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<v Speaker 1>And now for our weekly visit with a good doctor Watson.

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<v Speaker 1>Let's see if he's waiting for us. Good evening, mister, oh,

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<v Speaker 1>good evening, doctor plang a phonograph.

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<v Speaker 2>I see, yes, my boy, that particular millennires some very

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<v Speaker 2>potent memories for me. Here, I'll turn the thing off.

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<v Speaker 2>You haven't come here to listen to Moat. You want

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<v Speaker 2>a story, don't you, young?

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<v Speaker 1>That's right, doctor, Well, let's sit down, all right, patter, Now.

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<v Speaker 2>I'll tell you what thank you doctory again in Vienna

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<v Speaker 2>in eighteen hundred and eighty nine, many many years before,

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<v Speaker 2>the insane house painter named schickel Gruber had converted that

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<v Speaker 2>case city into a place of fear and of pression.

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<v Speaker 1>And what were you and Sherlock Holmes doing there, doctor?

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<v Speaker 2>Just taking a trip, mister Forman. In those early days

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<v Speaker 2>of our association, we didn't have the time, all the

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<v Speaker 2>money for the taking trips. No, no, no. We were

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<v Speaker 2>in Vienna because Holmes had been engaged in certain highly

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<v Speaker 2>important investigations. We were staying in a charming person inhabited

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<v Speaker 2>by students and musicians. And on the night the story began,

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<v Speaker 2>we'd finished dinner and had returned to our room. I

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<v Speaker 2>was busy making some notes on the investigation we just included,

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<v Speaker 2>and Holmes was scraping away at his beloved violin.

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<v Speaker 3>That's wrong. Why can't I get it?

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<v Speaker 2>Pretty?

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<v Speaker 4>To me?

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<v Speaker 5>Pretty? Really old chapter?

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<v Speaker 3>A hippy fingered one of the listen to this sounds

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<v Speaker 3>like a fiddler anolish.

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<v Speaker 2>Wake take it easy, homes did. There's no need to

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<v Speaker 2>fling the violin down like.

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<v Speaker 3>That's not old, chap Why with all your other excellent qualities,

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<v Speaker 3>are you not a pianist?

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<v Speaker 2>What's a piano you going to do with it?

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<v Speaker 3>In this case? Everything is a piano in this room.

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<v Speaker 3>And if you could play it and not that so

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<v Speaker 3>not that I'm struggling with, might have some meaning. Come in,

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<v Speaker 3>oh living to see me?

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<v Speaker 6>You are?

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<v Speaker 3>That is my name?

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<v Speaker 6>Then I wish to see you. I'm Leo Ustein. I

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<v Speaker 6>live here on this consume.

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<v Speaker 5>How do you do?

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<v Speaker 4>This?

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<v Speaker 3>Is my friend, Doctor Watson.

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<v Speaker 4>How do you do?

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<v Speaker 2>Hea?

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<v Speaker 3>Doctor Ullenstein? May I pay my tribute to the brilliant.

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<v Speaker 5>If you're piano.

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<v Speaker 3>Playing, you have the exact precision of praising that that demands,

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<v Speaker 3>Doctor Watson, and I with Christmas the command performance you

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<v Speaker 3>gave it the Imperial Court a fortnight a girl.

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<v Speaker 2>Hey juya, so I knew I had seen you somewhere before.

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<v Speaker 2>My friend was just expressing the need of a pianist

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<v Speaker 2>as you walked in, Young lady. Perhaps I'm trying.

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<v Speaker 6>I do not play the amateur.

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<v Speaker 4>Mean to be.

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<v Speaker 2>Who is just that?

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<v Speaker 6>My life is dedicated to my professional understand for line and.

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<v Speaker 3>Now, please tell me what can I do to help you.

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<v Speaker 3>I'm a presume you will come to see me in

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<v Speaker 3>my professional capacity.

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<v Speaker 6>That is correct, heir Homes, So I realized you a

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<v Speaker 6>great detective like you. My problem must seem quite trivial.

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<v Speaker 6>I I am being blackmailed by a man in the

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<v Speaker 6>sponsible He is Shando, our pardier Hungarian painter who lived

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<v Speaker 6>in the studio upstairs. I've heard of him since two

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<v Speaker 6>months now. Ever, since you know my secret, he's come

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<v Speaker 6>to me for money, and today he telled me he

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<v Speaker 6>must have two hundred and fifty goods or he will

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<v Speaker 6>go to the police. I have not that much money,

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<v Speaker 6>hair Homes. Please to tell me what I shall do.

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<v Speaker 5>Just what hold does he have of you?

