WEBVTT

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<v Speaker 1>Ed up with the everyday grind, tad out from the

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<v Speaker 1>summer heat, want to get away from it all.

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<v Speaker 2>We offer you escape, escape designed to free you from

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<v Speaker 2>the four walls of today. For a half hour of

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<v Speaker 2>high adventure.

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<v Speaker 1>You are deep and a fabulous mountain cavern, surrounded by

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<v Speaker 1>a horde of menacing natives from the lost civilization, held

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<v Speaker 1>at the mercy of the most beautiful woman in the world,

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<v Speaker 1>the terrible queen called She.

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<v Speaker 2>Tonight. We escape to uncharted Africa and to an incredible adventure.

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<v Speaker 3>As h.

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<v Speaker 2>Rider Haggard described it in his fantastic story She.

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<v Speaker 4>In those days, I was a professor of archaeology at Oxford,

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<v Speaker 4>and now this may account for my being able to

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<v Speaker 4>understand some of those strange events which occurred later. It

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<v Speaker 4>was in no respected reason for my becoming involved in them. No,

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<v Speaker 4>the real reason was unbelievably simple. I walked through the

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<v Speaker 4>caves of the dead in the terrible and ancient city

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<v Speaker 4>of car crossed the awful abyss, and looked upon the

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<v Speaker 4>flame of life. Only because I was one of the

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<v Speaker 4>ugliest men in England. Because of my appearances, I had

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<v Speaker 4>made few acquaintances and only two close friends, Roger Vincey first,

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<v Speaker 4>and following his death, his son Leo, whom he left behind.

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<v Speaker 4>And it was that friendship which brought Leo Vincey to

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<v Speaker 4>my chambers off the quadrangle late in the evening of

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<v Speaker 4>the day he became twenty five years old.

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<v Speaker 5>Today was the first I knew of it, Holly. When

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<v Speaker 5>the attorneys called me in, they said father instructed them

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<v Speaker 5>the week before he died to give me the letter

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<v Speaker 5>and this little bronze chest on my twenty fifth birthday.

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<v Speaker 4>It's strange, I mean chest jan did show Egyptian influence.

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<v Speaker 5>It must be very old, and according to father's letter

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<v Speaker 5>it contained something over two thousand years old. Really must

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<v Speaker 5>have considered it rather important. He's closed the cover with

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<v Speaker 5>the lead seal. Yes, I see any rate, Holly, the

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<v Speaker 5>letter doesn't tell us much. Suppose we suppose we see

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<v Speaker 5>what's inside?

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<v Speaker 1>All right?

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<v Speaker 4>I have a geology he is I'm where my boy? Hey?

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<v Speaker 4>Oh here we are? You hold it in place on

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<v Speaker 4>the table.

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<v Speaker 5>Lea, go ahead, Ah, that's putting loose.

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<v Speaker 4>Yes, I did it. Well, it goes. What the devil

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<v Speaker 4>is that? Why? It's a clean turn old Egyptian writing tabilty. Yes,

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<v Speaker 4>it's the kind used about the time of Nicktannabes around

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<v Speaker 4>three forty BC.

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<v Speaker 5>The writing on that it's not Egyptian, it's Greek.

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<v Speaker 4>Yes, and parts of it are broken away. Oh, it'll

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<v Speaker 4>take some time to translate this, Leo.

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<v Speaker 5>But father apparently did it. Holly, onto this paper. Listen,

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<v Speaker 5>here's his translation. I am an artist, wife of Khalikrates.

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<v Speaker 5>Say this to you, my son. Forced to escape the

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<v Speaker 5>wrath of the great Nectana Bees, your father and I

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<v Speaker 5>fled southward across the waters and wandered for twice twelve moons,

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<v Speaker 5>upon the coast of Libya.

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<v Speaker 4>That's the old name for Africa, you know, ah.

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<v Speaker 5>That faces the rising sun. There by the mouth of

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<v Speaker 5>a river, where stands facing the sea a great mountain

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<v Speaker 5>carved like the head of an Ethiopian. What is it now? Nothing, Holly?

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<v Speaker 5>It goes on following the river. We soon fell among

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<v Speaker 5>a row of asterisks.

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<v Speaker 4>One of the places where the tile's broke.

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<v Speaker 5>And go on my birth to a hollow mountain, where

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<v Speaker 5>a great city one stood, into the terrible caves of

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<v Speaker 5>which no man had seen the end. And to she

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<v Speaker 5>who must.

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<v Speaker 4>Be obeyed, she who must be what's wrong, Leo?

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<v Speaker 5>I don't know, Holly, there's something familiar about that name,

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<v Speaker 5>but I've never heard it before. Strange, we get on

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<v Speaker 5>with it. She who must be obeyed, who did lead

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<v Speaker 5>us by awesome ways to the place where the great pities,

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<v Speaker 5>whose voice is like thunder, and she did show to

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<v Speaker 5>us the rolling pillar of life, and did stand in

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<v Speaker 5>the flames, and she spake unto mine is a large

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<v Speaker 5>fragment missing here. There isn't very much more picks up,

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<v Speaker 5>carried far away on the ships where I gave birth

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<v Speaker 5>to thee, and came hither to Athens. At last, so

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<v Speaker 5>I say to THEE, by these things which I have told,

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<v Speaker 5>seek out this place, nor state I will until thou

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<v Speaker 5>hast the secret of life for thyself, sit then on

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<v Speaker 5>the throne with the Pharaoh. That's all, Holly. And what's

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<v Speaker 5>it all about, Leo?

