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Speaker 1: Alone. Yes, this is the Falcon student. Oh my sir,

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I'm glad you called. Now you'll have to call me

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out to night Angel. I'm gonna be entertained by some comics.

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And when this boy makes it the gag he really

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plays this is then really he friends in finding you

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on behalf of the Craft Food Company to listen to

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the adventures of the Falcon Darring Left Damon. You met

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the Falcon Prince in his best selling.

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Speaker 2: Novel, then you saw him in his thrilling motion Victor series.

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Speaker 1: Now join him on the air when the Falcon talls

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the Case.

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Speaker 2: Of the Practical Chokers.

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Speaker 1: Before we join the Falcon for his latest adventure, I'd

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like to tell you about nine of the handy little

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menu helpers you ever had in your kitchen. They are

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the nine famous craft cheese spreads, and they really are.

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Speaker 2: Handy for making snacks and sandwiches, salad.

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Speaker 1: Toppings and appetizers. All of the Crass cheese spread, the

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Mild Tasting one and the shark Tating one two are delicious,

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and they're all the very finest quality because.

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Speaker 2: They're made by crafts So Tomorrow.

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Speaker 1: Yet several of the nine famous cheese spreads made by Craft.

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Speaker 2: Now the case of the Practical Chokers.

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Speaker 1: It is Sunday afternoon in New York, and in a

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parked car outside the Club ninety one, a bad actor

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named Chuck Morgan and a plant named Linda Stewart of

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rehearsing a new comedy routine. And although mister Morgan's ideas

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of humor may be overdeveloped untill he obviously believes this

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act should kill his customer.

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Speaker 2: Now, I understand what you're supposed to do, Linda.

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Speaker 3: I'm not too sure of mister Morgan.

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Speaker 1: What's the matter with you anyway? Your agent told me

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you were a hep dame.

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Speaker 3: You lot need a job that badly.

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Speaker 2: All right, I'm sorry, baby, I didn't mean that. I

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say I want to play a joke on this guy,

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and I want to make sure that it goes off

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and schedule.

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Speaker 3: Well, now here is joke the less I like it.

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Speaker 2: I told you there's nothing to worry about. This son

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is a good friend.

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Speaker 3: Of mine, and now he's something as silly as good just.

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Speaker 2: To settle a bet. He thinks he's a great little

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guy with the ladies, and I bet him fifty bucks.

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He was wrong, But you.

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Speaker 3: Promised me one hundred dollars at this job. How can

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you come out of head?

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Speaker 2: You don't understand, Linda.

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Speaker 1: It's not the money, it's the principle of this thing.

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I just want to make a sucker out of Davis David. Yeah,

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his name is Red Davis. He's a sin little guy

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with red hair and pop eyes. You won't have any

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trouble spotting and men's the joint. You'll be in the

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corner book.

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Speaker 3: But suppose your friend doesn't see any interest in me.

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Speaker 2: You haven't taken a good look at yourself in the

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mirror late me, d you.

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Speaker 1: No, No, I'm not at all worried. Now on Red

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thieves you you'll start baying at the moon.

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Speaker 3: But after the drink, you want me to act and circuit.

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Speaker 1: That's right, that's he won't become suspicious.

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Speaker 2: Then saw out and let him buy you a couple

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of drinks.

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Speaker 1: And after that, well he'll probably wanna take you out

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of the evening.

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Speaker 2: So uh, you tell him this first you have to

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make to stop at your apartment. I don't think I

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like that, mister Morgan.

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Speaker 1: What's the enough to light this is on the up

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and up. When you get to your place, I'll be

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waiting for you, And.

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Speaker 3: That's where you're gonna tell mister Davis it's just a drill.

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Speaker 2: That's right.

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Speaker 1: I can hardly wait to see Red when he lends

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it's a gag. I bet he'll practically die laughing. Hey, Hey,

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where do you live anyway?

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Speaker 2: Linda?

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Speaker 3: It's just the next floor, mister Davis.

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Speaker 2: I cut it out. Probably if you're gonna call me Red,

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I'm sorry. Red.

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Speaker 3: Do you know a man name.

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Speaker 2: Man named home?

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Speaker 3: Forget it?

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Speaker 2: You know? I don't get you limit.

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Speaker 1: When I first saw you in the club, I immediately

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said to myself, now there's a dame with class.

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Speaker 2: I was surprised when you gave me a tumble.

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Speaker 3: I don't often do things like that.

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Speaker 2: It was a nympho.

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Speaker 1: Yeah, I understand, I get them all the time.

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Speaker 2: Where do we go? Now?

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Speaker 3: It's this apartment?

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Speaker 2: Here? Are here?

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Speaker 3: Let me have you come in?

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Speaker 1: Thanks a a nice layouts you got here, Limby.

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Speaker 2: I think I'm going to like this. I wouldn't bet

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on that rest. Morgan, are you dirty? Little double cart

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to a joke?

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Speaker 1: The joke's over now, honey, you completed. If you're a

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smart girl, you'll keep your trap clothes not the one

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listen more got up. I don't want any conversations for

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your runner, just want my dough.

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Speaker 2: What don't play dumb? The sixty grand you own me

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on the Robinson Flint? Oh dash? What do you think

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I was talking abroad? Way?