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<v Speaker 6>My brother Karl he got into some trouble. He and

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<v Speaker 6>the police were looking for him, but he ran away

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<v Speaker 6>to munch as you say Munich. Him thunder our party

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<v Speaker 6>knew of this. He was a friend of mine. Thought,

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<v Speaker 6>when this trouble come on my body, I turned to

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<v Speaker 6>Shandor for help, which mother call out of the country,

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<v Speaker 6>and he turned on me for.

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<v Speaker 2>Black A fat man.

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<v Speaker 3>First, black failures A cowards at hand, I think doctor

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<v Speaker 3>Watson and I will call on the gentlemen. By the way,

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<v Speaker 3>does he have any written evidence of your brother's crime?

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<v Speaker 6>Yeah, he has this address in Munich. Show Shandor a

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<v Speaker 6>letter from him when he first go there, and keep

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<v Speaker 6>the letter.

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<v Speaker 4>Do not give it back to him.

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<v Speaker 2>If he gave the police your brother's address at the

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<v Speaker 2>rest of her they would of course.

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<v Speaker 6>Hair Homes, Will you please to tell me what I

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<v Speaker 6>should do? I cannot go on to say my music.

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<v Speaker 3>I shall be most happy to help you, and if

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<v Speaker 3>you will lead the way, we'll see how persuasive we

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<v Speaker 3>can be with Shandor a padi.

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<v Speaker 6>This is studio Hairhomes at the end of the corridor.

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<v Speaker 3>I see, I remember a young lady. You better let

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<v Speaker 3>me do most of the talking.

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<v Speaker 2>He must be out, that's as possible. Locked.

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<v Speaker 3>I think bearning a mind out on his profession will

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<v Speaker 3>take the liberty of opening his door.

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<v Speaker 2>Looking a very complicated lot for me, and.

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<v Speaker 3>I think this skeleton key will do the trick.

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<v Speaker 6>Very dangerous hair homes.

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<v Speaker 2>It's shun no, no, no, no, don't you worry about

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<v Speaker 2>that product. We're perfectly capable of taking care of our souls.

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<v Speaker 3>Ah there we are, close the door behind you, Will Watson, I.

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<v Speaker 2>Don't see a thing. I'll strike a match.

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<v Speaker 5>Oh God, look at him.

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<v Speaker 3>Stober his death the gas, Willy Watson, I try hope

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<v Speaker 3>are judging from his appearance for a line, Fullenstein. I

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<v Speaker 3>think Sandor Party had other enemies besides yourself less scrupulous enemies.

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<v Speaker 2>He's been strangled because the finger marks on his throat

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<v Speaker 2>is he yes, but it is too warm. Though I'm

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<v Speaker 2>afraid he's dead.

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<v Speaker 4>I am glad.

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<v Speaker 6>That's a bad man deserved to that.

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<v Speaker 3>Watson. You notice the fingers of the killer, broken the

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<v Speaker 3>skin and drawn blood.

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<v Speaker 6>We should he not communicate with the police before we

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<v Speaker 6>do that?

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<v Speaker 3>For line, we may see if we can find you

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<v Speaker 3>a brother's letter. Help move the body, Will you Watson?

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<v Speaker 3>Lying across an open dispatch box that might contain the

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<v Speaker 3>document in question, Go on.

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<v Speaker 5>That's it a.

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<v Speaker 3>Mhm, but a painter the late mister that party was

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<v Speaker 3>an unusually methodical man. Everything filed here in alphabetical order.

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<v Speaker 3>You know, we are you fall line, they are Wullenstein

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<v Speaker 3>and the letter has the Munichue postmark. I think this

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<v Speaker 3>must be the document in question when you examine it,

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<v Speaker 3>please for all.

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<v Speaker 6>Yeah, yeah, this is the letter here, Holmes. How can

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<v Speaker 6>I thank you?

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<v Speaker 3>It's very little thankful for it's the blackmailer are still alive.

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<v Speaker 3>I feel it wouldn't have been so simple a matter.

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<v Speaker 3>I wonder what other treasures this box contains? Hello, Hello,

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<v Speaker 3>what is it?

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<v Speaker 2>All? Interesting?

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<v Speaker 3>Extremely interesting.

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<v Speaker 2>Information on the case that we've just been working out.

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<v Speaker 3>From the names attached to the document, I think we

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<v Speaker 3>may assume that the dead man did not confine his

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<v Speaker 3>blackmailing to struggling young pianists. He was after big game tools.

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<v Speaker 2>We'd better be careful, homes. I don't think that we

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<v Speaker 2>should go for the police just yet.

