Speaker 1: WMNH will rip the novels.
Speaker 2: You're listening to Mattconnorton Unleashed on WM and H ninety
five point three.
Speaker 3: And now the world radio premiere of the new single
from Peter Higgins, The Ballad of twenty six.
Speaker 4: But I'll be the biggest stitch Tata you seen.
Speaker 5: You can't trust.
Speaker 6: Your eyes will tell you what you believe. That choice
is something you girls shouldn't have. But a few time
we'll play and we'll tell you where sat watching you
all rage against the machine will send in the voice,
maybe start to get made. We'll setnaut On Levin because
the press can be free of Eric and.
Speaker 7: Fast anywhere that way. Face, I can't make this up.
Speaker 6: Somewhere sun brillery tod thief screen, hysterical collaughter watching them
with democracy used to be optimistic. The history would always
stand as a limous nour our shear at the setting
of the sun. It is a pretty good jinarize up.
Speaker 7: Together as well.
Speaker 6: The sixth Damp January while the fast they opened the
doors for that peaceful protest. Don't mind the deep top
section on the wall that was sta the all that'll contentution,
We'll throw it away, weakening me everyone should.
Speaker 5: Practice to ay, We'll make sure you're dead.
Speaker 6: If you're tied it away and if you can't, God
help and will.
Speaker 7: Follow you away.
Speaker 4: I can't.
Speaker 6: Somewhere usun my revery call me sweet hysterical laughter, watching
them offfoot democracy. God used to be optimistic that history
would always stand as aluminous hour.
Speaker 4: Out here at the setting of the sun.
Speaker 6: It's a pretty good datterized south together.
Speaker 5: It's a sorts.
Speaker 8: I'm treated so poorly.
Speaker 9: You would all be all right if you just adore me.
I probably the greatest.
Speaker 10: Just look at this.
Speaker 4: Wall quite big too. Chhap Haras.
Speaker 6: Can name this some whereas side my pivery, God metwin
hysterical laughter and watching them off with. Democracy used to
be optimistic the history always said.
Speaker 4: As a lidis. Now we're out here at the setting
of the sun.
Speaker 6: It's a pretty good datarizer together as.
Speaker 4: Together.
Speaker 11: No man's father's little kissing.
Speaker 12: So the showers, secret wishes, snowflakes, man drops, people love
fake Clamba street tough pebbles.
Speaker 13: Stacking said, this last question wants to start.
Speaker 10: To him.
Speaker 12: Walking pet seeing the beaching, talking is getting oh, God's creatures.
Speaker 11: Sometimes sunset while pos.
Speaker 10: Go a fishman on the course.
Speaker 13: That is just one MESSI waiting mis him.
Speaker 14: Just so your love the face.
Speaker 12: Get those moments, Randy W those great towards you're asking.
Speaker 11: Dance Will's robots cookies thinking.
Speaker 14: So gos W will see you with.
Speaker 13: Now watching this last question? Are you man mesall.
Speaker 14: Happy because I just saw your face?
Speaker 15: What?
Speaker 16: What?
Speaker 11: Because I just saw your lovely face?
Speaker 14: You know that there is no question, no one going by,
So you love this face?
Speaker 17: There you go, That is your lovely face by the
rightful heirs and they are here and we're going to
talk to them in just a moment. Welcome everybody. We
have entered our number three new Marrow trace of Matt
Connorton Unleashed and we are live from the studios of
w m n H ninety five point three FM and
Glorious Manchester, New Hampshire. And of course you can stream
the show from anywhere. Go to Matt connorton dot com
slash live for all of your live streaming options, social
media links, contact and folksho archives, et cetera, et cetera.
Happy Valentine's Day. Today is Saturday, February fourteen, twenty twenty six.
Jenny is here at the news table ant and I
think actually we should mention the show tonight and then
you know, we'll mention it again at the oh at
the end of the hour. But for people just joining
us because tonight's a big night of course at the
Mosaic Art Collective.
Speaker 18: Yeah, Tonight at the Mosaic Art Collective is the opening
of the Peaceful Rebellion Juried Art Show. The opening is
from five to seven. Matt and I will be there,
so please do come join us at sixty six Canover Street,
Sweet two oh one. If you've never been, you've got
to come check out the Mosaic Art Collective. It is
a great gallery.
