1 00:00:00,240 --> 00:00:02,600 Speaker 1: And we have joining us live in studio. Let me 2 00:00:02,600 --> 00:00:06,200 get these mics up here. We have the band Sepsis 3 00:00:06,320 --> 00:00:10,960 Is with us. Hello everybody, good morning, good morning, and 4 00:00:11,119 --> 00:00:13,839 uh okay, let's uh William, let's start with you. Let's 5 00:00:13,880 --> 00:00:15,160 everyone introduce ourselves. 6 00:00:15,960 --> 00:00:19,079 Speaker 2: I am William and I play guitars and I scream 7 00:00:19,320 --> 00:00:20,239 and sing in the band. 8 00:00:22,000 --> 00:00:26,079 Speaker 3: There's somebody here. 9 00:00:25,239 --> 00:00:27,719 Speaker 1: Gor bell there is. 10 00:00:29,640 --> 00:00:34,280 Speaker 3: Oh my goodness, I'm Zachie B and I played BASEB. 11 00:00:34,920 --> 00:00:35,359 All right. 12 00:00:35,759 --> 00:00:38,759 Speaker 4: My name is Melissa Wolf and I am the vocalist 13 00:00:38,880 --> 00:00:39,759 for Sepsis. 14 00:00:40,240 --> 00:00:44,039 Speaker 5: Yes, I'm le and I'm the merch girl. 15 00:00:44,479 --> 00:00:49,719 Speaker 1: And you're in the Uh you're on the newest single there, yes, sir, Yeah, yeah, yeah, 16 00:00:49,719 --> 00:00:51,560 we we played that. Uh was it a couple of 17 00:00:51,560 --> 00:00:51,920 weeks ago? 18 00:00:51,960 --> 00:00:52,960 Speaker 3: Three weeks ago on the show? 19 00:00:53,200 --> 00:00:53,880 Speaker 6: Thank yeah. 20 00:00:54,079 --> 00:00:59,039 Speaker 1: It all blurs together. But yeah, so we should talk 21 00:00:59,039 --> 00:01:01,240 about Today's a very ashul day. Of course, today is 22 00:01:01,600 --> 00:01:05,560 swarmy Fest. Swarmy Fest Day. Swarmy Fest will be later, 23 00:01:06,120 --> 00:01:08,840 but uh, let's let's talk about that. Tell tell everybody 24 00:01:08,920 --> 00:01:09,400 what that is. 25 00:01:10,680 --> 00:01:19,920 Speaker 4: So swarmy Fest is today'st weekend Theta Music Hall in Lowell, Massa. 26 00:01:20,640 --> 00:01:23,000 I honestly I think it's Teta. 27 00:01:23,120 --> 00:01:26,000 Speaker 3: We're getting better at this. Everyone's got their own version. 28 00:01:25,920 --> 00:01:30,599 Speaker 1: Right, Feda makes me think of cheese. I like, to 29 00:01:31,280 --> 00:01:32,719 good point, you really do. 30 00:01:33,719 --> 00:01:36,319 Speaker 4: We've got about eight bands on the bill. We've got 31 00:01:36,359 --> 00:01:42,840 Dead by Wednesday, Casting Shadows, Hero and The Horror Exception, 32 00:01:43,799 --> 00:01:49,040 Lone Wolf, James, Diamond Edge, and Joint Damage. 33 00:01:49,280 --> 00:01:52,280 Speaker 1: All right, very good, and uh, now what time does 34 00:01:52,319 --> 00:01:53,040 that start? 35 00:01:54,879 --> 00:01:58,480 Speaker 3: So they started right now? Oh we started swarmy Fest 36 00:01:58,599 --> 00:01:59,040 last night. 37 00:01:59,200 --> 00:02:00,280 Speaker 1: Yeah. 38 00:02:00,480 --> 00:02:03,040 Speaker 2: No, it starts when people start getting off the plane. 39 00:02:03,159 --> 00:02:05,879 It really does, like people start flying in. The cool 40 00:02:05,879 --> 00:02:07,879 thing about swormy Fest is not just a local event. 41 00:02:08,039 --> 00:02:10,879 I mean, it's really because we don't have enough gas 42 00:02:10,919 --> 00:02:14,520 money to go. Oh my god, that there's more people here. 43 00:02:15,319 --> 00:02:16,960 Speaker 4: Doors are technically at five. 44 00:02:17,000 --> 00:02:19,560 Speaker 3: Yeah, the doors for the music event are at five. 45 00:02:19,639 --> 00:02:22,759 Speaker 2: But we really start to show when the planes land, 46 00:02:22,759 --> 00:02:24,639 when people get off the plane and start hanging out. 47 00:02:24,680 --> 00:02:27,000 We have a pre party show that we have on 48 00:02:27,080 --> 00:02:29,000 Friday night, which we had last night with all these 49 00:02:29,000 --> 00:02:34,439 people here, karaoke and just shenanigans and dubauchery and hotel 50 00:02:34,479 --> 00:02:37,759 parties and stuff like that. But swormy Fest is really 51 00:02:37,800 --> 00:02:40,960 cool because it's not just a local event. It's really, 52 00:02:41,400 --> 00:02:43,520 if we had to gas money, we would be able 53 00:02:43,560 --> 00:02:45,800 to travel to all of our friends and fans everywhere. 54 00:02:46,520 --> 00:02:51,240 We just don't not in today's local climate, so we 55 00:02:51,240 --> 00:02:54,360 can't tour everywhere. And some of our friends, some of 56 00:02:54,400 --> 00:02:57,039 our fans, and most of these people here are like 57 00:02:57,080 --> 00:02:59,840 staff members or extended family members to us. They ben 58 00:03:00,159 --> 00:03:03,479 before and because we can't get out, they come in, 59 00:03:03,639 --> 00:03:05,919 you know, and we all do the event from within 60 00:03:06,039 --> 00:03:09,599 and it's all about discovery and sharing music from around 61 00:03:09,599 --> 00:03:10,039 New England. 62 00:03:11,520 --> 00:03:15,199 Speaker 1: And now this is the third one, So what what 63 00:03:15,280 --> 00:03:17,159 How is this different from the first two because I 64 00:03:17,199 --> 00:03:19,960 assume obviously the event has changed, it's evolved. 65 00:03:21,360 --> 00:03:26,520 Speaker 3: The major difference is is we've been able to. 66 00:03:28,199 --> 00:03:34,360 Speaker 2: Have deeper business to business relationships with like n H 67 00:03:34,479 --> 00:03:39,400 Guitars playing a deeper role. This year we're doing a 68 00:03:39,520 --> 00:03:44,039 raffle and guitar giveaway with them. Legion of Solace is 69 00:03:44,080 --> 00:03:48,520 here with us, and we have a new partner, BPS 70 00:03:48,560 --> 00:03:53,159 Records that is also here with us helping host the event. 71 00:03:53,759 --> 00:04:00,680 And everybody here, whether it's having music dealerships shops or 72 00:04:00,680 --> 00:04:06,280 repair shops or podcasts or BPS Records and reader with 73 00:04:06,360 --> 00:04:13,240 her venue, everyone here is a main contributor to the event. 74 00:04:14,360 --> 00:04:14,479 Speaker 5: Uh. 75 00:04:14,759 --> 00:04:17,680 Speaker 2: And I think that's what's different this year than it 76 00:04:17,720 --> 00:04:21,240 passes is the amount of interaction that all of my 77 00:04:21,319 --> 00:04:25,120 partners have contributed directly. 78 00:04:25,199 --> 00:04:28,680 Speaker 1: Right, and this is that Now is this the first 79 00:04:28,680 --> 00:04:30,639 one at in Lowell? 80 00:04:30,839 --> 00:04:33,879 Speaker 2: This is the first time we've ever done it at Lowell. 81 00:04:34,959 --> 00:04:39,360 Usually we're across the street at Jewel. And we did 82 00:04:39,360 --> 00:04:43,240 the two stage thing last year. Uh, but we had 83 00:04:43,240 --> 00:04:45,079 some changes we had to we had to pivot this 84 00:04:45,199 --> 00:04:49,279 year and Tifeta's new ground for us, so we're hoping 85 00:04:49,279 --> 00:04:53,040 to secure a good relationship with them so we can 86 00:04:53,120 --> 00:04:54,600 come back and do it again. The whole point of 87 00:04:54,639 --> 00:04:56,160 doing this stuff is so you can do it again. 88 00:04:56,720 --> 00:04:58,639 Nobody wants a one night stand, you know what I mean? 89 00:04:58,959 --> 00:05:01,680 Speaker 1: That would be great when you did the first one. 90 00:05:01,839 --> 00:05:04,959 Was that the plan all along to make it an 91 00:05:04,959 --> 00:05:06,920 annual thing? Or was it like, let's see how the 92 00:05:06,920 --> 00:05:07,680 first one goes. 93 00:05:07,879 --> 00:05:10,600 Speaker 2: I hope we have a swarmy Fest South. I hope 94 00:05:10,639 --> 00:05:13,720 we have a swarmy Fest California. Yeah, I hope we 95 00:05:13,759 --> 00:05:17,600 have a swarmy Fest UK. Yeah, someday, you. 96 00:05:17,519 --> 00:05:20,920 Speaker 4: Know, form the world there you go. 97 00:05:21,000 --> 00:05:23,720 Speaker 1: Yeah, oh yeah, why not? So that's the long term plan. 98 00:05:24,519 --> 00:05:27,199 Do you are there any plans to make it like 99 00:05:27,240 --> 00:05:28,839 more than once a year, like do it twice a 100 00:05:28,879 --> 00:05:29,600 year or anything like that? 101 00:05:29,759 --> 00:05:32,480 Speaker 3: Or is that the planner is always to survive? 102 00:05:32,839 --> 00:05:36,720 Speaker 2: Yeah, you know, making it isn't the Sepsist thing because 103 00:05:36,920 --> 00:05:40,199 if you make it, then you're done. So we're always 104 00:05:40,199 --> 00:05:43,040 making it. You know, we're working progress and. 105 00:05:44,519 --> 00:05:44,879 Speaker 3: Music. 