Speaker 1: This is Jaydiyer from Jay's Analysis dot com. Listen.
Speaker 2: I want you to check out my new book Esselty Hollywood, Sects,
Speaker 2: Cults and Symbols and Film, which you can order from
Speaker 2: trin Day Publishers at trinday dot com or at Amazon
Speaker 2: dot com. And I think you'll enjoy if you like
Speaker 2: this analysis that I do of Twin Peaks. It's based
Speaker 2: on the essay that I wrote that is in the book.
Speaker 2: It's one of the chapters, and it's selling like a
Speaker 2: hot cake, like one single hotcake that has been broken
Speaker 2: into miraculous loaves to give everyone hotcakes, miraculous hotcake loaves.
Speaker 2: And again you're gonna like this. I'm re uploading this
Speaker 2: analysis because YouTube kept slapping it with copyright infringement, so
Speaker 2: I had to change some of the images and pictures.
Speaker 2: And enjoy the Twin Peaks analysis. And if you would
Speaker 2: get my book Esselty Hollywood, and I think I know you're
Speaker 2: gonna like it.
Speaker 1: If you like movies. It's it's not just film analysis.
Speaker 1: It's like Roger Ebert on Acid. You my guardian angel,
Speaker 1: take my song.
Speaker 2: And you're listening to Esoteric Hollywood. I'm your host, Jay
Speaker 2: Dyer Esoteric Hollywood is where I deconstruct the deeper messages, symbols,
Speaker 2: and predictive programming subtexts that underlie modern film. In this show,
Speaker 2: we will be interviewing artists, experts, and numerous people in
Speaker 2: media fields, and this will all be based on my
Speaker 2: years of research and compared to religion, propaganda, psychological warfare,
Speaker 2: secret societies and espionage.
Speaker 1: Esoteric Hollywood decodes the biggest movies.
Speaker 2: In an unparalleled way, from the classics of the silver
Speaker 2: screen to today's blockbusters. Learn to watch film with completely
Speaker 2: new eyes as we enter Esoteric Hollywood.
Speaker 3: Welcome to Esoteric Hollywood. This is David Lynch. I want
Speaker 3: to recommend the analysis of Jay Dyer, the only Twin
Speaker 3: Peaks analysis that I can give the David Lynch Seal
Speaker 3: of approval to.
Speaker 2: Way to go, Jay, Welcome, Welcome. You're listening to Esoteric
Speaker 2: Hollywood tonight. The owls are not what they seem. And
Speaker 2: as you heard in that introduction, David Lynch himself has
Speaker 2: given Jay's analysis the official seal of approval for correctly
Speaker 2: decoding the mysterious nineteen ninety ninety one drama Twin Peaks.
Speaker 2: Twin Peaks soon to be rebooted in a perfect topic
Speaker 2: for esoteric Hollywood serial drama, crime drama, mystery, psychological thriller, supernatural, horror, satire,
Speaker 2: soap opera, spoof.
Speaker 1: Nothing like it if you don't know. Twin Peaks follows
Speaker 1: the investigation headed by.
Speaker 2: FBI special agent Dale Cooper played by cal McLaughlin, looking
Speaker 2: into the murder of Homecoming Queen Laura Palmer played.
Speaker 1: By Cheryl Lee.
Speaker 2: Pilot episode first broadcast April eighth, nineteen ninety on ABC.
Speaker 2: Several more episodes were produced, and the series was renewed
Speaker 2: for a second season that aired until nineteen ninety one.
Speaker 2: The show's title comes from a small fictional Washington town
Speaker 2: named twin Peaks. A TV Guide in nineteen ninety seven
Speaker 2: ranked twin Peaks number twenty five on the twenty five
Speaker 2: Greatest show excuse me, forty five on the Greatest Shows.
Speaker 1: Of all times.
Speaker 2: So quite a bit of a philosophical depth at work
Speaker 2: in twin Peaks.
Speaker 1: So we are going to decode this in hardcore.
Speaker 2: I don't know how else to say it. You're not
Speaker 2: going to get this kind of analysis anywhere else. I
Speaker 2: found one other guy who did a pretty decent work
Speaker 2: decoding a couple things that I missed when I went
Speaker 2: through the series for I think the third time recently.
Speaker 2: This time around, though this a few months ago. I
Speaker 2: really think I got the big picture. I think of
Speaker 2: pretty much nailed it. But I want you to give
Speaker 2: me some feedback. If you think I'm wrong, if I guess,
Speaker 2: if I miss something, if I got something wrong, please
Speaker 2: do correct me. This is not a cult yet. I
Speaker 2: will be opening my specialty cult in La only for supermodels,
Speaker 2: a self help massage spa parlor with me as the
Speaker 2: head hierarch of this cult. But it's females only, and
Speaker 2: prefer preferences are given to supermodels. You're the only ones
Speaker 2: that are gonna be saved. We're gonna call it dire netics,
Speaker 2: and I'll be the head of the cult.
Speaker 1: Like l A. Round Hubbard, I learned just beneath the surface.
Speaker 1: Actually I should do this in the David Lynch Boy
Speaker 1: so it would make a lot more sense.
Speaker 3: I learned that just beneath the surface, there's another world,
Speaker 3: and still different worlds as you dig deeper.
Speaker 1: That's a quote from an interview with David Lynch.
Speaker 2: Now, if you ever since the flimsy thin Veneer of
Speaker 2: what parades itself as the good old us of A
Speaker 2: and you felt a bit like you've been sold to fake.
Speaker 2: Then David Lynch's Twin Peaks is a series.
Speaker 1: That you would love.
Speaker 2: More like an initiatory experience than a mirror television series.
Speaker 2: I would argue that Twin Peaks kind of functions as
Speaker 2: a hilariously terrifying vision of the real America, right that
Speaker 2: lurks beneath the CD underworld of the facade of white
Speaker 2: picket fences in a kind of surrealist nightmare fashion. If
Speaker 2: you've ever seen Lynch's Blue Velvet, now, much like the
Speaker 2: picturesque severed ear on the Beautiful Lawn in the nineteen
Speaker 2: eighty six comedic horror Blue Velvet, Twin Peaks might even
Speaker 2: prop be titled an esoteric, dark satirical soap opera. As
Speaker 2: I said, so perfect for Jay's analysis.
Speaker 1: Now.
Speaker 2: There are countless reviews, essays, and analyzes of Lynch and
Speaker 2: Twin Peaks, but almost all of them, in my view,
Speaker 2: miss the complex system of symbology and hidden meanings that
Speaker 2: relate directly to what I would say is pretty high
Speaker 2: level occultism, synchronicity, surrealist philosophy, and especially with Lynch sort
Speaker 2: of far eastern Zen notions. Now, before we go there,
Speaker 2: I think we should discuss the setting. The set and
Speaker 2: setting Twin Peaks is aptly described.
Speaker 1: As quintessential Lynch. Fans will often.
Speaker 2: Speak of scenes, even in movies outside of the Lynch corpus,
Speaker 2: as being Lynchian. So David Lynch has actually been able
Speaker 2: to kind of create his own dreamscape atmosphere, right that
Speaker 2: you just recognize if you've watched a lot of David
Speaker 2: Lynch and you see it elsewhere. I think of recent
Speaker 2: films that I saw, like Nicholas Reffins, Oh what was
Speaker 2: that God No Forgiveness or whatever? The one with Ryan
Speaker 2: Casling or something or that. I didn't really enjoy that
Speaker 2: film that much.
Speaker 1: But.
Speaker 2: It had quite a few David Lynchian scenes, for sure.
Speaker 2: So No, what is the name of that moved God?
Speaker 2: Only forget? Only God forgive?
Speaker 1: Something like that. Some bizarre or strange ideas. But and
Speaker 1: and some good cinematography, but kind of lost in the
Speaker 1: meaning of all that.
Speaker 2: But and I consider myself somewhat proficient at decoding films. Now,
Speaker 2: nothing stands out with that epithet of being Lynchian than
Speaker 2: this surrealist neo Noah melodrama that magically captures the spirit
Speaker 2: of America itself. As I argue, and this differs from
Speaker 2: later Lynch that's focused I think on Hollywood, or what
Speaker 2: I call the Hollywood Trilogy, being Lost Highway, Maholland Drive
Speaker 2: In inlann Empire Twin Peaks is more akin to his
Speaker 2: nineteen ninety film based on the novel Wild at Heart.
Speaker 4: Sorry, Nicholas Cage, Right, Nicholas Cage and Laura du Laura
Speaker 4: was great to work with, right, because I've worked with
Speaker 4: every actor in the world. Because I'm Nicholas Cage and
Speaker 4: I've been in every film in the world, I can't
Speaker 4: can't resist to do a Nicholas Cage impersonation.
Speaker 2: Sorry, but if you've ever if you haven't seen Wilded Heart,
Speaker 2: it's probably Lynch's funniest movie, hands down.
Speaker 1: It gets funnier with more viewings. In fact, there's a
Speaker 1: sections jacket. It's a representation of my freedom and individuality.
Speaker 1: Where Nick Cage does his Elvis impersonation. Well, this is
Speaker 1: a snake's good jacket.
Speaker 2: In its presentation of America and miniature, Wild at Heart
Speaker 2: is a satirical picture of Well, it's satirical picture of
Speaker 2: America and the American dream. And you're gonna see a
Speaker 2: similar idea here with Twin Peaks. Now, Twin Peaks does,
Speaker 2: like later Lynch films, share deeper occult symbology, as I
Speaker 2: mentioned Lost Highway, mahulland Drive and Inland Empire, And we
Speaker 2: might touch on a little bit of those because they will,
Speaker 2: they will relate depending on how time goes in this
Speaker 2: episode of esoteric Hollywood. In this analysis, we will delve
Speaker 2: deeper into a unique place though, which I think is
Speaker 2: the subconscious dreamscape of Lynch, and there will decode the
Speaker 2: scenes and images that may still mystify many twenty five
Speaker 2: years later. Now worth mentioning before delving into the narrative
Speaker 2: is also Lynch's preferred style. Part horror, part in neo noir,
Speaker 2: part comedy, part melodrama, part soap opera. The Lynch Frost
Speaker 2: collaboration collates a vast array of Hollywood classics, from the
Speaker 2: Hitchcock Method of Doubling to Otto Preminger's nineteen forty four
Speaker 2: noa classic Laura, the parallels between the Minor Bird from
Speaker 2: Hitchcock's The Birds, the hard Hearted Detective, Grizzled loner who
Speaker 2: finds himself taken with an apparently murdered Laura. Right, this
Speaker 2: trope abounds in noa. Now, Lynch intentionally includes countless parallels
Speaker 2: to sprinkle his work, deriving from the golden age of cinema.
Speaker 2: Think of Sunset Boulevard, which I think pretty sure I've
Speaker 2: read that Lynch sites in interviews as being heavily influential
Speaker 2: on his style.
Speaker 1: Now, as we enter the world of Twin Peaks.
Speaker 2: It's protagonist, Agent Dale Cooper played by cal McLaughlin, who
Speaker 2: arrives to investigate these in an enigmatic murder, and later
Speaker 2: we find multiple murders of popular high school blonde babe
Speaker 2: Laura Palmer.