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<v Speaker 4>If your father knew, he kept it to himself. I

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<v Speaker 4>don't know. It's all very strange.

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<v Speaker 5>Yes, well, we'll know. As soon as we reached the place.

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<v Speaker 4>I was hoping you'd say that, even if you decided

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<v Speaker 4>not to, I think I should have ready tried finding

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<v Speaker 4>it alone.

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<v Speaker 5>I can't do anything else, Holly. It's it's more than curiosity.

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<v Speaker 5>It's almost a compulsion. There's such a familiar feeling about

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<v Speaker 5>all this, even that mountain Holly shaped like the head

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<v Speaker 5>of an Ethiopian. Yes, well, often on ever since I

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<v Speaker 5>was a kid, I've dreamed.

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<v Speaker 4>About a mountain like that.

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<v Speaker 5>But why, Holly, why should I?

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<v Speaker 4>That was the beginning, and some three months later be

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<v Speaker 4>drifted down the east coast of Africa, south of Zante Bar,

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<v Speaker 4>searching the miles of jungle shores for the mountain carved

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<v Speaker 4>like a head. There were four of us in the

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<v Speaker 4>tiny ceiling, now Leo and I of course, along with Abdellah,

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<v Speaker 4>the Arab boatman we'd had in Arden, and finally a

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<v Speaker 4>solid North countryman named Joe Nigh servant for many years.

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<v Speaker 4>We've got no sight of our landmark as yet, but

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<v Speaker 4>a native were told us of seeing it once years before,

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<v Speaker 4>somewhere to the south. So our hope's how hi. We

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<v Speaker 4>were confident luck with with it. I'm sure it was

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<v Speaker 4>until one evening, just in dark.

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<v Speaker 5>That's a pretty stiff win, Holly, you think of Tella

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<v Speaker 5>knows what he's doing.

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<v Speaker 4>We're rather close in shore all right, Ley, order if

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<v Speaker 4>there's any danger, and that's a squall, HiT's hey, bye,

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<v Speaker 4>goll see we're strangers here in an even landon all

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<v Speaker 4>anything could have it could Joe. But let's assume that

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<v Speaker 4>it were. How's Thetory making out back? There are trailing

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<v Speaker 4>along all right behind us. Be in a bad spot

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<v Speaker 4>if we lost it. We are guns, food, equipment and

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<v Speaker 4>everything in it. Yes, signed O Joe, Leo. Perhaps we

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<v Speaker 4>shouldn't have packed the stuff that way here he should

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<v Speaker 4>have kept it on board with her.

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<v Speaker 5>No, no, Holly, we want to be ready to shove

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<v Speaker 5>off up the river as soon as we sight the head.

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<v Speaker 5>Would be a tough job loading that boat at sea.

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<v Speaker 4>We may not have had to, Leo. We've certainly found

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<v Speaker 4>no reason to do so far we will.

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<v Speaker 5>I've creamnver a master only looks the women driving the

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<v Speaker 5>water ahead of it.

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<v Speaker 4>Lay under that tene and head and joy.

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<v Speaker 6>I'll give my head on it.

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<v Speaker 1>Hias.

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<v Speaker 5>Here we've got to Judson hould under the mass job

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<v Speaker 5>we along down.

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<v Speaker 7>Here the great wave plunged over us, gore away the

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<v Speaker 7>dory swamp, the dow beneath off each and hurled us

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<v Speaker 7>headlong into the foaming sea.

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<v Speaker 4>Have smothered finding to see.

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<v Speaker 7>Afloat born show it by the driver of the tempest

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<v Speaker 7>we were tossed at last, one by one up onto

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<v Speaker 7>the rain swift beach.

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<v Speaker 4>The calm dorm found us huddled together on the sand

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<v Speaker 4>at the fringe of a dark and forbidding jungle. At

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<v Speaker 4>the south lay the mouth of a small river into

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<v Speaker 4>the north. The beach endered at the slope of a

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<v Speaker 4>rocky headland. You and Joe went to look at the

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<v Speaker 4>rectory lying in the water of the age hundred yards away.

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<v Speaker 4>When I searched the shoreline for some sign of our boatmen,

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<v Speaker 4>I found none. And we never saw Abdullah again.

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<v Speaker 5>Oh, Holly, fin any trace of Molly.

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<v Speaker 4>No, it is gone for good.

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<v Speaker 5>Oh it's too bad.

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<v Speaker 4>We'll change the dory in Jober wrecked, not a chance

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<v Speaker 4>of fixing it. But the equipment seems to be all right, sir,

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<v Speaker 4>Oh good, it's all.

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<v Speaker 5>There, Yes, most of it. The lashings held in the

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<v Speaker 5>waterproof case is still up very well. Only trouble is

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<v Speaker 5>we're afoot.

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<v Speaker 4>Yes, we're going to have a lot of trouble following

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<v Speaker 4>the coastline.

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<v Speaker 5>We won't follow any coastline, Holly, We're going up that river.

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<v Speaker 5>Take a look at that headline there to the north.

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<v Speaker 5>It shows up better from the wreck Holly. But with

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<v Speaker 5>the sun coming up now you can see it from

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<v Speaker 5>here too, Doom.

