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Speaker 1: And we are back with another edition of the Federalist

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Radio Hour. I'm Matt Kittle, Senior Elections correspondent at the

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Federalist and your experienced Shirpa on today's quest for Knowledge.

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As always, you can email the show at radio at

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the Federalist dot com, follow us on x at FDR LST,

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make sure to subscribe wherever you download your podcast, and

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of course to the premium version of our website as well.

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Our guest today is Christian Toto, Award winning film critic,

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journalist and founder of Hollywood in Toto, the excellent site

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for all things Hollywood criticism, movies, entertainment culture from a

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conservative point of view. How about that? He also hosts

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the Hollywood in Toto podcast on the Radio America Network. Christian,

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thank you so much for joining us on this edition

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of the Federalist Radio Hour.

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Speaker 2: Oh my pleasure. Glad to join the show.

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Speaker 1: Absolutely. You and I have spoken on a number of

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occasions over the years in radio formats. You know that

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gives us just a few minutes to hash out what

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is happening the latest madness in Hollywood. I'm glad we

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have a chance to kind of expound upon that through

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this format. Let us begin with topics you cover on

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a daily basis, and that is now Hollywood in Trump

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two point zero. The madness continues. It continues, certainly from

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the corporate media news interest. It definitely continues in Hollywood.

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There was some sense, maybe I was naive about this,

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that things might change through perspective. Hollywood really only has

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one perspective, doesn't it.

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Speaker 3: Yeah, you know, it's funny after the election. Immediately after

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the election, there was a little bit of a lull

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that the Hollywood community or the key players didn't really

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get on the resistance bandwagon like they did last time.

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And even some August publications like Variety and The Hollywood

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Reporter were just worried to death about this. You know,

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where is the resistance? Where is the fight within this community?

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But I think it's here. You know, we're seeing it

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on stages, We're seeing it at the can Film Festival,

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We're seeing it in different venues. For sure, it will

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get more intense. I think as time marches on. And

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you know, we saw with the last election that the

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collective clout of this industry is waning. You know, we

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don't really have movie stars anymore that are not named

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Tom cruise, and you know, all the biggies really kind

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of rallied around Kamala Harris and it didn't work. So

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I don't think they took that message. I don't think

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they understood what's going on, and they just are starting

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to double down at this point.

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Speaker 1: Are they paying the price? Which is ultimately what Hollywood,

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at least the executives care about. Are they have they

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paid the price financially?

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Speaker 3: It's kind of a yes and no answer. I tease

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before the death of the Movie Store, you know, you

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really don't have any actors.

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Speaker 2: Who can open a movie by themselves. Really.

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Speaker 3: You know, you have properties, You've got Minecraft, You've got

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the Jurassic Parks series, things like that. Those are the

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really the big, the big movers and shakers in Hollywood.

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So I think the actors have less job security than

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they once did, but they're also gainfully employed. And you know,

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Pedro Pascal is becoming one of the more vocal stars

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on a lot of different fronts, and he is gainfully employed,

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and he's working all the time, and he's busy as possible.

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So I don't think he's suffering directly, but I think

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collectively we just get a bit more frustrated by the stars.

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And you know, listen, they have their free right, free

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speech rights. They can say what they want. I just

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wish they were more thoughtful, more measured, and less aggressive

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in their posturing. I mean, you know, a Petro Pascoal

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can say exactly what he wants to say, but do

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it in a less severe manner, a more nuanced matter,

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a less divisive matter. And they don't seem to take

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that message to the heart.

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Speaker 1: Oh it's the Michael Jordan thing, isn't it. And I

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don't when I say Michael Jordan, I don't mean Michael B.

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Jordan or whoever the star is is that I don't

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know as a middle initial I can't remember. But the

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guy who swept up in the Diddy situation, which if

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we get a chance to we'll we'll touch upon at

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a later time. But Michael Jordan used to say, you know,

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how come you don't when they asked him, how come

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you don't come out and talk about social issues and

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all the injustices in the world, And he said, well,

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first of all, I'm a basketball player, and a damn

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good one, by the way, as time has told. But

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he said, you know, conservatives buy my shoes too, And

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that's something that I think Hollywood. It reminds me on

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the news side of things, of PBS. In NPR. We

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just had, you know, a couple of months ago, these

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hearings about should taxpayers continue to fund these very left

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wing news outlets that have just had an open war

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with conservatives and Republicans, And you know, they came, their executives,

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came before Congress and made their appeals and hat in

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hand and said, no, we're changing, we're changing. But we

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know that that is not the case. And you know

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there's volumes of evidence to show that is not the case.

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Hollywood is in that same sort of bubble situation. Instead

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of the DC bubble, it is the Hollywood bubble, and

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they just can't seem to break that.

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Speaker 3: Yeah, I think we've seen some interesting examples in recent months.

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You know, the snow White Gate with Rachel Zegler.

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Speaker 2: The star of Live action reboot.

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Speaker 3: You know, she really not single handedly, but her comments,

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her attitude, her attacks on half the country didn't help

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that film at all and it's been a massive underachiever

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at the box office. And you'd think that would be

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the final lesson where actors say, gosh, you know, I

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may think a certain way and maybe I want to

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shout my views to the world for all to hear.

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But you know what, doing that may hurt my movie profits.

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It could hurt you know, the box office. Maybe I

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should be a little bit more thoughtful, more subtle, more

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nuanced with it, and they just don't go there. And

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just a recent example is the upcoming Fantastic Four movie.

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Three of the four stars have either been aggressive and

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trashing the source material or in the case of Pascal

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I mentioned before, you know, getting very political, very vitriolic

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about various causes, and it's not what the audience wants

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right now. And again I mentioned the last movie star,

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Tom Cruise, Well, he was recently asked about Trump and

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tariffs and what impact that could have on films, and

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his answer was just textbook. I just want to talk

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about mission a possible party. That's what I want to

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talk about. That's why I'm here. And if more stars

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would take that message, I really think it would collectively

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help their industry.

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Speaker 2: Would it be dramatic? I don't know. I don't think so.

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Speaker 3: I think there's a lot of swirling winds of change

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around Hollywood and theater experiences and how we consume content.

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Speaker 2: But it couldn't hurt, that's for sure.

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Speaker 1: It happens on the music side as well. I think

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the example. Djure is a guy who has been billed

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as the Boss for years. And let me say this

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first and foremost, I'm a big fan of the music

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of Bruce Springsteen. I always have been and I always will.

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You know, Pete Rose was one of the greatest ballplayers

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of all time. He was a flawed human being. We're

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all flawed human beings. I don't care about Bruce Springsteen's politics.

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I don't identify with it. When he goes overseas to

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the United Kingdom and starts, you know, bashing on a

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duly elected president, that's his right to do, but it

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doesn't mean it doesn't come with repercussions, the same kind

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of repercussions we saw with the football player by the

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name of Colin Kaepernick and the whole knee movement years ago.

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This guy is indeed paying the price.

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Speaker 3: Is he not now well, I think that's yet to

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be determined. He's touring overseas and making a lot of

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his comments overseas. I think that's a bit of a

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tactful error, to put it kindly, you know, listen, I

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think my problem with the Bruce Springsteen type is that

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he's the every man.

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Speaker 2: He's the blue collar hero.

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Speaker 3: But when people were complaining about the high ticket prices

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he was charging a couple of years ago, he basically

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shrugged and said, I'm worth it. I'll give you your

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money back if you don't think I gave a good show,

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and really disregarded his audience. Now, listen, he is a legend,

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he is an icon. He could charge whatever he wants,

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but if you truly care about your fans, maybe there

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are things you could do to make a little less profit.

