Speaker 1: You see, something's going to happen.
Speaker 2: What?
Speaker 1: What's going to happen?
Speaker 3: What?
Speaker 2: Welcome to the Occult Rejects today's episode. We've got a
Speaker 2: very very very special guest. Uh uh Now, I think
Speaker 2: very special to me. It's somebody, you know, when I
Speaker 2: get a show that I can have on that I
Speaker 2: actually look to for information and inspires me. To me,
Speaker 2: it's a it's a huge thing. So to me, I
Speaker 2: got a very very very special guest. But uh, before
Speaker 2: we get to uh, the guest himself, Joey P from
Speaker 2: the Library of the Untold, we will introduce the other
Speaker 2: rejects that are joining us today as well. Today we
Speaker 2: got Lisa the Occult Reject, Mad Scientist, thank you very
Speaker 2: much for joining us, Ethan Indigo, my man the Fourth Initiate,
Speaker 2: thank you very much for joining us. Hella's Giant is here.
Speaker 2: We got Magic Mike, and we do got O g himself,
Speaker 2: Robbie Marx, we got everybody. We got all of them
Speaker 2: joining us, and today we're getting to Coral Castle with
Speaker 2: Library the Untold. Joey. If you can't, please let everybody
Speaker 2: know what your deal is in case they don't even
Speaker 2: know who you are yet. Please don't know where they
Speaker 2: can find all your amazing work.
Speaker 1: Please, Well, I host Library of the un to hold,
Speaker 1: and I guess I pretty much everything else. Library of
Speaker 1: the Inn told as well. And Coral Castle has always
Speaker 1: been fascinating to me because of moving large rocks, which
Speaker 1: always been fascinating to me. And I thought that that
Speaker 1: was what was special about Coral Castle, the fact that
Speaker 1: he moved these megalithic stones, and that is amazing, but
Speaker 1: it wasn't quite enough for me to do an hour
Speaker 1: long special. Yeah, so I accidentally through pro Ven Mahen I.
Speaker 1: You'll have to excuse me for forgetting his name, but
Speaker 1: he's got a YouTube channel based on ancient India and he,
Speaker 1: for whatever reason, covered Coral Castle and wrote a book
Speaker 1: called Coral Castle. Everything you know is wrong and a
Speaker 1: good half of what I put in my episode is
Speaker 1: strictly due to his leg work. But putting the episode together,
Speaker 1: I was absolutely flabbergasted to find out that the large
Speaker 1: stones weren't even half the story. The fact that this
Speaker 1: man had an understanding of the solar system that we
Speaker 1: didn't have for another seventy years.
Speaker 2: Come on, that is some weird stuff too. As we
Speaker 2: get into it, some of the stuff he did matched
Speaker 2: stuff at the moon and the stars that they didn't
Speaker 2: even know yet.
Speaker 1: Right right, And I think that the whole love story
Speaker 1: that they concocted after his death was a cover story.
Speaker 1: To be frank, we can't prove that part, but it
Speaker 1: seems like a cover story to me.
Speaker 4: One piece of evidence that I would use to support
Speaker 4: that claim is the fact that they had to put
Speaker 4: a Masonic temple out in front of Coral Castle. And
Speaker 4: everybody knew back then Leed Scalenon didn't have any associations
Speaker 4: with the Masons, but they had to go and put
Speaker 4: that right out in front of his His whole put
Speaker 4: put their brand name, Yeah, Carl Castle. They thought it
Speaker 4: was free masonry.
Speaker 1: Wow they see, I didn't even know that part. This
Speaker 1: story grows by the moment, dude. I'm loving the Katie
Speaker 1: by the way, headless giant.
Speaker 4: Hell yeah, but yeah.
Speaker 1: No, I don't where did Edward even come from. That's
Speaker 1: that's that's what drives me crazy about this. This guy
Speaker 1: knew that the moon had water, he knew how to
Speaker 1: calculate this idereal year, he understood electro magnetic energy. Uh
Speaker 1: and uh. And he's like, is supposedly from this place
Speaker 1: where they traced back to find out I forgot the
Speaker 1: exact country, But they can't find record of him because
Speaker 1: he spelled his name different everywhere he went. And yeah,
Speaker 1: I guess I'm just playing the freemasons for stake. What
Speaker 1: was it, lad, right? Yeah, they couldn't find really anything
Speaker 1: on that much less the whole Sweet sixteen that they
Speaker 1: attributed to his uh, his eccentrism, you know. Uh, which,
Speaker 1: by the way, I don't think he was eccentric. I
Speaker 1: just think that he was a man of few words
Speaker 1: and uh, of great passion.
Speaker 2: You know, he was probably thinking about designing that thing
Speaker 2: all the time.
Speaker 1: Yeah, that's all he did. And it's a good thing
Speaker 1: for him too, because, uh, he was able to prove
Speaker 1: and if he this, he's got the world's only megalithic site,
Speaker 1: and well, not to mention world only megalithic calendar sundial,
Speaker 1: world's only a lot of things that start with the
Speaker 1: word megalithic, but just the overall fact, world's only modern
Speaker 1: megalithic site. So he was able to prove to us
Speaker 1: that this is possible by human beings, so that we
Speaker 1: can kind of calm down on the whole Aliens both
Speaker 1: the Pyramids thing just a little bit, you know now,
Speaker 1: I mean his work wasn't as extensive as the Pyramids,
Speaker 1: of course, but.
Speaker 4: He was one dude.
Speaker 1: He weighed one hundred and twenty pounds.
Speaker 5: You know.
Speaker 2: Well, you know what's interesting. You know, one of the
Speaker 2: reasons why I even want to have you on for
Speaker 2: this topic is because you don't mean headless Giant had
Speaker 2: somebody on who was talking about the Pyramids and almost
Speaker 2: very much showing the same thing that I think what
Speaker 2: you're kind of saying with Coral Castle about possibly the
Speaker 2: person harnessing energy and electricity, you know, using the running
Speaker 2: water and everybody underneath, you know, because he was running
Speaker 2: water under the pyramids too. But very very interesting. I guess,
Speaker 2: like one thing that maybe we could try to get
Speaker 2: into just to care maybe make sure we touch on
Speaker 2: at a lot of things, at least bring them up.
Speaker 2: What were some of the just maybe to touch on
Speaker 2: some of the things that are obvious with Coral Castle
Speaker 2: that it was used for the symbolism that was in there.
Speaker 1: Well like right when you walk up to it. This
Speaker 1: is one of my favorite parts is the planet corner.
Speaker 1: You can see the planet corner from pretty far away,
Speaker 1: and but it raises a lot of questions because all
Speaker 1: of the planets are various sizes that you wouldn't expect.
Speaker 1: For example, Mars is depicted much bigger than Saturn, and
Speaker 1: you know, the Moon is depicted biggest at all. But
Speaker 1: that's it's kind of an obvious thing because that's what
Speaker 1: the planets look like to us. And the way he
Speaker 1: lined up the planets or not Mercury, Venus, Earth, Mars,
Speaker 1: Jupiter or Sada, blah blah blah, he did it as
Speaker 1: they tend to line up there. They are right there. Yeah,
Speaker 1: as from our point of view. Now, what's special about
Speaker 1: this is when you're looking at it from the inside,
Speaker 1: it's how the planets would line up during the equinox.
Speaker 1: When from the outside from the solstice, that's absolutely brilliant observation.
Speaker 1: But what makes this, I think special to me is
Speaker 1: that if you look at Venus, which is right next
Speaker 1: to the moon. The Moon's obvious, but Venus looks like
Speaker 1: a crescence as well. Now Mercury is on here somewhere
Speaker 1: I don't see it, but it's like off to the side.
Speaker 1: But Mercury and Venus are both depicted as crescents, unlike Mars, Jupiter,
Speaker 1: and Saturn. He stopped at Saturn. I mean, of course,
Speaker 1: because he depicted what our ancients would have seen. But
Speaker 1: this makes sense. We can see all of the planets
Speaker 1: from Mars out as perfect spheres from Earth because the
Speaker 1: sun hits them directly, but the planets between us and
Speaker 1: the sun, Mercury and Venus, appear as crescence most of
Speaker 1: the time because we see the shadowed side of it. Thus,
Speaker 1: you know, because they're between us and the sun, he
Speaker 1: depicted that in such a way that it's almost like
Speaker 1: you slap yourself on the forehead, like of course that's
Speaker 1: how they would have looked, you know. And also maybe
Speaker 1: it was a gentle way to piss off flat earthers
Speaker 1: for the foreseeable future. Nothing against them at all. I
Speaker 1: get along great with Jay Dreamers, and we love each
Speaker 1: other very much. But that Mercury and Venus, the pires pressens, dude,
Speaker 1: And you can get a telescope and look for yourself,
Speaker 1: you know.
Speaker 3: It almost looks like it's meant for an alignment, like
Speaker 3: there are men just set into there, like it's a
Speaker 3: moment in time that he's marking here right, maybe those
Speaker 3: planets are supposed to set into those crescents possible, I.
Speaker 1: Could see that. Yeah, it's like it's like a there's
Speaker 1: a code involved in it. You know, everything he did
Speaker 1: was in code, you know, mathematical. He's a man of
Speaker 1: such few words that he spoke through his work, you know, right.
Speaker 4: I think if you're taking the electric universe model and
Speaker 4: you're applying it to a lot of what ed Leid
Speaker 4: Skelenn did, which you know really does have a lot
Speaker 4: to do with this electrical model of the universe, then
Speaker 4: you can see how these alignments would be very propitious.
Speaker 4: You know, you're getting something back for when these things
Speaker 4: are lining up. And in his work, he wrote several
Speaker 4: little books about electromagnetic energy, and in those works he's
Speaker 4: saying this is pointing to something bigger. But we don't
Speaker 4: have a big, you know, resource base of people looking
Speaker 4: into and researching ed Leid Sclenn. That's why I think
Speaker 4: it's very important that we have shows like this, is
Speaker 4: because people can get interested in Coral Castle and then
Speaker 4: get into his books on electromagnetics and start to form
Speaker 4: things of their own. I was getting all out a
Speaker 4: perpetual motion holder that I've actually constructed. So I'll bring
Speaker 4: that back in just a couple of seconds.
Speaker 1: Dude, I would love to see that, because, Yeah, So
Speaker 1: I had the pleasure of reading Ed's book called Magneticity,
Speaker 1: I think, or yeah, I think it's called Magneticity, and
Speaker 1: he talks about having a he he ran a light
Speaker 1: bulb like this big lantern on electromagnetic energy, perpetuating on
Speaker 1: itself for years, and it kept on working until after
Speaker 1: he died. And what's so fun about the book is
Speaker 1: that it's damn near literally incoherent. It's the sentences are bad.
Speaker 1: And this is a man he did not care about
Speaker 1: punctuation and spelling and a sentence structure. Dude, he was.
Speaker 1: He was a simple dude. But so he was just
Speaker 1: so advanced. It almost hints at savantism in a way.
Speaker 1: You know, he was limited in certain regards, but because
Speaker 1: of those limitations, he was so advanced in the other
Speaker 1: areas well.
Speaker 3: Now go ahead, well, just to the point of electromagnetism.
Speaker 3: It was said that when he found the site in Florida,
Speaker 3: that he was using witching rods to find it, right, Yeah,
Speaker 3: so he was literally looking for something and when he
Speaker 3: found it, he knew what he found, so.
Speaker 6: Well, yeah, and that's that's exactly what I was going
Speaker 6: to get into, is this idea of these magnetic lay
Speaker 6: lines that he was working with and the fact that
Speaker 6: he had built Coral Castle and then he believed that
Speaker 6: the lay line had moved and he actually, you know
Speaker 6: about this whole story of the trucks and him moving
Speaker 6: the blocks and basically sending the drivers away and they
Speaker 6: would come back and they had to end up using
Speaker 6: what was the solid tires because the blocks were so
Speaker 6: heavy that they that they popped the regular just tires.
Speaker 1: Oh my god.
Speaker 6: Yeah. Yeah, So he ended up because of the magnetic
Speaker 6: lay line aspect of where he you know, was working with,
Speaker 6: essentially it had moved, so he moved the whole crystal
Speaker 6: out of the whole Coral Castle.
Speaker 3: Yeah, it was two different places, right, that's wild.
Speaker 5: Yeah.
Speaker 7: I heard one when he bought the place that the
Speaker 7: real estate broker who sold it to him was like
Speaker 7: really really like don't you know this is gonna be useless,
Speaker 7: Like you can't do anything, No, no, no, I must have
Speaker 7: this spot, right and yeah, yeah kind of yeah, yeah,
Speaker 7: many the lay lines the aquifer many who knows, but yeah,
Speaker 7: he like you said, with the divining route, he was
Speaker 7: already like.
Speaker 5: Right, and he had to find the right stone to write.
Speaker 4: So right, here is ed leid Scalon's perpetual motion holder design. Basically,
Speaker 4: it's so super simple. You've just got two coils here
Speaker 4: that you can charge with a nine volt battery and
Speaker 4: a loop that's completed by a magnet.
Speaker 1: Right.
Speaker 4: And so basically what he's saying is, as you apply
Speaker 4: the nine volt battery to these different coils, that somehow
Speaker 4: the magnet keeps the energy flowing between those coils forever.
Speaker 4: So this thing could be buried now and that charge
Speaker 4: would still be in it as long as that battery
Speaker 4: is there. Now, to measure this charge, you would have
Speaker 4: to put one line over here, one line over here,
Speaker 4: and then a circuit between them, like a simple light bulb, right,
Speaker 4: And as you pull the magnet away, you'll see that
Speaker 4: light bulb light up. So I've seen people do experiments
Speaker 4: where they've kept this thing in stasis for like six months,
Speaker 4: and then they'll come back with the light bulb and
Speaker 4: they'll still get that charge. So, for some reason, electricity
Speaker 4: is able to continue pulsing on these coils for basically infinity. Now,
Speaker 4: that's not supposed to happen, and it's something you can
Speaker 4: prove to yourself real quick that the laws of electronics
Speaker 4: that we have right now are not sufficient.
Speaker 1: Right that's incredible because they'll run as long as until
Speaker 1: the bulb burns out, because that's actually what he used
Speaker 1: to was a bulb. Well, it won't.
Speaker 4: Actually keep that much of a charge, so like this
Speaker 4: will be like four volts, but it'll keep it infinitely,
Speaker 4: So the bulb between the two, it'll just flash real
Speaker 4: quick just to show you that, yeah, there is some
Speaker 4: sort of charge going on inside there even though you're
Speaker 4: not applying any sort of electrical energy. So what that
Speaker 4: proves is that at some point this stuff is always
Speaker 4: rotating and always keeping that same motion, because whether it's
Speaker 4: a charge or whether it's you know, physical motion, you've
Speaker 4: also got something else happening that's that's keeping the charge.
Speaker 4: So it's a real quick and easy device. But basically
Speaker 4: it shows you that the laws that we have in
Speaker 4: terms of electromagnetics are not sufficient.
Speaker 6: So right now, the crank he had, he has, they
Speaker 6: have what they suspect is some sort of a device
Speaker 6: with the crank that he was using. Does anybody know
Speaker 6: anything about that.
Speaker 5: I've heard a little bit about it. He had a
Speaker 5: small box.
Speaker 3: It's been pictured a small box above it and a crank,
Speaker 3: and whatever's in the box has been a mystery, right.
Speaker 4: It's kind of like a come along. So basically he
Speaker 4: was saying he was lifting all these things with this
Speaker 4: simple crank, But there's absolutely no way like the other
Speaker 4: devices that he had in that box, they were just
Speaker 4: like rusty old tools that you know, how could that
Speaker 4: possibly help you out? So I think that was just
Speaker 4: sort of like a misdirection thing, do you yeah?
Speaker 6: I think I was going to say that as well.
Speaker 6: Do you think he was using levers and pulleys or
Speaker 6: just just.
Speaker 1: GM There's footage of him using levers and pulleys, but
Speaker 1: unfortunately not for anything big. There's footage of him doing
Speaker 1: that for the chairs and a couple of the blocks
Speaker 1: that decorate the outside skirts. But I'll tell you what, man,
Speaker 1: looking at that device that you held there, it's inspiring.
Speaker 1: I wish I had the engineering degree, or I should say,
Speaker 1: because it's so simple, just the resources to create something
Speaker 1: upscale killed from that big enough to create electricity for
Speaker 1: a neighborhood, I would I'd gladly take two bullets to
Speaker 1: the back of the head and get suicided for for
Speaker 1: you know, bringing something like that to the light of day. Well,
Speaker 1: I was.
Speaker 4: Thinking, what if you use this as a micro circuit,
Speaker 4: so like you could get this down to a you know,
Speaker 4: like molecular size right now, because it's so simple. Yeah,
Speaker 4: why wouldn't you be able to scale it down that much?