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<v Speaker 2>Its shaped like a human nade.

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<v Speaker 4>That's it.

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<v Speaker 5>That's the Lamber, right, Holly, Then that's the river color

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<v Speaker 5>Crates followed with his wife, the same one we are

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<v Speaker 5>trying to follow.

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<v Speaker 4>With the boat gone, we shall have to break trail

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<v Speaker 4>through that jungle and follow.

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<v Speaker 5>That river by Yes, we'd better get started.

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<v Speaker 4>Look, gentlemen, why can't we just stay here and try

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<v Speaker 4>to signal some ship.

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<v Speaker 5>Oh, there's not much chance of a job. Let's stay

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<v Speaker 5>pretty clear of this cost. But anyway, this is what

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<v Speaker 5>we've been looking for.

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<v Speaker 4>I don't really know what we are looking for, Leo.

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<v Speaker 4>It's been more than two thousand years since Callakratis went

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<v Speaker 4>up that river. Things must have changed a great deal

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<v Speaker 4>by now.

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<v Speaker 5>Holly, Hally, that carved head up there in the mountain,

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<v Speaker 5>it looks exactly the way it always did when I

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<v Speaker 5>dreamed about it. I've got a strange feeling that whatever

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<v Speaker 5>Klikratis and his wife found back there in the jungle,

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<v Speaker 5>we'll still be waiting there today.

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<v Speaker 4>Five heart steaming days we pushed inland through the jungle,

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<v Speaker 4>following the banks of the Muddy River, wre by my.

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<v Speaker 4>The creeping undergrowth became more dense, the river shallowed and

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<v Speaker 4>became sluggish, and the swamp lends began to stretch out

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<v Speaker 4>from the low banks, foul pools and stagnate lagoons full

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<v Speaker 4>of soft black mud covered over with the green scum

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<v Speaker 4>made every step by hazard. Crocodile slid away at our approach,

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<v Speaker 4>and bright colored sneaks ride it out from underfoot. I laughter, My,

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<v Speaker 4>we forced our way through those evil swamps. Each mile

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<v Speaker 4>mod difficult. Finally came the morning of the sixth day.

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<v Speaker 5>Oh, I don't know, Holly, it gets any worse. We'll

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<v Speaker 5>never make it.

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<v Speaker 4>Excuse me putting in gentlemen, I say we should turn back. No,

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<v Speaker 4>Joe wears five days getting this far? Have you shaved away?

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<v Speaker 5>It's just the way I feel. We'll keep on as

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<v Speaker 5>long as we care. What lilts? Hello, and I stumble

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<v Speaker 5>over something in the mire. Yeh, take a look at it.

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<v Speaker 5>It's a rock.

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<v Speaker 4>Look, yes, it's a square stone. It's been hand cut.

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<v Speaker 4>There's another.

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<v Speaker 5>It's a section of an old wall of some sort

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<v Speaker 5>of a dike.

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<v Speaker 4>That's it, Holly.

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<v Speaker 5>A long time ago the river was held between stone

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<v Speaker 5>dikes along here like a.

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<v Speaker 4>Sort of canals possible. That might account for the swampland

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<v Speaker 4>the dikes gradually fell to pieces, and the river sped

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<v Speaker 4>out through the jungle.

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<v Speaker 5>Of course, and Holly, that could be only one reason

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<v Speaker 5>for building them, so that boats are parts could come

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<v Speaker 5>in from the ocean to some kind of a city city.

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<v Speaker 4>Gentlemen, don't we turn back while we're st city. It

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<v Speaker 4>had to be a long time ago, centuries ago.

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<v Speaker 5>It'd still be there, Holly, this place has never been explored.

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<v Speaker 5>Nobody would ever try to come through these swamps.

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<v Speaker 4>If he keeps, Joe, what's the matter with you? He

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<v Speaker 4>must be Oh, look, natives, Ah, where the devil did

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<v Speaker 4>they come from?

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<v Speaker 5>I don't know. Oh strange looking roots clothes they're wearing.

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<v Speaker 4>Yes, you needn't quite like them, except hey, hey, bakery beco.

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<v Speaker 5>Do you recognize the dialect?

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<v Speaker 4>No, it's a little like Arabic. I might try that. Okay,

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<v Speaker 4>you far, hey, go need balk on ye vic. I've

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<v Speaker 4>never heard anything like it before.

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<v Speaker 5>Seemed to watas to come along with them. Molly, you

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<v Speaker 5>think we'd better change it?

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<v Speaker 4>Well? The outnumbers third it at one leo.

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<v Speaker 5>Yes, and they're all carrying those stabbing knives.

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<v Speaker 4>Well, barker the dongle.

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<v Speaker 5>Hang on to your guns. They don't seem to know

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<v Speaker 5>what they're for. Let's go.

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<v Speaker 4>Our strangers got moved rapidly ahead, twisting and turning as

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<v Speaker 4>they followed some well remembered trail of their own. We

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<v Speaker 4>rested during the night on a hummock of dry ground,

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<v Speaker 4>and struck out again at dawn. It was late afternoon

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<v Speaker 4>when we left the swamp and climbed up at long

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<v Speaker 4>slope to the foot of the rock walled mountain. Reaching

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<v Speaker 4>its base, we entered the mouth of a great cabin,

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<v Speaker 4>and a short way inside were led into a small

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<v Speaker 4>tide chamber carved from the living rock and lighted by

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<v Speaker 4>a red wick floating in the jug of air. And

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<v Speaker 4>then the strange natives went away and left us, and

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<v Speaker 4>we set about on the floor trying to plan some

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<v Speaker 4>course of action.