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<v Speaker 3>No, we will start by having a little talk with

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<v Speaker 3>the other residents of this pon who lives in the

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<v Speaker 3>room adjoining this one. I too here and the room

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<v Speaker 3>across the landing.

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<v Speaker 6>L Kung Fo, the guy Chinese actor. He's performing here

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<v Speaker 6>on Vienna.

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<v Speaker 3>I see them I think we'll start by calling on him.

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<v Speaker 3>Return to your room, forelign, and we will let you

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<v Speaker 3>know later what we've found. In the meantime, saying nothing

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<v Speaker 3>to anyone of.

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<v Speaker 6>What has happened, do everything you tell me. Please once again,

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<v Speaker 6>please let me thank you for what you've done for.

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<v Speaker 2>You know, Holmes, I'm not sure that girl didn't strangle

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<v Speaker 2>a fundy, yourself a pianist. We have unusual strength of

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<v Speaker 2>her fingers, and we know that she had the motive.

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<v Speaker 2>Look how naturally calm she was when she realized the

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<v Speaker 2>man who was dead and discreet what he was alone.

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<v Speaker 3>I think what you refer to was unnatural calmness is

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<v Speaker 3>really the cold attachment of the true water.

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<v Speaker 2>Well, I have a feeling we should keep an eye

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<v Speaker 2>on her, just to say.

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<v Speaker 5>We were watching.

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<v Speaker 3>We will. And now I suggest, with their visit across

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<v Speaker 3>the landing to the distinguished Chinese actor, mist A lying

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<v Speaker 3>to fold you wish to see me if you could

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<v Speaker 3>spare some moments then, But of course, gentlemen, please do

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<v Speaker 3>come in. My name is Shark Holmes. This is my colleague,

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<v Speaker 3>doctor Watson.

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<v Speaker 4>I am greatly part to Mitchell. You are not here

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<v Speaker 4>to see me in your professional capacity. I hope stuff.

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<v Speaker 3>Oh no, not exactly. I just wanted to ask you

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<v Speaker 3>a few questions.

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<v Speaker 2>Please to ask me anything.

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<v Speaker 3>Do you know Shandor Paddy the paint Huo lives across

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<v Speaker 3>the hall.

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<v Speaker 4>I know him by sight that we not do each

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<v Speaker 4>other on the stairs.

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<v Speaker 3>Nothing more I see. Have you been in your rooms evening?

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<v Speaker 5>May I ask? But yes, I have.

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<v Speaker 4>Been sitting here quietly for the past few hours, reading

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<v Speaker 4>over the analecs of Canus?

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<v Speaker 2>May asked, Will you heard any unusual noises this evening,

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<v Speaker 2>sounds of struggle or a cry from the direction of

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<v Speaker 2>sandor party's room, Prince, I do not think so.

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<v Speaker 4>Wait, yes, yes, I think I did hear least voices

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<v Speaker 4>in there, and the sound.

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<v Speaker 5>Of a cry.

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<v Speaker 3>But how long ago was this? Perhaps?

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<v Speaker 4>More?

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<v Speaker 5>Is anything wrong?

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<v Speaker 3>Has a love will come to Chandor Dandor? I thought

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<v Speaker 3>you said you would only a nodding acquaintance with the gentleman.

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<v Speaker 4>Well, he is a well known artist. It is only

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<v Speaker 4>natural I should call him by his first's name, mister Holmes,

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<v Speaker 4>even though I do not know him. Has something happened

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<v Speaker 4>to him?

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<v Speaker 3>I'm afraid so, But I can't tell you any more

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<v Speaker 3>about it.

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<v Speaker 5>At the moment.

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<v Speaker 3>Thank you for your cooperation. We will see you again.

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<v Speaker 3>No dud believing sir, What do.

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<v Speaker 7>You think.

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<v Speaker 2>Foll I wasn't telling us the truth? You know? Home

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<v Speaker 2>he seemed very shifted to me.

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<v Speaker 3>We were going downstairs to the potter's desk. Any one

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<v Speaker 3>entrance to this answer will remember the porter may be

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<v Speaker 3>able to tell us of any unusual comings and goings

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<v Speaker 3>in the last hour or two. Come on, old chap,

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<v Speaker 3>don't doddle. It's a great deal of work ahead of us.

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<v Speaker 2>Yeah, here hopes.

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<v Speaker 5>What can I do for you?

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<v Speaker 3>How long have you been on dury tonight?

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<v Speaker 2>Since five o'clock?

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<v Speaker 3>You notice what people have come in or gone out

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<v Speaker 3>since then? No Fune has gone out splendid And who

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<v Speaker 3>came in?