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Speaker 1: If they am kind of lord shock? I've been running

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a tough luck later now on, it's going to get worse.

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You know all the boys are laughing at me, but

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letting you hang me up. A man in my position

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can't afford that. It might give other people ideas. Look, Morgan,

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suppose I pay you a little at a time, I

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recall a little.

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Speaker 2: I can give you ten grand now and the balance

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nigger hands. I was just reaching for my wallet. I

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got that dough on you. Yeah, okay, let's have it

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for sure.

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Speaker 1: I was going to give it to you all the time,

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all right, Morgan, But I'm up for the way they've

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done it.

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Speaker 2: It's act your age. Well, mister Morgan, who's the joke on? Now?

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I guess it's me and you're not kicking.

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Speaker 1: It's okay, Red, I'll see you again and I lay

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yard next time. You won't be this lucky the lions

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because you'll enjoy it after Chuck. Morgan goes through all

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that troubles, Red pulls a gun and leaves Chuck with

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his tongue hanging out.

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Speaker 4: That's very amusing, hunter. What happened after that?

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Speaker 1: Oh?

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Speaker 2: Morgan started looking for him again? And what do you

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think will happen if he finds him this time? The

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same thing? You don't believe Morgan's killed him? No, Morgan's

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out or you think so? I know so I would

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last as long.

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Speaker 1: As a private dick if I wasn't a good judge

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of character.

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Speaker 2: Now take it for me. Nothing's gonna happen in Red.

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Speaker 5: Well, that's too bad, Hudson. This would be worth a

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lot of money to me if something did.

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Speaker 2: Eh, how much is a lot of money? What's the difference?

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You're not interested me? Twenty five hundred dollars? You're right,

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that price of mount what doesn't worth more?

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Speaker 5: Everybody knows that Morgan has twitting tapers, so you absolutely

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no risk.

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Speaker 2: What is you court against Red? Anyway?

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Speaker 5: That's none of your business.

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Speaker 2: Either you want the job or you don't.

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Speaker 1: Well, as long as you put it that basis, mister lions,

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let me think it though.

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Speaker 2: What you mean? Oh? Thank them?

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Speaker 1: This is Radney I mean, I'm posted at the corner

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of Madison in forty six.

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Speaker 2: Anybody been around at joint asking for me? Why do

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you tell him? Good? Normal dad? My wife stupid? No, no, no, no, mean.

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Speaker 1: Well once she gets that, cut that out some characters

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and I hired to use the phone.

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Speaker 2: All of this seconds think that I take care of

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this test. I listened, you know, how would you like it?

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Speaker 3: Cut what.

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Speaker 2: I do? Want to set the door? Listen more than

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just keep your hands everybody, what are you doing here? Chuck?

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Red Davis was knocked off a couple of hours ago.

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That still doesn't answer my question. I don't see why

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not one the cops think I did it too. You

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can prove I didn't. Now is it up not to

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my liking? You better get somebody else. This is wearing.

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Speaker 1: Maybe I haven't handled this right, but I didn't kill

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Red and wanted to tell out to the place.

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Speaker 2: You don't think for a minute I believe me? Was

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I told you? I don't either.

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Speaker 1: Look, Mike, I know you don't like me, but give

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me credit for a little intelligence. If I was going

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to knock off Davis, would I shut my mop off

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all o the time?

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Speaker 2: So I tell you I didn't kill him? Then? Who?

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Speaker 4: Dad?

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Speaker 2: I got no idea? Okay, Morgan, I'll see what I

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can do for you. At first, I want to the

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thrender to the cops. No, I think that's no deal.

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I'll wait a minute, Mike. I'll make you pumposition.

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Speaker 1: I'm not interested. But Pete's sake, give me a chance,

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would you. I'm convinced that, with any luck, you can

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clean this up in a couple of hours. If you haven't, five,

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then I'll give myself up. What are you doing in

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the meantime, I'll stay right here. Wants to prevent me

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from walking out and calling the police?

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Speaker 2: Nothing? Oh, you just trust me. I don't have any

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other choice. What do you say? Mike?

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Speaker 1: And I listen against my better judgment, Morgan, But you

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got yourself a boy.

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Speaker 2: This is ed early here again. Friends.

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Speaker 1: This time of year and especially, everybody longs for something

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just a little bit different to pep up tired winter menus.

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Speaker 2: Throw This idea for a tempting salad may be just

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what you want.

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Speaker 1: It's an easy salad to make. You Just take a

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good sized green pepper, scoop out the center, then stuff

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the pepper with crass delicious olive toimento cheese spread, then chill,

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slice into pin wheels and serve slice on a crispy lettucee.

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M Ah, what wonderful crass almed tomato is an extra

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delicious cheese spread filled with juicy bits of red tomatoes

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and fine green olives.

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Speaker 2: And like all nine of the good eating Crass cheese.

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Speaker 1: Spreads, it's a wholesome dairy food made from only the finest,

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purest ingredient and smooth. It's smooth as satin spread perfectly

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for sandwiches and snacks. Try smoke al and crass cheese

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and bacon spread and all of the nine Craft cheese spreads.

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Look for them in gay, colorful tulip design drinking glasses.

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Collect the whole set while you're enjoying these delicious breads.

