WEBVTT

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<v Speaker 1>Ah Escape.

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<v Speaker 2>You are fighting your way through a frozen wilderness, torn

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<v Speaker 2>by the icy blast of an Arctic blizzard, and driving

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<v Speaker 2>you on towards certain death. Is a man with a.

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<v Speaker 3>Gun from whom you cannot escape.

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<v Speaker 4>Escape designed to free you from the four walls of

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<v Speaker 4>to day for a half hour of high adventure.

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<v Speaker 2>AH to night. We escape to the Canadian north Woods,

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<v Speaker 2>to a lonely wilderness where justice fine strange paths. As

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<v Speaker 2>janss Oliver Kerwood told it in his famous story The Match.

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<v Speaker 5>Just below the Arctic Circle, where blizzards scream in the

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<v Speaker 5>winter and tear frozen branches from the pine trees, where

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<v Speaker 5>the driven sleep cuts human skin like flying glass. There

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<v Speaker 5>men know and fear the eternal spirit of the icy North,

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<v Speaker 5>the great cold spirit that weaves the patterns of human destiny.

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<v Speaker 5>Both weaves and destroys forever and again.

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<v Speaker 6>The spirit throws out strange swirls of chance and coenciddents

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<v Speaker 6>that meet eventually in a terrible whirlpool, which swallows up

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<v Speaker 6>the old pattern and creates some new and different one

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<v Speaker 6>for men to.

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<v Speaker 5>Wonder and marvel at. One such swirl in time and

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<v Speaker 5>space began months ago and far to the south in

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<v Speaker 5>a logging camp near the southern border of Canada, where

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<v Speaker 5>two men faced each other on a narrow trail in

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<v Speaker 5>the light of a full moon. It began in violence

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<v Speaker 5>and hatred.

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<v Speaker 3>What do you want, lying, Tharn, I've been talking to Genie.

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<v Speaker 3>She told me what you did?

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<v Speaker 7>Well, what about it?

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<v Speaker 3>She told me all of it, the whole thing too bad.

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<v Speaker 2>Lying, But if you can't keep your wife from casting

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<v Speaker 2>her eye around, and that's your tough luck.

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<v Speaker 3>They one no eyes cast around, and you know.

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<v Speaker 2>It all right, then what are you gonna do about it?

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<v Speaker 2>I'm not sure yet. Then I'll tell you nothing. You

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<v Speaker 2>haven't got a leg to stand on. I'm running this

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<v Speaker 2>camp and every man in it, and if you don't

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<v Speaker 2>like what I do, then get out.

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<v Speaker 3>I'm planning to stay.

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<v Speaker 2>In that case, you'd better get used to the way

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<v Speaker 2>I run things, men and women. And the next time

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<v Speaker 2>I drop in, that's it. Eh, Well, then that life

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<v Speaker 2>thron drop it.

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<v Speaker 3>Get up, thro Come on, get up on your feet,

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<v Speaker 3>Get up, Throng. What's the matter with you? Thorn? Thorn?

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<v Speaker 7>A rock under his head.

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<v Speaker 3>He's he's dead, Jennie, dry Billy, what's wrong, Geennie? I

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<v Speaker 3>ran into thorn a few minutes ago.

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<v Speaker 8>Oh, Billy, your hand, what did you do?

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<v Speaker 3>I hit him, Genie, he started to pull a knife,

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<v Speaker 3>so I knocked him down. His head hit a rock

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<v Speaker 3>when he fell. He's dead. No, oh no, they probably

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<v Speaker 3>won't climb thorn until the morning. So I've got to

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<v Speaker 3>get out of here in the next half hour. Leave.

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<v Speaker 3>I'm no here, Geenie. They don't know me. It's just

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<v Speaker 3>my word. I wouldn't have a chance.

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<v Speaker 9>We go.

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<v Speaker 3>Not you. You're going to take the baby and go

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<v Speaker 3>back to the cottage in New York State.

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<v Speaker 8>Where are you planning to go?

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<v Speaker 3>North? Honey? You a long ways north. I'll have a

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<v Speaker 3>better chance up there in the woods.

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<v Speaker 9>Catch Billy, they always do.

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<v Speaker 3>Don't worry. They won't catch me. And somehow, sooner or later,

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<v Speaker 3>we're going to be back together again, believe me.

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<v Speaker 5>And so in the south, one black swirl of chance

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<v Speaker 5>is born and moved slowly north toward through time and space,

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<v Speaker 5>moves even as the great Arctic storms move across the

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<v Speaker 5>faces of continents, and they're ahead of it. Among the

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<v Speaker 5>tumbled ridges of spruce and pine, another swirl of human

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<v Speaker 5>fate moves at the whim of the bleak spirit of

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<v Speaker 5>that frozen land moves first one way, then another, but

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<v Speaker 5>centers allays near one certain red coated uniform of the

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<v Speaker 5>Royal Canadian Mounted Police centers on the hard, lean figure

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<v Speaker 5>of a man called Sergeant Brokaw.

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<v Speaker 7>Nice shot, sergeant, thanks to birth.

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<v Speaker 3>The captain sent Peter, Wait, there's.

