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<v Speaker 1>Welcome, dear listener, and thanks for joining us.

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<v Speaker 2>And I'm Stephen and this is a podcast all about

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<v Speaker 2>the weird and wonderful world of the dark comedy anthology

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<v Speaker 2>series Inside number nine.

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<v Speaker 1>On each episode, we'll be diving into another one of

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<v Speaker 1>Steve Pemberton and Reese Sheresmith's twisted tales, putting it under

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<v Speaker 1>a lens and examining it within an inch of its life.

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<v Speaker 2>So make yourself comfortable, grab a cup of tea and

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<v Speaker 2>join us for the ninth degree. Hello, Hellollo, welcome back.

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<v Speaker 2>How are you?

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<v Speaker 1>Yeah, I'm all right once again. I've come to this

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<v Speaker 1>with nothing exciting to say.

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<v Speaker 2>No, no, it's not been a very fun week, has it.

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<v Speaker 3>Well, no, it hasn't.

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<v Speaker 2>Yeah, so we're just for I don't want to know

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<v Speaker 2>when the hell.

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<v Speaker 3>This will go out, but oh ages away just after.

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<v Speaker 2>The elections, so it's a happy time in the UK.

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<v Speaker 1>Yeah, it's quite depressing, isn't it.

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<v Speaker 2>M As far as Trump, there's all these things, it's

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<v Speaker 2>so sad.

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<v Speaker 1>It is very sad. Yeah. I said to you though

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<v Speaker 1>the day, deny if this is an indication of what's

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<v Speaker 1>to come, and I have to find myself here in

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<v Speaker 1>the words prime Minister Nigel Farage, I'm going to be

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<v Speaker 1>physically sick.

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<v Speaker 2>Yeah, And it's not like they've even got that many votes. Really,

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<v Speaker 2>it's just where they'd land and did they never talk

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<v Speaker 2>about that. It's just where the boundaries and constituents are.

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<v Speaker 1>And I would say it's worse in America, but if

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<v Speaker 1>that's true anymore, they.

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<v Speaker 2>Do seem to redraw the boundaries a little bit more there,

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<v Speaker 2>but they do. Yeah, and you can't have freedom and

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<v Speaker 2>Jerrymander at the same time, Like it just really annoys me.

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<v Speaker 2>But anyway, I.

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<v Speaker 3>Shouldn't get anyway, this is not.

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<v Speaker 2>A no sorry have you been not to anything else exciting?

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<v Speaker 1>Well, actually segueing from that time recording our last Night

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<v Speaker 1>of the Problems episode just came out, so actually quite

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<v Speaker 1>appropriate in some ways to that, And yeah, I thought

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<v Speaker 1>I'd throw caution to the wind and actually do a

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<v Speaker 1>poll of listeners and see who prefers Jam first or

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<v Speaker 1>Cream first, but also whether you voted remain or leave.

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<v Speaker 3>It was a correlation, and what was that?

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<v Speaker 2>What was the what was them?

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<v Speaker 3>I on this There was not a correlation.

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<v Speaker 1>We have some graphs as there probably wouldn't be, but

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<v Speaker 1>the overall winner was Jam first remain, So okay, I

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<v Speaker 1>was happy with both of those decisions. But yes, won't

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<v Speaker 1>comment further on that just in case gets me into trouble.

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<v Speaker 2>But yeah, which I have viewership dropped between Cornwall and Anyway.

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<v Speaker 1>So at the time of this going out, you'll have

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<v Speaker 1>heard our episode on Nine Lives Cat and I wonder

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<v Speaker 1>if you spotted our hair did it was?

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<v Speaker 2>Why is owl?

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<v Speaker 1>I have a message to read out and this one

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<v Speaker 1>comes from owlsome on Twitter from who Owlsome?

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<v Speaker 2>Oh okay and why's alsam got in touch? Thanks for

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<v Speaker 2>our listener, Alsome for providing a segue in there for it.

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<v Speaker 3>Yes that was Oh yeah, we can use that capitalize

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<v Speaker 3>on you, so thank you.

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<v Speaker 1>Listen that for another one this week.

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<v Speaker 2>Indeed, while we discuss series seven, episode four, Kidnap, Shane

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<v Speaker 2>and Clifford have a plan to abduct the wife of

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<v Speaker 2>a wealthy hedge fund man Shane, Shane and Clifford have

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<v Speaker 2>a plan to abduct the wife of a healthy of

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<v Speaker 2>a healthy going well is it? Shane and Clifford have

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<v Speaker 2>a plan to abduct the wife of a wealthy hedge

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<v Speaker 2>fund manager. If you won't pay them the money, they'll

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<v Speaker 2>sniffer ears off to prove their mean business. Everything in

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<v Speaker 2>the plan depends on everyone playing their part right to

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<v Speaker 2>the end. Totally fool proof, isn't it.

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<v Speaker 1>This is like, you know, if you've ever been to

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<v Speaker 1>a sitcom recording, but when something takes so many takes

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<v Speaker 1>and then the final one gets a big round of applause,

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<v Speaker 1>the number of takes you to do that.

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<v Speaker 2>I really should read these in advance. I claim I

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<v Speaker 2>like the spontaneity.

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<v Speaker 1>But yeah, yeah, what do you think about Kidnap?

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<v Speaker 2>It was? It was really I really enjoyed it. I

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<v Speaker 2>couldn't really remember. I remember having a twist obviously, but

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<v Speaker 2>I couldn't remember really what it was because it's been

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<v Speaker 2>quite a while since I've watched this. Mm hmmm, Yeah

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<v Speaker 2>I was. I was pleasantly surprised it was. I really

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<v Speaker 2>enjoyed it, how about you?

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<v Speaker 1>For me, it was one of those ones that first

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<v Speaker 1>time I watched it, I was a bit like, oh mah,

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<v Speaker 1>But then having sort of watched it again several times,

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<v Speaker 1>is grown on me each time.

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<v Speaker 2>Yeah, it's not a serious one, but it's just one

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<v Speaker 2>of the fun ones. Yeah, and it's another one with

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<v Speaker 2>a bit of a gimmick, which I quite enjoy.

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<v Speaker 3>Yeah, which is quite clever.

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<v Speaker 1>Really. Yeah, the split screen, I mean, the whole, the whole,

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<v Speaker 1>the way the whole thing's shot and editor together is

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<v Speaker 1>really clever.

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<v Speaker 2>Yeah. They go on in the podcast about how this

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<v Speaker 2>was the episode that they never thought they'd be able

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<v Speaker 2>to make, just because of how much of an night

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<v Speaker 2>where it is a bit like cold comfort, having all

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<v Speaker 2>these scenes that overlap, but making the timing work and

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<v Speaker 2>the same with sort of thinking out loud that you

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<v Speaker 2>have to cut all these scenes separately that are one

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<v Speaker 2>takes largely and know that the episode's going to run correctly,

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<v Speaker 2>Like you've got some scenes in this where it's three

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<v Speaker 2>different long single takes that have to all overlap over

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<v Speaker 2>each other.

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<v Speaker 1>Yeah, which is clever.

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<v Speaker 2>Yeah.

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<v Speaker 1>I mean I maybe you can tell me having listened

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<v Speaker 1>to the podcast, but I was wondering if some of

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<v Speaker 1>it was like you know, when you've got Reese in

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<v Speaker 1>the office on the phone and then them in the house,

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<v Speaker 1>Like was that done in real time with them round

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<v Speaker 1>the corner from each other?

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<v Speaker 2>No? Oh wow, it was all on separately.

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<v Speaker 1>So that, yeah, that must be a challenge.

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<v Speaker 2>They did hope that, like in an ideal world where

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<v Speaker 2>money's not a problem, they'd be able to build the

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<v Speaker 2>sets nearby and yeah, run the scene all at once,

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<v Speaker 2>but no, but.

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<v Speaker 3>They love a challenge. Hmmm.

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<v Speaker 1>I think the whole split screen thing is is best

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<v Speaker 1>summed up in the just the opening section, isn't it,

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<v Speaker 1>with the morning routines and yeah, the complete contrast, but

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<v Speaker 1>they somehow sort of fit together as well.

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<v Speaker 2>Yeah, it's it's so cool that opening scene. It's it's gross,

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<v Speaker 2>but it's it's really cool.

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<v Speaker 1>Yeah. I didn't even notice on my first watch or so,

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<v Speaker 1>I didn't even realize the joke of herb on the

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<v Speaker 1>toilet and then him pouring the beer or whatever it is,

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<v Speaker 1>but like, yeah, that's quite obvious. Actually, maybe if it

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<v Speaker 1>had been split screen the other way around, with her

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<v Speaker 1>on the top and hit his glass underneath.

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<v Speaker 2>Well that would have been clever. Yeah. The intro goes

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<v Speaker 2>on for a very long time in.

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<v Speaker 1>This one, Yeah, before you get the nine.

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<v Speaker 2>Yeah, it's about four minutes in before you get the nine. Yeah,

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<v Speaker 2>and we get to our actual location.

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<v Speaker 1>Well that's worth mentioning, isn't it. The fact that it's

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<v Speaker 1>you know, we've said before, but this is one that

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<v Speaker 1>it really plays quite fast and loose with the number.

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<v Speaker 2>Nine thing really does, doesn't it, Like, yes, all the action,

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<v Speaker 2>like the focus of the thing is that nine, but

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<v Speaker 2>we do go with the places. Steve said that he

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<v Speaker 2>was like at pains to keep it there, and like

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<v Speaker 2>the whole point was that he was like, well, if

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<v Speaker 2>we've only got a little bit of the split screen

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<v Speaker 2>that's there, then it counts and all this thing.

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<v Speaker 3>Yeah, but I can buy that, but it doesn't.

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<v Speaker 2>It still doesn't work. Like there are screens where it's

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<v Speaker 2>full screen just that office Oh really yeah, I'm out

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<v Speaker 2>on the street and stuff, and I'm like, oh, oh well,

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<v Speaker 2>I don't I don't really care that much.

