking
Speaker 2: about the first cut scene. There are many more to come,
Speaker 2: along with speeches on morality and everyone oohing and eyeing
Speaker 2: some natural beauty five minutes after one of their friends
Speaker 2: was eaten in front of them. Ah yeah, yeah, Okay.
Speaker 2: Here's where I ranked the Jurassic movies. Jurassic Park Masterpiece,
Speaker 2: The Lost World. You should watch Jurassic Park again. Jurassic
Speaker 2: Park three Allen. Jurassic World high heels. Huh, Jurassic World
Speaker 2: Fallen Kingdom. You should watch the Lost World again. I
Speaker 2: never thought I would say that. Jurassic World dominion. We're
Speaker 2: still doing these huh. And now Jurassic World Rebirth melts
Speaker 2: in your mouth, not in your hand. You should save
Speaker 2: your money, do not support this film. Instead, you should
Speaker 2: support the fine folks at Mars.
Speaker 3: Mmm.
Speaker 2: Doesn't a candy bar sound good right about now? You
Speaker 2: can't have chocolate.
Speaker 3: It'll kill you. You know, I don't care.
Speaker 2: You're not taking the risk. We've been down this road.
Speaker 4: Lady.
Speaker 2: Listen, everybody. Things are looking pretty grim these days. My
Speaker 2: gen X brain is absolutely firing with thoughts of an
Speaker 2: earlier age of panic. Back in the early eighties, when
Speaker 2: we all assumed a nuclear firestorm was imminent. I lived
Speaker 2: in almost permanent terror as a young man. I saw
Speaker 2: that Quanti documentary The Man Who Saw Tomorrow about Nostradamus,
Speaker 2: and it really put the whamie on my head. But
Speaker 2: like most things in life, there was a to a problem,
Speaker 2: and that solution could be found at the movies. One
Speaker 2: of the best decisions I've ever made was sneaking into
Speaker 2: Boston to see a screening of Steve Dejarnett's unsung classic
Speaker 2: Miracle Mile. You know, the nineteen fifties were America's golden age.
Speaker 2: They were an age of prosperity. It's no wonder so
Speaker 2: many people are trying to get back there, what with
Speaker 2: the communist witch hunts and the institutionalized racism, and the
Speaker 2: rampant sexism, and the crippling terror of all out nuclear war.
Speaker 2: You know, in his novel Lullaby, Chuck Pollinik positive that
Speaker 2: every generation wants to be the last, And thanks to
Speaker 2: the fine people of the greatest generation, that became not
Speaker 2: only a possibility, but in the minds of many, a certainty.
Speaker 2: As the Cold War slammed in the high gear over
Speaker 2: the next few decades, Hollywood attempted to varying degrees of
Speaker 2: success to illuminate and or alleviate the fear of this
Speaker 2: fresh technological nightmare. These films would fall into two distinct categories.
Speaker 2: The first would dramatize the events leading up to armageddon
Speaker 2: and the efforts by military and government officials to stave
Speaker 2: off such an incident. Movies like Fails in War Games
Speaker 2: and No Doubt the best of them. Stanley Kubrick's Doctor
Speaker 2: Strangelove or How I Learned to Stop Worrying and Love
Speaker 2: the Bomb. The second category was all about the aftermath,
Speaker 2: which itself would split into two diverse types, realistic as
Speaker 2: in The Day After or Threads and fantasy, best exemplified
Speaker 2: by The Terminator in The Road Warrior. Few, if any,
Speaker 2: of the films managed to capture the levels of personal
Speaker 2: paranoia and creeping menace that the nuclear threat managed to
Speaker 2: inflict on everyday life. For that film, moviegoers had to
Speaker 2: wait till nearly the end of the Cold War. The
Speaker 2: Air was nineteen eighty eight. In the film was the
Speaker 2: most nihilistic and simultaneously optimistic of the genre. Miracle Mile
Speaker 2: Love can true spin your head around?
Speaker 6: God?
Speaker 4: Where do you begin?
Speaker 2: Well?
Speaker 5: Hello, we must have been meant to be together. It's
Speaker 5: too bad you.
Speaker 4: Have to work tonight, only till midnight.