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<v Speaker 7>One of Mortagasi. Lep out there, dead center. Brother.

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<v Speaker 3>I wish I could shoot like that.

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<v Speaker 7>Work on it. Good shooting something you'll need if you

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<v Speaker 7>stay in the mountis.

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<v Speaker 3>I guess it's helped you plenty of times?

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<v Speaker 7>Yeah? If you have got there telegram.

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<v Speaker 3>Oh yeah, it's an order. The Captain told me to

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<v Speaker 3>bring out to you here.

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<v Speaker 7>Mmm see special assignment for apprehension and return of a

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<v Speaker 7>fugitive name Billy Lauring height five eight eleven inches. Wait,

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<v Speaker 7>and so on and so on. A senior Hobbs landing

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<v Speaker 7>on October third and reported heading north, wanted from murder.

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<v Speaker 7>Sergeant Brookhaws signed instruction bring back fugitive.

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<v Speaker 2>They make it sound plenty simple, sergeant, bring back fugitive.

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<v Speaker 7>Just await all to sound. When you're assigned to bring

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<v Speaker 7>a man in, you bring him in. That's always to it.

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<v Speaker 7>There's no excuse, no alibi for not doing it. You

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<v Speaker 7>can take my wood on a trooper. I've been doing

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<v Speaker 7>it for twelve years.

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<v Speaker 3>And so far you've never missed getting your men.

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<v Speaker 7>Not so far, not ever. And I go after a man,

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<v Speaker 7>I'm gonna get him sooner or later, in one way

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<v Speaker 7>or another. I'm gonna bring him back every time. And

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<v Speaker 7>that goes for this what's his name, Lauring? You can

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<v Speaker 7>bet your life on it.

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<v Speaker 5>And so they grew in time and space, these two

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<v Speaker 5>great swirls of chance, the one hovering in the north

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<v Speaker 5>and the other moving toward it, slowly across a thousand

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<v Speaker 5>miles and through two hundred and twenty seven days.

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<v Speaker 7>And one night.

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<v Speaker 5>At last they met in a tiny raw pine cabin

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<v Speaker 5>hidden in the blizzard frozen marsh, hard up against the

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<v Speaker 5>Arctic Circle, and the wild whirlpool born from that meeting

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<v Speaker 5>created strange new patterns of human life and death and destiny.

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<v Speaker 7>All right, Laring, let's have your other risk there.

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<v Speaker 3>You don't need these handcuffs. You've got me. That's that.

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<v Speaker 7>I don't take chances, Loring. You know it already, of course,

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<v Speaker 7>But you're under a rest in the name of the

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<v Speaker 7>crown for murder. You can sit down in that chair

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<v Speaker 7>with a stove. Thanks.

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<v Speaker 3>It's funny. I've lived here all winter, and I've had

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<v Speaker 3>pretty good luck trapping, been selling first to the Indians

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<v Speaker 3>in another month. I've had enough to go away and

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<v Speaker 3>meet my wife.

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<v Speaker 7>Then you come along, have luck loring, and start back

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<v Speaker 7>for the post in the morning, or at least as

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<v Speaker 7>soon as this blizzard lits up.

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<v Speaker 3>It'll be three days, it always is. What's your name?

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<v Speaker 7>Broke off? Sergeant broke off?

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<v Speaker 3>That's kind of funny somehow, to day being the day

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<v Speaker 3>you found me and I did.

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<v Speaker 7>I hate to be camping out in that blizzard to night.

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<v Speaker 7>Oh what's so funny about to day? It's her birthday?

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<v Speaker 3>I mean my wife Jeannie here, let me show you

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<v Speaker 3>all a loring. Oh no, no, no, no, that it's

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<v Speaker 3>all right. It's just a photograph. Hey, let me unwrap it.

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<v Speaker 7>See mm she's a pretty girl.

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<v Speaker 3>Yeah, that and everything else. Sergeant, you married? No had

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<v Speaker 3>some of her hair that curl?

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<v Speaker 7>It spinned to the picture, yem read, isn't it?

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<v Speaker 3>It's like red gold. We got married on her birthday,

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<v Speaker 3>so to day's our wedding anniversary too. She wanted it

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<v Speaker 3>that way, she said, the best things in her life

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<v Speaker 3>always happened on her birthday. Yeah, well, yeah, I I

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<v Speaker 3>guess it was crazy, but I was so happy when

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<v Speaker 3>I got up this morning about what day it was,

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<v Speaker 3>and only two months to go in hall. I put

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<v Speaker 3>two places at the breakfast table, and I propped her

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<v Speaker 3>picture up by one of 'em. I sat there talking

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<v Speaker 3>to her while we eat together. I guess you'd get

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<v Speaker 3>like that up here alone. I haven't seen a white

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<v Speaker 3>man for three months. I had a little dog for

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<v Speaker 3>a while, but he'd he died about six weeks ago,

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<v Speaker 3>and there wasn't any chance to get another one. Genie

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<v Speaker 3>always liked dogs, dogs and kids. I don't mind my

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<v Speaker 3>talking this way to your sergeant. It kind of helps.