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You know, Craft cheese breads are so delicious they're America's favorites.

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So be sure you get that she spread made by Craft.

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Now back to the adventures of the Falcon. Twenty minutes

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to pass and Mike Wearing agreed to go to work

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for Chuck Morgan. And now as we find Mike, he's

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about to earn his feed. Yes, missus Norman David that's my.

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Speaker 2: Name is Mike Wearing.

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Speaker 1: I'm sorry to body at a time like this, but

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I'd like to ask you some questions about your husband.

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Speaker 3: But I've told the police everything I know.

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Speaker 2: Well, I'm working at a different angles. Come in, thank you?

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What do you want to know, Missus David? Is you

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any ideas who might have killed then? Yes, Chuck Morgan,

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I mean besides Morgan.

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Speaker 3: No, Red didn't have an enemy world.

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Speaker 2: I know that's not true. Missus Davis.

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Speaker 1: Your husband wasn't exactly the most popular citizen in New York?

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Speaker 3: How dare you say that to him?

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Speaker 2: Well?

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Speaker 3: I have you talked that way about him? I'm tired

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of these insinuations. How do you know what kind of man?

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Speaker 2: Paul? I'm sorry, You're a sorry go on.

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Speaker 3: Step I don't want to hear any more about it,

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so I'll leave you alone.

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Speaker 2: You need to congratulate you, Missus Davis. That was a

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marvelous performance.

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Speaker 3: Why thank you think I convinced him? I was a

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broken hearted widow.

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Speaker 2: How could you help it when you practically convinced me?

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Speaker 6: Come here, Dolly and let me console you can?

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Speaker 2: Yeah, looking for guy nam Blaney Hudson. Well, look no

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further mister Morgan, is you Hudson? That's right. One of

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my friends told me you wanted to see me. He

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tells you right every drink. Yeah, I can stand one.

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Speaker 1: To help yourself. Bars in the corner, call me one

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while you're at it. You're in a bad spot, hut.

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Speaker 2: Bring me up here to tell me that. Yeah, yeah,

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you see, I know who killed Red Davis. Why don't

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you heard me? Oh that was n Yeah? Thanks? Say yeah,

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how you fix the cash in well?

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Speaker 1: I a lot of information to sell. Its going to

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the highest fitter. I mean you can clean me.

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Speaker 2: I'm not doing any more talking until I see the

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color of your do. I don't know you got much

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in that. I don't give you a samp. Did you

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know that Davis's wife was too timing him with home?

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I don't know. That's all you get free? But you

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can use this kind of stuff, can't you listen? Hudson.

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Speaker 1: I want you to talk to Wearing Mike Wearing the

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falk and he's working for.

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Speaker 2: Me, but no, we had talked to him. Sure, Red riding,

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I can make a buck.

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Speaker 1: I'll take care of you. I'm going back to Winning's apartment.

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I want you to call him in about fifteen minutes.

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Speaker 2: I'll be sitting right here at the phone.

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Speaker 1: Tell him what she had told me about Missus Davis.

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Oh no, no, get the dough up. But I look

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huts and I only got.

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Speaker 2: A grand on me. I'll give you another four the

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next time I see it. Huh, Okay, Morgan, you got

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yourself for deal, Maugan jot. Hello, that's it's mister worry.

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There was a man waiting in my apartment by any cat,

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never mind, come in? How am I? I'm just asking

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for you, Morgan. But whatever of you, Ben, That tells

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me a lot. I thought you was agreed to stay

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right here.

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Speaker 1: I know, but I had to see somebody. Who suppose

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you tell me what you find out for it? Ill

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not very much. Every lead I explored came back to you.

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You see missus Davis just a few minutes.

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Speaker 2: We just think of it.

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Speaker 1: She seems all broken up over her husband's murder. He

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was kidding in What makes you think so? Because I've

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been doing a little checking in my own he's been

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holding hands with.

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Speaker 2: Some guy who wasn't her husband.

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Speaker 1: Where'd you get that from? Private dick named Larry Hudson?

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That lion, see, I don't care what he is, Mike.

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He's got the evidence to claim me. Who didn't I

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killed David?

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Speaker 2: It wouldn't tell me, but I made him promise to

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talk to you. We should be calling you any minute.

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Speaker 1: Listen, Morton, I wouldn't trust that guy in a stack

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of bibles?

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Speaker 2: What'd you give him? Give him? As a guy like

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Hunton doesn't talk for free? How much you promise him?

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00:15:37,799 --> 00:15:39,840
Five grand? And you better save your money. But I

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tell you he can clear me. That's probably him. Now, hello,

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that you're wearing. That's right, Hudson, I take it. Then

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you have to margin.

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Speaker 1: Yeah, well what do you take? What I think is unimportant?

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Marvin tells me he isn't clear him?

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Speaker 2: Sure? Right? For my part of my interest has got

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00:15:56,919 --> 00:15:58,440
to talk to him, Mike. I don't like it, Margan,

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00:15:58,440 --> 00:16:00,200
he did do Why? But if this guy can save mine.

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Speaker 1: Make up your mind.

