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Speaker 1: Faster than a speeding bullet, more powerful than a locomotive,

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able to lease tall buildings.

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Speaker 2: At a single bountin up on the skide. It's a bird,

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it's a plane.

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Speaker 1: That's Superman.

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Speaker 2: Invent yourself Superman.

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Speaker 3: When the planet Krypton, home of a race of supermanic

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pulsing in the dust, whole survivor was an instant boy

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who had been shot to Earth and a sealed rock. Today,

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that boy grown to manhood, known as Superman, born enemy

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of the forces of evils wide him and his never

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ending fight for truth and justice. He masquerades as Park Kent,

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crime reporter for a great metropolitan newspaper. His secret is

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carefully guarded. No one is aware that Kent is Superman.

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No one but you.

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Speaker 2: Going with us now on ABC as Superman finds help

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fitted against an unseen minute and an exciting transcribed mystery

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adventure entitled The Ghost of Billy Baker.

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Speaker 3: There is nothing quite so dark and silence in the

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bowels of the earth, and the pitch blackness in the

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complete and utter silence. A whisper becomes an echoing shout,

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and the faint beating of a human hearts like the

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rhythmic pounding of a kettle town. The little coal mining

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town of Honeker is a disordered settlement of thirty or

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forty dirty clabbored houses, two company stores, and a saloon.

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Above the town, joined to it by two narrow roads,

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is the Honiker Valley coal Mine, a savage, ugly black

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scar on the side of a wooded hill. As our

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story begins, Clark Kenton Lowis Lane, reporters for the Metropolis

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Daily Planet, are riding up one of the roads in

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an ancient car driven by the local taxi man.

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Speaker 4: Ah can't take it no further, and he got the

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gate closed, the lamp walk rest away?

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Speaker 5: How far is it?

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Speaker 4: Thank for a couple of hundred feet. It's the building

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with the light in the window.

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Speaker 2: I said, Oh, what's the running board?

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Speaker 6: Lois? It's Luke.

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Speaker 4: Ah didn't mean in the nail at U.

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Speaker 2: Might be a good idea. By the way, owe you

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spirst Eh, it'll.

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Speaker 7: Be two dollars, Clark, Can we better have him wait

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getting jog we'll never find.

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Speaker 8: A way back to Talent.

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Speaker 4: How about that skipper? Can you wait for us? It

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couldn't be more than an hour, dimes it, but it

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can't do it. Going to meet the six forty seven

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going eat.

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Speaker 2: Okay, forget it, skipper, here's your two dollars.

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Speaker 4: Let's fly and if you get stuck now you just

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hanke up telephone, sing out.

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Speaker 3: For old Rooke.

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Speaker 7: That's my name.

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Speaker 4: Now I'll be up fast as Betsy here carrying me. Well, thanks,

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thanks a lot, don't mention it all.

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Speaker 7: Thanks now, good night tonight.

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Speaker 2: There's a character for you, for.

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Speaker 7: You, not for me.

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Speaker 6: Old Luke and.

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Speaker 7: Betsy combined age well one hundred and fifty.

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Speaker 6: And both still running.

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Speaker 2: You think we'll be when I combined age is one

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hundred and fifty.

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Speaker 7: I'd rather not think about it now. Let's get it

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over with and get back to civilization.

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Speaker 9: Is that the gate he was talking about?

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Speaker 2: I don't see any other.

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Speaker 9: How can we get in at the slots?

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Speaker 7: I don't see a soul around?

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Speaker 2: We said closed, not locked.

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Speaker 6: Let's try.

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Speaker 7: Oh dear, you know, Craig, I think the teeth is

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suffering from premature smility. What is this what you call

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an assignment for the two best reporters in the shop?

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Speaker 2: Thanks Lord, thanks for what including me and the two

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when you are again?

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Speaker 7: Really does this make sense? Tracking all the way up

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here just because some soup put a story on the

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wire service at the miners pointed.

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Speaker 2: I asked, Ah, the gate is open.

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Speaker 7: Why couldn't at that earn door tell you ours?

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Speaker 2: Not the question why ours? But to do or die?

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Speaker 6: Hagar?

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Speaker 7: We should have questioned it. You know how he is.

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He gets sexation a hearted mind, sorry, is.

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Speaker 9: More important than life itself.

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Speaker 7: I don't know how you feel about it, but from now.

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Speaker 6: On I.

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Speaker 2: I'm king in the shadow of that building where over there?

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Speaker 7: Why don't you anyone?

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Speaker 2: A little old woman look here you come, believe me?

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You looking for someone, yes, mister McGrath, but.

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Speaker 8: You want to with Jeff McGrath.

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Speaker 7: Well now we.

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Speaker 2: Want to have a talk with mister McGrath.

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Speaker 9: Strangers to these paints, Yes.

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Speaker 7: And we have no intention of becoming permanent residents.

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Speaker 9: Is that miss McGraw's officer house?

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Speaker 10: No fresh so girly this time of slinches we can

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standing stick the kind of my boy domp c shitting

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done the track engines quis not old stirring underground croud

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of my boy. You wouldn't think Billy could do all that,

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dude you but he done it? Yes, sure enough, done it?

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Speaker 8: You ask Jeff McGraw, you tell you.

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Speaker 2: Mister McGraw in that building.

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Speaker 10: Yes, sure is you ask him what Billy Baker done?

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Speaker 8: Just ask you.