Speaker 4: And we're talking about having those charges inside of a
Speaker 4: computer that can now you know, basically keep a charge
Speaker 4: for as long as it wants to, or a phone, right,
Speaker 4: So if you're going to incorporate that in a micro circuitry,
Speaker 4: you change the game overnight. But again, nobody's looking at
Speaker 4: this stuff, no, And all it would take is just
Speaker 4: a couple of eyes from the engineering departments that are
Speaker 4: making microchips to figure out, Hey, I could use that
Speaker 4: tens of thousands of times in times in this redundant
Speaker 4: circuit and we don't have to worry about let's say,
Speaker 4: you know, what do you call him the huge astral
Speaker 4: ejections from the sun. Yeah, that's major, you know, But
Speaker 4: again nobody's looking, so nobody knows.
Speaker 1: I think it takes an element of bravery to see
Speaker 1: what happens to a list of these guys who come
Speaker 1: up with various things, not just Nicola Tesla, but the
Speaker 1: guy who made his car run on water. You know,
Speaker 1: he died in the desert because his car broke down
Speaker 1: in the desert one hundred miles from his house. Doesn't
Speaker 1: make any sense. But and I mean everyone's kind of
Speaker 1: familiar with those that lists of people. But and then
Speaker 1: you'll have guys like Neil de grass Tyson will go
Speaker 1: on an interview and be like, well, you know, those
Speaker 1: items never worked, they couldn't be replicated, and you just
Speaker 1: want to squeeze them and be like, dude, you must
Speaker 1: know why they weren't replicated. You must know.
Speaker 6: But so, what year was the guy that broke down
Speaker 6: in the wall?
Speaker 8: Oh?
Speaker 1: I'm not positive. I know it was modern though, because
Speaker 1: there's full like colored pictures of him. To me, it
Speaker 1: seemed like the nineties.
Speaker 6: But so there was in the seventies. Andre Puharich, which
Speaker 6: we just talked about the other night, he has a
Speaker 6: patent filed for them, and he was driving around in
Speaker 6: the early seventies with a water run motor home.
Speaker 1: Wow.
Speaker 6: So yeah, proof, Yeah, there's all kinds of these anomalous
Speaker 6: technologies that you know, Well, that's the whole thing when
Speaker 6: you get into the idea of anything that is beyond
Speaker 6: the understanding of modern science appears to be some sort
Speaker 6: of magic, right, and we three like that, Yeah, like HG.
Speaker 6: Wells I think said that. But that's the whole thing
Speaker 6: is there's all of these, you know, when you get
Speaker 6: into tord fields, when you get into you know, these
Speaker 6: moving magnetic lines, when you get into like this charging
Speaker 6: device headless that you you know, these are things that
Speaker 6: have potential if somebody like Tesla or somebody like Leedskulman,
Speaker 6: you know, can can somehow, that's the whole thing making
Speaker 6: it a viable thing that can be a useful product.
Speaker 4: So the guy we're talking about one of them, because
Speaker 4: there were actually several different people who came up with
Speaker 4: energy saving or free energy devices in that year, was
Speaker 4: Stanley Meyer. And he was an Australian guy who made
Speaker 4: a water car out of a dune buggy, right, and
Speaker 4: in the process, yeah, he had several people come to
Speaker 4: him and try to buy it off of him do
Speaker 4: nothing with it. And so the last words he actually
Speaker 4: spoke were I've been poisoned. And he died because he
Speaker 4: met with these people and somebody poisoned him. So and
Speaker 4: he's not alone. There's so many other different indudgenos field.
Speaker 4: It's because nobody wants to take that outside of the
Speaker 4: society they're given.
Speaker 6: You know, all the I was gonna say, yeah, you
Speaker 6: get into who is the force behind wanting to suppress
Speaker 6: such energies.
Speaker 3: You know, our money's tied to oil. Now there's government's
Speaker 3: letting that go away, right.
Speaker 4: But really, when you think about it, these guys are
Speaker 4: the mystics of our age. The leader, Scoalons, the teslas,
Speaker 4: all of these people are are pointing to much more
Speaker 4: ancient ways of thinking and ancient ways of seeing the
Speaker 4: world that now we have to go back and try
Speaker 4: and figure out because it's not immediately apparent to us.
Speaker 1: That's what it was important about Ed's work is that
Speaker 1: he made it clear that each individual person can be
Speaker 1: their own king and have their own system to live
Speaker 1: off grid. For Ed was nothing and he did it effortlessly.
Speaker 1: And he warned us in a way about depending on
Speaker 1: a society, a government, or power grid that it inevitably
Speaker 1: makes us all slaves to something too that we depend
Speaker 1: on rather than you know, harnessing the infinite amount of
Speaker 1: power and gravity and light and everything around us that
Speaker 1: is surrounding us all the time. You know, water these
Speaker 1: you know, there's underwater aquifers everywhere. I mean, Florida was
Speaker 1: a good one for ed you know, but they are
Speaker 1: pretty much everywhere, and their streamlined, so you could build
Speaker 1: a commune of people along in underwater aqua fer There's
Speaker 1: one in Saint Louis that no one even knows about
Speaker 1: because it's under the ground, but we ignore it. We
Speaker 1: build buildings right on top of it. Some of the
Speaker 1: older ones look like they might have harnessed it, but
Speaker 1: we can't prove that. But each person can be sovereign
Speaker 1: in their own regard. But as you guys had mentioned,
Speaker 1: a moment ago, that's devastating to those who are in
Speaker 1: controlled well.
Speaker 6: And you go back to all the ancient maybe not
Speaker 6: all of them, but a majority of them, of the
Speaker 6: big ones, the pyramids and the temples, they were all
Speaker 6: built on top of aquifers or springs, where there's this
Speaker 6: inherent thing about the motion of water, you know. Yeah, yeah, Do.
Speaker 8: You happen to know where he sourced.
Speaker 1: The water came from? A lake? Okay? Okay, it should
Speaker 1: be I'm saying that wrong.
Speaker 5: There you get.
Speaker 8: Yeah, but the limestone that he used, do you know
Speaker 8: where he sourced that from?
Speaker 1: I am not positive. I uh, as far as I know,
Speaker 1: the majority of it is is is coral. You can
Speaker 1: see though that that that tug right there is of
Speaker 1: course uh plastered is something that was some kind of
Speaker 1: cement that he made, some kind of liquid or whatever.
Speaker 1: But I'm not sure where he quarried the quarrel from.
Speaker 8: Because it's interesting because like because when Nick told me
Speaker 8: about this, I started, you know, looking up stuff, and
Speaker 8: they were talking about that it's specifically an olithic limestone
Speaker 8: and it's funny because the pentagon was used. Olithic limestone
Speaker 8: was used to make it. Really Yeah, I think they
Speaker 8: quarreled out for anna or something, but it's interesting and
Speaker 8: they use at similar stone.
Speaker 1: Yeah.
Speaker 7: I had thought that he got the site because and
Speaker 7: sourced the megalists from the coral itself, But but I
Speaker 7: could be wrong, and could be the the the solar
Speaker 7: system megalists and so forth, and the whole schematics. It
Speaker 7: makes me and you know, you guys mentioned it earlier
Speaker 7: that he's encoding something and it wasn't there this rumor anyway,
Speaker 7: I believe. I don't know, but he seemed to do
Speaker 7: a lot of his work overnight.
Speaker 1: Yeah, the moonlight. So the mainstream narrative, and this is
Speaker 1: probably half correct, is that he did it to be secretive,
Speaker 1: because no one ever really saw him do the big stuff.
Speaker 1: But in his book Like Magneticity, he goes on and
Speaker 1: on about the moon's magneticity and how it can be
Speaker 1: harnessed through water. So something about the moon's gravity. We
Speaker 1: know it affects the tides, and we know it affects
Speaker 1: the water within our biological system. I mean that you
Speaker 1: can look at stats on crime and stuff, blah blah
Speaker 1: blah the full moon. But the moon also has an
Speaker 1: effect on underground water and whenever pressure occurs between quartz
Speaker 1: and limestone, you get what is called pisio electricity electricity, right,
Speaker 1: And now, how he got that pisio electricity to do
Speaker 1: some of the things that it did, I don't know,
Speaker 1: because he kept that part of secret. But he always
Speaker 1: leads us right up to the water upon intended, and
Speaker 1: then he stops right there. It says you got to
Speaker 1: figure out the rest of yourself, most notably the red door,
Speaker 1: which still haunts me.
Speaker 5: Just just to that point.
Speaker 3: So this is a limestone calcite, and it's made from
Speaker 3: the ocean floor. So this is all made from bone
Speaker 3: and then it's crystallized. The calcite is a crystalline that
Speaker 3: forms into the pores. So it's made from life and
Speaker 3: bone is a piesyo electric, right, and.
Speaker 5: So are crystals. So yeah, it's just interesting.
Speaker 1: That would do it.
Speaker 8: No, if you live somewhere on like by the water
Speaker 8: long enough, you start to realize how the moon governs
Speaker 8: the tides throughout the season and you're gonna launch and
Speaker 8: when you're gonna come on shore and stuff like that,
Speaker 8: tides and depending on summer and winter and stuff like that,
Speaker 8: and it's it's pretty it's pretty fascinating that. And when
Speaker 8: you said something about how he had done everything during moonlight,
Speaker 8: it almost made me think of the color, the purple
Speaker 8: color the war, the royal purple color. How you can
Speaker 8: find that color when I guess some of the shells
Speaker 8: of the mollusks exposed their ink and it's developed overnight
Speaker 8: in the in the moon or whatever, and the day
Speaker 8: you see the color purple coming out because of the
Speaker 8: exposure to moonlight.
Speaker 6: Right, So that was a secret process that they yes, yeah.
Speaker 2: Wow, I guess to keep on talking about the moon.
Speaker 2: I did want to get to this picture, actually, Joey,
Speaker 2: this is what you were saying is considered like the
Speaker 2: moon actually for the planets that he was.
Speaker 1: Showing, right, dude. This Uh. When I got to the
Speaker 1: own fountain part of writing my episode, I had to
Speaker 1: take deep breaths and like go for a walk just
Speaker 1: to be able to articulate it as correctly as possible,
Speaker 1: because what he did right here is absolutely impossible and
Speaker 1: fascinating and it's one of those things that I'll probably
Speaker 1: never get over, but just the first one to keep
Speaker 1: it simple. Whenever they asked him, why why a fountain,
Speaker 1: Why do you make it the moon fountain? Why is
Speaker 1: there water? He just said moon has water. That was
Speaker 1: his full sentence, just the three words moon has water,
Speaker 1: and he wouldn't elaborate on that. Seventy two years later,
Speaker 1: India sends a probe to the Moon or whatever and
Speaker 1: found ample, ample amounts of water. No one knew. In fact,
Speaker 1: it would have been mocked and he was for saying
Speaker 1: that the moon had water. That was absolutely ridiculous at
Speaker 1: the time. We now know that it does and what
Speaker 1: is most crazy about this ledge. Right here, see that
Speaker 1: little uprise around to the right of the screen is
Speaker 1: different from the rest of it, So obviously around the
Speaker 1: outside represents the crust of the moon, and he wasn't
Speaker 1: shy about that either. But if you look at either
Speaker 1: side of the moon fountain, you see have the crescent
Speaker 1: moons that have it an orientation involved that show that
Speaker 1: that's the back of the moon, the part that we
Speaker 1: don't see, the dark it's often called the dark side
Speaker 1: of the moon. We know better, but say the far
Speaker 1: side of the moon is thicker and bigger on Ed's
Speaker 1: model for a reason, even later than nineteen seventy two,
Speaker 1: I should say this evening two years later or whatever.
Speaker 1: But even after we found water on the Moon, they
Speaker 1: used some kind of laser scanning technology that's outside of
Speaker 1: my pay grade and found that the crust of the
Speaker 1: moon is much thicker seven miles thicker on the far
Speaker 1: side of the Moon than it is facing us, which
Speaker 1: is an anomaly. It's on its own. It's an anomaly
Speaker 1: first of all, because we don't know, We didn't know
Speaker 1: that planetary bodies did that. It's uneven. So how does
Speaker 1: it tidally lock to us. If the thicker portion is
Speaker 1: facing away, that's weird.
Speaker 6: That would give some reason as to why it stays
Speaker 6: in geocentric orbit with that side, because it's weighed and
Speaker 6: so it stays to the outside as far as the
Speaker 6: natural pull, Yeah sounds.
Speaker 4: Think about it. So they say that the moon is hollow,
Speaker 4: and if the backside of the Moon is thicker than
Speaker 4: the side, what means that it's a residence chamber. It's
Speaker 4: bouncing off the backside of the kind of like a
Speaker 4: satellite dish.
Speaker 1: Yep, yeah, oh okay, I can dig that. I like
Speaker 1: that poof this gets deep. Yeah, But even the size
Speaker 1: and radius of that little portion on the moon fountain
Speaker 1: is accurate to the seven miles difference that the Moon's
Speaker 1: crust has. I don't think he went up there, but
Speaker 1: somehow he calculated that that was the case by understanding gravity.
Speaker 5: And you could sin into that pool too. It's perfect
Speaker 5: for looking at the moon.
Speaker 1: Ah reflective. Yeah, and then that star in the middle.
Speaker 1: There's gears in his tool shaft that fits right on
Speaker 1: top of it. And that's a fact. But what's rumored
Speaker 1: is that he used to hang these black boxes much
Speaker 1: like the one that he had on his tripod mentioned
Speaker 1: earlier on either one of the crescent moon the crescent
Speaker 1: moon fountain things on the side, and he would hang
Speaker 1: those down from there and wrap the whole thing in
Speaker 1: these wires that hooked up to the center gear or
Speaker 1: the gear hold up to the center star of this
Speaker 1: fountain here. And this cement stuff that he used is
Speaker 1: like like you said, is made out of that limestone
Speaker 1: that is conductive. Same experiments.
Speaker 6: Well, and interestingly, you know, besides the stars that are
Speaker 6: used by various groups, when you get into the alchemical
Speaker 6: aspects of the upward facing and downward facing pyramid, you're
Speaker 6: actually taking fire and water and combining them to create
Speaker 6: some sort of an energy to be able to facilitate
Speaker 6: doing something. So you know, there's a as far as
Speaker 6: representative symbology. And then if you have some sort of
Speaker 6: a device that you're talking about, gears that you're putting
Speaker 6: on top of that, and then you're incorporating the moonlight
Speaker 6: into the water. Yeah, very interesting.
Speaker 1: Hey, what you're saying is a stark reminder that we
Speaker 1: don't get symbology out of nothing. It's not from it's
Speaker 1: not from imagination alone. Alchemical symbols and hieroglyphs. All of
Speaker 1: these things are attributed to the imagination of ancient people.
Speaker 1: This is a this isn't a reflection of a device,
Speaker 1: and it makes you wonder if it's true. I judicated
Speaker 1: King talks about hieroglyphics are not necessarily pictograms. There there
Speaker 1: are biological equations more attuned to mathematics than they are pictograms.
Speaker 1: And this, uh tetrahedron, I think it's the word as tetrahedron.
Speaker 1: I still don't to mess that up. But the upset
Speaker 1: on triangle and the right side of triangle interlocked and
Speaker 1: working together is sacred geometry that I think is useful
Speaker 1: as a utility, not just pretty to look at.
Speaker 6: Well in thought or to Hoodi when he met Metatron,
Speaker 6: when Enoch was translated into Metatron, he wrote around in
Speaker 6: a tetrahedron that was a vehicle that he manifested for
Speaker 6: the use of creating energy to do what he needed
Speaker 6: to do. So the you know, it's it's an ancient symbol.
Speaker 6: But yeah, to have understanding of the symbolism versus translating
Speaker 6: that into actually being able to manipulate physical reality with
Speaker 6: mechanisms is you know, a step right to.
Speaker 1: It's like the the the Egyptian anc you learn they
Speaker 1: tell us it's a symbol for life, and it's the
Speaker 1: most umbrella cover thing. Someone isn't a symbol for life.
Speaker 1: It's so silly. And then when you actually get past
Speaker 1: that explanation, that mainstream explanation, then you look at the
Speaker 1: Coffer texts they talk about it's a device. It's made
Speaker 1: out of gold, crystal, quartz, and a couple other elements
Speaker 1: that we use in our phones today. It makes me
Speaker 1: wonder if it was a plasma mechanism used to communicate
Speaker 1: with something otherworldly, if not communication at a long distance,
Speaker 1: because they're they're seen holding it in hieroglyphics up to
Speaker 1: their nose, up to their nasal passages, and the nose
Speaker 1: is the senses of the nose that are hooked directly
Speaker 1: to the brain. It's like a even faster than the
Speaker 1: eyes supposedly. So I think that oftentimes we look at
Speaker 1: ancient technology and then we very quickly call it a
Speaker 1: symbol or a pictogram.
Speaker 8: One thing that I was going to insert is that
Speaker 8: to Robbie's point, is that the tetrahedron, and then if
Speaker 8: you use three six and three six nine, which is
Speaker 8: what we're taking out that heavily relies on vibrational energy
Speaker 8: theory and to explain how things kind of kind of
Speaker 8: coalesced in that whole area. But it seems like he
Speaker 8: had a lot of that three six nine theme throughout,
Speaker 8: you know, his structures, and so the tetrahedron as well
Speaker 8: is pretty much the whole basis of three six nine.
