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<v Speaker 1>It's Night Side with Dan Ray on w BZY Boston's

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<v Speaker 1>new video.

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<v Speaker 2>Nicole, thank you very much for the quick intro. And

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<v Speaker 2>I'm going to be here almost every day this week.

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<v Speaker 2>I am going to be here Wednesday, Thursday, Friday, Phillion

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<v Speaker 2>for Dan obviously, I'm here tonight Tuesday. Ben Parker will

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<v Speaker 2>be here. That's tomorrow night. But I've got a great

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<v Speaker 2>show plans for you, and tonight I've got a couple

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<v Speaker 2>of people I've never interviewed before. You know, I tend

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<v Speaker 2>to lean on a regular core of people movers here

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<v Speaker 2>in the Greater Boston area, and I've got some of them,

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<v Speaker 2>like Bill and Bow Winnaker. They'll be here tonight at

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<v Speaker 2>ten o'clock. Next hour, Well, i'll tell you about next

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<v Speaker 2>hour a little bit later on. I want to deal

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<v Speaker 2>with the first hour. And I've got some names for

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<v Speaker 2>you to think about. Walter Winchell, Ronna Barrett, Dorothy kill Gallon,

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<v Speaker 2>Kitty Kelly. In Boston, we had in the seventies and eighties, Norma,

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<v Speaker 2>Nathan the I people who are columnists and they write

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<v Speaker 2>about the people in the public eye, whether they're movies, TV, authors,

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<v Speaker 2>what have you. And this gentleman has done that job

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<v Speaker 2>for years. I mean, he has written for people The

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<v Speaker 2>National Inquirer, Entertainment Weekly, US say Today, and others. So

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<v Speaker 2>I'm about to welcome in mister William Keck and that's

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<v Speaker 2>K E C K and William. Do you want to

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<v Speaker 2>be called will or William?

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<v Speaker 3>Yeah? Hi, Morgan, you can call me William. That'll be

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<v Speaker 3>just fine.

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<v Speaker 2>I always make a clarification with people's names. I want

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<v Speaker 2>to pronounce it the way it should be pronounced. And

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<v Speaker 2>if they have a situation like that, I want to

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<v Speaker 2>call you the way that you prefer to be called

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<v Speaker 2>a supper.

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<v Speaker 3>Well, I appreciate that, I really really do. People have

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<v Speaker 3>gotten my name wrong many times. I remember Milton Burrough

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<v Speaker 3>used to call me William Peck and I was black

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<v Speaker 3>him and I'd say, sir, it's William Peck and he'd say,

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<v Speaker 3>I'll call you a pack if I want to call

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<v Speaker 3>you a pack Peck. I do appreciate it, Morgan, thank

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<v Speaker 3>you very much.

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<v Speaker 2>Wait. Wait, here's memitation of Milton Burrough. One word makeup. Okay,

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<v Speaker 2>get that out the way.

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<v Speaker 3>If only I had a giant powder pup, I'd clasped

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<v Speaker 3>the heck out of you there in Boston.

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<v Speaker 2>Oh my good, that's a three thousand mile reach from

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<v Speaker 2>where you are. You've got a new book out called

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<v Speaker 2>When You Step Upon a Star. Thank you to Disneylands

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<v Speaker 2>for that title, When You Wish Upon a Star, and

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<v Speaker 2>you've got the World's Most Unforgiving job.

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<v Speaker 3>You've got to know you mentioned in those other journalists

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<v Speaker 3>that you were comparing me to Yes Dorothy kill Gallen,

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<v Speaker 3>and she was actually murdered. So I mean, I think

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<v Speaker 3>I came. I came pretty close a few times, and

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<v Speaker 3>I'm lucky that I wasn't.

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<v Speaker 2>I'm happy to hear you weren't right now to be

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<v Speaker 2>dead air if you were.

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<v Speaker 3>Well, you know, I'm going to tell you something, Morgan.

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<v Speaker 3>I've been so excited about this interview, but I had

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<v Speaker 3>an appointment afterwards. So I'm in my car and I

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<v Speaker 3>decided to pull over wherever I was wherever I was

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<v Speaker 3>going to be at five o'clock. I gets at o'clock

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<v Speaker 3>your time, and it turned out where I pulled into

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<v Speaker 3>was Forest Lawn Cemetery. So I'm talking to you at

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<v Speaker 3>a place where I was so many times crashing funerals

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<v Speaker 3>and getting into all sorts of horrible shenanigans. So it's

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<v Speaker 3>very appropriate that I'm talking to you here from Forest Lawn.

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<v Speaker 2>Well, it should be quiet and the sun the sun

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<v Speaker 2>is still up over where you are, so the eerie

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<v Speaker 2>feeling of a military when it's dark.

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<v Speaker 3>Yeah, it's a beautiful sunny day and it's very quiet.

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<v Speaker 3>It's dead quiet. And hopefully they won't kick me out,

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<v Speaker 3>but if they do, it won't be the first time

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<v Speaker 3>I've been kicked out of the cemetery.

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<v Speaker 2>How did you get into this business?

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<v Speaker 3>Well, I grew up in upstate New York, and I

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<v Speaker 3>knew I wanted to be part of Hollywood in some way,

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<v Speaker 3>and I really wanted to meet the Golden Age stars.

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<v Speaker 3>Well I still could, and I remember I was in

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<v Speaker 3>New York City when Lucille Ball died and it really

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<v Speaker 3>rocked my world. She was just a huge, huge, huge

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<v Speaker 3>idol of mine, maybe top of my list of all

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<v Speaker 3>celebrities I wanted to meet. And when she died, I

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<v Speaker 3>withdrew from college. I was going to Hobart College in Geneva,

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<v Speaker 3>New York. I transferred to USC I ended up getting

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<v Speaker 3>an internship with the Johnny Carson Show, The Tonight Show,

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<v Speaker 3>and through a series of circumstances that me to the

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<v Speaker 3>national Inquirer, and I knew the Acquirer would be a

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<v Speaker 3>way that I could meet all those Golden Age stars.

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<v Speaker 3>The problem was the way I met them was crashing

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<v Speaker 3>their weddings and funerals and bar mitswas and brusses. So

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<v Speaker 3>be careful what you wish for, Morgan.

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<v Speaker 2>I have been, and I'll tell you the equivalent story

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<v Speaker 2>when I got into this business. And it's a story

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<v Speaker 2>I've told before, So I'm not going to bore my

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<v Speaker 2>audience by, Oh, Morgan's going to tell those stories again.

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<v Speaker 2>But I wanted to meet the people who were dominating

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<v Speaker 2>my attention growing up, and almost anyone who was on

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<v Speaker 2>radio or TV when I began in nineteen eighty, I've

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<v Speaker 2>made sure I had a chance to speak to I've

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<v Speaker 2>got some photos on my wall and I'm looking at

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<v Speaker 2>a photo with Rex Trailer. They had a birthday party

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<v Speaker 2>for him about twelve years ago, and I was fortunate

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<v Speaker 2>enough to be able to kind of see that party.