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<v Speaker 1>But it is a little i'd like I think we've

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<v Speaker 1>said before, but like now we're series seven, Like, come on,

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<v Speaker 1>they're they're they're pushing the boat out in different ways

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<v Speaker 1>and experimenting in different ways going you know, I think

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<v Speaker 1>letting them put a toe out of the line of

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<v Speaker 1>what their initial thing was is okay.

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<v Speaker 2>Yeah, I'll let them off it. Just it just slightly

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<v Speaker 2>annoys me that they could have had a split screen

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<v Speaker 2>of it. There's no reason why they couldn't.

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<v Speaker 1>I wondered if the number nine that's on the wall

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<v Speaker 1>being like just a fragment of it is if that's

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<v Speaker 1>like almost the hint of that that it's like, it's

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<v Speaker 1>only a little bit number nine, it's not the whole thing.

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<v Speaker 2>Yeah, that's a good point.

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<v Speaker 1>Yeah, that's probably just me overthinking it.

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<v Speaker 2>But I like it. I like it. They said that

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<v Speaker 2>they didn't like that so much of the beginning is

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<v Speaker 2>in a different house, and then Reese was like, well,

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<v Speaker 2>I guess it could we don't see wait, yes, it

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<v Speaker 2>was a number nine.

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<v Speaker 1>We'll go with that.

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<v Speaker 2>It's like totally wreckcons it.

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<v Speaker 1>So let's talk about our characters then. So we've got

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<v Speaker 1>the wonderful Daisy Haggard as Lara.

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<v Speaker 2>She's great, who had previously been in Psychovilla Believe she was, Yes,

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<v Speaker 2>so I can't remember what she was it.

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<v Speaker 1>She was, Yeah, she was in a pantomime playing like

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<v Speaker 1>the princess.

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<v Speaker 2>Was she like the snow white character?

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<v Speaker 1>Yeah? Yeah, oh that was it because it was all

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<v Speaker 1>the seven Dwarfs, wasn't it? So she was snow white? Yeah?

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<v Speaker 1>But then she's always she's so funny, she's always great.

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<v Speaker 1>Did you watch episodes no, TAM's and Greg and Stephen

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<v Speaker 1>Mangen and Matt LeBlanc playing himself.

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<v Speaker 2>No, but I do remember yeah, I was thinking of extras,

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<v Speaker 2>but no episodes.

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<v Speaker 1>Yeah, no episodes.

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<v Speaker 3>Yeah.

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<v Speaker 1>So I remember her being in that. She had a

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<v Speaker 1>tiny role in that, but it was so funny, like

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<v Speaker 1>she was one of the American execs and she just

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<v Speaker 1>used to sit there and just make these faces like

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<v Speaker 1>hmmm all the time. And she's just so good at it.

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<v Speaker 2>She's so funny. I've not seen her in a lot

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<v Speaker 2>of things, but whenever she does pop up, she's always great.

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<v Speaker 1>Yeah, and she is married to Dominic.

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<v Speaker 2>Indeed, played by Reese in one of his worst characters.

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<v Speaker 1>It's awful. It's cringe, it's skin crawely.

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<v Speaker 2>It really is like he's played murderers that I identify

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<v Speaker 2>and understand it more like it's just really really needs

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<v Speaker 2>to slap o. The main character is Shane Daniel Mays, Yes,

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<v Speaker 2>who's fantastic as well.

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<v Speaker 3>He is. He's a funny bloke, isn't.

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<v Speaker 2>He He really is. He totally goes all in on

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<v Speaker 2>it on this.

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<v Speaker 1>Yeah.

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<v Speaker 2>I like as well that it's not like recent Steve

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<v Speaker 2>are in it, but they aren't by any means, the

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<v Speaker 2>main characters.

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<v Speaker 1>I was thinking that it's almost like it's a nice change.

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<v Speaker 1>They're just little cameos almost, which is quite nice. Yeah,

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<v Speaker 1>especially Steve, like he's really on the sidelines.

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<v Speaker 2>They said that they did the originally in visit that

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<v Speaker 2>it would be Reese playing the Clifford character and Steve

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<v Speaker 2>as the Daniel May's character, the Shane character, and then

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<v Speaker 2>we're like, no, maybe not. We'll find we'll find some

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<v Speaker 2>other people and they can do it and we'll just

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<v Speaker 2>sit in to bother.

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<v Speaker 3>Yeah.

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<v Speaker 1>It makes a nice sort of refreshing change. Not not

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<v Speaker 1>that we get bored of seeing recent Steve, because we

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<v Speaker 1>love it.

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<v Speaker 2>It's nice to have a bit of it, yea.

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<v Speaker 1>And bring in some some different talent and put them

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<v Speaker 1>in the in the spotlight.

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<v Speaker 2>Yeah, give them chance to shine. And speaking of talent,

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<v Speaker 2>Jason Isaacs, Yeah, in a hell of a name to

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<v Speaker 2>get in.

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<v Speaker 1>For such a small small dies after about two minutes.

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<v Speaker 1>Yeah yeah, yeah, great, very striking and sort of Yeah,

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<v Speaker 1>he commands the screen.

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<v Speaker 2>He really does. He said he'd been a fan since

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<v Speaker 2>the Leager Gentleman days apparently, and been asking to be

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<v Speaker 2>in stuff, and so yeah, they offered him this and

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<v Speaker 2>you've jumped at it. It is only a seen.

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<v Speaker 1>It's just kind of a shame when that happens because

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<v Speaker 1>you think, oh, you know, it's like Zoey want to

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<v Speaker 1>make her in the Yeah, when she was in it's

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<v Speaker 1>like it's just such a great actress, like for such

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<v Speaker 1>a sort of throwaway a part.

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<v Speaker 2>I guess it's always the problem when it's it's all

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<v Speaker 2>self contained twenty five minute episodes that always gonna Yeah,

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<v Speaker 2>but some sort of someone like Christine or something.

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<v Speaker 1>There are others that are more sort of you know, ultimately,

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<v Speaker 1>like Keey Hawes, even like she gets she gets a

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<v Speaker 1>good chance to shine in that episode, I suppose, whereas

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<v Speaker 1>others it's like, you know, in and out.

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<v Speaker 2>I really remembered Jason Isaac's being in this, and then

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<v Speaker 2>I was really shocked how little he was in it.

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<v Speaker 2>When I was today, I thought you were a much

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<v Speaker 2>bigger part than this.

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<v Speaker 1>So Shane is dressing as a postman yep, yeah why

257
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<v Speaker 1>not quite ill fitting uniform.

258
00:11:47.519 --> 00:11:49.799
<v Speaker 2>Yeah, totally covering up his holster and everything.

259
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<v Speaker 1>So Dominic goes off to work and there's a ring

260
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<v Speaker 1>at the bell because she's waiting for a parcel, and

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<v Speaker 1>she gets knocked out by the postman and dragged off.

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<v Speaker 2>I quite know how he did all this, but it's

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<v Speaker 2>off screen. So it's fine, yeah, exactly.

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<v Speaker 1>So then he takes her to the number nine, which

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<v Speaker 1>is this it's guessing an abandoned house.

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<v Speaker 2>Yeah, lovely run. Yeah, and at this point it's been

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<v Speaker 2>relatively serious.

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<v Speaker 1>Yes that's true. Yeah, it sets it up as quite.

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<v Speaker 2>Sure of the toilet beer joke, like, yes, it's been

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<v Speaker 2>relatively serious.

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<v Speaker 1>Yeah, quite dramatic. She wakes up in this house, tied

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<v Speaker 1>to a chair and lovely Shane's got a lovely monkey

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<v Speaker 1>mask on.

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<v Speaker 2>Four sizes too small, Yeah, it's so tiny. Where did

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<v Speaker 2>you get this from?

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<v Speaker 1>God knows, same place he got the little plastic voice

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<v Speaker 1>change of things.

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<v Speaker 2>Probably did they ever? Do they exist in real life?

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<v Speaker 2>They only seem to exist in film and TV?

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<v Speaker 1>They do, because I've seen one at my school. I

281
00:12:58.360 --> 00:13:01.919
<v Speaker 1>used to work out six production. Someone brought one in

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<v Speaker 1>to use it as a prop. Okay, so yeah they do,

283
00:13:06.720 --> 00:13:09.759
<v Speaker 1>but they always always I always find it weird because like,

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<v Speaker 1>you can still hear the original voice behind it.

285
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<v Speaker 2>I was thinking, Yeah, so.

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<v Speaker 1>I don't really see what the point of it is.

287
00:13:15.600 --> 00:13:17.799
<v Speaker 2>No, not unless you're in this setting where you can

288
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<v Speaker 2>remove one of the voices exactly. If it's live, it's

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<v Speaker 2>a lot Yeah.

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00:13:21.840 --> 00:13:26.519
<v Speaker 1>Yeah, yeah, nice joke there. It starts on the wrong

291
00:13:26.559 --> 00:13:27.759
<v Speaker 1>setting and it's all high pitched.

292
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<v Speaker 2>Do you want a Glovese water?

293
00:13:34.080 --> 00:13:36.200
<v Speaker 1>So it's this trope a bit like we had it

294
00:13:36.200 --> 00:13:38.360
<v Speaker 1>in a quiet night in where you've got these this

295
00:13:38.440 --> 00:13:41.720
<v Speaker 1>hopeless criminal and that he does do it very well.

296
00:13:42.039 --> 00:13:44.320
<v Speaker 2>Oh yeah, he plays bumbling for very well.

297
00:13:44.600 --> 00:13:45.519
<v Speaker 1>Yeah, it's very funny.

298
00:13:46.840 --> 00:13:48.879
<v Speaker 2>So I love the fact that at this point with it,

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00:13:48.879 --> 00:13:52.080
<v Speaker 2>it's all quite serious. Someone's been kidnapped, she's been tied up,

300
00:13:52.120 --> 00:13:54.360
<v Speaker 2>she's in a derelict house. Is she going to get murdered?