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<v Speaker 4>Foil and Unstein came in just after six and the

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<v Speaker 4>upperdeed the painter have come in a few minutes later.

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<v Speaker 3>Who lives in the other ground floor apartments besides Dr

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<v Speaker 3>Watson and myself The only.

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<v Speaker 4>Two other apartments in the one to the right of

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<v Speaker 4>the court that lives Madame Jansen, she's a Seedish lady.

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<v Speaker 4>And sculptors and the Milan Signora Violetti, the Italian Oars.

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<v Speaker 3>Oh, thank you, thank you very much. I'm much obliged

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<v Speaker 3>to you. I'm happy to be of service her home.

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<v Speaker 2>Were we off to now back to our room.

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<v Speaker 3>We'll call on let him be a LETTI if she's

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<v Speaker 3>at home.

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00:11:47.120 --> 00:11:48.720
<v Speaker 2>Sounds as if she's very much at home.

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<v Speaker 8>Yours geral l com that need a friend ever come

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<v Speaker 8>to see me? Vo rubbish sim I have so much

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<v Speaker 8>wish to make it acquaint and listen, I'm appropriate.

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<v Speaker 2>We can understand for a moment, Matem, I felt want

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<v Speaker 2>to ask you question.

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<v Speaker 3>I just want to I know your question.

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<v Speaker 6>You played the violina.

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<v Speaker 5>I have heard you.

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<v Speaker 7>You want to know whether the great Valaria will allow

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00:12:21.279 --> 00:12:24.559
<v Speaker 7>you to a company. Are in the magnificent soprano Aria?

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00:12:24.840 --> 00:12:25.159
<v Speaker 5>Halloo?

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00:12:25.279 --> 00:12:29.080
<v Speaker 7>So from a Mozart le float to my Chico? Do

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<v Speaker 7>you let this answer to your question?

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<v Speaker 3>See if you don't mind me? Was not one of

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<v Speaker 3>my questions.

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00:12:44.399 --> 00:12:47.120
<v Speaker 2>You not, but I will seeing it with you.

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00:12:47.200 --> 00:12:49.120
<v Speaker 3>Jose this day you got me, But then at the

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00:12:49.159 --> 00:12:51.919
<v Speaker 3>moment there are other things on my mind. You're at

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<v Speaker 3>Do you know Sadi.

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<v Speaker 7>Boy sighed that he does even guys at me, But

255
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<v Speaker 7>I don't pay attention. I didn't even like angan.

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<v Speaker 3>You haven't seen in the evening, I've been alone.

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<v Speaker 7>A reviewing the score. I have to see the next

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<v Speaker 7>week here in Vianna. I hope you will both to

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00:13:19.559 --> 00:13:20.120
<v Speaker 7>be president.

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<v Speaker 4>It would be a great tree.

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<v Speaker 2>Sat you must have gor to stone.

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00:13:27.639 --> 00:13:30.279
<v Speaker 8>But come and see me again, and I will sing

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<v Speaker 8>for your port before your Naghborana.

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<v Speaker 2>It's got the woman. She's not your murders, I'm sure.

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<v Speaker 2>And now I suppose we'll have to question this stothless woman,

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<v Speaker 2>and then we'll have talked to everyone in the house.

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<v Speaker 3>Now, I think before we visit her, and we'll examine

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00:13:49.600 --> 00:13:51.759
<v Speaker 3>the dead man's room a little walk closely. They're black

269
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<v Speaker 3>in the statch box may hold the keys of this mystery.

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00:14:10.559 --> 00:14:16.919
<v Speaker 2>Scarpapers they tell an interesting story. A party had obviously

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<v Speaker 2>been blackmailing Madame Jansen's the sculpture.

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00:14:19.200 --> 00:14:22.039
<v Speaker 3>Yes, and also our friend, the Chinese actor Lating Foe, and.

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<v Speaker 2>Lating Foe was lying when he said that he didn't

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<v Speaker 2>know said by George Field of poor people living in

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00:14:26.879 --> 00:14:28.600
<v Speaker 2>this house in his pall.

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<v Speaker 3>That's a matter what I found in the scar ash

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00:14:32.720 --> 00:14:35.440
<v Speaker 3>on the carpet, Principal, a small foot leading us to

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00:14:35.519 --> 00:14:36.039
<v Speaker 3>this closet.

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00:14:37.519 --> 00:14:38.799
<v Speaker 2>But they must have been hiding in.

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00:14:38.840 --> 00:14:40.399
<v Speaker 5>The possibly.

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00:14:41.519 --> 00:14:42.840
<v Speaker 3>Take a look at these Watson.

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00:14:44.200 --> 00:14:48.240
<v Speaker 2>And the hair, long black hair, Where were they?