Speaker 1: Now, Laura Palmer is intended.
Speaker 2: To sort of be the high school perfect girl, and
Speaker 2: you know, sort of the good girl that everyone thinks
Speaker 2: is a good girl. And this is in fact based
Speaker 2: on an unsolved murder from Now, this is in fact
Speaker 2: based on an unsolved murder from Mark Frost, one of
Speaker 2: the co creators and co directors with Lynch, mark Frost's hometown.
Speaker 2: So Laura will function as the focal point of the
Speaker 2: show's entire arc. Now, however, it's Agent Dale Cooper who
Speaker 2: unravels the actual story of Laura's demise. The truth involves
Speaker 2: a much wider conspiracy than is originally conceived. With his
Speaker 2: unorthodox divination methods of solving crime, Cooper astounds local law
Speaker 2: enforcement with the concept of utilizing synchronicity to associate similar
Speaker 2: themes with inanimate objects in a game of rock toss.
Speaker 2: This odd practice will configure Cooper as both a classic
Speaker 2: pulp detective.
Speaker 1: I think we could say.
Speaker 2: Kind of Bogie Casablanca Multie Falcon, and I think also
Speaker 2: we could.
Speaker 1: Look at other other influence, Sam Spade.
Speaker 2: I guess we could say, right, Sam Spade, but also
Speaker 2: we could grant him a kind of mystical side from
Speaker 2: which you will draw from in order to peer into
Speaker 2: the psychosphere.
Speaker 1: Welcome back.
Speaker 2: You're listening to Esoteric Hollywood. I'm your host Jay Dyer
Speaker 2: of Jay's Analysis, and you're listening on talknetwork dot com,
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Speaker 1: Now we're talking about twin peaks.
Speaker 2: And as I commented before we were looking at the
Speaker 2: Shamanic journey, I quoted Markia Eliade and Yowan Kolanu now
Speaker 2: in previous analyzes. At Jay's analysis, I talked about Lynch
Speaker 2: through Cooper drawing on a highly complex and deeply rooted
Speaker 2: Eastern notion of formal and essentialist associations that extend beyond
Speaker 2: the immediate space and time of objects. Now what do
Speaker 2: I mean by that, Well, what I mean is that
Speaker 2: the objects as we tend to think of them in
Speaker 2: the world. We think of them as discreete right, independent
Speaker 2: objects that have no relation or connection to some other object.
Speaker 2: So if there's a chair in one room, then there's
Speaker 2: a chair in another room. We just think of them
Speaker 2: as separate chairs. We don't think of them as sharing
Speaker 2: any sort of essential chairness.
Speaker 1: Or quality or special quality.
Speaker 2: That's metaphysically out there in the world that makes them chairs.
Speaker 1: But as we moved eastern and back.
Speaker 2: Into medieval and ancient thought, it's still and was the
Speaker 2: norm to think of these things as having an essentialist connection.
Speaker 2: This is what Plato would call the realm of the forms,
Speaker 2: and that essence that all of these objects might share. Right,
Speaker 2: You and I would share these as humanity. We share
Speaker 2: human nature, and this essence or special property that makes
Speaker 2: that thing that thing and no other thing is something
Speaker 2: that extends beyond the immediate phenomena of spatial and temporal relations.
Speaker 1: So cherness is shared. Right, even if.
Speaker 2: We move those two chairs one thousand miles apart, they're
Speaker 2: still sharing the property of cherness. And even if we
Speaker 2: say burn one of those chairs and destroy it, well,
Speaker 2: it's still the case that at one time they both
Speaker 2: shared the property of cheerness.
Speaker 1: Right.
Speaker 2: And now this is important because this is kind of
Speaker 2: I believe the basis for how there could be something
Speaker 2: like synchronicity and synchronicity is what's going to be the
Speaker 2: means by which Cooper will actually do a kind of
Speaker 2: divination throughout the series in order to try to solve
Speaker 2: these heinous, mysterious crimes that we will learn actually tend
Speaker 2: to line up with ritual murder, and in fact that
Speaker 2: will be the case. So it's not just the murder
Speaker 2: of girls or human trafficking. Much more is going on here,
Speaker 2: and this sets the stage for Cooper to be much
Speaker 2: more than merely a clever detective, but rather we see
Speaker 2: the emergence of his role as another world traveling shaman.
Speaker 1: Right, He's able to go beyond. He goes into the ether,
Speaker 1: the astral.
Speaker 2: Realm, the realm of the spirits, the other side, the
Speaker 2: very thing.
Speaker 1: That David Lynch talked about in the quote.
Speaker 2: At the beginning, and later in the series, it's Cooper's
Speaker 2: spiritual gifts that are noted by Native American Deputy Hawk
Speaker 2: as well as by General Briggs, where Cooper is eventually
Speaker 2: revealed to be the one who can travel too and
Speaker 2: call between the worlds.
Speaker 1: Right, this fulfills the.
Speaker 2: Role of the magician or the shaman from the series
Speaker 2: is famous tagline which reads fire walk with me.
Speaker 1: Now, this is the soul. This is the role of
Speaker 1: the shaman I described in my thesis on Lost Highway.
Speaker 1: I have an extensive analysis of the out there bizarre
Speaker 1: psychical film that has mystified many out there known as
Speaker 1: Lost Highway, the other David Lynch film that I believe
Speaker 1: kind of.
Speaker 2: Is kind of a part one in his loosely titled
Speaker 2: Hollywood Trilogy.
Speaker 1: Citing author Peter Lavenda, I noted in Twin Peaks, it
Speaker 1: is the light of the morgue over the place where
Speaker 1: the body of Laura Palmer has been kept in which
Speaker 1: then visited by Mike, the one armed man who recites
Speaker 1: the famous poem through the darkness of futures pass, the
Speaker 1: magician longs to see.
Speaker 2: One chance out between two worlds. Fire walk with me.
Speaker 2: They're in a little strange little verse. Levinda writes. We
Speaker 2: have the key to unlocking the mystery not only of
Speaker 2: Twin Peaks, but virtually all of Lynch's films. The suspension
Speaker 2: of normal laws of time, futures past, and the idea
Speaker 2: that the magician lives between two worlds, the suspension of
Speaker 2: normal linear narrative event in the favor of, in fact,
Speaker 2: a dream like hallucinatory set of images that are taking
Speaker 2: place all over the fourth dimension. This is part of
Speaker 2: Lynch's appeal as a director and part of what makes
Speaker 2: his film so frustrating to the average filmgoer. His realization
Speaker 2: is that there are two worlds and a place to
Speaker 2: stand between them, and this is what contributes to his
Speaker 2: aura as a modern twenty first century initiate.
Speaker 1: Of the mysteries.
Speaker 2: That's what a mystery film is, right. It elucidates the
Speaker 2: core mystery behind reality itself, and this forms the solution
Speaker 2: to Lost Highway as well. The shamanic and magical elements
Speaker 2: are here in full force, as Fred as a character
Speaker 2: trapped in a different psychical world that seems to unfold
Speaker 2: and invelop other psyches as well. Now, when we interpret
Speaker 2: Twin Peaks, I think accuracy involves understanding the notion of
Speaker 2: twilight language or sanda bayasa, which I've mentioned many times
Speaker 2: in talks, and it's my contention that Twin Peaks should
Speaker 2: be read in this way if the series itself were
Speaker 2: perhaps a kind of yogic text. Sanda bayasa is the
Speaker 2: notion of synchronicity or events being written like a text,
Speaker 2: like a story, but in a higher way, and this
Speaker 2: is natural I think, given Lynch and agent Cooper in
Speaker 2: the stories preference for Eastern Meditation. I'll quote Indian scholar
Speaker 2: vij Mishra who comments on the ambiguous semiotic discourse involved
Speaker 2: in Twilight. As follows, Tantric texts are often composed of
Speaker 2: an intentional language. Sandabayasa a dark, secret, ambiguous language in
Speaker 2: which a state of consciousness is expressed by an erotic
Speaker 2: term and the vocabulary of mythology or cosmology is then
Speaker 2: charged with a hatha, yogic or sexual meaning. According to Iliada,
Speaker 2: it is translated enigmatic language. Max Muller called it a
Speaker 2: hidden language. All the works of Sahayanya and Sandabayasa are
Speaker 2: written in light and darkness, partly light and partly dark.
Speaker 2: Some parts can be understood while other parts cannot, and
Speaker 2: this is from the book Oceanal Poetics and the Indian Sublime. Now,
Speaker 2: Cooper's methodology is really about reading omens, dreams, visions, and divination,
Speaker 2: and this gives us an insight into the metaphysics of
Speaker 2: Twin Peaks, which are very much in line with the
Speaker 2: presentation here at Jay's analysis. If you go read my site,
Speaker 2: you'll find many, many pieces there that line up with
Speaker 2: how that kind of a worldview is possible from the
Speaker 2: film twin Peaks, the film version fire Walk.
Speaker 1: With Me, which is the name of the movie that
Speaker 1: came out after season one.
Speaker 2: We're giving the impression here that Laura's spirit has actually
Speaker 2: summoned Cooper from the FBI to come and investigate from
Speaker 2: the spirit world. So it's actually Laura who's brought Cooper there,
Speaker 2: not Cooper who has chosen to come there. Consistently through
Speaker 2: the series, Cooper receives messages and clues from this spirit
Speaker 2: realm or what might accurately accurately be called, as I said,
Speaker 2: the eighth or astral realm, the psychosphere. Now, as he sleeps,
Speaker 2: it's Cooper's higher self that enters into this realm and
Speaker 2: communicates with this assorted cast of Mottley characters and shades,
Speaker 2: arranging from Laura Palmer to a young version of what
Speaker 2: looks like David Lynch himself, to a midget known as
Speaker 2: the Man from Another Place and it played by Michael J. Anderson,
Speaker 2: and then a giant. So here we have the Ananaki,
Speaker 2: the notion of the nephelem, even coming into the mythology
Speaker 2: of Lynch's Twin Peaks channeling these entities. Then Cooper gradually
Speaker 2: sort of unravels the Twilight Language script and he decodes
Speaker 2: it right behind this wooded Washington City, and we the viewers,
Speaker 2: embark on the same initiatic journey of decoding the script
Speaker 2: with Cooper. So thus from reading the simulacra, within the simulacra,
Speaker 2: it's Cooper who begins to discover the secret of Twin
Speaker 2: Peaks involving the black market, not just one black market,
Speaker 2: all of them. And this is where town tycoon Ben
Speaker 2: Horn organizes and controls local prostitution, local gambling, drug running,
Speaker 2: and much more through his private club One Eyed Jacks.
Speaker 1: We're talking One Eyed Jacks in reference to Twin Peaks.
Speaker 2: You're listening to esotery, Hollywood. I'm your host, Jay Dyer
Speaker 2: of Jayson Elses dot com.
Speaker 1: And One Eyed Jack's is the back door secret prostitution
Speaker 1: lodge that's across some sort of lake that you have
Speaker 1: to get to at night. It's kind of unclear, but
Speaker 1: it's a private club.