Speaker 17: Yes, absolutely, we do love them. And how many pieces
do you have in the show?
Speaker 18: I actually have two pieces of the condition of it,
which was really an honor for me.
Speaker 19: It's a it's a joy to get one in. If
you get two, it's like, oh my gosh.
Speaker 17: Yeah, yeah, but you know what.
Speaker 18: Definitely also make sure you check out their website Mosaic
Artcollective dot com for more information on things they're doing.
They have an upcoming art and advocacy panel that you'll
definitely want to check out.
Speaker 17: All right, outstanding and let's see so let's get those
mics up here. So we have John Talto and Sunny Burretto.
Did I get that right?
Speaker 1: Yes?
Speaker 17: I did? Okay, excellent, wonderful, So welcome back. It's been uh,
it's been a Whileeuz. When was the last time you're
both on the show? It had to be over a
year ago, right, September of twenty twenty four, yes, oh wow, okay,
so it has been a while. So of course together
you are the rightful heirs. We played that song your
Lovely Face. You've got a bunch of new songs that
you sent me that I really like, and you're gonna
play for us. But what so what what? What's what
has happened uh with uh, with the project since the
last time we talked, since the last time we had
you on.
Speaker 20: Well, we have a new project with thirteen tracks, okay,
that we've been working on for over a year. So
it's we're in the final throes of releasing that. We've
just had the last the five pieces mastered that hopefully
you'll play today, okay.
Speaker 19: And yeah, it's a.
Speaker 17: Lot of work, yeah, yeah, no doubt, no doubt.
Speaker 21: Since we had to travel to New York to do it.
Speaker 17: Okay, yeah, tell me about that.
Speaker 1: Uh.
Speaker 21: We recorded it with our beloved producer Lincoln Schleifer in Bronx,
New York. That's where we recorded the first project. But
oh yeah, we were living in New York at the time,
so it was it was an easy fifteen minute commute
as opposed to a four hour commute now, right right.
But it was another rewarding process and it took us,
as Sonny mentioned, a little over a year. But we're
really really really pleased with the outcome of the project.
Speaker 17: Yeah, yeah, absolutely. And then so it's it's an eph
did you record?
Speaker 4: Did you just do?
Speaker 17: Are you just doing individual tracks?
Speaker 20: We'll probably release each track individually, Oh okay, but you know,
we're just well also just kind of doing it as
a CD for you know, kind of the old school
people who.
Speaker 17: Like gotcha, gotcha? Gotcha? Well, are you going to play
something for us some din are you play?
Speaker 1: Yeah?
Speaker 19: Yeah, we have two tracks that we're gonna play.
Speaker 20: One of them is called Fifth Generation War that's not
on this project, that's newer than this project, okay. And
then the other one is called Shivertown and that is
on the project. But so the version on the project
will sound much different oh okay, because there's just the
two of us here, but we've got a whole band
on the project. Oh interesting one like little disclaimer. I
just want to say that no AI was used to
make any of our music and okay, or lyrics or
anything like that.
Speaker 17: Okay, well fair enough, yes, all right, very good. Yeah,
So what are you gonna play for us?
Speaker 22: Now?
Speaker 19: Called fifth generation warfare?
Speaker 17: Fifth generation warfare? All right? The rightful ara is live
in studio. Yeah, whenever you're ready.
Speaker 4: Your daddy is what.
Speaker 11: Of them you do?
Speaker 10: Not just who they are?
Speaker 11: I've got to tell somebody of them.
Speaker 14: Be all this ghostly bought.
Speaker 23: Your mood is bosane, and the curvat is a new disease.
Speaker 11: People are dying here. Boy, it's just like the one
really wants to see.
Speaker 23: No one ever reallyses ever seas at all.
Speaker 14: We're in a fifth generation war.
Speaker 24: Essence of fifth generation ward, will you two.
Speaker 23: Moorman versus many friend of strum, I'll do it. You
try to get those bats this information and every welly
ain't our side the.
Speaker 11: Room tax you be, pemple, what you share, It's down
to what you be. That's just how the game con true.
You've got a hide in your pill up, my full
of little.
Speaker 22: Controue Welling, No fifth genration waw.
Speaker 11: Yes, it's a fifth generation wall world, Williamson.
Speaker 23: Women versus mad Brandogins.