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Speaker 2: Boys, they ain't good all week? Okay, Hutson will be

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00:16:04,799 --> 00:16:19,480
over in an hour or right or over here? Mike. Look,

307
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I want you to let me handle Hutson and keep

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00:16:21,759 --> 00:16:28,399
your mouth shut. He's a doctor. Let's keeping him. I

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00:16:28,440 --> 00:16:31,080
don't know, maybe one not. I doubt it.

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00:16:31,720 --> 00:16:33,960
Speaker 1: Now, can you tell take a ticke at a keyhole.

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00:16:36,360 --> 00:16:38,240
I can't see a thing sure because the key is

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00:16:38,240 --> 00:16:40,559
still on the lots. That means Hutson has got to

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00:16:40,559 --> 00:16:41,000
be in there.

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Speaker 2: Hey, houtsmon open up? Hot Don? All right, Morgan, give

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00:16:47,360 --> 00:16:48,759
me a hand. What are you gonna do? Break it down?

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00:16:48,799 --> 00:16:50,320
She didn't take too much of it. Come on, let's

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00:16:50,320 --> 00:16:56,159
go ride one more. You don't hot Don hot tn.

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Speaker 1: Weather, devil of the light twitch ot be where around

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00:17:00,480 --> 00:17:01,879
the door and watch yourself.

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Speaker 2: Morgan. We'd like to strike him, mat I gotta anyway,

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00:17:09,319 --> 00:17:16,440
are yeah, don't touch him? Was he dead? He's a

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00:17:16,480 --> 00:17:19,240
better asleep with that knife and him? What do you think?

323
00:17:20,119 --> 00:17:31,839
Send me the phone. I gotta call a cop A

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nice days of work, Mike, very nice days of work?

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Speaker 1: All right, Morgan, let's go hold his coll But he's

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00:17:37,480 --> 00:17:39,400
not the reason I cause I know, but I'm not

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00:17:39,480 --> 00:17:40,279
complaining cold.

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Speaker 2: You're not to call him, Mike, And.

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Speaker 1: I'm beginning to think you're right, Morgan. For the same dime,

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00:17:43,920 --> 00:17:46,119
I could have phoned someone with brains. What kind of

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00:17:46,119 --> 00:17:48,880
a crack of that on case you hadn't noticed, Sergeant,

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00:17:48,960 --> 00:17:50,119
that's a body in that chair.

333
00:17:50,480 --> 00:17:53,039
Speaker 2: It'll keep. But as long as you raise the point,

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00:17:53,440 --> 00:17:55,440
why did you kill him? Morgan? You crazy? I just

335
00:17:55,440 --> 00:17:57,799
got here with welling. Don't hand me that. It's the truth,

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00:17:57,839 --> 00:18:01,359
cort Oh, you're gonna be an alibi. Yeah, you better

337
00:18:01,400 --> 00:18:02,880
listen to me unless you want to look like a jerk.

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00:18:02,880 --> 00:18:05,000
Speaker 1: And when we get the headquarters, Now, how long would you

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00:18:05,000 --> 00:18:08,319
say Hudson was dead? Yeah, that's too long, body is

340
00:18:08,319 --> 00:18:11,319
still warm. It would be anywhere from fifteen minutes to

341
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three quarters.

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Speaker 2: Of an hour. And that lets the morganough.

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00:18:13,920 --> 00:18:16,119
Speaker 1: I don't say how, because he was with me every

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00:18:16,160 --> 00:18:18,000
minute from the time I got Hudson's called at the

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time we broke down the door, and the whole business

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00:18:20,079 --> 00:18:20,839
took at least an hour.

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Speaker 2: Our words not good enough, Mike.

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00:18:22,920 --> 00:18:25,359
Speaker 1: Okay, sargeant, you don't believe me. You can check what

349
00:18:25,400 --> 00:18:27,839
the switch board is my place and the doorman downstairs.

350
00:18:27,920 --> 00:18:29,720
And if that's not enough, as they got the hackey

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00:18:29,799 --> 00:18:32,559
he drove us over. That still doesn't mean Morgan could

352
00:18:32,680 --> 00:18:33,799
enough kill Ran Danglers.

353
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Speaker 2: Come on, use your head, sergeants.

354
00:18:35,799 --> 00:18:37,799
Speaker 1: You know both these murders were committed about the same party.

355
00:18:38,359 --> 00:18:40,160
Hudson knew it was, and that's why he was killed.

356
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The fad with Margan, Ye're crazy.

357
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Speaker 2: Hudson was gonna clear me.

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Speaker 1: He's quiet, Morgan, all right, sergeant, I'd advise him to

359
00:18:47,240 --> 00:18:50,039
confess if you can show me one thing. Why how

360
00:18:50,039 --> 00:18:52,079
did he get in here? You can see the only

361
00:18:52,119 --> 00:18:54,319
door was locked on the inside, so why he could

362
00:18:54,319 --> 00:18:56,880
have heal us the window and it's we'll take a look.

363
00:19:00,160 --> 00:19:03,599
Speaker 2: Mm fis on them. That's right. And no one but a.

364
00:19:03,640 --> 00:19:05,480
Speaker 1: Minute could sit through the opening, and I might stay

365
00:19:05,519 --> 00:19:07,960
another door and forget if there wasn't that it was

366
00:19:07,960 --> 00:19:10,400
a physical impossibility for anyone.

