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Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Cloak and Dagger.

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But first I do want to encourage you. If you're

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enjoying the podcast, please follow us using your favorite podcast software.

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Today's program is brought to you in part by the

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financial support of our listeners. You can support the show

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on a one time basis by mailing a donation to

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Adam Graham peelbox one five nine one three. That's Peelbox

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one five nine thirteen, Boise, Idaho eight three seven one five,

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and you can become one of our ongoing Patreon supporters

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for his little last two dollars per month at Patreon

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dot Great Detectives dot net. But now, from August twenty seventh,

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nineteen fifty, here is the Black Radio.

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Speaker 2: Are you willing to undertake a dangerous mission behind the

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enemy lines knowing you may never return alive? What you

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have just heard is the question asked during the war

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to agents of the OSS ordinary citizens who to this

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question answered yes. This is Cloak and Dagger, Black.

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Speaker 3: Warfare, espionage, international intrigue, These are the weapons of the OSS.

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Today's story, the Black Radio concerns an SS agent who

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broadcast a light propaganda from behind the enemy lines, and

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is suggested by actual incidents recorded in the Washington files

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of the Office of Strategic Services, A story that can

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now be told.

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Speaker 4: It was one of those quiet days.

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Speaker 5: The sun was splashing into the windows, and I was

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marking time until lunch in the cafeteria and a date

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I had with a regulated secretary. There were just the

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two of us in the big gadget room of the

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OSS in Washington, just me and Hank Martin, And all

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of a sudden, Hank grabbed my arm.

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Speaker 4: Market down, air rate up.

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Speaker 5: Okay, okay, well the idea.

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Speaker 6: Oh I wish I had a camera just then?

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Speaker 4: How did you look? Scare?

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Speaker 5: What was that thing you just thrown aways basket?

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Speaker 6: Just a little noise maker? Great if you get in

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a tight spot. All right, right, Look, let's start from

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the beginning.

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Speaker 4: Huh. How does it work? Well?

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Speaker 6: Like you see, it's not very big, just about the

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size of a lemon. Easy to slip into your pocket.

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All you do is pull out the cap and throw

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it and when.

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Speaker 5: It explodes, pow.

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Speaker 4: We call it the Heady Lamar.

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Speaker 2: Major Longha, I have a job for you. When our

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army has crossed the Rhine into Germany, the Fribourg will

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become a strategic city. The less resistance we get from

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the people when we make that advance, the less lives

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will be lost. Up to date, we have no report

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of any underground or partisan movement there.

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Speaker 5: And the OSS wants me to go in there with

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a black radio and soften them up.

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Speaker 4: Is that it's right?

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Speaker 2: Cut in on the Nazi local stations broadcast the information

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we want them to get. Another of our agents infiltrated

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that area over three months ago to get acquainted with

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the city and locate utable hiding places for the radio.

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Speaker 4: Of course, her it will have to be moved every

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time we use it.

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Speaker 2: That's right now. We haven't heard from our agents since

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she was sent in. We didn't want her to run

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the risk of trying to contact DOT.

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Speaker 4: Did you say she girl?

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Speaker 2: That's right? Have you any objection to working with a woman?

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Speaker 4: Oh? No, I mean no.

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Speaker 5: Her name was Lucille, The colonel said. I wondered if

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she was anything like the Redhead as Lucille. Nobody had

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heard from her for months, Maybe she'd been caught. Maybe

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the Nazis had twisted out of her the reason she'd

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been sent.

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Speaker 4: To fry Boy.

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Speaker 5: Maybe maybe I'd have a reception committee of Germans waiting

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for me.

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Speaker 4: It gave me something to think about.

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Speaker 5: On the plane flying over the Black Forest in Germany

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a few weeks later, here's your anveal point straight.

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Speaker 4: Ahead, straight ahead and straight down, you mean running in? Ready, ready, go,

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good luck.

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Speaker 5: I tossed the radio at first, then I jumped after it.

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No matter how many times I jumped, that was always

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the first time. The feeling of falling, sick, feeling like

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a dream. I came to with a jaunty a sharp

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pain across my thighs from the pull of the strap

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and the crack of the chute.

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Speaker 4: Then there all.

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Speaker 5: Around me, I looked down on a black forest that

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was blacker than ever at.

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Speaker 4: Four hundred four o'clock in the morning.

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Speaker 5: There were no Germans waiting, but no Lucio even there

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was nothing but a foreign country. And up above the

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plane faded away.

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Speaker 4: And it was gone, and I was alone.

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Speaker 5: The radio had floated to earth about fifty feet away.

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I checked, I made sure it was all right. Buried

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my parachute and wondered what to do next. There was

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a milk wagon coming down the road. I could hear

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the milk cans swaying with the movement of the curt

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I could see a shadowy figure holding the reins. I

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dragged the radio behind a clump of bushes, and then

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I waited for the wagon to pass. For a moment,

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I didn't recognize the saw, and then all of a sudden,

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the words wrote themselves in my head.

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Speaker 4: Come away with me, Lucille in my merry old smoke, Gusil, Lucille.

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Speaker 7: I'm sorry I was lead Mazio linge during a soldier

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I know stopped to talk. I couldn't break away without

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being impolite. Just as long as she got here, Harry Major,

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Let's go. Yes, I was ever so glad to see

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anyone in my life. Gee, but I didn't quite expect to.

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Speaker 4: Need knock me.

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Speaker 8: What did you think i'd be like?

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Speaker 4: Now? Oh?

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Speaker 8: I ah, come made well. I had no idea, no

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doubt you.

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Speaker 7: Pictured a slim, young thing whould interest your intrigue. I've

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been either slim nor young for longer than i'd like

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to remember.

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Speaker 4: Tell me what did you do before the world.