Speaker 2: And what's interesting is that when we hear we see
Speaker 2: this one eye imagery in this case, it's relevant. It's
Speaker 2: useful to point out because one eye will come up
Speaker 2: more than once. The town oddball character Nadine has only
Speaker 2: one functioning eye, and she later dissociates to a younger
Speaker 2: version of herself. Curiously, so what she abused is she
Speaker 2: just insane? We don't really know. Was she part of
Speaker 2: this network at one point? And she possesses apparently excessive strength,
Speaker 2: she has some sort of demonic connection apparently right so,
Speaker 2: but it just in the narrative though. Nadine functions as
Speaker 2: the comic foil to the more dramatic situation with Laura.
Speaker 2: But her initial psychosis and association to a different persona
Speaker 2: is the key to Laura Palmer as well as we
Speaker 2: will see.
Speaker 1: And One Eyed.
Speaker 2: Jacks is the locale of where Ben Horn controls vice
Speaker 2: because he has connections, as we see, to larger criminal
Speaker 2: networks and mafia organizations that are personified in the characters
Speaker 2: of the Renault brothers. Horn's network includes legitimate face and
Speaker 2: shell companies that are several businesses throughout the town, from
Speaker 2: the Great Northern Hotel to Horn's department store, and there's
Speaker 2: secretly nearby casino and then the Cat House.
Speaker 1: Now, while not.
Speaker 2: Directly involved in the occult, it's Ben Horne, who is
Speaker 2: the sort of archetypal eighties yuppie businessman who has no
Speaker 2: direct involvement we discover eventually in the murder of Laura.
Speaker 1: Though he's an initial suspect.
Speaker 2: While briefly accused, the reality surrounding Laura and Ben Horn
Speaker 2: is actually far deeper. Now Cooper discovers through the eventual
Speaker 2: disclosure of Laura's secret diary that she had been raped
Speaker 2: since she was twelve by her father Leland, played by
Speaker 2: Ray Wise, and a spirit who possesses Leland named Bob.
Speaker 2: Bob we learned as a former killer who has become
Speaker 2: a demon in the afterlife, and he possesses individuals such
Speaker 2: as Leland and then later Wyndham Earl to commit crimes
Speaker 2: such as pedophilia and sacrificial murder. Now, I've detailed the
Speaker 2: reality of this frightening process in a piece that I
Speaker 2: called the Fractured Psyche in the Noose, and you can
Speaker 2: find that at jays Analysis as well, And there's a
Speaker 2: comprehensive treatment of understanding what has happened to Laura and.
Speaker 1: In that essay.
Speaker 2: But I think that that I essay is not just
Speaker 2: applicable to the fictional case of Laura and Leland, but
Speaker 2: applies to the real world. This is, I think what
Speaker 2: we really see with people now concerning alters in the
Speaker 2: split psyche. In that piece I wrote, when we consider
Speaker 2: specifically the fragmentation of the psyche, the extreme versions appear
Speaker 2: in the diagnoses of cases of MPD or DID disassociative
Speaker 2: identity disorder, schizophrenia, and then the unifying factor between these
Speaker 2: being severe trauma.
Speaker 1: Often in childhood.
Speaker 2: Actually now the trauma in later life appears in what's
Speaker 2: often called post traumatic stress disorder, with the same patterns
Speaker 2: of dissociation, fragmentation, and psychosis appearing frequently.
Speaker 1: Now.
Speaker 2: What is most never discussed, though though it's evidence of
Speaker 2: this surface is daily in particular to former military or
Speaker 2: pop star circles, is the reality of ritual abuse.
Speaker 1: And having read several works on.
Speaker 2: That topic, you a ritual abuse appears frequently in relationship
Speaker 2: to these kinds of circles, but it goes unmentioned often
Speaker 2: in the mainstream until we get to things like.
Speaker 1: The Sable case. Right Jimmy Savile in the UK.
Speaker 2: This tide appears to be turning with Sable, but you know,
Speaker 2: even the mainstream media.
Speaker 1: Is still forced to report.
Speaker 2: On this avalanche of officials involved in these kinds of
Speaker 2: occulting and ritual abuse scenarios. You know, the subject of
Speaker 2: fragmentation of the psyche, right, It's a topic that I said,
Speaker 2: is it's very profuse in alternative media, and I don't
Speaker 2: think that a lot of people know exactly what they're
Speaker 2: talking about. But the general idea is kind of out
Speaker 2: there and somewhat I think accurate, and the cases in
Speaker 2: nature and extent of it are still somewhat shrouded in mystery,
Speaker 2: though modern medicine and psychology have quite a bit actually
Speaker 2: to say about the matter. One of the reasons that
Speaker 2: this disorder is controversial is that it doesn't fit very
Speaker 2: well with the dominant materialist biological reductionism upon which most
Speaker 2: science in mass science is built. Mass science modern science
Speaker 2: scientism is more so a slave to the corporate state
Speaker 2: as an ideology and as a propaganda platform, with people
Speaker 2: like Bill Nye, Daniel Dennett, Hitchens, Dawkins, Neil de Grassey
Speaker 2: Tyson Right. And given the presupposition of modern science that
Speaker 2: the psyche is entirely equated with the brain matter itself,
Speaker 2: the assumptions are thus that any possible solution to a
Speaker 2: mental problem should and could only be remedied through the
Speaker 2: suppression of and rearrangement of various molecular compounds aka drugs,
Speaker 2: big pharma. That's why big pharma is the solution to everything,
Speaker 2: at least ideologically, is because of the subposition of Darwinism.
Speaker 2: And this is why pharmaceuticals are recommended for any kind
Speaker 2: of problem across the board. And it may provide some
Speaker 2: temporary relief for the subduing of certain manic tendencies or
Speaker 2: something like this, but it fails to address the spiritual
Speaker 2: dimension of man. And this excludes from the outset that
Speaker 2: the psyche might be more than just a series of
Speaker 2: firing neurons. But the monetary and propagandist power of these corporations,
Speaker 2: you know, combined with the power to dictate results through
Speaker 2: funding of so called objective studies that vindicate the latest
Speaker 2: happy pill, it disavows from the outset any other approach
Speaker 2: and any other models, any other therapeutic applications are just
Speaker 2: dismissed out out of hand.
Speaker 1: Now.
Speaker 2: Despite the deep interconnectedness of the pharmaceutical industry with the
Speaker 2: intelligence agencies in the psychological and biological warfare industries, few
Speaker 2: and far between are those who are really willing to
Speaker 2: question this approach as a whole. And I think this
Speaker 2: is due again to the almost universal indoctrination of this reductionistic,
Speaker 2: neo Darwinian materialistic perspective. In this preconditions, then all approaches
Speaker 2: to therapeutic psychology, biology, medicine, et cetera, et cetera. Now,
Speaker 2: one example of the dilemma of a proponent of the
Speaker 2: modern approach that has to be graffled with is what
Speaker 2: I've hided highlighted before that even the DSMV Diagnostics and
Speaker 2: Statistics Manual Version five that the psych industry utilizes for
Speaker 2: its so called diagnoses, it still references articles about mind
Speaker 2: controlled alters. So you know, if my controlled alters don't exist,
Speaker 2: it's and if it's the raving fix of conspiracy lunatics.
Speaker 2: And I apologize that my allergies are going crazy. I
Speaker 2: can't help it for all the sniffing and so forth tonight.
Speaker 1: But you know then it.
Speaker 2: Needs to be revised, right, I mean, all this needs
Speaker 2: to be thrown out now if if you even give
Speaker 2: this book that much credence anyway, you know, most of
Speaker 2: these disorders so called are just made up. They're just
Speaker 2: titled these disorders, and it's subject to change quite frequently.
Speaker 2: Transgenderism was a mental disorder back in the seventies and eighties, and.
Speaker 1: Now it's not. So you know, it's just make it
Speaker 1: up as you go. I guess.
Speaker 2: The circular nature, right of this existing psychological establishment vindicates
Speaker 2: ultimately the pharmaceutical establishment. That's why it works the way
Speaker 2: it does. That's why it continues to operate unchallenged and
Speaker 2: just pumping out pills to put us in this brave
Speaker 2: new world situation. And this in turn provides funding to
Speaker 2: vindicate the psychological establishment. So the circular establishment then becomes
Speaker 2: the de facto final court of appeal. So even as
Speaker 2: its theories and revisions are constantly overturning with each decade,
Speaker 2: it just the cycle itself continues. Now this is important
Speaker 2: because this relates to everything that we're looking at in
Speaker 2: terms of Twin Peaks, Because the central characters in Twin
Speaker 2: Peaks have this problem of dissociating spiritual possession and so forth,
Speaker 2: and they don't know what to do and they've been traumatized. Right,
Speaker 2: their psyche is split, and it's not just a psyche
Speaker 2: but also an invading.
Speaker 1: Spirit is involved in the case of both.
Speaker 2: Laura and Leland. In Laura's case, there's good Laura and
Speaker 2: Bad Laura. There's Laura who's sort of gives it to
Speaker 2: her dark side and becomes this evil Laura, which is
Speaker 2: in a way kind of making fun of soap operas
Speaker 2: in the eighties and nineties. And then there's good Laura,
Speaker 2: who's the front face right of this persona of the
Speaker 2: good girl homecoming queen. Now it's important too that it's
Speaker 2: not just the black market of prostitution and drugs. It's
Speaker 2: actually the alluring of young girls into porn. And there's
Speaker 2: a cult that exists amongst the Twin Peaks elite that
Speaker 2: formerly met in secret.
Speaker 1: We discover for ritual magic ceremonies.
Speaker 2: As a thread unravels, it's the spirit of Bob that
Speaker 2: serves as the foot soldier for this mysterious midget character
Speaker 2: called the Man from Another Place. The Man from Another
Speaker 2: Place organizes the occult marriage ceremony for the girls who
Speaker 2: were offered to Leland and other cult participants. So it
Speaker 2: starts with drugs and porn, and then the girls are
Speaker 2: allured into prostitution, and then we even get hints of
Speaker 2: snuff films that are that involve this ritual magic cult.
Speaker 2: And it's not always explicit, but this is my interpretation
Speaker 2: of what's going on with the those involving the wearing
Speaker 2: the ring that they're part of this cult. You're listening
Speaker 2: to Esoltary Hollywood and we're breaking down Twin Peaks, and
Speaker 2: when we come back, we're going to talk more about
Speaker 2: this cult network that appears to be in the background,
Speaker 2: behind the front of Ben Horn. Ben Horn's not actually
Speaker 2: in the cult. He's just a self involved, hedonistic, pragmatic businessman.
Speaker 2: You're listening to Esotericcollywood on talknetwork dot com.
Speaker 1: Welcome back. You're listening to Esoteric Hollywood. We're talking about Twin.
