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Speaker 1: WMNH rip the Nobles.

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drink and be happy Dizze's Cafe.

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Speaker 3: When it comes to keeping WMNH on the air and

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at six zero three six four five zero one.

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Speaker 3: Way, Trust grow In Computers.

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Speaker 5: Midnight seven times out of ten we listened to our

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music at night.

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Speaker 2: That's on the title book Business Program late night to

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Light with DJ Midas right here on WMNH Manchester because

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Saturdays and Sunday nights midnight to four am.

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Speaker 4: This hour on WMNH is sponsored by CGI Business Solutions

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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Their phone number is eight six six eighty four to

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one forty six on or on the web at CGI

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Speaker 6: Wm NH will rip the novels.

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Speaker 7: You're listening to Matt Connorton Unleashed on.

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Speaker 4: Wmn H ninety five point three.

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Speaker 7: Welcome back everybody. Here we go. We have entered our

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number three New Marrow trace of Matt Connerton Unleashed and

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we are live from the studios of w m n

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H ninety five point three FM in Glorious Manchester, New Hampshire,

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and you can stream the show from anywhere. Go to

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Matt Conterton dot com slash live and today is Saturday

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July twenty six, twenty twenty five. Jenny is here of

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course at the news table President and we have joining us.

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Let me get these let me get these mics up here,

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because it's been a while since, uh, this gentleman's been

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on the show. Bags Ballan is.

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Speaker 8: Here, he'll hello, hey, hey, hey, nice to be back.

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Speaker 7: That mic sounds good too, excellent. Yeah, yeah, that's always uh.

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Speaker 8: He Matt, Hey, Jenny, it's good to be back and unleashed.

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Speaker 7: Hey, do me a favorite. Justus strum that guitar a

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little bit so to make sure I can hear you

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turn that up a little bit. Oh yeah, that sounds nice.

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That sounds really good. So it's been a while since, uh,

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since you've been on the show. I mean it's probably

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been at least a year, right, and in.

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Speaker 9: A little over a year I think since I did. Yeah,

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I been working a lot hard this winter, writing a

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lot of songs and not so much playing out places

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and shows, but working on some songs. I have a

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lot written, and I got to get in and get

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those produced with mister Goodbar. Shout out to Timothy Thorpe. Yeah,

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Toy Box Studios, YHL, Young Hustle League shout out, ye

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bang Goldie.

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Speaker 7: He's he's so talented and he does you know, some

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people might not realize he doesn't just do hip hop.

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He does he does all kinds of stuff. That guy.

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I mean, he does rock, he does metal, he does

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he does what you reverses.

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Speaker 8: All the genres. Yeah, oh yeah, I said this on

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one time.

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Speaker 9: I came in there with an acoustic guitar song and

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when I came in there, within about ten minutes he

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turns it into a hip hop song. I had a

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big eight oh eight beats to it. Yeah, well versus Yeah,

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he does a really good job. Anybody wants a very good,

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you know, value of the best for the best pricing

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out there, I think so.

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Speaker 8: Oh yeah, check him out.

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Speaker 7: Absolutely.

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Speaker 8: Yeah.

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Speaker 7: We had him on the show. I don't know how.

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I don't know what it was. Now it all, it

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all becomes a blur. But he's just so fascinating to

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talk to, you know, all different kinds of music, and

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his backstory is really interesting, you know, mm hmm. So yeah,

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shout out to him. Yeah, have you been working with

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him on some studio stuff or I haven't.

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Speaker 9: I'm gonna be getting in there and message him. I'm

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going to get in there and get some things done.

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At least four of them. I want to try and

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get like three or three or so today and maybe

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play a couple leaks that I've.

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Speaker 8: Played here before.

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Speaker 7: Good.

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Speaker 9: So, yeah, that's what I've been doing, you know, acoustic

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style here. Once we once they'll start taking form like

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they do, you know. Yeah, and just like the other

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ones have, but uh yeah, I got them kind of

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raw acoustic style for these. A couple of new ones

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I wanted to play, especially this new one I have

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I want to get really soon is love Ransom.

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Speaker 8: Okay, so that's when that one's going out right now?

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Speaker 10: Oh?

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Speaker 7: Very cool, very cool? So you want to you want

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to play a play a few, play play three or

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four and then we'll talk a little more and then

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maybe play some more.

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Speaker 8: Yeah, it's Jim a little bit on here, all right,

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all right.

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Speaker 7: Shane Ballin live and I'm sorry bags Ballin old habits.

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Speaker 8: All right, sometimes I forget them bags too. Thanks a lot, and.

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Speaker 7: We should tell people too. For people looking for you online,

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it's b A g Z.

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Speaker 6: Thank you.

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Speaker 8: B A g Z, B A l O N. Yeah.

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Speaker 9: Facebook, you can see YouTube, Spotify songs, everything like that

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still on YouTube under Shane Ballin so especial any but

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so you can find both ways. But B A g

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Z that that is me Bags balance, so uh yeah,

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play play some tunes. I hope you like it. Here's

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a couple new songs and that maybe some covers for you.

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Speaker 7: All right, here we go and a little clad joy you.

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Speaker 9: Know we gotta started things off holt here. Yeah, this

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is my new song called love Ransom.

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Speaker 11: You won't mad and you go on you like after

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who had oft.

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Speaker 1: H our hand Bloom.

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Speaker 12: Was like Fabio Weird saying sculpture skinning Sundays.

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Speaker 1: We went to book the shine.

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Speaker 13: Sun bak as we won't she right, We chase the moon.

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Speaker 1: To cross joy Fields, regrets.

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Speaker 14: You one man.

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Speaker 1: And on you like after nine streets. I've been very

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fan really dream.

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Speaker 15: If this fool last right, use mine call you like

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you use your s.

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Speaker 6: You wre mind so high we shine.

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Speaker 16: See but I really feel for him, but I feel

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rejection and coll make mo.

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Speaker 1: I want to say I love you fo time scared.

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Speaker 6: If I.

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Speaker 1: That you'll leave me the.

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Speaker 15: He want mine love somebody leave hanging wan you lie after.

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Speaker 1: Lie excuse I'll be better than.

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Speaker 6: Dream yeh.

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Speaker 4: This was.

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Speaker 5: He was my.

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Speaker 1: Mean you my.

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Speaker 8: Ang you like have to know the extreme. Yeah, it's beautiful.

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Speaker 7: Thanks Wow, Bags Ballad Live and studio with us. That's

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love Ransom, Love Ransom brand new.

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Speaker 8: You get that out.

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Speaker 9: Yeah, it might be a little bit different next time

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you hear it. Never know, Yeah, a little different different ways.

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Speaker 8: But uh yeah, so.

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Speaker 9: You know, just thinking about what to play next. I

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kind of want to play. Uh I'm play a little

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cover right here. You'll cut up a little cover right.

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Speaker 1: Got chip bam you got. Don't change time to me?

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Speaker 6: Tight time.

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Speaker 8: Gain who's got little clothes in your my friend.

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Speaker 1: To your house?

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Speaker 17: Huh be he looking.

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Speaker 1: Sweet like candy to my soul? Sweet you rock, sweet

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you roll lass free.

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Speaker 6: I'm soul.

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Speaker 1: I use swell. Can you comb in?

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Speaker 4: Shoot to me?

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Speaker 5: You babe?

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Speaker 1: Can I come in?

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Speaker 6: If I bone over?

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Speaker 18: I'm board well and I'm backing and mule to forget

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me or with my hans.

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Speaker 1: It's told in clubs girl that was me.

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Speaker 14: I wasn't coming crash.

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Speaker 10: Maybe and I come in.

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Speaker 14: I come in the.

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Speaker 1: Lips just sob out you know.