283
00:14:48.519 --> 00:14:50.879
<v Speaker 3>I'm a hook in the cupboard, and one bracing themselves

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00:14:50.960 --> 00:14:52.799
<v Speaker 3>back so as to be out of sight, could easily

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00:14:52.919 --> 00:14:53.759
<v Speaker 3>leave such evidence.

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00:14:53.879 --> 00:14:54.879
<v Speaker 5>I've got it home, I've got it.

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00:14:54.919 --> 00:14:56.879
<v Speaker 2>The long black hair, the long nails that caused the

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00:14:56.879 --> 00:14:59.480
<v Speaker 2>peculiar mouf, and the party's throat and the small footprint.

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00:14:59.720 --> 00:15:03.000
<v Speaker 3>It was woman, possibly, but which one? Caroline Pullenstein and

290
00:15:03.039 --> 00:15:05.600
<v Speaker 3>Signora Fiolett him both have blonde hair, remember, and it

291
00:15:05.679 --> 00:15:07.440
<v Speaker 3>must be that stop us one, not necessarily?

292
00:15:07.519 --> 00:15:08.000
<v Speaker 2>Who else?

293
00:15:08.200 --> 00:15:10.759
<v Speaker 3>Not a woman might have small feet, long nails, and

294
00:15:10.840 --> 00:15:11.960
<v Speaker 3>long black hair.

295
00:15:12.519 --> 00:15:14.639
<v Speaker 2>By joby Chinese accessly.

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00:15:14.799 --> 00:15:33.960
<v Speaker 5>Come on, I hope he's too uh, I come on,

297
00:15:34.080 --> 00:15:34.440
<v Speaker 5>let's go in.

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00:15:40.159 --> 00:15:42.320
<v Speaker 2>Look at him. He's praying.

299
00:15:44.240 --> 00:15:45.399
<v Speaker 5>His head's in his head.

300
00:15:45.720 --> 00:15:47.720
<v Speaker 3>Oh my dear fellow, I'm afraid prayers can do him

301
00:15:47.759 --> 00:15:51.840
<v Speaker 3>no good. Now he's been strangled, strangled with his own chow.

302
00:16:01.720 --> 00:16:04.399
<v Speaker 1>Doctor Watson's story will continue in just a second, So

303
00:16:04.480 --> 00:16:05.919
<v Speaker 1>I'm gonna take that second.

304
00:16:05.679 --> 00:16:06.639
<v Speaker 3>For a fast question.

305
00:16:07.200 --> 00:16:10.080
<v Speaker 1>I know you've probably tasted port wine, but have you

306
00:16:10.200 --> 00:16:12.240
<v Speaker 1>ever tasted Petree California port?

307
00:16:12.639 --> 00:16:12.919
<v Speaker 2>Have you?

308
00:16:13.399 --> 00:16:16.600
<v Speaker 1>Because if you haven't tried pet Report. Well, you can

309
00:16:16.720 --> 00:16:18.879
<v Speaker 1>just tell yourself right now. You don't know how good

310
00:16:18.879 --> 00:16:22.519
<v Speaker 1>a port can be. Pet Report is rich, red and hearty.

311
00:16:23.000 --> 00:16:24.960
<v Speaker 1>But what you want to know is how does it taste.

312
00:16:25.320 --> 00:16:27.919
<v Speaker 1>The answer to that is short and sweet. The taste

313
00:16:28.240 --> 00:16:31.799
<v Speaker 1>is terrific. And say Petrick, California Muscatel is on the

314
00:16:31.879 --> 00:16:35.879
<v Speaker 1>terrific side too. Petrie Musketell has the flavor and fragrance

315
00:16:35.960 --> 00:16:41.519
<v Speaker 1>of real juicy muscat grape. Both wines are perfect after

316
00:16:41.600 --> 00:16:44.480
<v Speaker 1>dinner or anytime you're sitting around talking with your friends.

317
00:16:44.840 --> 00:16:46.120
<v Speaker 2>Try them. They're great.

318
00:16:46.559 --> 00:16:58.399
<v Speaker 1>They've got to be because they're Petree. And now back

319
00:16:58.480 --> 00:17:01.879
<v Speaker 1>to tonight's you Sherlock Holmes. The famous pair are staying

320
00:17:01.919 --> 00:17:04.920
<v Speaker 1>in Vienna, where they've become involved in the mysterious strangling

321
00:17:04.960 --> 00:17:08.200
<v Speaker 1>of a notorious blackmailer. As we rejoin our story, Sherlock

322
00:17:08.240 --> 00:17:11.640
<v Speaker 1>Holmes and doctor Watson are cost questioning another of the suspects,

323
00:17:11.880 --> 00:17:13.200
<v Speaker 1>a Swedish sculptress by the.