Speaker 2: Peaks, and we've gotten to the point where there's a
Speaker 2: lot more going on under the surface of this idyllic
Speaker 2: yet bizarre small town of Twin Peaks population fifty five
Speaker 2: thousand and something or other. Not only is there a
Speaker 2: black market, not as prostitution and drugs gambling, it's actually
Speaker 2: the luring of young girls into porn and prostitution, high
Speaker 2: school girls. And then beyond that there's a layer of dark,
Speaker 2: dark darkness, and that is a cult that seems to
Speaker 2: be centered around a group of strange spirits headed up
Speaker 2: by the man from another place, some sort of interdimensional
Speaker 2: ALIENI ish midget demon.
Speaker 1: And I want my garmin Bosia. Now what's the garment Bosia?
Speaker 2: Well, you're gonna find out if you remember that bizarre scene.
Speaker 2: Now as the thread unravels, right, it's the spirit of
Speaker 2: Bob that serves as the foot soldier or the man
Speaker 2: from another place who organizes the occult marriages, as we said.
Speaker 1: And so it starts with.
Speaker 2: Drugs and porn, leads into prostitution and human sacrifice. So
Speaker 2: behind the real dark power in Twin Peaks is this
Speaker 2: black Lodge. And it's curious that it's called the black
Speaker 2: Lodge in between worlds. A black lodge bears a striking
Speaker 2: resemblance to what some call irregular forms of Masonry, secret
Speaker 2: societies and cults say Tanant cults right known as black
Speaker 2: lodges where dark arts are performed. Black Lodge is also
Speaker 2: mentioned in Crowley's novel Moonchild and the Reports of Lynch. Actually,
Speaker 2: there are reports of Lynch rumors. I don't know if
Speaker 2: that's true, but rumors at least of Lynch asking his
Speaker 2: actors and crew to speak and walk in reverse for
Speaker 2: the filming of the astral scenes in the lodge, and
Speaker 2: this may have a Crowleian sort of undertone. I don't
Speaker 2: know if it's true, but that's at least what some
Speaker 2: have said. Now, all of this is told in striking
Speaker 2: detail in twin Peaks, as Cooper's visions demonstrate this human
Speaker 2: sacrifice component. In other words, Bob is a demonic force
Speaker 2: that's subservient to the man from another place who's lust
Speaker 2: for fun seems to involve rape, pedophilia, and murder. And
Speaker 2: it's a consistent narrative where these old men have their
Speaker 2: way with young girls. And then that's what kind of
Speaker 2: hearkens to, this pedophilia. And then we think of the
Speaker 2: one armed man Garrard slash Mike, who displays the magical
Speaker 2: ring that sort of identifies him as a part of
Speaker 2: this cult now in possessing individuals for the purpose of
Speaker 2: carrying out these acts. It's Bob that captures the pain
Speaker 2: and misery stored in the blood of his victims, and
Speaker 2: he pours him out as a sacrificial offering to this
Speaker 2: man from another place. That's the garment Bosia. If you
Speaker 2: think of the as I said, that bizarre scene in
Speaker 2: the meals for wheels old woman's house right where Bob says,
Speaker 2: I want my garment bosia, or excuse me, the man
Speaker 2: for another place says, I want my garment bosia his
Speaker 2: cream corn and what he means is his food. And
Speaker 2: his food is signified as the pain and misery of
Speaker 2: the energy, the blood of the sacrificial victim. It's contained
Speaker 2: now in almost perennial demonology. This concept has many precedents
Speaker 2: that moleficent spirits actually feed on the pain and misery
Speaker 2: of victims in this parasitic fashion. Now, I did come
Speaker 2: across a good analysis at a sound in site magazine
Speaker 2: that it's now become pop optic, and I contributed a
Speaker 2: piece or two for them some months ago.
Speaker 1: And there was another girl who wrote for them. Her
Speaker 1: name is Justine Smith, and.
Speaker 2: She wrote quote, then of course we have Bob. For
Speaker 2: those unaware of the town of Twin Peaks is similarly
Speaker 2: populated by a spiritual lodge that travels or is somehow
Speaker 2: engaged by electricity. And this is important when you watch
Speaker 2: the movie. One of its members, perhaps its leader, is Bob,
Speaker 2: who menaces Laura throughout her life. She claims to have
Speaker 2: been raped since she was twelve and is similarly islan.
Speaker 2: In this scene, he is not only in stark contrast
Speaker 2: to the pink, childlike bedroom. That is, when Bob shows
Speaker 2: up raping Laura, he is in search for her hidden diary.
Speaker 2: The fact that he mirrors her reactions is another mode
Speaker 2: of doubling commonly found in surrealist work as well as Hitchcock,
Speaker 2: as I mentioned, and it suggests a deep connection between them, however, unwilling.
Speaker 2: Finally we have the end of the scene where Laura's
Speaker 2: father exits the house, and having already entered the space,
Speaker 2: we are fairly certain that he wasn't there before. So
Speaker 2: Laura and Bob are one and the same. Excuse me,
Speaker 2: Laura's father, Leland and Bob. This girl asked this question,
Speaker 2: and it's obvious, Yes, they're the same. They're the same
Speaker 2: because Bob's possessing Leland now the garment Bosia cream corn.
Speaker 2: All right, And if you go to Jay's analysis, you'll
Speaker 2: see my more in depth analysis of twin Peaks, and
Speaker 2: you'll see the imagery that I include in my article
Speaker 2: where I show you the scene where he's talking about
Speaker 2: this and the man from another place, the little midget
Speaker 2: demon identifies the garment Bosia. There as the pain and
Speaker 2: the sorrow, the pain and misery of the ritual sacrifice
Speaker 2: becomes the food of the demon. So the answer to
Speaker 2: Justine Smith's question is yes. Specifically, in the case of Laura,
Speaker 2: we find her youthful trauma from Bob Leland to have
Speaker 2: caused her psyche to split into altars, and this is
Speaker 2: revealed in the show explicitly and more clearly in the
Speaker 2: film where Laura demonstrates a duplicity of good girl bad girl,
Speaker 2: detailing in her diary the trauma she was unable to
Speaker 2: cope with from her father's own personality split. So Leland
Speaker 2: himself right had these same issues. Leland, just like Laura,
Speaker 2: was subject to a dual personality, and eventually Leland giving
Speaker 2: into his dark side led.
Speaker 1: To this possession by Bob. Now.
Speaker 2: This is also strikingly revealed in the driving scene in
Speaker 2: the feature film Twin Peaks fire Walk with Me, where
Speaker 2: Leland encounters Girard slash Mike, because Gerrard has a spirit
Speaker 2: that possesses him as well, where he wears the cult ring,
Speaker 2: and the ring functions as a trigger for Laura and
Speaker 2: Leland to dissociate. So not only was Laura allured into
Speaker 2: the exploitative field of prostitution. She had been subject to
Speaker 2: ritual abuse, and in this regard, the symbology of the
Speaker 2: rings suggests both the goat and the demonic. If you
Speaker 2: look at the shape of the ring, and it's not
Speaker 2: just that, it's also two mountains and a portal between
Speaker 2: two mountains, as we'll see it here in a bit. Now,
Speaker 2: the ring suggests the goat and the inverted horns. In
Speaker 2: another sense, it's a group or a cabal, a ring, right,
Speaker 2: a ring of people. It also displays different planes of existence,
Speaker 2: as I said, and the portal between the two worlds.
Speaker 2: The two peaks, the twin peaks signify the two worlds
Speaker 2: and in a three tiered sense, the white Lodge Earth
Speaker 2: and the Black Lodge. Now you have to see my analysis,
Speaker 2: said Jay's analysis, because it's difficult to give an imagery
Speaker 2: of this over audio. But if you look, you'll see
Speaker 2: I point out in the scenes, there's actually included in
Speaker 2: the background real ritual magic sigils.
Speaker 1: So if you know the sigil next to.
Speaker 2: Cooper hanging on the chalkboard in my analysis, you'll see
Speaker 2: what I'm talking about and what almost all researchers have
Speaker 2: missed who try to deal with Lynch, and this film
Speaker 2: is the crucial imagery that we see at the police station.
Speaker 2: We're in the background, Cooper and Sheriff Harry Truman have
Speaker 2: pieced together these ritual magic sigils, but they're not explicitly
Speaker 2: referred to in the screenplay. It's only in the background
Speaker 2: that we see this now presumably connected to the crime
Speaker 2: scenes in the former FBI agent turned psychopath Wyndham Earl,
Speaker 2: it's the ritual magic sigils that are explained in a
Speaker 2: video of Earl right where Earl Wyndham Earl, who's a
Speaker 2: former FBI guy turned evil turned psychopath, he describes tapping
Speaker 2: into the left hand power of the dark Side through
Speaker 2: the Black Lodge. And so the sigils in Twin Peaks
Speaker 2: are in fact sigils from the Goetia or the Lesser
Speaker 2: Key of Solomon, which specifically relate to the invocation of demons.
Speaker 2: Another weird feature that comes up in Twin Peaks that's
Speaker 2: worth mentioning is the scorched engine oil throughout the series,
Speaker 2: and now this is a reference to the oil sludge
Speaker 2: that is found in the woods at what they call
Speaker 2: Glastonbury Grove the site of the forest Portal, which inclcludes
Speaker 2: a reference to Arturian mythology. So out in the woods
Speaker 2: is where the entrance way, the portal to the Black
Speaker 2: Lodges that Cooper eventually discovers, and it's the areas the
Speaker 2: circle of trees that they call Glastonbury Grove.
Speaker 1: Now this makes one immediately think of.
Speaker 2: Ancient British occultism. Again Sable the elites in the UK
Speaker 2: perhaps Bohemian Grove, and the idea of the grove goes
Speaker 2: back far beyond the history of England. We read the
Speaker 2: Old Testament, you can read in books like Kings Chronicles,
Speaker 2: and there'll be mentions of the high places in the groves, and.
Speaker 1: The anti.
Speaker 2: Monotheistic cults of the surrounding area of Israel would worship
Speaker 2: their deities on top of these mountains. Right, So when
Speaker 2: God appears at Mount Sinai in Exodus, conversely, the other
Speaker 2: gods of the nations would demand that their followers meet
Speaker 2: them on the high places, the groves at the top
Speaker 2: of the mountain. And so that's why Glastonbury Grove is
Speaker 2: significant here in twin Peaks. Now Earl arrives on the
Speaker 2: scene in season two to capitalize on the dark forces
Speaker 2: in Twin Peaks, and he's seeking this portal to the
Speaker 2: Lodge in the woods. Now, hovering over this black viscous.
Speaker 1: Oil is the portal to.
Speaker 2: The portal site, in other words, is actually the site
Speaker 2: of ancient ritual practice, we learn, and this is where
Speaker 2: gods and demi gods are invoked. And Lynch seems to
Speaker 2: be saying here that actually America itself is perhaps a
Speaker 2: land of primeval fallen forces that rule our present reality
Speaker 2: from behind the veil. You're listening to Esoteric Hollywood and
Speaker 2: we're breaking down Twin Peaks with Jadi or your host,
Speaker 2: and you're listening on talknetwork dot com, the best place
Speaker 2: for non corporate free talk radio.
Speaker 1: Welcome back. You're listening to Esoteric Hollywood.