301
00:13:55.120 --> 00:13:57.200
<v Speaker 2>And then it goes quite quickly to oh no, this

302
00:13:57.240 --> 00:13:58.919
<v Speaker 2>is a comedy this week mostly.

303
00:13:59.279 --> 00:13:59.840
<v Speaker 3>Yeah, exactly.

304
00:14:00.399 --> 00:14:02.279
<v Speaker 2>Oh no, I have actually already heard your voice and

305
00:14:02.320 --> 00:14:04.120
<v Speaker 2>I actually have already seen your face, So this is

306
00:14:04.159 --> 00:14:05.519
<v Speaker 2>all kind and largely irrelevant.

307
00:14:05.960 --> 00:14:09.440
<v Speaker 1>Yeah, it's really interesting, isn't it? Playing with genres because

308
00:14:09.480 --> 00:14:14.480
<v Speaker 1>the setting is so gritty and dramatic, and then it

309
00:14:14.559 --> 00:14:18.639
<v Speaker 1>just completely sort of upends it and it's like, you

310
00:14:18.679 --> 00:14:21.320
<v Speaker 1>know what, we're just going to piss about basically.

311
00:14:22.039 --> 00:14:24.039
<v Speaker 2>Telling me to take the mask off. I'm confused.

312
00:14:26.799 --> 00:14:28.879
<v Speaker 1>I love it as well as the status, like she's

313
00:14:29.320 --> 00:14:32.200
<v Speaker 1>she's clearly like so much more intelligent than him, and

314
00:14:32.240 --> 00:14:34.480
<v Speaker 1>you know, and he's just like bumbling around, like I

315
00:14:34.519 --> 00:14:36.480
<v Speaker 1>don't know what to do, and she's like, I don't mind,

316
00:14:36.639 --> 00:14:42.559
<v Speaker 1>just you know. So when he leaves the room, she

317
00:14:42.600 --> 00:14:50.399
<v Speaker 1>tries to phone out husband. I found it interesting that

318
00:14:50.440 --> 00:14:53.679
<v Speaker 1>she had to scroll down and his name was dominic Z.

319
00:14:54.919 --> 00:14:56.240
<v Speaker 1>And at first I was like, oh, well, you know,

320
00:14:56.279 --> 00:14:58.840
<v Speaker 1>maybe they've got different last names. But then later on

321
00:14:58.919 --> 00:15:02.759
<v Speaker 1>he calls himself dominic Aren't. Oh, he does introduce himself

322
00:15:02.799 --> 00:15:05.399
<v Speaker 1>as that, So I'm like, why unless for some reason

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00:15:05.559 --> 00:15:06.879
<v Speaker 1>she wants him to be right at the bottom of

324
00:15:06.919 --> 00:15:09.240
<v Speaker 1>the list of her contact.

325
00:15:08.919 --> 00:15:11.039
<v Speaker 2>Yeah, I wouldn't, as you were literally just saying that,

326
00:15:11.039 --> 00:15:12.799
<v Speaker 2>I wonder has she renamed him to that so he's

327
00:15:12.840 --> 00:15:14.879
<v Speaker 2>at the bottom of the list so that she can

328
00:15:14.919 --> 00:15:19.360
<v Speaker 2>easily find his number with her hands tied. Yeah, spoilers

329
00:15:19.360 --> 00:15:23.240
<v Speaker 2>for the end of the episode. But why why you

330
00:15:23.240 --> 00:15:24.639
<v Speaker 2>wouldn't have just a and had it be at the

331
00:15:24.679 --> 00:15:25.279
<v Speaker 2>top of the list.

332
00:15:25.639 --> 00:15:26.360
<v Speaker 3>Yeah, it would be.

333
00:15:26.360 --> 00:15:28.960
<v Speaker 2>A lot easier, or like a symbol or something and

334
00:15:29.679 --> 00:15:30.080
<v Speaker 2>at the top.

335
00:15:30.240 --> 00:15:35.720
<v Speaker 1>Yeah, but strange. Yeah, but yes, he's a twat. He

336
00:15:35.919 --> 00:15:40.080
<v Speaker 1>is ordering his machiata or whatever it is at.

337
00:15:40.039 --> 00:15:43.840
<v Speaker 2>Least three shots. I think he said how many do

338
00:15:43.840 --> 00:15:46.480
<v Speaker 2>you want me to get you, sir? Come back with

339
00:15:46.519 --> 00:15:47.240
<v Speaker 2>twelve for that be.

340
00:15:47.200 --> 00:15:48.360
<v Speaker 1>Better at least three.

341
00:15:48.440 --> 00:15:50.799
<v Speaker 3>Yeah, it's pretty.

342
00:15:50.559 --> 00:15:54.200
<v Speaker 2>Much every number there is. Yeah, when shall I stop?

343
00:15:56.720 --> 00:15:59.919
<v Speaker 1>And then we have Shane phoning him and he think

344
00:16:00.120 --> 00:16:01.679
<v Speaker 1>that she's doing phone sex.

345
00:16:01.840 --> 00:16:05.679
<v Speaker 2>Oh yeah, here wild Poorshane's trying to do his best

346
00:16:05.720 --> 00:16:07.120
<v Speaker 2>like tough man routine.

347
00:16:07.720 --> 00:16:08.759
<v Speaker 3>Yeah.

348
00:16:08.960 --> 00:16:11.840
<v Speaker 2>So my first question here is why one point three

349
00:16:11.879 --> 00:16:13.120
<v Speaker 2>million that.

350
00:16:13.080 --> 00:16:15.720
<v Speaker 3>Is the ver It's such a rangely specific number, such.

351
00:16:15.519 --> 00:16:18.720
<v Speaker 2>A specific amount, and they never address it.

352
00:16:19.679 --> 00:16:20.879
<v Speaker 1>Yeah, that's very good.

353
00:16:21.000 --> 00:16:23.120
<v Speaker 2>Not that I care. I'm just curious as to why

354
00:16:23.159 --> 00:16:24.440
<v Speaker 2>it was specifically that much.

355
00:16:24.960 --> 00:16:27.639
<v Speaker 1>Yeah, that's a really good point. I've not thought of that.

356
00:16:27.960 --> 00:16:30.440
<v Speaker 2>Yeah, I could understood it if it was one point

357
00:16:30.480 --> 00:16:31.799
<v Speaker 2>eight and they were just doing it to add up

358
00:16:31.799 --> 00:16:36.759
<v Speaker 2>to nine or something silly like that. But but it doesn't.

359
00:16:36.960 --> 00:16:38.879
<v Speaker 2>I assume there's probably it's one of these cases of

360
00:16:39.120 --> 00:16:41.600
<v Speaker 2>we just see a snippet of what happened, and presumably

361
00:16:41.600 --> 00:16:43.559
<v Speaker 2>there's weeks of planning went into this, and there's a

362
00:16:43.600 --> 00:16:45.799
<v Speaker 2>total reason as to why it's one point three. We

363
00:16:45.919 --> 00:16:48.240
<v Speaker 2>just don't ever find out. Yeah, it always struck me

364
00:16:48.320 --> 00:16:48.919
<v Speaker 2>as a bit weird.

365
00:16:49.679 --> 00:16:54.159
<v Speaker 1>Yeah, I don't know, I've never sent a ransom thing,

366
00:16:54.240 --> 00:17:00.679
<v Speaker 1>so I can't really comment. So then she again and

367
00:17:00.720 --> 00:17:04.480
<v Speaker 1>Shane catches her phoning him, which is quite a scary

368
00:17:04.519 --> 00:17:06.279
<v Speaker 1>moment when he's like, you shouldn't have done that.

369
00:17:06.359 --> 00:17:10.079
<v Speaker 2>I've done that. Yeah. All the while, I don't know

370
00:17:10.079 --> 00:17:13.920
<v Speaker 2>if Dominic's worked out what's really going on. No, I

371
00:17:13.920 --> 00:17:15.640
<v Speaker 2>think I still think he's largely oblivious.

372
00:17:15.920 --> 00:17:18.599
<v Speaker 1>Yes, that was a bit weird when he said to

373
00:17:18.680 --> 00:17:20.839
<v Speaker 1>him on the phone, he was like, she's waiting for

374
00:17:20.880 --> 00:17:23.559
<v Speaker 1>a parcel. I was like, oh, are you the postman? Like,

375
00:17:23.599 --> 00:17:26.559
<v Speaker 1>why would the postman be phony? That just doesn't make

376
00:17:26.559 --> 00:17:27.039
<v Speaker 1>any sense.

377
00:17:27.519 --> 00:17:29.680
<v Speaker 2>He's only been listening to half this conversation, doesn't he.

378
00:17:30.079 --> 00:17:33.519
<v Speaker 1>Yeah, he does not care nough.

379
00:17:34.640 --> 00:17:36.440
<v Speaker 3>He plays that so well, he really does.

380
00:17:36.720 --> 00:17:41.400
<v Speaker 2>Yeah. Yeah, he's so slimy and awful. Well it's not

381
00:17:41.440 --> 00:17:42.759
<v Speaker 2>even that, it's it's just a knob.

382
00:17:43.480 --> 00:17:44.519
<v Speaker 1>He's an absolute knob.

383
00:17:44.599 --> 00:17:47.200
<v Speaker 2>Yeah, he's just so wanky it's awful.

384
00:17:48.519 --> 00:17:50.359
<v Speaker 1>And there's the question of you know, does does your

385
00:17:50.400 --> 00:17:52.039
<v Speaker 1>husband love you more than he loves money? And the

386
00:17:52.079 --> 00:17:58.759
<v Speaker 1>answer is obviously now, yeah, everything's a business transaction.

387
00:18:00.799 --> 00:18:02.599
<v Speaker 2>So yeah, that brings us onto this. Yes, no, game,

388
00:18:03.119 --> 00:18:04.799
<v Speaker 2>I didn't understand it. I had to google because I

389
00:18:04.839 --> 00:18:06.000
<v Speaker 2>don't think I've ever played this game.