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Speaker 18: In your eyes love It grows so lome y, bombly

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and crazy homely for you home Yeah, and you come

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in crash into me, baby, and I come into.

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Speaker 9: This song is called Gingerbread Houses. This is about chaperone

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and I vented for my.

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Speaker 19: Son pancakes, sins, your bread.

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Speaker 1: And houses, and I was along for the show.

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Speaker 10: I worked the bread while I swelt just a little.

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Speaker 15: My son never wanted me to have a cold candy cane,

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gum drops, some frosty.

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Speaker 1: Each one was sweeter than the last. I med hall

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his friends.

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Speaker 10: I stayed to the.

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Speaker 6: Board of the time, go by fast.

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Speaker 15: Today I receive indeed to kill me any five sad.

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I showed up the class. He hugged me so fast,

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showed every when I was here. Dad, Maybe I.

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Speaker 10: Work as a teacher. That a psni mine.

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Speaker 15: I won't get closure to Christmas is over me, is

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on pass till next week.

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Speaker 8: I don't think I'll over.

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Speaker 10: Be over this week may operate that I feel.

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Speaker 15: I wish they were here every day of my year,

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and then I wouldn't write these songs just to heal.

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Speaker 19: I wouldn't need these songs just to hear me.

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Speaker 4: To day.

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Speaker 10: I received remedy to kill me any follow who said.

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Speaker 15: Just show up to class self, hug you so fast,

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show everyone your.

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Speaker 8: She's breadhouses. Find that one out.

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Speaker 6: Yeah, it's kind of like a little mash up.

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Speaker 8: Maybe maybe a little Morgan Wall mash up. He's hot again, right,

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everyone likes him a guy, right, that's right.

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Speaker 6: The only guy can come back from that.

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Speaker 12: M hm.

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Speaker 20: Hm, he's sh shange just to cool.

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Speaker 1: Downtown me some gasoline. I'm just trying to palm a flame,

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trying to burn a whole place down down here. Explain

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every falling.

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Speaker 12: In love with a guy like me in first place,

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I'm saying his worst thing, that signs prive go miss everything,

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know wrong, find swapple.

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Speaker 21: Why he's stiff around his flong and this listen, Hi

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putting in on the show.

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Speaker 1: Any man, you look at me because you beast seen

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you say, you gotta be thinking.

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Speaker 14: Fine the crime.

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Speaker 22: Puma's going on over town. Can't keep my mouth and

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mouth these days they gonna see lived too fast to

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settle down, choose this.

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Speaker 1: I just think about these games.

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Speaker 8: They all pay.

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Speaker 1: How wall to find something stronger themis can.

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Speaker 21: And every time I chime, every time I feel casting me,

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I can come in up them tea.

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Speaker 1: I just wanna lie.

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Speaker 21: Sound body who wanted to hold in my heart?

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Speaker 1: I just want to live Soundbode who wan call in

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the party? Looking boy every five some more interestreet Chris Night.

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I just wanna liebody.

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00:18:01,200 --> 00:18:04,480
Speaker 15: Who wait every time God of science and bloody nuts

240
00:18:04,640 --> 00:18:07,079
like that, sensible.

241
00:18:08,720 --> 00:18:10,440
Speaker 10: Need someone want to settle down.

242
00:18:10,440 --> 00:18:13,799
Speaker 22: Someone to bring back to my hometown outstairs that just

243
00:18:13,880 --> 00:18:20,119
ain't calling, who want to find something stronger them with?

244
00:18:23,440 --> 00:18:27,880
Speaker 21: And every time I try, every time I forget care,

245
00:18:29,319 --> 00:18:35,759
I keep coming up empty. I just wanna lie somebody

246
00:18:37,200 --> 00:18:43,559
who won't even falling aperse. I just wanna lie somebody

247
00:18:44,880 --> 00:18:45,880
who wanted.

248
00:18:45,839 --> 00:18:49,759
Speaker 1: Hold in my heart, can't let me looking.

249
00:18:49,559 --> 00:18:54,680
Speaker 12: Anybody every five something more than just to prison night.

250
00:18:56,000 --> 00:18:58,920
Speaker 1: I just wannallor somebody.

251
00:19:13,200 --> 00:19:21,519
Speaker 23: M hm hm h.

252
00:19:24,240 --> 00:19:24,599
Speaker 12: M hm.

253
00:19:26,680 --> 00:19:30,799
Speaker 9: He's a little song by I want my song by

254
00:19:30,920 --> 00:19:32,640
Luke Combs and out to play and play another cover.

255
00:19:32,759 --> 00:19:33,880
I mean I play another original.

256
00:19:36,240 --> 00:19:39,519
Speaker 6: M h.

257
00:19:45,119 --> 00:19:49,039
Speaker 1: I got called and paying my city trying to buy

258
00:19:49,279 --> 00:19:55,680
some beer with some Georgian girl. I got war out

259
00:19:55,839 --> 00:20:00,799
by my daddy. Ever seen said from smoke some more

260
00:20:04,039 --> 00:20:06,079
a my friends kill.

261
00:20:07,440 --> 00:20:16,920
Speaker 12: Seems I got calls prins to flame forever real little Thames, that.

262
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Speaker 1: Guy who heaves with you.

263
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Speaker 21: Somehow, young girl, I still ain't been found out. It's

264
00:20:27,559 --> 00:20:33,920
crazy truth, like a strong laugh Gates about the track

265
00:20:36,480 --> 00:20:41,480
I don't walk down blue now the born least a

266
00:20:41,839 --> 00:20:51,880
thing he's mine, shout the booking hand, little crime, but.

267
00:20:52,119 --> 00:21:04,240
Speaker 1: I gotta working with it. Looking like you do on it,

268
00:21:04,680 --> 00:21:11,359
demel you cry lit along and feel.

269
00:21:11,319 --> 00:21:16,599
Speaker 5: Like me, Pam and ham to time.

270
00:21:20,799 --> 00:21:25,960
Speaker 1: He me already free. Someone turning up cheese.

271
00:21:27,559 --> 00:21:31,839
Speaker 24: It's the rain on blue likes in my revenue.

272
00:21:32,799 --> 00:21:39,960
Speaker 15: That gotto praying with you somehow, girl, I still ain't

273
00:21:40,119 --> 00:21:41,799
been found down.

274
00:21:43,400 --> 00:21:49,559
Speaker 21: It's a crazy statue like a storm day some fown

275
00:21:49,839 --> 00:21:50,319
to try.

276
00:21:56,400 --> 00:22:09,000
Speaker 1: I walk him blue? Have all leases stabbed? Booking hanging

277
00:22:09,359 --> 00:22:21,640
in the crown. I got a woo got wood.

278
00:22:30,200 --> 00:22:31,039
Speaker 6: Mm hmm, all right.

279
00:22:31,559 --> 00:22:33,240
Speaker 7: Was it was that an original or is that a coverage?

280
00:22:33,960 --> 00:22:34,039
Speaker 5: Oh?

281
00:22:34,119 --> 00:22:36,160
Speaker 7: Those Luke comps. I hadn't heard that song. I really

282
00:22:36,279 --> 00:22:38,240
like it though, Yeah, that's really good with you. Yeah.

283
00:22:38,319 --> 00:22:38,519
Speaker 6: Yeah.

284
00:22:39,000 --> 00:22:41,839
Speaker 7: By the way, the song about what was it called

285
00:22:41,880 --> 00:22:43,240
the chaperone.

286
00:22:42,960 --> 00:22:44,119
Speaker 8: For gingerbread Houses?

287
00:22:44,200 --> 00:22:47,559
Speaker 7: Gingerbread houses? So what is your that? That's about chaperone

288
00:22:47,839 --> 00:22:48,599
your for your son.

