1 00:00:28,440 --> 00:00:34,439 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Orlando, Florida. 2 00:00:34,759 --> 00:00:38,799 This is your host, Adam Graham. In a moment, we're 3 00:00:38,840 --> 00:00:42,840 going to bring you this week's episode of the Big Story. 4 00:00:42,960 --> 00:00:45,039 But first I want to encourage you to check out 5 00:00:45,039 --> 00:00:49,039 our other podcast and today I am highlighting the Great 6 00:00:49,119 --> 00:00:53,079 Adventurers of Old Time Radio. This is a series you're 7 00:00:53,119 --> 00:00:58,799 gonna love. Currently we are playing some oss movies adapted 8 00:00:58,840 --> 00:01:03,520 to radio, and we are also featuring a fantastic tours 9 00:01:03,600 --> 00:01:06,680 and Radio Cereal. I think you'll enjoy. Check it out 10 00:01:06,719 --> 00:01:11,560 at Great Adventures dot dot info, or just search for 11 00:01:11,640 --> 00:01:14,680 the Great Adventurers of Old Time Radio wherever you get 12 00:01:14,719 --> 00:01:19,760 your podcasts. From now. From May nineteenth, nineteen forty eight, 13 00:01:20,040 --> 00:01:22,319 here is the Deadline Murder. 14 00:01:25,519 --> 00:01:38,799 Speaker 2: Well now amos cigarettes present the Big Story of course please. 15 00:01:39,159 --> 00:01:41,799 Speaker 3: Yeah, this is Wald Kremer, the Grand Inspectory. 16 00:01:42,000 --> 00:01:42,719 Speaker 4: Yeah. 17 00:01:42,840 --> 00:01:45,239 Speaker 5: I was just short cutting back from Cedar Lake across 18 00:01:45,239 --> 00:01:45,840 the city dump. 19 00:01:46,079 --> 00:01:46,319 Speaker 6: Yeah. 20 00:01:46,480 --> 00:01:49,400 Speaker 5: So well I just saw a pair of silk stuck 21 00:01:49,439 --> 00:01:50,760 and sticking up out of the dump. 22 00:01:51,159 --> 00:01:53,079 Speaker 4: Yeah. Yeah. 23 00:01:53,400 --> 00:02:06,599 Speaker 5: The thing is there was legs in them, a woman's legs. 24 00:02:06,599 --> 00:02:11,159 Speaker 2: The Big story here is a man. It's sound and 25 00:02:11,199 --> 00:02:15,000 its fury, its joy, and its sorrow, as faithfully reported 26 00:02:15,000 --> 00:02:22,599 by the men and women of the great American newspapers. Minneapolis, Minnesota, 27 00:02:23,240 --> 00:02:26,719 from the pages of the Minneapolis Morning Tribune. The headline 28 00:02:26,800 --> 00:02:30,879 story of a murder victim who was buried alive tonight 29 00:02:31,360 --> 00:02:35,159 to Ralph K. Mills of the Minneapolis Morning Tribune goes 30 00:02:35,199 --> 00:02:46,520 the Pell Mell Award for the big story and now 31 00:02:46,520 --> 00:02:49,039 the story as it actually happened. 32 00:02:49,840 --> 00:02:50,280 Speaker 7: Ralph K. 33 00:02:50,439 --> 00:03:01,639 Speaker 2: Mills Story as he lived it, Minneapolis, Minnesota. 34 00:03:02,680 --> 00:03:08,159 Speaker 6: Your name, Ralph Kills, Your paper, The Minneapolis Morning Tribune. 35 00:03:08,759 --> 00:03:09,240 You're beat. 36 00:03:10,000 --> 00:03:12,039 Speaker 7: Well that's your particular. 37 00:03:11,560 --> 00:03:15,240 Speaker 6: Squawk this particular night of April twenty ninth, because you're 38 00:03:15,280 --> 00:03:17,719 supposed to be working out of the city room and 39 00:03:17,840 --> 00:03:22,840 instead you're on substitute duty down at police headquarters. You 40 00:03:23,000 --> 00:03:27,080 thought you'd graduated from there long ago, but no, here 41 00:03:27,120 --> 00:03:30,680 you are back in the Cops and Robbers department. As 42 00:03:30,680 --> 00:03:34,280 for your big story, well you don't know it, but 43 00:03:34,360 --> 00:03:38,840 there's one cooking. It starts way back back before you 44 00:03:38,919 --> 00:03:41,120 even joined the paper like this. 45 00:03:42,360 --> 00:03:44,479 Speaker 8: How many times do I have to tell you not 46 00:03:44,599 --> 00:03:47,919 to plan that door when you come in. I'm sorry, sorry, sorry, 47 00:03:47,919 --> 00:03:49,400 That's all you ever say and then you go right 48 00:03:49,400 --> 00:03:50,599 ahead and do it all over again. 49 00:03:50,680 --> 00:03:53,360 Speaker 7: I said, I was sorry. It wasn't my fault. There's 50 00:03:53,439 --> 00:03:54,240 springs busters. 51 00:03:54,280 --> 00:03:56,400 Speaker 8: Well, why don't you fix it? I will, I will, 52 00:03:56,479 --> 00:03:58,280 I will, promises, promises. 53 00:03:58,840 --> 00:04:00,879 Speaker 7: Layoff of me, don't you? 54 00:04:01,039 --> 00:04:05,120 Speaker 8: Honey? Oh, you make me sick. Come on, let's go. 55 00:04:05,080 --> 00:04:08,360 Speaker 7: Out and get some dy go out. I just came in. 56 00:04:09,360 --> 00:04:13,599 Oh golly, I. 57 00:04:10,439 --> 00:04:11,039 Speaker 4: Thought, Now. 58 00:04:12,639 --> 00:04:13,560 Speaker 8: What have I done? 59 00:04:13,759 --> 00:04:16,000 Speaker 9: We're always going out to eat? Can we ever stay 60 00:04:16,040 --> 00:04:16,959 home once in a while? 61 00:04:17,040 --> 00:04:19,879 Speaker 8: Stay home? When do we ever go out? When do 62 00:04:20,000 --> 00:04:21,199 you ever take me out? 63 00:04:21,399 --> 00:04:24,079 Speaker 7: Oh that's not fair unless we never. 64 00:04:24,079 --> 00:04:26,399 Speaker 8: Mind, never mind, forget us. I'll go out in the 65 00:04:26,560 --> 00:04:27,279 kitchen and make. 66 00:04:27,160 --> 00:04:27,759 Speaker 10: Your old. 67 00:04:30,600 --> 00:04:32,879 Speaker 7: Look, let's not keep squabbling. 