Speaker 1: Alone. Yes, this is the Falcon student. Oh my sir,
I'm glad you called. Now you'll have to call me
out to night Angel. I'm gonna be entertained by some comics.
And when this boy makes it the gag he really
plays this is then really he friends in finding you
on behalf of the Craft Food Company to listen to
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the Falcon Prince in his best selling.
Speaker 2: Novel, then you saw him in his thrilling motion Victor series.
Speaker 1: Now join him on the air when the Falcon talls
the Case.
Speaker 2: Of the Practical Chokers.
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Speaker 2: Now the case of the Practical Chokers.
Speaker 1: It is Sunday afternoon in New York, and in a
parked car outside the Club ninety one, a bad actor
named Chuck Morgan and a plant named Linda Stewart of
rehearsing a new comedy routine. And although mister Morgan's ideas
of humor may be overdeveloped untill he obviously believes this
act should kill his customer.
Speaker 2: Now, I understand what you're supposed to do, Linda.
Speaker 3: I'm not too sure of mister Morgan.
Speaker 1: What's the matter with you anyway? Your agent told me
you were a hep dame.
Speaker 3: You lot need a job that badly.
Speaker 2: All right, I'm sorry, baby, I didn't mean that. I
say I want to play a joke on this guy,
and I want to make sure that it goes off
and schedule.
Speaker 3: Well, now here is joke the less I like it.
Speaker 2: I told you there's nothing to worry about. This son
is a good friend.
Speaker 3: Of mine, and now he's something as silly as good just.
Speaker 2: To settle a bet. He thinks he's a great little
guy with the ladies, and I bet him fifty bucks.
He was wrong, But you.
Speaker 3: Promised me one hundred dollars at this job. How can
you come out of head?
Speaker 2: You don't understand, Linda.
Speaker 1: It's not the money, it's the principle of this thing.
I just want to make a sucker out of Davis David. Yeah,
his name is Red Davis. He's a sin little guy
with red hair and pop eyes. You won't have any
trouble spotting and men's the joint. You'll be in the
corner book.
Speaker 3: But suppose your friend doesn't see any interest in me.
Speaker 2: You haven't taken a good look at yourself in the
mirror late me, d you.
Speaker 1: No, No, I'm not at all worried. Now on Red
thieves you you'll start baying at the moon.
Speaker 3: But after the drink, you want me to act and circuit.
Speaker 1: That's right, that's he won't become suspicious.
Speaker 2: Then saw out and let him buy you a couple
of drinks.
Speaker 1: And after that, well he'll probably wanna take you out
of the evening.
Speaker 2: So uh, you tell him this first you have to
make to stop at your apartment. I don't think I
like that, mister Morgan.
Speaker 1: What's the enough to light this is on the up
and up. When you get to your place, I'll be
waiting for you, And.
Speaker 3: That's where you're gonna tell mister Davis it's just a drill.
Speaker 2: That's right.
Speaker 1: I can hardly wait to see Red when he lends
it's a gag. I bet he'll practically die laughing. Hey, Hey,
where do you live anyway?
Speaker 2: Linda?
Speaker 3: It's just the next floor, mister Davis.
Speaker 2: I cut it out. Probably if you're gonna call me Red,
I'm sorry. Red.
Speaker 3: Do you know a man name.
Speaker 2: Man named home?
Speaker 3: Forget it?
Speaker 2: You know? I don't get you limit.
Speaker 1: When I first saw you in the club, I immediately
said to myself, now there's a dame with class.
Speaker 2: I was surprised when you gave me a tumble.
Speaker 3: I don't often do things like that.
Speaker 2: It was a nympho.
Speaker 1: Yeah, I understand, I get them all the time.
Speaker 2: Where do we go? Now?
Speaker 3: It's this apartment?
Speaker 2: Here? Are here?
Speaker 3: Let me have you come in?
Speaker 1: Thanks a a nice layouts you got here, Limby.
Speaker 2: I think I'm going to like this. I wouldn't bet
on that rest. Morgan, are you dirty? Little double cart
to a joke?
Speaker 1: The joke's over now, honey, you completed. If you're a
smart girl, you'll keep your trap clothes not the one
listen more got up. I don't want any conversations for
your runner, just want my dough.