106 00:05:45,160 --> 00:05:49,519 Speaker 2: Modern music is evolving and live music is evolving, and 107 00:05:49,519 --> 00:05:54,519 Stepsis is a band that adapts. Sepsis is a band 108 00:05:54,519 --> 00:05:56,120 that survives and evolves. 109 00:05:56,279 --> 00:05:56,560 Speaker 1: Yep. 110 00:05:58,279 --> 00:06:01,480 Speaker 2: So we have to clean our late check the boxes 111 00:06:01,519 --> 00:06:06,000 as we go down. But uh, you know, life comes 112 00:06:06,439 --> 00:06:10,000 in waves, and you know it's about getting on the 113 00:06:10,040 --> 00:06:15,240 right ferry boat with live entertainment, changing quality over quantity 114 00:06:15,319 --> 00:06:18,959 for us. But we're cleaning our plate one thing at 115 00:06:18,959 --> 00:06:19,279 a time. 116 00:06:19,959 --> 00:06:25,399 Speaker 1: Yeah, and tell us too about so to kind of 117 00:06:25,759 --> 00:06:28,480 veer away from that for a moment, because a few 118 00:06:28,480 --> 00:06:30,959 weeks ago we were talking off here about the new 119 00:06:31,000 --> 00:06:34,439 single Bathwater from Sepsis that just came out. When when 120 00:06:34,519 --> 00:06:35,920 was that just just very recently? 121 00:06:36,000 --> 00:06:38,360 Speaker 3: Right? So yeah, we don't we don't come out with 122 00:06:38,480 --> 00:06:40,160 music anymore. We just make music. 123 00:06:40,439 --> 00:06:45,519 Speaker 2: You know, so many so many artists depend on products 124 00:06:45,600 --> 00:06:53,519 or gizmos or gadgets or manufacturing or labels or brands 125 00:06:53,560 --> 00:06:56,199 to release music. We're a band that just makes music. 126 00:06:57,680 --> 00:07:01,480 We don't we're not a forever band. There's no born 127 00:07:01,600 --> 00:07:05,000 date or death date. There's just the life date. Right, 128 00:07:05,519 --> 00:07:09,639 So we're not waiting for iTunes or a record label 129 00:07:09,759 --> 00:07:14,480 to make music or give us permission to release music. 130 00:07:14,680 --> 00:07:18,279 So because we don't come out with music anymore, we 131 00:07:18,360 --> 00:07:22,360 don't wait for Spotify or ask permission for uploads. When 132 00:07:22,360 --> 00:07:24,720 we finish music, we just ask our fans if they 133 00:07:24,759 --> 00:07:26,120 want to listen to it, and then we give it 134 00:07:26,120 --> 00:07:28,959 to the fans, right right, So it goes there's no 135 00:07:29,680 --> 00:07:32,160 sepsist and then a label, and then a manager, and 136 00:07:32,240 --> 00:07:35,199 then an A and R guy. It's just we skip everybody, 137 00:07:35,319 --> 00:07:37,959 including spot We don't even release music on Spotify anymore. 138 00:07:37,959 --> 00:07:40,319 Speaker 3: We just give our music directly to our fans. 139 00:07:42,199 --> 00:07:44,680 Speaker 1: Has that always been the strategy. I'm sure we've talked about. 140 00:07:44,439 --> 00:07:48,240 Speaker 2: This before, but it is it is now because there's 141 00:07:48,240 --> 00:07:51,560 too many jute boxes, there's too many middlemen before our 142 00:07:51,680 --> 00:07:54,079 real fl we have authentic fans. I think if you're 143 00:07:54,120 --> 00:07:57,519 getting into music is something. If you're a modern musician 144 00:07:57,800 --> 00:08:00,639 and you're you're getting into it, now and you're introduced 145 00:08:00,639 --> 00:08:03,920 to modern music through technology and through computers. I mean 146 00:08:04,160 --> 00:08:09,879 people think that that music comes from gadgets. Children think 147 00:08:09,959 --> 00:08:13,240 that music comes from the internet. They think it comes 148 00:08:13,240 --> 00:08:16,439 from computers. But music doesn't even come from people. 149 00:08:18,279 --> 00:08:21,160 Speaker 1: What do you mean music was here before? 150 00:08:21,439 --> 00:08:25,240 Speaker 2: Music was here before humanity. Okay, yeah, like whales make music, 151 00:08:25,279 --> 00:08:30,040 birds make music. Sound and frequency has been here before humans. 152 00:08:30,079 --> 00:08:32,360 We're just so big headed we think we made it 153 00:08:32,480 --> 00:08:36,480 up right, right, So, but the truth is music belongs 154 00:08:36,519 --> 00:08:38,320 to the universe, Matt, not to me. 155 00:08:38,679 --> 00:08:39,000 Speaker 3: Okay. 156 00:08:39,039 --> 00:08:41,519 Speaker 2: So that's why Stepsis gives our music away, because it 157 00:08:41,559 --> 00:08:45,480 belongs to everybody, yeah, not to not to companies and corporations. 158 00:08:46,600 --> 00:08:49,360 Speaker 1: There's a YouTuber I don't know if anyone might be 159 00:08:49,399 --> 00:08:53,679 familiar with her, uh miss Crystal, who's top music attorney 160 00:08:53,720 --> 00:08:56,679 as our YouTube channel, and she talks a lot about, 161 00:08:56,720 --> 00:08:59,519 you know, releasing music yourself and not using like you 162 00:08:59,559 --> 00:09:01,799 were saying, and you know, the middleman like a record 163 00:09:01,879 --> 00:09:05,200 label and everything, because you can. And she's even talked 164 00:09:05,240 --> 00:09:09,000 recently in videos about how like you're better off putting 165 00:09:09,000 --> 00:09:11,639 it on your own website than using like you said, Spotify. 166 00:09:12,360 --> 00:09:14,840 Speaker 3: Yeah, I mean opinions very on that no. 167 00:09:14,919 --> 00:09:18,919 Speaker 2: And you know, if you're being introduced to music today, 168 00:09:20,159 --> 00:09:23,120 maybe iTunes is the way to go. But we've been 169 00:09:23,120 --> 00:09:26,240 a band since twenty ten. We do whatever we want 170 00:09:26,240 --> 00:09:28,480 to do. When we do it, we just do whatever 171 00:09:28,639 --> 00:09:31,159 we really want to do, you know, whatever makes us happy. 172 00:09:31,360 --> 00:09:34,600 Speaker 1: Yeah, do you know when the next are you working 173 00:09:34,639 --> 00:09:35,720 on another single? 174 00:09:36,200 --> 00:09:37,480 Speaker 3: We're working on everything. 175 00:09:37,759 --> 00:09:43,679 Speaker 2: Music is expensive, and because we're trying to make quality music. 176 00:09:43,759 --> 00:09:45,840 You know, here's the thing with the Spotify stuff and 177 00:09:46,480 --> 00:09:51,679 the gadgets is me Zach Melissa Lexi. We put in 178 00:09:51,759 --> 00:09:54,720 a lot of time and effort and investment to make 179 00:09:54,799 --> 00:09:57,600 quality music high and what I mean by that is 180 00:09:57,679 --> 00:10:04,240 high resolution music. We mix and master high resolution music, 181 00:10:05,320 --> 00:10:09,399 but when we upload it to certain streaming sites like Spotify, 182 00:10:09,600 --> 00:10:15,519 they knock the resolution down. So if your career or 183 00:10:15,519 --> 00:10:20,279 if your dream depends on quality, that's part of our 184 00:10:20,279 --> 00:10:24,039 brand is making crystal clear loud music. 185 00:10:25,440 --> 00:10:28,720 Speaker 3: That's part of our brand. So that's why we don't belong. 186 00:10:29,480 --> 00:10:32,000 Speaker 2: Really on those sites because we put in a lot 187 00:10:32,000 --> 00:10:37,600 of investment money into creating high quality, high resolution music, 188 00:10:38,240 --> 00:10:42,159 and then we upload it on the websites that reduce 189 00:10:42,399 --> 00:10:46,039 and fragment and degrade our high resolution music. 190 00:10:46,519 --> 00:10:49,320 Speaker 3: So if you are, we're career entertainers. 191 00:10:50,440 --> 00:10:54,799 Speaker 2: So if your career entertainer and your resume depends on 192 00:10:55,799 --> 00:11:03,240 presenting quality music, and we showmakers and A and r's right, 193 00:11:03,320 --> 00:11:05,480 and they go or advertisers and they go, hey, we 194 00:11:05,600 --> 00:11:07,519 love to hear your quality music, and you go, and 195 00:11:07,559 --> 00:11:11,000 of course everybody listens to music through Spotify. Now they well, 196 00:11:11,039 --> 00:11:13,120 send us your Spotify. We go, no, we don't want 197 00:11:13,120 --> 00:11:14,440 to do that. We'd like to send you our high 198 00:11:14,480 --> 00:11:17,200 resolution music, and go, well, everybody listens to music on 199 00:11:17,240 --> 00:11:18,279 iTunes and Spotify. 200 00:11:19,080 --> 00:11:21,519 Speaker 3: But the issue with that is bands like us. 201 00:11:21,960 --> 00:11:24,440 Speaker 2: You know, if you're not a celebrity, they upload your music, 202 00:11:24,480 --> 00:11:27,799 they knock the resolution down. My resume depends on me 203 00:11:27,919 --> 00:11:29,399 having high resolution music. 204 00:11:29,600 --> 00:11:31,639 Speaker 3: Yeah, yeah, so music. 