390
00:18:06.319 --> 00:18:07.519
<v Speaker 3>Oh have you not come across it before?

391
00:18:07.559 --> 00:18:09.920
<v Speaker 2>I don't think so. I was really confused as to

392
00:18:09.920 --> 00:18:11.559
<v Speaker 2>why he was like, oh, you got me. I didn't

393
00:18:11.559 --> 00:18:14.519
<v Speaker 2>really understand what was going on until well.

394
00:18:14.359 --> 00:18:16.759
<v Speaker 1>I played it with kids at school, and I think

395
00:18:16.759 --> 00:18:19.519
<v Speaker 1>it's also like a drama sort of game as well play.

396
00:18:20.000 --> 00:18:23.319
<v Speaker 2>I couldn't understand what she'd worked out from him, I see,

397
00:18:23.880 --> 00:18:25.720
<v Speaker 2>and also why they would have been playing a game

398
00:18:26.680 --> 00:18:29.000
<v Speaker 2>just to pass the time was just very confusing for me. Yeah,

399
00:18:29.000 --> 00:18:30.039
<v Speaker 2>when I didn't know what was happening.

400
00:18:30.640 --> 00:18:32.720
<v Speaker 1>But yeah, he's so funny when he's trying to It's

401
00:18:32.759 --> 00:18:34.480
<v Speaker 1>like you can see his little cogs going around as

402
00:18:34.519 --> 00:18:38.480
<v Speaker 1>he's trying so hard to answer her questions. Like it

403
00:18:38.599 --> 00:18:38.920
<v Speaker 1>did not.

404
00:18:44.559 --> 00:18:46.960
<v Speaker 2>I know he's obstensibly the most evil person in this

405
00:18:47.039 --> 00:18:50.200
<v Speaker 2>room at the moment, but in this story, but yeah,

406
00:18:50.279 --> 00:18:53.200
<v Speaker 2>he's quite sweet in some way.

407
00:18:53.759 --> 00:18:55.559
<v Speaker 1>Even if he does break people's legs for money.

408
00:18:56.000 --> 00:19:02.799
<v Speaker 2>Yeah, I've got to learn a living. So Clifford arrives,

409
00:19:03.319 --> 00:19:06.319
<v Speaker 2>he does just like why are you playing this game?

410
00:19:06.599 --> 00:19:06.960
<v Speaker 2>I don't know?

411
00:19:08.359 --> 00:19:10.720
<v Speaker 1>And he mentions to Shane about not getting too close

412
00:19:10.759 --> 00:19:12.079
<v Speaker 1>to her. Because he says, you know what you've got

413
00:19:12.119 --> 00:19:14.559
<v Speaker 1>to do at the end of all this, which I

414
00:19:14.559 --> 00:19:17.960
<v Speaker 1>have questions about maybe a bit later. Yeah, I do

415
00:19:18.039 --> 00:19:19.960
<v Speaker 1>love that bit where he gets all serious and he

416
00:19:20.000 --> 00:19:21.799
<v Speaker 1>marches in and he's like, you know, I you've been

417
00:19:21.799 --> 00:19:24.720
<v Speaker 1>playing this, yes, no game? Well yes this and no that,

418
00:19:24.880 --> 00:19:26.880
<v Speaker 1>and no we're not playing games anymore. Well you'd have

419
00:19:26.880 --> 00:19:27.640
<v Speaker 1>been out of ages ago.

420
00:19:27.759 --> 00:19:34.480
<v Speaker 2>Yeah, it's a very odd dynamic going on in this room. Yeah.

421
00:19:35.480 --> 00:19:37.839
<v Speaker 1>So Shane goes down to the shop and then we

422
00:19:37.839 --> 00:19:41.200
<v Speaker 1>get the reveal that it's been staged and Laura and

423
00:19:41.200 --> 00:19:42.119
<v Speaker 1>Clifford are in it together.

424
00:19:42.839 --> 00:19:47.559
<v Speaker 2>Yep. Classicist kidnappy trope that they're in it in advance.

425
00:19:48.039 --> 00:19:50.880
<v Speaker 2>Different plot to what you think. It's not the most

426
00:19:50.880 --> 00:19:53.759
<v Speaker 2>original story in a way, but I like how it's presented.

427
00:19:55.359 --> 00:19:58.759
<v Speaker 1>So they're planning to basically get the money and leave

428
00:19:58.799 --> 00:20:01.519
<v Speaker 1>the country yep, start a new life together.

429
00:20:01.799 --> 00:20:06.000
<v Speaker 2>Ditch push Shane behind. He ain't getting a cut, yeah, passport,

430
00:20:06.039 --> 00:20:07.079
<v Speaker 2>So how's he going to chase us?

431
00:20:07.720 --> 00:20:11.160
<v Speaker 1>Yeah, and he's not going to go to the police.

432
00:20:11.079 --> 00:20:13.559
<v Speaker 2>Which makes me wonder. So now we've got that out

433
00:20:13.559 --> 00:20:15.279
<v Speaker 2>of the way, that that's there's a double cross thing

434
00:20:15.319 --> 00:20:17.599
<v Speaker 2>going on. Why is Shane involved in this?

435
00:20:18.839 --> 00:20:20.279
<v Speaker 1>Yeah, it's not really necessary, is it.

436
00:20:20.440 --> 00:20:21.599
<v Speaker 2>Don't get why he's there.

437
00:20:22.640 --> 00:20:24.559
<v Speaker 1>It just over complicates things really.

438
00:20:24.599 --> 00:20:28.359
<v Speaker 2>Yeah, especially when he doesn't know, Yeah, exactly. That's so

439
00:20:28.400 --> 00:20:30.440
<v Speaker 2>presumably he's a loose end they have to tie up

440
00:20:30.680 --> 00:20:31.799
<v Speaker 2>or yeah, escape, I.

441
00:20:31.839 --> 00:20:34.359
<v Speaker 1>Think it's It makes it quite a dangerous plan to

442
00:20:34.400 --> 00:20:37.240
<v Speaker 1>have this person involved. Who who does this sort of thing,

443
00:20:37.759 --> 00:20:41.079
<v Speaker 1>Yeah often and and thinks this is real. Yeah, and

444
00:20:41.160 --> 00:20:42.359
<v Speaker 1>not not telling him.

445
00:20:42.680 --> 00:20:44.440
<v Speaker 2>It's like the worst thing, surely when you've done a

446
00:20:44.440 --> 00:20:47.039
<v Speaker 2>crime is to have someone around that is annoyed it

447
00:20:47.319 --> 00:20:49.440
<v Speaker 2>because of like you double cross someone.

448
00:20:49.720 --> 00:20:50.480
<v Speaker 1>That's very true.

449
00:20:50.519 --> 00:20:54.599
<v Speaker 2>Why engineer that in? Yeah, I don't know, especially like

450
00:20:54.680 --> 00:20:56.200
<v Speaker 2>he says that he doesn't have a passport, he's not

451
00:20:56.200 --> 00:20:57.640
<v Speaker 2>going to go to the police. It's not like they're

452
00:20:57.680 --> 00:21:00.319
<v Speaker 2>playing on killing him and likes the tiding it up,

453
00:21:00.759 --> 00:21:03.400
<v Speaker 2>like they're planning on just escaping and leaving him behind.

454
00:21:04.039 --> 00:21:06.720
<v Speaker 1>M I guess they think there's nothing he can do

455
00:21:06.759 --> 00:21:09.759
<v Speaker 1>though either way, I guess. But it does seem like

456
00:21:09.759 --> 00:21:11.000
<v Speaker 1>a liability.

457
00:21:10.960 --> 00:21:14.039
<v Speaker 2>Yeah, yeah, liability being the main Yeah, like he could

458
00:21:14.079 --> 00:21:16.960
<v Speaker 2>have sucked up any of the kidnapped bit, whereas if

459
00:21:17.000 --> 00:21:18.400
<v Speaker 2>the other two are already in it. She could have

460
00:21:18.400 --> 00:21:22.400
<v Speaker 2>just walked herself there. Yeah, no one needs to be

461
00:21:22.440 --> 00:21:26.680
<v Speaker 2>tied up. It's all over the phone anyway. She didn't

462
00:21:26.680 --> 00:21:29.160
<v Speaker 2>even need to leave the house. Really.

463
00:21:31.680 --> 00:21:33.000
<v Speaker 3>Yeah, this is a very good point.

464
00:21:33.480 --> 00:21:36.240
<v Speaker 2>Yeah. Yeah, not that I care, because it is a

465
00:21:36.319 --> 00:21:38.119
<v Speaker 2>comedy at the end of the day. Yeah, but I

466
00:21:38.200 --> 00:21:42.160
<v Speaker 2>just found it odd. Yeah, the suspension of disbelief.

467
00:21:43.319 --> 00:21:46.000
<v Speaker 1>So at this point they phone Dominic. Then he wants

468
00:21:46.039 --> 00:21:48.319
<v Speaker 1>to be sure that his wife is safe.

469
00:21:48.599 --> 00:21:50.759
<v Speaker 2>Yes, so he.

470
00:21:51.400 --> 00:21:53.279
<v Speaker 1>Doesn't want to show out the money if she's already dead,

471
00:21:54.119 --> 00:21:57.440
<v Speaker 1>which I mean, I understand, but yeah, it's just the

472
00:21:57.440 --> 00:21:58.559
<v Speaker 1>way he's you know.

473
00:21:59.079 --> 00:22:01.519
<v Speaker 2>The way he says it. Yeah, I want to know

474
00:22:01.519 --> 00:22:03.880
<v Speaker 2>if my wife is still alive. Like, that's what you

475
00:22:03.920 --> 00:22:06.359
<v Speaker 2>need to all the other ships.

476
00:22:07.039 --> 00:22:09.640
<v Speaker 1>Yeah, oh yeah, before you'd buy her whatever cars he says,

477
00:22:09.680 --> 00:22:11.759
<v Speaker 1>you know, you take a chest dry.