Speaker 1: Right. Yeah. I think that he greatly admired Nicola Tesla
Speaker 1: as well mister ed did, and even though he kind
Speaker 1: of lives within the shadow of Nicola, you can see
Speaker 1: the resemblance there.
Speaker 5: Do you think he met him? It was a rumored
Speaker 5: that he met him.
Speaker 1: Say, how cool would it be to have a coffee
Speaker 1: with the two of these guys on if I could
Speaker 1: learn to talk? That would be fascinating.
Speaker 3: It's part of the legend and lore that he may
Speaker 3: have met him, and people said that he did. But
Speaker 3: back then there's so many rumors. So right, they're in
Speaker 3: New York at the same time.
Speaker 1: Right, Yeah, See, that's I love. I don't doubt the
Speaker 1: rumors there. It's almost one of those things where his
Speaker 1: work is in the is concrete in this stone here,
Speaker 1: and the things that we can prove are beautiful. And
Speaker 1: it's worth speculating though, that some of the rumors might
Speaker 1: be true because the things that we're looking at right
Speaker 1: here in this picture, if it was a rumor, you'd be.
Speaker 6: Like, nah, in this doorway, yeah, it's this is a
Speaker 6: very interesting doorway. Just the fact that it is precisely
Speaker 6: balanced and just you can barely touch it and it
Speaker 6: will swing. Well, I've heard more, but yeah, I was
Speaker 6: gonna say I heard that much happened.
Speaker 1: This is my favorite story if I might jump on
Speaker 1: this one. So, yeah, a child could push it open
Speaker 1: and side note, how do you find the censor of
Speaker 1: gravity on a be hemoth like that with a million
Speaker 1: different very of weight?
Speaker 6: How big is that stone?
Speaker 1: So that is nine tons as far as they wrote
Speaker 1: in the book. Yeah, And the reason they know it's
Speaker 1: nine tons is because it was the one thing that
Speaker 1: was driving engineers crazy. As much as his work was refused,
Speaker 1: the engineers were like, Okay, we got to know how
Speaker 1: that thing worked. So after he died, of course, engineers
Speaker 1: went out of their way to take it down and
Speaker 1: look on the inside and figure it out. What they
Speaker 1: saw on the inside, they looked at each other and
Speaker 1: scrashed their heads. They're like, this should not be able
Speaker 1: to do what it does. It was a disk and
Speaker 1: a whole drilled straight through the thing, a tiny little
Speaker 1: hole drilled. They didn't have any sort of like trust
Speaker 1: that went through it or whatever was breaking the question
Speaker 1: how did he drill through that stone? Where is he
Speaker 1: going to drill that long? But nevertheless, the best part
Speaker 1: is they were like they gave up trying to figure
Speaker 1: out how it worked because they were like, this doesn't
Speaker 1: make it. Essentially, put it back up. It never works again.
Speaker 1: Engineers broke the door of professional engineers broke the door
Speaker 1: of coor castle.
Speaker 6: That's a shame.
Speaker 4: Yeah, so I was going to throw in there. Recently,
Speaker 4: they've discovered that the asteroid Cerius is one hundred and
Speaker 4: forty four times smaller than the Moon, and the moon
Speaker 4: is one hundred and forty four times smaller than the Earth,
Speaker 4: and somehow this ratio reflects how the Moon was constructed,
Speaker 4: because they say that they don't know where all the
Speaker 4: material came from that struck the Earth that created the moon,
Speaker 4: and they're not really sure why a moon this large
Speaker 4: would be around a planet our size, so it don't
Speaker 4: make sense. Well, what they found is that the material
Speaker 4: probably came from the asteroid belt and the asteroid belt
Speaker 4: where Cirrus is and Serious is the biggest asteroid is
Speaker 4: is supposed to have, you know, the material that went
Speaker 4: into constructing the Moon. So somehow these two planets are
Speaker 4: kind of involved in each other. And it looks like
Speaker 4: the Moon was constructed deliberately, right, and.
Speaker 6: The whole the fact that NASA has said that the
Speaker 6: Moon is made out of silicon dioxide and they bombed
Speaker 6: it with various you know, satellites, and it said they
Speaker 6: said it rung like a bell because it's hollow, and
Speaker 6: what is it? Silicum dioxide is just a glass, so
Speaker 6: it literally, you know, it's it's a sort of a
Speaker 6: glass menagerie hanging in the sky.
Speaker 1: A radioactive.
Speaker 4: So on the Moon, if you're going to be making
Speaker 4: a glass from the material that's used for moon dust,
Speaker 4: you get a lot of titanium dioxide. If you're making
Speaker 4: titanium dioxide glass on the Moon and that lower gravity environment,
Speaker 4: you're going to get glass that is stronger than steel.
Speaker 4: And so if that's really what this thing is constructed
Speaker 4: out of, that thing is you know, almost unbreakable. Like
Speaker 4: if you're gonna compare that to anything.
Speaker 1: Right, That's the kind of materials we would use to
Speaker 1: build a reinforcing structure in iron working or to the
Speaker 1: skeleton of a building. And what makes that crazy is
Speaker 1: that and this is no I mean, conspiracies might arise
Speaker 1: out of this fact, but what's not a conspiracy is
Speaker 1: that the moon rock is older than the Earth, and
Speaker 1: the moon rock on the surface of the Moon is
Speaker 1: older than the moon rock beneath they drilled down and
Speaker 1: they're like, you know, down further is the newer rock.
Speaker 1: The only time we see that on Earth is whenever
Speaker 1: we pull the rock out and lay it on the surface,
Speaker 1: because we got to get down there, right, what you know,
Speaker 1: not to mention the fact that the thing doesn't spend.
Speaker 1: There's no other moons that don't spin in our solar system.
Speaker 4: Out of it. It does spin in perfect accordance sets.
Speaker 6: Yes, racheocentric.
Speaker 4: That's the most amazing part because they get that mathematics right.
Speaker 4: You would have to be you.
Speaker 6: Know, yeah, well they you know, there is some ancient
Speaker 6: talk that thought drove the moon into place, and thought
Speaker 6: was the dark side of the moon as the secret wisdom,
Speaker 6: you know, like so, yeah.
Speaker 1: The Zulu people talk about twelve eight hundred years ago
Speaker 1: there was a great flood because the water canopy vapor
Speaker 1: above us collapsed to the ground because and this is
Speaker 1: what the Zulu say, reptiles living inside of a giant
Speaker 1: egg called the moon rolled up into place and then hatched.
Speaker 1: And I mean, if you take what we know about mythology,
Speaker 1: which is oftentimes they didn't have the technical terms and
Speaker 1: scientific jargon that we do now, they spoke of the
Speaker 1: world the way that they understood. Well, what does that
Speaker 1: tell us? First of all, they nailed it with the
Speaker 1: date concerning the younger dryest, They nailed it with the
Speaker 1: great flood concerning the same time period. They nailed it
Speaker 1: with what the atmosphere would be like without the moon,
Speaker 1: and then you sprinkle reptiles on top of it, and
Speaker 1: you go, what's going on? Yeah, I mean, I've never
Speaker 1: seen reptilians on the moon, but the Zulu people said
Speaker 1: that that's where they're hanging out. And if they nailed
Speaker 1: the rest of it, at what point do we say, Okay,
Speaker 1: you guys got all that stuff right, but you got
Speaker 1: this last part wrong. And that's kind of what they
Speaker 1: do with ed here is, you know, he proved that
Speaker 1: pusioelectric energy and electromagnetism can do these extraordinary things. And
Speaker 1: they're like, Okay, he got all that right, because the
Speaker 1: proof is in the pudding, but he got what he
Speaker 1: did get wrong was his way of doing it. Well, hmmm,
Speaker 1: I don't know if he got that wrong either, because
Speaker 1: you might be in denial.
Speaker 2: Well, you got a nine ton dose.
Speaker 5: And there.
Speaker 3: They don't know how he Corey did either, And he did.
Speaker 3: Corey these blocks and must have so not only did
Speaker 3: he put these and moved these, somehow he cut them
Speaker 3: and there's no tool marks apparently, so.
Speaker 1: Huh.
Speaker 8: Incredible was the assigning of the zip code before or
Speaker 8: after this was constructed?
Speaker 1: Hmmm?
Speaker 8: Have you checked out the zip code?
Speaker 2: Uh?
Speaker 1: Huh?
Speaker 8: What is thirty three zero three to three?
Speaker 1: Really?
Speaker 2: Oh, that's interesting.
Speaker 1: At what point do we say that coincidences have gone
Speaker 1: from evidence to proof?
Speaker 9: You know?
Speaker 1: That's crazy?
Speaker 2: Yeah, that is interesting.
Speaker 1: I think we accidentally as a society will name things things,
Speaker 1: and we will will assign numbers to things unconsciously attributing
Speaker 1: in the Grand Canyon, all the features of the Grand
Speaker 1: Canyon are attributed to him doing Egyptian gods, and it's
Speaker 1: claimed that that was an accident. Meanwhile, there's a lot
Speaker 1: of anomalies with the Grand Canyon that are very mysterious
Speaker 1: that associate with some kind of ancient civilization that might
Speaker 1: have predated both him Do and Egyptian, both of which
Speaker 1: seem to be a branch off from a prior civilization
Speaker 1: that is unheard of to us, possibly at Lances or whatever.
Speaker 1: But if you ever get a chance to follow the
Speaker 1: Kincaid story, he found all those relics in the Grand Canyon,
Speaker 1: and then he committed suicide shortly afterwards, as you do,
Speaker 1: and and they covered it up as best they could.
Speaker 1: But to this day, if you go to visit that spot,
Speaker 1: it's uh prohibited for your safety, right, well.
Speaker 3: You don't want to go care it's actively guarded too.
Speaker 3: People try to sneak in there and then they're filmed
Speaker 3: black Hawk helicopters, flat helicopters.
Speaker 1: Dude, Yeah, uh.
Speaker 2: Uh wasn't There was some other things too that the
Speaker 2: way this place was built, I think it kind of
Speaker 2: you would be able to see alignments through certain holes
Speaker 2: of the structure.
Speaker 1: You got the uh that uh it's he's he calculated
Speaker 1: the sidereal year with the uh uh the telescope, the
Speaker 1: north star Polaris. The Polaris telescope is what he used
Speaker 1: to calculate the sidereal year. Because you could see the
Speaker 1: Polaris through one of the four quarters of the wires
Speaker 1: that he put through the top of it. The eyepiece
Speaker 1: happens to be a triangle. That's fun. It doesn't really
Speaker 1: have anything any bearing on it. But the eyepiece didn't
Speaker 1: need to be a triangle, but it just so happens
Speaker 1: to be a perfect triangle. And he placed the Polaris
Speaker 1: telescope on the outside of the castle on purpose, so
Speaker 1: it splits the entire castle down left and right into
Speaker 1: two different hemispheres, which he equated to the hemispheres of
Speaker 1: the brain, far before it was popular to do so.
Speaker 1: We used to think that the brain was one big, mushy,
Speaker 1: magical unit that did everything, but we now know today
Speaker 1: that it's the two hemispheres have strict jobs of their own.
Speaker 1: But it wasn't just the Polaris telescope. There was Oh man,
Speaker 1: I might have to bust that book out too to
Speaker 1: save myself from much of my own episode, but it's
Speaker 1: hard to remember.
Speaker 2: I know there was something the thing. Unfortunately. One of
Speaker 2: the reasons why I even remember it is because I
Speaker 2: think like the propaganda in my opinion about why it
Speaker 2: was there, wasn't there like two things in a wall
Speaker 2: where it looked like it was cut. They were saying
Speaker 2: they were putting their heads in there and keeping them
Speaker 2: hop Yeah, didn't that align with something?
Speaker 1: Yeah? So the Gemini the Gemini stone, so you know,
Speaker 1: Gemini the zodiac is too, its duality, and he had
Speaker 1: the tools there and in the roof of the Gemini
Speaker 1: chamber thing, there was a hole that had a little
Speaker 1: time piece below it, so that you could tell not
Speaker 1: the time of day, but the day of year. The
Speaker 1: time of day thing we should actually talk about here
Speaker 1: in a moment though, because that's the Yeah, but you
Speaker 1: could tell the day of year by the way the
Speaker 1: sun came into that particular room. And this was along
Speaker 1: with several other zodiacal figures that he made out of stone,
Speaker 1: because he would replicating what the ancients used to do. Now,
Speaker 1: as you mentioned though, if you if you take a
Speaker 1: tour guide into Coral Castle, he'll tell you that the
Speaker 1: Gemini oles were to put the heads of his sweet
Speaker 1: sixteen and the child that she would bear so he
Speaker 1: could beat him. And I don't think he would have
Speaker 1: signed off on that explanation. He was a very kind
Speaker 1: and very gentle man. And we we I don't say we,
Speaker 1: but just like everything else the Sun Couch.
Speaker 5: The.
Speaker 1: Way they tell tour tourists these stories is not only fabricated,
Speaker 1: but they admit that it's fabricated, like they'll go that far.
Speaker 1: But I think that it's misleading on purpose.
Speaker 3: Well, the sweet sixteen thing, he had an obsession with sixteen,
Speaker 3: and it was rumored that it was possibly sixteen and
Speaker 3: his device.
Speaker 5: I don't know where that came from.
Speaker 1: Well, if you look at it, one, two, four, eight, sixteen.
Speaker 1: So that's just all that's just compounding duplication, something that
Speaker 1: the ancients did on a regular basis. And one might
Speaker 1: argue that the ancients did it because that's how cells
Speaker 1: duplicate as well, that's how everything duplicates, right, So sixteen
Speaker 1: makes sense. And also I don't think he was a pedophile.
Speaker 1: He didn't even express sexuality anywhere in any way, shape
Speaker 1: or form.
Speaker 7: It's interesting that he included the human representation of the
Speaker 7: mind in the construction, as have all these other many
Speaker 7: other megalithic sites. It seems to have that correspondence whether
Speaker 7: he was trying to say something beyond the esoteric, like
Speaker 7: the mechanical operation. I kind of always wondered that just
Speaker 7: seeing the site, what and him withholding the information, like
Speaker 7: how is there a way to.
Speaker 1: I often wonder if he was withholding information. People often
Speaker 1: say that he was hiding secret information, but frankly, not
Speaker 1: only was he illiterate, but back then we didn't have
Speaker 1: the words for how the brain works. The brain chemistry
Speaker 1: is new, so I think that he was expressing something
Speaker 1: that he did know the best that he could to
Speaker 1: get it across as clear as he could. But frankly,
Speaker 1: he didn't have the words for it, and if someone
Speaker 1: else did at the time, he certainly wouldn't have either.
Speaker 1: And that shows us why if you look at Hindu
Speaker 1: and Egyptian iconography, it looks like anatomy, and they point
Speaker 1: directly to the pituitary gland, the primeal gland, the pelvic region.
Speaker 1: All of these things are in succession in hieroglyphs that
Speaker 1: say almost almost clearer than scientific anatomy jargon does, because
Speaker 1: they'll show you it's like this figure leads to this,
Speaker 1: that's the pelvic region to the backbone. The backbones represented
Speaker 1: by this and then it goes up to the neck
Speaker 1: where you have that little ram creature or whatever. It
Speaker 1: leads to the hemospheres of the brain, and then it
Speaker 1: shows the eye of horse up the top of it
Speaker 1: as if it's the last in the sequence. So it
Speaker 1: looks like the pituitary gland and it's there's like a
Speaker 1: flowing river between the pituitary gland and the pineal gland representation.
Speaker 1: And what is that if not kundalini, which we have
Speaker 1: pharaohs with that snake coming up out of their forehead.
Speaker 1: When you put those two things together, it's almost it's
Speaker 1: almost indispensable to try to ignore it. But they the
Speaker 1: proof is in what they did and how they conducted
Speaker 1: their activity. We get rid of the idea that they
Speaker 1: had slaves, which I think is by now all the
Speaker 1: way out the window. And because everyone involved with all
Speaker 1: of the projects would have had to be supremely educated
Speaker 1: in geometry, which doesn't happen in the case of slavery.
Speaker 1: But I think that Ed did the best he could
Speaker 1: to tell us what he could, but he didn't have
Speaker 1: the language to do so, especially back then. And I
Speaker 1: guess we can get to the red door thing. Maybe
Speaker 1: at the end or whatever. It's a great ending. But
Speaker 1: but that that was the wildlife.
Speaker 4: Well in July first, nineteen sixty three, that's when the
Speaker 4: ZIP code system was introduced, so that would be long after. Yeah,
Speaker 4: I was.
Speaker 3: Just gonna say, if he's messing with electromagnetism, you're messing
Speaker 3: with the secrets of the mind itself, because we fire,
Speaker 3: you know, it's all electro magnetism, and and so it's
Speaker 3: it's all the way down. So the ancients, you know,
Speaker 3: it's the monolith, all that stuff. It's pisioelectric stone, the pyramids,
Speaker 3: like you guys are saying with the pyramid power, right,
Speaker 3: But once you start harnessing that, it's said that it
Speaker 3: unleashes something in your mind too, right, and not just
Speaker 3: bringing that stuff down or bringing it up that it
Speaker 3: actually enhances your body, makes seeds more fertile and all
Speaker 3: that stuff.