Speaker 2: What don't play dumb? The sixty grand you own me
on the Robinson Flint? Oh dash? What do you think
I was talking abroad? Way?
Speaker 1: If they am kind of lord shock? I've been running
a tough luck later now on, it's going to get worse.
You know all the boys are laughing at me, but
letting you hang me up. A man in my position
can't afford that. It might give other people ideas. Look, Morgan,
suppose I pay you a little at a time, I
recall a little.
Speaker 2: I can give you ten grand now and the balance
nigger hands. I was just reaching for my wallet. I
got that dough on you. Yeah, okay, let's have it
for sure.
Speaker 1: I was going to give it to you all the time,
all right, Morgan, But I'm up for the way they've
done it.
Speaker 2: It's act your age. Well, mister Morgan, who's the joke on? Now?
I guess it's me and you're not kicking.
Speaker 1: It's okay, Red, I'll see you again and I lay
yard next time. You won't be this lucky the lions
because you'll enjoy it after Chuck. Morgan goes through all
that troubles, Red pulls a gun and leaves Chuck with
his tongue hanging out.
Speaker 4: That's very amusing, hunter. What happened after that?
Speaker 1: Oh?
Speaker 2: Morgan started looking for him again? And what do you
think will happen if he finds him this time? The
same thing? You don't believe Morgan's killed him? No, Morgan's
out or you think so? I know so I would
last as long.
Speaker 1: As a private dick if I wasn't a good judge
of character.
Speaker 2: Now take it for me. Nothing's gonna happen in Red.
Speaker 5: Well, that's too bad, Hudson. This would be worth a
lot of money to me if something did.
Speaker 2: Eh, how much is a lot of money? What's the difference?
You're not interested me? Twenty five hundred dollars? You're right,
that price of mount what doesn't worth more?
Speaker 5: Everybody knows that Morgan has twitting tapers, so you absolutely
no risk.
Speaker 2: What is you court against Red? Anyway?
Speaker 5: That's none of your business.
Speaker 2: Either you want the job or you don't.
Speaker 1: Well, as long as you put it that basis, mister lions,
let me think it though.
Speaker 2: What you mean? Oh? Thank them?
Speaker 1: This is Radney I mean, I'm posted at the corner
of Madison in forty six.
Speaker 2: Anybody been around at joint asking for me? Why do
you tell him? Good? Normal dad? My wife stupid? No, no, no, no, mean.
Speaker 1: Well once she gets that, cut that out some characters
and I hired to use the phone.
Speaker 2: All of this seconds think that I take care of
this test. I listened, you know, how would you like it?
Speaker 3: Cut what.
Speaker 2: I do? Want to set the door? Listen more than
just keep your hands everybody, what are you doing here? Chuck?
Red Davis was knocked off a couple of hours ago.
That still doesn't answer my question. I don't see why
not one the cops think I did it too. You
can prove I didn't. Now is it up not to
my liking? You better get somebody else. This is wearing.
Speaker 1: Maybe I haven't handled this right, but I didn't kill
Red and wanted to tell out to the place.
Speaker 2: You don't think for a minute I believe me? Was
I told you? I don't either.
Speaker 1: Look, Mike, I know you don't like me, but give
me credit for a little intelligence. If I was going
to knock off Davis, would I shut my mop off
all o the time?
Speaker 2: So I tell you I didn't kill him? Then? Who?
Speaker 4: Dad?
Speaker 2: I got no idea? Okay, Morgan, I'll see what I
can do for you. At first, I want to the
thrender to the cops. No, I think that's no deal.
I'll wait a minute, Mike. I'll make you pumposition.
Speaker 1: I'm not interested. But Pete's sake, give me a chance,
would you. I'm convinced that, with any luck, you can
clean this up in a couple of hours. If you haven't, five,
then I'll give myself up. What are you doing in
the meantime, I'll stay right here. Wants to prevent me
from walking out and calling the police?
Speaker 2: Nothing? Oh, you just trust me. I don't have any
other choice. What do you say? Mike?
Speaker 1: And I listen against my better judgment, Morgan, But you
got yourself a boy.