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He is insanely wealthy and he's earned it. He's a

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great musician, So I thought that was a tell. But

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you know, more recently, some of his comments about Trump,

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and hey, listen, you could agree with everything he said

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and at the same time recognize that we had a

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president who was compromised intellectually and physically, and he said

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nothing and he'll never say anything about it. So if

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you really want to be a true blue, blue collar American,

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you've got to be a truth teller.

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Speaker 2: And he's not. He's just a partisan. And I think

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they just makes him look poorly Christian.

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Speaker 1: You know, they tried to sell us in every man

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in politics. Last year's name was Tim Walls. He wore

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flannel shirts. That's why he was an everyman. We're told

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he was a volunteer assistant football coach or whatever he was.

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He was an everyman. You know, the left has tried

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to sell us the everyman idea. And you know, you

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raise a very good point about appealing to the average American.

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We saw this with the Budweiser the excuse me, the

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bud Light campaign. They got away from the everyman, the

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every American. They started pitching stuff that the everyman certainly

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didn't relate to. It did not resonate with bud Light, Budwiser,

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Anheuser Busch learned a very valuable lesson. Again, it goes

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back to will these celebrities, Will this industry ever learn

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that lesson?

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Speaker 3: Yeah, you know, we're living in a very interesting time

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in this regard, because authenticity matters greatly. We're inundated with

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content and noise and programming and all these different things,

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and yet I think we really do hunger for the truth,

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for something raw and genuine. I think one of the

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reasons why Joe Rogan is so successful as a podcast.

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He's not the greatest interview he's not the greatest comedian,

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but he is who he is, and I don't think he.

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Speaker 2: Has any sort of pose about him.

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Speaker 3: And you know, even Donald Trump, for whatever flaws he has,

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he's the real deal.

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Speaker 2: Hate him or love him, it's it's not a pose.

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Speaker 3: And I think when you have at Tim Walls, who

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is as inauthentic as humanly possible. I mean, you couldn't

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you couldn't create him in a lab, you couldn't write

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him in a script.

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Speaker 2: He's that.

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Speaker 3: He's that false and every way that matters, and you know,

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he's trying to win us over and it just doesn't work.

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We see right through it instantly. He's maybe more of

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the more cartoonish figures I've ever imagined in the political scene,

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and he's got a lot of competition he does.

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Speaker 1: And it's an interesting tie. I think that is interesting

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to everything you just described about Tim Walls, just how fake,

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just how manufactured he was, the whole narrative. I think

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that that is, you know what, he was created by

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Hollywood in a sense that kind of Hollywood is if

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you will, you mentioned before what Hollywood helped try to

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sell us over four years more than that in Joe Biden.

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We have learned a great deal from the mia Culpa

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tour of the Jake Tappers of the world, which, speaking

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of authenticity, lost our lack thereof exactly. That is the

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Jake Tapper book that is coming out very soon. And

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so you know, we had Hollywood selling us that. And

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I can't think of one guy more in Hollywood or

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more identified with Hollywood selling us this bad bill of goods,

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this false narrative that Joe Biden was sharp as attack

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and you shouldn't have to worry about this guy holding

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the reins of power in the most powerful nation on earth.

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That's George Clooney. And isn't it interesting that we find

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out in one of these tell all books now, from

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these apologizing so to speak, journalists, so to speak, that

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you know that Joe Biden didn't even recognize Joe Clooney

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at a fundraiser that George Clooney put together for Joe Biden.

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How much is Hollywood responsible for the great cover up

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maybe one of, if not the biggest political scandals of

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our lifetime and maybe at the lifetime of this country.

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Speaker 3: Yeah, they played their part. I don't think they were

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the major players. I think the media and the administration

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were the key villains there. With doctor Joe Biden playing

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a prominter, she gets the lead role in that particular performance.

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But you know, listen, Hollywood did its part. Hollywood had

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four years to pounce and or seize on those clips

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that we saw.

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Speaker 2: Again.

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Speaker 3: I mean, it was almost like a daily occurrence where

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we saw a video of him stammering or stuttering or

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stumbling or falling. And listen, take a step back. You

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never ever ever make fun of an older gentleman or

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a woman who is dealing with these kinds of issues.

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But if they're presented to us as sharp as attack

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and the president and everything, then it's game on. And

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that's been my philosophy about Biden for all this time.

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But you had Late in ITV which wouldn't touch them,

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and they would do the generic softball Biden so old,

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he has these references and he's aw Shuxi, and he's this,

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and he's that. They were toothless satirical attacks. They never

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really got to the heart of the matter. Saturday Night

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Live wouldn't touch this as well. There was one skit

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from I think it was twenty twenty one where Jason

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Sudeikis was playing a younger Biden talking to the current Biden,

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and he made a quip that the current Biden wasn't lucid.

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And that was essentially all that SNL could do to

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mention the fact that what we all saw was happening

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before our eyes. So these are the prime satirical outlets

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of our country, and they held their ground, And of

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course most comedians held their ground too, And I make

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exceptions for people like Tyler Fisher or Kyle Dunnaghan, Adam Carolla,

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and of course Joe Rogan to a degree I thought

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he treated Biden's dementia a little more seriously. They were

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the exceptions to the rule the Hollywood said, you can't

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talk about this, you can't investigate it, you can't make

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fun of it, you can't mock what's going on in

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our country. And that's pretty profound because they are supposed

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to be the.

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Speaker 2: Truth tellers of the world.

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Speaker 3: And it gets even worse because both Stephen Colbert and

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Jimmy Kimmell hosted or co hosted, or were key players

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at different Biden fundraisers. They saw him up close and personal.

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I guarantee they didn't see as sharp as attack guy.

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And they were quiet as well, because even though George

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Clooney eventually spilled the beans and the New York Times

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up ed saying, Joe, you.

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Speaker 2: Got to go.

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Speaker 3: Jimmy Kimmel immediately after that fundraiser where Biden froze on

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stage for all to see, Jimmy Kimmel said, don't trust

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your eyes.

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Speaker 2: It didn't happen.

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Speaker 4: Are you one of the seven and ten Americans reporting

283
00:16:04,399 --> 00:16:07,960
peak financial stress? Watched Out on Wall Street podcast with

284
00:16:08,080 --> 00:16:11,240
Chris Markowski. Every day, Chris helps unpack the connection between

285
00:16:11,240 --> 00:16:13,679
politics and the economy and how it affects your wallet.

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Seventy percent of Americans are financially stressed, but forty percent

287
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of those people are taking multiple days off work to

288
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cope with it. If that's your plan, you're doing it wrong.

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Whether it's happening in DC or Donald Wall Street, it's

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affecting you financially.

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Speaker 1: Be informed.

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Speaker 4: Check out the watch Dot on Wall Street podcast with

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Chris Markowski on Apple, Spotify, or wherever you get your podcasts.

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Speaker 1: Yeah, very interesting and knowing the latter two comedians late

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night talk show host as You mentioned they have been

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an absolute war with Donald Trump, and it's not just

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joking about Donald Trump this or that. And you know,

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that's certainly fine. I think in the eyes of a

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lot of Americans, a lot of viewers, those who don't

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like it, they're going to tune it out and turn

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it on off. But it's not equal opportunity, as you mentioned,

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and that used to be the basis of comedy. You

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know that everyone was you know, a target of lampooning

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or you know, mockery. But that's not the case with

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late night talk show hosts, particularly Kimmel, particularly with Cole Baer.