367
00:19:10,119 --> 00:19:13,839
Speaker 2: To kill Hudson. Yet it was done. How I can't

368
00:19:13,880 --> 00:19:15,880
tell you, but maybe I can take you to the

369
00:19:15,880 --> 00:19:27,720
little lady who can? Shall we go? Listen, Mike.

370
00:19:27,759 --> 00:19:30,160
Speaker 1: If the TA ever finds out, I let Morgan call.

371
00:19:30,240 --> 00:19:32,240
He'll have head about that.

372
00:19:32,319 --> 00:19:35,920
Speaker 2: Huh. And that's where Read Davis lives. Let's start starting. Well,

373
00:19:35,960 --> 00:19:38,759
you can't father his wife now or not because her

374
00:19:38,839 --> 00:19:40,079
husband was just murdered.

375
00:19:40,519 --> 00:19:43,279
Speaker 1: Well, she may surprise you with what she knows about us.

376
00:19:43,759 --> 00:19:47,039
Morgan told me that she was being romance by some characters. Oh,

377
00:19:47,160 --> 00:19:48,960
I don't know my apparently needed.

378
00:19:48,799 --> 00:19:50,400
Speaker 2: Did read if you asked me soon?

379
00:19:51,519 --> 00:19:55,640
Speaker 1: Yes, Hello missus Davis, remember me not too pleasantly.

380
00:19:56,319 --> 00:19:56,920
Speaker 2: Maybe come in.

381
00:19:57,319 --> 00:19:58,880
Speaker 3: I'm sorry, mister Waring, I'm busy.

382
00:19:59,319 --> 00:20:00,680
Speaker 2: Oh well, this gentlem we would like to ask you

383
00:20:00,680 --> 00:20:01,640
a couple of questions.

384
00:20:01,960 --> 00:20:04,480
Speaker 3: This gentleman means nothing in my young life.

385
00:20:04,680 --> 00:20:05,880
Speaker 2: No, you never can tell.

386
00:20:06,319 --> 00:20:09,119
Speaker 1: He's just started in your police department's homicide division.

387
00:20:09,680 --> 00:20:14,119
Speaker 3: Oh well, well, it's just that the houses is.

388
00:20:14,160 --> 00:20:18,000
Speaker 2: In such a well, we promised not to stare. So

389
00:20:18,079 --> 00:20:22,559
what is norma norma? I think you're being paid dangerous.

390
00:20:23,480 --> 00:20:24,519
Speaker 3: It's nothing, Raymond.

391
00:20:25,079 --> 00:20:28,400
Speaker 1: Oh for a moment, Darling, I will oh hello missus

392
00:20:28,480 --> 00:20:29,799
and liars.

393
00:20:30,160 --> 00:20:30,519
Speaker 2: Raymond.

394
00:20:31,119 --> 00:20:33,200
Speaker 3: Listen, sergeant, I can explain everything.

395
00:20:33,480 --> 00:20:36,599
Speaker 1: I would suppose we do it downtime downtown as a customer,

396
00:20:36,640 --> 00:20:38,839
and this is Davis when the police are questioning suspects.

397
00:20:38,839 --> 00:20:40,519
Speaker 3: But we did absolutely nothing.

398
00:20:40,519 --> 00:20:42,759
Speaker 2: Nothing but murder your husband and a man named Laria Hudson.

399
00:20:42,799 --> 00:20:43,480
Speaker 3: That's a lie.

400
00:20:43,599 --> 00:20:45,200
Speaker 1: You denied that you and lines are busy in the

401
00:20:45,279 --> 00:20:46,799
romance department behind your husband's back.

402
00:20:46,920 --> 00:20:48,880
Speaker 2: Yes, and what lions are doing here now?

403
00:20:49,799 --> 00:20:50,759
Speaker 3: He's just helping me.

404
00:20:51,240 --> 00:20:52,440
Speaker 2: Man, you help your murder Hudson.

405
00:20:52,680 --> 00:20:56,000
Speaker 4: No, a customer, moments Warring, I thought this gentleman was

406
00:20:56,039 --> 00:20:57,359
the officer of the law.

407
00:20:57,240 --> 00:20:58,160
Speaker 2: You're right, lions.

408
00:20:58,240 --> 00:21:00,000
Speaker 1: But if you think my questions are going to be

409
00:21:00,119 --> 00:21:03,359
life embarrassing, you're in for a bad shock. Larry Hudson

410
00:21:03,440 --> 00:21:05,279
was murdered at ten forty five tonight.

411
00:21:05,839 --> 00:21:08,759
Speaker 2: Where were we in at that time? I was with normal,

412
00:21:09,000 --> 00:21:11,720
that's right now. That's what I call a wonderful alibi.

413
00:21:11,799 --> 00:21:12,920
Sartan too bad.

414
00:21:12,960 --> 00:21:15,599
Speaker 1: There wasn't anyone else around the substantiated over there were

415
00:21:15,720 --> 00:21:16,559
mister Verry.

416
00:21:16,759 --> 00:21:20,200
Speaker 4: A Justice of the peace named Smith over in Jersey.

417
00:21:20,839 --> 00:21:22,079
I think he might to call her?

418
00:21:22,519 --> 00:21:25,319
Speaker 2: Why should he? Because I gave up one hundred.