324
00:17:13.279 --> 00:17:14.079
<v Speaker 8>Name of Madame John.

325
00:17:16.119 --> 00:17:17.000
<v Speaker 3>What do you want with me?

326
00:17:17.400 --> 00:17:18.319
<v Speaker 4>Why have you come in here?

327
00:17:18.480 --> 00:17:21.759
<v Speaker 2>We just wanted to ask you a few questions, Madam

328
00:17:21.920 --> 00:17:22.920
<v Speaker 2>with my figurines?

329
00:17:23.000 --> 00:17:24.200
<v Speaker 3>May I ask you always working?

330
00:17:24.240 --> 00:17:24.480
<v Speaker 2>Play?

331
00:17:24.839 --> 00:17:25.039
<v Speaker 6>Yeah?

332
00:17:25.440 --> 00:17:26.279
<v Speaker 3>But what's that to you?

333
00:17:26.720 --> 00:17:28.279
<v Speaker 6>Do you wish to buy some of my sculptors?

334
00:17:28.799 --> 00:17:31.039
<v Speaker 3>No, but I assure you the question was pertinent.

335
00:17:31.400 --> 00:17:33.119
<v Speaker 7>Tell me who you are and stop fasting my time.

336
00:17:33.440 --> 00:17:37.799
<v Speaker 2>My friend is a private detective, madam, a detective. Who

337
00:17:37.920 --> 00:17:38.440
<v Speaker 2>ain't you here?

338
00:17:38.799 --> 00:17:41.839
<v Speaker 3>No one sent me here. I'm conducting an investigation of

339
00:17:41.960 --> 00:17:44.680
<v Speaker 3>the murder of schandor of Paddi and.

340
00:17:45.119 --> 00:17:47.920
<v Speaker 6>Did Good and Jack.

341
00:17:48.119 --> 00:17:50.519
<v Speaker 2>Yes, madam, but we happen to know that you had

342
00:17:50.559 --> 00:17:54.079
<v Speaker 2>a motive for killing him. He's been blackmailing you. Get

343
00:17:54.200 --> 00:17:54.759
<v Speaker 2>out of here.

344
00:17:55.200 --> 00:17:56.319
<v Speaker 7>What light have you to come here?

345
00:17:56.359 --> 00:17:58.400
<v Speaker 2>In question? No? No, no, no, look here, madam. If

346
00:17:58.440 --> 00:17:59.920
<v Speaker 2>you know what's good for you, you will ask.

347
00:18:00.079 --> 00:18:01.680
<v Speaker 5>So can you know what's good for you?

348
00:18:01.680 --> 00:18:02.640
<v Speaker 6>You'll get out of here.

349
00:18:02.720 --> 00:18:05.319
<v Speaker 3>Both mine, Watson, But Homes you can't part give in, madam,

350
00:18:05.359 --> 00:18:07.160
<v Speaker 3>for our intrusion, We've meant no rudeness.

351
00:18:07.319 --> 00:18:09.200
<v Speaker 7>You have been read intolerance.

352
00:18:09.240 --> 00:18:10.640
<v Speaker 3>We real go away.

353
00:18:13.480 --> 00:18:16.000
<v Speaker 2>We never made you back down like that. Homes. Obviously

354
00:18:16.160 --> 00:18:16.759
<v Speaker 2>she's the killer.

355
00:18:17.480 --> 00:18:21.160
<v Speaker 3>But the hair with chuck black, Yes, short hair, and

356
00:18:21.240 --> 00:18:22.599
<v Speaker 3>didn't you notice the size of our feet?

357
00:18:22.599 --> 00:18:22.880
<v Speaker 5>Anyway?

358
00:18:22.920 --> 00:18:25.960
<v Speaker 3>She works in play but novel. I might have suspected her.

359
00:18:26.599 --> 00:18:28.319
<v Speaker 2>Home, so should tell me what you're driving out of the.

360
00:18:28.319 --> 00:18:29.559
<v Speaker 3>Answer to these killings now, Watson.

361
00:18:30.119 --> 00:18:31.000
<v Speaker 5>But I'll have to prove it.

362
00:18:31.640 --> 00:18:33.279
<v Speaker 3>I'm said, I must work with I to old Chap.

363
00:18:33.359 --> 00:18:34.640
<v Speaker 3>If you mind waiting for me in our room.

364
00:18:34.680 --> 00:18:35.240
<v Speaker 5>No, no, no, wait a.