Speaker 13: Friend, Get close to who you loves, You'll.
Speaker 8: Never want to let.
Speaker 11: Run from this dark disons bad.
Speaker 10: Get close to who you loves.
Speaker 23: You'll never want to let them go.
Speaker 1: Run from this dark dis.
Speaker 10: Who's breaking down?
Speaker 11: Love not breaking down?
Speaker 23: Watch them the Barber's song, cancel her, Poby and strouble.
Speaker 25: They are in no a one that you can't call.
Now that rod is wrong, your mind's look back to
You're the one bringing pace of plans.
Speaker 11: Now you know how it feels to relieve be a
en of me he loves. We're in a fifth generational war. Yes,
it's a big generation war.
Speaker 4: Who good will to.
Speaker 8: All mess man, Friend and the answered.
Speaker 23: That calls to do your lone your never wants to
releve good one from the dog a dissa. World's breaking
then we I'm not baking. Don't let it breaking, don't
let it take you dawn dun.
Speaker 4: Dum dum damn.
Speaker 17: Oh I like it. I like it. The Rightful airs
here with us live in studio and fifth generation War
very good, very good. I feel like a lot of
your songs are kind of topical. Have there's a lot
of social commentary. I remember noticing that too the last
time that you were on. I mean, is that is
that something that's that's important to you to express or
you are and are you trying to address things that
maybe you don't feel r being addressed.
Speaker 20: Well, I think, of course we're not really a political band,
but I would say that, you know, we have.
Speaker 19: A couple of main points.
Speaker 20: So one of the things is, you know, try to
focus on the positive, but don't forget like what's what's
really going on, like really, you know, and try to
think of things. I think that you know, we really
just kind of play what comes up, and we've got
all kinds of the songs just kind of like happen.
It's not like we set out to write the song actually,
you know, it's just like the music came and then
the lyrics were what was called for by the music.
I mean, I know, it's like kind of like the
music gods dictate how these things happen, but certainly what
what we believe in our beliefs kind of do filter through.
Speaker 17: Yeah, yeah, of course, yeah, well said well said, I
want to play this studio track, but like I said,
you sent us several I really love this song bad
Trip Turnaround, but I want to know before we before
we play it, I want to know more about this.
This is this is kind of my my favorite of
the ones you said, But yeah, tell us about this song.
Speaker 20: Okay, So this song is really about introspection, and you know,
for some people, I mean it's some people are doing introspection,
you know, meditation wise. Some people are doing it full
out like iouasca and all kinds of things like that.
So this kind of speaks to to a lot of
things that that people are doing. But it's really like
it's a spiritual journey and it's about it's about spirit,
it's about finding yourself. And you know what we would
help if if people get anything out of our music
is that you know, they see us as people who
really kind of are advocating looking inward and and getting
more out of yourself, like bringing yourself to another level.
Speaker 17: Okay, Okay, John, anything to add on that or well.
Speaker 21: Something always has an interesting process of how she comes
up with the words. What I usually do is I
come up with the music in the melody and she
says that when she's listening to the idea over and over,
the song tells her, Yeah, what it's going to be
written about. And this particular track, it was the day
we were hanging out and I wasn't really feeling so
great and I was just noodling around and this idea
was brewing, and I looked at song and I'm like,
you know, I'm not feeling so great. I need to
I need to turn his bad trip around. And that
kind of stuck in her head as a foundational theme,
and she delivered the words, and once again, it's always
for me, that moment where I get the text and
the words are there are really exciting because that's what
really closes and the song and cements it puts it together.
Speaker 17: Yeah, very cool.
Speaker 20: Oh, before we say anything, before we spend the song,
I just want to do a shout out because like,
we don't we sing backrups on this song.
Speaker 19: We don't. We're not the lead singer. Josh Dion is
the lead singer on the song.
Speaker 20: Okay, so where this song features Josh Dion from Paris Monster,
He's going to amazing voice, okay, and he just really
takes the song to the next level.
Speaker 19: So I just wanted to you know, we don't sound
like this.
Speaker 21: We realized, we realized that this song, out of all
of them, there was limitations. And I had heard Josh
sing uh with Paris Monster, and like that guy's voice
would be perfect for the song.
Speaker 4: Oh.
Speaker 21: It took a little convincing, but it turned out to
be the right call.