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Speaker 7: Taught history in grade school. Now I'm helping to make it.

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Speaker 8: It's a good feeling.

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Speaker 7: Until you consider the possibility of getting caught.

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Speaker 4: We've got to make sure we don't get caught.

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Speaker 8: There is always that possibility.

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Speaker 7: Major accepted, and it's much easier to take it if

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it comes.

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Speaker 4: Yeah, who is it, may I? Yeah? Come in? Well,

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what do you want?

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Speaker 9: It's your neighbor across the hall. I'm surely to make

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your acquaintance. My name is Gruber.

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Speaker 4: Am I disturbing you? Helena? Well you know my name.

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Speaker 9: I see as a as a poor old widower alone

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in this world, with very few interests outside of the

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future of the fatherland.

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Speaker 4: It is I make it my business to know everyone

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in this roomy house.

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Speaker 9: Do you You are right in Fribo only a few

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days ago?

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Speaker 4: Nine, that's right.

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Speaker 9: You have a medical discharge from the army. You are wounded.

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It ANSI all.

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Speaker 4: Is there anything about me you don't know?

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Speaker 9: Do not take offense my friend. I asked the landlady

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about you. It was she who told me your information

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is right here, grouper. I was wounded.

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Speaker 5: I spent two months in the hospital and I'd like

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to be left alone.

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Speaker 9: Yeah, you are a bit yeah, specifically life will not

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be easy, but you must mix with people, make friends,

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don't keep too much to yourself.

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Speaker 4: I wrote with me this bottle of schnapps and two

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small classes. Will you not join me? Well, uh yes,

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yea to the future, Helena, I'll drink to that.

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Speaker 5: There was something about the old wind bag who rented

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the room next door to me on the third floor that.

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Speaker 4: I didn't like. I couldn't put my finger on it.

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Maybe it was the way his eyes like pattern leather buttons,

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kept darting around the road. Kay.

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Speaker 9: Good schnapps, n yeah, very good. Not like we used

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to get before the war. Of course, I'm not complaining.

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It's such a little sacrifice to make for the right, yes,

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of course.

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Speaker 4: Yeah.

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Speaker 9: What you're planning to do here in Friburg, Helana, Well,

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I have my craft card as a union motion picture Projections.

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Speaker 5: I worked in a film house in Berlin before the

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war and was hoping to find a position here.

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Speaker 9: You've had no success yet, No, no yet.

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Speaker 4: The motion picture house a block from the mining university.

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Have you tried there? Well? No, I haven't do to

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try it.

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Speaker 9: Tell the manager, yes, Schmidt, but you are a friend

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of mine. He's always complaining to me about being short

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of help. That also is just a little sacrifice to

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make for the right, of course, of course.

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Speaker 5: Uh, I'll go there tomorrow. Oh tell me, what is

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your business? I?

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Speaker 4: Oh, I am a clerk, A clerk in the administration

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building of Gestapo headquarters, mosh Naps. I may not have

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liked the old wind bag, but I took his lead anyway.

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Speaker 5: I went to the movie house near the university and

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got myself a job there on a day shift, and

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I counted the hours until the Thursday, when i'd meet

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Lucille at the deserted car barn we'd agreed on. On Wednesday,

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I was in the projection room running a half hour

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news reel, most of which was a close up with

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Hitler making a speech.

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Speaker 4: In Berlin and pulling at the mouth.

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Speaker 5: I looked down over the heads of the audience, wondered

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if all of them were as enthusiastic about the fure

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as they pretended to be. Wondered how much it would

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take to push them into starting their own underground. Wondered

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how many of them would be listening to their radio

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the next month listening to me.

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Speaker 4: How long.

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Speaker 10: I came to tell you what. I'll tend that because

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I came to tell you only have tomorrow afternoon off

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tomorrow afternoon, but I don't understand this call. I will

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want to you tomorrow night and stay hope. But tomorrow

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night it is impossible, I mean longer. You have to

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go drop here for ask you to take the night shift.

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This once, I see no need for argument.

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Speaker 4: Oh but you see, it's what you have.

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Speaker 10: To do that important that it cannot be postponed.

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Speaker 4: Nine schmid, that's so important. I'll be here the next night.

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Speaker 5: At twenty minutes past ten, the feature film went off.

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I set the machine. The news reel would run by

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itself for half an.

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Speaker 4: Hour, no more.

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Speaker 5: I didn't give me much time before the reel would

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run out, just a half hour to get to the

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car run broadcast.

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Speaker 4: We'll get back now.

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Speaker 5: That's it to see you seven hundred and thirty kilo cycles.

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But I can't seem to get reception.

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Speaker 8: Ah, they are signing off.

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Speaker 5: This is Mark starts on car day, signing off until

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tomorrow morning.

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Speaker 4: There we go, your fingers crossed. Don't turn off your radios.

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People of Freybourg. This is for you.

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Speaker 5: I am your voice of freedom, bringing you news as

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it actually exists, not as the propaganda ministry would like

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you to believe.

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Speaker 4: That's good, wonderful.

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Speaker 5: It wasn't fifty sons of Friburg who died at the

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Anzio beach had but five hundred. You mothers, wives, sweethearts,

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who have not heard from your men. You think the

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males are slow? Is that why you haven't received letters?

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Your men will never write again. They were killed at Anzio. Women,

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They are taking your men away. What do you have

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for compensation? You have no food, your code, and the

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political leaders want to sacrifice everything but themselves. Haven't you

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sacrificed enough?

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Speaker 4: Marck it leek.

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Speaker 5: It's all right, and now until another time soon, this

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is the voice of freedom.

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Speaker 4: Good night. I will not say hyle Hitler. I say instead,

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God be with you.

