1
00:00:00,160 --> 00:00:01,840
Speaker 1: We got a little bit of time left. We'll we'll,

2
00:00:01,919 --> 00:00:05,040
we'll do this. Uh, we should talk about the Gene

3
00:00:05,040 --> 00:00:13,640
Simmons the latestmonsuff so regular listeners, longtime listeners of the show. No,

4
00:00:13,800 --> 00:00:17,800
Kiss is my my all time favorite band, But Gene

5
00:00:18,199 --> 00:00:21,600
Gene Simmons, for as long as I can remember, has

6
00:00:21,679 --> 00:00:24,960
had these moments where he upsets people. Uh. Here's the

7
00:00:25,039 --> 00:00:28,320
latest little controversy and it involves Peter Chris and the

8
00:00:28,359 --> 00:00:32,159
song Beth. Everybody knows that song Beth. I hear you

9
00:00:32,240 --> 00:00:37,439
call in all right, So this is from parade dot com, who,

10
00:00:37,439 --> 00:00:42,079
by the way, shame on parade dot com because in

11
00:00:42,159 --> 00:00:48,200
the uh, the picture that they used is not in

12
00:00:48,560 --> 00:00:51,520
the headline. They used a picture of Eric Carr, not

13
00:00:51,679 --> 00:00:55,399
Peter Cris. Eric Carr is not the original singer of Beth.

14
00:00:55,439 --> 00:00:59,119
Peter Cris is, but they use the wrong drummer, Wow,

15
00:01:00,240 --> 00:01:01,240
replaced Peter Chris.

16
00:01:01,960 --> 00:01:06,079
Speaker 2: Oh that's really that's a really shoddy journey.

17
00:01:07,159 --> 00:01:10,640
Speaker 1: Really sloppy, Yeah, really sloppy. All right, he's here's what

18
00:01:10,680 --> 00:01:13,680
the article says. In nineteen seventy six, Kiss released what

19
00:01:14,079 --> 00:01:17,640
would become their biggest hit song, Beth, the power rock

20
00:01:17,719 --> 00:01:21,000
ballad I wouldn't call it a power rock ballad appeared

21
00:01:21,000 --> 00:01:24,519
on the glam band's fourth studio album, Destroyer, and started

22
00:01:24,519 --> 00:01:28,319
out as the B side to Detroit Rock City, which

23
00:01:28,400 --> 00:01:31,439
is which is true, which is interesting, and this is

24
00:01:31,480 --> 00:01:34,840
not you know, this has happened with other hit songs.

25
00:01:34,959 --> 00:01:38,640
But but yeah, a lot of people might not know

26
00:01:38,719 --> 00:01:41,359
that Beth was actually the B side. Beth was never

27
00:01:41,400 --> 00:01:45,200
intended to be the single. And you know, the reason

28
00:01:45,280 --> 00:01:47,640
Beth was the B side is because and I remember

29
00:01:47,680 --> 00:01:50,480
noticing this when I was a kid. You know, singles

30
00:01:50,480 --> 00:01:53,680
would usually have on the A side would be what

31
00:01:53,840 --> 00:01:55,959
was supposed to be the single, and the B side

32
00:01:56,200 --> 00:01:58,920
would usually be actually one of the weakest tracks on

33
00:01:58,959 --> 00:02:03,560
the album. Because they would always record labels would always

34
00:02:03,599 --> 00:02:06,359
make sure that the B side was a song that

35
00:02:06,400 --> 00:02:08,479
they didn't think had any chance. They didn't want the

36
00:02:08,520 --> 00:02:10,360
B side to be something they might want to release

37
00:02:10,400 --> 00:02:13,639
as a single later, because so they would put what

38
00:02:13,680 --> 00:02:17,000
they considered to be a throwaway track as the B side.

39
00:02:18,039 --> 00:02:22,120
At least in America, British bands have a history of

40
00:02:22,199 --> 00:02:26,759
actually recording a separate song for the B side that

41
00:02:26,879 --> 00:02:28,479
isn't on the album, so it's kind of like a

42
00:02:28,520 --> 00:02:32,560
bonus track. But that's but that I think is cooler.

43
00:02:32,680 --> 00:02:35,319
Oh me too, But that was not the case in America.