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<v Speaker 2>And I'm looking at all the various celebrities that were

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<v Speaker 2>at one time Boston's Kitty Show hosts Boso played by

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<v Speaker 2>Frank R. Rush and Major Mud. They had some sort

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<v Speaker 2>of event where they all attended and They're about eight

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<v Speaker 2>or nine of them in this one photo, and I

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<v Speaker 2>interviewed maybe seven of those nine people. And the people

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<v Speaker 2>on radio legends like Don Kent, Jess Caine, I've had

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<v Speaker 2>on my show over the years. And when I think

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<v Speaker 2>back on the once, I was lucky enough to get

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<v Speaker 2>and very lucky to get because in one case a

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<v Speaker 2>gentleman passed away one week after I had him on

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<v Speaker 2>the air. It meant something to me to speak to

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<v Speaker 2>these people and to offer them to my audience.

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<v Speaker 3>So, yeah, aren't we lucky? Aren't we fortunate that we

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<v Speaker 3>got to brush shoulders with these legends? And you know

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<v Speaker 3>you were going through that list, and I want to

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<v Speaker 3>ask you, I, like I mentioned, grew up in upstate

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<v Speaker 3>New York, and I guess it was the mid eighties

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<v Speaker 3>when we got cable television, early eighties, and one of

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<v Speaker 3>the first channels we got, I correct me if I'm wrong.

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<v Speaker 3>I thought it was from Boston channel thirty eight.

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<v Speaker 2>WSBK originally started in nineteen sixty five and the call

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<v Speaker 2>letters then it was involved with Boston's Catholic radio and

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<v Speaker 2>TV WIHS, which stood for in His Service, and they

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<v Speaker 2>eventually changed to SBK channel thirty eight and it's still

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<v Speaker 2>a major powerhouse now.

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<v Speaker 3>Yes, And there was a character, a children's clown called

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<v Speaker 3>Willie Whistle.

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<v Speaker 2>Beach played Willy Whistle and he spoke. I don't know

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<v Speaker 2>if he did it with his real voice, if he

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<v Speaker 2>had some sort of device. That's as close as I

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<v Speaker 2>can approximate the voice of Willy Whistle.

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<v Speaker 3>That was pretty good. Did you ever interview Willy Whistle?

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<v Speaker 4>No?

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<v Speaker 2>Unfortunately, a woman who was a friend colleague, make Lavigna,

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<v Speaker 2>who was in their programming department, was going to get

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<v Speaker 2>Willy for me, and he had a flu with something

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<v Speaker 2>that ruined that date that we had scheduled, and we

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<v Speaker 2>never rescheduled another one. And need I say it, I

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<v Speaker 2>lost out on my opportunity when he passed away.

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<v Speaker 3>Oh, Willie Whistle is no longer with us, stopped flowing.

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<v Speaker 2>I don't know. I don't know how redid that voice.

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<v Speaker 2>When I was younger, when I was in high school,

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<v Speaker 2>I could do that voice, but that high school was

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<v Speaker 2>decades ago, and decades to Beg's.

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<v Speaker 3>I could do that Beg's high pitched voice, and I can't.

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<v Speaker 3>I can't do it anymore. I just I'm too old

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<v Speaker 3>to do it. But I miss it.

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<v Speaker 2>Well, let me take my first break of the hourl William,

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<v Speaker 2>and when we come back, I'm going to I'll give

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<v Speaker 2>the phone number anyone out there who'd like to speak

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<v Speaker 2>to mister William Keck his book When You Step upon

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<v Speaker 2>a Star, Get Get It Tongue in cheek six one, seven, two, five,

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<v Speaker 2>four ten thirty or eight eight, eight, nine, two, nine,

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<v Speaker 2>ten thirty. This is night Side. Dan Ray is off

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<v Speaker 2>this week. I'm here for four nights this week and

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<v Speaker 2>Ben Star will be here tomorrow. The I've got the

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<v Speaker 2>rest of the week. Time and temperature here on night

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<v Speaker 2>Side it is eight seventeen seventy five degrees.

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<v Speaker 1>Now back to Dan Ray line from the Window World

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<v Speaker 1>night Side Studios on WBZ News Radio.

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<v Speaker 2>It is off tonight, and I'm speaking to one individual.

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<v Speaker 2>If you are an eight year old young lady and

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<v Speaker 2>you're calling from South Carolina, listing in South Carolina, and

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<v Speaker 2>your name is Baby Ryan, it's almost your bedtime. But

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<v Speaker 2>I did promise your mother and you that I would

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<v Speaker 2>say hello to you. So Hello to Baby Ryan. And

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<v Speaker 2>for the rest of my audience across thirty eight states

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<v Speaker 2>and parts of Canada, I've got mister William keck k E.

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<v Speaker 2>C K who is an author, a calmnist. He's written

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<v Speaker 2>a book called When You Step Upon a Star, Confessions

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<v Speaker 2>of a Tabloid bad Boy. He spoke and reported about

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<v Speaker 2>one hundreds hundreds of public personalities and spied on some too.

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<v Speaker 2>Some feared him, others hated him. And I want you

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<v Speaker 2>to give me a quick story because I read a

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<v Speaker 2>quote from Kelsey Grammar. Oh, yes, he's not a fan

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<v Speaker 2>of yours.

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<v Speaker 3>No, And what was the.

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<v Speaker 2>Little bump in the road that caused Kelsey not to

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<v Speaker 2>be you a number one fan?

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<v Speaker 3>Well, you know, I wish I could say it was

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<v Speaker 3>one bump, but it's the whole rocky road that continued

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<v Speaker 3>for about thirty years. You know, Kelsey's a fine guy,

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<v Speaker 3>but back in the nineties when I was working for

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<v Speaker 3>the Inquirer, I was a bad boy. But he was

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<v Speaker 3>also a bad boy. He was getting into a lot

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<v Speaker 3>of trouble and I was assigned to sort of expose

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<v Speaker 3>his secrets, okay, and that meant feeling his garbage. His

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<v Speaker 3>fiance at the time was my source giving me stories

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<v Speaker 3>on him. His own brother was giving stories on Kelsey.

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<v Speaker 3>So when it came time for Kelsey to write his

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<v Speaker 3>own memoir. He devoted two pages to me, and you

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<v Speaker 3>can actually still order the audio version, and you can

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<v Speaker 3>hear Kelsey in his frasier voice saying, William Keck, a

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<v Speaker 3>despicable piece of flesh from the National Inquirer. Your mother

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<v Speaker 3>must be very, very proud. I invite you to burn

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<v Speaker 3>in hell. So I did share my chapter with Kelsey.

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<v Speaker 3>He chose not to respond, but his people gave me

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<v Speaker 3>the sign off to continue. But his ex fiancee, who's

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<v Speaker 3>still a friend of mine, she did contribute a page

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<v Speaker 3>to my book, and she talked about kind of some

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<v Speaker 3>secrets about the relationship and how he called off their

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<v Speaker 3>wedding by using their therapist. The therapist broke the news

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<v Speaker 3>that they were done.