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Speaker 7: First, you'll con you Now this, What on earth was

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she told me about everything's standing still on account of

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her boy?

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Speaker 3: What she means?

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Speaker 2: I guess if the mine's closed down?

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Speaker 9: Oh who's a boy?

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Speaker 2: I'm all indications Billy Baker and.

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Speaker 8: Who plays Hell and Billy Baker?

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Speaker 2: I don't know, but please get that tip off your

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shoulder before we meet Baker. I mean McGraw, here's fault

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we're up here. Don't blame him.

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Speaker 7: I know whom to blame. Okay, okay, now talk, I'm

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not a child. Go on knock, don't expect me do

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your sweetness and light as soon as we get out

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of one horse Town.

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Speaker 2: Good evening, God, mister McGrath, that's right. I'm Clark Kent

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and missus Lois Lane.

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Speaker 7: How do you do?

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Speaker 3: Uh?

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Speaker 2: We're from the Metropolis Daily Planet where we phoned you,

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but the local operator told us the mine wasn't accepting

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any calls.

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Speaker 6: The mine's closed down, yes.

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Speaker 2: I know, matter of fact, that's why we're here. One

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of the wire services carried a story something about the

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minds being haunted, and we thought you might be able

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to give us more details.

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Speaker 9: Tell them what's my boy done? Go out and tell them.

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Speaker 6: Get on back to your jack. Go on, don't they say?

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Speaker 5: You'll be sure to tell him, Tell him about my boy,

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Billy Baker.

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Speaker 3: Sorry, you folks like to come in?

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Speaker 2: Oh, thank you, thanks, she stopped us on our way

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up from the gate. Seems to have an obsession about

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our boy.

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Speaker 3: Miss Lane's thank you. Now, by rights, I shouldn't be

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talking to you. Mister Henniker gave orders. He wants this

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thing quieter down. Up that's come a big city paper

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is interested in the crazy fool thing up here in

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the hills.

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Speaker 7: That's a good question, mister McGrath. Aunt a good question.

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Speaker 2: It's like anything else. We take orders too. We were

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sent here to get the story.

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Speaker 5: Don't ask us why.

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Speaker 2: If there's no story, we'll just turn around and go back.

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Speaker 3: Well, it's this story, all right, but I don't put

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me stuck in it. He's ignorant. People around here might

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but I don't.

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Speaker 7: Then, so you tell it to us, Miss McGrath.

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Speaker 6: I don't know, I said.

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Speaker 3: Mister Hunniker wants this quieter down. He's losing three thousand

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a day with the fit sidle the men don't come

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back soon, they'll sell out and turn his back on it.

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He's an old man with plenty of money. You don't.

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Speaker 2: We can promise you, mister McGrath. It isn't news. We

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won't touch it.

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Speaker 3: I mean anything I say is off the records.

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Speaker 2: That's what it wants to No, No, let's get this straights.

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If what you tell us is just local rumor or gossip,

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it's aughtful. Like if it's news, the kind of news

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we print, well, that's another story.

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Speaker 6: It's not all right to you.

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Speaker 3: Sounds all right depends how the work's ot.

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Speaker 6: How much do you know?

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Speaker 2: Only what the wire story said that your workers had

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walked out because the mine was hot.

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Speaker 6: You don't know why they think it's hearted.

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Speaker 2: Nope, Well, a year.

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Speaker 3: Ago today one of our pick men took it into

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his head to do a little explorer of a condemned

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work off.

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Speaker 7: I'm sorry to interrupt, but what's.

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Speaker 3: The working as a tunnel or a pit man where

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coal can still be working?

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Speaker 6: Well, anyway, we shut this one up.

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Speaker 3: See on the count of the shore and was weak

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and the walls was get in the split, making it

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dangerous to dig coal in that. Yeah, that's right, But

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that didn't stop this boy. You knew the working was

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marked off, but he went in anyway. Well, we had

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kind of a bonus deel on me. And see coal

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was short, and I guess he figured he hit paved

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it and there was plenty of coal in the working,

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but it was too dangerous to get a dog.

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Speaker 7: Oh, oh, I can guess what's coming.

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Speaker 3: He guess right. He put the pick into the walls

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a couple of times, and before anyone could shout him

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out the.

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Speaker 6: Shore, and then the walls came down on top of

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him while.

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Speaker 3: A thousand tons of coal and rock.

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Speaker 2: And I'm suppose she got him out of lives.

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Speaker 3: They never got him out at all. Mustn't even me

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since trying.

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Speaker 7: Me, he's still begged the mind.

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Speaker 3: That's right.

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Speaker 6: His folks signed up papers.

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Speaker 3: Then it was all right, and mister Hacker agreed to

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take care of him for the rest of their lives.

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Even though it was the boy's foot. All w cost

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fifty thousand dollars to think a shaft and dig up

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that stuff. So we brought his minutester up, said a

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few words over him, and let him lay peaceful. What

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was his name, McCaul, Billy Baker. Billy Baker didn't know him, did.

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Speaker 7: You well know?

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Speaker 2: That old woman mentioned his name to her.

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Speaker 3: Oh she's his mother. Oh you see, his father died

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three or four months ago. We gave her a shack

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on the mind property. She kind of cleans up around

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the office.

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Speaker 6: You know, everybody around here knows.

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Speaker 3: I didn't understand.

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Speaker 2: Let's get back to the story. You left Billy Baker

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buried in the old mine.

