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<v Speaker 1>How are you dog doll?

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<v Speaker 2>Line four? There got eight up damn doll? Are you ye?

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<v Speaker 3>Dog doll?

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<v Speaker 2>Line four? There got eight up damn dolls?

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<v Speaker 4>Are she?

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<v Speaker 2>Are you laugh?

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<v Speaker 3>Not at old land?

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<v Speaker 2>He's stip in the map set little forty.

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<v Speaker 5>S arg she.

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<v Speaker 2>Like at an't land bast don't ass and stream where.

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<v Speaker 6>The kenny got up?

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<v Speaker 2>How are you be s.

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<v Speaker 4>A?

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<v Speaker 2>Are you best looking to listen to the lens?

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<v Speaker 4>Alright?

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<v Speaker 2>Fine height? Lazy stustom? Are you letting be come you clips?

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<v Speaker 2>How are you don't don't sit? How are you fine?

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<v Speaker 2>Lazy stustom?

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<v Speaker 7>Let it be color on the clips?

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<v Speaker 2>Are your stream? Where the kenny got up? How are you?

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<v Speaker 2>Are you white? And shin't so sweet? Are you?

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<v Speaker 1>How are you sure work all?

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<v Speaker 2>Will it become a clashed at pension pastors? Like eighty

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<v Speaker 2>eight to the optic nerve is now boarding gate seventeen

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<v Speaker 2>scheduled to the park at nine thirty am.

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<v Speaker 8>Welcome to the Occult Rejects this episode. I got a

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<v Speaker 8>bunch of us with us tonight talking about mercury symbolism.

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<v Speaker 8>I got myself, obviously the nick from the Occult Rejects.

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<v Speaker 8>I got Lisa, the mad scientist cult reject I got

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<v Speaker 8>my man Jin the Ninja what is going on? And

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<v Speaker 8>I got Ethan Indi Indigo, I got Tej, I got

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<v Speaker 8>Headless Giant, and I got the O g himself, Robbie Marx.

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<v Speaker 8>All of their links are in the bottom to find

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<v Speaker 8>all of their amazing work, which I highly suggest to

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<v Speaker 8>please go check out. You may like hearing them on

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<v Speaker 8>this show. I highly suggest to go listen to their

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<v Speaker 8>own words on their own shows and all this stuff.

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<v Speaker 8>It's something to listen to or I highly suggest it.

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<v Speaker 8>And tonight we got again as usual, we got the

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<v Speaker 8>Tarot Man himself and somebody I just love learning with

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<v Speaker 8>or learning from, somebody I will definitely have to say

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<v Speaker 8>has probably impacted my magical journey in some way, believe

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<v Speaker 8>it or not. So I appreciate it, Mario, and I

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<v Speaker 8>appreciate you constantly coming back and working with us. Please

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<v Speaker 8>let everybody know, in case there's new listeners, what the

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<v Speaker 8>deal is with you and what's up?

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<v Speaker 3>Yeah, for sure, what's up?

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<v Speaker 4>Man?

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<v Speaker 9>No, thanks for the invite, And I really appreciate the

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<v Speaker 9>crew you've put together here. I really do get a

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<v Speaker 9>lot out of everyone's insights and stuff. And you know,

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<v Speaker 9>even when I'm not on the show, I listen and

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<v Speaker 9>check out what's going on and stuff like that. But

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<v Speaker 9>Symbolic Studies is my project. Symbolic Studies dot com. People

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<v Speaker 9>can find all of my offerings there. I'm on YouTube

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<v Speaker 9>and Patreon and Instagram and things like that, so I

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<v Speaker 9>do offer terrat readings and other services too, But my

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<v Speaker 9>foundation is.

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<v Speaker 3>Really the tarot.

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<v Speaker 9>And from there, you know, I got really into astrology

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<v Speaker 9>and just uncovering the symbolic nature of every sign. So

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<v Speaker 9>I put out content based on the signs during each

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<v Speaker 9>sign itself, following the Tropical you know, the Tropical calendar basically,

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<v Speaker 9>So yeah, that's my deal. And Mercury, man, it is

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<v Speaker 9>really a heavy hitter with the planets, you know, A

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<v Speaker 9>favorite character for sure, right, I mean, it's one of

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<v Speaker 9>these things actually where if there's like a planet that's

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<v Speaker 9>worthy of many multiple episodes, it would be Mercury. And

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<v Speaker 9>to be mercurial is to change, right, change and changing often,

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<v Speaker 9>And so when I first got into mercurial symbolism, it

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<v Speaker 9>was hard for me to actually kind of like figure

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<v Speaker 9>out sort of the nature of Mercury in a way

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<v Speaker 9>because it was associated with so many different things. And

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<v Speaker 9>even when I go through the astrological year, and I'm

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<v Speaker 9>putting out content on each sign. I'm always like, man,

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<v Speaker 9>there's a lot of mercurial symbolism with Aris. Yeah, there's

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<v Speaker 9>a lot of mercurial symbolism with Taurus and Gemini, and

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<v Speaker 9>it just goes on and on and on and on

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<v Speaker 9>and including the cards that correspond with the signs and

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<v Speaker 9>stuff like that. And so you know, just to kind

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<v Speaker 9>of get into it with mercury, I think that a

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<v Speaker 9>lot of cultures and a lot of systems, it's not

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<v Speaker 9>uncommon to have like a catch all phrase or a

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<v Speaker 9>catch all term that kind of encompasses maybe like spirit

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<v Speaker 9>or ether, like in totality, right. I know, there's even

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<v Speaker 9>people who kind of use like Satan as an example

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<v Speaker 9>as like that kind of catch all sort of thing.

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<v Speaker 9>Voodoo can kind of be that. The force you know

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<v Speaker 9>in Star Wars is almost kind of similar to this.

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<v Speaker 9>Mercury has also been this too, right. Mercury is almost

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<v Speaker 9>kind of like has been used as like a other

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<v Speaker 9>term for like ether and spirit and mercy as a traveler, right, So,

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<v Speaker 9>like a lot of the mercurial figures are messengers or travelers,

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<v Speaker 9>and so they're always going to and fro they're always,

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<v Speaker 9>you know, delivering these messages and whatever. So you know, Mercury, Hermes, Thoth.

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<v Speaker 9>I'll be probably using these interchangeably synonymously basically, but Hermes

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<v Speaker 9>Mercury is known for being like a psychopomp. So he

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<v Speaker 9>goes between realms, and I have a very sort of

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<v Speaker 9>like specific way in which I sort of imagine how

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<v Speaker 9>he goes between realms, which will unpack at a certain point.

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<v Speaker 9>And so he oftentimes is carrying like a bag or

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<v Speaker 9>a satchel delivering these messages, right, being the messenger of

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<v Speaker 9>the gods. And when you look at statues and artwork

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<v Speaker 9>with Mercury or Hermes, he has like winged you know,

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<v Speaker 9>a winged cap. He has like wings on his sandals

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<v Speaker 9>or his feet, and he's always too. One of the

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<v Speaker 9>things that I find really interesting, he's always on one foot.

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<v Speaker 9>That's like a classic sort of thing with Mercury Hermes, Right,

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<v Speaker 9>so it's like he's about to go or he just

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<v Speaker 9>kind of landed or something along these lines. He associates

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<v Speaker 9>with the Magician card. You know, Mercury corresponds with the

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<v Speaker 9>Magician card. So there's a lot to unpack just with

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<v Speaker 9>the Magician card and how it relates to mercury, you know.

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<v Speaker 9>But I think one of the things actually right, just

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<v Speaker 9>to kind of get into that, is the Magician card

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<v Speaker 9>is the first card of the major arcana. There's the Fool,

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<v Speaker 9>which I think has a lot of mercurial symbolism too,

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<v Speaker 9>because the Fool is the only card traditionally that is

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<v Speaker 9>shown actually traveling.

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<v Speaker 3>Even the Chariot card.

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<v Speaker 9>Traditionally the Cherriot is actually stationary and all of the

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<v Speaker 9>other figures are either standing or they're throned or something

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<v Speaker 9>along these lines. But the Fool is actually walking, right,

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<v Speaker 9>And the Fool has a poll with him, and the

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<v Speaker 9>first two cards in the major arcana pull wand symbolism

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<v Speaker 9>is really like on display for sure. And so the

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<v Speaker 9>Magician is holding that wand he's holding it up to

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<v Speaker 9>the heavens right. To me, this is really interesting because

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<v Speaker 9>he's holding it up and then he has one hand

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<v Speaker 9>pointed to the ground. So this is the classic as

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<v Speaker 9>above so below axiom right, And I think what he's

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<v Speaker 9>basically saying is I connect heaven and earth, you know,

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<v Speaker 9>I connect heaven and earth. And I think in some

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<v Speaker 9>ways he's saying, I am the central pillar in the

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<v Speaker 9>House of God, because that card corresponds with Beth, which

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<v Speaker 9>means house, but you know, on a sort of like

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<v Speaker 9>grander scale, it's the house.

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<v Speaker 3>Of God basically.

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<v Speaker 9>And so this would be the world axis in my opinion, right,

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<v Speaker 9>sort of the central pole that symbolically separates heaven and Earth,

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<v Speaker 9>but then also binds heaven and Earth as well. This

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<v Speaker 9>relationship has been referred to as the Great Triad, that

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<v Speaker 9>there's a triune relationship between Heaven, Earth, and man. And

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<v Speaker 9>so he is acting as that sort of central pillar

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<v Speaker 9>or that symbolic bridge between the above and the This

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<v Speaker 9>is actually how I think he gets between realms is

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<v Speaker 9>through the world axis basically, right, the axis Mondy, and

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<v Speaker 9>so the axis Moundy. You know, there's so many symbols

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<v Speaker 9>that relate to it, but the world tree or the

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<v Speaker 9>tree is one classic axis Mondy world axis symbol. And

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<v Speaker 9>so when you see a serpent going up a tree

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<v Speaker 9>like in the Garden of Eden, that's very very mercurial

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<v Speaker 9>and it's not unlike the dollar sign in my opinion, right,

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<v Speaker 9>kind of like the s with the vertical line, right,

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<v Speaker 9>and so to me, that is almost basically mercury ascending

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<v Speaker 9>to other realms, right, going to other planes of existence.

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<v Speaker 9>And so that's also mirrored in one of the symbols

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<v Speaker 9>that closely relates to mercury Hermes, which is the cadusius. Right,

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<v Speaker 9>So you have the twin serpents going up that wand

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<v Speaker 9>basically that's not unlike the Kundalini serpents going up your spine. Right,

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<v Speaker 9>it's the same symbolism pretty much. And so even the

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<v Speaker 9>number thirty three has been tied to mercury too, amongst

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<v Speaker 9>other you know, sort of deities and stuff like that.

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<v Speaker 3>But we have thirty three vertebrae in our.

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<v Speaker 9>Spines, so to me, ascension symbolism and sort of something

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<v Speaker 9>going upward, whether it's like a serpent or what have you.

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<v Speaker 9>To me, that's like incredibly mercurial because he goes to

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<v Speaker 9>these other planes, right, So he takes people.

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<v Speaker 3>He's the guide of souls.

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<v Speaker 9>And so I think a lot of figures actually start

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<v Speaker 9>off or a lot of like solar deities, when you

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<v Speaker 9>look into their origin story, it's heavily mercurial.

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<v Speaker 3>I think Christ is a good example of this.

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<v Speaker 9>I think Christ, you know, when he has like a

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<v Speaker 9>wand and he's doing magical things or whatever, he's basically

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<v Speaker 9>mercury pretty much I think what's kind of happened with

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<v Speaker 9>Christ is that he started off as being more mercurial,

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<v Speaker 9>and then he actually became solarized over time, so he

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<v Speaker 9>became more closely tied to the Sun. But I think

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<v Speaker 9>you can make the case that actually mercury was like

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<v Speaker 9>his original sort of like influencer planet or something along

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<v Speaker 9>these lines. Kind of relate to that, go ahead.

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<v Speaker 1>The first depictions of Jesus was with him holding a wand.

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<v Speaker 4>So.

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<v Speaker 8>Exactly yeah, he did have a wand there's old depictions

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<v Speaker 8>of him touching whoever he brought back with a wand

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<v Speaker 8>when he turns water wine they show I've seen depictions

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<v Speaker 8>of him having a wand in his hand when he's

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<v Speaker 8>touching that and making a change, exactly right.

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<v Speaker 10>The Bible of course refers to Jesus as the Shepherd

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<v Speaker 10>of men, right, and but before that Poimandra is Pomander.

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<v Speaker 6>From the.

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<v Speaker 10>Thank You he is described as the shepherd another another

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<v Speaker 10>biblical kind of descendant.

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<v Speaker 9>Right, yeah, no, exactly right. And so the wand in

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<v Speaker 9>and of itself is another world access symbol. In my opinion,

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<v Speaker 9>the want symbolically represents energy being sent forth, not unlike

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<v Speaker 9>the phallus and mercury has been heavily tied to phallic symbolism,

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<v Speaker 9>So anything sort of phallic, I think the wand the

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<v Speaker 9>tree definitely, what was I just gonna say? Or like

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<v Speaker 9>the pillar as well. Uh, there are some classic illustrations

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<v Speaker 9>of Hermi's mercury, like in between pillars. In many ways

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<v Speaker 9>he kind of represents the central pillar. He represents the

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<v Speaker 9>middle pillar, the middle path.

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<v Speaker 2>Right.

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<v Speaker 8>So even questioned like the hermit with the staff too,

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<v Speaker 8>I mean the same thing.

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<v Speaker 9>Oh yeah, the hermit card is rolled by Virgo, which

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<v Speaker 9>is rolled by mercury. And actually what hermit means is

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<v Speaker 9>means little Hermes, right.

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<v Speaker 11>I was gonna say that when you're getting into the

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<v Speaker 11>staff with the two serpents, it's more a method of exchange.

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<v Speaker 11>It also relates to barter and trade, whereas the staff

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<v Speaker 11>of the Sclapius is more along the lines of healing.

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<v Speaker 11>So with mercury, you specifically have in the Roman period

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<v Speaker 11>the murkers that would actually pile up goods at crossroads,

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<v Speaker 11>and they were worshiping mercury because he was the god

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<v Speaker 11>of mercantilism as well.

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<v Speaker 9>Yeah, yeah, absolutely, Even the flow of currency is so mercurial, right,

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<v Speaker 9>you know, and you look at how we print our

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<v Speaker 9>cash here, right, Just that green, green is the color

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<v Speaker 9>of mercury in so many ways. There's a lot of

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<v Speaker 9>symbolism actually with the green man or the wild man

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<v Speaker 9>that completely corresponds with mercury in my opinion too, And

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<v Speaker 9>like there's a lot of like symbolism that overlaps there.

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<v Speaker 9>And so actually, I just pulled from my altar. I

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<v Speaker 9>have some mercury right here. It's you know, it's just

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<v Speaker 9>a little vial of mercury or whatever. But the element

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<v Speaker 9>of mercury is a liquid and a metal, right, and

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<v Speaker 9>so it's it's both, and so mercury is very androgynous, right,

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<v Speaker 9>and so that plays a huge, huge part in just

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<v Speaker 9>the symbolism of mercury being you know, basically knowing your

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<v Speaker 9>own light and your own dark. You're feminine, you're masculine,

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<v Speaker 9>things like that. This is why I think one of

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<v Speaker 9>the main reasons why I think magicians and mystics and

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<v Speaker 9>things like that have a reverence for mercury. To me,

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<v Speaker 9>it reminds me of magnetism having the positive and the

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<v Speaker 9>negative end of the poll or something along these lines.

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<v Speaker 9>And then even magnetism m ag magician, right, Magi right,

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<v Speaker 9>there's all these things kind of related to that, and

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<v Speaker 9>I think kind of the magician in a way almost

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<v Speaker 9>they learn how to sort of attract, you know, and repel. Right,

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<v Speaker 9>It's like what they sort of want in their life

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<v Speaker 9>or what they're trying to accomplish or whatever. So the

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<v Speaker 9>magnetic sort of thing is definitely like part of mercurial

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<v Speaker 9>symbolism for sure.

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<v Speaker 8>I definitely sort of like duality thing. Go ahead, I

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<v Speaker 8>definitely think you like, I'm glad you brought up the

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<v Speaker 8>magnetic thing. Even with that, you have even mentioned, you know,

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<v Speaker 8>when you get into the pollstar in Polarity, the old

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<v Speaker 8>magnetic too, you know, you can change that with magnets.

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<v Speaker 8>I've even now, I know I've brought up to you

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<v Speaker 8>and I've mentioned it on the show. But even like

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<v Speaker 8>the whole situation when I'm wucking with my pineal gland,

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<v Speaker 8>there's something that happens where for me, pushing all of

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<v Speaker 8>a sudden equals a slap in the face and I

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<v Speaker 8>don't understand.

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<v Speaker 3>That, you know, no, yeah, you've explained that to me before.

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<v Speaker 8>Yeah, yeah, And you know what I ended up coming

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<v Speaker 8>across a picture of David Bowie acting like the Archer

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<v Speaker 8>shooting himself in the head, So I'm not the only

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<v Speaker 8>one who obviously thought of that.

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<v Speaker 5>The things I wanted to point out, Mario, is that

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<v Speaker 5>you're talking about this duality. Isn't mercury often found with cinebar,

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<v Speaker 5>and so you have mercury as this manly, warlike type

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<v Speaker 5>and then cinnabar is a red vermillion type color, which

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<v Speaker 5>I guess the scarlet scarlet woman or anything like that.

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<v Speaker 5>So it almost reminds me of that that duality.

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<v Speaker 3>Yeah, no, that that's awesome. What has been said?

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<v Speaker 9>You know, in today's world, a lot of people say

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<v Speaker 9>men are from Mars, women are from Venus. My understanding

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<v Speaker 9>is that that actually like that became more popular in

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<v Speaker 9>like the sixties or seventies. There's a specific author that

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<v Speaker 9>kind of popularized that that phrase. And esterically, what I've

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<v Speaker 9>heard is that men are from Mercury, women are from Venus.

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<v Speaker 9>And it's interesting when you look at the glyph of

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<v Speaker 9>Venus and the glyph of Mercury, the only difference is horns,

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<v Speaker 9>which kind of is sort of there's a phallic connotation

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<v Speaker 9>with horns. There's a feminine aspect to horn symbolism too,

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<v Speaker 9>for sure, because it's like a chalice or a cop

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<v Speaker 9>or something. But when you look at Venus and Mercury,

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<v Speaker 9>just the glyphs side by side, I think that that

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<v Speaker 9>makes a lot of sense, like in so many ways.

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<v Speaker 2>Right.

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<v Speaker 1>There's also an ancient aspect to it too, because the

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<v Speaker 1>cinnabar was something that the Etruscans would cover themselves with,

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<v Speaker 1>and they think that Hermes was one of these borrowed

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<v Speaker 1>gods from the Etruscans because you know, they had this

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<v Speaker 1>relationship with the Greeks where they did share a lot

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<v Speaker 1>of these these deities, and you can see a lot

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<v Speaker 1>of these Hermes influences in the Etruscans.

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<v Speaker 3>Right, right.

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<v Speaker 9>Yeah, So I think the other thing too with this

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<v Speaker 9>like duality sort of thing with with Hermes, Mercury is

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<v Speaker 9>really seen in his rulership of Gemini, right, and the

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<v Speaker 9>Gemini Twins. So Mercury being the planet that rules Gemini.

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<v Speaker 9>And then with the Gemini twins, you have the Light

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<v Speaker 9>and the dark twin. Right, the dark twin always kills

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<v Speaker 9>the good twin, not always, but occasionally he kills the

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<v Speaker 9>good twin, and then they have this sort of thing

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<v Speaker 9>going on. So the fact that Mercury rules Gemini, I

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<v Speaker 9>think is really interesting there when you're looking at the

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<v Speaker 9>traditional planets, there's two planets that rule two different signs.

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<v Speaker 9>Mercury is one. It rules Gemini and it rules Virgo.

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<v Speaker 9>So there's an airy aspect to Mercury communication and this

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<v Speaker 9>traveling and the winged cap and everything else. And then

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<v Speaker 9>it rules Virgo, so that would be its earthy aspect, right,

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<v Speaker 9>It's more feminine sort of aspect, which, funny enough. The

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<v Speaker 9>other planet that basically does double duty like this is Venus.

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<v Speaker 9>So Venus rules Taurus, has that earthy aspect, but then

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<v Speaker 9>it also rules Libra, which would be its airy aspect.

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<v Speaker 9>So isn't that interesting this pair Mercury, Venus, they both

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<v Speaker 9>do sort of the same thing to different signs, right,

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<v Speaker 9>So I think that that's pretty fascinating too.

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<v Speaker 8>I do want to add just real quick, because you know,

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<v Speaker 8>you mentioned you know, Mercury and Venus. You know, for me,

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<v Speaker 8>just the way I look at the tree and I

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<v Speaker 8>look like you, I guess the way I end up saying,

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<v Speaker 8>you know, Cabala, you know, just whatever. From my studying,

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<v Speaker 8>I do feel like that Toth is like the beginning

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<v Speaker 8>of the of the hero's journey, you know. My opinion

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<v Speaker 8>I do think like his arc goes up the tree,

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<v Speaker 8>and even like I think when I mentioned the hermit card,

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<v Speaker 8>I think the hermit car would actually be possibly in

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<v Speaker 8>the path of going from from Mercury to Venus across

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<v Speaker 8>the tree. And I do think, like this is just

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<v Speaker 8>my opinion, I do think that when when that happens,

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<v Speaker 8>they both have to work together, I think to in

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<v Speaker 8>order to go up the tree. I think it's almost

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<v Speaker 8>like they're doing an untangling of themselves. And I do

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<v Speaker 8>think you need the male and the female to work together.

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<v Speaker 8>I even think when it comes down to if physiology

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<v Speaker 8>is really involved in this stuff, like I think it is,

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<v Speaker 8>I think one is the energy and the other one

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<v Speaker 8>is the form that it has to manipulate to go

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<v Speaker 8>the other way instead of what it used to do,

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<v Speaker 8>you know. So I even I do think it's very important,

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<v Speaker 8>even the feminine aspect, that it has to work with,

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<v Speaker 8>you know, to make things happen. And again, I know

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<v Speaker 8>it just probably an unpopular idea, but I do think

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<v Speaker 8>a lot of times, like again when I say the

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<v Speaker 8>hero's journey, it is again why I'm even like I'm

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<v Speaker 8>so happy we're covering this because I do think Mercury

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<v Speaker 8>again starts off the story. I think a lot of

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<v Speaker 8>other gods, like Horace, I would say it was probably

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<v Speaker 8>Tod but it just at a different time in his story,

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<v Speaker 8>you know. So I do think of like a lot

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<v Speaker 8>of the male gods were all still Toad, but just

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<v Speaker 8>at a different time in their in their story.

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<v Speaker 12>The same thing with Venus. Yeah, I was.

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<v Speaker 11>Gonna say, when you go back and you look at

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<v Speaker 11>the Egyptian stuff LinkedIn with the Persian stuff, there's a

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<v Speaker 11>lot of I mean with uh, with Thought, Hermes Mercury

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<v Speaker 11>being sort of a trickster god. He takes on the

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<v Speaker 11>same characteristics as Osiris, the same characteristics as Nimrod, Like

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<v Speaker 11>you see as far as establishing writing, you know, the

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<v Speaker 11>weights and measures, the geometry, the building of things, And

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<v Speaker 11>you almost have to think that maybe Thought wrote himself

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<v Speaker 11>into these different roles. I mean, you know, being there.

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<v Speaker 10>Before the beginning.

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<v Speaker 11>There's in the Virgin of the World, there's talk of

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<v Speaker 11>Hermes being there when the soul was put into man

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<v Speaker 11>for the first time. You just you know, depend But

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<v Speaker 11>it's like almost like this one character kind of writes

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<v Speaker 11>himself into multiple roles through the various histories.

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<v Speaker 3>I love that man.

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<v Speaker 9>That's great because Thought was a was a scribe right

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<v Speaker 9>himself into different and.

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<v Speaker 11>Also Thought was the secretary to Isis when Osiris left

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<v Speaker 11>to civilize the world and teach building and the religions

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<v Speaker 11>and the temples, and Thought was the dark side of

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<v Speaker 11>the moon as the secret wisdom of Isis. That was

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<v Speaker 11>kind of behind the scenes as the moon moved through

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<v Speaker 11>the heavens. So there's all these intrinsic, kind of really esoteric,

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<v Speaker 11>kind of occult aspects of of you know, thought to

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<v Speaker 11>who he Mercury Hermes, you know from the beginning.

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<v Speaker 1>Well, one of the lesser known aspects of this Hermes

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<v Speaker 1>Aphrodite conjunction or this hermei Mercury Hermaphroditis, that's the one

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<v Speaker 1>that everybody knows. But also they had another child called Priapis, right,

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<v Speaker 1>and Priapis was a rustic god. If you're feeling really brave,

381
00:22:24.599 --> 00:22:27.000
<v Speaker 1>you should look him up and get an eye fall there,

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<v Speaker 1>because he had literally a baby's arm an apple. And

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<v Speaker 1>so this this god was known as having this massive donger,

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<v Speaker 1>and so Hermes also got associated with this massive dong

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<v Speaker 1>And now this goes right back to what you were

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<v Speaker 1>just saying about the pole of the heavens. So it's

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<v Speaker 1>not just this idea of that you know, he's moving

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<v Speaker 1>between the Earth and the heavens. It's that the spirit

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<v Speaker 1>of the Earth is basically raining down creating life on

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<v Speaker 1>this planet Earth from this northern polar symbolism, and that

391
00:23:07.079 --> 00:23:11.559
<v Speaker 1>polar symbolism gets then transferred into this masculine idea of

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<v Speaker 1>the masculine creating. Now, Priapis was kind of an unfortunate

393
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<v Speaker 1>character because despite always having a rock hard sloan, he

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<v Speaker 1>he couldn't use it when the time came. So it's

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<v Speaker 1>like this idea that the spirit is weak but the

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<v Speaker 1>flesh is willing. So there there's this there's this kind

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<v Speaker 1>of a contrast there, and that that preapis angle really

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<v Speaker 1>does get transferred over into the everyday life of the

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00:23:43.519 --> 00:23:47.799
<v Speaker 1>average Greek because they would have preapis stones in their gardens,

400
00:23:48.880 --> 00:23:51.319
<v Speaker 1>like closer to the house, and then they would have

401
00:23:52.000 --> 00:23:57.960
<v Speaker 1>hermstones sort of guarding or marking out the boundary between

402
00:23:58.039 --> 00:24:00.960
<v Speaker 1>their territories. So you've got hermes to further out, and

403
00:24:01.079 --> 00:24:04.000
<v Speaker 1>then this priapist closer to home. But one of the

404
00:24:04.079 --> 00:24:07.559
<v Speaker 1>reasons why they had priapists closer to home was you

405
00:24:07.599 --> 00:24:11.279
<v Speaker 1>would rub his phallus for luck if you know, as

406
00:24:11.559 --> 00:24:16.319
<v Speaker 1>as the Greeks were mostly into this fertility ritual thing.

407
00:24:17.039 --> 00:24:20.799
<v Speaker 1>And also you could pull it out and use it

408
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<v Speaker 1>as a baseball bat if the people who didn't respect

409
00:24:23.759 --> 00:24:27.720
<v Speaker 1>your hermstones came onto your property. So you could actually

410
00:24:28.279 --> 00:24:31.359
<v Speaker 1>smack people around with this giant phallus. And there's nothing more,

411
00:24:31.880 --> 00:24:34.839
<v Speaker 1>you know, humiliating than being smacked around with the giant

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<v Speaker 1>phallus of this god.

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<v Speaker 9>So yeah, yeah, and you'll see priapis literally holding like

414
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<v Speaker 9>a Cadusie is basically right.

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<v Speaker 6>Yeah.

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<v Speaker 10>I was just going to add more onto the phallic

417
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<v Speaker 10>symbolism that both represents with his beak, with the ib beak, yeah,

418
00:24:56.480 --> 00:25:01.400
<v Speaker 10>of course that's very phallic. And it's also uh, which

419
00:25:01.480 --> 00:25:07.160
<v Speaker 10>is phallic pointing out things, which is another author kind

420
00:25:07.200 --> 00:25:12.319
<v Speaker 10>of trait in more modern times. The idea of Shakespeare, right,

421
00:25:12.480 --> 00:25:16.799
<v Speaker 10>he kind of shake the spear, Hey, the author and

422
00:25:17.480 --> 00:25:22.400
<v Speaker 10>writing a thought being kind of the writer is uh,

423
00:25:22.759 --> 00:25:26.440
<v Speaker 10>you know, kind of pierces the veil, pierces the realms,

424
00:25:26.559 --> 00:25:32.680
<v Speaker 10>transverses the different dimensions, as does the beak.

425
00:25:33.000 --> 00:25:33.160
<v Speaker 2>Right.

426
00:25:33.279 --> 00:25:36.759
<v Speaker 10>I think the idea of when the ibis or any

427
00:25:36.799 --> 00:25:42.519
<v Speaker 10>bird hunts into the water it goes into that other strata, right,

428
00:25:42.640 --> 00:25:45.440
<v Speaker 10>So maybe that's part of the symbolism of him being

429
00:25:45.480 --> 00:25:48.359
<v Speaker 10>able to move among dimensions.