289
00:22:48,720 --> 00:22:51,119
Speaker 9: That's about chaperoneing for my son. Yea, I was chaperoning

290
00:22:51,200 --> 00:22:55,559
a gingerbread house making event. Really they're making pancakes and

291
00:22:55,680 --> 00:22:57,400
so oh wow, I got to go when it was

292
00:22:57,400 --> 00:22:59,160
one of the parents who got to go, And yeah,

293
00:22:59,279 --> 00:23:02,480
I sat there. We did a bunch of gingerbread houses

294
00:23:02,519 --> 00:23:05,039
and pancakes, and it's like right before a great Christmas time,

295
00:23:05,359 --> 00:23:06,480
you know. And then I came back.

296
00:23:06,519 --> 00:23:08,400
Speaker 8: It was like I had to leave halfway through the

297
00:23:08,480 --> 00:23:09,599
day and the other kids I.

298
00:23:09,680 --> 00:23:11,440
Speaker 9: Want to go to resets too, and I said, I

299
00:23:11,519 --> 00:23:14,000
kind of go, and I ended up going writing a

300
00:23:14,119 --> 00:23:15,720
song that night about that.

301
00:23:17,039 --> 00:23:19,240
Speaker 8: So yeah, it takes.

302
00:23:19,720 --> 00:23:22,319
Speaker 9: Songs can take, you know, take sometimes she's sad about

303
00:23:22,359 --> 00:23:24,240
something and then you can write a song and it

304
00:23:24,279 --> 00:23:27,039
becomes a real positive thing. So yeah, one real good

305
00:23:27,079 --> 00:23:27,960
thing about songwriting.

306
00:23:28,039 --> 00:23:30,000
Speaker 7: So has he heard it? Has he heard the song?

307
00:23:30,119 --> 00:23:30,240
Speaker 25: Oh?

308
00:23:30,319 --> 00:23:33,119
Speaker 9: Yeah, yeah, yeah, yeah, he's there. Maybe he's listening right now. Yeah,

309
00:23:33,200 --> 00:23:34,519
shout out to Eli and Nora.

310
00:23:35,680 --> 00:23:39,839
Speaker 7: By the way, I can tell you Bonnie is listening.

311
00:23:39,920 --> 00:23:40,480
Speaker 8: Hey Bonnie.

312
00:23:40,960 --> 00:23:43,839
Speaker 7: She messaged through the website. She said love Ransom my

313
00:23:44,079 --> 00:23:48,240
song and she said follow bags ballad with multiple explanation points,

314
00:23:48,279 --> 00:23:49,480
so we know she she means it.

315
00:23:49,640 --> 00:23:51,319
Speaker 8: Extra yeah yo.

316
00:23:51,680 --> 00:23:55,359
Speaker 7: Yeah, yeah, yeah, very good, very good. Now what's so,

317
00:23:55,480 --> 00:23:57,680
have you been playing out a lot or well?

318
00:23:57,839 --> 00:24:00,680
Speaker 9: I haven't been playing out like I did last year. Yeah,

319
00:24:00,720 --> 00:24:03,480
I've been focusing in on writing the songs. Yeah, and

320
00:24:03,559 --> 00:24:06,759
doing more songwriting. Yeah, so I have about I'd say

321
00:24:06,799 --> 00:24:08,640
I went through. I have them almost twenty songs here,

322
00:24:09,240 --> 00:24:11,079
but I got you know, three or four here. I'm

323
00:24:11,079 --> 00:24:14,880
ready to go and get those kind of completed. So yeah, yeah,

324
00:24:15,160 --> 00:24:16,519
just folks on that. I will be playing at the

325
00:24:16,559 --> 00:24:22,480
Sanddown Farmers Market on September third, okay, hosted by roostera

326
00:24:22,480 --> 00:24:27,839
Gilla shout out Roosta Sandown Farmers Market Music Series. And

327
00:24:28,519 --> 00:24:31,200
you know, I played a couple of different places. One

328
00:24:31,240 --> 00:24:32,920
great place and I also wanted to give a quick

329
00:24:32,960 --> 00:24:36,599
shout out to them. Played in Kittery there for an event.

330
00:24:37,480 --> 00:24:42,079
But it's one of the finest medical herbal medicine dispensaries

331
00:24:42,119 --> 00:24:46,160
that there are in I would say New England area,

332
00:24:47,200 --> 00:24:49,079
and you know, definitely the local area.

333
00:24:49,119 --> 00:24:51,640
Speaker 8: And it's in Maine. It's right over the border. It's

334
00:24:51,680 --> 00:24:53,640
in Kittery, Maine. You can't miss it.

335
00:24:53,759 --> 00:24:57,680
Speaker 9: You look at It's called Mars Organics, okay, and they

336
00:24:57,880 --> 00:25:02,480
it's just you know, all natural, great remedies for anything

337
00:25:02,599 --> 00:25:04,759
you you know that you need for for more and

338
00:25:04,880 --> 00:25:08,519
all natural health and uh, you know check them out.

339
00:25:08,920 --> 00:25:12,920
Great people there and you know you can see those

340
00:25:12,960 --> 00:25:16,839
guys there, uh you know Joe Johnny, you know, Andy,

341
00:25:16,880 --> 00:25:19,480
A bunch of different people, great people up there.

342
00:25:19,559 --> 00:25:21,480
Speaker 8: So I just wanted to let you know about that.

343
00:25:21,519 --> 00:25:23,680
It's right off exit two, go over the bridge, Exit

344
00:25:23,720 --> 00:25:28,920
two in Maine. And uh it's Marx Organic. So it's an.

345
00:25:29,000 --> 00:25:32,519
Speaker 26: Kiddy and that is Organics as O R G A

346
00:25:32,960 --> 00:25:33,839
N I X.

347
00:25:34,160 --> 00:25:37,119
Speaker 9: That's right with an X on it. And they've been

348
00:25:37,359 --> 00:25:40,279
in business for a long time too, you know. And

349
00:25:40,720 --> 00:25:44,799
you know, I myself been a patient of therapeutic uh

350
00:25:45,279 --> 00:25:49,160
you know program uh for about eight years, and uh

351
00:25:49,319 --> 00:25:51,279
they're the best around. So take my advice and check

352
00:25:51,279 --> 00:25:52,119
out Mark's Organics.

353
00:25:52,440 --> 00:25:54,079
Speaker 7: Right, yeah, very good, very good.

354
00:25:54,319 --> 00:25:55,440
Speaker 8: Like Joe Rogan, I'm back.

355
00:25:58,240 --> 00:26:03,759
Speaker 7: Well yeah, except you're promoting something actually useful. Some of

356
00:26:03,880 --> 00:26:08,799
the stuff Rogan puts anyway, I don't know about that

357
00:26:09,000 --> 00:26:12,680
that on it that he's uh, I don't know that

358
00:26:12,759 --> 00:26:14,880
he's always promoting. I guess he's a part of the company.

359
00:26:15,160 --> 00:26:17,079
I'm still small, I'm still under the radar enough I

360
00:26:17,119 --> 00:26:19,599
can say that I'm not gonna get sued. I'm not

361
00:26:19,680 --> 00:26:22,440
throwing shade out. Stay around, man, you have more you

362
00:26:22,519 --> 00:26:24,680
have more credibility with me than Joe Rogan. Let's put

363
00:26:24,680 --> 00:26:25,039
it that way.

364
00:26:25,640 --> 00:26:25,920
Speaker 8: Thank you.

365
00:26:26,200 --> 00:26:28,039
Speaker 7: No, I think no, I think in all seriously, So

366
00:26:28,079 --> 00:26:30,200
I think it's cool that you tell people about that because, uh,

367
00:26:30,680 --> 00:26:32,000
you know, that's something that can help people.

368
00:26:32,079 --> 00:26:33,640
Speaker 9: It is and a lot of people are in pain.