Speaker 1: So it's it's like we we are that. And that's
Speaker 1: why these things often represent the human body, because it's
Speaker 1: not such a leap to think that we are a
Speaker 1: reflection of our environments. Everything is sentient if you have
Speaker 1: if you carry the mind before matter worldview, But we
Speaker 1: are a like a condensed conscious form of our own environment,
Speaker 1: so we live by the same laws of nature as
Speaker 1: everything else does. Between the moon, the tides, stone, mineral,
Speaker 1: plant life, it's like we are an amalgamation of all
Speaker 1: of those things together that have alchemized into something that
Speaker 1: can reflect on itself. And that's extraordinary and if you
Speaker 1: ask me, that's itself disclosure. That is proof of something bigger,
Speaker 1: because it's not random. If you take the alchemical process
Speaker 1: of minerals and magneticity, electromagnetic force, plasma, or as our
Speaker 1: ariostyle would say, the four elements, and you amalgamate them
Speaker 1: into human form, and you see Fibonacci sequence within us, you.
Speaker 9: Know you have one, two, three, five, eight, thirteen, and
Speaker 9: then onward down the legs.
Speaker 1: It's a design. It's very clearly a design, because if
Speaker 1: it's out of design, that means that random happened. Chance
Speaker 1: things must have happened before us, billions of times over
Speaker 1: before it got to us, which we don't see evidence of.
Speaker 1: We happened seems to be almost instantly. We hear a
Speaker 1: lot of traits with other creatures. But yeah, if I.
Speaker 8: Can insert something before you'll get into the red door,
Speaker 8: I think this nic will like this. So it looks
Speaker 8: like he existed on a diet of sardines and so
Speaker 8: quickly totally sent off signals because sardines is extremely high
Speaker 8: in EPA and DHA, which is a fatty acid in
Speaker 8: omega three. Those specific combinations help extremely with retinal health,
Speaker 8: but for sure night vision vision. But it also helps
Speaker 8: with cognition, mood stabilization as well as memory. But what
Speaker 8: you said about the pineal, which is directly linked to mood,
Speaker 8: is that the pineal sits in a bath of cerebral
Speaker 8: spinal fluid. And so it is thought that the moon
Speaker 8: or the light from the moon and the radiation from
Speaker 8: the moon influence is the pineal at nighttime, especially during
Speaker 8: a full moon, and it'll prime it in a way
Speaker 8: that it I guess allows it to receive a lot
Speaker 8: of more signaling from the electromagnetic spectrum that exists during
Speaker 8: the day.
Speaker 1: Just wow, So first of all, why is everything that's
Speaker 1: good for its growth and everything that's that's tasty is
Speaker 1: just bad for us? What a cosmic that is. But
Speaker 1: if the mill is is having your pineal land act
Speaker 1: as a transducer or like an antentave receiver, then that
Speaker 1: means I mean well, and we know that sun gazing is.
Speaker 6: That I was just gonna say that, Yeah, right, well,
Speaker 6: and then that gets into alternative moon gazing. Yeah, in
Speaker 6: regard to taking that night light and bringing it in
Speaker 6: and like you're saying, bathing the internal function of you know,
Speaker 6: the body itself with that light.
Speaker 1: Yeah.
Speaker 8: And it's interesting because if you're talking about moon priming
Speaker 8: and one thing that helps you with moon priming is
Speaker 8: the one thing that comes from a medium that is
Speaker 8: influenced by moons, by the moon is the ocean. And
Speaker 8: so it just kind of all builds upon itself, which
Speaker 8: I think is pretty umsynchronistic, right.
Speaker 1: Asynchronistic is exactly right where because we're we are designed,
Speaker 1: it seems to receive all of the above and perfect harmony.
Speaker 1: There's nothing in that conjunction that doesn't suit us. There's
Speaker 1: nothing on earth that isn't either utilized or directly necessary
Speaker 1: for the human body to exist. It's like there's nothing
Speaker 1: extra and there's nothing lacking.
Speaker 5: Something.
Speaker 2: I did want to ask maybe your opinion about this
Speaker 2: man also, And when I asked this, I don't mean
Speaker 2: it in a derogatory term. Uh, do you think the
Speaker 2: guy might have been in a cultist or an alchemist
Speaker 2: in in hisself.
Speaker 1: Oh yeah, I mean we will will never know, we
Speaker 1: will have no idea. But I there's not a doubt
Speaker 1: in my mind that he. I mean, a man who
Speaker 1: says I have discovered the secret of the Great Pyramid
Speaker 1: is not running around without a cult knowledge in alchemy.
Speaker 1: I mean like and you know, and that goes into
Speaker 1: fashion with people who are truly tied to those secret
Speaker 1: societies who have that information, they don't talk about it.
Speaker 1: And if you hear a guy talking about that, they
Speaker 1: that he is I just got my Mason card or whatever.
Speaker 6: You go back to the Magi, and you go back
Speaker 6: to the z Docs, and you go back to these
Speaker 6: different groups that held these secrets, and consistently they were
Speaker 6: ass down through family bloodlines, like the father would teach
Speaker 6: the son and the mother would teach the daughter.
Speaker 1: And you know, I kind of wish it wasn't based
Speaker 1: in nepotism. That's not fair the rest of us, all
Speaker 1: the presidents are related. I guess I think everybody knows
Speaker 1: that by now.
Speaker 6: George, Yeah, what's that about? Yeah, what's ahead about?
Speaker 1: It's not healthy?
Speaker 6: No, it's not.
Speaker 1: Because you get a child in the bloodline who is
Speaker 1: not you know, capable or but he still he gets
Speaker 1: that power and then he just runs with it. That's
Speaker 1: like a Demi Ergos microcosm, you know, messing it up.
Speaker 7: His whole life strikes me as a really kind of
Speaker 7: the full traveler explorer, learning things from wherever, and and
Speaker 7: the and the I mean his whole construction of course.
Speaker 7: But this this idea that he only ate sardines is
Speaker 7: so fascinating and makes me think that he was as
Speaker 7: you mentioned earlier, it wasn't that he was withholding.
Speaker 1: He was just.
Speaker 7: Trying his best in his format to be able to
Speaker 7: communicate what he was. Maybe it seems like he was
Speaker 7: highly intuitive and getting like, I don't know why I
Speaker 7: like sardine sardines, but that's all I eat because I
Speaker 7: know something told something you know, made me.
Speaker 1: Feel that way. I don't know.
Speaker 7: It seems like this very creative story.
Speaker 1: That's a great hypothesis though, because it makes you wonder
Speaker 1: if the sardines things, along with everything else, was uh,
Speaker 1: was previous knowledge passed down or intuition because we just
Speaker 1: got off that long spiel about how we have everything
Speaker 1: and nothing extra. If you're truly in tune with all
Speaker 1: of that stuff combined wouldn't you not find necessity in
Speaker 1: books like? Well he was illiterate, maybe everything was now
Speaker 1: to him.
Speaker 4: Well, I do know that the Greeks and Romans loved
Speaker 4: fish paste more than any other food, the big taste. Yeah,
Speaker 4: And what they would do is they would ferment these
Speaker 4: fishes out in the sun.
Speaker 6: For like weeks and then for miles.
Speaker 1: Yeah.
Speaker 4: Yeah, it was the most terrific smell and they were
Speaker 4: just perfect the entire Mediterranean. And it's just this horrible
Speaker 4: pace that they would make from fermented fish parts, and
Speaker 4: then they separate out the fish oil from it, so
Speaker 4: the fish oil would be used as well.
Speaker 1: So if I was given the choice between consuming that
Speaker 1: and ancient wisdom, I would just stay ignorant, because that's
Speaker 1: that is awful. They here here in uh in Missouri,
Speaker 1: we have there's moss in the rivers. God forbid that
Speaker 1: there's moss in the rivers, and everybody wants a nice
Speaker 1: sparkly river. But it caused the state to do something
Speaker 1: about all the moss by introducing carp. It was a
Speaker 1: very specific kind of carp, right, And this is what
Speaker 1: happens when you play god, because the carp are out
Speaker 1: of control. Now you can't go fishing here anymore because
Speaker 1: the carp are in the way. If you take your boat,
Speaker 1: a little John boat and you do circles, carp will
Speaker 1: jump out of the water by the dozens and into
Speaker 1: and they're this big and they'll slap you in the head.
Speaker 1: And there's so many of them that we can no
Speaker 1: longer enjoy ourselves. We should have just kept the moss.
Speaker 1: But the reason I'm saying that is because the state
Speaker 1: issued a thing. They're like, if you catch a carp,
Speaker 1: do not release it, but also do not take it
Speaker 1: home and eat it. We want you to throw them away.
Speaker 1: And so what people do for sport even now is
Speaker 1: that they'll get a boat load of these carp bring
Speaker 1: it back to shore, and they'll just throw all of
Speaker 1: the fish away in the dumpsters, in the trash. Now
Speaker 1: we have a third, far worse problem is that now
Speaker 1: you can't have a picnic because it's the worst stench
Speaker 1: you can possibly imagine.
Speaker 4: I love it when humans interact with the environment.
Speaker 1: Yeah, we try to make it better. It's like like
Speaker 1: we're starting it's nonsense.
Speaker 2: Is anything else anybody wanted to bring up before we
Speaker 2: get to the door.
Speaker 1: I'm gonna try to find this book fall. I'm a
Speaker 1: one more attempt to just try to find this book
Speaker 1: because I want to be able to show the pictures
Speaker 1: of it.
Speaker 6: Sure, ah.
Speaker 1: This is it looks organized, but it ain't.
Speaker 2: Now this place is open to the public too. People
Speaker 2: can go down there right and get tours and stuff, right.
Speaker 1: I mean, they'll feed you a bunch of nonsense when
Speaker 1: you get there. But you know, I just threw it
Speaker 1: up here, I guess, and I didn't care to. Maybe
Speaker 1: it's down here somewhere. But you almost got to see
Speaker 1: Provine's model that he builds around the red door, because
Speaker 1: it's a true reflection of something that Ed would have done.
Speaker 1: You through the book away, dude, Like what am I doing?
Speaker 1: It happens?
Speaker 2: What do you got over the head? Less? You got
Speaker 2: a book?
Speaker 1: It in?
Speaker 4: I was just gonna plug this book again. Fourth Phase
Speaker 4: of Water by Jered Pollock. We keep talking about how
Speaker 4: consciousness is tied to water. The moon is tied to water,
Speaker 4: your pineal gland is.
Speaker 1: Tied to water. Well.
Speaker 4: The fourth phase of Water talks about a different type
Speaker 4: of sort of semi solid plasma that forms when water
Speaker 4: interacts with with sunlight, interacts with other particles and it's
Speaker 4: so ubiquitous but yet so unstudied. If if people give
Speaker 4: Gerald Pollock a chance and read that book, they will
Speaker 4: be amazed at what he's found when it deals with
Speaker 4: electromagnetism and water. And then you've got people like Beta
Speaker 4: Austin on Instagram who are doing experiments with ice where
Speaker 4: they can actually get pictures to form in the ice
Speaker 4: just by thoughts. At this substance, something else is going
Speaker 4: on with water, and we gotta, you know, we gotta
Speaker 4: do it.
Speaker 6: You know, the water seems to be some sort of
Speaker 6: like a memory mechanism or like a storage like CPU
Speaker 6: for reality in regard to you know, maintaining, holding and
Speaker 6: relating the events that it experiences as it processes through.
Speaker 2: I think we talked about that on the water episode,
Speaker 2: didn't we. I think someone brought it up about it
Speaker 2: like holding information stuff or even being used as like
Speaker 2: a way to transport I think information information.
Speaker 4: Yeah, right, Well, the way that Jerald Pollack talks about
Speaker 4: it in this book is through the easy zone. And
Speaker 4: so the easy zone is formed around particles that are hydrophilic,
Speaker 4: so they what are loving particles. When it does that,
Speaker 4: there are certain molecules that will kick out of the
Speaker 4: easy zones and then create sort of like a punch card.
Speaker 4: So you've got sort of a mechanical way of determining
Speaker 4: what was in the water just by examining the structure
Speaker 4: of these these molecules. Well, that perfectly describes the idea
Speaker 4: of the medicine where you're only taking a part of
Speaker 4: a part of a part in water. What's that called
Speaker 4: something with an ah? Homeopathic medicine. Right, there's the mechanical
Speaker 4: element of homeopathic medicine right there, and Jero Pollock has
Speaker 4: proved it in his books. So I don't know why
Speaker 4: people have, you know, these these hang ups when it
Speaker 4: comes to actual physical you know science. We're on the
Speaker 4: path to discovering great things about water. But is anybody
Speaker 4: paying attention?
Speaker 5: You know?
Speaker 7: Can I add that all those things that you just
Speaker 7: brought up unless they're so uh correspondence in their subtlety
Speaker 7: but their power, right, And so the coral Castle, there
Speaker 7: was some subtle things that he was working on that
Speaker 7: were obviously monolithic power. The same thing with homeopathy and
Speaker 7: and water. It's the potential in water is super subtle,
Speaker 7: but the force.
Speaker 4: Of it is very powerful.
Speaker 1: Right, Yeah, as rocking chairs were hooked up to gears
Speaker 1: and pulleys and levers and stuff that went directly to
Speaker 1: his little underground aquifer chamber that had a spiral staircase
Speaker 1: by the way, just like just like Nicola Tesla's did.
Speaker 1: I don't know if that was a fashion thing or
Speaker 1: if it's a utility purpose. And that's another thing ties
Speaker 1: them to NICOLEA Tesla as well, as they designed very
Speaker 1: similar aquifers. Of course, I didn't quite have the budget
Speaker 1: that Nicola Tesla did at the time, but yeah, there's
Speaker 1: something especial about water. And someone mentioned water having a
Speaker 1: memory to it, like a molecular memory to it that's
Speaker 1: greater than any microchip. Can you imagine one day if
Speaker 1: we get the technology actually view what the water remembers.
Speaker 1: I mean, that would almost be a tsunami of information
Speaker 1: punt intent. We would almost know what to do.
Speaker 4: You already do have the hardware.
Speaker 6: It's your body, your body's body exactly.
Speaker 1: Yeah.
Speaker 4: People have been describing are experienceable through our ability to
Speaker 4: the water.
Speaker 1: Yes, it's just a matter of tapping into it, I suppose.
Speaker 8: Yes, speaking of aquifer, that's what limestone does in the
Speaker 8: soil whenever it rains, depending you have to have the
Speaker 8: proper grass systems and root systems. But when it rains
Speaker 8: and water trickles down the long root systems of these
Speaker 8: native grasses and they filter into the limestone that is
Speaker 8: inside the soll and it holds the water almost like
Speaker 8: a sponge. And that is your natural aquifer. I see
Speaker 8: where most of your spring systems come from.
Speaker 4: No, and you've got the most amount of paranormal activity
Speaker 4: being related to kar topography, which is exactly what this
Speaker 4: whole area is. It's the aquifer type topography. You also
Speaker 4: get a lot of sinkholes too, because that limestone is very,
Speaker 4: very sensitive to pH. So that's why you've got these
Speaker 4: cave systems and everything else happening, because the acidic pH
Speaker 4: causes the limestones to break down, and that's what gives
Speaker 4: you a lot of cave systems as well.
Speaker 1: Right dude. So Andrew Collins was doing research on naturally
Speaker 1: occurring plasma and he didn't really mean to get into
Speaker 1: anything paranormal, but this is where it took him though,
Speaker 1: because he was like, Okay, we're looking at UFOs, we're
Speaker 1: looking at ghost stories, we're looking at all this. He's
Speaker 1: like okay, So he traced it back. He's like, ufo sidings,
Speaker 1: and these things always seem to have an origin in folklore,
Speaker 1: especially like Ireland, where's there are certain areas that are
Speaker 1: super rich in ferries and whatnot. And then he's like, Okay,
Speaker 1: these areas also seem to have megalithic structures, like even
Speaker 1: small megalithic structures that are hundreds of stones in circles.
Speaker 1: He's like, is that the causation of it? And then
Speaker 1: he went on further to find out that there's aquifers
Speaker 1: underneath all of these areas, begging the question is what's
Speaker 1: going on with the combination of water and electricity and
Speaker 1: gravity that causes supernatural phenomenon that are just consolidated to
Speaker 1: these particular areas so readily. You know, it's almost as
Speaker 1: if there's a breach between worlds or somehow some way
Speaker 1: that plasmatic entities are some kind of consciousness can can
Speaker 1: leak into our our dense physical reality through these dare
Speaker 1: i say portals, but key centers, right.
Speaker 6: They're creating a certain waveform, vibration and frequency that allows
Speaker 6: these these things to become amorphous.
