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Speaker 1: This is pet Life Radio. Let's talk pets. Welcome to

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Animal Rights on pet Life Radio. That's your host, Tim Link,

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and I'm so glad you're joining us today. We have

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a wonderful guest and a really interesting novel to talk about.

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Of course, we're talking about author Sarah Driscoll and her

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latest Deadly Trade that's part of the FBI K and

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I novel series, and we want to talk to her

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a little bit about the book and then the ins

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and outs with that out, giving it all away, and

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then of course we'll not talk to Sarah also about

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writing in general, because she's a master at a craft

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and wears many, many hats, so we want to pick

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her brain a little bit about how she does all

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that wonderful stuff. So everybody, hang tight, we'll come back

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right for this commercial break. You're listening to Animal Rights

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on pet Life Radio.

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Speaker 3: Let's talk pets on Petlifradio dot com.

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Speaker 1: Welcome back to Animal Time pet Life Radio. Joining me

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now is author Extraordinary Sarah Driscoll. Sarah, Welcome to the show.

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Speaker 4: Hi, thanks so much for having me.

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Speaker 1: Oh, it's great to have you here. And I was

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excited when I got the book because obviously I'm I'm

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familiar with the series, and then I didn't realize at

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the time how many other series and things you've been

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involved in. So I do want to talk about that,

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but mostly I want to talk about the latest book,

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which is called Deadly Trade, and it's part of the

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FBI Ke nine series. So tell us a little bit

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about without giving it all away, a little bit about

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the book, maybe some of the characters in there, and

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of course we've got a dog extraordinary in there, so

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we know it's got to be a good book. The

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dog's in there.

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Speaker 4: Absolutely, so the FBI canine series. Deadly Trade is actually

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the tenth book in the series, and the two main

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protagus in the series are Meg Jennings and her search

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and rescue black lab Hawk. And Meg has had a

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past before as a sort of a patrol canine officer

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with the Richmond Police Department, but when her dog was

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shot and killed in the line of duty, she kind

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of pulled back from the police department went back to

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her parents' animill rescue in Virginia to kind of heal

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and kind of recover from the loss of her previous partner.

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And a sick little puppy gets tossed on their doorstep.

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He's got parvovirus and he's on the verge of death,

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and she helps nurse him back to health. And this

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is Hawk, and so then she wants to stay in

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law enforcement to an extent. She doesn't want to go

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back to being a patrol handler, so she teaches Hawk

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search and rescue skills, and so they become contracted by

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the FBI and they join the Friends Like Friends, a

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canine unit and the Human Scent Evidence Team to be specific.

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So they are live fine scent dogs that are as

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part of this team. And she's one of four dog

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and handler teams. The other sort of main her main partner.

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His name is Brian Foster, and he has a German

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shepherd named Lacy and so, but there's two other dogs

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as well. There is Rocco, who's a border Collie. There

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is Theo who's a bloodhound. And so you know, sometimes

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just you know, Meghan Hawker needed, Sometimes it's Megan Brian.

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Sometimes it's all four dogs. The book that I'm currently writing,

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which is the next one in the series, all four

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dogs are on site. So these are live, fine dogs.

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They're looking for the lost or the injured. They respond

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to that natural disasters. The third book in the series,

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Storm Arising, there's a hurricane that they respond to. There's

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a building collapse in the eighth book in the series

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and that and it's in Washington, d C. So again,

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all four dogs are you know, sort of first on

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site in this case. In Deadly Trade. Meg meets a

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firefighter in the very first book, in like right at

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the beginning of the story, and they've just gotten married,

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you know, at the end of book nine they get married,

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so that's not really a spoiler at this point. So

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they go to Hawaii for their honeymoon. Hawaii, of course,

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is still FBI jurisdiction, and they spend the first week

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sort of taking it easy, you know, being really relaxed

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after the stress of the wedding and the previous case,

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which had been in Colorado, which had been very stressful.