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They have decided they have and apparently the network and

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their sponsors have decided that they're going to play to

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one part of the audience. I think about Hollywood in

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general and what you have written about extensively over the

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past several years, there is a movement, and I want

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to get your sense on where that movement is today

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of real conservative actors, you know, or actors who are

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just saying, you know what, I don't want to get

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into the politics. There are movie producers is to say,

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I'm not going to get in necessarily into the politics,

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but I'm also going to give you the other side

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of the story. That's a growing area of Hollywood. That's

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something to be you know, a very positive development. How

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much of that is making an impact in Hollywood and

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entertainment today, you know.

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Speaker 3: It's a small impact, but it's not insignificant. I can

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point to Am I Racist, which came out a few

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months ago in theaters that became the top grossing documentary

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film with the last decade. So that's a start for sure.

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And I think that moves like that, and also films

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like What Is a Woman? Also from the Daily Wire,

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they have had an impact on the culture. It does matter,

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but it is the proverbial drop in the bucket.

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Speaker 2: The people who.

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Speaker 3: Have those sort of right leaning or more balanced points

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of view are outnumbered so aggressively it's hard to believe.

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Speaker 2: And I think there's a real uphill battle.

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Speaker 3: And I think that for some reason, the people who

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are on the ride, who have the fattest wallets and purses,

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still are reticent to donate to pop culture causes.

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Speaker 2: They don't want to fund these movies. And I you know.

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Speaker 3: I've spoken to Kevin Sorbo, who essentially was canceled because

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he's a Christian and a conservative, and I I mean,

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just saying that aloud is so shocking to me that

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we just accept that, and clearly not alone. I mean,

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James Woods hasn't worked in a decade and he's a

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terrific actor, so you know, but Sorbo has told me

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and other people like you know, we just I struggle

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to get the funding. He makes small films on very

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very modest budgets. I suspect they do fairly well because

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the you know, because those budgets are so low, and

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he has a specific audience and he's aiming directly at them.

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And it's still a struggle, even though he's a name

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in this industry and even though he's got experience. So

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that's that's the downsidere I. You know, I think we're

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in much better shape than we're ten years ago. You know,

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we used to have people like Andrew Breitbart, and thank goodness,

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Andrew Claven is still here, you know, ringing the bell

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and saying we can't ignore pop culture. You know, fellow conservatives,

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you do that on your own peril.

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Speaker 2: We can't.

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Speaker 3: But I think the good thing right now is that

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all the technological barriers are falling, where if I have

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an idea, and I've got a YouTube channel, and I've

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got an iPhone. I could put something up and be

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satirical and funny and crazy and compete with the big

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boys and gals. So you know that really matters. And

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you know, as the costs keep falling and as the

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technology keeps improving, then these sort of upstart creators can

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share their message and tell their own stories their way

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without working in Hollywood. This is a little bit of

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an aside, but it really kind of burned me. The

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woman who wrote American Dirt, which was a book that

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was canceled aggressively five years ago, Jennie Cummins, she has

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a new book out and it's not having any sort

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of culture war battles. She's not being canceled. Good for her.

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She still had to submit to a sensitivity reader when

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she put her book out, and she said that without

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that sensitivity reader, she would not that publisher would not

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work with her. So what we need to do is

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work around these gatekeepers and say, hey, I'm going to

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self published. I'm going to be like Kirt Schlichter and

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just put out books and speak directly to my audience,

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and I'm going to be successful. And not everyone can

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be successful, but I think that is the future for

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people on the right to kind of avoid the gatekeepers,

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do things in their own, not wait for the big

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wallets to open up to give them the cash.

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Speaker 2: It's very hard, It's very hard.

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Speaker 1: No, we certainly saw that with the producers of you

386
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Know Almost you could, you could describe it as a phenomenon.

387
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And what a wonderful thing that this is a phenomenon.

388
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I think it speaks to something that's deeply missing in

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the culture. But that's the Chosen, you know, the series

390
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on Jesus Christ and his disciples, those who were called

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to serve with Christ and his mission, that being made

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today almost seems impossible given what we've seen from Hollywood,

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and not just you know, the gomorra it is, but

394
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you know, the fact that it is so many at least,

395
00:22:10,960 --> 00:22:14,960
it seems at least too many have been all in

396
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on the from the River to the Sea idea. You know,

397
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the whole Hamas is just a freedom fighter kind of

398
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concept that we've seen out of Hollywood and in our

399
00:22:27,400 --> 00:22:31,359
college campuses. But how did that all come about? I

400
00:22:31,400 --> 00:22:34,839
know you have written quite a bit on the Chosen

401
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and the you know, the production company that said we're

402
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going to do this in a little different way.

403
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Speaker 3: Yeah, you know, it starts with a vision, it starts

404
00:22:43,039 --> 00:22:45,599
with the creator, Dallas Jenkins, who knows what he wants

405
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to share. And Angel Studios initially had or oversaw or

406
00:22:50,480 --> 00:22:52,680
owned er anybody would describe it. I know that's moved

407
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on from Angel Studios, is not connected to them any longer.

408
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But they started very modestly and they had mostly actors

409
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who were not household names. But because the show was

410
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so good, it broke through the zeitgeist and all of

411
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a sudden everyone was talking about it. And flash forward

412
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five or so seasons and you could watch it now

413
00:23:11,119 --> 00:23:15,000
in Prime Video. When some of these products really do

414
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breakthrough and make money and make an impact, then Hollywood

415
00:23:19,319 --> 00:23:23,680
begrudgingly says, okay, we'll accept you. We'll we'll work with you.

416
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That's why you've got Prime Video working with that directly.

417
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But it's not always easy, and it takes time, and

418
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there's certainly reticence. And I'll put you to another recent film,

419
00:23:32,200 --> 00:23:34,440
The King of Kings, which I believe is Angel Studios.

420
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That's an animated film. Charles Dickens is involved. It's obviously

421
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the greatest story ever told with a kind of a

422
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youth friendly perspective. And that movie has Oscar Isaac and

423
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Mark Hamill and Kenneth Branna. I mean, pretty darn big names,

424
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pretty an overtly faith based product. I don't think that

425
00:23:52,319 --> 00:23:55,119
happens ten years ago. But when you have success on

426
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this level, then it starts to change some hearts and minds.

427
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Speaker 1: Does And I mean that's really at the end of

428
00:24:03,240 --> 00:24:07,440
the day where all of this is I think intended

429
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to go, the changing of hearts and minds. Our guest

430
00:24:10,920 --> 00:24:14,480
today is Christian Toto, Award winning film critic, journalist and

431
00:24:14,519 --> 00:24:19,799
founder of Hollywood in Toto, excellent website all things entertainment

432
00:24:19,839 --> 00:24:22,240
from a conservative point of view. He hosts the Hollywood

433
00:24:22,240 --> 00:24:26,880
in Toto podcast on the Radio America Network. Let's talk

434
00:24:26,920 --> 00:24:29,759
a little bit about Hollywood sending in madness at least

435
00:24:29,759 --> 00:24:33,279
some of the players in Hollywood really rallying behind the

436
00:24:33,319 --> 00:24:37,839
Free Palestine effort. You've written a lot about that, Hollywood

437
00:24:37,960 --> 00:24:43,599
in Toto. You know, we've seen this constantly doubling down.

