WEBVTT

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<v Speaker 1>The Magnificent Montcules, starring Marty wolle.

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<v Speaker 2>Yes.

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<v Speaker 1>It's the Magnificent Molecule, the Saturday Night transcribed feature on

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<v Speaker 1>NBC's All Star Festival of Comedy, Music, Mystery, and Drama,

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<v Speaker 1>Brought to you by Adison, or Fast Relief from Pain

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<v Speaker 1>of headache, neurritis and euralgia by RCA Victor world leader

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<v Speaker 1>in radio, first and recorded music, and first in television,

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<v Speaker 1>and by Chesterfield Always milder, better tasting, coolert smoking plus

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<v Speaker 1>no unpleasant aftertaste. Before we hear from the Magnificent Molegule,

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<v Speaker 1>let's hear from anison. If you suffer from pains of headaches, neurytus,

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<v Speaker 1>physician or dentist. Thousands of people have been introduced to

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<v Speaker 1>anison this way. Try anison yourself the next time you

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<v Speaker 1>suffer from the pains of a headache.

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<v Speaker 3>Neurytis on your outler.

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<v Speaker 1>You'll be delighted at how quickly relief can come. Anison

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<v Speaker 1>of twelve and thirty tablets and economical family sized bottles

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<v Speaker 1>of fifty and one hundred for your medicine cabinet. Asked

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<v Speaker 1>for anison today and now the magnificent Montagule life goes

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<v Speaker 1>on in the Montague household Edwin, the magnificent Montague of

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<v Speaker 1>Shakespearean stage fame. Today, thanks to his great shame of

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<v Speaker 1>having to make a living in radio, his uncle Goodheart

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<v Speaker 1>is just the shadow of his former self, and it's

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<v Speaker 1>the loudest shadow you'll ever hear. It is morning, Lily,

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<v Speaker 1>his wife is just getting up. Agnes, the Montague maid

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<v Speaker 1>is singing as she sets the breakfast table.

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<v Speaker 4>Oh, I was meant to wonder, was meant to round

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<v Speaker 4>your and man did money? You never makes me feel

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<v Speaker 4>at home. I was meant to wonder. Hold it, honey.

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<v Speaker 4>If I stop now and never get the right key again,

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<v Speaker 4>what's eating your honeyed will.

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<v Speaker 5>Be up soon? You better close the window.

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<v Speaker 4>Okay, Heaven forbid he shoul get a little fresh air

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<v Speaker 4>in his lungs and come down with fresh air poisoning there. Now,

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<v Speaker 4>it's the way he likes it nowhere. He must have

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<v Speaker 4>been raised in a subway station an.

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<v Speaker 6>As you know Edwin in this fantastic god is. He

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<v Speaker 6>thinks sunshine and fresh air are unhealthy.

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<v Speaker 4>But you gotta have a little air in this apartment

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<v Speaker 4>just to circulate the dirt. I'm trt of kicking it

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<v Speaker 4>around myself, Oh.

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<v Speaker 6>Agnes, be serious. I'm a little worried about Edwin. He

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<v Speaker 6>hasn't been looking well for the past few days.

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<v Speaker 5>His face is pale. Have you noticed it?

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<v Speaker 4>No, I haven't looked in his beard lately.

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<v Speaker 2>I worried.

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<v Speaker 5>I haven't told Edwin, but I'm having doctor Henshaw come

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<v Speaker 5>by and look at him this morning.

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<v Speaker 6>I also called the radio station to be prepared in

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<v Speaker 6>case he can't do his Uncle Good Hut program.

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<v Speaker 4>I hate to say it, but it'll be all right

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<v Speaker 4>say talking about looks. Notice anything different about me this morning?

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<v Speaker 5>Different? My hair, my hair, Oh my, Agnes, it is different.

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<v Speaker 5>He went to the beauty pol yesterday.

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<v Speaker 4>Yeah, I went down there with my club, the Unattached

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<v Speaker 4>Girls at East thirty seventh Street.

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<v Speaker 5>Where you go.

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<v Speaker 4>It's a little beauty saloon on Second Avenue. They're wonderful.

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<v Speaker 4>It's called Pierre and Maurice's Pierre and Maurice's. Yeah. But

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<v Speaker 4>with my luck, I always get irving.

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<v Speaker 6>Let me see, looks something like a feather cut that

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<v Speaker 6>I think he took off a little too much.

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<v Speaker 4>I had the same feeling when on the way home

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<v Speaker 4>a guy whistled at me.

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<v Speaker 5>Oh that's good.

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<v Speaker 4>I thought so too, until he came up to me

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<v Speaker 4>and said, hey, mister, how about a guy for a

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<v Speaker 4>cup of coffee.

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<v Speaker 6>No matter how you wear your hair, you still look wonderful.

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<v Speaker 4>You know, honey. On top of being a wonderful actress

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<v Speaker 4>and a wonderful woman, you're a wonderful liar.

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<v Speaker 5>I certainly hope Edwin feels better this morning.

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<v Speaker 4>Someone's looking for you, Chloe.

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<v Speaker 7>Get the table, theady, Good morning, Good morning, Edwin.

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<v Speaker 5>You feel all right?

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<v Speaker 3>Of course I do.

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<v Speaker 5>Your face looks a little drawn.

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<v Speaker 4>And I'd hate to be the one who drew it.

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<v Speaker 2>There have we melons for breakfast? Or is that Agnes's head?

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<v Speaker 5>Please? Edward? And I'm worried. I don't like the way

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<v Speaker 5>you look.

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<v Speaker 4>After twenty five years. This is a fine time to

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<v Speaker 4>notice it.

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<v Speaker 5>You start badgering in get us a moment coming up?

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<v Speaker 2>Now, let's not stop that again. One cough you come, Florence, nightingale.

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<v Speaker 5>And when you look flushed and you tossed and turned

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<v Speaker 5>all night.