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<v Speaker 7>I don't mind. Why should I?

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<v Speaker 3>Well, the thing is, we've always been blamed crazy about

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<v Speaker 3>each other. It'd never been a part until this came up,

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<v Speaker 3>and then we had to be, and in another month

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<v Speaker 3>or two we'd we'd have been back together.

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<v Speaker 7>It's your own fault, Loring, It's not my concern. My

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<v Speaker 7>job is to find you and bring you in. I've

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<v Speaker 7>done part of that, and I will do the rest

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<v Speaker 7>of it.

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<v Speaker 3>Maybe, so I warn you right now, sergeant, I'll make

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<v Speaker 3>it as tough for you as possible. I'm gonna get

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<v Speaker 3>away if I can. You see, I promised her that

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<v Speaker 3>we'd be together again.

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<v Speaker 7>It's up to you, Lauring. But if you start to

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<v Speaker 7>play rough, I can play a whole lot rougher. One

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<v Speaker 7>way or another. I'm gonna bring you in the stand trial.

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<v Speaker 7>There's nothing and stop me. Maybe so, Sergeant. You see,

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<v Speaker 7>I'm probably the hardest man in the whole Royal Canadian

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<v Speaker 7>Mounted Lowering. And that's your hat luck too, because you

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<v Speaker 7>might have softened up another man with that stuff you

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<v Speaker 7>were telling.

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<v Speaker 3>You think that's why I talked about it.

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<v Speaker 7>I don't know, and I don't care. The only thing

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<v Speaker 7>that matters is that I've got a job to do.

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<v Speaker 7>I always have done it, and I'm going to do

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<v Speaker 7>it this time. You can depend on that.

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<v Speaker 3>I guess. Duty is a big part of your alive.

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<v Speaker 7>Not a big part of it, Loring, it's all of it.

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<v Speaker 7>If you don't mind that. Come fifteen miles of the

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<v Speaker 7>snow today, last five against the plizion. I'm tired. Let's

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<v Speaker 7>turn in, all right, Sure you can take the bunk,

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<v Speaker 7>neave your clothes on, he said, all right, if I

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<v Speaker 7>get that photograph off the table, go ahead, all right,

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<v Speaker 7>put your feet together.

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<v Speaker 3>Uh huh, what's the chain for it?

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<v Speaker 7>Another reason to call me hard? I'm gonna pad like

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<v Speaker 7>it around your ankles. You are cautious. That's that's right, Laurie.

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<v Speaker 7>They call out if you want anything in the night.

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<v Speaker 7>If you try to get up without calling, I'll kill you.

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<v Speaker 7>I'll sleep here in the chair and this gun happens

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<v Speaker 7>to be caught.

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<v Speaker 3>Thanks for warning me. Good night, sergeant. Good night, by

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<v Speaker 3>the way, Sergeant broke Aw.

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<v Speaker 7>Yeah, it's too.

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<v Speaker 3>Bad you never got married. Why because when you go

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<v Speaker 3>to sleep, you've nobody to dream about it?

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<v Speaker 8>Billy, Billy Darling, can you hear me?

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<v Speaker 3>Yes, Genie, yes, darling.

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<v Speaker 9>Never mind the blizzard, it doesn't matter. We've been in

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<v Speaker 9>storms before.

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<v Speaker 3>Yes, I remember.

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<v Speaker 9>And to day's my birthday and also the day we

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<v Speaker 9>were married. Nothing can really hurt us. Everything's going to

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<v Speaker 9>be all.

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<v Speaker 3>Right, yes, Gene, Yes, everything is going to be all right, Billy.

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<v Speaker 7>Yes.

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<v Speaker 10>Jane, remember one time in the far we built a

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<v Speaker 10>bonfire and roasted ears of coin that was in the

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<v Speaker 10>field back of the cottage.

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<v Speaker 3>Yes, two years ago. That was on your birthday.

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<v Speaker 10>Too, yes, yes, And do you remember how the smoke

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00:13:54.399 --> 00:13:56.679
<v Speaker 10>would always get in your eyes, and how it would

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00:13:56.679 --> 00:13:58.879
<v Speaker 10>follow you around and make you.

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<v Speaker 9>Cough and sneeze.

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<v Speaker 3>Sure, I remember, remember the smoke, the smoke, Sure, I remember,

219
00:14:11.480 --> 00:14:19.960
<v Speaker 3>it's small smoke. What smoke. The cabin's on fire, sergeant,

220
00:14:20.480 --> 00:14:23.440
<v Speaker 3>sergeant broke off, Wake up, the cabins on fire.

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00:14:25.440 --> 00:14:27.120
<v Speaker 11>But he got this chain off my feet. I can't

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00:14:27.159 --> 00:14:30.879
<v Speaker 11>walk no time. The whole root's on fire. I'll carrying it.

223
00:14:32.440 --> 00:14:32.799
<v Speaker 9>Smoke.

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00:14:33.360 --> 00:14:34.399
<v Speaker 11>You can't see the door.

225
00:14:35.399 --> 00:14:36.159
<v Speaker 7>Oh, don't hear?