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And of course they're out doing some hiking because they

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want to sort of keep their you know, their healthy

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lifestyle up, because they're all sort of hard working, working people,

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and of course they have Hawk with them when they

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are going through a remote fern forest and they run

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across a bunch of wildlife traffickers. So the last half

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of their honeymoon gets turned into you know, an FBI case.

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Speaker 1: Nice Well, I read through that, I thought, okay and good.

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It's a great mystery. It's a great canine thing. We've

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got great characters in there, we've got the dogs in there.

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That's good. It's in Hawaii, probably my all time favorite place.

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And then all of a sudden it just turns into

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an FBI mystery. So my first inclination was like, ah,

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those poor people. Then my second was, oh, I wonder

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if they get to write that off as a business.

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Speaker 4: Well, that is what happens, is that all of a sudden,

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you know, the FBI picks up the last half of

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their honeymoon stay and all the sud It did actually

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kind of turn out to their advantage, although they did

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not get the week off that they had planned.

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Speaker 1: There you go, So the bright side of it for sure.

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Now the mystery itself, you know, and what they uncover.

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Are there any unique things that pop up that readers

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would either say, Okay, I'm sort of familiar with this location.

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Is this plausible thing? Does it seem like, you know,

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why didn't I see some people that were, you know,

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doing poaching and doing all these things when I was

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on the island. Where there any little unique things that

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popped ups, like people would say, oh yeah or oh wow,

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I didn't know.

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Speaker 4: Well, part of it is just the remote locations. So

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when I was planning this book, I was looking for

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places where some of these birds would be found and

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sort of best stepping back a bit for a larger picture,

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why is the extinction capital of the world. They think

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that they have lost more species than sort of the

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rest of the world combined. Interesting, and so there is

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an I you see an red list which you can

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look up any of these species that are are going extinct,

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and they have maps of all of their you know,

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sort of remaining locations, and so you can sort of

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layer these maps on top and find areas where you

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could possibly find the remaining birds. And for some of

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these birds, there's like only a thousand left and they

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are only you know, there's only it's only on one

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of the Hawaiian islands. If you're talking about the Hawaiian crow,

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there's only about one hundred and twenty to one hundred

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and fifty left, and they are all in captivity. They're

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trying to reintroduce them. They've tried to reintroduce them back

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on the Big Island and it didn't work because the

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Hawaiian hawk, who is also you know, running towards the

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extinct level, was picking them off. So they're going to

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try and introduce them now on Maui, which does not

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have the Hawaiian hawk, so they have hopes of bringing

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the species back. But so the areas where you would

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find these birds are not typical areas that would be

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considered touristy sort of sight seeing spots. And when I

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was planning this, I picked the putumaka Ala Natural Area reserve,

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and on very short notice, my husband and I decided that,

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you know, I decided that we needed to go, and

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of course my husband's a good sport and he came

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with me and we hiked that natural Area reserve and

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it is just as overgrown and you know, remote as

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sort of described in the book. So I think that's

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part of it is the interesting you know, the interesting

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thing is is sort of where these animals, where these birds,

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are the threats that exist for them now that are

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mostly introduced threats because you know, things come in on

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boats that were never there and none of these species

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have developed protection against. That's why there's been such a

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problem with seabirds being you know, sort of losing their

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habitats because people are building and then they have cats

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and mongooses and rats, all of which are introduced on

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the Hawaiian islands that are getting into their nests and

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eating their young and killing the parent birds and stuff.

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And that's when we get into the conservation dogs, which

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is really interesting in my mind. And because I'd been

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so focused on lawn horseman canines, this wasn't a type

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of working canine that I was that familiar with. But

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as I got more into the you know, the information

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about them. They're really amazing dogs. And where most of

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the dogs are you know, law enforcement dogs are trained

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to either track people or to look for explosives or drugs.