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<v Speaker 8>Well it was probably Agnes's cooking that tongue she served

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<v Speaker 8>last night. Ooh, I can still hear it.

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<v Speaker 5>Let's not go through the usual routine.

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<v Speaker 6>First you fight and ran about not being sick, and

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<v Speaker 6>then when you realize you.

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<v Speaker 5>Are sick, you get frightened and refuse to get out

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<v Speaker 5>of bed.

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<v Speaker 2>Nons, I never felt ruck in my life.

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<v Speaker 4>Here's the thermometer.

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<v Speaker 5>Thank you. That doesn't open your mouth?

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<v Speaker 4>Has it ever been closed?

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<v Speaker 5>Open your mouth?

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<v Speaker 2>All right? This is silly.

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<v Speaker 5>Hold on your tongue and keep your mouth closed.

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<v Speaker 4>That's right, Gee, it's nice and quiet. We should do

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<v Speaker 4>this more often.

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<v Speaker 5>Keep your mouth closed just a little longer and I'll

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<v Speaker 5>take off. It's a moment.

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<v Speaker 4>How are you ever gonna find it again? In that beard?

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<v Speaker 4>It's like a needle in a haystack. Yeah, quiet, Edwin, Oh,

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<v Speaker 4>this is fun.

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<v Speaker 5>That's all right, Edwin. You can open your mouth, Agnes.

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<v Speaker 2>One more crack out of you.

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<v Speaker 4>It's open for traffic again.

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<v Speaker 2>Call up one of the elevator boys. It's time to walk.

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<v Speaker 5>Agnes quiet, Look at the thermometer. You're not normal.

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<v Speaker 4>Was there ever a question?

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<v Speaker 5>Agnes? Be quiet? He has one hundred and one temperature.

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<v Speaker 5>His eyes are round.

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<v Speaker 8>Now wait, if everyone will stop treating this sniffle like.

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<v Speaker 6>An epidemic, Edwin, there's no sense in taking chances when

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<v Speaker 6>you could, Agnes, when you get the door.

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<v Speaker 5>Okay, let's doctor Henshaw.

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<v Speaker 8>Doctor Henshaw, that butcher the They give me a fighting.

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<v Speaker 2>Chance, Edwin.

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<v Speaker 5>Don't you dare start with him again?

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<v Speaker 4>Helenda?

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<v Speaker 8>Hello, Agnes, well, quack quack quack. If it isn't doctor Henshaw,

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<v Speaker 8>doctor Willie, why do you do this to me?

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<v Speaker 3>There are thousands of doctors in.

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<v Speaker 8>New York who haven't had nervous breakdowns from him, yet

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<v Speaker 8>give them a.

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<v Speaker 3>Chance, Doctor Edwin.

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<v Speaker 5>Isn't well?

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<v Speaker 3>They call someone else?

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<v Speaker 6>Now, Edwin admitted, doctor Henchaw's always fixed you up.

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<v Speaker 2>Yes, I have to give you in credit.

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<v Speaker 8>Doctors with licenses couldn't do better, Edwin.

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<v Speaker 6>Now, doctor Henchaw has been our doctor for twenty years.

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<v Speaker 6>He's one of the most famous diagnosticians in New York.

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<v Speaker 2>Oh, he's famous, you know that. Don't let him operate anymore.

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<v Speaker 2>He keeps sewing himself to the patient.

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<v Speaker 3>Ah, listen, Montague.

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<v Speaker 8>Every time I treat you, you're up and out of

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<v Speaker 8>bed in a week. I spend the next two months

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<v Speaker 8>in the sanitarium. Will you kindly shut up and let

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<v Speaker 8>me examine you a miserable caucus.

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<v Speaker 5>It would be quiet.

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<v Speaker 2>Let the doctor examine very well? Why we allow this

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<v Speaker 2>animal vet to be our family? Doctor?

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<v Speaker 3>Let me see your tongue, shall I say?

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<v Speaker 2>Ah, a bow wall like the rest of your patience.

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<v Speaker 8>For heaven's sakes, will you ask him to stick out

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<v Speaker 8>his tongue.

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<v Speaker 3>Please hold me back. I may be tempted to tear

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<v Speaker 3>it out.

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<v Speaker 2>All right, all right, young doctor Malone here.

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<v Speaker 4>Ah, get that tongue. I've seen short of ski slide.

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<v Speaker 3>Unbutton his shirt. I don't get my steposcope. This is silly.

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<v Speaker 5>Unbutton your shirt. There?

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<v Speaker 3>Oh, no, here we are what these are? My ears?

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<v Speaker 3>I'll just put this end on your chair.

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<v Speaker 8>There Oo, don't you ever warm those things up?

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<v Speaker 2>Quiet?

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<v Speaker 3>I want to listen to your heart.

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<v Speaker 4>You'll have to find one first.

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<v Speaker 8>All right, diagnoes, back to your slop pail. It will

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<v Speaker 8>be cool now I'll look into this ear.

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<v Speaker 4>Hey Jack, I'll look into his other air at the

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<v Speaker 4>same time. I'll wink at each other.

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<v Speaker 8>You give me some anti agnes injections, Montague, you have

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<v Speaker 8>to get right to bed. I have a radio broadcast

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<v Speaker 8>this afternoon, Edwin, get to bed, doctor, And I really

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<v Speaker 8>said no, Montague, let's not start getting panicky like you

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<v Speaker 8>always do a doctor.

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<v Speaker 2>Don't be afraid of him.

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<v Speaker 5>Into the bedroom, Edwin.

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<v Speaker 8>Lily, don't go away, Montague. Don't fall apart on me now.

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<v Speaker 8>I want to finish examining.

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<v Speaker 2>You.

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<v Speaker 3>Wait outside, Lily.

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<v Speaker 5>I'll be right outside the door. Be brave, Edwin.

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<v Speaker 4>How is he, Honey?