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<v Speaker 2>Oh now there's one for the books.

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<v Speaker 4>Yeah.

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<v Speaker 3>Literally. So I don't think Kelsey is going to be

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<v Speaker 3>happy with that either. I don't know. I'd love to

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<v Speaker 3>make amends with him, but I don't see it happening.

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<v Speaker 2>Of all the things he has done, whether he's wearing

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<v Speaker 2>blue makeup and being the beast in the franchise for

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<v Speaker 2>X Men or being a barfly here in Boston and Seattle.

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<v Speaker 2>I liked the Chicago mayor role that he portrayed. I

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<v Speaker 2>think that was closer to the real Kelsey and Boss. Yes.

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<v Speaker 3>Yeah, he's a great actor, isn't he.

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<v Speaker 2>Yep. Well, you know they put these words on a

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<v Speaker 2>piece of paper, then they want you to bring that

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<v Speaker 2>character to life. And that's what all actors are paid

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<v Speaker 2>to do. Tell you what, You've got some phone traffic,

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<v Speaker 2>So let me take a couple of phone calls before

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<v Speaker 2>I have another break to take.

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<v Speaker 3>Oh fabulous, I would love that.

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<v Speaker 2>Let's go to Belmont, Massachusetts and speak to Joe. Joe,

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<v Speaker 2>You've got you got William Keck.

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<v Speaker 4>I got a question for William all right, when you

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<v Speaker 4>wish upon a Star the Disney movie. Does that have

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<v Speaker 4>anything to do with your title of your book?

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<v Speaker 2>I think you thank you? Play on words?

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<v Speaker 3>Yeah, thank you, thank you. Joe. Well, you know, I

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<v Speaker 3>am a big Disney fan, and I did love Pinocchio,

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<v Speaker 3>and I loved when Jimminy Cricket saying when you wish

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<v Speaker 3>upon a star, and Jimmy Cricket was all about following

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<v Speaker 3>your conscience, and for a few years I didn't really

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<v Speaker 3>follow my conscience. I made some bad decisions. So I

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<v Speaker 3>thought when You step upon a Star was sort of

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<v Speaker 3>an appropriate play on words. But it also kind of

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<v Speaker 3>represents the Walk of Fame, the Hollywood Walk of Fame,

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<v Speaker 3>and I stepped on a lot of stars, both figuratively

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<v Speaker 3>and literally.

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<v Speaker 4>Yeah, and uh, you know you mentioned the word conscience,

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<v Speaker 4>and I think when you wish upon a star, you

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<v Speaker 4>should wish upon God instead of a start, because that's

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<v Speaker 4>for astrology.

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<v Speaker 2>All right, Well, Joe, thank you for the call. I

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<v Speaker 2>think we're giving a little subject.

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<v Speaker 3>It can't it can't hurt. It can't hurt. I hear

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<v Speaker 3>you' we need God right now. So thank you for

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<v Speaker 3>that call, Joe.

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<v Speaker 2>Yes, and I've got a few words to say to you,

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<v Speaker 2>and it's based on how we started this conversation. I

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<v Speaker 2>love Lucy and she loves me. Where's happiest too, can

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<v Speaker 2>be sometimes we quarrel, but then how we love making

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<v Speaker 2>up again. Lucy kisses like no one can. She's my

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<v Speaker 2>missus and I'm her man. And life is heaven you see,

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<v Speaker 2>because I love Lucy. Yes, I love Lucy and Lucy

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<v Speaker 2>loves me. You mentioned.

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<v Speaker 3>I love that you got every word. I feel like

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<v Speaker 3>I'm talking to DESI arnez right now.

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<v Speaker 2>Well, don't go that far.

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<v Speaker 3>Well, you know I did. There was there was a

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<v Speaker 3>photo that appeared today. It was the first photo in

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<v Speaker 3>years of Desi Arnez Jr. And he had a big

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<v Speaker 3>old beard. He was with his sister, Lucy Arnez, and

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<v Speaker 3>I did have the opportunity to interview. I didn't get

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<v Speaker 3>to speak to Lucy, but I spoke to the children,

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<v Speaker 3>Lucy Arnez and Desi Arnez Junior together and that was

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<v Speaker 3>really a point of my career.

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<v Speaker 2>And you want to know what they were in the

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<v Speaker 2>perfect catbird seat to see all sides of Hollywood, in

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<v Speaker 2>front of the camera and behind the camera. And anytime

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<v Speaker 2>I've seen them interviewed on a game show or anything

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<v Speaker 2>that they did in public, they were always respectful of

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<v Speaker 2>both their mother and father.

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<v Speaker 3>Oh yes, absolutely, they've done a wonderful job securing their reputation.

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<v Speaker 3>And I remember when I was interviewing them, they said

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<v Speaker 3>one of their main jobs in running the Luci o'

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<v Speaker 3>ball Foundation was fielding offers for products that people had,

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<v Speaker 3>and they said they would just hear every possible idea

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<v Speaker 3>for a Lucy and Desie merchandise right tie in. And

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<v Speaker 3>they said one of the pitches that they had to

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<v Speaker 3>turn down was Lucy Desi toilet paper.

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<v Speaker 2>Oh, I'm sure there are many many add concepts account

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<v Speaker 2>to mind for that. And this is a real quick

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<v Speaker 2>thing before we take another phone call from New Jersey.

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<v Speaker 2>One of the last shows produced at Desi Lou Studios

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<v Speaker 2>was Star Trek. And I feel that that's kind of

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<v Speaker 2>a thing that makes you say, hmm, that that show

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<v Speaker 2>was shot on Desilu.

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<v Speaker 3>Property, isn't that cool? And I'll tell you My publisher

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<v Speaker 3>a company called Jacobs Brown Media. They have published many,

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<v Speaker 3>many Star Trek books, So I think that they were

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<v Speaker 3>really intrigued by my fascination with Lucy, because yes, Lucy

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<v Speaker 3>greenlit Star Trek. There wouldn't be a Star Trek without

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<v Speaker 3>Lucille Ball giving her go ahead to finance that. And

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<v Speaker 3>I actually do have a chapter in my book about

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<v Speaker 3>William Shatner and Leonard Nimoy. I had a couple of

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<v Speaker 3>run ins with them that I talked about in the book.

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<v Speaker 2>Well, Leonard Nimoy is a Boston boy and his father, ironically,

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<v Speaker 2>this conversation came up on My weekend show just last weekend.

