Speaker 1: Oh he is boots.
Speaker 2: It's show tied. People say, good money to see this movie.
Speaker 3: When they go out to a theater, they want cold sodas,
Speaker 3: hot popcorn and no monsters.
Speaker 4: In the Protection Booth, everyone pretend podcasting isn't boring.
Speaker 5: No, it's to Asuna Lubert p Peroista and they said that, yeah,
Speaker 5: the infant.
Speaker 6: Seas toks have we talk?
Speaker 7: Yeah, try press, but it's just a hurricane.
Speaker 1: Mature party is bog.
Speaker 6: There is nothing, you know, I thought, dogmented Janna direction
Speaker 6: phialally Senterment.
Speaker 7: Well, I guess, I ma, she had to guess, But
Speaker 7: I talk about moneys.
Speaker 1: Totally around the solution, agreed exact a Pelissa.
Speaker 6: Raps and yours for the best the Okay, Conny's all guess.
Speaker 2: Probably say emente lois, but I cant a yeah la mano.
Speaker 8: Na through the temple.
Speaker 9: Hey, folks, welcome to a special episode of The Projection Booth.
Speaker 9: I'm your host Mike White. On this episode, I am
Speaker 9: talking with Mario Mayo, Bruno Martin, and Santiago Toboado all
Speaker 9: about their new film Luger. It is currently on the
Speaker 9: first Will circuit. It is a crime film and it
Speaker 9: is fantastic. Mister Martin and mister Mayo are both actors
Speaker 9: in it. Mister Martin is also the director of the
Speaker 9: film and he co wrote it along with mister Tobolato.
Speaker 9: Had a lot of fun talking with them. Their English
Speaker 9: is way better than my Spanish, as you probably know,
Speaker 9: so just be warned that occasionally they are working amongst
Speaker 9: themselves to get things translated, so we might jump from
Speaker 9: voice to voice a little quickly. But we start with
Speaker 9: mister Mayo and mister Martin, and then mister Tobolato joins
Speaker 9: us shortly thereafter. Had a great time talking with them,
Speaker 9: and I hope you have a great time listening to
Speaker 9: the interview. Mario, if you're all right, I'll start with you.
Speaker 9: And I'm very curious how you decided to get into acting.
Speaker 10: When I watch a Chile I love football and I
Speaker 10: love acting, and I have done twice awards. I played
Speaker 10: football many years ago, like a football professional player, and
Speaker 10: now I I decided to play like to REGOs.
Speaker 2: I love I love films. I love this this job.
Speaker 11: It's brook it's in the blood. It's in the blab
Speaker 11: that is in the blood. When when when we were
Speaker 11: in the at the school and me. We were partners
Speaker 11: in at the at the school, we decided to film
Speaker 11: short films and then many years later we can film
Speaker 11: this this movie.
Speaker 4: Our first shirt was when we were was fourteen fourteen.
Speaker 4: We shot in in video we wanna a little festival.
Speaker 2: I see yes of a small town.
Speaker 4: I think this is our first job. You can't see
Speaker 4: the shirt is a fucking ship with a video camera,
Speaker 4: home video camera with a lot of.
Speaker 2: With a lot of block.
Speaker 4: An adaptation of a shirt short writing of do you
Speaker 4: know Ruben Dario?
Speaker 9: I do not know?
Speaker 2: A writer from the end of nineteenth century.
Speaker 4: It was a history for of vampires A vampires in
Speaker 4: Madrid in the and at the fall of the twentieth century.
Speaker 2: It was very creepy. But now we are going to
Speaker 2: make an addition of Blu Ray.
Speaker 4: Of the of our fish film I will curse you,
Speaker 4: the film who started by Mario and that we produce.
Speaker 4: I produce and in the extras of the Blu Ray,
Speaker 4: it's going to be that shirt like a like a
Speaker 4: golden piece for the fans for see the beginning of
Speaker 4: of our reps, of our professional relationship.
Speaker 9: How did you guys get connected? Like how did you
Speaker 9: know that Mario wanted to be an actor, and how
Speaker 9: did he know that you wanted to be a director.
Speaker 4: Well, we were partners at the school, at the high
Speaker 4: school with fourteen I know Mario and he was always
Speaker 4: a smart and.
Speaker 2: Cute guy, tall, handsome you anyway, I was. I was
Speaker 2: a rocker. He was a.