205 00:11:31,679 --> 00:11:34,159 Speaker 2: The more of the story is is, of course we're 206 00:11:34,159 --> 00:11:37,360 working on stuff. It's just expensive to be in Sepsis 207 00:11:37,360 --> 00:11:40,559 because we want to create music that we love forever. 208 00:11:40,639 --> 00:11:43,879 Speaker 3: We're not a fifteen album band. We've got friends of ours. 209 00:11:43,919 --> 00:11:46,960 Speaker 2: They're super talented and they got a thousand songs out 210 00:11:46,960 --> 00:11:47,919 that no one's ever heard. 211 00:11:48,840 --> 00:11:49,080 Speaker 1: Right. 212 00:11:49,360 --> 00:11:51,919 Speaker 2: We got friends of mine that are in bands that 213 00:11:51,960 --> 00:11:53,200 are much more talented than I. 214 00:11:53,200 --> 00:11:53,720 Speaker 3: Will ever be. 215 00:11:54,440 --> 00:11:57,480 Speaker 2: Have a catalog of music that no one will ever hear, 216 00:11:57,720 --> 00:11:59,759 and people are still listening to black Light Invasion because 217 00:11:59,759 --> 00:12:02,440 it's yeah interesting. 218 00:12:02,519 --> 00:12:05,320 Speaker 1: Yeah, yeah, most people, I don't think, I mean, you know, 219 00:12:05,519 --> 00:12:07,879 people in the scene, no, people in the industry know, 220 00:12:07,960 --> 00:12:09,799 But I don't think the average listener knows what you 221 00:12:09,840 --> 00:12:11,840 were just talking about about. How you know, it is 222 00:12:11,840 --> 00:12:14,320 a little resolution if you listen to something on YouTube 223 00:12:14,399 --> 00:12:19,639 or Spotify. Band Camp, from what I've read, is better 224 00:12:19,759 --> 00:12:22,720 about not like when you post things on band camp. 225 00:12:22,799 --> 00:12:27,080 It's higher resolution than if you uh been on YouTube 226 00:12:27,159 --> 00:12:27,799 or Spotify. 227 00:12:28,240 --> 00:12:32,000 Speaker 2: And and of course you have to be on everything. Yeah, 228 00:12:32,080 --> 00:12:34,879 I mean if if if you're a band and you 229 00:12:34,919 --> 00:12:38,279 want to be in a music industry, then you want 230 00:12:38,320 --> 00:12:42,399 to be in a system, a system of gizmos and 231 00:12:42,559 --> 00:12:48,960 gadgets that are constantly trying to outdo each other with 232 00:12:49,240 --> 00:12:55,120 developed with new developers and new apps, and there's a 233 00:12:55,159 --> 00:13:00,080 subscription fee for everything that. Oh yeah, so the the 234 00:13:00,200 --> 00:13:03,759 modern day music industry is a game of wannabes man 235 00:13:04,080 --> 00:13:10,440 that buy and purchase products that manufacture an image of success. 236 00:13:13,600 --> 00:13:17,320 Speaker 1: Well, but people like that. People like the they love 237 00:13:17,360 --> 00:13:18,799 it image, They love it. 238 00:13:19,320 --> 00:13:22,320 Speaker 3: People like a lot of stuff. Yeah, they like fentanyl too. 239 00:13:22,720 --> 00:13:25,440 Speaker 1: Well, that's that's true. Well some people. 240 00:13:28,120 --> 00:13:28,200 Speaker 4: Do. 241 00:13:28,399 --> 00:13:30,279 Speaker 1: Uh do the rest of you have any thoughts on 242 00:13:30,320 --> 00:13:32,759 what William was saying or anything to add to that 243 00:13:32,919 --> 00:13:34,840 or it's an interesting subject, I think. 244 00:13:36,039 --> 00:13:38,120 Speaker 4: Well I can talk a little bit about Bathwater. 245 00:13:39,399 --> 00:13:41,279 Speaker 1: Yes, since we got to talk about this. 246 00:13:41,399 --> 00:13:46,559 Speaker 4: Single coming out yea, yeah. Well, Bathwater is a gripping 247 00:13:47,039 --> 00:13:53,600 and emotional story about the adult industry, equality and the 248 00:13:53,639 --> 00:13:59,919 birthright to our minds, our bodies and message. The song 249 00:14:00,159 --> 00:14:06,559 is about men benefiting from women, people that live private, 250 00:14:06,879 --> 00:14:15,559 double and triple lives, online, cyberbullying, doxing, It's directly confronting 251 00:14:15,679 --> 00:14:19,840 people who have spread rumors about me, oh, people who 252 00:14:20,000 --> 00:14:26,799 mistreat and misuse technology and harassment. Yeah, Bathwater is really 253 00:14:26,919 --> 00:14:30,440 is a message to men, and that message is that 254 00:14:30,639 --> 00:14:35,399 we want the full ownership and restoration of our freedoms 255 00:14:35,440 --> 00:14:38,639 to our brains and our own body parts. 256 00:14:41,080 --> 00:14:41,440 Speaker 1: Very good. 257 00:14:42,759 --> 00:14:46,759 Speaker 4: Bathwater is also a message to young women and human 258 00:14:46,799 --> 00:14:51,120 beings everywhere, and no matter how you choose to look, 259 00:14:51,519 --> 00:14:54,960 where you choose to work, or who you choose to 260 00:14:55,159 --> 00:14:59,120 sleep with, you are the authors and composers of your 261 00:14:59,120 --> 00:15:02,039 own identity in the story of your own life. 262 00:15:03,279 --> 00:15:06,159 Speaker 1: Absolutely well, very good, very good? 263 00:15:06,639 --> 00:15:06,799 Speaker 4: Was that? 264 00:15:07,360 --> 00:15:09,320 Speaker 1: What was that song a long time in the making 265 00:15:09,519 --> 00:15:11,759 in terms of of the concept and the you know, 266 00:15:11,799 --> 00:15:15,000 because that's heavy stuff. I mean absolutely, yeah, it's not. 267 00:15:15,120 --> 00:15:16,080 It's not something you wrote. 268 00:15:16,120 --> 00:15:22,000 Speaker 3: And justin story, our second album is all about sex. Okay, 269 00:15:22,600 --> 00:15:28,279 it's about getting naked. Well ahead, while we look forward 270 00:15:28,279 --> 00:15:28,480 to that. 271 00:15:30,279 --> 00:15:32,480 Speaker 1: Are you so tonight? 272 00:15:32,600 --> 00:15:32,879 Speaker 7: Are you? 273 00:15:33,039 --> 00:15:34,000 Speaker 3: Uh? 274 00:15:34,039 --> 00:15:36,559 Speaker 1: Are you playing? Is bathwater one of the songs you're 275 00:15:36,559 --> 00:15:38,559 playing tonight? Is that on the on the list? 276 00:15:38,759 --> 00:15:40,559 Speaker 3: You have to show up to the show to find out. 277 00:15:41,679 --> 00:15:44,639 Speaker 1: Will be there? Well, we'll be there, so I'll take 278 00:15:44,639 --> 00:15:46,279 I'm gonna I'm gonna take that as a yes. 279 00:15:47,080 --> 00:15:47,879 Speaker 3: So no. 280 00:15:48,039 --> 00:15:50,759 Speaker 2: So somebody taught me this trick last night about set lists. 281 00:15:50,960 --> 00:15:51,159 Speaker 1: Yeah. 282 00:15:51,679 --> 00:15:54,200 Speaker 2: I've been doing this forever and uh, they told me 283 00:15:54,200 --> 00:15:55,320 stop sharing a set list. 284 00:15:55,559 --> 00:15:55,879 Speaker 3: Really. 285 00:15:56,240 --> 00:15:59,200 Speaker 2: Yeah, they say people read the set list and if 286 00:15:59,240 --> 00:16:01,360 they don't play, if you played the favorite song, they 287 00:16:01,360 --> 00:16:01,919 don't show up. 288 00:16:02,399 --> 00:16:05,759 Speaker 1: Oh I'm gonna wait to see. 289 00:16:07,200 --> 00:16:09,600 Speaker 3: That's what I did though, Yeah, I said, oh man, 290 00:16:09,639 --> 00:16:10,159 that's what they do. 291 00:16:10,799 --> 00:16:11,480 Speaker 1: That makes sense. 292 00:16:12,120 --> 00:16:14,440 Speaker 3: You know. There's an angle and a method to everything. Now, 293 00:16:15,200 --> 00:16:22,080 if you brush your teeth, what's that for playing it tonight? 294 00:16:22,159 --> 00:16:27,399 My brain, that's the one that's on my repeat on YouTube. 295 00:16:27,919 --> 00:16:29,559 I watched that video all the time. Guess what that 296 00:16:29,679 --> 00:16:30,279 song is about. 297 00:16:31,399 --> 00:16:35,480 Speaker 1: Yeah, my favorite desiyes of Empathy, which I've played on 298 00:16:35,519 --> 00:16:36,240 the show many. 299 00:16:36,039 --> 00:16:37,360 Speaker 4: Many great songs. 300 00:16:37,399 --> 00:16:39,240 Speaker 1: Yeah, yeah, yeah. 301 00:16:39,159 --> 00:16:43,120 Speaker 3: The song is about breakfast. I'm just kidding. I'm just. 302 00:16:44,679 --> 00:16:48,440 Speaker 1: Oh okay, it's the stomach talking. All right. 303 00:16:48,679 --> 00:16:52,200 Speaker 2: You could know that, yes, yes, No, Empathy is about 304 00:16:52,200 --> 00:16:53,679 the Mount Vernon murders. 305 00:16:53,879 --> 00:16:56,080 Speaker 1: Oh I didn't know that. Yes, I had no idea. 306 00:16:56,399 --> 00:16:56,639 Speaker 3: Yeah. 307 00:16:57,000 --> 00:16:59,519 Speaker 2: So in the yeah, in the song, the screaming part 308 00:16:59,600 --> 00:17:03,039 is the murder. Yes, and Melissa sings. 