68 00:04:33,000 --> 00:04:35,879 Speaker 9: Uh oh golly, everything used to be so nice. 69 00:04:35,959 --> 00:04:36,680 Speaker 7: Everything is to. 70 00:04:36,759 --> 00:04:41,879 Speaker 8: Never mind, never mind. Just go inside, take your shoes off, dear, 71 00:04:42,319 --> 00:04:45,800 read your papers here. Yeah, when everything's ready, you'll be 72 00:04:45,879 --> 00:04:46,759 fast asleep. 73 00:04:46,879 --> 00:04:47,399 Speaker 6: I know. 74 00:04:48,240 --> 00:04:50,160 Speaker 9: Look, it isn't as if you've had other things to 75 00:04:50,279 --> 00:04:53,079 do all day. Is it asking too much for a 76 00:04:53,120 --> 00:04:56,639 guy to want dinner when he comes home? Not asking 77 00:04:56,680 --> 00:04:59,920 too much, Just a little piece and quiet around the place. 78 00:05:00,839 --> 00:05:04,360 You have to pick fights with me all the time, honey, 79 00:05:05,680 --> 00:05:06,199 listen to me. 80 00:05:06,399 --> 00:05:09,839 Speaker 8: You want what do you want? 81 00:05:10,120 --> 00:05:12,879 Speaker 9: Just a little piece and choir around out, go ahead, 82 00:05:13,079 --> 00:05:14,439 get sore. 83 00:05:14,480 --> 00:05:15,920 Speaker 7: I'm just trying to make some sense here. 84 00:05:16,079 --> 00:05:18,920 Speaker 8: Oh I know that tone of voice. I can tell 85 00:05:19,079 --> 00:05:22,959 you get so noble, so high and mighty. You make 86 00:05:23,040 --> 00:05:25,480 me sick. You make me just plain sick. 87 00:05:25,600 --> 00:05:28,439 Speaker 9: Gonna ask print tablet yourself very clever. 88 00:05:30,040 --> 00:05:31,759 Speaker 7: Someday I'm really gonna get sore. 89 00:05:32,399 --> 00:05:33,040 Speaker 8: That's right. 90 00:05:33,879 --> 00:05:37,959 Speaker 7: Threaten me wooden sore. Someday one of us is going 91 00:05:38,040 --> 00:05:38,920 to be very sorry. 92 00:05:39,040 --> 00:05:40,560 Speaker 8: Howre you trying to scare me? 93 00:05:41,120 --> 00:05:45,360 Speaker 7: No, I'm just telling you. You keep this up. You 94 00:05:45,439 --> 00:05:46,800 keep nagging the daylight hot of me. 95 00:05:46,839 --> 00:05:49,480 Speaker 10: You keep yepping happy yet yep, yeah, but yet, yep, yep. 96 00:05:51,360 --> 00:05:53,480 Speaker 7: You keep it up. And so help me out. 97 00:05:54,399 --> 00:05:59,480 Speaker 8: You're what You're way door all the time. 98 00:06:16,480 --> 00:06:33,800 Speaker 7: Honey, you're home, honey, hey ah, that woman bartender. My 99 00:06:33,800 --> 00:06:34,839 wife's been in there tonight. 100 00:06:35,040 --> 00:06:35,240 Speaker 4: Yeah. 101 00:06:35,360 --> 00:06:38,959 Speaker 6: You're gone, friend here and gone and nuts. 102 00:06:41,600 --> 00:06:43,240 Speaker 7: For the last time. You're coming home with me for 103 00:06:43,279 --> 00:06:43,959 the last time. 104 00:06:44,120 --> 00:06:46,600 Speaker 8: No, no, no, no, no. 105 00:06:46,240 --> 00:06:50,480 Speaker 7: No, okay, don't bother coming home ever. 106 00:06:56,199 --> 00:06:56,920 Speaker 6: Nothing of that. 107 00:06:57,720 --> 00:06:59,279 Speaker 7: And you know you. 108 00:06:59,680 --> 00:07:03,120 Speaker 6: Ralph k Ills, police reporter for the Minneapolis Morning Tribune 109 00:07:03,759 --> 00:07:07,680 do not have a backward looking crystal ball. All you 110 00:07:07,759 --> 00:07:10,639 know is that it's a pretty average Friday night down 111 00:07:10,680 --> 00:07:13,800 at police headquarters, and average means dull. 112 00:07:15,079 --> 00:07:15,480 Speaker 7: The desk. 113 00:07:15,560 --> 00:07:22,000 Speaker 6: Sergeant's got a call, probably the same old routine nothing headquarters. 114 00:07:22,319 --> 00:07:25,720 Speaker 4: Yeah yeah, yeah. 115 00:07:25,680 --> 00:07:33,839 Speaker 6: So yeah nothing, huh not the way you rushed into 116 00:07:33,879 --> 00:07:38,759 the other room and now comes your friend Detective Peterson 117 00:07:39,240 --> 00:07:39,600 with this. 118 00:07:40,000 --> 00:07:42,279 Speaker 7: You say you're had a date tonight, roll yeah, and 119 00:07:42,399 --> 00:07:43,000 the deadline? 120 00:07:43,199 --> 00:07:46,800 Speaker 6: What you've got another date? Now you and me down 121 00:07:46,839 --> 00:07:47,680 to the city dump. 122 00:07:48,560 --> 00:07:51,000 Speaker 7: Very funny with who a corpse. 123 00:07:51,519 --> 00:08:03,839 Speaker 6: And so stocking you're coming. 124 00:08:07,480 --> 00:08:15,079 Speaker 7: All the shopling that doesn't m beating any idea who she. 125 00:08:15,040 --> 00:08:18,560 Speaker 6: Is identifying marks, labels, torn off. 126 00:08:18,360 --> 00:08:19,319 Speaker 4: The clothes. 127 00:08:20,519 --> 00:08:26,439 Speaker 7: Safe and calling it murder? Say doctor, can you add anything? 128 00:08:26,600 --> 00:08:28,120 Speaker 10: Can you give me anything more on the cause of 129 00:08:28,120 --> 00:08:29,319 death beyond the beating that is? 130 00:08:31,000 --> 00:08:31,399 Speaker 7: Yes? 131 00:08:31,800 --> 00:08:32,200 Speaker 10: What's that? 132 00:08:34,039 --> 00:08:39,720 Speaker 6: This woman has dirt in her mouth and in her throat, Yes, 133 00:08:41,080 --> 00:08:45,240 proving proving she was alive when she was put here? 134 00:08:46,279 --> 00:08:46,960 Speaker 4: There read alive. 135 00:08:48,440 --> 00:08:50,399 Speaker 7: Where's the nurse phone. I've got to call a paper. 