240
00:14:21,960 --> 00:14:25,399
Speaker 8: The first of many, God be with us both.

241
00:14:31,360 --> 00:14:32,440
Speaker 4: We dismantled the radio.

242
00:14:33,200 --> 00:14:34,840
Speaker 5: I lifted it into the back of the notewag and

243
00:14:34,879 --> 00:14:36,519
ran as fast as I could back to the theater

244
00:14:37,039 --> 00:14:37,960
and slid in through.

245
00:14:37,840 --> 00:14:43,080
Speaker 4: The side door. And then I heard it, Hey, longa longa,

246
00:14:43,159 --> 00:14:43,720
Where where are you?

247
00:14:44,320 --> 00:14:45,440
Speaker 5: He Schmidt? Well?

248
00:14:45,960 --> 00:14:48,159
Speaker 10: What business had you to leave the protection during the

249
00:14:48,240 --> 00:14:50,679
usual of the fure. I only hope your peace, you

250
00:14:51,000 --> 00:14:53,879
have our league top up in the middle of his speech, Well.

251
00:14:53,759 --> 00:14:54,919
Speaker 5: Where where was I?

252
00:14:56,080 --> 00:14:57,600
Speaker 4: I was in the washroom.

253
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Speaker 8: I was not going up to see.

254
00:14:59,039 --> 00:15:00,720
Speaker 4: If you're poor and a sleep, how do lots go?

255
00:15:00,799 --> 00:15:01,960
Pickure machine? Quickly up?

256
00:15:02,240 --> 00:15:03,759
Speaker 5: When when did this happen?

257
00:15:03,840 --> 00:15:05,360
Speaker 4: Happened just a minute before, not dearly.

258
00:15:05,519 --> 00:15:07,799
Speaker 10: If you wonder you couldn't heal the disturbance from the mushroom,

259
00:15:08,080 --> 00:15:08,600
come up there.

260
00:15:08,720 --> 00:15:14,240
Speaker 5: Yeah, yeah, yeah, I ran up the stairs to the

261
00:15:14,320 --> 00:15:14,919
projection room.

262
00:15:15,799 --> 00:15:17,480
Speaker 4: God must have been with me that first night.

263
00:15:18,320 --> 00:15:20,879
Speaker 5: If the machine had broken down five minutes earlier, Schmidt

264
00:15:20,879 --> 00:15:31,200
would have known I'd left the theater. The next week,

265
00:15:31,639 --> 00:15:34,440
and the next and the next we were on the area.

266
00:15:35,639 --> 00:15:38,399
We moved the radio to a deserted warehouse, to a

267
00:15:38,519 --> 00:15:41,039
cave in the black forest, to a barn on the

268
00:15:41,080 --> 00:15:44,360
outskirts of time. As a voice of freedom, I told

269
00:15:44,399 --> 00:15:47,240
the people of Fryborg, you are fighting a lost cause.

270
00:15:49,399 --> 00:15:51,960
The losses of the Luftwaffer are seventy five percent higher

271
00:15:52,080 --> 00:15:58,440
than reported resistance in all German occupied territory is growing stronger.

272
00:16:04,440 --> 00:16:08,679
People in the city but the same. We're as respectful

273
00:16:08,679 --> 00:16:10,919
as ever to the Nazi soldiers that walked the streets.

274
00:16:12,559 --> 00:16:14,360
None of them showed, by so much as a look

275
00:16:14,480 --> 00:16:18,799
or a word, that they ever heard those broadcasts. And

276
00:16:18,879 --> 00:16:20,720
then I received my first indication.

277
00:16:20,960 --> 00:16:23,799
Speaker 4: I saw you through the window of the coffee shop. Here, Lana,

278
00:16:24,440 --> 00:16:29,480
May I join you at your table if you'd like? So?

279
00:16:30,200 --> 00:16:33,360
Have you been listening to your radio lately? I have

280
00:16:33,519 --> 00:16:34,120
no radio.

281
00:16:34,360 --> 00:16:37,000
Speaker 9: If you get one, then I advise you not to

282
00:16:37,240 --> 00:16:42,159
listen to Reichstatsune every day. Oh why, because the Gestapo

283
00:16:42,240 --> 00:16:45,600
will arrest anyone caught listening to the man who calls

284
00:16:45,679 --> 00:16:47,720
himself the Voice of Freedom.

285
00:16:48,440 --> 00:16:52,759
Speaker 4: What does he talk about? This Voice of freedom? It's nonsense,

286
00:16:52,799 --> 00:16:57,440
of course, a light propagand than nonsense. You sure you

287
00:16:57,519 --> 00:16:59,559
have never heard him? I told you here, Growba, I

288
00:16:59,639 --> 00:17:05,839
have no old radio. Of course I forgot. Why is

289
00:17:05,960 --> 00:17:08,799
it he long? I have the feeling I've seen you

290
00:17:09,279 --> 00:17:10,200
somewhere before.

291
00:17:14,200 --> 00:17:16,599
Speaker 5: It was ridiculous to suppose that he had ever seen

292
00:17:16,640 --> 00:17:19,519
me before. But he told me one thing. The people

293
00:17:19,599 --> 00:17:24,160
were listening, and the Gestapo was looking for me.

294
00:17:25,680 --> 00:17:26,279
Speaker 2: I'll help you.

295
00:17:31,599 --> 00:17:35,200
Speaker 8: Mark with that cough of yours. Perhaps i'd better broadcast tonight.

296
00:17:35,319 --> 00:17:36,480
Speaker 4: No, no, no, I'll be all right.

297
00:17:38,640 --> 00:17:43,759
Speaker 5: Yeah, people of Fribourg, this is your Voice of Freedom.