Speaker 12: Rude old rocker and I was a camp Maybe we
Speaker 12: were very different, but like a white gypsy.
Speaker 4: Yeah, and we and we start to start af our relationship,
Speaker 4: our friendship, that short start because in our literature little
Speaker 4: at the class, our professor, our future, our teacher or
Speaker 4: there as a job that was an adaptation of if
Speaker 4: we weren't and we were the only ones who catch shirt. Yeah,
Speaker 4: we we choose. We choose to film as our field.
Speaker 4: And I say to Mario, okay, you do you want
Speaker 4: to play the principal role. And that was the beginning.
Speaker 4: But Bruno is a good a great actor too, thank
Speaker 4: you very much. But I am now I am very
Speaker 4: comfortable behind the behind the camera. It's no problem to
Speaker 4: to do a little role like like in Luger. But
Speaker 4: I think I don't know if in my next film
Speaker 4: I will will appear. I don't think so, like like
Speaker 4: like Twente a little bit really, or or maybe like
Speaker 4: kid Coach more little bit more?
Speaker 9: Who are of your biggest influences when you were coming
Speaker 9: up as a filmmakers and like, oh, this film is fantastic.
Speaker 9: I want to be like this guy, or you know,
Speaker 9: I'm a fan of this person. Who are some of
Speaker 9: those influences for you?
Speaker 4: It's very typical to say Quentin Tarantino obviously, but I
Speaker 4: am working now on cinema because people like Alex, like Lesia.
Speaker 4: I don't know if you if you know that the
Speaker 4: Spanish director Robert Rodriguez, Walter Hill, some peking Path, Fabian
Speaker 4: Berlinski from It's a It's an Argentine director maybe obviously
Speaker 4: obviously Quentin Tarantino, and I think that that was the
Speaker 4: Those are the more important influence in in Luger. To
Speaker 4: save you some direct some congreted directors. Okay, Santiago, Yes, I.
Speaker 13: Hear, I'm here.
Speaker 14: I'm really really, I'm really really sorry, because you know
Speaker 14: I would say my elder job and the story.
Speaker 2: I am going to say that in in Spain okay,
Speaker 2: Mike too, and English Mike, you look not okay and
Speaker 2: are you in the moment?
Speaker 13: Okay? Understood, understood, Mike.
Speaker 14: What we are going to do in order to get
Speaker 14: the most fluent conversation possible is that Bruno and Mario
Speaker 14: will try to speak in English, you know, as much
Speaker 14: as they can, and if they commit some mistake or
Speaker 14: if they get a start, then I will help them
Speaker 14: or I will correct them.
Speaker 13: Okay, So I was just.
Speaker 9: Asking Bruno and Mario kind of how they got their start,
Speaker 9: and I want to ask the same of you, Santiago
Speaker 9: as well. How did you decide that you want to
Speaker 9: be a screenwriter?
Speaker 14: When I was little, you know, I thought that the
Speaker 14: director of a movie lived in the real world of
Speaker 14: the movie with me that you know, for example, the
Speaker 14: director of The Good Is lived in the real world
Speaker 14: and he was just with the camera filming what happened
Speaker 14: in the reality.
Speaker 2: Right.
Speaker 13: That was when I was five years old. And then
Speaker 13: I decided, like, okay, I tually, I.
Speaker 14: Want to live in the same world as the movie makers,
Speaker 14: you know, so I want to be a filmmaker. And then,
Speaker 14: of course I learned that was not true. Actually, but
Speaker 14: I really loved the feeling of being engaged by a
Speaker 14: story and tell a story with images or you know. So, Mike,
Speaker 14: that's when I decided to become a filmmaker, and seen
Speaker 14: I was little, I got it very clear in my mind.
Speaker 14: So I just focused on my studies you know, to
Speaker 14: a right to the filmmaking school. And once I got
Speaker 14: into the film skill school, I made the two exams
Speaker 14: you know to the film in the school.
Speaker 13: One was for a director and the other on was
Speaker 13: for writer. And that moment of my life.
Speaker 14: I have directed some music videos on my own, some
Speaker 14: scot phones and I got into the screenwriting you know
Speaker 14: degree in that film school. And then I discovered a
Speaker 14: work that I really loved because it had the whole creativity.