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Speaker 3: Yeah, that's right, you're ago today. Well, this morning when

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the night shift came up out of the work and

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they spread the room and they could hear Billy Baker's

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ghosts down there. Why yeah, that.

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Speaker 6: Was all the day crew needed.

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Speaker 3: Most of them look from the old country, and a

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lot of these people, well you know they're superstition.

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Speaker 6: Of course they wouldn't go near the chef. Finally I

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went down.

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Speaker 3: Of course, it's just a lot of cock and full.

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Speaker 7: What did the men say they hurt?

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Speaker 6: Oh?

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Speaker 3: No, some creaking and groaning, I guess.

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Speaker 6: Now.

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Speaker 3: You get that sometimes in the mine when the shore

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and sweats up and swells. But they will fit down,

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not them.

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Speaker 2: And that's the story.

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Speaker 3: Eh, that's it.

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Speaker 7: Well, all I can say is, as darkness falls, we

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leave the picturesque coal mine, delicou Hunter and.

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Speaker 9: Return to the big city where believe you mean.

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Speaker 7: Tark Cat, I'm going to give mister Perry White a

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big piece of my mind. Thank you for your patience.

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Speaker 2: Mister Macross, what was that?

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Speaker 6: Sounded like dynamite? That's stupid pools. What did they think

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that's gonna accomplish?

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Speaker 7: What happened?

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Speaker 3: I blew up the old chaff leading down into the

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contempted mind in seed idiot. I'd better rob them before

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they do any real damn shoot them? Are you by

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the shotgun? No, that's just a scare.

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Speaker 2: The more I'll go along with it. You don't mind

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my girl?

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Speaker 3: Okay by me, but the lady better stayed behind that

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kind of built tempered now.

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Speaker 2: Man, he's right, Lord's will only be a few minutes.

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Speaker 6: Are you coming? Yes?

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Speaker 3: Sometimes I think I ought to have my headache down?

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Speaker 2: Why do I bother with this?

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Speaker 6: Why don't I just pack up and leave?

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Speaker 2: Probably because you gotta kick out of mining coal?

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Speaker 9: Yeah?

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Speaker 6: Maybe, but the kick's not worth the blood.

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Speaker 3: That's something those crazy fools.

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Speaker 2: That chaff wasn't worse than anything wasn't now, but the

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stay plane at the charge to keep the blast by

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loose and showing in the main tunnel.

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Speaker 3: I'll say this for the and he was a kick

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after close lane.

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Speaker 2: I must be fifty mom.

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Speaker 6: All the old time.

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Speaker 2: All right, you guys, get off the property or full

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of full of buckshots.

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Speaker 6: They hear what I said.

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Speaker 5: He's no work for mine.

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Speaker 11: Work course, nobody's asking it to work. The mind, now

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get off the property. The night will blow your heads off.

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I'll count three, one, two, three, Wow, I did it.

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Speaker 3: They won't come back tonight. Let says tomorrow night, the

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next night, twenty of nights after that. I'm not gonna

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be responsible for what happens. Ken Uh, that's your name?

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Is the heat one to two your favors? Well, if

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I can gladly, I'm gonna call Honker and Harrisburg. I'm

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gonna put you on and let you tell him what

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you saw it tonight.

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Speaker 2: It will help and he'll be glad to let him

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sim let him close up.

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Speaker 6: I just don't want to be responsible. It's not worth it.

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Speaker 3: Come on, let's go back.

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Speaker 6: He needs this mind like he needs a hole in

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the head.

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Speaker 2: He's got five open faces.

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Speaker 6: It's over there squat.

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Speaker 3: The only reason he told down to this one because

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they named the town after them. So when I get

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him on the phone, you tell them what those crazy

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miners did it to night. Maybe that'll convince him her.

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Speaker 2: Hey, what happened to this lane?

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Speaker 6: Well? Maybe uh, maybe maybe she's watching the hands that lord.

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Speaker 2: Llowys, that's funny didn't follow us, did I don't think.

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Speaker 6: So, Lawys.

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Speaker 2: Llowyd, you don't think maybe she saw hike into town,

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not in the dark. No one else around.

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Speaker 3: Isn't no one except me in Granny Baker that you

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00:13:43,200 --> 00:13:43,919
could have gotten far?

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Speaker 6: Can't no matter where she.

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Speaker 3: Went, she was only gone five minutes.

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Speaker 2: I don't see a sign of anyone out here as

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too duck and you know that just isn't anyone lowis.

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Speaker 6: Lloyd.

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Speaker 2: I should have heard you by now she was around

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How far is it the town?

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Speaker 6: Half mile down the hill?

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Speaker 2: No, she wouldn't try it at night.

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00:14:02,200 --> 00:14:02,600
Speaker 6: What was that?

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00:14:03,080 --> 00:14:05,360
Speaker 3: Sounded like the slack chain on the main shaft up.

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00:14:05,440 --> 00:14:05,679
Speaker 6: To Come on?

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Speaker 3: Let's get a look, you shure m my graw positive

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00:14:13,960 --> 00:14:15,480
that shaft car was up here at the top.

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Speaker 6: Well, day couldn't have been the weather place last one

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to use. It was a night ship when they came

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up this morning.

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Speaker 2: Now you say it at the bottom of the shaft,

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five hundred and.

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Speaker 3: Sixty seats down the card of hit the bottom. We

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00:14:26,919 --> 00:14:29,919
heard the slack chain rapping. But miss Lane couldn't have

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00:14:29,960 --> 00:14:31,960
taken the card down alone, not unless.