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<v Speaker 6>I don't know. Edwin is so really sick that when

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<v Speaker 6>he does ge so I think he just goes to pieces.

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<v Speaker 4>You look pretty bad, even for him.

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<v Speaker 5>Please don't kid might be serious.

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<v Speaker 4>I'm sorry, honey. Whatever it is, I'm sure he'll be

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<v Speaker 4>over it in a hurry. What germ could stand being

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<v Speaker 4>around him very long?

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<v Speaker 5>If I didn't know, you were just as worried as

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<v Speaker 5>I am about.

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<v Speaker 4>Don't bet on it. Here comes the doctor.

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<v Speaker 5>Doctor. How is he?

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<v Speaker 4>Have you got anything?

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<v Speaker 5>Yeah, doctor, doctor? What is it?

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<v Speaker 2>Lily?

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<v Speaker 8>He has the magnificent Montague has the measles.

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<v Speaker 4>A measel, that's the kids.

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<v Speaker 3>Nevertheless, he's got him, the doctor.

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<v Speaker 5>Is it serious?

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<v Speaker 2>In a few days.

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<v Speaker 3>Here's a prescription. Yeah, he's asking for you. I'll not

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<v Speaker 3>find this hafternoon.

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<v Speaker 2>Good bye doctor.

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<v Speaker 4>The measles. He's sure heading for second childhood fast before

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<v Speaker 4>you know it. After every meal, will have to burp them.

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<v Speaker 5>No, please, let's go into the bedroom and see him.

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<v Speaker 4>Yeah, I don't want to miss his usual deathbed thing.

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<v Speaker 2>Edwin, Billy is it you?

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<v Speaker 8>Yes, Edwin, come closer to the bed so I can

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<v Speaker 8>see you.

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<v Speaker 6>Oh, come now, Edwin. Doctor Henshaw just said it was

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<v Speaker 6>the measles.

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<v Speaker 2>What does that? But you know, Lily, hold my hand.

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<v Speaker 5>Now, Edwin. The doctor says you'll be over written a

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<v Speaker 5>few days.

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<v Speaker 2>Lily, he can't fool me. It's the final curtain.

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<v Speaker 8>Oie, silly, silly, Where is dear as?

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<v Speaker 2>I want to forgive her? Agnes?

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<v Speaker 4>Where are you right at your side? Camille?

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<v Speaker 2>Oh is that you? Agnes? I thought it was a

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<v Speaker 2>grim reaper.

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<v Speaker 4>Now you see how sick he is.

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<v Speaker 6>Edwind, it's only the measles, and you'll stay in bed

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<v Speaker 6>a few days.

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<v Speaker 5>I'll brighten up the room for you.

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<v Speaker 4>You won't have to buy Tomorrow'll break out in a

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<v Speaker 4>rash and brighten it up himself and be a wrapp again.

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<v Speaker 4>Hulka dots.

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<v Speaker 5>Agnes leave him alone, Lily.

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<v Speaker 2>No let her go out. If I have to go,

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<v Speaker 2>let me go the way I lived with Agnes hounding me.

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<v Speaker 4>Alas poor Montague.

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<v Speaker 8>I know him well, oh Lily, and please name? Would

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<v Speaker 8>you remove this ghoul from my bedroom?

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<v Speaker 5>Agnes? Please go into the kitchen now, Edwin will make

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<v Speaker 5>you a nice break.

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<v Speaker 2>Oh no, Lily, not Agnes's food. Now, what's the matter?

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<v Speaker 2>Am I not going fast enough for you? Please?

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<v Speaker 5>She'll make you a nice beef broth. Exe who's at

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<v Speaker 5>the door?

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<v Speaker 8>Okay, honey, Lily, I've tried to be a good husband

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<v Speaker 8>to you. A still young and pretty. You find somebody when.

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<v Speaker 5>You're being ridiculous. You only have the measles.

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<v Speaker 8>That's what that quack said. How could I have caught measle?

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<v Speaker 8>I haven't been anywhere, but this is apart from the

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<v Speaker 8>radio station.

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<v Speaker 2>The last time I was near a child was the

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<v Speaker 2>day I got out of grammar school. Can't be measled, Lily.

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<v Speaker 4>It's getting dark, oh, ed When you're impossible it's mister

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<v Speaker 4>Spring and mister Zinzer from the radio station.

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<v Speaker 5>Show them in this way.

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<v Speaker 4>Boys, you may not recognize you. He's sinking fat.

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<v Speaker 5>Come in, gentlemen, Well, well.

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<v Speaker 2>Well, house up patient.

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<v Speaker 3>He looks fine, doesn't listen there?

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<v Speaker 5>Yeah, three boys.

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<v Speaker 4>Full of vim vigor in the old pepper.

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<v Speaker 8>Oh boys, it's just a brave front of masks, a

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<v Speaker 8>shuttered body on a bettle p.

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<v Speaker 4>What is it you've got?

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<v Speaker 2>My mind?

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<v Speaker 8>Hey, now that you mentioned and he does look a

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<v Speaker 8>little batchy, doesn't he's in there.

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00:14:26.159 --> 00:14:27.639
<v Speaker 5>Yeah, he looks blutchy on it.

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<v Speaker 2>Thank you boy.

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<v Speaker 5>It looks like the liver to me.

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<v Speaker 9>Now, I'll tell you what you do.

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<v Speaker 5>Let's just spring. The doctor's been.

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<v Speaker 4>Doctor, mister Montague, didn't the doctor tell you what you've got?

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<v Speaker 3>I know what I've got.

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<v Speaker 2>I just want to find out where I got it.

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<v Speaker 5>Poor uncle, good heart.

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<v Speaker 2>Nothing gets you down like being thick.

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<v Speaker 4>I always say ok, thanks in the thank you.