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These are dogs that are trained to look for a

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specific kind of bird or animal so that they can

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find nests and then the people the you know, the

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conservation lists can build you know, sort of structures around

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the nests so that the predators can't get into them,

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and it saves you know, it saves the seabird eggs

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and the seabirds themselves. So they're really amazing.

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Speaker 1: That's incredible. So for me, obviously, I always love this

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because you know, from a novice, just a casual reader

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or fan, you know, I'm not sure how much they

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know about all the details. But there's a lot of

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research going into this novel. You know, there's a lot

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to know. And were you more in tune with you

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knew some of this knowledge about the birds and some

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they're going through extinction these type of things, and that

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drove the storyline or was it more once you got

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into the storyline. And of course she had to go

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to Hawaii. That's an that was a given, but through

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the research, then did you find out more about about

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this situation, about the birds and extinction and the uniqueness

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of it.

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Speaker 4: Every book is planned differently, this particular book. It's funny

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that there was a girlfriend who sent me an article

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about the twenty twenty three Kilauea eruption, the volcanic eruption,

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and I had just finished writing the ninth book sum

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Its Edge. They'd just been married, and I was like, ooh,

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volcanoes Hawaii. That's an FBI jurisdiction. So I actually, in

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this case, the location came first, and then I had

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to go back and figure out what the crime would be.

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And the Hawaiian Islands actually are frustratingly low on federal crimes,

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and it asked me a federal crime to fit into

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the whole FBI jurisdiction thing. But then I kind of

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got into, you know that one of the big problems

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on the island is just you know, the rate of

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extinction of many of the species, and trafficking is a

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real problem. And I mean most people think of wildlife

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trafficking as being rhinoceros horns in Africa, it can also

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be lizards and hardwoods and birds and so if you know.

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And for people who are into that kind of prize,

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so to speak, the more rare it is, the better,

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and they really don't care that they could be putting

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a species at risk.

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Speaker 1: Yeah, they don't think about that aspect of it now.

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And you're right, I think the diversity of what we

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call domestic animals nowadays, you know, or some of the

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animals should not be domesticated at all, but it's tending

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to trend in that direction, you know. Yes, you know,

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we've got our dogs, we've got our cats, and if

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we're on a ranch or have a farm, we have

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horses these things. But a lot of the exotic animals

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are real, especially for a younger group, if they can

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afford it or are more in tune with that, that's

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what they like. And like you said, they the rare

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it is, the more people want it.

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Speaker 4: Which they see it as a collector's item, but it's god,

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it's a living creature.

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Speaker 1: Exactly, and don't think of the long term ramifications of it. Yeah.

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So I love the fact that you know, you've got

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the framework of This is the tenth novel in the series,

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so I know you know the characters and had the framework,

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but I love the fact that you almost sort of

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I on say, backed into it, but you went in

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a different direction. You know, you found the research and

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did the research behind it and really delve it into

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that and then figured out how you were going to

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maneuver it back into what we know as the you know,

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the FBI CA nine series.

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Speaker 4: Yeah, and why was an interesting place too, because it

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wasn't just the birds, it was the volcanoes. And I

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have to admit, you know, I live in the Great

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Lakes Basin just outside of Toronto, so volcanoes are not

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really even on our radar. And so that was the

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other thing with this book was that I figured this

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is going to be my one and only chance to

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use that particular natural danger, which just because it just

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you know, an eruption kind of starts coming in towards

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the end of the book and it just ramps up

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the risk to everybody involved at that moment.

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Speaker 1: I love that in Hawaii is such a unique place

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to begin with in so many facets, and each of

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the islands are unique. So it sounds like, you know,

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you've got to make the eleventh, twelfth, and thirteenth part

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of the novel for the other Islands because you and

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drag your husband along with.

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Speaker 4: That's right, Yes, he's a very good sport. Actually the

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eleventh the eleventh book takes place in Mammoth Cave National

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Park in Kentucky, so late, you know, late summer, early fall.