Speaker 2: I'm your host, Jadier of Jaysonalysis dot com. We're breaking
Speaker 2: down twin Peaks and we're talking about Wyndham Earl, the
Speaker 2: FBI agent turned dark.
Speaker 1: Side turned psychopath.
Speaker 2: And we talked about how Earl arrives in season two
Speaker 2: to capitalize in the dark Forces in Twin Peaks, seeking
Speaker 2: the portal to the Lodge in the Woods. And as
Speaker 2: we said, hovering over this pool of black viscous scorched oil.
Speaker 2: Is this portal to a site of ancient ritual practice
Speaker 2: where gods and demi gods are actually invoked, And Lynch
Speaker 2: seems to be saying, as I said that America is
Speaker 2: this location Twin Peaks is kind of America in miniature. Now,
Speaker 2: this is significant in terms of the consistent red veil
Speaker 2: imagery that we see throughout the series, and this accompanies
Speaker 2: any entrance into the Black Lodge. You see the big
Speaker 2: red veil and then the zigzag pattern floor, and the
Speaker 2: planetary and astrological conjunctions are mentioned right that determine the
Speaker 2: opening of the portal to the next world. Fear, Cooper says,
Speaker 2: opens the door to the Black Lodge, and Love opens
Speaker 2: the doorway to the White Now. Also revealed in this
Speaker 2: association of dubious characters is the somewhat goofy figure of
Speaker 2: Major Briggs, the military mystic who believes in the supernatural,
Speaker 2: and this leads to classified connections to Project Blue Book.
Speaker 2: He mentions the military's UFO research. Now, in reality, Project
Speaker 2: blue Book was a cover story for Advanced Technology of
Speaker 2: Testing Aircraft in my view, but even here it's a
Speaker 2: curious association right as Major Briggs's classified work in the series,
Speaker 2: it actually involves a cult research and so what Briggs
Speaker 2: seems to be is a maybe an approximation of the
Speaker 2: kind of real programs that John Ronson writes about and
Speaker 2: his Men Who Stare at Gohos or if you've seen
Speaker 2: the George Clooney George Clooney film, I think Jeff Bridges
Speaker 2: in the Two Men Who Star At Goats, you'll know
Speaker 2: what I'm talking about.
Speaker 1: Now. This is based on reality.
Speaker 2: Where there was a high level military Special Forces Soldier
Speaker 2: Brigade battalion that participated in these kinds of remote viewing,
Speaker 2: occult activities, sensory extra sensory perception Stanford Research Institute type stuff,
Speaker 2: and they were called the First Earth Battalion. That's actually
Speaker 2: a real thing, and you can look this up. I'm
Speaker 2: not making it up. Yeah again, you know there's a movie.
Speaker 1: And a book on it.
Speaker 2: Yeah, just looking at the Wikipedia here. It even says
Speaker 2: according to the book Men Who Sterre At Goats by
Speaker 2: journalist Sean Ronson, mister Shawnan spent time in the seventies
Speaker 2: with many of the people in California credited with starting
Speaker 2: the Human Potential movement and subsequently he wrote an operations
Speaker 2: manual for the First Earth Battalion. It's one hundred and
Speaker 2: twenty five age mix of drawings, graphs, maps, political essays,
Speaker 2: point by point Readi's signs, and he imagined a new
Speaker 2: battlefield uniform that would include pouches for gensng divination tools.
Speaker 1: So it's like these.
Speaker 2: Magic warriors that they're going to turn the Special Ops
Speaker 2: guys into.
Speaker 1: And the movie came out in two thousand and nine.
Speaker 1: Right in the movie, they're called the New Earth Army. Oh,
Speaker 1: it's all kind of a ridiculous thing, but modeled after
Speaker 1: this notion of the warrior monk I guess with special
Speaker 1: powers or something, but a real thing regardless.
Speaker 2: And this is kind of who this character of a
Speaker 2: major Briggs, you know, this is what he seems to
Speaker 2: embody is this kind of a character. Now also relevant
Speaker 2: our recent stories about high level ritual occultism and satanism
Speaker 2: involving the PRESIDI and US military elite, and with the
Speaker 2: associations of high level military ceremonial magic ceremonies being conducted
Speaker 2: on the West Coast and Wooded Grove's Bohemian Grove comes
Speaker 2: to mind. So as the owls are not what they appear,
Speaker 2: and Lynch seems to be saying that the real power
Speaker 2: structure in the soap opera charade that is America is
Speaker 2: actually subservient to dark forces beyond our plane of existence.
Speaker 2: Subservient to the demonic is the hypocritical face that the
Speaker 2: establishment puts forward to cover up the nefarious mirrors that
Speaker 2: the dual level of reality in the world of Twin
Speaker 2: Peaks show, right, the spirit world of the Black Lodge
Speaker 2: and what undergirds it now Wyndham Earl attempts to concoct
Speaker 2: his own ritual by sacrificing Cooper's later love interest Annie
Speaker 2: played by Heather Graham. Earl specifies that it must be
Speaker 2: done in the grove, in the magic circle, and entering
Speaker 2: the circle leads to the ether where events can transpire
Speaker 2: through magical intentions in this life, right, this is the
Speaker 2: whole point of it now, so symbolically, the death of
Speaker 2: the Queen, we're told, will fulfill Earl's simulacrum pre planning
Speaker 2: that he's used through playing cards. Earl as a serial
Speaker 2: killer who's been putting a you know, like a deck
Speaker 2: of playing cards, joker Ace Queen King at the sight
Speaker 2: of different murder scenes. Now, the playing cards also harken
Speaker 2: back though to one Eyed Jacks, where the logo of
Speaker 2: one Eyed Jacks is the plane card. The Jack and
Speaker 2: Fortune and Fate are then thus personified in the series
Speaker 2: as elemental spiritual forces of nature, and I think this
Speaker 2: focus on the elemental spirits is the reason for log Lady. Now,
Speaker 2: log Lady is the sort of fool character if we
Speaker 2: were to think of suck a tarot deck or.
Speaker 1: The fool, and.
Speaker 2: The log Lady plays this sort of sphinx like sage
Speaker 2: character who if you watch the intros that are on
Speaker 2: the DVD series to the show, the log Lady intros
Speaker 2: provide consistent clues to the actual overall narrative of the story,
Speaker 2: which I think is pretty fascinating.
Speaker 1: A lot of people just skip.
Speaker 2: Over the log Lady, but if you actually watch the
Speaker 2: log Lady, she tells you pretty much what's going on
Speaker 2: in the series as a whole. Now, the log Lady
Speaker 2: plays this minor role, but her comments are actually about synchronicity,
Speaker 2: They're about symbolism, and they're about clues that point to
Speaker 2: the forces of nature.
Speaker 5: Right, logs are wood and this is why we have
Speaker 5: the association with the wood that makes up the hotel
Speaker 5: in the forest, the wooded area where the portal and
Speaker 5: Glastonbury Grove are.
Speaker 1: In the background to twin peaks.
Speaker 2: We have a mix then of these elements of the
Speaker 2: ancient world air, earth, fire, water, and ether.
Speaker 1: Yes, you will see me talk about these.
Speaker 2: Things quite a bit at jays analysis the classical five
Speaker 2: modes of matter or elements in the ancient world. And
Speaker 2: this elemental focus I think explains why Josie in that
Speaker 2: strange scene is trapped inside the wood of the hotel
Speaker 2: when she dies. A lot of people were sort of
Speaker 2: mystified at this bizarre scene, but that's why now others
Speaker 2: meet their demise in direct association, for example, with fire
Speaker 2: or burning exhaust or oil, Laura's death, etc.
Speaker 1: And in the ancient world, and equally true of the
Speaker 1: ancient Far East, I think.
Speaker 2: Is the point that nature was not a collection of
Speaker 2: just random chaotic atoms bouncing around that we think in
Speaker 2: terms of modern reductionism and scientism. But it was a
Speaker 2: vivid landscape right populated by countless spirits, angels, demons, and
Speaker 2: thus all of the folklore that we have passed down.
Speaker 2: If I think it's that kind of world that Lynch
Speaker 2: wants to be the real backdrop for Twin Peaks. And
Speaker 2: if you go to Jason Analysis, you'll see also in
Speaker 2: my peace on Twin Peaks, you'll see the image of
Speaker 2: the White Lodge, the Black Lodge, and the two peaks
Speaker 2: and then the portal between them.
Speaker 1: And it's somebody made this graphic.
Speaker 2: I don't know who, but it's laid out perfectly, and
Speaker 2: I think you could call this mystical toponomy. If you've
Speaker 2: read Michael Hoffman's classic books Secret Societies and Psychological Warfare,
Speaker 2: he'll talk about this notion of mystical toponomy, that the
Speaker 2: geographic locales of Earth have specific places that will have
Speaker 2: a deeper significance. So this might tie into synchronicity with
Speaker 2: the location of bomb testing sites, a Trinity site, New
Speaker 2: Mexico or something like this, or Devil's Tower in the
Speaker 2: movie Close Encounters of the Third Kind, right, so Route
Speaker 2: sixty six Devil's Highway or something like that, and then
Speaker 2: it might have a significant There might be a significance
Speaker 2: in some case too.
Speaker 1: A day, a calendar.
Speaker 2: Day, the Dia de las Sombertos in specter recently, or
Speaker 2: these could be instances of mystical toponymy to use Hoffmann's term,
Speaker 2: and I believe this comes ultimately from the books of
Speaker 2: James Shelby Downard, King Kill thirty three or Carnivals of
Speaker 2: Life and Death. We'll find references there too, mystical top
Speaker 2: on Now, I think this is real. I do think
Speaker 2: there's something too. As they said before, synchronous city, Sundabiyasa,
Speaker 2: Twilight language, mystical toponomy. I think these are all real,
Speaker 2: real things, and the mystical toponomy of Twin Peaks is
Speaker 2: a great insight, a great example of this, because we
Speaker 2: have all of that laid out in this two series
Speaker 2: fictional presentation with one movie. Now, the ultimate climax of
Speaker 2: the show was going.
Speaker 1: To feature a Cooper who has lost his way through fear. Right,
Speaker 1: It's what Cooper said a minute ago that.
Speaker 2: Fear leads to the Black Lodge, right, and then with
Speaker 2: the real Cooper trapped in the Black Lodge, it's Bob.
Speaker 2: We figure out who's going to possess Cooper's body. Now,
Speaker 2: Cooper's curiosity and desire for the knowledge of the beyond,
Speaker 2: and in particular he develops the fascination for the dark side.
Speaker 2: This is what's going to lead to his demise in
Speaker 2: a way much similar to other Lynch works, as we'll
Speaker 2: see here in a moment. You're listening to Esoltera Hollywood.
Speaker 2: I'm your host, Jaydier of Jaysonisios dot com. Remember to
Speaker 2: get your supplements and survival gear at Talkja dot Talknetwork
Speaker 2: dot com. We'll be back in just a moment. Welcome back.
Speaker 2: You're listening to Escolta Hollywood. We're talking about twins. Have
Speaker 2: been breaking it down and we got to the point
Speaker 2: where the climax, of course, features Cooper bashing his head
Speaker 2: against the mirror as he's possessed by the spirit Bob.