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<v Speaker 5>Em out, Ah, how long do you suppose we've been here, Harley?

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<v Speaker 4>Close to two hours? I'd say, yeah, I must be

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<v Speaker 4>dark outside by now. Alla.

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<v Speaker 5>Do you have any idea what race they belonged to.

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<v Speaker 5>They're not like any other natives in this part of Africa.

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<v Speaker 4>I've seen people much like them in summer of the

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<v Speaker 4>villages in southern Egypt, Leo. But I don't know any

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<v Speaker 4>more about it than that where.

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<v Speaker 5>Those odd tunics to cotton or Linen. I suppose those

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<v Speaker 5>bronze headbands must have been out of contact with the

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<v Speaker 5>rest of the world for centuries.

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<v Speaker 4>Eavens, that's what they are.

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<v Speaker 5>And hope to you know good so far as we concerned.

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<v Speaker 4>That's what I write, Joe, But I still want to

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00:14:03.039 --> 00:14:04.960
<v Speaker 4>find out about the other things. Em Nazis wrote on

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<v Speaker 4>the tile Steve Corn the pillar of fire, and she

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<v Speaker 4>who must be obeyed.

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<v Speaker 5>We found the caves. At least I can't see anything

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<v Speaker 5>so terrible about them.

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<v Speaker 4>Perhaps we haven't seen everything in the cave. Yee bohop

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<v Speaker 4>o any bar hop our little charm any barop. He

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<v Speaker 4>seems to want us to follow it. Well, hang on

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<v Speaker 4>to your gun, right, you.

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00:14:27.360 --> 00:14:29.519
<v Speaker 5>Are stick close together, Do not let them separate us,

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<v Speaker 5>all right.

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<v Speaker 4>Job, Come, let's go. A strange guide led us along

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<v Speaker 4>the twisting, branching passageways, latting our way with a flaming

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<v Speaker 4>torch that threw weird shadows on the walls of solid rock.

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<v Speaker 4>Now and then we pass high chambers lined with long

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<v Speaker 4>rows of stone slabs, and then I saw that each

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<v Speaker 4>slab held the sheeted figure of a human body, and

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<v Speaker 4>I realized these caves were one vast crypt filled with

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00:14:57.919 --> 00:15:03.240
<v Speaker 4>the mammified bodies of some Gradually, as we moved on,

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<v Speaker 4>a most remarkable sound began to grow louder, made up

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<v Speaker 4>of the guttural voices of a crowd, the throbbing of drums,

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<v Speaker 4>and the moan of some strange musical instrument. Suddenly, the

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<v Speaker 4>narrow passage opened out into a great hollowed cavern, where

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00:15:15.039 --> 00:15:17.440
<v Speaker 4>with natives danced and postured, and the irig glare from

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<v Speaker 4>one hundred huge torches placed about the walls. They still

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00:15:20.919 --> 00:15:26.159
<v Speaker 4>in amazement, but the torches were flaming mummies tied upright

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00:15:26.240 --> 00:15:29.960
<v Speaker 4>to the posts, and the guide had lighted our way

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00:15:30.000 --> 00:15:34.360
<v Speaker 4>through the passages with a human arm.

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00:15:34.919 --> 00:15:40.080
<v Speaker 5>Nay, book or again, I think he means for us

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00:15:40.120 --> 00:15:42.200
<v Speaker 5>to walk toward that platform in the center.

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<v Speaker 4>Yes, there's a bit of cold bending on the top

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<v Speaker 4>of it.

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<v Speaker 5>Eh, book has come on, watch it, Holly. I don't

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<v Speaker 5>like the looks of this. I keep your gun handed, Leo,

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00:15:51.720 --> 00:15:54.480
<v Speaker 5>stay right with this joke and look anything but friendly.

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<v Speaker 4>Anything starts trying to get on the platform. They've got

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<v Speaker 4>no weapons except those stepping nows. Remember here we are

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00:16:02.000 --> 00:16:07.840
<v Speaker 4>on now what the band eve? It's quite some fire

301
00:16:07.879 --> 00:16:11.120
<v Speaker 4>they've got built up. I can't understand what they want.

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00:16:11.559 --> 00:16:12.399
<v Speaker 3>Joe, Joe, Joe.

303
00:16:12.480 --> 00:16:14.919
<v Speaker 5>But how Holley they kill Joe endeavors back against them Orleo,

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00:16:15.840 --> 00:16:19.039
<v Speaker 5>watch it here they come? All right, you step Joe

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00:16:19.120 --> 00:16:22.440
<v Speaker 5>a chance? What are you left, Holley? Let's try for

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00:16:22.519 --> 00:16:25.200
<v Speaker 5>the frame have naughty man?

307
00:16:28.639 --> 00:16:29.399
<v Speaker 4>What the deuce is this.

308
00:16:30.480 --> 00:16:32.240
<v Speaker 5>Old man in a long white row?

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00:16:32.320 --> 00:16:34.039
<v Speaker 4>Hold your gun ready, Leo, we'll see what happens.

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<v Speaker 6>Andy Andibo.