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He and I did some some caving trips as your

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research for that, so you got to kind of get

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your feet wet.

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Speaker 1: Absolutely well. I know that area well, my family here

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at each came from around that area. So we've been

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the Mammoth Cave many, many, many times, so it's amazing.

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It is an amazing place for sure. Yeah, all right,

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we're gonna take a quick commercial break. We'll come back

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and talk to Sarah Drischoo a little bit more about

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her latest book, Deadly Trade, and we they I want

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to talk to her about her writing in general, So

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everybody hang tight. We'll come back right after this commercial break.

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You're listening to Animal Rights on a Life Radio, Real people,

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real stories.

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Speaker 5: Our little dog developed this limp problem at the chemotherapy

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lasted for six months, started developing more lymph nose, so

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I thought I'd just try carnivor. At the lymph nose

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started to go down. Then I took him into the

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vet to him and checked out and there was no

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signs at all inside. My god had issues that developed

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in his height. And three months later my ven airing

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said this go ahead and remove the eye.

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Speaker 1: I heard the Carnivore on advertising, so I said, you

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know what, I'm going to order this product.

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Speaker 5: They did the procedure, they did all the death and

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they said, I don't know what you did this product

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They had eyed. I've got a labrador. You could hardly

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lift yourself up off the door. The treatment list came

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to therapy. That's when I said this could be the ticket.

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About three weeks you could tell she was very alert.

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She was going on five mile lock and you'd like

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crime again.

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Speaker 4: Well eight six six eight three six eight seven three five.

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That's eight six six eight three six eight seven three.

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Speaker 3: Let's talk past, Let's done, Pets Talk about Life Radio

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Headline Radio, petlfradio dot com.

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Speaker 1: Welcome back to and all writes on pet Life Radio

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to you our conversation with author Sarah driscoll In on

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her latest book, Deadly Trade and part the FBI K

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nine novel series. Now, Sarah, when you put together this book,

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or maybe even the series in general, is there a

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goal that you have when everybody picks up a copy

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of Deadly Trade and they read through it, is there

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something that you're thinking, I hope they get this out

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of the book, and if not, are there some surprise

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sometimes you get from your fans?

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Speaker 4: I mean to me, I guess the point of the

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series is just I like to read books myself where

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even when the rest of the world doesn't really seem

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quite fair, you come out of it feeling like there's

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been some emotional justice, so that you know, even when

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bad stuff happens often to good people, there's hope that

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you know, at least some justice will be found at

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the other side of it. So that's kind of the

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underlying theme that goes through all of the books.

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Speaker 1: Nice and I love how when we first started talking.

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You know, I talk to a lot of authors. I'm

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really blessed on this and a lot of them have wonderful,

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great series of books that they write. And there's two

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parts that always strike me as amazing. One is how

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doy in world do you keep the characters straight from

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one to the other? And two, I guess we're aa

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plus one. How do you make sure you don't kill

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off one of the characters that people love? And you

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never kill off the dogs, so I know that for sure.

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And then with you when we first started talking, I

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mean you rattled off in number eight we do this

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and number nine we're doing that because I admittedly I

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talked to some authors and they're like, uh, I hope

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I got that right? Was that in number one or

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was that in number three? When you know Harry bit

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the dust? You know those things. So I guess the

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question in general is how do you keep that sorted out?

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How do you keep the characters reoccurring in fresh and

339
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how do you know not to kill off one of

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the fan favorites. You're going to get a lot of

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bad social media marks on it.