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Speaker 6: She's been around deep chafts mine. Well she hasn't.

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00:14:35,360 --> 00:14:38,879
Speaker 3: Uh, there's no use looking down there, can't You can't

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00:14:38,919 --> 00:14:39,480
see nothing.

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Speaker 2: You would be surprised. I can see the elevator car

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00:14:44,919 --> 00:14:47,000
and I see two people walking along a tunnel.

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Speaker 6: What what do you answered me?

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00:14:49,639 --> 00:14:52,080
Speaker 2: No, man alive can see down that shafts them is

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00:14:52,159 --> 00:14:55,799
carrying a miners light. It's that old woman but Granny taker.

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00:14:55,919 --> 00:14:57,759
Speaker 6: Yeah, look this year idea.

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Speaker 2: But Joe Kent, I'd just finish telling you that chaft

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00:15:00,360 --> 00:15:02,399
is five hundred and sixty feet deep and pitched. I

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00:15:02,440 --> 00:15:04,240
make my word for it. They're down there, Lois and

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00:15:04,279 --> 00:15:05,480
the old woman. How do we bring that car?

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00:15:05,600 --> 00:15:07,720
Speaker 3: I wait a minute, catting the price Lake Macral, I'm

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not gonna stand here arguing with chess.

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Speaker 2: Lane is down in that mine with a demanded person.

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She's danged.

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Speaker 3: I take it take it easy, and Granny take his

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promised she wouldn't hurt a fly.

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Speaker 2: Why didn't she take Loais miss lane down into the mine.

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Speaker 6: I'm not sure she did because you say so. Don't

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00:15:20,639 --> 00:15:21,440
make it mcgral.

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00:15:21,480 --> 00:15:23,279
Speaker 2: Either you bring that elevator car up or I'll get

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down that chaft under my own power. Then you're talking crazy.

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Am I able to do it? I'll have to put

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you to sleep. So make up your mind and make

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00:15:28,559 --> 00:15:29,120
it up fast.

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Speaker 3: Okay, okay, that's the way you want it.

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Speaker 6: Throw that level, which one, the one on the right

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00:15:35,799 --> 00:15:36,759
with his shiny handle.

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Speaker 2: You can't get down there alone, Kent without a light.

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00:15:42,679 --> 00:15:43,360
Speaker 6: I can't go with it.

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00:15:43,440 --> 00:15:45,120
Speaker 2: It kind of those miners might take it in their

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00:15:45,200 --> 00:15:47,960
heads to come back. Don't worry about me, all right,

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00:15:48,080 --> 00:15:50,639
but remember you're doing this on your own responsibility.

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00:15:51,480 --> 00:15:53,519
Speaker 6: Anything happens down there, we got the boy of getting

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00:15:53,559 --> 00:15:53,799
you out.

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Speaker 2: You'll die in the dark like Billy Faker. We'll be

368
00:16:00,600 --> 00:16:03,159
back in a moment for part two and the exciting

369
00:16:03,240 --> 00:16:06,639
climax of the ghost of Billy Baker. What first here

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00:16:06,720 --> 00:16:15,679
is joy. Most of your listeners are well aware that

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00:16:15,840 --> 00:16:18,600
millions of people in Europe are seriously in need of

372
00:16:18,720 --> 00:16:22,000
food and clothing, but not all of you are completely

373
00:16:22,120 --> 00:16:27,399
familiar with Care c Are. This is shown by possible

374
00:16:27,399 --> 00:16:32,320
post figures you see exclusive of Care packages. Private persons

375
00:16:32,559 --> 00:16:35,879
set two hundred and fifty million dollars worth of relief

376
00:16:35,960 --> 00:16:40,080
and gift packages to Europe last year alone. Now Care

377
00:16:40,240 --> 00:16:43,399
buys its supplies in huge quantities and operates on a

378
00:16:43,519 --> 00:16:47,200
non profit basis. For ten dollars, Care sends air mail

379
00:16:47,480 --> 00:16:50,320
one of several different types of packages to whomever you

380
00:16:50,480 --> 00:16:54,679
designate in fifteen different countries. Each food package is designed

381
00:16:54,720 --> 00:16:56,759
to supplement the rations of a family of four for

382
00:16:56,840 --> 00:16:59,679
a month. Just send ten dollars to Care, New York

383
00:16:59,759 --> 00:17:03,039
for a food package, or spactify one of Care's other packages.

384
00:17:03,399 --> 00:17:04,880
Give your name and address on the name of the

385
00:17:04,880 --> 00:17:08,039
address of the recipient. You'll receive as signed receipt upon delivery.

386
00:17:08,240 --> 00:17:16,319
Remember send more for less through Care. And Now back

387
00:17:16,400 --> 00:17:20,400
to the Adventures of Superman and part two of the

388
00:17:20,519 --> 00:17:30,799
Ghost of Billy Baker. Riding the elevator car.

389
00:17:30,799 --> 00:17:33,759
Speaker 3: Down the main shaft over mccraw's warnings and protests, Park

390
00:17:33,880 --> 00:17:36,319
Kent reaches the broad loading tunnel of the Honiker Mine,

391
00:17:36,400 --> 00:17:38,519
almost six hundred feet beneath the surface.

392
00:17:39,119 --> 00:17:40,200
Speaker 6: Other tunnels laid.