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<v Speaker 5>Let's get the death of him, whoever he is.

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<v Speaker 4>Wait, he's coming our way.

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<v Speaker 6>I presume you speaking English, gentlemen, Yes you do. Occasionally

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00:16:54.399 --> 00:16:57.279
<v Speaker 6>natives from the south have come through the swamps and

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00:16:57.480 --> 00:17:00.519
<v Speaker 6>we have captured him. I have learned many of the

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00:17:00.639 --> 00:17:02.360
<v Speaker 6>languages of the outside world.

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<v Speaker 5>I am b lally Ah, Leo, Vincey, and this is

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00:17:09.200 --> 00:17:09.759
<v Speaker 5>mister Holly.

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00:17:10.680 --> 00:17:13.920
<v Speaker 6>I am most sorrowful for the death of your companion. Yes,

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00:17:14.920 --> 00:17:16.920
<v Speaker 6>my children had no excuse.

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00:17:17.880 --> 00:17:18.759
<v Speaker 4>They know the law.

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00:17:20.000 --> 00:17:22.559
<v Speaker 6>From now on you will be allowed to complete freedom.

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00:17:23.160 --> 00:17:26.319
<v Speaker 6>No white man is ever to be eaten Eden.

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<v Speaker 5>That is what would have.

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00:17:27.920 --> 00:17:28.559
<v Speaker 3>Been done to you.

326
00:17:29.400 --> 00:17:33.839
<v Speaker 6>But rest assured her law is just, and their punishment

327
00:17:33.920 --> 00:17:39.039
<v Speaker 6>will be swift. Whose law that of she who must

328
00:17:39.079 --> 00:17:39.640
<v Speaker 6>be obeyed?

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00:17:40.039 --> 00:17:41.480
<v Speaker 3>Ali? This is it?

330
00:17:41.559 --> 00:17:42.839
<v Speaker 5>Only we're still on the right trail.

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00:17:43.119 --> 00:17:46.759
<v Speaker 6>She has demanded your presence. I have come to take

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00:17:46.839 --> 00:17:49.279
<v Speaker 6>you to the place where she is.

333
00:17:49.640 --> 00:17:53.119
<v Speaker 4>Tell me, Blali, who what is this she who must

334
00:17:53.119 --> 00:17:56.240
<v Speaker 4>be obeyed? A goddess, a queen, a white woman?

335
00:17:56.880 --> 00:18:01.160
<v Speaker 6>I could not say, my son, I have never seen

336
00:18:01.480 --> 00:18:03.880
<v Speaker 6>she come along.

337
00:18:04.079 --> 00:18:14.640
<v Speaker 4>Again through those tortuous passages, two of us now, with

338
00:18:14.880 --> 00:18:18.599
<v Speaker 4>kindly old Bilalay leading the way, until he left us

339
00:18:18.640 --> 00:18:20.920
<v Speaker 4>alone at last in a large chamber hung with brilliant

340
00:18:20.960 --> 00:18:24.839
<v Speaker 4>colored silks, fitted with softer vands, and lighted by crystal lamps.

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00:18:25.880 --> 00:18:31.880
<v Speaker 4>We stood there several minutes, not speaking, wondering, when suddenly

342
00:18:33.039 --> 00:18:35.680
<v Speaker 4>the curtains across the doorway parted, and her most amazing

343
00:18:35.680 --> 00:18:39.319
<v Speaker 4>figure stood before us. It was swathed in folds of

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00:18:39.440 --> 00:18:44.759
<v Speaker 4>filmy white draperies, with soft gauzy veils covering even the

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00:18:44.839 --> 00:18:45.680
<v Speaker 4>face and hands.

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00:18:49.559 --> 00:18:52.880
<v Speaker 3>I bid you welcome to the city of Koor. Colocrates

347
00:18:52.960 --> 00:18:54.400
<v Speaker 3>and friend of Calocrates.

348
00:18:55.240 --> 00:18:59.759
<v Speaker 5>I I I am not Colocrates. I'm Leo Vincey, and

349
00:19:00.200 --> 00:19:01.559
<v Speaker 5>and this is my friend, mister Holly.

350
00:19:02.000 --> 00:19:08.039
<v Speaker 3>Leo vincey vengeance. No matter you will understand? Are you

351
00:19:08.519 --> 00:19:09.519
<v Speaker 3>I am she?

352
00:19:11.200 --> 00:19:13.400
<v Speaker 4>We you must forgive, as if we find it difficult

353
00:19:13.440 --> 00:19:17.079
<v Speaker 4>to understand this? What is all they see? These caves?

354
00:19:17.200 --> 00:19:19.680
<v Speaker 4>The natives? What is Kor?

355
00:19:20.240 --> 00:19:22.559
<v Speaker 3>Kor is a great city that rose up and then

356
00:19:22.720 --> 00:19:26.440
<v Speaker 3>died many thousand years ago. These are the caves of Kor.

357
00:19:26.920 --> 00:19:29.920
<v Speaker 3>The city itself stands farther on, and a huge crater

358
00:19:30.000 --> 00:19:30.960
<v Speaker 3>at the heart of the mountain.

359
00:19:31.599 --> 00:19:34.079
<v Speaker 5>Are you a descendant of Kor?