478
00:22:11.960 --> 00:22:14.759
<v Speaker 2>Yeah, it's unseen.

479
00:22:17.079 --> 00:22:19.599
<v Speaker 1>And they're they're looking at each other like, oh my god,

480
00:22:19.640 --> 00:22:20.240
<v Speaker 1>what a cock.

481
00:22:21.440 --> 00:22:22.920
<v Speaker 2>And we've got to help this guy.

482
00:22:23.759 --> 00:22:26.759
<v Speaker 1>Yeah, No, I meant, I meant Clifford and Lara looking

483
00:22:26.759 --> 00:22:27.160
<v Speaker 1>at each other.

484
00:22:27.559 --> 00:22:30.240
<v Speaker 3>Sorry, but yeah, that back too, that too.

485
00:22:30.359 --> 00:22:34.480
<v Speaker 1>Yeah, And apparently Lara's asked him to divorce her. But

486
00:22:34.559 --> 00:22:39.279
<v Speaker 1>he's refused, so yeah, I don't really understand. Like, he

487
00:22:39.319 --> 00:22:44.680
<v Speaker 1>obviously doesn't love her, so you know what's it to him?

488
00:22:45.000 --> 00:22:48.279
<v Speaker 2>I guess it's probably an embarrassment thing. It's as true

489
00:22:48.359 --> 00:22:50.480
<v Speaker 2>status thing to all his friends, So.

490
00:22:50.480 --> 00:22:51.079
<v Speaker 1>True, isn't it.

491
00:22:51.160 --> 00:22:54.759
<v Speaker 2>Yeah, he just doesn't want to lose face. I guess

492
00:22:54.799 --> 00:22:57.359
<v Speaker 2>it's probably the main Oh he's.

493
00:22:57.160 --> 00:22:58.079
<v Speaker 1>Just a husk, isn't he?

494
00:23:00.960 --> 00:23:04.680
<v Speaker 3>That was so camp. Oh it's just ask.

495
00:23:04.599 --> 00:23:12.839
<v Speaker 2>Me, yes, yes he is. Yeah, he's got this like

496
00:23:13.480 --> 00:23:16.200
<v Speaker 2>perfect life as far as anyone's concerned. But yeah, the

497
00:23:16.200 --> 00:23:18.960
<v Speaker 2>wife leads you for some comments come as far as

498
00:23:18.960 --> 00:23:19.720
<v Speaker 2>he will be concerned.

499
00:23:20.240 --> 00:23:22.000
<v Speaker 3>I love how clinical that office is.

500
00:23:23.680 --> 00:23:27.839
<v Speaker 2>It's weird class paper weights at all. Yeah, generic view

501
00:23:27.880 --> 00:23:28.319
<v Speaker 2>of London.

502
00:23:29.720 --> 00:23:34.480
<v Speaker 1>So Shane comes back, and because Clifford had untired Laura

503
00:23:34.559 --> 00:23:37.960
<v Speaker 1>to make him more comfortable, they suddenly have to panic.

504
00:23:39.440 --> 00:23:43.200
<v Speaker 2>Yeah, and it obviously goes as well as you could

505
00:23:43.200 --> 00:23:43.880
<v Speaker 2>have ever hoped for.

506
00:23:45.640 --> 00:23:47.160
<v Speaker 1>In that he ends up shot.

507
00:23:47.279 --> 00:23:50.839
<v Speaker 2>Yeah, because Clifford said not to bring any weapons and

508
00:23:50.839 --> 00:23:53.440
<v Speaker 2>he's brought gone along, which, like you said before, the

509
00:23:53.559 --> 00:23:55.400
<v Speaker 2>risks of having Shane.

510
00:23:55.640 --> 00:23:58.759
<v Speaker 1>Doesn't know Yeah, yeah, yeah, exactly. This is exactly why

511
00:23:58.759 --> 00:24:03.480
<v Speaker 1>he shouldn't have been involved, No, and Clifford's now paid

512
00:24:03.480 --> 00:24:03.720
<v Speaker 1>for it.

513
00:24:04.160 --> 00:24:04.480
<v Speaker 2>M M.

514
00:24:05.400 --> 00:24:08.119
<v Speaker 1>I love that they include this. I mean, it's such

515
00:24:08.160 --> 00:24:10.000
<v Speaker 1>a cheesy cliche, isn't it. That thing if there's a

516
00:24:10.000 --> 00:24:13.359
<v Speaker 1>gunshot and then no one knows who died who's been shot.

517
00:24:14.200 --> 00:24:16.039
<v Speaker 1>I don't know, have you seen. I'm sure there's a

518
00:24:16.039 --> 00:24:18.680
<v Speaker 1>TikTok that I've seen where it's like it's that troupe

519
00:24:18.680 --> 00:24:21.039
<v Speaker 1>but it's like extended to the ridiculous and it's like.

520
00:24:20.880 --> 00:24:21.799
<v Speaker 2>Like a day or something.

521
00:24:22.000 --> 00:24:23.079
<v Speaker 3>Yeah, and each each.

522
00:24:23.039 --> 00:24:25.119
<v Speaker 1>Each new shot, there's a new person that it could

523
00:24:25.119 --> 00:24:26.799
<v Speaker 1>have been. Yeah.

524
00:24:26.960 --> 00:24:28.720
<v Speaker 2>Oh, the one I've seen was like two people and

525
00:24:28.720 --> 00:24:30.960
<v Speaker 2>then like this guy gets home and he goes to

526
00:24:30.960 --> 00:24:34.039
<v Speaker 2>get undressed to go to bed and finds a bullet

527
00:24:34.039 --> 00:24:35.400
<v Speaker 2>woman and then suddenly drops down dead.

528
00:24:36.000 --> 00:24:36.200
<v Speaker 3>Yeah.

529
00:24:36.240 --> 00:24:37.039
<v Speaker 1>No, that's hilarious.

530
00:24:37.079 --> 00:24:39.880
<v Speaker 2>You know, it doesn't hurt until you see the blood exactly. Yes.

531
00:24:40.200 --> 00:24:44.400
<v Speaker 1>Yeah, but you know, cliches aren't necessarily bad, especially in

532
00:24:44.480 --> 00:24:46.440
<v Speaker 1>comedy like this. It's sometimes it's just part of the

533
00:24:46.559 --> 00:24:49.119
<v Speaker 1>vocabulary of of storytelling, isn't it.

534
00:24:49.480 --> 00:24:51.680
<v Speaker 2>Yeah, cliches are a cliche for a reason. It's like

535
00:24:51.720 --> 00:24:55.559
<v Speaker 2>they're good a lot of the time. Yeah, they keep

536
00:24:55.559 --> 00:24:56.960
<v Speaker 2>being redone just because they're good.

537
00:24:57.599 --> 00:25:01.880
<v Speaker 1>Yeah, and obviously she's kind of upset that her lover

538
00:25:01.960 --> 00:25:05.559
<v Speaker 1>has died yep, and he tells her, you're just suffering

539
00:25:05.559 --> 00:25:06.960
<v Speaker 1>from the Stockport syndrome.

540
00:25:09.200 --> 00:25:11.079
<v Speaker 2>A great joke that never gets addressed.

541
00:25:12.119 --> 00:25:14.480
<v Speaker 3>Yeah, it just goes out over her head.

542
00:25:14.559 --> 00:25:17.079
<v Speaker 1>Yeah. But bless him as well when he says, oh,

543
00:25:17.119 --> 00:25:19.079
<v Speaker 1>you'd probably be the same if I died, and she's.

544
00:25:18.920 --> 00:25:19.720
<v Speaker 3>Like, no, I wouldn't.

545
00:25:19.720 --> 00:25:28.720
<v Speaker 1>You stupid fucking idiots, poor Shane. Yeah but yeah, in

546
00:25:28.759 --> 00:25:32.640
<v Speaker 1>the absence of his boss, he decides to stick to

547
00:25:32.680 --> 00:25:35.200
<v Speaker 1>the plan yep, and ties her back up again.

548
00:25:35.799 --> 00:25:38.680
<v Speaker 2>Cut her off. So she at this point tries to

549
00:25:38.680 --> 00:25:40.680
<v Speaker 2>tell him what the plan was, and he doesn't believe her,

550
00:25:40.680 --> 00:25:41.759
<v Speaker 2>because obviously why would he.

551
00:25:42.319 --> 00:25:46.319
<v Speaker 1>Yeah, so yeah. Dominic receives the ear lobes in a bag.

552
00:25:47.000 --> 00:25:47.960
<v Speaker 2>Do you recognize these?

553
00:25:49.319 --> 00:25:51.119
<v Speaker 1>Do you mean the ears or the rings?

554
00:25:53.279 --> 00:25:53.359
<v Speaker 2>Oh?

555
00:25:53.440 --> 00:25:55.200
<v Speaker 1>Yeah, I remember my pa picking them out a couple

556
00:25:55.240 --> 00:25:59.599
<v Speaker 1>of Christmas ago. Of course, yeah, his pa picked them out.

557
00:26:01.359 --> 00:26:03.079
<v Speaker 2>It's gonn you toss up in this episode between do

558
00:26:03.119 --> 00:26:06.279
<v Speaker 2>I say or bless him about Shane or how much

559
00:26:06.319 --> 00:26:06.920
<v Speaker 2>for toss pot?

560
00:26:07.000 --> 00:26:13.160
<v Speaker 1>Dominic is yes, yes, since you've mentioned toss pot, because yes,

561
00:26:13.400 --> 00:26:15.279
<v Speaker 1>there's a great moment there where Steve just calling that

562
00:26:15.359 --> 00:26:19.920
<v Speaker 1>after he leaves, which is so like earned, it's brilliant.

563
00:26:20.720 --> 00:26:22.200
<v Speaker 1>But I was going to say, fun fact about the

564
00:26:22.200 --> 00:26:23.839
<v Speaker 1>word toss pot. Do you know where it comes from?