393
00:17:40,079 --> 00:17:43,000
Speaker 2: With narrow cape, pan out from it in both directions

394
00:17:43,599 --> 00:17:45,359
for a moment, can't stare it into the darkness.

395
00:17:45,440 --> 00:17:48,400
Speaker 3: Making use of Superman's amazing X ray visions, he can

396
00:17:48,440 --> 00:17:51,240
see clearly along the branch tunnels until they curve out

397
00:17:51,279 --> 00:17:54,200
of sight. But curiously enough, he cannot see through the

398
00:17:54,240 --> 00:17:57,960
thick black walls, or unknown to him, the coal mine

399
00:17:58,000 --> 00:18:01,240
is laced with deposits of lead, one substance through which

400
00:18:01,319 --> 00:18:05,480
his X ray vision cannot penetrate. Puzzled and confused, can't

401
00:18:05,559 --> 00:18:12,920
start down the main tunnel, calling for Lois, Lower, Lower,

402
00:18:15,200 --> 00:18:18,039
but the only reply is a mocking pickle fading down

403
00:18:18,119 --> 00:18:25,359
the tunnel, bouncing from wall to wall like a thing alive. Meanwhile,

404
00:18:25,480 --> 00:18:28,400
some distance from the main shaft, Lois and the old woman,

405
00:18:28,480 --> 00:18:31,519
Granny Baker, are approaching what seems to be a dead end,

406
00:18:31,960 --> 00:18:34,319
a heap of coal and rock and rubble reaching to

407
00:18:34,400 --> 00:18:35,279
the tunnel ceiling.

408
00:18:40,759 --> 00:18:44,640
Speaker 8: He is the place, he is where the old tunnel was.

409
00:18:44,839 --> 00:18:51,039
Come down. Now, now you just listen, you just listen close.

410
00:18:53,279 --> 00:18:54,160
Speaker 9: I don't hear anything.

411
00:18:56,400 --> 00:18:57,160
Speaker 8: You've got to wait.

412
00:18:57,359 --> 00:19:01,279
Speaker 10: He doesn't move all the time, Billy does When did

413
00:19:01,319 --> 00:19:04,200
you hear him that? I can't get down here except

414
00:19:04,279 --> 00:19:08,960
when the night shift is off. Sunday's mostly every Sunday.

415
00:19:09,279 --> 00:19:11,880
Speaker 7: You heard him last time, and nicely.

416
00:19:12,079 --> 00:19:16,920
Speaker 8: Is a bell even hurt his heart eaten? My billy

417
00:19:17,160 --> 00:19:21,279
was a strong one. You listen dearly, you listen close.

418
00:19:23,640 --> 00:19:25,000
Speaker 9: I'm sorry, but I don't hear him.

419
00:19:26,000 --> 00:19:34,759
Speaker 8: Let me get clos there moving not now, probably just

420
00:19:34,960 --> 00:19:40,839
sitting billy any boy. I think we better go back.

421
00:19:41,960 --> 00:19:43,359
Ain't nobody down here now?

422
00:19:45,799 --> 00:19:48,480
Speaker 9: My billy boy scared him away day?

423
00:19:48,720 --> 00:19:51,920
Speaker 8: You just be patient, GIRLI did you hear him like

424
00:19:52,119 --> 00:19:52,559
I said?

425
00:19:53,000 --> 00:19:54,839
Speaker 7: Yes, I'm sure I will, but I think we'd better

426
00:19:54,880 --> 00:19:56,519
go back now. My friend will be waiting for me.

427
00:19:56,640 --> 00:20:00,880
Speaker 9: Do you think I'm crazy in the head like everyone else?

428
00:20:01,119 --> 00:20:01,920
Don't you know?

429
00:20:02,079 --> 00:20:02,559
Speaker 5: It isn't that.

430
00:20:04,039 --> 00:20:07,400
Speaker 8: You don't have to put on yes and do yourself

431
00:20:07,599 --> 00:20:08,200
right now?

432
00:20:08,880 --> 00:20:12,039
Speaker 9: Why did I ever come down here with this old

433
00:20:12,359 --> 00:20:13,400
in No believe me?

434
00:20:13,720 --> 00:20:14,720
Speaker 5: We can come back later.

435
00:20:15,400 --> 00:20:19,759
Speaker 10: No, no way here and way nnstay till my baby

436
00:20:19,880 --> 00:20:21,720
boy starts moving around.

437
00:20:22,200 --> 00:20:24,160
Speaker 9: I've got to let you hear it so you can

438
00:20:24,240 --> 00:20:26,319
tell all the people in the big city.

439
00:20:27,759 --> 00:20:29,920
Speaker 7: Please it is. It's a cold down here, and I'm

440
00:20:29,960 --> 00:20:30,920
not press on me enough.

441
00:20:31,079 --> 00:20:32,079
Speaker 9: You won't freeze.

442
00:20:32,200 --> 00:20:34,519
Speaker 5: You got more flesh on your bones.

443
00:20:34,200 --> 00:20:34,759
Speaker 9: Than I have.

444
00:20:35,079 --> 00:20:36,039
Speaker 5: If you want to say, why.

445
00:20:35,960 --> 00:20:36,720
Speaker 7: Doesn't give me that light?

446
00:20:36,799 --> 00:20:39,839
Speaker 9: I'll find my way back to shuffleone. Wouldn't that be

447
00:20:39,960 --> 00:20:42,759
a crazy thing for me to do? Leave my shelf

448
00:20:42,960 --> 00:20:46,000
was no light. There's a lot of tunnels down here.

