WEBVTT

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<v Speaker 1>This is Jaydiyer from Jay's Analysis dot com. Listen.

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<v Speaker 2>I want you to check out my new book Esselty Hollywood, Sects,

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<v Speaker 2>Cults and Symbols and Film, which you can order from

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<v Speaker 2>trin Day Publishers at trinday dot com or at Amazon

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<v Speaker 2>dot com. And I think you'll enjoy if you like

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<v Speaker 2>this analysis that I do of Twin Peaks. It's based

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<v Speaker 2>on the essay that I wrote that is in the book.

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<v Speaker 2>It's one of the chapters, and it's selling like a

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<v Speaker 2>hot cake, like one single hotcake that has been broken

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<v Speaker 2>into miraculous loaves to give everyone hotcakes, miraculous hotcake loaves.

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<v Speaker 2>And again you're gonna like this. I'm re uploading this

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<v Speaker 2>analysis because YouTube kept slapping it with copyright infringement, so

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<v Speaker 2>I had to change some of the images and pictures.

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<v Speaker 2>And enjoy the Twin Peaks analysis. And if you would

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<v Speaker 2>get my book Esselty Hollywood, and I think I know you're

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<v Speaker 2>gonna like it.

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<v Speaker 1>If you like movies. It's it's not just film analysis.

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<v Speaker 1>It's like Roger Ebert on Acid. You my guardian angel,

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<v Speaker 1>take my song.

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<v Speaker 2>And you're listening to Esoteric Hollywood. I'm your host, Jay

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<v Speaker 2>Dyer Esoteric Hollywood is where I deconstruct the deeper messages, symbols,

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<v Speaker 2>and predictive programming subtexts that underlie modern film. In this show,

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<v Speaker 2>we will be interviewing artists, experts, and numerous people in

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<v Speaker 2>media fields, and this will all be based on my

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<v Speaker 2>years of research and compared to religion, propaganda, psychological warfare,

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<v Speaker 2>secret societies and espionage.

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<v Speaker 1>Esoteric Hollywood decodes the biggest movies.

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<v Speaker 2>In an unparalleled way, from the classics of the silver

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<v Speaker 2>screen to today's blockbusters. Learn to watch film with completely

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<v Speaker 2>new eyes as we enter Esoteric Hollywood.

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<v Speaker 3>Welcome to Esoteric Hollywood. This is David Lynch. I want

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<v Speaker 3>to recommend the analysis of Jay Dyer, the only Twin

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<v Speaker 3>Peaks analysis that I can give the David Lynch Seal

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<v Speaker 3>of approval to.

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<v Speaker 2>Way to go, Jay, Welcome, Welcome. You're listening to Esoteric

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<v Speaker 2>Hollywood tonight. The owls are not what they seem. And

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<v Speaker 2>as you heard in that introduction, David Lynch himself has

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<v Speaker 2>given Jay's analysis the official seal of approval for correctly

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<v Speaker 2>decoding the mysterious nineteen ninety ninety one drama Twin Peaks.

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<v Speaker 2>Twin Peaks soon to be rebooted in a perfect topic

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<v Speaker 2>for esoteric Hollywood serial drama, crime drama, mystery, psychological thriller, supernatural, horror, satire,

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<v Speaker 2>soap opera, spoof.

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<v Speaker 1>Nothing like it if you don't know. Twin Peaks follows

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<v Speaker 1>the investigation headed by.

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<v Speaker 2>FBI special agent Dale Cooper played by cal McLaughlin, looking

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<v Speaker 2>into the murder of Homecoming Queen Laura Palmer played.

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<v Speaker 1>By Cheryl Lee.

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<v Speaker 2>Pilot episode first broadcast April eighth, nineteen ninety on ABC.

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<v Speaker 2>Several more episodes were produced, and the series was renewed

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<v Speaker 2>for a second season that aired until nineteen ninety one.

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<v Speaker 2>The show's title comes from a small fictional Washington town

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<v Speaker 2>named twin Peaks. A TV Guide in nineteen ninety seven

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<v Speaker 2>ranked twin Peaks number twenty five on the twenty five

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<v Speaker 2>Greatest show excuse me, forty five on the Greatest Shows.

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<v Speaker 1>Of all times.

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<v Speaker 2>So quite a bit of a philosophical depth at work

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<v Speaker 2>in twin Peaks.

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<v Speaker 1>So we are going to decode this in hardcore.

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<v Speaker 2>I don't know how else to say it. You're not

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<v Speaker 2>going to get this kind of analysis anywhere else. I

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<v Speaker 2>found one other guy who did a pretty decent work

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<v Speaker 2>decoding a couple things that I missed when I went

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<v Speaker 2>through the series for I think the third time recently.

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<v Speaker 2>This time around, though this a few months ago. I

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<v Speaker 2>really think I got the big picture. I think of

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<v Speaker 2>pretty much nailed it. But I want you to give

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<v Speaker 2>me some feedback. If you think I'm wrong, if I guess,

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<v Speaker 2>if I miss something, if I got something wrong, please

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<v Speaker 2>do correct me. This is not a cult yet. I

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<v Speaker 2>will be opening my specialty cult in La only for supermodels,

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<v Speaker 2>a self help massage spa parlor with me as the

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<v Speaker 2>head hierarch of this cult. But it's females only, and

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<v Speaker 2>prefer preferences are given to supermodels. You're the only ones

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<v Speaker 2>that are gonna be saved. We're gonna call it dire netics,

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<v Speaker 2>and I'll be the head of the cult.

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<v Speaker 1>Like l A. Round Hubbard, I learned just beneath the surface.

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<v Speaker 1>Actually I should do this in the David Lynch Boy

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<v Speaker 1>so it would make a lot more sense.

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<v Speaker 3>I learned that just beneath the surface, there's another world,

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<v Speaker 3>and still different worlds as you dig deeper.

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<v Speaker 1>That's a quote from an interview with David Lynch.

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<v Speaker 2>Now, if you ever since the flimsy thin Veneer of

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<v Speaker 2>what parades itself as the good old us of A

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<v Speaker 2>and you felt a bit like you've been sold to fake.

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<v Speaker 2>Then David Lynch's Twin Peaks is a series.

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<v Speaker 1>That you would love.

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<v Speaker 2>More like an initiatory experience than a mirror television series.

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<v Speaker 2>I would argue that Twin Peaks kind of functions as

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<v Speaker 2>a hilariously terrifying vision of the real America, right that

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<v Speaker 2>lurks beneath the CD underworld of the facade of white

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<v Speaker 2>picket fences in a kind of surrealist nightmare fashion. If

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<v Speaker 2>you've ever seen Lynch's Blue Velvet, now, much like the

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<v Speaker 2>picturesque severed ear on the Beautiful Lawn in the nineteen

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<v Speaker 2>eighty six comedic horror Blue Velvet, Twin Peaks might even

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<v Speaker 2>prop be titled an esoteric, dark satirical soap opera. As

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<v Speaker 2>I said, so perfect for Jay's analysis.

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<v Speaker 1>Now.

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<v Speaker 2>There are countless reviews, essays, and analyzes of Lynch and

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<v Speaker 2>Twin Peaks, but almost all of them, in my view,

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<v Speaker 2>miss the complex system of symbology and hidden meanings that

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<v Speaker 2>relate directly to what I would say is pretty high

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<v Speaker 2>level occultism, synchronicity, surrealist philosophy, and especially with Lynch sort

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<v Speaker 2>of far eastern Zen notions. Now, before we go there,

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<v Speaker 2>I think we should discuss the setting. The set and

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<v Speaker 2>setting Twin Peaks is aptly described.

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<v Speaker 1>As quintessential Lynch. Fans will often.

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<v Speaker 2>Speak of scenes, even in movies outside of the Lynch corpus,

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<v Speaker 2>as being Lynchian. So David Lynch has actually been able

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<v Speaker 2>to kind of create his own dreamscape atmosphere, right that

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<v Speaker 2>you just recognize if you've watched a lot of David

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<v Speaker 2>Lynch and you see it elsewhere. I think of recent

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<v Speaker 2>films that I saw, like Nicholas Reffins, Oh what was

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<v Speaker 2>that God No Forgiveness or whatever? The one with Ryan

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<v Speaker 2>Casling or something or that. I didn't really enjoy that

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<v Speaker 2>film that much.

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<v Speaker 1>But.

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<v Speaker 2>It had quite a few David Lynchian scenes, for sure.

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<v Speaker 2>So No, what is the name of that moved God?

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<v Speaker 2>Only forget? Only God forgive?

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<v Speaker 1>Something like that. Some bizarre or strange ideas. But and

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<v Speaker 1>and some good cinematography, but kind of lost in the

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<v Speaker 1>meaning of all that.

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<v Speaker 2>But and I consider myself somewhat proficient at decoding films. Now,

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<v Speaker 2>nothing stands out with that epithet of being Lynchian than

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<v Speaker 2>this surrealist neo Noah melodrama that magically captures the spirit

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<v Speaker 2>of America itself. As I argue, and this differs from

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<v Speaker 2>later Lynch that's focused I think on Hollywood, or what

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<v Speaker 2>I call the Hollywood Trilogy, being Lost Highway, Maholland Drive

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<v Speaker 2>In inlann Empire Twin Peaks is more akin to his

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<v Speaker 2>nineteen ninety film based on the novel Wild at Heart.

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<v Speaker 4>Sorry, Nicholas Cage, Right, Nicholas Cage and Laura du Laura

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<v Speaker 4>was great to work with, right, because I've worked with

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<v Speaker 4>every actor in the world. Because I'm Nicholas Cage and

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<v Speaker 4>I've been in every film in the world, I can't

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<v Speaker 4>can't resist to do a Nicholas Cage impersonation.

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<v Speaker 2>Sorry, but if you've ever if you haven't seen Wilded Heart,

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<v Speaker 2>it's probably Lynch's funniest movie, hands down.

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<v Speaker 1>It gets funnier with more viewings. In fact, there's a

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<v Speaker 1>sections jacket. It's a representation of my freedom and individuality.

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<v Speaker 1>Where Nick Cage does his Elvis impersonation. Well, this is

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<v Speaker 1>a snake's good jacket.

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<v Speaker 2>In its presentation of America and miniature, Wild at Heart

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<v Speaker 2>is a satirical picture of Well, it's satirical picture of

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<v Speaker 2>America and the American dream. And you're gonna see a

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<v Speaker 2>similar idea here with Twin Peaks. Now, Twin Peaks does,

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<v Speaker 2>like later Lynch films, share deeper occult symbology, as I

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<v Speaker 2>mentioned Lost Highway, mahulland Drive and Inland Empire, And we

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<v Speaker 2>might touch on a little bit of those because they will,

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<v Speaker 2>they will relate depending on how time goes in this

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<v Speaker 2>episode of esoteric Hollywood. In this analysis, we will delve

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<v Speaker 2>deeper into a unique place though, which I think is

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<v Speaker 2>the subconscious dreamscape of Lynch, and there will decode the

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<v Speaker 2>scenes and images that may still mystify many twenty five

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<v Speaker 2>years later. Now worth mentioning before delving into the narrative

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<v Speaker 2>is also Lynch's preferred style. Part horror, part in neo noir,

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<v Speaker 2>part comedy, part melodrama, part soap opera. The Lynch Frost

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<v Speaker 2>collaboration collates a vast array of Hollywood classics, from the

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<v Speaker 2>Hitchcock Method of Doubling to Otto Preminger's nineteen forty four

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<v Speaker 2>noa classic Laura, the parallels between the Minor Bird from

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<v Speaker 2>Hitchcock's The Birds, the hard Hearted Detective, Grizzled loner who

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<v Speaker 2>finds himself taken with an apparently murdered Laura. Right, this

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<v Speaker 2>trope abounds in noa. Now, Lynch intentionally includes countless parallels

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<v Speaker 2>to sprinkle his work, deriving from the golden age of cinema.

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<v Speaker 2>Think of Sunset Boulevard, which I think pretty sure I've

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<v Speaker 2>read that Lynch sites in interviews as being heavily influential

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<v Speaker 2>on his style.

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<v Speaker 1>Now, as we enter the world of Twin Peaks.

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<v Speaker 2>It's protagonist, Agent Dale Cooper played by cal McLaughlin, who

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<v Speaker 2>arrives to investigate these in an enigmatic murder, and later

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<v Speaker 2>we find multiple murders of popular high school blonde babe

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<v Speaker 2>Laura Palmer.

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<v Speaker 1>Now, Laura Palmer is intended.

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<v Speaker 2>To sort of be the high school perfect girl, and

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<v Speaker 2>you know, sort of the good girl that everyone thinks

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<v Speaker 2>is a good girl. And this is in fact based

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<v Speaker 2>on an unsolved murder from Now, this is in fact

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<v Speaker 2>based on an unsolved murder from Mark Frost, one of

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<v Speaker 2>the co creators and co directors with Lynch, mark Frost's hometown.

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<v Speaker 2>So Laura will function as the focal point of the

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<v Speaker 2>show's entire arc. Now, however, it's Agent Dale Cooper who

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<v Speaker 2>unravels the actual story of Laura's demise. The truth involves

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<v Speaker 2>a much wider conspiracy than is originally conceived. With his

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<v Speaker 2>unorthodox divination methods of solving crime, Cooper astounds local law

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<v Speaker 2>enforcement with the concept of utilizing synchronicity to associate similar

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<v Speaker 2>themes with inanimate objects in a game of rock toss.

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<v Speaker 2>This odd practice will configure Cooper as both a classic

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<v Speaker 2>pulp detective.

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<v Speaker 1>I think we could say.

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<v Speaker 2>Kind of Bogie Casablanca Multie Falcon, and I think also

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<v Speaker 2>we could.

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<v Speaker 1>Look at other other influence, Sam Spade.

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<v Speaker 2>I guess we could say, right, Sam Spade, but also

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<v Speaker 2>we could grant him a kind of mystical side from

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<v Speaker 2>which you will draw from in order to peer into

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<v Speaker 2>the psychosphere.

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<v Speaker 1>Welcome back.

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<v Speaker 2>You're listening to Esoteric Hollywood. I'm your host Jay Dyer

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<v Speaker 2>of Jay's Analysis, and you're listening on talknetwork dot com,

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<v Speaker 2>the best place for independent talk radio. I want to

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<v Speaker 2>remind you to get your organic supplements as we get

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<v Speaker 2>close to the holiday season, as well as all kinds

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<v Speaker 2>of survival gear at j dot Talk network dot com.

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<v Speaker 2>That's the best place to go for preparing for anything

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<v Speaker 2>that could come right. It's not just about collapses or

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<v Speaker 2>government false flags or something like that.

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<v Speaker 1>It's also about standing up to the elements.

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<v Speaker 2>Most disasters that humans will encounter in their life are

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<v Speaker 2>actually the natural phenomena of the changes of the seasons,

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<v Speaker 2>weather patterns. Right, that's the majority of what you're going

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<v Speaker 2>to face. Power outages, ice storms, we have those quite

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<v Speaker 2>frequently where I live, as well as tornadoes. So go

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<v Speaker 2>to j dot talknetwork dot com. You'll see it's not

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<v Speaker 2>just supplements, it's also survival gear.

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<v Speaker 1>Now we're talking about twin peaks.

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<v Speaker 2>And as I commented before we were looking at the

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<v Speaker 2>Shamanic journey, I quoted Markia Eliade and Yowan Kolanu now

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<v Speaker 2>in previous analyzes. At Jay's analysis, I talked about Lynch

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<v Speaker 2>through Cooper drawing on a highly complex and deeply rooted

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<v Speaker 2>Eastern notion of formal and essentialist associations that extend beyond

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<v Speaker 2>the immediate space and time of objects. Now what do

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<v Speaker 2>I mean by that, Well, what I mean is that

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<v Speaker 2>the objects as we tend to think of them in

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<v Speaker 2>the world. We think of them as discreete right, independent

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<v Speaker 2>objects that have no relation or connection to some other object.

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<v Speaker 2>So if there's a chair in one room, then there's

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<v Speaker 2>a chair in another room. We just think of them

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<v Speaker 2>as separate chairs. We don't think of them as sharing

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<v Speaker 2>any sort of essential chairness.

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<v Speaker 1>Or quality or special quality.

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<v Speaker 2>That's metaphysically out there in the world that makes them chairs.

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<v Speaker 1>But as we moved eastern and back.

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<v Speaker 2>Into medieval and ancient thought, it's still and was the

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<v Speaker 2>norm to think of these things as having an essentialist connection.

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<v Speaker 2>This is what Plato would call the realm of the forms,

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<v Speaker 2>and that essence that all of these objects might share. Right,

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<v Speaker 2>You and I would share these as humanity. We share

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<v Speaker 2>human nature, and this essence or special property that makes

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<v Speaker 2>that thing that thing and no other thing is something

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<v Speaker 2>that extends beyond the immediate phenomena of spatial and temporal relations.

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<v Speaker 1>So cherness is shared. Right, even if.

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<v Speaker 2>We move those two chairs one thousand miles apart, they're

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<v Speaker 2>still sharing the property of cherness. And even if we

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<v Speaker 2>say burn one of those chairs and destroy it, well,

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<v Speaker 2>it's still the case that at one time they both

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<v Speaker 2>shared the property of cheerness.

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<v Speaker 1>Right.

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<v Speaker 2>And now this is important because this is kind of

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<v Speaker 2>I believe the basis for how there could be something

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<v Speaker 2>like synchronicity and synchronicity is what's going to be the

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<v Speaker 2>means by which Cooper will actually do a kind of

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<v Speaker 2>divination throughout the series in order to try to solve

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<v Speaker 2>these heinous, mysterious crimes that we will learn actually tend

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<v Speaker 2>to line up with ritual murder, and in fact that

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<v Speaker 2>will be the case. So it's not just the murder

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<v Speaker 2>of girls or human trafficking. Much more is going on here,

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<v Speaker 2>and this sets the stage for Cooper to be much

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<v Speaker 2>more than merely a clever detective, but rather we see

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<v Speaker 2>the emergence of his role as another world traveling shaman.

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<v Speaker 1>Right, He's able to go beyond. He goes into the ether,

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<v Speaker 1>the astral.

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<v Speaker 2>Realm, the realm of the spirits, the other side, the

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<v Speaker 2>very thing.

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<v Speaker 1>That David Lynch talked about in the quote.

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<v Speaker 2>At the beginning, and later in the series, it's Cooper's

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<v Speaker 2>spiritual gifts that are noted by Native American Deputy Hawk

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<v Speaker 2>as well as by General Briggs, where Cooper is eventually

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<v Speaker 2>revealed to be the one who can travel too and

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<v Speaker 2>call between the worlds.