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Speaker 4: We'll say, yeah, well, and you're right. I mean I've

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had people email me before and saying you're not going

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to kill the dogs, are you? I'm like, no, no, no,

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none of the four main dogs are going to die

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because I wouldn't be able to live with myself if

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it was that. I guess my answer to how do

348
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I keep it all organized is, and this is sort

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of like really sort of in the weeds technical stuff

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is I use Scrivener when I'm writing, and so each

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book I do, I grab the last book scrivener wipe

352
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out all the pros, but it's got all of the

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character descriptions for each character. I've got a running list

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of what year and what time period each book is

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and that kind of thing. So that kind of helps

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keep me organized. Because I also have, you know, a

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five book series. Well I'll be starting the sixth book

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on that one, in the NYPD Negotiators, So I do

359
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the same thing with that too, because you know, I

360
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have a cast of characters there, and all of my

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books seem to sort of take law enforcement from sort

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of a side angle, Like it's not just the gumshoe

363
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detective or that kind of thing. It's always law enforcement

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that's not just sort of the mainstream so it's hostage

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negotiation or it's you know, canine work. But each series

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I like to write a group ensembles. So each series

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has a fairly large cast of recurring characters and so

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I mean that may seem kind of you know, brass

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tacks kind of way to do it, but it really

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make it really makes a big difference in you know,

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in helping me keep things in line. And even if

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it's just something as simple as what weapon logan is

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using the negotiators or what search and rescue knife she

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carries as her general sort of equipment, Like, it's little

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details like that that are really easy to forget.

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Speaker 1: So that that helps. I love that. I love that,

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you know, and that's a great tool to use. I

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mean when I talk to authors about this, you know,

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it's a matter of you get intimate with your characters,

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and you know, they become part of your life. You

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know who they are and what they do. So sort

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of the what I wouldn't say the basic things, but

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the surface things are to me at least, are easy

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to remember. But when you get down, like you said,

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the specifics, like what knife was it, because I'm I'm

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assuming she doesn't pull out her favorite knife and every

387
00:19:37,680 --> 00:19:39,680
you know, it's not like every every time you write

388
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a book, she's got to have this knife with her.

389
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You know.

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Speaker 4: It's yeah, it's some of her gear and you have

391
00:19:44,400 --> 00:19:46,279
to assume she has it with her every time, but

392
00:19:46,319 --> 00:19:48,920
she doesn't necessarily always need to use it exactly.

393
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Speaker 1: So to reflect back into your book number three, when

394
00:19:52,400 --> 00:19:55,279
the last time she used it as an example, you know,

395
00:19:55,440 --> 00:19:58,079
it's you have to have these tools to be able

396
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to do that. And I love that. How do you

397
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do that? It's great, And like you said, it's a

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challenge because I you you brought up the NYPD Negotiators series,

399
00:20:06,880 --> 00:20:10,559
So now you're juggling two. You've got ten in this series,

400
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and NYPD Negotiator Series is number.

401
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Speaker 4: I've number number five comes out in April and number

402
00:20:17,640 --> 00:20:19,160
six will be the year after.

403
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Speaker 1: So you're juggling both of them. So then let's ask

404
00:20:22,599 --> 00:20:24,319
let's go back to that. Then how do you do

405
00:20:24,400 --> 00:20:27,359
that as a writer? I mean, obviously your editor saying, okay,

406
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remember April first is the deadline. You got to get

407
00:20:29,640 --> 00:20:31,720
your you got to get the last draft in. But

408
00:20:31,759 --> 00:20:35,000
other than that, how do you keep one separated from

409
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the other and end? From a writing standpoint? Are there

410
00:20:38,200 --> 00:20:40,680
certain timelines like go, okay, I need to at least

411
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spend four months with this book, or I need to

412
00:20:42,559 --> 00:20:44,880
spend you know, three months starting this book.

413
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Speaker 4: Well, the last couple of years. I've been writing three

414
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books a year, so I only have about four months

415
00:20:50,400 --> 00:20:53,519
to write each book start to finish, and that's while

416
00:20:53,640 --> 00:20:57,799
i'm doing copy edits for the book before, or proof

417
00:20:57,839 --> 00:21:00,680
pages for the book before that, or low lunching than

418
00:21:00,759 --> 00:21:02,640
the you know, the book before that. So it's been

419
00:21:02,799 --> 00:21:06,039
it's been a lot of overlap. So that's that's been

420
00:21:06,079 --> 00:21:09,079
a little bit challenging. But as far as keeping keeping

421
00:21:09,079 --> 00:21:11,599
them sort of separate, it was I found it hard.