365
00:18:35.200 --> 00:18:38.119
<v Speaker 3>Minute, wait a minute, that may be dangerous. Wait for

366
00:18:38.240 --> 00:18:40.880
<v Speaker 3>me and Senora. Your letter is wrong. If you mind,

367
00:18:40.960 --> 00:18:42.960
<v Speaker 3>I'll join you there as soon as my work is done.

368
00:18:43.319 --> 00:18:46.039
<v Speaker 3>Pretend that you have returned because you were so enchanted

369
00:18:46.079 --> 00:18:47.799
<v Speaker 3>with her voice got home.

370
00:18:47.920 --> 00:18:50.799
<v Speaker 2>You don't ask me to be alone with that woman.

371
00:18:50.920 --> 00:18:52.920
<v Speaker 3>Do as I say, Watson, and don't question me. Isn't

372
00:18:52.920 --> 00:19:11.319
<v Speaker 3>a moment to be lost of different?

373
00:19:18.880 --> 00:19:21.720
<v Speaker 7>Of course you know that Aria, my dear doctor.

374
00:19:21.759 --> 00:19:23.319
<v Speaker 2>No matter, ma'm.

375
00:19:24.759 --> 00:19:26.440
<v Speaker 4>You're not about great Hutt.

376
00:19:29.319 --> 00:19:32.799
<v Speaker 2>Course, But I can't identify its work.

377
00:19:33.559 --> 00:19:37.240
<v Speaker 7>That was left, so you're still in mad at all?

378
00:19:38.039 --> 00:19:39.920
<v Speaker 7>Tell me your favorite composer.

379
00:19:40.319 --> 00:19:42.160
<v Speaker 6>I will you sing something with just for you.

380
00:19:43.119 --> 00:19:45.079
<v Speaker 7>I will pull the gas light down.

381
00:19:47.400 --> 00:19:49.759
<v Speaker 3>And that will be so much more a monthing.

382
00:19:51.680 --> 00:19:55.920
<v Speaker 7>No, oh, is your favorite composed?

383
00:19:57.559 --> 00:20:02.640
<v Speaker 2>Haven't? What's your name? Warns?

384
00:20:04.359 --> 00:20:07.200
<v Speaker 7>There is a heavy like a master German composers, not

385
00:20:07.480 --> 00:20:09.319
<v Speaker 7>the theolactic, and a musterream.

386
00:20:09.839 --> 00:20:11.079
<v Speaker 2>Oh here she goes again?

387
00:20:20.880 --> 00:20:21.960
<v Speaker 4>Come in.

388
00:20:26.559 --> 00:20:29.440
<v Speaker 7>Cone of the street is come into the lie.

389
00:20:32.519 --> 00:20:33.200
<v Speaker 2>Chinese act.

390
00:20:35.240 --> 00:20:38.599
<v Speaker 3>I am sorry to make commotions, but as we say

391
00:20:38.640 --> 00:20:42.400
<v Speaker 3>in my country, those for return from craves, secrets, double knowledge.

392
00:20:42.440 --> 00:20:46.079
<v Speaker 4>Oh you're devil, you devil, I kill you.

393
00:20:46.240 --> 00:20:47.680
<v Speaker 2>On thank you one.

394
00:20:51.400 --> 00:20:54.599
<v Speaker 3>Confession, senor, you can justify it to it. Watch some homes,

395
00:20:54.839 --> 00:20:55.920
<v Speaker 3>are you're not general.

396
00:20:57.480 --> 00:21:05.160
<v Speaker 2>My liking? Yeah, she's painted home.

397
00:21:05.359 --> 00:21:09.160
<v Speaker 3>Painted, eh, but an undramatic exit for a most dramatic lady.

398
00:21:20.039 --> 00:21:23.319
<v Speaker 2>Well homes. Now that you've tell Senora Violetti over to

399
00:21:23.400 --> 00:21:26.519
<v Speaker 2>the police, perhaps you tell me what made you certain.

400
00:21:26.240 --> 00:21:26.720
<v Speaker 4>That she was.

401
00:21:27.480 --> 00:21:29.079
<v Speaker 3>It was obvious from the beginning that a party was

402
00:21:29.119 --> 00:21:32.160
<v Speaker 3>strangled by someone with long fingernails the night on four

403
00:21:32.319 --> 00:21:34.720
<v Speaker 3>was killed at ruled him Mountains. Then who was the

404
00:21:34.839 --> 00:21:38.960
<v Speaker 3>woman with a motive and long nails? And I mentioned,

405
00:21:39.000 --> 00:21:41.839
<v Speaker 3>my dear fellow, was the woman falling Ollenstein? Know being

406
00:21:41.880 --> 00:21:45.000
<v Speaker 3>a conci pianist, her nails were naturally shot the sculptists

407
00:21:45.039 --> 00:21:46.160
<v Speaker 3>who worked in clay.