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<v Speaker 1>Right, this fulfills the.

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<v Speaker 2>Role of the magician or the shaman from the series

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<v Speaker 2>is famous tagline which reads fire walk with me.

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<v Speaker 1>Now, this is the soul. This is the role of

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<v Speaker 1>the shaman I described in my thesis on Lost Highway.

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<v Speaker 1>I have an extensive analysis of the out there bizarre

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<v Speaker 1>psychical film that has mystified many out there known as

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<v Speaker 1>Lost Highway, the other David Lynch film that I believe

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<v Speaker 1>kind of.

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<v Speaker 2>Is kind of a part one in his loosely titled

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<v Speaker 2>Hollywood Trilogy.

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<v Speaker 1>Citing author Peter Lavenda, I noted in Twin Peaks, it

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<v Speaker 1>is the light of the morgue over the place where

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<v Speaker 1>the body of Laura Palmer has been kept in which

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<v Speaker 1>then visited by Mike, the one armed man who recites

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<v Speaker 1>the famous poem through the darkness of futures pass, the

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<v Speaker 1>magician longs to see.

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<v Speaker 2>One chance out between two worlds. Fire walk with me.

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<v Speaker 2>They're in a little strange little verse. Levinda writes. We

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<v Speaker 2>have the key to unlocking the mystery not only of

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<v Speaker 2>Twin Peaks, but virtually all of Lynch's films. The suspension

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<v Speaker 2>of normal laws of time, futures past, and the idea

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<v Speaker 2>that the magician lives between two worlds, the suspension of

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<v Speaker 2>normal linear narrative event in the favor of, in fact,

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<v Speaker 2>a dream like hallucinatory set of images that are taking

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<v Speaker 2>place all over the fourth dimension. This is part of

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<v Speaker 2>Lynch's appeal as a director and part of what makes

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<v Speaker 2>his film so frustrating to the average filmgoer. His realization

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<v Speaker 2>is that there are two worlds and a place to

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<v Speaker 2>stand between them, and this is what contributes to his

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<v Speaker 2>aura as a modern twenty first century initiate.

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<v Speaker 1>Of the mysteries.

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<v Speaker 2>That's what a mystery film is, right. It elucidates the

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<v Speaker 2>core mystery behind reality itself, and this forms the solution

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<v Speaker 2>to Lost Highway as well. The shamanic and magical elements

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<v Speaker 2>are here in full force, as Fred as a character

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<v Speaker 2>trapped in a different psychical world that seems to unfold

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<v Speaker 2>and invelop other psyches as well. Now, when we interpret

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<v Speaker 2>Twin Peaks, I think accuracy involves understanding the notion of

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<v Speaker 2>twilight language or sanda bayasa, which I've mentioned many times

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<v Speaker 2>in talks, and it's my contention that Twin Peaks should

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<v Speaker 2>be read in this way if the series itself were

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<v Speaker 2>perhaps a kind of yogic text. Sanda bayasa is the

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<v Speaker 2>notion of synchronicity or events being written like a text,

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<v Speaker 2>like a story, but in a higher way, and this

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<v Speaker 2>is natural I think, given Lynch and agent Cooper in

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<v Speaker 2>the stories preference for Eastern Meditation. I'll quote Indian scholar

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<v Speaker 2>vij Mishra who comments on the ambiguous semiotic discourse involved

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<v Speaker 2>in Twilight. As follows, Tantric texts are often composed of

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<v Speaker 2>an intentional language. Sandabayasa a dark, secret, ambiguous language in

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<v Speaker 2>which a state of consciousness is expressed by an erotic

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<v Speaker 2>term and the vocabulary of mythology or cosmology is then

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<v Speaker 2>charged with a hatha, yogic or sexual meaning. According to Iliada,

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<v Speaker 2>it is translated enigmatic language. Max Muller called it a

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<v Speaker 2>hidden language. All the works of Sahayanya and Sandabayasa are

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<v Speaker 2>written in light and darkness, partly light and partly dark.

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<v Speaker 2>Some parts can be understood while other parts cannot, and

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<v Speaker 2>this is from the book Oceanal Poetics and the Indian Sublime. Now,

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<v Speaker 2>Cooper's methodology is really about reading omens, dreams, visions, and divination,

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<v Speaker 2>and this gives us an insight into the metaphysics of

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<v Speaker 2>Twin Peaks, which are very much in line with the

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<v Speaker 2>presentation here at Jay's analysis. If you go read my site,

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<v Speaker 2>you'll find many, many pieces there that line up with

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<v Speaker 2>how that kind of a worldview is possible from the

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<v Speaker 2>film twin Peaks, the film version fire Walk.

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<v Speaker 1>With Me, which is the name of the movie that

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<v Speaker 1>came out after season one.

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<v Speaker 2>We're giving the impression here that Laura's spirit has actually

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<v Speaker 2>summoned Cooper from the FBI to come and investigate from

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<v Speaker 2>the spirit world. So it's actually Laura who's brought Cooper there,

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<v Speaker 2>not Cooper who has chosen to come there. Consistently through

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<v Speaker 2>the series, Cooper receives messages and clues from this spirit

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<v Speaker 2>realm or what might accurately accurately be called, as I said,

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<v Speaker 2>the eighth or astral realm, the psychosphere. Now, as he sleeps,

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<v Speaker 2>it's Cooper's higher self that enters into this realm and

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<v Speaker 2>communicates with this assorted cast of Mottley characters and shades,

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<v Speaker 2>arranging from Laura Palmer to a young version of what

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<v Speaker 2>looks like David Lynch himself, to a midget known as

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<v Speaker 2>the Man from Another Place and it played by Michael J. Anderson,

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<v Speaker 2>and then a giant. So here we have the Ananaki,

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<v Speaker 2>the notion of the nephelem, even coming into the mythology

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<v Speaker 2>of Lynch's Twin Peaks channeling these entities. Then Cooper gradually

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<v Speaker 2>sort of unravels the Twilight Language script and he decodes

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<v Speaker 2>it right behind this wooded Washington City, and we the viewers,

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<v Speaker 2>embark on the same initiatic journey of decoding the script

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<v Speaker 2>with Cooper. So thus from reading the simulacra, within the simulacra,

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<v Speaker 2>it's Cooper who begins to discover the secret of Twin

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<v Speaker 2>Peaks involving the black market, not just one black market,

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<v Speaker 2>all of them. And this is where town tycoon Ben

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<v Speaker 2>Horn organizes and controls local prostitution, local gambling, drug running,

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<v Speaker 2>and much more through his private club One Eyed Jacks.

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<v Speaker 1>We're talking One Eyed Jacks in reference to Twin Peaks.

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<v Speaker 2>You're listening to esotery, Hollywood. I'm your host, Jay Dyer

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<v Speaker 2>of Jayson Elses dot com.

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<v Speaker 1>And One Eyed Jack's is the back door secret prostitution

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<v Speaker 1>lodge that's across some sort of lake that you have

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<v Speaker 1>to get to at night. It's kind of unclear, but

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<v Speaker 1>it's a private club.

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<v Speaker 2>And what's interesting is that when we hear we see

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<v Speaker 2>this one eye imagery in this case, it's relevant. It's

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<v Speaker 2>useful to point out because one eye will come up

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<v Speaker 2>more than once. The town oddball character Nadine has only

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<v Speaker 2>one functioning eye, and she later dissociates to a younger

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<v Speaker 2>version of herself. Curiously, so what she abused is she

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<v Speaker 2>just insane? We don't really know. Was she part of

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<v Speaker 2>this network at one point? And she possesses apparently excessive strength,

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<v Speaker 2>she has some sort of demonic connection apparently right so,

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<v Speaker 2>but it just in the narrative though. Nadine functions as

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<v Speaker 2>the comic foil to the more dramatic situation with Laura.

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<v Speaker 2>But her initial psychosis and association to a different persona

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<v Speaker 2>is the key to Laura Palmer as well as we

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<v Speaker 2>will see.

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<v Speaker 1>And One Eyed.

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<v Speaker 2>Jacks is the locale of where Ben Horn controls vice

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<v Speaker 2>because he has connections, as we see, to larger criminal

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<v Speaker 2>networks and mafia organizations that are personified in the characters

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<v Speaker 2>of the Renault brothers. Horn's network includes legitimate face and

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<v Speaker 2>shell companies that are several businesses throughout the town, from

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<v Speaker 2>the Great Northern Hotel to Horn's department store, and there's

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<v Speaker 2>secretly nearby casino and then the Cat House.

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<v Speaker 1>Now, while not.

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<v Speaker 2>Directly involved in the occult, it's Ben Horne, who is

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<v Speaker 2>the sort of archetypal eighties yuppie businessman who has no

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<v Speaker 2>direct involvement we discover eventually in the murder of Laura.

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<v Speaker 1>Though he's an initial suspect.

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<v Speaker 2>While briefly accused, the reality surrounding Laura and Ben Horn

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<v Speaker 2>is actually far deeper. Now Cooper discovers through the eventual

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<v Speaker 2>disclosure of Laura's secret diary that she had been raped

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<v Speaker 2>since she was twelve by her father Leland, played by

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<v Speaker 2>Ray Wise, and a spirit who possesses Leland named Bob.

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<v Speaker 2>Bob we learned as a former killer who has become

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<v Speaker 2>a demon in the afterlife, and he possesses individuals such

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<v Speaker 2>as Leland and then later Wyndham Earl to commit crimes

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<v Speaker 2>such as pedophilia and sacrificial murder. Now, I've detailed the

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<v Speaker 2>reality of this frightening process in a piece that I

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<v Speaker 2>called the Fractured Psyche in the Noose, and you can

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<v Speaker 2>find that at jays Analysis as well, And there's a

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<v Speaker 2>comprehensive treatment of understanding what has happened to Laura and.

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<v Speaker 1>In that essay.

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<v Speaker 2>But I think that that I essay is not just

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<v Speaker 2>applicable to the fictional case of Laura and Leland, but

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<v Speaker 2>applies to the real world. This is, I think what

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<v Speaker 2>we really see with people now concerning alters in the

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<v Speaker 2>split psyche. In that piece I wrote, when we consider

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<v Speaker 2>specifically the fragmentation of the psyche, the extreme versions appear

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<v Speaker 2>in the diagnoses of cases of MPD or DID disassociative

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00:29:26.960 --> 00:29:31.839
<v Speaker 2>identity disorder, schizophrenia, and then the unifying factor between these

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<v Speaker 2>being severe trauma.

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<v Speaker 1>Often in childhood.

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<v Speaker 2>Actually now the trauma in later life appears in what's

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<v Speaker 2>often called post traumatic stress disorder, with the same patterns

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<v Speaker 2>of dissociation, fragmentation, and psychosis appearing frequently.

421
00:29:48.759 --> 00:29:48.920
<v Speaker 1>Now.

422
00:29:48.920 --> 00:29:53.559
<v Speaker 2>What is most never discussed, though though it's evidence of

423
00:29:53.599 --> 00:29:58.319
<v Speaker 2>this surface is daily in particular to former military or

424
00:29:58.400 --> 00:30:01.119
<v Speaker 2>pop star circles, is the reality of ritual abuse.

425
00:30:01.200 --> 00:30:03.160
<v Speaker 1>And having read several works on.

426
00:30:03.119 --> 00:30:08.680
<v Speaker 2>That topic, you a ritual abuse appears frequently in relationship

427
00:30:08.720 --> 00:30:11.680
<v Speaker 2>to these kinds of circles, but it goes unmentioned often

428
00:30:11.720 --> 00:30:13.880
<v Speaker 2>in the mainstream until we get to things like.

429
00:30:13.839 --> 00:30:17.079
<v Speaker 1>The Sable case. Right Jimmy Savile in the UK.

430
00:30:18.160 --> 00:30:20.759
<v Speaker 2>This tide appears to be turning with Sable, but you know,

431
00:30:20.839 --> 00:30:22.440
<v Speaker 2>even the mainstream media.

432
00:30:22.400 --> 00:30:24.319
<v Speaker 1>Is still forced to report.

433
00:30:24.119 --> 00:30:27.720
<v Speaker 2>On this avalanche of officials involved in these kinds of

434
00:30:27.880 --> 00:30:34.160
<v Speaker 2>occulting and ritual abuse scenarios. You know, the subject of

435
00:30:35.119 --> 00:30:39.720
<v Speaker 2>fragmentation of the psyche, right, It's a topic that I said,

436
00:30:39.960 --> 00:30:43.200
<v Speaker 2>is it's very profuse in alternative media, and I don't

437
00:30:43.200 --> 00:30:45.000
<v Speaker 2>think that a lot of people know exactly what they're

438
00:30:45.000 --> 00:30:47.359
<v Speaker 2>talking about. But the general idea is kind of out

439
00:30:47.359 --> 00:30:50.599
<v Speaker 2>there and somewhat I think accurate, and the cases in

440
00:30:50.720 --> 00:30:53.720
<v Speaker 2>nature and extent of it are still somewhat shrouded in mystery,

441
00:30:54.480 --> 00:30:57.240
<v Speaker 2>though modern medicine and psychology have quite a bit actually

442
00:30:57.319 --> 00:31:00.799
<v Speaker 2>to say about the matter. One of the reasons that

443
00:31:00.839 --> 00:31:04.839
<v Speaker 2>this disorder is controversial is that it doesn't fit very

444
00:31:04.880 --> 00:31:09.920
<v Speaker 2>well with the dominant materialist biological reductionism upon which most

445
00:31:10.079 --> 00:31:15.319
<v Speaker 2>science in mass science is built. Mass science modern science

446
00:31:15.359 --> 00:31:19.240
<v Speaker 2>scientism is more so a slave to the corporate state

447
00:31:19.400 --> 00:31:22.880
<v Speaker 2>as an ideology and as a propaganda platform, with people

448
00:31:22.920 --> 00:31:28.720
<v Speaker 2>like Bill Nye, Daniel Dennett, Hitchens, Dawkins, Neil de Grassey

449
00:31:28.799 --> 00:31:33.559
<v Speaker 2>Tyson Right. And given the presupposition of modern science that

450
00:31:33.599 --> 00:31:38.759
<v Speaker 2>the psyche is entirely equated with the brain matter itself,

451
00:31:39.640 --> 00:31:42.920
<v Speaker 2>the assumptions are thus that any possible solution to a

452
00:31:42.960 --> 00:31:46.680
<v Speaker 2>mental problem should and could only be remedied through the

453
00:31:46.720 --> 00:31:52.880
<v Speaker 2>suppression of and rearrangement of various molecular compounds aka drugs,

454
00:31:53.119 --> 00:31:57.079
<v Speaker 2>big pharma. That's why big pharma is the solution to everything,

455
00:31:57.119 --> 00:32:03.119
<v Speaker 2>at least ideologically, is because of the subposition of Darwinism.

456
00:32:03.160 --> 00:32:06.319
<v Speaker 2>And this is why pharmaceuticals are recommended for any kind

457
00:32:06.319 --> 00:32:10.160
<v Speaker 2>of problem across the board. And it may provide some

458
00:32:10.200 --> 00:32:14.000
<v Speaker 2>temporary relief for the subduing of certain manic tendencies or

459
00:32:14.039 --> 00:32:16.640
<v Speaker 2>something like this, but it fails to address the spiritual

460
00:32:16.680 --> 00:32:20.920
<v Speaker 2>dimension of man. And this excludes from the outset that

461
00:32:21.200 --> 00:32:23.599
<v Speaker 2>the psyche might be more than just a series of

462
00:32:24.240 --> 00:32:31.440
<v Speaker 2>firing neurons. But the monetary and propagandist power of these corporations,

463
00:32:32.119 --> 00:32:35.319
<v Speaker 2>you know, combined with the power to dictate results through

464
00:32:36.359 --> 00:32:41.079
<v Speaker 2>funding of so called objective studies that vindicate the latest

465
00:32:41.079 --> 00:32:44.960
<v Speaker 2>happy pill, it disavows from the outset any other approach

466
00:32:45.559 --> 00:32:50.519
<v Speaker 2>and any other models, any other therapeutic applications are just

467
00:32:51.960 --> 00:32:54.039
<v Speaker 2>dismissed out out of hand.

468
00:32:54.559 --> 00:32:54.720
<v Speaker 1>Now.

469
00:32:54.759 --> 00:32:58.960
<v Speaker 2>Despite the deep interconnectedness of the pharmaceutical industry with the

470
00:32:58.960 --> 00:33:05.079
<v Speaker 2>intelligence agencies in the psychological and biological warfare industries, few

471
00:33:05.119 --> 00:33:08.240
<v Speaker 2>and far between are those who are really willing to

472
00:33:08.440 --> 00:33:11.200
<v Speaker 2>question this approach as a whole. And I think this

473
00:33:11.279 --> 00:33:16.720
<v Speaker 2>is due again to the almost universal indoctrination of this reductionistic,

474
00:33:16.799 --> 00:33:23.400
<v Speaker 2>neo Darwinian materialistic perspective. In this preconditions, then all approaches

475
00:33:23.440 --> 00:33:29.640
<v Speaker 2>to therapeutic psychology, biology, medicine, et cetera, et cetera. Now,

476
00:33:29.720 --> 00:33:34.759
<v Speaker 2>one example of the dilemma of a proponent of the

477
00:33:34.799 --> 00:33:37.079
<v Speaker 2>modern approach that has to be graffled with is what

478
00:33:37.119 --> 00:33:41.799
<v Speaker 2>I've hided highlighted before that even the DSMV Diagnostics and

479
00:33:41.839 --> 00:33:47.119
<v Speaker 2>Statistics Manual Version five that the psych industry utilizes for

480
00:33:47.240 --> 00:33:51.799
<v Speaker 2>its so called diagnoses, it still references articles about mind

481
00:33:51.839 --> 00:33:57.720
<v Speaker 2>controlled alters. So you know, if my controlled alters don't exist,

482
00:33:58.319 --> 00:34:03.480
<v Speaker 2>it's and if it's the raving fix of conspiracy lunatics.

483
00:34:03.640 --> 00:34:05.799
<v Speaker 2>And I apologize that my allergies are going crazy. I

484
00:34:05.839 --> 00:34:08.880
<v Speaker 2>can't help it for all the sniffing and so forth tonight.

485
00:34:11.719 --> 00:34:13.639
<v Speaker 1>But you know then it.

486
00:34:13.519 --> 00:34:15.239
<v Speaker 2>Needs to be revised, right, I mean, all this needs

487
00:34:15.239 --> 00:34:17.920
<v Speaker 2>to be thrown out now if if you even give

488
00:34:17.960 --> 00:34:22.400
<v Speaker 2>this book that much credence anyway, you know, most of

489
00:34:22.440 --> 00:34:26.039
<v Speaker 2>these disorders so called are just made up. They're just

490
00:34:26.239 --> 00:34:33.239
<v Speaker 2>titled these disorders, and it's subject to change quite frequently.