309 00:17:02,759 --> 00:17:03,639 Speaker 3: The part of the little girl. 310 00:17:04,000 --> 00:17:07,279 Speaker 2: Oh rys, that's out the bag. Oh it'll be damned 311 00:17:07,400 --> 00:17:09,759 yeah right now. Now, now when you listen to it, 312 00:17:09,799 --> 00:17:11,640 you'd be like, oh man, totally different. So in the end, 313 00:17:11,680 --> 00:17:13,839 you know, when we go just don't ask Jamie. This 314 00:17:13,880 --> 00:17:16,599 is like a big gang vocal. Oh Jamie's the girl. 315 00:17:16,759 --> 00:17:19,279 Oh okay, all right, that makes sense. 316 00:17:19,680 --> 00:17:20,720 Speaker 1: You're playing that tonight. 317 00:17:23,640 --> 00:17:28,039 Speaker 3: If you come to the show, how long are you playing? 318 00:17:28,039 --> 00:17:29,240 Speaker 1: Can you tell us the length of your. 319 00:17:29,759 --> 00:17:32,079 Speaker 2: Yeah, it'll be snappy SATs tonight. We want to you know, 320 00:17:32,119 --> 00:17:34,920 we wanna want to keep the music going. Yeah, because 321 00:17:34,960 --> 00:17:38,359 we've never done this before. We don't want the let's 322 00:17:38,359 --> 00:17:39,440 go have a cigarette moment. 323 00:17:39,759 --> 00:17:41,480 Speaker 1: What do you mean you've never done this this before? 324 00:17:42,599 --> 00:17:43,720 Speaker 3: Oh yeah, I. 325 00:17:43,640 --> 00:17:45,920 Speaker 2: Mean it's eight it's it's eight bands. We don't do 326 00:17:45,960 --> 00:17:48,599 eight bands anymore. It's two thousand and twenty four. 327 00:17:48,720 --> 00:17:52,039 Speaker 1: I really feel like it's tafaa. I really really feel 328 00:17:52,039 --> 00:17:54,400 like it's taffa. Like I'm almost positive and. 329 00:17:56,640 --> 00:17:58,799 Speaker 4: Bets now we're definitely gonna have to ask them. 330 00:17:59,400 --> 00:18:07,519 Speaker 3: Yeah, I said, I think it's. 331 00:18:06,119 --> 00:18:07,960 Speaker 1: Every time you say, you're making me crave a Greek 332 00:18:08,440 --> 00:18:09,759 I want a Greek salad now. 333 00:18:10,759 --> 00:18:14,000 Speaker 2: Thinking about in the beginning when we when we had 334 00:18:14,000 --> 00:18:15,759 the venue change, I'm like, it's at. 335 00:18:16,079 --> 00:18:21,640 Speaker 1: Your yeah, see you knows, yeah. 336 00:18:20,119 --> 00:18:22,599 Speaker 2: And everybody's like, oh, it's at the fet Music Hall. 337 00:18:22,680 --> 00:18:26,799 I'm like, no, it'sta like fet music Hall. I said, no, 338 00:18:28,079 --> 00:18:34,119 Feta cheese. That's right to ask somebody the chat. Somebody's 339 00:18:34,160 --> 00:18:34,559 out there. 340 00:18:35,079 --> 00:18:35,880 Speaker 3: How do you say this? 341 00:18:37,119 --> 00:18:39,559 Speaker 1: Because taffa means something right, it's is it a color? 342 00:18:39,680 --> 00:18:43,559 What is taffaa? Or I don't I don't know. 343 00:18:43,920 --> 00:18:44,480 Speaker 4: It sounds like. 344 00:18:46,160 --> 00:18:48,440 Speaker 1: It sounds like yeah, but it looks like a cool 345 00:18:48,519 --> 00:18:50,119 room from what I saw online. It looks like a 346 00:18:50,200 --> 00:18:50,759 nice place. 347 00:18:51,960 --> 00:18:55,519 Speaker 2: It does, and it doesn't look like anybody will be shanked. 348 00:18:55,759 --> 00:18:57,200 I mean we have these shows. 349 00:18:57,400 --> 00:18:59,359 Speaker 1: Well that's that's a positive too. Yeah. 350 00:18:59,559 --> 00:19:01,519 Speaker 2: Well, you know, you got to do your research. We 351 00:19:01,640 --> 00:19:05,079 google earth everything now, but we go there. We've driven 352 00:19:05,079 --> 00:19:07,440 all over the country, so some of the places we 353 00:19:07,480 --> 00:19:10,000 play at are you know yeah. 354 00:19:10,079 --> 00:19:12,279 Speaker 1: Yeah. One of my favorite things about going to a 355 00:19:12,319 --> 00:19:15,039 show is not getting shanked, right. I love that, Like, 356 00:19:15,079 --> 00:19:17,079 at the end of the night, if I haven't been shanked. 357 00:19:16,960 --> 00:19:17,960 Speaker 3: Right, Yeah, it's a good show. 358 00:19:18,039 --> 00:19:18,680 Speaker 4: That's important. 359 00:19:19,200 --> 00:19:21,000 Speaker 3: Yeah, yeah, it's a it's a win. 360 00:19:24,359 --> 00:19:25,680 Speaker 1: What time is the first fan going? 361 00:19:28,039 --> 00:19:29,440 Speaker 3: Five thirty? Yeah, five thirty. 362 00:19:29,480 --> 00:19:32,759 Speaker 2: Doors will be at five okay, and then we'll start 363 00:19:32,839 --> 00:19:37,000 music at five thirty. I think the incredible Diamond Edge 364 00:19:37,319 --> 00:19:39,640 I think is kicking it off. And I'll wait until 365 00:19:39,759 --> 00:19:41,920 they've been on here before I believe, right, di'mond Edge, 366 00:19:41,920 --> 00:19:44,039 I don't think, So let's get Diamond Edge on. He 367 00:19:44,400 --> 00:19:46,799 I love them school name Diamond Edge. 368 00:19:47,119 --> 00:19:48,880 Speaker 3: That they're fantastic and. 369 00:19:50,519 --> 00:19:52,519 Speaker 2: Yeah, you know it's that you can never get people 370 00:19:52,640 --> 00:19:55,160 to set these No one ever wants to go last, right, 371 00:19:55,200 --> 00:19:56,599 and nobody wants to go first. 372 00:19:56,599 --> 00:19:59,079 Speaker 3: I'm like, who wants to go first, you know, Diamond 373 00:19:59,160 --> 00:19:59,880 Edge stepped up. 374 00:20:00,160 --> 00:20:06,000 Speaker 1: Yeah. Now, now who's who's from the area and who 375 00:20:06,079 --> 00:20:09,039 who traveled? Because not not all these bands are from 376 00:20:09,039 --> 00:20:09,559 around here. 377 00:20:09,519 --> 00:20:14,119 Speaker 3: Right, I mean from here is New England, you know. 378 00:20:14,359 --> 00:20:17,480 Speaker 1: So yeah, anybody from outside of New England. 379 00:20:17,960 --> 00:20:20,640 Speaker 2: Oh obviously what you're saying. No, No, they're all New 380 00:20:20,640 --> 00:20:21,359 England bands. 381 00:20:21,200 --> 00:20:23,240 Speaker 1: Because I think I think last last year we. 382 00:20:23,240 --> 00:20:24,160 Speaker 3: Do that though something. 383 00:20:24,480 --> 00:20:29,079 Speaker 2: Yeah, I you know, it's tough because the way that 384 00:20:29,119 --> 00:20:32,640 the venues work now, it's all pre sale tickets. So 385 00:20:32,720 --> 00:20:36,559 it's like post pandemic. If you don't sell pre sale tickets, 386 00:20:36,839 --> 00:20:41,920 your band is trash. Because if you're if you're a musician, 387 00:20:42,960 --> 00:20:48,920 your venue, your show, your dream is all downstage center, Okay, 388 00:20:49,000 --> 00:20:52,920 But in twenty and twenty four, if you're a talent buyer, 389 00:20:55,000 --> 00:20:58,000 your dream is on your cell phone and and and 390 00:20:58,119 --> 00:21:02,839 chasing tickets and algorithms and demographics, and we don't even 391 00:21:02,839 --> 00:21:04,960 talk I don't even even talk about music anymore when 392 00:21:04,960 --> 00:21:07,759 we book shows. It's not even about music. It's just 393 00:21:07,839 --> 00:21:11,359 about metrics and pre sale tickets. And even if you're 394 00:21:11,400 --> 00:21:15,039 a massive band, as you see a lot now, these 395 00:21:15,079 --> 00:21:18,440 massive bands are canceling. You go, why these huge bands canceling, Yeah, 396 00:21:18,799 --> 00:21:26,440 because they can't sell enough predictable audience members. They want 397 00:21:26,440 --> 00:21:29,599 to be able to predict how many audience members you're 398 00:21:29,640 --> 00:21:34,839 going to have before soundcheck. So you know, if steps's 399 00:21:34,880 --> 00:21:38,720 books a show, I'm talking pre sale tickets, I'm not 400 00:21:39,160 --> 00:21:42,839 nobody cares about who physically shows up. If nobody physically 401 00:21:42,880 --> 00:21:47,359 shows up to Stormy Fest, nobody cares. The only thing 402 00:21:47,400 --> 00:21:51,759 that that talent buyers and venues are interested now, as 403 00:21:51,799 --> 00:21:54,440 far as you know, booking bands like us is if 404 00:21:54,480 --> 00:21:56,920 you're drawing, if you're not, If you can't draw a 405 00:21:57,000 --> 00:22:00,359 crowd and you can't sell pre sale tickets, it doesn't 406 00:22:00,400 --> 00:22:03,279 matter what bands you're in, you're out. 407 00:22:03,559 --> 00:22:05,640 Speaker 3: Yeah, And it's and it's going to continue to be 408 00:22:05,759 --> 00:22:08,839 that way. It's going to be tough for some people. 