136 00:08:58,759 --> 00:09:01,759 I'll have to hold her for the past Man edition. George, Yes, Ralph, 137 00:09:02,080 --> 00:09:02,879 you'll stick with it. 138 00:09:03,360 --> 00:09:06,120 Speaker 10: Oh sure, but don't set your heart on identification by 139 00:09:06,159 --> 00:09:08,639 the next deadline, or a solution for the final edition, 140 00:09:08,759 --> 00:09:12,279 complete with killer attached, could be done sure by Sherlock 141 00:09:12,320 --> 00:09:15,639 Holmes the FBI that Hey, the man is serious. Look, George, 142 00:09:15,639 --> 00:09:17,480 this one will go down to the books marked unsolved. 143 00:09:17,480 --> 00:09:18,720 Speaker 7: Believe me, never can tell. 144 00:09:19,559 --> 00:09:22,080 Speaker 5: Just you stay with it. After all, you've got a 145 00:09:22,080 --> 00:09:23,639 whole hour until the next deadline. 146 00:09:23,879 --> 00:09:26,879 Speaker 10: An hour might as well be a week, remember, George. 147 00:09:26,879 --> 00:09:29,080 When I've got is a press card, not a crystal ball. 148 00:09:40,279 --> 00:09:42,679 Speaker 7: Well, sorry, I've gone through all the files. What have 149 00:09:42,799 --> 00:09:46,159 I found? Nothing? You try the rogues gallery mills back 150 00:09:46,200 --> 00:09:48,720 to the U one. No soap Peddy. 151 00:09:48,480 --> 00:09:52,039 Speaker 10: Crimes, no soap ib on missing person. Oh nothing there either, 152 00:09:52,320 --> 00:09:54,960 Oh except this? Huh you think this picture looks like 153 00:09:55,000 --> 00:09:55,480 the dead one? 154 00:09:56,720 --> 00:09:57,159 Speaker 4: Nope? 155 00:09:57,480 --> 00:09:59,960 Speaker 7: I needed to die much. Oh what do they want? 156 00:10:00,120 --> 00:10:03,480 Speaker 10: My guy miracles? They sitting in an office downtown. Hey, 157 00:10:03,480 --> 00:10:04,039 what time is it? 158 00:10:04,279 --> 00:10:04,960 Speaker 7: A quarter? 159 00:10:05,080 --> 00:10:05,240 Speaker 4: Two? 160 00:10:06,120 --> 00:10:08,840 Speaker 10: Fifteen minutescola page closes? What have I got twice? What 161 00:10:08,919 --> 00:10:09,879 I phoned in twice? 162 00:10:09,960 --> 00:10:14,600 Speaker 7: Nothing? It was the woman just a I don't know. 163 00:10:15,360 --> 00:10:17,919 I think I'll see what goes on, all right, that's right, lady. 164 00:10:18,360 --> 00:10:20,759 I won't take on what's the story pit. 165 00:10:21,080 --> 00:10:23,960 Speaker 6: It looks like identification, Rob. She saw your story in 166 00:10:24,000 --> 00:10:25,559 the paper and told the cop on the beach. You 167 00:10:25,639 --> 00:10:31,200 thought you knew the one. Missus Styles, what was that 168 00:10:31,320 --> 00:10:32,679 woman's name again. 169 00:10:32,759 --> 00:10:36,919 Speaker 7: Missus Kristy, Missus Sadie Kristy. What makes you think the 170 00:10:37,000 --> 00:10:39,679 murdered woman is your neighbor? Man, I don't know, just 171 00:10:39,759 --> 00:10:42,799 have a feeling. She hasn't been home for days. Neither 172 00:10:42,919 --> 00:10:45,799 was a husband. They had a fight. 173 00:10:46,240 --> 00:10:47,240 Speaker 10: They're always fighting. 174 00:10:47,600 --> 00:10:53,360 Speaker 6: I see right here, miss Styles, it's doing. A word 175 00:10:53,440 --> 00:10:54,799 from you is all we need? 176 00:10:55,919 --> 00:10:56,080 Speaker 7: Hey? 177 00:10:56,080 --> 00:10:56,559 Speaker 6: You all right? 178 00:10:57,360 --> 00:10:57,519 Speaker 10: Yes? 179 00:10:58,320 --> 00:11:00,399 Speaker 7: Yes, well that's why? 180 00:11:00,519 --> 00:11:10,879 Speaker 6: Please ready? 181 00:11:10,879 --> 00:11:11,120 Speaker 4: Amen? 182 00:11:12,759 --> 00:11:12,960 Speaker 7: Yes? 183 00:11:16,399 --> 00:11:23,200 Speaker 6: Oh is that your neighbor, Missus Presley, take your time, 184 00:11:23,399 --> 00:11:23,919 be sure? 185 00:11:26,320 --> 00:11:27,399 Speaker 4: Yes, looks. 186 00:11:28,720 --> 00:11:36,200 Speaker 6: Oh face no, why I mean. 187 00:11:36,240 --> 00:11:39,240 Speaker 7: Yes, Missus Styles? 188 00:11:40,919 --> 00:11:47,240 Speaker 8: Hm hm, yes, yes sah. 189 00:12:05,919 --> 00:12:08,240 Speaker 6: When the door opens, Ralph, let me do the talk. 190 00:12:10,080 --> 00:12:14,440 Peterson from police headquarters. Does mister Cresley live here? 191 00:12:15,480 --> 00:12:16,000 Speaker 7: Is he home? 192 00:12:17,159 --> 00:12:17,240 Speaker 10: Not? 193 00:12:17,440 --> 00:12:18,000 Speaker 7: Right now? 194 00:12:18,559 --> 00:12:19,320 Speaker 6: Expect him back? 195 00:12:19,840 --> 00:12:20,039 Speaker 5: Why? 196 00:12:20,600 --> 00:12:20,840 Speaker 3: Yes? 197 00:12:22,200 --> 00:12:23,480 Speaker 8: Would you like to come in and wait? 198 00:12:23,600 --> 00:12:26,919 Speaker 4: Yes? Who are you? Yes? 199 00:12:27,840 --> 00:12:31,039 Speaker 8: Why? And why? 200 00:12:41,159 --> 00:12:43,080 Speaker 2: We'll be back in just a moment with the night's 201 00:12:43,120 --> 00:12:54,200 big story. Now we return you to our narrator, Bob 202 00:12:54,240 --> 00:12:57,039 Sloan and the Big Story of Ralph K. 203 00:12:57,279 --> 00:13:01,639 Speaker 7: Mills as he lived it and a. 204 00:13:01,480 --> 00:13:06,039 Speaker 6: Fine thing covering police headquarters for the Minneapolis Morning Tribune. 