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00:14:36.240 --> 00:14:44.279
<v Speaker 3>This looks like we made it, thanks sergeant.

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00:14:44.480 --> 00:14:45.399
<v Speaker 7>I gotta get back in there.

228
00:14:45.399 --> 00:14:47.399
<v Speaker 11>All our stuffs in there, you can't make it. Hack

229
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<v Speaker 11>off the roof.

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<v Speaker 7>Hey, yes, you know the spot we're Inlaring?

231
00:14:57.080 --> 00:15:01.600
<v Speaker 3>Yes, I know. Are heavy coats, smitten snow shoes and

232
00:15:01.639 --> 00:15:04.120
<v Speaker 3>all of our food is burning up inside there.

233
00:15:04.440 --> 00:15:08.120
<v Speaker 7>And it's forty below and a blizzard just starting here.

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00:15:08.480 --> 00:15:10.639
<v Speaker 7>You can't lie there in the snow. I'll get that

235
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<v Speaker 7>chain off your ankles.

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00:15:15.000 --> 00:15:18.440
<v Speaker 3>Hey, yeah, thanks, sergeant. What about the handcuffs?

237
00:15:18.919 --> 00:15:19.960
<v Speaker 7>Hey, stay on loring?

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00:15:20.559 --> 00:15:22.679
<v Speaker 3>Are you crazy? What difference does it make? We haven't

239
00:15:22.679 --> 00:15:24.320
<v Speaker 3>a chance. You know that as well as I do.

240
00:15:24.720 --> 00:15:25.559
<v Speaker 7>Yeah, I know.

241
00:15:26.240 --> 00:15:29.000
<v Speaker 3>We couldn't be any worse off. We don't even have

242
00:15:29.039 --> 00:15:31.759
<v Speaker 3>a match. I saw you fill your case and put

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00:15:31.759 --> 00:15:33.879
<v Speaker 3>it in your coat. It's inside there. We don't even

244
00:15:33.919 --> 00:15:34.559
<v Speaker 3>have a match.

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00:15:34.799 --> 00:15:37.240
<v Speaker 7>I know that, Loring, and I know everything else. You're

246
00:15:37.240 --> 00:15:39.559
<v Speaker 7>gonna tell me you don't have enough clothes to keep

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00:15:39.639 --> 00:15:41.720
<v Speaker 7>us from freezing to death. If we stay here and

248
00:15:41.759 --> 00:15:45.399
<v Speaker 7>keep the fire going, will starve. It's sixty miles to

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00:15:45.480 --> 00:15:47.840
<v Speaker 7>the nearest post. In twenty miles to thor Rows, the

250
00:15:47.919 --> 00:15:51.600
<v Speaker 7>next cabin down the trail. We might make ten miles

251
00:15:51.639 --> 00:15:54.360
<v Speaker 7>if we're lucky, more likely five.

252
00:15:54.559 --> 00:15:56.480
<v Speaker 3>That's right, So why the handcuffs.

253
00:15:57.960 --> 00:16:02.039
<v Speaker 7>You've been living up here for three months, Loring. I've

254
00:16:02.080 --> 00:16:04.559
<v Speaker 7>got an idea. You probably know some cabin a lot

255
00:16:04.600 --> 00:16:09.720
<v Speaker 7>closer than Thorrough's, some Indian or a trapper, maybe not

256
00:16:09.879 --> 00:16:13.879
<v Speaker 7>more than two or three miles away. You want to

257
00:16:13.919 --> 00:16:18.240
<v Speaker 7>start breaking trail? Well, suppose I did. What of it?

258
00:16:18.360 --> 00:16:20.720
<v Speaker 3>Something good has always happened to me on Jeanie's birthday,

259
00:16:20.720 --> 00:16:24.480
<v Speaker 3>and I think it has this time. Sergeant. It's a

260
00:16:24.519 --> 00:16:26.759
<v Speaker 3>lot easier to freeze to death and to go back

261
00:16:26.799 --> 00:16:28.240
<v Speaker 3>and die the way I'd be doing it.

262
00:16:29.440 --> 00:16:34.039
<v Speaker 7>So so it's like that.

263
00:16:34.159 --> 00:16:37.000
<v Speaker 3>It's like that, unless you want to make a deal.

264
00:16:38.600 --> 00:16:40.840
<v Speaker 3>What kind of a deal, Take off these cuffs, give

265
00:16:40.879 --> 00:16:42.480
<v Speaker 3>me that revolver and I'll get you out of this.

266
00:16:43.759 --> 00:16:44.799
<v Speaker 3>There's a cabin alron.

267
00:16:46.120 --> 00:16:48.000
<v Speaker 7>Sorry, Loring, no deal.

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00:16:48.240 --> 00:16:51.480
<v Speaker 3>You're a full broke aw. I got nothing to lose,

269
00:16:51.519 --> 00:16:54.120
<v Speaker 3>but you're just tossing your life away.

270
00:16:54.759 --> 00:16:59.559
<v Speaker 7>How about it, we'll take turns, breaking trail. You can

271
00:16:59.679 --> 00:17:04.200
<v Speaker 7>lead off first. We may as well start where four rows,

272
00:17:04.279 --> 00:17:09.039
<v Speaker 7>of course, twenty miles. Why don't we sit down and

273
00:17:09.079 --> 00:17:11.599
<v Speaker 7>freeze to death here instead of five miles from here?