44
00:02:35,560 --> 00:02:38,360
Hasn't been the case in America generally. So so the

45
00:02:38,439 --> 00:02:41,000
B side to Detroit Rock City. Everyone knows the song

46
00:02:41,080 --> 00:02:46,039
Detroit Rock City, but the B side was Beth. So

47
00:02:46,120 --> 00:02:48,400
Beth reached number seven on the Billboard Hot one hundred

48
00:02:48,439 --> 00:02:51,199
and won the People's Choice Award for Favorite New Song

49
00:02:51,240 --> 00:02:55,719
of nineteen seventy six. In a post on his official website,

50
00:02:55,800 --> 00:02:59,639
Chris Peter Cris has touted Beth as Kiss his biggest hit.

51
00:02:59,759 --> 00:03:02,240
He added that the People's Choice honor was his favorite

52
00:03:02,280 --> 00:03:05,680
award because the people voted, and he's even prouder of

53
00:03:05,719 --> 00:03:08,719
the song decades later than he was in nineteen seventy six.

54
00:03:09,719 --> 00:03:13,039
But in a January twenty twenty sixth interview with the

55
00:03:13,120 --> 00:03:17,120
Professor of Rock podcast Kiss co founder Gene Simmons downplayed

56
00:03:17,439 --> 00:03:23,199
Peter Cris's involvement with the hit song. Now, part of

57
00:03:23,240 --> 00:03:25,599
this story I already knew, but part of it I,

58
00:03:25,840 --> 00:03:27,800
as well as I think most Kiss fans, was hearing

59
00:03:27,840 --> 00:03:31,680
for the first time. Okay, here's what Jean Simmons said. Quote.

60
00:03:32,080 --> 00:03:33,919
The history of Beth is that Peter and I were

61
00:03:33,919 --> 00:03:36,719
in a limo and he starts humming. I'm like, that's

62
00:03:36,719 --> 00:03:38,879
a nice melody. What is that? He goes, Oh, it's

63
00:03:38,919 --> 00:03:42,360
a song I wrote called Beck because we had started

64
00:03:42,400 --> 00:03:44,680
working with Bob Ezrin. I said, why don't you bring

65
00:03:44,759 --> 00:03:47,759
up that song? By the way, what are the chords

66
00:03:47,759 --> 00:03:50,240
to that? He goes, Oh, I don't know. I thought

67
00:03:50,240 --> 00:03:54,400
that was peculiar. But before then I suggested in the car,

68
00:03:54,599 --> 00:03:57,199
why don't you change it to Beth, because when you

69
00:03:57,240 --> 00:04:01,520
say Beck, that hard syllable stops the and Beth is

70
00:04:01,560 --> 00:04:06,520
a much more romantic idea. By the way, In another interview,

71
00:04:06,599 --> 00:04:09,520
Jeene Simmons had once said about that specific moment, because

72
00:04:09,520 --> 00:04:11,400
this is part of the story I already had heard,

73
00:04:12,280 --> 00:04:14,080
and this is part of the story that's been consistent

74
00:04:14,080 --> 00:04:16,360
over the years, that they were in a limo and

75
00:04:16,920 --> 00:04:19,839
Jean said to Peter, Hey, that's interesting. What's that? And

76
00:04:19,879 --> 00:04:23,800
Peter said it's Beck and and But the previous version

77
00:04:23,839 --> 00:04:27,800
of the story, Jean said, he suggests these are his

78
00:04:27,879 --> 00:04:30,079
exact words. He said, Oh, why don't you make it

79
00:04:30,160 --> 00:04:30,839
instead of Beck?

80
00:04:30,879 --> 00:04:31,000
Speaker 3: What?

81
00:04:31,199 --> 00:04:34,480
Speaker 1: Oh, that's right, I remember now he said to Peter Beck,

82
00:04:34,560 --> 00:04:36,519
what is that about? Is that? Is it? About Jeff

83
00:04:36,560 --> 00:04:39,839
beck and uh, and Peter said, no, no, it's about

84
00:04:39,879 --> 00:04:43,399
Becky because I guess I was his girlfriend. And and

85
00:04:43,439 --> 00:04:47,360
then Jean said, well, I wonder you should instead of

86
00:04:47,360 --> 00:04:49,279
beck maybe you should change it to Beth so that

87
00:04:49,399 --> 00:04:52,600
people don't think you're playing for the other team. Those

88
00:04:53,000 --> 00:04:56,360
Jean's words, that's how he puts. Yeah, yeah, but anyway,

89
00:04:56,480 --> 00:05:00,000
but but so that's but that's the basic story, very

90
00:05:00,480 --> 00:05:01,279
the basic story.