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<v Speaker 2>His father's barbershop, Max Demoy's barbershop, was almost at the

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<v Speaker 2>intersection of River Street and Blue Hill Avenue in the

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<v Speaker 2>Mattapan section of Boston, and it's a section that had

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<v Speaker 2>been heavily Jewish and in the sixties evolved into an

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<v Speaker 2>inner city community. But his father stayed at that barbershop

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<v Speaker 2>even as his son was on TV having those ears

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<v Speaker 2>pointing straight up. Let me let me take the break

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<v Speaker 2>and get it out the way, Gary, New Jersey. You've

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<v Speaker 2>called in. You will get a chance to speak with

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<v Speaker 2>William Keck anyone else who wants to do that. Six one, seven, two, five, four, ten, thirty, eight,

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<v Speaker 2>eight nine to nineteen thirty. This is Night Side without

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<v Speaker 2>Dan Ray. Tonight, I'm Morgan White Junior filling in. Let's

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<v Speaker 2>take our break. At the bottom of the hour time

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<v Speaker 2>eight thirty seventy five degrees.

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<v Speaker 1>Is Dan Ray on WBZ, Boston's news radio.

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<v Speaker 2>I'm filling in for Dan. You know me. I've been

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<v Speaker 2>around busy since nineteen ninety five and ninety six. Morgan

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<v Speaker 2>White Junior, front and center, filling in for Dan Ray.

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<v Speaker 2>I'll be here all week except tomorrow. Ben Parker will

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<v Speaker 2>be here tomorrow, and yes, that's what I said. Ben Parker.

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<v Speaker 2>He'll be here tomorrow, and I'll be here Wednesday, Thursday

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<v Speaker 2>and Friday. My guest this hour mister William Kick, who

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<v Speaker 2>is a columnist. He writes about oh an opening, when

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<v Speaker 2>somebody showed up and tripped over the red carpet, or

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<v Speaker 2>all those stories that necessarily don't put somebody in the

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<v Speaker 2>best light, but you do the other end as well.

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<v Speaker 2>You compliment when a compliment is too right, William.

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<v Speaker 3>Well, yes, and I guess I should clarify. I've really

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<v Speaker 3>been thinking about that that I call her Joe, and

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<v Speaker 3>I want to make sure that people understand that I'm

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<v Speaker 3>not bragging about these stories that I did. I'm a

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<v Speaker 3>changed man. I'm telling stories about things I did in

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<v Speaker 3>my foolish youth when I worked for the Inquirer and

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<v Speaker 3>when I made mistakes. I've interviewed tons of celebrities and

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<v Speaker 3>the interviews have gone really, really, really well. But for

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<v Speaker 3>whatever reason, I found out the stories that people really

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<v Speaker 3>wanted to hear about were the stories that didn't go well.

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<v Speaker 3>And we were talking about Lucy. You know, Lucy wanted

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<v Speaker 3>to meet all of her favorite stars, but in doing so,

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<v Speaker 3>she often got in deep water. She got in trouble,

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<v Speaker 3>and so did I. So all these years later, I'm

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<v Speaker 3>not digging up the celebrities dirt. I'm telling my own secrets,

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<v Speaker 3>confessing my own sins in my attempt to be a

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<v Speaker 3>different man, and I talked about lessons learned, and I

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<v Speaker 3>also apologize to these celebrities. And many of them have

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<v Speaker 3>written essays in my book talking about their version of events.

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<v Speaker 3>For instance, I crashed Melissa Gilbert's wedding to Little House

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<v Speaker 3>in the Prairie. In the year since that, Melissa and

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<v Speaker 3>I have become friends, and Melissa wrote a lovely one

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<v Speaker 3>page essay in my book. Bruce Willis was a celebrity

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<v Speaker 3>who threatened to burn my house down. It happened. Bruce

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<v Speaker 3>sadly is not in a place to speak anymore. He's

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<v Speaker 3>not verbal. I got his Moonlighting co star Sybil Shepherd

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<v Speaker 3>to speak on his behalf, and she wrote a lovely essay.

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<v Speaker 3>So I'm not doing the bad things anymore. I'm trying

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<v Speaker 3>to turn a new page, a new leader.

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<v Speaker 2>It's funny you mentioned little House, because next Hour I've

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<v Speaker 2>got the Brady girl we all love to hate, portrayed

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<v Speaker 2>by Alison Ingram. She will be on Next Hour.

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<v Speaker 3>Yes, yes, yes, you can tell her. Hi from William Tech.

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<v Speaker 3>I was on her show and she was one of

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<v Speaker 3>the stars that I stepped on, and when I did

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<v Speaker 3>her talk show, she forgave me for the first time

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<v Speaker 3>in year. So that's a perfect example of how I'm

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<v Speaker 3>going back and making amends to these celebrities I wrong

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<v Speaker 3>back in the day.

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<v Speaker 2>I will do that immediately once she and I are coreected.

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<v Speaker 2>Please let's take this call. Who's been holding for about

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<v Speaker 2>thirteen minutes, Gary in New Jersey, Welcome to inside.

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<v Speaker 3>Hey good show.

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<v Speaker 5>Look, I had a question though the movie Sweet Swell,

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<v Speaker 5>Sweet Smell of Success with Bert Lancaster and Tony Curtis.

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<v Speaker 5>How close was that to you know, walk the Waingshill

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<v Speaker 5>and a couple of the others, Because I remember as

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<v Speaker 5>a boy there was a guy who used to write

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<v Speaker 5>to the New York Post Earl Wilson, I believe that

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<v Speaker 5>was his name. And if that guy said you had

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<v Speaker 5>a good restaurant.

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<v Speaker 3>It could make your business.

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<v Speaker 5>If he said it wasn't too good, you might as

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<v Speaker 5>well close the ada business sign on it. And I'm

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<v Speaker 5>just wondering, how close do you think all of that

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<v Speaker 5>power and the personalities were for what was you know,

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<v Speaker 5>going on at that time?

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<v Speaker 2>All right, let's hell what William has to say about

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<v Speaker 2>that movie versus real life William.

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<v Speaker 3>Well, yeah, I mean what I'll say to that is

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<v Speaker 3>is that folks like Walter Winchell, Lluella Parsons, they knew

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<v Speaker 3>all the secrets and celebrities were terrified about them. They

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<v Speaker 3>could literally make and break careers. These people were invited

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<v Speaker 3>to parties because the celebrities wanted to get on their

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<v Speaker 3>good side, because they knew that with one article they

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<v Speaker 3>could be done. They knew about Loretta Young's secret baby

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<v Speaker 3>that she had that she ended up adopting and claiming

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<v Speaker 3>that it was an adopted child, even though it was

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<v Speaker 3>her own. So the difference is when I was working

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<v Speaker 3>for the Inquirer, the celebrities were still terrified about being

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<v Speaker 3>an inquirer. But instead of the studio system which sort

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<v Speaker 3>of protected celebrities, the celebrities themselves got publicists, and the

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<v Speaker 3>publicists did not want the celebrities to talk to the Inquirer.

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<v Speaker 3>We were persona no grada. We were not invited to

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<v Speaker 3>any parties or award shows. So that's why I had

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<v Speaker 3>to use my clever imagination to speak into their worlds. So,

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<v Speaker 3>I mean, I wasn't invited to Dean Martin's funeral, So instead,

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<v Speaker 3>I'm not kidding. I rented a tree that grew over

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<v Speaker 3>a wall into the cemetery and I was perched up

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<v Speaker 3>in that tree with my photographer when all the celebrities

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<v Speaker 3>came to sign the lectern on their way into Dean

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<v Speaker 3>Martin's funeral, and up in that tree I heard Rosemary

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<v Speaker 3>Clooney singing one of Dino's classics, under the Moon. It was.