430
00:25:49.119 --> 00:25:51.799
<v Speaker 9>Oh yeah, no, definitely, I'm inclined to think so for sure.

431
00:25:52.519 --> 00:25:56.480
<v Speaker 9>Something speaking of which and just the phallic thing real quick,

432
00:25:56.519 --> 00:25:58.480
<v Speaker 9>and this going to other dimensions or going to the

433
00:25:59.440 --> 00:26:03.559
<v Speaker 9>underworld or what have you. You know, this idea of

434
00:26:03.920 --> 00:26:07.559
<v Speaker 9>energy ascending, going up the world tree, going up the

435
00:26:07.599 --> 00:26:11.400
<v Speaker 9>world axis whatever. Which, By the way, there's a huge

436
00:26:11.480 --> 00:26:14.319
<v Speaker 9>thing with mercury, Hermes with spin too. I've seen multiple

437
00:26:14.359 --> 00:26:17.920
<v Speaker 9>statues where he's with like a wheel or a gear

438
00:26:18.200 --> 00:26:20.839
<v Speaker 9>or something along these lines. Even I've seen examples of

439
00:26:21.000 --> 00:26:23.400
<v Speaker 9>like the spin of the Earth kind of being related

440
00:26:23.400 --> 00:26:26.559
<v Speaker 9>to mercury. And my personal opinion is Earth is not spinning,

441
00:26:26.599 --> 00:26:28.400
<v Speaker 9>the heavens are spinning. I think that's been a huge

442
00:26:28.400 --> 00:26:31.480
<v Speaker 9>inversion over time basically, and so that that's kind of

443
00:26:31.519 --> 00:26:37.920
<v Speaker 9>my position personally. But the fallaist even literally ejaculation into

444
00:26:38.000 --> 00:26:41.200
<v Speaker 9>a woman, to me, that's symbolic of the exact same thing.

445
00:26:41.680 --> 00:26:41.839
<v Speaker 2>You know.

446
00:26:42.000 --> 00:26:44.519
<v Speaker 9>It's almost like your semen is going to the underworld,

447
00:26:44.559 --> 00:26:45.799
<v Speaker 9>it's going to another dimension.

448
00:26:46.039 --> 00:26:46.480
<v Speaker 3>Basically.

449
00:26:46.680 --> 00:26:49.640
<v Speaker 9>It's another sort of classic sort of example of what

450
00:26:49.720 --> 00:26:52.160
<v Speaker 9>I'm trying to explain here, So I think that that's

451
00:26:52.200 --> 00:26:52.839
<v Speaker 9>related as well.

452
00:26:53.160 --> 00:26:57.200
<v Speaker 11>And the exchange is the creation process that is manifesting

453
00:26:57.240 --> 00:27:00.839
<v Speaker 11>and bringing forth some sort of form out of the

454
00:27:00.960 --> 00:27:06.559
<v Speaker 11>meeting of those two spinning serpents, right right, right, Yeah.

455
00:27:06.759 --> 00:27:09.599
<v Speaker 1>It's really reflected in some of the early dirty poetry

456
00:27:09.680 --> 00:27:14.359
<v Speaker 1>about him, and what they're really trying to say there

457
00:27:14.599 --> 00:27:18.799
<v Speaker 1>is that this exchange of life, this creation of life,

458
00:27:19.200 --> 00:27:24.400
<v Speaker 1>has a lot to do with this conjunction of mercury

459
00:27:24.559 --> 00:27:29.440
<v Speaker 1>and aphrodite. The idea that you're transversing the only way

460
00:27:29.519 --> 00:27:34.119
<v Speaker 1>to continue life is to transverse boundaries. That is so

461
00:27:34.599 --> 00:27:39.400
<v Speaker 1>closely related. So when they're talking about Congress and you know,

462
00:27:39.559 --> 00:27:44.640
<v Speaker 1>places like Washington, that's sexual Congress on a different level.

463
00:27:45.319 --> 00:27:48.319
<v Speaker 1>And what they're hoping for is that they're transversing these

464
00:27:48.440 --> 00:27:50.799
<v Speaker 1>boundaries so that you know, you don't have to go

465
00:27:50.880 --> 00:27:53.839
<v Speaker 1>to war. Obviously it doesn't happen that way. But another

466
00:27:53.960 --> 00:27:59.240
<v Speaker 1>interesting angle is the Cadusius itself was sort of granted

467
00:28:00.119 --> 00:28:02.960
<v Speaker 1>two hermes, or you know, they call it the Angel

468
00:28:03.039 --> 00:28:08.079
<v Speaker 1>of Zeus because being a messenger, he was now untouchable.

469
00:28:08.440 --> 00:28:13.000
<v Speaker 1>So the ancient messengers or these these figures, they were

470
00:28:13.079 --> 00:28:16.880
<v Speaker 1>on battlefields, right, and they were untouchable because they had

471
00:28:16.920 --> 00:28:20.599
<v Speaker 1>these batons that had these ribbons from them. So everybody

472
00:28:20.720 --> 00:28:23.400
<v Speaker 1>on the battlefield would see that the messenger of the

473
00:28:23.519 --> 00:28:26.599
<v Speaker 1>king would have this baton with ribbons on them, and

474
00:28:27.960 --> 00:28:31.160
<v Speaker 1>hermies too. Originally before it was the snakes, he had

475
00:28:31.240 --> 00:28:36.359
<v Speaker 1>the baton with the two white again white. What are

476
00:28:36.400 --> 00:28:39.319
<v Speaker 1>they symbolizing there? The two white streamers coming down from it.

477
00:28:39.400 --> 00:28:43.000
<v Speaker 1>So this was like everybody knew not to touch these guys.

478
00:28:43.119 --> 00:28:46.279
<v Speaker 1>So you have to wonder where these uh battles really

479
00:28:46.319 --> 00:28:52.519
<v Speaker 1>all that, you know, all out there, if there were

480
00:28:52.559 --> 00:28:55.319
<v Speaker 1>people on the battlefield walking around kind of like at

481
00:28:55.440 --> 00:29:00.799
<v Speaker 1>this larp being the judges judging your hits on each other,

482
00:29:02.319 --> 00:29:04.599
<v Speaker 1>there's that angle to it. It's like maybe the war

483
00:29:04.640 --> 00:29:07.519
<v Speaker 1>has never been authentic. Maybe it's always been sort of

484
00:29:07.559 --> 00:29:13.480
<v Speaker 1>this coached and kind of a sport type thing.

485
00:29:13.680 --> 00:29:13.839
<v Speaker 4>You know.

486
00:29:14.359 --> 00:29:16.599
<v Speaker 3>I've heard it described as a ritualistic.

487
00:29:16.920 --> 00:29:18.160
<v Speaker 12>I could see that, yeah for sure.

488
00:29:18.640 --> 00:29:18.839
<v Speaker 3>Yeah.

489
00:29:19.160 --> 00:29:21.400
<v Speaker 8>Something I did want to add before we go any father,

490
00:29:21.480 --> 00:29:23.640
<v Speaker 8>and I think I guess, like the phallic stuff, I

491
00:29:23.720 --> 00:29:25.680
<v Speaker 8>figured it was a way for me to segue into

492
00:29:25.759 --> 00:29:27.359
<v Speaker 8>this because it was something I wanted to get into.

493
00:29:27.400 --> 00:29:28.680
<v Speaker 8>I just didn't know how I was going to get

494
00:29:28.680 --> 00:29:32.839
<v Speaker 8>into it, you know, when it comes to mercury, even angels,

495
00:29:32.960 --> 00:29:37.079
<v Speaker 8>certain things I have been wondering, you know about like

496
00:29:37.200 --> 00:29:39.440
<v Speaker 8>them playing a role in physiology or in the body.

497
00:29:40.079 --> 00:29:42.119
<v Speaker 8>And I guess, like in order to guess, maybe preface

498
00:29:42.359 --> 00:29:44.920
<v Speaker 8>don't have to get through it real quick. Why even

499
00:29:44.960 --> 00:29:47.720
<v Speaker 8>think this way? Just from certain experiences in the OTO

500
00:29:48.039 --> 00:29:50.680
<v Speaker 8>during initiations, you know, there's there's a there's a point

501
00:29:50.680 --> 00:29:52.640
<v Speaker 8>where I do believe I'm being showed the optic nerve

502
00:29:53.200 --> 00:29:56.720
<v Speaker 8>in the maneuval, and you know, I'm standing in something

503
00:29:56.759 --> 00:29:58.359
<v Speaker 8>in front of something and I'm being told the word

504
00:29:58.480 --> 00:30:01.200
<v Speaker 8>on my thumbs being pump twelve times, and your optic

505
00:30:01.279 --> 00:30:04.160
<v Speaker 8>nerve is one of your twelve cranial nerves. So I like,

506
00:30:04.279 --> 00:30:06.400
<v Speaker 8>just in my opinion, that's what I do think I'm seeing.

507
00:30:06.480 --> 00:30:10.359
<v Speaker 8>So I do think I'm seeing like nerves technically. You know,

508
00:30:10.640 --> 00:30:14.559
<v Speaker 8>then in Alista Crowley's and a WEX formula, you will

509
00:30:14.599 --> 00:30:16.720
<v Speaker 8>be grabbing your nipple as if a baby is sucking it,

510
00:30:16.880 --> 00:30:19.920
<v Speaker 8>and there is something going on through nerves through the

511
00:30:20.319 --> 00:30:22.720
<v Speaker 8>you know, the body, to the mother's neal gland and

512
00:30:22.799 --> 00:30:25.759
<v Speaker 8>then affects the child. So again you're seeing nerves. I

513
00:30:25.839 --> 00:30:28.440
<v Speaker 8>started thinking, well, that's how messages travel with inside your body.

514
00:30:29.079 --> 00:30:31.680
<v Speaker 8>And all these guys always called messages, and you're sending

515
00:30:31.720 --> 00:30:35.440
<v Speaker 8>messages throughout all these things. And your dick does have nerves,

516
00:30:36.599 --> 00:30:39.400
<v Speaker 8>you know what I'm saying, plenty of them. And nerves

517
00:30:39.400 --> 00:30:42.640
<v Speaker 8>are also very important for healing, and some of these

518
00:30:42.680 --> 00:30:45.440
<v Speaker 8>gods that are associated with mercury have healing aspects to them.

519
00:30:46.200 --> 00:30:48.519
<v Speaker 8>So I'm just wondering, like, is it something actually with

520
00:30:49.200 --> 00:30:52.279
<v Speaker 8>how they travel? Like I joke around saying, write the lightning,

521
00:30:52.359 --> 00:30:53.880
<v Speaker 8>but maybe you got to write it all the way

522
00:30:53.920 --> 00:30:55.880
<v Speaker 8>out of your body through your nerves, and not.

523
00:30:56.000 --> 00:31:01.359
<v Speaker 5>Yet to your point of the nerves. In the penis.

524
00:31:01.480 --> 00:31:04.599
<v Speaker 5>It also connects all the way to the S one

525
00:31:04.920 --> 00:31:08.559
<v Speaker 5>S four, t H one L one of the spinal column,

526
00:31:09.119 --> 00:31:11.559
<v Speaker 5>so it goes all the way back to the spinal column.

527
00:31:11.599 --> 00:31:12.240
<v Speaker 5>It's connected.

528
00:31:13.400 --> 00:31:15.720
<v Speaker 3>Even a spine is an anagram for penis.

529
00:31:16.480 --> 00:31:19.160
<v Speaker 5>Yes, yes, so, and hence.

530
00:31:19.000 --> 00:31:24.200
<v Speaker 10>We have the pen right there you go, you know.

531
00:31:24.400 --> 00:31:27.759
<v Speaker 10>And I believe in Egyptian culture they would often have

532
00:31:28.119 --> 00:31:32.519
<v Speaker 10>people and gods, and especially to Hoodie have the left

533
00:31:32.640 --> 00:31:37.279
<v Speaker 10>foot forward right not only him crossing dimensions, but it

534
00:31:37.559 --> 00:31:43.839
<v Speaker 10>was the way that we would appropriate ourselves most like

535
00:31:44.000 --> 00:31:50.000
<v Speaker 10>the sun, most like enlightenment. And I believe that is

536
00:31:51.000 --> 00:31:54.279
<v Speaker 10>can be kind of, you know, the root of the

537
00:31:54.480 --> 00:32:01.519
<v Speaker 10>classic Freemason question that there's probably many more than this one,

538
00:32:01.640 --> 00:32:04.400
<v Speaker 10>but the idea of oh, so you're a traveling man

539
00:32:05.160 --> 00:32:07.400
<v Speaker 10>and the code is supposed to be, yeah, I'm a

540
00:32:07.480 --> 00:32:11.440
<v Speaker 10>traveling man. I'm heading east. Oh good. And so that's

541
00:32:11.480 --> 00:32:16.079
<v Speaker 10>the same idea that you're directing yourself as the Egyptian's

542
00:32:16.119 --> 00:32:19.880
<v Speaker 10>noted left foot direction that in relation to the Nile

543
00:32:20.240 --> 00:32:26.480
<v Speaker 10>was east, and of maybe interest in Taiji and so

544
00:32:26.720 --> 00:32:32.680
<v Speaker 10>forth and chigung, everything is left side first, left foot first,

545
00:32:33.400 --> 00:32:35.039
<v Speaker 10>and interesting correspondence.

546
00:32:35.720 --> 00:32:38.559
<v Speaker 3>That's awesome, dude. I love that for so many different reasons.

547
00:32:38.839 --> 00:32:42.359
<v Speaker 9>And this is what I'll say is that I'm always

548
00:32:42.359 --> 00:32:45.839
<v Speaker 9>thinking about rotation and spin in these circumambulation rituals, and

549
00:32:45.960 --> 00:32:47.799
<v Speaker 9>whether the totem is on the right or on the

550
00:32:47.880 --> 00:32:50.400
<v Speaker 9>left makes a big difference with what you're trying to

551
00:32:50.480 --> 00:32:53.440
<v Speaker 9>do right, and so if the totem is on the right,

552
00:32:54.400 --> 00:32:56.720
<v Speaker 9>that's more expansive. People have said that this is more

553
00:32:56.799 --> 00:32:59.720
<v Speaker 9>solar in nature. If the totem is on the left

554
00:32:59.759 --> 00:33:03.079
<v Speaker 9>and you going counterclockwise, that's actually more polar it's going

555
00:33:03.160 --> 00:33:06.599
<v Speaker 9>more within. And so there's something to be said about

556
00:33:07.799 --> 00:33:09.519
<v Speaker 9>like in Islam. When you go to Mecca and you

557
00:33:09.599 --> 00:33:11.319
<v Speaker 9>go around the Kabba cube, the Kaba cubes on the

558
00:33:11.400 --> 00:33:14.759
<v Speaker 9>left hand side, you're going counterclockwise. All of the fixed

559
00:33:14.880 --> 00:33:17.839
<v Speaker 9>stars go counterclockwise around polaris right.

560
00:33:18.400 --> 00:33:22.680
<v Speaker 10>And the Buddhists, sorry, sorry to build on your point.

561
00:33:22.839 --> 00:33:29.319
<v Speaker 10>The Buddhists circumambulate their structures. I forget what they're called

562
00:33:29.400 --> 00:33:34.880
<v Speaker 10>right now, not lingams, but when they circumambulate their gran

563
00:33:35.200 --> 00:33:38.799
<v Speaker 10>grain structures and celebration of life, I forget what they're called.

564
00:33:38.799 --> 00:33:44.400
<v Speaker 10>Excuse me, but they do a clockwise circulation, which is

565
00:33:44.480 --> 00:33:47.839
<v Speaker 10>the opposite of the rotation of Islam. And the Daoists

566
00:33:47.960 --> 00:33:54.039
<v Speaker 10>say the same thing about those rotations being clockwise being expansive,

567
00:33:54.160 --> 00:33:59.240
<v Speaker 10>counterclockwise being internal and condensing kind of thing.

568
00:33:59.720 --> 00:34:02.680
<v Speaker 9>There you go, yeah, And then I don't know if

569
00:34:03.400 --> 00:34:06.519
<v Speaker 9>you've come across this or whatever, but basically I'm inclined

570
00:34:06.559 --> 00:34:10.239
<v Speaker 9>to think that East, the direction of East, is actually

571
00:34:10.239 --> 00:34:13.840
<v Speaker 9>a metaphor, that it's actually beyond the east. And I

572
00:34:13.920 --> 00:34:16.599
<v Speaker 9>think that when people refer to the quest of the Orient,

573
00:34:17.199 --> 00:34:20.400
<v Speaker 9>that it's actually not literally an eastward sort of journey,

574
00:34:20.440 --> 00:34:22.199
<v Speaker 9>and it's not something that you can actually point out

575
00:34:22.239 --> 00:34:25.360
<v Speaker 9>on the map, but it's actually there's been many ways

576
00:34:25.360 --> 00:34:29.719
<v Speaker 9>it's been described, but it's actually more of a central

577
00:34:29.800 --> 00:34:33.280
<v Speaker 9>sort of location. It's like a mythical central sort of location,

578
00:34:33.400 --> 00:34:36.159
<v Speaker 9>like a sacred center sort of ideas. So in that way,

579
00:34:36.760 --> 00:34:39.239
<v Speaker 9>I think of the center as like the pole, right,

580
00:34:39.400 --> 00:34:42.119
<v Speaker 9>like the north pole, the poll star. That's kind of like,

581
00:34:42.440 --> 00:34:45.480
<v Speaker 9>you know, how I tend to interpret things, and so

582
00:34:46.800 --> 00:34:49.440
<v Speaker 9>so I've heard that like when East is referenced in

583
00:34:49.599 --> 00:34:53.800
<v Speaker 9>some texts, they're not literally mean geographical East. And I

584
00:34:53.880 --> 00:34:56.599
<v Speaker 9>think that's kind of interesting too, because in some freemasonic

585
00:34:56.679 --> 00:35:00.400
<v Speaker 9>tracing boards there's a clear ladder to the stairway, or

586
00:35:00.440 --> 00:35:02.800
<v Speaker 9>there's a clear stairway to Heaven to like the polestar

587
00:35:02.920 --> 00:35:07.039
<v Speaker 9>in my opinion, and oftentimes that is what's labeled east. Right,

588
00:35:07.159 --> 00:35:10.760
<v Speaker 9>So kind of like this mythical sort of other dimensional, centralized,

589
00:35:10.840 --> 00:35:14.000
<v Speaker 9>kind of polar sort of thing with how I tend

590
00:35:14.079 --> 00:35:16.599
<v Speaker 9>to look at things, which that's kind of another thing

591
00:35:16.679 --> 00:35:21.320
<v Speaker 9>with mercury, I'll say, is that there's a triune nature

592
00:35:21.400 --> 00:35:25.960
<v Speaker 9>to mercury, right, So it's almost like the one reflects

593
00:35:26.039 --> 00:35:28.760
<v Speaker 9>upon itself, is aware of itself, which creates two, and

594
00:35:28.840 --> 00:35:30.599
<v Speaker 9>then the two creates a three sort of thing. There's

595
00:35:30.599 --> 00:35:33.880
<v Speaker 9>this natural unfolding, right, and so whenever there's two of anything,

596
00:35:33.920 --> 00:35:36.880
<v Speaker 9>there's a third thing. So with the Gemini twins, you

597
00:35:37.039 --> 00:35:40.039
<v Speaker 9>have the twins, but there's a third thing that's created.

598
00:35:40.119 --> 00:35:43.159
<v Speaker 9>Now there's like a passageway or like an opening or doorway,

599
00:35:43.239 --> 00:35:45.480
<v Speaker 9>just like the pillars, right, and.

600
00:35:45.599 --> 00:35:49.039
<v Speaker 1>So mercury maybe between two mirrors.

601
00:35:49.519 --> 00:35:51.239
<v Speaker 3>Right, yeah, yeah, yeah, totally.

602
00:35:51.760 --> 00:35:53.480
<v Speaker 1>Father son, Holy spirit right behind you.

603
00:35:53.639 --> 00:35:56.639
<v Speaker 9>Yep, yep, yeah, totally. There's a triune trinity thing. Whenever

604
00:35:56.679 --> 00:35:59.119
<v Speaker 9>there's two of anything, there's always this hidden third. And

605
00:35:59.280 --> 00:36:03.199
<v Speaker 9>so what I how I break it down in Dakota,

606
00:36:03.440 --> 00:36:08.039
<v Speaker 9>is that mercury has symbolism, undeniable symbolism that is solar

607
00:36:08.480 --> 00:36:13.559
<v Speaker 9>in nature, undeniable symbolism that is lunar in nature, and

608
00:36:13.760 --> 00:36:15.239
<v Speaker 9>undeniable symbolism that is.

609
00:36:15.360 --> 00:36:19.639
<v Speaker 3>Polar in nature. That's the third thing, lunar, solar, and polar.

610
00:36:20.119 --> 00:36:21.760
<v Speaker 9>You know, that's how you even look at the three

611
00:36:21.840 --> 00:36:24.920
<v Speaker 9>pillars on the Cabbalistic tree of life, you know. And

612
00:36:25.079 --> 00:36:28.280
<v Speaker 9>so so I think polar is the most primordial though,

613
00:36:28.480 --> 00:36:31.159
<v Speaker 9>and again it relates to the pole, the pillar, the fallus,

614
00:36:31.280 --> 00:36:34.199
<v Speaker 9>this central sort of idea of the world axis, you know,

615
00:36:34.280 --> 00:36:36.599
<v Speaker 9>all this kind of stuff. So there's like a whole

616
00:36:36.760 --> 00:36:39.480
<v Speaker 9>entire breakdown that you can look at the polar, lunar

617
00:36:39.559 --> 00:36:42.719
<v Speaker 9>and solar symbolism of mercury, and it's all completely baked

618
00:36:42.760 --> 00:36:45.239
<v Speaker 9>into all of these different mercurial figures and stuff.

619
00:36:45.320 --> 00:36:48.480
<v Speaker 11>So I have something in regard to what you're saying there.

620
00:36:49.000 --> 00:36:53.199
<v Speaker 11>When you get into alchemy and Paracelsus, he has a

621
00:36:53.239 --> 00:36:58.440
<v Speaker 11>whole treaty on pulling mercury from every type of metal,

622
00:36:58.840 --> 00:37:00.599
<v Speaker 11>and he tells you how to lay it out into

623
00:37:00.639 --> 00:37:04.679
<v Speaker 11>these flatforms, put it in vinegar, purify it, and nonetheless,

624
00:37:05.639 --> 00:37:10.000
<v Speaker 11>he says, the spirit of mercury, which is only subjected

625
00:37:10.119 --> 00:37:13.719
<v Speaker 11>to spirit, to the spirits above, has no determination or

626
00:37:13.840 --> 00:37:18.360
<v Speaker 11>certain form itself. Hence it happens that it emits every metal,

627
00:37:18.960 --> 00:37:22.440
<v Speaker 11>just as wax or seves all seals of whatever form.

628
00:37:23.360 --> 00:37:26.039
<v Speaker 11>But it goes on to just basically say that, you know,

629
00:37:26.199 --> 00:37:30.760
<v Speaker 11>within sal there's mercury, within Luna, there's mercury within all

630
00:37:30.920 --> 00:37:36.639
<v Speaker 11>of So mercury is the fixative and the flux of

631
00:37:37.400 --> 00:37:40.360
<v Speaker 11>all the different and you can pull mercury and put

632
00:37:40.400 --> 00:37:44.760
<v Speaker 11>it into all of the various metals, so very much

633
00:37:44.800 --> 00:37:46.880
<v Speaker 11>along the lines of exactly what you were saying there.

634
00:37:48.039 --> 00:37:50.719
<v Speaker 1>Well, when mining metals from out of the ground, what

635
00:37:50.840 --> 00:37:55.239
<v Speaker 1>you'll find is that it's usually coated in other less

636
00:37:55.400 --> 00:37:58.440
<v Speaker 1>pure metals. So you've got lead, and you've got mercury

637
00:37:58.559 --> 00:38:02.960
<v Speaker 1>that's usually in a mouth that's around things like copper,

638
00:38:03.400 --> 00:38:06.480
<v Speaker 1>and you know, big iron ore deposits and things like that.

639
00:38:07.000 --> 00:38:10.920
<v Speaker 1>You've got all these things that are basically surrounded by mercury,

640
00:38:11.559 --> 00:38:13.960
<v Speaker 1>and you don't get a lot out of the mercury

641
00:38:14.400 --> 00:38:17.639
<v Speaker 1>that surrounds it, but you know, if you're minding enough metal,

642
00:38:17.679 --> 00:38:18.199
<v Speaker 1>you can get.

643
00:38:18.119 --> 00:38:18.519
<v Speaker 4>A lot.

644
00:38:20.159 --> 00:38:22.920
<v Speaker 9>Interesting. Yeah, no, thank you for sharing that, man, that's great.

645
00:38:23.360 --> 00:38:25.880
<v Speaker 9>Makes a lot of sense. One of the things I

646
00:38:25.960 --> 00:38:28.800
<v Speaker 9>was gonna add on to what Nick was saying about

647
00:38:28.800 --> 00:38:33.519
<v Speaker 9>the hero's journey being mercurial in nature basically essentially, right, dude,

648
00:38:33.639 --> 00:38:35.760
<v Speaker 9>I can't tell you. I went to film school, so

649
00:38:36.519 --> 00:38:38.119
<v Speaker 9>I mean, for what it's worth, it was just a

650
00:38:38.239 --> 00:38:42.239
<v Speaker 9>rinkyding film school in Portland. But you know, I'm always

651
00:38:42.320 --> 00:38:44.920
<v Speaker 9>decoding when I'm watching stuff, I'm sure, just like all

652
00:38:44.960 --> 00:38:48.519
<v Speaker 9>of you guys and whatever. But ever since I really

653
00:38:48.599 --> 00:38:53.760
<v Speaker 9>got into mercurial symbolism. Man, Almost every single protagonist, maybe

654
00:38:53.800 --> 00:38:56.079
<v Speaker 9>all of them, I have the exact same opinion, dude,

655
00:38:56.079 --> 00:38:59.599
<v Speaker 9>where I'm like, this is freaking mercury. If there's any

656
00:38:59.719 --> 00:39:04.000
<v Speaker 9>plan terry correspondence here or whatever, I'm like, this is mercury.

657
00:39:04.119 --> 00:39:07.920
<v Speaker 9>So I think that's actually the hidden correspondence essentially with

658
00:39:08.119 --> 00:39:11.840
<v Speaker 9>protagonists is that it is actually mercury, because what we

659
00:39:12.000 --> 00:39:16.199
<v Speaker 9>want to see the hero's journey is about change being mercurial,

660
00:39:16.760 --> 00:39:20.440
<v Speaker 9>right right, traveling, you know, and going through this journey,

661
00:39:21.000 --> 00:39:22.119
<v Speaker 9>you know, whatever it might be.

662
00:39:22.360 --> 00:39:27.519
<v Speaker 3>So there's some movies though that really really are highly.

663
00:39:27.320 --> 00:39:30.199
<v Speaker 9>Aware of this dynamic in my opinion, and just because

664
00:39:30.199 --> 00:39:32.599
<v Speaker 9>it's a classic movie that like everyone is familiar with

665
00:39:32.920 --> 00:39:36.119
<v Speaker 9>and it does a pretty good job doing it esoterically.

666
00:39:36.239 --> 00:39:41.079
<v Speaker 9>The matrix, you know, Neo is basically a mercurial figure. Yeah,

667
00:39:41.280 --> 00:39:43.679
<v Speaker 9>he's writing the Chariot when he's got those twins Chason them.

668
00:39:44.239 --> 00:39:45.599
<v Speaker 3>Oh yeah, yeah.

669
00:39:45.679 --> 00:39:45.840
<v Speaker 2>Yeah.

670
00:39:45.920 --> 00:39:47.840
<v Speaker 9>There's some Chariot cards, by the way that I have

671
00:39:49.480 --> 00:39:53.239
<v Speaker 9>one in particular by this creator. Her name is Barbara Walker.

672
00:39:53.320 --> 00:39:56.000
<v Speaker 9>She's actually a really great symbologist. She has a few

673
00:39:56.159 --> 00:39:59.440
<v Speaker 9>really awesome symbology books and she did her own deck,

674
00:39:59.559 --> 00:40:02.280
<v Speaker 9>so she is like really schooled on mythology and things

675
00:40:02.320 --> 00:40:05.000
<v Speaker 9>like that. She put the glyph of mercury on the

676
00:40:05.079 --> 00:40:07.840
<v Speaker 9>front of the chariot in the chariot card, which is

677
00:40:07.920 --> 00:40:10.679
<v Speaker 9>ruled by cancer, but she knows the symbolism, so she

678
00:40:10.800 --> 00:40:13.480
<v Speaker 9>put mercury right there. And I'm like, that is really awesome.

679
00:40:14.199 --> 00:40:18.039
<v Speaker 9>But at the end of the movie, Neo, and there's

680
00:40:18.039 --> 00:40:19.840
<v Speaker 9>so much green in the movie too, right, the color

681
00:40:19.840 --> 00:40:23.239
<v Speaker 9>of mercury, the heart chakra, right, the color of nature.