91
00:05:02,040 --> 00:05:06,240
Speaker 2: Okay, Well, what did did Peter ever give his side

92
00:05:06,319 --> 00:05:09,000
of that? I don't he ever say that conversation didn't

93
00:05:09,000 --> 00:05:10,199
happen or it did happen.

94
00:05:10,319 --> 00:05:13,360
Speaker 1: No, I've never heard Peter dispute any of that. Okay,

95
00:05:13,399 --> 00:05:15,839
but he's But here's where it gets interesting. So here's

96
00:05:15,879 --> 00:05:18,079
here's what Jean said on the on the podcast, he said,

97
00:05:18,079 --> 00:05:20,839
it's time for the truth. Peter does not write songs.

98
00:05:20,879 --> 00:05:22,839
He doesn't play a musical instrument. Drums are not a

99
00:05:22,879 --> 00:05:25,439
musical instrument by definition, as far as I know. Peter

100
00:05:25,519 --> 00:05:28,759
plays no other instruments that I've ever seen, not keyboards,

101
00:05:28,800 --> 00:05:31,879
extreme instruments. Peter's got a very Peter's got a great

102
00:05:31,879 --> 00:05:36,480
whiskey voice in the early days, had a great whisky voice.

103
00:05:37,680 --> 00:05:40,199
He said, This is the important part. The person who

104
00:05:40,199 --> 00:05:44,319
wrote Beth is a guy named stan Pendrich. Stan Pendrich

105
00:05:45,079 --> 00:05:48,199
was with Peter in a group called Chelsea. They had

106
00:05:48,199 --> 00:05:52,079
a record out, actually it was on MCA. So Peter

107
00:05:52,240 --> 00:05:56,160
did not write Beth. Stan Pendrich wrote that, but through

108
00:05:56,199 --> 00:05:59,079
politics and hint hint, nudge, nudge, and I wasn't there

109
00:05:59,160 --> 00:06:03,560
when the conversation went down, stan Pendrich apparently agreed that

110
00:06:03,600 --> 00:06:07,800
Peter's name would go in the songwriting credit. It appears

111
00:06:07,879 --> 00:06:12,120
first Peter, Chris bob Ezrin, Stan Pendrich or the other

112
00:06:12,160 --> 00:06:15,759
way around. But Peter's first Peter had nothing to do

113
00:06:15,800 --> 00:06:17,800
with that song. He sang it. In other words, he

114
00:06:17,839 --> 00:06:20,399
had nothing to do with writing it. I'd like to

115
00:06:20,439 --> 00:06:20,639
know that.

116
00:06:20,639 --> 00:06:22,360
Speaker 2: Any of those people have to say.

117
00:06:22,959 --> 00:06:26,439
Speaker 1: Well, Pendrich died in two thousand and one, so we'll

118
00:06:26,480 --> 00:06:31,040
never get his story, but say that he's not a

119
00:06:31,120 --> 00:06:34,480
musicians so oh, well, what he said and they didn't

120
00:06:34,480 --> 00:06:37,439
include the full quote here, So what he actually said

121
00:06:37,480 --> 00:06:39,959
is he said drums are not a musical instrument. They're

122
00:06:40,000 --> 00:06:46,680
a percussive instrument, which is nitpicking and insulting. So Gene

123
00:06:46,759 --> 00:06:48,600
was definitely out of line for saying that that's a

124
00:06:49,399 --> 00:06:53,319
that's a crazy thing to say. Now this is the part,

125
00:06:53,519 --> 00:06:56,519
the part that I did not know. So because everyone

126
00:06:56,560 --> 00:06:59,519
knows the song Beth, but I'll just play for anyone

127
00:06:59,519 --> 00:07:01,199
who doesn't, I'll just play a little bit of it.

128
00:07:01,839 --> 00:07:04,360
But then, this is the part that blew my mind

129
00:07:04,879 --> 00:07:07,759
was when I found the Chelsea version. I actually went

130
00:07:07,839 --> 00:07:10,920
and listened to the Chelsea version of Beth. We'll go

131
00:07:10,920 --> 00:07:12,319
ahead and play a little bit of this, but then,

132
00:07:12,319 --> 00:07:14,199
well then we'll play the Chelsea version.