298
00:17:45,200 --> 00:17:47,319
I want to tell you, my friends, how step by

299
00:17:47,400 --> 00:17:51,079
step Hitler has developed his program. Step by step he

300
00:17:51,119 --> 00:17:54,759
has carried it out successfully. First he took our men

301
00:17:54,839 --> 00:17:57,880
and destroyed them. And now Hitler is destroying our cities

302
00:17:57,920 --> 00:18:04,640
and our factories. Allied bomb will destroy all Germany. Our

303
00:18:04,720 --> 00:18:08,440
men are already dead in one hundred battlefields. This is

304
00:18:08,519 --> 00:18:12,359
the purest greatest achievement for Germany. He is accomplishing it

305
00:18:12,440 --> 00:18:16,480
all in less than twelve short years. Twelve short years

306
00:18:16,559 --> 00:18:17,960
of hitler Rites's success.

307
00:18:19,039 --> 00:18:21,519
Speaker 8: The adjemming the radio mark you'd better sign of.

308
00:18:25,039 --> 00:18:27,960
Speaker 5: This is the voice of Freedom saying good night. I

309
00:18:28,000 --> 00:18:31,960
will not say Hyle Hitler. I say instead, God be

310
00:18:32,119 --> 00:18:32,359
with you.

311
00:18:33,200 --> 00:18:35,200
Speaker 8: I'm afraid they may be closing in here, Sille.

312
00:18:35,240 --> 00:18:37,039
Speaker 5: It's the first time the Chaanda broadcast. We'll have to

313
00:18:37,079 --> 00:18:38,400
move fast, dismantle radio and.

314
00:18:38,440 --> 00:18:38,880
Speaker 4: Get out of here.

315
00:18:39,079 --> 00:18:40,480
Speaker 8: The Vegan is right outside Horry.

316
00:18:46,720 --> 00:18:48,519
Speaker 5: Less than five minutes later we'd left the basement of

317
00:18:48,559 --> 00:18:52,559
the schoolhouse near the cathedral. It's quiet in the streets,

318
00:18:54,200 --> 00:18:58,119
too quiet, as if the city were holding its breath.

319
00:19:00,599 --> 00:19:01,400
Speaker 4: Something that happen.

320
00:19:01,920 --> 00:19:04,400
Speaker 8: Good night until Friday. You know the place.

321
00:19:04,880 --> 00:19:06,200
Speaker 4: Let me take the radio tonight.

322
00:19:06,200 --> 00:19:08,079
Speaker 8: Walk back to your room with it under your arm.

323
00:19:08,559 --> 00:19:11,039
Speaker 4: What foolish you always take the risk of being caught

324
00:19:11,079 --> 00:19:12,640
with I have the milk wagon.

325
00:19:12,400 --> 00:19:16,279
Speaker 8: To hide it and the barn to bury it. We'd

326
00:19:16,359 --> 00:19:20,039
better not stand it any longer. Good night again, and

327
00:19:20,200 --> 00:19:21,200
take care of that car.

328
00:19:25,319 --> 00:19:27,960
Speaker 5: I started to walk quickly in the opposite direction. The

329
00:19:28,160 --> 00:19:30,640
German triangulation had found the general location of the radio.

330
00:19:30,680 --> 00:19:35,680
The neighborhood would be swarming with Gestapo any minute. The

331
00:19:35,759 --> 00:19:38,000
headlights of the official car came out of nowhere around

332
00:19:38,039 --> 00:19:40,519
the corner and blinded me. Here you are.

333
00:19:42,160 --> 00:19:42,880
Speaker 4: Started to run.

334
00:19:46,240 --> 00:19:48,839
Speaker 5: I talt into a doorway, up the stairs to the roof,

335
00:19:49,240 --> 00:19:52,599
across the roof, down some stairs, again back into the street.

336
00:19:54,480 --> 00:20:00,079
Somehow I'd shaken them. I was three of them, so

337
00:20:00,160 --> 00:20:02,000
I had to find somewhere to go, somewhere to hide.

338
00:20:03,039 --> 00:20:06,359
The movie house where I worked was close by. I

339
00:20:06,440 --> 00:20:12,599
went in through the side door, y punched down in

340
00:20:12,680 --> 00:20:16,759
a seat, anonymous in the darkness. I was one of

341
00:20:16,880 --> 00:20:21,200
hundreds of people watching the trap. And then something happened

342
00:20:21,240 --> 00:20:22,759
in the film, and the soundtrack went.

343
00:20:22,720 --> 00:20:26,519
Speaker 1: So that's another time.

344
00:20:28,119 --> 00:20:31,799
Speaker 4: You people. Listen to me. There will be Noma Field tonight.

345
00:20:32,079 --> 00:20:32,880
Speaker 8: Nothing you me.

346
00:20:33,000 --> 00:20:35,359
Speaker 5: Take your navigation of a free man, and.

347
00:20:35,480 --> 00:20:40,720
Speaker 11: This one by right, that god thing from man I

348
00:20:40,920 --> 00:20:44,720
seem coming into the theater through the side dock a

349
00:20:44,799 --> 00:20:48,200
man who is planted for quistening by the Gestapo. You

350
00:20:48,400 --> 00:20:51,839
will file out the exit one by one and row

351
00:20:52,000 --> 00:20:53,559
by row with no talking.

352
00:20:54,160 --> 00:20:58,039
Speaker 8: We mean to the right men to the left, there.

353
00:20:58,000 --> 00:20:58,839
Speaker 2: Will be noma.

354
00:20:59,000 --> 00:21:01,759
Speaker 5: Maybe my forge that done vacation would pass suspecsion easily,

355
00:21:02,359 --> 00:21:04,200
but the men would chasing me had a general idea

356
00:21:04,240 --> 00:21:05,079
of my height and weight.