449
00:20:46,119 --> 00:20:47,880
Speaker 5: Everybody could get lost.

450
00:20:47,759 --> 00:20:49,759
Speaker 7: Easy, and you just got to come with me, and

451
00:20:49,839 --> 00:20:50,680
no more nonsense.

452
00:20:50,839 --> 00:20:54,640
Speaker 10: Don't get your dander up, girly, and don't stock shop.

453
00:20:56,240 --> 00:20:59,119
Speaker 8: I've been coming down here every week for a year,

454
00:20:59,359 --> 00:21:01,480
has my been? Boy, wouldn't get lonesome?

455
00:21:01,640 --> 00:21:03,960
Speaker 9: You ain't been done at once before.

456
00:21:04,359 --> 00:21:08,480
Speaker 7: I'm sorry I came down this time. Don't you realize it? Well,

457
00:21:08,519 --> 00:21:12,279
don't you understand your service and jad freeing.

458
00:21:16,839 --> 00:21:17,680
Speaker 5: That so much?

459
00:21:17,839 --> 00:21:21,319
Speaker 9: You know he's sitting in there, just waiting for me

460
00:21:21,480 --> 00:21:23,519
to dig him out, always with a.

461
00:21:23,640 --> 00:21:26,759
Speaker 8: Patient and my billy, Well I'm not patient.

462
00:21:27,200 --> 00:21:33,039
Speaker 5: Give me the letter of my billy.

463
00:21:33,160 --> 00:21:33,400
Speaker 9: Didn't?

464
00:21:33,519 --> 00:21:34,519
Speaker 7: Yes, I did?

465
00:21:34,880 --> 00:21:35,359
Speaker 5: Oh yeah?

466
00:21:37,200 --> 00:21:40,759
Speaker 9: What are you shouting for? My friend kept looking for me?

467
00:21:42,559 --> 00:21:46,559
Speaker 5: Lord? Oh hell, well he won't fine. Get let's go

468
00:21:46,799 --> 00:22:03,799
fix up. You laying and I lay in my billiers bress.

469
00:22:03,920 --> 00:22:05,119
You've got it all right.

470
00:22:06,440 --> 00:22:07,079
Speaker 7: He's crazy.

471
00:22:07,440 --> 00:22:08,799
Speaker 5: He starts leaving here.

472
00:22:09,200 --> 00:22:09,480
Speaker 6: I know.

473
00:22:09,720 --> 00:22:12,039
Speaker 9: Let's what you tod all along, But you're wrong.

474
00:22:12,240 --> 00:22:14,559
Speaker 7: You see she hears the sun moving around behind that

475
00:22:14,680 --> 00:22:15,279
heap a ride.

476
00:22:15,400 --> 00:22:18,039
Speaker 9: Don't think I know as she heard his heart saving

477
00:22:18,119 --> 00:22:19,079
and good and strong.

478
00:22:19,279 --> 00:22:22,039
Speaker 2: He soon Let's go back to the elevator, chef any

479
00:22:22,079 --> 00:22:23,200
we can talk about it there now.

480
00:22:23,640 --> 00:22:26,079
Speaker 7: Now I got to wait until my billy boy starts

481
00:22:26,119 --> 00:22:27,880
moving around, says, I know he's all.

482
00:22:27,799 --> 00:22:29,640
Speaker 2: Right, but I had to put up with wild earth.

483
00:22:29,640 --> 00:22:30,559
Speaker 6: Did you come down here with her?

484
00:22:30,599 --> 00:22:30,640
Speaker 12: No?

485
00:22:30,839 --> 00:22:33,079
Speaker 9: Use you to whisper A lit won't change, Madison.

486
00:22:35,680 --> 00:22:37,720
Speaker 8: I'm listening for my billy boy.

487
00:22:38,079 --> 00:22:39,960
Speaker 2: You'll have to carry her back to the chaft body.

488
00:22:43,599 --> 00:22:44,519
Speaker 9: He's dump in the room.

489
00:22:44,640 --> 00:22:49,319
Speaker 8: Now you want to hear my billy boy?

490
00:22:50,240 --> 00:22:52,799
Speaker 2: Yes, yes, I'd like to hear it. And up close

491
00:22:52,880 --> 00:22:53,519
to them rocks.

492
00:22:53,880 --> 00:22:56,000
Speaker 9: You can hear his heart beat now.

493
00:22:58,640 --> 00:23:02,400
Speaker 7: And close, great Scott, what is it?

494
00:23:02,519 --> 00:23:03,440
Speaker 8: Talk you hear it?

495
00:23:03,559 --> 00:23:03,839
Speaker 2: Mister?

496
00:23:04,759 --> 00:23:06,920
Speaker 8: Yes, you're not serious.

497
00:23:07,119 --> 00:23:11,279
Speaker 7: He listen' heart?

498
00:23:11,799 --> 00:23:14,599
Speaker 5: I was crazy, he didn't you know better?

499
00:23:14,759 --> 00:23:17,319
Speaker 8: Now pack what is it?

500
00:23:17,799 --> 00:23:18,200
Speaker 2: I don't know.

501
00:23:19,920 --> 00:23:21,279
Speaker 7: Sounds like the beating of a heart.

502
00:23:22,759 --> 00:23:23,279
Speaker 6: Maybe it is?