Speaker 5: Fate is a funny thing.
Speaker 6: Take a nap because you're going to need all your
Speaker 6: energy tonight. It was one of those strange nights.
Speaker 3: Finally meet the right girl and you're blowing.
Speaker 6: That could ruin a whole day in a big way.
Speaker 1: Dad, it's happening. This is really hit.
Speaker 5: This is the people This is a joke, right.
Speaker 1: It's really happening.
Speaker 4: Happening, This can't be true.
Speaker 5: Well I'll be dead if we don't get out of here.
Speaker 5: Nobody believes this, do they?
Speaker 6: By be not funny to make a list for me
Speaker 6: people who want to bring along.
Speaker 1: We gotta get Julie. It's Julie, Harry Bropin. Who are you?
Speaker 3: Who are you stopping?
Speaker 1: Let me off? I don't stopping nothing. Jump, don't hurt me. Man, Man,
Speaker 1: I got knock and beat you, pioneer, I got everything.
Speaker 5: If it doesn't happen, I'll tell you what doesn't happen. Man,
Speaker 5: I'm dreaming. That's what I'm dreaming.
Speaker 2: You all ready to go?
Speaker 1: You're the pilot. Pray you know anybody.
Speaker 2: Could play helicopter helicopter pilots for all the helicopter pilot
Speaker 2: barker clothes.
Speaker 3: What's a problem. It's true.
Speaker 6: Love can be exciting, trust me with this, even terrified.
Speaker 6: Really I love you that nothing could prepare you for
Speaker 6: an experience like this? Why did you hear mirror mile?
Speaker 5: But I'm just a guy who who picked up the pro.
Speaker 2: As far as Anthony Edwards, fresh from his success as
Speaker 2: Goose and top Gun and Mayor Winningham. The film's plot
Speaker 2: is a deceptively simple what if scenario. What if late
Speaker 2: one night you picked up a ringing payphone and heard that.
Speaker 1: Dad speech? How come the foe was busy? Just not Jesus, Look,
Speaker 1: I'd wake you. It's it's happening. I can't believe it more.
Speaker 1: We're locked into it. Fifteen minutes in counting Christ, they're
Speaker 1: this kid taking it to fucking take it. I'm sorry,
Speaker 1: I shouldn't swear. I'm sorry, but this is it, This
Speaker 1: is really it. This is the big one for Arthur
Speaker 1: sixty six, azy d. You don't if I told you
Speaker 1: what happened, if it ever came down, Well, it is.
Speaker 1: We don't know why. I mean, why what are we? Huh?
Speaker 1: It's for real, Dad, there's no drill. We shoot our
Speaker 1: wad in fifteen minutes. They're gonna pick us up in
Speaker 1: five or ten, and you can get it back in
Speaker 1: an hour and ten, maybe seventy five minutes.
Speaker 5: What exactly you're talking about?
Speaker 1: I'm talking about nuclear fucking war. Who is this? Oh,
Speaker 1: where's my dad? Don't get my dad?
Speaker 2: You're dad, there's nobody here.
Speaker 5: Where's he supposed to be?
Speaker 1: How the hell would I know you're orange. I'm in
Speaker 1: North Dakota. Hey is this something I had a prank?
Speaker 1: Or something? Prank? Oh god? Is this two five four
Speaker 1: nine four? One? Uh yeah, yeah, yeah yeah it is.
Speaker 5: But listen, it's just a phone booth.
Speaker 1: It's a It's a.
Speaker 4: Phone booth at a coffee shop.
Speaker 1: I heard it ringing? Is this seven? One four? Did
Speaker 1: I two and three?
Speaker 5: Ship?
Speaker 1: Oh? I think they hurt me?
Speaker 3: Shit?
Speaker 1: Oh man, they see me on the monitor? Fuck? Can
Speaker 1: I patching the red Lannex? Come to do this? You're
Speaker 1: gonn nail my ass. Tell Dad? Just tell him that
Speaker 1: I am sorry about that summer. Okay, you'll know what
Speaker 1: I mean.
Speaker 5: All right, all right, look that's enough.
Speaker 1: Just tell anyone this is a joke, right, yes, sir? No,
Speaker 1: he know it's right. I was just checking the circuit, sir. Wait,
Speaker 1: what's curing? Did I trace?