682
00:40:23.480 --> 00:40:23.599
<v Speaker 2>Right.

683
00:40:25.559 --> 00:40:27.679
<v Speaker 9>And so at the very end of the movie, he's

684
00:40:27.719 --> 00:40:30.320
<v Speaker 9>in a phone booth he does like the final call

685
00:40:30.480 --> 00:40:35.239
<v Speaker 9>or whatever. He walks outside he's at an intersection, aka

686
00:40:35.559 --> 00:40:39.880
<v Speaker 9>the crossroads. Right, Mercury has a lot of symbolism related

687
00:40:39.920 --> 00:40:45.159
<v Speaker 9>to crossroad symbolism. The crossroad is the point of ascension,

688
00:40:45.320 --> 00:40:47.400
<v Speaker 9>and it's a transcendental sort of thing.

689
00:40:47.599 --> 00:40:47.719
<v Speaker 2>Right.

690
00:40:48.119 --> 00:40:50.639
<v Speaker 9>I almost think if you look at a cross literally,

691
00:40:50.760 --> 00:40:53.400
<v Speaker 9>you have the four quadrants or the four arms, So

692
00:40:53.519 --> 00:40:55.880
<v Speaker 9>the number four relates to the cross but that center

693
00:40:56.119 --> 00:40:59.400
<v Speaker 9>point where the vertical and horizontal meat that is the

694
00:40:59.519 --> 00:41:02.519
<v Speaker 9>fifth point point, So that's like the transcendental point. I'm

695
00:41:02.599 --> 00:41:05.280
<v Speaker 9>kind of inclined to think that the cross when it's

696
00:41:05.440 --> 00:41:08.519
<v Speaker 9>you see them in graveyards and stuff like that. Symbolically,

697
00:41:08.800 --> 00:41:11.760
<v Speaker 9>there is a thing about people crossing over, right with

698
00:41:11.880 --> 00:41:17.199
<v Speaker 9>this cross and Neo walks out of the phone booth

699
00:41:17.360 --> 00:41:19.480
<v Speaker 9>at the crossroads, and then that's the first time you

700
00:41:19.519 --> 00:41:22.119
<v Speaker 9>see him fly basically, right, he like literally just takes

701
00:41:22.159 --> 00:41:25.079
<v Speaker 9>off like Superman or whatever. And so to me, I'm

702
00:41:25.199 --> 00:41:28.199
<v Speaker 9>just like that is all basically encoding some of the

703
00:41:28.239 --> 00:41:29.280
<v Speaker 9>things we're kind of talking about.

704
00:41:29.320 --> 00:41:31.400
<v Speaker 12>Right, Hey, what you're saying, you're.

705
00:41:31.800 --> 00:41:37.480
<v Speaker 5>In your transcendental with mercury, isn't it in Gene help

706
00:41:37.519 --> 00:41:39.920
<v Speaker 5>me out? I think, isn't the first Emperor of China

707
00:41:40.000 --> 00:41:43.280
<v Speaker 5>buried over the river of mercury? I do know that

708
00:41:43.400 --> 00:41:49.840
<v Speaker 5>with the feathered serpentzecaudalaal He, the temple itself has a

709
00:41:50.039 --> 00:41:54.960
<v Speaker 5>large deposit of mercury in it. And so when you

710
00:41:55.039 --> 00:41:59.840
<v Speaker 5>were talking about crossing over or having this transcendental moment,

711
00:42:00.159 --> 00:42:01.760
<v Speaker 5>it reminded me of those two things.

712
00:42:03.840 --> 00:42:06.840
<v Speaker 10>I was gonna mention when you you mentioned the red

713
00:42:07.239 --> 00:42:14.480
<v Speaker 10>uh Herb. The Chinese were both what wasn't Lisa, I

714
00:42:14.559 --> 00:42:19.199
<v Speaker 10>think was it the first? Yes? Yeah, the Chinese were

715
00:42:19.519 --> 00:42:28.119
<v Speaker 10>uh obsessed with cinnebar and in not only internally, but

716
00:42:28.400 --> 00:42:31.280
<v Speaker 10>I think ceremonially as well. Sorry about that, Maria.

717
00:42:34.639 --> 00:42:37.159
<v Speaker 4>Oh yeah, So I'll just add really quick like cinnabar

718
00:42:37.159 --> 00:42:42.039
<v Speaker 4>are still really popularly Houston t c M for skin formulations,

719
00:42:42.559 --> 00:42:46.639
<v Speaker 4>and it is considered to be herb of Mars in particular.

720
00:42:47.119 --> 00:42:50.480
<v Speaker 4>But there's an interesting element and I wanted to bring

721
00:42:50.559 --> 00:42:52.559
<v Speaker 4>this up later when Nick had my slides, but I'll

722
00:42:52.639 --> 00:42:55.719
<v Speaker 4>just mention it now. Is the thing about quicksilver and

723
00:42:55.840 --> 00:43:00.000
<v Speaker 4>mercury mixed together. It's it's actually a treatment for nerves.

724
00:43:00.159 --> 00:43:03.199
<v Speaker 4>Like Lisa, you brought up the thing about the in

725
00:43:03.280 --> 00:43:07.320
<v Speaker 4>the penis is connection to the spine. Well, there's even

726
00:43:07.360 --> 00:43:10.559
<v Speaker 4>an idea in TNTRA there that the tip is green.

727
00:43:11.119 --> 00:43:13.679
<v Speaker 4>Like bringing up this green because most people don't associate

728
00:43:13.960 --> 00:43:17.480
<v Speaker 4>green with mercury all the time, even in cabala, Like

729
00:43:17.559 --> 00:43:21.079
<v Speaker 4>if you look at a hermetic tree, it's often orange,

730
00:43:21.800 --> 00:43:26.079
<v Speaker 4>but really in contra it's green. So it's but it's

731
00:43:26.199 --> 00:43:30.800
<v Speaker 4>emerald green. It's green with light passing through. So this

732
00:43:31.000 --> 00:43:33.880
<v Speaker 4>is the really important distinction from like venus or nuts.

733
00:43:33.920 --> 00:43:37.079
<v Speaker 4>So that's like a jade color or a copper color

734
00:43:37.159 --> 00:43:39.519
<v Speaker 4>that's been oxidized. But to bring it back to the

735
00:43:39.639 --> 00:43:43.559
<v Speaker 4>quicksilver and cinebar. It is said that quicksilver actually dissolves

736
00:43:44.000 --> 00:43:47.920
<v Speaker 4>the cinnabar to make it more less toxic. So when

737
00:43:47.960 --> 00:43:51.000
<v Speaker 4>you're using in a formula, it kind of corrodes, just

738
00:43:51.079 --> 00:43:53.440
<v Speaker 4>like it corrodes copper, So it corodes.

739
00:43:53.239 --> 00:43:56.239
<v Speaker 6>Has the element to like Robbie was saying, the flux.

740
00:43:56.719 --> 00:44:00.599
<v Speaker 4>It is the flux that kind of corrodes both cinnabar

741
00:44:01.199 --> 00:44:03.519
<v Speaker 4>and copper at the same time. So it's used in

742
00:44:03.599 --> 00:44:06.719
<v Speaker 4>nerve formulas when it is treated or processed a not

743
00:44:06.840 --> 00:44:11.000
<v Speaker 4>specific way, but often for scorpion bites, cinnebar, and any

744
00:44:11.159 --> 00:44:12.639
<v Speaker 4>kind of raised boils.

745
00:44:12.679 --> 00:44:15.159
<v Speaker 6>I know we brought up the scorpion thing last.

746
00:44:15.000 --> 00:44:18.079
<v Speaker 4>Time, but I have so much more notes, but I'll wait,

747
00:44:18.239 --> 00:44:21.000
<v Speaker 4>I'll wait till until you're done by Sorry.

748
00:44:21.639 --> 00:44:23.400
<v Speaker 3>Oh you're good man. This is awesome.

749
00:44:24.760 --> 00:44:27.760
<v Speaker 1>That patina color is just so perfect as the example

750
00:44:27.840 --> 00:44:31.280
<v Speaker 1>of mercury because it's the metal and it's also what

751
00:44:31.840 --> 00:44:36.760
<v Speaker 1>combines with venus or copper, so it's got it's got

752
00:44:36.800 --> 00:44:37.960
<v Speaker 1>all the symbols right in there.

753
00:44:39.159 --> 00:44:42.719
<v Speaker 11>Well yeah, copper as it patina as the patinas it

754
00:44:42.840 --> 00:44:44.119
<v Speaker 11>turns that green.

755
00:44:45.679 --> 00:44:47.400
<v Speaker 3>Yeah yeah, yeah, that's right.

756
00:44:47.440 --> 00:44:52.320
<v Speaker 9>And Jen, I'm glad you mentioned emeralds absolutely, and I'm

757
00:44:52.360 --> 00:44:55.559
<v Speaker 9>inclined to think that this is somewhat part of the

758
00:44:55.639 --> 00:44:59.440
<v Speaker 9>inspiration for Emerald City where in the Wizard of Oz, right,

759
00:44:59.599 --> 00:45:02.400
<v Speaker 9>and so Emerald City apparently when you read the source

760
00:45:02.480 --> 00:45:05.760
<v Speaker 9>material of the books, it's known that Emerald City is

761
00:45:05.800 --> 00:45:08.400
<v Speaker 9>in the middle of Oz, So they're actually going to

762
00:45:09.000 --> 00:45:12.920
<v Speaker 9>the center of Oz, essentially the sacred center, right, and

763
00:45:13.079 --> 00:45:17.880
<v Speaker 9>then that's where the wizard is, right, and so wizardry magic,

764
00:45:18.199 --> 00:45:20.760
<v Speaker 9>you know, all these different types of things heavily related

765
00:45:20.800 --> 00:45:21.400
<v Speaker 9>to mercury.

766
00:45:22.079 --> 00:45:22.480
<v Speaker 3>For sure.

767
00:45:24.679 --> 00:45:27.000
<v Speaker 1>I was going to say about the mercury under the ground.

768
00:45:27.079 --> 00:45:31.360
<v Speaker 1>So at Tao Tucon they found a scale model of

769
00:45:31.840 --> 00:45:34.639
<v Speaker 1>Tao Tuacan under the ground in front of the Temple

770
00:45:34.719 --> 00:45:38.440
<v Speaker 1>of the Sun, and that scale model had this river

771
00:45:38.599 --> 00:45:43.039
<v Speaker 1>of mercury flowing through it somehow. And what's interesting about

772
00:45:43.199 --> 00:45:45.880
<v Speaker 1>both Teo Tuacan and the sites in China with these

773
00:45:45.960 --> 00:45:51.960
<v Speaker 1>underground mercury rivers is that it's it's like there's constant

774
00:45:52.079 --> 00:45:56.840
<v Speaker 1>sightings around these areas of UFOs, but never over the areas.

775
00:45:57.119 --> 00:45:59.599
<v Speaker 1>So if you want to keep the aliens away from you,

776
00:45:59.719 --> 00:46:02.239
<v Speaker 1>you need the subterranean river of mercury.

777
00:46:02.719 --> 00:46:07.920
<v Speaker 11>And then well, the problem heard that they took mercury

778
00:46:08.360 --> 00:46:11.559
<v Speaker 11>and filled up pools so that they could stand on

779
00:46:11.679 --> 00:46:14.119
<v Speaker 11>top of the pyramids and look down.

780
00:46:14.039 --> 00:46:15.320
<v Speaker 10>To observe the stars.

781
00:46:16.119 --> 00:46:18.159
<v Speaker 11>So you know, there's mercury.

782
00:46:18.360 --> 00:46:19.159
<v Speaker 10>Just you can go.

783
00:46:19.719 --> 00:46:21.440
<v Speaker 11>We can go for days and days and days.

784
00:46:21.880 --> 00:46:25.760
<v Speaker 9>Absolutely. Some people say that it's either mercury or red mercury,

785
00:46:25.800 --> 00:46:28.119
<v Speaker 9>which is a whole nother rabbit hole too. That's sort

786
00:46:28.159 --> 00:46:31.599
<v Speaker 9>of the secret for like levitation and for creating UFOs

787
00:46:31.679 --> 00:46:32.519
<v Speaker 9>and things like that.

788
00:46:33.039 --> 00:46:35.920
<v Speaker 11>And it was the Pyramid of the Vulture that they

789
00:46:36.000 --> 00:46:39.599
<v Speaker 11>found a chamber of red mercury in South America.

790
00:46:40.239 --> 00:46:42.719
<v Speaker 3>So yeah, yeah, nice, nice, that's awesome.

791
00:46:44.079 --> 00:46:46.719
<v Speaker 9>Yeah, maybe dude, you can share a couple of my

792
00:46:46.840 --> 00:46:49.559
<v Speaker 9>slides because there's a few points that I think looking

793
00:46:49.639 --> 00:46:51.880
<v Speaker 9>at some of this artwork visually would be helpful. So

794
00:46:51.880 --> 00:46:55.920
<v Speaker 9>I'm thinking of number five and then also number eight,

795
00:46:56.199 --> 00:46:58.119
<v Speaker 9>but there's other things too that I think will kind of,

796
00:46:58.880 --> 00:47:01.400
<v Speaker 9>you know, take the conversation where it needs to go.

797
00:47:03.079 --> 00:47:03.559
<v Speaker 12>Here you go.

798
00:47:04.920 --> 00:47:08.840
<v Speaker 9>But basically, you know, when you look at some mercurial figures,

799
00:47:10.320 --> 00:47:14.199
<v Speaker 9>what I've noticed is that and you guys can help

800
00:47:14.239 --> 00:47:17.119
<v Speaker 9>me out with the right terminology here, they're either the

801
00:47:17.199 --> 00:47:21.280
<v Speaker 9>synthesis of the masculine and the feminine, or they operate

802
00:47:21.360 --> 00:47:25.119
<v Speaker 9>outside of the feminine and the masculine, something along these lines.

803
00:47:25.159 --> 00:47:27.400
<v Speaker 9>But I think that this is a good example of that,

804
00:47:28.079 --> 00:47:30.800
<v Speaker 9>where you have a clear mercurial figure in the middle, right,

805
00:47:31.119 --> 00:47:33.760
<v Speaker 9>his phallus is out in the open, he has mercury

806
00:47:33.800 --> 00:47:37.239
<v Speaker 9>on top of his head, he has two caduceiuses in

807
00:47:37.360 --> 00:47:40.639
<v Speaker 9>his hands. And then you have a figure on the

808
00:47:40.719 --> 00:47:43.480
<v Speaker 9>left more emblematic of the sun because the sun is

809
00:47:43.519 --> 00:47:47.119
<v Speaker 9>on the left hand side. He has a club, and

810
00:47:47.199 --> 00:47:49.559
<v Speaker 9>then on the right a figure that's more emblematic of

811
00:47:49.599 --> 00:47:51.960
<v Speaker 9>the moon because the moon is on the right hand side.

812
00:47:52.760 --> 00:47:56.679
<v Speaker 9>And what I'm inclined to think is that a lot

813
00:47:56.760 --> 00:48:01.119
<v Speaker 9>of teachers from the ancient world are associated with mercury basically,

814
00:48:01.800 --> 00:48:04.480
<v Speaker 9>and this relates to the wild man green man sort

815
00:48:04.519 --> 00:48:08.760
<v Speaker 9>of thing, that their wisdom comes from a previous age.

816
00:48:09.159 --> 00:48:12.840
<v Speaker 9>And I'm inclined to think that this is polar in nature.

817
00:48:13.360 --> 00:48:18.280
<v Speaker 9>So once again, solar symbolism on the left, lunar symbolism

818
00:48:18.360 --> 00:48:22.320
<v Speaker 9>on the right, polar symbolism in the middle. That polar

819
00:48:22.440 --> 00:48:26.239
<v Speaker 9>symbolism is more primordial, right, And so I think that

820
00:48:26.360 --> 00:48:28.599
<v Speaker 9>this is what you see again in the Taro where

821
00:48:28.639 --> 00:48:30.280
<v Speaker 9>the fool is always carrying.

822
00:48:30.039 --> 00:48:32.199
<v Speaker 3>A pole with him. That's not a mistake.

823
00:48:33.039 --> 00:48:35.079
<v Speaker 9>A lot of green men or a lot of wild

824
00:48:35.159 --> 00:48:37.920
<v Speaker 9>man sort of figures, they're always with a staff or

825
00:48:37.960 --> 00:48:41.880
<v Speaker 9>they're always with a pole. This relates to that tradition,

826
00:48:41.960 --> 00:48:45.760
<v Speaker 9>which is also referred to as the mystic pole tradition basically, right,

827
00:48:46.280 --> 00:48:49.840
<v Speaker 9>And so I'm inclined to think that Mercury's origins basically

828
00:48:49.920 --> 00:48:52.440
<v Speaker 9>are with all of this polar sort of stuff. But

829
00:48:52.519 --> 00:48:54.480
<v Speaker 9>if you didn't know about any of that symbolism, I

830
00:48:54.519 --> 00:48:56.599
<v Speaker 9>think it'd be kind of harder to pick up. And

831
00:48:56.679 --> 00:48:59.320
<v Speaker 9>I think that if you go to the eighth slide,

832
00:48:59.559 --> 00:49:03.960
<v Speaker 9>number eight eight, you'll see Hermes Trismegistus, and basically it's

833
00:49:04.000 --> 00:49:07.119
<v Speaker 9>a different sort of layout, but I think it's communicating

834
00:49:07.199 --> 00:49:11.920
<v Speaker 9>some of the same symbolism in that you have he's

835
00:49:12.039 --> 00:49:15.880
<v Speaker 9>operating outside almost of the lunar solar paradigm or something

836
00:49:15.920 --> 00:49:19.079
<v Speaker 9>along these lines, right, he predates it, and so you

837
00:49:19.239 --> 00:49:21.039
<v Speaker 9>have the sun on the top and then you have

838
00:49:21.199 --> 00:49:24.320
<v Speaker 9>the moon on the bottom, and he's operating outside of that,

839
00:49:24.920 --> 00:49:27.840
<v Speaker 9>and he's holding what he's holding a pole, right, and

840
00:49:27.960 --> 00:49:31.280
<v Speaker 9>so that pole has a sphere on it, And to me,

841
00:49:31.480 --> 00:49:33.639
<v Speaker 9>this is like a clear sort of acknowledgment of the

842
00:49:33.679 --> 00:49:36.960
<v Speaker 9>world axis, sort of this symbolic bridge to other planes,

843
00:49:37.039 --> 00:49:40.119
<v Speaker 9>the north pole or whatever you want to say. But

844
00:49:40.239 --> 00:49:44.320
<v Speaker 9>Hermie's trismagist is his wisdom. Their wisdom, mercurial figures. You know,

845
00:49:44.519 --> 00:49:46.960
<v Speaker 9>they know things that modern people don't know. So I

846
00:49:47.000 --> 00:49:49.719
<v Speaker 9>think sometimes, like in the last slide that we just

847
00:49:49.840 --> 00:49:56.880
<v Speaker 9>looked at, solar lunar people are trying to basically, you know,

848
00:49:57.199 --> 00:50:00.719
<v Speaker 9>hurt Mercury because he comes from a previous age. It's

849
00:50:00.719 --> 00:50:02.960
<v Speaker 9>almost symbolically kind of showing the passage of time in

850
00:50:03.000 --> 00:50:06.400
<v Speaker 9>a way. You know that the mercurial wisdom is something

851
00:50:06.440 --> 00:50:08.679
<v Speaker 9>that is ancient, so much so that I think that

852
00:50:08.800 --> 00:50:11.880
<v Speaker 9>modern people have a hard time either respecting it or

853
00:50:11.960 --> 00:50:14.360
<v Speaker 9>understanding it or something along these lines. But what do

854
00:50:14.400 --> 00:50:15.159
<v Speaker 9>you guys think about this?

855
00:50:16.800 --> 00:50:20.840
<v Speaker 10>So please go ahead, Oh, I was gonna say.

856
00:50:20.920 --> 00:50:24.559
<v Speaker 11>So, when you go back to the prediluvion stories of

857
00:50:24.719 --> 00:50:27.639
<v Speaker 11>the original pill the two pillars that were set up,

858
00:50:27.960 --> 00:50:31.079
<v Speaker 11>one was brick and one was lattice. One of those

859
00:50:31.320 --> 00:50:35.519
<v Speaker 11>pillars was said to be established by Hermes as a

860
00:50:35.639 --> 00:50:39.280
<v Speaker 11>pre Deluvian Hermes, and then it was a post alluvion

861
00:50:39.559 --> 00:50:43.360
<v Speaker 11>of different Hermes in the same line that basically found

862
00:50:43.519 --> 00:50:46.480
<v Speaker 11>that and deciphered it and as thought and gave it

863
00:50:46.599 --> 00:50:49.920
<v Speaker 11>to the priests and basically was seen in high regard.

864
00:50:50.280 --> 00:50:53.679
<v Speaker 11>So there is this sense of a post Alluvian or

865
00:50:53.760 --> 00:50:59.000
<v Speaker 11>prediluvian post Alluvian kind of information system that carries through

866
00:50:59.199 --> 00:51:01.800
<v Speaker 11>from and heading into the polestar and the changing of

867
00:51:01.880 --> 00:51:05.280
<v Speaker 11>the polestar potential Earth changes, et cetera, et cetera.

868
00:51:08.639 --> 00:51:12.840
<v Speaker 10>I was that's that's amazing. I was going to add

869
00:51:12.920 --> 00:51:16.360
<v Speaker 10>that the that you have the polarity of the sun

870
00:51:16.440 --> 00:51:20.400
<v Speaker 10>and the moon, which harken back to your concept of

871
00:51:20.519 --> 00:51:24.920
<v Speaker 10>the pillars, and then the third who's kind of you know,

872
00:51:25.199 --> 00:51:30.199
<v Speaker 10>in in concert with the two polarity systems there and

873
00:51:30.480 --> 00:51:35.679
<v Speaker 10>also that trinity that beckons to the trice great and

874
00:51:36.239 --> 00:51:41.760
<v Speaker 10>and I believe that kind of in in regards to surpassing.

875
00:51:41.840 --> 00:51:48.400
<v Speaker 10>It's also the sense of mastering these three worlds of high, Middle,

876
00:51:48.599 --> 00:51:54.519
<v Speaker 10>Low or heaven, Earth and man or and sometimes referred

877
00:51:54.559 --> 00:51:59.440
<v Speaker 10>to or could be demonstrated as the priestly, the king,

878
00:52:00.159 --> 00:52:04.920
<v Speaker 10>and the philosopher. Many times it's been regarded that way,

879
00:52:05.000 --> 00:52:07.960
<v Speaker 10>but you could also think of it as mastering psyche

880
00:52:08.679 --> 00:52:14.440
<v Speaker 10>or politics excuse me, and politics, the political state systems

881
00:52:14.679 --> 00:52:21.719
<v Speaker 10>and the you know nature of a high place. So

882
00:52:21.880 --> 00:52:25.719
<v Speaker 10>there's that those trinities are are right there. And I

883
00:52:26.079 --> 00:52:30.639
<v Speaker 10>feel like to your point of the crossroads too. In

884
00:52:31.480 --> 00:52:35.039
<v Speaker 10>Egyptian concept of life and death, which of course they're

885
00:52:35.679 --> 00:52:40.719
<v Speaker 10>obsessed with, there's the two main worlds maybe in that

886
00:52:40.920 --> 00:52:46.840
<v Speaker 10>crossroads idea of the living and the dead, and there's also, uh,

887
00:52:47.559 --> 00:52:51.320
<v Speaker 10>the realm of the gods, and they weren't really it

888
00:52:51.440 --> 00:52:54.280
<v Speaker 10>wasn't easy for them to just come to Earth like

889
00:52:54.599 --> 00:52:58.719
<v Speaker 10>except for Hermes and both rather and there was also

890
00:52:59.000 --> 00:53:03.679
<v Speaker 10>the fourth day mentioned in that where sometimes if a

891
00:53:03.840 --> 00:53:09.119
<v Speaker 10>person was exceptional both of course there was a way

892
00:53:09.239 --> 00:53:15.400
<v Speaker 10>to kind of visit the godly realm for a mortal,

893
00:53:15.960 --> 00:53:19.920
<v Speaker 10>but normally it was those main three and then this

894
00:53:20.119 --> 00:53:24.920
<v Speaker 10>other one that was like exceptional an exception. Thanks for

895
00:53:25.039 --> 00:53:25.480
<v Speaker 10>letting me soon.

896
00:53:26.960 --> 00:53:30.000
<v Speaker 1>Well, what is that to me is the auras around

897
00:53:30.360 --> 00:53:32.760
<v Speaker 1>the sun and the moon there, so you've got that

898
00:53:33.079 --> 00:53:37.239
<v Speaker 1>kind of X shape between the two and around the

899
00:53:37.400 --> 00:53:40.039
<v Speaker 1>sun you get the rays coming off of the sun.

900
00:53:40.119 --> 00:53:42.960
<v Speaker 1>But then outside of that it sort of seems like

901
00:53:43.239 --> 00:53:47.039
<v Speaker 1>you've got this implosion force. Right, So to me with

902
00:53:47.199 --> 00:53:50.320
<v Speaker 1>that sort of indicating is some kind of an ether, right,

903
00:53:50.400 --> 00:53:54.000
<v Speaker 1>So there's an etheric connection between both the Sun and

904
00:53:54.119 --> 00:53:57.039
<v Speaker 1>the moon, and the way that they're depicting them like

905
00:53:57.199 --> 00:54:01.079
<v Speaker 1>right over top of each other indicates I think a

906
00:54:01.239 --> 00:54:07.360
<v Speaker 1>kind of maybe a conjunction maybe talking about the eclipse

907
00:54:08.159 --> 00:54:11.199
<v Speaker 1>having that kind of like moving into that eclipse you

908
00:54:11.280 --> 00:54:14.920
<v Speaker 1>get a different change in the energy the ether around them.

909
00:54:15.599 --> 00:54:17.800
<v Speaker 3>Mm hmm. Yeah.

910
00:54:17.920 --> 00:54:21.639
<v Speaker 12>Interesting, you can see that's the separation on it.

911
00:54:22.239 --> 00:54:23.760
<v Speaker 9>When it comes to rays, one of the things I've

912
00:54:23.760 --> 00:54:26.280
<v Speaker 9>picked up symbolically, I just think it's interesting and when

913
00:54:26.320 --> 00:54:28.679
<v Speaker 9>I see stuff like this now, I definitely take it

914
00:54:28.679 --> 00:54:32.159
<v Speaker 9>into account. But when you see a the ray of

915
00:54:32.239 --> 00:54:35.440
<v Speaker 9>a sun and it's wavy, I've heard symbolically that's more

916
00:54:35.480 --> 00:54:38.400
<v Speaker 9>indicative of heat, and when you see it and it's

917
00:54:38.440 --> 00:54:41.559
<v Speaker 9>straight out, like spokes on a wheel, that that's more

918
00:54:41.599 --> 00:54:42.519
<v Speaker 9>indicative of light.

919
00:54:43.239 --> 00:54:46.320
<v Speaker 3>And so there's like probably both of that going on here.

920
00:54:46.400 --> 00:54:49.400
<v Speaker 9>It seems like right, the big fat sort of wavy

921
00:54:49.559 --> 00:54:51.880
<v Speaker 9>rays and then the straight ones behind it.

922
00:54:52.559 --> 00:54:55.079
<v Speaker 5>In some of the ancient plates, you see exactly that

923
00:54:55.239 --> 00:54:58.679
<v Speaker 5>the wavy and the straight, and that's indicative of them

924
00:54:58.800 --> 00:55:01.519
<v Speaker 5>trying to emulate that it was both heat and light.

925
00:55:03.519 --> 00:55:03.960
<v Speaker 3>Cha, gotcha.

926
00:55:04.079 --> 00:55:06.599
<v Speaker 12>Yeah, you know something I have wondered about.

927
00:55:07.320 --> 00:55:09.320
<v Speaker 8>And I don't know if this plays into anything worth

928
00:55:09.360 --> 00:55:12.119
<v Speaker 8>a you know, cult symbolism or mercury, but I mean

929
00:55:12.159 --> 00:55:13.840
<v Speaker 8>I do find it interesting. I mean, you just think

930
00:55:13.880 --> 00:55:16.119
<v Speaker 8>as simple as a thermometer, I mean, if you add

931
00:55:16.159 --> 00:55:20.199
<v Speaker 8>heat to it, it's gonna like yeah, I mean technically,

932
00:55:20.239 --> 00:55:22.400
<v Speaker 8>I means it defined gravity. I don't know if whatever

933
00:55:22.559 --> 00:55:25.039
<v Speaker 8>that is, you know, gravity, but I mean you add

934
00:55:25.159 --> 00:55:26.559
<v Speaker 8>heat to it, it's going to move in a different

935
00:55:26.599 --> 00:55:27.400
<v Speaker 8>direction that it's at.

936
00:55:28.360 --> 00:55:29.760
<v Speaker 11>Well, I think it's just expanding.

937
00:55:31.679 --> 00:55:32.280
<v Speaker 2>Yeah.

938
00:55:32.320 --> 00:55:32.480
<v Speaker 6>Yeah.