491
00:34:33.519 --> 00:34:38.039
<v Speaker 2>Transgenderism was a mental disorder back in the seventies and eighties, and.

492
00:34:37.960 --> 00:34:42.599
<v Speaker 1>Now it's not. So you know, it's just make it

493
00:34:42.679 --> 00:34:43.719
<v Speaker 1>up as you go. I guess.

494
00:34:44.480 --> 00:34:49.159
<v Speaker 2>The circular nature, right of this existing psychological establishment vindicates

495
00:34:49.800 --> 00:34:55.440
<v Speaker 2>ultimately the pharmaceutical establishment. That's why it works the way

496
00:34:55.480 --> 00:35:00.199
<v Speaker 2>it does. That's why it continues to operate unchallenged and

497
00:35:00.239 --> 00:35:03.519
<v Speaker 2>just pumping out pills to put us in this brave

498
00:35:03.559 --> 00:35:06.760
<v Speaker 2>new world situation. And this in turn provides funding to

499
00:35:06.840 --> 00:35:11.119
<v Speaker 2>vindicate the psychological establishment. So the circular establishment then becomes

500
00:35:11.119 --> 00:35:14.519
<v Speaker 2>the de facto final court of appeal. So even as

501
00:35:14.559 --> 00:35:18.079
<v Speaker 2>its theories and revisions are constantly overturning with each decade,

502
00:35:18.880 --> 00:35:23.679
<v Speaker 2>it just the cycle itself continues. Now this is important

503
00:35:23.679 --> 00:35:27.199
<v Speaker 2>because this relates to everything that we're looking at in

504
00:35:27.280 --> 00:35:30.559
<v Speaker 2>terms of Twin Peaks, Because the central characters in Twin

505
00:35:30.599 --> 00:35:35.199
<v Speaker 2>Peaks have this problem of dissociating spiritual possession and so forth,

506
00:35:35.199 --> 00:35:39.480
<v Speaker 2>and they don't know what to do and they've been traumatized. Right,

507
00:35:40.039 --> 00:35:42.760
<v Speaker 2>their psyche is split, and it's not just a psyche

508
00:35:42.800 --> 00:35:46.239
<v Speaker 2>but also an invading.

509
00:35:46.079 --> 00:35:49.679
<v Speaker 1>Spirit is involved in the case of both.

510
00:35:49.519 --> 00:35:54.840
<v Speaker 2>Laura and Leland. In Laura's case, there's good Laura and

511
00:35:54.880 --> 00:36:00.199
<v Speaker 2>Bad Laura. There's Laura who's sort of gives it to

512
00:36:00.239 --> 00:36:04.840
<v Speaker 2>her dark side and becomes this evil Laura, which is

513
00:36:04.880 --> 00:36:06.840
<v Speaker 2>in a way kind of making fun of soap operas

514
00:36:06.880 --> 00:36:10.400
<v Speaker 2>in the eighties and nineties. And then there's good Laura,

515
00:36:10.480 --> 00:36:15.400
<v Speaker 2>who's the front face right of this persona of the

516
00:36:15.440 --> 00:36:25.920
<v Speaker 2>good girl homecoming queen. Now it's important too that it's

517
00:36:25.960 --> 00:36:30.800
<v Speaker 2>not just the black market of prostitution and drugs. It's

518
00:36:30.880 --> 00:36:35.039
<v Speaker 2>actually the alluring of young girls into porn. And there's

519
00:36:35.079 --> 00:36:38.159
<v Speaker 2>a cult that exists amongst the Twin Peaks elite that

520
00:36:38.360 --> 00:36:39.679
<v Speaker 2>formerly met in secret.

521
00:36:40.039 --> 00:36:42.559
<v Speaker 1>We discover for ritual magic ceremonies.

522
00:36:43.280 --> 00:36:46.039
<v Speaker 2>As a thread unravels, it's the spirit of Bob that

523
00:36:46.159 --> 00:36:49.800
<v Speaker 2>serves as the foot soldier for this mysterious midget character

524
00:36:49.880 --> 00:36:53.159
<v Speaker 2>called the Man from Another Place. The Man from Another

525
00:36:53.199 --> 00:36:58.519
<v Speaker 2>Place organizes the occult marriage ceremony for the girls who

526
00:36:58.559 --> 00:37:02.960
<v Speaker 2>were offered to Leland and other cult participants. So it

527
00:37:02.960 --> 00:37:04.960
<v Speaker 2>starts with drugs and porn, and then the girls are

528
00:37:04.960 --> 00:37:09.199
<v Speaker 2>allured into prostitution, and then we even get hints of

529
00:37:09.360 --> 00:37:15.320
<v Speaker 2>snuff films that are that involve this ritual magic cult.

530
00:37:16.400 --> 00:37:20.679
<v Speaker 2>And it's not always explicit, but this is my interpretation

531
00:37:20.719 --> 00:37:25.320
<v Speaker 2>of what's going on with the those involving the wearing

532
00:37:25.360 --> 00:37:29.519
<v Speaker 2>the ring that they're part of this cult. You're listening

533
00:37:29.559 --> 00:37:32.960
<v Speaker 2>to Esoltary Hollywood and we're breaking down Twin Peaks, and

534
00:37:33.000 --> 00:37:35.800
<v Speaker 2>when we come back, we're going to talk more about

535
00:37:35.840 --> 00:37:38.840
<v Speaker 2>this cult network that appears to be in the background,

536
00:37:38.840 --> 00:37:42.639
<v Speaker 2>behind the front of Ben Horn. Ben Horn's not actually

537
00:37:42.679 --> 00:37:47.400
<v Speaker 2>in the cult. He's just a self involved, hedonistic, pragmatic businessman.

538
00:37:48.039 --> 00:38:15.960
<v Speaker 2>You're listening to Esotericcollywood on talknetwork dot com.

539
00:38:16.119 --> 00:38:21.320
<v Speaker 1>Welcome back. You're listening to Esoteric Hollywood. We're talking about Twin.

540
00:38:21.079 --> 00:38:24.559
<v Speaker 2>Peaks, and we've gotten to the point where there's a

541
00:38:24.599 --> 00:38:27.360
<v Speaker 2>lot more going on under the surface of this idyllic

542
00:38:27.480 --> 00:38:31.559
<v Speaker 2>yet bizarre small town of Twin Peaks population fifty five

543
00:38:31.639 --> 00:38:35.239
<v Speaker 2>thousand and something or other. Not only is there a

544
00:38:35.280 --> 00:38:41.400
<v Speaker 2>black market, not as prostitution and drugs gambling, it's actually

545
00:38:41.440 --> 00:38:45.039
<v Speaker 2>the luring of young girls into porn and prostitution, high

546
00:38:45.039 --> 00:38:49.199
<v Speaker 2>school girls. And then beyond that there's a layer of dark,

547
00:38:49.920 --> 00:38:57.079
<v Speaker 2>dark darkness, and that is a cult that seems to

548
00:38:57.079 --> 00:39:02.440
<v Speaker 2>be centered around a group of strange spirits headed up

549
00:39:02.559 --> 00:39:07.079
<v Speaker 2>by the man from another place, some sort of interdimensional

550
00:39:07.679 --> 00:39:11.320
<v Speaker 2>ALIENI ish midget demon.

551
00:39:12.840 --> 00:39:18.679
<v Speaker 1>And I want my garmin Bosia. Now what's the garment Bosia?

552
00:39:18.719 --> 00:39:22.519
<v Speaker 2>Well, you're gonna find out if you remember that bizarre scene.

553
00:39:23.519 --> 00:39:26.960
<v Speaker 2>Now as the thread unravels, right, it's the spirit of

554
00:39:27.039 --> 00:39:30.039
<v Speaker 2>Bob that serves as the foot soldier or the man

555
00:39:30.039 --> 00:39:33.519
<v Speaker 2>from another place who organizes the occult marriages, as we said.

556
00:39:33.960 --> 00:39:34.880
<v Speaker 1>And so it starts with.

557
00:39:34.960 --> 00:39:41.280
<v Speaker 2>Drugs and porn, leads into prostitution and human sacrifice. So

558
00:39:41.440 --> 00:39:44.880
<v Speaker 2>behind the real dark power in Twin Peaks is this

559
00:39:45.079 --> 00:39:48.360
<v Speaker 2>black Lodge. And it's curious that it's called the black

560
00:39:48.480 --> 00:39:53.400
<v Speaker 2>Lodge in between worlds. A black lodge bears a striking

561
00:39:53.400 --> 00:39:58.239
<v Speaker 2>resemblance to what some call irregular forms of Masonry, secret

562
00:39:58.320 --> 00:40:02.480
<v Speaker 2>societies and cults say Tanant cults right known as black

563
00:40:02.519 --> 00:40:06.559
<v Speaker 2>lodges where dark arts are performed. Black Lodge is also

564
00:40:06.800 --> 00:40:13.119
<v Speaker 2>mentioned in Crowley's novel Moonchild and the Reports of Lynch. Actually,

565
00:40:13.199 --> 00:40:15.400
<v Speaker 2>there are reports of Lynch rumors. I don't know if

566
00:40:15.400 --> 00:40:18.320
<v Speaker 2>that's true, but rumors at least of Lynch asking his

567
00:40:18.480 --> 00:40:22.400
<v Speaker 2>actors and crew to speak and walk in reverse for

568
00:40:22.480 --> 00:40:26.039
<v Speaker 2>the filming of the astral scenes in the lodge, and

569
00:40:26.079 --> 00:40:28.800
<v Speaker 2>this may have a Crowleian sort of undertone. I don't

570
00:40:28.840 --> 00:40:31.599
<v Speaker 2>know if it's true, but that's at least what some

571
00:40:31.639 --> 00:40:34.119
<v Speaker 2>have said. Now, all of this is told in striking

572
00:40:34.159 --> 00:40:38.880
<v Speaker 2>detail in twin Peaks, as Cooper's visions demonstrate this human

573
00:40:39.000 --> 00:40:43.199
<v Speaker 2>sacrifice component. In other words, Bob is a demonic force

574
00:40:44.159 --> 00:40:48.280
<v Speaker 2>that's subservient to the man from another place who's lust

575
00:40:48.400 --> 00:40:54.280
<v Speaker 2>for fun seems to involve rape, pedophilia, and murder. And

576
00:40:54.400 --> 00:40:57.679
<v Speaker 2>it's a consistent narrative where these old men have their

577
00:40:57.719 --> 00:41:00.280
<v Speaker 2>way with young girls. And then that's what kind of

578
00:41:00.280 --> 00:41:03.079
<v Speaker 2>hearkens to, this pedophilia. And then we think of the

579
00:41:03.079 --> 00:41:07.320
<v Speaker 2>one armed man Garrard slash Mike, who displays the magical

580
00:41:07.440 --> 00:41:10.559
<v Speaker 2>ring that sort of identifies him as a part of

581
00:41:10.599 --> 00:41:14.440
<v Speaker 2>this cult now in possessing individuals for the purpose of

582
00:41:14.480 --> 00:41:18.719
<v Speaker 2>carrying out these acts. It's Bob that captures the pain

583
00:41:18.840 --> 00:41:22.320
<v Speaker 2>and misery stored in the blood of his victims, and

584
00:41:22.360 --> 00:41:25.280
<v Speaker 2>he pours him out as a sacrificial offering to this

585
00:41:25.400 --> 00:41:30.639
<v Speaker 2>man from another place. That's the garment Bosia. If you

586
00:41:30.679 --> 00:41:33.599
<v Speaker 2>think of the as I said, that bizarre scene in

587
00:41:33.760 --> 00:41:40.719
<v Speaker 2>the meals for wheels old woman's house right where Bob says,

588
00:41:40.760 --> 00:41:42.880
<v Speaker 2>I want my garment bosia, or excuse me, the man

589
00:41:42.920 --> 00:41:45.360
<v Speaker 2>for another place says, I want my garment bosia his

590
00:41:45.480 --> 00:41:50.159
<v Speaker 2>cream corn and what he means is his food. And

591
00:41:50.280 --> 00:41:53.760
<v Speaker 2>his food is signified as the pain and misery of

592
00:41:54.960 --> 00:41:59.880
<v Speaker 2>the energy, the blood of the sacrificial victim. It's contained

593
00:42:01.360 --> 00:42:06.639
<v Speaker 2>now in almost perennial demonology. This concept has many precedents

594
00:42:06.679 --> 00:42:10.400
<v Speaker 2>that moleficent spirits actually feed on the pain and misery

595
00:42:10.400 --> 00:42:17.280
<v Speaker 2>of victims in this parasitic fashion. Now, I did come

596
00:42:17.280 --> 00:42:21.000
<v Speaker 2>across a good analysis at a sound in site magazine

597
00:42:21.079 --> 00:42:25.400
<v Speaker 2>that it's now become pop optic, and I contributed a

598
00:42:25.440 --> 00:42:29.440
<v Speaker 2>piece or two for them some months ago.

599
00:42:29.800 --> 00:42:32.000
<v Speaker 1>And there was another girl who wrote for them. Her

600
00:42:32.079 --> 00:42:33.480
<v Speaker 1>name is Justine Smith, and.

601
00:42:33.480 --> 00:42:37.039
<v Speaker 2>She wrote quote, then of course we have Bob. For

602
00:42:37.119 --> 00:42:40.360
<v Speaker 2>those unaware of the town of Twin Peaks is similarly

603
00:42:40.440 --> 00:42:44.599
<v Speaker 2>populated by a spiritual lodge that travels or is somehow

604
00:42:44.639 --> 00:42:47.960
<v Speaker 2>engaged by electricity. And this is important when you watch

605
00:42:48.119 --> 00:42:52.760
<v Speaker 2>the movie. One of its members, perhaps its leader, is Bob,

606
00:42:52.800 --> 00:42:55.880
<v Speaker 2>who menaces Laura throughout her life. She claims to have

607
00:42:55.960 --> 00:43:00.360
<v Speaker 2>been raped since she was twelve and is similarly islan.

608
00:43:01.599 --> 00:43:04.440
<v Speaker 2>In this scene, he is not only in stark contrast

609
00:43:04.519 --> 00:43:08.199
<v Speaker 2>to the pink, childlike bedroom. That is, when Bob shows

610
00:43:08.280 --> 00:43:12.800
<v Speaker 2>up raping Laura, he is in search for her hidden diary.

611
00:43:13.480 --> 00:43:16.440
<v Speaker 2>The fact that he mirrors her reactions is another mode

612
00:43:16.559 --> 00:43:20.880
<v Speaker 2>of doubling commonly found in surrealist work as well as Hitchcock,

613
00:43:20.920 --> 00:43:25.400
<v Speaker 2>as I mentioned, and it suggests a deep connection between them, however, unwilling.

614
00:43:25.920 --> 00:43:28.159
<v Speaker 2>Finally we have the end of the scene where Laura's

615
00:43:28.159 --> 00:43:31.719
<v Speaker 2>father exits the house, and having already entered the space,

616
00:43:31.800 --> 00:43:35.519
<v Speaker 2>we are fairly certain that he wasn't there before. So

617
00:43:36.159 --> 00:43:39.920
<v Speaker 2>Laura and Bob are one and the same. Excuse me,

618
00:43:40.159 --> 00:43:43.960
<v Speaker 2>Laura's father, Leland and Bob. This girl asked this question,

619
00:43:44.079 --> 00:43:47.079
<v Speaker 2>and it's obvious, Yes, they're the same. They're the same

620
00:43:47.119 --> 00:43:51.679
<v Speaker 2>because Bob's possessing Leland now the garment Bosia cream corn.

621
00:43:52.400 --> 00:43:54.599
<v Speaker 2>All right, And if you go to Jay's analysis, you'll

622
00:43:54.599 --> 00:43:58.360
<v Speaker 2>see my more in depth analysis of twin Peaks, and

623
00:43:58.400 --> 00:44:00.960
<v Speaker 2>you'll see the imagery that I include in my article

624
00:44:01.000 --> 00:44:03.159
<v Speaker 2>where I show you the scene where he's talking about

625
00:44:03.199 --> 00:44:06.639
<v Speaker 2>this and the man from another place, the little midget

626
00:44:06.679 --> 00:44:12.280
<v Speaker 2>demon identifies the garment Bosia. There as the pain and

627
00:44:12.320 --> 00:44:17.000
<v Speaker 2>the sorrow, the pain and misery of the ritual sacrifice

628
00:44:17.239 --> 00:44:21.440
<v Speaker 2>becomes the food of the demon. So the answer to

629
00:44:21.800 --> 00:44:25.760
<v Speaker 2>Justine Smith's question is yes. Specifically, in the case of Laura,

630
00:44:25.840 --> 00:44:30.000
<v Speaker 2>we find her youthful trauma from Bob Leland to have

631
00:44:30.039 --> 00:44:33.320
<v Speaker 2>caused her psyche to split into altars, and this is

632
00:44:33.360 --> 00:44:36.159
<v Speaker 2>revealed in the show explicitly and more clearly in the

633
00:44:36.159 --> 00:44:39.360
<v Speaker 2>film where Laura demonstrates a duplicity of good girl bad girl,

634
00:44:40.360 --> 00:44:42.960
<v Speaker 2>detailing in her diary the trauma she was unable to

635
00:44:43.039 --> 00:44:49.000
<v Speaker 2>cope with from her father's own personality split. So Leland

636
00:44:49.079 --> 00:44:52.599
<v Speaker 2>himself right had these same issues. Leland, just like Laura,

637
00:44:52.719 --> 00:44:57.000
<v Speaker 2>was subject to a dual personality, and eventually Leland giving

638
00:44:57.000 --> 00:44:59.440
<v Speaker 2>into his dark side led.

639
00:44:59.199 --> 00:45:02.079
<v Speaker 1>To this possession by Bob. Now.