409 00:22:09,880 --> 00:22:12,880 Speaker 1: We had John MacArthur. I don't know if any of 410 00:22:12,960 --> 00:22:16,079 you know John MacArthur. He's a promoter. He's with uh 411 00:22:16,200 --> 00:22:18,599 I forget now, Jenny, Do you remember John MacArthur is 412 00:22:18,759 --> 00:22:23,720 something musical music collective, New Amster Music Collective. He was 413 00:22:23,720 --> 00:22:27,200 talking about how they they promote a lot of shows 414 00:22:27,200 --> 00:22:29,039 and conquered and he was talking about the challenge of 415 00:22:30,200 --> 00:22:32,759 people waiting until the last minute whether to decide whether 416 00:22:32,799 --> 00:22:34,400 or not they're going to go to go to the show. 417 00:22:34,519 --> 00:22:37,119 So he runs into a situation where because they have 418 00:22:37,160 --> 00:22:38,680 two rooms that they have a smaller room and a 419 00:22:38,680 --> 00:22:40,559 bigger room that they work with, and sometimes they'll have 420 00:22:40,559 --> 00:22:42,599 someone playing in the smaller room and and there'll be 421 00:22:42,640 --> 00:22:45,000 a lot of walk up and they'll be going. He 422 00:22:45,039 --> 00:22:47,200 gave me a specific example too. I can't remember who 423 00:22:47,200 --> 00:22:50,119 it was, but where all these people show up at 424 00:22:50,119 --> 00:22:53,039 the last minute, and they could have put this artist 425 00:22:53,119 --> 00:22:56,119 in the bigger room if they'd known precise all these 426 00:22:56,160 --> 00:22:59,000 people were coming. But you know, weise we kind of 427 00:22:59,039 --> 00:23:00,440 live in an era where people will wait for the 428 00:23:00,680 --> 00:23:01,400 last minute. 429 00:23:02,039 --> 00:23:06,079 Speaker 2: And terrible people have been taking advantage of this for years. 430 00:23:06,240 --> 00:23:09,400 Zack will explain it to you, But they've been terrible 431 00:23:09,440 --> 00:23:13,400 people have been taking advantage of this, uh for years 432 00:23:13,640 --> 00:23:18,039 by having the most privileged people and the richest kids. 433 00:23:18,119 --> 00:23:19,240 Speaker 3: Just buy the tickets. 434 00:23:19,359 --> 00:23:22,559 Speaker 2: Yeah, just buy the pre sale tickets, show up with 435 00:23:22,640 --> 00:23:27,559 nobody and pray and play at a boutique spot. You know, 436 00:23:27,839 --> 00:23:32,599 have the White Glove nine thirty ten o'clock slot. Sure, yeah, 437 00:23:32,640 --> 00:23:34,839 you know when you know it should go to the 438 00:23:34,880 --> 00:23:40,680 most qualified, drawing hard working, talented people. So you know, 439 00:23:40,799 --> 00:23:43,599 talent buyers will see that and go, hey, I know 440 00:23:43,640 --> 00:23:45,480 the rich kids will buy. 441 00:23:45,279 --> 00:23:48,519 Speaker 3: The pre sale tickets. Who cares who shows up? So 442 00:23:48,640 --> 00:23:50,480 now you know what I mean. 443 00:23:50,519 --> 00:23:54,599 Speaker 2: You got rich people playing empty shows and that's why 444 00:23:54,640 --> 00:23:57,039 you got guys that can play violin with their teeth 445 00:23:57,119 --> 00:23:58,000 living in the subway. 446 00:23:59,079 --> 00:24:02,559 Speaker 1: Oh I haven't seen that, Zach, You're gonna Williams said 447 00:24:02,599 --> 00:24:03,480 you had something to say on that. 448 00:24:04,119 --> 00:24:08,160 Speaker 6: Oh yeah, So like I've seen in other bands where 449 00:24:08,160 --> 00:24:11,000 we've been on you know, the pay to play shows 450 00:24:11,039 --> 00:24:14,039 where you know they essentially give you a stack of tickets, 451 00:24:14,440 --> 00:24:17,359 and you know, your time slot is based on how 452 00:24:17,359 --> 00:24:19,480 many tickets you sell. So if you sell all fifty, 453 00:24:19,960 --> 00:24:23,000 you're the direct support right before the touring headline and 454 00:24:23,039 --> 00:24:25,440 the national act. But you know, if you don't sell ten, 455 00:24:25,559 --> 00:24:28,440 they're kicking you out of the room tonight, right. And 456 00:24:28,480 --> 00:24:32,680 then you know, in my experience, you know my old bands, 457 00:24:32,680 --> 00:24:35,160 we would get ten people. We'd hustle and you know, 458 00:24:35,240 --> 00:24:37,640 sell ten tickets and get ten people right in the door, 459 00:24:37,680 --> 00:24:40,920 and you know, hand the promoter the money and they're like, well, 460 00:24:41,319 --> 00:24:43,559 you only sold the minimum, so you're going on first. 461 00:24:44,559 --> 00:24:46,880 And then you know, so this band is you know, 462 00:24:47,039 --> 00:24:50,160 headlining tonight because they sold the most tickets. And after 463 00:24:50,279 --> 00:24:52,720 our band went, our people left because I don't know 464 00:24:52,799 --> 00:24:53,440 these other bands. 465 00:24:53,480 --> 00:24:54,519 Speaker 3: We don't care about. 466 00:24:54,279 --> 00:24:57,279 Speaker 6: Them, right, especially since you know, your merits only based 467 00:24:57,279 --> 00:25:00,079 on how many tickets you sold. So we're gonna go 468 00:25:00,440 --> 00:25:02,759 to the bar down the road, right. So then the 469 00:25:02,799 --> 00:25:06,519 rest of the night, that promoter had to look us 470 00:25:06,559 --> 00:25:08,799 in the eye as every you know, every other band 471 00:25:08,920 --> 00:25:11,319 was playing to an empty, empty room except for the 472 00:25:11,440 --> 00:25:11,960 other band. 473 00:25:12,559 --> 00:25:14,720 Speaker 2: And now people wonder why if it's just sometimes the 474 00:25:14,759 --> 00:25:17,839 climate feels so competitive. It is because like every part 475 00:25:17,880 --> 00:25:21,480 about music has been like monetized or like in an algorithm, 476 00:25:21,559 --> 00:25:21,880 or it's. 477 00:25:21,880 --> 00:25:23,759 Speaker 3: It's competitive or as a competition. 478 00:25:24,119 --> 00:25:28,160 Speaker 2: So it's hard, you know, And and truthfully, Swarmy Fest 479 00:25:28,240 --> 00:25:31,440 for sure is a great example. Great shows, like really 480 00:25:31,480 --> 00:25:35,359 successful shows. It's not just one band that does that. 481 00:25:35,720 --> 00:25:39,000 It's not just it's it's true, but it's it's the 482 00:25:39,079 --> 00:25:42,880 staff members, it's the band members. It's for stepsist shows. 483 00:25:43,160 --> 00:25:47,920 Our audience makes up the show. Yeah, you know, I 484 00:25:47,920 --> 00:25:50,480 don't know if bands really understand that that that it 485 00:25:50,599 --> 00:25:53,400 takes all the bands that are part of the showcase, 486 00:25:53,440 --> 00:25:56,480 and it takes the audience and everybody together to make 487 00:25:56,519 --> 00:25:58,119 a great room, to make a great night. 488 00:25:58,359 --> 00:26:02,359 Speaker 5: Yeah, what's different, like like he's saying, like with Swarmy Fest, 489 00:26:02,400 --> 00:26:06,440 you know, we have talented bands, They put in the effort, 490 00:26:06,480 --> 00:26:09,960 they put on a phenomenal performance, like you know, your 491 00:26:09,960 --> 00:26:13,000 standard showcase where it's no longer if you are good 492 00:26:13,119 --> 00:26:16,200 or can even play, it's just how many tickets to 493 00:26:16,279 --> 00:26:16,920 be sold? 494 00:26:18,000 --> 00:26:19,599 Speaker 3: You know, what are your numbers looking? 495 00:26:19,640 --> 00:26:19,680 Speaker 5: Like? 496 00:26:19,720 --> 00:26:21,279 Speaker 3: How many likes do you have on Facebook? 497 00:26:21,319 --> 00:26:22,440 Speaker 6: How many comments did you last? 498 00:26:22,440 --> 00:26:25,200 Speaker 3: Pick? Bands at Swarmy Fests actually like each other. 499 00:26:25,480 --> 00:26:28,640 Speaker 2: Yeah, so you know that's that's a good thing to 500 00:26:28,640 --> 00:26:31,799 point out as a big difference in contrast to things 501 00:26:31,799 --> 00:26:34,319 that we've done before. Is I think we've really made 502 00:26:34,359 --> 00:26:38,119 sure this time around that everybody knows each other, everybody 503 00:26:38,240 --> 00:26:42,960 likes each other, everyone's been vetted, the fans really like 504 00:26:43,039 --> 00:26:44,920 the music, and this time it is a matter of 505 00:26:45,000 --> 00:26:46,799 like going around and saying, who really wants to play 506 00:26:46,799 --> 00:26:48,440 with us and who wants to play with each other? 507 00:26:48,920 --> 00:26:51,599 Speaker 3: So much we're seeing bands and multi genres. 508 00:26:51,640 --> 00:26:55,480 Speaker 2: You know, I can't be effective sometimes, but when you 509 00:26:55,519 --> 00:26:59,200 have everybody kind of striving for the same goal and 510 00:26:59,279 --> 00:27:02,240 rooting and cheering for each other. Yeah, and everyone's kind 511 00:27:02,240 --> 00:27:04,680 of out of the same understanding that we all want 512 00:27:04,680 --> 00:27:06,920 to see each other play and do well. Right, then 513 00:27:06,920 --> 00:27:10,559 everybody stays for the show and it's not competitive, right 514 00:27:10,599 --> 00:27:12,599 And if there and if it is competitive, it's. 515 00:27:12,519 --> 00:27:14,559 Speaker 3: The kind of competition that we can all appreciate. 