939
00:55:34.039 --> 00:55:37.400
<v Speaker 1>Well, what he's also showing though, is that as he's

940
00:55:37.480 --> 00:55:40.400
<v Speaker 1>pointing downward, you know, you've got the eyes above, so below.

941
00:55:41.480 --> 00:55:45.760
<v Speaker 1>He's putting the pole above or as a more spiritual

942
00:55:45.880 --> 00:55:49.199
<v Speaker 1>concept than the lower concept of both the sun and

943
00:55:49.239 --> 00:55:51.719
<v Speaker 1>the moon. So he's sort of saying this is a

944
00:55:51.800 --> 00:55:55.239
<v Speaker 1>reflection of somehow the polar symbolism.

945
00:55:57.440 --> 00:55:59.639
<v Speaker 9>So maybe you guys can help me out here. Is

946
00:55:59.679 --> 00:56:02.840
<v Speaker 9>this a statement polarity precedes duality?

947
00:56:04.519 --> 00:56:10.920
<v Speaker 1>Yeah, yeah, because condensation would cause the polarity to then

948
00:56:11.119 --> 00:56:14.679
<v Speaker 1>form the duality, you know, because as they've sort of separated,

949
00:56:15.000 --> 00:56:18.760
<v Speaker 1>then you've got the two masses now being in contrast

950
00:56:18.800 --> 00:56:19.320
<v Speaker 1>to one another.

951
00:56:21.559 --> 00:56:23.920
<v Speaker 10>I didn't see it before. But as you're speaking of

952
00:56:24.000 --> 00:56:26.639
<v Speaker 10>the polarity, there's in the two worlds of the Sun

953
00:56:26.719 --> 00:56:30.039
<v Speaker 10>and the Moon, there's that eight, or there's essentially an

954
00:56:30.079 --> 00:56:33.079
<v Speaker 10>eight in that fiery formation there between.

955
00:56:33.119 --> 00:56:34.039
<v Speaker 3>Oh that's excellent man.

956
00:56:34.199 --> 00:56:34.400
<v Speaker 2>Yeah.

957
00:56:34.800 --> 00:56:39.880
<v Speaker 9>So Mercury's cycle is eighty eight days for one vitation, right,

958
00:56:39.920 --> 00:56:43.280
<v Speaker 9>the fastest planet. So that actually makes it very tricky

959
00:56:43.639 --> 00:56:45.639
<v Speaker 9>to see in the night sky, so you actually have

960
00:56:45.760 --> 00:56:48.280
<v Speaker 9>to go out of your way to see Mercury. Essentially,

961
00:56:49.280 --> 00:56:49.920
<v Speaker 9>can I can.

962
00:56:49.880 --> 00:56:53.440
<v Speaker 5>I inject quick? Can we go back to the previous life?

963
00:56:54.079 --> 00:56:55.000
<v Speaker 12>Yeah? Sorry about that?

964
00:56:55.760 --> 00:56:58.159
<v Speaker 5>No, no, no, you're gold probably wants to move on,

965
00:56:58.280 --> 00:56:59.559
<v Speaker 5>but I was like, I want to say something.

966
00:57:00.199 --> 00:57:00.519
<v Speaker 3>You're good.

967
00:57:01.440 --> 00:57:03.800
<v Speaker 5>So this image right here reminds me of something that

968
00:57:03.920 --> 00:57:07.159
<v Speaker 5>Nick and I had discussed. So we were talking about

969
00:57:07.199 --> 00:57:12.559
<v Speaker 5>retrograde and how the concept of retrograde is that you

970
00:57:13.280 --> 00:57:17.320
<v Speaker 5>mercury appears as it's going backwards, and so to me,

971
00:57:17.480 --> 00:57:22.400
<v Speaker 5>immediately I think mercury going forwards, mercury going backwards, And

972
00:57:22.760 --> 00:57:27.440
<v Speaker 5>you can only see mercury retrograde or mercury going backwards

973
00:57:27.559 --> 00:57:31.159
<v Speaker 5>if you are on planet Earth, so to speak, and

974
00:57:31.320 --> 00:57:35.440
<v Speaker 5>that it is the way that it circles around the Sun.

975
00:57:35.840 --> 00:57:40.199
<v Speaker 5>Itself to where you know, you're going whatever faster than

976
00:57:40.320 --> 00:57:43.719
<v Speaker 5>Mercury at some point, and then it looks like Mercury's

977
00:57:43.760 --> 00:57:45.480
<v Speaker 5>going backwards, kind of like with a car when you

978
00:57:45.559 --> 00:57:47.960
<v Speaker 5>pass up a car and the car kind of looks

979
00:57:47.960 --> 00:57:49.920
<v Speaker 5>like it's going backwards, but it's not. It's just the

980
00:57:49.960 --> 00:57:53.400
<v Speaker 5>way the optical illusion is. And so with Hermes, Hermes

981
00:57:53.480 --> 00:57:57.239
<v Speaker 5>is such a duel, right, there's a duality to him,

982
00:57:57.760 --> 00:57:59.920
<v Speaker 5>and so you have the duality again sun and moon

983
00:58:00.159 --> 00:58:02.400
<v Speaker 5>and then you have the Earth. To me, that indicates

984
00:58:03.000 --> 00:58:06.599
<v Speaker 5>somewhat of maybe they could see the retrograde back then

985
00:58:07.159 --> 00:58:09.239
<v Speaker 5>and that they were trying to depict something like that.

986
00:58:09.599 --> 00:58:11.000
<v Speaker 5>But that's what that reminds me of.

987
00:58:12.360 --> 00:58:14.800
<v Speaker 1>Well, got the eighty eight day cycle too, that that

988
00:58:14.920 --> 00:58:17.039
<v Speaker 1>brings to mind the eighty eight keys of it of

989
00:58:17.159 --> 00:58:21.880
<v Speaker 1>a piano. And what Hermes is known for is being

990
00:58:21.960 --> 00:58:25.800
<v Speaker 1>the teacher of music to Apollo, and so that that

991
00:58:25.960 --> 00:58:29.440
<v Speaker 1>teacher of music angle is is you know, firmly fixed

992
00:58:29.480 --> 00:58:32.159
<v Speaker 1>in the idea of the piano and the cycle of

993
00:58:32.280 --> 00:58:33.559
<v Speaker 1>Hermei or Mercury.

994
00:58:34.280 --> 00:58:36.920
<v Speaker 9>Excellent man, Yeah, exactly right. So what I've learned is

995
00:58:37.000 --> 00:58:41.320
<v Speaker 9>that some teachers that are associated with this solar dynamic.

996
00:58:41.960 --> 00:58:44.880
<v Speaker 9>Their teacher was more polar and their teacher was more

997
00:58:44.960 --> 00:58:48.960
<v Speaker 9>mercurial basically, right, and so like like Saint John the

998
00:58:49.000 --> 00:58:52.280
<v Speaker 9>Baptist as an example, like he's a clear wild man

999
00:58:52.800 --> 00:58:55.039
<v Speaker 9>sort of figure, which relates him to the green Man too,

1000
00:58:55.679 --> 00:58:58.440
<v Speaker 9>and he's always carrying a staff or a really long

1001
00:58:58.519 --> 00:59:02.360
<v Speaker 9>crucifix basically, and so to me, there's mercurial sort of

1002
00:59:02.400 --> 00:59:05.159
<v Speaker 9>signatures all over him and his storyline all day long.

1003
00:59:05.639 --> 00:59:07.880
<v Speaker 9>And then he's you know, he taught Jesus and stuff

1004
00:59:07.880 --> 00:59:10.880
<v Speaker 9>like that. If Jesus belonged to like a sector a school,

1005
00:59:11.119 --> 00:59:13.519
<v Speaker 9>my understanding is that it would be of Saint John

1006
00:59:13.559 --> 00:59:16.239
<v Speaker 9>the Baptist. So that's just kind of like another sort

1007
00:59:16.280 --> 00:59:21.440
<v Speaker 9>of you know example there. Yeah, so who brought this

1008
00:59:21.519 --> 00:59:21.800
<v Speaker 9>one up?

1009
00:59:22.199 --> 00:59:22.719
<v Speaker 3>This image?

1010
00:59:23.199 --> 00:59:27.320
<v Speaker 8>This is Heinrich Kuhenroth's his things that he's got going

1011
00:59:27.320 --> 00:59:30.920
<v Speaker 8>on over here. And one thing that I did find

1012
00:59:30.960 --> 00:59:34.119
<v Speaker 8>this interesting, well, I mean, at least if you want,

1013
00:59:34.159 --> 00:59:36.000
<v Speaker 8>I mean it's your I think.

1014
00:59:37.519 --> 00:59:40.800
<v Speaker 5>No, I mean just when we were doing coon Roth,

1015
00:59:41.519 --> 00:59:43.199
<v Speaker 5>we were looking and I believe this is called the

1016
00:59:43.280 --> 00:59:45.920
<v Speaker 5>andrew gene. Please correct me if I'm wrong, and it's

1017
00:59:45.960 --> 00:59:50.119
<v Speaker 5>the atom androgen. And if you focus in on the

1018
00:59:50.519 --> 00:59:59.800
<v Speaker 5>actual humanoid that is depicted here. You'll see that the

1019
01:00:00.199 --> 01:00:05.119
<v Speaker 5>arms have exactly the same writing as Baphomet does the

1020
01:00:05.360 --> 01:00:10.639
<v Speaker 5>solvee and quadulile right, And when we stumbled upon it,

1021
01:00:10.760 --> 01:00:14.440
<v Speaker 5>there you go perfect. When we stumbled upon it, immediately

1022
01:00:14.880 --> 01:00:16.719
<v Speaker 5>I thought of the baph Met, right, I was like,

1023
01:00:16.800 --> 01:00:18.960
<v Speaker 5>what are the odds? Maybe I don't remember it correctly.

1024
01:00:19.559 --> 01:00:23.239
<v Speaker 5>So we went and we looked, and sure enough, Levi

1025
01:00:23.559 --> 01:00:30.519
<v Speaker 5>basically sites that his Baphamet illustration was inspired and a

1026
01:00:30.639 --> 01:00:36.320
<v Speaker 5>direct I guess nod to konroths Adam Androgeny. But one

1027
01:00:36.360 --> 01:00:38.320
<v Speaker 5>of the interesting things is, so if you look at

1028
01:00:38.639 --> 01:00:43.800
<v Speaker 5>this humanoid that Kuonroth is depicting, you clearly see a

1029
01:00:43.880 --> 01:00:48.320
<v Speaker 5>distinction in faces like female male. You see a distinction

1030
01:00:48.480 --> 01:00:52.519
<v Speaker 5>in breast or pectoralis, and you see a distinction in

1031
01:00:52.679 --> 01:00:55.079
<v Speaker 5>the arms. One is more muscular, one is a little

1032
01:00:55.119 --> 01:00:57.800
<v Speaker 5>bit more feminine. And then if you look at the abdomen,

1033
01:00:58.119 --> 01:01:00.400
<v Speaker 5>the same thing. It's not as pronun else with the

1034
01:01:00.440 --> 01:01:03.480
<v Speaker 5>rib cage kind of coming out with the more masculine

1035
01:01:03.519 --> 01:01:06.599
<v Speaker 5>one and then having that cut into the waist with

1036
01:01:06.760 --> 01:01:09.920
<v Speaker 5>the feminine. And so if you look at the bapha Met,

1037
01:01:10.159 --> 01:01:14.239
<v Speaker 5>you do see clear distinctions in pectoralis as well as

1038
01:01:14.360 --> 01:01:18.199
<v Speaker 5>well as the arms corresponding to each and then you

1039
01:01:18.320 --> 01:01:21.159
<v Speaker 5>see that kind of cut in more so on the

1040
01:01:21.480 --> 01:01:25.679
<v Speaker 5>Elephus Levi depiction, where it shows that that side is

1041
01:01:25.760 --> 01:01:27.840
<v Speaker 5>a little bit more feminine than the other one. So

1042
01:01:27.920 --> 01:01:30.199
<v Speaker 5>it was just something that we thought to mention.

1043
01:01:30.840 --> 01:01:35.360
<v Speaker 9>Oh no, yeah, that's completely relevant. I actually included Bapphamet

1044
01:01:35.719 --> 01:01:40.159
<v Speaker 9>the a leafis Levi illustration in the slides there, so

1045
01:01:40.199 --> 01:01:42.960
<v Speaker 9>if you wanted to go to the tenth slide, that's

1046
01:01:43.000 --> 01:01:47.159
<v Speaker 9>what we'll see. And when you look at the phallus

1047
01:01:47.280 --> 01:01:50.719
<v Speaker 9>of Bapphamet, the symbolic pallas, right, I mean it's a

1048
01:01:50.800 --> 01:01:53.920
<v Speaker 9>cadusius and so all a lot of the symbolism, this

1049
01:01:54.079 --> 01:01:58.639
<v Speaker 9>androgenous nature and everything completely relevant. And to me personally,

1050
01:01:58.760 --> 01:02:01.960
<v Speaker 9>when I look at that in his lap, I mean

1051
01:02:02.079 --> 01:02:05.400
<v Speaker 9>I just I once again see kind of a world

1052
01:02:05.519 --> 01:02:08.000
<v Speaker 9>axis symbol and then that arc just reminds me of

1053
01:02:08.039 --> 01:02:11.960
<v Speaker 9>firmament symbolism, you know, So that's how I kind of

1054
01:02:12.000 --> 01:02:12.400
<v Speaker 9>perceive it.

1055
01:02:13.360 --> 01:02:17.039
<v Speaker 1>Well, that that Kuna plate looks so similar to the

1056
01:02:17.280 --> 01:02:20.400
<v Speaker 1>art card from Carly's Taro.

1057
01:02:20.679 --> 01:02:24.639
<v Speaker 9>Yeah, so exactly exactly, And actually that makes perfect sense too.

1058
01:02:25.320 --> 01:02:27.840
<v Speaker 9>The art card has a lot to do with alchemy,

1059
01:02:28.400 --> 01:02:32.760
<v Speaker 9>specifically what I've heard asof alchemy. And on top of

1060
01:02:32.800 --> 01:02:34.519
<v Speaker 9>the two heads there you can see in that bird,

1061
01:02:34.559 --> 01:02:36.440
<v Speaker 9>in the body of the bird, it says Azoth right there,

1062
01:02:37.679 --> 01:02:38.519
<v Speaker 9>and it's it's.

1063
01:02:38.840 --> 01:02:40.039
<v Speaker 5>The Azoth for sure.

1064
01:02:40.400 --> 01:02:40.559
<v Speaker 2>You know.

1065
01:02:40.760 --> 01:02:43.480
<v Speaker 5>The whole if you look at it closer, is that

1066
01:02:44.239 --> 01:02:47.760
<v Speaker 5>Azoth is formed from the Latin A and Z. But

1067
01:02:47.880 --> 01:02:50.960
<v Speaker 5>it also is a nod to the Greek A alpha alpha,

1068
01:02:51.239 --> 01:02:55.760
<v Speaker 5>and then the omega as well, and then their symbolism.

1069
01:02:55.920 --> 01:02:57.760
<v Speaker 5>And there with Hebrew you have the a leaf and

1070
01:02:57.840 --> 01:03:01.000
<v Speaker 5>the towel. So he was constantly doing this, you know,

1071
01:03:01.400 --> 01:03:07.280
<v Speaker 5>trinity type symbolism all throughout with with that, and then

1072
01:03:07.320 --> 01:03:09.400
<v Speaker 5>I think on the oh, you have the sun symbol

1073
01:03:10.000 --> 01:03:12.519
<v Speaker 5>in the center where it's as a's the o itself

1074
01:03:12.760 --> 01:03:16.199
<v Speaker 5>is the Sun's symbol. So you have, you know, a

1075
01:03:16.280 --> 01:03:19.360
<v Speaker 5>nod to the sun gold or sun is the sun

1076
01:03:20.239 --> 01:03:25.519
<v Speaker 5>so right, and it's adam, so the sun is the son.

1077
01:03:28.239 --> 01:03:30.679
<v Speaker 9>Excellent. Yeah, yeah, no, I was definitely gonna bring up

1078
01:03:30.679 --> 01:03:33.119
<v Speaker 9>baph Met for sure, because.

1079
01:03:32.840 --> 01:03:34.159
<v Speaker 10>It really ahead.

1080
01:03:34.960 --> 01:03:37.199
<v Speaker 9>Oh no, no, no, no, definitely, I'm going all over

1081
01:03:37.239 --> 01:03:39.559
<v Speaker 9>the place, so I don't have like a set structure

1082
01:03:39.960 --> 01:03:40.639
<v Speaker 9>or anything like that.

1083
01:03:41.039 --> 01:03:42.320
<v Speaker 11>Mercury is all over the place.

1084
01:03:42.559 --> 01:03:45.639
<v Speaker 3>Yes, that's true, Yeah, exactly right.

1085
01:03:46.199 --> 01:03:47.800
<v Speaker 12>One thing I do want to add before we go forward.

1086
01:03:47.840 --> 01:03:49.199
<v Speaker 8>If anybody would like to be able to look at

1087
01:03:49.239 --> 01:03:51.639
<v Speaker 8>this image more, go check out a whole research institute

1088
01:03:51.679 --> 01:03:52.119
<v Speaker 8>dot org.

1089
01:03:52.400 --> 01:03:53.159
<v Speaker 12>This is only.

1090
01:03:54.920 --> 01:03:56.440
<v Speaker 3>Just because yeah, there.

1091
01:03:56.360 --> 01:03:59.559
<v Speaker 5>You go, shame, shameless plug. Anything you look at online

1092
01:03:59.719 --> 01:04:04.360
<v Speaker 5>for the Adam and drogeny is not clear at all.

1093
01:04:04.480 --> 01:04:07.719
<v Speaker 5>But Nick went and took pictures of this at the library,

1094
01:04:07.800 --> 01:04:10.360
<v Speaker 5>and that's when we use for our episode because it

1095
01:04:10.480 --> 01:04:12.000
<v Speaker 5>was the clearest one on the internet.

1096
01:04:12.159 --> 01:04:13.280
<v Speaker 10>So nice, nice.

1097
01:04:13.440 --> 01:04:15.559
<v Speaker 8>Yeah, if you go to check out this guy's book

1098
01:04:15.639 --> 01:04:18.280
<v Speaker 8>on this website, you're not gonna see as much detail

1099
01:04:18.320 --> 01:04:20.960
<v Speaker 8>as you do anywhere else because I went in on

1100
01:04:21.079 --> 01:04:21.920
<v Speaker 8>multiple shots.

1101
01:04:23.880 --> 01:04:27.480
<v Speaker 9>So this image here, these two figures, you know, what

1102
01:04:27.559 --> 01:04:30.280
<v Speaker 9>it's reminding me of too, is just how hybrids are

1103
01:04:30.320 --> 01:04:34.000
<v Speaker 9>associated with mercurial symbolism as well. Right, So like murr

1104
01:04:34.320 --> 01:04:39.000
<v Speaker 9>made you know, and I even have a card here

1105
01:04:39.119 --> 01:04:41.440
<v Speaker 9>where you see like a mermaid type figure. If you

1106
01:04:41.519 --> 01:04:45.599
<v Speaker 9>want to go to slide zero zero three in the

1107
01:04:45.679 --> 01:04:48.320
<v Speaker 9>lower left, you'll see a mermaid. But the Murr and

1108
01:04:48.559 --> 01:04:53.679
<v Speaker 9>mercury are completely related to each other, and so even Sagittarius,

1109
01:04:54.119 --> 01:04:57.559
<v Speaker 9>half human, half horse, the centaur. There's so much symbolism

1110
01:04:57.639 --> 01:05:02.119
<v Speaker 9>with Sagittarius that I see as being very mercurial. In fact,

1111
01:05:02.559 --> 01:05:08.119
<v Speaker 9>the glyph of Sagittarius is an arrow right for archery

1112
01:05:08.679 --> 01:05:12.159
<v Speaker 9>and crowley. In the Book of Thought right his deck

1113
01:05:12.239 --> 01:05:15.800
<v Speaker 9>is also called the Thought deck. He says that the

1114
01:05:16.119 --> 01:05:20.559
<v Speaker 9>arrow is the simplest glyph of mercury, that it represents mercury.

1115
01:05:20.880 --> 01:05:24.000
<v Speaker 9>And so he says that literally, the arrow of Sagittarius

1116
01:05:24.119 --> 01:05:27.400
<v Speaker 9>is mercurial in nature. So you see down in the

1117
01:05:27.440 --> 01:05:31.559
<v Speaker 9>lower left little mermaid sort of figure there. See, even

1118
01:05:31.599 --> 01:05:34.000
<v Speaker 9>in that hybrid creatures relate to mercury in some way.

1119
01:05:34.400 --> 01:05:36.400
<v Speaker 12>Even in that thinking, I would even say, now, I

1120
01:05:36.440 --> 01:05:39.280
<v Speaker 12>would say that the archer is still tooth.

1121
01:05:40.880 --> 01:05:45.400
<v Speaker 9>Yeah man, yeah, yeah, yeah, I mean I see that absolutely.

1122
01:05:45.440 --> 01:05:47.119
<v Speaker 9>I mean, what is the arrow? The arrow is another

1123
01:05:47.199 --> 01:05:50.239
<v Speaker 9>phallic in my opinion, phallic sort of world access symbol,

1124
01:05:50.280 --> 01:05:53.880
<v Speaker 9>and it travels right, and so it's a traveler.

1125
01:05:54.480 --> 01:05:56.480
<v Speaker 11>Also, I was gonna say, you brought up the murrh.

1126
01:05:57.320 --> 01:06:01.599
<v Speaker 11>There are some of the ancient texts coming out of

1127
01:06:02.679 --> 01:06:06.679
<v Speaker 11>Ireland and around in that area where they talk about

1128
01:06:06.719 --> 01:06:11.000
<v Speaker 11>the mrr were the ones who built the stone circles.

1129
01:06:12.119 --> 01:06:17.039
<v Speaker 9>Ah, excellent, Yeah, that reminds me too of one thing

1130
01:06:17.079 --> 01:06:21.840
<v Speaker 9>I wanted to talk about the etymology of Mercury, just

1131
01:06:21.920 --> 01:06:24.320
<v Speaker 9>a little thing I personally pay attention to. I fully

1132
01:06:24.320 --> 01:06:27.960
<v Speaker 9>acknowledge this is more of my individual weave or whatever.

1133
01:06:28.119 --> 01:06:29.880
<v Speaker 9>So if other people don't find it that interesting, I

1134
01:06:29.920 --> 01:06:32.760
<v Speaker 9>totally get it. But I'm always interested in words that

1135
01:06:32.880 --> 01:06:35.960
<v Speaker 9>begin with er or contain er. And when you look

1136
01:06:36.000 --> 01:06:39.800
<v Speaker 9>at er, there's like civilizations named her, there's games called er.

1137
01:06:40.159 --> 01:06:43.519
<v Speaker 9>There's even groups that have called themselves like er, something

1138
01:06:43.559 --> 01:06:46.559
<v Speaker 9>along these lines. And when you look at er, it

1139
01:06:46.719 --> 01:06:50.199
<v Speaker 9>means like original or primordial or something along these lines,

1140
01:06:50.280 --> 01:06:52.400
<v Speaker 9>like very very ancient, like the beginning of a thing.

1141
01:06:53.079 --> 01:06:56.000
<v Speaker 9>And so I first got on this tip because of

1142
01:06:56.239 --> 01:07:00.360
<v Speaker 9>Ursa Major and Ursa minor, two northern constellations right that

1143
01:07:00.719 --> 01:07:03.920
<v Speaker 9>circumambulate the Pole Star. And I just think it's interesting

1144
01:07:04.039 --> 01:07:09.760
<v Speaker 9>that in Mercury you have two errs Mercury Mercury, right,

1145
01:07:09.920 --> 01:07:13.039
<v Speaker 9>So it's like almost like this double origin sort of

1146
01:07:13.119 --> 01:07:14.800
<v Speaker 9>dynamic with it or something along these heads.

1147
01:07:14.800 --> 01:07:17.440
<v Speaker 11>Well, and if you're connecting the Pole Star to the

1148
01:07:17.559 --> 01:07:22.000
<v Speaker 11>Earth and those two symbols spinning circularly around the Pole

1149
01:07:22.199 --> 01:07:25.599
<v Speaker 11>I mean that could essentially be the pole with the serpents.

1150
01:07:25.599 --> 01:07:27.320
<v Speaker 3>No exactly, yeah, yeah, yeah, for sure.

1151
01:07:27.480 --> 01:07:27.679
<v Speaker 6>Yeah.

1152
01:07:27.719 --> 01:07:30.039
<v Speaker 9>And Draco's up there too in the north right, So

1153
01:07:30.320 --> 01:07:33.079
<v Speaker 9>when Draco is going around the pole star, I kind

1154
01:07:33.079 --> 01:07:37.639
<v Speaker 9>of see similar symbolism. And then you said Earth Earth, right,

1155
01:07:37.679 --> 01:07:42.760
<v Speaker 9>there's another example. So once you start paying attention to it,

1156
01:07:42.840 --> 01:07:46.960
<v Speaker 9>it really is all over the place. Maybe if you

1157
01:07:47.000 --> 01:07:49.960
<v Speaker 9>want to just go to number two, that's lie number two.

1158
01:07:51.079 --> 01:07:55.559
<v Speaker 9>It's the Crowley version of the magician card. And I

1159
01:07:55.639 --> 01:07:59.079
<v Speaker 9>just wanted to point out basically that very obvious poll

1160
01:07:59.159 --> 01:08:02.559
<v Speaker 9>behind him, which I think is you know, related to

1161
01:08:02.639 --> 01:08:07.400
<v Speaker 9>the world axis and everything else, which seemingly he's levitating

1162
01:08:07.880 --> 01:08:11.199
<v Speaker 9>up it. It's almost like he's like kind of levitating

1163
01:08:11.320 --> 01:08:14.480
<v Speaker 9>going and you know, through this ascension sort of journey

1164
01:08:14.599 --> 01:08:18.359
<v Speaker 9>or whatever. And he was a stude enough too to

1165
01:08:18.560 --> 01:08:24.239
<v Speaker 9>do the one legged or one footed sort of thing

1166
01:08:24.640 --> 01:08:28.199
<v Speaker 9>with his foot there. And when I see one legged

1167
01:08:28.239 --> 01:08:31.760
<v Speaker 9>symbolism or a symbolism like this, or someone standing on

1168
01:08:31.840 --> 01:08:34.039
<v Speaker 9>a foot or they're acknowledging like their tippy toes not

1169
01:08:34.159 --> 01:08:37.720
<v Speaker 9>in like a ballerina, I always think of spin. And

1170
01:08:38.000 --> 01:08:40.840
<v Speaker 9>there's a lot of myths that point out the one leg,

1171
01:08:41.479 --> 01:08:43.840
<v Speaker 9>and to me, it's just another world access symbol. So

1172
01:08:43.960 --> 01:08:46.359
<v Speaker 9>the fact that he's in front of that poll, this

1173
01:08:46.560 --> 01:08:50.199
<v Speaker 9>is the first card again, just even literally the number one.

1174
01:08:50.760 --> 01:08:52.680
<v Speaker 9>You know how we draw the number one with just

1175
01:08:52.720 --> 01:08:56.319
<v Speaker 9>a straight vertical line. It's the same axis in my opinion,

1176
01:08:56.880 --> 01:09:01.439
<v Speaker 9>But one legged symbolism implies axial sabolism again, kind of

1177
01:09:01.600 --> 01:09:06.680
<v Speaker 9>like a ballerina or something, or one leg. It's almost

1178
01:09:06.800 --> 01:09:10.720
<v Speaker 9>like there's deities that have had one leg, or they

1179
01:09:10.800 --> 01:09:14.239
<v Speaker 9>have one leg gets chopped off or something along these lines.

1180
01:09:14.279 --> 01:09:16.279
<v Speaker 9>To me, it's just like a poll pretty much. Instead

1181
01:09:16.279 --> 01:09:17.880
<v Speaker 9>of having two legs, you have the one leg, or

1182
01:09:17.920 --> 01:09:19.399
<v Speaker 9>at least you're alluding to it. And I think that

1183
01:09:19.520 --> 01:09:21.800
<v Speaker 9>that's kind of what he's alluding to here in some way.

1184
01:09:24.239 --> 01:09:26.359
<v Speaker 9>But yeah, if other people want to share some slides,

1185
01:09:26.359 --> 01:09:27.159
<v Speaker 9>they're more than welcome to.

1186
01:09:27.279 --> 01:09:28.720
<v Speaker 3>Jen. I know you have a couple of things you

1187
01:09:28.760 --> 01:09:29.439
<v Speaker 3>want to share, right.

1188
01:09:30.119 --> 01:09:34.479
<v Speaker 6>Sure, So yeah, thanks guys, Nick, if you want to

1189
01:09:34.520 --> 01:09:39.439
<v Speaker 6>bring mine up. I appreciate that. Which one the second one?

1190
01:09:39.600 --> 01:09:39.880
<v Speaker 2>First?

1191
01:09:40.640 --> 01:09:40.920
<v Speaker 6>Thank you?

1192
01:09:41.560 --> 01:09:41.920
<v Speaker 4>All right?