438
00:24:44,440 --> 00:24:48,880
It kind of seemingly went away a little bit, or

439
00:24:48,920 --> 00:24:53,000
at least there was a break from last year's massive

440
00:24:53,200 --> 00:24:57,559
disorder movement at college campuses. But you know, it's back

441
00:24:57,599 --> 00:25:03,680
in Trump two point zero. They must think this is

442
00:25:03,920 --> 00:25:08,400
a winning strategy at some level. But are you surprised

443
00:25:08,480 --> 00:25:13,160
by the rallying around this particular issue in Hollywood?

444
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Speaker 3: You know, I am. I'm pretty cynical about Hollywood in general.

445
00:25:17,039 --> 00:25:22,000
I've learned to be that way. And initially after October seventh,

446
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there were I think, you know, signed letters by a

447
00:25:24,720 --> 00:25:28,279
whole bunch of celebrities being outraged by what happened, and

448
00:25:28,319 --> 00:25:32,079
that's good. And there were a very, very few, a

449
00:25:32,160 --> 00:25:35,119
small group of stars who spoke out and continued to

450
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speak out, including Deborah Messing, Michael Rappaport, Patricia Heaton, John Andrassik,

451
00:25:40,200 --> 00:25:42,640
who's five for fighting, a really nice fellow I've gotten

452
00:25:42,640 --> 00:25:46,319
to know a tiny bit over the years. And then

453
00:25:46,359 --> 00:25:49,880
it flipped, really and then it became the stars signing

454
00:25:49,920 --> 00:25:53,400
every other open letter in support of the Palestinian cause

455
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or something related to that. And what I found so

456
00:25:56,839 --> 00:26:00,319
shocking over the last year and a half, it's it

457
00:26:00,359 --> 00:26:03,480
really hurts to even just share it is that, you know,

458
00:26:03,759 --> 00:26:06,880
every award show gets political and they use their podium

459
00:26:06,920 --> 00:26:10,680
time to make stump speeches about politics, about you know,

460
00:26:10,799 --> 00:26:13,759
gender this or that, you name the cause, they talk

461
00:26:13,799 --> 00:26:16,319
about it. I don't think there's been a single person

462
00:26:16,400 --> 00:26:20,599
who won a single award who said let those hostages free.

463
00:26:20,920 --> 00:26:22,880
Not I don't think there's a one unless I missed it.

464
00:26:23,400 --> 00:26:28,000
And I find that so disconcerting. It's not political, it's

465
00:26:28,400 --> 00:26:32,519
from a deeply human point of view. But I get

466
00:26:32,559 --> 00:26:36,400
the sense within the creative community that if you are

467
00:26:36,519 --> 00:26:40,599
pro Israel, pro Jewish causes anti Hamas, that you are

468
00:26:41,039 --> 00:26:44,519
either told directly or indirectly or suspect you should be quiet.

469
00:26:45,960 --> 00:26:47,559
I just think that's what's going on. You know, I've

470
00:26:47,559 --> 00:26:51,240
been covering actors and talented people who have been canceled

471
00:26:51,240 --> 00:26:55,720
because they are Jewish. Michael Rappaport one of them.

472
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Speaker 2: You know, I've seen that.

473
00:26:56,799 --> 00:27:03,720
Speaker 3: I've seen film critics mostly ignore some pro Jewish features,

474
00:27:03,799 --> 00:27:09,359
documentary films. It's I think we're all collectively, I suspect,

475
00:27:09,480 --> 00:27:12,799
roll collectively shocked how much anti Semitism is in was

476
00:27:12,880 --> 00:27:15,559
lurking to not even run the edges anymore.

477
00:27:15,559 --> 00:27:16,480
Speaker 2: It's really in your face.

478
00:27:16,920 --> 00:27:20,000
Speaker 3: But Hollywood is part of that. It's truly shameful.

479
00:27:20,319 --> 00:27:22,559
Speaker 1: Well, so much for the idea that Hollywood is run

480
00:27:22,640 --> 00:27:26,640
by Jews. You know, that's the whole notion over how

481
00:27:26,680 --> 00:27:32,279
many years, you know, But it is shocking there is

482
00:27:32,720 --> 00:27:36,039
how much anti Semitism we have found in Hollywood.

483
00:27:37,000 --> 00:27:37,599
Speaker 2: It really is.

484
00:27:38,440 --> 00:27:40,359
Speaker 3: And you know, there were some people who paid a

485
00:27:40,400 --> 00:27:45,559
brief price for being flirting with anti Semitic thoughts, like

486
00:27:45,759 --> 00:27:49,519
Susan Sarandon and Melissa Barrera from the screen films, and

487
00:27:49,559 --> 00:27:52,799
then I keep seeing Susan Sarandon on a movie screens

488
00:27:52,880 --> 00:27:55,880
large and small. I don't think that she's necessarily suffered

489
00:27:55,880 --> 00:27:59,279
too much. I think she lost her representative initially, and

490
00:27:59,319 --> 00:28:02,079
I think that Barret actress has got new gigs lined up.

491
00:28:02,599 --> 00:28:05,079
You know, I don't like it when actors are canceled

492
00:28:05,119 --> 00:28:08,200
unless they've done something truly horrific. So I'm not in

493
00:28:08,279 --> 00:28:10,559
favor of that, per se But I just just mentioning

494
00:28:10,599 --> 00:28:12,640
what happened after the Octo per seventh attacks.

495
00:28:12,680 --> 00:28:15,319
Speaker 2: But yeah, it's it's been shocking to see.

496
00:28:15,319 --> 00:28:17,480
Speaker 3: And you know, I grew up as a big fan

497
00:28:17,480 --> 00:28:20,799
of John Cusack, a good actor is in some iconic films,

498
00:28:20,839 --> 00:28:23,079
certainly of my youth and many people's youths as well.

499
00:28:23,599 --> 00:28:26,319
And you follow his Twitter feed, it's pretty rough. It's

500
00:28:26,319 --> 00:28:28,960
pretty rough. It's pretty anti Israel, it's pretty propalacity and

501
00:28:29,039 --> 00:28:32,039
cause in a way that I find deeply uncomfortable. And

502
00:28:32,759 --> 00:28:34,440
I don't even know if he cares to work. Anyone

503
00:28:34,599 --> 00:28:36,839
to know what his situation is. I don't want him

504
00:28:36,839 --> 00:28:38,839
to be blocked from working, But if I was a

505
00:28:38,880 --> 00:28:41,799
Jewish actor on a set with him, I'd be I'd

506
00:28:41,799 --> 00:28:42,400
be uncomfortable.

507
00:28:42,440 --> 00:28:43,119
Speaker 2: I just put it that way.

508
00:28:43,480 --> 00:28:47,559
Speaker 1: I went too. I understand it, and I think a

509
00:28:47,599 --> 00:28:50,599
lot of Americans have just tuned that out. You know,

510
00:28:50,680 --> 00:28:55,839
we shut off the social media stuff. We've gotten that

511
00:28:56,039 --> 00:28:59,759
since the advent of social media, we've learned a lot

512
00:28:59,799 --> 00:29:02,960
of things, a lot more about these people that we

513
00:29:03,640 --> 00:29:06,720
thought to be heroes. You know, we put up on

514
00:29:06,759 --> 00:29:09,680
a pedestal and then all of a sudden, God, is

515
00:29:09,720 --> 00:29:15,720
that is that the Is that a commonality that a

516
00:29:15,720 --> 00:29:19,960
lot of Americans now share as we have to kind

517
00:29:19,960 --> 00:29:25,480
of readjust our thoughts. You know, the celebrities of one

518
00:29:25,559 --> 00:29:29,359
kind or another have taken positions, political positions or whatever.