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<v Speaker 2>At least somebody around here has a little sympathy for

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<v Speaker 2>I can sympathize with you. All right, alrighty, My house

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00:15:05.519 --> 00:15:09.559
<v Speaker 2>is like a hospital. I've been working like a dog

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<v Speaker 2>getting meal marketing.

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<v Speaker 5>My wife has it, my ten kids have it.

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<v Speaker 2>Have what the measles? As inns are you moron? You idiot?

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00:15:21.399 --> 00:15:23.360
<v Speaker 2>You are hanging around me all week, coming directly from

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00:15:23.399 --> 00:15:26.240
<v Speaker 2>a measle infested house. I got the measles from you, But.

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<v Speaker 4>Mister Monticue, I haven't got the measles.

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<v Speaker 8>I know.

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00:15:29.159 --> 00:15:42.200
<v Speaker 2>But you're a carrier, I am you are? How about that? Oh,

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00:15:42.600 --> 00:15:44.840
<v Speaker 2>my dear sins. If I ever recover, we're going to

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<v Speaker 2>have a party. I'd like to use your head. We're

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00:15:47.000 --> 00:15:51.279
<v Speaker 2>having a tappy pool. Well, mister molecule, you have the measles.

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<v Speaker 8>You can't broadcast your program this afternoon, Ringer, I'm at

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<v Speaker 8>death's door. I know, I know, But missing your uncle

296
00:15:57.240 --> 00:15:58.200
<v Speaker 8>good heart protest?

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<v Speaker 3>That's serious to them?

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<v Speaker 2>Boys? Doesn't my imminent departure mean anything to you?

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00:16:04.440 --> 00:16:05.799
<v Speaker 4>Going somewhere them at the margin.

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00:16:07.320 --> 00:16:10.840
<v Speaker 6>Since gentleman he has the measles, he can't do his

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00:16:10.960 --> 00:16:11.919
<v Speaker 6>broadcast today.

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00:16:12.200 --> 00:16:15.559
<v Speaker 8>Since still hear that he can't do the broadcast, ten

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00:16:15.720 --> 00:16:18.320
<v Speaker 8>million listeners are waiting to hear Uncle Goddard, and he

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00:16:18.440 --> 00:16:19.159
<v Speaker 8>won't be there.

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00:16:21.879 --> 00:16:26.279
<v Speaker 2>So why are you laughing? Laughing? It's just hysteria. My

306
00:16:26.639 --> 00:16:30.399
<v Speaker 2>sponsor finds out, he'll go nuts. Boys, there's nothing to

307
00:16:30.440 --> 00:16:32.960
<v Speaker 2>be done, But we have to do something on the program.

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00:16:33.200 --> 00:16:35.799
<v Speaker 8>We just can't have fifteen minutes of silence.

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00:16:36.159 --> 00:16:36.519
<v Speaker 4>Why not?

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00:16:37.200 --> 00:16:40.720
<v Speaker 2>It may get us an award, and then these men

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00:16:40.759 --> 00:16:41.360
<v Speaker 2>are in a spot.

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00:16:41.480 --> 00:16:44.240
<v Speaker 4>Now we must try and help for honey. What is it, Agnes,

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00:16:44.320 --> 00:16:45.799
<v Speaker 4>Why don't you go on the air for him?

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00:16:46.480 --> 00:16:46.519
<v Speaker 2>Me?

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00:16:47.799 --> 00:16:49.559
<v Speaker 8>Let's I'll buy that.

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00:16:49.840 --> 00:16:50.600
<v Speaker 5>That's pekery.

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00:16:50.919 --> 00:16:55.960
<v Speaker 2>Wait a minute, Helen, radio, I formit it.

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00:16:56.120 --> 00:16:58.759
<v Speaker 8>But mister Montague, it keeps it in the family. A

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00:16:58.960 --> 00:17:02.799
<v Speaker 8>prave little wife carrying on for for stricken mate. It's

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00:17:02.840 --> 00:17:07.559
<v Speaker 8>so romantic, My wife, my wife, Lily boy, even radio

321
00:17:07.720 --> 00:17:11.319
<v Speaker 8>never it'll help. No, Lily bad enough that I had

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00:17:11.359 --> 00:17:13.279
<v Speaker 8>to sink from the six medion stage to the depth.

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00:17:13.160 --> 00:17:13.640
<v Speaker 2>Of the radio.

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00:17:14.160 --> 00:17:18.359
<v Speaker 8>When I think of you being contaminated, No, I'm afraid.

325
00:17:18.799 --> 00:17:19.799
<v Speaker 2>But she'll be great.

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00:17:20.039 --> 00:17:21.039
<v Speaker 4>That's what he's afraid of.

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00:17:22.480 --> 00:17:25.200
<v Speaker 2>Lily. It will ruin you. You don't know anything about radio.

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00:17:25.319 --> 00:17:26.680
<v Speaker 2>You'll sound terrible.

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00:17:26.799 --> 00:17:28.720
<v Speaker 5>But Edward, when you first went on the air, you

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00:17:28.799 --> 00:17:32.000
<v Speaker 5>didn't know anything about it, and you sounded wonderful, naturally.

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00:17:32.279 --> 00:17:34.000
<v Speaker 2>But Lily, I have talent.

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00:17:35.319 --> 00:17:37.920
<v Speaker 5>That does it. Gentlemen, to the radio station.

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00:17:38.160 --> 00:17:42.119
<v Speaker 8>Let's go to Lily deering your sick husband by hours

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00:17:42.119 --> 00:17:43.720
<v Speaker 8>a number this take care of you.

335
00:17:44.000 --> 00:17:47.839
<v Speaker 2>I know my minutes are numbers, and I'll.

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00:17:47.720 --> 00:17:50.319
<v Speaker 6>Be back right after the broadcast. Now rest, you'll be

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00:17:50.359 --> 00:17:52.039
<v Speaker 6>ready to do your broadcast tomorrow.