205 00:13:06,679 --> 00:13:07,559 Speaker 7: You, Ralph K. 206 00:13:07,799 --> 00:13:10,919 Speaker 6: Mills have a blonde corpse turn up in time for 207 00:13:10,960 --> 00:13:15,639 the first edition, a person unknown murdered by person or 208 00:13:15,759 --> 00:13:19,120 person's unknown, and the city desk hopes for the who 209 00:13:19,159 --> 00:13:22,679 and the buy home for the final edition. And you 210 00:13:23,000 --> 00:13:26,000 just followed a false trail to the better end. Just 211 00:13:26,080 --> 00:13:27,960 another case of mistaken identity. 212 00:13:28,480 --> 00:13:31,720 Speaker 7: So what do you do? Step one? You call the 213 00:13:31,799 --> 00:13:33,120 desk a mistake? 214 00:13:33,200 --> 00:13:35,879 Speaker 10: George, the woman who identified the corpse was wrong. 215 00:13:36,200 --> 00:13:40,720 Speaker 7: I'm sorry any ideas. Didn't you say before. 216 00:13:40,440 --> 00:13:42,360 Speaker 11: You thought you'd found the picture of a missing woman? 217 00:13:42,679 --> 00:13:44,720 Speaker 10: Yeah, yeah, but the best cop and I agreed it 218 00:13:44,759 --> 00:13:45,399 wasn't the dead one. 219 00:13:45,600 --> 00:13:48,039 Speaker 7: We just saying the woman was wrong. Just now, couldn't 220 00:13:48,080 --> 00:13:51,840 you be? What was the date she disappeared? Nineteen thirty five? 221 00:13:52,240 --> 00:13:53,639 Her name was Ruth M. Corno. 222 00:13:53,919 --> 00:13:57,039 Speaker 5: Well she could have changed in all those years, So backtrack. 223 00:13:57,559 --> 00:13:58,759 Speaker 7: Everybody makes mistakes. 224 00:13:59,000 --> 00:14:02,519 Speaker 10: Yeah, I know, That's why they put eracers on lead pencils, 225 00:14:02,919 --> 00:14:05,519 And tonight my pencil is all a racer. 226 00:14:20,759 --> 00:14:21,399 Speaker 7: Rock stone. 227 00:14:22,039 --> 00:14:28,240 Speaker 10: Colin Scompton, Copley, Corneau, Ruth m Corna reported missing by 228 00:14:28,399 --> 00:14:30,200 husband m hm. 229 00:14:30,600 --> 00:14:32,679 Speaker 7: Talking to yourself, OAF, I don't know. 230 00:14:33,360 --> 00:14:35,879 Speaker 10: Look, sergeant, this Corona woman we tossed out of the 231 00:14:35,919 --> 00:14:39,399 running before anything else on her charges complaints Corneau. 232 00:14:39,879 --> 00:14:40,600 Speaker 7: Let's see. 233 00:14:42,080 --> 00:14:42,159 Speaker 1: Em. 234 00:14:44,120 --> 00:14:46,399 Speaker 7: Yeah, yeah, here it is Corna. 235 00:14:47,720 --> 00:14:50,320 Speaker 3: Oh oh, this is a man, Peter Cornall go On 236 00:14:51,039 --> 00:14:52,840 arrested on complaint of his wife Ruth. 237 00:14:53,039 --> 00:14:54,039 Speaker 7: M that's the one for? 238 00:14:54,120 --> 00:14:54,600 Speaker 10: What what for? 239 00:14:55,519 --> 00:14:58,240 Speaker 7: You're gonna love this? Ralph assault. 240 00:15:12,879 --> 00:15:16,639 Speaker 10: Hella Joe Lopez, Yes, sir, mister Lopez, this is Ralph 241 00:15:16,639 --> 00:15:17,759 Mills down at headquarters. 242 00:15:17,919 --> 00:15:19,080 Speaker 7: What sweet headquarters? 243 00:15:19,080 --> 00:15:19,720 Speaker 5: An trouble? 244 00:15:19,960 --> 00:15:22,279 Speaker 10: No, sir, I'm from the Morning Tribune. I'm checking on 245 00:15:22,320 --> 00:15:24,679 somebody who used to live in your boarding house. Can 246 00:15:24,720 --> 00:15:28,039 I ask you three questions? I don't know, just three 247 00:15:28,159 --> 00:15:31,360 simple yes or no questions? Okay, okay? 248 00:15:31,960 --> 00:15:32,440 Speaker 4: Three? 249 00:15:32,679 --> 00:15:36,840 Speaker 10: Okay? Do you remember a couple named Corno Peter and Ruth? 250 00:15:37,320 --> 00:15:38,919 Speaker 6: Yes, that's one. 251 00:15:39,120 --> 00:15:41,120 Speaker 7: Good. Do you know where they are now? 252 00:15:41,559 --> 00:15:41,960 Speaker 6: Him? 253 00:15:42,159 --> 00:15:42,360 Speaker 10: No? 254 00:15:43,159 --> 00:15:43,360 Speaker 5: Huh? 255 00:15:43,440 --> 00:15:46,399 Speaker 7: She run away from him, kicks herround restaurants, clubs. 256 00:15:46,080 --> 00:15:46,399 Speaker 5: You know. 257 00:15:46,799 --> 00:15:49,840 Speaker 7: That's two? Three? Would you know her? If you saw? 258 00:15:50,720 --> 00:15:50,879 Speaker 10: Yes? 259 00:15:51,039 --> 00:15:54,120 Speaker 7: Sure, you owe me fat well? Would you come down 260 00:15:54,159 --> 00:15:56,200 to headquarters? You can say three questions. 261 00:15:57,399 --> 00:16:00,759 Speaker 6: No, this is Detective Peters and Lopez. Will you come 262 00:16:00,799 --> 00:16:24,000 downtown to identify a body? Yes, all right, miss Lopez, 263 00:16:25,679 --> 00:16:33,000 take good time, Miss Lopez. Be sure. Well, don't look 264 00:16:33,120 --> 00:16:43,840 like I'm gonna get my back, Red, I guess for 265 00:16:43,919 --> 00:16:47,679 the identifications. You say goodbye to Detective Peterson until later 266 00:16:48,360 --> 00:16:51,399 you'll make the eleven thirty edition. By our replate and 267 00:16:51,519 --> 00:16:55,480 our whisper, a murdered woman is Ruth M. Cornall, and 268 00:16:55,519 --> 00:16:58,320 it's definitely established that she is separated from her husband 269 00:16:58,679 --> 00:17:04,200 under conditions mutual dislike to put it mild life. And 270 00:17:04,319 --> 00:17:08,640 so you have the victim, the motive, and the problem 271 00:17:08,720 --> 00:17:12,680 of finding suspect number one, the husband. Then on your own, 272 00:17:12,799 --> 00:17:15,960 you start checking all over town. But while you walked 273 00:17:16,000 --> 00:17:19,839 the jukebox and neon Trail, the husband is being questioned 274 00:17:20,119 --> 00:17:20,960 down in Florida. 