640
00:45:02.079 --> 00:45:05.599
<v Speaker 2>This is also strikingly revealed in the driving scene in

641
00:45:05.639 --> 00:45:09.079
<v Speaker 2>the feature film Twin Peaks fire Walk with Me, where

642
00:45:09.159 --> 00:45:14.519
<v Speaker 2>Leland encounters Girard slash Mike, because Gerrard has a spirit

643
00:45:14.559 --> 00:45:17.360
<v Speaker 2>that possesses him as well, where he wears the cult ring,

644
00:45:17.400 --> 00:45:20.159
<v Speaker 2>and the ring functions as a trigger for Laura and

645
00:45:20.239 --> 00:45:24.119
<v Speaker 2>Leland to dissociate. So not only was Laura allured into

646
00:45:24.199 --> 00:45:28.840
<v Speaker 2>the exploitative field of prostitution. She had been subject to

647
00:45:29.039 --> 00:45:32.119
<v Speaker 2>ritual abuse, and in this regard, the symbology of the

648
00:45:32.199 --> 00:45:35.039
<v Speaker 2>rings suggests both the goat and the demonic. If you

649
00:45:35.079 --> 00:45:38.280
<v Speaker 2>look at the shape of the ring, and it's not

650
00:45:38.400 --> 00:45:43.079
<v Speaker 2>just that, it's also two mountains and a portal between

651
00:45:43.079 --> 00:45:47.000
<v Speaker 2>two mountains, as we'll see it here in a bit. Now,

652
00:45:47.320 --> 00:45:51.880
<v Speaker 2>the ring suggests the goat and the inverted horns. In

653
00:45:51.920 --> 00:45:55.760
<v Speaker 2>another sense, it's a group or a cabal, a ring, right,

654
00:45:55.760 --> 00:45:59.960
<v Speaker 2>a ring of people. It also displays different planes of existence,

655
00:46:00.320 --> 00:46:04.119
<v Speaker 2>as I said, and the portal between the two worlds.

656
00:46:04.199 --> 00:46:07.679
<v Speaker 2>The two peaks, the twin peaks signify the two worlds

657
00:46:09.199 --> 00:46:13.440
<v Speaker 2>and in a three tiered sense, the white Lodge Earth

658
00:46:13.679 --> 00:46:19.559
<v Speaker 2>and the Black Lodge. Now you have to see my analysis,

659
00:46:19.599 --> 00:46:24.559
<v Speaker 2>said Jay's analysis, because it's difficult to give an imagery

660
00:46:24.599 --> 00:46:27.679
<v Speaker 2>of this over audio. But if you look, you'll see

661
00:46:28.079 --> 00:46:31.159
<v Speaker 2>I point out in the scenes, there's actually included in

662
00:46:31.159 --> 00:46:34.239
<v Speaker 2>the background real ritual magic sigils.

663
00:46:34.840 --> 00:46:36.639
<v Speaker 1>So if you know the sigil next to.

664
00:46:36.639 --> 00:46:39.880
<v Speaker 2>Cooper hanging on the chalkboard in my analysis, you'll see

665
00:46:39.920 --> 00:46:44.239
<v Speaker 2>what I'm talking about and what almost all researchers have

666
00:46:44.360 --> 00:46:48.559
<v Speaker 2>missed who try to deal with Lynch, and this film

667
00:46:48.639 --> 00:46:51.440
<v Speaker 2>is the crucial imagery that we see at the police station.

668
00:46:51.519 --> 00:46:54.639
<v Speaker 2>We're in the background, Cooper and Sheriff Harry Truman have

669
00:46:54.719 --> 00:46:59.119
<v Speaker 2>pieced together these ritual magic sigils, but they're not explicitly

670
00:46:59.159 --> 00:47:03.199
<v Speaker 2>referred to in the screenplay. It's only in the background

671
00:47:03.239 --> 00:47:06.440
<v Speaker 2>that we see this now presumably connected to the crime

672
00:47:06.480 --> 00:47:09.920
<v Speaker 2>scenes in the former FBI agent turned psychopath Wyndham Earl,

673
00:47:10.960 --> 00:47:13.760
<v Speaker 2>it's the ritual magic sigils that are explained in a

674
00:47:13.880 --> 00:47:18.159
<v Speaker 2>video of Earl right where Earl Wyndham Earl, who's a

675
00:47:18.199 --> 00:47:24.599
<v Speaker 2>former FBI guy turned evil turned psychopath, he describes tapping

676
00:47:24.639 --> 00:47:27.440
<v Speaker 2>into the left hand power of the dark Side through

677
00:47:27.559 --> 00:47:30.679
<v Speaker 2>the Black Lodge. And so the sigils in Twin Peaks

678
00:47:30.679 --> 00:47:34.119
<v Speaker 2>are in fact sigils from the Goetia or the Lesser

679
00:47:34.199 --> 00:47:38.159
<v Speaker 2>Key of Solomon, which specifically relate to the invocation of demons.

680
00:47:39.079 --> 00:47:42.360
<v Speaker 2>Another weird feature that comes up in Twin Peaks that's

681
00:47:42.360 --> 00:47:46.519
<v Speaker 2>worth mentioning is the scorched engine oil throughout the series,

682
00:47:47.679 --> 00:47:50.639
<v Speaker 2>and now this is a reference to the oil sludge

683
00:47:51.599 --> 00:47:54.639
<v Speaker 2>that is found in the woods at what they call

684
00:47:54.760 --> 00:48:00.400
<v Speaker 2>Glastonbury Grove the site of the forest Portal, which inclcludes

685
00:48:00.440 --> 00:48:05.440
<v Speaker 2>a reference to Arturian mythology. So out in the woods

686
00:48:06.320 --> 00:48:09.599
<v Speaker 2>is where the entrance way, the portal to the Black

687
00:48:09.679 --> 00:48:15.480
<v Speaker 2>Lodges that Cooper eventually discovers, and it's the areas the

688
00:48:15.519 --> 00:48:19.159
<v Speaker 2>circle of trees that they call Glastonbury Grove.

689
00:48:19.280 --> 00:48:21.079
<v Speaker 1>Now this makes one immediately think of.

690
00:48:22.480 --> 00:48:26.880
<v Speaker 2>Ancient British occultism. Again Sable the elites in the UK

691
00:48:28.320 --> 00:48:31.599
<v Speaker 2>perhaps Bohemian Grove, and the idea of the grove goes

692
00:48:31.639 --> 00:48:35.840
<v Speaker 2>back far beyond the history of England. We read the

693
00:48:35.880 --> 00:48:39.599
<v Speaker 2>Old Testament, you can read in books like Kings Chronicles,

694
00:48:40.280 --> 00:48:43.920
<v Speaker 2>and there'll be mentions of the high places in the groves, and.

695
00:48:43.760 --> 00:48:46.480
<v Speaker 1>The anti.

696
00:48:48.199 --> 00:48:53.559
<v Speaker 2>Monotheistic cults of the surrounding area of Israel would worship

697
00:48:53.599 --> 00:48:56.960
<v Speaker 2>their deities on top of these mountains. Right, So when

698
00:48:57.000 --> 00:49:02.280
<v Speaker 2>God appears at Mount Sinai in Exodus, conversely, the other

699
00:49:02.360 --> 00:49:08.079
<v Speaker 2>gods of the nations would demand that their followers meet

700
00:49:08.400 --> 00:49:12.400
<v Speaker 2>them on the high places, the groves at the top

701
00:49:12.519 --> 00:49:17.159
<v Speaker 2>of the mountain. And so that's why Glastonbury Grove is

702
00:49:17.199 --> 00:49:24.159
<v Speaker 2>significant here in twin Peaks. Now Earl arrives on the

703
00:49:24.199 --> 00:49:27.519
<v Speaker 2>scene in season two to capitalize on the dark forces

704
00:49:27.519 --> 00:49:29.679
<v Speaker 2>in Twin Peaks, and he's seeking this portal to the

705
00:49:29.719 --> 00:49:34.800
<v Speaker 2>Lodge in the woods. Now, hovering over this black viscous.

706
00:49:34.320 --> 00:49:37.199
<v Speaker 1>Oil is the portal to.

707
00:49:38.679 --> 00:49:41.719
<v Speaker 2>The portal site, in other words, is actually the site

708
00:49:41.800 --> 00:49:45.679
<v Speaker 2>of ancient ritual practice, we learn, and this is where

709
00:49:45.679 --> 00:49:48.679
<v Speaker 2>gods and demi gods are invoked. And Lynch seems to

710
00:49:48.719 --> 00:49:52.079
<v Speaker 2>be saying here that actually America itself is perhaps a

711
00:49:52.159 --> 00:49:56.239
<v Speaker 2>land of primeval fallen forces that rule our present reality

712
00:49:56.280 --> 00:49:59.800
<v Speaker 2>from behind the veil. You're listening to Esoteric Hollywood and

713
00:49:59.840 --> 00:50:04.519
<v Speaker 2>we're breaking down Twin Peaks with Jadi or your host,

714
00:50:04.679 --> 00:50:08.480
<v Speaker 2>and you're listening on talknetwork dot com, the best place

715
00:50:08.639 --> 00:50:43.199
<v Speaker 2>for non corporate free talk radio.

716
00:50:44.079 --> 00:50:46.280
<v Speaker 1>Welcome back. You're listening to Esoteric Hollywood.

717
00:50:46.760 --> 00:50:49.599
<v Speaker 2>I'm your host, Jadier of Jaysonalysis dot com. We're breaking

718
00:50:49.639 --> 00:50:53.719
<v Speaker 2>down twin Peaks and we're talking about Wyndham Earl, the

719
00:50:54.039 --> 00:50:56.880
<v Speaker 2>FBI agent turned dark.

720
00:50:56.800 --> 00:50:58.400
<v Speaker 1>Side turned psychopath.

721
00:50:59.519 --> 00:51:02.679
<v Speaker 2>And we talked about how Earl arrives in season two

722
00:51:03.000 --> 00:51:06.639
<v Speaker 2>to capitalize in the dark Forces in Twin Peaks, seeking

723
00:51:06.679 --> 00:51:09.599
<v Speaker 2>the portal to the Lodge in the Woods. And as

724
00:51:09.639 --> 00:51:14.719
<v Speaker 2>we said, hovering over this pool of black viscous scorched oil.

725
00:51:15.039 --> 00:51:18.760
<v Speaker 2>Is this portal to a site of ancient ritual practice

726
00:51:19.480 --> 00:51:22.960
<v Speaker 2>where gods and demi gods are actually invoked, And Lynch

727
00:51:23.039 --> 00:51:25.320
<v Speaker 2>seems to be saying, as I said that America is

728
00:51:25.360 --> 00:51:31.440
<v Speaker 2>this location Twin Peaks is kind of America in miniature. Now,

729
00:51:31.480 --> 00:51:36.039
<v Speaker 2>this is significant in terms of the consistent red veil

730
00:51:36.159 --> 00:51:40.199
<v Speaker 2>imagery that we see throughout the series, and this accompanies

731
00:51:40.239 --> 00:51:42.719
<v Speaker 2>any entrance into the Black Lodge. You see the big

732
00:51:42.760 --> 00:51:47.519
<v Speaker 2>red veil and then the zigzag pattern floor, and the

733
00:51:47.559 --> 00:51:51.960
<v Speaker 2>planetary and astrological conjunctions are mentioned right that determine the

734
00:51:52.000 --> 00:51:58.039
<v Speaker 2>opening of the portal to the next world. Fear, Cooper says,

735
00:51:58.119 --> 00:52:01.840
<v Speaker 2>opens the door to the Black Lodge, and Love opens

736
00:52:01.960 --> 00:52:05.800
<v Speaker 2>the doorway to the White Now. Also revealed in this

737
00:52:05.920 --> 00:52:11.480
<v Speaker 2>association of dubious characters is the somewhat goofy figure of

738
00:52:11.559 --> 00:52:15.880
<v Speaker 2>Major Briggs, the military mystic who believes in the supernatural,

739
00:52:16.679 --> 00:52:21.039
<v Speaker 2>and this leads to classified connections to Project Blue Book.

740
00:52:21.079 --> 00:52:26.760
<v Speaker 2>He mentions the military's UFO research. Now, in reality, Project

741
00:52:26.760 --> 00:52:29.840
<v Speaker 2>blue Book was a cover story for Advanced Technology of

742
00:52:29.880 --> 00:52:37.039
<v Speaker 2>Testing Aircraft in my view, but even here it's a

743
00:52:37.079 --> 00:52:42.360
<v Speaker 2>curious association right as Major Briggs's classified work in the series,

744
00:52:42.400 --> 00:52:46.119
<v Speaker 2>it actually involves a cult research and so what Briggs

745
00:52:46.159 --> 00:52:48.760
<v Speaker 2>seems to be is a maybe an approximation of the

746
00:52:48.840 --> 00:52:52.400
<v Speaker 2>kind of real programs that John Ronson writes about and

747
00:52:52.519 --> 00:52:54.480
<v Speaker 2>his Men Who Stare at Gohos or if you've seen

748
00:52:54.559 --> 00:53:02.159
<v Speaker 2>the George Clooney George Clooney film, I think Jeff Bridges

749
00:53:02.199 --> 00:53:05.199
<v Speaker 2>in the Two Men Who Star At Goats, you'll know

750
00:53:05.199 --> 00:53:05.960
<v Speaker 2>what I'm talking about.

751
00:53:06.000 --> 00:53:07.800
<v Speaker 1>Now. This is based on reality.

752
00:53:07.360 --> 00:53:10.639
<v Speaker 2>Where there was a high level military Special Forces Soldier

753
00:53:12.559 --> 00:53:17.400
<v Speaker 2>Brigade battalion that participated in these kinds of remote viewing,

754
00:53:17.559 --> 00:53:25.400
<v Speaker 2>occult activities, sensory extra sensory perception Stanford Research Institute type stuff,

755
00:53:25.559 --> 00:53:29.000
<v Speaker 2>and they were called the First Earth Battalion. That's actually

756
00:53:29.079 --> 00:53:32.400
<v Speaker 2>a real thing, and you can look this up. I'm

757
00:53:32.400 --> 00:53:35.800
<v Speaker 2>not making it up. Yeah again, you know there's a movie.

758
00:53:35.559 --> 00:53:36.239
<v Speaker 1>And a book on it.

759
00:53:37.320 --> 00:53:40.079
<v Speaker 2>Yeah, just looking at the Wikipedia here. It even says

760
00:53:41.519 --> 00:53:43.199
<v Speaker 2>according to the book Men Who Sterre At Goats by

761
00:53:43.280 --> 00:53:47.960
<v Speaker 2>journalist Sean Ronson, mister Shawnan spent time in the seventies

762
00:53:48.000 --> 00:53:51.559
<v Speaker 2>with many of the people in California credited with starting

763
00:53:51.639 --> 00:53:56.440
<v Speaker 2>the Human Potential movement and subsequently he wrote an operations

764
00:53:56.519 --> 00:53:59.400
<v Speaker 2>manual for the First Earth Battalion. It's one hundred and

765
00:53:59.440 --> 00:54:04.280
<v Speaker 2>twenty five age mix of drawings, graphs, maps, political essays,

766
00:54:04.360 --> 00:54:08.280
<v Speaker 2>point by point Readi's signs, and he imagined a new

767
00:54:08.320 --> 00:54:14.039
<v Speaker 2>battlefield uniform that would include pouches for gensng divination tools.

768
00:54:16.719 --> 00:54:17.599
<v Speaker 1>So it's like these.

769
00:54:17.400 --> 00:54:20.599
<v Speaker 2>Magic warriors that they're going to turn the Special Ops

770
00:54:20.639 --> 00:54:21.199
<v Speaker 2>guys into.

771
00:54:22.000 --> 00:54:24.199
<v Speaker 1>And the movie came out in two thousand and nine.

772
00:54:24.280 --> 00:54:32.079
<v Speaker 1>Right in the movie, they're called the New Earth Army. Oh,

773
00:54:32.159 --> 00:54:35.960
<v Speaker 1>it's all kind of a ridiculous thing, but modeled after

774
00:54:36.000 --> 00:54:39.199
<v Speaker 1>this notion of the warrior monk I guess with special

775
00:54:39.280 --> 00:54:43.280
<v Speaker 1>powers or something, but a real thing regardless.

776
00:54:44.880 --> 00:54:48.159
<v Speaker 2>And this is kind of who this character of a

777
00:54:48.320 --> 00:54:51.199
<v Speaker 2>major Briggs, you know, this is what he seems to

778
00:54:51.239 --> 00:54:55.360
<v Speaker 2>embody is this kind of a character. Now also relevant

779
00:54:55.400 --> 00:54:59.000
<v Speaker 2>our recent stories about high level ritual occultism and satanism

780
00:54:59.039 --> 00:55:03.039
<v Speaker 2>involving the PRESIDI and US military elite, and with the

781
00:55:03.079 --> 00:55:08.119
<v Speaker 2>associations of high level military ceremonial magic ceremonies being conducted

782
00:55:08.159 --> 00:55:12.000
<v Speaker 2>on the West Coast and Wooded Grove's Bohemian Grove comes

783
00:55:12.000 --> 00:55:14.440
<v Speaker 2>to mind. So as the owls are not what they appear,

784
00:55:15.320 --> 00:55:18.559
<v Speaker 2>and Lynch seems to be saying that the real power

785
00:55:18.599 --> 00:55:22.960
<v Speaker 2>structure in the soap opera charade that is America is

786
00:55:23.000 --> 00:55:27.000
<v Speaker 2>actually subservient to dark forces beyond our plane of existence.

787
00:55:27.880 --> 00:55:31.599
<v Speaker 2>Subservient to the demonic is the hypocritical face that the

788
00:55:31.679 --> 00:55:37.000
<v Speaker 2>establishment puts forward to cover up the nefarious mirrors that

789
00:55:37.159 --> 00:55:39.639
<v Speaker 2>the dual level of reality in the world of Twin

790
00:55:39.679 --> 00:55:42.559
<v Speaker 2>Peaks show, right, the spirit world of the Black Lodge

791
00:55:42.599 --> 00:55:47.559
<v Speaker 2>and what undergirds it now Wyndham Earl attempts to concoct

792
00:55:47.599 --> 00:55:53.079
<v Speaker 2>his own ritual by sacrificing Cooper's later love interest Annie

793
00:55:53.760 --> 00:55:57.800
<v Speaker 2>played by Heather Graham. Earl specifies that it must be

794
00:55:57.840 --> 00:56:00.880
<v Speaker 2>done in the grove, in the magic circle, and entering

795
00:56:00.880 --> 00:56:06.239
<v Speaker 2>the circle leads to the ether where events can transpire

796
00:56:06.519 --> 00:56:11.280
<v Speaker 2>through magical intentions in this life, right, this is the

797
00:56:11.280 --> 00:56:14.480
<v Speaker 2>whole point of it now, so symbolically, the death of

798
00:56:14.519 --> 00:56:20.239
<v Speaker 2>the Queen, we're told, will fulfill Earl's simulacrum pre planning

799
00:56:20.599 --> 00:56:23.960
<v Speaker 2>that he's used through playing cards. Earl as a serial

800
00:56:24.000 --> 00:56:27.400
<v Speaker 2>killer who's been putting a you know, like a deck

801
00:56:27.400 --> 00:56:32.679
<v Speaker 2>of playing cards, joker Ace Queen King at the sight

802
00:56:33.079 --> 00:56:39.239
<v Speaker 2>of different murder scenes. Now, the playing cards also harken

803
00:56:39.320 --> 00:56:42.079
<v Speaker 2>back though to one Eyed Jacks, where the logo of

804
00:56:42.159 --> 00:56:45.519
<v Speaker 2>one Eyed Jacks is the plane card. The Jack and

805
00:56:45.760 --> 00:56:50.199
<v Speaker 2>Fortune and Fate are then thus personified in the series

806
00:56:50.280 --> 00:56:54.960
<v Speaker 2>as elemental spiritual forces of nature, and I think this

807
00:56:55.119 --> 00:56:59.280
<v Speaker 2>focus on the elemental spirits is the reason for log Lady. Now,

808
00:56:59.320 --> 00:57:01.599
<v Speaker 2>log Lady is the sort of fool character if we

809
00:57:01.599 --> 00:57:06.800
<v Speaker 2>were to think of suck a tarot deck or.