357
00:21:05,480 --> 00:21:06,519
Speaker 4: I couldn't take the chance.

358
00:21:07,440 --> 00:21:10,160
Speaker 5: I put my hand in my pocket and pulled out

359
00:21:10,160 --> 00:21:13,000
a round disc about the size of a lemon. The

360
00:21:13,119 --> 00:21:17,319
noise maker oss called the heady Lamara. I yanked out

361
00:21:17,359 --> 00:21:24,799
the cat and through it I started a riot, all right.

362
00:21:25,519 --> 00:21:28,640
The soldiers couldn't hold them back. They practically walked over them,

363
00:21:28,640 --> 00:21:31,079
and they rushed to get off. And I walked out too,

364
00:21:31,720 --> 00:21:33,680
swept along, and the tied up panic.

365
00:21:45,960 --> 00:21:49,359
Speaker 4: Couldn't talk. You are a group just on your way

366
00:21:49,440 --> 00:21:53,000
to work. I see, I will walk with you padway. Well,

367
00:21:53,079 --> 00:21:57,319
if you'd like tonight, when you get home from your work,

368
00:21:57,680 --> 00:21:58,599
listen to your aid.

369
00:21:58,799 --> 00:22:01,799
Speaker 9: I told you I have no ready. I do keep

370
00:22:01,880 --> 00:22:05,119
forgetting you are welcome to listen to mine. Then there

371
00:22:05,160 --> 00:22:08,559
has to be an important announcement at seven o'clock. Announced

372
00:22:08,559 --> 00:22:11,400
it about what I learned about it this morning at

373
00:22:11,440 --> 00:22:14,240
the administration building where I work. Yes, there has to

374
00:22:14,279 --> 00:22:16,519
be a hanging in the square at noon tomorrow and

375
00:22:16,599 --> 00:22:17,680
a lined spy who was.

376
00:22:17,680 --> 00:22:20,920
Speaker 4: Caught with the radio. What did you say, spy? She

377
00:22:21,079 --> 00:22:24,240
was picked up last night driving a milk Can you

378
00:22:24,279 --> 00:22:26,839
imagine the job? Look? Are you?

379
00:22:27,920 --> 00:22:30,319
Speaker 9: I haven't been well call I haven't caught the man,

380
00:22:30,759 --> 00:22:32,799
the one who calls himself the voice of freedom, but

381
00:22:32,960 --> 00:22:34,000
I have no doubt they will.

382
00:22:34,160 --> 00:22:36,160
Speaker 4: So they're offering a large reward.

383
00:22:36,319 --> 00:22:36,720
Speaker 5: Are they.

384
00:22:39,599 --> 00:22:43,079
Speaker 4: Very bad? Helena? Tonight when you return from work and

385
00:22:43,200 --> 00:22:45,079
remind me to give you some of my cough medicine.

386
00:22:45,160 --> 00:22:55,920
It's very Oh, I turn off here. People say I

387
00:22:56,000 --> 00:22:58,240
didn't stop buying for the cost medicine.

388
00:23:00,000 --> 00:23:01,920
Speaker 5: Work. I locked myself in my room and stayed up

389
00:23:01,960 --> 00:23:06,720
all night looking out of the window about the ice

390
00:23:06,839 --> 00:23:10,839
blue stars that hung over Germany. H and I tried

391
00:23:10,880 --> 00:23:15,240
to think of something to do to help Lucille. Before

392
00:23:15,319 --> 00:23:18,039
noon the next day, I went to the square, but

393
00:23:18,160 --> 00:23:19,440
I still didn't have the answer.

394
00:23:20,160 --> 00:23:23,640
Speaker 9: Isn't it frightening, Haraiah. The way an execution is draw

395
00:23:23,680 --> 00:23:26,759
the people like it flies to honey? Is it destination?

396
00:23:26,839 --> 00:23:29,079
Do you think of seeing someone else suffer?

397
00:23:29,200 --> 00:23:31,440
Speaker 4: You tell me a group you should know? You're here?

398
00:23:32,640 --> 00:23:39,880
So I am back then? So I do woo woman?

399
00:23:41,200 --> 00:23:46,319
Have you anything to say before you die? People frightened?

400
00:23:47,519 --> 00:23:50,440
Speaker 8: Remember what you heard on your radios? Remember what the

401
00:23:50,519 --> 00:23:54,599
Voice of Freedom told you? The group, the group. You'll

402
00:23:54,640 --> 00:24:01,039
need a claim you the fly world, I relied, Higa.

403
00:24:01,799 --> 00:24:02,559
I think.

404
00:24:04,519 --> 00:24:04,880
Speaker 9: With you.

405
00:24:08,440 --> 00:24:13,960
Speaker 4: It happened quickly. It was all over here and I

406
00:24:14,039 --> 00:24:29,839
hadn't done a thing to stop it. Yes, who is it? Only? I? Yeah? Groover?

407
00:24:31,599 --> 00:24:31,920
Speaker 2: Go away?

408
00:24:31,960 --> 00:24:32,839
Speaker 4: Will you please.

409
00:24:34,119 --> 00:24:34,400
Speaker 2: Go away?

410
00:24:34,440 --> 00:24:35,119
Speaker 5: I don't want to talk to.

411
00:24:35,119 --> 00:24:41,400
Speaker 4: Anyone, said my friend about the hanging this afternoon. No, no,

412
00:24:41,519 --> 00:24:41,759
I I.

413
00:24:43,359 --> 00:24:46,960
Speaker 9: Just don't feel well. Don't torment yourself this way. There

414
00:24:47,039 --> 00:24:49,839
was nothing you could do to prevent it. She did

415
00:24:49,920 --> 00:24:50,559
not expect it.