516 00:27:14,599 --> 00:27:15,680 Speaker 1: Well, this healthy competition. 517 00:27:15,920 --> 00:27:17,200 Speaker 3: It's called good sportsmanship. 518 00:27:17,279 --> 00:27:20,599 Speaker 1: Yeah, yeah, exactly. Yeah. Everybody wants to wants to do 519 00:27:20,640 --> 00:27:21,599 better than everybody else. 520 00:27:21,720 --> 00:27:24,880 Speaker 3: Competition is great in the scene when you have good sportsmanship. 521 00:27:24,960 --> 00:27:25,799 Speaker 1: Oh absolutely. 522 00:27:25,839 --> 00:27:25,960 Speaker 7: One. 523 00:27:27,400 --> 00:27:29,839 Speaker 1: By the way, Salvator Pan is in the Facebook live 524 00:27:29,920 --> 00:27:33,240 chat and says, love you guys, and good morning. 525 00:27:33,559 --> 00:27:37,400 Speaker 3: So we're coming over. We're going over his house right 526 00:27:37,440 --> 00:27:37,799 after this. 527 00:27:38,000 --> 00:27:42,759 Speaker 1: Oh okay, all right, and uh, Brandon Morrissette says, hey, y'all, 528 00:27:43,720 --> 00:27:44,960 welcome morning. 529 00:27:45,039 --> 00:27:45,640 Speaker 6: Sleep ahead. 530 00:27:45,680 --> 00:27:49,599 Speaker 2: Wait a minute, he's in the hotel sleeping. Oh, everybody's 531 00:27:49,599 --> 00:27:50,359 sleeping right now. 532 00:27:50,400 --> 00:27:52,039 Speaker 1: Apparently he apparently he woke up. 533 00:27:53,480 --> 00:27:53,680 Speaker 3: Yeah. 534 00:27:55,000 --> 00:27:55,160 Speaker 7: Good. 535 00:27:55,519 --> 00:27:58,000 Speaker 1: So the event So the event actually, so Swarmyfest really 536 00:27:58,000 --> 00:28:00,319 started last night, right, you had your yeah kind of 537 00:28:00,319 --> 00:28:00,720 the thing going on? 538 00:28:01,279 --> 00:28:01,519 Speaker 3: Really? 539 00:28:01,599 --> 00:28:03,960 Speaker 2: Yes, So yeah, I was gonna say, so we have 540 00:28:04,000 --> 00:28:05,880 a we have a gaming community and this is the 541 00:28:05,920 --> 00:28:08,400 president of our gaming community. 542 00:28:08,720 --> 00:28:09,880 Speaker 3: It's called Immaculate Connection. 543 00:28:10,000 --> 00:28:12,720 Speaker 2: Gaming Steps has created a long time ago with Melissa, 544 00:28:13,079 --> 00:28:16,319 So it's kind of crazy. A bunch of these folks 545 00:28:16,359 --> 00:28:19,279 here are from all over the country. But this is 546 00:28:19,319 --> 00:28:21,799 my friend Sean and he's also known as I CG 547 00:28:22,039 --> 00:28:25,400 for Life, and he is the president of our gaming community. 548 00:28:25,400 --> 00:28:26,799 Speaker 3: Melissa founded our community. 549 00:28:27,119 --> 00:28:30,119 Speaker 2: So really the party started Thursday when we picked when 550 00:28:30,119 --> 00:28:33,720 we picked up Sean from from Logan. But on Friday, 551 00:28:34,079 --> 00:28:41,920 you know, partners, fans, the band, everybody that's that's helped 552 00:28:41,920 --> 00:28:45,160 building the event, we all get together before the event 553 00:28:45,440 --> 00:28:49,400 because it's hard to hang out. We figured out doing 554 00:28:49,440 --> 00:28:52,079 this years before that. If we all try to hang 555 00:28:52,079 --> 00:28:54,279 out on show day, it's kind of like how you 556 00:28:54,319 --> 00:28:56,240 doing and we're all pushing gear around. 557 00:28:56,000 --> 00:28:57,799 Speaker 1: Right right, Yeah, you're you're all busy. 558 00:28:58,039 --> 00:29:00,599 Speaker 3: So we all as we get better at this every year. 559 00:29:00,839 --> 00:29:04,079 Speaker 2: Yeah, we've made adjustments and we've all figured out we 560 00:29:04,119 --> 00:29:07,960 need a couple more days, Yeah, to hang out and rest. 561 00:29:07,720 --> 00:29:10,319 Speaker 3: And be together. It's a great idea, you know, collect 562 00:29:10,359 --> 00:29:10,960 the value. 563 00:29:11,240 --> 00:29:14,240 Speaker 1: Yeah, what what is a game? For those who don't know, 564 00:29:14,279 --> 00:29:16,400 what is a gaming community? What does what does that mean? 565 00:29:16,440 --> 00:29:17,559 Speaker 3: Exactly do you want? 566 00:29:17,799 --> 00:29:18,000 Speaker 7: You want? 567 00:29:18,400 --> 00:29:20,119 Speaker 3: Gaming community is Mike get. 568 00:29:20,400 --> 00:29:21,359 Speaker 1: You got to lean right in. 569 00:29:21,559 --> 00:29:23,400 Speaker 7: Being a part of a gaming community is like having 570 00:29:23,440 --> 00:29:26,400 some of your greatest teammates and the most impactful action 571 00:29:26,559 --> 00:29:28,400 that you can have. It's entertainment that you can have 572 00:29:28,480 --> 00:29:30,119 right at home and you don't have to travel very far. 573 00:29:30,200 --> 00:29:32,240 We prefer to play on Xbox and we gather up 574 00:29:32,279 --> 00:29:34,759 say every Wednesday and Friday, and then we have a 575 00:29:34,759 --> 00:29:36,680 lot of pickup games on Saturday too, and it's just 576 00:29:36,759 --> 00:29:39,599 absolutely wild. The same excitement that we have in the room, 577 00:29:39,640 --> 00:29:41,599 we get to share that together running in our living rooms. 578 00:29:41,680 --> 00:29:44,160 Some Xbox Live customer, but I hang out with stepsuspand 579 00:29:44,599 --> 00:29:46,359 I prefer to play with entertainers. 580 00:29:46,519 --> 00:29:48,839 Speaker 3: Oh all right, thank you, thank you. It's ICG for life. 581 00:29:49,319 --> 00:29:49,720 Very good. 582 00:29:50,000 --> 00:29:53,400 Speaker 2: So we do games giveaways events just like in Sepsis. 583 00:29:53,519 --> 00:29:53,799 Speaker 1: Yeah. 584 00:29:53,880 --> 00:29:56,039 Speaker 2: Yeah, we have merch and actually, like this in one 585 00:29:56,079 --> 00:29:57,720 of the shirts he's got on. Now, some of these 586 00:29:57,720 --> 00:30:00,519 guys have as you can see, High is a gaming 587 00:30:00,559 --> 00:30:05,119 community person. Okay, all right, if you like, I go 588 00:30:05,160 --> 00:30:07,000 to a Macca connection gaming dot com. 589 00:30:07,119 --> 00:30:09,359 Speaker 1: There you go. Now, how long has that been a thing? 590 00:30:09,880 --> 00:30:11,279 Speaker 3: H wow? 591 00:30:12,480 --> 00:30:15,319 Speaker 1: Now not not longer than the band y. 592 00:30:15,960 --> 00:30:19,599 Speaker 2: No, well so we we we learned it in another 593 00:30:19,640 --> 00:30:21,559 gaming community. I think we've I think that this will 594 00:30:21,599 --> 00:30:23,079 be our seventh year doing it. 595 00:30:23,519 --> 00:30:27,000 Speaker 1: Okay, okay, been quite some time. And how many like, 596 00:30:27,039 --> 00:30:28,319 how many people are in it? 597 00:30:28,440 --> 00:30:31,720 Speaker 2: You know, it's a revolving door. It's it's gaming, so 598 00:30:31,720 --> 00:30:32,640 it's easy to quit. 599 00:30:32,799 --> 00:30:35,680 Speaker 1: So people come and go, yeah, yeah, no, it makes sense, 600 00:30:35,799 --> 00:30:38,880 that makes sense. No, that's cool. That's cool if you 601 00:30:38,920 --> 00:30:41,359 are just joining us. Sepsis is here, of course, talking 602 00:30:41,359 --> 00:30:45,359 about Swarmy Fest tonight at did we agree it's Taffia? 603 00:30:45,440 --> 00:30:46,319 Did we all agree? 604 00:30:48,000 --> 00:30:49,440 Speaker 3: Another one? We can agree? 605 00:30:49,720 --> 00:30:51,200 Speaker 4: I'll try and remember. 606 00:30:50,839 --> 00:30:53,160 Speaker 1: That we want we want, we want people to be 607 00:30:53,160 --> 00:30:53,799 able to find it. 608 00:30:53,920 --> 00:30:58,559 Speaker 2: We do and right right they can't you but that's okay. 609 00:30:58,640 --> 00:31:01,839 Speaker 1: And and and we have no idea what Sepsis is playing. 610 00:31:01,839 --> 00:31:03,480 They won't tell us, so you have to show up 611 00:31:03,519 --> 00:31:03,799 for that. 612 00:31:03,960 --> 00:31:06,160 Speaker 3: We're playing music. We're gonna play all. We're gonna play 613 00:31:06,160 --> 00:31:07,720 all by Wednesday song. 614 00:31:07,799 --> 00:31:10,640 Speaker 1: If you have I've been I've been playing. I opened 615 00:31:10,680 --> 00:31:13,319 the show today with because they were on last week 616 00:31:14,480 --> 00:31:16,599 that their cover of No Easy Way Out. If you 617 00:31:16,759 --> 00:31:17,319 listen to that. 618 00:31:18,440 --> 00:31:19,880 Speaker 3: I'm addicted to it. I am. 619 00:31:20,799 --> 00:31:23,920 Speaker 2: I'm addicted to it, and I've been hassling them all week. 620 00:31:24,319 --> 00:31:26,279 I've been doing what people are doing to me. You know, 621 00:31:26,279 --> 00:31:28,440 are you gonna play Bathwater? I've been doing that to them. 622 00:31:28,440 --> 00:31:30,039 Are you guys gonna play no easy way out? 623 00:31:30,119 --> 00:31:34,160 Speaker 3: I assume, I hope. So they have to. I so 624 00:31:34,279 --> 00:31:36,240 this this. I didn't know that they could do this 625 00:31:36,319 --> 00:31:39,440 whole clean singing thing. Yeah. You know, I've been listening 626 00:31:39,480 --> 00:31:42,559 to Dead by Wednesday for a long time, and this 627 00:31:42,640 --> 00:31:48,000 whole clean singing thing is I'm looking forward to hearing 628 00:31:48,039 --> 00:31:48,799 them do more of it. 629 00:31:49,039 --> 00:31:51,279 Speaker 2: Yeah, yeah, I've been. I've been trying to get a 630 00:31:51,279 --> 00:31:53,079 feature with them for years and years. I said, we 631 00:31:53,079 --> 00:31:54,440 should really do a collaboration. 