810
00:57:05.519 --> 00:57:07.559
<v Speaker 1>The fool, and.

811
00:57:09.920 --> 00:57:15.039
<v Speaker 2>The log Lady plays this sort of sphinx like sage

812
00:57:15.400 --> 00:57:19.320
<v Speaker 2>character who if you watch the intros that are on

813
00:57:19.360 --> 00:57:23.599
<v Speaker 2>the DVD series to the show, the log Lady intros

814
00:57:23.679 --> 00:57:28.199
<v Speaker 2>provide consistent clues to the actual overall narrative of the story,

815
00:57:28.360 --> 00:57:29.760
<v Speaker 2>which I think is pretty fascinating.

816
00:57:30.159 --> 00:57:31.480
<v Speaker 1>A lot of people just skip.

817
00:57:31.199 --> 00:57:34.159
<v Speaker 2>Over the log Lady, but if you actually watch the

818
00:57:34.199 --> 00:57:37.840
<v Speaker 2>log Lady, she tells you pretty much what's going on

819
00:57:37.920 --> 00:57:40.719
<v Speaker 2>in the series as a whole. Now, the log Lady

820
00:57:40.760 --> 00:57:45.599
<v Speaker 2>plays this minor role, but her comments are actually about synchronicity,

821
00:57:46.400 --> 00:57:49.440
<v Speaker 2>They're about symbolism, and they're about clues that point to

822
00:57:49.559 --> 00:57:50.679
<v Speaker 2>the forces of nature.

823
00:57:51.199 --> 00:57:54.719
<v Speaker 5>Right, logs are wood and this is why we have

824
00:57:54.760 --> 00:57:58.440
<v Speaker 5>the association with the wood that makes up the hotel

825
00:57:59.119 --> 00:58:03.280
<v Speaker 5>in the forest, the wooded area where the portal and

826
00:58:03.800 --> 00:58:05.199
<v Speaker 5>Glastonbury Grove are.

827
00:58:06.719 --> 00:58:08.159
<v Speaker 1>In the background to twin peaks.

828
00:58:08.199 --> 00:58:11.400
<v Speaker 2>We have a mix then of these elements of the

829
00:58:11.440 --> 00:58:16.039
<v Speaker 2>ancient world air, earth, fire, water, and ether.

830
00:58:18.440 --> 00:58:20.280
<v Speaker 1>Yes, you will see me talk about these.

831
00:58:20.159 --> 00:58:24.079
<v Speaker 2>Things quite a bit at jays analysis the classical five

832
00:58:24.719 --> 00:58:30.159
<v Speaker 2>modes of matter or elements in the ancient world. And

833
00:58:30.199 --> 00:58:33.840
<v Speaker 2>this elemental focus I think explains why Josie in that

834
00:58:33.960 --> 00:58:37.119
<v Speaker 2>strange scene is trapped inside the wood of the hotel

835
00:58:37.159 --> 00:58:40.360
<v Speaker 2>when she dies. A lot of people were sort of

836
00:58:40.360 --> 00:58:45.239
<v Speaker 2>mystified at this bizarre scene, but that's why now others

837
00:58:45.280 --> 00:58:49.199
<v Speaker 2>meet their demise in direct association, for example, with fire

838
00:58:49.400 --> 00:58:52.920
<v Speaker 2>or burning exhaust or oil, Laura's death, etc.

839
00:58:53.960 --> 00:58:57.079
<v Speaker 1>And in the ancient world, and equally true of the

840
00:58:57.079 --> 00:58:59.039
<v Speaker 1>ancient Far East, I think.

841
00:58:58.960 --> 00:59:01.360
<v Speaker 2>Is the point that nature was not a collection of

842
00:59:01.400 --> 00:59:04.239
<v Speaker 2>just random chaotic atoms bouncing around that we think in

843
00:59:04.320 --> 00:59:07.239
<v Speaker 2>terms of modern reductionism and scientism. But it was a

844
00:59:07.320 --> 00:59:12.840
<v Speaker 2>vivid landscape right populated by countless spirits, angels, demons, and

845
00:59:12.920 --> 00:59:16.000
<v Speaker 2>thus all of the folklore that we have passed down.

846
00:59:18.920 --> 00:59:22.239
<v Speaker 2>If I think it's that kind of world that Lynch

847
00:59:22.360 --> 00:59:26.239
<v Speaker 2>wants to be the real backdrop for Twin Peaks. And

848
00:59:26.519 --> 00:59:29.159
<v Speaker 2>if you go to Jason Analysis, you'll see also in

849
00:59:29.239 --> 00:59:31.960
<v Speaker 2>my peace on Twin Peaks, you'll see the image of

850
00:59:32.679 --> 00:59:34.880
<v Speaker 2>the White Lodge, the Black Lodge, and the two peaks

851
00:59:34.880 --> 00:59:36.199
<v Speaker 2>and then the portal between them.

852
00:59:36.239 --> 00:59:38.159
<v Speaker 1>And it's somebody made this graphic.

853
00:59:38.159 --> 00:59:40.840
<v Speaker 2>I don't know who, but it's laid out perfectly, and

854
00:59:40.920 --> 00:59:44.119
<v Speaker 2>I think you could call this mystical toponomy. If you've

855
00:59:44.119 --> 00:59:48.480
<v Speaker 2>read Michael Hoffman's classic books Secret Societies and Psychological Warfare,

856
00:59:48.559 --> 00:59:52.320
<v Speaker 2>he'll talk about this notion of mystical toponomy, that the

857
00:59:52.519 --> 00:59:58.559
<v Speaker 2>geographic locales of Earth have specific places that will have

858
00:59:58.599 --> 01:00:03.800
<v Speaker 2>a deeper significance. So this might tie into synchronicity with

859
01:00:04.480 --> 01:00:08.480
<v Speaker 2>the location of bomb testing sites, a Trinity site, New

860
01:00:08.480 --> 01:00:12.679
<v Speaker 2>Mexico or something like this, or Devil's Tower in the

861
01:00:12.719 --> 01:00:18.639
<v Speaker 2>movie Close Encounters of the Third Kind, right, so Route

862
01:00:18.719 --> 01:00:23.519
<v Speaker 2>sixty six Devil's Highway or something like that, and then

863
01:00:23.559 --> 01:00:25.599
<v Speaker 2>it might have a significant There might be a significance

864
01:00:25.639 --> 01:00:26.519
<v Speaker 2>in some case too.

865
01:00:28.159 --> 01:00:30.000
<v Speaker 1>A day, a calendar.

866
01:00:29.679 --> 01:00:35.119
<v Speaker 2>Day, the Dia de las Sombertos in specter recently, or

867
01:00:35.199 --> 01:00:40.079
<v Speaker 2>these could be instances of mystical toponymy to use Hoffmann's term,

868
01:00:40.880 --> 01:00:44.199
<v Speaker 2>and I believe this comes ultimately from the books of

869
01:00:44.320 --> 01:00:50.119
<v Speaker 2>James Shelby Downard, King Kill thirty three or Carnivals of

870
01:00:50.119 --> 01:00:54.280
<v Speaker 2>Life and Death. We'll find references there too, mystical top

871
01:00:54.320 --> 01:00:56.559
<v Speaker 2>on Now, I think this is real. I do think

872
01:00:56.599 --> 01:01:01.519
<v Speaker 2>there's something too. As they said before, synchronous city, Sundabiyasa,

873
01:01:01.679 --> 01:01:04.719
<v Speaker 2>Twilight language, mystical toponomy. I think these are all real,

874
01:01:04.840 --> 01:01:09.840
<v Speaker 2>real things, and the mystical toponomy of Twin Peaks is

875
01:01:10.239 --> 01:01:13.840
<v Speaker 2>a great insight, a great example of this, because we

876
01:01:13.920 --> 01:01:17.559
<v Speaker 2>have all of that laid out in this two series

877
01:01:17.639 --> 01:01:25.239
<v Speaker 2>fictional presentation with one movie. Now, the ultimate climax of

878
01:01:26.039 --> 01:01:28.920
<v Speaker 2>the show was going.

879
01:01:28.760 --> 01:01:33.920
<v Speaker 1>To feature a Cooper who has lost his way through fear. Right,

880
01:01:33.920 --> 01:01:36.719
<v Speaker 1>It's what Cooper said a minute ago that.

881
01:01:36.920 --> 01:01:39.519
<v Speaker 2>Fear leads to the Black Lodge, right, and then with

882
01:01:39.599 --> 01:01:43.159
<v Speaker 2>the real Cooper trapped in the Black Lodge, it's Bob.

883
01:01:43.800 --> 01:01:47.320
<v Speaker 2>We figure out who's going to possess Cooper's body. Now,

884
01:01:47.360 --> 01:01:51.400
<v Speaker 2>Cooper's curiosity and desire for the knowledge of the beyond,

885
01:01:51.679 --> 01:01:55.880
<v Speaker 2>and in particular he develops the fascination for the dark side.

886
01:01:56.480 --> 01:01:59.079
<v Speaker 2>This is what's going to lead to his demise in

887
01:01:59.079 --> 01:02:01.599
<v Speaker 2>a way much similar to other Lynch works, as we'll

888
01:02:01.639 --> 01:02:05.519
<v Speaker 2>see here in a moment. You're listening to Esoltera Hollywood.

889
01:02:05.960 --> 01:02:09.079
<v Speaker 2>I'm your host, Jaydier of Jaysonisios dot com. Remember to

890
01:02:09.079 --> 01:02:12.960
<v Speaker 2>get your supplements and survival gear at Talkja dot Talknetwork

891
01:02:13.000 --> 01:02:56.920
<v Speaker 2>dot com. We'll be back in just a moment. Welcome back.

892
01:02:56.960 --> 01:03:00.480
<v Speaker 2>You're listening to Escolta Hollywood. We're talking about twins. Have

893
01:03:00.519 --> 01:03:03.440
<v Speaker 2>been breaking it down and we got to the point

894
01:03:03.440 --> 01:03:07.880
<v Speaker 2>where the climax, of course, features Cooper bashing his head

895
01:03:07.880 --> 01:03:11.480
<v Speaker 2>against the mirror as he's possessed by the spirit Bob.

896
01:03:12.599 --> 01:03:16.960
<v Speaker 2>Now Bob then is directed by the man from another place.

897
01:03:17.000 --> 01:03:19.400
<v Speaker 1>It seems to.

898
01:03:18.519 --> 01:03:22.280
<v Speaker 2>Go after Cooper because Cooper's gone down this path of

899
01:03:22.320 --> 01:03:25.639
<v Speaker 2>looking too deep into the dark side, and this provides

900
01:03:25.679 --> 01:03:31.480
<v Speaker 2>the opening the doorway for Bob to possess Coop. And

901
01:03:31.599 --> 01:03:34.960
<v Speaker 2>this desire for knowledge of the beyond in the dark side,

902
01:03:35.000 --> 01:03:38.559
<v Speaker 2>I think is a welcomed warning because we see this

903
01:03:39.480 --> 01:03:43.840
<v Speaker 2>pattern in other Lynch films like Lost Highway, and in

904
01:03:43.920 --> 01:03:47.719
<v Speaker 2>Lost Highway, I described that there's.

905
01:03:47.559 --> 01:03:48.280
<v Speaker 1>Well, there's this.

906
01:03:48.280 --> 01:03:51.320
<v Speaker 2>This series began right with the possession of an initially

907
01:03:51.360 --> 01:03:54.079
<v Speaker 2>good man and the series ends with Cooper as a

908
01:03:54.159 --> 01:03:57.480
<v Speaker 2>vessel of evil. And then what I describe of Fred

909
01:03:57.559 --> 01:04:02.400
<v Speaker 2>Madison played by Bill Pullman and Lost Highway is then

910
01:04:02.480 --> 01:04:04.639
<v Speaker 2>relevant to Agent Cooper as well.

911
01:04:04.719 --> 01:04:05.960
<v Speaker 1>Right, So, in Lost.

912
01:04:05.800 --> 01:04:10.960
<v Speaker 2>Highway there's this nonlinear neon nowa occult psychodrama that looks

913
01:04:11.039 --> 01:04:14.440
<v Speaker 2>at the dark side of Hollywood and the underground underworld

914
01:04:14.440 --> 01:04:18.679
<v Speaker 2>where the mafia, porn, crime, and the occult coalesce into

915
01:04:18.719 --> 01:04:23.000
<v Speaker 2>an interweb and web. A story about one man's psychic

916
01:04:23.119 --> 01:04:29.079
<v Speaker 2>journey down a lost highway of his own stream of subconscious, conscious,

917
01:04:29.199 --> 01:04:35.880
<v Speaker 2>unconsciousness and thought as the viewer trevails the fields of

918
01:04:35.960 --> 01:04:39.840
<v Speaker 2>madness with Fred Madison. Right, the name itself tells you

919
01:04:39.880 --> 01:04:43.039
<v Speaker 2>what's going on down his road. We are brought back

920
01:04:43.079 --> 01:04:46.039
<v Speaker 2>to the very point where the film Lost Highway began,

921
01:04:46.679 --> 01:04:50.320
<v Speaker 2>right where the movie scene opens and ends in the

922
01:04:50.360 --> 01:04:55.280
<v Speaker 2>same scene. And this is the cycle that Fred has

923
01:04:55.320 --> 01:05:00.679
<v Speaker 2>imprisoned himself in. Right now, Packed with dualism, illusion and mystery,

924
01:05:00.880 --> 01:05:04.360
<v Speaker 2>Lost Highway is about life and the dark side of

925
01:05:04.400 --> 01:05:10.599
<v Speaker 2>our own emner underworld, the subconscious which Lynch mystically will link.

926
01:05:10.440 --> 01:05:14.000
<v Speaker 1>To other people's subconscious. No, No, I find this fascinating.

927
01:05:14.400 --> 01:05:18.480
<v Speaker 2>It's almost like the dream world, the dream state, the subconscious,

928
01:05:18.519 --> 01:05:25.239
<v Speaker 2>collective unconscious is kind of connected between everybody. And perhaps

929
01:05:25.280 --> 01:05:28.920
<v Speaker 2>that's some insight into what happens in possession. Right, If

930
01:05:28.960 --> 01:05:31.199
<v Speaker 2>there's a spirit that possesses someone, this is a spirit

931
01:05:31.239 --> 01:05:34.800
<v Speaker 2>in that realm stepping into the doorway of another person's

932
01:05:34.840 --> 01:05:40.960
<v Speaker 2>conscious consciousness. To use the Dark Tower analogy of Stephen King.

933
01:05:41.599 --> 01:05:42.800
<v Speaker 1>Now, if we failed.

934
01:05:42.519 --> 01:05:45.559
<v Speaker 2>To realize the reality of these evils such as possession

935
01:05:45.639 --> 01:05:49.880
<v Speaker 2>and the mysteries of the subconscious, are we liable to

936
01:05:49.920 --> 01:05:54.960
<v Speaker 2>be trapped like Fred or agent Cooper in our own

937
01:05:55.679 --> 01:06:02.400
<v Speaker 2>imprisoned mental madness? As I said, his name Madison is

938
01:06:02.440 --> 01:06:07.480
<v Speaker 2>a clue symbolizing his descent into madness. And Alice, who

939
01:06:07.599 --> 01:06:11.519
<v Speaker 2>is Renee's alter in the Lost Highway, will bring to

940
01:06:11.559 --> 01:06:15.920
<v Speaker 2>mind Alice in Munderland, And we think of alternate worlds,

941
01:06:15.960 --> 01:06:19.119
<v Speaker 2>fictional worlds, mental worlds, and alternate personalities.

942
01:06:19.880 --> 01:06:22.559
<v Speaker 1>Now, was Alice a victim of my control like Fred

943
01:06:22.599 --> 01:06:26.440
<v Speaker 1>in Lost Highway? Or are they both willing accomplices and evil?

944
01:06:26.519 --> 01:06:28.480
<v Speaker 1>Perhaps both of those things are true.

945
01:06:29.239 --> 01:06:33.639
<v Speaker 2>Now, will the obsession with Hollywood and the celluloid videodrome

946
01:06:33.679 --> 01:06:37.719
<v Speaker 2>and its cousin the now omnipresence surveillance society. Will it

947
01:06:37.760 --> 01:06:43.320
<v Speaker 2>bring us truth or more likely a descent into madness, depersonalization,

948
01:06:43.559 --> 01:06:47.360
<v Speaker 2>and dissociation like Fred Given the fact that Lost Highway

949
01:06:47.480 --> 01:06:52.800
<v Speaker 2>is about surveillance and the surveillance video society, that's what

950
01:06:52.960 --> 01:06:56.440
<v Speaker 2>partly what that film is about, and Hollywood's rolling that now.

951
01:06:56.480 --> 01:06:59.639
<v Speaker 2>Either way, I think Lynch is forcing us to examine

952
01:06:59.760 --> 01:07:02.719
<v Speaker 2>that at base reality and the psyches are.

953
01:07:02.639 --> 01:07:06.320
<v Speaker 1>Still mysteries to be decoded. They're not easily solved.

954
01:07:07.599 --> 01:07:12.000
<v Speaker 2>And in the series the finales strange ending sequence with

955
01:07:12.039 --> 01:07:17.440
<v Speaker 2>Cooper being possessed, Cooper discovers in fact that Bob has

956
01:07:17.480 --> 01:07:26.440
<v Speaker 2>possessed Earl and Laura's dad, Leland, and that that's who's

957
01:07:26.559 --> 01:07:30.719
<v Speaker 2>organized their last round of murders. It's not really Leland,

958
01:07:30.719 --> 01:07:34.280
<v Speaker 2>and it's not really Wyndham Earle. It's Bob possessing these people.

959
01:07:34.280 --> 01:07:40.079
<v Speaker 2>And that's why the pattern emerges, the synchronicities emerge, because

960
01:07:40.119 --> 01:07:44.559
<v Speaker 2>it's a spiritual force behind these people who are possessed.