275 00:17:21,279 --> 00:17:24,680 Speaker 9: Private first Class Peter Canoe, reporting to Captain Carroll is directed. 276 00:17:24,400 --> 00:17:28,920 Speaker 3: At least Corona. You're a Minneapolis boy. Private, ever in 277 00:17:28,960 --> 00:17:33,279 trouble with the police. Nothing serious. I am instructed by 278 00:17:33,279 --> 00:17:35,720 a Detective Peterson of the Minneapolis Police to tell you 279 00:17:35,759 --> 00:17:37,880 that anything you tell me may be held against you. 280 00:17:37,920 --> 00:17:42,400 Speaker 7: He just called me. Hey see, sir, you married, Corona separated? 281 00:17:42,440 --> 00:17:43,680 Speaker 4: Sir, Sir? 282 00:17:43,759 --> 00:17:48,160 Speaker 7: Later, where were your last night on passer? I reported 283 00:17:48,279 --> 00:17:49,240 duty at Revelue today? 284 00:17:49,279 --> 00:17:49,799 Speaker 12: Where'd you go? 285 00:17:51,200 --> 00:17:54,920 Speaker 7: Can you prove it? And then I was with ken, Sir, 286 00:17:55,119 --> 00:17:55,640 you didn't. 287 00:17:55,519 --> 00:17:58,920 Speaker 3: Leave the state of Florida on an overnight pass. 288 00:17:59,240 --> 00:18:02,240 Speaker 7: Sir, you say. 289 00:18:02,119 --> 00:18:06,400 Speaker 12: You're separated from your wife? Yes, prepare yourself for a shop. 290 00:18:07,519 --> 00:18:13,720 Last night she was murdered. I see what's time? 291 00:18:13,759 --> 00:18:18,920 Speaker 7: Man? I said, I knew somebody would some day. Do 292 00:18:18,920 --> 00:18:20,359 you want another pass? 293 00:18:20,839 --> 00:18:22,920 Speaker 3: Excuse me, sir, I said, Do you want me to 294 00:18:22,920 --> 00:18:24,839 write you a three day past for her funeral? 295 00:18:26,400 --> 00:18:30,480 Speaker 7: No? No thanks, sir. 296 00:18:37,559 --> 00:18:41,319 Speaker 6: Suspect eliminated And there you are looking for him in 297 00:18:41,319 --> 00:18:44,599 the local bars. But at one you learn about this 298 00:18:44,799 --> 00:18:47,000 tasteful little incident from a bar girl. 299 00:18:47,599 --> 00:18:50,400 Speaker 8: You used to paler around Ruthie and me. She was 300 00:18:51,039 --> 00:18:52,400 I thought she was kind of hot. 301 00:18:52,519 --> 00:18:52,799 Speaker 1: You know. 302 00:18:53,559 --> 00:18:57,319 Speaker 8: Everybody was just another sucker for her. What I mean, 303 00:18:57,839 --> 00:19:01,680 well money, you know? So one night we was here 304 00:19:01,759 --> 00:19:04,480 her night. All of a sudden, she leaves me flat 305 00:19:04,519 --> 00:19:07,680 and goes outside, goes turn through the door, and I 306 00:19:07,880 --> 00:19:11,039 follow it just in time to see her crash. Hey, 307 00:19:11,640 --> 00:19:13,319 why don't you walk where you're looking. 308 00:19:13,799 --> 00:19:15,720 Speaker 7: I'm sorry, lady, you're sorry. 309 00:19:16,000 --> 00:19:19,920 Speaker 8: Look at my stacking. You'll ruin my stacking. Sorry. That's 310 00:19:19,960 --> 00:19:23,279 all I ever here is sorry. I'm not the lift off. 311 00:19:23,119 --> 00:19:26,880 Speaker 7: My shoes, I said, I was sorry. It's for the shoes. 312 00:19:28,160 --> 00:19:30,720 Speaker 6: I'll drive you home, okay, And what a bus hit 313 00:19:30,799 --> 00:19:31,240 the road? 314 00:19:32,400 --> 00:19:33,599 Speaker 7: Okay? Haven't you away? 315 00:19:37,839 --> 00:19:38,119 Speaker 6: Hey? 316 00:19:38,839 --> 00:19:46,359 Speaker 8: Wait a minute, is is this your car? Did you 317 00:19:46,480 --> 00:19:47,960 just drive it for somebody? 318 00:19:48,119 --> 00:19:52,039 Speaker 7: It's my car. I drive it for my SHLFA. 319 00:19:53,240 --> 00:19:56,599 Speaker 8: Why didn't you say so? O? 320 00:19:56,960 --> 00:19:57,279 Speaker 4: Jane? 321 00:19:58,440 --> 00:20:04,720 Speaker 7: The name is Cashle Wally Cuss and suck. Nice blondie. 322 00:20:04,960 --> 00:20:08,559 You're not bad looking at all. Where'd you say you 323 00:20:08,599 --> 00:20:09,079 wanted to go? 324 00:20:09,920 --> 00:20:12,160 Speaker 8: You're not bad looking either. For a guy who picks 325 00:20:12,200 --> 00:20:14,359 girls up. I knock him down, he. 326 00:20:14,400 --> 00:20:15,880 Speaker 7: Said, sug nice baby. 327 00:20:17,240 --> 00:20:19,680 Speaker 6: Wait says do you want to ride? 328 00:20:20,079 --> 00:20:20,279 Speaker 1: Oh? 329 00:20:20,799 --> 00:20:23,279 Speaker 4: No, I want to ride. 330 00:20:24,720 --> 00:20:26,400 Speaker 8: Let's go someplace and have some fun. 331 00:20:27,160 --> 00:20:36,720 Speaker 6: Huh. While the bar girls telling this, you check your 332 00:20:36,759 --> 00:20:39,599 watch a half hour the final deadline. 333 00:20:39,960 --> 00:20:42,160 Speaker 7: You're coming closer, very close. 334 00:20:42,720 --> 00:20:44,960 Speaker 10: All you need now is what'd you say the name 335 00:20:44,960 --> 00:20:45,880 of that pickup guy was? 336 00:20:48,240 --> 00:20:49,200 Speaker 8: You're having him steady? 337 00:20:49,240 --> 00:20:49,640 Speaker 9: After that? 338 00:20:49,960 --> 00:20:50,279 Speaker 4: Thanks? 339 00:20:50,359 --> 00:20:50,599 Speaker 7: Thanks? 