369
00:26:33,640 --> 00:26:35,920
They're taking a lot of medicines for pain. They're taking

370
00:26:35,920 --> 00:26:38,440
a lot of painkillers and sleep medicines, and it's horrible

371
00:26:38,519 --> 00:26:42,160
for your kidneys and your body, and you know, and

372
00:26:42,319 --> 00:26:44,960
that's uh, it's it's it's it's.

373
00:26:44,839 --> 00:26:46,119
Speaker 8: A really great alternative.

374
00:26:46,119 --> 00:26:47,880
Speaker 9: A lot of people have turned their lives around without

375
00:26:47,920 --> 00:26:50,519
being you know, a lot of people are on different

376
00:26:50,559 --> 00:26:51,519
things from their doctors.

377
00:26:51,599 --> 00:26:52,359
Speaker 8: So check it out.

378
00:26:52,519 --> 00:26:54,839
Speaker 7: Yeah, yeah, absolutely, No, I think that's really cool. Did

379
00:26:54,880 --> 00:26:55,960
they know you were going to come on the show

380
00:26:56,000 --> 00:26:56,640
today and talk about it?

381
00:26:56,880 --> 00:26:57,240
Speaker 8: I gave him.

382
00:26:57,279 --> 00:27:00,519
Speaker 9: I told them I would had come in and hopefully

383
00:27:00,559 --> 00:27:02,000
they hear it and I'll send it over to you

384
00:27:02,079 --> 00:27:02,480
guys too.

385
00:27:03,000 --> 00:27:06,279
Speaker 7: Awesome, awesome, All right, you want you want to play

386
00:27:06,319 --> 00:27:07,279
some more for us?

387
00:27:07,599 --> 00:27:08,240
Speaker 8: Most definitely?

388
00:27:09,079 --> 00:27:10,839
Speaker 7: Bags Ballance is here with us live and studio. If

389
00:27:10,839 --> 00:27:14,720
you're just joining us, this is your fourth, fourth time,

390
00:27:14,839 --> 00:27:17,319
fourth time you're in you're almost in the five timers club.

391
00:27:17,359 --> 00:27:18,559
Speaker 8: All right, five times club.

392
00:27:18,599 --> 00:27:20,319
Speaker 7: We'll get we'll get there, So you're close.

393
00:27:20,400 --> 00:27:22,599
Speaker 8: You're close, okay, Yeah, yeah, definitely.

394
00:27:22,599 --> 00:27:25,480
Speaker 9: The first time I came on here and uh, I

395
00:27:25,599 --> 00:27:29,799
still have the magazine that had him on it for

396
00:27:29,920 --> 00:27:32,480
his tribute. But the first time I was here, I

397
00:27:32,599 --> 00:27:34,240
came out of the student at the old studio and

398
00:27:34,440 --> 00:27:37,200
a gentleman comes walking out, and man, he looked like

399
00:27:37,359 --> 00:27:41,160
he was a real you know, country guy or something,

400
00:27:41,359 --> 00:27:43,640
just like he just you know, he was real, real,

401
00:27:44,160 --> 00:27:46,599
you know, professional, you know. And I see him coming out,

402
00:27:46,720 --> 00:27:48,240
how you doing, real nice guy?

403
00:27:49,039 --> 00:27:51,119
Speaker 1: And Brooks Young, Oh, Brooks Young?

404
00:27:51,240 --> 00:27:55,559
Speaker 8: Yeah, and uh and so yeah, you'll see him again

405
00:27:55,599 --> 00:27:55,960
one day.

406
00:27:56,640 --> 00:27:59,799
Speaker 7: But what a shock that was. Yeah, Brooks was amazing.

407
00:28:00,319 --> 00:28:01,160
Speaker 8: Shout out to Brooks.

408
00:28:01,559 --> 00:28:04,119
Speaker 7: Enormously talented, and it's just a really good guy too,

409
00:28:04,279 --> 00:28:05,759
just a really he was just.

410
00:28:05,759 --> 00:28:08,480
Speaker 9: Ready to take off and everything was taken off stuff.

411
00:28:08,559 --> 00:28:11,759
So yeah, still think about him a lot, even though

412
00:28:11,799 --> 00:28:12,920
I really didn't know him that much.

413
00:28:13,000 --> 00:28:13,960
Speaker 1: But same.

414
00:28:14,160 --> 00:28:15,960
Speaker 7: And he's one of those people too, you know, even

415
00:28:16,000 --> 00:28:17,720
if you didn't know him that well, you felt like

416
00:28:17,759 --> 00:28:20,240
you knew him, like really well, it was impossible to

417
00:28:20,359 --> 00:28:23,440
not feel that immense sense of loss at the shock

418
00:28:23,519 --> 00:28:25,960
of the news, you know, and it's it's one of

419
00:28:26,000 --> 00:28:28,480
those things you know, don't don't take anything for granted.

420
00:28:30,440 --> 00:28:32,880
Speaker 8: And it's kind of like loss brings me into this

421
00:28:32,920 --> 00:28:35,440
song Daddy's Truck. I got this on one O four point.

422
00:28:35,319 --> 00:28:38,119
Speaker 9: Nine in the Hawk Oh I remember this, George Berram

423
00:28:38,759 --> 00:28:41,359
on backstage. Yeah, put it on one O four nine

424
00:28:41,440 --> 00:28:42,279
the Hawk Lakes region.

425
00:28:42,799 --> 00:28:44,279
Speaker 8: So yeah, this is a.

426
00:28:46,920 --> 00:28:49,440
Speaker 9: This is this, This is Daddy's truck. This is daddy Truck.

427
00:28:49,480 --> 00:28:52,279
This is a song I wrote with my friend Janine

428
00:28:52,319 --> 00:28:56,000
who's passed. But this is really her kind of child

429
00:28:56,079 --> 00:29:00,319
with my instrument and my h chord progressions the right

430
00:29:00,359 --> 00:29:02,119
in the back and some of the writing. But I

431
00:29:02,160 --> 00:29:04,000
always give her a credit even though she's not here,

432
00:29:04,039 --> 00:29:05,920
she definitely get hears all of it.

433
00:29:06,240 --> 00:29:14,839
Speaker 6: Yeah, yeah, I can.

434
00:29:14,839 --> 00:29:20,440
Speaker 15: Still smell tobacco and I climbing the side, even my Daddy's.

435
00:29:20,079 --> 00:29:23,599
Speaker 6: True stree on the tree.

436
00:29:24,759 --> 00:29:29,119
Speaker 1: Daddy's he told me how to drive down.

437
00:29:29,079 --> 00:29:29,839
Speaker 14: The old.

438
00:29:38,400 --> 00:29:45,119
Speaker 12: Looking straight smell and spies are two smells that hit

439
00:29:45,200 --> 00:29:45,960
in my heart.

440
00:29:47,079 --> 00:29:48,640
Speaker 14: Now that wall.

441
00:29:54,319 --> 00:29:58,400
Speaker 12: Memories in his old dogs truckle worth more than the

442
00:29:58,559 --> 00:30:00,680
money that you will on a pig.

443
00:30:10,680 --> 00:30:14,480
Speaker 1: If I was in so down down on my love,

444
00:30:14,920 --> 00:30:26,240
I keep it and hang on to my dad un

445
00:30:26,440 --> 00:30:32,119
really childhood running by it didn't know where team.

446
00:30:41,799 --> 00:30:42,480
Speaker 6: That is girl.

447
00:30:42,559 --> 00:30:48,160
Speaker 1: Who I was is his wing love he gave me.

448
00:30:57,640 --> 00:30:58,680
Speaker 6: I didn't care who.

449
00:30:58,799 --> 00:31:04,640
Speaker 1: I just on to grow up and be free.