1193
01:09:42.039 --> 01:09:45.520
<v Speaker 12>I think this will be the second one. Is that correct?

1194
01:09:46.359 --> 01:09:47.119
<v Speaker 4>That's the first one?

1195
01:09:47.159 --> 01:09:50.039
<v Speaker 6>But why don't I just do that? Sorry, I'll do

1196
01:09:50.159 --> 01:09:52.479
<v Speaker 6>this all Yeah, don't don't worry, don't be sorry. So

1197
01:09:52.720 --> 01:09:53.479
<v Speaker 6>this is Ganash.

1198
01:09:53.520 --> 01:09:57.079
<v Speaker 4>Obviously everybody's familiar with Ganesh. But he is a mercurial

1199
01:09:57.199 --> 01:10:00.720
<v Speaker 4>figure because he is the he is the and son

1200
01:10:01.399 --> 01:10:03.880
<v Speaker 4>of what we would say is like Venus or nuts O.

1201
01:10:04.359 --> 01:10:09.079
<v Speaker 4>So she creates him out of her humoric powder that

1202
01:10:09.199 --> 01:10:12.520
<v Speaker 4>she wears on her skin and as well as semen

1203
01:10:12.760 --> 01:10:15.680
<v Speaker 4>from Shiva. So the quicksilver, that's how it's often described

1204
01:10:15.680 --> 01:10:18.520
<v Speaker 4>in tntras is the quicksilver, and she puts it in

1205
01:10:18.800 --> 01:10:22.520
<v Speaker 4>like a little clay figure or a flower figure. So

1206
01:10:22.680 --> 01:10:26.600
<v Speaker 4>he's completely created. He's not created through intercourse, right, So,

1207
01:10:27.359 --> 01:10:29.279
<v Speaker 4>but he is of Shiva and of her.

1208
01:10:29.279 --> 01:10:30.239
<v Speaker 6>But he's more of her.

1209
01:10:31.039 --> 01:10:36.000
<v Speaker 4>So that's and but he doesn't clear mercury in betic astrology,

1210
01:10:36.319 --> 01:10:39.039
<v Speaker 4>so this is a common misconception. Is like in Nash

1211
01:10:39.079 --> 01:10:42.239
<v Speaker 4>will be prayed to to clear the astrological conditions that

1212
01:10:42.319 --> 01:10:46.760
<v Speaker 4>are negative in mercury, he actually clears ketu. So it's

1213
01:10:46.800 --> 01:10:50.279
<v Speaker 4>something that even excuse me, Mario brought up and I

1214
01:10:50.399 --> 01:10:52.680
<v Speaker 4>even texted this to Nick the other day. I also

1215
01:10:52.800 --> 01:10:57.520
<v Speaker 4>believe that hoade mercury has a triune expression. I believe

1216
01:10:57.560 --> 01:11:01.640
<v Speaker 4>it's the princess, the princess, the prints and the dragon.

1217
01:11:01.960 --> 01:11:06.239
<v Speaker 4>But Kattu, the subtle body, the smoky body that it's

1218
01:11:06.479 --> 01:11:10.840
<v Speaker 4>it contains potential, but it's not uh, it's not aggregated.

1219
01:11:11.159 --> 01:11:13.800
<v Speaker 4>So you could say that Ganapati, who is the lord

1220
01:11:13.840 --> 01:11:18.359
<v Speaker 4>of hosts gun Us means posts. He is the one

1221
01:11:18.359 --> 01:11:22.279
<v Speaker 4>who creates klipas or creates skandas, or creates like aggregation.

1222
01:11:22.920 --> 01:11:25.520
<v Speaker 4>He creates the path, the physical paths, and he also

1223
01:11:25.600 --> 01:11:27.079
<v Speaker 4>creates obstacles in front of it.

1224
01:11:27.640 --> 01:11:30.520
<v Speaker 6>But then he can also disaggregate obstacles.

1225
01:11:30.960 --> 01:11:33.560
<v Speaker 4>So it's kind of like how Lisa was saying, there,

1226
01:11:34.359 --> 01:11:37.319
<v Speaker 4>only when you're on Earth can you see the retrograde

1227
01:11:37.479 --> 01:11:40.840
<v Speaker 4>of mercury. Well, mercury and retrograde would really be understood

1228
01:11:40.880 --> 01:11:44.159
<v Speaker 4>in a Joe Tish way as being Kattus being that

1229
01:11:45.039 --> 01:11:51.239
<v Speaker 4>southern node of the dragon, so you're seeing it turn

1230
01:11:51.479 --> 01:11:54.680
<v Speaker 4>and then that's what he affixes in astrology. He kind

1231
01:11:54.720 --> 01:11:58.720
<v Speaker 4>of is that curve that like his like his trunk

1232
01:11:58.840 --> 01:12:02.000
<v Speaker 4>is curved. And it's interesting because he has both up

1233
01:12:02.039 --> 01:12:05.399
<v Speaker 4>and down mudras, just like a kind of a Baphomet figure,

1234
01:12:06.079 --> 01:12:09.520
<v Speaker 4>and he's also depicted as writing his Vahamma is a rat.

1235
01:12:10.279 --> 01:12:12.880
<v Speaker 4>Well obviously, Nick is fond of this. But the rats

1236
01:12:12.960 --> 01:12:16.439
<v Speaker 4>and the stars, those are the same thing. But you

1237
01:12:16.479 --> 01:12:20.479
<v Speaker 4>could and then you can also say that he is atomized,

1238
01:12:20.800 --> 01:12:24.680
<v Speaker 4>like he's very small because rats are small. So he

1239
01:12:25.079 --> 01:12:28.000
<v Speaker 4>in and of himself, just like Lisa is also alluding to,

1240
01:12:28.159 --> 01:12:31.000
<v Speaker 4>he is the Kingdom in and of himself because he's

1241
01:12:31.079 --> 01:12:35.159
<v Speaker 4>all the parts come together. He's imperfect because he's not

1242
01:12:35.479 --> 01:12:39.239
<v Speaker 4>also of the Father. So I just think that that's

1243
01:12:39.319 --> 01:12:43.960
<v Speaker 4>really interesting. He is he's the god of outer wisdom.

1244
01:12:44.319 --> 01:12:46.199
<v Speaker 4>This is a more tentric idea, This is not a

1245
01:12:46.279 --> 01:12:49.439
<v Speaker 4>more normative Hindu idea. But he's the god of outer

1246
01:12:49.640 --> 01:12:53.960
<v Speaker 4>wisdom or outer knowledge. Even so, what he teaches is

1247
01:12:54.079 --> 01:12:58.000
<v Speaker 4>kind of worldly building. That's what he's often given a

1248
01:12:58.079 --> 01:13:01.600
<v Speaker 4>compass and a globe. So obviously there's a kind of

1249
01:13:01.680 --> 01:13:05.880
<v Speaker 4>a reference there for the prince who squares the circle.

1250
01:13:06.239 --> 01:13:10.560
<v Speaker 4>We could say, but I think that that actually the next.

1251
01:13:10.439 --> 01:13:13.479
<v Speaker 6>Figure is much more interesting. Nick, if you help, I'm

1252
01:13:13.479 --> 01:13:14.239
<v Speaker 6>bringing up my side.

1253
01:13:15.279 --> 01:13:19.960
<v Speaker 1>Can I help the real quick? So the first, the

1254
01:13:20.039 --> 01:13:26.159
<v Speaker 1>first king of Athens was said to be Ericthonius, who

1255
01:13:26.279 --> 01:13:32.479
<v Speaker 1>was the product of the god of the Forge and Athena.

1256
01:13:32.640 --> 01:13:35.800
<v Speaker 1>He couldn't help himself. He you know, he was chasing

1257
01:13:35.840 --> 01:13:37.600
<v Speaker 1>her around because you know, she didn't want to get

1258
01:13:37.640 --> 01:13:39.640
<v Speaker 1>with him, but you know, he was kind of deformed,

1259
01:13:39.920 --> 01:13:43.600
<v Speaker 1>but he spewed his load on her and it hit

1260
01:13:43.640 --> 01:13:46.479
<v Speaker 1>her leg and then fell on the ground. And then Ericthonius,

1261
01:13:46.840 --> 01:13:51.840
<v Speaker 1>which was a snake legged sort of a demigod, was emerged,

1262
01:13:52.239 --> 01:13:54.800
<v Speaker 1>and she took pity on the snake leged demigod and

1263
01:13:55.000 --> 01:13:58.239
<v Speaker 1>took him in, raised him, and he became the first

1264
01:13:58.359 --> 01:14:01.600
<v Speaker 1>king of Athens. So I think there's a huge linkage

1265
01:14:01.680 --> 01:14:03.840
<v Speaker 1>right there between the two of them and this god

1266
01:14:03.920 --> 01:14:10.680
<v Speaker 1>of the forge, Hyphestus. His daughter is named Techne, and

1267
01:14:11.159 --> 01:14:14.199
<v Speaker 1>just like you were saying about the outer knowledge, you

1268
01:14:14.359 --> 01:14:17.479
<v Speaker 1>have that idea of Techne being the ability to create

1269
01:14:17.600 --> 01:14:19.720
<v Speaker 1>technology or outer wisdom.

1270
01:14:22.359 --> 01:14:25.840
<v Speaker 4>Well, that's interesting because the daughter who is right here,

1271
01:14:26.199 --> 01:14:29.000
<v Speaker 4>so she is the daughter, she is the Dakini expression

1272
01:14:29.159 --> 01:14:32.439
<v Speaker 4>of the greater mother. This is how it's understood in Shruvigia.

1273
01:14:33.000 --> 01:14:35.920
<v Speaker 4>So she is the full expression you could say of

1274
01:14:36.079 --> 01:14:40.680
<v Speaker 4>Hode or Mercury. That is, she's not androgynists, but she.

1275
01:14:41.000 --> 01:14:44.920
<v Speaker 6>Has a solitary hero. She's an echa of Europe.

1276
01:14:45.479 --> 01:14:48.560
<v Speaker 4>And like something Mario said that was very interesting was

1277
01:14:48.600 --> 01:14:52.319
<v Speaker 4>the feat was you can see she's standing on the foot,

1278
01:14:52.399 --> 01:14:55.439
<v Speaker 4>and so that would maybe perhaps.

1279
01:14:57.359 --> 01:14:58.680
<v Speaker 6>Match her to nets Ok.

1280
01:14:59.319 --> 01:15:01.720
<v Speaker 4>But then you could also say, if you're doing a

1281
01:15:01.880 --> 01:15:05.880
<v Speaker 4>special kind of visualization where you kind of dance with

1282
01:15:06.079 --> 01:15:09.119
<v Speaker 4>the dikini, then those legs become your legs, so she

1283
01:15:09.239 --> 01:15:11.520
<v Speaker 4>can also stand on Hode.

1284
01:15:11.720 --> 01:15:14.760
<v Speaker 6>It's kind of interesting. And she obviously she wields a

1285
01:15:14.760 --> 01:15:18.199
<v Speaker 6>bow and arrow, and her arrow is a five tip.

1286
01:15:18.319 --> 01:15:21.479
<v Speaker 4>It's often a lotus, but sometimes it's a marshmallow flower,

1287
01:15:21.720 --> 01:15:22.880
<v Speaker 4>or it could be a.

1288
01:15:22.920 --> 01:15:26.079
<v Speaker 6>Wild rose as well. And she also holds a god.

1289
01:15:26.640 --> 01:15:29.760
<v Speaker 4>The goat is especially interesting because that's also associated with

1290
01:15:30.319 --> 01:15:34.680
<v Speaker 4>Hode and also giverra, so she it's kind of like

1291
01:15:34.800 --> 01:15:38.239
<v Speaker 4>and it's an elephant's gode, so like her, you could

1292
01:15:38.239 --> 01:15:42.520
<v Speaker 4>say her brother Ganapati, but it also clears the dragon.

1293
01:15:42.960 --> 01:15:46.920
<v Speaker 4>But unlike her brother, she actually doesn't clear Katsuo the

1294
01:15:47.000 --> 01:15:52.319
<v Speaker 4>Smoky Tale. She actually stands on the the it's called

1295
01:15:52.359 --> 01:15:55.520
<v Speaker 4>the demons the Mara of Desire. But there's a kind

1296
01:15:55.560 --> 01:15:58.680
<v Speaker 4>of other way you can understand it, where she's standing

1297
01:15:58.800 --> 01:16:03.720
<v Speaker 4>on a rahu, so the dragon who eclipses the moon.

1298
01:16:04.760 --> 01:16:07.560
<v Speaker 4>She could also say that it's the inherent connection that

1299
01:16:08.119 --> 01:16:12.479
<v Speaker 4>code and Yesode or mercury and the moon have because

1300
01:16:12.479 --> 01:16:17.119
<v Speaker 4>those have an inherent sort of connection of rectification of

1301
01:16:17.239 --> 01:16:19.960
<v Speaker 4>the paths, like it happens at Yusodes, So there's something

1302
01:16:20.479 --> 01:16:24.520
<v Speaker 4>really interesting there. But she doesn't just stay at the moon.

1303
01:16:25.000 --> 01:16:28.399
<v Speaker 4>She actually sort of goes up. And her name is

1304
01:16:28.479 --> 01:16:30.960
<v Speaker 4>Kura Kula, so you can hear there's like a double k.

1305
01:16:32.119 --> 01:16:36.760
<v Speaker 4>And there's also an interesting cabalistic association with her, with

1306
01:16:37.079 --> 01:16:40.359
<v Speaker 4>her name in Tibetan which is Regemma, which is love

1307
01:16:40.479 --> 01:16:43.800
<v Speaker 4>as the cause of knowledge. Well, there's also the twenty

1308
01:16:43.920 --> 01:16:46.720
<v Speaker 4>second path on the cobalistic tree, which is geburrah to

1309
01:16:46.840 --> 01:16:52.119
<v Speaker 4>tippery that is also associated with lamed meme delette, which

1310
01:16:52.199 --> 01:16:53.880
<v Speaker 4>means love is the cause of knowledge.

1311
01:16:53.960 --> 01:16:56.319
<v Speaker 6>That I find that very interesting myself.

1312
01:16:56.960 --> 01:16:59.359
<v Speaker 4>And so you have this kind of daughter who's dancing

1313
01:16:59.399 --> 01:17:03.039
<v Speaker 4>in the heatless that's how it's described, and she kind

1314
01:17:03.079 --> 01:17:06.840
<v Speaker 4>of rectifies then sun with her arrow, which is set

1315
01:17:06.920 --> 01:17:10.359
<v Speaker 4>to treat all poisons. But then you can also understand

1316
01:17:10.399 --> 01:17:13.600
<v Speaker 4>this in a secret way where she is the rectification

1317
01:17:13.800 --> 01:17:15.840
<v Speaker 4>of quicksilver. So I know this was a little bit

1318
01:17:16.640 --> 01:17:20.760
<v Speaker 4>back when you guys first started, but that's what her

1319
01:17:21.000 --> 01:17:25.760
<v Speaker 4>primary function is. Intibt medical tantras is to rectify this

1320
01:17:27.039 --> 01:17:32.319
<v Speaker 4>naturally occurring quicksilver for medicinal use. So there's actually three

1321
01:17:32.760 --> 01:17:37.199
<v Speaker 4>distinct ways to purify mercury. One is the natural method,

1322
01:17:37.239 --> 01:17:41.039
<v Speaker 4>where you let the mercury drip through seven stages of Earth.

1323
01:17:41.920 --> 01:17:45.680
<v Speaker 4>Another method is the alchemical method with like an iambic

1324
01:17:45.840 --> 01:17:48.640
<v Speaker 4>and you sort of process the mercury in seven stages.

1325
01:17:49.279 --> 01:17:52.279
<v Speaker 4>And then the third way is a matric or an

1326
01:17:52.359 --> 01:17:57.439
<v Speaker 4>alchemical magical way where you recite Dorani sutras and different

1327
01:17:57.840 --> 01:18:01.520
<v Speaker 4>spells and different visualizations oh for the mercury. And then

1328
01:18:01.800 --> 01:18:04.600
<v Speaker 4>which is also seven stages. And then there's a way

1329
01:18:04.640 --> 01:18:08.560
<v Speaker 4>that you can combine all three stages into one. So

1330
01:18:08.680 --> 01:18:10.840
<v Speaker 4>it is sort of I think Mario brought this up,

1331
01:18:10.880 --> 01:18:13.760
<v Speaker 4>this kind of rectification of the three. In the one,

1332
01:18:14.399 --> 01:18:18.880
<v Speaker 4>she's a very interesting and also corresponding idea in Christian Cabala.

1333
01:18:19.800 --> 01:18:23.239
<v Speaker 6>So in the green she has blue green eyes.

1334
01:18:23.319 --> 01:18:27.600
<v Speaker 4>This is really important because her eyes could be said

1335
01:18:27.640 --> 01:18:32.680
<v Speaker 4>to be a reflection of Hesse or Jupiter, because Hod,

1336
01:18:32.880 --> 01:18:37.399
<v Speaker 4>the heart of Hoad, is really the expression of Mercy greater.

1337
01:18:37.520 --> 01:18:39.359
<v Speaker 4>So it's like I think Nick was saying, it's like

1338
01:18:39.399 --> 01:18:42.199
<v Speaker 4>that the arrow shoots and it kind of like bounces

1339
01:18:42.239 --> 01:18:43.600
<v Speaker 4>off the ocean, because you have to think of the

1340
01:18:43.720 --> 01:18:47.199
<v Speaker 4>arrow as like a particle of light, almost like a flower,

1341
01:18:47.359 --> 01:18:49.279
<v Speaker 4>like a quicksilver flower, flower of.

1342
01:18:49.319 --> 01:18:51.079
<v Speaker 6>Quicksilver using out chemical terms.

1343
01:18:51.399 --> 01:18:54.359
<v Speaker 4>So it's sort of like a firework that explodes over

1344
01:18:54.439 --> 01:18:59.840
<v Speaker 4>the ocean, bounces back through and then moves up to

1345
01:19:00.039 --> 01:19:02.760
<v Speaker 4>treat like a zig zag. So you could also think of.

1346
01:19:02.760 --> 01:19:05.239
<v Speaker 6>It like that. I think that's kind of interesting.

1347
01:19:05.439 --> 01:19:05.960
<v Speaker 10>And then.

1348
01:19:07.439 --> 01:19:08.680
<v Speaker 4>Sorry, guys, I do.

1349
01:19:08.800 --> 01:19:11.680
<v Speaker 8>Have notes, uh, something I wanted to add just real

1350
01:19:11.800 --> 01:19:13.720
<v Speaker 8>quick with like you know, the heatless fire and fire

1351
01:19:13.800 --> 01:19:14.920
<v Speaker 8>and this and that. If I was to light a

1352
01:19:15.000 --> 01:19:16.840
<v Speaker 8>candle in this room and turn off all of lights

1353
01:19:17.680 --> 01:19:19.239
<v Speaker 8>and went to all the way to the other end,

1354
01:19:20.000 --> 01:19:23.199
<v Speaker 8>the light coming off of it wouldn't hurt. As soon

1355
01:19:23.199 --> 01:19:24.880
<v Speaker 8>as I get closer to it, that's it's gonna burn.

1356
01:19:26.319 --> 01:19:28.159
<v Speaker 8>So I mean, it really is kind of projective maybe

1357
01:19:28.279 --> 01:19:29.880
<v Speaker 8>if the heat anyway, m.

1358
01:19:32.359 --> 01:19:35.960
<v Speaker 1>I mean, just a general perspective, it looks like she's

1359
01:19:36.119 --> 01:19:39.279
<v Speaker 1>dancing in the patina of copper. You know, you've got

1360
01:19:39.319 --> 01:19:41.600
<v Speaker 1>all that orange and then she's got the green coming

1361
01:19:41.640 --> 01:19:45.720
<v Speaker 1>around her. It's it's really got that kind of middle

1362
01:19:45.800 --> 01:19:49.119
<v Speaker 1>ground of patina and copper still you know, right.

1363
01:19:50.119 --> 01:19:52.800
<v Speaker 4>Well there's Something interesting about that hedless is that she

1364
01:19:53.439 --> 01:19:56.560
<v Speaker 4>so the heat the fire around her is heatless. It's

1365
01:19:56.600 --> 01:20:01.720
<v Speaker 4>called pristine wisdom fire. And then she she stands upon

1366
01:20:01.840 --> 01:20:04.199
<v Speaker 4>the lotus, and then you see she has two dikinis

1367
01:20:04.359 --> 01:20:06.880
<v Speaker 4>at her feet, So if you will almost put her

1368
01:20:06.960 --> 01:20:10.600
<v Speaker 4>at your sead on the tree, you could think of

1369
01:20:10.640 --> 01:20:15.640
<v Speaker 4>it like that. So then there's coad and netsc beneath her,

1370
01:20:15.760 --> 01:20:20.079
<v Speaker 4>So she's rectifying the two paths beneath her oxidation.

1371
01:20:20.520 --> 01:20:23.640
<v Speaker 1>Oxidation could be said to be heatless fire.

1372
01:20:25.760 --> 01:20:30.079
<v Speaker 4>Well, that's right, and so quicksilver, obviously, as we said,

1373
01:20:31.199 --> 01:20:36.039
<v Speaker 4>oxidizes copper, So there is that element of the greening.

1374
01:20:35.840 --> 01:20:38.600
<v Speaker 6>Of copper that happens at nutsock, right.

1375
01:20:39.800 --> 01:20:42.600
<v Speaker 4>And then she's also wielding the emerald fire in her

1376
01:20:42.680 --> 01:20:44.640
<v Speaker 4>eyes if you think of it like having green eyes,

1377
01:20:44.720 --> 01:20:48.680
<v Speaker 4>but the fire is reflected in your eyes. But it's

1378
01:20:48.720 --> 01:20:52.880
<v Speaker 4>also an expression of the higher sphere of mercy or

1379
01:20:52.960 --> 01:20:55.720
<v Speaker 4>the ocean. It's like almost the reflection of the blue

1380
01:20:55.760 --> 01:20:58.439
<v Speaker 4>green ocean, and you're looking at it, you're perceiving it.

1381
01:20:59.119 --> 01:21:03.279
<v Speaker 6>And so she has the mind of the father. That's

1382
01:21:03.359 --> 01:21:04.479
<v Speaker 6>just really interesting to me.

1383
01:21:04.600 --> 01:21:07.560
<v Speaker 4>But she's also the rectification of the mother, because she's

1384
01:21:07.640 --> 01:21:10.520
<v Speaker 4>a virgin, So to bring up thing about virgo, I

1385
01:21:10.560 --> 01:21:16.000
<v Speaker 4>think that's also really interesting. Does even I think that's all?

1386
01:21:16.079 --> 01:21:16.600
<v Speaker 4>I think that's all?

1387
01:21:16.640 --> 01:21:16.840
<v Speaker 2>I am?

1388
01:21:16.960 --> 01:21:17.239
<v Speaker 6>Sorry?

1389
01:21:17.359 --> 01:21:17.840
<v Speaker 4>Sorry, Nick?

1390
01:21:18.000 --> 01:21:18.760
<v Speaker 12>This even I don't know?

1391
01:21:21.439 --> 01:21:24.199
<v Speaker 8>Is this even like kind of stretch but reminds me

1392
01:21:24.239 --> 01:21:26.479
<v Speaker 8>of empedically he is talking about aphrodity dancing as a

1393
01:21:26.520 --> 01:21:27.640
<v Speaker 8>flame in the back of our rival.

1394
01:21:29.479 --> 01:21:30.279
<v Speaker 6>Yeah, totally.

1395
01:21:30.840 --> 01:21:33.119
<v Speaker 4>Well, she's a daikini of love right. Oh, that's the

1396
01:21:33.159 --> 01:21:36.680
<v Speaker 4>other thing, magnetization. So she's a red Dakini in the

1397
01:21:36.840 --> 01:21:42.600
<v Speaker 4>Padma or Lotus family. Her primary function is magnetization. Now

1398
01:21:42.640 --> 01:21:46.159
<v Speaker 4>what does this mean? This means personal power. This means

1399
01:21:46.199 --> 01:21:50.800
<v Speaker 4>attracting things to you, attracting people to you. But it's

1400
01:21:50.920 --> 01:21:55.520
<v Speaker 4>not because it's Buddhist magic rather than like sorcery, or

1401
01:21:55.640 --> 01:21:56.960
<v Speaker 4>you could say it's Buddhist sorcery.

1402
01:21:57.279 --> 01:21:59.119
<v Speaker 6>Maybe is that the.

1403
01:21:59.199 --> 01:22:01.920
<v Speaker 4>Idea is it's desireless desire to go with like the

1404
01:22:02.039 --> 01:22:03.199
<v Speaker 4>idea of the heatless fire.

1405
01:22:03.319 --> 01:22:06.600
<v Speaker 6>It's like she she's love, but it's it's not the

1406
01:22:06.800 --> 01:22:07.600
<v Speaker 6>vessel of love.

1407
01:22:07.640 --> 01:22:10.119
<v Speaker 4>It's not the cleeper or the skanda of love, or

1408
01:22:10.199 --> 01:22:13.119
<v Speaker 4>even the marara the poison of love. It's actually the

1409
01:22:13.199 --> 01:22:16.640
<v Speaker 4>rectification of it because it's just luminous and empty. She's

1410
01:22:16.720 --> 01:22:19.720
<v Speaker 4>there and she's not there. She's the primordial truth kind

1411
01:22:19.760 --> 01:22:22.239
<v Speaker 4>of you could say, So I like dancing and sometimes

1412
01:22:22.279 --> 01:22:24.600
<v Speaker 4>you see her at the moon and sometimes you don't,

1413
01:22:24.920 --> 01:22:27.399
<v Speaker 4>but doesn't negate the fact that she is there. That's

1414
01:22:27.439 --> 01:22:30.159
<v Speaker 4>what sort of like the metaphor, right, like, the truth

1415
01:22:30.359 --> 01:22:32.760
<v Speaker 4>is the truth, regardless of we recognize it or not.

1416
01:22:33.920 --> 01:22:34.239
<v Speaker 6>I don't know.

1417
01:22:34.319 --> 01:22:35.800
<v Speaker 4>I think it's dupe, you.

1418
01:22:35.800 --> 01:22:38.239
<v Speaker 12>Know, something something something with this.

1419
01:22:38.399 --> 01:22:40.680
<v Speaker 8>Now you were saying you think that I guess whatever

1420
01:22:40.720 --> 01:22:42.640
<v Speaker 8>that thing is that she's standing on that would be netsuck.

1421
01:22:42.880 --> 01:22:44.439
<v Speaker 12>Is that what you were saying before?

1422
01:22:44.640 --> 01:22:45.960
<v Speaker 6>I think no, I think it's.

1423
01:22:45.920 --> 01:22:49.039
<v Speaker 4>Your son, because she's standing on a moon disk. If

1424
01:22:49.079 --> 01:22:51.520
<v Speaker 4>you read the text that goes with the image, it's

1425
01:22:51.600 --> 01:22:54.199
<v Speaker 4>called the moon dist But there's other times where she

1426
01:22:54.279 --> 01:22:57.079
<v Speaker 4>can stand on a sun disc. And when she stands

1427
01:22:57.119 --> 01:23:00.920
<v Speaker 4>on the sun disk, actually her leg is standing on

1428
01:23:01.039 --> 01:23:01.960
<v Speaker 4>the other foot.

1429
01:23:03.000 --> 01:23:05.439
<v Speaker 8>Yeah, well, I guess that Actually that actually works better

1430
01:23:05.520 --> 01:23:07.880
<v Speaker 8>with what I was thinking, because I just looking at

1431
01:23:07.960 --> 01:23:10.279
<v Speaker 8>this out again and going with the dancing and the

1432
01:23:10.319 --> 01:23:11.000
<v Speaker 8>way that she's bent.

1433
01:23:12.279 --> 01:23:13.239
<v Speaker 12>You know, this is a stretch.

1434
01:23:13.319 --> 01:23:15.199
<v Speaker 8>Thinking about the hyloid canal, and if she was on

1435
01:23:15.279 --> 01:23:19.279
<v Speaker 8>top of the lens, that would determine which way, which

1436
01:23:19.319 --> 01:23:22.079
<v Speaker 8>way the light's gonna go. You know, you're gonna be

1437
01:23:22.079 --> 01:23:24.119
<v Speaker 8>sucking it in, you know, I don't know, I could

1438
01:23:24.159 --> 01:23:26.039
<v Speaker 8>see like switching a polarity in a sense.

1439
01:23:27.159 --> 01:23:29.439
<v Speaker 4>Well that's what it is, right, because it's like, it's

1440
01:23:29.600 --> 01:23:33.960
<v Speaker 4>interesting because you can say that the daughter is like

1441
01:23:34.079 --> 01:23:37.680
<v Speaker 4>the fifth, like there's the it's yadevab. But then if

1442
01:23:37.680 --> 01:23:39.840
<v Speaker 4>you add the dragon in, because if you're saying that

1443
01:23:40.399 --> 01:23:43.039
<v Speaker 4>hode is tripartite, there's three expressions.

1444
01:23:43.319 --> 01:23:47.439
<v Speaker 6>But she also stands on rahu, there's two expressions right there.