Speaker 4: Well, me and Nick have done a couple of shows
Speaker 4: on this. This guy named mansion rollers on my other show,
Speaker 4: and he was talking about having dreams of going to these, uh,
Speaker 4: these mountain sites, you know, these sites that are basically
Speaker 4: built off of these earth energies and seeing a whole
Speaker 4: bunch of people just sort of milling around kind of
Speaker 4: speaking to each other telepathically. And what's interesting to me
Speaker 4: is we've got these telepathy tapes that are talking about
Speaker 4: kids who have severe autism where they don't have you know,
Speaker 4: physical speech, meeting up at places they called the hill
Speaker 4: and having a telepathic experience sort of interacting with this
Speaker 4: you know, universal unconsciousness at these places and sharing their experiences.
Speaker 4: So I wonder how directly tied it is to the
Speaker 4: natural earth energies that maybe ancient man was tapping into
Speaker 4: as a different form of technology than what we're currently used.
Speaker 1: To, right, I think that's the key is the key
Speaker 1: word is different form of technology, because even though they're
Speaker 1: not doing the same things we are, which is mainly
Speaker 1: based in combustion, they were certainly using the same materials
Speaker 1: that we do. And I mean, who's the advanced culture
Speaker 1: in this case if what they did didn't leave a
Speaker 1: carbon footprint that we can trace, Because the number one
Speaker 1: debunk for ancient technology is a lack of carbon footprint,
Speaker 1: to which anyone with a little bit of pattern recognition
Speaker 1: might look at and say, well, they didn't leave one,
Speaker 1: you know, And neither did Edd and neither would have
Speaker 1: Nicola Tesla had he been given the chance.
Speaker 3: Yeah, I live right where his Colorado Springs experiments were.
Speaker 5: The reason why he came out here. And this is
Speaker 5: where he wanted to send the power to New York.
Speaker 3: And it's the low air pressure and being where we're
Speaker 3: at the ionosphere, like a tendril comes down and charges down,
Speaker 3: and so he was really tapping into that. And it
Speaker 3: is like Mount Mirror, you know, primordial mountains. It's in
Speaker 3: the high places, right, something comes down to meet you
Speaker 3: or vice versa.
Speaker 1: Right. It makes you wonder if that's how he got
Speaker 1: his ideas, because he reports in his own autobiography that
Speaker 1: he would see a flash of blue before getting his ideas,
Speaker 1: and sometimes the flashes of blue were so intense that
Speaker 1: the schematics for his inventions would be laid out in
Speaker 1: front of him. And three D And if you read
Speaker 1: about the what's the word bio fluorescent phenomenon, I might
Speaker 1: have messed that up but astronauts get it all the
Speaker 1: time when they're in low orbit, which is, by the way,
Speaker 1: pretty much the only orbit that astronauts go in as
Speaker 1: far as I can tell. But nevertheless they whenever these
Speaker 1: photons don't hesitate at matter. They're like plasma in a
Speaker 1: way that they go through anything, and they don't recognize
Speaker 1: matter as being solid. So the retina, these astronauts, they
Speaker 1: would see these flashes of blue because the sun rays
Speaker 1: were not in the way for them to be picking
Speaker 1: that up, and they would not report it to NASA
Speaker 1: because they would So it was like twenty or so
Speaker 1: of these astronauts they all got together and they're like,
Speaker 1: we're all seeing the same shit, right, Okay, if we
Speaker 1: report this together, they can't fire all of us, which
Speaker 1: is a shame that that had to happen in the
Speaker 1: first place, but that's what they did. But it was
Speaker 1: enough that we now have a word for it, and
Speaker 1: we now know it exists, otherwise we wouldn't have. But
Speaker 1: that begs the question about ancient Shamans used to go
Speaker 1: down into caves because the way that we yeah, we
Speaker 1: measured photons the same way by going deep underground, and
Speaker 1: they would go into these caves see these flashes of light,
Speaker 1: and then they would paint them on the walls, which
Speaker 1: we can look at today. It was once thought by
Speaker 1: me including that the reason they drew these cave paintings
Speaker 1: in deep in the cases because they preserve them from
Speaker 1: not getting weathered, and that is true. I think some
Speaker 1: of them self color.
Speaker 4: I think what you're talking about is the neutrino pools
Speaker 4: where they're using deuterium to measure the light output of
Speaker 4: these neutrinos as they're passing through the core of the Earth.
Speaker 4: And so if there is a neutrino connection, I think
Speaker 4: that would be very heavily tied to consciousness. We're made
Speaker 4: out of water too, and if this neutrino is interacting
Speaker 4: with us. And they say that there's a reverse neutrino stream,
Speaker 4: like it's almost a separate dimension moving backwards in time
Speaker 4: that comes from the center of the earth. Strange's happening
Speaker 4: in that regards go ahead.
Speaker 6: Yeah, tachions as well, they spend backwards in time. So
Speaker 6: that's you know, interesting when you start to look at
Speaker 6: all the functions and forms of how these different particles
Speaker 6: act and interact with the processes of the internal temple itself.
Speaker 1: It's like all of thes of reality go out the
Speaker 1: window when we get down that deep into poltotomic And
Speaker 1: so why do why do we feel the need to
Speaker 1: stay so strict to these rules of reality, knowing damn
Speaker 1: well that the very stuff that we're all made out of,
Speaker 1: that everything we can see is made out of, is
Speaker 1: made out of stuff that doesn't adhere to the rules whatsoever.
Speaker 4: You know, Well, it goes into the idea of separate
Speaker 4: senses for a lot of different phenomena that we haven't
Speaker 4: really classified yet. If all of our mental filters that
Speaker 4: block out most of what we see and hear so
Speaker 4: that we can focus on the things in front of
Speaker 4: us are really doing their job, we need to understand
Speaker 4: what happens when we start to take down those mental filters.
Speaker 4: There's going to be a lot of stuff flashing in
Speaker 4: and out of our perception. And I think that's important
Speaker 4: to note because we are part of the environment, we
Speaker 4: are part of this planet, and as long as we
Speaker 4: keep those filters at such a high degree, we're never
Speaker 4: going to be experiencing what's really going on around us.
Speaker 1: I think Carl Jung popularized way ahead of this time
Speaker 1: the idea of the subconscious mind picking up everything in
Speaker 1: reality and filtering it out so that our conscious mind
Speaker 1: wouldn't go into insanity because we have a survival mechanism
Speaker 1: that requires that we not see every little bit of detail.
Speaker 1: Autistic people, I think, don't have the pleasure of getting
Speaker 1: that filter as readily as we do. And you can,
Speaker 1: you can kind of tell it, you know, And I
Speaker 1: guess that would render anybody nonverbal, but it would also
Speaker 1: render somebody undistracted enough to have capabilities that they recognize naturally,
Speaker 1: like telepathy, and those Telepiity tapes are absolutely fascinating.
Speaker 4: Well in the in the tapes they talk about how
Speaker 4: the nonverbal autistic kids are typing, right, and so this
Speaker 4: is how they've been able to communicate is through typing.
Speaker 4: And so when they'll ask the kids what they're experiencing,
Speaker 4: a lot of them will talk about synesthesia as a
Speaker 4: main side effect, and they say that their minds are
Speaker 4: running faster than their bodies are capable of producing. That's
Speaker 4: why there's the disconnect, And they don't really have consciousness
Speaker 4: of their bodies until they start typing. So it's a
Speaker 4: strange sort of interaction. They're communicating at a different level.
Speaker 4: And it's only when they've been able to distill what
Speaker 4: they believe is other people's experiences that they can actually
Speaker 4: start to communicate with them.
Speaker 6: Yeah, some sort of a hypersavantism.
Speaker 1: Yeah. The savantism to me is proof that, like like
Speaker 1: Ingo Swan says, you know, or everyone's favorite remote view
Speaker 1: or extraordinary for the CIA he was talking about, this
Speaker 1: is available to everybody.
Speaker 10: Right, and.
Speaker 1: A savant who can, like rain Man, do calculus off
Speaker 1: the top of his head, but it's disabled in every
Speaker 1: other regard is proof that if you laser focus your
Speaker 1: mind on one particular region, it'll have superpowers. Unfortunately, we
Speaker 1: can't make ourselves do that without the years of meditation.
Speaker 6: Right, and so on.
Speaker 7: There was one one point in the telepap excuse my lisp,
Speaker 7: where one of them mentioned that the delta state that
Speaker 7: scientists or observers of consciousness on the delta state have
Speaker 7: noted that it's the brain is off and that it's
Speaker 7: therefore a weak state. And I'm sorry, I forget the
Speaker 7: character who pointed this out, but the person pointed out
Speaker 7: that that's it's that's when your brain is most capable,
Speaker 7: when you are able to clear it out and shut
Speaker 7: it off and all that's when the things happened. And
Speaker 7: it reminds me very much of the Tibetan Buddhist idea
Speaker 7: of the cities, which were these sick powers that were
Speaker 7: not to be sawed after and not to be focused
Speaker 7: on or anything, but would happen as a as a
Speaker 7: as a result of the meditation process. Uh, thank you. So,
Speaker 7: just just a very interesting correspondence what they're dealing with
Speaker 7: in their limited capacity to be embodied, but their mind
Speaker 7: and spirit is completely on whereas someone who's you know,
Speaker 7: capable of dealing with this physical reality, like most of us,
Speaker 7: we can pursue it in that other means, right, or
Speaker 7: potentially anyway.
Speaker 1: Right, there are studies showing that the neurotypical mind is
Speaker 1: doing one hundred things at the same time, whereas in
Speaker 1: the case of savantism and autism. Uh, it's very few,
Speaker 1: but all of the power and energy of the brain
Speaker 1: is going directly into that one area. And I, yeah,
Speaker 1: I think that should not only be studied, but it
Speaker 1: should be harnessed. And that that difference between the alpha
Speaker 1: and beta and I forgot the not good with type. Yeah,
Speaker 1: there's all because for the longest time with d m T.
Speaker 1: It was hypothesized that the reason we see these visions
Speaker 1: is because the body goes to sleep and then the
Speaker 1: brain starts to dream. And it wasn't until not Hoffmann,
Speaker 1: but the d MT guy show you he wrote the
Speaker 1: Spirit molecule. Uh, but yeah he did those. He was
Speaker 1: like the first one to actually break it down. They
Speaker 1: found out that your brain is more awake in the
Speaker 1: case of DMT, more awake more so than the our
Speaker 1: average waking state. So it doesn't go to sleep, We're
Speaker 1: not dreaming. Well on DMT, we'reper awake. Yeah.
Speaker 6: It opens up the neu receptor pathways so that you're
Speaker 6: taking in more information.
Speaker 1: Right, sometimes an overwhelming amount of information, which maybe gives
Speaker 1: us a glimpse into what autistic people are experiencing in
Speaker 1: a mild manner on a regular basis. Terrifying if you
Speaker 1: asked me, I mean, oh.
Speaker 4: But it also brings up a lot of the divinatory
Speaker 4: practices like he was using dowsing. So basically it's allowing
Speaker 4: your subconscious mind to come through your body and receiving
Speaker 4: signals from that, and that's the way things are done.
Speaker 4: Maybe there should be a lot more divine.
Speaker 1: And going on.
Speaker 4: Maybe that's how we sort of tap into this field.
Speaker 1: Dude. That makes me wonder if ninety nine percent of
Speaker 1: the occult is a matter of bringing the subconscious mind
Speaker 1: up to recognition Right now?
Speaker 6: Was Leed Skolman was he using I know he was
Speaker 6: using dowsing rods, but was he using a pendulum?
Speaker 4: Well, it's the same principle that applies in both areas
Speaker 4: is get the biofeedback from your muscles in the objects
Speaker 4: you're holding. So I know the Nazis actually saved Alduce
Speaker 4: during World War two because they were using bowsers pendulum
Speaker 4: browsers at their cult sciences academies. So you know this
Speaker 4: stuff is not without president. They were also using those
Speaker 4: same dowsers to do sub hunting in the Atlantic Ocean,
Speaker 4: and it wasn't until Gerald Gardner used his wickens to
Speaker 4: do ConA power rituals to protect there are submarines that
Speaker 4: the dousers stopped being effective. So when people talk about
Speaker 4: magic and war and all the rest of this stuff
Speaker 4: and they put it over in the corner, it's like,
Speaker 4: these things affect your thoughts. Thoughts affect your patterns and
Speaker 4: your behavior, So why wouldn't it have a huge effect,
Speaker 4: you know.
Speaker 1: Yeah, and it would be instant if we don't know
Speaker 1: what consciousness is, but we do know that it's instant
Speaker 1: with it doesn't give a fuck about time or barriers
Speaker 1: or matter.
Speaker 6: If you're using those pendulums in the sense of the
Speaker 6: activation between the body and like you're saying, it's the whole. Yeah,
Speaker 6: I don't even know where I was going with that,
Speaker 6: but I had a whole concept in mind, but I
Speaker 6: lost it.
Speaker 1: It's two ways.
Speaker 6: Yeah, yeah, it'll come back to me.
Speaker 2: Yeah.
Speaker 4: Well, there's so many different resistance tests and a lot
Speaker 4: of muscle memory sort of activation stuff. It's like your
Speaker 4: entire body is an antenna. Yeah, and if we think
Speaker 4: of our bodies like antennas, we could start to understand
Speaker 4: all the different feelings that enter in that we ignore
Speaker 4: most of the time, might be just different signals coming
Speaker 4: from the brain telling that part of your body, which
Speaker 4: are all significant, are all mapped out using a cult
Speaker 4: sciences and using these symbols. If you could start to
Speaker 4: equate these different signals and the and the stuff, you
Speaker 4: become the object that's doing the dowsing.
Speaker 1: Yeah.
Speaker 6: Well, that's what I was going to say, is you know,
Speaker 6: if we're living in a hologram, every part is within
Speaker 6: every part. So you know, when you get into those
Speaker 6: energies and the fact that we're co creating reality together
Speaker 6: as a whole, you know, one person's dowsing and another
Speaker 6: person shutting them down. You know, So there's this equation
Speaker 6: within the fractaline aspect of the hollow, you know.
Speaker 4: Right, Well, just like we were saying about what these
Speaker 4: stones that coral castle are made out of, it's all
Speaker 4: piaso electric.
Speaker 6: Well, yeah, exactly what.
Speaker 1: Are they made out of?
Speaker 4: They're made out of bones.
Speaker 6: Bones, and crystals.
Speaker 4: We're all piaso electric, and not just our bones, but
Speaker 4: our hair and our fascia. The fact that connects all
Speaker 4: of the different organs and muscles together is also paso electric.
Speaker 4: So from your hair or all the way through your
Speaker 4: fascia into your bones, it's a massive conductor. And if
Speaker 4: we start to meditate along those terms and understand that
Speaker 4: experiencing those certain frequencies really does get us in tune
Speaker 4: physically with the natural world, it changes the game and the.
Speaker 6: Fact that we can increase and decrease the size of
Speaker 6: our oric field. You know, it's yeah, I mean, there's
Speaker 6: a lot of science here that is ancient that seems
Speaker 6: to becoming be becoming more modern in the sense of,
Speaker 6: you know, I don't know, you'd like to think that
Speaker 6: there'd be more discovery in these fields.
Speaker 1: It's like, we don't have a choice at this point
Speaker 1: but to acknowledge the ancient technology. When we find out
Speaker 1: that the universe is holographic in nature. It started that
Speaker 1: we thought the brain was holographic in nature, and we
Speaker 1: hammered that one out. They're like, oh, it looks like
Speaker 1: everything else is too. So then the Buddhists were right
Speaker 1: when they say everything is clay, and it's just different
Speaker 1: forms of clay, you know, clay being a metaphor for
Speaker 1: whatever the one thing is. And in nineteen seventy two,
Speaker 1: the CIA put out string theory to throw all physicists
Speaker 1: off the trail, and it's still to this day does so.
Speaker 1: And the term quantum gravity it was thrown into the
Speaker 1: mix as well. It doesn't mean anything. There's no such
Speaker 1: thing as quantum gravity. But you'll see a bunch of
Speaker 1: these research papers that were pumped out referring to quantum gravity,
Speaker 1: one of which was Stephen Hawking Dude, and so he
Speaker 1: put out this, yeah, and so it doesn't mean anything.
Speaker 1: But they were like, they were like, put this in
Speaker 1: your paper. And to this day, Weinstein, Eric Weinstein just
Speaker 1: gave this big talk on it and he was ranting
Speaker 1: read in the face about how because he's a physicist,
Speaker 1: a theoretical physicist, and he was like, we have been
Speaker 1: so cast out from from truth based just on these
Speaker 1: things that they because they knew that sub atomic realms
Speaker 1: is where we're gonna find this magic, this esoteric power,
Speaker 1: even just once we understand that it unlocks everything. So
Speaker 1: right around the time I guess, after you know, the
Speaker 1: Gateway Process and Project Stargate and mk Ultra, besides bombarding
Speaker 1: us with the media and advertising that they that they did,
Speaker 1: they also decided to throw off the core of everybody
Speaker 1: by throwing a wrench into quantum physics. And I can't
Speaker 1: think of a worse crime against humanity, you.