Speaker 19: And he's the drummer for all the tracks on on Oh.
Speaker 17: Okay, oh neat, Oh gotcha, gotcha?
Speaker 19: Okay, Yeah, he's amazing. Often, Hey, we're going to do
back up on our song.
Speaker 17: We want you to.
Speaker 19: That's that's an unusual.
Speaker 10: Thing to do.
Speaker 17: I think it's really neat.
Speaker 21: Well, we want the song to be presented in his
best possible manners. So it was once we heard Josh
sing it, we knew that it was definitely the right call. Yeah,
and so once again a shout out to Josh Dion
and to Paris Monster. Check him out.
Speaker 8: You'll be amazing.
Speaker 21: Josh plays drums, keyboard and sings at the same time.
It's it's quite a performance.
Speaker 20: Okay, he's one of the most thought after session players.
Speaker 17: Oh no kidding, Yeah, Oh, very good, very good. All right,
let's give this a listen. This is a bad trip turnaround,
and this is the rightful heiress.
Speaker 26: All calms down to the bad trip turn around the
inside and one round.
Speaker 27: I'm away and for the God and to let me in.
I haven't see you that lack of fool. I'm wading and.
Speaker 4: The strip was was Tommy.
Speaker 27: I haven't trying to fight.
Speaker 14: Man bay, but I just break break.
Speaker 15: Aw what you can't things so much more than you
for see.
Speaker 8: Skin like then you see.
Speaker 7: Where to ride. I'm away.
Speaker 27: It's for the God has two let me. I haven't
feel a lot of food where district would to me.
Speaker 15: I'm a triumph to find.
Speaker 8: That my way, But I just break break on. I
haven't waited mother time has two let.
Speaker 7: Me, but.
Speaker 10: I'm not too sure.
Speaker 6: What we.
Speaker 1: Can he.
Speaker 5: Side, No, that's cut.
Speaker 8: The truth is change.
Speaker 1: S beside.
Speaker 17: To side do his bad trip turn around, and that
is the rightful heirs with. What's the name of the
gentleman who does the vocal on that again? Jo Josh Dion? Yeah?
And what what's his what's his other band? His main project?
Paris Monster, Paris Monster. Where are they are they from? Here?
Are they in New York?
Speaker 10: They're in New York.
Speaker 17: They're in New York. Okay, but but he but he
also plays drums on everything.
Speaker 20: He's a multi talented artist. You know his band, he
plays keyboards and drums at the same time.
Speaker 17: So how does he how does he do that at
the same time.
Speaker 21: One hand, I forget which I think it's the left hand,
he's playing key boy with the right.
Speaker 10: Hand, he's he's.
Speaker 21: In a snare and the toms and yeah, high hat
and all that. And all of the guys who came
down and played and when we had the same cast
come down. Uh not are they just outstanding players, but
they're also really great human beings.
Speaker 17: Yeah.
Speaker 21: Really, they took a lot of care and attention to
make sure that our music was the best it could
possibly be. So we're greatly, greatly appreciative and in debt
for their their efforts.
Speaker 17: Yeah, yeah, absolutely. You want to play another, uh another
lap song? I'm done here?
Speaker 4: Another lap Okay, going to do Shivertown?
Speaker 19: Sure?
Speaker 21: Okay, so this song is going to be appearing on
the upcoming project.
Speaker 17: Okay, it's called Shivertown.
Speaker 21: Do you want to give some backdrop those two?
Speaker 20: The only thing I could say is, you know, just
kind of like how bad trip turn around that that
kind of name of the song kind of came out.
There was an interesting story about how Shivertown came about
was I was stuck in an ice storm with my
son driving and we were stuck on Shivertown Road.
Speaker 19: Oh yeah, and I was thinking, this is like, like
a great word. I've never heard of it.
Speaker 20: There's no place and there's no place in the United
States called Shivertown. Okay, but there is a Shivertown Road.
Yeah in uh it's like near New Balls.
Speaker 17: Or something like that, upstate New York, Okay, And we're like.
Speaker 19: Wow, that that needs to be a song.
Speaker 17: Yeah.
Speaker 20: Then the music kind of presented itself and then Shivertown
kind of came to be.
Speaker 17: Yeah, that makes sense.