340 00:20:50,640 --> 00:20:53,640 Speaker 10: All right, I'm gonna try another bar, but here buy 341 00:20:53,680 --> 00:20:55,920 yourself a drink with something in it to drink for 342 00:20:55,960 --> 00:21:00,839 a change. 343 00:21:04,839 --> 00:21:07,599 Speaker 6: Well, like I said, everything's going nice and quiet when 344 00:21:07,640 --> 00:21:11,240 it's blind. Yeah, she comes in and takes over the 345 00:21:11,319 --> 00:21:13,960 end of the barn. Now I've seen her husband come 346 00:21:14,039 --> 00:21:16,079 and drag her out, and I seen him tell her 347 00:21:16,119 --> 00:21:17,160 not to come home. 348 00:21:17,279 --> 00:21:20,039 Speaker 7: And I don't want that kind of traight. Just a 349 00:21:20,079 --> 00:21:20,920 home type bar. 350 00:21:21,200 --> 00:21:22,759 Speaker 6: I know, I know the win. 351 00:21:23,319 --> 00:21:24,160 Speaker 7: Huh. 352 00:21:24,279 --> 00:21:27,559 Speaker 6: Well, she's feeling fine, no plan at all, drinking up 353 00:21:27,599 --> 00:21:31,400 some guy's door. At again, I'm wondering how I can 354 00:21:31,440 --> 00:21:33,640 get rid of her quiet. When all of a sudden, 355 00:21:33,759 --> 00:21:36,920 somebody does it for me. The door opens and then 356 00:21:36,960 --> 00:21:38,200 walks the sky cart. 357 00:21:38,680 --> 00:21:39,039 Speaker 7: Realdy. 358 00:21:39,960 --> 00:21:43,960 Speaker 8: Somebody call me, Oh it's you. 359 00:21:44,000 --> 00:21:46,759 Speaker 7: It's me all right, Well you have been the last 360 00:21:46,759 --> 00:21:47,759 two days. 361 00:21:48,160 --> 00:21:49,039 Speaker 8: Who wants to know? 362 00:21:49,359 --> 00:21:50,200 Speaker 7: I want to know? 363 00:21:50,480 --> 00:21:54,119 Speaker 8: You want to know? You owe me or something? Stop 364 00:21:54,160 --> 00:21:55,240 pushing me around? 365 00:21:55,400 --> 00:21:56,119 Speaker 7: Who push her? 366 00:21:56,359 --> 00:21:56,519 Speaker 4: Run? 367 00:21:57,279 --> 00:21:59,000 Speaker 7: You make up to me? You take me for everything 368 00:21:59,000 --> 00:22:02,720 I got? You call up me pushing you around? Come on, 369 00:22:02,880 --> 00:22:03,640 you're getting oaty. 370 00:22:04,160 --> 00:22:05,279 Speaker 8: Your mate is running. 371 00:22:05,400 --> 00:22:08,480 Speaker 7: Come on, I like it here, I said, get out. 372 00:22:08,640 --> 00:22:12,160 Speaker 8: Come on you square. You may go on hit the road, 373 00:22:12,480 --> 00:22:15,400 You'll get out of here. You let me take your 374 00:22:15,440 --> 00:22:16,039 hands off me? 375 00:22:16,400 --> 00:22:17,640 Speaker 10: Do you think around? 376 00:22:22,720 --> 00:22:25,799 Speaker 7: I said, it's none of my business. 377 00:22:25,839 --> 00:22:28,559 Speaker 6: I would have paid him to take away anybody. 378 00:22:29,720 --> 00:22:32,200 Speaker 11: And that's so when did you say this was? 379 00:22:32,480 --> 00:22:34,759 Speaker 4: What did I tell you only last night? It was 380 00:22:35,400 --> 00:22:46,720 this last night? That is it? 381 00:22:47,480 --> 00:22:51,400 Speaker 6: Motive and man Wally corson last man to see Ruth 382 00:22:51,480 --> 00:22:54,440 Corner alive. A check on the city directory gives you 383 00:22:54,440 --> 00:22:56,920 his address. A call of Peterson and you have a 384 00:22:56,920 --> 00:22:59,680 good cop with you. One short ride and you have 385 00:22:59,799 --> 00:23:03,359 ten minutes to go to the final deadline with your story. 386 00:23:03,799 --> 00:23:09,160 On the other side of this door, Peterson unbuttons the 387 00:23:09,160 --> 00:23:13,920 flap on his whole stone. You shift a little behind him. 388 00:23:14,119 --> 00:23:15,160 You never can tell. 389 00:23:18,599 --> 00:23:19,400 Speaker 7: Nobody you think. 390 00:23:19,480 --> 00:23:22,160 Speaker 6: I don't know here, take the gun, come and me 391 00:23:22,400 --> 00:23:24,880 stand back. I'll force the door. 392 00:23:35,000 --> 00:23:37,440 Speaker 7: Shambles with the blood in the walls. 393 00:23:37,480 --> 00:23:41,920 Speaker 6: Cautin, watch up the other room, Carson, come out with you. 394 00:23:42,319 --> 00:23:43,240 Speaker 4: Pete. 395 00:23:43,640 --> 00:23:47,160 Speaker 10: It's a note in the count uh okay to read it? 396 00:23:47,480 --> 00:23:54,559 Go ahead, dear mother, mother, I'm sorry. We had a 397 00:23:54,640 --> 00:23:58,160 terrific fight. I loved her and I couldn't stand a loser. 398 00:23:58,920 --> 00:23:59,799 Speaker 7: But I couldn't hold it. 399 00:24:00,720 --> 00:24:05,039 Speaker 10: I guess nobody could. Money and watch pocket for rent 400 00:24:05,920 --> 00:24:10,880 I'm going away. I hope we meet soon from the coop. 401 00:24:11,720 --> 00:24:12,480 Can I use the phone? 402 00:24:12,519 --> 00:24:14,359 Speaker 6: You're sure? And you can read them the note too. 403 00:24:14,480 --> 00:24:14,759 Speaker 7: Thanks. 404 00:24:16,519 --> 00:24:19,359 Speaker 10: You know there's there's something about this note. Money and 405 00:24:19,519 --> 00:24:24,160 watch pocket, money and watch pocket. Hey, he expects to 406 00:24:24,200 --> 00:24:24,640 be found. 407 00:24:25,079 --> 00:24:25,640 Speaker 4: What's that door? 408 00:24:25,720 --> 00:24:29,000 Speaker 7: Lead to closets? What's this money? Last of the garage? 409 00:24:29,160 --> 00:24:41,720 Speaker 6: Come on on the front way blocked from the inside. 