503
00:23:23,880 --> 00:23:24,160
Speaker 5: Who know?

504
00:23:24,640 --> 00:23:25,960
Speaker 9: Well what we gan to say?

505
00:23:26,119 --> 00:23:30,200
Speaker 2: Now you're right, Grannie, Suppose you take miss Lane back

506
00:23:30,240 --> 00:23:31,920
to the elevator. Chaf while I try to get your

507
00:23:31,960 --> 00:23:33,160
son out from behind these rocks.

508
00:23:33,160 --> 00:23:33,960
Speaker 9: I think you can.

509
00:23:34,119 --> 00:23:34,559
Speaker 6: I'll try.

510
00:23:35,079 --> 00:23:38,799
Speaker 9: Oh, I should be obliged. Come on, long, girl, follow.

511
00:23:38,599 --> 00:23:39,839
Speaker 6: Me what it is?

512
00:23:40,000 --> 00:23:40,720
Speaker 2: They go along with her.

513
00:23:40,720 --> 00:23:42,480
Speaker 3: I'll meet you with the sheaf and I'm a friend

514
00:23:42,640 --> 00:23:43,279
of a round.

515
00:23:43,359 --> 00:23:45,440
Speaker 6: Here go and lors, it's all right, don't worry.

516
00:23:45,480 --> 00:23:46,279
Speaker 7: What are you going to do.

517
00:23:46,759 --> 00:23:49,319
Speaker 2: I'm going to try to find out whether that's a heart.

518
00:23:49,599 --> 00:23:53,119
Speaker 3: Or a hope. Waiting in the complete and utter darkness

519
00:23:53,200 --> 00:23:55,119
until he is certain lower than the old woman are

520
00:23:55,160 --> 00:23:58,519
beyond earshot can't quickly complete the transformation from a mild

521
00:23:58,599 --> 00:24:01,519
mannered crime reporter to he roic, blue and red costumed

522
00:24:01,559 --> 00:24:06,440
figure of Superman. Then, turning to the solid wall of

523
00:24:06,519 --> 00:24:08,720
rock and rubble, he begins to tear it apart with

524
00:24:08,799 --> 00:24:12,319
his bare hands, throwing huge boulders and slabs have scaled

525
00:24:12,359 --> 00:24:13,960
one side as though they were pebbles.

526
00:24:14,720 --> 00:24:15,759
Speaker 6: Doesn't seem to be.

527
00:24:15,799 --> 00:24:20,240
Speaker 2: Any ends of this. There must be that creezy sound

528
00:24:20,559 --> 00:24:21,799
didn't come from nowhere.

529
00:24:22,119 --> 00:24:24,960
Speaker 3: Found head like a human screen shovel, Superman pours deeper

530
00:24:24,960 --> 00:24:27,200
and steeper into the mass of rock and rubble, finally

531
00:24:27,319 --> 00:24:30,839
breaks through into an open tunnel lit strangely enough, by

532
00:24:30,880 --> 00:24:34,160
a battery operated bulb suspended from a wire nailed across

533
00:24:34,200 --> 00:24:37,319
the ceilings. In one corner of the tunnel, half hidden

534
00:24:37,359 --> 00:24:40,359
behind a pile of rock, is a human skeleton with

535
00:24:40,519 --> 00:24:43,680
shreds of clothing still clinging to the bare dry bones.

536
00:24:44,480 --> 00:24:47,200
Suddenly he hears Lois's saint far off scream for help.

537
00:24:50,680 --> 00:24:52,720
Racing back along the main tunnel, he finds Lowers his

538
00:24:52,759 --> 00:24:54,319
shell and the old woman screaming.

539
00:24:54,359 --> 00:24:55,759
Speaker 2: Imprecations up the can.

540
00:24:56,160 --> 00:25:02,920
Speaker 9: Over your rugging sack away, Yes, what happens?

541
00:25:03,400 --> 00:25:10,359
Speaker 2: The elevator moves up with hold yourself is laying all right, Frenny,

542
00:25:12,000 --> 00:25:12,559
quite good?

543
00:25:12,680 --> 00:25:13,200
Speaker 3: Stand back.

544
00:25:13,559 --> 00:25:14,799
Speaker 2: It's dynamite for the life you.

545
00:25:16,400 --> 00:25:18,480
Speaker 6: I'll have to take the shaft. I'll be back for you.

546
00:25:19,480 --> 00:25:22,359
Speaker 3: Laving the dynamite with its short swatering fuse, Superman leaps

547
00:25:22,400 --> 00:25:24,079
up the shaft like an arrow shot from a bow,

548
00:25:24,400 --> 00:25:26,920
and keeps going until, with his strange power of light,

549
00:25:27,160 --> 00:25:29,319
he is hovering in the sky high above the mine.

550
00:25:29,839 --> 00:25:32,000
Then flinging the dynamite away from him, he watches it

551
00:25:32,079 --> 00:25:34,359
explodes safely harmlessly in empty air.

552
00:25:41,799 --> 00:25:43,039
Speaker 2: But his work is not done.

553
00:25:43,240 --> 00:25:45,240
Speaker 3: A human figure is running from the mine shaft to

554
00:25:45,359 --> 00:25:47,880
the company office, dropping down like a bird of prey.

555
00:25:48,000 --> 00:25:49,920
Speaker 2: Superman grabbed him as he reaches the door.