Speaker 21: I was watching a Tom Petty documentary and so there
was definitely a Tom Petty influence in the uh, in
the music and the rhythm of of this track.
Speaker 17: Okay, So let's do it Shivertown Okay, all right, the
rightful era is live in studio, of course, let's full start.
Speaker 24: Oh last night I went there to see your face
that mask you had behind will keep you safe. Went
out to grab a drink, but they were closed. Just
this is left out in the cool.
Speaker 14: I need hold him, I create a touching.
Speaker 10: I need loving.
Speaker 14: You just shut me out, so I leave in shipper time.
Speaker 23: All I want from you is the truth. You put
me down and then you get so rude. Your friends
they want you just to hide away. I don't believe
the thing they say.
Speaker 8: You need holding, You crave.
Speaker 11: To shame, you need loving. They can't keep you down.
Won't you leave this.
Speaker 14: Shiver leave the shiver town.
Speaker 28: And I won't be coming back round. Won't you leave
this shiver town?
Speaker 11: Hey, I'll try back again in a couple of days.
Maybe then you.
Speaker 10: Will have changed your ways.
Speaker 11: The things they talk about.
Speaker 10: With all the lies.
Speaker 11: Yea, he should be asking why just start back and
change your passwords? Now, don't look back or.
Speaker 4: Turn your head around.
Speaker 5: We need voting.
Speaker 11: We create touching. Now, we need loving. They can hold
us down.
Speaker 1: Got to leave this your vote?
Speaker 7: Yeah?
Speaker 10: I like it.
Speaker 17: I like it. The Rightful Air is live in studio Shivertown.
Now a great song? Great song? Do you have plans
to record that one?
Speaker 21: That one will be on the project that is, yeah,
that's of course waiting to be mastered.
Speaker 19: Oh it is okaysh playing drums.
Speaker 21: And yeah, we got Danny Lewis, the keyboard player of
Government Mule. He appears on Really Yeah, appeared on the
last project, and he came back for this one.
Speaker 17: Oh wow, Oh that's very cool. Yeah, yeah, oh that's awesome.
That's awesome. Should we play Uh, let's see, so I'm
curious to play. Uh, tell me about in due Time
the Devil?
Speaker 20: Okay, so that's the There was kind of like we
put these songs together. John and I were just playing
it one day.
Speaker 19: He just kind of segued.
Speaker 20: Into this song, and we love the way they kind
of like went together. And in due Time is really
it's only like two verses, so it never really was
a full song.
Speaker 19: So we just decided, let's put these two songs together.
Speaker 17: Okay.
Speaker 6: Yeah.
Speaker 20: The producer liked it too, and you know, he came
up with really cool, really cool sounds. Yeah, they just
really both of these tracks.
Speaker 19: They exceed our expectations.
Speaker 17: Yeah, kind of kind of takes down a journey when
you listen to it.
Speaker 21: We we did play this the last time we were
here live and uh, oh I loved in Due Time
and I wanted more, and so I say, nope, that's it.
Speaker 17: Yeah.
Speaker 21: And I always felt that it was a little bit
short of being a complete song. Okay, So when I
was noodling around one day, I just went down to
half a step where the Devil starts, and it just
made sense to put the two songs together.
Speaker 17: Okay.
Speaker 10: So yeah, it was a lot of fun.
Speaker 21: It was a lot of fun making it happen. Yeah,
So we're looking forward to having the audience here how
it turned out.
Speaker 17: Yeah, yeah, I really like this one a lot too.
All right, let's give this a spin, and we have
the rightful heirs here with us. If you're just joining
us live in studio.
Speaker 10: She naelt down upon his great oh black boot streams
and flazzle.
Speaker 8: Well, she's here and he is gone.
Speaker 10: Movies, you've lived to carry.
Speaker 29: Just take you off, please seem sordy alone.
Speaker 13: All questions aside.
Speaker 8: Him, tim.
Speaker 22: One sol tear is all she said, from the memory
of that dear.
Speaker 11: Now that warman has grown.
Speaker 10: Over, a little tear has turned to cool.
Speaker 29: Just take your please, said side then her, all questions
say answer him to turn me.
Speaker 8: Vividly. You'll be ready.
Speaker 11: When you look in to the liver.
Speaker 30: Is there noble lived to save? As the young marriage
big comes clearer. Who's the master, who's the slave?