416
00:24:52,160 --> 00:24:53,599
Speaker 4: What are you talking about? Trust me?

417
00:24:54,279 --> 00:24:57,160
Speaker 9: You have no one else to trust. The Guesta is

418
00:24:57,160 --> 00:25:00,640
going to check and cross check every man's papers, every man, Fryborg.

419
00:25:01,720 --> 00:25:04,839
Are you sure you can stand a thorough investigation?

420
00:25:06,440 --> 00:25:08,799
Speaker 4: Are you're crazy? Are you accusing me? Are the Voice

421
00:25:08,880 --> 00:25:11,960
of Freedom I suspected it for a long time. I

422
00:25:12,079 --> 00:25:15,599
was never sure. I was afraid to step forward soon now, no, no,

423
00:25:16,319 --> 00:25:18,319
listen to me. I know you don't like me.

424
00:25:19,400 --> 00:25:23,640
Speaker 9: I have not liked myself for years. I'm afraid of

425
00:25:23,720 --> 00:25:30,559
my own schedule, afraid to think, afraid, afraid, but no

426
00:25:30,680 --> 00:25:32,319
longer a global look.

427
00:25:33,319 --> 00:25:35,759
Speaker 4: I am a discharged soldier from the wellmark.

428
00:25:36,119 --> 00:25:38,200
Speaker 9: I have made your face look familiar. It was not

429
00:25:38,319 --> 00:25:41,440
your face, but it was something about you, your voice.

430
00:25:42,119 --> 00:25:45,359
I thought I recognized it, and then I started to think.

431
00:25:46,400 --> 00:25:49,680
I think I would have been afraid to think for years.

432
00:25:51,000 --> 00:25:52,880
You came to Fryborg, but at the same time the

433
00:25:52,920 --> 00:25:57,160
broadcast began. You you were too ignorant of what was

434
00:25:57,240 --> 00:26:02,359
going on. And then yesterday, as he had I was

435
00:26:02,680 --> 00:26:03,599
almost sure.

436
00:26:03,720 --> 00:26:07,359
Speaker 4: Then no to be. I watched your face when she

437
00:26:07,599 --> 00:26:18,160
was hanged, and then you have no one else. He

438
00:26:18,359 --> 00:26:18,680
was right.

439
00:26:19,839 --> 00:26:22,960
Speaker 5: I had no one else, and I had to get

440
00:26:23,000 --> 00:26:26,680
out of Fribork. Gruber offered to drive me across the

441
00:26:26,720 --> 00:26:29,240
bridge that night. From there it would be only a

442
00:26:29,319 --> 00:26:32,599
few miles to the border of France. With his official

443
00:26:32,640 --> 00:26:35,759
pass from Gustappo headquarters, Gruber would be able to get

444
00:26:35,799 --> 00:26:38,759
past the guard. I got into the trunk of the car.

445
00:26:39,640 --> 00:26:42,839
It was opened just enough to let me breathe. I

446
00:26:43,079 --> 00:26:46,039
still didn't know whether to trust him. There was a

447
00:26:46,079 --> 00:26:50,160
pretty big price on my head. The car slowed down

448
00:26:50,200 --> 00:26:51,160
when he reached the bridge.

449
00:26:51,839 --> 00:26:55,319
Speaker 12: Let me see your identification there you are.

450
00:26:57,799 --> 00:27:01,039
Speaker 4: What is your business outside of fiboo? Official business for

451
00:27:01,160 --> 00:27:01,920
the administration.

452
00:27:04,319 --> 00:27:07,599
Speaker 2: This looks all right. I have orders to search all cars.

453
00:27:07,680 --> 00:27:09,559
Speaker 9: Well, you can see that it's nothing in mine. Please,

454
00:27:09,720 --> 00:27:11,920
will you hurry? I'm this is official business for.

455
00:27:11,920 --> 00:27:13,680
Speaker 3: The one moment, one moment.

456
00:27:13,759 --> 00:27:16,440
Speaker 2: Not so first. What's in your trunk?

457
00:27:16,799 --> 00:27:17,359
Speaker 4: The drunk?

458
00:27:18,240 --> 00:27:21,440
Speaker 9: Well, go see for yourself. I have an American spy there.

459
00:27:21,799 --> 00:27:23,359
I'm smuggling him across the board.

460
00:27:24,759 --> 00:27:29,839
Speaker 4: Don't be impudent, you understand. I'm sorry. I was just

461
00:27:29,960 --> 00:27:30,799
having my little.

462
00:27:30,680 --> 00:27:33,480
Speaker 2: Joke, and I don't like jokes. You work as a

463
00:27:33,559 --> 00:27:36,319
clerk for the administration, or your head swells you think

464
00:27:36,359 --> 00:27:36,880
you're himler?

465
00:27:37,480 --> 00:27:57,160
Speaker 4: All right, pass, I'm sorry, All right, Pass quickly, quickly

466
00:27:57,279 --> 00:27:57,880
get out here.

467
00:28:00,240 --> 00:28:02,720
Speaker 5: I want to apologize for the things I thought when

468
00:28:02,759 --> 00:28:03,880
you told the guard what she did.

469
00:28:04,119 --> 00:28:06,240
Speaker 4: It was the only thing I could think of. It

470
00:28:06,359 --> 00:28:11,240
the moment that would prevent him from searching the trunk well, goodbye,

471
00:28:11,559 --> 00:28:13,160
yes and thank you, thank you.

472
00:28:13,799 --> 00:28:19,240
Speaker 9: No, wait, don't feel the woman died for nothing. She

473
00:28:19,359 --> 00:28:24,160
did not you, and she have given us the courage

474
00:28:24,400 --> 00:28:28,079
to look at ourselves in the mirror. We will continue

475
00:28:28,160 --> 00:28:32,119
to talk in whispers yeah, but after you have gone,

476
00:28:32,720 --> 00:28:35,400
there will be many of us who will no longer

477
00:28:36,119 --> 00:28:41,400
thinking whispers yes, well, good bye, good bye.