Speaker 2: Now Bob then is directed by the man from another place.
Speaker 1: It seems to.
Speaker 2: Go after Cooper because Cooper's gone down this path of
Speaker 2: looking too deep into the dark side, and this provides
Speaker 2: the opening the doorway for Bob to possess Coop. And
Speaker 2: this desire for knowledge of the beyond in the dark side,
Speaker 2: I think is a welcomed warning because we see this
Speaker 2: pattern in other Lynch films like Lost Highway, and in
Speaker 2: Lost Highway, I described that there's.
Speaker 1: Well, there's this.
Speaker 2: This series began right with the possession of an initially
Speaker 2: good man and the series ends with Cooper as a
Speaker 2: vessel of evil. And then what I describe of Fred
Speaker 2: Madison played by Bill Pullman and Lost Highway is then
Speaker 2: relevant to Agent Cooper as well.
Speaker 1: Right, So, in Lost.
Speaker 2: Highway there's this nonlinear neon nowa occult psychodrama that looks
Speaker 2: at the dark side of Hollywood and the underground underworld
Speaker 2: where the mafia, porn, crime, and the occult coalesce into
Speaker 2: an interweb and web. A story about one man's psychic
Speaker 2: journey down a lost highway of his own stream of subconscious, conscious,
Speaker 2: unconsciousness and thought as the viewer trevails the fields of
Speaker 2: madness with Fred Madison. Right, the name itself tells you
Speaker 2: what's going on down his road. We are brought back
Speaker 2: to the very point where the film Lost Highway began,
Speaker 2: right where the movie scene opens and ends in the
Speaker 2: same scene. And this is the cycle that Fred has
Speaker 2: imprisoned himself in. Right now, Packed with dualism, illusion and mystery,
Speaker 2: Lost Highway is about life and the dark side of
Speaker 2: our own emner underworld, the subconscious which Lynch mystically will link.
Speaker 1: To other people's subconscious. No, No, I find this fascinating.
Speaker 2: It's almost like the dream world, the dream state, the subconscious,
Speaker 2: collective unconscious is kind of connected between everybody. And perhaps
Speaker 2: that's some insight into what happens in possession. Right, If
Speaker 2: there's a spirit that possesses someone, this is a spirit
Speaker 2: in that realm stepping into the doorway of another person's
Speaker 2: conscious consciousness. To use the Dark Tower analogy of Stephen King.
Speaker 1: Now, if we failed.
Speaker 2: To realize the reality of these evils such as possession
Speaker 2: and the mysteries of the subconscious, are we liable to
Speaker 2: be trapped like Fred or agent Cooper in our own
Speaker 2: imprisoned mental madness? As I said, his name Madison is
Speaker 2: a clue symbolizing his descent into madness. And Alice, who
Speaker 2: is Renee's alter in the Lost Highway, will bring to
Speaker 2: mind Alice in Munderland, And we think of alternate worlds,
Speaker 2: fictional worlds, mental worlds, and alternate personalities.
Speaker 1: Now, was Alice a victim of my control like Fred
Speaker 1: in Lost Highway? Or are they both willing accomplices and evil?
Speaker 1: Perhaps both of those things are true.
Speaker 2: Now, will the obsession with Hollywood and the celluloid videodrome
Speaker 2: and its cousin the now omnipresence surveillance society. Will it
Speaker 2: bring us truth or more likely a descent into madness, depersonalization,
Speaker 2: and dissociation like Fred Given the fact that Lost Highway
Speaker 2: is about surveillance and the surveillance video society, that's what
Speaker 2: partly what that film is about, and Hollywood's rolling that now.
Speaker 2: Either way, I think Lynch is forcing us to examine
Speaker 2: that at base reality and the psyches are.
Speaker 1: Still mysteries to be decoded. They're not easily solved.
Speaker 2: And in the series the finales strange ending sequence with
Speaker 2: Cooper being possessed, Cooper discovers in fact that Bob has
Speaker 2: possessed Earl and Laura's dad, Leland, and that that's who's
Speaker 2: organized their last round of murders. It's not really Leland,
Speaker 2: and it's not really Wyndham Earle. It's Bob possessing these people.
Speaker 2: And that's why the pattern emerges, the synchronicities emerge, because
Speaker 2: it's a spiritual force behind these people who are possessed.
Speaker 2: And we think here of books like Maury Terry's book
Speaker 2: Ultimate Evil, where we see these kinds of patterns possibly
Speaker 2: popping up in murder crimes that could be coincidences, but
Speaker 2: they also might go beyond just coincidence and suggest spiritual forces.
Speaker 1: And there's actually quite a few X Files episodes that
Speaker 1: hint at this as well. And I think it's worth
Speaker 1: pointing out too that there seems I'm not positive this,
Speaker 1: This is just a thesis I kind of toyed with.
Speaker 2: And I saw one guy online hint at this too.
Speaker 2: And you see this with like Disney Pixar movies, right,
Speaker 2: So some people make these interesting arguments, and I wondered
Speaker 2: this in the past, but I never really focused on
Speaker 2: doing a piece on it because it's it's just so speculative.
Speaker 2: But you know, some people will argue that the Pixar
Speaker 2: movies are all taking place in the same universe, and
Speaker 2: so you'll have cross references in those those fictional kids
Speaker 2: movies right between I don't know, the Incredibles. You know,
Speaker 2: this is taking place maybe at a different time, but
Speaker 2: it's the same world of you know, finding Nemo or something.
Speaker 2: I think that Lynch does this, and there's a few
Speaker 2: examples of this now. For example, in Wild at Heart,
Speaker 2: the character Cheryl I always get Cheryl Lee and sheryln Finn.
Speaker 2: Cheryl Lee is her that actress's character seems to be
Speaker 2: in Wild at Heart, where Nicholas Cage and Laura Nern's
Speaker 2: character are Leland and Lula are driving down a highway
Speaker 2: and it's a kind of lost highway and they bump
Speaker 2: into a car.
Speaker 1: There there's a car rack out in.
Speaker 2: The middle of the desert at night, and they find
Speaker 2: a wandering Charylyn Finn type character who's on our way
Speaker 2: to Hollywood. We get the impression maybe and she's got
Speaker 2: a severe head wound, she's been killed and she kind
Speaker 2: of pops into this this this fictional world and then
Speaker 2: out of that fictional world. Now is Lynch saying that
Speaker 2: the character that Sheriylyn Finn plays in Sherylyn Flynn plays
Speaker 2: in Twin Peaks is that the fictional character who ends
Speaker 2: up in Lost Highway possibly possibly, And my thesis makes
Speaker 2: sense when you think about Inlinn Empire, because in Inland
Speaker 2: Empire you have Laura Dern who's also in Lost Highway.
Speaker 1: Excuse me.
Speaker 2: In The Wilded Heart, it's all about meta, right, So
Speaker 2: it's like meta meta meta. There's like three levels removed
Speaker 2: of meta in ill An Empire, and we get possibly
Speaker 2: the impression that with the rabbits, right, the famous rabbit
Speaker 2: bunny scene from ill An Empire. That we're talking about
Speaker 2: entering and walking out of people's psyches, this is what
Speaker 2: Laura Dern seems to do. She kind of seems to
Speaker 2: tap into the psyche of different horrors from like, you know,
Speaker 2: fifty or sixty years prior to her in Poland. So
Speaker 2: time and space are out of the way, and there's
Speaker 2: this walking into other people's dreams and mindscapes, dreamscapes and
Speaker 2: subconscious stepping through the ether down halls and doorways, and
Speaker 2: we see this. Fred does this and Lost Highway where
Speaker 2: he seems to step into the psyche of Balthazar Getty's
Speaker 2: character Pete in the second half of Lost Highway. So
Speaker 2: cross fictional worlds melding and mixing, right, the same sort
Speaker 2: of thesis that is Stephen King's notion in the Dark
Speaker 2: Tower series. Right, So if you know what happens in
Speaker 2: the Dark Tower series, that Tower is just kind of
Speaker 2: like in the middle of the alternate worlds, and you
Speaker 2: walk through different doors in the Tower and you can
Speaker 2: step into different people's psyche, and not just different people's psyches,
Speaker 2: but into fictional worlds. And that's why the clown from
Speaker 2: Stephen King's It will show up in.
Speaker 1: In the Dark.
Speaker 2: Tower series, And I'm just using it as an example
Speaker 2: of this of the mixing and fictional worlds, and maybe
Speaker 2: there's a deeper metaphysical possibility. Here is something I've wondered
Speaker 2: and speculated on just on my own, Like, what if
Speaker 2: that's actually kind of true?
Speaker 1: What do you mean that's crazy?
Speaker 2: Well, it's true in the sense that if the astral
Speaker 2: realm is real, if their psychosphere is real, the ether,
Speaker 2: and if that's where we go like when we sleep
Speaker 2: and dream, then maybe when we you know, die, you know,
Speaker 2: who knows where we go, what we step into in
Speaker 2: terms of, you know, before meeting our final deserts of
Speaker 2: judgment y or whatever. You know, maybe we spend a
Speaker 2: period of time in that realm. I don't know, but
Speaker 2: definitely possible. You know, this is what happens to people
Speaker 2: in out of body experiences or you know, intense drug
Speaker 2: hallucinogen trips, and you know, you maybe, you know, maybe
Speaker 2: it is possible to step into fictional worlds, because what
Speaker 2: are fictional worlds but simply manifestations of another person's subconscious
Speaker 2: put into art. Interesting, right, that's my own personal thesis.
Speaker 2: All right, it can't prove that, but just something I've
Speaker 2: been speculating on. You're listening to Esoteric Hollywood and I'm
Speaker 2: your host, Jay Dyer of Jasonelsis dot com. I want
Speaker 2: to remind you to to check out Michigan Mushrooms dot
Speaker 2: net where you have the best selection of organic mushrooms
Speaker 2: picked directly out of the forest, no GMO, no crap
Speaker 2: from corporations. Michigan Mushrooms dot net. Will they go out
Speaker 2: and do their own harvesting and then they take shaga
Speaker 2: mushrooms and send them to you. Welcome back. You're listening
Speaker 2: to Esoltary Hollywood. I want to remind you that that
Speaker 2: interest song that you hear for Esoltaire Hollywood is dream
Speaker 2: Agent and this is by Aerial Electron, Holy Spies and
Speaker 2: Terry Goatee, and you can find that online if you
Speaker 2: type in the core A COSMU album k O R
Speaker 2: E k O U wait k O R E k
Speaker 2: O S m o U and the song is dream
Speaker 2: Agent and you can find that to download or to
Speaker 2: purchase the CD, which I think is really good.
Speaker 1: Ariel's music is.