450
00:31:11,960 --> 00:31:16,279
Speaker 12: Memories in his olden Dige truck worth more than the

451
00:31:16,400 --> 00:31:18,839
money that you're ever gonna pay me.

452
00:31:19,720 --> 00:31:21,960
Speaker 14: If I wasn't so down on.

453
00:31:22,839 --> 00:31:26,559
Speaker 1: My luck right now, I'll keep that truck and I

454
00:31:29,839 --> 00:31:31,960
hang on to my daddy.

455
00:31:43,720 --> 00:31:45,400
Speaker 6: As I take that gun.

456
00:31:45,359 --> 00:31:49,799
Speaker 1: Rack down, it breaks for the.

457
00:31:52,839 --> 00:32:03,839
Speaker 12: Return of the scheme that review will. Don't ask a

458
00:32:04,039 --> 00:32:05,519
clear and pain.

459
00:32:15,400 --> 00:32:20,640
Speaker 21: Please fix her up, don junker, don't turn my dad to.

460
00:32:22,319 --> 00:32:22,359
Speaker 3: Me.

461
00:32:28,880 --> 00:32:33,599
Speaker 12: Don't memories in his old Dodge truck, nor in loney

462
00:32:33,920 --> 00:32:35,640
that you ever gon't pay me.

463
00:33:34,720 --> 00:33:36,839
Speaker 8: The sum is not finished. But this is called the seamstress.

464
00:33:40,000 --> 00:33:40,359
Speaker 5: My mother.

465
00:33:57,519 --> 00:34:09,119
Speaker 6: If if God, if God to have all your dream

466
00:34:13,800 --> 00:34:16,079
you were to take.

467
00:34:21,239 --> 00:34:27,559
Speaker 27: If all the restaurant, but your cooking is better than God.

468
00:34:40,760 --> 00:34:44,599
If God I have all your dreams.

469
00:34:45,840 --> 00:34:51,599
Speaker 1: Because you were too babycading me, the matter.

470
00:34:51,480 --> 00:34:52,119
Speaker 25: On your.

471
00:34:55,000 --> 00:34:57,000
Speaker 10: Seems toss about so nice.

472
00:35:13,239 --> 00:35:16,039
Speaker 6: I never got to get that business to you.

473
00:35:18,119 --> 00:35:24,400
Speaker 1: Never rest.

474
00:35:31,079 --> 00:35:36,199
Speaker 7: Seamstress, shout up, my wow, beautiful beautiful, If you're just

475
00:35:36,239 --> 00:35:38,320
jowning us bags balance us here with us in studio,

476
00:35:38,480 --> 00:35:41,239
and we've got a message came in from Irish Ryl

477
00:35:41,519 --> 00:35:44,440
who says, yeah, I like that one there.

478
00:35:44,519 --> 00:35:46,320
Speaker 6: She is very nice, very nice.

479
00:35:46,480 --> 00:35:49,039
Speaker 9: So we got another one, one more original. I know

480
00:35:49,159 --> 00:35:50,159
we have time for another original.

481
00:35:50,239 --> 00:35:52,199
Speaker 7: Oh definitely, yeah, absolutely that one.

482
00:35:53,119 --> 00:35:55,199
Speaker 9: So we got I love Ransom, I got the Seamstress in.

483
00:35:56,199 --> 00:35:59,199
This one's called hurts to Breathe, just about my my

484
00:35:59,320 --> 00:36:03,800
dad passed away. Referenced him a lot over several different

485
00:36:03,840 --> 00:36:07,400
times I've been on yeah yeah, but uh he Uh

486
00:36:08,679 --> 00:36:10,719
so I wrote several songs it seems like it has

487
00:36:10,760 --> 00:36:13,559
a lot of different lyrics with him and writing.

488
00:36:14,119 --> 00:36:16,920
Speaker 8: So this one is, uh, it's about him.

489
00:36:17,559 --> 00:36:20,119
Speaker 9: It's about that feeling that people know when they get

490
00:36:20,280 --> 00:36:25,800
a loss of somebody, especially something but somebody and you

491
00:36:25,920 --> 00:36:28,599
try to think about them, but it's become suffocating and

492
00:36:28,960 --> 00:36:31,519
you try to think about it and you can't really

493
00:36:31,639 --> 00:36:35,760
breathe that well, and it's it's true, it's like it's

494
00:36:35,840 --> 00:36:37,760
hard to breathe. It hurts to breathe, like it's uh,

495
00:36:38,800 --> 00:36:41,920
it takes your breath away. It's it's sometimes it's like

496
00:36:42,039 --> 00:36:43,719
real suffocating to think about.

497
00:36:45,039 --> 00:36:45,079
Speaker 4: That.

498
00:36:45,400 --> 00:36:45,599
Speaker 2: Yeah.

499
00:36:45,760 --> 00:37:14,840
Speaker 7: Absolutely, this is called Hurts to breathe robust from his cat.

500
00:37:17,119 --> 00:37:19,360
Speaker 1: You can't go oun and play.

501
00:37:19,800 --> 00:37:21,599
Speaker 10: He's just like my dad.

502
00:37:23,440 --> 00:37:25,800
Speaker 1: It hurts him to breathe.

503
00:37:26,880 --> 00:37:32,480
Speaker 6: You love way to the Pastor's s green?

504
00:37:33,440 --> 00:37:41,760
Speaker 1: You just little the days in between? When I love Roady?

505
00:37:42,639 --> 00:37:48,280
When you search for me, I'll ask you so much.

506
00:37:49,199 --> 00:38:07,679
Speaker 14: It hurts too, boy, wait.

507
00:38:06,360 --> 00:38:10,199
Speaker 1: To wear the pastures are green?

508
00:38:11,320 --> 00:38:16,480
Speaker 10: You haven't just say those. Daisy met me?

509
00:38:17,719 --> 00:38:19,800
Speaker 1: When my bride?

510
00:38:20,679 --> 00:38:22,760
Speaker 7: Will you search for me?

511
00:38:24,119 --> 00:38:43,360
Speaker 1: I'm missus. It hurt still breathe my best friends can.

512
00:38:45,239 --> 00:38:47,480
Speaker 19: You can't go out and play.

513
00:38:48,599 --> 00:38:59,599
Speaker 25: He's just like my DADYK you sorry, Jenny, say that again.

514
00:39:00,079 --> 00:39:00,800
Speaker 6: That was beautiful.

515
00:39:02,840 --> 00:39:05,800
Speaker 7: That's okay, Yeah, I appreciate that.

516
00:39:05,960 --> 00:39:06,960
Speaker 8: That that was beautiful.

517
00:39:07,039 --> 00:39:10,239
Speaker 7: Yeah, Bags Ballad is here with us alive in studio

518
00:39:10,840 --> 00:39:12,440
on this Saturday morning.

519
00:39:12,599 --> 00:39:12,800
Speaker 1: Yeah.

520
00:39:13,119 --> 00:39:15,880
Speaker 7: That is that a new song? Or is that that

521
00:39:16,079 --> 00:39:19,039
is wow? Yeah? Oh that's that's I love that.

522
00:39:19,239 --> 00:39:19,840
Speaker 8: Thanks. Yeah.

523
00:39:20,000 --> 00:39:21,559
Speaker 7: Is that one of the ones you're planning to record?

524
00:39:21,639 --> 00:39:23,440
Speaker 8: So? Yeah, I want to do that one Love Ransom

525
00:39:23,719 --> 00:39:25,199
yeah and the Seamstress.