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Now back to the adventures of the Falcon. Twenty minutes
to pass and Mike Wearing agreed to go to work
for Chuck Morgan. And now as we find Mike, he's
about to earn his feed. Yes, missus Norman David that's my.
Speaker 2: Name is Mike Wearing.
Speaker 1: I'm sorry to body at a time like this, but
I'd like to ask you some questions about your husband.
Speaker 3: But I've told the police everything I know.
Speaker 2: Well, I'm working at a different angles. Come in, thank you?
What do you want to know, Missus David? Is you
any ideas who might have killed then? Yes, Chuck Morgan,
I mean besides Morgan.
Speaker 3: No, Red didn't have an enemy world.
Speaker 2: I know that's not true. Missus Davis.
Speaker 1: Your husband wasn't exactly the most popular citizen in New York?
Speaker 3: How dare you say that to him?
Speaker 2: Well?
Speaker 3: I have you talked that way about him? I'm tired
of these insinuations. How do you know what kind of man?
Speaker 2: Paul? I'm sorry, You're a sorry go on.
Speaker 3: Step I don't want to hear any more about it,
so I'll leave you alone.
Speaker 2: You need to congratulate you, Missus Davis. That was a
marvelous performance.
Speaker 3: Why thank you think I convinced him? I was a
broken hearted widow.
Speaker 2: How could you help it when you practically convinced me?
Speaker 6: Come here, Dolly and let me console you can?
Speaker 2: Yeah, looking for guy nam Blaney Hudson. Well, look no
further mister Morgan, is you Hudson? That's right. One of
my friends told me you wanted to see me. He
tells you right every drink. Yeah, I can stand one.
Speaker 1: To help yourself. Bars in the corner, call me one
while you're at it. You're in a bad spot, hut.
Speaker 2: Bring me up here to tell me that. Yeah, yeah,
you see, I know who killed Red Davis. Why don't
you heard me? Oh that was n Yeah? Thanks? Say yeah,
how you fix the cash in well?
Speaker 1: I a lot of information to sell. Its going to
the highest fitter. I mean you can clean me.
Speaker 2: I'm not doing any more talking until I see the
color of your do. I don't know you got much
in that. I don't give you a samp. Did you
know that Davis's wife was too timing him with home?
I don't know. That's all you get free? But you
can use this kind of stuff, can't you listen? Hudson.
Speaker 1: I want you to talk to Wearing Mike Wearing the
falk and he's working for.
Speaker 2: Me, but no, we had talked to him. Sure, Red riding,
I can make a buck.
Speaker 1: I'll take care of you. I'm going back to Winning's apartment.
I want you to call him in about fifteen minutes.
Speaker 2: I'll be sitting right here at the phone.
Speaker 1: Tell him what she had told me about Missus Davis.
Oh no, no, get the dough up. But I look
huts and I only got.
Speaker 2: A grand on me. I'll give you another four the
next time I see it. Huh, Okay, Morgan, you got
yourself for deal, Maugan jot. Hello, that's it's mister worry.
There was a man waiting in my apartment by any cat,
never mind, come in? How am I? I'm just asking
for you, Morgan. But whatever of you, Ben, That tells
me a lot. I thought you was agreed to stay
right here.
Speaker 1: I know, but I had to see somebody. Who suppose
you tell me what you find out for it? Ill
not very much. Every lead I explored came back to you.
You see missus Davis just a few minutes.
Speaker 2: We just think of it.
Speaker 1: She seems all broken up over her husband's murder. He
was kidding in What makes you think so? Because I've
been doing a little checking in my own he's been
holding hands with.
Speaker 2: Some guy who wasn't her husband.
Speaker 1: Where'd you get that from? Private dick named Larry Hudson?
That lion, see, I don't care what he is, Mike.
He's got the evidence to claim me. Who didn't I
killed David?
Speaker 2: It wouldn't tell me, but I made him promise to
talk to you. We should be calling you any minute.
Speaker 1: Listen, Morton, I wouldn't trust that guy in a stack
of bibles?
Speaker 2: What'd you give him? Give him? As a guy like
Hunton doesn't talk for free? How much you promise him?