422
00:21:11,920 --> 00:21:14,400
I didn't just start into the Negotiator series until I

423
00:21:14,440 --> 00:21:17,640
was about five books into the FBI kne Eyes, and

424
00:21:17,720 --> 00:21:20,039
so for the first couple of years doing the Negotiators,

425
00:21:20,079 --> 00:21:22,160
it was was kind of hard to sort of I'd

426
00:21:22,200 --> 00:21:24,000
have to kind of go back and really review the

427
00:21:24,039 --> 00:21:26,240
previous book or books to kind of get my head

428
00:21:26,279 --> 00:21:29,319
back into that space. Now I'm lucky that I'm this

429
00:21:29,519 --> 00:21:31,880
far in I can kind of just gear shift and

430
00:21:32,440 --> 00:21:35,319
flip back to the other characters because they're now very

431
00:21:35,400 --> 00:21:36,920
sort of rock solid in my head.

432
00:21:37,319 --> 00:21:41,000
Speaker 1: Very nice. Wow wow. Now going back to writing in general, Yeah,

433
00:21:41,000 --> 00:21:43,680
I read your bio and you spent thirty years as

434
00:21:43,680 --> 00:21:47,599
an infectious disease researcher. Is that right? Or in the

435
00:21:47,680 --> 00:21:50,519
infectious I love that. First of all, you findly, you know,

436
00:21:50,559 --> 00:21:52,599
you found your passion, took that leap of faith, and

437
00:21:52,680 --> 00:21:55,799
you're doing fantastic, So kudos for you on all that.

438
00:21:56,519 --> 00:21:59,039
But you know you're shifting gears in my mindset when

439
00:21:59,079 --> 00:22:01,680
I read through your bio, It's okay, I'm spending all

440
00:22:01,680 --> 00:22:04,519
this time in infectious research, but now I want to

441
00:22:04,519 --> 00:22:08,920
write you know, K nine and n FIBD cop series stuff,

442
00:22:08,960 --> 00:22:11,599
you know, negotiating stuff. How do you make that switch?

443
00:22:11,640 --> 00:22:13,920
How did you take that leap of faith? How did

444
00:22:13,920 --> 00:22:15,759
you know that? Did you wake up one day say

445
00:22:15,960 --> 00:22:17,559
I'll screw it, I'm done with this. I'm going on

446
00:22:17,599 --> 00:22:18,240
to the next thing.

447
00:22:19,319 --> 00:22:22,880
Speaker 4: Well, actually, I there's a series that I wrote before

448
00:22:22,960 --> 00:22:26,359
those two series, which was The Abbot Lil Forensic Mysteries,

449
00:22:26,400 --> 00:22:31,400
and that was kind of the gateway into the other ones.

450
00:22:31,480 --> 00:22:34,440
That was more of a typical sort of shoegum detective

451
00:22:34,599 --> 00:22:40,480
like that was Lee Abbott was or is a series.

452
00:22:40,200 --> 00:22:41,759
Speaker 1: Is still out there, you better get it.

453
00:22:41,759 --> 00:22:44,759
Speaker 4: It was a homicide detective with the Essex Police Department

454
00:22:44,759 --> 00:22:48,720
in Massachusetts, but she was working with a forensic anthropologist

455
00:22:49,079 --> 00:22:51,880
and that was where the science aspect came in. So

456
00:22:51,920 --> 00:22:55,160
that five book series is pretty heavy on the science,

457
00:22:55,599 --> 00:22:59,720
and so that was kind of my introduction into you know, publishing,

458
00:23:00,279 --> 00:23:02,519
but it was also it kind of balanced my love

459
00:23:02,559 --> 00:23:04,960
of science with my love of writing. And then when

460
00:23:04,960 --> 00:23:07,799
that series finished, it was just I dropped the science.