526
00:39:25,559 --> 00:39:28,679
Speaker 7: Yeah. Yeah, it hurts to breathe. I mean, like I said,

527
00:39:28,719 --> 00:39:31,079
you know, it's relatable, you know, because that's something everybody

528
00:39:31,159 --> 00:39:34,559
goes through and uh, that feeling of Yeah, that's a

529
00:39:34,599 --> 00:39:36,119
good way of putting it. When you're grieving, you know,

530
00:39:36,119 --> 00:39:36,920
it hurts to breathe.

531
00:39:37,000 --> 00:39:41,320
Speaker 8: Yeah, yeah, you know, maybe a couple more covers, you know.

532
00:39:41,559 --> 00:39:42,440
Speaker 7: Yeah, yeah, we have time.

533
00:39:42,519 --> 00:39:46,280
Speaker 8: All right, hellout?

534
00:39:46,400 --> 00:39:46,519
Speaker 5: Uh?

535
00:39:47,079 --> 00:39:51,559
Speaker 8: Well Zach Brian, Well, Zach Brian. Absolutely, Zach, So I

536
00:39:51,599 --> 00:39:56,480
have your permission, thank you. He just texted me, he said, yes.

537
00:39:56,599 --> 00:39:58,679
Speaker 7: Yeah, Wow, he's quick. It's good to know he's listening.

538
00:39:58,920 --> 00:39:59,199
Speaker 19: He does.

539
00:39:59,280 --> 00:39:59,840
Speaker 8: You know he listens.

540
00:40:02,440 --> 00:40:04,719
Speaker 7: Oh, a message just came out through the website. He said,

541
00:40:04,760 --> 00:40:05,159
it's fine.

542
00:40:06,079 --> 00:40:07,360
Speaker 8: Thanks, I appreciate it.

543
00:40:10,199 --> 00:40:16,280
Speaker 7: Okay, all right, Bag's ballad studio.

544
00:40:21,559 --> 00:40:25,599
Speaker 8: This is what's that? Marian? I remember everything.

545
00:40:36,320 --> 00:40:37,119
Speaker 6: He's gone.

546
00:40:37,599 --> 00:40:39,119
Speaker 14: He's my mother.

547
00:40:44,559 --> 00:40:45,719
Speaker 19: Beach town.

548
00:40:55,159 --> 00:40:56,960
Speaker 1: To that man you love?

549
00:40:57,000 --> 00:40:59,119
Speaker 14: Your daddy is in it?

550
00:41:00,079 --> 00:41:09,079
Speaker 1: Who labby door, hanging knife bastard your door.

551
00:41:09,800 --> 00:41:13,920
Speaker 6: That's right, bubba mm hmm.

552
00:41:15,920 --> 00:41:27,159
Speaker 17: Have you remember you have me donless mew h singing

553
00:41:27,480 --> 00:41:44,280
nail of songs, children bore.

554
00:41:37,280 --> 00:41:48,000
Speaker 1: You m humble wing a boner ima.

555
00:41:49,079 --> 00:41:53,599
Speaker 6: I remember everything, m.

556
00:41:56,559 --> 00:42:04,920
Speaker 1: Form shoulder and close the time you picking me steak Si.

557
00:42:08,719 --> 00:42:15,800
Speaker 15: Stranger's come on out of the bodn smiles sname.

558
00:42:15,599 --> 00:42:16,280
Speaker 1: His mind.

559
00:42:19,840 --> 00:42:26,159
Speaker 12: Pictures and passing inside you want smell right there.

560
00:42:26,800 --> 00:42:33,519
Speaker 1: When a drinking I w shined bud I do.

561
00:42:38,159 --> 00:42:48,599
Speaker 6: With the m hm.

562
00:42:52,360 --> 00:42:56,719
Speaker 24: Drinking tease your mind.

563
00:43:05,480 --> 00:43:24,360
Speaker 5: Conies every bay ma that you hauled me so def

564
00:43:24,800 --> 00:43:28,440
never he said in mine.

565
00:43:37,400 --> 00:43:42,880
Speaker 21: Gone showlder clumbs in time you begging me.

566
00:43:43,400 --> 00:43:46,280
Speaker 1: To stagy tail of the sun room.

567
00:43:49,239 --> 00:43:56,880
Speaker 21: Strangers, come on out the road man found where his mind.

568
00:43:56,760 --> 00:44:12,400
Speaker 12: Grows pictures and passing time. Smell ron, I wish I

569
00:44:12,920 --> 00:44:13,840
didn't good.

570
00:44:33,679 --> 00:44:36,119
Speaker 6: That is gone.

571
00:44:37,199 --> 00:44:48,000
Speaker 8: He's my man. Each tower rest you.

572
00:44:48,159 --> 00:44:58,639
Speaker 10: Know, chime do i't mind?

573
00:44:58,920 --> 00:45:00,239
Speaker 6: You love the daddy.

574
00:45:01,519 --> 00:45:03,320
Speaker 1: Eighty eight floors.

575
00:45:07,199 --> 00:45:07,519
Speaker 3: M h.

576
00:45:12,159 --> 00:45:17,440
Speaker 10: Man, but door out pastor.

577
00:45:17,880 --> 00:45:21,400
Speaker 5: H h.

578
00:45:23,599 --> 00:45:24,159
Speaker 6: Mm hmmm.

579
00:45:27,079 --> 00:45:34,519
Speaker 8: It's a little unreleased by exact grand as song. She

580
00:45:34,519 --> 00:45:36,280
reminds me and my dad. I like singing the song.

581
00:45:36,880 --> 00:45:39,320
He had this trailer up in Maine towards.

582
00:45:39,000 --> 00:45:40,880
Speaker 9: The end of his life, and when he retired, he

583
00:45:41,440 --> 00:45:43,199
would go up there and he would sit in this trailer.

584
00:45:44,639 --> 00:45:47,000
Then he'd be in there, close to the ocean pudding.

585
00:45:47,559 --> 00:45:51,119
He wouldn't be able to swim, just to you know,

586
00:45:51,239 --> 00:45:57,559
his body wouldn't let him so, but he still made it.

587
00:45:57,599 --> 00:46:03,480
Speaker 1: In there, just sleeping sins jeans in the back of

588
00:46:03,880 --> 00:46:05,079
a cander.

589
00:46:09,079 --> 00:46:09,320
Speaker 5: M h.

590
00:46:10,639 --> 00:46:15,960
Speaker 19: Listening to the way He's Cash cover slide show.

591
00:46:22,800 --> 00:46:25,320
Speaker 1: He puts his knees, head his feet.

592
00:46:26,679 --> 00:46:29,800
Speaker 10: His Caddy is wlder.

593
00:46:36,519 --> 00:46:48,440
Speaker 1: Have gone walk through rich Man's over the sleep sin

594
00:46:48,800 --> 00:46:53,199
and jeans in the back of Cancer.

595
00:46:56,039 --> 00:47:01,400
Speaker 6: H have gone out a lot through.

596
00:47:08,960 --> 00:47:25,000
Speaker 1: It puts meeting. Yep, it's.

597
00:47:34,559 --> 00:47:35,119
Speaker 8: All right now.

598
00:47:35,119 --> 00:47:36,800
Speaker 9: I just I really want to play this song, Charlie,

599
00:47:37,039 --> 00:47:39,599
my song Charlie. Here shout out to Charlie's Hill and

600
00:47:39,679 --> 00:47:42,159
Terry and Mike Merrill and that's where I really started

601
00:47:42,199 --> 00:47:44,599
playing music. And uh, I'm so grateful for them. I

602
00:47:44,679 --> 00:47:46,880
coulda get up there more than I do. I'm sorry.

603
00:47:47,440 --> 00:47:49,880
Speaker 7: Uh yeah, that's Charlie's Hill comes up. That comes up

604
00:47:49,920 --> 00:47:51,639
a lot on the show. That's right, Jenny and I

605
00:47:51,679 --> 00:47:54,039
saw haven't been there, but apparently it's a pretty incredible venue.