Five grand? And you better save your money. But I
tell you he can clear me. That's probably him. Now, hello,
that you're wearing. That's right, Hudson, I take it. Then
you have to margin.
Speaker 1: Yeah, well what do you take? What I think is unimportant?
Marvin tells me he isn't clear him?
Speaker 2: Sure? Right? For my part of my interest has got
to talk to him, Mike. I don't like it, Margan,
he did do Why? But if this guy can save mine.
Speaker 1: Make up your mind.
Speaker 2: Boys, they ain't good all week? Okay, Hutson will be
over in an hour or right or over here? Mike. Look,
I want you to let me handle Hutson and keep
your mouth shut. He's a doctor. Let's keeping him. I
don't know, maybe one not. I doubt it.
Speaker 1: Now, can you tell take a ticke at a keyhole.
I can't see a thing sure because the key is
still on the lots. That means Hutson has got to
be in there.
Speaker 2: Hey, houtsmon open up? Hot Don? All right, Morgan, give
me a hand. What are you gonna do? Break it down?
She didn't take too much of it. Come on, let's
go ride one more. You don't hot Don hot tn.
Speaker 1: Weather, devil of the light twitch ot be where around
the door and watch yourself.
Speaker 2: Morgan. We'd like to strike him, mat I gotta anyway,
are yeah, don't touch him? Was he dead? He's a
better asleep with that knife and him? What do you think?
Send me the phone. I gotta call a cop A
nice days of work, Mike, very nice days of work?
Speaker 1: All right, Morgan, let's go hold his coll But he's
not the reason I cause I know, but I'm not
complaining cold.
Speaker 2: You're not to call him, Mike, And.
Speaker 1: I'm beginning to think you're right, Morgan. For the same dime,
I could have phoned someone with brains. What kind of
a crack of that on case you hadn't noticed, Sergeant,
that's a body in that chair.
Speaker 2: It'll keep. But as long as you raise the point,
why did you kill him? Morgan? You crazy? I just
got here with welling. Don't hand me that. It's the truth,
cort Oh, you're gonna be an alibi. Yeah, you better
listen to me unless you want to look like a jerk.
Speaker 1: And when we get the headquarters, Now, how long would you
say Hudson was dead? Yeah, that's too long, body is
still warm. It would be anywhere from fifteen minutes to
three quarters.
Speaker 2: Of an hour. And that lets the morganough.
Speaker 1: I don't say how, because he was with me every
minute from the time I got Hudson's called at the
time we broke down the door, and the whole business
took at least an hour.
Speaker 2: Our words not good enough, Mike.
Speaker 1: Okay, sargeant, you don't believe me. You can check what
the switch board is my place and the doorman downstairs.
And if that's not enough, as they got the hackey
he drove us over. That still doesn't mean Morgan could
enough kill Ran Danglers.
Speaker 2: Come on, use your head, sergeants.
Speaker 1: You know both these murders were committed about the same party.
Hudson knew it was, and that's why he was killed.
The fad with Margan, Ye're crazy.
Speaker 2: Hudson was gonna clear me.
Speaker 1: He's quiet, Morgan, all right, sergeant, I'd advise him to
confess if you can show me one thing. Why how
did he get in here? You can see the only
door was locked on the inside, so why he could
have heal us the window and it's we'll take a look.
Speaker 2: Mm fis on them. That's right. And no one but a.
Speaker 1: Minute could sit through the opening, and I might stay
another door and forget if there wasn't that it was
a physical impossibility for anyone.
Speaker 2: To kill Hudson. Yet it was done. How I can't
tell you, but maybe I can take you to the
little lady who can? Shall we go? Listen, Mike.
Speaker 1: If the TA ever finds out, I let Morgan call.
He'll have head about that.
Speaker 2: Huh. And that's where Read Davis lives. Let's start starting. Well,
you can't father his wife now or not because her
husband was just murdered.
Speaker 1: Well, she may surprise you with what she knows about us.
Morgan told me that she was being romance by some characters. Oh,
I don't know my apparently needed.
Speaker 2: Did read if you asked me soon?
Speaker 1: Yes, Hello missus Davis, remember me not too pleasantly.
Speaker 2: Maybe come in.