133
00:07:16,040 --> 00:07:22,240
Speaker 2: You call in but I can't come home and this

134
00:07:22,519 --> 00:07:24,120
Chelsea and the boys.

135
00:07:24,920 --> 00:07:26,199
Speaker 1: No, this is the kiss version.

136
00:07:26,279 --> 00:07:28,879
Speaker 2: Oh okay, throw me up like really, yeah.

137
00:07:28,759 --> 00:07:40,639
Speaker 1: No, this is the Kiss version. I'll be to you.

138
00:07:44,319 --> 00:07:45,480
Speaker 3: What can I do?

139
00:07:48,319 --> 00:07:49,120
Speaker 2: What can.

140
00:07:51,800 --> 00:07:55,879
Speaker 1: Okay? So that's that's Beth by Kiss with with Peter singing. Now,

141
00:07:56,000 --> 00:07:59,720
this is what I had never heard before. This is Chelsea.

142
00:07:59,800 --> 00:08:03,279
This is Beck. It's called Beck, and the band is Chelsea.

143
00:08:03,759 --> 00:08:07,240
And this is the band that Stan Pendrich was in.

144
00:08:08,000 --> 00:08:10,000
Again he's dead, so nobody can get his side of

145
00:08:10,040 --> 00:08:14,560
things from from. Uh. This is this is the original

146
00:08:15,079 --> 00:08:17,959
this blew my mind from from when Peter and Stan

147
00:08:18,000 --> 00:08:41,559
Pendrich were in a band together called Chelsea.

148
00:08:42,559 --> 00:08:46,559
Speaker 3: But a.

149
00:08:51,480 --> 00:09:18,320
Speaker 1: But we just can't sow. Yeah, so it's definitely the

150
00:09:18,360 --> 00:09:20,559
same song jeans.

151
00:09:20,360 --> 00:09:24,320
Speaker 2: Sour because this is the song that got real. That's

152
00:09:24,320 --> 00:09:25,000
the number one.

153
00:09:25,799 --> 00:09:28,200
Speaker 1: No, I don't think he cares about that, and it

154
00:09:28,240 --> 00:09:30,240
wasn't one he wrote. I don't. I don't think. I

155
00:09:30,279 --> 00:09:31,960
don't think that's why do you think he's so so

156
00:09:32,639 --> 00:09:34,399
part of his I don't think he's I don't think

157
00:09:34,399 --> 00:09:35,759
he's sour necessarily.

158
00:09:35,840 --> 00:09:38,399
Speaker 2: I think you just look hateful after somebody dies.

159
00:09:40,399 --> 00:09:46,200
Speaker 1: Well you're now you're conflating with uh A.

160
00:09:45,320 --> 00:09:49,159
Speaker 2: But you don't find it, you don't find it odd

161
00:09:49,200 --> 00:09:51,639
that they're happening so close together that he dies and

162
00:09:51,639 --> 00:09:56,039
now suddenly we're hearing this about Peter. I don't know.

163
00:09:56,200 --> 00:09:59,240
Speaker 1: No, it's Jean's uh it's very on brand for Gene.

164
00:10:00,200 --> 00:10:05,879
Speaker 3: He's been doing this for decades, making enemies. Well he does, Yeah,

165
00:10:05,919 --> 00:10:10,440
but why why do this? Why why do this? It's

166
00:10:10,440 --> 00:10:13,840
such a great Now this is nastiness about it?

167
00:10:13,960 --> 00:10:17,240
Speaker 2: Or is he trying to garner more money by creating controversy.

168
00:10:17,600 --> 00:10:22,159
Speaker 1: I think I think he likes being in the news certainly, but.

169
00:10:21,679 --> 00:10:24,559
Speaker 2: This say we should say the podcast is the professor

170
00:10:24,559 --> 00:10:24,919
of rocks.

171
00:10:25,000 --> 00:10:30,279
Speaker 1: Yeah, yeah, but I mean he's not wrong though here, Like,

172
00:10:30,440 --> 00:10:34,519
I had no idea. See this to me as a

173
00:10:34,720 --> 00:10:36,840
as a Kiss fan, this is very interesting to me.