478
00:28:48,880 --> 00:28:51,440
Speaker 3: Major Mark Langer made his way back to Allied lines.

479
00:28:52,000 --> 00:28:55,240
When Fribourg was taken over some months later. It offered

480
00:28:55,240 --> 00:28:58,559
little resistance thanks to the strong underground that had been

481
00:28:58,680 --> 00:29:03,559
encouraged by the Black Radio US. Once again, the report

482
00:29:03,640 --> 00:29:08,359
of another OSS agent closes with the words mission accomplished.

483
00:29:08,720 --> 00:29:11,440
Listen again next week for another true adventure from the

484
00:29:11,480 --> 00:29:13,160
files of the OSS on.

485
00:29:14,720 --> 00:29:16,160
Speaker 2: Cloak and Dagger.

486
00:29:25,480 --> 00:29:28,279
Speaker 12: Heard in today's Cloak and Dagger Adventure as Mark was

487
00:29:28,400 --> 00:29:33,759
Larry Haynes, Lucille Lily Darvas and Gruber Barry Kroger. Others

488
00:29:33,799 --> 00:29:38,079
were Raymond Edward Johnson, Arnold Moss, Stevan Schnabel, Bob will

489
00:29:38,160 --> 00:29:41,680
and Jerry Jarrow. Script was written by Winifred Wolf and

490
00:29:41,799 --> 00:29:44,720
Jack Gordon. Music was under the direction of John Guard,

491
00:29:45,119 --> 00:29:48,759
sound effects by Chehill Dick Gillespie, and Ark Cooper. Today's

492
00:29:48,799 --> 00:29:51,200
oss Adventure was based on the book Cloak and Dagger

493
00:29:51,240 --> 00:29:54,720
by Cory Ford and Alistair McMain. This program was produced

494
00:29:54,759 --> 00:29:57,480
by Lewis G. Cowan and Alfred Hollander under the direction

495
00:29:57,599 --> 00:30:02,039
and supervision of Sherman Marx. Three Times Mean Good Times

496
00:30:02,119 --> 00:30:05,839
on NBC. There's mystery and music Tonight on NBC. The

497
00:30:05,920 --> 00:30:08,640
mystery is Sam Spade's latest case, in which the romantic

498
00:30:08,720 --> 00:30:11,519
private Eye solves the caper of too many clients. The

499
00:30:11,680 --> 00:30:14,880
music is the NBC Symphony Summer Concert with Antal Dorati

500
00:30:14,920 --> 00:30:18,119
as guest conductor, and the American Album of Familiar Music,

501
00:30:18,319 --> 00:30:21,359
one of radio's best loved musical programs, which returns to

502
00:30:21,400 --> 00:30:22,119
the air tonight.

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00:30:23,000 --> 00:30:26,599
Speaker 2: Three Times Mean Good Times on NBC.

504
00:30:36,960 --> 00:30:37,960
Speaker 4: Welcome Back.

505
00:30:38,359 --> 00:30:42,400
Speaker 1: The first three fourths of this episode is a really

506
00:30:42,559 --> 00:30:46,240
great World War two espionage story, and then the final

507
00:30:46,400 --> 00:30:50,599
minutes really take it to another level in terms of drama.

508
00:30:50,920 --> 00:30:55,480
The death of Lucille was so powerful, courageous defiance in

509
00:30:55,559 --> 00:30:59,000
the face of death. I will not say, hal Hitler,

510
00:30:59,599 --> 00:31:03,279
I say God be with you. And Gruber goes on

511
00:31:03,519 --> 00:31:07,599
this whole journey as a person in some very subtle

512
00:31:07,640 --> 00:31:12,599
ways that mark missus or missus interprets until the end

513
00:31:13,359 --> 00:31:18,319
and really brings home what their effort has meant and accomplished.

514
00:31:19,359 --> 00:31:23,119
It's a story about what courage means and how it

515
00:31:23,240 --> 00:31:27,160
affects and inspires others, and how sometimes you don't think

516
00:31:27,200 --> 00:31:30,279
you're getting through to people, but you don't know what's

517
00:31:30,400 --> 00:31:33,799
going on on the inside. And this is such a

518
00:31:34,200 --> 00:31:38,880
very different performance for Barry Kroger in this series, who

519
00:31:39,119 --> 00:31:43,440
more often than not it plays Nazi officers and heavies.

520
00:31:44,440 --> 00:31:49,119
This is just a beautifully nuanced performance and gives us

521
00:31:49,160 --> 00:31:52,680
an idea of his reign. And Gruber has this line

522
00:31:53,680 --> 00:31:56,519
when he is talking to Mark at the end that

523
00:31:56,799 --> 00:32:00,640
we may talk in whispers, but we will no longer

524
00:32:01,079 --> 00:32:05,680
think in whispers. And this is such a powerful point

525
00:32:06,440 --> 00:32:12,279
that's worth really highlighting. That the fascist regimes during World

526
00:32:12,319 --> 00:32:16,279
War Two and later the communist regimes in the Cold

527
00:32:16,359 --> 00:32:21,039
War thrived on keeping people in fear, and that's certainly

528
00:32:21,160 --> 00:32:24,359
true of many regimes today. And it wasn't just fear

529
00:32:24,400 --> 00:32:29,279
of speaking up, but being so afraid that you shut

530
00:32:29,359 --> 00:32:32,279
off your brain to what's going on. And it's just

531
00:32:32,559 --> 00:32:36,240
such great insight. Now, in terms of lighter notes, I