632 00:31:54,680 --> 00:32:00,440 Speaker 1: Oh yeah, wouldn't Yeah yeah, yeah, Well I'm when they 633 00:32:00,480 --> 00:32:02,680 used to have the two singers. I think they were 634 00:32:02,720 --> 00:32:05,079 cousins back in the day, like when they did Pawns 635 00:32:05,119 --> 00:32:05,519 and everything. 636 00:32:05,559 --> 00:32:08,279 Speaker 2: He did have two singers. Although I love this line up. 637 00:32:08,480 --> 00:32:11,319 Yeah yeah, this is it for me. Yeah, I love 638 00:32:11,480 --> 00:32:15,640 you see the Wasteland video. Yes, I'm a video guy. 639 00:32:15,759 --> 00:32:18,039 Speaker 1: We talked about that during the interview because they look well, 640 00:32:18,079 --> 00:32:20,359 oh no, I'm sorry, Actually no, that was off air. 641 00:32:20,480 --> 00:32:23,480 I was talking with them about the video afterward. That's right, 642 00:32:23,799 --> 00:32:25,599 because I was saying, how like it looks like they. 643 00:32:25,559 --> 00:32:27,839 Speaker 2: I don't know if they went to Burning Man or 644 00:32:27,839 --> 00:32:31,079 whatever they did, but it is the video they were at. 645 00:32:31,039 --> 00:32:33,680 Speaker 1: It Apparently it was like a happy accident. They were 646 00:32:33,720 --> 00:32:35,640 at a festival and they decided they were going to 647 00:32:35,680 --> 00:32:39,319 shoot this video and they got everybody participating, and they 648 00:32:39,359 --> 00:32:41,240 made it looks like it looks like a trailer for 649 00:32:41,279 --> 00:32:42,880 a Mad Max movie. 650 00:32:43,359 --> 00:32:43,880 Speaker 3: Can do that. 651 00:32:44,000 --> 00:32:46,279 Speaker 1: It looks like it was it was really expensive. And 652 00:32:46,319 --> 00:32:49,000 they said no, it just it just came together and 653 00:32:49,000 --> 00:32:52,119 and everyone kind of participated in it and it was 654 00:32:52,240 --> 00:32:55,759 almost so planned. It does right, It does. I mean, 655 00:32:55,839 --> 00:32:57,640 I mean, unless they were just telling me that to 656 00:32:58,160 --> 00:33:00,640 feed the Lord, I'll go. 657 00:33:00,599 --> 00:33:01,880 Speaker 3: With it either way. I know. 658 00:33:03,680 --> 00:33:06,279 Speaker 1: Yeah, I mean it's it seems. It seemed true when 659 00:33:06,319 --> 00:33:08,079 they when they were telling me about it, they were like, yeah, 660 00:33:08,200 --> 00:33:09,079 just kind of came together. 661 00:33:09,119 --> 00:33:13,240 Speaker 2: I was like, Wow, I discovered a lot of music 662 00:33:13,240 --> 00:33:14,039 through MTV. 663 00:33:14,359 --> 00:33:15,279 Speaker 3: Some of you guys don't know. 664 00:33:15,279 --> 00:33:18,920 Speaker 2: What that is, but that but that that's why I. 665 00:33:18,880 --> 00:33:21,359 Speaker 3: Love the music videos. That's why we still do the 666 00:33:21,440 --> 00:33:22,440 music video stuff. 667 00:33:22,519 --> 00:33:25,559 Speaker 1: Yeah. Well, some people think that. Some people think there 668 00:33:25,559 --> 00:33:28,720 are no videos anymore. And and there's actually a lot 669 00:33:28,759 --> 00:33:31,920 of people who say, you know, you artists should skip it, 670 00:33:32,920 --> 00:33:33,519 but we don't. 671 00:33:33,559 --> 00:33:34,039 Speaker 3: We don't. 672 00:33:34,359 --> 00:33:35,519 Speaker 1: I love video. 673 00:33:36,920 --> 00:33:37,279 Speaker 5: Story. 674 00:33:37,400 --> 00:33:41,880 Speaker 1: And yeah, there's not one for Bathwater yet, right, is 675 00:33:41,920 --> 00:33:42,440 there gonna be? 676 00:33:42,799 --> 00:33:44,799 Speaker 3: There's gonna be. We're thinking about porn Hub. 677 00:33:45,480 --> 00:33:49,400 Speaker 2: Oh all right, we're thinking about releasing it on adult networks. 678 00:33:49,559 --> 00:33:53,359 Uh huh, okay, no, I'm kidding, but but we we 679 00:33:53,359 --> 00:33:55,559 we do think it will be what we want to 680 00:33:55,599 --> 00:33:59,640 do with it won't be Facebook friendly. Yeah, it's really 681 00:33:59,640 --> 00:34:03,839 difficult cult now. It's getting harder on YouTube. 682 00:34:04,039 --> 00:34:05,880 Speaker 3: You know. We do all the podcasts and stuff. 683 00:34:06,000 --> 00:34:08,119 Speaker 2: Yeah, I just got a terrible mouth and we're always 684 00:34:08,119 --> 00:34:11,119 talking about naked stuff and like, oh, it's getting difficult. 685 00:34:11,119 --> 00:34:13,639 Speaker 1: You should plug that the podcast or podcasts. 686 00:34:13,880 --> 00:34:17,559 Speaker 2: So so, honeycomb hide Out will be returning in some 687 00:34:17,719 --> 00:34:21,800 form along with Swarm TV, but they will probably be 688 00:34:21,920 --> 00:34:25,079 combined and we won't get to it probably till next year. Okay, 689 00:34:25,119 --> 00:34:27,920 so we're all taking a break from podcasting for a while. Yeah, 690 00:34:28,000 --> 00:34:29,320 but you can catch my show. 691 00:34:29,840 --> 00:34:31,760 Speaker 1: I was gonna say, yeah, because I know you're you've been. 692 00:34:31,760 --> 00:34:33,559 Speaker 3: Yes, William Versus the World? 693 00:34:33,599 --> 00:34:36,599 Speaker 2: Yeah, yeah, every weekday at seven I'll be angry, and 694 00:34:36,679 --> 00:34:37,679 I'll have plenty of coffee. 695 00:34:37,719 --> 00:34:39,880 Speaker 1: You do that five days a week, every week five. 696 00:34:39,760 --> 00:34:41,960 Speaker 3: I do it every single day. Oh, I didn't realize. Yes, 697 00:34:42,039 --> 00:34:42,639 I'm so. 698 00:34:43,039 --> 00:34:45,199 Speaker 2: I'm kind of trapped right now because I'm doing the 699 00:34:45,280 --> 00:34:49,880 hundredth episode. But the hundredth episode is special, and I've 700 00:34:49,920 --> 00:34:51,800 got to have all kinds of people on it. So 701 00:34:51,840 --> 00:34:54,239 I have to have all the right some kind of 702 00:34:54,239 --> 00:34:56,920 frozen right now because I have to have all these 703 00:34:56,960 --> 00:35:00,920 people one with me special one hundredth episodes. 704 00:35:01,039 --> 00:35:03,199 Speaker 3: You got to go crazy. I'm trying to break the 705 00:35:03,280 --> 00:35:05,480 law and you don't. 706 00:35:05,760 --> 00:35:07,719 Speaker 1: Just to clarify too, you don't just talk about music 707 00:35:07,840 --> 00:35:08,159 on that. 708 00:35:08,320 --> 00:35:12,719 Speaker 2: No, it's William versus the world. Yeah, yeah, yeah, seriously, 709 00:35:12,840 --> 00:35:14,320 so it's me versus everybody. 710 00:35:14,599 --> 00:35:20,440 Speaker 4: Yeah, music, technology, yet the police, I go off on everybody. 711 00:35:20,519 --> 00:35:21,920 Speaker 6: Yeah, horrible restaurant review. 712 00:35:21,960 --> 00:35:23,920 Speaker 1: One time, I think, oh really, oh no kidding. 713 00:35:24,360 --> 00:35:26,159 Speaker 3: You've given me a shout out a few times. I've 714 00:35:26,199 --> 00:35:27,400 gotten in there and seen you. 715 00:35:27,559 --> 00:35:31,320 Speaker 2: I'm really, I'm, I'm I'm. It's pretty much nothing without 716 00:35:31,360 --> 00:35:33,679 you guys showing up. A lot of the people here 717 00:35:33,760 --> 00:35:38,719 show up, yeah, just to help me, uh, to encourage me. Yeah, yeah, 718 00:35:39,360 --> 00:35:42,119 so you know really again, like without uh, without the 719 00:35:42,159 --> 00:35:44,239 people in the chat, it would be impossible to do it. 720 00:35:44,280 --> 00:35:45,400 Speaker 3: So I appreciate all y'all. 721 00:35:45,480 --> 00:35:50,000 Speaker 1: Yeah, no doubt, no doubt. Well we are. Yeah, we're 722 00:35:50,199 --> 00:35:51,519 kind of getting to the top of the hour, so 723 00:35:51,559 --> 00:35:53,719 I'm thinking maybe we'll we'll wrap up this segment and 724 00:35:53,760 --> 00:35:55,679 get some other folks on on the mic. But yes, 725 00:35:56,559 --> 00:35:59,480 remind us what should we what do you want to 726 00:35:59,480 --> 00:36:00,679 make sure we know about tonight? 