419
00:21:25,079 --> 00:21:28,799
Speaker 4: Dollars to perform the marriage ceremony that made Norma here

420
00:21:29,359 --> 00:21:30,119
missus Nhon.

421
00:21:31,160 --> 00:21:33,599
Speaker 2: I guess he should remember that, don't you.

422
00:21:41,920 --> 00:21:43,920
Speaker 1: This is Ed Hurley he again, friends, and I'd like

423
00:21:44,000 --> 00:21:47,359
to help you find out about the nine most delicious

424
00:21:47,440 --> 00:21:50,920
cheese spread you'd ever water taste. They're the nine famous

425
00:21:50,960 --> 00:21:55,400
cheese spreads made by Craft. They're delightfully mild tasting ones

426
00:21:55,680 --> 00:21:59,799
such as Craft Pineapple cheese Spread, Craft Olive Pimento, and

427
00:22:00,079 --> 00:22:00,839
Fast Relics.

428
00:22:01,319 --> 00:22:02,359
Speaker 2: And they're a sharp.

429
00:22:02,200 --> 00:22:06,920
Speaker 1: Taping one too, like Roca Smoke Helle and Craft Limburger

430
00:22:07,039 --> 00:22:10,039
cheese spread. All of them are mighty good to eat,

431
00:22:10,359 --> 00:22:12,839
and they're good for you to eat too, because they're

432
00:22:12,920 --> 00:22:17,680
wholesome dairy foods made from only the finest ingredients for quick,

433
00:22:17,839 --> 00:22:22,160
easy snags and sandwiches. Keep your refrigerator stocked with several

434
00:22:22,200 --> 00:22:25,079
of the nine delicious.

435
00:22:24,480 --> 00:22:34,640
Speaker 2: Craft cheese spread. Now back to the Adventures of the Focus.

436
00:22:37,839 --> 00:22:40,559
Speaker 1: A half hours passed and Norma Davis and Raymond Lyons

437
00:22:40,559 --> 00:22:41,960
punctured Mike's theory by.

438
00:22:41,799 --> 00:22:45,480
Speaker 2: Coming up with an unbreakable alibi. Now, as Mike drives

439
00:22:45,519 --> 00:22:48,200
home with Sergeant Corbett, he still refuses to accept the

440
00:22:48,240 --> 00:22:50,759
empies doesn't make sense, corbon, I tell you it doesn't

441
00:22:50,799 --> 00:22:55,240
make sense with your watch while you're driving. Something folly

442
00:22:55,240 --> 00:22:58,519
about that marriage? We saw the license. It doesn't strike

443
00:22:58,559 --> 00:23:00,359
you as strange. Within twelve hours after.

444
00:23:00,200 --> 00:23:02,960
Speaker 1: Her husband has murdered, Missus Davis married another man, Gotha.

445
00:23:03,519 --> 00:23:06,200
There's no law against it, but an alibi like that

446
00:23:06,279 --> 00:23:07,000
must have a holder.

447
00:23:07,240 --> 00:23:09,480
Speaker 2: Yeah, you show me where after you do that?

448
00:23:09,559 --> 00:23:11,880
Speaker 1: Show me how either Missus Davis or Lions could have

449
00:23:11,960 --> 00:23:15,799
murdered Hudson with a physical impossibility for Morgan to kill

450
00:23:15,839 --> 00:23:16,640
him and apply.

451
00:23:16,359 --> 00:23:19,440
Speaker 2: It to vamp or hold everything. What's the matter?

452
00:23:19,880 --> 00:23:22,920
Speaker 1: What a jump I've been now if he can fashion,

453
00:23:23,000 --> 00:23:24,960
that's good for the fall. I tell you I've got

454
00:23:24,960 --> 00:23:27,720
the answer to the whole thing, taunting that on the level. Yes,

455
00:23:28,359 --> 00:23:30,319
I know now who killed Hudson, and with.

456
00:23:30,359 --> 00:23:31,880
Speaker 2: The help of Chuck Morgan, I'm going to prove it

457
00:23:39,880 --> 00:23:40,000
was you.

458
00:23:40,119 --> 00:23:42,680
Speaker 1: Driving again, Mike, I don't know anything about missus Davis

459
00:23:42,720 --> 00:23:43,039
except what.

460
00:23:43,039 --> 00:23:45,359
Speaker 2: I told you before. How did you discover she was

461
00:23:45,400 --> 00:23:47,759
seeing Raymond Lyon. I didn't know what it was Lyons.

462
00:23:47,880 --> 00:23:49,720
All Hudson told me was that it was some man.

463
00:23:50,720 --> 00:23:52,319
Speaker 1: How well did you know Hudson admit him for the

464
00:23:52,319 --> 00:23:54,359
first time today he got in touch with one of

465
00:23:54,400 --> 00:23:55,640
my friends and said he wanted to see me.

466
00:23:56,039 --> 00:23:58,279
Speaker 2: And that puts us right back where we started. Mike,

467
00:23:58,279 --> 00:24:00,759
why don't we drop the whole business? Yeah, you'd like that,

468
00:24:00,880 --> 00:24:04,119
wouldn't you? Sure the cop know now that I couldn't

469
00:24:04,119 --> 00:24:06,680
have killed Hudson. That's why you're wrong. You mean they

470
00:24:06,759 --> 00:24:10,039
still No, they don't, but I do. What are you

471
00:24:10,119 --> 00:24:11,480
babbling about, Morgan? I know?