565
00:26:24.160 --> 00:26:24.720
<v Speaker 2>I don't see.

566
00:26:25.160 --> 00:26:28.880
<v Speaker 1>Well, people assume it's to do with tossa and like masturbation,

567
00:26:29.440 --> 00:26:32.519
<v Speaker 1>it's it's actually an old fashioned thing for someone who

568
00:26:32.559 --> 00:26:33.559
<v Speaker 1>drinks a lot, because they.

569
00:26:33.480 --> 00:26:37.359
<v Speaker 3>Toss a lot of ale pots back. So yeah, fun

570
00:26:37.400 --> 00:26:39.000
<v Speaker 3>fact and something the every day as well.

571
00:26:39.200 --> 00:26:44.519
<v Speaker 1>Dictory Corner volume two. But yes, So we cut back

572
00:26:44.519 --> 00:26:49.400
<v Speaker 1>to Laura being bandaged up mh and Dominic's told that

573
00:26:49.440 --> 00:26:52.079
<v Speaker 1>he has to go to transfer the money in person.

574
00:26:53.119 --> 00:26:55.359
<v Speaker 2>They've given him where the address is because they already

575
00:26:55.359 --> 00:26:56.839
<v Speaker 2>sort of roughly know where they are because they've had

576
00:26:56.880 --> 00:27:00.200
<v Speaker 2>a gunshot mm hmm. And because this isn't America, can

577
00:27:00.240 --> 00:27:04.799
<v Speaker 2>work out where we are probably. Yeah. Fun extra fact

578
00:27:04.799 --> 00:27:06.640
<v Speaker 2>I'm going to throw in here from the podcast they

579
00:27:06.720 --> 00:27:09.680
<v Speaker 2>learned originally they wanted in the script there was going

580
00:27:09.720 --> 00:27:12.640
<v Speaker 2>to be four locations. So the office that'd be the

581
00:27:12.680 --> 00:27:16.400
<v Speaker 2>original house to be this house, and originally the house

582
00:27:16.400 --> 00:27:19.960
<v Speaker 2>that they were in was a semi detached and the

583
00:27:19.960 --> 00:27:22.000
<v Speaker 2>police were going to break in in one of the cuts,

584
00:27:22.079 --> 00:27:24.519
<v Speaker 2>in like one of the screens in a split screen,

585
00:27:24.759 --> 00:27:26.799
<v Speaker 2>and like you'd see them break, you know, sneaking through

586
00:27:26.799 --> 00:27:29.119
<v Speaker 2>the house and everything, and then they'd break through a

587
00:27:29.160 --> 00:27:31.119
<v Speaker 2>door and it'd just be a little like family and

588
00:27:31.119 --> 00:27:32.880
<v Speaker 2>the kids and stuff, and they broke into the wrong

589
00:27:32.920 --> 00:27:36.440
<v Speaker 2>house and it's just next door. They've gone into Bay mistakes. Yeah, yeah,

590
00:27:36.480 --> 00:27:38.680
<v Speaker 2>but they decided it was far too much work, so

591
00:27:38.759 --> 00:27:39.279
<v Speaker 2>that got cut.

592
00:27:39.839 --> 00:27:43.599
<v Speaker 1>Yeah, fair enough. Yeah, and he's been given the safe

593
00:27:43.599 --> 00:27:44.799
<v Speaker 1>word of granola. Granola.

594
00:27:46.559 --> 00:27:47.640
<v Speaker 3>He has to say it twice.

595
00:27:47.920 --> 00:27:50.440
<v Speaker 2>Are we going to go conversation? Yeah, it's so reminded

596
00:27:50.480 --> 00:27:52.920
<v Speaker 2>of the hairs, Like, yes, I thought.

597
00:27:52.759 --> 00:27:54.759
<v Speaker 3>That, Yeah, how we're going to slip that into conversation?

598
00:27:56.640 --> 00:27:58.079
<v Speaker 2>Oh we should have done that. We should have planned

599
00:27:58.079 --> 00:28:00.400
<v Speaker 2>to try and get it in genuine. You don't know

600
00:28:00.400 --> 00:28:05.440
<v Speaker 2>how he would have yes, well yeah.

601
00:28:03.559 --> 00:28:07.519
<v Speaker 1>Well no, yeah. The bit a bit later on when

602
00:28:07.519 --> 00:28:11.960
<v Speaker 1>he wakes up and he's suddenly like that reminds me

603
00:28:12.000 --> 00:28:13.839
<v Speaker 1>of something that line delivery And I can't think what

604
00:28:13.880 --> 00:28:14.240
<v Speaker 1>it is.

605
00:28:14.960 --> 00:28:17.000
<v Speaker 2>I think I know what you mean, I don't mean

606
00:28:17.319 --> 00:28:17.720
<v Speaker 2>the way.

607
00:28:17.599 --> 00:28:19.519
<v Speaker 1>He pronounces it, and like this he's so like out

608
00:28:19.559 --> 00:28:22.599
<v Speaker 1>of it. Yeah, I can't think what it.

609
00:28:22.519 --> 00:28:25.000
<v Speaker 2>Is no me neither, but I know exactly what you mean.

610
00:28:28.000 --> 00:28:29.359
<v Speaker 2>It will come to me at some point in the

611
00:28:29.359 --> 00:28:29.880
<v Speaker 2>middle of the night.

612
00:28:30.039 --> 00:28:32.200
<v Speaker 1>If it does, please let me know, will Yeah, yeah,

613
00:28:32.319 --> 00:28:33.359
<v Speaker 1>because it's been bugging me.

614
00:28:33.480 --> 00:28:38.880
<v Speaker 2>Write in listeners. If you know misery, we'll put you

615
00:28:38.880 --> 00:28:39.480
<v Speaker 2>into TikTok.

616
00:28:40.279 --> 00:28:44.279
<v Speaker 1>Yeah. So he's got the ear piece with Steve telling

617
00:28:44.359 --> 00:28:47.440
<v Speaker 1>him what to do. Tell him it's for your own protection.

618
00:28:48.240 --> 00:28:51.599
<v Speaker 1>It's for your own protection. Do you need me to

619
00:28:51.640 --> 00:28:55.759
<v Speaker 1>change all the possessive pronouns.

620
00:28:56.000 --> 00:28:57.720
<v Speaker 2>Again? Brilliant?

621
00:28:58.319 --> 00:29:02.440
<v Speaker 1>Yeah, it's very funny. And again it kind of shows

622
00:29:02.480 --> 00:29:05.839
<v Speaker 1>like Dominic's not the smartest cookie in the jar, Like, no,

623
00:29:06.400 --> 00:29:08.640
<v Speaker 1>he's good at what he's obviously good at making money

624
00:29:08.640 --> 00:29:09.279
<v Speaker 1>and all that shit.

625
00:29:09.400 --> 00:29:14.000
<v Speaker 2>But you know, yeah, I've worked in big private businesses

626
00:29:14.000 --> 00:29:15.240
<v Speaker 2>as it's all. They're all like.

627
00:29:15.240 --> 00:29:17.720
<v Speaker 1>That exactly, like idiots.

628
00:29:20.279 --> 00:29:21.680
<v Speaker 2>Yeah, but they met the company a lot of money,

629
00:29:21.759 --> 00:29:22.319
<v Speaker 2>so who cares?

630
00:29:22.440 --> 00:29:26.720
<v Speaker 1>Yes, And he fucking tries to haggle over his wife and.

631
00:29:26.759 --> 00:29:29.000
<v Speaker 2>Not by even a little bit, like he's wanting off

632
00:29:29.359 --> 00:29:31.240
<v Speaker 2>what five hundred thousand or.

633
00:29:31.160 --> 00:29:33.960
<v Speaker 3>Something because of the Yeah.

634
00:29:33.480 --> 00:29:38.759
<v Speaker 1>She's damaged now, oh my god. And when he eventually,

635
00:29:38.839 --> 00:29:42.319
<v Speaker 1>you know, does the transfer and he's like worth every penny.

636
00:29:42.359 --> 00:29:46.119
<v Speaker 1>I don't regret it at all. Like he sounds very

637
00:29:46.200 --> 00:29:46.920
<v Speaker 1>much like he does.

638
00:29:47.319 --> 00:29:52.000
<v Speaker 2>Yep, just a smidge. Yeah, Yeah, I don't know why

639
00:29:52.039 --> 00:29:54.720
<v Speaker 2>they I can know why they're doing it, but why

640
00:29:55.400 --> 00:29:57.279
<v Speaker 2>the police would think they would want him to do

641
00:29:57.319 --> 00:29:58.359
<v Speaker 2>the transfer in person?

642
00:29:59.079 --> 00:30:00.319
<v Speaker 1>Yeah, that's very weird, isn't it.

643
00:30:01.960 --> 00:30:06.680
<v Speaker 2>I could understand if it was in cash, yes, but yeah.

644
00:30:05.920 --> 00:30:08.400
<v Speaker 1>But yeah, what benefit do they have of him doing

645
00:30:08.440 --> 00:30:09.000
<v Speaker 1>it in person?

646
00:30:11.160 --> 00:30:12.720
<v Speaker 2>But they've run along with it because he'll find out

647
00:30:12.720 --> 00:30:14.799
<v Speaker 2>where they are and all this sort of stuff. And

648
00:30:14.839 --> 00:30:17.599
<v Speaker 2>they've got a car waiting that's part of the rules.

649
00:30:18.319 --> 00:30:20.599
<v Speaker 2>And we find out at this point that it's all

650
00:30:21.240 --> 00:30:22.480
<v Speaker 2>another there's another twist.

651
00:30:22.960 --> 00:30:26.279
<v Speaker 1>Yes, when we thought that Shane didn't believe her, it

652
00:30:26.359 --> 00:30:29.279
<v Speaker 1>turns out she did manage to convince him, yes, to

653
00:30:29.799 --> 00:30:30.759
<v Speaker 1>get in cahoots with.