606
00:47:54,039 --> 00:47:56,320
Speaker 8: I'm gonna take you guys there. Yeah, yeah, all right,

607
00:47:56,400 --> 00:47:57,639
I got an r V up there. You guys can

608
00:47:57,679 --> 00:47:58,000
stay in it.

609
00:47:58,119 --> 00:48:01,760
Speaker 7: Oh wow, where was that exactly? I don't I don't

610
00:48:01,760 --> 00:48:02,400
even remember it is.

611
00:48:02,480 --> 00:48:06,519
Speaker 8: Stuff's right in Lebanon, Maine. So it's right over the Rochester.

612
00:48:06,840 --> 00:48:08,360
Oh okay, it's right over the line.

613
00:48:08,599 --> 00:48:10,559
Speaker 7: Oh is it New York Kittery?

614
00:48:10,679 --> 00:48:13,559
Speaker 8: Then no, no, not not New York Kittery.

615
00:48:14,000 --> 00:48:16,639
Speaker 9: But it's uh, it's well, I mean it's closer to it,

616
00:48:16,719 --> 00:48:19,480
closer to Kittery, I guess. But it's right past Rochester

617
00:48:19,679 --> 00:48:22,599
off a Spaulding Turnpike and you get up there and

618
00:48:22,639 --> 00:48:24,039
it's right as soon as you get into Maine. It's

619
00:48:24,039 --> 00:48:26,079
about ten and fifteen minutes up there on Center Road,

620
00:48:26,519 --> 00:48:28,840
Levin and Maine. You can look it up Charlie's Hill.

621
00:48:29,159 --> 00:48:29,360
Speaker 7: Yeah.

622
00:48:29,760 --> 00:48:31,920
Speaker 9: Yeah, and they have some great music that comes through

623
00:48:31,960 --> 00:48:34,800
there with some really good bands. Yeah, you know, all

624
00:48:34,840 --> 00:48:37,400
sorts of genres that you can find. So Terry and

625
00:48:37,480 --> 00:48:39,400
Mike Merrill, I love you.

626
00:48:39,559 --> 00:48:41,480
Speaker 7: Yeah, shout out to that. Yeah we got Yeah, we

627
00:48:41,559 --> 00:48:43,000
had time for one more, one more.

628
00:48:43,239 --> 00:48:44,800
Speaker 8: This one's for you, Terry Mike Merrill.

629
00:48:45,400 --> 00:48:49,559
Speaker 9: This song goes out to their love daughter Charlie, who

630
00:48:49,719 --> 00:48:52,679
had passed away many years ago, now several, not many,

631
00:48:52,719 --> 00:48:54,119
but several, and.

632
00:48:55,599 --> 00:48:57,320
Speaker 8: This song is for her.

633
00:48:58,760 --> 00:49:05,079
Speaker 9: And this song is about when you see something someone

634
00:49:05,280 --> 00:49:09,679
passes away, and these people will always want to hold

635
00:49:09,719 --> 00:49:13,039
their feelings and their memory to them close.

636
00:49:13,079 --> 00:49:14,599
Speaker 8: And sometimes.

637
00:49:17,920 --> 00:49:21,960
Speaker 9: You start seeing things that you think might be them

638
00:49:22,639 --> 00:49:26,639
kind of with you or watching with you, or you're

639
00:49:26,679 --> 00:49:29,519
just not necessarily them itself, and even if they're gone

640
00:49:29,519 --> 00:49:32,599
in a state of rest, that it's this memory that

641
00:49:33,880 --> 00:49:35,039
they're always thinking of them.

642
00:49:36,159 --> 00:49:37,079
Speaker 8: That's what this is about.

643
00:49:49,559 --> 00:50:07,559
Speaker 28: Saturning night James, in loving him, it turns and borrow car.

644
00:50:12,039 --> 00:50:16,000
Speaker 29: A distance between us, it's closer within.

645
00:50:16,119 --> 00:50:16,639
Speaker 1: You think.

646
00:50:20,400 --> 00:50:21,840
Speaker 6: The next time you're in.

647
00:50:21,920 --> 00:50:27,280
Speaker 10: The field and the stars giveaway, just.

648
00:50:27,639 --> 00:50:36,000
Speaker 12: Remember I wait here and sleep slack the campers in

649
00:50:36,239 --> 00:50:38,360
your field on retree.

650
00:50:43,239 --> 00:50:44,239
Speaker 6: Hi, he am.

651
00:50:45,840 --> 00:50:47,440
Speaker 1: A flickering light.

652
00:50:49,960 --> 00:50:59,679
Speaker 30: High, Yeah, reson you fight, Hi am the girl in

653
00:50:59,800 --> 00:51:00,760
you grin.

654
00:51:00,960 --> 00:51:04,960
Speaker 6: That ship is on, young men, hang.

655
00:51:04,920 --> 00:51:09,079
Speaker 1: Am lo wihistle in the wood in the segments when

656
00:51:09,159 --> 00:51:17,159
you rest, when living Lord Laughter survived.

657
00:51:19,320 --> 00:51:23,760
Speaker 12: Hannah, I don't buy my marrial pisoning life.

658
00:51:26,320 --> 00:51:27,960
Speaker 1: Who is the resignation?

659
00:51:29,440 --> 00:51:35,199
Speaker 6: Last days in the hall?

660
00:51:35,360 --> 00:51:36,679
Speaker 24: This you find that?

661
00:51:37,039 --> 00:51:37,400
Speaker 1: It's me?

662
00:51:38,440 --> 00:51:40,599
Speaker 24: Oh Min's me?

663
00:51:41,880 --> 00:51:44,519
Speaker 1: It's me. It's sharp.

664
00:51:53,119 --> 00:52:05,119
Speaker 29: High flicker Hi, yeah, reason you f.

665
00:52:07,599 --> 00:52:13,440
Speaker 1: I am curling your grin and chills. Are you know?

666
00:52:15,599 --> 00:52:18,480
I am the mist soon the wind.

667
00:52:18,320 --> 00:52:20,599
Speaker 10: In the silence when new.

668
00:52:25,559 --> 00:52:30,039
Speaker 19: When living the Left of Suv, it's.

669
00:52:29,960 --> 00:52:32,360
Speaker 1: Me in the hot stuff.

670
00:52:32,519 --> 00:52:34,639
Speaker 29: Who keeps the mewsical?

671
00:52:35,800 --> 00:52:41,360
Speaker 10: Yeah, it's me, the resonation that's the resigned.

672
00:52:42,719 --> 00:52:43,719
Speaker 7: Yeah, it's me.

673
00:52:45,480 --> 00:52:53,480
Speaker 1: Oh yeah, in awnst still fine and it's me. Ho's

674
00:52:53,679 --> 00:52:56,280
me and I Hi.

675
00:52:56,360 --> 00:53:04,280
Speaker 24: I'm Charlie. Ho ye, and we all we are all Charlie.

676
00:53:06,639 --> 00:53:14,039
Speaker 12: We are flickering like for the reason we fight. Oh yeah,

677
00:53:14,880 --> 00:53:16,440
we have curls.

678
00:53:16,159 --> 00:53:21,199
Speaker 1: In our creend. Yeah, we have chills on our necks.

679
00:53:22,079 --> 00:53:24,079
Oh yeah, we all have silence.

680
00:53:24,119 --> 00:53:28,440
Speaker 12: When we rest him, him, that living lord will have

681
00:53:28,679 --> 00:53:30,519
to be always survived.

682
00:53:31,000 --> 00:53:37,559
Speaker 1: It's me him, that resignation in that bond will survives me.

683
00:53:38,559 --> 00:53:41,800
Oh don't know.

684
00:53:43,360 --> 00:53:50,880
Speaker 6: With God, it's me.