519
00:29:29,599 --> 00:29:32,759
But you know, it's like the Bruce Springsteen stuff, you know,

520
00:29:34,240 --> 00:29:38,599
portrayed as someone that you know he clearly is not.

521
00:29:39,000 --> 00:29:42,480
And we learn through all of these social network posts

522
00:29:42,519 --> 00:29:46,640
a lot more about these people, and I know I'm

523
00:29:46,680 --> 00:29:48,680
one of them, and I know that there are many

524
00:29:48,720 --> 00:29:53,279
other Americans who, you know, we get this kind of

525
00:29:53,799 --> 00:29:58,000
additional information, the supplemental information about these people because they

526
00:29:58,039 --> 00:29:59,640
are people at the end of the day, they have

527
00:29:59,680 --> 00:30:04,559
believe have ideas. But we're just like I have enough.

528
00:30:05,440 --> 00:30:07,920
I didn't pay this much money to go to a

529
00:30:07,960 --> 00:30:10,440
theater if I go to a theater anymore, or pay

530
00:30:10,480 --> 00:30:13,319
this much for my streaming service to have to be

531
00:30:13,359 --> 00:30:16,079
inundated with your political crap all the time.

532
00:30:16,759 --> 00:30:19,400
Speaker 3: Yeah, you know, I think, even though I probably agree

533
00:30:19,440 --> 00:30:21,519
with a lot of what a kid rock might say

534
00:30:22,000 --> 00:30:24,200
on stage and off, if I go to his concert,

535
00:30:24,240 --> 00:30:25,039
I really don't want to hear it.

536
00:30:25,079 --> 00:30:27,279
Speaker 2: I really don't know. I understand. I want to hear him.

537
00:30:27,359 --> 00:30:28,240
I want to hear him.

538
00:30:28,079 --> 00:30:31,640
Speaker 3: Tell stories about why he wrote that song, or how

539
00:30:31,680 --> 00:30:34,240
he recorded it, or the most memorable time of him

540
00:30:34,279 --> 00:30:36,839
singing it. That's why I'm there, That's why I paid

541
00:30:36,839 --> 00:30:39,839
big bucks to go see that concert. So that can

542
00:30:39,880 --> 00:30:42,759
be very frustrating. There are some articles after the recent

543
00:30:42,960 --> 00:30:46,480
twenty forty and four election that said that the celebrity

544
00:30:46,559 --> 00:30:50,240
endorsements might actually be working against the Democrats.

545
00:30:50,240 --> 00:30:50,720
Speaker 2: At this point.

546
00:30:50,720 --> 00:30:54,359
Speaker 3: And you know, it's tough to really nail down from

547
00:30:54,400 --> 00:30:56,400
a data point of view, for sure, but just the

548
00:30:56,440 --> 00:30:59,359
fact that that's even out there is indicative of the

549
00:30:59,400 --> 00:31:02,359
frustration that many people have. And listen, you can thread

550
00:31:02,400 --> 00:31:04,720
the needle. I've always found that Angeline and Joe Lee

551
00:31:05,480 --> 00:31:10,480
is more thoughtful and more considerate of the world around her,

552
00:31:10,880 --> 00:31:14,400
and she's not just a vapid celebrity. But I've never

553
00:31:14,480 --> 00:31:17,359
heard her really demean my views or other people who

554
00:31:17,400 --> 00:31:19,319
think like me. I don't think that's the way she rolls.

555
00:31:19,759 --> 00:31:22,839
So I certainly think there's room for an actor to

556
00:31:22,920 --> 00:31:25,559
use his or her clout to speak for an issue.

557
00:31:25,799 --> 00:31:28,039
I want to share it just a really quick story.

558
00:31:28,200 --> 00:31:30,200
I don't know if your listeners may know the actor

559
00:31:30,279 --> 00:31:32,440
Tony Todd. You may know his name, his face when

560
00:31:32,480 --> 00:31:34,880
you see him. He's an African American actor. He just

561
00:31:34,880 --> 00:31:37,240
passed away a few months ago. Really known for his

562
00:31:37,400 --> 00:31:40,720
horror work. He was really prolific in that arena, and

563
00:31:40,759 --> 00:31:44,599
he recently started a new movie called Final Destination Blood Lines,

564
00:31:44,599 --> 00:31:47,000
and he's in it's his last big screen performance. And

565
00:31:47,119 --> 00:31:48,799
from what I'm reading on Twitter, and I think this

566
00:31:48,880 --> 00:31:52,000
is accurate, he was sick on the set. They knew

567
00:31:52,039 --> 00:31:53,759
he didn't have a lot longer to live, but he

568
00:31:53,799 --> 00:31:56,200
wanted to be in this movie. And the director and

569
00:31:56,240 --> 00:31:58,759
the creative team said, hey, Tony, why don't you improvise

570
00:31:58,839 --> 00:32:00,920
this last scene and just share your thoughts almost like

571
00:32:00,920 --> 00:32:03,680
you're talking to your fans. And every time I hear

572
00:32:03,720 --> 00:32:05,799
that story, I do two things come to mind. I

573
00:32:05,799 --> 00:32:08,079
want to cry because it's such a beautiful moment. Yeah,

574
00:32:08,119 --> 00:32:11,319
and also, you know, I think by default we want

575
00:32:11,319 --> 00:32:14,200
to like actors. They make our lives better, They entertain us,

576
00:32:14,480 --> 00:32:16,759
they engage us, they make us laugh, to make us cry.

577
00:32:17,119 --> 00:32:20,079
I think we are predisposed to think they're interesting people.

578
00:32:20,039 --> 00:32:21,559
Speaker 2: I'd like to meet them, like to shake their hands

579
00:32:21,599 --> 00:32:22,039
one day.

580
00:32:22,680 --> 00:32:25,559
Speaker 3: And I think by not just getting political, but getting

581
00:32:25,599 --> 00:32:28,960
surly and angry and dismissive and cruel, they really do

582
00:32:29,039 --> 00:32:30,559
shadow that bond and it's a shame.

583
00:32:30,559 --> 00:32:31,440
Speaker 2: I don't think that needs to.

584
00:32:31,400 --> 00:32:34,519
Speaker 1: Be Yeah, I agree with you on what a powerful

585
00:32:34,559 --> 00:32:39,599
moment that was from Tony Todd and you know, his

586
00:32:39,759 --> 00:32:44,119
last moments really and sharing that special moment with his

587
00:32:44,279 --> 00:32:48,279
fans over over the years. Well, let's talk about the

588
00:32:48,880 --> 00:32:52,200
things that actors are supposed to do. Like act or

589
00:32:52,319 --> 00:32:56,720
paid to do, I should say better put, we have

590
00:32:56,920 --> 00:33:00,119
a right smack dab or coming up smack dab in

591
00:33:00,119 --> 00:33:04,400
the middle of what used to be. And I'm curious

592
00:33:04,440 --> 00:33:10,119
if it still is the biggest time of the movie season,

593
00:33:10,240 --> 00:33:13,279
or at least one of the biggest times of the

594
00:33:13,319 --> 00:33:17,039
movie calendar year, and that is the big Memorial Day

595
00:33:17,079 --> 00:33:22,000
weekend release into the big summer blockbusters. Let's begin. There

596
00:33:22,240 --> 00:33:25,960
is this still meaningful in the age of streaming, all

597
00:33:26,039 --> 00:33:29,160
of the releases coming out this time of the year,

598
00:33:29,279 --> 00:33:32,640
the first big weekend of the summer, and let's talk

599
00:33:32,680 --> 00:33:36,880
about some of the blockbusters that are headed our way.