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<v Speaker 3>It was absolutely an incredible experience. So back in the day,

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<v Speaker 3>those reporters had way more power than they do now.

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<v Speaker 3>And of course now with social media, the celebrities are

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<v Speaker 3>breaking their own secrets.

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<v Speaker 2>You mentioned Dean Martin. I had to do some rearranging

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<v Speaker 2>of stuff in my room and I've got the original

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<v Speaker 2>poster from the Frank, Sammy and Dean movie about robbing

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<v Speaker 2>Las Vegas Ocean's eleven.

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<v Speaker 3>Oh Yes, and I.

421
00:25:42.519 --> 00:25:45.359
<v Speaker 2>Had that poster. I've had that poster there for close

422
00:25:45.400 --> 00:25:50.279
<v Speaker 2>to thirty odd years. It's matted and I had to

423
00:25:50.319 --> 00:25:54.000
<v Speaker 2>take it down and put it back, and it's a

424
00:25:54.039 --> 00:25:59.440
<v Speaker 2>full size movie poster and it's kind of unwielding as

425
00:25:59.480 --> 00:26:01.440
<v Speaker 2>what I had to do to get it back to

426
00:26:01.480 --> 00:26:06.359
<v Speaker 2>its original position. And I also have that classic photo

427
00:26:06.799 --> 00:26:11.359
<v Speaker 2>of the three of them Sammy going left to right,

428
00:26:12.519 --> 00:26:17.960
<v Speaker 2>Frank and Dean all in tuxedos, and these are kind

429
00:26:17.960 --> 00:26:23.079
<v Speaker 2>of like head shots, taking it from a Las Vegas knight,

430
00:26:24.599 --> 00:26:26.960
<v Speaker 2>many many many years ago. And they also have another

431
00:26:27.039 --> 00:26:30.640
<v Speaker 2>picture of them all walking under the sign of the

432
00:26:30.680 --> 00:26:35.240
<v Speaker 2>Sands where they all worked when they were filming that

433
00:26:35.359 --> 00:26:40.920
<v Speaker 2>movie Ocean's Eleven. They'd filmed during the day and go

434
00:26:41.000 --> 00:26:43.960
<v Speaker 2>on stage at night. Don't know when they slept, but

435
00:26:44.160 --> 00:26:48.119
<v Speaker 2>there was something magical about those three men when they

436
00:26:48.160 --> 00:26:48.799
<v Speaker 2>work together.

437
00:26:49.839 --> 00:26:52.519
<v Speaker 3>They really really were. And of course I could not

438
00:26:52.640 --> 00:26:57.119
<v Speaker 3>apologize to Dean Martin for crashing his funerals, so instead

439
00:26:57.680 --> 00:27:01.240
<v Speaker 3>I reached out to a good friend of his, Rich Little,

440
00:27:01.759 --> 00:27:06.680
<v Speaker 3>the impressionist, and Rich contributes two pages in my book,

441
00:27:06.759 --> 00:27:10.559
<v Speaker 3>and he also shared a very rare, I don't know

442
00:27:10.599 --> 00:27:15.480
<v Speaker 3>that it's seen before, photograph of Dean Martin, Rich Little,

443
00:27:16.359 --> 00:27:21.160
<v Speaker 3>Milton Burrell, and Frank Sinatra all talking backstage in Vegas.

444
00:27:21.519 --> 00:27:24.000
<v Speaker 3>So I think I think your listeners might really get

445
00:27:24.000 --> 00:27:25.759
<v Speaker 3>a kick out of some of these Dean Martin stories

446
00:27:25.759 --> 00:27:26.200
<v Speaker 3>in the book.

447
00:27:26.480 --> 00:27:28.720
<v Speaker 2>I had Rich about a year ago, because at that

448
00:27:28.839 --> 00:27:32.720
<v Speaker 2>point he was still working the Tropicana, which just closed

449
00:27:32.759 --> 00:27:37.119
<v Speaker 2>down within the past eight weeks, and I've got several

450
00:27:37.200 --> 00:27:41.119
<v Speaker 2>names here, okay, and I'm going to give you just

451
00:27:41.200 --> 00:27:47.480
<v Speaker 2>two minutes to talk about interactions with Britney Spears, Elizabeth Taylor,

452
00:27:48.240 --> 00:27:53.240
<v Speaker 2>and Rosie O'Donnell. I know you interacted with all three

453
00:27:53.720 --> 00:27:54.960
<v Speaker 2>at different points.

454
00:27:55.519 --> 00:27:58.880
<v Speaker 3>Well, let me let me take them step by step there.

455
00:27:58.960 --> 00:28:01.640
<v Speaker 3>So yes, the first too, you mentioned Britney Spears and

456
00:28:01.680 --> 00:28:05.720
<v Speaker 3>Elizabeth Taylor. I was engaged in high speed chases with

457
00:28:05.839 --> 00:28:09.079
<v Speaker 3>both of those ladies. That's in my Divas section. I

458
00:28:09.119 --> 00:28:12.680
<v Speaker 3>have four sections in my book, and they're both in Divas. Brittany,

459
00:28:13.599 --> 00:28:15.400
<v Speaker 3>that was sort of a dangerous situation.

460
00:28:15.720 --> 00:28:15.839
<v Speaker 5>Uh.

461
00:28:16.519 --> 00:28:19.839
<v Speaker 3>She was with her her ex husband, Kevin Federline, and

462
00:28:19.920 --> 00:28:23.319
<v Speaker 3>they were in the car with his child, and this

463
00:28:23.440 --> 00:28:26.920
<v Speaker 3>high speed chase reached I think up the ninety miles

464
00:28:26.960 --> 00:28:29.000
<v Speaker 3>per hour, and I could see the child's head bobbing

465
00:28:29.400 --> 00:28:31.680
<v Speaker 3>up in the back. It was in its child prospective seat,

466
00:28:31.680 --> 00:28:33.680
<v Speaker 3>but just way too dangerous to be in a car.

467
00:28:34.160 --> 00:28:37.680
<v Speaker 3>So I was actually a passenger in that car. I

468
00:28:37.720 --> 00:28:40.319
<v Speaker 3>was doing a story for USA Today on a day

469
00:28:40.359 --> 00:28:44.240
<v Speaker 3>in the life of a paparazzi, and circumstances just led

470
00:28:44.319 --> 00:28:46.400
<v Speaker 3>us on this chase with Britney. But In the other

471
00:28:46.480 --> 00:28:50.920
<v Speaker 3>situation with Elizabeth Taylor, I was back working for the Inquirer,

472
00:28:51.519 --> 00:28:53.759
<v Speaker 3>and we knew that Elizabeth was going to be going

473
00:28:53.759 --> 00:28:56.759
<v Speaker 3>in for surgery, but we didn't know what hospital. So

474
00:28:56.880 --> 00:29:00.839
<v Speaker 3>the Inquirer had me stake out her house, and when

475
00:29:00.960 --> 00:29:04.640
<v Speaker 3>the time came for her to leave, I followed her car,

476
00:29:05.200 --> 00:29:07.960
<v Speaker 3>and they saw me following, and they went faster, and

477
00:29:08.000 --> 00:29:10.920
<v Speaker 3>I went faster, and I talked about conscience, and this

478
00:29:10.960 --> 00:29:13.799
<v Speaker 3>is one of the times when I made the right decision.