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<v Speaker 2>Hurry, we've got to get to the station.

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00:17:53.839 --> 00:17:54.640
<v Speaker 4>Here's your coat, honey.

340
00:17:54.799 --> 00:17:56.839
<v Speaker 2>We have to get to the subway. Subway.

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00:17:56.920 --> 00:18:03.440
<v Speaker 5>We better take a cab, a taxi cab will be goodbye, goodbye.

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00:18:03.599 --> 00:18:04.319
<v Speaker 4>Good luck. Honey.

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00:18:04.559 --> 00:18:07.000
<v Speaker 8>Wait, Lily, let me look at you for the last

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00:18:07.039 --> 00:18:08.640
<v Speaker 8>time before you were ruined by radio.

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00:18:09.640 --> 00:18:10.160
<v Speaker 2>Goodbye.

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00:18:10.519 --> 00:18:13.160
<v Speaker 8>Hurry, missus Montague, goodbye, mister Montague.

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00:18:16.880 --> 00:18:19.880
<v Speaker 4>Well, mister Montague. Here we are alone together at last.

348
00:18:20.440 --> 00:18:23.200
<v Speaker 4>Make one wrong move toward me and I'll scream.

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00:18:23.240 --> 00:18:28.200
<v Speaker 2>Please angnes. I'm sick enough. My Lily gone lost in

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00:18:28.319 --> 00:18:29.559
<v Speaker 2>the quicksand of NBC.

351
00:18:30.319 --> 00:18:32.079
<v Speaker 4>So I'll bring the radio from my room in here

352
00:18:32.079 --> 00:18:33.519
<v Speaker 4>and we can listen to her very.

353
00:18:33.480 --> 00:18:35.680
<v Speaker 2>Well, poor Lily. This will break her heart.

354
00:18:36.039 --> 00:18:37.079
<v Speaker 4>It's breaking yours.

355
00:18:37.680 --> 00:18:41.319
<v Speaker 2>Yes, my heart is broken, Lily, my wife and leading Lily.

356
00:18:41.400 --> 00:18:45.079
<v Speaker 8>My opedia by Juliet by Porscha is now antique.

357
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<v Speaker 2>Good heart.

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00:18:46.559 --> 00:19:03.559
<v Speaker 1>Oh no, you'll be back with a magnificent molecule in

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00:19:03.799 --> 00:19:07.160
<v Speaker 1>just a moment. But first you go winter Holder and

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00:19:07.279 --> 00:19:09.519
<v Speaker 1>his orchestra for OURCA Victor.

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<v Speaker 3>My love is.

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00:19:23.839 --> 00:19:36.880
<v Speaker 5>Waiting somewhere for me. Bring back my love one.

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<v Speaker 2>To me You Go.

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00:19:40.599 --> 00:19:43.960
<v Speaker 1>Winterhler steps into the RCA Victor spotlight with this new

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00:19:44.039 --> 00:19:48.000
<v Speaker 1>release Blow Blow Winds of the Sea. The folk tune

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00:19:48.039 --> 00:19:50.920
<v Speaker 1>flavor of his latest hit is reminiscent of Hugo's best

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<v Speaker 1>selling Wide Missouri, and the flip side is a slow

368
00:19:54.720 --> 00:19:59.400
<v Speaker 1>tempo ballad. Make Believe Land one record, two hits now

369
00:19:59.440 --> 00:20:04.359
<v Speaker 1>available a record dealers everywhere. Ask for Blow Blow Winds

370
00:20:04.400 --> 00:20:07.640
<v Speaker 1>of the Sea and make Believe Land You Go. Window

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<v Speaker 1>Haller's newest recording for r C A Victor and now

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<v Speaker 1>the Magnificent Matagill. As he lies home on his bed

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<v Speaker 1>of pain, his wife Lily carries on in his place.

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<v Speaker 3>On the Uncle Goodheart Program.

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<v Speaker 9>The program has started, dear listeners, very sadness in Uncle

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00:20:41.160 --> 00:20:43.880
<v Speaker 9>Goodheart's little cottage on the sunny.

377
00:20:43.680 --> 00:20:44.640
<v Speaker 2>Side of the lane.

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00:20:48.519 --> 00:20:53.000
<v Speaker 10>Uncle Goodheart is sick and like the sweet, kindly soul,

379
00:20:53.160 --> 00:20:57.960
<v Speaker 10>the cheers. Uncle Goodheart's wife, Anti good Heart is going

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00:20:58.039 --> 00:20:59.920
<v Speaker 10>to carry on for our dear uncle.

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00:21:00.440 --> 00:21:04.920
<v Speaker 8>And here she is, brave, gallant, little Antique good Heart.

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00:21:11.079 --> 00:21:14.880
<v Speaker 6>Hello, dear listeners, this is Anti Goodheart trying in my

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00:21:15.000 --> 00:21:18.240
<v Speaker 6>own small way to give you that precious guidance and

384
00:21:18.319 --> 00:21:22.279
<v Speaker 6>homey philosophy that only my husband, Uncle good Heart can give.

385
00:21:23.240 --> 00:21:25.960
<v Speaker 6>In looking through uncle's mail bag with a silver lining,

386
00:21:26.519 --> 00:21:28.880
<v Speaker 6>I find a letter from a man complaining about his

387
00:21:29.039 --> 00:21:34.480
<v Speaker 6>mother in law. It is signed Suicide sand. In answer,

388
00:21:34.559 --> 00:21:37.039
<v Speaker 6>I can only say, we must be tolerant. In the

389
00:21:37.079 --> 00:21:41.599
<v Speaker 6>words of Porsche in Shakespeare's Merchant of Venice, the quality

390
00:21:41.640 --> 00:21:43.000
<v Speaker 6>of mercy is not strained.

391
00:21:43.839 --> 00:21:46.319
<v Speaker 5>It droppeth as the gentle rain from Heaven upon.