600
00:33:37,160 --> 00:33:40,160
Speaker 3: Yeah, better be meaningful because this is where Hollywood should

601
00:33:40,160 --> 00:33:42,640
make some serious coin and a lot of bucks are

602
00:33:42,640 --> 00:33:46,759
being spent to make that possible. Now mission impossible. The

603
00:33:46,799 --> 00:33:50,079
Final Reckoning is coming out this month, Tom Cruise. It

604
00:33:50,119 --> 00:33:53,160
should be very big. The complication there is the budget

605
00:33:53,240 --> 00:33:55,480
was enormous. I've heard it as high as four hundred

606
00:33:55,559 --> 00:34:01,039
million implication. There's a lot going on behind the scenes.

607
00:34:01,079 --> 00:34:04,240
But I think that's really indicative of where Hollywood is

608
00:34:04,559 --> 00:34:07,480
in trouble at the moment, because even their slam dunk

609
00:34:07,559 --> 00:34:11,360
movies may not even be profitable because those budgets are

610
00:34:11,480 --> 00:34:14,280
sky high. Now, if you look at the recent Mission

611
00:34:14,280 --> 00:34:18,239
Impossible films, in order to kind of cut, you know,

612
00:34:18,920 --> 00:34:21,840
get to even this one will have to overperform.

613
00:34:22,280 --> 00:34:23,960
Speaker 2: So that's already a question mark.

614
00:34:24,000 --> 00:34:25,239
Speaker 3: So you know, whether you love the movie, you hate

615
00:34:25,239 --> 00:34:27,800
the movie, it's just there's a fiscal reality there. But

616
00:34:27,840 --> 00:34:30,119
we have others that seem like surer things. I mean,

617
00:34:30,159 --> 00:34:33,239
there's a new Jurassic World movie with scroll at Johansson.

618
00:34:33,280 --> 00:34:35,960
That movie just that DIFFERENTI just just generates money. It's

619
00:34:36,000 --> 00:34:38,360
just it's a machine and I never bet against it.

620
00:34:38,960 --> 00:34:42,320
The new Fantastic Four movie is more of a question

621
00:34:42,400 --> 00:34:46,440
mark on multiple fronts, including the actors sort of putting

622
00:34:46,440 --> 00:34:49,400
their foot in their mouths with and the Rachel Zegler effect.

623
00:34:49,639 --> 00:34:52,239
The new Superman movie comes out in July. I think

624
00:34:52,320 --> 00:34:55,480
just from curiosity alone, it could be huge, but the

625
00:34:55,480 --> 00:34:57,639
fall off could be profound if it doesn't really deliver.

626
00:34:58,159 --> 00:35:01,480
So you've got movies like that coming soon. Yeah, this

627
00:35:01,599 --> 00:35:04,119
is the summer movie season. This is where you make

628
00:35:04,199 --> 00:35:06,320
a lot of money, and then it's followed by the

629
00:35:06,360 --> 00:35:09,880
Oscar season. So that's a much more muted response from

630
00:35:09,880 --> 00:35:12,800
at least from a box office perspective, and you know this,

631
00:35:12,800 --> 00:35:15,760
this year start out very badly, a lot of big bombs,

632
00:35:15,800 --> 00:35:20,599
Mickey seventeen, the Auto Nights just really depressing. Of course,

633
00:35:20,599 --> 00:35:22,960
snow White was a significant rechiever.

634
00:35:23,360 --> 00:35:24,000
Speaker 2: But then we got a.

635
00:35:23,920 --> 00:35:26,119
Speaker 3: Minecraft movie, which was huge, and we got Sinners, which

636
00:35:26,159 --> 00:35:28,920
is a great movie and is delivering at the box office.

637
00:35:28,920 --> 00:35:31,960
So the bottom line is, I think people are still

638
00:35:32,000 --> 00:35:34,880
intrigued and interested by the theatrical experience, but you've got

639
00:35:34,920 --> 00:35:37,400
to give them a reason to go, and often Hollywood

640
00:35:37,400 --> 00:35:37,880
doesn't do that.

641
00:35:38,519 --> 00:35:41,639
Speaker 1: Four hundred million dollars, My god, that was crazy. That's

642
00:35:41,679 --> 00:35:47,480
a cutter jet right there. Holy moly. Well, you know

643
00:35:47,679 --> 00:35:51,400
it's as much as I am. I am not your

644
00:35:51,440 --> 00:35:55,119
average moviegoer. I haven't seen a movie at the theaters

645
00:35:55,159 --> 00:35:58,199
and I don't remember. I remember my kids were much

646
00:35:58,239 --> 00:36:02,400
smaller and the demand from the kids was much greater

647
00:36:02,519 --> 00:36:05,880
at that time. But you know, we watch a lot

648
00:36:05,920 --> 00:36:12,719
of stuff, anything new we're watching via streaming. And I

649
00:36:12,760 --> 00:36:16,400
will tell you this that I have good news, at

650
00:36:16,519 --> 00:36:21,199
least in a small sample size for Hollywood and the

651
00:36:21,519 --> 00:36:25,360
big productions. My son, who is graduating from high school

652
00:36:25,480 --> 00:36:29,760
here in a few days. He and his buddies painted

653
00:36:29,800 --> 00:36:33,599
themselves up in Minecraft green or whatever it was, and

654
00:36:34,199 --> 00:36:36,760
you know, they went out to the movie and it

655
00:36:36,840 --> 00:36:41,800
was packed, and you know, the kids got into the spirit.

656
00:36:42,079 --> 00:36:45,079
The movie going crowd got into the spirit of the movies.

657
00:36:45,559 --> 00:36:47,679
And that's something that I don't think we have had

658
00:36:47,719 --> 00:36:51,079
a lot of. It seems to me in recent years,

659
00:36:51,159 --> 00:36:56,760
the kind of crowd engagement that that movie seemingly has drawn.

660
00:36:58,000 --> 00:37:02,039
Do you think Hollywood will will notice that and double

661
00:37:02,119 --> 00:37:04,519
down on that kind of entertainment.

662
00:37:05,639 --> 00:37:07,360
Speaker 2: It's good thinking they should.

663
00:37:07,440 --> 00:37:11,800
Speaker 3: I think it's far trickier than you imagine, because it's like.

664
00:37:11,840 --> 00:37:13,119
Speaker 2: Unexpected in a way.

665
00:37:13,239 --> 00:37:14,800
Speaker 3: You know, a couple of years ago, I didn't like

666
00:37:14,840 --> 00:37:16,400
the Barbie movie, but a lot of people loved it,

667
00:37:16,440 --> 00:37:18,400
God bless them, and it was a huge hit. But

668
00:37:18,480 --> 00:37:21,880
that became an event. Women would get their girlfriends together,

669
00:37:21,880 --> 00:37:24,599
they'd dress up like Barbie or they just look great.

670
00:37:24,519 --> 00:37:26,599
Speaker 2: And they'd go to the movie together. It became an event,

671
00:37:26,639 --> 00:37:27,440
it became a moment.