461
00:23:07,839 --> 00:23:10,279
It just went into straight sort of law enforcement, but

462
00:23:10,359 --> 00:23:13,880
again you know, through a sort of a side corridor,

463
00:23:14,079 --> 00:23:16,960
you know, so not not just straight murders and stuff.

464
00:23:17,039 --> 00:23:19,000
Speaker 1: Right, And that's an amazing way to do it. You know,

465
00:23:19,200 --> 00:23:21,680
It's you take what you know and write about it,

466
00:23:21,880 --> 00:23:24,920
and then eventually you'll continue on with that knowledge, but

467
00:23:24,960 --> 00:23:27,599
then start writing things that you are fascinated with. Because

468
00:23:27,599 --> 00:23:29,640
I can tell from talking to you that you know,

469
00:23:29,720 --> 00:23:32,400
you enjoyed digging into these stings. You enjoy going to

470
00:23:32,440 --> 00:23:36,319
Mammoth Kak, Kentucky to investigate what that's all about. To

471
00:23:36,400 --> 00:23:38,240
put that into the next book.

472
00:23:38,599 --> 00:23:40,440
Speaker 4: Yeah, no, I mean the research is part of the

473
00:23:40,440 --> 00:23:42,279
fun for me. And maybe that's what came out of

474
00:23:42,279 --> 00:23:45,359
the scientific research background, is that I like to sort

475
00:23:45,359 --> 00:23:47,359
of get into stuff. As I said, like for Hawaii,

476
00:23:47,400 --> 00:23:49,200
I didn't know about the birds, I didn't know about

477
00:23:49,240 --> 00:23:52,480
the volcanoes, but I got into it. And so you

478
00:23:52,519 --> 00:23:55,920
can learn an awful lot of stuff, you know, through

479
00:23:55,920 --> 00:23:58,880
the Internet and through reading, and best still is, of course,

480
00:23:58,920 --> 00:24:01,480
if you can manage it, is going to the actual sites.

481
00:24:01,720 --> 00:24:04,839
Speaker 1: Absolutely. Yeah, I agree with that totally because the information's

482
00:24:04,880 --> 00:24:07,119
out there. You know, you can go to the library

483
00:24:07,160 --> 00:24:11,559
people still do library folks, so and pick up our

484
00:24:11,759 --> 00:24:13,759
copy of our books when you're there, just in case.

485
00:24:14,319 --> 00:24:16,759
But yeah, or go to the bookstore. That's even better,

486
00:24:16,799 --> 00:24:18,759
pick up one there. But in any case, I digress.

487
00:24:18,839 --> 00:24:21,680
But yeah, getting that opportunity to go there because it'd

488
00:24:21,720 --> 00:24:24,759
be so easy for me. I would think about this

489
00:24:25,160 --> 00:24:27,359
to write about what I know in the places I know,

490
00:24:27,799 --> 00:24:30,000
but I would as a writer, would rather go to

491
00:24:30,039 --> 00:24:33,039
places and have excuses to go to Hawaii and go

492
00:24:33,039 --> 00:24:34,039
to Kentucky in these things.

493
00:24:34,079 --> 00:24:35,480
Speaker 4: That was one of the reasons why I wanted to

494
00:24:35,480 --> 00:24:38,240
go to Hawaii is I'd been to Florida, in California

495
00:24:38,359 --> 00:24:41,640
and the Bahamas, and none of those places are a

496
00:24:41,640 --> 00:24:45,039
good substitute for Hawaii. It's it's a very it's a

497
00:24:45,119 --> 00:24:48,359
very distinct climate, and you know, just the people there

498
00:24:48,359 --> 00:24:51,480
are wonderful. I couldn't replace it by any of the

499
00:24:51,480 --> 00:24:53,880
past places i'd gone, so I knew I really had

500
00:24:53,880 --> 00:24:54,160
to go.