408
00:21:46.279 --> 00:21:47.519
<v Speaker 2>Again, no, that would make.

409
00:21:47.440 --> 00:21:52.559
<v Speaker 3>It impossible for her to mold her delicate figurines. Therefore, Signoletti,

410
00:21:52.680 --> 00:21:55.240
<v Speaker 3>by the process of elimination, was the only woman with

411
00:21:55.599 --> 00:21:56.240
<v Speaker 3>long nails.

412
00:21:56.279 --> 00:21:58.279
<v Speaker 2>Why did she stragle the Chinese actors too?

413
00:21:58.359 --> 00:22:00.680
<v Speaker 3>And doubted that he witnessed the first kill. The long

414
00:22:00.759 --> 00:22:03.880
<v Speaker 3>black hairs in the closet were from his cue, and

415
00:22:04.000 --> 00:22:07.559
<v Speaker 3>I presumed that later he threatens Senora Yalette, and so

416
00:22:07.880 --> 00:22:08.960
<v Speaker 3>he himself was strangled.

417
00:22:08.960 --> 00:22:11.279
<v Speaker 2>I still don't understand why she stangled up, partly in

418
00:22:11.319 --> 00:22:11.839
<v Speaker 2>the first place.

419
00:22:11.920 --> 00:22:14.680
<v Speaker 3>You want more, I think you'll find that been backmailing

420
00:22:14.759 --> 00:22:17.680
<v Speaker 3>her tool. Remember, he had documents incriminating everyone in the

421
00:22:17.759 --> 00:22:20.960
<v Speaker 3>house except her, and I think we may assume she

422
00:22:21.039 --> 00:22:22.799
<v Speaker 3>killed him and then removed her own papers from the

423
00:22:22.839 --> 00:22:23.480
<v Speaker 3>dispatch box.

424
00:22:23.839 --> 00:22:25.200
<v Speaker 5>But I know proof and so well.

425
00:22:25.279 --> 00:22:27.079
<v Speaker 3>I had to frighten her into confession.

426
00:22:27.599 --> 00:22:30.319
<v Speaker 2>So that's why you disguise yourself as I tung Fu.

427
00:22:30.559 --> 00:22:33.920
<v Speaker 3>Yes, I borrowed the robes from his room. Lucky that

428
00:22:33.960 --> 00:22:37.359
<v Speaker 3>the lights below as I entered. Yes, And it's also

429
00:22:37.519 --> 00:22:41.200
<v Speaker 3>fortunate that to the average European all Chinese look alike,

430
00:22:42.279 --> 00:22:46.720
<v Speaker 3>Alan Oh fraulein Urenstein, you were coming in to see

431
00:22:46.720 --> 00:22:47.680
<v Speaker 3>you in a few minutes.

432
00:22:48.319 --> 00:22:50.400
<v Speaker 6>So anxiously is everything all right?

433
00:22:50.599 --> 00:22:53.279
<v Speaker 3>Well from your point of view, my dear young lady,

434
00:22:53.839 --> 00:22:55.279
<v Speaker 3>there's nothing more for you to worry about.

435
00:22:55.440 --> 00:22:55.559
<v Speaker 2>Oh.

436
00:22:55.599 --> 00:22:58.720
<v Speaker 6>I would like to say you hair homes I I've.

437
00:22:58.640 --> 00:22:59.480
<v Speaker 5>Done it a little for you.

438
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<v Speaker 3>But if you really feel that you want me something,

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<v Speaker 3>perhaps justice once, you wouldn't mind accompanying an amateur. It

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<v Speaker 3>would be a pleasure. What did you wish me to

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<v Speaker 3>play in Mota matter? But of course ran that spent.

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<v Speaker 6>You like doctor.

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<v Speaker 2>Very much, very much. In fact, I might say he

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<v Speaker 2>is my favorite composer. Charming, perfectly charming. I only wish

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<v Speaker 2>that that all our adventures then, so melodiously tonight.

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<v Speaker 1>Sherlock Holm's Adventure is written by Dennis Green and Anthony Boucher,

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<v Speaker 1>and is based on an incident in the Sir Arthur

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<v Speaker 1>Conan Doyle story a case of identity. Mister Rathbone appears

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<v Speaker 1>to the courtesy of Metro Golden Mayor and mister Bruce

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<v Speaker 1>to the courtesy of Universal Pictures, where they are now

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<v Speaker 1>starring in the Sherlock Holmes series