392
00:21:46.240 --> 00:21:50.279
<v Speaker 6>The place beneath. It is twice blessed. It blesseth him,

393
00:21:50.319 --> 00:21:53.640
<v Speaker 6>it gives in him. It takes tis mightiest and the mightiest.

394
00:21:54.079 --> 00:21:57.079
<v Speaker 6>It becomes the throneed monarch, better than his crown. His

395
00:21:57.200 --> 00:21:59.440
<v Speaker 6>scepter shows the force of temptual power.

396
00:22:10.000 --> 00:22:13.079
<v Speaker 2>Hugness. Agnes is lily home.

397
00:22:13.039 --> 00:22:13.680
<v Speaker 4>Yet not yet?

398
00:22:13.799 --> 00:22:14.519
<v Speaker 5>Wasn't she great?

399
00:22:14.880 --> 00:22:17.119
<v Speaker 2>Great? Great?

400
00:22:18.759 --> 00:22:21.839
<v Speaker 8>This What a disastrous broadcast she mutilated our be love

401
00:22:21.880 --> 00:22:23.160
<v Speaker 8>and Shakespeare from coast to coast.

402
00:22:23.440 --> 00:22:25.960
<v Speaker 2>Are you kid, please nurse? It'll take me months to

403
00:22:26.039 --> 00:22:28.839
<v Speaker 2>get my listeners back. I can practically here there are

404
00:22:28.920 --> 00:22:33.079
<v Speaker 2>ten million dials. Switching over to just playing bill Well,

405
00:22:33.200 --> 00:22:37.319
<v Speaker 2>I wondered, there she is ed Edwin. Where are you

406
00:22:37.640 --> 00:22:41.160
<v Speaker 2>Where am I? She asked, I'm in left field for

407
00:22:41.240 --> 00:22:41.759
<v Speaker 2>the Dodger.

408
00:22:44.799 --> 00:22:45.480
<v Speaker 5>Where am I?

409
00:22:46.079 --> 00:22:48.559
<v Speaker 2>Where am I shere? Oh?

410
00:22:48.880 --> 00:22:50.920
<v Speaker 5>Still? Indeed, Edwin, did you hear the program?

411
00:22:51.240 --> 00:22:54.640
<v Speaker 8>Yes, Lily, I heard all of it to the bitter end,

412
00:22:54.880 --> 00:22:57.319
<v Speaker 8>and I was probably the only listener left who did.

413
00:22:58.240 --> 00:22:59.079
<v Speaker 5>Well, what did you think of it?

414
00:22:59.240 --> 00:23:02.759
<v Speaker 2>Lily? Is not for you? You just didn't have it.

415
00:23:03.039 --> 00:23:05.279
<v Speaker 4>I don't listen to him. You are wonderful this.

416
00:23:05.440 --> 00:23:08.680
<v Speaker 8>You're no Judd, Lily, even hiccups. You think it's the

417
00:23:08.839 --> 00:23:09.839
<v Speaker 8>NBC Symphony.

418
00:23:12.200 --> 00:23:14.359
<v Speaker 2>Well, I tried, Lily.

419
00:23:14.480 --> 00:23:17.599
<v Speaker 8>It takes a personality the success on the afternoon program,

420
00:23:17.680 --> 00:23:19.200
<v Speaker 8>and the housewives are listening.

421
00:23:19.559 --> 00:23:21.799
<v Speaker 3>Now I have a sitting something.

422
00:23:21.960 --> 00:23:27.119
<v Speaker 4>Yeah, big loud mouth Edwin's a big radio star, and

423
00:23:27.240 --> 00:23:29.559
<v Speaker 4>you know why he's got the only voice in radio

424
00:23:29.640 --> 00:23:32.519
<v Speaker 4>that housewives can hear over the roar of a vacuum cleaner.

425
00:23:33.119 --> 00:23:37.920
<v Speaker 2>Oh, I just back under your rock, buddy.

426
00:23:38.000 --> 00:23:41.759
<v Speaker 5>I thought I did pretty well. Someone to the dool

427
00:23:41.839 --> 00:23:42.319
<v Speaker 5>I'll get it.

428
00:23:42.599 --> 00:23:45.799
<v Speaker 8>Well, Lily, you had had jo laying it radio and

429
00:23:46.039 --> 00:23:49.319
<v Speaker 8>you found it's not for you. Don't feel badly, dear,

430
00:23:49.559 --> 00:23:50.839
<v Speaker 8>chalk it up to experience.

431
00:23:51.240 --> 00:23:52.920
<v Speaker 4>Oh yes, sir, it's Springer and.

432
00:23:52.960 --> 00:23:56.720
<v Speaker 8>Zenser, gentlemen, six majo, it was magnificent.

433
00:23:56.880 --> 00:23:57.559
<v Speaker 4>It was ginger.

434
00:23:57.640 --> 00:24:01.880
<v Speaker 2>Peaky, gentlemen.

435
00:24:02.000 --> 00:24:05.160
<v Speaker 8>Telephone calls are still pouring in with congratulations.

436
00:24:05.240 --> 00:24:06.640
<v Speaker 4>Here the new mar Perkins.

437
00:24:07.079 --> 00:24:10.279
<v Speaker 2>You're great. Hello, gentlemen.

438
00:24:10.440 --> 00:24:12.960
<v Speaker 3>Oh hello Monague, missus Montague.

439
00:24:13.039 --> 00:24:15.799
<v Speaker 5>Here's what we're planning for you for tomorrow's broadcast.

440
00:24:15.920 --> 00:24:20.440
<v Speaker 8>My shakepeare that sponsor says Shakespeare sells soap. Gentlemen, I'll

441
00:24:20.720 --> 00:24:23.559
<v Speaker 8>do the broadcast of all Strange Enough I suddenly viewed

442
00:24:23.559 --> 00:24:24.240
<v Speaker 8>papely healthy.