274
00:17:12.519 --> 00:17:15.279
<v Speaker 7>Because I'll be five miles closer to bringing you in.

275
00:17:16.799 --> 00:17:19.559
<v Speaker 3>Come on, you're a fool, Sergeant, you're beaten, you know it.

276
00:17:19.960 --> 00:17:20.759
<v Speaker 3>Why don't you give in?

277
00:17:22.839 --> 00:17:42.079
<v Speaker 7>Come on, Loring, let's get going, Lauring. How far do

278
00:17:42.160 --> 00:17:44.119
<v Speaker 7>you think we've come by? Now?

279
00:17:45.039 --> 00:17:49.119
<v Speaker 3>I don't know. Let's rest for a minute.

280
00:17:50.480 --> 00:17:55.640
<v Speaker 7>Yeah, I'm pretty winted myself. Five miles? You think I'd

281
00:17:55.640 --> 00:17:56.400
<v Speaker 7>say about four?

282
00:17:57.359 --> 00:18:00.680
<v Speaker 3>Sixteen? More to thor rows? I think we'll get Sergeant,

283
00:18:01.400 --> 00:18:04.640
<v Speaker 3>we'll try it. We only had some way of building fires.

284
00:18:04.680 --> 00:18:06.559
<v Speaker 3>We could stop and get warm once in a while.

285
00:18:07.039 --> 00:18:08.960
<v Speaker 7>Not even an Indian could build a fire in this

286
00:18:08.960 --> 00:18:10.039
<v Speaker 7>blizzard without matches.

287
00:18:10.359 --> 00:18:13.359
<v Speaker 3>Yah. The wind is slacking off a.

288
00:18:13.279 --> 00:18:16.079
<v Speaker 7>Bit, which means you'll get colder.

289
00:18:17.000 --> 00:18:19.799
<v Speaker 3>Non, we better move on, sergeant, How about taking off

290
00:18:19.839 --> 00:18:22.119
<v Speaker 3>these cuffs. They're freezing to my skin. Look, I'm bleeding

291
00:18:22.119 --> 00:18:22.960
<v Speaker 3>on both wrists.

292
00:18:24.480 --> 00:18:26.319
<v Speaker 7>Then why don't you take us to that cabin you

293
00:18:26.359 --> 00:18:32.279
<v Speaker 7>know about? Wanna make that deal? No deal, no deal,

294
00:18:32.319 --> 00:18:36.599
<v Speaker 7>not cabin. And I'm sorry for your loring, But the

295
00:18:36.640 --> 00:18:39.240
<v Speaker 7>cuffs stay on. Why what difference can it make? We'll

296
00:18:39.279 --> 00:18:41.839
<v Speaker 7>both be dead in two hours anyway. If we are,

297
00:18:41.960 --> 00:18:44.480
<v Speaker 7>you'll still be wearing those cuffs, and this gun will

298
00:18:44.519 --> 00:18:48.240
<v Speaker 7>still be in my hoster, dead or alive, You'll still

299
00:18:48.240 --> 00:18:49.319
<v Speaker 7>be my prisoner.

300
00:18:50.039 --> 00:18:51.559
<v Speaker 3>The hardest man in the mountains.

301
00:18:52.839 --> 00:18:53.720
<v Speaker 7>Are you ready? Loring?

302
00:18:55.240 --> 00:18:55.960
<v Speaker 3>Sure? Why not?

303
00:18:57.079 --> 00:19:00.599
<v Speaker 7>I let out for a while. Come on, let's go.

304
00:19:07.799 --> 00:19:11.480
<v Speaker 5>Of all those who dwell in this frozen land. The bleak,

305
00:19:11.599 --> 00:19:14.279
<v Speaker 5>cruel spirit of the North is known best to men

306
00:19:14.319 --> 00:19:18.519
<v Speaker 5>on the open trail. There, facing the breath of the blizzard,

307
00:19:19.200 --> 00:19:23.359
<v Speaker 5>eyes blinded by the driving sleep, a man feels his

308
00:19:23.519 --> 00:19:28.440
<v Speaker 5>soul grows small within him, And when that happens, his

309
00:19:28.599 --> 00:19:32.559
<v Speaker 5>mind may turn to strange fantasies and memories of a

310
00:19:32.640 --> 00:19:44.440
<v Speaker 5>far away voice.

311
00:19:44.720 --> 00:19:47.640
<v Speaker 9>Billy, can you hear me? Billy?

312
00:19:48.480 --> 00:19:51.400
<v Speaker 3>Yes, Jimmy, Everything's going to be all right.

313
00:19:51.480 --> 00:19:58.319
<v Speaker 10>Billy, I love you, and everything's going to be all right, sure, honey.

314
00:19:58.640 --> 00:20:03.200
<v Speaker 10>The snow doesn't matter, and the blizzard doesn't matter. They'll

315
00:20:03.240 --> 00:20:06.640
<v Speaker 10>be gone soon and there'll be only us.