Speaker 14: But at the same time, I didn't have any stress
Speaker 14: of directing and you know, controlling the whole team. So
Speaker 14: I thought like, okay, I found my dream job, you know,
Speaker 14: like this is what I want to do because it's fun,
Speaker 14: I love it and I don't have stress as you
Speaker 14: know taking care of the whole team.
Speaker 9: And I asked Bruno and Mariodus as well, But who
Speaker 9: were some of your influences coming up?
Speaker 14: The first one will be some rainy you know for me,
Speaker 14: like ever since I watched an Army of Dark, which
Speaker 14: is my favorite movie ever, wanted to do something like
Speaker 14: what he does, you know, like I really really love
Speaker 14: because I'm I love horror, and I love the whole
Speaker 14: horror general. But at the same time, I love comedy
Speaker 14: and I feel I love when I'm watching a movie
Speaker 14: that makes me laugh but also makes me feel scared.
Speaker 13: And you know, my biggest influence was Sam REMI by
Speaker 13: that that means.
Speaker 9: When did you meet up with Bruno and Mario? How
Speaker 9: when was that with Mario?
Speaker 14: Was because we had some friends in common in Not
Speaker 14: Turn Nothing festival back in Madrid some years ago, so
Speaker 14: I knew him for other friends and I think we
Speaker 14: got a drink in a bar after the film festival ended,
Speaker 14: and he was very very nice with me and with Bruno.
Speaker 14: It was funny because I met him in an event
Speaker 14: from movie Star series. He just won an award or
Speaker 14: the Sun Dance Sudance a shorts competition, right, Bruno was Sandance, then.
Speaker 4: TV shirts, Mike Spain. Everybody knows in a bar drinking,
Speaker 4: So in my gea, I knew the case of Sandy
Speaker 4: that that that thatesn't doesn't great.
Speaker 2: That's true, that's true.
Speaker 14: Anyway, I knew Bruno in Thatdance TV short event and
Speaker 14: the funny thing was that Bruno was my neighbor. Actually
Speaker 14: he lived very very close to my house, so it
Speaker 14: drove me home after that event, and then he told me, like,
Speaker 14: we have to meet one day.
Speaker 13: So I wrote him and he invited me to his house.
Speaker 13: And then when I went.
Speaker 14: Into his house, there were a whole group of people,
Speaker 14: and Mario was amongst that group of people.
Speaker 13: So I felt like, okay, that's a small world, right.
Speaker 9: How did you guys decide to start working together?
Speaker 14: From my point of view and in my in my case,
Speaker 14: was that Bruno proposed me to do something with him.
Speaker 13: I admired his work before I have seen it, and.
Speaker 14: I participated a little bit in the second season of
Speaker 14: Other Rio, which was his web series. I just helped
Speaker 14: him a little bit and he gave me a small
Speaker 14: tamil and I knew his previous job. I admired that job,
Speaker 14: and when Bruno proposed me to work with him, I
Speaker 14: feel very flattered. You know, I of course wanted to
Speaker 14: join because he told me one thing that I still
Speaker 14: remember that was I don't know how, but I'm going to.
Speaker 13: Make this movie.
Speaker 14: And you know, I knew he was going to make
Speaker 14: it because other people, you know, they can promise and
Speaker 14: they don't do. But I knew Bruno was able to
Speaker 14: make it, so you know, I just trusted him.
Speaker 4: Santello as he told you, was my neighbor, was writer
Speaker 4: and we were recording and shooting website, Yes for many years.
Speaker 4: We want to upgrade to do something more professional live internet,
Speaker 4: the two Vimeo and to make a film, a long film.
Speaker 4: I say, okay, I'm going to try to work with Santiago,
Speaker 4: see if our relationship works or not.
Speaker 2: And and it works. We were writing Looker for two
Speaker 2: years more or less.
Speaker 14: We started knowing each other better during that process and
Speaker 14: also learning from each other.
Speaker 13: We learned a lot from each other.
Speaker 4: Yes, writing with Santiago wars a school there of learning.
Speaker 4: And then we clear the idea that that role will
Speaker 4: be played by Mario and we will write for him
Speaker 4: because Mario is our actor.
Speaker 10: Do not always have have come with me? And we
Speaker 10: know together he had me. He always called me with
Speaker 10: my with my person, and okay, I'm very grateful of it.
Speaker 9: Where did the idea where Luger come from?