Speaker 4: Listen?
Speaker 1: It's probably a fella.
Speaker 3: I need to joke around on the phone like this.
Speaker 1: Who are you? Who am I?
Speaker 3: Listen?
Speaker 5: I'm just a guy who picked up the phone.
Speaker 1: I mean, I don't know if this is a wrong
Speaker 1: phone number or a.
Speaker 5: Joke or what what happened to Chip?
Speaker 1: He was just joking, right, forget everything you've just heard
Speaker 1: and go back to sleep.
Speaker 2: Hey, Hey, a simple scenario, but one's reaction would be anything.
Speaker 2: But is the call genuine? Should you warn others? If
Speaker 2: it is, how safe can you make yourself in the
Speaker 2: two hours before the devastation begins? How many of your
Speaker 2: loved ones could you collect in that time? And if
Speaker 2: the call is fake, you'll run the risk of becoming
Speaker 2: the Atomic age chicken little yelling to any and all
Speaker 2: who listened to The sky is falling? So what should
Speaker 2: Harry do? The one thing he's definitely not doing is
Speaker 2: going back to sleep now. The actual Miracle Mile is
Speaker 2: a stretch of the Wilsher Corridor in Los Angeles. It
Speaker 2: was developed in the twenties and thirties by A. W. Ross,
Speaker 2: who made the precient decision to design the area to
Speaker 2: be seen while driving rather than walking. This became known
Speaker 2: as the linear downtown model and would be adopted by
Speaker 2: virtually every major metropolitan city worldwide. The street itself is
Speaker 2: aligned with shops, restaurants, museums, and, most importantly, for the
Speaker 2: sake of the film, the LaBrea tar pits. The tar
Speaker 2: pits are a naturally occurring phenomenon with tar Technically asphalt
Speaker 2: bubbling up from the earth. It's been at it for
Speaker 2: tens of thousands of years, and during that time snared
Speaker 2: an untold number of animals, not to mention everything from
Speaker 2: plants to insects to grains of pollen. The boiling asphalt
Speaker 2: preserves the specimens with some of the oldest fossils dating
Speaker 2: back thirty eight thousand years. Harry, a trombone player with
Speaker 2: a traveling big band combo, is in town for a
Speaker 2: gig and killing time at the tarpits. He meets local
Speaker 2: girl Julie, and the attraction is instant and mutual. They
Speaker 2: spend a near perfect day together, culminating at a concert
Speaker 2: at the old Pan Pacific Auditorium, where if you listen
Speaker 2: close you can here at Livia Newton.
Speaker 5: John.
Speaker 2: Julie and Harry then make plans to continue their date
Speaker 2: when Julie finishes her waitressing shift at midnight, but a
Speaker 2: freak accident knocks out his building's power in his alarm
Speaker 2: clock and Harry oversleeps arriving three hours late, Julie's gone,
Speaker 2: leaving Harry to deal with a collection of late night
Speaker 2: la oddballs played by some of the best character actors
Speaker 2: of all time. Olan Jones, who's played so many waitresses
Speaker 2: in her career that I think we as a nation
Speaker 2: owe her a collective tip. Robocomp's boss Robert Dewey, security
Speaker 2: chief Tasha Yarn, Denise Crosby, and Earl Bowen. You'll probably
Speaker 2: remember him as Doctor Silverman and the Terminator films. If
Speaker 2: you like the Terminator movies, you're in luck because we
Speaker 2: have Jeanette Goldstein and the always awesome Brian Thompson. Whether
Speaker 2: or not the calm was authentic, it's enough to spook
Speaker 2: the Diners Denizens into a hasty trip to Lax, where
Speaker 2: a plane has been chartered to fly them to the
Speaker 2: Southern Hemisphere. Harry remains behind with a promise that if
Speaker 2: you can make it to the top of the Mutual
Speaker 2: Benefit Life Building, a helicopter will be ready to transport
Speaker 2: him in several others to the airport. At this point,
Speaker 2: the film becomes virtually real time, as Harry navigates the
Speaker 2: empty landscapes of early morning Los Angeles in an attempt