1445
01:23:47.600 --> 01:23:49.600
<v Speaker 8>Right, she stood on both legs, she'd be straight, and

1446
01:23:49.680 --> 01:23:51.640
<v Speaker 8>now she's on one and she's curved. So like it,

1447
01:23:51.800 --> 01:23:54.640
<v Speaker 8>I would see that as the hyloid canal being you know,

1448
01:23:54.720 --> 01:23:57.520
<v Speaker 8>extended all the way and the pupil being bigger. And

1449
01:23:57.560 --> 01:23:59.399
<v Speaker 8>then when she's bent, it's because it's pulled back and

1450
01:23:59.439 --> 01:23:59.880
<v Speaker 8>the pupils.

1451
01:24:02.079 --> 01:24:03.840
<v Speaker 6>Yeah, and I agree with that.

1452
01:24:04.479 --> 01:24:06.600
<v Speaker 12>You know, maybe the arrow was even showing the tension

1453
01:24:06.640 --> 01:24:08.319
<v Speaker 12>of pulling up, pushing to I don't.

1454
01:24:08.159 --> 01:24:12.079
<v Speaker 4>Know, yeah, pulling, pulling, because you're calling that's one of

1455
01:24:12.159 --> 01:24:13.199
<v Speaker 4>her powers.

1456
01:24:13.239 --> 01:24:15.359
<v Speaker 6>I guess you could say it's the calling of names

1457
01:24:15.920 --> 01:24:18.880
<v Speaker 6>or the naming of things. So the arrow is like

1458
01:24:19.000 --> 01:24:21.319
<v Speaker 6>the light or the color.

1459
01:24:21.800 --> 01:24:24.079
<v Speaker 4>You could say the name of the color or the

1460
01:24:24.199 --> 01:24:27.560
<v Speaker 4>name of the word that sort of names the things

1461
01:24:27.640 --> 01:24:30.439
<v Speaker 4>that we see. So I definitely think that there is

1462
01:24:30.600 --> 01:24:34.119
<v Speaker 4>like a relationship between like perception and the icon.

1463
01:24:36.239 --> 01:24:39.800
<v Speaker 1>Well, that does sort of the heatless fire because there's

1464
01:24:39.840 --> 01:24:41.960
<v Speaker 1>no way to stop it. There's no way to stop

1465
01:24:42.079 --> 01:24:45.600
<v Speaker 1>any of the oxidation process. So as you're as you're

1466
01:24:45.720 --> 01:24:49.439
<v Speaker 1>looking at it, there's no way of preventing it. There's

1467
01:24:49.880 --> 01:24:52.760
<v Speaker 1>you know, you're not the one doing it. It's always happening,

1468
01:24:52.920 --> 01:24:55.079
<v Speaker 1>and it's it's not something that can be stopped.

1469
01:24:56.079 --> 01:24:59.840
<v Speaker 4>Well, in Buddhist ontology, we would say that desire is

1470
01:25:00.239 --> 01:25:04.800
<v Speaker 4>cause of the kind of negative aggregation of heat, so

1471
01:25:05.199 --> 01:25:08.760
<v Speaker 4>she is desireless desire. It kind of rectifies that paradox.

1472
01:25:08.840 --> 01:25:10.840
<v Speaker 4>That's how we would describe it. I'm not saying that

1473
01:25:11.000 --> 01:25:13.399
<v Speaker 4>people ought to believe that, but that is how we

1474
01:25:13.479 --> 01:25:17.039
<v Speaker 4>would describe it. Is that she the oxygen day oxidization

1475
01:25:17.279 --> 01:25:20.199
<v Speaker 4>is happening. But because she is literally flux like an

1476
01:25:20.239 --> 01:25:25.079
<v Speaker 4>aon in flux, she's dancing. She it doesn't matter because

1477
01:25:25.079 --> 01:25:28.319
<v Speaker 4>we're not grasping. We're not like planet like the planetary

1478
01:25:28.399 --> 01:25:32.239
<v Speaker 4>deities are the grass, the graspers, So we don't grasp

1479
01:25:32.279 --> 01:25:34.800
<v Speaker 4>for we're not supposed to anyway. Of course, we obviously do,

1480
01:25:35.439 --> 01:25:38.760
<v Speaker 4>but when we do that, we create aggregation like her brother,

1481
01:25:39.199 --> 01:25:41.840
<v Speaker 4>like he creates the pass or the tunnels.

1482
01:25:41.399 --> 01:25:44.880
<v Speaker 6>You could even say between the stears. But she kind

1483
01:25:44.920 --> 01:25:47.039
<v Speaker 6>of lets that go. Everything's kind of like free. You're

1484
01:25:47.079 --> 01:25:50.399
<v Speaker 6>like kind of like okay, I'm not attached to it,

1485
01:25:50.560 --> 01:25:51.199
<v Speaker 6>like I can.

1486
01:25:51.199 --> 01:25:53.840
<v Speaker 4>Let it go like it's okay because it's like love.

1487
01:25:53.960 --> 01:25:56.880
<v Speaker 4>That's the whole idea is that she rectifies it through love.

1488
01:25:58.439 --> 01:26:01.000
<v Speaker 9>Yeah, dude, this is beautiful man, and I love everything

1489
01:26:01.039 --> 01:26:04.920
<v Speaker 9>you're sharing. And it just reminds me of some of

1490
01:26:04.960 --> 01:26:08.880
<v Speaker 9>the symbolism related to Sagittarius, right, because he is the archer.

1491
01:26:09.520 --> 01:26:12.560
<v Speaker 9>But what I've heard, like with keyudo, which is like

1492
01:26:12.680 --> 01:26:15.600
<v Speaker 9>a martial art of archery in Japan, that the whole

1493
01:26:15.760 --> 01:26:19.000
<v Speaker 9>entire thing is that the hardest part to master is

1494
01:26:19.039 --> 01:26:21.680
<v Speaker 9>actually letting go of the arrow, and that you're not

1495
01:26:21.840 --> 01:26:24.119
<v Speaker 9>trying to hit the target, you allow the target to

1496
01:26:24.159 --> 01:26:25.600
<v Speaker 9>be hit. So it just kind of reminds me of

1497
01:26:25.680 --> 01:26:28.880
<v Speaker 9>some of what you're talking about with desire, right, not desiring,

1498
01:26:30.239 --> 01:26:32.640
<v Speaker 9>And then that also kind of reminds me too a

1499
01:26:32.680 --> 01:26:36.880
<v Speaker 9>little bit this heatless fire thing of Sagittarius too, because Sagittarius,

1500
01:26:36.920 --> 01:26:39.199
<v Speaker 9>if I'm not mistaken, is like the mutable fire sign,

1501
01:26:39.840 --> 01:26:41.800
<v Speaker 9>and so if there ever is a sign that is

1502
01:26:41.880 --> 01:26:44.239
<v Speaker 9>like more symbolic of heatless fire, I think you can

1503
01:26:44.359 --> 01:26:47.079
<v Speaker 9>kind of maybe say that Sagittarius is versus the other

1504
01:26:47.159 --> 01:26:50.960
<v Speaker 9>fire signs. So just a few observations here.

1505
01:26:52.880 --> 01:26:54.640
<v Speaker 1>It would be the ultimate flow state.

1506
01:26:57.479 --> 01:27:03.319
<v Speaker 10>And looking at the outline of her encapsulation, it has

1507
01:27:04.279 --> 01:27:10.560
<v Speaker 10>a kind of abstract face, with her head being a

1508
01:27:10.720 --> 01:27:17.000
<v Speaker 10>kind of elongated third eye and her robes being her eyes,

1509
01:27:18.479 --> 01:27:21.800
<v Speaker 10>and the robes very much remind me of snakes.

1510
01:27:22.600 --> 01:27:24.439
<v Speaker 6>Well, she's wearing thirteen Nagas.

1511
01:27:24.560 --> 01:27:27.560
<v Speaker 13>Let me just say that she's wearing okay, so they

1512
01:27:27.600 --> 01:27:32.199
<v Speaker 13>are okay, Yeah, she wears the the no, don't be sorry,

1513
01:27:32.760 --> 01:27:35.359
<v Speaker 13>she wears the thirteen Naga Kings, So the kings of

1514
01:27:35.439 --> 01:27:38.560
<v Speaker 13>the what it's the sort of the supernal ocean, or not,

1515
01:27:39.119 --> 01:27:41.880
<v Speaker 13>excuse me, the Blood Ocean, the Kings of the Blood Ocean.

1516
01:27:42.239 --> 01:27:44.920
<v Speaker 6>She's wearing that as her bridal jewelry.

1517
01:27:45.960 --> 01:27:47.920
<v Speaker 10>So they are snakes, and they kind of look like

1518
01:27:48.079 --> 01:27:51.479
<v Speaker 10>eyes if you are looking at abstractly. I was gonna

1519
01:27:51.479 --> 01:27:58.000
<v Speaker 10>say with Ganesha too, he like mercury is everywhere right

1520
01:27:58.199 --> 01:28:01.920
<v Speaker 10>like his there's this story with him. He and Vishnu

1521
01:28:02.520 --> 01:28:06.800
<v Speaker 10>are competing to see who can travel the world fastest,

1522
01:28:06.920 --> 01:28:11.920
<v Speaker 10>and Vishnu is very fast and uh uh Ganesh has

1523
01:28:12.000 --> 01:28:16.159
<v Speaker 10>a rat to roll on. But everywhere he goes Mercury

1524
01:28:16.359 --> 01:28:17.920
<v Speaker 10>slash Ganesh is there.

1525
01:28:21.279 --> 01:28:25.800
<v Speaker 4>Well, there's something interesting right like because is like he's

1526
01:28:25.880 --> 01:28:29.359
<v Speaker 4>the He's like the production of synthesis, Like he's like

1527
01:28:29.479 --> 01:28:33.159
<v Speaker 4>the product of what happens when the mother is left

1528
01:28:33.199 --> 01:28:37.079
<v Speaker 4>to her own devices. So in a way, he's incomplete,

1529
01:28:37.159 --> 01:28:41.319
<v Speaker 4>whereas Vishnu is the worldly hero in like how Nick said,

1530
01:28:41.359 --> 01:28:42.199
<v Speaker 4>like the hero's journey.

1531
01:28:42.520 --> 01:28:44.359
<v Speaker 6>Vishnu can take off, he can.

1532
01:28:44.359 --> 01:28:47.920
<v Speaker 4>Fly on his garuda and travel the whole tree and

1533
01:28:48.039 --> 01:28:50.800
<v Speaker 4>go up and become the what's called the lion king.

1534
01:28:50.960 --> 01:28:53.159
<v Speaker 4>We talked about this when we did Leo. It is

1535
01:28:53.239 --> 01:28:55.960
<v Speaker 4>like norm Simha. And then what happens. He eats heaven

1536
01:28:56.439 --> 01:28:59.119
<v Speaker 4>because his desire grows, he starts to eat all the

1537
01:28:59.159 --> 01:29:00.199
<v Speaker 4>people in the palace us.

1538
01:29:01.199 --> 01:29:03.479
<v Speaker 6>Whereas this is a this is more Buddhist.

1539
01:29:03.600 --> 01:29:07.279
<v Speaker 4>So Ghanapati is more of like a lesser figure, but

1540
01:29:07.399 --> 01:29:12.119
<v Speaker 4>he's often included in images with her because they share

1541
01:29:12.319 --> 01:29:16.000
<v Speaker 4>this like more paronic or more Indian connection, but they're

1542
01:29:16.039 --> 01:29:19.359
<v Speaker 4>also in the same Buddha family, this lotus family.

1543
01:29:19.800 --> 01:29:20.680
<v Speaker 6>So he's really a.

1544
01:29:20.720 --> 01:29:24.159
<v Speaker 4>Subordinated deity in Buddhism to her, where she is like

1545
01:29:24.239 --> 01:29:29.800
<v Speaker 4>a complete Buddha. But he he, he's an expression of

1546
01:29:29.840 --> 01:29:31.800
<v Speaker 4>a Buddha. He's like a form of Buddha can take.

1547
01:29:31.920 --> 01:29:33.920
<v Speaker 6>That's how thought of. I know that's kind of weird,

1548
01:29:34.239 --> 01:29:35.399
<v Speaker 6>but it is.

1549
01:29:35.680 --> 01:29:38.560
<v Speaker 4>That's more how it's so she's more of the higher expression,

1550
01:29:38.680 --> 01:29:42.520
<v Speaker 4>just like she stands on ketu or not kato excuse me, rahu,

1551
01:29:43.079 --> 01:29:44.600
<v Speaker 4>and he stands on ketu, which is.

1552
01:29:44.640 --> 01:29:48.079
<v Speaker 6>Kind of the lesser expression of the dragon or the

1553
01:29:48.199 --> 01:29:49.479
<v Speaker 6>lesser power, you could.

1554
01:29:49.279 --> 01:29:54.600
<v Speaker 4>Say, because she's able to fully his His whole desire is,

1555
01:29:55.159 --> 01:29:57.680
<v Speaker 4>at least in Buddhism, is that the dragon wants to

1556
01:29:57.760 --> 01:30:01.920
<v Speaker 4>climb back up. It's like he's he feels unfairly.

1557
01:30:02.960 --> 01:30:04.760
<v Speaker 6>Knocked back down. He feels like the.

1558
01:30:06.439 --> 01:30:09.840
<v Speaker 4>Middle tier deities haven't like given him a fair shot

1559
01:30:10.039 --> 01:30:15.880
<v Speaker 4>at ejection from the QB. But in Buddhism, he's it's saying,

1560
01:30:15.960 --> 01:30:19.239
<v Speaker 4>oh yeah, okay, team dragon, like let's go, let's move up,

1561
01:30:19.359 --> 01:30:22.520
<v Speaker 4>like let's do the upward lightning strike and the downward

1562
01:30:22.600 --> 01:30:24.600
<v Speaker 4>lightning strike, like both of those things, are.

1563
01:30:24.560 --> 01:30:29.159
<v Speaker 9>You So another observation here, man, I mean this is

1564
01:30:29.960 --> 01:30:34.640
<v Speaker 9>pretty loaded. I really like looking at this. But so

1565
01:30:34.920 --> 01:30:42.319
<v Speaker 9>sagittarius corresponds with the thighs, and thigh symbolism is closely

1566
01:30:42.359 --> 01:30:45.760
<v Speaker 9>related to leg symbolism. But the femur is like the

1567
01:30:45.880 --> 01:30:49.239
<v Speaker 9>largest bone, strongest bone we have in our body, and

1568
01:30:49.399 --> 01:30:52.760
<v Speaker 9>so it does have like a lot of significance to it.

1569
01:30:52.960 --> 01:30:55.720
<v Speaker 9>And then I'm just kind of noticing a few things

1570
01:30:55.760 --> 01:30:59.359
<v Speaker 9>about her thigh. I don't know if her right foot

1571
01:30:59.439 --> 01:31:02.359
<v Speaker 9>is intended to kind of like bring our attention to

1572
01:31:02.560 --> 01:31:05.840
<v Speaker 9>her thigh with the leg that she's standing on. And

1573
01:31:05.920 --> 01:31:08.279
<v Speaker 9>then just the fact too that like the breath of

1574
01:31:08.359 --> 01:31:10.720
<v Speaker 9>the figure she's standing on is like going towards the

1575
01:31:10.880 --> 01:31:14.880
<v Speaker 9>thigh as well, I think is kind of interesting. It

1576
01:31:15.000 --> 01:31:18.039
<v Speaker 9>just seems like there is like some attention kind of

1577
01:31:18.520 --> 01:31:21.399
<v Speaker 9>being drawn towards that area. So I just had to

1578
01:31:21.479 --> 01:31:22.520
<v Speaker 9>mention that just briefly.

1579
01:31:23.479 --> 01:31:26.399
<v Speaker 4>Well, absolutely, I mean that's why her foot is protecting

1580
01:31:26.479 --> 01:31:30.119
<v Speaker 4>her Yoni right, Like it is the sort of idea

1581
01:31:30.359 --> 01:31:32.039
<v Speaker 4>that it's up to her.

1582
01:31:32.159 --> 01:31:36.359
<v Speaker 6>It's just it's totally her choice, Like her will, her choice,

1583
01:31:38.279 --> 01:31:40.239
<v Speaker 6>no access. Yuess, this is what I'm trying to.

1584
01:31:40.239 --> 01:31:41.399
<v Speaker 3>Say, Oh yeah, yeah yeah.

1585
01:31:42.119 --> 01:31:43.159
<v Speaker 6>And then there's also.

1586
01:31:43.000 --> 01:31:46.840
<v Speaker 4>Something interesting about Ghana Patti as we call him, is

1587
01:31:46.880 --> 01:31:50.319
<v Speaker 4>that he can be depicted as a bachelor deity, but

1588
01:31:50.479 --> 01:31:52.640
<v Speaker 4>in Buddhism, when he's a contract.

1589
01:31:52.279 --> 01:31:56.800
<v Speaker 6>Deity, he's actually has a he's lithopae like that as well.

1590
01:31:56.840 --> 01:32:00.840
<v Speaker 4>He has a huge erection, say, and he is depicted

1591
01:32:01.000 --> 01:32:05.239
<v Speaker 4>with his two wives, So there's something also interesting there,

1592
01:32:05.399 --> 01:32:08.479
<v Speaker 4>like he can he can be like chased, or he

1593
01:32:08.560 --> 01:32:09.319
<v Speaker 4>can be very.

1594
01:32:09.239 --> 01:32:11.239
<v Speaker 6>Sexual, very contrict sexual.

1595
01:32:13.000 --> 01:32:15.279
<v Speaker 1>What I like to do, what I like to do

1596
01:32:15.359 --> 01:32:17.600
<v Speaker 1>with the images that you show is to kind of

1597
01:32:17.680 --> 01:32:20.720
<v Speaker 1>let my eyes blur a little bit and see if

1598
01:32:20.720 --> 01:32:24.479
<v Speaker 1>there are any other kind of esoteric images. And in

1599
01:32:24.640 --> 01:32:28.399
<v Speaker 1>this case, what I see is the nagas that she's

1600
01:32:28.479 --> 01:32:31.920
<v Speaker 1>wearing kind of form these two eyes, and below that,

1601
01:32:33.159 --> 01:32:36.079
<v Speaker 1>below what she's standing on is this kind of lotus mouth,

1602
01:32:36.800 --> 01:32:41.119
<v Speaker 1>and then the two dahities below her kind of start

1603
01:32:41.239 --> 01:32:45.560
<v Speaker 1>to make a kind of DNA spiral just from the

1604
01:32:45.720 --> 01:32:48.880
<v Speaker 1>contrast to the colors. And if you if you think

1605
01:32:48.920 --> 01:32:52.520
<v Speaker 1>about her third eye that would be right in the

1606
01:32:53.159 --> 01:32:56.359
<v Speaker 1>yoni right there, that she's that she's covering and sort

1607
01:32:56.399 --> 01:32:59.800
<v Speaker 1>of like the crown chakra above that would be the

1608
01:33:00.520 --> 01:33:03.359
<v Speaker 1>the fire above that. Do you kind of see what

1609
01:33:03.399 --> 01:33:03.960
<v Speaker 1>I'm looking at?

1610
01:33:04.720 --> 01:33:08.840
<v Speaker 4>Absolutely well, as you know, Haveless, we don't use the

1611
01:33:09.199 --> 01:33:11.680
<v Speaker 4>seven system in TNTRA.

1612
01:33:11.880 --> 01:33:14.800
<v Speaker 6>We use five. But so you're right in that that

1613
01:33:15.000 --> 01:33:17.560
<v Speaker 6>her where her third eye would be, where would be

1614
01:33:17.680 --> 01:33:19.880
<v Speaker 6>the crown chakra in the threaten system.

1615
01:33:20.399 --> 01:33:23.680
<v Speaker 4>But it's not because as I was saying when Lisa

1616
01:33:23.760 --> 01:33:27.399
<v Speaker 4>brought up the thing about the nerve, like how quicksilver

1617
01:33:27.479 --> 01:33:29.800
<v Speaker 4>treats nerve diseases or nerve pain.

1618
01:33:30.039 --> 01:33:32.079
<v Speaker 6>So it also causes nerve damage.

1619
01:33:32.399 --> 01:33:37.399
<v Speaker 4>But interesting, but it because of the way that the

1620
01:33:38.680 --> 01:33:41.479
<v Speaker 4>I guess you could say the lingam or the penis

1621
01:33:41.640 --> 01:33:44.479
<v Speaker 4>is connected. There's the green light that's not the tip

1622
01:33:44.560 --> 01:33:47.159
<v Speaker 4>that's it's considered to be its own chakra. So what

1623
01:33:47.319 --> 01:33:50.920
<v Speaker 4>you do in visualization is you you take the green

1624
01:33:51.079 --> 01:33:54.920
<v Speaker 4>light and you move it up all the way up,

1625
01:33:55.439 --> 01:33:57.279
<v Speaker 4>so there's an idea that you move it to your

1626
01:33:57.399 --> 01:34:00.279
<v Speaker 4>throat and then you can move it to your upper

1627
01:34:01.239 --> 01:34:03.880
<v Speaker 4>So when you do this emerald light, that is what

1628
01:34:04.079 --> 01:34:07.840
<v Speaker 4>her thing is. It's it's like it's this purified mercury

1629
01:34:08.079 --> 01:34:10.720
<v Speaker 4>is really what it is. Or purified emerald. So it's

1630
01:34:10.800 --> 01:34:13.960
<v Speaker 4>like it's like a philosopher's stone kind of like it's

1631
01:34:14.039 --> 01:34:17.239
<v Speaker 4>like it doesn't have any aggregation, doesn't have any lust,

1632
01:34:17.319 --> 01:34:18.560
<v Speaker 4>it doesn't have any desire.

1633
01:34:18.800 --> 01:34:19.760
<v Speaker 6>It's totally gone.

1634
01:34:19.840 --> 01:34:22.560
<v Speaker 4>It's just like it's just like love in this empty

1635
01:34:23.119 --> 01:34:26.079
<v Speaker 4>which is luminous and massless way, it just like exists.

1636
01:34:26.119 --> 01:34:27.800
<v Speaker 6>It's just like ephemeral. It's like pink.

1637
01:34:28.279 --> 01:34:31.119
<v Speaker 4>And we even spoke about this several times, and I

1638
01:34:31.239 --> 01:34:34.000
<v Speaker 4>know Tea's just spoken about this, but pink as a

1639
01:34:34.079 --> 01:34:37.239
<v Speaker 4>spectral color, and that's really her color is like pink.

1640
01:34:37.319 --> 01:34:40.359
<v Speaker 4>It's like a color that exists and doesn't exist. Our

1641
01:34:40.439 --> 01:34:43.840
<v Speaker 4>mind kind of projects it onto a crystal matrix.

1642
01:34:45.920 --> 01:34:48.680
<v Speaker 1>Well, I was thinking more along the lines of the

1643
01:34:48.760 --> 01:34:51.640
<v Speaker 1>type of meditation that would get you over the abyss,

1644
01:34:52.079 --> 01:34:55.279
<v Speaker 1>Like it's not something you can form, you know, it's

1645
01:34:55.359 --> 01:34:57.920
<v Speaker 1>not something you can you know, push your way into it.

1646
01:34:58.000 --> 01:35:00.880
<v Speaker 1>If she's the one kind of blo balking the third

1647
01:35:00.960 --> 01:35:04.640
<v Speaker 1>eye from having any access to force, it would have

1648
01:35:04.800 --> 01:35:07.880
<v Speaker 1>to be on her terms or in that sort of

1649
01:35:07.960 --> 01:35:08.760
<v Speaker 1>heatless fire.

1650
01:35:09.399 --> 01:35:11.039
<v Speaker 8>This is where I get into where I think you

1651
01:35:11.119 --> 01:35:13.079
<v Speaker 8>need the male and female to work hand in hand

1652
01:35:14.439 --> 01:35:15.479
<v Speaker 8>right make things happen.

1653
01:35:16.760 --> 01:35:19.960
<v Speaker 9>That pink reminds me of Mauv and Kenneth Grant, you know,

1654
01:35:20.119 --> 01:35:23.359
<v Speaker 9>wrote about going beyond the Mav Zone, and that's like

1655
01:35:23.399 --> 01:35:25.159
<v Speaker 9>a whole entire thing. I have not read that book,

1656
01:35:25.239 --> 01:35:27.000
<v Speaker 9>but it kind of looks similar to MAV a little

1657
01:35:27.000 --> 01:35:27.279
<v Speaker 9>bit too.

1658
01:35:28.000 --> 01:35:30.199
<v Speaker 4>Well, there is there is that idea, right like when

1659
01:35:30.239 --> 01:35:34.399
<v Speaker 4>it's that color, that mauve, like that darker purple color,

1660
01:35:34.840 --> 01:35:40.319
<v Speaker 4>that's a different expression of the female power or the force.

1661
01:35:40.479 --> 01:35:43.920
<v Speaker 4>Like you brought up forest headless. Well, the female Dikinis

1662
01:35:44.000 --> 01:35:46.920
<v Speaker 4>are the force of the Buddhas. They are they are

1663
01:35:47.039 --> 01:35:51.640
<v Speaker 4>like the kind of expression of you could say eminence

1664
01:35:51.760 --> 01:35:53.680
<v Speaker 4>in the world. That's that's not a perfect way to

1665
01:35:53.760 --> 01:35:55.720
<v Speaker 4>describe it, but that's one way to describe. It's like

1666
01:35:55.760 --> 01:35:59.439
<v Speaker 4>the breath flowing outwards and then it takes expression in light.

1667
01:36:00.880 --> 01:36:05.680
<v Speaker 6>So they so she isn't blocking she do is a

1668
01:36:06.960 --> 01:36:09.840
<v Speaker 6>you could say that she is existence appearance.

1669
01:36:09.880 --> 01:36:12.479
<v Speaker 4>She's what appears in front of us, just like I said,

1670
01:36:12.560 --> 01:36:14.840
<v Speaker 4>she's dancing at the moon. But what is also at

1671
01:36:14.880 --> 01:36:17.159
<v Speaker 4>ya seaud you sad is also the threshold to death.

1672
01:36:17.279 --> 01:36:19.560
<v Speaker 4>It's one of them because there's also access from differ

1673
01:36:20.199 --> 01:36:22.199
<v Speaker 4>but you can also access it through death. So it

1674
01:36:22.319 --> 01:36:25.039
<v Speaker 4>is crossing the abyss in a way, but it's it's

1675
01:36:25.199 --> 01:36:26.640
<v Speaker 4>doing it without desire.

1676
01:36:26.720 --> 01:36:27.960
<v Speaker 6>It's kind of you've.

1677
01:36:27.880 --> 01:36:30.560
<v Speaker 4>Traveled up already and then you're coming back down and

1678
01:36:30.600 --> 01:36:34.159
<v Speaker 4>you're saying, Okay, it's actually here, and I'm able to

1679
01:36:34.239 --> 01:36:34.720
<v Speaker 4>access that.

1680
01:36:34.720 --> 01:36:38.239
<v Speaker 6>At any time, and I will walk through. When I

1681
01:36:38.319 --> 01:36:38.800
<v Speaker 6>walk through.

1682
01:36:38.880 --> 01:36:42.119
<v Speaker 4>Instead of graspment, you're kind of letting it go, Like

1683
01:36:42.560 --> 01:36:44.560
<v Speaker 4>Nick has talked about this, like when you go to

1684
01:36:44.600 --> 01:36:45.439
<v Speaker 4>have magical.

1685
01:36:45.159 --> 01:36:48.000
<v Speaker 6>Experiences, you kind of just let it flow. That's what

1686
01:36:48.159 --> 01:36:50.640
<v Speaker 6>her whole idea is. She's dancing, she's flexible.

1687
01:36:51.279 --> 01:36:53.239
<v Speaker 12>As some would say, you can't lost the results.

1688
01:36:54.560 --> 01:36:54.960
<v Speaker 6>That's right.

1689
01:36:55.359 --> 01:36:56.840
<v Speaker 3>Mm hm, there you go.

1690
01:36:57.640 --> 01:37:01.800
<v Speaker 5>When I find may interject, I think this image perfectly

1691
01:37:01.880 --> 01:37:04.399
<v Speaker 5>describes mercury. And the reason that I believe that is

1692
01:37:04.479 --> 01:37:07.159
<v Speaker 5>because so when you first find mercury, you find it

1693
01:37:07.199 --> 01:37:11.279
<v Speaker 5>in cinemar or vermillion or whatever, and it's red inside

1694
01:37:11.399 --> 01:37:13.840
<v Speaker 5>is mercury now. And I don't know if you said

1695
01:37:13.880 --> 01:37:18.760
<v Speaker 5>this already, agent, but the only I guess element that

1696
01:37:20.399 --> 01:37:24.039
<v Speaker 5>helps to separate all of the impurities away from gold,

1697
01:37:24.640 --> 01:37:27.239
<v Speaker 5>or the way that you get pure gold is through

1698
01:37:27.359 --> 01:37:30.319
<v Speaker 5>distilling it with mercury. And so when you look at

1699
01:37:30.359 --> 01:37:33.319
<v Speaker 5>this image. You know that mercury is inside and she's

1700
01:37:33.319 --> 01:37:35.239
<v Speaker 5>sitting on top of a lotus, right, is that what

1701
01:37:35.359 --> 01:37:38.920
<v Speaker 5>you said? And lotus is known to follow the sun

1702
01:37:39.119 --> 01:37:42.800
<v Speaker 5>or to open with the sun, almost illuminating what is

1703
01:37:42.880 --> 01:37:45.680
<v Speaker 5>inside with the sun. And so you were talking about

1704
01:37:45.720 --> 01:37:50.359
<v Speaker 5>how she identifies and names things. She's giving illumination to

1705
01:37:50.720 --> 01:37:54.720
<v Speaker 5>what is and she's kind of uncovering or shining a

1706
01:37:54.800 --> 01:37:58.800
<v Speaker 5>light onto that because of the mercury that has helped

1707
01:37:58.840 --> 01:38:03.920
<v Speaker 5>to distill, that has helped to distill the pure gold.