Speaker 2: I think the first idea is the luger inside uh
Speaker 2: safe box.
Speaker 4: Then we try to tell friendship, story of sacrifice or
Speaker 4: second chances. Really, the Luger is the background of the
Speaker 4: of the movie. It's not important in the in the movie,
Speaker 4: the mcgoffin or the movie.
Speaker 13: I just want to add that when you write a
Speaker 13: movie and actually Brune and I relationship it was so great,
Speaker 13: you know, and that sometimes there's one would think about
Speaker 13: this project and of course it will be in the future.
Speaker 14: That is that you don't know where one writer ends
Speaker 14: and the other starts, because there are many things that
Speaker 14: I don't remember if it was Bruno who proposed that
Speaker 14: or me who proposed that.
Speaker 13: You know, there were many things.
Speaker 14: So actually the starting point I remember it was about
Speaker 14: two sucks that they needed to get something back for,
Speaker 14: I say, a gangster who had a restrain in order
Speaker 14: he had to stay at Pomp. He was arrested at Pomp,
Speaker 14: and then everything started changing, so you know, we polished
Speaker 14: the script, we changed the script. But I remember that
Speaker 14: actually the element of the luger was Bruno's idea because
Speaker 14: I didn't knew what a luber was before the writing
Speaker 14: the strip, so I he knew it and keep probing.
Speaker 9: But I love that rich backstory that you give it.
Speaker 9: The whole story of the Nazi and the suicides and
Speaker 9: all that. I mean, it just adds so much texture
Speaker 9: to the film.
Speaker 2: It's a fake story, I said, or not true a story.
Speaker 4: There are many many Nazis to run away and were
Speaker 4: hiding here in Spain and escape from Berlin in the
Speaker 4: last moment, and many of them arrives to Spain in
Speaker 4: a in a in a plane, in a little airplane
Speaker 4: and const and landing, landed, they escaped from the plane
Speaker 4: and they run away around Spain, and many of them
Speaker 4: were wanted many many years, and many of them I
Speaker 4: think whenever I found there is a friend of mine
Speaker 4: that is an expert on Nazi things. He's very weird
Speaker 4: but interesting to talk with him. And all weeks when
Speaker 4: when I meet in a bar, always in a bar,
Speaker 4: you always tell me a story is about Nazis.
Speaker 2: I'm very very interesting for me. And so one day I.
Speaker 4: Asked to him, I am writing a story about Nazis.
Speaker 4: Can you explain me so details or some kind of
Speaker 4: way of forms the models.
Speaker 14: Usually the way that the Nazis were doing things. You
Speaker 14: know there there said there are ways to do things normally.
Speaker 14: Actually he found out how they commit suicide, because that's
Speaker 14: the true part of the story that Bruno said that
Speaker 14: some Nazis actually they killed themselves because they couldn't stand
Speaker 14: with the feet. That's that's why they killed themselves, because
Speaker 14: it was a shame for them that defeated the army
Speaker 14: that they were living, you know, in that moment.
Speaker 13: That that the fitting situations. Sorry.
Speaker 14: And also some of them skated to Spain or to
Speaker 14: even Latin American countries. Some of them were never found.
Speaker 14: Some of them were found, but with other names. You know,
Speaker 14: they changed their names, they changed their lives. So that's
Speaker 14: the true beneath the whole story.
Speaker 4: The cool idea of that point of the film is
Speaker 4: that eight guys with an only gun and he has
Speaker 4: to to commit suicide the way that he has to
Speaker 4: to do that at the end, it's only one on foot,
Speaker 4: and that guy stays, Okay, I'm gonna get out. I'm
Speaker 4: gonna escape right away, and he say I want to
Speaker 4: live at the end. That that's the cool of that.
Speaker 4: That's the grandfather of our of our tough guy of
Speaker 4: the film. And and that ballot that has his name
Speaker 4: at the end go to her grandson. That ballot has destiny.
Speaker 2: Mario.
Speaker 9: I know you've spent in a lot of movies and
Speaker 9: TV shows. How is it for you when you get
Speaker 9: a role that is written specifically for you? When it
Speaker 9: when it comes to something that Bruno and Santiago are working.