443
00:24:24.359 --> 00:24:29.079
<v Speaker 2>You look terrible day in bed. We got your stript already.

444
00:24:29.400 --> 00:24:30.680
<v Speaker 4>Just keep doing what kid did?

445
00:24:30.839 --> 00:24:34.519
<v Speaker 2>What the discovery? Now listen you too? Will you be quiet?

446
00:24:34.799 --> 00:24:36.039
<v Speaker 4>Down boy down.

447
00:24:37.720 --> 00:24:38.400
<v Speaker 5>About the mark?

448
00:24:38.640 --> 00:24:43.559
<v Speaker 2>What stop this foolishness. Foolishness, yes, delay foolishness. Don't let

449
00:24:43.640 --> 00:24:44.319
<v Speaker 2>me turn your head.

450
00:24:44.519 --> 00:24:46.640
<v Speaker 5>I won't, Edwin, and thank you for telling me how

451
00:24:46.680 --> 00:24:49.559
<v Speaker 5>bad I was. It seems ten million people didn't think.

452
00:24:49.599 --> 00:24:53.880
<v Speaker 2>So I've healty. My name is woman Lily. You have

453
00:24:54.039 --> 00:24:55.559
<v Speaker 2>fallen into the trap. You are lost.

454
00:24:55.640 --> 00:24:58.160
<v Speaker 6>I think I've just found myself, Edwin, for the first

455
00:24:58.240 --> 00:24:59.960
<v Speaker 6>time I did something on my own and I were

456
00:25:00.119 --> 00:25:00.640
<v Speaker 6>the success.

457
00:25:01.000 --> 00:25:02.559
<v Speaker 5>The least you could have done was to thank me

458
00:25:02.640 --> 00:25:03.480
<v Speaker 5>for helping you out.

459
00:25:03.960 --> 00:25:06.160
<v Speaker 2>But Lily, you in radio, not.

460
00:25:06.160 --> 00:25:07.160
<v Speaker 5>Acting like a baby.

461
00:25:07.440 --> 00:25:09.519
<v Speaker 6>I happen to like radio, and I'm ready, willing and

462
00:25:09.599 --> 00:25:11.839
<v Speaker 6>able to carry on the Uncle good Heart program as.

463
00:25:11.759 --> 00:25:12.799
<v Speaker 5>Long as they need me.

464
00:25:13.000 --> 00:25:13.759
<v Speaker 2>Oh that's it.

465
00:25:14.599 --> 00:25:15.759
<v Speaker 5>Answer to the door, right.

466
00:25:15.920 --> 00:25:18.200
<v Speaker 4>Okay, But don't start the next round while I get back.

467
00:25:18.279 --> 00:25:19.200
<v Speaker 4>What a fresh.

468
00:25:21.359 --> 00:25:22.440
<v Speaker 5>Edwin, don't start up.

469
00:25:22.519 --> 00:25:26.240
<v Speaker 8>You're a sick man, my idea, and he could heart

470
00:25:26.279 --> 00:25:29.359
<v Speaker 8>your career in radios over, gentlemen, good Heart as well.

471
00:25:29.599 --> 00:25:31.680
<v Speaker 8>Hugo good Heart resumes his rightful place of the on

472
00:25:31.799 --> 00:25:32.720
<v Speaker 8>microphone tomorrow.

473
00:25:32.759 --> 00:25:34.920
<v Speaker 4>And when don't get up, here's doctor henshot.

474
00:25:35.319 --> 00:25:37.519
<v Speaker 8>You don't get back into that bed, but I'm perfectly

475
00:25:37.599 --> 00:25:38.720
<v Speaker 8>well back into that bed.

476
00:25:38.799 --> 00:25:40.519
<v Speaker 3>And don't you dare let me catch you out of

477
00:25:40.559 --> 00:25:41.680
<v Speaker 3>that bed for two more weeks.

478
00:25:41.880 --> 00:25:44.039
<v Speaker 2>Two weeks. It's a plot. I see it all.

479
00:25:44.279 --> 00:25:46.680
<v Speaker 8>Two weeks in two weeks, Handy Gonna Heart will be

480
00:25:46.720 --> 00:25:47.759
<v Speaker 8>your household work.

481
00:25:47.920 --> 00:25:49.079
<v Speaker 4>You can say that again.

482
00:25:49.640 --> 00:25:53.519
<v Speaker 5>No, no, don't do it, but Edwin, I'm just doing.

483
00:25:53.400 --> 00:25:56.880
<v Speaker 6>It for you for me, she says, don't be ridiculous,

484
00:25:58.559 --> 00:26:02.279
<v Speaker 6>ed when you're jealous, Hi.

485
00:26:02.440 --> 00:26:05.319
<v Speaker 2>The magnificent body you jealous of you? Lily? I taught

486
00:26:05.359 --> 00:26:06.640
<v Speaker 2>you everything you know about acting.

487
00:26:06.920 --> 00:26:09.079
<v Speaker 6>Yes, Edwin, And the most important thing I learned from

488
00:26:09.119 --> 00:26:12.160
<v Speaker 6>you was never stop when you're going good and is

489
00:26:12.240 --> 00:26:12.960
<v Speaker 6>anty good heart?

490
00:26:13.160 --> 00:26:14.319
<v Speaker 5>I'm plenty good.

491
00:26:14.440 --> 00:26:18.400
<v Speaker 2>I Villaine villainy. I have built a female frank and

492
00:26:18.480 --> 00:26:19.599
<v Speaker 2>style in my own home.

493
00:26:20.160 --> 00:26:22.160
<v Speaker 5>And you said I was no good. I'm gonna be

494
00:26:22.160 --> 00:26:23.920
<v Speaker 5>anty good heart for the next two weeks. Now I'm

495
00:26:23.960 --> 00:26:25.599
<v Speaker 5>going to enjoy every minute of it.