Speaker 2: to reunite with Julie and whisk her away from danger,
Speaker 2: which proves easier said than done, forcing Harry to enlist
Speaker 2: the help of Wilson a car stereo thief played by
Speaker 2: Michael T. Williamson, who was Bubba, the shrimp loving Vietnam
Speaker 2: Pallo Forest Gump. It's kind of weird that he played
Speaker 2: Bubba and a character named Wilson. With the clock ticking
Speaker 2: relentlessly on, they run up against overzellist cops and armed citizens,
Speaker 2: one of them played by mister Blue himself novelist Eddie Bunker,
Speaker 2: before Harry is finally reconnected with Julie. Though released just
Speaker 2: prior to the Soviet collapse, Miracle Mile was written a
Speaker 2: decade earlier by Steve Dejarnett. The script was immediately optioned
Speaker 2: by Warner Brothers, who baulked the idea of entrusting a
Speaker 2: neophyte filmmaker with directing, and with Dejarnet unwilling to change
Speaker 2: the script, it sat unproduced for years. At one point
Speaker 2: it almost became the Twilight Zone movie. It eventually landed
Speaker 2: on the first ever Best Unproduced screenplaylist, currently known as
Speaker 2: the Blacklist. De Jarnet made an unprecedented move at this point.
Speaker 2: He took his salary for writing the first draft of
Speaker 2: Strange Brew the Bob and Doug McKenzie movie, and used
Speaker 2: it to buy back his screenplay. His rewrite garnered even
Speaker 2: more interest, and Dejarnett turned down an offer of nearly
Speaker 2: half a million dollars to sell it out right, convinced
Speaker 2: that he was the best filmmaker to tell the story.
Speaker 2: And what a story, Because the call isn't a prank.
Speaker 2: The world begins to awake to a living nightmare, and
Speaker 2: we end where we begin, at the libre at tart Pits.
Speaker 2: It's a horrifying ending. It's brutal and frustrating and heartbreaking,
Speaker 2: but also beautiful and amazing and hopeful. Because nothing is permanent.
Speaker 2: Life is a mad scramble, full of missed opportunity, bad luck,
Speaker 2: and misfortune and dread, but it's all worthwhile when you
Speaker 2: find someone to love and be loved by. It manages
Speaker 2: to put all the goddamn troubles of the world in
Speaker 2: perspective and maybe the only true permanence we're apt to find.
Speaker 2: Everyone on the planet is going to die with or
Speaker 2: without nuclear annihilation, but to do it together in a
Speaker 2: place with the proof of that level will survive thousands
Speaker 2: of years. You can't do much better than that. Fuck.
Speaker 2: I hope I didn't bum you out too much. Midnight viewers,
Speaker 2: I've had Apocalypse on the brain lately, so it'd be
Speaker 2: wrong not to share. Speaking of, if you look in
Speaker 2: the show notes, you'll find a link to a Spotify
Speaker 2: playlist I made. It's an End Times mixtape. Pop it
Speaker 2: in and keep watching the Skies. Tune into this Friday
Speaker 2: if you would. Mister HP is rejoining us to take
Speaker 2: care of that listener chosen music episode. That's right, we
Speaker 2: are taking a look at Little Shump of Horrors. Say
Speaker 2: where did you get such an unusual plant? If you
Speaker 2: want to hit me up, go to father blone seven
Speaker 2: to one at a gmail dot com for letters and
Speaker 2: inquiries and such, and hit us up on Instagram. Midnight
Speaker 2: Viewing has its own account. I'll link that as well,
Speaker 2: and the Patreon. You guys know this call to action business.
Speaker 2: We'll leave you with a bit from Jurassic World. Now
Speaker 2: I'm kidding, Get the fuck out of here. Here's more
Speaker 2: from Miracle Mile.
Speaker 5: You'll find us here. So many uh huh is in
Speaker 5: a museum.
Speaker 6: Mm hmm.
Speaker 5: Maybe we'll get in direct head little metamorphosis superman. He
Speaker 5: could take him up of coal and he'd squeeze it.
Speaker 5: It would make a diamond. Yeah, you me, hurry with me.
Speaker 5: Shut show.
Speaker 4: Sho show show show