Speaker 10: On previously, when we when Bruno decided to to write
Speaker 10: this this character for me, we work together the character
Speaker 10: many months before. And Okay, I know perfectly that what
Speaker 10: Bruno wants to do in this character, and he knows
Speaker 10: that I am strong, I am clever, but the cutter
Speaker 10: is not clever. The clever the clever personally is David
Speaker 10: the other, the other main actor, and we will work
Speaker 10: it a lot.
Speaker 2: I think the result is good. It's very good.
Speaker 9: How did you and David work together to make it
Speaker 9: feel like you had been friends for so long?
Speaker 10: They did on me, he knows many years ago, and
Speaker 10: we are afraid, but this movie has picked more and
Speaker 10: more relationship to he and me.
Speaker 2: Now.
Speaker 10: Oh, I think they very good friend like a brother,
Speaker 10: like Bruno, like Sandy. We are a great team and
Speaker 10: I think that a should of the movie is for that.
Speaker 4: As we wrote the Tony role for Mario, we wrote
Speaker 4: the rock par role for the Bid.
Speaker 2: We're friends of mine and they were friends together.
Speaker 4: The result on the on the screen that you see
Speaker 4: and the the audience can see that truth in in
Speaker 4: the in the interpretations, in the comic, in.
Speaker 2: The performance perform.
Speaker 13: Very very very that was the result.
Speaker 9: There are so many strong characters and so many great
Speaker 9: actors and this I mean, I can't remember the name
Speaker 9: of the gentleman who plays the I guess it's the
Speaker 9: nephew of the main gangster, the Italian. That scene in
Speaker 9: the bar when he's trying to get back the luger
Speaker 9: from the person that pought it.
Speaker 2: The nexcuse Bruno then nothing the bars.
Speaker 4: Daniel North is the actors and I seeing the bar
Speaker 4: that is even in the back to us when we
Speaker 4: talk with him.
Speaker 9: I really love that scene and I love you in
Speaker 9: that scene.
Speaker 10: He's a great actor. He's very very good at all
Speaker 10: and he had to short a parish in the at
Speaker 10: the movie, but.
Speaker 13: It's a scary as kat in those eis.
Speaker 2: Dani's awesome. And the sequence.
Speaker 4: We love that sequence because it's in the middle. It's
Speaker 4: in the middle point of the film, and and I
Speaker 4: was trying to.
Speaker 14: We we were trying to make this sequence very intense,
Speaker 14: you know, because it was the mid point of the movie.
Speaker 14: So we needed an intense sequence to do this point,
Speaker 14: because we want to make the audience think that this
Speaker 14: is going to explode.
Speaker 2: In La premia version, the give on explode.
Speaker 14: Actually, in the first verson, the first draft of the screenplay,
Speaker 14: that a scene ended up with a very big fight.
Speaker 14: So it exploded and there were dead people that were
Speaker 14: plowed everywhere.
Speaker 4: And the producer read the scene and say to us,
Speaker 4: we can make that, guys, to do that, it's they
Speaker 4: that you want to shoot.
Speaker 2: It's very expensive, very expensive. And he said, okay, we
Speaker 2: are going to do another version.
Speaker 4: We are going to kild some some roles and to
Speaker 4: clean that sequence, and we make the second version. And
Speaker 4: when at the beginning there was fifteen characters in that
Speaker 4: scene and at the end there are four characters and
Speaker 4: the and the two and the two good guys and
Speaker 4: I and I think the sequence is better than the
Speaker 4: first version.
Speaker 2: It's more simply, it's more organic.
Speaker 14: It's a more is darker actually, it's kind of darker,
Speaker 14: kind of hadie. It's a more how to say, subtle, right, Like,
Speaker 14: it's not so explicit, it's subtle.
Speaker 2: Less elements in the scene. Is more a smarter Bruno.
Speaker 9: Your character is fantastic and you play him so well,
Speaker 9: so calm, menace and just you seem to be the
Speaker 9: only person that's really kind of using their head.
Speaker 4: Charlie is a role that it's not a bad guy,
Speaker 4: is not a good guy. It's an element. It's a
Speaker 4: character that is an element to help the main character.
Speaker 4: In the second act of the movie when Mario, when
Speaker 4: when Tony disappears, Tony is the lucky, the lucky amulet
Speaker 4: Rafa and it's very nice to see Rafa with his part.
Speaker 2: Crying like a dog in silence in the movie for
Speaker 2: that point.