360
00:19:34.759 --> 00:19:38.079
<v Speaker 3>I came from another place far away, and Kor was

361
00:19:38.160 --> 00:19:41.400
<v Speaker 3>dead long before I found it. The natives know me

362
00:19:41.440 --> 00:19:44.480
<v Speaker 3>as a fearsome figure in white, and they obey me.

363
00:19:44.759 --> 00:19:46.039
<v Speaker 4>They have never seen you.

364
00:19:46.599 --> 00:19:49.920
<v Speaker 3>No, Holley, not one of them has ever seen behind

365
00:19:50.000 --> 00:19:50.640
<v Speaker 3>these vales.

366
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<v Speaker 5>It's amazing to think that color Crates must have been

367
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<v Speaker 5>here in this same place over two thousand years ago.

368
00:19:57.599 --> 00:20:02.400
<v Speaker 3>Two thousand, two hundred eighty seven years ago, Calocrates died

369
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<v Speaker 3>in this very chamber.

370
00:20:03.759 --> 00:20:06.359
<v Speaker 4>You you speak as though you saw it happened.

371
00:20:06.799 --> 00:20:09.799
<v Speaker 3>I did see it happen. I killed him, but.

372
00:20:11.839 --> 00:20:12.359
<v Speaker 4>You couldn't.

373
00:20:13.680 --> 00:20:16.279
<v Speaker 5>That was over two thousand years ago.

374
00:20:16.599 --> 00:20:19.119
<v Speaker 3>Yes, and at that time I had been here in

375
00:20:19.200 --> 00:20:20.359
<v Speaker 3>cores for more than five.

376
00:20:20.319 --> 00:20:22.119
<v Speaker 5>Hundred years impossible.

377
00:20:22.480 --> 00:20:24.960
<v Speaker 3>How do you know you haven't seen me?

378
00:20:25.119 --> 00:20:27.759
<v Speaker 5>But then you claim to be immortal.

379
00:20:28.160 --> 00:20:30.720
<v Speaker 3>Yes, as he could have been had he stepped with

380
00:20:30.880 --> 00:20:34.039
<v Speaker 3>me into the flames of life, as you can be,

381
00:20:34.200 --> 00:20:35.039
<v Speaker 3>my Calicrates.

382
00:20:35.759 --> 00:20:39.160
<v Speaker 4>If you so true, I hope you'll forgive me. But

383
00:20:39.279 --> 00:20:41.799
<v Speaker 4>I can't believe anything so fantastic.

384
00:20:42.079 --> 00:20:42.680
<v Speaker 3>Is it proof?

385
00:20:42.799 --> 00:20:43.200
<v Speaker 4>You need?

386
00:20:43.680 --> 00:20:45.799
<v Speaker 3>Proof that I once did an evil act in anger

387
00:20:46.559 --> 00:20:49.279
<v Speaker 3>and paid for it by waiting alone through all these centuries,

388
00:20:50.200 --> 00:20:54.079
<v Speaker 3>proof that my waiting has ended. Now, then look upon

389
00:20:54.160 --> 00:20:55.200
<v Speaker 3>it behind this curtain.

390
00:20:58.000 --> 00:21:02.599
<v Speaker 5>A mummy, a mummy like those out in the caves.

391
00:21:03.000 --> 00:21:08.440
<v Speaker 5>But look at the face, Leo, Ah, it's you. That's

392
00:21:08.519 --> 00:21:09.559
<v Speaker 5>you lying there.

393
00:21:10.200 --> 00:21:13.240
<v Speaker 3>That is the body of Calacrates, whom I loved and

394
00:21:13.359 --> 00:21:16.480
<v Speaker 3>whom I killed in anger. When he refused to leave

395
00:21:16.559 --> 00:21:21.200
<v Speaker 3>her and stay with me to become immortal, his wife, Eminaritis,

396
00:21:21.240 --> 00:21:23.680
<v Speaker 3>fled across the mountains and later gave birth to his son,

397
00:21:24.200 --> 00:21:25.640
<v Speaker 3>Your ancestor.

398
00:21:25.319 --> 00:21:28.480
<v Speaker 4>And Lio, that clay tile has been handed down in

399
00:21:28.559 --> 00:21:30.960
<v Speaker 4>your family for over twenty centuries.

400
00:21:31.440 --> 00:21:33.880
<v Speaker 3>I have paid for my sin, and I have waited,

401
00:21:34.559 --> 00:21:36.880
<v Speaker 3>knowing that some day my Calacrates would be born to

402
00:21:36.960 --> 00:21:39.400
<v Speaker 3>me again, would come back to Kor and find me.

403
00:21:40.039 --> 00:21:41.039
<v Speaker 3>It was as though I had to.

404
00:21:42.640 --> 00:21:45.200
<v Speaker 5>I dreamed of that carved mountain before I ever seen it.

405
00:21:46.200 --> 00:21:49.839
<v Speaker 5>And your name, she who must be obeyed. It struck

406
00:21:49.960 --> 00:21:52.519
<v Speaker 5>some chord in my memory the first time I heard it.

407
00:21:52.920 --> 00:21:55.640
<v Speaker 3>It is your heart that must be obeyed. Now, my beloved,

408
00:21:56.200 --> 00:21:58.559
<v Speaker 3>the decision is yours, whether to leave me once again,

409
00:21:58.680 --> 00:22:01.480
<v Speaker 3>now that you have found me, or to walk with

410
00:22:01.559 --> 00:22:05.119
<v Speaker 3>me into the pillar of life, to love me and

411
00:22:05.240 --> 00:22:06.160
<v Speaker 3>to become immortal.