479
00:29:14.240 --> 00:29:16.079
<v Speaker 3>And I'm like, I said, what am I doing. This

480
00:29:16.119 --> 00:29:19.720
<v Speaker 3>woman is not going shopping or going to a party.

481
00:29:19.799 --> 00:29:23.640
<v Speaker 3>She's going to have surgery in a hospital. So I

482
00:29:24.079 --> 00:29:26.000
<v Speaker 3>pulled over the side of the road to bell Air

483
00:29:26.039 --> 00:29:28.440
<v Speaker 3>and I let her cargo. My editors were not happy

484
00:29:28.480 --> 00:29:33.200
<v Speaker 3>with me, but I was happy with myself, right And No,

485
00:29:33.559 --> 00:29:37.119
<v Speaker 3>and Rosie O'donnald is not you know. I I have

486
00:29:37.200 --> 00:29:40.319
<v Speaker 3>an Ellen degenerous story in my book, but there's not

487
00:29:40.359 --> 00:29:43.400
<v Speaker 3>a Rosie O'donnald's story. There's a reference to Rosie, but

488
00:29:44.720 --> 00:29:46.880
<v Speaker 3>I don't know if you were maybe confusing Rosie and Ellen.

489
00:29:47.640 --> 00:29:51.960
<v Speaker 2>No, I would never make that. I know the difference

490
00:29:51.960 --> 00:29:55.960
<v Speaker 2>from one to the other, but their names are mentioned

491
00:29:56.000 --> 00:29:59.240
<v Speaker 2>on my bioshet of you, so I thought i'd mentioned

492
00:29:59.279 --> 00:29:59.720
<v Speaker 2>their name.

493
00:30:00.119 --> 00:30:02.960
<v Speaker 3>I will say that there was a moment when I

494
00:30:03.039 --> 00:30:06.480
<v Speaker 3>was in Staten Island and I was coming home from

495
00:30:07.279 --> 00:30:10.960
<v Speaker 3>a wedding, my college roommate's wedding, and I saw the

496
00:30:11.039 --> 00:30:13.160
<v Speaker 3>new cover of The Choir. I didn't know what it

497
00:30:13.200 --> 00:30:15.559
<v Speaker 3>was going to be because I had been on vacation, and

498
00:30:15.599 --> 00:30:18.799
<v Speaker 3>there were three images on the cover. There was a

499
00:30:18.799 --> 00:30:23.400
<v Speaker 3>photograph of Rosie O'Donnell and the newspaper was trying to

500
00:30:23.480 --> 00:30:26.599
<v Speaker 3>out her sexuality, which I thought was horrible. And there

501
00:30:26.640 --> 00:30:29.920
<v Speaker 3>was a photograph of Joan London from Good Morying America,

502
00:30:30.440 --> 00:30:32.160
<v Speaker 3>and the story was that she had lost a good

503
00:30:32.200 --> 00:30:35.480
<v Speaker 3>friend of hers and the twa air crash. And then

504
00:30:35.519 --> 00:30:39.359
<v Speaker 3>the third story was just a very sad photo of

505
00:30:39.400 --> 00:30:43.319
<v Speaker 3>Raquel Welch, and the headline that went along with that

506
00:30:43.440 --> 00:30:46.480
<v Speaker 3>photo was the sad, lonely life of Raquel Welch. And

507
00:30:46.519 --> 00:30:48.759
<v Speaker 3>they made it even worse by running a photograph of

508
00:30:48.839 --> 00:30:51.759
<v Speaker 3>Raquel in her glory years when she had her makeup on.

509
00:30:51.880 --> 00:30:54.680
<v Speaker 3>And this photograph of some paparazzi got was not flattering.

510
00:30:55.079 --> 00:30:57.440
<v Speaker 3>And I saw myself in all of these stories. I

511
00:30:57.960 --> 00:31:02.319
<v Speaker 3>suffered the loss of a loved one suddenly, and I've

512
00:31:02.519 --> 00:31:06.920
<v Speaker 3>held secrets about myself as Rosie has, and I certainly

513
00:31:06.960 --> 00:31:09.480
<v Speaker 3>have gone through depression like it looked like Rikeel Welch

514
00:31:09.559 --> 00:31:11.880
<v Speaker 3>was going through. And in that moment, I decided I

515
00:31:11.920 --> 00:31:15.279
<v Speaker 3>was done with the inquirer that I cannot benefit off

516
00:31:15.319 --> 00:31:16.759
<v Speaker 3>of the suffering and pain of others.

517
00:31:17.240 --> 00:31:21.119
<v Speaker 2>Okay, now I've got one more break to take. Okay,

518
00:31:21.359 --> 00:31:23.440
<v Speaker 2>I could wait till after the break, but I'm saying

519
00:31:23.440 --> 00:31:29.680
<v Speaker 2>this now because I mean this as sincere as I

520
00:31:29.680 --> 00:31:33.319
<v Speaker 2>can possibly sound on fifty thousand watts of radio power

521
00:31:33.319 --> 00:31:37.319
<v Speaker 2>from WBZ. I know your travels will bring you to Boston.

522
00:31:38.279 --> 00:31:41.839
<v Speaker 2>If that is something that's happening, you get my phone

523
00:31:41.920 --> 00:31:46.839
<v Speaker 2>number from Harlan call me. Lunch is my treat out

524
00:31:46.839 --> 00:31:49.440
<v Speaker 2>of my wallet. I will pay for us to sit

525
00:31:49.519 --> 00:31:52.920
<v Speaker 2>down and talk without thirty eight states eavesdropping.

526
00:31:53.920 --> 00:31:56.319
<v Speaker 3>I would love that. I would love that. I was

527
00:31:56.440 --> 00:31:58.440
<v Speaker 3>just there last month and my cousin got married in

528
00:31:58.480 --> 00:32:00.200
<v Speaker 3>Plymouth and we were duct and.

529
00:32:00.160 --> 00:32:04.880
<v Speaker 2>Then I'm yeah, let me let me take the break

530
00:32:04.880 --> 00:32:06.680
<v Speaker 2>in it out of the way. Sure, if you want

531
00:32:06.680 --> 00:32:09.839
<v Speaker 2>to call in. I am not keeping William to the

532
00:32:09.839 --> 00:32:12.759
<v Speaker 2>top of the hour I'm gonna keep him till about

533
00:32:12.880 --> 00:32:15.680
<v Speaker 2>five minutes of so, if you want to call in,

534
00:32:15.720 --> 00:32:17.440
<v Speaker 2>I'll do the best I can to get you on

535
00:32:17.680 --> 00:32:22.000
<v Speaker 2>with mister William Keck here on WBZ with a time

536
00:32:22.839 --> 00:32:28.960
<v Speaker 2>and temperature eight forty seven seventy five degrees.