Speaker 2: Excellent now, so dream Agent is appropriate here because we've
Speaker 2: been talking about my philosophy of the dream world, the
Speaker 2: dream realm, the spiritual realm, the ether, and how it
Speaker 2: relates to these curious surrealist presentations from David Lynch, and
Speaker 2: I likened it to things like the Dark Tower series
Speaker 2: with Stephen King, and we've been talking about Bob and
Speaker 2: the spirit Bob that possesses people to commit murders under
Speaker 2: the auspices of the higher demon, the man from another place, right,
Speaker 2: and you know, this astral realm, this realm of the imagine, imagination,
Speaker 2: the imaginal. This comes up quite a bit in David
Speaker 2: Lynch's philosophy because David Lynch runs the Transcendental Meditation Foundation, well,
Speaker 2: he runs the Lynch Foundation, which is tied into Transcendental Meditation,
Speaker 2: I should say, And if you watch interviews with David Lynch,
Speaker 2: he talks about this, and he discusses the inner world,
Speaker 2: of the psyche, of the subconscious and so forth as
Speaker 2: these this wellspring from which artists can draw creativity. And
Speaker 2: then you know, you get into the history of TM
Speaker 2: and this going back to the Beatles, and this going.
Speaker 1: Back to Maharishi Mahishiogi and.
Speaker 2: These different practices and techniques of self improvement through meditation
Speaker 2: and so forth, and the Eastern Zenish influence upon Lynch
Speaker 2: and in his film works, which you know, when I
Speaker 2: was eighteen or nineteen, you know, I would go and
Speaker 2: watch David lynch movies in the theater and I was like,
Speaker 2: what the heck is going on. I don't get any
Speaker 2: of this. None of this makes sense. This is just
Speaker 2: completely crazy. And as I got older and you know,
Speaker 2: really delved into philosophy, esoterica, theology and so forth, it
Speaker 2: started making a lot more sense. I started, really, I think,
Speaker 2: getting a better handle on David Lynch's movies and and artwork.
Speaker 2: And this is what it is, right, I mean, this
Speaker 2: is what he says in interviews. This is you know,
Speaker 2: you can watch his interview with the Lipton that whatever
Speaker 2: that guy, Bruce Lipton or whatever his name is, that
Speaker 2: does all the sit downs with actors and directors, and
Speaker 2: you can watch that on YouTube, and Lynch will talk
Speaker 2: about what I'm talking about. So it's not just me
Speaker 2: speculating here, him trying to try to get an impression
Speaker 2: of this from David Lynch's mind himself, to see what
Speaker 2: he says about his films, and this is essentially what
Speaker 2: he says and so in that final sequence, you know
Speaker 2: why is Cooper possessed? Well, as we said, he went
Speaker 2: too far into the dark side, but Cooper ends up trapped.
Speaker 2: We discover his spirit, right he confronts his unconscious shade
Speaker 2: self as well as facing up to his responsibility for
Speaker 2: past deaths. And Cooper ends up trapped with Annie and
Speaker 2: Laura in the Black Lodge. It's kind of a prison
Speaker 2: as a demonic Bob slash Cooper will we get the
Speaker 2: impression again wreaking habits. So now Cooper is going to
Speaker 2: be the possessed agent here. It's also worth noting that
Speaker 2: here in this feature film, Laura's initial journey in the
Speaker 2: film all Right Twin Peaks far a Walk with Me,
Speaker 2: The initial journeys into the dreamscape slash astral Realm result
Speaker 2: in an encounter with Annie, Cooper's girlfriend in season two,
Speaker 2: and she says in the movie that she is with
Speaker 2: Laura and Coop right now. This is interesting because it
Speaker 2: came out prior to the conclusion of season two where
Speaker 2: we find out what happened to Annie. Right So, and
Speaker 2: as is the case in Lynch's Muholland Drive, it's electrical phenomena.
Speaker 2: As we said in static charges that tend to accompany
Speaker 2: the manifestation of these other worldly spirits, so they seem
Speaker 2: to have some sort of ability to travel through electricity.
Speaker 1: Now the Black Lodge.
Speaker 2: Members can do this, it seems, and then manifest in
Speaker 2: some sort of physical form like the Cowboy character in
Speaker 2: Mholland Drive. Anyone who's seen Mholland Drive you know about
Speaker 2: the Cowboy. So in conclusion, I think what we're going
Speaker 2: to see in the return of Twin Peaks has this
Speaker 2: eerie connection to what Laura predicted in the original series.
Speaker 2: So I don't know how this I get. I mean
Speaker 2: it was planned apparently, because in the original series, I
Speaker 2: think it's episode three where we first see Laura in
Speaker 2: the Black Lodge Spirit Realm, and Laura says, you know,
Speaker 2: in the Spirit Realm, I'll see you in twenty five
Speaker 2: years in reverse, in reverse but.
Speaker 1: Put into forward anyway, which you can see this clip.
Speaker 2: I'll play this clip here the show here in a minute.
Speaker 2: But yeah, so it's like in the show twenty five
Speaker 2: years ago, Laura says I'll see you in twenty five years,
Speaker 2: and then Twin Peaks is being rebooted twenty five years later.
Speaker 2: It's pretty pretty mind blowing, talk about synchronicity, talk about planning.
Speaker 1: Wow.
Speaker 2: All right, So Laura says to an old Coop in
Speaker 2: the Black Lodge where there's this in this scene back
Speaker 2: in nineteen ninety one, there's an old cal McLaughlin wearing makeup,
Speaker 2: I'll see you again in twenty five years, hinting that
Speaker 2: this would return, And then twenty five years later it's returning.
Speaker 2: So with a recent announcement then of the show Showtime
Speaker 2: picking up the reboot within the last year, I think
Speaker 2: we can expect an even deeper foray into the unconscious
Speaker 2: of both Laura and Agent Cooper. And even if for
Speaker 2: some reason the show doesn't return, you know, the original
Speaker 2: series and the feature film have an amazingly precise wind
Speaker 2: into the real America, a land haunted by I believe,
Speaker 2: primal elemental spirits of the past Native American deities, controlled
Speaker 2: by a cult that adheres.
Speaker 1: To these kinds of ancient beliefs. Right, the real so
Speaker 1: called illuminati, the.
Speaker 2: American power elite, are like kind of ben Horn. But
Speaker 2: ben Horn right that the money power, I guess you
Speaker 2: could say, but the ben Horn money power is subservient
Speaker 2: to the preternatural forces that they can't control that would
Speaker 2: be behind this veil of obscurity that lies in a
Speaker 2: cult elite whose power seems to derive from a black lodge. Now,
Speaker 2: a bit of reflection here on what we're seeing in this.
Speaker 1: What does all this mean?
Speaker 2: Well, as we said, it's it's partly satire, but it's
Speaker 2: it's dark satire. And I've seen interesting presentations that many
Speaker 2: of the characters match up to.
Speaker 1: The archetypes of the Tarot deck.
Speaker 2: But then again, I mean the archetypes of the Tarot
Speaker 2: deck are just based on archetypes anyway, So I don't.
Speaker 1: Know about all that.
Speaker 2: But you know, there's no question that the film is
Speaker 2: about synchronicity, that the series about synchronicity. It's about the
Speaker 2: Eastern version and notion of these things, which when you
Speaker 2: go further back into far Eastern alchemy and lore, what
Speaker 2: you find is that it bears all these same similarities
Speaker 2: to Western esoterica and their medicism in alchemy. So that
Speaker 2: to me suggests some perennial, primordial source of whatever we
Speaker 2: call the perennial tradition. Now that is hinted at right
Speaker 2: in the goeshia and the sigils that are in the
Speaker 2: background of the crime scene when Cooper and the officers
Speaker 2: are investigating, and you know, we pretty much find like
Speaker 2: the totality of conspiracy presented here. I mean, there's not
Speaker 2: really any element. I don't think that's left out. I
Speaker 2: mean we have like all the black markets are covered
Speaker 2: through being run by ben Horn who's had tied into
Speaker 2: this different mafia groups. And then we have the occult
Speaker 2: background that's behind that that's even more nefarious, that's run
Speaker 2: by this kind of hierarchy of demons that will you know,
Speaker 2: once you die if you're a murderer, like Bob and Gerard.
Speaker 2: Bob and Garrard are spirits who are put under the
Speaker 2: service of the demon, the man from another place. And
Speaker 2: it also ties in interestingly to Native American theology and
Speaker 2: spirituality and lore because that's the indigenous you know, religion
Speaker 2: prior to the arrival of Christianity in North America. So
Speaker 2: you know, it's kind of like the old old time religion,
Speaker 2: that old time religion, right, but the old old time religion,
Speaker 2: which is I guess Native American spirituality, which would involve
Speaker 2: the worship of you know, forms of animism and spiritism
Speaker 2: and so forth. But underlying that animism and spiritism in
Speaker 2: Native Americanism would be, at least according to the perennial view,
Speaker 2: a similar pattern, a similar perennial philosophy. And that seems
Speaker 2: to be what's going on here because that ties in
Speaker 2: directly to the that that ties directly into the far
Speaker 2: Eastern approach that Lynch seems to favor. Now, the Black
Speaker 2: Lodge is interesting because it features things like Saturn. It's
Speaker 2: this imprisoning section. It seems to be somewhat box like,
Speaker 2: but it has Saturnalian image and imagery in it. Because
Speaker 2: you know, when Laura's there, she's sitting next to this
Speaker 2: big lamp. That's this the planet Saturn. Uh.
Speaker 1: And you know, in.
Speaker 2: Esoteric thought much of it, at least in the West, Saturn.
Speaker 1: Is likened to the cube, the box, you know, six.
Speaker 2: Sides and so forth. And Saturn purportedly has this hexagonal.
Speaker 1: Storm.
Speaker 2: There's some sort of hexagonal imagery to the storm that's
Speaker 2: on Saturn.
Speaker 1: If we can believe what we're told about Saturn.
Speaker 2: You know, who knows if that's even if NASA is
Speaker 2: not just faking all those images, I don't know. But
Speaker 2: regardless that, you know, Saturn has connected to human sacrifice historically,
Speaker 2: and that's what's happening in Twin Peaks, and that's why
Speaker 2: we see Laura next to the image of Saturn. You're
Speaker 2: listening to Esoteric Hollywood and I'm your host. Jadiyer of
Speaker 2: jays Analysis dot Com stayed two.
Speaker 1: Final segment.
Speaker 2: You're at Jay's Analysis and we're talking about Lost Highway,
Speaker 2: We're talking about Twin Peaks, We're talking about David Lynch.
Speaker 3: David Lynch, you have to listen to Jadeyer at Jay's Analysis,
Speaker 3: the best breakdown of Twin Peaks and Mulholland Drive on
Speaker 3: the Internet.
Speaker 1: All Right, that's my David Lynch. I'm done.
Speaker 2: I won't subject to anymore David Lynch impersonations, I promise,
Speaker 2: or I might be lying.
Speaker 1: I may do it for the rest of the show. Okay, but.
Speaker 2: Remember as we started out, you know, Lynch said, I
Speaker 2: learned just beneath the surface, there's another world and still
Speaker 2: different worlds as you dig deeper. Right, what was the
Speaker 2: poem to go along with Twin Peaks? Through the darkness
Speaker 2: the futures passed, the magician longs to see one chance
Speaker 2: out between two worlds.