412
00:22:06.599 --> 00:22:11.119
<v Speaker 5>Yes, I feel somehow that this is the ending of

413
00:22:11.240 --> 00:22:13.400
<v Speaker 5>something I've been moving toward all my life.

414
00:22:13.519 --> 00:22:13.720
<v Speaker 4>Leo.

415
00:22:15.119 --> 00:22:21.920
<v Speaker 5>Oh ah, but it isn't possible immortality, And how can

416
00:22:22.000 --> 00:22:23.640
<v Speaker 5>you love someone you've never seen?

417
00:22:24.000 --> 00:22:27.799
<v Speaker 3>Then you shall see, my beloved, I've worn these veils

418
00:22:27.920 --> 00:22:32.200
<v Speaker 3>for you, and for you I look.

419
00:22:34.079 --> 00:22:43.640
<v Speaker 4>Ah. The soft veil slid off from her shoulders, and

420
00:22:43.880 --> 00:22:49.559
<v Speaker 4>she stood, revealed before us, the most beautiful woman the

421
00:22:49.680 --> 00:22:50.599
<v Speaker 4>world has ever seen.

422
00:22:51.119 --> 00:22:53.680
<v Speaker 3>Will you leave me now, my calacrates, or come with

423
00:22:53.880 --> 00:22:55.160
<v Speaker 3>me to the flame of life.

424
00:22:56.359 --> 00:23:00.599
<v Speaker 5>I'll go with you anywhere, anywhere.

425
00:23:08.799 --> 00:23:11.599
<v Speaker 4>We talked the night away in that chamber, Leo and

426
00:23:11.720 --> 00:23:14.720
<v Speaker 4>I fascinated by every word that fell from those lovely lips.

427
00:23:15.839 --> 00:23:19.799
<v Speaker 4>She talked of the hidden knowledge of ancient lands, sang

428
00:23:19.960 --> 00:23:24.000
<v Speaker 4>softly of her thoughts in rhyme, and spoke once again

429
00:23:24.160 --> 00:23:28.240
<v Speaker 4>the words of long dead poets forgotten by the world.

430
00:23:29.880 --> 00:23:32.960
<v Speaker 4>She made us believe in her own immortality and in

431
00:23:33.079 --> 00:23:39.000
<v Speaker 4>ours to come, and before dawn beholly with us. We

432
00:23:39.119 --> 00:23:41.640
<v Speaker 4>followed her madly and joyously through the dim and dusty

433
00:23:41.680 --> 00:23:48.279
<v Speaker 4>passage that led to the flame of life. We came

434
00:23:48.279 --> 00:23:50.799
<v Speaker 4>to a great abyss, with a narrow ledge crossing over

435
00:23:50.880 --> 00:23:55.000
<v Speaker 4>it like a rainbow rock. There Bellali waited, and we

436
00:23:55.160 --> 00:23:58.240
<v Speaker 4>three went on alone. At the sight of the awful

437
00:23:58.279 --> 00:24:02.079
<v Speaker 4>depths beneath us, Leodi in spite of ourselves, and moved

438
00:24:02.079 --> 00:24:06.359
<v Speaker 4>carefully step by step. She never hesitated, but swayed along

439
00:24:06.400 --> 00:24:08.400
<v Speaker 4>gaily before us, like a feather borne on a breeze.

440
00:24:09.319 --> 00:24:12.519
<v Speaker 4>Finally we stood in a vast circular chamber, a great

441
00:24:12.559 --> 00:24:15.599
<v Speaker 4>bubble in the earth's crust, whose walls were shining black

442
00:24:15.720 --> 00:24:17.920
<v Speaker 4>bass all holly.

443
00:24:18.279 --> 00:24:22.359
<v Speaker 5>Yes, I see there by. The wall looks like the body.

444
00:24:22.119 --> 00:24:25.000
<v Speaker 3>Of a man, an old philosopher, my beloved, who came

445
00:24:25.079 --> 00:24:28.400
<v Speaker 3>here many centuries ago. He sat and watched the flame

446
00:24:28.480 --> 00:24:32.079
<v Speaker 3>and could not decide whether he should become immortal. Finally

447
00:24:32.200 --> 00:24:35.160
<v Speaker 3>he died, and you have.

448
00:24:35.240 --> 00:24:38.119
<v Speaker 4>You never regretted becoming immortal?

449
00:24:38.839 --> 00:24:42.119
<v Speaker 3>I could not have waited for calicrates, hollih had I

450
00:24:42.240 --> 00:24:46.400
<v Speaker 3>not been immortal? But Julio, perhaps you have doubts.

451
00:24:47.160 --> 00:24:52.079
<v Speaker 5>Immortality will not even be long enough with you. Where

452
00:24:52.200 --> 00:24:52.720
<v Speaker 5>is the flame?

453
00:24:53.079 --> 00:24:57.359
<v Speaker 3>Listen? Even now it approaches, it advances, and then retreats,

454
00:24:57.400 --> 00:25:00.319
<v Speaker 3>a never ending cycle of life. It has moved along

455
00:25:00.359 --> 00:25:03.880
<v Speaker 3>its path through this cavern since the beginning of time. Holly, Look,

456
00:25:04.039 --> 00:25:06.559
<v Speaker 3>do not fear it, beloved. See this time I will

457
00:25:06.559 --> 00:25:09.039
<v Speaker 3>step into the flame alone. How many it comes again,

458
00:25:09.599 --> 00:25:10.480
<v Speaker 3>you may join.