1708
01:38:04.039 --> 01:38:08.039
<v Speaker 5>And I think gold in Buddhism represents the sun, doesn't it?

1709
01:38:08.319 --> 01:38:09.399
<v Speaker 5>Or am I wrong?

1710
01:38:10.079 --> 01:38:11.039
<v Speaker 6>No, You're you're right.

1711
01:38:11.199 --> 01:38:14.319
<v Speaker 4>Because there's a secret meaning of red is that red

1712
01:38:14.720 --> 01:38:20.159
<v Speaker 4>actually transformed in Tntra into gold rather than rather than

1713
01:38:20.199 --> 01:38:23.760
<v Speaker 4>at rubido into cicernaitis. Robbie and I actually spoke about

1714
01:38:23.760 --> 01:38:27.960
<v Speaker 4>this too, is that there's a the order of transformations

1715
01:38:28.079 --> 01:38:31.520
<v Speaker 4>is different, a little different in Tontra or the meanings

1716
01:38:31.520 --> 01:38:36.439
<v Speaker 4>that the little more articulated differently, not necessarily different, as

1717
01:38:36.520 --> 01:38:38.279
<v Speaker 4>in the meaning is different, but I think that the

1718
01:38:38.680 --> 01:38:40.600
<v Speaker 4>maybe the process is slightly different.

1719
01:38:42.119 --> 01:38:45.000
<v Speaker 5>Gotcha, okay, But I thought that was.

1720
01:38:45.039 --> 01:38:47.319
<v Speaker 4>Really beautiful that you said that Lisa, so thank you

1721
01:38:47.439 --> 01:38:49.119
<v Speaker 4>so much, and I agree with you. I think she

1722
01:38:49.279 --> 01:38:54.319
<v Speaker 4>perfectly embodies from a secret knowledge perspective, because that's what

1723
01:38:54.560 --> 01:38:57.520
<v Speaker 4>she is, the goddess of secret knowledge, rather than than

1724
01:38:57.600 --> 01:38:59.760
<v Speaker 4>a Patti, who is the god of, like I said,

1725
01:39:00.000 --> 01:39:03.840
<v Speaker 4>exterior knowledge, or maybe even exterior wisdom. Because though the

1726
01:39:03.920 --> 01:39:07.000
<v Speaker 4>female concerts are really wisdom. So that's also something interesting

1727
01:39:07.039 --> 01:39:12.039
<v Speaker 4>about Ganesh that he can embody a kind of superficial wisdom,

1728
01:39:12.319 --> 01:39:15.720
<v Speaker 4>like also the superficial wisdom at Tifferate. Sometimes that can

1729
01:39:15.800 --> 01:39:21.760
<v Speaker 4>be institutional knowledge, institutional wisdom. Institutional science is very tipperatic,

1730
01:39:22.399 --> 01:39:25.439
<v Speaker 4>so that is, but it's super it's kind of like

1731
01:39:25.640 --> 01:39:28.800
<v Speaker 4>it's shallow in a way. It's not inherently shallow, but

1732
01:39:29.359 --> 01:39:33.399
<v Speaker 4>the way the public perceives that knowledge is shallow, not

1733
01:39:33.600 --> 01:39:34.560
<v Speaker 4>understanding it fully.

1734
01:39:37.159 --> 01:39:40.920
<v Speaker 1>Well, I think you've also got the ideas of Gemini

1735
01:39:41.079 --> 01:39:44.920
<v Speaker 1>perfectly encompass there too. You've got sort of the elevated Gemini,

1736
01:39:45.039 --> 01:39:48.880
<v Speaker 1>and then you've got the lower Gemini represented in the Tikinis.

1737
01:39:48.920 --> 01:39:50.600
<v Speaker 1>And then the figures on top of her head.

1738
01:39:52.000 --> 01:39:56.159
<v Speaker 4>Well, it's not they're not above her. Like in Buddhism

1739
01:39:56.239 --> 01:39:59.560
<v Speaker 4>we would say that the figures above her are the

1740
01:39:59.680 --> 01:40:04.520
<v Speaker 4>hot are a different expression in a world of formlessness.

1741
01:40:05.439 --> 01:40:09.479
<v Speaker 4>So she is formless, but she's also existence appearance, meaning

1742
01:40:09.840 --> 01:40:12.640
<v Speaker 4>just like Lisa said, like the sun's rays, like what

1743
01:40:12.880 --> 01:40:15.920
<v Speaker 4>you see in the world, Maha maya, it's like the

1744
01:40:16.159 --> 01:40:19.359
<v Speaker 4>it's just the light illuminating the planets and the stars.

1745
01:40:19.760 --> 01:40:22.439
<v Speaker 6>It's just the illumination of the garden or the carnal ground.

1746
01:40:23.560 --> 01:40:27.039
<v Speaker 4>So that's that's what it is. But she's also rectifying

1747
01:40:27.079 --> 01:40:29.079
<v Speaker 4>the sun. He's also there, as you can see in

1748
01:40:29.159 --> 01:40:33.119
<v Speaker 4>the upward image. That's a that's a called havazra. So

1749
01:40:33.239 --> 01:40:37.560
<v Speaker 4>it's a couple in in coitus. So her name, I'll

1750
01:40:37.600 --> 01:40:39.560
<v Speaker 4>just get it because we're looking on it. But her

1751
01:40:39.680 --> 01:40:45.399
<v Speaker 4>name is she without fixed self. And his means diamond,

1752
01:40:45.439 --> 01:40:50.479
<v Speaker 4>thunder breath or the Adamantine breath, so he when they're

1753
01:40:50.560 --> 01:40:55.079
<v Speaker 4>in union, it is his thought that gives expression that

1754
01:40:55.239 --> 01:40:57.880
<v Speaker 4>she then takes form in the world as a dikini.

1755
01:40:58.239 --> 01:41:01.119
<v Speaker 4>But it's not really it's not that they're distinct, is

1756
01:41:01.159 --> 01:41:03.520
<v Speaker 4>what I'm saying. That she's just an expression of that,

1757
01:41:03.840 --> 01:41:06.640
<v Speaker 4>but in herself, she's also the fullness.

1758
01:41:08.800 --> 01:41:13.000
<v Speaker 5>That perfectly describes consumption, because when you think of the

1759
01:41:13.520 --> 01:41:17.039
<v Speaker 5>shape of sperm cell, it's almost time in light, and

1760
01:41:17.199 --> 01:41:20.079
<v Speaker 5>when you think of an o site or an ovum,

1761
01:41:20.640 --> 01:41:23.520
<v Speaker 5>it is formless, so to speak, and it doesn't begin

1762
01:41:23.680 --> 01:41:27.800
<v Speaker 5>to take form until the diamond has penetrated into the

1763
01:41:27.920 --> 01:41:33.399
<v Speaker 5>ovum itself. And granted they color coat this stuff, but

1764
01:41:33.800 --> 01:41:38.560
<v Speaker 5>at the moment of entry of the actual sermatozoa into

1765
01:41:38.720 --> 01:41:44.479
<v Speaker 5>the ovum, you have about six thousand, six hundred thousand

1766
01:41:45.560 --> 01:41:48.479
<v Speaker 5>zinc ions explode, and so you almost have a glow

1767
01:41:49.199 --> 01:41:51.359
<v Speaker 5>around it, and it's like a zinc it's like a

1768
01:41:51.520 --> 01:41:55.119
<v Speaker 5>zinc bomb or something, but it has that green glow.

1769
01:41:55.199 --> 01:41:57.640
<v Speaker 5>And I know that they put it under a bioluminescence,

1770
01:41:57.720 --> 01:41:59.039
<v Speaker 5>but that's the color they chose.

1771
01:42:00.399 --> 01:42:05.399
<v Speaker 1>Calcium reaction, do what, It's the zinc calcium reaction.

1772
01:42:05.680 --> 01:42:08.560
<v Speaker 5>Yes, yes, but it has to do with zinc mainly

1773
01:42:08.680 --> 01:42:12.439
<v Speaker 5>because of the amount of zinc ions packed in within

1774
01:42:12.520 --> 01:42:15.279
<v Speaker 5>the zone of pellucida of the ovum, and.

1775
01:42:15.680 --> 01:42:19.600
<v Speaker 1>Zinc would be the metal of Jupiter or you know,

1776
01:42:20.000 --> 01:42:23.439
<v Speaker 1>basically the father of mercury. And you know, gestation requires

1777
01:42:23.560 --> 01:42:30.159
<v Speaker 1>zero concentration, it requires absolutely no conscious effort on the

1778
01:42:30.239 --> 01:42:33.119
<v Speaker 1>part of the mother other than to feed herself and

1779
01:42:33.399 --> 01:42:37.239
<v Speaker 1>you know everything else. It's it's perfectly sort of like

1780
01:42:37.880 --> 01:42:42.319
<v Speaker 1>it does it all on its own, you know, no

1781
01:42:42.520 --> 01:42:43.439
<v Speaker 1>desire necessary.

1782
01:42:43.640 --> 01:42:45.479
<v Speaker 5>Yeah, I mean you do have a lot of shutting

1783
01:42:45.560 --> 01:42:49.680
<v Speaker 5>down of a lot of physiological processes by the fetus

1784
01:42:49.920 --> 01:42:52.840
<v Speaker 5>to quiet the mother so that she doesn't reject the

1785
01:42:52.880 --> 01:42:55.560
<v Speaker 5>fetus because he is half he or she is half

1786
01:42:55.680 --> 01:43:00.560
<v Speaker 5>foreign to her. So that's I mean, yeah, I mean much.

1787
01:43:04.239 --> 01:43:05.760
<v Speaker 3>Great stuff. Jen, Dude, that was awesome.

1788
01:43:05.800 --> 01:43:05.920
<v Speaker 2>Man.

1789
01:43:07.520 --> 01:43:09.319
<v Speaker 4>Well, thank you guys, and thank you Lisa, And I

1790
01:43:09.439 --> 01:43:11.560
<v Speaker 4>just want to end on that. I know that Lisa's

1791
01:43:11.560 --> 01:43:15.079
<v Speaker 4>talked about like a forty nine day cycle for just station.

1792
01:43:15.720 --> 01:43:16.960
<v Speaker 6>And also there's also.

1793
01:43:16.800 --> 01:43:20.000
<v Speaker 4>An idea maybe of her as Perth and the genesis maybe,

1794
01:43:20.199 --> 01:43:24.680
<v Speaker 4>or the idea of like your sort of ancestral eggs,

1795
01:43:25.000 --> 01:43:29.239
<v Speaker 4>your ancestral ovums, like she like the matrilineal.

1796
01:43:28.560 --> 01:43:31.199
<v Speaker 6>The mRNA you could even say, and that that's what

1797
01:43:31.319 --> 01:43:31.520
<v Speaker 6>it is.

1798
01:43:31.800 --> 01:43:33.560
<v Speaker 4>I could see that too, And I think that there's

1799
01:43:33.680 --> 01:43:37.920
<v Speaker 4>room in Tantra for all of the expressions of like interpretation.

1800
01:43:38.720 --> 01:43:39.439
<v Speaker 6>So thank you guys.

1801
01:43:39.920 --> 01:43:42.239
<v Speaker 5>That's a that's a really interesting fun fact that I

1802
01:43:42.319 --> 01:43:47.319
<v Speaker 5>think sometimes people don't realize. So like, for instance, the

1803
01:43:48.239 --> 01:43:52.359
<v Speaker 5>ovums that that I would carry were first generated or

1804
01:43:52.399 --> 01:43:55.800
<v Speaker 5>synthesized in my great grandmother right and then passed on

1805
01:43:56.520 --> 01:43:59.760
<v Speaker 5>and so you carry their at least females carry the

1806
01:43:59.840 --> 01:44:04.319
<v Speaker 5>end ancestral lineage of their grandmother's ovums as they were

1807
01:44:04.359 --> 01:44:06.920
<v Speaker 5>developed and so forth. And then yes, it is a

1808
01:44:07.000 --> 01:44:13.000
<v Speaker 5>mitochondrial DNA that is only passed maternally to all you know,

1809
01:44:13.239 --> 01:44:16.319
<v Speaker 5>obviously male and female, but it's it's a natural line.

1810
01:44:17.600 --> 01:44:21.159
<v Speaker 4>Also interesting to note that we just passed Epiphany and

1811
01:44:21.520 --> 01:44:26.159
<v Speaker 4>Mary Magdalene is often celebrated in Epiphany with the production

1812
01:44:26.279 --> 01:44:30.600
<v Speaker 4>of the red eggs. So also something very interesting about

1813
01:44:30.640 --> 01:44:33.279
<v Speaker 4>that and like what we're talking about in ovum and

1814
01:44:33.439 --> 01:44:34.680
<v Speaker 4>like a daughter and red.

1815
01:44:34.800 --> 01:44:39.039
<v Speaker 5>And yes, it's interesting because Nick and I have kind

1816
01:44:39.079 --> 01:44:40.800
<v Speaker 5>of done some deep dives on that.

1817
01:44:41.119 --> 01:44:43.800
<v Speaker 8>Yeah, you know what I find interesting Homily thirty three

1818
01:44:44.000 --> 01:44:45.600
<v Speaker 8>is what determined she was a prostitute.

1819
01:44:47.800 --> 01:44:50.079
<v Speaker 3>Mm hmmmm.

1820
01:44:53.079 --> 01:44:55.119
<v Speaker 12>Uh TJ. These are your slides. I know you only

1821
01:44:55.159 --> 01:44:56.680
<v Speaker 12>had two of them. I don't know if you wanted

1822
01:44:56.680 --> 01:44:58.960
<v Speaker 12>to get it on these now of course let's getting

1823
01:44:58.960 --> 01:44:59.239
<v Speaker 12>too late.

1824
01:44:59.279 --> 01:45:00.720
<v Speaker 14>Well yeah, I even just I want to add with

1825
01:45:00.880 --> 01:45:04.640
<v Speaker 14>like the sperm entering the egg too, because I've had

1826
01:45:04.960 --> 01:45:09.119
<v Speaker 14>very spiritual experiences where that's like happened to me, where

1827
01:45:09.199 --> 01:45:11.800
<v Speaker 14>like I am the sperm and I have to navigate

1828
01:45:11.960 --> 01:45:15.439
<v Speaker 14>through the body into the and find the egg.

1829
01:45:15.600 --> 01:45:17.800
<v Speaker 7>And yeah, it's not the first sperm that gets to

1830
01:45:17.920 --> 01:45:18.159
<v Speaker 7>the egg.

1831
01:45:19.000 --> 01:45:21.199
<v Speaker 14>And you once you get to the egg, you have

1832
01:45:21.319 --> 01:45:24.560
<v Speaker 14>to vibrationally align with that egg. You almost need a

1833
01:45:24.680 --> 01:45:28.199
<v Speaker 14>pass code as a messenger as well. So that's that's

1834
01:45:28.319 --> 01:45:31.359
<v Speaker 14>even in like different kind of spiritual experiences, you get

1835
01:45:31.399 --> 01:45:33.399
<v Speaker 14>to the door of the castle and they're like, what

1836
01:45:33.520 --> 01:45:36.720
<v Speaker 14>does the magic word to get through? Or whatever it's

1837
01:45:36.880 --> 01:45:38.880
<v Speaker 14>it was that's the best way I can describe what

1838
01:45:39.039 --> 01:45:40.119
<v Speaker 14>my experiences were like.

1839
01:45:40.479 --> 01:45:42.319
<v Speaker 7>So I think that just adds to that and fits

1840
01:45:42.359 --> 01:45:43.600
<v Speaker 7>with the messenger of it all.

1841
01:45:44.880 --> 01:45:46.720
<v Speaker 12>Ask you about the way to swallows or some shit

1842
01:45:46.760 --> 01:45:47.239
<v Speaker 12>when you get to.

1843
01:45:50.840 --> 01:45:50.880
<v Speaker 10>Me.

1844
01:45:50.960 --> 01:45:53.960
<v Speaker 5>That that is true in that the sperm and the

1845
01:45:54.039 --> 01:45:56.720
<v Speaker 5>egg are basically calling to each other once the sperm

1846
01:45:56.960 --> 01:46:00.560
<v Speaker 5>enters into the vaginal canal. And it's almost like cicadas

1847
01:46:00.600 --> 01:46:04.439
<v Speaker 5>when they call to each other or mating mating birds

1848
01:46:04.479 --> 01:46:08.079
<v Speaker 5>between each other. They identify each other's vibration within the

1849
01:46:08.159 --> 01:46:12.000
<v Speaker 5>song or whatever, and they're calling to each other. Yeah,

1850
01:46:12.279 --> 01:46:14.520
<v Speaker 5>that's and that's true. It's not the fastest, it's not

1851
01:46:14.640 --> 01:46:17.960
<v Speaker 5>the longest. It's which one vibrates the best with the

1852
01:46:18.359 --> 01:46:19.359
<v Speaker 5>actual ocum.

1853
01:46:20.560 --> 01:46:23.520
<v Speaker 1>Well with the with the Greek mythology, they say that

1854
01:46:23.640 --> 01:46:27.520
<v Speaker 1>the very first born was this finest Protogonos, who erupts

1855
01:46:27.600 --> 01:46:29.520
<v Speaker 1>out of the orphic egg, which is the egg with

1856
01:46:29.680 --> 01:46:33.479
<v Speaker 1>the snake wrapped around it. So you've got that egg

1857
01:46:33.640 --> 01:46:38.359
<v Speaker 1>and sperm symbolism right there. And also Fahanes was this

1858
01:46:39.239 --> 01:46:42.560
<v Speaker 1>burst of light going back to that zinc calcium reaction.

1859
01:46:43.000 --> 01:46:49.000
<v Speaker 1>And also, uh, it looks so like the original uh

1860
01:46:49.920 --> 01:46:54.560
<v Speaker 1>version of Fainest looks so much like that magician card

1861
01:46:55.119 --> 01:47:00.319
<v Speaker 1>from from the thought Tarrow that it's really hard not

1862
01:47:00.439 --> 01:47:05.640
<v Speaker 1>to draw the linkage between faunas and mercury as well.

1863
01:47:05.760 --> 01:47:10.920
<v Speaker 1>And also that would really put a lot of weight

1864
01:47:11.079 --> 01:47:16.359
<v Speaker 1>behind mercury as being the central figure of everything because

1865
01:47:16.399 --> 01:47:20.159
<v Speaker 1>of the fact that Protogonos means first born and this

1866
01:47:20.359 --> 01:47:23.000
<v Speaker 1>is like the first born, and then from that everything

1867
01:47:23.479 --> 01:47:26.119
<v Speaker 1>is burst out. So you've also got the idea of

1868
01:47:26.199 --> 01:47:30.760
<v Speaker 1>the big bang sort of packed into this mercury symbolism.

1869
01:47:36.279 --> 01:47:39.640
<v Speaker 14>Here we go, i'd back to here, and I know

1870
01:47:39.720 --> 01:47:43.000
<v Speaker 14>we've been seeing how like the there, we've been associating

1871
01:47:43.039 --> 01:47:47.000
<v Speaker 14>the color green, and you know, like there's also this

1872
01:47:47.119 --> 01:47:48.880
<v Speaker 14>side of the orange. One thing that's kind of cool

1873
01:47:48.920 --> 01:47:50.760
<v Speaker 14>is that was a chef at a restaurant called the

1874
01:47:50.840 --> 01:47:59.399
<v Speaker 14>Green Door, and my dish guy's name was Ganesh. So

1875
01:47:59.720 --> 01:48:03.479
<v Speaker 14>I just have this included. That there is a pat

1876
01:48:03.520 --> 01:48:07.319
<v Speaker 14>tone color called Hermes Orange. There is a very famous

1877
01:48:07.439 --> 01:48:12.239
<v Speaker 14>purse by the company Hermes in Paris, Hermes Paris pair

1878
01:48:12.560 --> 01:48:19.640
<v Speaker 14>twins Gemini and the orange bag. Mercury oxide is like

1879
01:48:19.840 --> 01:48:21.720
<v Speaker 14>you can find it in batteries, you can find it

1880
01:48:21.840 --> 01:48:24.520
<v Speaker 14>in makeup and all these kinds of things. And it

1881
01:48:24.680 --> 01:48:26.760
<v Speaker 14>is a one way that we do get this orange

1882
01:48:26.840 --> 01:48:29.479
<v Speaker 14>dye is with the mercury and oxygen.

1883
01:48:30.520 --> 01:48:31.960
<v Speaker 7>Hgo, I'm pretty sure it is.

1884
01:48:33.520 --> 01:48:36.680
<v Speaker 14>And that in Gemini season happens in May May backwards

1885
01:48:36.720 --> 01:48:40.520
<v Speaker 14>as a yam. Yams are orange and it's may you may,

1886
01:48:40.760 --> 01:48:44.279
<v Speaker 14>you may, like you have permission to like I think

1887
01:48:44.319 --> 01:48:46.039
<v Speaker 14>that that fits a lot with mercury, that you have

1888
01:48:46.199 --> 01:48:50.079
<v Speaker 14>permission to enter the other realms, you have permission to

1889
01:48:50.159 --> 01:48:53.600
<v Speaker 14>pass through the doorway. So I just have that that

1890
01:48:53.720 --> 01:48:56.479
<v Speaker 14>I do think that there is this undertone of or

1891
01:48:56.720 --> 01:48:59.600
<v Speaker 14>not undertone, but just like this this orange that does exist.

1892
01:48:59.680 --> 01:49:01.840
<v Speaker 14>And if we're talking about it as like a phallic sense,

1893
01:49:02.439 --> 01:49:06.319
<v Speaker 14>the orange chakra is the sacral chakra, so that just

1894
01:49:06.399 --> 01:49:09.880
<v Speaker 14>adds to that as well, and that's the creation, the creativity.

1895
01:49:10.000 --> 01:49:15.199
<v Speaker 6>All of that tumeric, just like an ash nade of tumarc.

1896
01:49:19.600 --> 01:49:22.600
<v Speaker 12>Excellent, Yeah, great, weaves man, and then uh we got

1897
01:49:22.680 --> 01:49:23.239
<v Speaker 12>one more here.

1898
01:49:23.239 --> 01:49:26.840
<v Speaker 14>Right, Yeah, it's just like some jamatria. There's two that

1899
01:49:26.960 --> 01:49:29.399
<v Speaker 14>I don't include here on that would be on the

1900
01:49:29.479 --> 01:49:34.520
<v Speaker 14>left that Jin mentioned, which was Princess and Daughters also

1901
01:49:34.680 --> 01:49:38.319
<v Speaker 14>matches with mercury in the English ordinal, and then on

1902
01:49:38.399 --> 01:49:40.359
<v Speaker 14>the left I have there with that six one eight

1903
01:49:41.000 --> 01:49:42.319
<v Speaker 14>is very relevant.

1904
01:49:42.039 --> 01:49:44.840
<v Speaker 7>Because in the Golden ratio.

1905
01:49:44.640 --> 01:49:47.760
<v Speaker 14>The first three decimals, the first three numbers, it's one

1906
01:49:47.840 --> 01:49:51.880
<v Speaker 14>point six, one eight, so on, so forth. One oh

1907
01:49:52.000 --> 01:49:55.399
<v Speaker 14>three is also a prime number. It's the twenty seventh

1908
01:49:55.560 --> 01:49:58.720
<v Speaker 14>prime number. So you have twenty seven twenty seven club.

1909
01:49:59.039 --> 01:50:02.600
<v Speaker 14>You also have it's a very ritualistic number, the number

1910
01:50:02.640 --> 01:50:08.640
<v Speaker 14>twenty seven in the police code, like there's ten four

1911
01:50:08.800 --> 01:50:10.800
<v Speaker 14>they have like we got a ten twenty two, blah

1912
01:50:10.840 --> 01:50:11.319
<v Speaker 14>blah blah.

1913
01:50:11.319 --> 01:50:11.760
<v Speaker 3>They have all that.

1914
01:50:12.479 --> 01:50:16.439
<v Speaker 14>Ten three means like shut up, which I think is

1915
01:50:16.520 --> 01:50:18.800
<v Speaker 14>kind of clever with like a mercury kind of thing,

1916
01:50:18.840 --> 01:50:20.880
<v Speaker 14>because like I don't know, you meet a Gemini, they

1917
01:50:20.920 --> 01:50:21.680
<v Speaker 14>don't ever shut up.

1918
01:50:21.760 --> 01:50:22.840
<v Speaker 7>That's like kind of what they're known for.

1919
01:50:23.000 --> 01:50:25.720
<v Speaker 14>It's like or like the mercury ruled kind of people

1920
01:50:26.279 --> 01:50:28.399
<v Speaker 14>like seem to talk a lot kind of thing. So

1921
01:50:28.720 --> 01:50:31.359
<v Speaker 14>like the if if over the radio you call it

1922
01:50:31.439 --> 01:50:34.479
<v Speaker 14>ten three, it means like, keep the line clear because

1923
01:50:34.560 --> 01:50:39.039
<v Speaker 14>important information is about to come through. We have September,

1924
01:50:39.399 --> 01:50:44.640
<v Speaker 14>which Virgo seasons in September, you know, Like the trickster

1925
01:50:44.840 --> 01:50:48.199
<v Speaker 14>kind of thing fits a BS. Matching with that is

1926
01:50:48.319 --> 01:50:53.119
<v Speaker 14>very interesting lessons sorcery, you know, leprechaun, because now we

1927
01:50:53.199 --> 01:50:55.720
<v Speaker 14>have the Irish, then we have the green and the orange,

1928
01:50:56.279 --> 01:51:01.039
<v Speaker 14>you know, and then we have anointing, enlightenment, virtual counting.

1929
01:51:02.239 --> 01:51:03.039
<v Speaker 3>The proof that.

1930
01:51:03.119 --> 01:51:05.039
<v Speaker 7>I think it just fits with that kind of thing

1931
01:51:05.119 --> 01:51:05.479
<v Speaker 7>as well.

1932
01:51:06.119 --> 01:51:07.720
<v Speaker 14>What they also wanted to point out too, is that

1933
01:51:07.920 --> 01:51:11.199
<v Speaker 14>the element the two letters for the element mercury or HG,

1934
01:51:12.079 --> 01:51:14.479
<v Speaker 14>And if you're to like kind of decode that quickly,

1935
01:51:15.359 --> 01:51:17.520
<v Speaker 14>H is the eighth letter, G is the seventh letter.

1936
01:51:17.960 --> 01:51:20.399
<v Speaker 14>So if you were to take that into the numbers,

1937
01:51:20.479 --> 01:51:24.520
<v Speaker 14>that would be mastering your reality to create inner harmony,

1938
01:51:25.079 --> 01:51:28.399
<v Speaker 14>mastering your reality the eight and the H to create

1939
01:51:28.439 --> 01:51:31.159
<v Speaker 14>the inner the G and the seven and then eight

1940
01:51:31.239 --> 01:51:34.159
<v Speaker 14>plus seven equals fifteen to one plus five equals six

1941
01:51:34.279 --> 01:51:35.760
<v Speaker 14>the harmony, so.

1942
01:51:36.560 --> 01:51:38.560
<v Speaker 7>It's that's cool that that exists there.

1943
01:51:40.760 --> 01:51:45.880
<v Speaker 14>Mercury matches with astrology, the drive there was kind of

1944
01:51:45.920 --> 01:51:48.199
<v Speaker 14>a lot. I think like Uber was like it's not

1945
01:51:48.359 --> 01:51:51.159
<v Speaker 14>mentioned there. I think Uber was showing up in the matches.

1946
01:51:51.239 --> 01:51:55.279
<v Speaker 7>Humpty, like Humpty Dumpty, but Humpty matched it as one

1947
01:51:55.359 --> 01:51:57.279
<v Speaker 7>O three as well. I just didn't have it there.

1948
01:52:00.319 --> 01:52:03.479
<v Speaker 14>And then the six to six, so the agreipa key

1949
01:52:03.520 --> 01:52:05.640
<v Speaker 14>as well. In the middle that's just your Latin or

1950
01:52:05.680 --> 01:52:09.880
<v Speaker 14>your Jewish cipher. But the six' six the sixty sixth

1951
01:52:10.000 --> 01:52:13.319
<v Speaker 14>prime is three hundred and, seventeen so mercury equals three

1952
01:52:13.399 --> 01:52:18.119
<v Speaker 14>hundred and seventeen when you apply The fibonacci cipher to.