472
00:24:11,519 --> 00:24:15,279
Speaker 1: Are your manages to here? Yes, it's pretty clever. I

473
00:24:15,359 --> 00:24:17,839
can't blame myself. I'm not seeing it, tun In. I

474
00:24:17,960 --> 00:24:19,640
wonder you insist that I go up and see Hudson.

475
00:24:19,799 --> 00:24:22,440
Speaker 2: I'm still waiting to hear you explain how I killed him.

476
00:24:22,440 --> 00:24:23,960
You know I'm saving that for the car. I don't

477
00:24:24,039 --> 00:24:24,880
kid yourself, Mike.

478
00:24:25,000 --> 00:24:27,400
Speaker 1: You've done all the talking you're doing to all right,

479
00:24:27,480 --> 00:24:29,240
put away with a gun, Morgan. You only gotta be

480
00:24:29,240 --> 00:24:30,000
sucker enough to come.

481
00:24:29,920 --> 00:24:32,160
Speaker 2: Here alone, Bunny. I don't see anyone around. You're looking

482
00:24:32,200 --> 00:24:35,960
in the right places, Mike. I'm warning on Morgan, you

483
00:24:36,039 --> 00:24:37,519
better throw your gun in the middle of the road

484
00:24:37,599 --> 00:24:38,640
you want to touch it.

485
00:24:42,359 --> 00:24:45,240
Speaker 1: I said, Mike may be acting, and with that hole

486
00:24:45,319 --> 00:24:47,640
in his forehead call, but that doesn't call for much ability.

487
00:24:47,960 --> 00:24:49,559
Speaker 2: I think you would have phone the corner.

488
00:24:57,599 --> 00:24:59,200
Speaker 1: You're loving over the corner st.

489
00:25:01,519 --> 00:25:04,880
Speaker 2: Well, it's been great all that, Mike. Aren't you forgetting something?

490
00:25:05,440 --> 00:25:11,160
I've got a report to make. Who's stopping you are? Oh? Well,

491
00:25:11,200 --> 00:25:12,799
you know that Morgan kills d Davis.

492
00:25:12,960 --> 00:25:13,200
Speaker 4: Sure.

493
00:25:13,599 --> 00:25:15,440
Speaker 2: I was the first one to say so. He should

494
00:25:15,480 --> 00:25:17,400
have stuck to your gun. Well, when you tell us

495
00:25:17,440 --> 00:25:20,279
in that raffle dazzle about Hudson's murder, you told me,

496
00:25:20,480 --> 00:25:22,000
and well, don't feel too badly about it. I was

497
00:25:22,039 --> 00:25:25,720
out with you, of course. I'm reconstructing now. But this

498
00:25:25,880 --> 00:25:26,799
is what must have happened.

499
00:25:27,680 --> 00:25:30,680
Speaker 1: Lyons tried to hire Hudson to bump Red. Hudson said

500
00:25:30,680 --> 00:25:32,720
he think it over when Red was killed.

501
00:25:33,160 --> 00:25:35,200
Speaker 2: Hutson, you immediately that if he hadn't done it, Morgan

502
00:25:35,279 --> 00:25:37,960
must have. I don't see how that follows.

503
00:25:38,000 --> 00:25:40,920
Speaker 1: It could have been lying if Lion's willing to do

504
00:25:41,000 --> 00:25:42,720
the job. Why did the approach Hudson in the first

505
00:25:42,759 --> 00:25:46,519
place and had to be Morgan? And when Hudson realized that,

506
00:25:47,079 --> 00:25:49,799
he tried to shake down Morgan even told Morgan, if

507
00:25:49,839 --> 00:25:51,880
the price were right, he might be induced to frame

508
00:25:51,960 --> 00:25:55,000
Red's wife. So Morgan played along with him and asked

509
00:25:55,039 --> 00:25:58,000
him to get in touch with me hour coming of

510
00:25:58,079 --> 00:26:00,559
the part I want to hear Chuck went.

511
00:26:00,480 --> 00:26:06,000
Speaker 2: To meet Hudson first and many so he slipped a

512
00:26:06,079 --> 00:26:08,799
slow acting drug into Hudson's rink. Why didn't they kill

513
00:26:08,880 --> 00:26:10,720
him then and there and begun with it? Because he

514
00:26:10,759 --> 00:26:13,759
needed an alibi and I was it. I don't get it.

515
00:26:14,240 --> 00:26:18,039
Speaker 1: He needed someone with him while he murdered Hudson. Why sure,

516
00:26:18,119 --> 00:26:20,440
Remember you said it was a physical impossibility for anyone

517
00:26:20,480 --> 00:26:22,359
to get into that room and kill Hudson.

518
00:26:22,319 --> 00:26:25,480
Speaker 2: Before Morgan and I broke down the door. Yeah, Well, there.

519
00:26:25,559 --> 00:26:27,519
You hit the nail right on the head. It was

520
00:26:27,559 --> 00:26:30,799
a physical impossibility. So it means that Hudson was killed

521
00:26:30,839 --> 00:26:33,000
while I was in the room. Let me get this straight.