Speaker 3: I'm sorry, mister Waring, I'm busy.
Speaker 2: Oh well, this gentlem we would like to ask you
a couple of questions.
Speaker 3: This gentleman means nothing in my young life.
Speaker 2: No, you never can tell.
Speaker 1: He's just started in your police department's homicide division.
Speaker 3: Oh well, well, it's just that the houses is.
Speaker 2: In such a well, we promised not to stare. So
what is norma norma? I think you're being paid dangerous.
Speaker 3: It's nothing, Raymond.
Speaker 1: Oh for a moment, Darling, I will oh hello missus
and liars.
Speaker 2: Raymond.
Speaker 3: Listen, sergeant, I can explain everything.
Speaker 1: I would suppose we do it downtime downtown as a customer,
and this is Davis when the police are questioning suspects.
Speaker 3: But we did absolutely nothing.
Speaker 2: Nothing but murder your husband and a man named Laria Hudson.
Speaker 3: That's a lie.
Speaker 1: You denied that you and lines are busy in the
romance department behind your husband's back.
Speaker 2: Yes, and what lions are doing here now?
Speaker 3: He's just helping me.
Speaker 2: Man, you help your murder Hudson.
Speaker 4: No, a customer, moments Warring, I thought this gentleman was
the officer of the law.
Speaker 2: You're right, lions.
Speaker 1: But if you think my questions are going to be
life embarrassing, you're in for a bad shock. Larry Hudson
was murdered at ten forty five tonight.
Speaker 2: Where were we in at that time? I was with normal,
that's right now. That's what I call a wonderful alibi.
Sartan too bad.
Speaker 1: There wasn't anyone else around the substantiated over there were
mister Verry.
Speaker 4: A Justice of the peace named Smith over in Jersey.
I think he might to call her?
Speaker 2: Why should he? Because I gave up one hundred.
Speaker 4: Dollars to perform the marriage ceremony that made Norma here
missus Nhon.
Speaker 2: I guess he should remember that, don't you.
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Speaker 2: Craft cheese spread. Now back to the Adventures of the Focus.
Speaker 1: A half hours passed and Norma Davis and Raymond Lyons
punctured Mike's theory by.
Speaker 2: Coming up with an unbreakable alibi. Now, as Mike drives
home with Sergeant Corbett, he still refuses to accept the
empies doesn't make sense, corbon, I tell you it doesn't
make sense with your watch while you're driving. Something folly
about that marriage? We saw the license. It doesn't strike
you as strange. Within twelve hours after.
Speaker 1: Her husband has murdered, Missus Davis married another man, Gotha.
There's no law against it, but an alibi like that
must have a holder.
Speaker 2: Yeah, you show me where after you do that?
Speaker 1: Show me how either Missus Davis or Lions could have
murdered Hudson with a physical impossibility for Morgan to kill
him and apply.
Speaker 2: It to vamp or hold everything. What's the matter?
Speaker 1: What a jump I've been now if he can fashion,
that's good for the fall. I tell you I've got
the answer to the whole thing, taunting that on the level. Yes,
I know now who killed Hudson, and with.
Speaker 2: The help of Chuck Morgan, I'm going to prove it
was you.
Speaker 1: Driving again, Mike, I don't know anything about missus Davis
except what.
Speaker 2: I told you before. How did you discover she was
seeing Raymond Lyon. I didn't know what it was Lyons.
All Hudson told me was that it was some man.
Speaker 1: How well did you know Hudson admit him for the
first time today he got in touch with one of
my friends and said he wanted to see me.
Speaker 2: And that puts us right back where we started. Mike,
why don't we drop the whole business? Yeah, you'd like that,
wouldn't you? Sure the cop know now that I couldn't
have killed Hudson. That's why you're wrong. You mean they
still No, they don't, but I do. What are you
babbling about, Morgan? I know?
Speaker 1: Are your manages to here? Yes, it's pretty clever. I
can't blame myself. I'm not seeing it, tun In. I
wonder you insist that I go up and see Hudson.
Speaker 2: I'm still waiting to hear you explain how I killed him.
You know I'm saving that for the car. I don't
kid yourself, Mike.