1953
01:52:18.319 --> 01:52:21.640
<v Speaker 14>It but then that's very interesting Because saturn in the

1954
01:52:21.840 --> 01:52:26.199
<v Speaker 14>prime cipher equals three three, seventeen and three seventeen is

1955
01:52:26.239 --> 01:52:28.720
<v Speaker 14>one of my favorite codes because you flip it, around

1956
01:52:29.199 --> 01:52:31.319
<v Speaker 14>you flip it upside, down you get the word Lie

1957
01:52:31.880 --> 01:52:35.399
<v Speaker 14>lie upside, down and it's the sixty six. Prime so

1958
01:52:35.520 --> 01:52:39.319
<v Speaker 14>it's like what lies upside? Down butterflies.

1959
01:52:40.239 --> 01:52:40.279
<v Speaker 4>And.

1960
01:52:40.439 --> 01:52:42.520
<v Speaker 14>BATS i don't know what else lies upside, down but

1961
01:52:42.600 --> 01:52:48.439
<v Speaker 14>those two specific things lie upside down humans humans and

1962
01:52:48.560 --> 01:52:51.159
<v Speaker 14>then even Bald eagle matching with that Because i've often,

1963
01:52:51.319 --> 01:52:53.760
<v Speaker 14>said LIKE i don't know if it's, stretch But, america

1964
01:52:54.479 --> 01:52:58.640
<v Speaker 14>you got That mayor in, There, mrkera like it's kind

1965
01:52:58.680 --> 01:53:00.600
<v Speaker 14>of in there is like This mercury real kind of

1966
01:53:00.720 --> 01:53:01.079
<v Speaker 14>thing as.

1967
01:53:01.119 --> 01:53:05.239
<v Speaker 12>Well eagle by itself equals thirty, one which is.

1968
01:53:05.279 --> 01:53:13.560
<v Speaker 11>Weird well in The mason's call the star of Serious, Merca. America,

1969
01:53:14.439 --> 01:53:16.319
<v Speaker 11>yeah Like america exactly.

1970
01:53:16.359 --> 01:53:19.640
<v Speaker 5>Sounds Like, burkin which is like The burkin Her maze,

1971
01:53:19.680 --> 01:53:20.079
<v Speaker 5>bag the.

1972
01:53:20.159 --> 01:53:21.520
<v Speaker 12>Original oh there we.

1973
01:53:21.600 --> 01:53:23.560
<v Speaker 3>Go and then the fact that it's a bag.

1974
01:53:23.640 --> 01:53:26.479
<v Speaker 9>Too it reminds me of just, uh you, Know hermes

1975
01:53:26.520 --> 01:53:28.920
<v Speaker 9>being the messenger of the gods having a little satchel

1976
01:53:29.039 --> 01:53:29.760
<v Speaker 9>or a container with.

1977
01:53:29.840 --> 01:53:30.960
<v Speaker 3>Him, yeah to deliver.

1978
01:53:31.840 --> 01:53:35.479
<v Speaker 1>Things you're going to put a ba at the. End

1979
01:53:35.560 --> 01:53:36.960
<v Speaker 1>you Got, marcaba which is the.

1980
01:53:37.119 --> 01:53:40.520
<v Speaker 3>Idea, yeah there you, go, man that's a great.

1981
01:53:40.520 --> 01:53:45.359
<v Speaker 9>One i'll just mention real quick Regarding, saturn there is

1982
01:53:45.399 --> 01:53:50.520
<v Speaker 9>a relationship Between mercury And, saturn and so sometimes they're

1983
01:53:50.600 --> 01:53:53.359
<v Speaker 9>kind of considered to be almost like the two ends

1984
01:53:53.399 --> 01:53:56.840
<v Speaker 9>of a, SPECTRUM i, guess, right between the young and the,

1985
01:53:56.960 --> 01:54:00.119
<v Speaker 9>old and as we, Know saturn likes to pray on

1986
01:54:00.239 --> 01:54:02.760
<v Speaker 9>the young and and feed on the young and things like.

1987
01:54:02.880 --> 01:54:05.359
<v Speaker 3>That and so there's old.

1988
01:54:05.159 --> 01:54:10.000
<v Speaker 9>Alchemical illustrations where Basically saturn is cutting off the legs

1989
01:54:10.039 --> 01:54:14.840
<v Speaker 9>of mercury, basically and some authors have kind of likened

1990
01:54:14.880 --> 01:54:17.640
<v Speaker 9>that to how the older generations.

1991
01:54:17.079 --> 01:54:17.520
<v Speaker 3>Prey on the.

1992
01:54:17.600 --> 01:54:21.640
<v Speaker 9>Youth and you, know there's there's a lot kind of

1993
01:54:21.680 --> 01:54:24.840
<v Speaker 9>going on there al chemically, basically but it's like he's,

1994
01:54:24.880 --> 01:54:30.600
<v Speaker 9>stunting you, Know mercury's movement forward and, whatever Because saturnian

1995
01:54:30.680 --> 01:54:33.199
<v Speaker 9>figures don't want to get dethroned by the next.

1996
01:54:33.279 --> 01:54:39.800
<v Speaker 11>Generation so also With saturn in alchemy and paracelsis another

1997
01:54:40.479 --> 01:54:45.359
<v Speaker 11>they call, lead which is the metallic element Of. Saturn

1998
01:54:45.680 --> 01:54:48.479
<v Speaker 11>they call it black mercury into.

1999
01:54:49.000 --> 01:54:51.560
<v Speaker 3>Nice, yeah that's that's. Cool i've never heard that.

2000
01:54:51.640 --> 01:54:54.680
<v Speaker 11>Before, Yeah and then there was one more THING i

2001
01:54:54.720 --> 01:54:59.079
<v Speaker 11>wanted to bring. Up the tea or the tau was

2002
01:54:59.199 --> 01:55:01.880
<v Speaker 11>called the instant and of. DEATH a lot of people

2003
01:55:01.920 --> 01:55:04.720
<v Speaker 11>say That christ was crucified on a tea or a.

2004
01:55:04.840 --> 01:55:09.720
<v Speaker 11>Towel and it's also the emblem of The tyrannus or

2005
01:55:10.000 --> 01:55:15.880
<v Speaker 11>toth or tetuits or top Or hermes or The, buddha

2006
01:55:16.319 --> 01:55:22.319
<v Speaker 11>and it's called the Crux hermes in The Old, hebrew the,

2007
01:55:22.760 --> 01:55:28.920
<v Speaker 11>bastulon the Plus, gian The, Etruscan, coptic and the, punic

2008
01:55:29.680 --> 01:55:31.000
<v Speaker 11>and it was symbolized by the.

2009
01:55:31.399 --> 01:55:34.720
<v Speaker 3>X either or the plus makes perfect.

2010
01:55:34.800 --> 01:55:36.600
<v Speaker 9>Sense you got the plus sign at the bottom of

2011
01:55:36.640 --> 01:55:39.720
<v Speaker 9>The mercury glyphs that you have the crossroads some of

2012
01:55:39.760 --> 01:55:42.239
<v Speaker 9>the cross stuff that we're talking about. Earlier AND i

2013
01:55:42.359 --> 01:55:46.960
<v Speaker 9>know that there's other glyphs For mercury that basically include

2014
01:55:46.960 --> 01:55:47.960
<v Speaker 9>a cross pretty.

2015
01:55:48.039 --> 01:55:49.720
<v Speaker 3>Much so, yeah that totly lines.

2016
01:55:49.800 --> 01:55:52.439
<v Speaker 1>UP i got a weave for, You. Mario so you

2017
01:55:52.479 --> 01:55:59.880
<v Speaker 1>know the globus, cruciger, yeah spear, right that's the inversion

2018
01:56:00.239 --> 01:56:00.439
<v Speaker 1>of THE.

2019
01:56:00.600 --> 01:56:04.560
<v Speaker 3>Ak, yeah it's also the inversion of Like venus.

2020
01:56:04.640 --> 01:56:04.760
<v Speaker 4>Too.

2021
01:56:06.000 --> 01:56:08.520
<v Speaker 1>Well THE ak would be the idea of you, know

2022
01:56:08.760 --> 01:56:12.279
<v Speaker 1>this this sort Of hermes, energy and then the Globist

2023
01:56:12.279 --> 01:56:16.159
<v Speaker 1>cruciger would be kind of the antimony or the the

2024
01:56:16.399 --> 01:56:19.159
<v Speaker 1>kind of more lead like, energy and so you've got,

2025
01:56:20.479 --> 01:56:22.960
<v Speaker 1>yeah so they're just sort of reversals of one. Another

2026
01:56:23.039 --> 01:56:26.640
<v Speaker 1>and we were dancing Around saturn all, night but it's

2027
01:56:26.720 --> 01:56:30.680
<v Speaker 1>The hermes that goes across all boundaries and so this time. Angle,

2028
01:56:31.279 --> 01:56:34.920
<v Speaker 1>uh if If saturn is, time Then hermes would be

2029
01:56:34.920 --> 01:56:35.720
<v Speaker 1>the time. Traveler.

2030
01:56:37.439 --> 01:56:41.319
<v Speaker 3>NICE i like. IT i, mean that makes perfect, sense. Dude,

2031
01:56:41.720 --> 01:56:43.319
<v Speaker 3>actually for a lot of, REASONS.

2032
01:56:44.119 --> 01:56:46.399
<v Speaker 12>I was thinking about what you. Said go, Ahead, ethan you.

2033
01:56:46.479 --> 01:56:49.159
<v Speaker 10>KNOW i HAVE i have two THINGS i wanted to.

2034
01:56:49.199 --> 01:56:53.039
<v Speaker 10>SHARE i feel Like i've been foaming at the mouth

2035
01:56:53.760 --> 01:56:59.119
<v Speaker 10>because they encapsulate and depict so much of your presentation

2036
01:56:59.319 --> 01:57:05.800
<v Speaker 10>and what everyone has built. On the teacher aspect of

2037
01:57:06.239 --> 01:57:12.079
<v Speaker 10>The hermes is in, part of, course you, know as

2038
01:57:12.319 --> 01:57:15.960
<v Speaker 10>simple as fishing and canal building and so. Forth but

2039
01:57:16.159 --> 01:57:20.520
<v Speaker 10>one THING i find interesting is the relationship of eight

2040
01:57:21.520 --> 01:57:27.720
<v Speaker 10>as as used and depicted by the kind of intuitive

2041
01:57:28.039 --> 01:57:33.520
<v Speaker 10>teachers of the, planet or the at least the the

2042
01:57:33.640 --> 01:57:38.199
<v Speaker 10>divination practices that we, are that we still have the

2043
01:57:38.439 --> 01:57:44.960
<v Speaker 10>runes created By, odin who is a Total hermes, character in,

2044
01:57:45.079 --> 01:57:51.000
<v Speaker 10>part not not in. Total he brings the runes which

2045
01:57:51.079 --> 01:57:55.880
<v Speaker 10>are actually at first, sixteen which of course is two,

2046
01:57:56.000 --> 01:57:59.920
<v Speaker 10>eights and then twenty, four which and it's not only

2047
01:58:00.119 --> 01:58:02.720
<v Speaker 10>described as twenty, four it's described as three sets of

2048
01:58:02.840 --> 01:58:04.319
<v Speaker 10>eight twenty.

2049
01:58:04.359 --> 01:58:06.000
<v Speaker 6>Four and.

2050
01:58:08.039 --> 01:58:13.159
<v Speaker 10>The both of course is kind of associated with the

2051
01:58:13.359 --> 01:58:17.800
<v Speaker 10>originator or teacher of The, tarot and he's also called

2052
01:58:18.439 --> 01:58:22.640
<v Speaker 10>the god of the. Needers one of his names and

2053
01:58:23.560 --> 01:58:27.399
<v Speaker 10>that relates to the eight needers or the four pair

2054
01:58:28.399 --> 01:58:35.000
<v Speaker 10>really more kind of more specifically of masculine and feminine The,

2055
01:58:35.119 --> 01:58:41.720
<v Speaker 10>ogduad which are they're kind of these elemental. Aspects oh

2056
01:58:41.760 --> 01:58:47.079
<v Speaker 10>And odin has the eight legged horse, too who is

2057
01:58:47.479 --> 01:58:52.039
<v Speaker 10>His he stands on these control of these elements one

2058
01:58:52.119 --> 01:58:55.760
<v Speaker 10>could kind of relate, to and he can then go

2059
01:58:56.039 --> 01:59:02.279
<v Speaker 10>through these different dimensions and divinight possibly uh in kind

2060
01:59:02.319 --> 01:59:06.159
<v Speaker 10>of the story, Anyway and so The obduad is the

2061
01:59:06.359 --> 01:59:11.359
<v Speaker 10>eight elements of The egyptian kind of, cosmology which goes

2062
01:59:11.560 --> 01:59:17.560
<v Speaker 10>right to the Other eastern version Of hermes and both

2063
01:59:18.600 --> 01:59:24.960
<v Speaker 10>H fuz And nuwah who are depicted as entangled snake

2064
01:59:25.560 --> 01:59:31.680
<v Speaker 10>from their waist down masculine and feminine entities And fuzi

2065
01:59:32.560 --> 01:59:37.840
<v Speaker 10>uh is Uh he brings all these basic instructions to,

2066
01:59:38.000 --> 01:59:41.479
<v Speaker 10>humanity including fishing and hunting and so on and so,

2067
01:59:41.640 --> 01:59:46.920
<v Speaker 10>forth just Like, hermes and also brings the three and

2068
01:59:47.119 --> 01:59:50.359
<v Speaker 10>the eight in the form of the. Trigrams the eight

2069
01:59:50.560 --> 01:59:57.439
<v Speaker 10>trigrams made up by broken and unbroken lines three three

2070
01:59:57.680 --> 02:00:04.319
<v Speaker 10>unbroken and unbroken line which unbroken and broken really Reflects

2071
02:00:04.520 --> 02:00:08.159
<v Speaker 10>yin and yang, right is another kind of way for

2072
02:00:08.840 --> 02:00:13.000
<v Speaker 10>The easterners to Say yin And yang broken Being Yin

2073
02:00:14.039 --> 02:00:18.159
<v Speaker 10>yang being. Unbroken and so you have the eight elements

2074
02:00:18.960 --> 02:00:22.399
<v Speaker 10>in the E ching, reading which is the, divination which

2075
02:00:22.479 --> 02:00:26.720
<v Speaker 10>is maybe one of the oldest uh divination practices that

2076
02:00:26.840 --> 02:00:29.640
<v Speaker 10>are still widely, used and certainly the E ching they,

2077
02:00:29.720 --> 02:00:32.920
<v Speaker 10>say is one of the oldest books that are still widely.

2078
02:00:33.039 --> 02:00:38.880
<v Speaker 10>Read so there's these magnificent aspects of eight elements leading

2079
02:00:39.000 --> 02:00:45.720
<v Speaker 10>into intuition and uh one other, thing a separate thing

2080
02:00:45.800 --> 02:00:52.039
<v Speaker 10>which goes to the three uh tristm gristis and the

2081
02:00:52.600 --> 02:00:57.800
<v Speaker 10>three trinity relationship of the two pillars and the initiate in,

2082
02:00:57.880 --> 02:01:03.600
<v Speaker 10>between if you. Will there's one story of both being an,

2083
02:01:03.640 --> 02:01:06.319
<v Speaker 10>assistant which he's, well what's this.

2084
02:01:08.560 --> 02:01:09.520
<v Speaker 1>You're talking? About the two?

2085
02:01:09.600 --> 02:01:10.079
<v Speaker 10>Snakes?

2086
02:01:10.800 --> 02:01:10.960
<v Speaker 12>Oh?

2087
02:01:11.720 --> 02:01:21.000
<v Speaker 10>Fine and and so the the Uh hi assists mot

2088
02:01:21.319 --> 02:01:23.920
<v Speaker 10>in his in her judgment of the, dead and he

2089
02:01:24.039 --> 02:01:28.199
<v Speaker 10>assists everyone so many. Times and in one instance he

2090
02:01:28.399 --> 02:01:35.119
<v Speaker 10>Assists raw to obtain his, eye who kind of was

2091
02:01:35.399 --> 02:01:38.600
<v Speaker 10>who got sick of him and got embodied by his

2092
02:01:38.800 --> 02:01:42.359
<v Speaker 10>wife and they took off because they are over his

2093
02:01:42.760 --> 02:01:50.079
<v Speaker 10>temperament or temperamental frustration occasional occasional, bursts and he can't

2094
02:01:50.159 --> 02:01:53.479
<v Speaker 10>get her to come back with his, eye and of

2095
02:01:53.600 --> 02:01:58.600
<v Speaker 10>course he gets both to assist, him and both has

2096
02:01:58.720 --> 02:02:03.680
<v Speaker 10>to ask her to return to raw one thousand and

2097
02:02:03.920 --> 02:02:12.199
<v Speaker 10>seventy seven, times which is three degrees short of three three, sixties,

2098
02:02:13.279 --> 02:02:17.079
<v Speaker 10>which of course To hood he has mastery of the,

2099
02:02:17.199 --> 02:02:22.079
<v Speaker 10>three so it's. Complete and ten eighty is also one

2100
02:02:22.199 --> 02:02:25.079
<v Speaker 10>hundred and eight times ten and one hundred and, eight

2101
02:02:25.159 --> 02:02:30.720
<v Speaker 10>of course spiritually valuable and metaphysically, related but even it

2102
02:02:30.840 --> 02:02:35.880
<v Speaker 10>has some very neat mathematical attributes which might be you,

2103
02:02:35.960 --> 02:02:39.359
<v Speaker 10>know what was happening in that story as. Well so

2104
02:02:39.640 --> 02:02:43.920
<v Speaker 10>just the three sixt the three three sixties in that

2105
02:02:44.640 --> 02:02:45.359
<v Speaker 10>numbers is.

2106
02:02:45.479 --> 02:02:51.560
<v Speaker 1>Fascinating three times more times seven times, twelve one hundred and.

2107
02:02:51.640 --> 02:02:58.760
<v Speaker 14>Eight it's the degrees of a pentagram or, pentagon one

2108
02:02:58.840 --> 02:03:00.319
<v Speaker 14>hundred eight, degrees very.

2109
02:03:00.319 --> 02:03:05.279
<v Speaker 6>Angle it's also the prime number In, buddhism.

2110
02:03:06.119 --> 02:03:11.680
<v Speaker 10>And it's both being the master of the trist. Magistus

2111
02:03:11.800 --> 02:03:15.760
<v Speaker 10>the master of. Three one hundred and eight also depicts

2112
02:03:16.279 --> 02:03:20.840
<v Speaker 10>the trinity of, time the one for the, present the

2113
02:03:21.039 --> 02:03:24.159
<v Speaker 10>zero for the, past and the eight for the infinite

2114
02:03:24.279 --> 02:03:25.640
<v Speaker 10>potential of the.

2115
02:03:25.680 --> 02:03:28.920
<v Speaker 3>Future NICE i was just gonna, say.

2116
02:03:29.880 --> 02:03:33.359
<v Speaker 1>Good one point zero zero eight is the atomic weight of.

2117
02:03:33.439 --> 02:03:38.239
<v Speaker 3>Hydrogen, ah that's, interesting, yeah, yeah, yeah.

2118
02:03:38.359 --> 02:03:41.159
<v Speaker 1>With all the stuff coming into form is one hundred

2119
02:03:41.159 --> 02:03:42.600
<v Speaker 1>and eight one thousand and, eight.

2120
02:03:43.680 --> 02:03:47.000
<v Speaker 9>RIGHT i was just going to say Regarding odin right

2121
02:03:47.279 --> 02:03:49.239
<v Speaker 9>getting the ruins as he was hanging from the world,

2122
02:03:49.319 --> 02:03:53.520
<v Speaker 9>tree you, know AND i this whole. Conversation i've written

2123
02:03:53.560 --> 02:03:57.600
<v Speaker 9>down tree having a relationship with, three WHICH i think

2124
02:03:57.640 --> 02:04:01.399
<v Speaker 9>is there's something to that, Basically and then even you,

2125
02:04:01.479 --> 02:04:03.079
<v Speaker 9>know it's been, SAID i think it was like A

2126
02:04:04.039 --> 02:04:06.880
<v Speaker 9>pythagoras say, it everything could be divisible by, three divided

2127
02:04:06.880 --> 02:04:09.760
<v Speaker 9>by three, beginning middle, end you know sort of thing or.

2128
02:04:09.800 --> 02:04:13.319
<v Speaker 9>Whatever so tree and three have like a correspondence to

2129
02:04:13.359 --> 02:04:16.239
<v Speaker 9>each other in my. Opinion and then we're talking about

2130
02:04:16.279 --> 02:04:18.760
<v Speaker 9>the serpent going up the tree and everything. Else and

2131
02:04:18.840 --> 02:04:21.479
<v Speaker 9>THEN i was reminded of this too With gnash holding the,

2132
02:04:21.600 --> 02:04:24.079
<v Speaker 9>axe and it's, like what is the axe used for

2133
02:04:24.279 --> 02:04:26.800
<v Speaker 9>you chop down a? Tree the tree is a symbol

2134
02:04:26.800 --> 02:04:29.560
<v Speaker 9>of the world, axis, right and SO i think there

2135
02:04:29.640 --> 02:04:33.039
<v Speaker 9>is a relationship with the axe the axis as. Well

2136
02:04:34.319 --> 02:04:35.560
<v Speaker 9>and then the world access being an.

2137
02:04:35.600 --> 02:04:36.000
<v Speaker 3>Axel.

2138
02:04:36.279 --> 02:04:39.000
<v Speaker 9>Right so there's all these sort of things swimming in my.

2139
02:04:39.079 --> 02:04:41.439
<v Speaker 9>Mind BUT i could talk to you guys. FOREVER i, mean,

2140
02:04:41.479 --> 02:04:44.479
<v Speaker 9>seriously this is like a really powerful crew AND i

2141
02:04:44.600 --> 02:04:46.560
<v Speaker 9>always learn a. Lot so thank you guys for.

2142
02:04:46.640 --> 02:04:51.720
<v Speaker 10>Sharing yeah you, guys crops and respect to. Everyone this

2143
02:04:51.880 --> 02:04:56.319
<v Speaker 10>is like a. CULT ai more THAN i could FROM.

2144
02:04:56.359 --> 02:05:01.880
<v Speaker 12>Ai great, Great, OH i love it is everybody? Good

2145
02:05:02.000 --> 02:05:04.399
<v Speaker 12>does anybody have anything else to? Say we can probably

2146
02:05:04.439 --> 02:05:04.760
<v Speaker 12>rapid up.

2147
02:05:04.760 --> 02:05:07.439
<v Speaker 4>Here THEN i just want to add one really quick.

2148
02:05:07.479 --> 02:05:10.720
<v Speaker 4>Thing is t said the ten plus. Three well that's

2149
02:05:10.800 --> 02:05:13.600
<v Speaker 4>really interesting because In, cabala the ten plus three of

2150
02:05:13.640 --> 02:05:17.239
<v Speaker 4>the thirteen that is the number of hearing the hearer

2151
02:05:17.279 --> 02:05:19.439
<v Speaker 4>of the. Perceiver so you were, saying like the police

2152
02:05:19.760 --> 02:05:22.199
<v Speaker 4>say that it's a shut up because you can't hear.

2153
02:05:22.319 --> 02:05:27.319
<v Speaker 4>Anything you can't perceive anything if you're, speaking, Right so that's.

2154
02:05:27.239 --> 02:05:30.520
<v Speaker 6>Really interesting in that number specifically.

2155
02:05:30.640 --> 02:05:35.439
<v Speaker 11>And getting into all that the whole idea of the divine,

2156
02:05:35.640 --> 02:05:39.960
<v Speaker 11>silence you, know is What hermes constantly talks. About and,

2157
02:05:40.079 --> 02:05:43.680
<v Speaker 11>also you, know before we, go the idea of her you,

2158
02:05:43.760 --> 02:05:47.840
<v Speaker 11>know taking all this you, know divine sacred information and

2159
02:05:48.039 --> 02:05:52.399
<v Speaker 11>hermetically sealing it into you, know so you also have

2160
02:05:52.560 --> 02:05:57.279
<v Speaker 11>that ideas of the hermetically ceiling you, know occulting information

2161
02:05:57.720 --> 02:05:59.880
<v Speaker 11>essentially nice.

2162
02:06:01.479 --> 02:06:01.960
<v Speaker 10>To build.

2163
02:06:02.039 --> 02:06:04.600
<v Speaker 5>On jins just really. Quickly WHAT t said about ten

2164
02:06:05.479 --> 02:06:08.279
<v Speaker 5>one zero. Three if you multiplied ten by, three you get.

2165
02:06:08.319 --> 02:06:12.640
<v Speaker 5>Thirty and that's When jesus performed all his, miracles the last,

2166
02:06:12.760 --> 02:06:18.319
<v Speaker 5>route the water to, wine the, lows all of. That

2167
02:06:18.560 --> 02:06:23.039
<v Speaker 5>that was when he was, thirty or that's what is, written.

2168
02:06:23.840 --> 02:06:26.680
<v Speaker 6>Because he comes into his full, understanding.

2169
02:06:26.560 --> 02:06:28.479
<v Speaker 5>Right, yes and then dies at thirty, three.

2170
02:06:29.079 --> 02:06:33.359
<v Speaker 8>Right SOMETHING i just wanted to add real, quick just

2171
02:06:33.439 --> 02:06:36.039
<v Speaker 8>weird stuff that popped into my. Head robbie was talking

2172
02:06:36.119 --> 02:06:38.399
<v Speaker 8>and just now and then we could wrap it. Up

2173
02:06:39.439 --> 02:06:40.640
<v Speaker 8>you know when you were talking about. IT i think

2174
02:06:40.640 --> 02:06:42.359
<v Speaker 8>it was a saturn and taking off his.

2175
02:06:42.560 --> 02:06:45.079
<v Speaker 12>Legs you.

2176
02:06:45.159 --> 02:06:47.479
<v Speaker 8>Know, AGAIN i have talked about how like When i'm

2177
02:06:47.479 --> 02:06:51.520
<v Speaker 8>messing with, magic at some point it's like things like starts,

2178
02:06:51.560 --> 02:06:54.439
<v Speaker 8>disappearing you, Know like at one POINT i, said like

2179
02:06:54.560 --> 02:06:57.319
<v Speaker 8>it does feel like energy is rising up my body

2180
02:06:57.359 --> 02:06:59.359
<v Speaker 8>and everything below it, disappears and it does at some

2181
02:06:59.399 --> 02:07:03.079
<v Speaker 8>point feel like my legs are gone AND i do go.

2182
02:07:03.199 --> 02:07:06.520
<v Speaker 8>Death and you're just talking about, silence so, RIGHT i

2183
02:07:06.560 --> 02:07:09.359
<v Speaker 8>MEAN i have experience all of those, THINGS i, think

2184
02:07:10.199 --> 02:07:11.760
<v Speaker 8>SO i just wanted to throw that in. There there

2185
02:07:11.800 --> 02:07:13.960
<v Speaker 8>was other things, too but it's it's Been, YEAH i

2186
02:07:14.039 --> 02:07:14.239
<v Speaker 8>have to.

2187
02:07:14.279 --> 02:07:16.880
<v Speaker 9>Mention the thirteenth card of the Major ocana is, death

2188
02:07:17.199 --> 02:07:19.560
<v Speaker 9>and in the early, days this is the only card

2189
02:07:19.600 --> 02:07:21.760
<v Speaker 9>that did not actually have a name printed on the,

2190
02:07:21.880 --> 02:07:25.560
<v Speaker 9>card because you didn't want to invoke death by saying

2191
02:07:25.600 --> 02:07:28.359
<v Speaker 9>its name, basically so there's a whole thing with silence

2192
02:07:28.399 --> 02:07:29.880
<v Speaker 9>with that, too so.

2193
02:07:30.039 --> 02:07:33.319
<v Speaker 8>Interesting, Way, well thank you. All this, was you, know

2194
02:07:33.399 --> 02:07:35.199
<v Speaker 8>better THAN i could have. Expected it was just as

2195
02:07:35.239 --> 02:07:38.000
<v Speaker 8>good as all the other. ONES i really appreciate. It,

2196
02:07:38.159 --> 02:07:41.159
<v Speaker 8>again we Had lisa The occult reject Man, scientists we

2197
02:07:41.199 --> 02:07:43.920
<v Speaker 8>Had jin The, ninja we Had Ethan, indigo we HAD,

2198
02:07:44.000 --> 02:07:46.159
<v Speaker 8>tj we had The Headless, giant and we Had Robbie.

2199
02:07:46.199 --> 02:07:48.680
<v Speaker 8>Marx all the links are in the. Bottom and thank

2200
02:07:48.720 --> 02:07:52.199
<v Speaker 8>you for the, Guest. Mario like, again it's a. Pleasure

2201
02:07:52.359 --> 02:07:55.560
<v Speaker 8>it's always, great you, know learning with. You and look

2202
02:07:55.640 --> 02:07:57.720
<v Speaker 8>forward to doing much much more work with.

2203
02:07:57.880 --> 02:08:00.079
<v Speaker 3>You likewise, man oh.

2204
02:08:00.119 --> 02:08:02.479
<v Speaker 8>Yeah and that is the end of Another Recult Rejects

2205
02:08:02.560 --> 02:08:05.239
<v Speaker 8>and until the next, one everybody be well later