672
00:37:27,840 --> 00:37:31,760
Speaker 3: I think a Minecraft movie had that similar impact, and

673
00:37:32,079 --> 00:37:34,639
so I think that's really good for the theatrical experience.

674
00:37:34,920 --> 00:37:37,639
I think anytime Christopher Nolan, the great director, comes out

675
00:37:37,639 --> 00:37:40,000
with a movie like Oppenheimer. It becomes an event and

676
00:37:40,039 --> 00:37:42,679
you can't just say I'm gonna watch it on streaming.

677
00:37:42,840 --> 00:37:44,960
Speaker 2: I need to see it. I need to have a conversation.

678
00:37:45,440 --> 00:37:49,039
Speaker 3: So that's very tricky to do to build up to

679
00:37:49,159 --> 00:37:50,159
make possible.

680
00:37:51,159 --> 00:37:53,880
Speaker 2: But I think that studios.

681
00:37:53,320 --> 00:37:57,800
Speaker 3: Should really think about ways they could spark that kind

682
00:37:57,800 --> 00:37:58,639
of anticipation.

683
00:37:59,199 --> 00:37:59,960
Speaker 2: I think that would help.

684
00:38:00,000 --> 00:38:02,239
Speaker 3: You know, there's been really good numbers out of the

685
00:38:02,360 --> 00:38:06,599
popcorn bucket industry where they make these really unique popcorn

686
00:38:06,599 --> 00:38:10,559
buckets based on certain films, and I mean it sounds simple,

687
00:38:10,639 --> 00:38:16,639
it sounds basic, but that makes people interested and that

688
00:38:16,719 --> 00:38:19,000
they maybe they can want to collect their favorite popcorn bucket.

689
00:38:19,039 --> 00:38:21,000
So I think you need a little bit of innovation

690
00:38:21,119 --> 00:38:22,920
going on. A few weeks ago, I saw would be

691
00:38:22,920 --> 00:38:26,239
called Novacane. It's an action comedy and the theater I

692
00:38:26,280 --> 00:38:28,559
saw it in was was called four D or four

693
00:38:28,599 --> 00:38:31,920
D Express and I hadn't seen this before. Where my

694
00:38:32,119 --> 00:38:36,360
seat shook during the movie, ah the hero was getting punched.

695
00:38:36,440 --> 00:38:38,599
I felt things in the back of my head.

696
00:38:39,000 --> 00:38:39,119
Speaker 2: You know.

697
00:38:39,199 --> 00:38:42,119
Speaker 3: I had to say, I'm an old timer, so I'm thinking,

698
00:38:42,199 --> 00:38:43,320
let me get let me get out of here. I

699
00:38:43,360 --> 00:38:44,760
don't want to do I don't want to do this,

700
00:38:45,079 --> 00:38:46,880
but I told my kid it was a teenager about it.

701
00:38:46,880 --> 00:38:49,679
Speaker 2: He's like, yeah, that sounds amazing. So I think we

702
00:38:49,800 --> 00:38:50,119
have to.

703
00:38:50,079 --> 00:38:54,719
Speaker 3: Start innovating at the theatrical level and make it something special, because,

704
00:38:54,920 --> 00:38:58,400
like you said, streaming is comfortable, it's wonderful, it's easy.

705
00:38:58,719 --> 00:39:01,480
The titles come to streaming much sooner than ever before.

706
00:39:01,920 --> 00:39:04,559
That's a lot to compete with, and Hollywood has to

707
00:39:04,599 --> 00:39:05,159
think about that.

708
00:39:05,400 --> 00:39:07,320
Speaker 1: It's funny that you say that, because you know, we're

709
00:39:07,320 --> 00:39:10,440
talking about innovation and it does sound that way, But

710
00:39:11,199 --> 00:39:14,480
there were movies in the nineteen fifties, you know that

711
00:39:14,800 --> 00:39:16,880
obviously had the three D and had the goofy three

712
00:39:16,960 --> 00:39:21,719
D glasses, but they had similar situations where people were feeling,

713
00:39:22,039 --> 00:39:26,599
you know, whatever was supposedly and I'm sure the technology

714
00:39:26,880 --> 00:39:30,559
was a little bit different in nineteen fifty seven than

715
00:39:30,599 --> 00:39:34,639
it is today. But nonetheless, you know, this is taking

716
00:39:34,679 --> 00:39:39,760
that immersive sort of experience into the movie theater well

717
00:39:39,800 --> 00:39:44,239
close with the best and worst movies that you have

718
00:39:44,480 --> 00:39:48,800
seen thus far this year and so far in terms

719
00:39:48,800 --> 00:39:53,360
of your reviewing the big you know, Hollywood blockbusters coming

720
00:39:53,400 --> 00:39:57,039
out this summer. But before we do that, I want

721
00:39:57,079 --> 00:39:59,840
to get your thought. I would assume you have not

722
00:40:00,119 --> 00:40:05,239
seen the final cut of the latest Spinal Tap movie

723
00:40:06,239 --> 00:40:09,440
that is set to come out, I believe in September.

724
00:40:10,239 --> 00:40:13,480
What are you hearing though about this movie? I am,

725
00:40:13,960 --> 00:40:20,360
as a Spinal Tap fan, very excited and also a

726
00:40:20,400 --> 00:40:25,599
bit nauseous because I know Meathead's involved. Obviously he didn't

727
00:40:25,639 --> 00:40:32,960
bring in his leftist political commentary into that movie, and

728
00:40:33,039 --> 00:40:35,599
let's face it, many of the movies he's made, but

729
00:40:35,679 --> 00:40:39,159
he is such it's the same kind of thing. You

730
00:40:39,280 --> 00:40:42,719
just wonder how much is going to be injected into

731
00:40:42,760 --> 00:40:46,039
this latest iteration? What have you heard about? This is

732
00:40:46,119 --> 00:40:48,920
Spinal Tap with Meathead at the helm.

733
00:40:49,400 --> 00:40:49,960
Speaker 2: You know it's funny.

734
00:40:50,000 --> 00:40:54,199
Speaker 3: I've heard almost nothing about it, specifically heard it teased

735
00:40:54,679 --> 00:40:57,599
her to go into production. Then finally there was an

736
00:40:57,639 --> 00:41:01,000
announcement it's coming in September, like you listen.

737
00:41:01,679 --> 00:41:03,400
Speaker 2: At one point, Rob Reiner.

738
00:41:03,320 --> 00:41:05,800
Speaker 3: Was the toast of Hollywood and made some great movies

739
00:41:05,840 --> 00:41:09,440
back to back to back to back. Misery stand by me, Princess.

740
00:41:09,480 --> 00:41:12,000
Probably when Harry met Sally, a few good men. I

741
00:41:12,000 --> 00:41:15,079
mean he had a run. Dude had a run, and

742
00:41:15,119 --> 00:41:16,719
he hasn't made a good film in a very long

743
00:41:16,760 --> 00:41:18,920
time he is trump ranged in a way that is

744
00:41:19,000 --> 00:41:22,079
really off the charts. So I couldn't be more nervous

745
00:41:22,119 --> 00:41:27,320
about it. It doesn't seem necessary. It seems like a

746
00:41:27,440 --> 00:41:30,760
tremendous risk. So that's those are my thoughts about it.