685
00:53:55,199 --> 00:53:56,880
Speaker 8: I really appreciate playing on here again.

686
00:53:57,679 --> 00:54:00,039
Speaker 7: Oh, we're glad to have it. That is all. That

687
00:54:00,199 --> 00:54:01,880
was a great song. Yeah, I remember you playing that before,

688
00:54:01,880 --> 00:54:02,880
and that's that's powerful.

689
00:54:03,000 --> 00:54:03,280
Speaker 8: Thanks.

690
00:54:03,440 --> 00:54:04,559
Speaker 7: That is so good. That is so good.

691
00:54:04,559 --> 00:54:05,480
Speaker 8: Appreciate it means a lot.

692
00:54:05,599 --> 00:54:09,320
Speaker 7: Absolutely, bags ball and live in studio. We are just

693
00:54:09,400 --> 00:54:11,079
about out of time, but thank you so much for

694
00:54:11,159 --> 00:54:11,800
coming in today.

695
00:54:11,880 --> 00:54:13,400
Speaker 8: It's great. I could play for three hours here.

696
00:54:15,760 --> 00:54:15,960
Speaker 1: Yeah.

697
00:54:16,000 --> 00:54:18,159
Speaker 7: You probably do a lot of shows that are three hours, right. Yeah,

698
00:54:18,159 --> 00:54:21,400
when when when you play live? Yeah yeah, and then

699
00:54:21,400 --> 00:54:23,559
you're and you're going into the studio soon, you said too.

700
00:54:23,679 --> 00:54:25,800
Speaker 8: Uh, I'll be going to the studio soon. Awesome.

701
00:54:26,119 --> 00:54:29,440
Speaker 9: Gonna be aligned now excellent, So within the next month,

702
00:54:29,440 --> 00:54:32,159
I want to get in and go see uh bus

703
00:54:32,280 --> 00:54:32,800
coming for you.

704
00:54:33,039 --> 00:54:35,840
Speaker 7: Yeah, excellent, excellent, very good. Well listen, I want to

705
00:54:35,840 --> 00:54:37,519
thank everybody who joined us today. Of course we had

706
00:54:37,559 --> 00:54:39,360
a Lyle Hutchins in the second hour, and in the

707
00:54:39,440 --> 00:54:43,440
first hour the great Jesse Rutstein and Caleb Dyer. We're

708
00:54:43,480 --> 00:54:43,960
here with us.

709
00:54:44,360 --> 00:54:44,440
Speaker 22: Uh.

710
00:54:44,519 --> 00:54:46,079
Speaker 7: If you missed any part of today's show, it'll be

711
00:54:46,159 --> 00:54:48,480
up in just a little bit at Wmnhradio dot organ

712
00:54:48,519 --> 00:54:51,559
on my website Matt Connorton dot com. And Jenny as always,

713
00:54:51,559 --> 00:54:53,039
you've been up to a lot. You want to mention

714
00:54:53,159 --> 00:54:53,719
your website.

715
00:54:54,119 --> 00:54:56,920
Speaker 26: You can check out what trouble good trouble I'm getting

716
00:54:56,960 --> 00:54:58,920
into at Jencoffee dot com.

717
00:54:59,079 --> 00:55:01,719
Speaker 29: J E n n c e y dot com.

718
00:55:02,039 --> 00:55:03,840
Speaker 7: And you've been uh yeah, you've been up to a

719
00:55:03,920 --> 00:55:06,679
lot lately. So and and you've redesigned some of the

720
00:55:06,719 --> 00:55:07,320
website too.

721
00:55:07,480 --> 00:55:10,280
Speaker 26: So I did straighten it out. It will now load better.

722
00:55:10,599 --> 00:55:13,199
And I took off Yeah I had, I had kind

723
00:55:13,239 --> 00:55:14,719
of overdone it.

724
00:55:15,119 --> 00:55:19,119
Speaker 7: Yeah yeah, yeah, and uh, let's see oh quick plug

725
00:55:19,280 --> 00:55:23,800
two tonight there's a Purge d I show happening at

726
00:55:23,800 --> 00:55:26,440
Angel City Music Hall in Manchester. I believe it's their

727
00:55:26,440 --> 00:55:31,400
thirtieth anniversary. Of course, uh now, well, Jay of course

728
00:55:31,559 --> 00:55:34,119
now is in Chasing the Devil, but he's also doing

729
00:55:34,199 --> 00:55:36,480
the uh the anniversary show with Perge d I. So

730
00:55:37,000 --> 00:55:40,960
if you're looking for something tonight and also tomorrow, Eric

731
00:55:40,960 --> 00:55:42,760
Pilter and I will be doing a I'm not sure

732
00:55:42,800 --> 00:55:45,679
exactly when sometime in the afternoon, a live episode of

733
00:55:45,760 --> 00:55:49,199
Tough Bumps tomorrow today, it's gonna be tomorrow checking them out.

734
00:55:49,280 --> 00:55:52,840
Definitely gonna be tomorrow. Hi, are you wait? So lots

735
00:55:53,159 --> 00:55:55,719
lots going on, but uh so we got to get

736
00:55:55,760 --> 00:55:57,760
out of here, bagspall and thank you again, my friend.

737
00:55:57,679 --> 00:55:59,239
Speaker 8: Thank you. It's great to be here. Looking forward to

738
00:55:59,280 --> 00:55:59,679
the next.

739
00:55:59,559 --> 00:56:03,320
Speaker 7: Time, absolutely absolutely, and we will talk to y'all a

740
00:56:03,360 --> 00:56:05,400
little bit later. Bye everybody, Bye, Bye.

741
00:56:49,840 --> 00:56:58,079
Speaker 24: Breeze the soone, did you well?

742
00:56:58,599 --> 00:56:59,320
Speaker 6: Love me.

743
00:57:00,840 --> 00:57:04,960
Speaker 23: Like I need you to know, Pat, don't take.

744
00:57:04,840 --> 00:57:07,599
Speaker 24: Your figures how a transient money is.

745
00:57:07,639 --> 00:57:08,639
Speaker 14: A feeling like a.

746
00:57:11,000 --> 00:57:15,519
Speaker 23: Take you outlet and need you on the time. Tanning

747
00:57:15,639 --> 00:57:17,119
with your waiste came.

748
00:57:18,119 --> 00:57:19,360
Speaker 6: She had to see.

749
00:57:21,239 --> 00:57:23,159
Speaker 14: My house and I came from.

750
00:57:23,320 --> 00:57:27,119
Speaker 23: So I can see you sat known to change.

751
00:57:27,880 --> 00:57:30,599
Speaker 27: She can't be save.

752
00:57:49,000 --> 00:57:58,280
Speaker 12: Try to quick you the jar my face now and real.

753
00:57:58,280 --> 00:58:03,280
Speaker 23: To team just went the fun was ving lot t

754
00:58:03,679 --> 00:58:05,800
and can make you something jealousy.

755
00:58:06,239 --> 00:58:10,960
Speaker 24: They use a pal like all take you out of

756
00:58:11,079 --> 00:58:12,199
the leg.

757
00:58:12,239 --> 00:58:16,199
Speaker 23: You wing the time, straining with you where you going.

758
00:58:17,400 --> 00:58:20,880
Just have to see that sea round in my house

759
00:58:21,000 --> 00:58:24,079
and becme and said somebody to see it and saying

760
00:58:24,639 --> 00:58:29,360
somebody d to change you can't. I have the same,

761
00:58:32,199 --> 00:58:35,800
just the season I set trying in my house and

762
00:58:36,239 --> 00:58:41,000
game and shout somebody to see yourself. The brother change

763
00:58:41,079 --> 00:58:44,119
in the cant at the same

764
00:58:46,400 --> 00:58:46,440
Speaker 5: T