174
00:10:36,840 --> 00:10:39,120
I'm actually glad. I mean, I don't agree with what

175
00:10:39,159 --> 00:10:42,000
he said about Peter doesn't play a musical instrument and

176
00:10:42,039 --> 00:10:45,600
all that. That's absurd, it's mean, but but it is mean,

177
00:10:45,639 --> 00:10:47,480
and I don't know that he intended it that way.

178
00:10:47,679 --> 00:10:51,519
But but I had no idea. I had never heard.

179
00:10:52,159 --> 00:10:54,600
I knew. I mean, you know, obviously I know a

180
00:10:54,600 --> 00:10:58,039
lot about Kiss and I knew that Peter Chris was

181
00:10:58,120 --> 00:11:00,679
in a band called Chelsea with Pendrich.

182
00:11:00,840 --> 00:11:02,840
Speaker 2: That's all I knew. I had no idea that he

183
00:11:02,879 --> 00:11:04,840
was involved at all with this song. You thought this

184
00:11:04,919 --> 00:11:07,639
song came from Kissed, right.

185
00:11:07,519 --> 00:11:10,919
Speaker 1: So I didn't know. Well, I knew that San Pendrich

186
00:11:11,080 --> 00:11:13,080
was because he has a songwriting.

187
00:11:13,039 --> 00:11:14,720
Speaker 2: Writer, but it was Kissed that did it first? That

188
00:11:14,799 --> 00:11:15,639
there wasn't a bandit.

189
00:11:16,120 --> 00:11:19,879
Speaker 1: Yeah, I had no idea this song beck by Chelsea existed.

190
00:11:19,960 --> 00:11:24,200
And by the way I'm looking at this, I just

191
00:11:24,320 --> 00:11:27,120
I found it on YouTube. This was posted on YouTube

192
00:11:27,200 --> 00:11:32,000
fourteen years ago, and I had no idea until now.

193
00:11:32,159 --> 00:11:33,960
Speaker 2: Doesn't the guy kind of sound like Rod Stewart?

194
00:11:35,120 --> 00:11:38,519
Speaker 1: Well, that's Peter singing on it the way.

195
00:11:38,639 --> 00:11:40,879
Speaker 2: I don't know, maybe it just sounds like Rod Star.

196
00:11:41,039 --> 00:11:43,279
Speaker 1: Well, well, Peter sounds like Rod Stewart, he's got that

197
00:11:43,320 --> 00:11:46,360
same kind of voice. Yeah, Yeah, that's why there's this

198
00:11:46,519 --> 00:11:50,360
there's this weird story that's gone around for decades that

199
00:11:51,200 --> 00:11:53,159
we even talked about it. I'm not sure if we

200
00:11:53,200 --> 00:11:55,080
talked about it on air or off air, but it

201
00:11:55,120 --> 00:11:58,559
was on Retrospectrum Radio one night. We were talking about

202
00:11:58,600 --> 00:12:01,960
how I think we talked about it on air, this

203
00:12:01,960 --> 00:12:06,200
this story about Beth, that uh, that it was actually

204
00:12:06,240 --> 00:12:10,240
written for Rod Stewart and that and that he rejected

205
00:12:10,240 --> 00:12:12,840
it because it sounded too much like Maggie May. But

206
00:12:12,960 --> 00:12:13,840
I don't believe that.

207
00:12:13,879 --> 00:12:15,240
Speaker 2: Story anymore anyway.

208
00:12:15,360 --> 00:12:15,639
Speaker 1: I don't.

209
00:12:15,679 --> 00:12:17,240
Speaker 2: Even if you halfway believed that, you.

210
00:12:17,240 --> 00:12:20,080
Speaker 1: Can't believe it anymore. Yeah. I don't believe that story anyway, right,

211
00:12:20,240 --> 00:12:23,639
because that doesn't even make sense. Why would you know?

212
00:12:23,840 --> 00:12:28,399
Why would why do that? I think I think the

213
00:12:28,440 --> 00:12:33,120
way that story started. This is my theory. I think

214
00:12:33,159 --> 00:12:35,519
that back when when Beth came out, a lot of

215
00:12:35,519 --> 00:12:38,679
people probably thought, oh that kind of uh, that kind

216
00:12:38,679 --> 00:12:40,639
of reminds me of Rod Stewart, And so then it

217
00:12:40,759 --> 00:12:45,320
just became this thing. You know, some people just write

218
00:12:45,360 --> 00:12:49,679
an urban legend exactly. But uh but no, uh, that

219
00:12:49,679 --> 00:12:51,600
that is the same song. I mean, there's no getting

220
00:12:51,639 --> 00:12:52,159
around that.