747
00:41:30,800 --> 00:41:32,440
I mean, I couldn't be more nervous about it. The

748
00:41:32,480 --> 00:41:34,559
film is a classic. I love it to death, but

749
00:41:34,599 --> 00:41:36,119
I have to say I've not shown it to my

750
00:41:36,400 --> 00:41:39,400
teen children because I don't think that they get many,

751
00:41:39,519 --> 00:41:42,000
if not any, of the references too as the rock

752
00:41:42,039 --> 00:41:45,119
and things. So in a way it's oddly dated. It's

753
00:41:45,320 --> 00:41:47,280
through no fault of its own. It's just time marches on.

754
00:41:47,440 --> 00:41:50,960
But yeah, I'm I have no idea what they're going

755
00:41:51,000 --> 00:41:52,880
to present to us. I know the people, you know,

756
00:41:52,880 --> 00:41:56,760
Michael McKean and Harry Shearer, Christopher Guest are extremely talented,

757
00:41:56,800 --> 00:41:58,880
and I really hope this isn't a paycheck for them,

758
00:41:59,039 --> 00:42:03,039
because this deserves something significant and worthy of that legacy.

759
00:42:03,320 --> 00:42:05,039
Speaker 1: I agree. I showed it to my wife in a

760
00:42:05,039 --> 00:42:08,320
similar experience, and I'm just very fortunate to be married

761
00:42:09,079 --> 00:42:11,559
to this day. She did not get it to her.

762
00:42:12,199 --> 00:42:14,920
It was like the Three Stooges for women. It just

763
00:42:15,480 --> 00:42:19,119
it did not it did not connect. All right, let

764
00:42:19,199 --> 00:42:24,559
us close by some examples of some really good movies

765
00:42:24,599 --> 00:42:27,360
that you have seen thus far you would recommend, and

766
00:42:28,039 --> 00:42:31,000
you have some real dud's coming out of Hollywood today.

767
00:42:31,440 --> 00:42:34,280
Speaker 3: Yeah. I mentioned briefly before Sinners was terrific. It's a

768
00:42:34,360 --> 00:42:37,599
vampire movie, but it's it's got depth and soul and

769
00:42:37,639 --> 00:42:41,199
great music and sex appeal. It's a little bit of everything.

770
00:42:41,840 --> 00:42:45,280
Ryan Coogler is the director, the man behind Creed and

771
00:42:45,400 --> 00:42:50,199
Black Panther and fruitfel Station. He's a really talented filmmaker.

772
00:42:50,559 --> 00:42:52,559
And the fact that as a horror junkie who's seen

773
00:42:52,559 --> 00:42:54,920
every horror film and loves it to death, it felt

774
00:42:54,960 --> 00:42:56,920
different and fresh and novel. I don't know how you

775
00:42:56,960 --> 00:43:00,480
do that as a filmmaker, So bravo to It might

776
00:43:00,519 --> 00:43:02,880
be my favorite movie the year so far. On the

777
00:43:02,920 --> 00:43:05,679
clunker side, it's a little easier. The Alto Knights was

778
00:43:05,719 --> 00:43:08,079
a movie with Robert de Niro playing not one but

779
00:43:08,119 --> 00:43:12,320
two gangsters. Numbs's decisions I can possibly imagine, but the

780
00:43:12,320 --> 00:43:16,000
film is a disaster, a terrible script Listen Denannier was

781
00:43:16,000 --> 00:43:16,679
still a great actor.

782
00:43:16,719 --> 00:43:17,920
Speaker 2: I don't fault him.

783
00:43:18,679 --> 00:43:21,000
Speaker 3: I felt the decision to have him play two different

784
00:43:21,079 --> 00:43:22,000
people in the film.

785
00:43:22,480 --> 00:43:25,800
Speaker 2: So that was awful. A movie I just saw on

786
00:43:25,960 --> 00:43:27,119
streaming a few weeks ago.

787
00:43:27,199 --> 00:43:29,599
Speaker 3: I think it might be prime video called Holland with

788
00:43:29,760 --> 00:43:32,440
Nicole Kidman. Now I know where there was no buzz

789
00:43:32,440 --> 00:43:34,599
and why I went straight to streaming. It's a terrible film.

790
00:43:34,639 --> 00:43:36,840
It's a little bit like Stepford Wives, but not really.

791
00:43:37,440 --> 00:43:39,760
Just skip it all costs, and of course Craven the

792
00:43:39,800 --> 00:43:43,039
Hunter was I almost hesitated to put it on a

793
00:43:43,119 --> 00:43:46,280
terrible list because it's so bad. It's oddly entertaining at times,

794
00:43:46,320 --> 00:43:48,800
but it's still a bad movie, so it belongs there.

795
00:43:49,199 --> 00:43:52,920
Speaker 1: Howard the Duck so you know in that van, Yeah,

796
00:43:52,960 --> 00:43:53,119
you know.

797
00:43:53,880 --> 00:43:56,920
Speaker 3: I've recently rewatched Howard the Dock. I don't I think

798
00:43:56,920 --> 00:43:58,920
it's just flat out a bad movie. I don't think

799
00:43:58,920 --> 00:44:01,159
it's got that so bad. It's good vibe, which I enjoy.

800
00:44:01,559 --> 00:44:03,559
Like I think even Madam Webb for Last from last

801
00:44:03,639 --> 00:44:06,679
year was so awful. I think I want to.

802
00:44:06,639 --> 00:44:09,840
Speaker 2: Rewatch it and just laugh. Yes, maybe have an adult

803
00:44:09,880 --> 00:44:11,039
beverage along the way.

804
00:44:11,920 --> 00:44:15,280
Speaker 1: I was in the sixth grade when Howard the Duck

805
00:44:15,360 --> 00:44:18,000
came out, and I went with my older brother ten

806
00:44:18,079 --> 00:44:22,960
years older and his friends and we had a hoot,

807
00:44:24,760 --> 00:44:28,440
not because the movie was was a comedy, not because

808
00:44:28,440 --> 00:44:31,679
it made us laugh, but it made us laugh, of

809
00:44:31,679 --> 00:44:34,360
course in ways that it did not intend to, and

810
00:44:34,719 --> 00:44:38,559
sometimes that's the joy. Well, I very much, as always,

811
00:44:38,599 --> 00:44:41,320
appreciate your perspective and I really enjoyed the fact that

812
00:44:41,320 --> 00:44:44,320
we had a chance to really extend our conversation and

813
00:44:44,360 --> 00:44:48,360
get into some you know, some issues that we're watching

814
00:44:48,400 --> 00:44:52,440
play out every day from Hollywood and beyond. And thank

815
00:44:52,480 --> 00:44:54,880
you so much for joining us on the Federalist Radio Hour.

816
00:44:55,280 --> 00:44:56,360
Speaker 2: Oh my pleasure. I enjoy it.

817
00:44:57,000 --> 00:45:01,440
Speaker 1: Thanks again to our guest today, Christian Toto, Award film critic, journalist,

818
00:45:02,000 --> 00:45:05,320
founder of Hollywood in Toto, and host of the Hollywood

819
00:45:05,320 --> 00:45:08,320
in Toto podcast. You've been listening to another edition of

820
00:45:08,360 --> 00:45:12,119
the Federalist Radio Hour. I'm Matt Kittle's senior elections correspondent

821
00:45:12,159 --> 00:45:15,679
at the Federalist. We'll be back soon with more. Until then,

822
00:45:15,880 --> 00:45:18,639
stay lovers of freedom and anxious for the Fray.

823
00:45:25,760 --> 00:45:36,920
Speaker 3: I heard the fame voice reason, and then it faded away.