316
00:20:07.319 --> 00:20:08.359
<v Speaker 7>Yeah.

317
00:20:08.839 --> 00:20:10.839
<v Speaker 3>I can see you now standing there at the gate

318
00:20:12.039 --> 00:20:13.000
<v Speaker 3>in front of the cottage.

319
00:20:13.119 --> 00:20:14.240
<v Speaker 9>That's right, darling.

320
00:20:14.559 --> 00:20:16.960
<v Speaker 10>Don't look at the snow and the icy trees in

321
00:20:17.039 --> 00:20:18.200
<v Speaker 10>the storm.

322
00:20:18.680 --> 00:20:21.559
<v Speaker 8>Look at me instead. See.

323
00:20:22.279 --> 00:20:27.440
<v Speaker 3>Yeah, it's spring in the sunshine, and I'm wearing my

324
00:20:27.519 --> 00:20:30.039
<v Speaker 3>hair the way you've always liked it.

325
00:20:30.039 --> 00:20:34.720
<v Speaker 8>It's in curls old tumber see, Billy.

326
00:20:36.119 --> 00:20:46.880
<v Speaker 3>Oh, Genie, Genie rocawe, rocall, what's the matter?

327
00:20:48.240 --> 00:20:53.039
<v Speaker 7>Helda stir the rest?

328
00:20:54.079 --> 00:20:56.079
<v Speaker 3>You can't lie there like that. You'll be asleep in

329
00:20:56.160 --> 00:20:58.400
<v Speaker 3>five minutes and it'll be the end.

330
00:20:59.759 --> 00:21:02.319
<v Speaker 7>Oh how much farther?

331
00:21:03.079 --> 00:21:06.880
<v Speaker 3>Ah, around fourteen miles, come about six altogether?

332
00:21:07.559 --> 00:21:08.839
<v Speaker 7>Mm.

333
00:21:08.920 --> 00:21:12.839
<v Speaker 12>Yeah, your hands in pretty bad shape.

334
00:21:13.599 --> 00:21:15.640
<v Speaker 3>I don't know, sergeant, I can't feel anything.

335
00:21:15.680 --> 00:21:22.000
<v Speaker 12>Now, m might as well take those cups, uh, stick

336
00:21:22.000 --> 00:21:26.400
<v Speaker 12>out your hands, thanks, sergeant.

337
00:21:27.039 --> 00:21:36.960
<v Speaker 7>Yeah, here's my gun. How come I'm through beat, I'm

338
00:21:37.000 --> 00:21:44.160
<v Speaker 7>giving in, Larry, take us to that cabin. Yeah, what's wrong?

339
00:21:44.319 --> 00:21:48.039
<v Speaker 3>You get too late, sergeant? M What do you mean

340
00:21:49.119 --> 00:21:52.799
<v Speaker 3>the cabin's about two miles and where mine was. We're

341
00:21:52.839 --> 00:21:56.559
<v Speaker 3>over four miles from it now. Neither one of us

342
00:21:56.559 --> 00:21:57.960
<v Speaker 3>can last another half mile.

343
00:21:59.319 --> 00:22:07.279
<v Speaker 7>Yeah, I guess sure. I Well looks like you win, Laurie.

344
00:22:07.680 --> 00:22:11.359
<v Speaker 3>You might call it that. It's tough on you, though

345
00:22:12.440 --> 00:22:13.640
<v Speaker 3>I was gonna die anyway.

346
00:22:14.279 --> 00:22:18.400
<v Speaker 7>Uh, well, may as well keep moving.

347
00:22:18.480 --> 00:22:21.440
<v Speaker 3>Why this is as good a place as any.

348
00:22:22.200 --> 00:22:24.359
<v Speaker 7>Not gonna stop trying. As long as I can move,

349
00:22:25.319 --> 00:22:28.000
<v Speaker 7>you can do what you like, Chloring. I'm going on.

350
00:22:28.319 --> 00:22:29.160
<v Speaker 3>Quite a minute, sison.

351
00:22:29.839 --> 00:22:30.799
<v Speaker 7>Uh.

352
00:22:30.839 --> 00:22:32.839
<v Speaker 3>If we had a fire and we could get warm

353
00:22:32.920 --> 00:22:35.559
<v Speaker 3>for a while, then we can make that cabin without

354
00:22:35.599 --> 00:22:36.119
<v Speaker 3>much danger.

355
00:22:36.359 --> 00:22:38.440
<v Speaker 7>Yeah, we haven't.

356
00:22:38.759 --> 00:22:40.680
<v Speaker 3>Suppose I say the word, it'll save both of us.

357
00:22:40.799 --> 00:22:43.160
<v Speaker 3>Get us out of this. Will you go back to the

358
00:22:43.160 --> 00:22:44.440
<v Speaker 3>headquarters and tell him I'm dead?

359
00:22:45.960 --> 00:22:50.720
<v Speaker 7>No, No, I can't do that. Twelve years of the service.