410 00:24:42,319 --> 00:24:51,079 Wait a minute, listen, engine's running. He gets down on 411 00:24:51,160 --> 00:24:56,839 his knees. So do you you sniff at the bottom 412 00:24:56,880 --> 00:25:02,000 of the door. You'd both say one word, no too. 413 00:25:02,480 --> 00:25:32,559 Speaker 4: Curl up my nice. 414 00:25:20,319 --> 00:25:22,319 Speaker 2: In just a moment, we'll read you a telegram from 415 00:25:22,440 --> 00:25:25,720 Ralph K. Mills of the Minneapolis Morning Tribune with the 416 00:25:25,720 --> 00:25:34,720 final outcome of Tonight's Big Story. Now we read you 417 00:25:34,799 --> 00:25:38,680 that telegram from Ralph K. Mills of the Minneapolis Morning Tribune. 418 00:25:39,440 --> 00:25:42,680 Speaker 10: On entering garage, we found that killer in Tonight's Big 419 00:25:42,720 --> 00:25:47,359 Story had escaped beyond the law by committing suicide. Solution 420 00:25:47,440 --> 00:25:50,640 of case came at three am, nine hours after start 421 00:25:50,680 --> 00:25:55,000 of investigation and in time for the final edition. Many 422 00:25:55,039 --> 00:25:58,240 thanks for Tonight's pell Mell Award. Thank you, mister Mills. 423 00:25:58,519 --> 00:26:01,319 Speaker 2: The makers of Pellmell Famous Cigarettes are proud to have 424 00:26:01,400 --> 00:26:03,440 named you the winner of the Pell Mail five hundred 425 00:26:03,400 --> 00:26:06,480 dollars Award for notable service in the field of journalism. 426 00:26:06,880 --> 00:26:10,599 Listen again next week, same time, same station, when Pell 427 00:26:10,680 --> 00:26:13,680 Mail Famous Cigarettes will present another big story. 428 00:26:14,400 --> 00:26:15,680 Speaker 7: A big story from. 429 00:26:15,559 --> 00:26:19,640 Speaker 10: The front pages of the Mobile Alabama Press Register Byeline 430 00:26:20,319 --> 00:26:21,119 George Cox. 431 00:26:21,960 --> 00:26:27,240 Speaker 7: A big story about a murder and escape and a manhunt. 432 00:26:42,079 --> 00:26:45,279 Speaker 2: A big Story is produced by BERNARDJ. Pocter with music 433 00:26:45,279 --> 00:26:49,400 by Lotta Misslensky. The night's program was written by Alan Sloan. 434 00:26:50,240 --> 00:26:53,319 Your narrator was Bob Sloan, and ur Conne played the 435 00:26:53,319 --> 00:26:56,839 part of Ralf Kills. In order to protect the names 436 00:26:56,880 --> 00:27:00,960 of people actually involved in Tonight's authentic big story, the 437 00:27:01,039 --> 00:27:04,480 names of all characters and the dramatization were changed, with the. 438 00:27:04,440 --> 00:27:06,359 Speaker 7: Exception of the reporter, mister Mills. 439 00:27:16,640 --> 00:27:18,960 Speaker 2: This is Ernest Chapel speaking for the makers of hell 440 00:27:19,079 --> 00:27:20,480 Mel Famous Cigarettes. 441 00:27:25,640 --> 00:27:28,680 Speaker 7: This is NBC, the National Broadcasting Company. 442 00:27:38,000 --> 00:27:42,640 Speaker 1: Welcome back, all right well. In our cast, in addition 443 00:27:42,720 --> 00:27:48,519 to Art Carney, there was Joe Bowan, Joan Alexander who 444 00:27:48,839 --> 00:27:53,200 I thought I recognized her voice, Joe DeSantis, Ray Johnson, 445 00:27:53,559 --> 00:27:57,839 Grace Kendy and Grant Richards and as always with the 446 00:27:57,880 --> 00:28:01,359 big story, and I'll probably stop talking about this, but 447 00:28:01,960 --> 00:28:05,240 it seems like the biggest thing they looked for was 448 00:28:05,359 --> 00:28:10,559 somebody who could perform doubles. And it's just a case 449 00:28:10,599 --> 00:28:13,960 of you've got your budget and you need your actors 450 00:28:14,000 --> 00:28:18,039 to give as much as they can to give the 451 00:28:18,119 --> 00:28:23,880 story enough believable variety. Of course, Art Carney probably one 452 00:28:23,880 --> 00:28:27,079 of the most famous people we've heard on this series. 453 00:28:27,480 --> 00:28:32,200 He's probably most remembered as Ed Norton on The Honeymooners, 454 00:28:32,240 --> 00:28:37,359 but of course he had such a fantastic acting career, 455 00:28:38,000 --> 00:28:43,519 including an Academy Award, a Golden Globe, and multiple Emmys. 456 00:28:43,880 --> 00:28:49,160 This episode is interesting and it kind of plays into 457 00:28:49,240 --> 00:28:54,279 this fact that this is such an odd situation for 458 00:28:54,359 --> 00:28:58,920 real life, but certainly was common enough for people who 459 00:28:58,960 --> 00:29:03,960 went to movies. A reporter comes on a baffling crime 460 00:29:04,440 --> 00:29:08,319 and wraps up the case in an hour or so. 461 00:29:08,880 --> 00:29:11,839 Most of the time, if the identity of the killer 462 00:29:12,079 --> 00:29:16,319 isn't apparent, it's going to take some time for the 463 00:29:16,359 --> 00:29:18,759 case to be solved, and it's going to be solved 464 00:29:18,799 --> 00:29:23,160 by the police. So this episode really does lean into 465 00:29:23,240 --> 00:29:27,319 the rarity of the event portrayed now. This was based 466 00:29:27,400 --> 00:29:34,920 on a nineteen forty three case where the victim was 467 00:29:35,759 --> 00:29:40,920 missus Ruth Shebleau, and essentially the main facts of the 468 00:29:41,039 --> 00:29:46,400 episode are pretty well represented. Mills was working this case 469 00:29:46,519 --> 00:29:50,680 because of a fluke, the body was found buried alive, 470 00:29:51,160 --> 00:29:54,279 