537
00:32:31.039 --> 00:32:34.160
<v Speaker 1>Now back to Dan Ray live from the Window World

538
00:32:34.279 --> 00:32:37.440
<v Speaker 1>Nightside Studios on WBZ News Radio.

539
00:32:38.440 --> 00:32:42.160
<v Speaker 2>I have mister William Keck here. He's only going to

540
00:32:42.240 --> 00:32:45.359
<v Speaker 2>be here for another five minutes or so. If you'd

541
00:32:45.359 --> 00:32:47.400
<v Speaker 2>like to call in, others have you can do the

542
00:32:47.440 --> 00:32:51.079
<v Speaker 2>same six one, seven, two, five, four, ten thirty or

543
00:32:51.119 --> 00:32:54.400
<v Speaker 2>eight eight, eight, nine to nineteen thirty. This is nights

544
00:32:54.400 --> 00:32:57.799
<v Speaker 2>Side Dan. It's off for the whole week. I'm here tonight,

545
00:32:57.839 --> 00:33:01.279
<v Speaker 2>I'll be here Wednesday, Thursday and Friday. I'll give you

546
00:33:01.319 --> 00:33:04.640
<v Speaker 2>a heads up on the guests I have lined up.

547
00:33:05.440 --> 00:33:09.400
<v Speaker 2>I will tell you next hour. For all you fans

548
00:33:09.480 --> 00:33:14.119
<v Speaker 2>of Little House on the Prairie, I've got Nellie Olsen here.

549
00:33:14.920 --> 00:33:19.039
<v Speaker 2>Alison on Grim will be joining me, who as well

550
00:33:19.759 --> 00:33:23.880
<v Speaker 2>crossed paths with William Keck and William talked about that

551
00:33:24.039 --> 00:33:27.079
<v Speaker 2>about five ten minutes ago. If you weren't here, you

552
00:33:27.240 --> 00:33:32.599
<v Speaker 2>missed out. Now William, are there any assignments upcoming that

553
00:33:32.680 --> 00:33:34.400
<v Speaker 2>you'd like to share with us that you're going to

554
00:33:34.440 --> 00:33:38.079
<v Speaker 2>be sitting down and speaking with. Oh, I'm just pick

555
00:33:38.119 --> 00:33:41.160
<v Speaker 2>a name out of out of the blue, Daniel Craig.

556
00:33:43.079 --> 00:33:47.519
<v Speaker 3>No, I'm not doing Daniel Craig. Okay, Well, you know,

557
00:33:47.640 --> 00:33:52.559
<v Speaker 3>I really made a commitment to not do smut anymore.

558
00:33:52.720 --> 00:33:56.079
<v Speaker 3>So and I still love my nostalgia. I still want

559
00:33:56.119 --> 00:33:58.319
<v Speaker 3>to talk to all these celebrities that I adored as

560
00:33:58.319 --> 00:34:01.119
<v Speaker 3>a kid, all these TV stars. Well I still can.

561
00:34:01.240 --> 00:34:04.400
<v Speaker 3>So I'm doing some work now with a magazine called

562
00:34:04.400 --> 00:34:10.920
<v Speaker 3>Closer Weekly, which really celebrates classic stars. And yeah, I'm

563
00:34:10.960 --> 00:34:14.000
<v Speaker 3>interviewing you know who. I'm next interviewing a model named

564
00:34:14.039 --> 00:34:16.599
<v Speaker 3>Jane Kennedy, who was one of the most beautiful models,

565
00:34:16.719 --> 00:34:19.599
<v Speaker 3>yes in the seventies eighties. Remember Jane, I remember her

566
00:34:19.760 --> 00:34:20.239
<v Speaker 3>very well.

567
00:34:20.280 --> 00:34:21.239
<v Speaker 2>I had a crush on her.

568
00:34:21.880 --> 00:34:25.920
<v Speaker 3>Oh me too, who didn't. She was gorgeous. So she

569
00:34:26.039 --> 00:34:28.559
<v Speaker 3>has re emerged and I'm going to talk to her

570
00:34:28.599 --> 00:34:31.400
<v Speaker 3>for a four page article coming up in Closer Weekly.

571
00:34:31.960 --> 00:34:36.679
<v Speaker 2>I'm looking forward to that. And of all the people

572
00:34:36.719 --> 00:34:40.400
<v Speaker 2>that you've been fortunate enough to cross paths through, so

573
00:34:40.719 --> 00:34:44.199
<v Speaker 2>I'll put it that way, give me two or three.

574
00:34:44.400 --> 00:34:49.760
<v Speaker 2>If you can that represent your best work as a reporter.

575
00:34:51.559 --> 00:34:55.000
<v Speaker 3>Wow, my goodness, wow wow wow wow wow. Well, you know,

576
00:34:55.159 --> 00:34:58.320
<v Speaker 3>a couple of things come to mind. I remember when

577
00:34:59.440 --> 00:35:02.440
<v Speaker 3>I was i USA Today and I was assigned to

578
00:35:02.559 --> 00:35:07.239
<v Speaker 3>interview Brad Garrett, Yeah, from Everybody Loves Raymond, the big

579
00:35:07.280 --> 00:35:09.519
<v Speaker 3>guy from Everybody Lives Raymond. It was going to be

580
00:35:09.559 --> 00:35:13.039
<v Speaker 3>an at home interview with his family. And so I

581
00:35:13.039 --> 00:35:17.840
<v Speaker 3>get to Brad's house and Brad takes me aside, and

582
00:35:17.880 --> 00:35:20.599
<v Speaker 3>he has this big voice. He says, will, I've got

583
00:35:20.599 --> 00:35:22.599
<v Speaker 3>to talk to you first. I got to let you

584
00:35:22.639 --> 00:35:27.000
<v Speaker 3>know that my wife and I are separating. So I

585
00:35:27.199 --> 00:35:29.280
<v Speaker 3>thought I was going to be doing a big, happy

586
00:35:29.480 --> 00:35:33.719
<v Speaker 3>Garrett family story for USA Today. Instead, I was going

587
00:35:33.760 --> 00:35:36.920
<v Speaker 3>to be breaking the news that he was they were divorcing.