Speaker 2: Know what's really yeah, I'd love let me just put
Speaker 2: this out there real quick before I get you still
Speaker 2: on the figet. Really interesting thing with what you were
Speaker 2: saying with Stephen Hawking, and you know, I guess pumping
Speaker 2: out bullshit. You know, there is there's been pictures and
Speaker 2: I saw it of him on Glene Maxwell's submarine. Now,
Speaker 2: there's a good chance that Glene Maxwell's father, Jordan Maxwell's
Speaker 2: companies were probably the ones that actually published his works
Speaker 2: because he was huge in publishing.
Speaker 1: M against the rock Star now, you know, and he's
Speaker 1: immortalized because he has passed away. But there's it's weird
Speaker 1: when you see that. Neil de grass Tyson and guys
Speaker 1: like that cannot be wrong. They will not lie and
Speaker 1: they can't be wrong. It is absolutely absurd to even
Speaker 1: suggest that they off kilter vout.
Speaker 6: You's like, I am the science. Yeah it's dogma, Yeah
Speaker 6: it is dogma.
Speaker 8: Go ahead, theoretical. Most of theoretical people just espouse philosophy.
Speaker 8: They are not in the lab testing anything, right, I
Speaker 8: want to put that out there.
Speaker 1: You know who else is not in the lab testing
Speaker 1: or doing anything science. Neil deGrasse Tyson. He holds no patents,
Speaker 1: he has he has put forward no scientific research.
Speaker 8: His his only claim to fame is that he knew
Speaker 8: Karl Sagen.
Speaker 10: That was it.
Speaker 1: And he spouts off. He talks and he's impossible to
Speaker 1: argue with. That's his superpower. Uh. Literally, the people that
Speaker 1: he mocks are the people who are developing our technology.
Speaker 1: One of which is. I know it's an unpopular opinion
Speaker 1: right now because he kind of acts a fool here
Speaker 1: and there. But what's his name?
Speaker 6: Uh?
Speaker 1: Oh, my goodness, I do this to myself.
Speaker 10: No.
Speaker 1: Uh, it was a black dude, likes light skin. He
Speaker 1: went on Rogan recently, but he's been around.
Speaker 6: Oh yeah, I know you're talking about I don't know
Speaker 6: his name though.
Speaker 1: Iron Man. You know he's an act actor dude. Dude's
Speaker 1: got nineteen patents, including the VR headset that allows you
Speaker 1: to look around like you know, whenever the image moves
Speaker 1: when you move your body, that's his that's his patent.
Speaker 1: Nil grass Tyson, amongst other things. Nila grass Tyson has
Speaker 1: invented zero things. Yet you get Nila grass Tyson on
Speaker 1: his little rebuttal or whatever, and he does this little
Speaker 1: compliment sandwich that people respect, but I can't stand it.
Speaker 1: Like he goes he's like, your diagrams here are beautiful,
Speaker 1: but they're nonsense. And you're like, that's it's the empty
Speaker 1: space between the platonic solids. You're not picking that up.
Speaker 1: I know you're picking that up.
Speaker 2: So it's logistic programming.
Speaker 1: Yeah. So and then he does that one thing he goes,
Speaker 1: this is another compliment sandwich that he does, and it's
Speaker 1: a strategy and it does work. He goes, what's his damp,
Speaker 1: what's the black guy's name? Anyways, Terrence Howard, thank you,
Speaker 1: thank you on on his rebutal he goes, he goes,
Speaker 1: Terrence Howard work. His work is not a waste. It's
Speaker 1: valuable because it shows future generations.
Speaker 5: What not to do.
Speaker 1: It's and so what he's doing is he's embarrassing somebody
Speaker 1: enough that the future generations coming up will be afraid
Speaker 1: to do anything similar to that. Now, Terrence Howard might
Speaker 1: be a little wacky with his whole one times one
Speaker 1: equals two thing. I don't know. I think that's a metaphor,
Speaker 1: but whatever, the fact that he realized that we weren't,
Speaker 1: that we're ignoring the absence space between the platonic solids
Speaker 1: is viable because now we know that there's no such
Speaker 1: thing as vacuum, there's no such thing as empty space.
Speaker 1: So if that's the case, Terrence is onto something about
Speaker 1: harnessing energy from void using the absence spaces between the
Speaker 1: platonic solids that Nil deGrasse Tyson vehemently is like, they're
Speaker 1: beautiful but they're nonsense, right.
Speaker 4: I think Terrence Howard has always gone into things with
Speaker 4: the chip on his shoulder, and what he wanted to
Speaker 4: do is to show people how wrong they were in
Speaker 4: a lot of different ways. And I think in some
Speaker 4: ways he's right. And the model he's using for the
Speaker 4: elemental table, right, Yeah, using that model, it gets people
Speaker 4: into the idea that all of these things can be
Speaker 4: broken down by frequency. That's not something you see in
Speaker 4: the everyday model. And you know, it's a correct model,
Speaker 4: and the way it was constructed is perfect, all matches up. Well,
Speaker 4: you know. I think that's really what they wanted to
Speaker 4: get rid of, is because the idea of being able
Speaker 4: to manipulate things with frequency is not a very popular
Speaker 4: topic people. They never talk about how we could be
Speaker 4: damaged by cell phone towers. They never talk about any
Speaker 4: of that because it's basically that's what we're going to
Speaker 4: be inundated with the rest of our lives, is this
Speaker 4: frequency damage.
Speaker 6: Right, And at the same time, they make these sound
Speaker 6: weapons to disperse crowds so we can't talk, you know,
Speaker 6: you just yeah, yeah, it's a bit of a misuse
Speaker 6: of science.
Speaker 1: Great, A lot of what parents is referring to So
Speaker 1: I got a Walter Russell, the universal one, and and
Speaker 1: he's it's full of stuff like this, which if I'm
Speaker 1: not advanced enough to understand what's going on here, but
Speaker 1: I find it to be just absolutely gorgeous. But one
Speaker 1: of the things in here is what you just mentioned
Speaker 1: is the periodic table. Instead of having each element isolated
Speaker 1: into a square, it's on a spiral that's based on
Speaker 1: Fibonacci sequence that shows definitively by illustration that these particles
Speaker 1: are not particles, but instead pockets of energy that take
Speaker 1: on a form that interacts with our consciousness.
Speaker 7: Uh.
Speaker 1: There's so many diagrams in here that it's almost impossible
Speaker 1: to find the exact one.
Speaker 6: Yeah, I find that fascinating how the periodic table of
Speaker 6: element city has how they basically nest into one another
Speaker 6: all the spiral depending upon the nuclear valance of each
Speaker 6: as it a sinds and decends in weight.
Speaker 1: And that's how we change elements is by their density too, right, Right.
Speaker 4: If anybody's interested in seeing just definitive evidence that Stephen
Speaker 4: Hawking is a fraud, all you gotta do is look
Speaker 4: up Stephen Hawking translator. And before they had that little
Speaker 4: box that was speaking for him. They supposedly had a
Speaker 4: guide that would translate what he was mouthing, which there's
Speaker 4: no way you could do that. Just if you watch
Speaker 4: the clip. The guy is clearly a fraud, right, I say,
Speaker 4: he's just a sham. And just by looking at that video,
Speaker 4: it's like, that's the rest of the science that you
Speaker 4: guys have been ascribing to. That's Stephen Hawking. He's the
Speaker 4: forerunner of all of this privilege. Right, it's perfect.
Speaker 1: That's the periodic table right there, and that looks fresh
Speaker 1: to me. I mean, that's got some risk to it, dude,
Speaker 1: And I happen to be passing this page on the
Speaker 1: way over, but this was before it's hacked bentoff. So
Speaker 1: this pendulum here shows the difference between infinite energy and
Speaker 1: energy that's completely at rest being the same thing. And
Speaker 1: the way he describes it is with the pendulum now
Speaker 1: bentof kind of translates this for us, because this jargon
Speaker 1: is a bit much for me. But whenever it's at
Speaker 1: this crescento right here, where it has a moment of pause,
Speaker 1: the atomic structure of it ceases to exist for just
Speaker 1: a moment of time, which tipped him off. Way before
Speaker 1: his time, that maybe it's not there in the first place.
Speaker 1: Maybe it's the motion of it and our observation of it,
Speaker 1: or a combination of the two that makes it exist
Speaker 1: in the first place. And the way it's bentoff describes it.
Speaker 1: And you know he's got something good going because he
Speaker 1: died on that famous plane crash after he got done
Speaker 1: working for the CIA, when they were done with him.
Speaker 1: No indication there, but whatever. If you want bullshit literature,
Speaker 1: read the work of men who died early. It's invaluable.
Speaker 1: But he described it. He was like, if you have
Speaker 1: an item that's completely at rest or versus an item
Speaker 1: that is moving at infinite speed, Theoretically, if that same
Speaker 1: item was moving at infinite speed, it would be there
Speaker 1: all of the time, always therefore at rest. That's what
Speaker 1: he mentioned. He was like, when you are completely in
Speaker 1: a meditative state and you shut down the thoughts, you
Speaker 1: become a microcosmic form of omniscience.
Speaker 4: I was going to throw in there that what you're
Speaker 4: saying about the pendulum force, it actually sounds pretty similar
Speaker 4: to the gravity dead zones that are around the planet, right,
Speaker 4: because if you think about it, what you get at
Speaker 4: the very pinnacle of that swing is where there's no
Speaker 4: more forces acting on it within that moment of time.
Speaker 4: And so what you've got around the Earth is pockets
Speaker 4: of massive plasmatic energy that stick to these gravity dead
Speaker 4: zones upper atmosphere. And to me, if plasma is conscious
Speaker 4: and they're sticking in these gravity wells, you could actually
Speaker 4: form a lot of these you know, gods or whatever
Speaker 4: in terms of pure con energy that's not being acted upon.
Speaker 6: And they've documented these plasma fields in a couple specific
Speaker 6: spots that have this potential.
Speaker 4: Yeah, and if that's where the gods are coming from,
Speaker 4: that that's interesting. I mean, if this is where that
Speaker 4: kind of world and that hallucination is sort of manifesting
Speaker 4: as sort of infinite energy, that's us.
Speaker 6: Real It kind of gets into ancient arconic forces as well.
Speaker 4: You know, right, Well, the Greeks said that their gods
Speaker 4: lived in the third Heaven, right, and that's what it
Speaker 4: says in the Bible too, So they're working off of
Speaker 4: the same cosmology. And if that cosmology was a working
Speaker 4: one as in like shamanism and ritual experiences, you're talking
Speaker 4: about them connecting with these sort of zones of infinite consciousness, right, did.
Speaker 2: You want to get into the Red Door?
Speaker 1: I would love to so. Do you got like a
Speaker 1: picture of the red.
Speaker 2: La let me see?
Speaker 5: You know what?
Speaker 2: Why didn't need to do that?
Speaker 1: Dude? This thing is going to be a heyday to
Speaker 1: even try to like describe without the pictures of it.
Speaker 1: But it's this is to me the most fascinating and
Speaker 1: the scariest part of Coral Castle, especially considering it's really
Speaker 1: put to the side. It's not like a big deal
Speaker 1: that's put on display, and it's just stark red, like
Speaker 1: a warning, and it's almost not like he hid it.
Speaker 1: But at the same time was like, this is the
Speaker 1: part that no one should find until they are certain
Speaker 1: of my capabilities and himself like he wanted people to
Speaker 1: discover the secret of the Red Door after definitively trusting
Speaker 1: him by seeing his work. And nobody knew about the
Speaker 1: orbit of the Earth around the Sun until it was
Speaker 1: years after the Red Door. And I don't think we
Speaker 1: even got our knowledge of the orbit of the Earth
Speaker 1: around the Sun from his Red Door. It just so
Speaker 1: happened that years later we found out that his model worked.
Speaker 1: And that begs the question how many other of his
Speaker 1: theories and models actually worked, and that's what's fascinating. Right
Speaker 1: there is there's a bell.
Speaker 4: It says, ring the bell, and so this.
Speaker 1: Is an emergency to him. This is something that is
Speaker 1: so important that it needs to be alarmed. It has
Speaker 1: to have an alarm that sets off for anybody who
Speaker 1: realizes it. Because I don't even know if that bell works.
Speaker 1: It's probably symbolic. But uh yeah, so's there. It is there,
Speaker 1: It is right there, all right. So there's a Sun
Speaker 1: in the middle, and the electromagnetic field around the Sun
Speaker 1: is displayed here somewhat accurately, the best you could draw
Speaker 1: on a rusty old door. But the line that comes
Speaker 1: off of the Sun is not from the center of
Speaker 1: the Sun. They're both attached to a spot on the
Speaker 1: Sun off to the side. That shows us that the
Speaker 1: center of gravity and the Sun is not the center
Speaker 1: of the Sun. We didn't know that until very recently.
Speaker 1: The lines that come off of the Sun to each
Speaker 1: corresponding Earth are different lengths, and the length corresponds with
Speaker 1: the Fibonacci sequence of difference of the elliptical that the
Speaker 1: Earth takes around the Sun. We used to think that
Speaker 1: orbits were perfect circles until we discovered these elliptical orbits.
Speaker 1: We didn't know that the Earth did that around the Sun.
Speaker 1: It has nothing to do with the seasons. But the
Speaker 1: twenty one there is what it was where it gets
Speaker 1: really crazy because the Earth goes around the Sun in
Speaker 1: this weird elliptical shape that doesn't seem to have a
Speaker 1: pattern until you start to get around eighteen nineteen twenty,
Speaker 1: and then as you approach twenty one, it forms this
Speaker 1: Spiro graph that you might have seen when you're a
Speaker 1: kid and you do the pencil and the gears and stuff, right,
Speaker 1: it forms this sacred geometry around it that causes the
Speaker 1: Earth every twenty one years. I shouldn't say years, but
Speaker 1: twenty one cycles around the sun, because, as Ed himself
Speaker 1: displayed also before we knew it, a year is not
Speaker 1: a year to us. According to Sideiro, year is quite
Speaker 1: different than our three hundred and sixty five days. But
Speaker 1: when it completes that twenty one days twenty one cycles
Speaker 1: around the Sun is when it finally returns to its
Speaker 1: first original place round the Sun and then causes a
Speaker 1: magnetic shift to happen that makes the Earth flip over.
Speaker 1: And he demonstrated this with a model that no one's
Speaker 1: got footage of Butvene proven Mahin. He had the resources
Speaker 1: to do so, and he built this model and showed
Speaker 1: it to be not only mathematically correct but absolutely effective.
Speaker 1: So basically, if we are to buy what Ed is
Speaker 1: telling us is true, Moon's got water, that the sidereal
Speaker 1: year can be calculated by the seasons, that sun dials
Speaker 1: that are concave can be accurate down to the second
Speaker 1: throughout the entire year unceasingly. All of these things that
Speaker 1: he was correct about decades before modern science was. We
Speaker 1: might not have so much hesitant to believe him with
Speaker 1: this claim, which is that every twenty one thousand years
Speaker 1: the Earth flips over. The question now is how long
Speaker 1: ago was the last one?
Speaker 5: Wasn't that part out?
Speaker 2: Wasn't it kind of like possibly known that he had
Speaker 2: an idea, He just didn't say anything.
Speaker 1: I think he did know. Well, it's so the way
Speaker 1: he calculated the seasons, the day of the year, the time.
Speaker 1: We didn't talk about the sun dial, but the megalithic
Speaker 1: sun dial, for example, was the first one to use
Speaker 1: a concave bottom that actually made up for the the
Speaker 1: analema that the sun takes in the sky. If you
Speaker 1: do like a stop motion of the sun and makes
Speaker 1: that you know that figure eight that the sun doesn't
Speaker 1: the sky until the three days where it rests.
Speaker 6: And it starts over right infinity.
Speaker 1: Yeah, it makes an infinity symbol, right. So because of that, analema,
Speaker 1: a sun dial cannot be correct all year. If you
Speaker 1: have a stick that casts a shadow, it's going to
Speaker 1: be off by a couple of minutes at this time
Speaker 1: of the year, opposite off for this time of the year,
Speaker 1: and it only matches directly there. It is right there.
Speaker 1: So because of that concave, that said, I think a
Speaker 1: Fibonacci ratio, which is what the universe is based off of,
Speaker 1: which it kind of opens the doors to all of
Speaker 1: these mathematics that he possibly knew so long before us.
Speaker 1: This concave structure allows that little nub right there, that
Speaker 1: little shadow boner, to exactly line up on this little
Speaker 1: sun dial throughout the year without having to be adjusted
Speaker 1: or moved. And you couldn't move it. The thing weighs
Speaker 1: seven tons. So he utilized this sundial, the Polaris telescope,
Speaker 1: the Gemini stone, and pretty much every thing else in
Speaker 1: Coral Castle that wasn't necessarily decorative or meant to produce
Speaker 1: power to make these calculations, and all of those calculations
Speaker 1: accumulate into the symbology of what the red door represents.
Speaker 1: So we can't argue with him on any of these
Speaker 1: things because they work. Meanwhile, scientists will not hesitate to say, Okay,
Speaker 1: he was right about that, but he must be wrong
Speaker 1: about the pole shift, so that we have a pickle.
Speaker 1: We have a pickle there. Some say that the last
Speaker 1: pole shift was the Younger dreat. Some say that was
Speaker 1: a comet, though some say it was a solar flare.