961
01:07:45.559 --> 01:07:48.639
<v Speaker 2>And we think here of books like Maury Terry's book

962
01:07:48.760 --> 01:07:52.119
<v Speaker 2>Ultimate Evil, where we see these kinds of patterns possibly

963
01:07:52.199 --> 01:07:56.480
<v Speaker 2>popping up in murder crimes that could be coincidences, but

964
01:07:56.519 --> 01:08:01.519
<v Speaker 2>they also might go beyond just coincidence and suggest spiritual forces.

965
01:08:02.000 --> 01:08:04.599
<v Speaker 1>And there's actually quite a few X Files episodes that

966
01:08:05.920 --> 01:08:09.639
<v Speaker 1>hint at this as well. And I think it's worth

967
01:08:09.639 --> 01:08:13.239
<v Speaker 1>pointing out too that there seems I'm not positive this,

968
01:08:13.239 --> 01:08:15.840
<v Speaker 1>This is just a thesis I kind of toyed with.

969
01:08:15.960 --> 01:08:19.920
<v Speaker 2>And I saw one guy online hint at this too.

970
01:08:20.600 --> 01:08:25.119
<v Speaker 2>And you see this with like Disney Pixar movies, right,

971
01:08:25.159 --> 01:08:29.000
<v Speaker 2>So some people make these interesting arguments, and I wondered

972
01:08:29.119 --> 01:08:31.319
<v Speaker 2>this in the past, but I never really focused on

973
01:08:31.399 --> 01:08:34.199
<v Speaker 2>doing a piece on it because it's it's just so speculative.

974
01:08:34.199 --> 01:08:38.399
<v Speaker 2>But you know, some people will argue that the Pixar

975
01:08:38.479 --> 01:08:41.800
<v Speaker 2>movies are all taking place in the same universe, and

976
01:08:41.840 --> 01:08:46.119
<v Speaker 2>so you'll have cross references in those those fictional kids

977
01:08:46.159 --> 01:08:50.079
<v Speaker 2>movies right between I don't know, the Incredibles. You know,

978
01:08:50.119 --> 01:08:52.119
<v Speaker 2>this is taking place maybe at a different time, but

979
01:08:52.159 --> 01:08:56.680
<v Speaker 2>it's the same world of you know, finding Nemo or something.

980
01:08:58.520 --> 01:09:03.760
<v Speaker 2>I think that Lynch does this, and there's a few

981
01:09:03.800 --> 01:09:07.840
<v Speaker 2>examples of this now. For example, in Wild at Heart,

982
01:09:09.880 --> 01:09:14.560
<v Speaker 2>the character Cheryl I always get Cheryl Lee and sheryln Finn.

983
01:09:14.720 --> 01:09:22.199
<v Speaker 2>Cheryl Lee is her that actress's character seems to be

984
01:09:22.359 --> 01:09:26.720
<v Speaker 2>in Wild at Heart, where Nicholas Cage and Laura Nern's

985
01:09:26.760 --> 01:09:31.560
<v Speaker 2>character are Leland and Lula are driving down a highway

986
01:09:32.399 --> 01:09:35.279
<v Speaker 2>and it's a kind of lost highway and they bump

987
01:09:35.359 --> 01:09:37.039
<v Speaker 2>into a car.

988
01:09:37.119 --> 01:09:38.199
<v Speaker 1>There there's a car rack out in.

989
01:09:38.199 --> 01:09:40.840
<v Speaker 2>The middle of the desert at night, and they find

990
01:09:40.920 --> 01:09:46.560
<v Speaker 2>a wandering Charylyn Finn type character who's on our way

991
01:09:46.560 --> 01:09:50.760
<v Speaker 2>to Hollywood. We get the impression maybe and she's got

992
01:09:50.760 --> 01:09:53.720
<v Speaker 2>a severe head wound, she's been killed and she kind

993
01:09:53.720 --> 01:09:57.000
<v Speaker 2>of pops into this this this fictional world and then

994
01:09:57.039 --> 01:10:01.359
<v Speaker 2>out of that fictional world. Now is Lynch saying that

995
01:10:01.560 --> 01:10:10.079
<v Speaker 2>the character that Sheriylyn Finn plays in Sherylyn Flynn plays

996
01:10:10.119 --> 01:10:16.159
<v Speaker 2>in Twin Peaks is that the fictional character who ends

997
01:10:16.239 --> 01:10:23.199
<v Speaker 2>up in Lost Highway possibly possibly, And my thesis makes

998
01:10:23.239 --> 01:10:26.319
<v Speaker 2>sense when you think about Inlinn Empire, because in Inland

999
01:10:26.399 --> 01:10:30.760
<v Speaker 2>Empire you have Laura Dern who's also in Lost Highway.

1000
01:10:31.119 --> 01:10:31.680
<v Speaker 1>Excuse me.

1001
01:10:31.720 --> 01:10:35.720
<v Speaker 2>In The Wilded Heart, it's all about meta, right, So

1002
01:10:35.760 --> 01:10:39.000
<v Speaker 2>it's like meta meta meta. There's like three levels removed

1003
01:10:39.520 --> 01:10:43.800
<v Speaker 2>of meta in ill An Empire, and we get possibly

1004
01:10:43.840 --> 01:10:47.560
<v Speaker 2>the impression that with the rabbits, right, the famous rabbit

1005
01:10:47.600 --> 01:10:52.640
<v Speaker 2>bunny scene from ill An Empire. That we're talking about

1006
01:10:52.800 --> 01:10:57.079
<v Speaker 2>entering and walking out of people's psyches, this is what

1007
01:10:57.159 --> 01:10:59.199
<v Speaker 2>Laura Dern seems to do. She kind of seems to

1008
01:10:59.319 --> 01:11:03.760
<v Speaker 2>tap into the psyche of different horrors from like, you know,

1009
01:11:04.159 --> 01:11:06.720
<v Speaker 2>fifty or sixty years prior to her in Poland. So

1010
01:11:06.920 --> 01:11:10.359
<v Speaker 2>time and space are out of the way, and there's

1011
01:11:10.399 --> 01:11:16.479
<v Speaker 2>this walking into other people's dreams and mindscapes, dreamscapes and

1012
01:11:16.520 --> 01:11:21.439
<v Speaker 2>subconscious stepping through the ether down halls and doorways, and

1013
01:11:21.479 --> 01:11:24.119
<v Speaker 2>we see this. Fred does this and Lost Highway where

1014
01:11:24.119 --> 01:11:28.279
<v Speaker 2>he seems to step into the psyche of Balthazar Getty's

1015
01:11:28.319 --> 01:11:34.359
<v Speaker 2>character Pete in the second half of Lost Highway. So

1016
01:11:34.520 --> 01:11:38.399
<v Speaker 2>cross fictional worlds melding and mixing, right, the same sort

1017
01:11:38.439 --> 01:11:45.840
<v Speaker 2>of thesis that is Stephen King's notion in the Dark

1018
01:11:45.880 --> 01:11:49.000
<v Speaker 2>Tower series. Right, So if you know what happens in

1019
01:11:49.039 --> 01:11:51.239
<v Speaker 2>the Dark Tower series, that Tower is just kind of

1020
01:11:51.279 --> 01:11:55.760
<v Speaker 2>like in the middle of the alternate worlds, and you

1021
01:11:56.239 --> 01:11:58.560
<v Speaker 2>walk through different doors in the Tower and you can

1022
01:11:58.600 --> 01:12:01.319
<v Speaker 2>step into different people's psyche, and not just different people's psyches,

1023
01:12:01.359 --> 01:12:05.359
<v Speaker 2>but into fictional worlds. And that's why the clown from

1024
01:12:05.399 --> 01:12:07.199
<v Speaker 2>Stephen King's It will show up in.

1025
01:12:09.680 --> 01:12:12.199
<v Speaker 1>In the Dark.

1026
01:12:12.079 --> 01:12:15.800
<v Speaker 2>Tower series, And I'm just using it as an example

1027
01:12:15.840 --> 01:12:20.439
<v Speaker 2>of this of the mixing and fictional worlds, and maybe

1028
01:12:20.439 --> 01:12:23.800
<v Speaker 2>there's a deeper metaphysical possibility. Here is something I've wondered

1029
01:12:23.800 --> 01:12:27.319
<v Speaker 2>and speculated on just on my own, Like, what if

1030
01:12:27.399 --> 01:12:29.560
<v Speaker 2>that's actually kind of true?

1031
01:12:29.840 --> 01:12:30.960
<v Speaker 1>What do you mean that's crazy?

1032
01:12:31.720 --> 01:12:35.760
<v Speaker 2>Well, it's true in the sense that if the astral

1033
01:12:35.800 --> 01:12:38.640
<v Speaker 2>realm is real, if their psychosphere is real, the ether,

1034
01:12:39.439 --> 01:12:41.359
<v Speaker 2>and if that's where we go like when we sleep

1035
01:12:41.399 --> 01:12:46.560
<v Speaker 2>and dream, then maybe when we you know, die, you know,

1036
01:12:46.600 --> 01:12:48.520
<v Speaker 2>who knows where we go, what we step into in

1037
01:12:48.600 --> 01:12:52.840
<v Speaker 2>terms of, you know, before meeting our final deserts of

1038
01:12:52.920 --> 01:12:56.000
<v Speaker 2>judgment y or whatever. You know, maybe we spend a

1039
01:12:56.000 --> 01:12:58.000
<v Speaker 2>period of time in that realm. I don't know, but

1040
01:12:59.000 --> 01:13:01.920
<v Speaker 2>definitely possible. You know, this is what happens to people

1041
01:13:01.960 --> 01:13:04.640
<v Speaker 2>in out of body experiences or you know, intense drug

1042
01:13:05.159 --> 01:13:11.119
<v Speaker 2>hallucinogen trips, and you know, you maybe, you know, maybe

1043
01:13:11.159 --> 01:13:14.000
<v Speaker 2>it is possible to step into fictional worlds, because what

1044
01:13:14.079 --> 01:13:19.239
<v Speaker 2>are fictional worlds but simply manifestations of another person's subconscious

1045
01:13:19.279 --> 01:13:24.960
<v Speaker 2>put into art. Interesting, right, that's my own personal thesis.

1046
01:13:25.039 --> 01:13:27.439
<v Speaker 2>All right, it can't prove that, but just something I've

1047
01:13:27.439 --> 01:13:31.359
<v Speaker 2>been speculating on. You're listening to Esoteric Hollywood and I'm

1048
01:13:31.359 --> 01:13:34.039
<v Speaker 2>your host, Jay Dyer of Jasonelsis dot com. I want

1049
01:13:34.079 --> 01:13:36.560
<v Speaker 2>to remind you to to check out Michigan Mushrooms dot

1050
01:13:36.600 --> 01:13:41.600
<v Speaker 2>net where you have the best selection of organic mushrooms

1051
01:13:41.640 --> 01:13:45.279
<v Speaker 2>picked directly out of the forest, no GMO, no crap

1052
01:13:45.319 --> 01:13:50.159
<v Speaker 2>from corporations. Michigan Mushrooms dot net. Will they go out

1053
01:13:50.159 --> 01:13:53.920
<v Speaker 2>and do their own harvesting and then they take shaga

1054
01:13:54.000 --> 01:14:14.920
<v Speaker 2>mushrooms and send them to you. Welcome back. You're listening

1055
01:14:14.960 --> 01:14:17.680
<v Speaker 2>to Esoltary Hollywood. I want to remind you that that

1056
01:14:17.800 --> 01:14:21.159
<v Speaker 2>interest song that you hear for Esoltaire Hollywood is dream

1057
01:14:21.199 --> 01:14:25.760
<v Speaker 2>Agent and this is by Aerial Electron, Holy Spies and

1058
01:14:25.880 --> 01:14:29.159
<v Speaker 2>Terry Goatee, and you can find that online if you

1059
01:14:29.199 --> 01:14:31.680
<v Speaker 2>type in the core A COSMU album k O R

1060
01:14:31.720 --> 01:14:34.720
<v Speaker 2>E k O U wait k O R E k

1061
01:14:34.920 --> 01:14:38.680
<v Speaker 2>O S m o U and the song is dream

1062
01:14:38.760 --> 01:14:41.399
<v Speaker 2>Agent and you can find that to download or to

1063
01:14:41.399 --> 01:14:43.680
<v Speaker 2>purchase the CD, which I think is really good.

1064
01:14:43.720 --> 01:14:44.720
<v Speaker 1>Ariel's music is.

1065
01:14:44.640 --> 01:14:51.640
<v Speaker 2>Excellent now, so dream Agent is appropriate here because we've

1066
01:14:51.640 --> 01:14:55.399
<v Speaker 2>been talking about my philosophy of the dream world, the

1067
01:14:55.479 --> 01:14:59.159
<v Speaker 2>dream realm, the spiritual realm, the ether, and how it

1068
01:14:59.239 --> 01:15:05.439
<v Speaker 2>relates to these curious surrealist presentations from David Lynch, and

1069
01:15:05.520 --> 01:15:08.520
<v Speaker 2>I likened it to things like the Dark Tower series

1070
01:15:08.600 --> 01:15:13.880
<v Speaker 2>with Stephen King, and we've been talking about Bob and

1071
01:15:14.000 --> 01:15:18.560
<v Speaker 2>the spirit Bob that possesses people to commit murders under

1072
01:15:18.720 --> 01:15:24.319
<v Speaker 2>the auspices of the higher demon, the man from another place, right,

1073
01:15:27.439 --> 01:15:33.359
<v Speaker 2>and you know, this astral realm, this realm of the imagine, imagination,

1074
01:15:33.479 --> 01:15:37.279
<v Speaker 2>the imaginal. This comes up quite a bit in David

1075
01:15:37.359 --> 01:15:43.000
<v Speaker 2>Lynch's philosophy because David Lynch runs the Transcendental Meditation Foundation, well,

1076
01:15:43.000 --> 01:15:46.279
<v Speaker 2>he runs the Lynch Foundation, which is tied into Transcendental Meditation,

1077
01:15:46.359 --> 01:15:49.760
<v Speaker 2>I should say, And if you watch interviews with David Lynch,

1078
01:15:49.800 --> 01:15:55.199
<v Speaker 2>he talks about this, and he discusses the inner world,

1079
01:15:55.479 --> 01:15:59.479
<v Speaker 2>of the psyche, of the subconscious and so forth as

1080
01:15:59.520 --> 01:16:04.039
<v Speaker 2>these this wellspring from which artists can draw creativity. And

1081
01:16:04.079 --> 01:16:06.319
<v Speaker 2>then you know, you get into the history of TM

1082
01:16:06.399 --> 01:16:09.159
<v Speaker 2>and this going back to the Beatles, and this going.

1083
01:16:09.000 --> 01:16:11.840
<v Speaker 1>Back to Maharishi Mahishiogi and.

1084
01:16:11.880 --> 01:16:17.880
<v Speaker 2>These different practices and techniques of self improvement through meditation

1085
01:16:18.039 --> 01:16:22.479
<v Speaker 2>and so forth, and the Eastern Zenish influence upon Lynch

1086
01:16:22.520 --> 01:16:27.840
<v Speaker 2>and in his film works, which you know, when I

1087
01:16:27.880 --> 01:16:30.439
<v Speaker 2>was eighteen or nineteen, you know, I would go and

1088
01:16:30.439 --> 01:16:33.000
<v Speaker 2>watch David lynch movies in the theater and I was like,

1089
01:16:33.079 --> 01:16:34.760
<v Speaker 2>what the heck is going on. I don't get any

1090
01:16:34.800 --> 01:16:37.960
<v Speaker 2>of this. None of this makes sense. This is just

1091
01:16:38.039 --> 01:16:41.960
<v Speaker 2>completely crazy. And as I got older and you know,

1092
01:16:42.039 --> 01:16:46.760
<v Speaker 2>really delved into philosophy, esoterica, theology and so forth, it

1093
01:16:46.800 --> 01:16:49.520
<v Speaker 2>started making a lot more sense. I started, really, I think,

1094
01:16:49.560 --> 01:16:55.399
<v Speaker 2>getting a better handle on David Lynch's movies and and artwork.

1095
01:16:55.439 --> 01:16:57.399
<v Speaker 2>And this is what it is, right, I mean, this

1096
01:16:57.479 --> 01:16:59.479
<v Speaker 2>is what he says in interviews. This is you know,

1097
01:16:59.479 --> 01:17:03.159
<v Speaker 2>you can watch his interview with the Lipton that whatever

1098
01:17:03.199 --> 01:17:05.239
<v Speaker 2>that guy, Bruce Lipton or whatever his name is, that

1099
01:17:05.279 --> 01:17:09.720
<v Speaker 2>does all the sit downs with actors and directors, and

1100
01:17:10.920 --> 01:17:13.119
<v Speaker 2>you can watch that on YouTube, and Lynch will talk

1101
01:17:13.159 --> 01:17:16.119
<v Speaker 2>about what I'm talking about. So it's not just me

1102
01:17:16.199 --> 01:17:19.359
<v Speaker 2>speculating here, him trying to try to get an impression

1103
01:17:19.399 --> 01:17:21.960
<v Speaker 2>of this from David Lynch's mind himself, to see what

1104
01:17:22.000 --> 01:17:24.079
<v Speaker 2>he says about his films, and this is essentially what

1105
01:17:24.119 --> 01:17:28.359
<v Speaker 2>he says and so in that final sequence, you know

1106
01:17:29.680 --> 01:17:32.800
<v Speaker 2>why is Cooper possessed? Well, as we said, he went

1107
01:17:32.880 --> 01:17:36.560
<v Speaker 2>too far into the dark side, but Cooper ends up trapped.