588
00:35:37.599 --> 00:35:40.440
<v Speaker 3>So Brad, you know, he had a great sense of

589
00:35:40.480 --> 00:35:42.440
<v Speaker 3>humor about the whole thing. He actually put me on

590
00:35:42.480 --> 00:35:46.920
<v Speaker 3>the phone with his wife, whom he was divorcing, and

591
00:35:47.440 --> 00:35:51.000
<v Speaker 3>he trusted me to tell this story. And after I

592
00:35:51.119 --> 00:35:53.920
<v Speaker 3>ran my story, Brad wrote me the most lovely note

593
00:35:54.280 --> 00:35:56.079
<v Speaker 3>and he said he was going to be saving my

594
00:35:56.239 --> 00:35:59.440
<v Speaker 3>story to show to their two young children one day

595
00:35:59.480 --> 00:36:01.559
<v Speaker 3>so that they can see how a Bomby and death

596
00:36:01.679 --> 00:36:04.679
<v Speaker 3>love them when they made the decision to go their

597
00:36:04.760 --> 00:36:05.440
<v Speaker 3>separate ways.

598
00:36:05.679 --> 00:36:08.159
<v Speaker 2>That's a very good story. And I'm going to end

599
00:36:08.320 --> 00:36:11.920
<v Speaker 2>here so I can get you to your next commitment.

600
00:36:12.440 --> 00:36:15.920
<v Speaker 2>But Brett Garrett does a great Herman Monster.

601
00:36:16.880 --> 00:36:21.199
<v Speaker 3>Oh yes, I remember when he played Herman. Yeah, she's fabulous.

602
00:36:21.320 --> 00:36:25.239
<v Speaker 3>He's great. Well listen, tell Allison hello for me, thank

603
00:36:25.280 --> 00:36:28.320
<v Speaker 3>her for forgiving me. And then also on she we

604
00:36:28.360 --> 00:36:31.119
<v Speaker 3>have a very good friend in common who who's in

605
00:36:31.159 --> 00:36:32.679
<v Speaker 3>the hospital. I want I want her to let me

606
00:36:32.719 --> 00:36:35.480
<v Speaker 3>know that he's okay. So just passed that message along Thrower.

607
00:36:35.559 --> 00:36:38.679
<v Speaker 2>I definitely will and we are going to do this again, sir.

608
00:36:40.400 --> 00:36:42.760
<v Speaker 3>You know what I've done a ton of interviews. Hands down,

609
00:36:42.800 --> 00:36:45.840
<v Speaker 3>you're the best. I love talking to you. Morgan. You're amazing.

610
00:36:46.000 --> 00:36:48.159
<v Speaker 2>William, thank you for that. I appreciate that.

611
00:36:48.280 --> 00:36:50.719
<v Speaker 3>And it's true. It's true, and I'm.

612
00:36:50.599 --> 00:36:52.519
<v Speaker 2>Looking forward to a face to face one day.

613
00:36:53.199 --> 00:36:54.679
<v Speaker 3>I would love that. And have a read in my

614
00:36:54.679 --> 00:36:57.639
<v Speaker 3>book when you step upon a Star to they everywhere, Amazon,

615
00:36:57.719 --> 00:37:00.000
<v Speaker 3>Barnes Andnoble dot com, and let me know what you think.

616
00:37:00.360 --> 00:37:03.320
<v Speaker 2>You got it. Yeah, you get along because you get

617
00:37:03.360 --> 00:37:06.480
<v Speaker 2>another commitment. You take care all right everybody. There goes

618
00:37:06.519 --> 00:37:11.440
<v Speaker 2>mister William Keck. And before I do anything else, I'm

619
00:37:11.480 --> 00:37:16.239
<v Speaker 2>gonna tell you who I have got on Wednesday. I'm

620
00:37:16.280 --> 00:37:19.559
<v Speaker 2>filling in the Wednesday, Thursday, and Friday. Obviously I'm here

621
00:37:19.639 --> 00:37:23.440
<v Speaker 2>tonight too. For Dan. I'm gonna have teacher Terry. I've

622
00:37:23.440 --> 00:37:27.679
<v Speaker 2>had her on many a time talking about on this

623
00:37:27.800 --> 00:37:33.320
<v Speaker 2>Wednesday back to school items that you should or shouldn't

624
00:37:33.639 --> 00:37:37.920
<v Speaker 2>think of getting for your kids, whether they are elementary age,

625
00:37:38.239 --> 00:37:42.440
<v Speaker 2>junior high age, high school age, or even college age.

626
00:37:43.239 --> 00:37:50.480
<v Speaker 2>That'll be for the first hour. Speaking of summer. Everybody

627
00:37:51.000 --> 00:37:54.800
<v Speaker 2>has a pet, almost everybody, and for those of us

628
00:37:54.840 --> 00:37:58.880
<v Speaker 2>who have a kiddy like I do, there goes Gray

629
00:37:58.920 --> 00:38:02.360
<v Speaker 2>in the other room or dog. There are things you

630
00:38:02.440 --> 00:38:06.360
<v Speaker 2>should and shouldn't do when temperatures get into the eighties,

631
00:38:06.440 --> 00:38:11.800
<v Speaker 2>nineties and above. So that's Mariel who will be here

632
00:38:12.280 --> 00:38:17.800
<v Speaker 2>to discuss pet care all busy. Buddy Bradley j Will

633
00:38:17.800 --> 00:38:23.440
<v Speaker 2>be here at the ten to eleven hour, and a

634
00:38:23.519 --> 00:38:28.159
<v Speaker 2>doctor with whom I was very familiar because he was

635
00:38:29.880 --> 00:38:36.880
<v Speaker 2>hands down helpful to me beating a diabetes issue back

636
00:38:36.920 --> 00:38:41.880
<v Speaker 2>around twenty twelve, Doctor David Nathan will be here talking

637
00:38:41.920 --> 00:38:48.400
<v Speaker 2>about diabetes issues. So that'll be from eleven to twelve

638
00:38:48.480 --> 00:38:53.199
<v Speaker 2>on Wednesday, and i'll tell you about Thursday and Friday

639
00:38:53.239 --> 00:39:00.719
<v Speaker 2>when I come back next hour. Alison andram A R

640
00:39:01.119 --> 00:39:05.400
<v Speaker 2>and gr im that's how you spell her name. And

641
00:39:05.480 --> 00:39:09.519
<v Speaker 2>she played Nellie Olsen, remember the braddy little girl on

642
00:39:10.800 --> 00:39:14.800
<v Speaker 2>Little House on the Prairie. She made that character come

643
00:39:14.880 --> 00:39:18.079
<v Speaker 2>to life in our TV sets. So she will be

644
00:39:18.119 --> 00:39:23.440
<v Speaker 2>here next hour, and I will give you other details

645
00:39:23.440 --> 00:39:29.119
<v Speaker 2>that you might find important for your WBC listening. I'm

646
00:39:29.159 --> 00:39:31.960
<v Speaker 2>about to throw it to my buddy where ib Rob

647
00:39:32.000 --> 00:39:37.079
<v Speaker 2>Brooks is our producer tonight, and I think Nicole Davis

648
00:39:37.199 --> 00:39:39.960
<v Speaker 2>is still doing news. I could be wrong. We'll find

649
00:39:40.000 --> 00:39:45.239
<v Speaker 2>out in mere minutes here on night's side. Time and

650
00:39:45.400 --> 00:39:50.719
<v Speaker 2>temperature eight fifty eight seventy five degrees