532
00:32:36,319 --> 00:32:41,839
did shuckle at Gruber's bluff to get past the guard

533
00:32:42,119 --> 00:32:44,920
by telling the truth. I mean, it was hilarious, but

534
00:32:45,119 --> 00:32:48,720
it was also really tense and going further towards the

535
00:32:48,920 --> 00:32:51,359
other part of the story. When Mark was jumping out

536
00:32:51,400 --> 00:32:54,960
of the plane, I couldn't help but think about another

537
00:32:55,359 --> 00:32:59,680
Larry Haynes's appearance in this series and jumping out of

538
00:32:59,720 --> 00:33:03,279
the and how that went, and thought, yeah, he definitely

539
00:33:03,440 --> 00:33:08,079
did have reason to be nervous. Listener comments and feedback

540
00:33:08,240 --> 00:33:11,759
and we start out over on Spotify where mechanics sixty

541
00:33:11,839 --> 00:33:13,279
six comments.

542
00:33:12,880 --> 00:33:14,400
Speaker 5: Regarding roof of the World.

543
00:33:15,079 --> 00:33:20,559
Speaker 1: How was it possible that Louise Barkley could pronounce Himalayan

544
00:33:20,880 --> 00:33:27,559
as Himilian. Didn't they have rehearsals, I'd assume, so I

545
00:33:27,640 --> 00:33:32,000
would just assume it was a technical goof on someone's part.

546
00:33:32,599 --> 00:33:37,000
It's even possible that someone gave her the idea it

547
00:33:37,200 --> 00:33:40,319
was Himilian, or it could be a mistake she made

548
00:33:40,359 --> 00:33:43,440
while recording and they just decided it was not worth

549
00:33:43,519 --> 00:33:47,559
the effort to change it, or somebody missed it. Emmett

550
00:33:48,119 --> 00:33:52,880
Wrights regarding the episode on Facebook, Dang, I like the show.

551
00:33:53,039 --> 00:33:54,279
Speaker 4: Too few of them were made.

552
00:33:54,519 --> 00:33:59,440
Speaker 1: Every episode has me guessing like today, I thought maybe

553
00:33:59,480 --> 00:34:02,039
the Nazi was going to flip to the Americans. The

554
00:34:02,119 --> 00:34:05,279
writing is uniformly good. It was also a lot of

555
00:34:05,720 --> 00:34:08,159
fun to hear Ralph Bell in there. I think he

556
00:34:08,480 --> 00:34:11,679
was one of the Tibetans. I believe so as well.

557
00:34:12,440 --> 00:34:16,519
And this has been just a really great series that

558
00:34:17,280 --> 00:34:20,519
didn't receive the attention it deserved at the time and

559
00:34:20,679 --> 00:34:24,039
has been a bit more obscure, and so we're really

560
00:34:24,119 --> 00:34:28,360
glad to be able to highlight this. And then a

561
00:34:28,679 --> 00:34:33,800
comment from Sasoff regarding the episode, a recommendation from Romel

562
00:34:34,239 --> 00:34:37,480
It wasn't just Ralph Bell who played against his usual

563
00:34:37,599 --> 00:34:40,440
type in this episode. This is the first time that

564
00:34:40,559 --> 00:34:44,000
I've heard Jan Minor play a role that her to

565
00:34:44,159 --> 00:34:48,760
speak in a foreign accent. And then have a comment

566
00:34:48,880 --> 00:34:56,079
from in DC eight nine three four very enjoyable, entertaining, exciting,

567
00:34:56,199 --> 00:34:58,519
but not to nail biting just right.

568
00:34:58,800 --> 00:34:59,760
Speaker 4: Well, thanks so much.

569
00:35:00,000 --> 00:35:01,199
Speaker 1: I'm glad you enjoyed it.

570
00:35:01,840 --> 00:35:02,000
Speaker 5: Well.

571
00:35:02,079 --> 00:35:05,800
Speaker 1: Now it is time to thank our Patreon supporter of

572
00:35:05,960 --> 00:35:09,000
the day. Now I want to thank Bruce, Patreon supporter

573
00:35:09,239 --> 00:35:12,800
since March of twenty twenty four, currently supporting the podcast

574
00:35:12,920 --> 00:35:16,360
at the secret agent level of four dollars or more

575
00:35:16,440 --> 00:35:19,360
per month. Thanks so much for your support, Bruce, and

576
00:35:19,519 --> 00:35:22,639
that will do it for today. If you're enjoying the podcast,

577
00:35:22,800 --> 00:35:28,119
please follow us using your favorite podcast software. And if

578
00:35:28,159 --> 00:35:31,519
you're enjoying the podcast on YouTube, be sure to like

579
00:35:31,639 --> 00:35:35,639
the video, subscribe to the channel, and mark the notification bell,

580
00:35:35,840 --> 00:35:38,880
all those great things that help YouTube channels to grow.

581
00:35:39,840 --> 00:35:42,960
If you're listening to the Great Detectives of Old Time Radio,

582
00:35:43,519 --> 00:35:48,599
the podcast returns tomorrow with our Sunday encore and then

583
00:35:48,800 --> 00:35:52,239
returns to a normal lineup on Monday with Danger with Granger.

584
00:35:52,840 --> 00:35:56,960
The Great Adventurers of Old Time Radio returns on Tuesday

585
00:35:57,239 --> 00:36:02,159
with the final episode of Buck Rogers. In the meantime,

586
00:36:02,239 --> 00:36:05,559
do you send your comments to Box thirteen at Great

587
00:36:05,639 --> 00:36:10,119
Detectives dot net. But from Boise, Idaho, this is your host,

588
00:36:10,360 --> 00:36:12,159
Adam Graham signing off.