501
00:24:54,640 --> 00:24:56,920
Speaker 1: I love it. I love it. Well, everybody go out

502
00:24:56,920 --> 00:24:58,319
and pick up a copy of the book and pick

503
00:24:58,400 --> 00:25:00,640
up the whole series while you're there. The latest is

504
00:25:00,839 --> 00:25:03,680
Deadly Trade by Sarah Driscoll. It's part of the FBI

505
00:25:03,799 --> 00:25:06,880
kN I novel series, and go ahead and get started

506
00:25:06,920 --> 00:25:09,880
with all the other series as well while you're there. Sarah,

507
00:25:09,880 --> 00:25:13,200
thanks so much for coming on the show. Congratulations on

508
00:25:13,279 --> 00:25:17,960
another success story. I really enjoyed it thoroughly, and now

509
00:25:17,960 --> 00:25:19,160
I need to get back to Hawaii.

510
00:25:19,240 --> 00:25:22,160
Speaker 4: That's it. I'm sorry if I put that bug in

511
00:25:22,160 --> 00:25:23,920
your ear, but you know, thank you. It's definitely a

512
00:25:23,920 --> 00:25:25,720
worthwhile trip. Thank you so much for having me. It's

513
00:25:25,720 --> 00:25:26,599
been a fun conversation.

514
00:25:26,720 --> 00:25:29,000
Speaker 1: Oh my pleasure, My pleasure. And we'll make sure we

515
00:25:29,039 --> 00:25:32,160
get your sites post at Sarah driscoll author dot com

516
00:25:32,160 --> 00:25:35,000
and all the other wonderful social media sites keep track

517
00:25:35,079 --> 00:25:38,079
of what Sarah's got going on, the latest, greatest, maybe

518
00:25:38,079 --> 00:25:41,039
even sneaking appearance every once in a while to meet

519
00:25:41,079 --> 00:25:44,039
her in person. So thanks again Sarah for coming on

520
00:25:44,079 --> 00:25:45,680
the show. Everybody pick up a copy of the book

521
00:25:45,720 --> 00:25:47,480
Deadly Trade by Sarah Driscoll.

522
00:25:47,799 --> 00:25:48,440
Speaker 4: Thanks so much.

523
00:25:48,799 --> 00:25:50,480
Speaker 1: Well, we're coming to the end of the show today,

524
00:25:50,559 --> 00:25:53,119
I want to thank everyone for listening to Animal Rights

525
00:25:53,160 --> 00:25:55,720
on pet Life Radio. I want to thank the producers

526
00:25:55,720 --> 00:25:58,200
and sponsors for making this show possible. If you have

527
00:25:58,240 --> 00:26:00,839
any questions, comments, or ideas for the show, or the

528
00:26:00,839 --> 00:26:02,759
people you want to hear from most, drop us a

529
00:26:02,839 --> 00:26:05,559
line you go to pet life radio dot com. We'll

530
00:26:05,599 --> 00:26:08,400
be glad to answer your questions, entertain your comments, and

531
00:26:08,799 --> 00:26:10,440
bring down the people you want to hear from most.

532
00:26:11,200 --> 00:26:13,720
While you're there, check out all the other wonderful shows.

533
00:26:13,799 --> 00:26:17,319
It is a barking fun festival. That's a pet Life

534
00:26:17,480 --> 00:26:19,759
Radio dot Com. You know. Tell you next time, write

535
00:26:19,759 --> 00:26:22,279
great story about the animals in your life, and who knows,

536
00:26:22,440 --> 00:26:24,839
you may be the next guest on animal Rights on

537
00:26:24,960 --> 00:26:26,599
pet Life Radio. Have a great day.

538
00:26:27,559 --> 00:26:32,200
Speaker 3: Let's talk pets every week on demand only on Petlife

539
00:26:32,319 --> 00:26:48,640
Radio dot com.