360
00:22:51.640 --> 00:22:54.680
<v Speaker 7>I haven't run up a white flag once. I'm not

361
00:22:54.720 --> 00:22:59.839
<v Speaker 7>gonna do it now. Die don' no dying duty. Huh God,

362
00:23:00.000 --> 00:23:05.599
<v Speaker 7>whatever you want, we'll make your square offer. Though. Put

363
00:23:05.720 --> 00:23:07.680
<v Speaker 7>us out of this, and I'll give you twenty four

364
00:23:07.680 --> 00:23:10.920
<v Speaker 7>hours head start as soon as we're both on our

365
00:23:10.960 --> 00:23:11.440
<v Speaker 7>feet again.

366
00:23:12.359 --> 00:23:16.200
<v Speaker 3>You're all right, brokaw Funny, I don't even know why

367
00:23:16.240 --> 00:23:19.400
<v Speaker 3>I'm doing this. I couldn't let you go on down

368
00:23:19.440 --> 00:23:21.160
<v Speaker 3>the trail and you stumble into a drift and be

369
00:23:21.200 --> 00:23:22.720
<v Speaker 3>dead before we'd made half a mile, and I'd have

370
00:23:22.759 --> 00:23:25.680
<v Speaker 3>been safe. Then, funny, I don't know why i'd do it.

371
00:23:27.359 --> 00:23:28.480
<v Speaker 3>Maybe it's on a kind of her.

372
00:23:28.960 --> 00:23:30.920
<v Speaker 7>H what's your plan?

373
00:23:31.039 --> 00:23:31.240
<v Speaker 12>Lie?

374
00:23:32.079 --> 00:23:33.039
<v Speaker 7>What have we got in mind?

375
00:23:33.599 --> 00:23:36.640
<v Speaker 3>I'll take the offer of twenty four hours brokaw. I'd

376
00:23:36.640 --> 00:23:40.680
<v Speaker 3>got a match? Uh man, yeah, just one. I remember

377
00:23:40.759 --> 00:23:43.039
<v Speaker 3>dropping it at my pants pocket yesterday. It's on this side.

378
00:23:43.319 --> 00:23:45.319
<v Speaker 3>Maybe you can get to it. Your hands are in

379
00:23:45.400 --> 00:23:46.240
<v Speaker 3>better shape than mine.

380
00:23:46.359 --> 00:23:49.359
<v Speaker 7>I I can't seem.

381
00:23:50.480 --> 00:23:54.200
<v Speaker 3>Yeah, yeah, hear this. It's dry. Do now drop it?

382
00:23:54.200 --> 00:23:54.880
<v Speaker 3>It's the only one.

383
00:23:55.599 --> 00:24:00.599
<v Speaker 7>Yeah. We gotta have some branches right by here. You well, well,

384
00:24:00.640 --> 00:24:06.079
<v Speaker 7>I get some hop that birch sert alright, mash mash,

385
00:24:06.279 --> 00:24:07.400
<v Speaker 7>don't drop a line?

386
00:24:07.960 --> 00:24:08.519
<v Speaker 11>Hold a cap?

387
00:24:08.759 --> 00:24:09.480
<v Speaker 3>Yeah, I got it?

388
00:24:10.559 --> 00:24:17.160
<v Speaker 7>H box dry underneath about it? What a owt to be? Alright?

389
00:24:17.160 --> 00:24:17.640
<v Speaker 7>To start it?

390
00:24:18.240 --> 00:24:19.200
<v Speaker 3>That should burn? Alright?

391
00:24:19.720 --> 00:24:20.200
<v Speaker 10>Yeah?

392
00:24:20.440 --> 00:24:23.480
<v Speaker 3>We ought to ought to have some dry paper, just

393
00:24:23.480 --> 00:24:26.279
<v Speaker 3>to make sure I've got some hold the match?

394
00:24:27.400 --> 00:24:30.079
<v Speaker 7>Oh oh paper rap on that photograph man?

395
00:24:30.200 --> 00:24:33.359
<v Speaker 3>Here? Yeah, funny, I was thinking about her when I

396
00:24:33.400 --> 00:24:36.319
<v Speaker 3>remember the match, I guess she's the one that's really

397
00:24:36.319 --> 00:24:37.240
<v Speaker 3>gonna light this fire.

398
00:24:38.039 --> 00:24:43.160
<v Speaker 7>Ah, there it is. You wanna strike it? You want

399
00:24:43.200 --> 00:24:43.440
<v Speaker 7>me to?

400
00:24:43.960 --> 00:24:45.680
<v Speaker 3>You go ahead? My hands it's still pretty stiff.

401
00:24:46.079 --> 00:24:51.079
<v Speaker 7>Alright, you want to have something dry to scratch it?

402
00:24:51.160 --> 00:24:53.480
<v Speaker 3>U there's a gun file in my same pocket which

403
00:24:53.519 --> 00:24:54.039
<v Speaker 3>you can get it.

404
00:24:54.240 --> 00:25:00.680
<v Speaker 7>Alright, Uh yeah, yeah here it is all right.

405
00:25:00.759 --> 00:25:06.000
<v Speaker 3>Well it's up to her now, all right, Genie.

406
00:25:05.720 --> 00:25:14.319
<v Speaker 7>Strike the match? Oh broke, oh broken?