221
00:12:53,120 --> 00:12:58,120
Speaker 2: The revelation about the song fine and acknowledging that it

222
00:12:58,159 --> 00:13:01,360
came from another band could be very good, but to

223
00:13:01,440 --> 00:13:06,559
do so in the same breath as just being rotten.

224
00:13:06,679 --> 00:13:10,919
I'm sorry, it's rotten. I think drummers and musicians, and

225
00:13:11,039 --> 00:13:13,840
I think their drums are there their instrument. I don't

226
00:13:13,919 --> 00:13:18,320
understand that one either musical instrument versus percussion instrument. They

227
00:13:18,360 --> 00:13:22,759
both have instrument in the sentence. So how is how

228
00:13:22,799 --> 00:13:24,360
do you how do you explain that one?

229
00:13:25,480 --> 00:13:29,120
Speaker 1: I understand what he's saying. I just don't. I don't agree,

230
00:13:29,240 --> 00:13:29,840
don't agree.

231
00:13:29,919 --> 00:13:32,759
Speaker 2: I think drums is one of the hardest things to

232
00:13:32,840 --> 00:13:35,799
learn because all your limbs are moving in different directions.

233
00:13:36,080 --> 00:13:37,799
And then some of the people we watch, like under

234
00:13:37,840 --> 00:13:41,039
the Horizon singing at the same time. Oh by god,

235
00:13:41,759 --> 00:13:45,279
both legs are going, the arms are going, and singing

236
00:13:45,360 --> 00:13:50,039
versus screaming all in the same It's amazing talent, it's

237
00:13:50,159 --> 00:13:55,200
and they're incredibly musicians. And to cut them off at

238
00:13:55,200 --> 00:13:58,200
the knees and call them you know, anything other or

239
00:13:58,240 --> 00:14:01,879
make them less than anybody playing any other instrument, whether

240
00:14:01,919 --> 00:14:04,200
it's a guitar or whatever. It kind of gives that

241
00:14:04,240 --> 00:14:07,440
feeling of a drummer being less than the guitarist or

242
00:14:07,440 --> 00:14:10,480
the bassist. And I don't I don't like that at all.

243
00:14:10,600 --> 00:14:13,639
I think it's pretty cold and rude and wrong. And

244
00:14:13,720 --> 00:14:16,519
I guess, like you said, in keeping with his style.

245
00:14:18,919 --> 00:14:22,679
Speaker 1: Yeah, all right, we gotta go. Thank you everybody who

246
00:14:22,759 --> 00:14:25,600
joined us today. And I thought it was a fun show.

247
00:14:26,240 --> 00:14:29,960
Paul Nazzole, I'm sure I'm not saying his name correctly.

248
00:14:30,559 --> 00:14:34,320
Of course, we had the members of Generations join us

249
00:14:34,360 --> 00:14:36,600
and in the first hour, of course, Uh sick dude.

250
00:14:36,639 --> 00:14:39,120
Hell yeah. I love those guys so much fun as

251
00:14:40,080 --> 00:14:41,879
I love their music, and they're really good people too.

252
00:14:41,960 --> 00:14:45,519
So if you want to know more about what I'm

253
00:14:45,600 --> 00:14:47,919
up to, Matt Connerton dot com especially you know it

254
00:14:47,960 --> 00:14:50,120
is January. If you want to book a hypnotherapy session,

255
00:14:50,159 --> 00:14:52,519
you can do that right through the website. And Jenny,

256
00:14:52,519 --> 00:14:54,200
you want to mention your website.

257
00:14:54,080 --> 00:14:56,320
Speaker 2: Absolutely, you can always keep up with the good trouble

258
00:14:56,360 --> 00:14:59,679
I'm getting into at Jencoffee dot com. J E N

259
00:14:59,799 --> 00:15:02,240
N C O F F e y dot com and

260
00:15:02,279 --> 00:15:04,120
stay tuned for some stuff coming.

261
00:15:03,960 --> 00:15:06,000
Speaker 1: Up this week. That's right, that's right.