496
00:26:25.720 --> 00:26:28.799
<v Speaker 2>Here's the Worrow script. Missus Montague, You'll be terrific. I

497
00:26:28.960 --> 00:26:32.799
<v Speaker 2>can't wait. I cut cut tray, Lily, you won't I.

498
00:26:32.880 --> 00:26:36.519
<v Speaker 5>Will now, please Edwin. I have a headache. Let me

499
00:26:36.640 --> 00:26:37.640
<v Speaker 5>look at my script.

500
00:26:37.759 --> 00:26:39.880
<v Speaker 3>No, no, wait, Lily, what is it to let me

501
00:26:39.920 --> 00:26:40.799
<v Speaker 3>look at you? Your flux?

502
00:26:40.880 --> 00:26:41.839
<v Speaker 5>It's just excitement.

503
00:26:42.039 --> 00:26:45.000
<v Speaker 3>Oh Lily, get right into bed.

504
00:26:46.440 --> 00:26:46.640
<v Speaker 5>Bed.

505
00:26:47.359 --> 00:26:48.200
<v Speaker 2>What's wrong? Doctor?

506
00:26:48.400 --> 00:26:49.920
<v Speaker 3>She has the measles.

507
00:26:52.839 --> 00:26:56.039
<v Speaker 2>No, no, not poor and good heart?

508
00:26:57.359 --> 00:26:58.559
<v Speaker 5>When you're impossible.

509
00:26:58.640 --> 00:27:01.640
<v Speaker 3>Word quiet now, everybody out. Neither of them can leave

510
00:27:01.720 --> 00:27:03.279
<v Speaker 3>this house for the next two weeks.

511
00:27:03.400 --> 00:27:07.039
<v Speaker 8>Two weeks the program we have no one can good

512
00:27:07.480 --> 00:27:09.119
<v Speaker 8>and we have no any gunner art.

513
00:27:09.759 --> 00:27:11.160
<v Speaker 4>Gentlemen, give me that script.

514
00:27:12.000 --> 00:27:13.200
<v Speaker 2>Nurse, where are you going?

515
00:27:13.440 --> 00:27:16.000
<v Speaker 4>Starting tomorrow, five times a week, listen to your new

516
00:27:16.119 --> 00:27:17.920
<v Speaker 4>radio favorite cousin Agnes.

517
00:27:18.119 --> 00:27:42.319
<v Speaker 11>Oh no, here's the word from Chesterfield. Science discovered it.

518
00:27:43.160 --> 00:27:47.119
<v Speaker 12>You can prove it no unpleasant after taste when you

519
00:27:47.359 --> 00:27:49.480
<v Speaker 12>smoke Chesterfields.

520
00:27:48.799 --> 00:27:51.240
<v Speaker 11>The biggest plus in cigarette history.

521
00:27:51.480 --> 00:27:58.119
<v Speaker 12>Added to Chesterfield's world famous ABC's always milder, better tasting, cooler.

522
00:27:58.200 --> 00:28:02.440
<v Speaker 12>Smoking Only chester Field gives you all that, plus the

523
00:28:02.599 --> 00:28:05.960
<v Speaker 12>added pleasure of no unpleasant after taste.

524
00:28:06.400 --> 00:28:07.480
<v Speaker 2>Science discovered it.

525
00:28:07.839 --> 00:28:11.559
<v Speaker 12>The country's first and only cigarette taste panel reported that

526
00:28:11.680 --> 00:28:17.279
<v Speaker 12>of all brands tested, only Chesterfield leaves no unpleasant after taste.

527
00:28:17.599 --> 00:28:18.599
<v Speaker 2>You can prove it.

528
00:28:19.039 --> 00:28:23.240
<v Speaker 12>Smoke a pack of Chesterfields. You'll find Chesterfields taste better

529
00:28:23.440 --> 00:28:28.160
<v Speaker 12>while you smoke them and after smoking, no unpleasant after taste.

530
00:28:28.480 --> 00:28:31.319
<v Speaker 11>The biggest plus in cigarette history.

531
00:28:31.480 --> 00:28:33.400
<v Speaker 3>By Chesterfields Today.

532
00:28:36.880 --> 00:28:40.279
<v Speaker 1>Listen again next week, friends to the Magnificent Mafagules Stirring

533
00:28:40.480 --> 00:28:44.119
<v Speaker 1>Maffi Woolley, the Saturday Night transcribed feature on NBC's All

534
00:28:44.240 --> 00:28:47.799
<v Speaker 1>Star Festival of Comedy, Music, Mystery and Drama, brought to

535
00:28:47.880 --> 00:28:51.480
<v Speaker 1>you by Amison for past Relief from Pain of headache,

536
00:28:51.559 --> 00:28:55.960
<v Speaker 1>Neurybis and Euralgia by RCA Victor, world leader in radio,

537
00:28:56.160 --> 00:28:59.640
<v Speaker 1>first and recorded music, and first in television, and by

538
00:28:59.799 --> 00:29:05.200
<v Speaker 1>check Esterfield, Always Milder better tasting, coolest smoking, plus no

539
00:29:05.440 --> 00:29:10.119
<v Speaker 1>unpleasant after taste. The Magnificent Montague was created and directed

540
00:29:10.200 --> 00:29:13.920
<v Speaker 1>by Matt Hyken and written by Matt Hiken and Billy Friedberg.

541
00:29:14.400 --> 00:29:18.640
<v Speaker 1>Anne Seymour was Lily, Kurt Calton was Agnes. Also heard

542
00:29:18.680 --> 00:29:23.000
<v Speaker 1>on tonight's broadcast were Kenny Delmar, Johnny Gibson, and John Griggs.

543
00:29:23.920 --> 00:29:26.480
<v Speaker 11>Tomorrow Here a New Theater, and the NBC Symphony on

544
00:29:26.680 --> 00:29:27.039
<v Speaker 11>NBC