Speaker 1: Robert Schock says, I tend to go with Robert Schock
Speaker 1: on the solar flare thing because of the the petrified
Speaker 1: stone and petrified forts that ancient people used to build there.
Speaker 1: They have glass on top of them. And to get
Speaker 1: to make those petrified forts be petrified, the lightning would
Speaker 1: have had to be astronomical, I mean absolutely unimaginable power,
Speaker 1: and ancient people were hiding in these petrified forts while
Speaker 1: this lightning, this plasma plasmatic discharge between planets. Maybe Mars
Speaker 1: might be what we're looking at, because the Grand Canyon
Speaker 1: and the gouges in Mars are very similar. So the
Speaker 1: headlist mentioned the electric universe, and that ties us right
Speaker 1: back into that puppy right there. If that is so,
Speaker 1: and you tie that into what Ed is saying, it
Speaker 1: seems that the stat you might it's not setic electricity,
Speaker 1: but that's a good way to look at it. In
Speaker 1: this microcosma, right, it causes because magneticity, well Ad said, magneticity.
Speaker 1: It's a combination of magnetism and electricity, right, they work
Speaker 1: hand in hand. So if you have a plasmatic discharge
Speaker 1: of electricity between planets, whether it's because of this cycle
Speaker 1: it takes around the Sun, or maybe it gets too
Speaker 1: close to an adjacent planet like Mars, especially long ago
Speaker 1: when that everything was so much closer together, it was
Speaker 1: just flip just the Joey.
Speaker 4: It's not uncommon to have planets that have discharge of
Speaker 4: electricity between each other's surfaces. So Jupiter has Europa and
Speaker 4: you can hear it on Earth on radios on Earth,
Speaker 4: the plasmatic discharges from Europa to the planet Jupiter. Yeah,
Speaker 4: so that's a lot of energy, but it happens.
Speaker 1: That's how powerful it is that we can hear it
Speaker 1: all the way here on Earth.
Speaker 8: You know, Joey wasn't. Also, the magnetic poles on the
Speaker 8: Sun they flip every eleven to twenty two years.
Speaker 5: Yeah, so Ed.
Speaker 1: That's another thing that Ed pointed out was that the
Speaker 1: Sun has four magnetic quadrants as opposed to two, which
Speaker 1: again at his time was absolutely psycho talk, right, But
Speaker 1: he depicted that in the Sun Couch, that the Sun
Speaker 1: has four magnetic centers and the Earth is attached to
Speaker 1: one of them, and when you're attached to one of
Speaker 1: them like such, it causes an instability. Every time it
Speaker 1: completes that twenty one cycles around it, you know, so
Speaker 1: that twenty one thousand years might coincide with some of
Speaker 1: the great extinctions that we have seen over and over again.
Speaker 1: And if you trace that out in a pattern, it
Speaker 1: creates a pattern. It's repeatable. It's not random. It's not like, oh,
Speaker 1: the answer proceed extinction was here, the Cretaceous extinction was
Speaker 1: static or whatever it happens. They're evenly spaced. That raises
Speaker 1: a lot of alarm, and I think that's why he
Speaker 1: put a bell up there. You know. So whether he
Speaker 1: or not he knew when the last bullshift was, I
Speaker 1: am assuming he did because he calculated everything else.
Speaker 8: But doesn't it coincide with the shifting of our posttars
Speaker 8: as well.
Speaker 1: I'm not sure if he indicated that or not. Like
Speaker 1: at this point it's I think his hypothesis. It's like
Speaker 1: he handed it over to us to take over. Joey.
Speaker 4: Is there any record of him expressing any kind of
Speaker 4: synesthesia himself?
Speaker 1: Oh, ed, yeah, not that I know. But then again,
Speaker 1: he didn't talk. He didn't he'd spoke, And if you
Speaker 1: read his book, it's practically incoherent.
Speaker 4: Right because with the synesthesia, he's seeing numbers and colors
Speaker 4: as being synonymous, and if there is this sort of
Speaker 4: harmony to the universe, he'd be able to see it
Speaker 4: basically in the form of mathematics as well as you know,
Speaker 4: in his mind's eye, how that you know, a number
Speaker 4: interacts with him and how he views the world.
Speaker 1: So there could have been in.
Speaker 8: A different form of synesthesia, because synesthesia occurs with hearing
Speaker 8: and then seeing color. Do you hear vibration, you hear music,
Speaker 8: and then you see the color. But it might have
Speaker 8: been something in terms of looking at magnetism and then
Speaker 8: seeing something else like ant like it's a different neuronal
Speaker 8: pathway that are attached together. That's why you have asia,
Speaker 8: because when you hear, the actual receptors that are a
Speaker 8: programmed for hearing actually overlap the retinal processing unit area
Speaker 8: of the brain. That's why you get that overlap. So
Speaker 8: it might have been something reverse of what you're saying,
Speaker 8: and that that's where you're getting the combination of the two.
Speaker 1: If we're to assume that he has had a form
Speaker 1: of savantism that all of a sudden becomes not weird
Speaker 1: and then all of a sudden, it might help us
Speaker 1: understand how he was able to find underground aquifers so easily.
Speaker 6: So I read somewhere that Fagaras had a brother that
Speaker 6: was sort of a savant and didn't like speak, but
Speaker 6: he would just there at the heavens and basically convey
Speaker 6: the ideas. And that's where Pythagoras was said to have
Speaker 6: gotten the ideas of the singing of the spheres.
Speaker 1: Wow, Yeah, that's huge. I would love to hear more
Speaker 1: on that.
Speaker 6: Yeah, I read that in some book number of years ago.
Speaker 10: You know.
Speaker 1: Yeah, I wouldn't be surprised because that's what it takes.
Speaker 1: It seems as if the savantism is what causes the
Speaker 1: person to pick up the information, but they can't convey.
Speaker 6: It, so you need somebody close to them them yeah
Speaker 6: or something yeah, rich, Which.
Speaker 1: Leads us right back to the telepathy tapes, because guess
Speaker 1: who told us about the hill. It wasn't the savant kids,
Speaker 1: it was the mothers who were close to them, translating
Speaker 1: expe what they were trying to say.
Speaker 8: It's an interpret kind of like like what the headless
Speaker 8: is saying about the centsentia, That you have these phenomenons,
Speaker 8: but the only way that you can express them is
Speaker 8: through a different medium his speech, whose speech is the
Speaker 8: medium itself, has to be different and has to be
Speaker 8: the overlay, which, yeah, it's it's.
Speaker 1: Like one sensation to a savant person, One single moment
Speaker 1: of perception for them is going to take up a
Speaker 1: thousand words in pictures that have to be brutally uh
Speaker 1: drawn out and explained in mathematical terms that they frankly
Speaker 1: just don't don't have and probably in a way don't
Speaker 1: have time to as one person. You know, So what
Speaker 1: better way to express those things than with gigantic megalithic
Speaker 1: structures that bear the mathematics of those very units of information.
Speaker 5: You know.
Speaker 2: One thing I did want to bring up earlier, and
Speaker 2: I'll bring it up. Bring it up now since we're
Speaker 2: kind of back on her a little bit. I think
Speaker 2: you did mention something about him seeing like what flesh
Speaker 2: and color is? Are blue? All right?
Speaker 5: Well?
Speaker 2: Croley, Crowley, when he supposedly did the of the law,
Speaker 2: the room that he was in supposed to lit up
Speaker 2: as blue too, according to him.
Speaker 1: I see Alexander the Great stayed the night in the
Speaker 1: Great Pyramid in the King's chamber, and he was saying
Speaker 1: that he's all full blown visions is of what he had.
Speaker 1: So I mean that begs the question, are we can
Speaker 1: we induce this kind of savantism.
Speaker 6: And the pyramid itself, you know, blocking out all those rays,
Speaker 6: specifically with the tunnels coming from Ryan and Sirius, you know,
Speaker 6: so they're directing certain energies into that king's chamber. Yeah,
Speaker 6: it's very And then the fact that it's also on
Speaker 6: top of a spring and you have the aquaf for there,
Speaker 6: so you have all of these elements combined, you know
Speaker 6: to Yeah, and.
Speaker 1: Then if you read the Coffer texts about what the
Speaker 1: purpose of the pyramids were, we dismissed it as superstition,
Speaker 1: but the pharaohs say that they blasted their consciousness out
Speaker 1: into the stars to join the netter, and that they
Speaker 1: they rendered their consciousness into a viral format that we
Speaker 1: might consider plasma, and we're able to go into the heavens.
Speaker 1: And the reason that they were mummified, the bodies were
Speaker 1: mummified was to create an anchor in the case that
Speaker 1: they would have to come back.
Speaker 4: So I had something, Yeah, on the nuture, right, So
Speaker 4: that's that's the hieroglyph for the nuture. It's a flag,
Speaker 4: Isn't that interesting?
Speaker 5: Yeah?
Speaker 4: The Egyptian word for God is communicated as a flag.
Speaker 4: And so now we have all these flags that are
Speaker 4: ruling over us and got the u n and you
Speaker 4: think about all this stuff today and what are we getting?
Speaker 4: We're given the nuture again. A nuture is one of
Speaker 4: the ways that I believe the etymology of the word
Speaker 4: nature came about. And what if what if we're talking
Speaker 4: about human nature? Human nature? To worship the flag, you
Speaker 4: freak flag flag.
Speaker 1: Washington is all Egyptian symbology. The dollar bell.
Speaker 6: Yeah, it's it's not even hidden, really freaking Egyptian. Yeah
Speaker 6: with us.
Speaker 4: That fast say they come from the Egyptians. All the
Speaker 4: rest of these groups that really have a control over
Speaker 4: the religious sentiments of our society and of people all
Speaker 4: come from this Egyptian route, you know, right, Christianity has
Speaker 4: a lot of.
Speaker 6: Traits well, and these like like Coral Castle itself. You know,
Speaker 6: these ancient builders, you know, rising up coming from those
Speaker 6: original two pillars that had the seven Sacred arts that
Speaker 6: basically gave you know, the craft to the builders, the
Speaker 6: temple builders, and you know them transitioning and moving building
Speaker 6: all these pulls based around stacred numbers, sacred proportions back
Speaker 6: to the temple, you know, of the body of.
Speaker 5: The whole.
Speaker 6: It's it's yeah, yeah, what.
Speaker 4: If all these things are hieroglyphic, you know what, what
Speaker 4: you're seeing there in Coral Castle, Each one of those
Speaker 4: things are words that build up a sentence. Yeah, And
Speaker 4: that's I think that's the real key to all of
Speaker 4: this is thinking in those terms, because this is like
Speaker 4: a cosmic language.
Speaker 6: He kind of he kind of goes from seconds to
Speaker 6: hours to months to years to the red door showing
Speaker 6: the whole of the cycle and and the where the
Speaker 6: cycle begins and ends. The serpent eats its tail.
Speaker 8: Yeah, point Robbie and headlesses on the seven is that
Speaker 8: we all the Earth or the planetary system switches between
Speaker 8: seven pole stars constantly.
Speaker 6: Depending on the movement of the shift and where yeah, yeah.
Speaker 4: Yeah, I think we're just starting to really understand the
Speaker 4: depth of energy that we're dealing with because this is
Speaker 4: this is like the thought processes of all of our
Speaker 4: greatest ancestors, right coalescing. And I think that's something important
Speaker 4: to keep in mind with times like this where we
Speaker 4: are seeing kind of a shift, is that you could
Speaker 4: tap into that mindset if you're willing to, you know,
Speaker 4: actually take a look at these concepts we're talking about.
Speaker 4: And that's that's the first step into greatness.
Speaker 7: You know.
Speaker 1: Yeah, it's and if we are receiving like an antenna,
Speaker 1: this information via the pineal gland, once it's kind of
Speaker 1: lit up. That that's the question of why so many
Speaker 1: people see hieroglyphics living hieroglyphics when they're on d MT,
Speaker 1: which a Straftman displayed is produced because the pineal glant producers,
Speaker 1: if I'm not mistaken, uh, serotonin, melotonin, dinosile trip to me,
Speaker 1: the third of which we don't bother to study. It's
Speaker 1: the most interesting one, right and whenever that's kicked into
Speaker 1: high gear. People see hieroglyphics that are not being like
Speaker 1: it's not like the hieroglyphics are being shown to them
Speaker 1: by the beings. The beings are hieroglyphic.
Speaker 6: Well, almost like the universe itself is made up of these,
Speaker 6: you know, pulsing and generating hieroglyphic mechanisms that kind of
Speaker 6: seem to have some relation to holding matter together.
Speaker 4: Yeah, symbols that repeat over and over again. Is because
Speaker 4: the symbols are the god. They're they're the same, right.
Speaker 1: Yeah, you ever do the thing with the you put
Speaker 1: the laser, you get a vertical laser on the wall.
Speaker 6: I've heard about it.
Speaker 1: Yeah, Yeah, that's that's that's the whole thing. And you
Speaker 1: don't even have to be okay to see the talking hieroglyphics. Obviously,
Speaker 1: you need the three lungfuls of d MT to get
Speaker 1: the Terrence McKinnon experience. Dude, But dude, half a puff
Speaker 1: of d MT and you put that laser on the wall.
Speaker 1: You're looking straight through the wall and into what looks
Speaker 1: like it looks like the matrix, but instead of ones
Speaker 1: and zeros, it's hieroglyphs. Ye, not necessarily specific ones from Egypt,
Speaker 1: but that's the mood, you know. And then so maybe
Speaker 1: there's a common route to ruins hieroglyphics. The Easter Island
Speaker 1: has the uh, the the ruga ruga or something like that.
Speaker 1: It's a code. No one's deciphered it yet. Wrong, wrong,
Speaker 1: I think, is what they're called down them. Yeah, but
Speaker 1: they look like hieroglyphics and Hindu writing and oh my goodness,
Speaker 1: Hebrew mathematical.
Speaker 6: I was gonna say Hebrew. When you get into Moses,
Speaker 6: essentially being in that region and you get into the
Speaker 6: burning bush and that burning bush has the highest rate
Speaker 6: of androgens dmt in the region. Yeah, and then going
Speaker 6: up to the mountain and basically, you know, they said
Speaker 6: he came back and his face was glowing. But there's ralph.
Speaker 6: I forgot the guy's name. But he postulates that the
Speaker 6: carbon molecule that as the molecule turns, that if you
Speaker 6: shine a light through it at every point of the rotation,
Speaker 6: basically creates the Hebrew alphabet.
Speaker 1: Oh damn.
Speaker 5: Yeah.
Speaker 1: Yeah, it's like that's where it came from in the
Speaker 1: first place. And we've been making imitations of it ever since.
Speaker 6: Of the natural function of the way that the molecules
Speaker 6: of the universe work, and that's why the letters are
Speaker 6: written in all time and predict and like give in
Speaker 6: our part of everything.
Speaker 1: Yeah, no one ever seems to like question where we
Speaker 1: get the letter A. Like we we always were like, ah,
Speaker 1: that's the way we got it. Moving on, Yeah, it's
Speaker 1: like letters.
Speaker 4: The letter is an interesting one. So, uh, you know,
Speaker 4: all of our letters come from the Phoenician. And so
Speaker 4: the Phoenician letter A was an upside down letter A,
Speaker 4: and it looked like the torus symbol, right, So that
Speaker 4: was the symbol for the bull, and for some reason,
Speaker 4: once it got over to the Greek they decided to
Speaker 4: flip it upside down, and so the A then became
Speaker 4: sort of like the capital A that we see.
Speaker 1: In Latin alpha.
Speaker 4: It goes back to the idea of the stars. All
Speaker 4: of the Phoenician alphabet was equated to the stars, and
Speaker 4: all the rest of these other just magnificent works of
Speaker 4: art were related to how the our interact with us.
Speaker 4: If you look at the Greeks, their language for the
Speaker 4: gods was the language for the thing itself, right, So
Speaker 4: all of these things were not disconnected in the minds
Speaker 4: of the people observing them, and they had a lot
Speaker 4: greater connection to those things thinking about them as personalities.
Speaker 4: You know, we don't necessarily understand that. We do that naturally,
Speaker 4: but it's not like front of mind, So it's all
Speaker 4: psych subconscious. How we interact with these symbols, and we
Speaker 4: think of them as more idiograms. You know, an idiogram
Speaker 4: is just like a walk signed, you know, it's just
Speaker 4: a guy on the side. It doesn't really have any
Speaker 4: deeper meaning than that. But really all of these symbols
Speaker 4: are much deeper than idiograms, and as we interact with them,
Speaker 4: we don't really have that context.
Speaker 6: Sir h Hammer perg style. He wrote an essay on
Speaker 6: higher glyphs and he talks about that every single glyph
Speaker 6: is a fundamental only telling a story of the cosmic
Speaker 6: foundation of what reality is and how it was created.
Speaker 1: Shit, yeah, it's tack bentoff. Whenever he was the CIA
Speaker 1: was pulling him out of his body and he was
Speaker 1: talking about the A lift, He's like everything all the
Speaker 1: entire He's like a cluster of universes. They're all burst
Speaker 1: out from this big a liph and he's like, this
Speaker 1: A lift doesn't actually exist.