Speaker 8: And whose rules to you obey?
Speaker 10: I have seen your face, nor mister Vee has served me.
Will there'll be those who take your hands, But I
will bother to your spin.
Speaker 13: I won't follow you to hell?
Speaker 10: Would you know the devil?
Speaker 4: If me looked into.
Speaker 3: Your ra.
Speaker 10: Would you know the table?
Speaker 28: And then comes as no surprise, Now you bed here
the tides?
Speaker 14: You think you can't do no wrong?
Speaker 7: Do you no wrong?
Speaker 6: Do you?
Speaker 30: If we are to have a shadow, and we almost
make a trust not to give.
Speaker 10: It to what shadow, to the bill, to the boat.
Speaker 13: We just need to raise over.
Speaker 10: Did you know all the table? It is to your eye?
Speaker 4: Did you know all the table?
Speaker 31: And it calls us no surprise?
Speaker 4: May you been here the tides?
Speaker 8: To think if you can't do.
Speaker 11: No do no wrong?
Speaker 17: Do no wrong?
Speaker 31: Would you know the dom? Would you know them?
Speaker 10: And it comes as.
Speaker 13: Mo in the tad you thinking you can't do no wrong?
Speaker 17: M hmm, that is so good. I just want to
let that hang for a second. I love that. I
love that that is in due time the devil by
the rightful airs, and we have the rightful airs here
with us in studio. Yeah, it's such an interest same track. John,
you were talking off there about how your your producer
tried to get Ian Anderson. That's an interesting story.
Speaker 21: We have a song called in My World and it's
it's a little bit of a throwback. It's it's it's
very it's a very kind of sixties away. The track
came out and Lincoln heard flute, which we were like, okay,
we'll trust Lincoln. We didn't hear flute, but he he's
friends with the drummer jettro toll ok and he said, guys,
how about I try to get Ian Anderson for this track?
And Ian graciously did get back to us, and uh,
he thanked us, but his touring schedule just did not
allow for him to have the time to to perform
on it. So instead we had a really great session player,
New York session player come in and do the track. So, yeah,
watch out that track when it's released in my World.
Then you'll be able to hear all of its goodness.
Speaker 17: Okay, okay, excellent. Now I haven't asked you about this,
So what's what's the live situation, Ben? Have you been
been playing shows, have been touring or what?
Speaker 19: Oh it's been non existent.
Speaker 17: We do this album really.
Speaker 19: Yeah, just like it's been a lot of work, and yeah,
we also have day jobs.
Speaker 21: And we moved in the middle of all of it
as well, you did, it's yeah, so what we want
to put out there because it's it's been one of
the challenges to find. There's so many great musicians in
this area. Yes, most of them want to play cover songs,
especially in our age set. So if anyone out there
is intrigued and enjoyed listening to the music and would
like to contact us through our website at www. The
Rightful Airs dot com. Uh, and you're interested in playing guitar, drums, keyboard, whatever,
give us a shout out. We'd love to find some
really great musicians to add to what we're doing.
Speaker 19: Yeah, yeah, that's Rightful Airs w r I T.
Speaker 21: One of the things we are planning on doing this
time because we do have more more time devoted in
our schedule, is to get a booking agent to do
regional shows.
Speaker 17: Yeah, okay, no, that makes sense. That makes sense. So
we've got another studio track here that you sent me.
Uh this muscleman, tell me about this.
Speaker 20: Oh, this song is kind of like you know, you know,
every time I look at my my YouTube feed, there's
always like some thing about narcissists, and I guess this
is like your kind of what it would be like
if you were dating a narcissist, right, Okay, so that's
kind of the origin of this song.
Speaker 17: Okay, that's kind of fun.
Speaker 21: But there is there is an interesting side note to
this song because this song was given to me about
six years ago. Sonny handed me the lyrics, which she
doesn't often do, and she said, can you put music
to this? And I did, and she didn't like it.
She's like, no, this is not acceptable. This doesn't really
go with the words. So the music for what I
originally wrote Muscleman for became a song that appeared on
our last project called Tear It Down, so we got
a two for one. So fast forward about four or
five years after she originally gave me the words. She said,
you know what, you never finished this song, and I
think Lincoln could do a better job. I'm going to
give it to him. And I said, you know, f that,
give me it, and within five minutes I banged out
it's not it's kind of bluesy, which is really my style.