and the killer did take his own life. The one 471 00:29:54,359 --> 00:29:59,200 detail that the Stories behind the Big Story website adds 472 00:29:59,480 --> 00:30:03,839 is that mister Chableaux had actually filed for divorce from 473 00:30:03,920 --> 00:30:08,200 his wife for the reason of desertion a couple of 474 00:30:08,279 --> 00:30:11,559 years before, but given the way that divorces were handled 475 00:30:11,599 --> 00:30:14,039 back then, it was going to be coming to court 476 00:30:14,119 --> 00:30:16,440 in a few weeks, and this would have of course 477 00:30:16,519 --> 00:30:19,480 been complicated by the fact that he was serving in 478 00:30:19,519 --> 00:30:23,960 the military. So a pretty factual account that perhaps reminds 479 00:30:24,039 --> 00:30:28,559 us that just because something is not really in touch 480 00:30:28,640 --> 00:30:34,599 with how things actually happen in movies doesn't mean that 481 00:30:35,039 --> 00:30:37,839 it couldn't happen in theory, or that it might not 482 00:30:38,039 --> 00:30:40,519 happen every once in a while. I also want to 483 00:30:40,559 --> 00:30:43,880 say that I love the questioning scene with mister Lopez 484 00:30:44,160 --> 00:30:48,400 and how much he was going to make Mills stick 485 00:30:48,519 --> 00:30:52,799 with the whole I'll only ask you three questions thing, 486 00:30:53,160 --> 00:30:55,200 and of course the police had to get on the 487 00:30:55,240 --> 00:30:57,920 line to get him to come in for questioning, although 488 00:30:57,960 --> 00:31:00,880 I guess it does make the question why the police 489 00:31:00,920 --> 00:31:05,400 weren't asking the questions in the first place. But I 490 00:31:06,039 --> 00:31:09,160 gather that the police were cooperative and helping the reporter 491 00:31:09,240 --> 00:31:13,200 get his story and didn't mind the reporter doing some. 492 00:31:13,119 --> 00:31:13,680 Speaker 7: Of the work. 493 00:31:14,079 --> 00:31:16,799 Speaker 1: All right, Well, now it's time to thank our Patreon 494 00:31:16,839 --> 00:31:19,119 supporter of the day, and I want to thank Zant, 495 00:31:19,279 --> 00:31:24,039 Patreon supporter since February twenty seventeen, currently supporting the podcast 496 00:31:24,559 --> 00:31:27,480 at the Detective Sergeant level of seven dollars and fourteen 497 00:31:27,559 --> 00:31:30,559 cents or more per month. Thanks so much for your support, Zant, 498 00:31:30,960 --> 00:31:33,440 and that will do it for today. If you're enjoying 499 00:31:33,480 --> 00:31:37,720 the podcast, please follow us using your favorite podcast software 500 00:31:38,200 --> 00:31:41,400 and be sure to rate and review the podcast wherever 501 00:31:41,440 --> 00:31:45,119 you download it from. We'll be back next Tuesday with 502 00:31:45,200 --> 00:31:48,200 another episode of the Big Story. But join us back 503 00:31:48,240 --> 00:31:51,480 here tomorrow for Broadways my beat where. 504 00:31:52,480 --> 00:31:54,599 Speaker 11: And I'm taking my will earned rest. 505 00:31:55,200 --> 00:31:58,160 Speaker 13: You want to help mister Clovin, sure mind advice? Sit 506 00:31:58,279 --> 00:32:03,640 down us. Yes there, you were almost a hero today, Russ. 507 00:32:04,000 --> 00:32:07,640 You're kidding, that's how I make my daily summer bread 508 00:32:07,759 --> 00:32:10,920 fifty bucks a week, agle a girls save a light 509 00:32:11,200 --> 00:32:15,440 longer been a lifeguard rush oh six maybe seven summers 510 00:32:15,599 --> 00:32:18,000 time out for a frolic on Anzio Beach. Then you've 511 00:32:18,240 --> 00:32:20,440 had a lot of experience saving people from drowning? 512 00:32:21,200 --> 00:32:22,079 Speaker 11: Am I allotted share? 513 00:32:22,279 --> 00:32:24,880 Speaker 13: The medical examiner down a headquarters says that man. You 514 00:32:24,960 --> 00:32:27,880 try to say, I remember, Our medical examiner says he 515 00:32:28,039 --> 00:32:28,599 was murdered. 516 00:32:29,279 --> 00:32:30,880 Speaker 11: Well, I'll come. 517 00:32:31,000 --> 00:32:34,119 Speaker 13: Our man says it was murdered because artificial respiration wasn't 518 00:32:34,119 --> 00:32:35,039 applied properly. 519 00:32:35,920 --> 00:32:38,960 Speaker 11: Well, you're a man, is a smart man. But a 520 00:32:39,000 --> 00:32:41,039 four bit of week lifeguard does the best he can. 521 00:32:41,079 --> 00:32:43,640 He studies in classes, he follows a first aid manual. 522 00:32:44,400 --> 00:32:46,079 You call him a murder because he didn't make out 523 00:32:46,079 --> 00:32:49,200 with one poor slop. You tell me, Russ, you murder 524 00:32:49,279 --> 00:32:52,319 the man are considering the percentage of lives that are 525 00:32:52,359 --> 00:32:54,960 saved and not saved by such as we. That's a 526 00:32:55,039 --> 00:32:56,720 question you may never be able to answer. 527 00:32:56,759 --> 00:32:59,519 Speaker 1: Hope you'll be with us then in the meantime, send 528 00:32:59,519 --> 00:33:03,839 your calm mins to Box thirteen at Great Detectives dot net, 529 00:33:04,240 --> 00:33:07,559 follow us on Twitter at Radio Detectives, and check us 530 00:33:07,559 --> 00:33:14,119 out on Instagram, Instagram, dot com slash Great detectives from Boise, Idaho. 531 00:33:14,400 --> 00:33:17,240 This is your host, Adam Graham signing off.