459
00:25:10.359 --> 00:25:12.400
<v Speaker 5>Me, like the fire of the sun in the dust

460
00:25:12.480 --> 00:25:13.519
<v Speaker 5>of a million diamonds.

461
00:25:16.640 --> 00:25:19.519
<v Speaker 7>As the great and terrible pillar of flame approached, she

462
00:25:19.640 --> 00:25:21.920
<v Speaker 7>threw off her veils and opened her arms to it,

463
00:25:22.480 --> 00:25:24.720
<v Speaker 7>and the eternal fire flowed.

464
00:25:24.480 --> 00:25:39.279
<v Speaker 4>Over, It passed and left her there standing with her

465
00:25:39.319 --> 00:25:40.359
<v Speaker 4>head bowed. You.

466
00:25:41.279 --> 00:25:43.359
<v Speaker 5>Are you all right? It didn't harm you?

467
00:25:43.759 --> 00:25:47.440
<v Speaker 3>No, my beloved. Can one find harm and the flame

468
00:25:47.519 --> 00:25:53.880
<v Speaker 3>that created life itself? Do you believe that that what's wrong?

469
00:25:54.680 --> 00:25:55.440
<v Speaker 5>You don't know what's wrong.

470
00:25:56.680 --> 00:26:04.920
<v Speaker 3>The flame was difference. Now that Calocrates has returned, the

471
00:26:05.000 --> 00:26:07.160
<v Speaker 3>curse of everlasting life is lifted.

472
00:26:07.440 --> 00:26:09.160
<v Speaker 4>Leo, she's aging.

473
00:26:10.839 --> 00:26:16.039
<v Speaker 3>I Oh, no, I do not if I go search

474
00:26:16.160 --> 00:26:16.400
<v Speaker 3>for me.

475
00:26:20.920 --> 00:26:26.079
<v Speaker 4>No, even as Leo's hands reached out to touch her,

476
00:26:27.319 --> 00:26:35.559
<v Speaker 4>they closed on a dry heap of soft ray dust.

477
00:26:42.119 --> 00:26:45.400
<v Speaker 4>I knew now that neither of us would step into

478
00:26:45.480 --> 00:26:49.400
<v Speaker 4>the flame, and I knew we would spend our lives

479
00:26:50.319 --> 00:26:55.079
<v Speaker 4>searching through the world for she. I seemed to hear

480
00:26:55.200 --> 00:26:59.160
<v Speaker 4>in my mind once again words she had spoken in

481
00:26:59.240 --> 00:27:05.720
<v Speaker 4>those glories ours the night before. I knew that Leo

482
00:27:05.920 --> 00:27:10.559
<v Speaker 4>was hearing them too, and that neither of us, so

483
00:27:10.759 --> 00:27:15.839
<v Speaker 4>long as we lived, could ever forget that lovely voice.

484
00:27:20.640 --> 00:27:26.440
<v Speaker 3>Nay, not in chore, but in whatever spot in town

485
00:27:26.920 --> 00:27:32.599
<v Speaker 3>or field, or by the insatious sea, men brood on

486
00:27:32.839 --> 00:27:40.039
<v Speaker 3>buried loves, or unforgot, or break themselves on some divine decree,

487
00:27:41.519 --> 00:27:45.559
<v Speaker 3>or would or leap the limits of their lot there

488
00:27:46.799 --> 00:27:51.799
<v Speaker 3>in the tombs and Deathless dwelleth.

489
00:27:52.680 --> 00:28:11.680
<v Speaker 2>She Escape, produced and directed by Norman MacDonald. Tonight brought

490
00:28:11.759 --> 00:28:15.200
<v Speaker 2>you She by h. Rider Haggard, adapted for radio by

491
00:28:15.319 --> 00:28:19.640
<v Speaker 2>Less Crutchfield, with editorial supervision by John Duncle. Featured in

492
00:28:19.680 --> 00:28:24.000
<v Speaker 2>Tonight's cast were Barry Kroger, Larry Dabkin, k Brinker, Ben Wright,

493
00:28:24.200 --> 00:28:27.880
<v Speaker 2>and Wilms Herbert. Special music by Ivan Ditmars.

494
00:28:31.880 --> 00:28:36.359
<v Speaker 1>Next week you are clinging precariously to a diving, pitching

495
00:28:36.559 --> 00:28:40.599
<v Speaker 1>longboat lashed by mountainous seas in the center of a hurricane,

496
00:28:41.400 --> 00:28:44.839
<v Speaker 1>and at the helm driving you on is a man

497
00:28:45.000 --> 00:28:49.000
<v Speaker 1>bent on revenge and willing to kill for it.

498
00:28:57.400 --> 00:29:00.599
<v Speaker 2>Next week we escape with F. R. Buckley's excite story

499
00:29:00.839 --> 00:29:04.119
<v Speaker 2>Habit good night, then until the same time next week,

500
00:29:04.519 --> 00:29:14.519
<v Speaker 2>when once again we offer you escape. This is CBS,

501
00:29:14.880 --> 00:29:16.880
<v Speaker 2>the Columbia Broadcasting System.