But you know, the gauntlet was thrown down. So I had,
I had rise to the challenge.
Speaker 17: All right, all right, let's give this a spend the
rightful errors. And this is called muscleman.
Speaker 11: He the muslm. Why don't you move me if you can?
Speaker 10: He the muslm.
Speaker 7: Why don't you move me?
Speaker 4: If you can can?
Speaker 11: Have a prodigy, no ambition and your mesbend your mission?
Speaker 32: Bug of what sensor a birch to sayad lady, muslm,
what don't you move me if you can?
Speaker 23: The muslin? If we know you're coming made again again?
Can watch this first condition? Can't you see what you've
been missing?
Speaker 10: Break free from.
Speaker 11: Your history and come feel my mistreet.
Speaker 16: A must make.
Speaker 4: Why don't you move me? If again.
Speaker 23: Outside the outsider, we'll free you're from your cancer?
Speaker 11: What's all the outside?
Speaker 7: We'll call you from.
Speaker 11: Your rip that one?
Speaker 16: Hey, hey, hey, you got how hey you got to move?
Speaker 11: The muslmade? Why don't you move me if you can?
Speaker 17: That is muscleman by the rightful errors. We've been hearing
a lot of new music and they played a couple
of songs for us, and uh, John and Sonny, I
do appreciate you so much coming in and this has
been great. Well, so what are kind of the So
obviously you've got new more music on the way. Do
you know when the next and what the next single
is going to be.
Speaker 20: So for the release schedule, we haven't really figured out
exactly which songs will be releasing. But okay, last time
we did a large project and we just basically released
each song. Yeah, like almost like once a month for
a while. Yeah, so that will be coming up. We're
still mastering the songs and also working on kind of
some of our artwork and other things like that.
Speaker 17: Yeah.
Speaker 20: Yeah, we don't have a definitive exact timeline, but you know,
we're hoping that sometime in March we'll be you know,
rolling out one of those.
Speaker 19: One of our first few tracks.
Speaker 17: Oh, excellent, outstanding, outstanding. Where should peop go online? Like,
where's the best place to go online to keep up
with everything that y'all are doing.
Speaker 19: So we have a website www.
Speaker 20: Dot The Rightful Airs dot com and it's w R
I T E f U l H E I R
s Okay, so you can kind of see links to
kind of all of our songs from our last tracks.
Our last tracks were out there on all the major platforms,
like you know, Amazon, Spotify.
Speaker 7: Et cetera.
Speaker 17: Yeah, yeah, outstanding, all right, very good. And then for
obviously we talked about this because I was asked this
question the first time you were on the show. But
for people who didn't hear that conversation, where does the
name the Rightful Airs come from?
Speaker 10: Oh?
Speaker 19: Well, you know, we just figured that.
Speaker 20: We are Airs the kind of like a musical legacy,
you know, having grown up at the time that we did,
we got to listen to you know, and be influenced
by some of the like Jennis Joplin and you know,
Pink Floyd and things like that that you know, we
just felt like, you know, we love to write. We're
songwriters first and foremost. It's why we have kind of
like a makeshift band pulled together by a producer.
Speaker 19: But you know that we feel like that's a legacy
and nowhere airs that.
Speaker 17: Okay, okay, very cool, very cool. So when we wrap up,
because we are approaching the top of the hour, there's
a song that I want to play to end the segment,
which is one that we played on the show last time,
the American Dream. I wanted to play that because I
love that song so much. So the radio the radio
edit of course I still have it so but I think,
but I think it continues to be to very be
very apropos, shall we say? But Jenny. Also, before we
wrap up today for our live listeners on SAD, we
should mention the uh the Art show again tonight at
the Mosaic Art Collective where you've got a couple of
your paintings are being shown and we'll be there of course.
Speaker 18: On Yeah, I'm really excited about this. Join us tonight
at the Mosaic Art Collective for the opening of the
Peaceful Rebellion Juried Art Show. This is all about Good Trouble, folks,
so you definitely want to come down and check this out.
You can find the Mosaic ur Collective at sixty six
Handover Street, Suite two one, in Manchester. Matt and I
will be there. The opening is from five to seven
this evening. Looking forward to seeing you and seeing all
the other works that can be hanging. So make sure
you check out the Mosaic arc Collective dot com for
more information and if.