1108
01:17:36.600 --> 01:17:42.239
<v Speaker 2>We discover his spirit, right he confronts his unconscious shade

1109
01:17:42.279 --> 01:17:46.159
<v Speaker 2>self as well as facing up to his responsibility for

1110
01:17:46.279 --> 01:17:49.840
<v Speaker 2>past deaths. And Cooper ends up trapped with Annie and

1111
01:17:49.920 --> 01:17:52.800
<v Speaker 2>Laura in the Black Lodge. It's kind of a prison

1112
01:17:53.840 --> 01:17:59.399
<v Speaker 2>as a demonic Bob slash Cooper will we get the

1113
01:17:59.399 --> 01:18:02.159
<v Speaker 2>impression again wreaking habits. So now Cooper is going to

1114
01:18:02.199 --> 01:18:08.119
<v Speaker 2>be the possessed agent here. It's also worth noting that

1115
01:18:09.359 --> 01:18:13.600
<v Speaker 2>here in this feature film, Laura's initial journey in the

1116
01:18:13.640 --> 01:18:15.720
<v Speaker 2>film all Right Twin Peaks far a Walk with Me,

1117
01:18:16.920 --> 01:18:20.800
<v Speaker 2>The initial journeys into the dreamscape slash astral Realm result

1118
01:18:20.880 --> 01:18:25.359
<v Speaker 2>in an encounter with Annie, Cooper's girlfriend in season two,

1119
01:18:26.520 --> 01:18:31.680
<v Speaker 2>and she says in the movie that she is with

1120
01:18:31.760 --> 01:18:35.000
<v Speaker 2>Laura and Coop right now. This is interesting because it

1121
01:18:35.039 --> 01:18:39.479
<v Speaker 2>came out prior to the conclusion of season two where

1122
01:18:39.520 --> 01:18:42.199
<v Speaker 2>we find out what happened to Annie. Right So, and

1123
01:18:42.880 --> 01:18:47.840
<v Speaker 2>as is the case in Lynch's Muholland Drive, it's electrical phenomena.

1124
01:18:47.920 --> 01:18:50.760
<v Speaker 2>As we said in static charges that tend to accompany

1125
01:18:50.760 --> 01:18:53.479
<v Speaker 2>the manifestation of these other worldly spirits, so they seem

1126
01:18:53.520 --> 01:18:57.119
<v Speaker 2>to have some sort of ability to travel through electricity.

1127
01:18:58.079 --> 01:18:59.159
<v Speaker 1>Now the Black Lodge.

1128
01:18:58.960 --> 01:19:04.359
<v Speaker 2>Members can do this, it seems, and then manifest in

1129
01:19:04.399 --> 01:19:08.760
<v Speaker 2>some sort of physical form like the Cowboy character in

1130
01:19:08.840 --> 01:19:13.560
<v Speaker 2>Mholland Drive. Anyone who's seen Mholland Drive you know about

1131
01:19:13.600 --> 01:19:18.800
<v Speaker 2>the Cowboy. So in conclusion, I think what we're going

1132
01:19:18.880 --> 01:19:23.119
<v Speaker 2>to see in the return of Twin Peaks has this

1133
01:19:23.399 --> 01:19:28.840
<v Speaker 2>eerie connection to what Laura predicted in the original series.

1134
01:19:29.479 --> 01:19:32.479
<v Speaker 2>So I don't know how this I get. I mean

1135
01:19:32.600 --> 01:19:37.119
<v Speaker 2>it was planned apparently, because in the original series, I

1136
01:19:37.159 --> 01:19:41.119
<v Speaker 2>think it's episode three where we first see Laura in

1137
01:19:41.319 --> 01:19:47.479
<v Speaker 2>the Black Lodge Spirit Realm, and Laura says, you know,

1138
01:19:47.600 --> 01:19:50.800
<v Speaker 2>in the Spirit Realm, I'll see you in twenty five

1139
01:19:50.880 --> 01:19:54.239
<v Speaker 2>years in reverse, in reverse but.

1140
01:19:54.239 --> 01:19:58.319
<v Speaker 1>Put into forward anyway, which you can see this clip.

1141
01:19:58.359 --> 01:20:01.159
<v Speaker 2>I'll play this clip here the show here in a minute.

1142
01:20:01.239 --> 01:20:05.079
<v Speaker 2>But yeah, so it's like in the show twenty five

1143
01:20:05.119 --> 01:20:08.359
<v Speaker 2>years ago, Laura says I'll see you in twenty five years,

1144
01:20:08.960 --> 01:20:11.479
<v Speaker 2>and then Twin Peaks is being rebooted twenty five years later.

1145
01:20:12.079 --> 01:20:18.199
<v Speaker 2>It's pretty pretty mind blowing, talk about synchronicity, talk about planning.

1146
01:20:18.279 --> 01:20:18.640
<v Speaker 1>Wow.

1147
01:20:20.000 --> 01:20:23.600
<v Speaker 2>All right, So Laura says to an old Coop in

1148
01:20:23.680 --> 01:20:27.279
<v Speaker 2>the Black Lodge where there's this in this scene back

1149
01:20:27.319 --> 01:20:31.359
<v Speaker 2>in nineteen ninety one, there's an old cal McLaughlin wearing makeup,

1150
01:20:32.720 --> 01:20:35.119
<v Speaker 2>I'll see you again in twenty five years, hinting that

1151
01:20:35.199 --> 01:20:38.199
<v Speaker 2>this would return, And then twenty five years later it's returning.

1152
01:20:39.119 --> 01:20:42.159
<v Speaker 2>So with a recent announcement then of the show Showtime

1153
01:20:42.640 --> 01:20:45.399
<v Speaker 2>picking up the reboot within the last year, I think

1154
01:20:45.479 --> 01:20:48.640
<v Speaker 2>we can expect an even deeper foray into the unconscious

1155
01:20:48.680 --> 01:20:54.239
<v Speaker 2>of both Laura and Agent Cooper. And even if for

1156
01:20:54.279 --> 01:20:56.640
<v Speaker 2>some reason the show doesn't return, you know, the original

1157
01:20:56.720 --> 01:20:59.960
<v Speaker 2>series and the feature film have an amazingly precise wind

1158
01:21:00.159 --> 01:21:03.640
<v Speaker 2>into the real America, a land haunted by I believe,

1159
01:21:03.800 --> 01:21:10.199
<v Speaker 2>primal elemental spirits of the past Native American deities, controlled

1160
01:21:10.520 --> 01:21:13.720
<v Speaker 2>by a cult that adheres.

1161
01:21:13.520 --> 01:21:16.560
<v Speaker 1>To these kinds of ancient beliefs. Right, the real so

1162
01:21:16.640 --> 01:21:19.159
<v Speaker 1>called illuminati, the.

1163
01:21:19.119 --> 01:21:23.640
<v Speaker 2>American power elite, are like kind of ben Horn. But

1164
01:21:23.920 --> 01:21:26.000
<v Speaker 2>ben Horn right that the money power, I guess you

1165
01:21:26.000 --> 01:21:29.640
<v Speaker 2>could say, but the ben Horn money power is subservient

1166
01:21:29.800 --> 01:21:34.479
<v Speaker 2>to the preternatural forces that they can't control that would

1167
01:21:34.520 --> 01:21:38.399
<v Speaker 2>be behind this veil of obscurity that lies in a

1168
01:21:38.479 --> 01:21:45.359
<v Speaker 2>cult elite whose power seems to derive from a black lodge. Now,

1169
01:21:47.199 --> 01:21:51.359
<v Speaker 2>a bit of reflection here on what we're seeing in this.

1170
01:21:52.319 --> 01:21:53.199
<v Speaker 1>What does all this mean?

1171
01:21:53.239 --> 01:21:57.680
<v Speaker 2>Well, as we said, it's it's partly satire, but it's

1172
01:21:58.239 --> 01:22:03.159
<v Speaker 2>it's dark satire. And I've seen interesting presentations that many

1173
01:22:03.199 --> 01:22:05.680
<v Speaker 2>of the characters match up to.

1174
01:22:07.159 --> 01:22:08.880
<v Speaker 1>The archetypes of the Tarot deck.

1175
01:22:09.039 --> 01:22:12.439
<v Speaker 2>But then again, I mean the archetypes of the Tarot

1176
01:22:12.439 --> 01:22:16.800
<v Speaker 2>deck are just based on archetypes anyway, So I don't.

1177
01:22:16.560 --> 01:22:17.239
<v Speaker 1>Know about all that.

1178
01:22:17.319 --> 01:22:20.119
<v Speaker 2>But you know, there's no question that the film is

1179
01:22:20.159 --> 01:22:23.960
<v Speaker 2>about synchronicity, that the series about synchronicity. It's about the

1180
01:22:24.000 --> 01:22:26.600
<v Speaker 2>Eastern version and notion of these things, which when you

1181
01:22:26.640 --> 01:22:29.880
<v Speaker 2>go further back into far Eastern alchemy and lore, what

1182
01:22:29.920 --> 01:22:32.439
<v Speaker 2>you find is that it bears all these same similarities

1183
01:22:32.479 --> 01:22:37.199
<v Speaker 2>to Western esoterica and their medicism in alchemy. So that

1184
01:22:37.359 --> 01:22:41.880
<v Speaker 2>to me suggests some perennial, primordial source of whatever we

1185
01:22:42.000 --> 01:22:49.840
<v Speaker 2>call the perennial tradition. Now that is hinted at right

1186
01:22:49.880 --> 01:22:53.039
<v Speaker 2>in the goeshia and the sigils that are in the

1187
01:22:53.079 --> 01:22:58.159
<v Speaker 2>background of the crime scene when Cooper and the officers

1188
01:22:58.159 --> 01:23:04.359
<v Speaker 2>are investigating, and you know, we pretty much find like

1189
01:23:05.159 --> 01:23:09.319
<v Speaker 2>the totality of conspiracy presented here. I mean, there's not

1190
01:23:09.399 --> 01:23:12.840
<v Speaker 2>really any element. I don't think that's left out. I

1191
01:23:12.920 --> 01:23:15.760
<v Speaker 2>mean we have like all the black markets are covered

1192
01:23:15.840 --> 01:23:21.199
<v Speaker 2>through being run by ben Horn who's had tied into

1193
01:23:21.199 --> 01:23:24.880
<v Speaker 2>this different mafia groups. And then we have the occult

1194
01:23:24.960 --> 01:23:30.760
<v Speaker 2>background that's behind that that's even more nefarious, that's run

1195
01:23:30.800 --> 01:23:33.600
<v Speaker 2>by this kind of hierarchy of demons that will you know,

1196
01:23:34.399 --> 01:23:37.680
<v Speaker 2>once you die if you're a murderer, like Bob and Gerard.

1197
01:23:38.880 --> 01:23:42.359
<v Speaker 2>Bob and Garrard are spirits who are put under the

1198
01:23:42.439 --> 01:23:47.640
<v Speaker 2>service of the demon, the man from another place. And

1199
01:23:47.720 --> 01:23:52.920
<v Speaker 2>it also ties in interestingly to Native American theology and

1200
01:23:53.000 --> 01:23:57.920
<v Speaker 2>spirituality and lore because that's the indigenous you know, religion

1201
01:23:58.000 --> 01:24:04.479
<v Speaker 2>prior to the arrival of Christianity in North America. So

1202
01:24:04.800 --> 01:24:06.720
<v Speaker 2>you know, it's kind of like the old old time religion,

1203
01:24:07.319 --> 01:24:10.680
<v Speaker 2>that old time religion, right, but the old old time religion,

1204
01:24:10.720 --> 01:24:15.520
<v Speaker 2>which is I guess Native American spirituality, which would involve

1205
01:24:15.720 --> 01:24:19.800
<v Speaker 2>the worship of you know, forms of animism and spiritism

1206
01:24:19.800 --> 01:24:28.880
<v Speaker 2>and so forth. But underlying that animism and spiritism in

1207
01:24:29.000 --> 01:24:34.159
<v Speaker 2>Native Americanism would be, at least according to the perennial view,

1208
01:24:34.960 --> 01:24:40.560
<v Speaker 2>a similar pattern, a similar perennial philosophy. And that seems

1209
01:24:40.560 --> 01:24:42.439
<v Speaker 2>to be what's going on here because that ties in

1210
01:24:42.560 --> 01:24:52.000
<v Speaker 2>directly to the that that ties directly into the far

1211
01:24:52.079 --> 01:24:59.159
<v Speaker 2>Eastern approach that Lynch seems to favor. Now, the Black

1212
01:24:59.199 --> 01:25:03.800
<v Speaker 2>Lodge is interesting because it features things like Saturn. It's

1213
01:25:03.800 --> 01:25:07.920
<v Speaker 2>this imprisoning section. It seems to be somewhat box like,

1214
01:25:08.039 --> 01:25:12.039
<v Speaker 2>but it has Saturnalian image and imagery in it. Because

1215
01:25:12.159 --> 01:25:14.119
<v Speaker 2>you know, when Laura's there, she's sitting next to this

1216
01:25:14.159 --> 01:25:18.560
<v Speaker 2>big lamp. That's this the planet Saturn. Uh.

1217
01:25:18.920 --> 01:25:19.920
<v Speaker 1>And you know, in.

1218
01:25:21.159 --> 01:25:25.359
<v Speaker 2>Esoteric thought much of it, at least in the West, Saturn.

1219
01:25:25.000 --> 01:25:31.359
<v Speaker 1>Is likened to the cube, the box, you know, six.

1220
01:25:31.239 --> 01:25:35.720
<v Speaker 2>Sides and so forth. And Saturn purportedly has this hexagonal.

1221
01:25:38.560 --> 01:25:39.000
<v Speaker 1>Storm.

1222
01:25:39.239 --> 01:25:43.840
<v Speaker 2>There's some sort of hexagonal imagery to the storm that's

1223
01:25:43.840 --> 01:25:44.600
<v Speaker 2>on Saturn.

1224
01:25:44.640 --> 01:25:50.720
<v Speaker 1>If we can believe what we're told about Saturn.

1225
01:25:51.119 --> 01:25:53.159
<v Speaker 2>You know, who knows if that's even if NASA is

1226
01:25:53.199 --> 01:25:55.880
<v Speaker 2>not just faking all those images, I don't know. But

1227
01:25:56.680 --> 01:26:02.680
<v Speaker 2>regardless that, you know, Saturn has connected to human sacrifice historically,

1228
01:26:03.199 --> 01:26:06.039
<v Speaker 2>and that's what's happening in Twin Peaks, and that's why

1229
01:26:06.079 --> 01:26:08.760
<v Speaker 2>we see Laura next to the image of Saturn. You're

1230
01:26:08.800 --> 01:26:11.279
<v Speaker 2>listening to Esoteric Hollywood and I'm your host. Jadiyer of

1231
01:26:11.359 --> 01:26:13.560
<v Speaker 2>jays Analysis dot Com stayed two.

1232
01:26:29.760 --> 01:26:30.520
<v Speaker 1>Final segment.

1233
01:26:31.239 --> 01:26:35.479
<v Speaker 2>You're at Jay's Analysis and we're talking about Lost Highway,

1234
01:26:35.600 --> 01:26:39.560
<v Speaker 2>We're talking about Twin Peaks, We're talking about David Lynch.

1235
01:26:39.640 --> 01:26:45.239
<v Speaker 3>David Lynch, you have to listen to Jadeyer at Jay's Analysis,

1236
01:26:45.760 --> 01:26:48.840
<v Speaker 3>the best breakdown of Twin Peaks and Mulholland Drive on

1237
01:26:48.920 --> 01:26:49.560
<v Speaker 3>the Internet.

1238
01:26:50.159 --> 01:26:51.960
<v Speaker 1>All Right, that's my David Lynch. I'm done.

1239
01:26:52.000 --> 01:26:55.319
<v Speaker 2>I won't subject to anymore David Lynch impersonations, I promise,

1240
01:26:56.520 --> 01:26:57.560
<v Speaker 2>or I might be lying.

1241
01:26:57.600 --> 01:27:00.359
<v Speaker 1>I may do it for the rest of the show. Okay, but.

1242
01:27:01.800 --> 01:27:05.560
<v Speaker 2>Remember as we started out, you know, Lynch said, I

1243
01:27:05.680 --> 01:27:08.840
<v Speaker 2>learned just beneath the surface, there's another world and still

1244
01:27:09.039 --> 01:27:13.399
<v Speaker 2>different worlds as you dig deeper. Right, what was the

1245
01:27:13.439 --> 01:27:17.359
<v Speaker 2>poem to go along with Twin Peaks? Through the darkness

1246
01:27:17.439 --> 01:27:21.640
<v Speaker 2>the futures passed, the magician longs to see one chance

1247
01:27:21.640 --> 01:27:23.079
<v Speaker 2>out between two worlds.

1248
01:27:23.640 --> 01:27:27.079
<v Speaker 1>Fire walk with me, and that is.

1249
01:27:27.279 --> 01:27:32.880
<v Speaker 2>A shamanic firewalking type of poetry, right, at least that's

1250
01:27:32.880 --> 01:27:35.880
<v Speaker 2>what's it's intended to invoke. I mean, it's obviously it's fictional,

1251
01:27:35.880 --> 01:27:40.439
<v Speaker 2>but that's what it's about, and we're supposed to understand

1252
01:27:40.479 --> 01:27:45.520
<v Speaker 2>from that that Cooper is a shaman. And this even

1253
01:27:45.560 --> 01:27:49.800
<v Speaker 2>comes up in the show right now. The reason that's

1254
01:27:50.159 --> 01:27:52.720
<v Speaker 2>one of the main reasons that I am quite confident

1255
01:27:52.760 --> 01:27:56.119
<v Speaker 2>that my analysis of Twin Peaks is completely spot on,

1256
01:27:56.960 --> 01:28:01.920
<v Speaker 2>because as I cite in in my analysis Yoan Kuliano's

1257
01:28:01.960 --> 01:28:05.319
<v Speaker 2>book Out of This World, it's all about the shamanic

1258
01:28:05.399 --> 01:28:08.920
<v Speaker 2>journey and from different religious traditions, perennial philosophy, and then

1259
01:28:09.000 --> 01:28:14.399
<v Speaker 2>the treatment of you know, the spiritual worlds, the spiritual realm,

1260
01:28:14.520 --> 01:28:17.319
<v Speaker 2>something like you'd read in Carlos Costanata.

1261
01:28:17.960 --> 01:28:22.399
<v Speaker 1>Right of the journey of the shaman into the spiritual

1262
01:28:22.439 --> 01:28:26.319
<v Speaker 1>world or the different other worlds. And you know, that's

1263
01:28:26.319 --> 01:28:29.760
<v Speaker 1>exactly what Twin Peaks is about. And when we look

1264
01:28:29.760 --> 01:28:34.760
<v Speaker 1>at the architecture of that world, that philosophy, shamanism, ancient traditions,

1265
01:28:34.920 --> 01:28:37.920
<v Speaker 1>so forth, we tend to see these patterns. Right.

1266
01:28:38.000 --> 01:28:43.680
<v Speaker 2>So when I talk about perennial philosophy or traditionalist philosophy.

1267
01:28:43.720 --> 01:28:44.479
<v Speaker 1>What I'm talking.

1268
01:28:44.279 --> 01:28:48.399
<v Speaker 2>About is this kind of movement or school in last

1269
01:28:48.399 --> 01:28:51.319
<v Speaker 2>century one hundred and fifty years. This would be people like

1270
01:28:51.359 --> 01:28:54.760
<v Speaker 2>frietof schu On. This would be people like Merkia Iliad

1271
01:28:55.199 --> 01:29:04.159
<v Speaker 2>or Joan Kulianu or rene Gannon, Rama Kumaraswami or excuse me,

1272
01:29:04.399 --> 01:29:09.000
<v Speaker 2>Ananda kumar Swami. Actually his son Rama kumer Swanmi ended

1273
01:29:09.079 --> 01:29:12.079
<v Speaker 2>up a set of a concious traditional Catholic oddly enough.