556
00:25:51,720 --> 00:26:05,319
Speaker 12: All right, draw the hearty's over, you're true, johns in

557
00:26:05,400 --> 00:26:07,720
the beginning cock and tells to me slowly.

558
00:26:08,000 --> 00:26:10,400
Speaker 2: Well, McGrath's covered another entrance to the portion of the

559
00:26:10,519 --> 00:26:12,759
mine that collapsed last year and trapped Billy Baker. It

560
00:26:12,839 --> 00:26:14,799
was a tunnel on the other side of the hill. Yes,

561
00:26:15,599 --> 00:26:18,079
he followed the tunnel a couple of months ago, discovered

562
00:26:18,119 --> 00:26:22,000
Billy Baker's body and something else. What the collapse of

563
00:26:22,079 --> 00:26:24,920
the tunnel walls That uncovered a deposit of uranium.

564
00:26:25,279 --> 00:26:25,799
Speaker 9: Uranium.

565
00:26:25,880 --> 00:26:26,279
Speaker 6: That's right.

566
00:26:26,880 --> 00:26:29,960
Speaker 2: He's been working that tunnel secretly at night. Last night

567
00:26:30,039 --> 00:26:31,480
the miners heard him moving around.

568
00:26:31,519 --> 00:26:33,240
Speaker 7: Oh, Granny Baker must have been hearing.

569
00:26:33,119 --> 00:26:34,000
Speaker 5: Him since he started.

570
00:26:34,119 --> 00:26:36,519
Speaker 2: He did when he worked at Sunday nights. He wasn't

571
00:26:36,559 --> 00:26:38,759
too concerned about keeping quiet because he thought the mine

572
00:26:38,799 --> 00:26:39,160
was empty.

573
00:26:39,519 --> 00:26:39,759
Speaker 5: Cock.

574
00:26:41,279 --> 00:26:43,319
Speaker 9: That that heart seat we heard he had.

575
00:26:43,200 --> 00:26:45,519
Speaker 2: A Geiger counter. That's the device that checked the presence

576
00:26:45,559 --> 00:26:46,039
of uranium.

577
00:26:46,079 --> 00:26:46,440
Speaker 6: Yes, I know.

578
00:26:46,839 --> 00:26:48,759
Speaker 2: The slow ticking of it from behind that wall of

579
00:26:48,880 --> 00:26:51,119
rock and in that echoing tunnel sounded like the beating

580
00:26:51,160 --> 00:26:51,960
of a heart and.

581
00:26:52,079 --> 00:26:54,039
Speaker 7: He did all this secretly in the hope that he

582
00:26:54,079 --> 00:26:55,880
could get the uranium or out for him.

583
00:26:55,759 --> 00:26:58,680
Speaker 2: Till that's right now from what the sheriff told me.

584
00:26:58,759 --> 00:27:01,240
If the local miners don't, Jimmy have plenty of time

585
00:27:01,319 --> 00:27:08,640
in jail to think things over. Well, enter railroad station, Paul,

586
00:27:08,799 --> 00:27:11,640
I mean not to be coming in soon. Wow, thanks

587
00:27:11,680 --> 00:27:16,119
a lot, Luke two dollars right now, replying, oh, watch

588
00:27:16,200 --> 00:27:19,119
that running board lost and we're getting that fixed. One

589
00:27:19,160 --> 00:27:19,759
of these things.

590
00:27:19,880 --> 00:27:21,559
Speaker 9: Well, drop me a card when you do.

591
00:27:23,200 --> 00:27:26,319
Speaker 4: I must ask you, lady, Yes, Luke here tell that

592
00:27:26,440 --> 00:27:28,839
speller Superman was up to the Honaker mind.

593
00:27:29,599 --> 00:27:33,359
Speaker 7: You need true some mass, you'd better ask mister kat Luke.

594
00:27:33,799 --> 00:27:36,279
He seems to be Superman general manager.

595
00:27:36,759 --> 00:27:37,519
Speaker 6: Ha ha ha.

596
00:27:48,559 --> 00:27:51,240
Speaker 3: And so in the Ghost of Billy Baker on The

597
00:27:51,359 --> 00:27:54,799
Adventures of Superman, which comes to you now each week

598
00:27:54,880 --> 00:27:57,319
at the same time over many of these same ABC

599
00:27:57,559 --> 00:28:02,799
stations again next week to one other exciting Superman adventure story.

600
00:28:03,119 --> 00:28:06,400
Superman is a copyright transcribed feature appearing in Superman DC

601
00:28:06,559 --> 00:28:10,240
Comic magazine and brings you radio's most fabulous character in

602
00:28:10,400 --> 00:28:13,160
telling stories of action, mystery, and adventure.

603
00:28:13,640 --> 00:28:16,160
Speaker 2: I'll be sure to listen when you hear the Famania.

604
00:28:15,880 --> 00:28:20,319
Speaker 1: Cry faster than a speeding bullet, more powerful than a locomotive,

605
00:28:22,039 --> 00:28:24,079
able to leave Paul Buildings at a single bound.

606
00:28:25,839 --> 00:28:27,839
Speaker 2: Well up on the sky, it's a bird.

607
00:28:28,119 --> 00:28:28,759
Speaker 3: H's a plane.

608
00:28:28,960 --> 00:28:29,839
Speaker 11: Hits Hooperman.

609
00:28:32,839 --> 00:28:35,839
Speaker 3: This is ABC, the American broadcasting company,