654
00:30:30.720 --> 00:30:34.359
<v Speaker 2>Her, and we've plotted an entire new plan in the

655
00:30:34.359 --> 00:30:39.359
<v Speaker 2>space of a few minutes. Yes, so they knock out

656
00:30:39.480 --> 00:30:44.400
<v Speaker 2>Dominic's day is closed and Lara has a incredibly well

657
00:30:44.480 --> 00:30:49.559
<v Speaker 2>choreographed conversation with herself, Yes, which must have been very

658
00:30:49.599 --> 00:30:51.039
<v Speaker 2>interesting to film.

659
00:30:51.319 --> 00:30:54.240
<v Speaker 1>Yeah. Yeah, it can't quite work out if that's her

660
00:30:54.319 --> 00:30:56.400
<v Speaker 1>voice when she does the voice changer or if it's

661
00:30:57.000 --> 00:30:57.559
<v Speaker 1>in post.

662
00:30:58.000 --> 00:31:01.680
<v Speaker 2>Yeah, I don't know, but I think that's that's why

663
00:31:02.160 --> 00:31:04.960
<v Speaker 2>the cottage scenes are probably filmed first, because that will

664
00:31:05.000 --> 00:31:06.480
<v Speaker 2>be the scene that they had to do the retakes

665
00:31:06.480 --> 00:31:09.039
<v Speaker 2>of the most to get that working right.

666
00:31:09.480 --> 00:31:14.200
<v Speaker 1>Oh, definitely, definitely. So, yes, Shane puts on Dominic's clothes.

667
00:31:15.039 --> 00:31:16.319
<v Speaker 1>He's too tall.

668
00:31:17.039 --> 00:31:19.279
<v Speaker 2>Yeah, I looked it up. They're about a foot different.

669
00:31:20.279 --> 00:31:24.839
<v Speaker 2>They thereabout. Yeah, it's not just a little bit out,

670
00:31:25.200 --> 00:31:25.920
<v Speaker 2>it's a lot.

671
00:31:26.960 --> 00:31:30.559
<v Speaker 1>And it turns out that the a lobes came from Clifford. Yes,

672
00:31:31.039 --> 00:31:35.759
<v Speaker 1>they cut his off because they were going spare why not?

673
00:31:37.359 --> 00:31:41.839
<v Speaker 1>So yeah, they escape, the police come in fun Dominic,

674
00:31:41.880 --> 00:31:49.319
<v Speaker 1>wake him up. Granola, Granola. That's so bugging me.

675
00:31:49.440 --> 00:31:51.440
<v Speaker 2>It really bugging me as well. I don't even know

676
00:31:51.440 --> 00:31:54.319
<v Speaker 2>if it's from this or whether it's from some of

677
00:31:54.319 --> 00:31:55.160
<v Speaker 2>the reasons exactly.

678
00:31:55.200 --> 00:31:57.279
<v Speaker 3>It could be anything. I don't even know if they're sure.

679
00:31:58.200 --> 00:32:00.519
<v Speaker 1>Yes, I think it probably is, but it might not be.

680
00:32:01.079 --> 00:32:01.680
<v Speaker 1>That's the thing.

681
00:32:02.039 --> 00:32:04.880
<v Speaker 2>Yeah, I don't know. I feel like it was a

682
00:32:04.880 --> 00:32:05.960
<v Speaker 2>while ago though.

683
00:32:06.440 --> 00:32:10.160
<v Speaker 1>Yeah, such specific thing.

684
00:32:10.279 --> 00:32:14.519
<v Speaker 2>I'm just reading through episode titles thinking it will come

685
00:32:14.559 --> 00:32:19.599
<v Speaker 2>back to me. It will. So it's a great way

686
00:32:19.599 --> 00:32:22.680
<v Speaker 2>to end the episode though, or nearly end the episode.

687
00:32:23.680 --> 00:32:28.640
<v Speaker 1>So Shane and Laura are in the car and she says,

688
00:32:28.960 --> 00:32:30.519
<v Speaker 1>told you I had a plan. Do you want to

689
00:32:30.559 --> 00:32:33.519
<v Speaker 1>know where we're flying to? And he's like, I'm all ears.

690
00:32:35.519 --> 00:32:38.359
<v Speaker 1>I'm like, that's quite a good joke for something thick

691
00:32:38.440 --> 00:32:43.160
<v Speaker 1>as But the thing is he doesn't have a passport,

692
00:32:43.200 --> 00:32:44.160
<v Speaker 1>does he No?

693
00:32:44.599 --> 00:32:46.279
<v Speaker 2>And they're on a plane to get away from it,

694
00:32:46.599 --> 00:32:49.039
<v Speaker 2>So you're going to ditch him? Do we reconnext?

695
00:32:49.440 --> 00:32:52.759
<v Speaker 1>I wouldn't be surprised. I think she's used, she's played

696
00:32:52.839 --> 00:32:55.920
<v Speaker 1>him to get out of having her ears calf, but

697
00:32:56.359 --> 00:32:59.119
<v Speaker 1>I don't think she's got any intention of escaping with him.

698
00:32:59.279 --> 00:33:01.200
<v Speaker 2>Yeah, this whole was just so she didn't have to

699
00:33:01.200 --> 00:33:05.039
<v Speaker 2>lose her ear lobes. Yeah, which admittedly I want to

700
00:33:05.079 --> 00:33:09.680
<v Speaker 2>lose mine either, but it is a very convoluted plan. Yeah.

701
00:33:10.000 --> 00:33:11.920
<v Speaker 2>But if you're the only intelligent person in the room,

702
00:33:12.720 --> 00:33:15.200
<v Speaker 2>do what you need to. I suppose, m M, if

703
00:33:15.240 --> 00:33:16.200
<v Speaker 2>you can convince them of it.

704
00:33:16.720 --> 00:33:19.599
<v Speaker 1>Yeah, she is clearly the cleverest person in this story.

705
00:33:20.119 --> 00:33:23.039
<v Speaker 2>Yeah. I mean, Steve's thieves characters, all right, but he

706
00:33:23.079 --> 00:33:26.880
<v Speaker 2>doesn't have much choice much. He's working with some pretty

707
00:33:26.880 --> 00:33:27.519
<v Speaker 2>ship yeah.

708
00:33:29.079 --> 00:33:31.960
<v Speaker 1>Yeah, I just think she's she's not obviously not very nice,

709
00:33:32.920 --> 00:33:36.839
<v Speaker 1>although she is in a difficult situation her husband, although

710
00:33:36.839 --> 00:33:39.000
<v Speaker 1>that's no excuse to stage a kidnap.

711
00:33:39.039 --> 00:33:42.359
<v Speaker 2>But yeah, although you say he won't divorce her, like

712
00:33:42.440 --> 00:33:45.000
<v Speaker 2>she can divorce him, surely like it. I don't really know.

713
00:33:45.039 --> 00:33:46.319
<v Speaker 3>Where now, I know.

714
00:33:46.480 --> 00:33:48.319
<v Speaker 1>I think it's complicated, isn't it, because you have to

715
00:33:48.359 --> 00:33:51.240
<v Speaker 1>have certain reasons and certain evidence and stuff.

716
00:33:51.559 --> 00:33:53.759
<v Speaker 2>Yeah. Although I think the rules changed recently, didn't they.

717
00:33:53.759 --> 00:33:56.039
<v Speaker 2>I think you can now just I don't think there

718
00:33:56.079 --> 00:33:57.680
<v Speaker 2>has to be someone at fault anymore.

719
00:33:57.839 --> 00:34:00.200
<v Speaker 1>Okay, And I mean that makes sense, doesn't it, Because

720
00:34:00.200 --> 00:34:01.599
<v Speaker 1>at the end of the day, if one person's not

721
00:34:02.319 --> 00:34:08.320
<v Speaker 1>wanting to be in it anymore, then neither can be exactly. Yeah. Yeah,

722
00:34:08.719 --> 00:34:14.519
<v Speaker 1>it's a cheery note. So yeah, So off they go

723
00:34:15.239 --> 00:34:18.840
<v Speaker 1>into the sunset, and we are left to ponder whether

724
00:34:19.239 --> 00:34:21.000
<v Speaker 1>they're actually going to go off together or if she's

725
00:34:21.039 --> 00:34:22.000
<v Speaker 1>going to ditch in.

726
00:34:22.519 --> 00:34:22.840
<v Speaker 2>Yeah.

727
00:34:22.920 --> 00:34:24.440
<v Speaker 1>I suspect the latter, probably.

728
00:34:25.320 --> 00:34:28.119
<v Speaker 2>I mean, yeah, he did kill a boyfriend and was

729
00:34:28.119 --> 00:34:30.880
<v Speaker 2>going to chop hers off and fully intended to kill

730
00:34:30.920 --> 00:34:31.320
<v Speaker 2>her later.

731
00:34:31.920 --> 00:34:35.800
<v Speaker 1>Yeah, and he's just like, you know, you.

732
00:34:35.840 --> 00:34:40.199
<v Speaker 3>Just have a gun though, Well yeah, we shall say.

733
00:34:40.239 --> 00:34:42.360
<v Speaker 1>I can't. I can't imagine they're sticking around with him.

734
00:34:43.920 --> 00:34:46.159
<v Speaker 2>Like you said, especially since he doesn't a passport. Yeah,

735
00:34:46.239 --> 00:34:48.960
<v Speaker 2>and she'll want to get out of the country because

736
00:34:48.960 --> 00:34:53.840
<v Speaker 2>her doing this has very much implicated her, Like beforehand,

737
00:34:53.880 --> 00:34:56.320
<v Speaker 2>if everything had gone wrong, like she ultimately could just

738
00:34:56.360 --> 00:34:59.079
<v Speaker 2>play the victim. Yeah, but in this she's very much.

739
00:34:58.960 --> 00:35:01.440
<v Speaker 1>Not like she's gone beyond that now.

740
00:35:01.559 --> 00:35:03.320
<v Speaker 2>Yeah, she's now very much liable.