Speaker 1: You've done all the talking you're doing to all right,
put away with a gun, Morgan. You only gotta be
sucker enough to come.
Speaker 2: Here alone, Bunny. I don't see anyone around. You're looking
in the right places, Mike. I'm warning on Morgan, you
better throw your gun in the middle of the road
you want to touch it.
Speaker 1: I said, Mike may be acting, and with that hole
in his forehead call, but that doesn't call for much ability.
Speaker 2: I think you would have phone the corner.
Speaker 1: You're loving over the corner st.
Speaker 2: Well, it's been great all that, Mike. Aren't you forgetting something?
I've got a report to make. Who's stopping you are? Oh? Well,
you know that Morgan kills d Davis.
Speaker 4: Sure.
Speaker 2: I was the first one to say so. He should
have stuck to your gun. Well, when you tell us
in that raffle dazzle about Hudson's murder, you told me,
and well, don't feel too badly about it. I was
out with you, of course. I'm reconstructing now. But this
is what must have happened.
Speaker 1: Lyons tried to hire Hudson to bump Red. Hudson said
he think it over when Red was killed.
Speaker 2: Hutson, you immediately that if he hadn't done it, Morgan
must have. I don't see how that follows.
Speaker 1: It could have been lying if Lion's willing to do
the job. Why did the approach Hudson in the first
place and had to be Morgan? And when Hudson realized that,
he tried to shake down Morgan even told Morgan, if
the price were right, he might be induced to frame
Red's wife. So Morgan played along with him and asked
him to get in touch with me hour coming of
the part I want to hear Chuck went.
Speaker 2: To meet Hudson first and many so he slipped a
slow acting drug into Hudson's rink. Why didn't they kill
him then and there and begun with it? Because he
needed an alibi and I was it. I don't get it.
Speaker 1: He needed someone with him while he murdered Hudson. Why sure,
Remember you said it was a physical impossibility for anyone
to get into that room and kill Hudson.
Speaker 2: Before Morgan and I broke down the door. Yeah, Well, there.
You hit the nail right on the head. It was
a physical impossibility. So it means that Hudson was killed
while I was in the room. Let me get this straight.
Speaker 1: You mean while you were hunting for the lights. Wait,
Morgan was hunting for place to plant his knife. Wasn't
he taking quite a chance there? Oh, Hudson was drugged
so he couldn't make an outcry, and the knife makes
no noise at all.
Speaker 2: Oh, now I don't larne. Yeah, the next time I
say something, you'll listen. I told you Morgan was the
killer all along. Well, you'll have to forgive me. I've
been hearing so many radio shows I forgot it wasn't
unconstitutional for a cop to do. Let's hope this establishes
I'm sort of a president the night.
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Speaker 2: The Case of the Gangster's Girl.
Speaker 1: The Case of the Gangster's Girl, that's the title of
next week's Adventure of the Falcons, when Mike Wearing learns
that somebody who starts out to be a school pigeon
is likely to end up being a dead pigeon.
Speaker 2: So we should have.
Speaker 1: Listened at the same time next week to another exciting
adventure of the Falcons, brought.
Speaker 2: To you by the Class Food Company.
Speaker 1: The Adventures of the Falcon are based on the famous
character created by Bexfell Drake, produced by Bernard L. Schubert,
written today by Gene Wang and directed by Richard Lewis.
Speaker 2: Music was by Arlow last Staymon was starred as the Falcons,
with Ken Lynch as Sergeant Club.
Speaker 1: Also heard on today's broadcast was Miss Anne Williams of
New Orleans, Louisiana, who was chosen by this program from
among the dramatic students of Sarah Lawrence College in Bronxville,
New York.
Speaker 2: Be sure to hear the great Guilty Say next Wednesday
evening over most of these stations.
Speaker 1: In next Wednesday's broadcast, Guildy comes face to space with
an hilarious problem and saw in a way that would
keep you laughing for days. Remember the show, the time,
and the place the great deal to see next Wednesday.
Speaker 2: Evening over most of these stations. Check your newspaper for
a time of broadcast, and then Herdie He's thinking.
Speaker 1: For the craft boof comany, marty Lla jack Hanley and
Judy Holiday joined The Big Show on NBC