Speaker 10: You're not going to measure it. You're not going to
Speaker 10: weigh it. You're not gonna see it. But he's like,
Speaker 10: what you can see it, and it gives birth to
Speaker 10: the universes. He and he's like in the book himself
Speaker 10: sucking the wild pendulum. He's like, it's an a lift.
Speaker 10: That's what He's like, that's what it is, and that's bizarre.
Speaker 6: And the the a itself is at the beginning of
Speaker 6: the alphabet, which essentially is the force creator that begins
Speaker 6: to use all of those letters to name the things
Speaker 6: and bring forth all of creation.
Speaker 4: Yeah, it's like there's a cosmic force that makes languages
Speaker 4: survive and it has to be traveling along that course
Speaker 4: for it to continue, Right.
Speaker 1: I wanted to say something almost exactly like that. I
Speaker 1: wonder if everyone on Earth got Aneesa at the same
Speaker 1: time or died and then there was just a baby
Speaker 1: that came up, like hypothetically completely, would we would we
Speaker 1: keep this going or would it just be you know?
Speaker 1: I think so well.
Speaker 4: I know that the really promising sign is these rat
Speaker 4: reincarnation studies where they're taking a rat, a parent rat, right,
Speaker 4: and they put it in these tests where it'll have
Speaker 4: a stimulus response to whatever the test is so whether
Speaker 4: they're giving it food or giving it electric shocks, that
Speaker 4: they give it a stimulus like a sound, right, and
Speaker 4: then they'll do the shock or do the feeding. Well,
Speaker 4: they become sprum donors, and their children then have the
Speaker 4: stimulus response without having thats response. That's just like us
Speaker 4: and all of our ancestors. I mean, all of these
Speaker 4: memories we keep cycling through even though we're not really
Speaker 4: conscious of the whole process.
Speaker 1: Well, dude, I knew there was a reason I was
Speaker 1: an alcoholic. That fucking explains everything. Nice.
Speaker 6: So I have chickens, right, and chickens when a hawk
Speaker 6: flies over and they've never even seen a predator before,
Speaker 6: they'll instantly duck down. The chickens I got them at
Speaker 6: a year old. They'd never had corn, but as soon
Speaker 6: as I threw the corn out they knew exactly what
Speaker 6: it was. It went crazy for So you getting into
Speaker 6: this genetic memory kind of like the monarch butterflies and
Speaker 6: getting into you know, some of the paper clip stuff,
Speaker 6: as far as the idea that we hold these things
Speaker 6: inherent within our genome.
Speaker 4: Junk DNA right right, that's they would eliminate, They would
Speaker 4: eliminate those ancestral memories. I mean thinking about how how
Speaker 4: you could brainwash entire peoples if they don't have that
Speaker 4: sort of still small voice in the back of their
Speaker 4: head telling them how to do things they don't know
Speaker 4: how to do.
Speaker 5: Right.
Speaker 1: And look, how DNA was discovered, right, crick who's on acid?
Speaker 6: And he was on acid?
Speaker 1: That's right, And so that that ties back to everything.
Speaker 1: It's it seems like, well we get all discovered.
Speaker 6: We see clearly they imagined what it was going to
Speaker 6: be before they found it, and then they found what
Speaker 6: they imagined.
Speaker 5: Right.
Speaker 1: Oh my god, dude. So with with chickens, can you
Speaker 1: confirm this? Uh, A baby chickens will hatch. They're typically
Speaker 1: in a box, right, and they'll start pecking at the
Speaker 1: cardboard bottom of the box. It's not the ground, they're
Speaker 1: not here. They could be in your house, they're not.
Speaker 6: Yeah. They inherently know to scratch and dig to look
Speaker 6: for their sustenance. Right, it's just part of the nature.
Speaker 1: We would keep putting up Christmas trees without having any
Speaker 1: idea why we're doing it right as a species.
Speaker 6: Yeah, going back to Addison, the tall standing you know
Speaker 6: pine tree, and it's yeah, yeah, it is interesting.
Speaker 4: Man.
Speaker 1: So it's like Manly p Hall talked about, if you
Speaker 1: understand the language of symbolism, then you understand all things
Speaker 1: through your own human body. And he and in his
Speaker 1: book Initiate of the Flame, every chapter he goes he's like,
Speaker 1: this is the this is the cube. You know, the
Speaker 1: Sword of ex Caliber was in the stone cube. He's like,
Speaker 1: the stone cube represents your body. And then he goes, okay,
Speaker 1: this is the pyramid, the Pyramid of Egypt. Blah blah,
Speaker 1: YadA YadA. It represents you your body, right, And then
Speaker 1: he goes on and at the end of the book
Speaker 1: he's like, Okay, so far you've noticed everything represents the body.
Speaker 1: He's like, it's a different forms of the body. But
Speaker 1: when you tie it all together, you yourself are an
Speaker 1: encyclopedia of all of the great mysteries. There's nothing lacking.
Speaker 6: And that's you get into all the native cultures and
Speaker 6: they talk about they have the force of all the
Speaker 6: ancestors standing behind them giving them information, providing, showing the way.
Speaker 1: It's yeah, the Cosmic Serpent by Jeremine Arby, he talks
Speaker 1: about He's like, what's up with all the serpents and
Speaker 1: all this stuff? And he does the ayahuasca, and he
Speaker 1: he as a as an anthropologist, saw something different than
Speaker 1: cosmic serpents. He saw the workings of the universe, the
Speaker 1: mathematics and sacre geometry of the universe. He's like, easily,
Speaker 1: if I didn't have my education, I would have called
Speaker 1: that cosmic circuits, because that's what it looks like.
Speaker 6: The colors, the scale, vibrating, the vibrations si sn wave.
Speaker 2: Yeah.
Speaker 1: Yeah, So it's different, different languages for the same thing,
Speaker 1: along those same lines.
Speaker 4: I don't know if you guys have heard of Ken
Speaker 4: Wheeler before, but he came out with a paper about
Speaker 4: the plane of inertia, and the plane of inertia I
Speaker 4: think perfectly explains sort of all of the repeatability of symbolism,
Speaker 4: all of this stuff. It says all attraction and repulsion
Speaker 4: is governed by dielectricity. Magnetism is the dielectric field. The
Speaker 4: discharging dielectric is the radiation modality we call magnetism. Magnetism
Speaker 4: is reaching out in space, not in question. However, radiation
Speaker 4: only displaces things. In the case of magnetism, causes an
Speaker 4: inductive reaction in the interatomic magneto electric ferrous objects thereby
Speaker 4: causing dielectric coherency. So this dielectric coherency produces a plane
Speaker 4: of inertia in the middle of it. This is why
Speaker 4: you see if you hold a magnet up to a
Speaker 4: spirograph or whatever with the little iron or you'll see
Speaker 4: it all around the outside through the middle. That middle
Speaker 4: is that plane of inertia. So where we exist between
Speaker 4: the poles has that sort of plane of inertia idea,
Speaker 4: and all of the forces of electricity can be condensed
Speaker 4: onto that model of the plane of inertia, causing this
Speaker 4: repeating effect. Right, it's sort of like we become sort
Speaker 4: of the I guess you could say the coils that
Speaker 4: now this same force is qua over and over again
Speaker 4: with This is where you get the forms. This is
Speaker 4: where all of this geometric stuff is being brought into form.
Speaker 6: Right, And when you look at the body itself, as
Speaker 6: far as any living body, creates that portion field and
Speaker 6: the essential part of the function is that plane of inertia.
Speaker 6: That is the force manifesture that can be used and
Speaker 6: manipulated through the chakra system, et cetera, et cetera, et cetera.
Speaker 4: Yeah, Well, plan off that same concept over and over again.
Speaker 1: Yeah, and that that mouthful of scientific everything. It reminds
Speaker 1: me of the.
Speaker 7: Oh, go ahead, go ahead, okay, I'm sorry, I'm lagging
Speaker 7: as I'm interrupting to the computer. It reminds me, of course,
Speaker 7: of the idea of the acacic field, which is where
Speaker 7: if we can, if we can get to in a
Speaker 7: consciousness manner, then and and it which hearkens exactly to
Speaker 7: what these women said in the telepathy tapes of the hill,
Speaker 7: that it was as if there was a plane or
Speaker 7: a field, and the hill of these thoughts is where
Speaker 7: everyone went because it stuck out among amongst the field.
Speaker 7: It was like we were talking about it if it
Speaker 7: was hard to find, but it was like, no, we
Speaker 7: all go to the one element that is protruding from
Speaker 7: the hill.
Speaker 1: So the plane. If you did have that scientific time anology,
Speaker 1: you would call it the hill, or maybe like the
Speaker 1: oak dode, or the cosmic egg, or the.
Speaker 6: Tree of life, the mound in the waters of chaos.
Speaker 1: Yeah, all of the above. There's ancient ways to depict
Speaker 1: what we are describing with science today under different languages.
Speaker 1: We call it superstition today.
Speaker 4: Wild and it repeats over and over and over again
Speaker 4: unless you're looking at it from a different perspective, You're
Speaker 4: never going to know what you're.
Speaker 1: Seeing, right. Yeah, all these guys, it seems like they
Speaker 1: not only predicted the future, but this gap of amnesia
Speaker 1: between it. I mean, it's this guy behind you right
Speaker 1: here with the little dot on his forehead. You know,
Speaker 1: that's obviously going to depict the pineal gland. But further
Speaker 1: than that, look at his ears. He did that. I'm
Speaker 1: pretty sure way before some of these guys in the
Speaker 1: hardcore bands did the same thing. You know, Like it's
Speaker 1: the site Like so right now, you could go outside
Speaker 1: and you're going to see a guy, probably a young man,
Speaker 1: with a very large thing in his ear right, and
Speaker 1: they were doing that. Now, I guarantee you that there's
Speaker 1: something you know in Africa they did it in the lip. Yes,
Speaker 1: but yeah, that's it. If we are wiped out by
Speaker 1: saying a younger, dryest catalysm, catalysm, oh my god, any cataclysm,
Speaker 1: my apology is, uh, we will still cycle and do
Speaker 1: the same things that these guys once did. It's just
Speaker 1: buried in us, right.
Speaker 6: They actually went and studied different types of dances all
Speaker 6: around the world, and they determine that there's these basic
Speaker 6: twenty two to twenty three different movements that the body's
Speaker 6: capable of and consistently. You see that just as the
Speaker 6: natural function of the way that the fractal expresses itself.
Speaker 1: Yeah, it's it's almost like an alphabet. There's only so
Speaker 1: many different contemptions and bees. Uh, bees dance language and
Speaker 1: they dance maps if I'm not.
Speaker 4: Right right, Yeah, there are so many different holy people
Speaker 4: throughout all of history that point back to all religion
Speaker 4: coming from a secret college of holy men that study
Speaker 4: and worship bees.
Speaker 1: Is that so? Yeah?
Speaker 4: Which you get into that topic and it's like all
Speaker 4: the bee symbolism and all the different you know, cults
Speaker 4: and all the different formation groups that started all these
Speaker 4: different religions pretty.
Speaker 6: Ugly, the ambrosia, the nectar of the gods. You get
Speaker 6: into all these you know, the land of milk and honey.
Speaker 2: Yeahs are huge with the.
Speaker 4: Mason's. All the big cult groups are all about the bees.
Speaker 1: There's that that my favorite hieroglyph. It's not a hieroglyph,
Speaker 1: is it. It's a stone. It's a petroglyph. Is a
Speaker 1: man anthropomorphized bee with a bee face and everything. But
Speaker 1: it's got mushrooms sprouting out from him everywhere. And that's
Speaker 1: about as well as it gets right there, blue right,
Speaker 1: I think that's that there's I believe that the vibration.
Speaker 7: I believe in h the bee was associated with royalty.
Speaker 7: If they if they displayed a cartoons or cartridge of
Speaker 7: the identity of the person, the bee denoted that this
Speaker 7: person was royalty.
Speaker 1: I believe.
Speaker 4: Think about all the golden black striping on everything.
Speaker 6: Yeah, yeah, it was Isis that was said to actually
Speaker 6: was the one who brought and they called them the
Speaker 6: flies that made nectar m.
Speaker 1: Bees go silent during the eclipse.
Speaker 5: I did not know that.
Speaker 1: Wild. And also, and this is also secondhand, I don't
Speaker 1: have it in front of me, but bee keepers live
Speaker 1: longer per capita than average people. Something about their vibe.
Speaker 1: And also it's impossible for them to fly live, but
Speaker 1: they fly anyway because.
Speaker 6: They're levitate based on the frequency.
Speaker 10: Yeah.
Speaker 1: Yes, the wings are just kind of aiming them.
Speaker 6: Well and generating that frequency that allows them to create
Speaker 6: that bubble to be able to levitate and manipulate.
Speaker 1: See, maybe da Vinci was onto something his flying machine
Speaker 1: involved like dragon fly wings, and we saw that we're like,
Speaker 1: get out of here's not feasible. But maybe he didn't
Speaker 1: mean it to actually indicate liftoff, but instead to induce
Speaker 1: the vibration. And I mean how a lot of his
Speaker 1: work was kind of in code to avoid getting burned
Speaker 1: steak or whatever they did back then.
Speaker 2: All right, I think, if you guys don't mind, I
Speaker 2: think maybe we'll just wrap it up here real.
Speaker 1: Quick, headless, can you send me anything on that rat
Speaker 1: study that you mentioned earlier.
Speaker 4: Okay, if you just look up ancestral rat study you'll
Speaker 4: find it. It's one of the first ones lifted. They
Speaker 4: keep repeating it, they keep getting the same result, but
Speaker 4: nobody wants to use it.
Speaker 1: Yeah, no thing that's worth looking into. I can't wait
Speaker 1: to check that out.
Speaker 4: I had one more thing, if you don't mind me
Speaker 4: jumping into the bu rabbit hole. So there was a
Speaker 4: Russian b scientist named Victor Gribitikov. He was an entomologist
Speaker 4: who claimed to have discovered some insects could levitate rather
Speaker 4: than fly. He proposed that a dead insect body parts
Speaker 4: attached to the underside of a platform could create a
Speaker 4: levitation effect. Gribinikov wrote about his experience experiments is fly
Speaker 4: over the Russian countryside using his levitation device in his
Speaker 4: self published book My World.
Speaker 1: Uh you know it's self published too. Yeah.
Speaker 4: Well, Grebinikov is doing these experiments with these bee wings
Speaker 4: and he's getting some sort of repulsion effect and you
Speaker 4: can actually find the videos of him doing it. So
Speaker 4: there's something deep down this b rabbit hole and eyes
Speaker 4: into all the rest of the topics we've been covering.
Speaker 1: Every time you say b rabbit hole, I know you're
Speaker 1: avoiding saying bee hole, but we'd have to go into.
Speaker 4: Crowley and we don't want to, you know what.
Speaker 2: You know how I can wrap it up this way too.
Speaker 2: This is a fun fact that I bring this up
Speaker 2: a lot. The same muscle that's in your pupil that
Speaker 2: makes sure I dilated is the same one that's in
Speaker 2: your razzle. Yeah, it's fun fact, the muscle. So thank
Speaker 2: you very much, Joy for coming on. That was amazing.
Speaker 2: Uh again, it was better than I expected. I thank
Speaker 2: you so much for saying on so along with us.
Speaker 2: That was awesome. We talked about a lot of things.
Speaker 2: We did a lot of talking about Coral Castle. That's
Speaker 2: what's up. Thank you. The chat was off the hook.
Speaker 2: Thank you very much. Everybody who jumped in. I really
Speaker 2: appreciate it. Joey, real quick, let everybody know where they
Speaker 2: can fund your stuff again, please.
Speaker 1: I got Library of the Untold is my main milk
Speaker 1: and honey, so to speak. But if anybody who wants
Speaker 1: to dig a little bit deeper. Also on YouTube is
Speaker 1: Void Stairs Back, which is all of the music that
Speaker 1: I do for the channel. Some people like them in
Speaker 1: song for Matt and that's kind of my original passion
Speaker 1: before having the channel was songwriting and stuff. So there's
Speaker 1: Library of the Untold and Void stairs Back. Oh oh,
Speaker 1: I can always forget this. I wrote a book called
Speaker 1: Book of Wonderful Suffering, and I'm not very good with
Speaker 1: angling this thing. Everything's backward, but the link to that
Speaker 1: is on the YouTube channel too, so it's all it's
Speaker 1: all kind of right there.
Speaker 2: That's all right. Yeah, if you want to give me
Speaker 2: any of the links that you want, I'll definitely throw
Speaker 2: it in the show notes. Thank you everybody else for
Speaker 2: joining us. Thank you, Lisa, I appreciate it. Ethan Indigo again,
Speaker 2: thank you, Robbie Marx. We got Headless Giant, and we
Speaker 2: got Mike. I'll put all of their links in the
Speaker 2: bottom as well, just take too long for everybody to
Speaker 2: plug themselves. But I'm sure by now you already know
Speaker 2: who they all are. Again, thank you all and until
Speaker 2: the next one. That's the end of another Recult Rejects Lada.
Speaker 1: Thanks guys,