741
00:35:04.159 --> 00:35:07.960
<v Speaker 1>She mentioned to him about there's a car waiting new identities,

742
00:35:08.639 --> 00:35:10.760
<v Speaker 1>as in, like, does that mean that they've got like

743
00:35:11.360 --> 00:35:15.559
<v Speaker 1>new passports with like fake names ready, But that would

744
00:35:15.599 --> 00:35:17.280
<v Speaker 1>obviously that wouldn't have a picture of Shane in it,

745
00:35:17.320 --> 00:35:21.000
<v Speaker 1>so he could, but.

746
00:35:21.000 --> 00:35:22.239
<v Speaker 2>He probably wouldn't realize that.

747
00:35:22.719 --> 00:35:24.679
<v Speaker 1>Yeah, that's the thing because it helps having him be

748
00:35:24.719 --> 00:35:28.679
<v Speaker 1>a bit dippy. But yeah, that's it.

749
00:35:30.360 --> 00:35:32.440
<v Speaker 2>It's a fun one. I really enjoy it.

750
00:35:32.440 --> 00:35:35.159
<v Speaker 1>It's it's yeah, it's I think you probably enjoy it

751
00:35:35.159 --> 00:35:35.519
<v Speaker 1>more than me.

752
00:35:36.400 --> 00:35:36.880
<v Speaker 2>Maybe.

753
00:35:37.039 --> 00:35:39.239
<v Speaker 3>Yeah, Like I said, it grew on.

754
00:35:39.159 --> 00:35:40.760
<v Speaker 1>Me the more I watched it. But it's it's not

755
00:35:40.800 --> 00:35:41.559
<v Speaker 1>one of my favorites.

756
00:35:42.440 --> 00:35:44.880
<v Speaker 2>Fair, but it's like we've not had one for quite

757
00:35:44.920 --> 00:35:47.480
<v Speaker 2>a while. I'm just thinking when the last hurry up

758
00:35:47.480 --> 00:35:50.079
<v Speaker 2>and wait was a bit silly. I suppose Wuthering Heist

759
00:35:50.119 --> 00:35:52.400
<v Speaker 2>was the last one that was actually a proper comedy.

760
00:35:52.280 --> 00:35:53.639
<v Speaker 1>Like a broad comedy.

761
00:35:53.599 --> 00:35:56.440
<v Speaker 2>Yeah, yeah, like a fast type thing like this in

762
00:35:56.440 --> 00:35:57.639
<v Speaker 2>a way is kind of a face.

763
00:35:58.320 --> 00:36:00.440
<v Speaker 1>That's true. It's been a while since we've had an

764
00:36:00.440 --> 00:36:02.480
<v Speaker 1>out right yeah, funny one.

765
00:36:02.559 --> 00:36:07.280
<v Speaker 3>Yeah, so I like it for that. Yeah, we're onto rating,

766
00:36:07.840 --> 00:36:08.280
<v Speaker 3>I think so.

767
00:36:09.559 --> 00:36:13.800
<v Speaker 2>Um, I think a six. I do enjoy it?

768
00:36:14.239 --> 00:36:16.000
<v Speaker 1>Okay, cool?

769
00:36:16.199 --> 00:36:17.239
<v Speaker 2>How about you now?

770
00:36:17.480 --> 00:36:23.280
<v Speaker 1>On my provisional, i'd written four or five, and I'm

771
00:36:23.360 --> 00:36:27.400
<v Speaker 1>just thinking looking at other ones that I've given. Yeah,

772
00:36:27.400 --> 00:36:30.039
<v Speaker 1>I don't think I enjoy it more than hurry up

773
00:36:30.039 --> 00:36:33.239
<v Speaker 1>and wait or how do you plead? Yeah, so it

774
00:36:33.280 --> 00:36:38.280
<v Speaker 1>can't be any higher than a four? In fact, do

775
00:36:38.400 --> 00:36:40.360
<v Speaker 1>I go three? Or is that really m.

776
00:36:42.360 --> 00:36:42.480
<v Speaker 2>Now?

777
00:36:42.519 --> 00:36:43.079
<v Speaker 3>I think a four?

778
00:36:44.639 --> 00:36:45.159
<v Speaker 1>I think you are.

779
00:36:45.599 --> 00:36:48.440
<v Speaker 2>It's all on vibes and feelings and all that nonsense, exactly, Yes,

780
00:36:48.480 --> 00:36:49.400
<v Speaker 2>how we feel right now?

781
00:36:49.960 --> 00:36:53.239
<v Speaker 1>Yes, I'm sorry if you're a tumbler user and this

782
00:36:53.400 --> 00:36:59.440
<v Speaker 1>upsets you, but get over it. You're going to ask

783
00:36:59.480 --> 00:37:00.880
<v Speaker 1>me all favorite question.

784
00:37:01.400 --> 00:37:02.199
<v Speaker 2>Did you spot the hair?

785
00:37:02.880 --> 00:37:03.199
<v Speaker 1>Nope?

786
00:37:03.800 --> 00:37:06.519
<v Speaker 2>Ah, it's quite an easy one. Really, there's not much

787
00:37:06.559 --> 00:37:09.440
<v Speaker 2>decoration I found in this one. I thought it would

788
00:37:09.440 --> 00:37:11.159
<v Speaker 2>probably be in the in the nice house at the

789
00:37:11.159 --> 00:37:15.079
<v Speaker 2>start it, but no, it's it's by the front door

790
00:37:15.360 --> 00:37:18.760
<v Speaker 2>of the awful house. So there's like a little there's

791
00:37:18.760 --> 00:37:20.039
<v Speaker 2>the door, and then on the right of the door

792
00:37:20.039 --> 00:37:22.800
<v Speaker 2>there's a little window. Yeah, and it's just sat in

793
00:37:22.800 --> 00:37:23.239
<v Speaker 2>the window.

794
00:37:23.960 --> 00:37:25.280
<v Speaker 3>Okay, cool.

795
00:37:26.320 --> 00:37:29.679
<v Speaker 2>Let us know if you spotted our hair, Yeah, somewhere

796
00:37:30.199 --> 00:37:35.280
<v Speaker 2>there was. We are running out of them.

797
00:37:35.320 --> 00:37:37.800
<v Speaker 1>So this week I'd like to read out a message

798
00:37:37.840 --> 00:37:41.199
<v Speaker 1>that literally just came in before we started recording on

799
00:37:41.280 --> 00:37:48.519
<v Speaker 1>TikTok from a user called Cryo Chamber. Interesting thing who says, Hi,

800
00:37:48.679 --> 00:37:50.800
<v Speaker 1>I've started listening to your podcast a couple of weeks

801
00:37:50.840 --> 00:37:53.519
<v Speaker 1>ago and I'm addicted. I've just gotten onto the episode

802
00:37:53.559 --> 00:37:55.760
<v Speaker 1>about the steakout and it reminded me about how annoyed

803
00:37:55.760 --> 00:37:57.559
<v Speaker 1>I was when the twist got spoiled when I was

804
00:37:57.559 --> 00:37:58.599
<v Speaker 1>originally watching show.

805
00:38:00.199 --> 00:38:01.119
<v Speaker 3>Is so gutting, isn't it.

806
00:38:01.840 --> 00:38:04.360
<v Speaker 1>I love hearing you guys thoughts about the episodes, especially

807
00:38:04.400 --> 00:38:07.000
<v Speaker 1>when we have different opinions. It's given me a completely

808
00:38:07.039 --> 00:38:08.760
<v Speaker 1>new love for the show. So thank you so much

809
00:38:08.800 --> 00:38:11.119
<v Speaker 1>for making the pod. Loving it so much so far,

810
00:38:11.159 --> 00:38:12.360
<v Speaker 1>and I can't wait to keep listening.

811
00:38:13.199 --> 00:38:14.519
<v Speaker 2>Oh thanks Cryer Chamber.

812
00:38:15.000 --> 00:38:15.960
<v Speaker 1>Indeed, thank you.

813
00:38:16.760 --> 00:38:18.400
<v Speaker 2>I've got it for you about the steakhouse.

814
00:38:19.480 --> 00:38:24.440
<v Speaker 1>So yeah, yeah, I wonder how it got spoiled. I

815
00:38:24.480 --> 00:38:27.920
<v Speaker 1>hope it wasn't through watching our TikTok about it, because

816
00:38:28.239 --> 00:38:29.920
<v Speaker 1>I did put a spoiler warning at the staff.

817
00:38:30.159 --> 00:38:30.400
<v Speaker 2>Good.

818
00:38:33.079 --> 00:38:36.400
<v Speaker 1>AnyWho, We'll be back next week for a random act

819
00:38:36.400 --> 00:38:37.079
<v Speaker 1>of kindness.

820
00:38:37.440 --> 00:38:38.639
<v Speaker 2>Thely finished this series.

821
00:38:39.159 --> 00:38:43.079
<v Speaker 1>Yeah, but for now, I think it's time to close

822
00:38:43.119 --> 00:38:44.039
<v Speaker 1>the door on number nine.

823
00:38:44.920 --> 00:38:47.920
<v Speaker 2>Never really leave, do you actually? If you've not got

824
00:38:47.920 --> 00:38:51.760
<v Speaker 2>a passport, that was good.

825
00:38:56.079 --> 00:38:58.920
<v Speaker 1>Thanks for listening to the Ninth Degree. If you'd like

826
00:38:58.920 --> 00:39:01.599
<v Speaker 1>to get in touch and find us on Instagram, Twitter,

827
00:39:01.639 --> 00:39:05.119
<v Speaker 1>and TikTok at ninth Degree Pod, or email us at

828
00:39:05.199 --> 00:39:08.440
<v Speaker 1>ninth Degree Pod at gmail dot com. You can also

829
00:39:08.519 --> 00:39:10.760
<v Speaker 1>leave us a rating or a review wherever you get

830
00:39:10.760 --> 00:39:11.599
<v Speaker 1>your podcasts