407
00:25:14.400 --> 00:25:16.000
<v Speaker 3>What's the matter the match?

408
00:25:17.039 --> 00:25:19.960
<v Speaker 7>Learning? It went out? No, the only chance and it

409
00:25:20.000 --> 00:25:24.279
<v Speaker 7>went out. It is so much that I gotta get movie.

410
00:25:24.759 --> 00:25:27.799
<v Speaker 11>I gotta get the thorough brocol You can't make it.

411
00:25:27.839 --> 00:25:30.400
<v Speaker 7>I gotta go on as long as I'm alive.

412
00:25:31.079 --> 00:25:34.279
<v Speaker 11>I gotta keep going. I gotta go Broco. You don't

413
00:25:34.319 --> 00:25:35.400
<v Speaker 11>have a chance, broke of.

414
00:25:37.720 --> 00:25:42.640
<v Speaker 3>It's gone. Well, what's the difference here? Or hath of

415
00:25:42.759 --> 00:25:48.400
<v Speaker 3>my father? It's not so bad. It's kind of peaceful, dreamy,

416
00:25:50.200 --> 00:25:52.519
<v Speaker 3>so peaceful. It's just like going to sleep.

417
00:25:54.960 --> 00:25:57.359
<v Speaker 8>Don't go to sleep, Billy, wake up.

418
00:25:57.960 --> 00:25:59.920
<v Speaker 3>Everything's gonna be all right, Genie.

419
00:26:00.160 --> 00:26:04.000
<v Speaker 8>Up, darling. You can't go to sleep. You've got to

420
00:26:04.039 --> 00:26:04.519
<v Speaker 8>wake up.

421
00:26:04.720 --> 00:26:05.960
<v Speaker 3>Everything's all right.

422
00:26:06.079 --> 00:26:08.759
<v Speaker 9>The smoke day don't you remember the smoke?

423
00:26:08.880 --> 00:26:09.079
<v Speaker 11>Huh.

424
00:26:09.559 --> 00:26:13.119
<v Speaker 8>We're going to beat together again. Open your eyes, huh

425
00:26:14.039 --> 00:26:17.039
<v Speaker 8>together again, open your.

426
00:26:16.880 --> 00:26:18.240
<v Speaker 11>Eyes, uh huh.

427
00:26:19.680 --> 00:26:23.920
<v Speaker 3>Smoke the fire, it's burning.

428
00:26:25.119 --> 00:26:30.440
<v Speaker 11>Spark from that match must have caught Genie. The fire

429
00:26:30.559 --> 00:26:32.880
<v Speaker 11>is burning, the fire.

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<v Speaker 5>And so one man finds eternal sleep on the frozen

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<v Speaker 5>breast of the snow, and one man dreams beside a

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<v Speaker 5>fire whose tongues.

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<v Speaker 7>Of flame are like the red curls of a woman's hair.

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<v Speaker 5>When the blizzard has stripped the lipt things away, and

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<v Speaker 5>the soul of a man stands facing the blast, clean

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<v Speaker 5>and bare and alone, then what is right and what

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00:27:13.359 --> 00:27:18.680
<v Speaker 5>is wrong? Does justice depend on the striking of a match?

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<v Speaker 5>Is human destiny only a thing of accident and of chance?

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<v Speaker 5>Ask the icy voice of the Arctic storm, Ask the cold,

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00:27:32.160 --> 00:27:46.920
<v Speaker 5>bleak spirit of the Great north Woods.

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<v Speaker 4>Escape is produced and directed by Norman McDonald and Tonight

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<v Speaker 4>Brought You The Match by James Oliver Kerwood, adapted for

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00:28:00.960 --> 00:28:04.799
<v Speaker 4>radio by Less Crutfield, with Frank Lovejoy as Billy Wilms,

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00:28:04.880 --> 00:28:09.759
<v Speaker 4>Herbert as Sergeant Brokaw, Cynthia Corley's Genie, Nestor Piver is Thorn,

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00:28:10.079 --> 00:28:13.200
<v Speaker 4>and Clark Cuney as the trooper, with Stan Waxman as

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00:28:13.240 --> 00:28:17.119
<v Speaker 4>the narrator. The musical score was conducted by Wilbur hatch.

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<v Speaker 10>A.

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<v Speaker 2>Next week, you are trapped on a remote plantation in

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00:28:25.200 --> 00:28:29.559
<v Speaker 2>the crawling Amazon jungles, and an immense river of revenous

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00:28:29.559 --> 00:28:32.920
<v Speaker 2>ants is closing in on you, swarming in to eat

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00:28:32.920 --> 00:28:36.799
<v Speaker 2>you alive, a deadly black army from which there is

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<v Speaker 2>no escape. Next week we bring back the escape story

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<v Speaker 2>you have most requested in your letters, Carl Stevenson's gripping

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00:28:55.160 --> 00:28:59.400
<v Speaker 2>tale liningen versus the Ants. Good Night, then until this

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<v Speaker 2>same time next week, when once again we offer you escape.

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<v Speaker 2>This is CBS, the Columbia Broadcasting System.