1274
01:29:12.840 --> 01:29:17.439
<v Speaker 2>But the other characters that we've mentioned would fall roughly

1275
01:29:17.600 --> 01:29:23.079
<v Speaker 2>in the perennial tradition. And one might even include Aldus

1276
01:29:23.159 --> 01:29:25.920
<v Speaker 2>Huxley in this tradition, because Huxley has a book called

1277
01:29:25.960 --> 01:29:29.920
<v Speaker 2>The Perennial Philosophy which I've read, and there what you

1278
01:29:30.000 --> 01:29:34.319
<v Speaker 2>get is basically this idea of well, all the religions

1279
01:29:34.319 --> 01:29:37.000
<v Speaker 2>are saying the same thing. It's ultimately it's kind of syncretistic.

1280
01:29:37.039 --> 01:29:40.680
<v Speaker 2>So I'm not a huge fan of perennial philosophy, but

1281
01:29:40.840 --> 01:29:42.720
<v Speaker 2>I think that there's a lot of insights in those

1282
01:29:42.720 --> 01:29:47.399
<v Speaker 2>writers because they're looking to ancient traditions, which can be

1283
01:29:47.640 --> 01:29:53.239
<v Speaker 2>insightful at times against the ultimate evil juggernaut of modernity

1284
01:29:53.680 --> 01:29:54.399
<v Speaker 2>and atheism.

1285
01:29:56.079 --> 01:29:57.680
<v Speaker 1>So even though I wouldn't.

1286
01:29:59.239 --> 01:30:04.039
<v Speaker 2>Advocate, you know, like Hinduism or something at least talks

1287
01:30:04.079 --> 01:30:07.880
<v Speaker 2>about spiritual realm and so forth, right, which you know,

1288
01:30:08.279 --> 01:30:14.279
<v Speaker 2>atheism is intended to induct everyone into this materialistic, meaningless,

1289
01:30:14.359 --> 01:30:17.840
<v Speaker 2>nihilistic view, and then that's actually ultimately intended to take

1290
01:30:17.880 --> 01:30:21.600
<v Speaker 2>people further into Luciferianism. Which this is why the Secret

1291
01:30:21.640 --> 01:30:25.560
<v Speaker 2>societies actually talk about, is the implementation of atheism as

1292
01:30:25.600 --> 01:30:31.840
<v Speaker 2>a stage as a process of moving humanity supposedly into Luciferianism, right,

1293
01:30:31.880 --> 01:30:34.680
<v Speaker 2>which is kind of a bunch of nonsense in my view,

1294
01:30:35.680 --> 01:30:39.359
<v Speaker 2>because Luciferianism is not really in my view, doesn't make

1295
01:30:39.399 --> 01:30:42.880
<v Speaker 2>much sense. But you know, that's why I was citing

1296
01:30:42.960 --> 01:30:46.880
<v Speaker 2>these tantric texts, not to promote tantrism, but to point

1297
01:30:46.920 --> 01:30:50.720
<v Speaker 2>out what I think Twin Peaks is talking about. In

1298
01:30:50.760 --> 01:30:55.199
<v Speaker 2>Twin Peaks is talking about that intentional language of Sendabayas.

1299
01:30:55.399 --> 01:30:59.239
<v Speaker 2>If you think about the funny scene it's episode two

1300
01:30:59.359 --> 01:31:03.960
<v Speaker 2>or three, where Cooper gathers all the local law enforcement

1301
01:31:05.039 --> 01:31:09.359
<v Speaker 2>and through association and through intentionality, he's going to throw

1302
01:31:09.520 --> 01:31:13.520
<v Speaker 2>rocks at different objects that represent different people, and then

1303
01:31:13.520 --> 01:31:15.680
<v Speaker 2>he's writing stuff on a chalkboard based on where the

1304
01:31:15.720 --> 01:31:19.239
<v Speaker 2>rocks Land, and that scene is actually pretty funny because

1305
01:31:19.880 --> 01:31:22.119
<v Speaker 2>Cooper says, Oh, I'm actually going to use a Buddhist

1306
01:31:22.119 --> 01:31:24.800
<v Speaker 2>technique to do this, and then everybody else just kind

1307
01:31:24.800 --> 01:31:25.560
<v Speaker 2>of thinks he's crazy.

1308
01:31:25.560 --> 01:31:28.399
<v Speaker 1>They don't know what that's going on, and ironically the

1309
01:31:31.319 --> 01:31:35.520
<v Speaker 1>divination technique of Cooper ends up being right. But I

1310
01:31:35.560 --> 01:31:38.000
<v Speaker 1>think it's great too that. You know, I don't know

1311
01:31:38.000 --> 01:31:42.479
<v Speaker 1>what Lynch's motivations are for this, but you know, Cooper.

1312
01:31:44.039 --> 01:31:46.800
<v Speaker 2>Delves deeper into the dark side and he ends up possessed,

1313
01:31:46.960 --> 01:31:51.880
<v Speaker 2>and you know, that's a that's a positive warning. You know,

1314
01:31:51.880 --> 01:31:55.479
<v Speaker 2>whether David Lynch intends that to be the positive.

1315
01:31:55.079 --> 01:31:59.159
<v Speaker 1>Warning or not, I don't. I don't know, but.

1316
01:31:57.960 --> 01:32:01.039
<v Speaker 2>That's at least what happens in the storyline of the show,

1317
01:32:02.560 --> 01:32:08.279
<v Speaker 2>and we see that in Lost Highway too. In Lost Highway,

1318
01:32:08.479 --> 01:32:10.760
<v Speaker 2>you know, Fred kind of gives into his dark side

1319
01:32:10.800 --> 01:32:14.640
<v Speaker 2>and he turns into this demonic kind of creature who's

1320
01:32:14.880 --> 01:32:17.279
<v Speaker 2>more or less possessed by I guess Robert Blake, who's

1321
01:32:17.359 --> 01:32:21.399
<v Speaker 2>like the double character in that film, the Man in

1322
01:32:21.479 --> 01:32:24.319
<v Speaker 2>Black in that film, right, So we have the man

1323
01:32:24.359 --> 01:32:29.880
<v Speaker 2>from another place, the Man in Black, evoking this government agent,

1324
01:32:30.000 --> 01:32:33.000
<v Speaker 2>but like government agent of the double kind of thing.

1325
01:32:34.039 --> 01:32:38.399
<v Speaker 2>The man from another place is this midget, little double character,

1326
01:32:38.520 --> 01:32:44.279
<v Speaker 2>the joker trickster. But he's a trickster who demands ritual sacrifice.

1327
01:32:44.279 --> 01:32:46.680
<v Speaker 2>And you know, I think ritual sacrifice does happen. It's

1328
01:32:46.720 --> 01:32:50.319
<v Speaker 2>happened in human history, and it probably still goes on.

1329
01:32:50.479 --> 01:32:53.800
<v Speaker 2>And then, you know, if you have this occultic view

1330
01:32:53.880 --> 01:32:57.039
<v Speaker 2>that many of the elites seem to have, then what

1331
01:32:57.079 --> 01:33:00.399
<v Speaker 2>you believe about human sacrifices that you're actually off bring

1332
01:33:00.760 --> 01:33:07.560
<v Speaker 2>the energy of humanity as a transference of power into

1333
01:33:07.600 --> 01:33:11.159
<v Speaker 2>the spiritual realm, where you're directing that power towards some intention. Right,

1334
01:33:11.239 --> 01:33:13.920
<v Speaker 2>So you want to further your goals or the idea

1335
01:33:14.039 --> 01:33:19.279
<v Speaker 2>is well, I can placate spirits perhaps or just you know,

1336
01:33:19.439 --> 01:33:26.199
<v Speaker 2>push this spiritual energy out by intentionally, you know, sacrificing people. Now,

1337
01:33:26.199 --> 01:33:28.119
<v Speaker 2>how might that may Well, it might be done through war.

1338
01:33:28.159 --> 01:33:29.960
<v Speaker 2>You might send a whole bunch of people to war,

1339
01:33:30.319 --> 01:33:32.880
<v Speaker 2>you know, to fight and battle as a kind of

1340
01:33:32.880 --> 01:33:38.000
<v Speaker 2>big human sacrifice. You might implement things like abortion as

1341
01:33:38.039 --> 01:33:41.600
<v Speaker 2>a human sacrifice, with the offering of the first born

1342
01:33:43.119 --> 01:33:48.520
<v Speaker 2>of a good portion of American citizens. Right, the abortion

1343
01:33:48.640 --> 01:33:51.119
<v Speaker 2>clinics that are everywhere, and then we see these videos

1344
01:33:51.159 --> 01:33:54.359
<v Speaker 2>coming out of planned parenthood where they're giggling and laughing

1345
01:33:54.359 --> 01:33:57.720
<v Speaker 2>about it. Assuming you know, all those videos are what

1346
01:33:57.760 --> 01:33:58.680
<v Speaker 2>they're presented as.

1347
01:33:58.800 --> 01:33:59.920
<v Speaker 1>I'm not saying that they're fake.

1348
01:34:00.039 --> 01:34:02.159
<v Speaker 2>I'm just saying assuming that, you know, who knows what's

1349
01:34:02.199 --> 01:34:05.840
<v Speaker 2>going on with videos these days? There's so much trickery,

1350
01:34:06.479 --> 01:34:08.960
<v Speaker 2>hoaxery and fakery out there that you have to be

1351
01:34:09.039 --> 01:34:12.399
<v Speaker 2>kind of skeptical, is all I'm saying. But yeah, you know,

1352
01:34:12.520 --> 01:34:16.159
<v Speaker 2>there's certainly people who are that sick where they're like

1353
01:34:16.319 --> 01:34:18.359
<v Speaker 2>joking about baby parts and.

1354
01:34:18.760 --> 01:34:24.000
<v Speaker 1>To put you know, just just mind blowing stuff. You know,

1355
01:34:24.079 --> 01:34:26.239
<v Speaker 1>it makes more sense as a sacrifice.

1356
01:34:26.680 --> 01:34:29.439
<v Speaker 2>You know, even if every one of those individuals involved

1357
01:34:29.479 --> 01:34:34.039
<v Speaker 2>in a planned parenthood locale doesn't intentionally talk about it

1358
01:34:34.079 --> 01:34:36.800
<v Speaker 2>being a human sacrifice or know that or believe that

1359
01:34:37.720 --> 01:34:41.439
<v Speaker 2>from the monetary powers and influence far above them, it

1360
01:34:41.520 --> 01:34:47.239
<v Speaker 2>could very well be that. And you know, you may

1361
01:34:47.279 --> 01:34:50.199
<v Speaker 2>think that sounds crazy, But then when you see things

1362
01:34:50.199 --> 01:34:52.439
<v Speaker 2>come out in the news like Savile and so forth,

1363
01:34:52.479 --> 01:34:56.279
<v Speaker 2>where there appear to be people who believe these things,

1364
01:34:57.520 --> 01:34:58.479
<v Speaker 2>you know they're probably going.

1365
01:34:58.479 --> 01:34:59.880
<v Speaker 1>To act on it.

1366
01:35:00.279 --> 01:35:02.239
<v Speaker 2>You know, I don't know for sure, I'm just saying

1367
01:35:02.239 --> 01:35:05.600
<v Speaker 2>this is this could be the case. And you know,

1368
01:35:05.640 --> 01:35:08.640
<v Speaker 2>I did a recent interview with Greg Moffatt of Legalized

1369
01:35:08.640 --> 01:35:11.039
<v Speaker 2>Freedom and we talked about this there where we got

1370
01:35:11.079 --> 01:35:14.079
<v Speaker 2>into the subject of Shaman's Demons in Hollywood. So you

1371
01:35:14.119 --> 01:35:15.880
<v Speaker 2>can listen to that interview and I actually have I

1372
01:35:15.920 --> 01:35:19.880
<v Speaker 2>played that a couple of shows back. The majority of

1373
01:35:19.880 --> 01:35:22.079
<v Speaker 2>that interview here on Esolteraire Hollywood, where.

1374
01:35:21.960 --> 01:35:27.239
<v Speaker 1>We got into the connection between these things.

1375
01:35:27.279 --> 01:35:29.840
<v Speaker 2>You might think, well, what would there be connection, Why

1376
01:35:29.880 --> 01:35:32.600
<v Speaker 2>would there be a connection between Shaman's Demons in Hollywood? Well,

1377
01:35:32.800 --> 01:35:36.319
<v Speaker 2>there could be, and I make that argument there.

1378
01:35:36.399 --> 01:35:37.239
<v Speaker 1>And if we.

1379
01:35:37.199 --> 01:35:40.199
<v Speaker 2>Want to get a real picture, I think of, you know,

1380
01:35:40.560 --> 01:35:43.800
<v Speaker 2>of the conspiracy put into film. You know a lot

1381
01:35:43.800 --> 01:35:46.319
<v Speaker 2>of people talk about is White Shut and I've you know,

1382
01:35:46.319 --> 01:35:50.119
<v Speaker 2>I've dealt extensively with I White Shut or the Ninth

1383
01:35:50.159 --> 01:35:52.560
<v Speaker 2>Gate with Johnny Depp, which you know we'll eventually do

1384
01:35:53.479 --> 01:35:56.840
<v Speaker 2>an episode of Esoteric Hollywood on that show. But another

1385
01:35:56.920 --> 01:36:00.079
<v Speaker 2>example would be Twin Peaks, and I can't think of,

1386
01:36:00.079 --> 01:36:03.399
<v Speaker 2>as I said, I can't think of an element of

1387
01:36:03.439 --> 01:36:07.359
<v Speaker 2>the so called conspiracy that is left out of that film.

1388
01:36:07.399 --> 01:36:11.159
<v Speaker 2>And in my view of the so called conspiracy only

1389
01:36:11.199 --> 01:36:13.079
<v Speaker 2>makes sense when you have a spiritual realm.

1390
01:36:13.199 --> 01:36:15.840
<v Speaker 1>Right, It's not just human beings, you know.

1391
01:36:15.880 --> 01:36:20.359
<v Speaker 2>Coordinating a large scale global human destruction.

1392
01:36:21.680 --> 01:36:22.520
<v Speaker 1>An enslavement.

1393
01:36:23.720 --> 01:36:30.159
<v Speaker 2>It's directed by spiritual evil. Right now, I don't believe

1394
01:36:30.159 --> 01:36:33.439
<v Speaker 2>that spiritual evil is you know, has total control or power.

1395
01:36:33.479 --> 01:36:35.520
<v Speaker 2>But this is what we see, you know, in Matthew

1396
01:36:35.560 --> 01:36:39.640
<v Speaker 2>Matthew four, where the devil says to Jesus, you know,

1397
01:36:39.720 --> 01:36:41.319
<v Speaker 2>let me take you up on a mountain. I'll show

1398
01:36:41.359 --> 01:36:43.560
<v Speaker 2>you the kingdoms of the world. These have been given

1399
01:36:43.600 --> 01:36:46.680
<v Speaker 2>to me for a time, right, He offers the kingdoms

1400
01:36:46.680 --> 01:36:50.399
<v Speaker 2>of the world, and we get the impression that, you know,

1401
01:36:50.439 --> 01:36:56.000
<v Speaker 2>this is for some period of time. But you know,

1402
01:36:56.119 --> 01:36:59.920
<v Speaker 2>ultimately in the biblical presentation, at least you know that's

1403
01:37:01.119 --> 01:37:01.680
<v Speaker 2>that's not the.

1404
01:37:01.640 --> 01:37:04.520
<v Speaker 1>Final end of the story. It's not ultimately the devil

1405
01:37:04.560 --> 01:37:05.079
<v Speaker 1>that wins.

1406
01:37:05.920 --> 01:37:09.520
<v Speaker 2>Although people who buy into the dark Side and gnosticism

1407
01:37:09.560 --> 01:37:14.479
<v Speaker 2>and all these different alternative religious views and occultism and

1408
01:37:14.520 --> 01:37:17.000
<v Speaker 2>not so much satanism that's kind of just hedonism, but

1409
01:37:17.439 --> 01:37:19.880
<v Speaker 2>the presentations of you know, people that people that really

1410
01:37:19.920 --> 01:37:24.640
<v Speaker 2>believe in like real, real Luciferian spiritual you know, things

1411
01:37:24.680 --> 01:37:28.159
<v Speaker 2>like that they think that you know, the dark side

1412
01:37:28.479 --> 01:37:29.319
<v Speaker 2>has the upper hand.

1413
01:37:29.439 --> 01:37:30.960
<v Speaker 1>I don't. I don't think so, you know, I think

1414
01:37:30.960 --> 01:37:32.199
<v Speaker 1>that the Bible has a better.

1415
01:37:32.479 --> 01:37:37.359
<v Speaker 2>A better explanation, is a better model of categorizing and

1416
01:37:37.399 --> 01:37:41.359
<v Speaker 2>explaining what the conspiracy really is. It's not ultimately a

1417
01:37:41.359 --> 01:37:47.039
<v Speaker 2>conspiracy of just rich guys, you know, because rich, rich

1418
01:37:47.079 --> 01:37:50.079
<v Speaker 2>guys are still humans, They're still finite, they're still limited.

1419
01:37:50.319 --> 01:37:55.119
<v Speaker 2>But we have evil existing from the dawn of time

1420
01:37:56.000 --> 01:37:59.840
<v Speaker 2>afflicting humanity, right, not just rich to get rich guys.

1421
01:38:00.920 --> 01:38:03.039
<v Speaker 2>So a lot of people, you know, aren't willing to

1422
01:38:03.119 --> 01:38:08.119
<v Speaker 2>go beyond the material realm, or the physical realm, or

1423
01:38:08.119 --> 01:38:12.560
<v Speaker 2>the human realm of understanding the so called conspiracy. And ironically,

1424
01:38:12.560 --> 01:38:15.479
<v Speaker 2>the Bible all along has described the so called conspiracy,

1425
01:38:15.479 --> 01:38:18.239
<v Speaker 2>and it's a conspiracy of the devil to destroy man

1426
01:38:18.840 --> 01:38:21.239
<v Speaker 2>and to wipe out the image of God and man.

1427
01:38:21.520 --> 01:38:25.239
<v Speaker 2>You're listening to Esolterary, Hollywood, thank you for staying with me,

1428
01:38:25.479 --> 01:39:20.039
<v Speaker 2>and we were listening. We were deconstructing Twin Peaks.