Speaker 1: Fire walk with me, and that is.
Speaker 2: A shamanic firewalking type of poetry, right, at least that's
Speaker 2: what's it's intended to invoke. I mean, it's obviously it's fictional,
Speaker 2: but that's what it's about, and we're supposed to understand
Speaker 2: from that that Cooper is a shaman. And this even
Speaker 2: comes up in the show right now. The reason that's
Speaker 2: one of the main reasons that I am quite confident
Speaker 2: that my analysis of Twin Peaks is completely spot on,
Speaker 2: because as I cite in in my analysis Yoan Kuliano's
Speaker 2: book Out of This World, it's all about the shamanic
Speaker 2: journey and from different religious traditions, perennial philosophy, and then
Speaker 2: the treatment of you know, the spiritual worlds, the spiritual realm,
Speaker 2: something like you'd read in Carlos Costanata.
Speaker 1: Right of the journey of the shaman into the spiritual
Speaker 1: world or the different other worlds. And you know, that's
Speaker 1: exactly what Twin Peaks is about. And when we look
Speaker 1: at the architecture of that world, that philosophy, shamanism, ancient traditions,
Speaker 1: so forth, we tend to see these patterns. Right.
Speaker 2: So when I talk about perennial philosophy or traditionalist philosophy.
Speaker 1: What I'm talking.
Speaker 2: About is this kind of movement or school in last
Speaker 2: century one hundred and fifty years. This would be people like
Speaker 2: frietof schu On. This would be people like Merkia Iliad
Speaker 2: or Joan Kulianu or rene Gannon, Rama Kumaraswami or excuse me,
Speaker 2: Ananda kumar Swami. Actually his son Rama kumer Swanmi ended
Speaker 2: up a set of a concious traditional Catholic oddly enough.
Speaker 2: But the other characters that we've mentioned would fall roughly
Speaker 2: in the perennial tradition. And one might even include Aldus
Speaker 2: Huxley in this tradition, because Huxley has a book called
Speaker 2: The Perennial Philosophy which I've read, and there what you
Speaker 2: get is basically this idea of well, all the religions
Speaker 2: are saying the same thing. It's ultimately it's kind of syncretistic.
Speaker 2: So I'm not a huge fan of perennial philosophy, but
Speaker 2: I think that there's a lot of insights in those
Speaker 2: writers because they're looking to ancient traditions, which can be
Speaker 2: insightful at times against the ultimate evil juggernaut of modernity
Speaker 2: and atheism.
Speaker 1: So even though I wouldn't.
Speaker 2: Advocate, you know, like Hinduism or something at least talks
Speaker 2: about spiritual realm and so forth, right, which you know,
Speaker 2: atheism is intended to induct everyone into this materialistic, meaningless,
Speaker 2: nihilistic view, and then that's actually ultimately intended to take
Speaker 2: people further into Luciferianism. Which this is why the Secret
Speaker 2: societies actually talk about, is the implementation of atheism as
Speaker 2: a stage as a process of moving humanity supposedly into Luciferianism, right,
Speaker 2: which is kind of a bunch of nonsense in my view,
Speaker 2: because Luciferianism is not really in my view, doesn't make
Speaker 2: much sense. But you know, that's why I was citing
Speaker 2: these tantric texts, not to promote tantrism, but to point
Speaker 2: out what I think Twin Peaks is talking about. In
Speaker 2: Twin Peaks is talking about that intentional language of Sendabayas.
Speaker 2: If you think about the funny scene it's episode two
Speaker 2: or three, where Cooper gathers all the local law enforcement
Speaker 2: and through association and through intentionality, he's going to throw
Speaker 2: rocks at different objects that represent different people, and then
Speaker 2: he's writing stuff on a chalkboard based on where the
Speaker 2: rocks Land, and that scene is actually pretty funny because
Speaker 2: Cooper says, Oh, I'm actually going to use a Buddhist
Speaker 2: technique to do this, and then everybody else just kind
Speaker 2: of thinks he's crazy.
Speaker 1: They don't know what that's going on, and ironically the
Speaker 1: divination technique of Cooper ends up being right. But I
Speaker 1: think it's great too that. You know, I don't know
Speaker 1: what Lynch's motivations are for this, but you know, Cooper.
Speaker 2: Delves deeper into the dark side and he ends up possessed,
Speaker 2: and you know, that's a that's a positive warning. You know,
Speaker 2: whether David Lynch intends that to be the positive.
Speaker 1: Warning or not, I don't. I don't know, but.
Speaker 2: That's at least what happens in the storyline of the show,
Speaker 2: and we see that in Lost Highway too. In Lost Highway,
Speaker 2: you know, Fred kind of gives into his dark side
Speaker 2: and he turns into this demonic kind of creature who's
Speaker 2: more or less possessed by I guess Robert Blake, who's
Speaker 2: like the double character in that film, the Man in
Speaker 2: Black in that film, right, So we have the man
Speaker 2: from another place, the Man in Black, evoking this government agent,
Speaker 2: but like government agent of the double kind of thing.
Speaker 2: The man from another place is this midget, little double character,
Speaker 2: the joker trickster. But he's a trickster who demands ritual sacrifice.
Speaker 2: And you know, I think ritual sacrifice does happen. It's
Speaker 2: happened in human history, and it probably still goes on.
Speaker 2: And then, you know, if you have this occultic view
Speaker 2: that many of the elites seem to have, then what
Speaker 2: you believe about human sacrifices that you're actually off bring
Speaker 2: the energy of humanity as a transference of power into
Speaker 2: the spiritual realm, where you're directing that power towards some intention. Right,
Speaker 2: So you want to further your goals or the idea
Speaker 2: is well, I can placate spirits perhaps or just you know,
Speaker 2: push this spiritual energy out by intentionally, you know, sacrificing people. Now,
Speaker 2: how might that may Well, it might be done through war.
Speaker 2: You might send a whole bunch of people to war,
Speaker 2: you know, to fight and battle as a kind of
Speaker 2: big human sacrifice. You might implement things like abortion as
Speaker 2: a human sacrifice, with the offering of the first born
Speaker 2: of a good portion of American citizens. Right, the abortion
Speaker 2: clinics that are everywhere, and then we see these videos
Speaker 2: coming out of planned parenthood where they're giggling and laughing
Speaker 2: about it. Assuming you know, all those videos are what
Speaker 2: they're presented as.
Speaker 1: I'm not saying that they're fake.
Speaker 2: I'm just saying assuming that, you know, who knows what's
Speaker 2: going on with videos these days? There's so much trickery,
Speaker 2: hoaxery and fakery out there that you have to be
Speaker 2: kind of skeptical, is all I'm saying. But yeah, you know,
Speaker 2: there's certainly people who are that sick where they're like
Speaker 2: joking about baby parts and.
Speaker 1: To put you know, just just mind blowing stuff. You know,
Speaker 1: it makes more sense as a sacrifice.
Speaker 2: You know, even if every one of those individuals involved
Speaker 2: in a planned parenthood locale doesn't intentionally talk about it
Speaker 2: being a human sacrifice or know that or believe that
Speaker 2: from the monetary powers and influence far above them, it
Speaker 2: could very well be that. And you know, you may
Speaker 2: think that sounds crazy, But then when you see things
Speaker 2: come out in the news like Savile and so forth,
Speaker 2: where there appear to be people who believe these things,
Speaker 2: you know they're probably going.
Speaker 1: To act on it.
Speaker 2: You know, I don't know for sure, I'm just saying
Speaker 2: this is this could be the case. And you know,
Speaker 2: I did a recent interview with Greg Moffatt of Legalized
Speaker 2: Freedom and we talked about this there where we got
Speaker 2: into the subject of Shaman's Demons in Hollywood. So you
Speaker 2: can listen to that interview and I actually have I
Speaker 2: played that a couple of shows back. The majority of
Speaker 2: that interview here on Esolteraire Hollywood, where.
Speaker 1: We got into the connection between these things.
Speaker 2: You might think, well, what would there be connection, Why
Speaker 2: would there be a connection between Shaman's Demons in Hollywood? Well,
Speaker 2: there could be, and I make that argument there.
Speaker 1: And if we.
Speaker 2: Want to get a real picture, I think of, you know,
Speaker 2: of the conspiracy put into film. You know a lot
Speaker 2: of people talk about is White Shut and I've you know,
Speaker 2: I've dealt extensively with I White Shut or the Ninth
Speaker 2: Gate with Johnny Depp, which you know we'll eventually do
Speaker 2: an episode of Esoteric Hollywood on that show. But another
Speaker 2: example would be Twin Peaks, and I can't think of,
Speaker 2: as I said, I can't think of an element of
Speaker 2: the so called conspiracy that is left out of that film.
Speaker 2: And in my view of the so called conspiracy only
Speaker 2: makes sense when you have a spiritual realm.
Speaker 1: Right, It's not just human beings, you know.
Speaker 2: Coordinating a large scale global human destruction.
Speaker 1: An enslavement.
Speaker 2: It's directed by spiritual evil. Right now, I don't believe
Speaker 2: that spiritual evil is you know, has total control or power.
Speaker 2: But this is what we see, you know, in Matthew
Speaker 2: Matthew four, where the devil says to Jesus, you know,
Speaker 2: let me take you up on a mountain. I'll show
Speaker 2: you the kingdoms of the world. These have been given
Speaker 2: to me for a time, right, He offers the kingdoms
Speaker 2: of the world, and we get the impression that, you know,
Speaker 2: this is for some period of time. But you know,
Speaker 2: ultimately in the biblical presentation, at least you know that's
Speaker 2: that's not the.
Speaker 1: Final end of the story. It's not ultimately the devil
Speaker 1: that wins.
Speaker 2: Although people who buy into the dark Side and gnosticism
Speaker 2: and all these different alternative religious views and occultism and
Speaker 2: not so much satanism that's kind of just hedonism, but
Speaker 2: the presentations of you know, people that people that really
Speaker 2: believe in like real, real Luciferian spiritual you know, things
Speaker 2: like that they think that you know, the dark side
Speaker 2: has the upper hand.
Speaker 1: I don't. I don't think so, you know, I think
Speaker 1: that the Bible has a better.
Speaker 2: A better explanation, is a better model of categorizing and
Speaker 2: explaining what the conspiracy really is. It's not ultimately a
Speaker 2: conspiracy of just rich guys, you know, because rich, rich
Speaker 2: guys are still humans, They're still finite, they're still limited.
Speaker 2: But we have evil existing from the dawn of time
Speaker 2: afflicting humanity, right, not just rich to get rich guys.
Speaker 2: So a lot of people, you know, aren't willing to
Speaker 2: go beyond the material realm, or the physical realm, or
Speaker 2: the human realm of understanding the so called conspiracy. And ironically,
Speaker 2: the Bible all along has described the so called conspiracy,
Speaker 2: and it's a conspiracy of the devil to destroy man
Speaker 2: and to wipe out the image of God and man.
Speaker 2: You're listening to Esolterary, Hollywood, thank you for staying with me,
Speaker 2: and we were listening. We were deconstructing Twin Peaks.