727 00:36:03,159 --> 00:36:07,800 Speaker 3: I mean, geez to show up five. 728 00:36:08,079 --> 00:36:10,840 Speaker 4: We're gonna have some cool grab bags and giveaways too. 729 00:36:11,880 --> 00:36:15,400 Speaker 2: There's a guitar raffle and giveaway through NH Guitars that 730 00:36:15,639 --> 00:36:20,400 Legion to Solace is presenting again. BPS Records will be 731 00:36:20,400 --> 00:36:23,960 opening the show and announcing bands. Excellent, They'll be running 732 00:36:23,960 --> 00:36:27,280 around the venue. We've got a grab bag at the end. 733 00:36:27,880 --> 00:36:32,519 Uh a killer after party. I'm not gonna speak for 734 00:36:32,559 --> 00:36:34,800 everybody because they're gonna come on and and there's there's 735 00:36:34,840 --> 00:36:36,960 other features and different things happening. 736 00:36:37,000 --> 00:36:39,440 Speaker 3: So I'll let them talk about it, but just show 737 00:36:39,559 --> 00:36:40,440 up and be pleasant. 738 00:36:40,719 --> 00:36:44,960 Speaker 1: Yeah, yeah, outstanding, outstanding and uh yeah, come say hi 739 00:36:45,000 --> 00:36:46,280 to you know. Jenny and I will be there of 740 00:36:46,280 --> 00:36:50,000 course and looking forward to that and uh I think 741 00:36:50,039 --> 00:36:51,920 what we'll do is, since we talked about it and 742 00:36:52,039 --> 00:36:54,800 it's your newest single, we'll close with Bathwater. We'll close 743 00:36:54,880 --> 00:36:56,840 the segment with bath water. 744 00:36:57,039 --> 00:36:59,679 Speaker 3: Yes, yes, and hear you on the radio. 745 00:37:00,000 --> 00:37:02,719 Speaker 1: Oh, we should we should plug the website. We should 746 00:37:02,719 --> 00:37:04,559 plug the website too. I don't think we did that. 747 00:37:06,000 --> 00:37:09,440 Speaker 4: Dot com dot com spelled the S E P S 748 00:37:09,519 --> 00:37:12,119 I S S dot com. 749 00:37:11,800 --> 00:37:13,480 Speaker 1: By the way. I'm sure now that's you're spelling. I'm 750 00:37:13,480 --> 00:37:15,039 sure I've asked you this before, but I can't remember. 751 00:37:15,039 --> 00:37:16,960 Has anyone ever gotten, like, spelled your name wrong on 752 00:37:17,000 --> 00:37:17,440 a flyer? 753 00:37:17,519 --> 00:37:21,079 Speaker 3: Or are the we are the most Yeah? I mean, 754 00:37:21,239 --> 00:37:22,559 I mean I feel. 755 00:37:22,400 --> 00:37:24,800 Speaker 4: Like it happens to everybody, though, Yeah. 756 00:37:24,480 --> 00:37:25,519 Speaker 3: Especially us. 757 00:37:25,679 --> 00:37:30,400 Speaker 2: We get called and mispronounced every weird name and you 758 00:37:31,360 --> 00:37:33,880 step kids. 759 00:37:34,000 --> 00:37:40,360 Speaker 3: Are you kidding? We've gotten everything? 760 00:37:40,639 --> 00:37:40,880 Speaker 1: Yeah? 761 00:37:41,400 --> 00:37:46,039 Speaker 3: Every Yeah. 762 00:37:46,559 --> 00:37:49,559 Speaker 2: The only reason why and we were talking about earlier 763 00:37:49,599 --> 00:37:53,400 you said something about titles or we didn't name the 764 00:37:53,400 --> 00:37:56,280 band for any reason. It's just just just what it's called. Yeah, 765 00:37:56,400 --> 00:37:57,840 so it's just so it's searchable. 766 00:37:58,199 --> 00:38:01,400 Speaker 1: Yeah, no, we I remember in the previous conversion we 767 00:38:01,440 --> 00:38:02,079 talked about. 768 00:38:01,920 --> 00:38:03,679 Speaker 3: That disappoint anybody else? Oh? 769 00:38:03,760 --> 00:38:05,800 Speaker 1: I remember why we talked about that before because I 770 00:38:05,840 --> 00:38:09,000 mentioned my dad is a big fan of you, except 771 00:38:09,079 --> 00:38:11,400 except the name. And I think, and I don't think. 772 00:38:11,400 --> 00:38:12,800 I don't think the name bothers him. I think he's 773 00:38:12,800 --> 00:38:14,920 just being funny about it. But he but he tells me, 774 00:38:14,960 --> 00:38:16,599 he's like, yeah, Maddie, you know, I don't know about 775 00:38:16,599 --> 00:38:17,760 the name, but I really will have. 776 00:38:17,719 --> 00:38:20,280 Speaker 2: A problem with and then and then they'll and then 777 00:38:20,320 --> 00:38:22,400 they'll go play Cannibal Corpse. 778 00:38:22,000 --> 00:38:26,840 Speaker 3: And slip not. I said, we've got a problem, and 779 00:38:26,880 --> 00:38:30,159 you slipknot right right, come on? 780 00:38:31,599 --> 00:38:33,840 Speaker 1: And and I'm like a lot of those uh, And 781 00:38:33,920 --> 00:38:36,679 unlike a lot of those bands, your logo is decipherable 782 00:38:36,719 --> 00:38:38,480 and everything, you know, because a lot of those bands, 783 00:38:38,519 --> 00:38:39,960 we can't even you can't even read the logo. 784 00:38:40,480 --> 00:38:42,760 Speaker 3: People don't like that about us Cannibal Corpse. 785 00:38:42,880 --> 00:38:43,320 Speaker 7: Uh. 786 00:38:43,519 --> 00:38:45,559 Speaker 1: When I when I used to work at years ago 787 00:38:45,559 --> 00:38:48,800 for those who remember Strawberries and then eventually oh wow, 788 00:38:49,440 --> 00:38:50,239 but but I. 789 00:38:50,239 --> 00:38:53,199 Speaker 3: Just got all everybody over a thirty five. But I 790 00:38:53,280 --> 00:38:54,320 know that's because you are. 791 00:38:54,440 --> 00:38:54,800 Speaker 7: I just. 792 00:38:56,360 --> 00:38:58,920 Speaker 1: I just remember the nightmares I would have on like 793 00:38:59,000 --> 00:39:01,639 after shipment day but away the Cannibal Corpse CDs and 794 00:39:01,679 --> 00:39:02,960 seeing some of those album covers. 795 00:39:03,159 --> 00:39:06,159 Speaker 2: Remember when they were like crushing iced tea tapes and 796 00:39:06,199 --> 00:39:07,360 stuff and nw A. 797 00:39:07,440 --> 00:39:11,079 Speaker 1: You guys don't remember that way back, Yeah, yeah, when 798 00:39:11,079 --> 00:39:12,320 everybody was mad at I see. 799 00:39:12,440 --> 00:39:16,639 Speaker 2: Yeah, we just played with them, Zach's favorite band. We 800 00:39:16,719 --> 00:39:20,920 just played with them at rock Fest Two Live Crew from. 801 00:39:20,760 --> 00:39:23,360 Speaker 3: The US A. You know, yeah, yeah, I didn't know. 802 00:39:23,519 --> 00:39:26,199 Speaker 2: They were all the booty shaken and all of that 803 00:39:26,280 --> 00:39:27,360 back then, and they banned. 804 00:39:27,719 --> 00:39:29,519 Speaker 6: You want to talk about a band that has like 805 00:39:29,760 --> 00:39:32,480 more experience with First Amendment, you know, there's yeah, a 806 00:39:32,480 --> 00:39:34,719 band that have been censored by a court. 807 00:39:35,480 --> 00:39:38,760 Speaker 1: Yeah, I remember, yeah, yeah, I didn't know they were 808 00:39:38,800 --> 00:39:39,760 even still doing anything. 809 00:39:40,119 --> 00:39:42,000 Speaker 3: We played with those guys a couple of months ago 810 00:39:42,079 --> 00:39:42,800 in Rockfest. 811 00:39:42,920 --> 00:39:45,719 Speaker 2: They had a bigger crowd than any rock and roll 812 00:39:45,760 --> 00:39:47,639 band in the entire venue. 813 00:39:48,840 --> 00:39:52,079 Speaker 3: Yeah. Yeah, made Jelly Roll look like Swiss role. 814 00:39:53,360 --> 00:39:57,400 Speaker 2: No, it was crazy to Live Crew is a it 815 00:39:57,440 --> 00:40:00,760 was a rock and roll, a heavy metal FESTIV. Two 816 00:40:00,800 --> 00:40:04,159 Live Crew had the biggest crowd I think we saw 817 00:40:04,159 --> 00:40:05,199 at the entire festival. 818 00:40:05,280 --> 00:40:10,000 Speaker 1: What's his name, Luther, Uncle Luke, Yeah, yeah, yeah, wow. 819 00:40:10,039 --> 00:40:14,360 Speaker 3: They got mad at the guy because he likes bums, so. 820 00:40:14,360 --> 00:40:16,159 Speaker 1: Did sir mix a lot. Nobody got mad at him. 821 00:40:16,320 --> 00:40:18,480 Speaker 3: He likes big butts and he can't lie. That's right, 822 00:40:18,639 --> 00:40:19,119 that's right. 823 00:40:19,960 --> 00:40:23,519 Speaker 1: Nobody got mad at him, not right, Yeah, yeah, all right, 824 00:40:23,599 --> 00:40:25,719 So we'll end with bathwater and then we're gonna get 825 00:40:25,719 --> 00:40:28,280 some other folks on the mic. But really looking forward 826 00:40:28,519 --> 00:40:30,280 to tonight. I have no idea what you're playing because 827 00:40:30,280 --> 00:40:33,960 you wouldn't tell me, but no, looking forward to it, 828 00:40:34,000 --> 00:40:34,519 looking forward to it. 829 00:40:34,559 --> 00:40:35,159 Speaker 3: All right, here it is. 830 00:40:35,199 --> 00:40:37,400 Speaker 1: This is the newest single from Stepsis. This is Bathwater.