522
00:26:33,079 --> 00:26:35,119
Speaker 1: You mean while you were hunting for the lights. Wait,

523
00:26:35,240 --> 00:26:38,160
Morgan was hunting for place to plant his knife. Wasn't

524
00:26:38,200 --> 00:26:41,680
he taking quite a chance there? Oh, Hudson was drugged

525
00:26:41,680 --> 00:26:43,960
so he couldn't make an outcry, and the knife makes

526
00:26:43,960 --> 00:26:44,680
no noise at all.

527
00:26:45,119 --> 00:26:48,160
Speaker 2: Oh, now I don't larne. Yeah, the next time I

528
00:26:48,279 --> 00:26:50,839
say something, you'll listen. I told you Morgan was the

529
00:26:50,920 --> 00:26:53,519
killer all along. Well, you'll have to forgive me. I've

530
00:26:53,519 --> 00:26:56,400
been hearing so many radio shows I forgot it wasn't

531
00:26:56,519 --> 00:26:59,920
unconstitutional for a cop to do. Let's hope this establishes

532
00:27:00,000 --> 00:27:01,680
I'm sort of a president the night.

533
00:27:10,279 --> 00:27:14,119
Speaker 1: It's wonderful as a spread, delicious as a seasoning, superb

534
00:27:14,200 --> 00:27:18,039
as a flavor shortening. It's Park Modarine, that marvelous all

535
00:27:18,160 --> 00:27:22,880
purpose modarin made by Craft. Yes, millions prefer Park to

536
00:27:23,039 --> 00:27:26,599
any of the spread, seasoning or shortening for one big reason.

537
00:27:27,079 --> 00:27:30,880
It tastes so good, and it tastes so good because

538
00:27:30,920 --> 00:27:34,599
it's always fresh. In states where the law permits get yellow,

539
00:27:34,720 --> 00:27:38,920
Park in its new aluminum foil flavor Savor Rap Elsewhere,

540
00:27:39,000 --> 00:27:42,240
get the regular package or color Quick bag. Get p

541
00:27:42,440 --> 00:27:47,039
A r K A y Park Morgarine made by Craft

542
00:27:47,839 --> 00:27:49,119
It tastes so good.

543
00:27:56,200 --> 00:27:58,319
Speaker 2: The Case of the Gangster's Girl.

544
00:28:03,400 --> 00:28:05,720
Speaker 1: The Case of the Gangster's Girl, that's the title of

545
00:28:05,799 --> 00:28:08,920
next week's Adventure of the Falcons, when Mike Wearing learns

546
00:28:08,960 --> 00:28:11,359
that somebody who starts out to be a school pigeon

547
00:28:11,920 --> 00:28:14,759
is likely to end up being a dead pigeon.

548
00:28:15,480 --> 00:28:16,119
Speaker 2: So we should have.

549
00:28:16,119 --> 00:28:18,440
Speaker 1: Listened at the same time next week to another exciting

550
00:28:18,559 --> 00:28:20,599
adventure of the Falcons, brought.

551
00:28:20,400 --> 00:28:22,200
Speaker 2: To you by the Class Food Company.

552
00:28:24,200 --> 00:28:26,279
Speaker 1: The Adventures of the Falcon are based on the famous

553
00:28:26,359 --> 00:28:29,920
character created by Bexfell Drake, produced by Bernard L. Schubert,

554
00:28:30,079 --> 00:28:33,559
written today by Gene Wang and directed by Richard Lewis.

555
00:28:34,160 --> 00:28:37,720
Speaker 2: Music was by Arlow last Staymon was starred as the Falcons,

556
00:28:37,960 --> 00:28:39,559
with Ken Lynch as Sergeant Club.

557
00:28:40,440 --> 00:28:43,880
Speaker 1: Also heard on today's broadcast was Miss Anne Williams of

558
00:28:43,920 --> 00:28:47,200
New Orleans, Louisiana, who was chosen by this program from

559
00:28:47,240 --> 00:28:50,559
among the dramatic students of Sarah Lawrence College in Bronxville,

560
00:28:50,599 --> 00:28:50,960
New York.

561
00:28:52,200 --> 00:28:54,240
Speaker 2: Be sure to hear the great Guilty Say next Wednesday

562
00:28:54,240 --> 00:28:55,680
evening over most of these stations.

563
00:28:56,039 --> 00:28:58,559
Speaker 1: In next Wednesday's broadcast, Guildy comes face to space with

564
00:28:58,640 --> 00:29:00,920
an hilarious problem and saw in a way that would

565
00:29:00,960 --> 00:29:03,960
keep you laughing for days. Remember the show, the time,

566
00:29:04,039 --> 00:29:07,119
and the place the great deal to see next Wednesday.

567
00:29:06,759 --> 00:29:09,359
Speaker 2: Evening over most of these stations. Check your newspaper for

568
00:29:09,440 --> 00:29:12,279
a time of broadcast, and then Herdie He's thinking.

569
00:29:12,400 --> 00:29:17,440
Speaker 1: For the craft boof comany, marty Lla jack Hanley and

570
00:29:17,519 --> 00:29:19,680
Judy Holiday joined The Big Show on NBC