Speaker 14: From that moment, you know, the rest of the movie
Speaker 14: from now, Rafa will be alone with you know, Charline
Speaker 14: in that moment. Charlie atually replaced as Tony in that
Speaker 14: moment because Raffa feels comfortable and safe with Tony by
Speaker 14: his side, because as Bruno said, he's the lucky hotem,
Speaker 14: He's lucky amulet, you know. And then once Tony disappears.
Speaker 14: In that moment that Tony disappears, Charlie replaces Tony. It's
Speaker 14: kind of a hey, the tape fifter replacement, right, because
Speaker 14: she you don't know if he's good, If he's good,
Speaker 14: that's why.
Speaker 13: He's kind of a shape shifter character.
Speaker 14: But then when you start feeling comfortable with Charlie, when
Speaker 14: you started empathizing with him, then suddenly Charlie disappears to
Speaker 14: let's let's put it like this, okay. So Rafa finds
Speaker 14: himself alone again and then doesn't feel safe anymore.
Speaker 9: How was the actual shoot?
Speaker 2: How is it?
Speaker 9: Shooting in Madrid?
Speaker 4: It isn't the better city to shoot in Spain because
Speaker 4: taxes are high and you don't get a revenue from them.
Speaker 4: You know, everybody wants to shoot in Madrid or Barcelona,
Speaker 4: because there are both our famous cities.
Speaker 2: But it's not a problem because we know the city
Speaker 2: very well.
Speaker 4: I know the industrial area that is shoot the lugger
Speaker 4: is never from my home, but it's not in the
Speaker 4: in the movie.
Speaker 2: It's not a real industrial area. Because we need to.
Speaker 4: Make more biggest or biggest. That doesn't sist in Madrid.
Speaker 4: Shooting Madrid. It's comfortable, but it's not the best. The
Speaker 4: better the better city in Spain. The better cities in
Speaker 4: Spain is Basque Country and the Canary Ipen.
Speaker 10: There is no many helps in Marid to shooting in there.
Speaker 4: Many American productions are shooting right now Wonder Woman, for example,
Speaker 4: was shooting in in Cana, not the Better, not the World.
Speaker 9: When was your premiere and how was that seeing this
Speaker 9: movie with an audience for the first time.
Speaker 13: The premiere actually was in Fantastic Excess.
Speaker 2: But they were premier.
Speaker 4: The world premier was in in Eptin, and the European
Speaker 4: the European in Strasbourg.
Speaker 9: I was seeing that with an audience, and especially in
Speaker 9: an audience who doesn't speak your language.
Speaker 10: Necessarily the American Award when when they watched the movie,
Speaker 10: they understand perfectly the movie.
Speaker 2: Because they love the club.
Speaker 10: They asked to ask many questions. In the Q and A,
Speaker 10: they congratulations for us. I think it was successful.
Speaker 4: I was seeing the field near of Mario and near
Speaker 4: of the producer, and I know where are the points
Speaker 4: that the audience has to a loud, The audience has
Speaker 4: to scream, the audience has to clap. I think the
Speaker 4: nineteen percent of the of the moments the audience responds
Speaker 4: as we want.
Speaker 2: There is there is some points that lost in translation.
Speaker 4: It's seemed able to be the perfect translation of the
Speaker 4: perfect but really nice, really nice poet of the of
Speaker 4: the audience.
Speaker 13: The audience was hooked. The audience was excited.
Speaker 14: They were inside the movie actually, so you know, of
Speaker 14: course we were a little bit scared, at least me
Speaker 14: because it was an audience from a different convers so
Speaker 14: with it and knew if they were going to respond
Speaker 14: good or maybe they won't get anything. And then suddenly
Speaker 14: they responded, well, they loved the movie. They let us
Speaker 14: know that they loved the movie. So you know, we
Speaker 14: are very very thankful, and you know, it was good
Speaker 14: to see in the true screen instensions. The two screening
Speaker 14: rooms were full, they were crowded, like there was no
Speaker 14: an empty seed, and nobody looked at the cell phones
Speaker 14: during the whole movie, which is kind of fun success
Speaker 14: in this era.
Speaker 9: There's one scene where something bad happens to Mario, and
Speaker 9: I have to tell you that I gasped out loud
Speaker 9: in my house watching that scene.
Speaker 10: I think many people cry, but men don't have to.
Speaker 2: No, no, I don't cry. I am a man.
Speaker 13: There was a reaction, there was a reaction definitely to
Speaker 13: that scene.
Speaker 2: I I gree I.
Speaker 9: Hope that it caused a lot of screaming in the
Speaker 9: theater where you guys saw.
Speaker 4: It's a main movie, but it's a one a movie too.
Speaker 4: It's everybody cries with the with this part. What's the
Speaker 4: first time? I pray in Austin watching that sting because
Speaker 4: it was the first time that the movie went to
Speaker 4: the public. It's the first time that the audience, the
Speaker 4: audience see the movie and it's a very special moment.
Speaker 4: For for that reason, you've.
Speaker 9: Got your European premiere coming up. What's next for the movie?
Speaker 9: And do you guys have plans for your next film? Already?
Speaker 2: We went from Starsbourg.
Speaker 4: We have won the Grand Prix, the Grand Prix for
Speaker 4: our nection Cross the cross it's like the section of
Speaker 4: orbita in sea chest and our next party is check
Speaker 4: is the is the final boss of the video game.
Speaker 4: We will have the opportunity to show the movie to
Speaker 4: one thousand and four hundred people. At the same time.
Speaker 4: I am very afraid, afraid and nerviews, but I think
Speaker 4: this was it will be a.
Speaker 14: Good stage for our movie, right because they will eat
Speaker 14: you know, we will have all our lights on us,
Speaker 14: so everybody will see.
Speaker 2: We make that movie for do the second movie and
Speaker 2: try to make that third movie.
Speaker 4: And for that reason it such is very important because
Speaker 4: that the stage gives us an opportunity to know another producers, another.
Speaker 2: Ways to do the next movie.
Speaker 4: Santiago and I have another thriller and a horror movie,
Speaker 4: but we don't talk about with more details with a
Speaker 4: lot of the tales because we are working on it
Speaker 4: right now.
Speaker 14: Yes, exactly, we are working on a couple of projects
Speaker 14: right now. As Bruno said, when is a thriller, when
Speaker 14: it's a horror movie. What they can assure you is
Speaker 14: that you will see our say, our seal in the
Speaker 14: next movie. This movie Luger has our seal, our soul.
Speaker 14: You know, you can see that we wrote it like
Speaker 14: it couldn't be written by an Ai, couldn't be written
Speaker 14: by anyone else. And this one will have also our seal,
Speaker 14: you know, we will have this brand, our brand. And
Speaker 14: then when people see it, I don't know which one
Speaker 14: will on first, if it will be the thriller, the
Speaker 14: horror movie or maybe another one, but what I can
Speaker 14: assure you is that you will know it from us.
Speaker 9: Well. I can't see you guys having anything but fantastic
Speaker 9: success because Luger was wonderful and I really look forward
Speaker 9: to more people being able to see it.
Speaker 14: Thank you also for giving us this space to you know,
Speaker 14: promote the movie, and I just hope that your own
Speaker 14: audience will love it. If they don't know it, you know,
Speaker 14: go watch it whenever you can, because did you get
Speaker 14: the chance to watch it in Cinema's VODs festivals?
Speaker 13: You know, give us a chance. We just want you
Speaker 13: to enjoy this movie.
Speaker 2: Thanks hello, Mike, and I hope to see you in
Speaker 2: person with you very soon. Be very much.
Speaker 9: Well, it sounds like we'll be meeting at a bar.
Speaker 2: It's the same language a bear here and in USA.
Speaker 9: Sounds great, well, Mario Bruno Santi. Thank you so much
Speaker 9: for your time. Classes.
Speaker 13: Thank you very much, Mike.
Speaker 3: Wow sell sell, I got a midam of something we
Speaker 3: can do as.
Speaker 15: The sick out and find tell the air five.
Speaker 16: F that song, sell sell sell, tell them my job.
Speaker 15: Seal sill till.
Speaker 13: That starts start filling.
Speaker 16: Get so small so.
Speaker 3: Ross, tell about that stuff.
Speaker 16: Yeah, I got in my dell and what are you doing?
Speaker 1: Noll the w way?
Speaker 16: Well, my friend.
Speaker 15: Can't he can't.
Speaker 8: Tell the no, I bro.
Speaker 16: Can't can't tell the b talbo, can't get ben til
Speaker 16: the to this small dad again, din its it.
Speaker 8: Sings.
Speaker 3: I got an dam something wom doing