Speaker 17: People want to keep up with everything you've been up to,
where should they go.
Speaker 19: My Good Trouble can be.
Speaker 17: Found at Gencoffee dot com. J E. N n co
O f f uy dot com And if you want
to keep up with me, you can go to Matt
Connorton dot com. And again, John and Sonny the rightfule Aires,
thank you both so much.
Speaker 21: Thank you man, Matt, thank you absolutely for for having
this platform where local artists could come in and get heard.
It's really important for us, so thank you so much
for having us, and thank you so much for being
here and being kind of master of ceremonies for for
all of us and.
Speaker 10: Pleasure to be here.
Speaker 17: Yeah, well, thank you, thank you. I'm glad you're here,
and thank you for that. I love to do it.
There's so much incredible talent around here, you know, there
really is so. And of course if you missed any
part of today's show, it will be up in just
a little bit at wmn hradio dot org and at
my website Matt Connorton dot com. And so we'll close
out with this. This is American Dream by the rightful
Heiress Ely.
Speaker 10: Dent, The American treat cause things aren't really worthy. Seat work, man,
She don't want me.
Speaker 14: Eliad, The American Dream.
Speaker 10: The same old thing.
Speaker 22: Today feels Okaid, the sinking feeling you will never find.
Speaker 10: He saw mine.
Speaker 22: I did everything who went spenttil I've made ikel feeling,
left my home for a better job, but I was robbed.
Speaker 1: I'm built up in an old time.
Speaker 13: Thus, oh those could I with thouse. I lived entire
the American dream because things are really want they.
Speaker 10: Had seen.
Speaker 13: Works so damn hard to keep her a great.
Speaker 10: I lived and.
Speaker 14: Died the American entrey.
Speaker 13: You part of sa miracles?
Speaker 10: Take a hill? What else can you do to protect
your head?
Speaker 4: To your dad?
Speaker 10: Try and not to get old. No one to hold
a million?
Speaker 1: And o those who live just like.
Speaker 4: Uncertainty.
Speaker 8: I'm running and off broad time.
Speaker 14: I said, it's up, goddamn crime.
Speaker 13: I lived and died.
Speaker 4: The American jury.
Speaker 13: Packed up all my bride in my issues. Has tobacco
been Nancy?
Speaker 14: I lived untied the American tream.
Speaker 4: Shah, tell me when.
Speaker 10: I want to deep.
Speaker 11: The Mokays.
Speaker 4: Love them up with spending spree, Brom.
Speaker 7: Are you making me up?
Speaker 11: Kidding me?
Speaker 8: I'm living on Barbara.
Speaker 10: I lived Dani the American tream. I'm still in love
with my country. My rockin will will keep me free.
Speaker 14: I live in joy miracue dream.
Speaker 2: You're listening to macconnorton, unleash on WM and H ninety
five point.
Speaker 3: Three and now the world radio premiere of the new
single from Peter Higgins, The Ballad of twenty six.
Speaker 4: I'll be the.
Speaker 6: Biggest stitch Tata you've seen. You can't trust your eyes
will tell you what you believe.
Speaker 8: That choice is something you girls shouldn't have.
Speaker 6: But a few time we'll play and we'll tell you
where sat I'm seeing you all rage against the machine,
will send in the voice, maybe start to get made,
will connaut on Leavin, because the press can't be free
American fast.
Speaker 7: Anywhere that way face side can make this so.
Speaker 6: Where sun Brillery tod thief screen, hysterical collaughter watching their
f with democracy. Used to be optimistic. The history would
always stand as a.
Speaker 4: Limous nour our shear at the setting of the sun.
Speaker 6: It's a pretty good janorize up together as all.
Speaker 4: The sixth stamp January.
Speaker 6: While the fast they opened the doors for that peaceful protest.
Speaker 14: Don't mind the tech copsertion on the wall.
Speaker 4: That was that we're got in them all.
Speaker 5: That'll contenution.
Speaker 6: We'll throw it away, wicked in me. Everyone should practice
to ay. We'll make sure you're dead if you're turning away,
and if you can't, God help and we'll follow you away.
Speaker 4: I can't, Lissa somewhere sun.
Speaker 6: My revery caught me s hysterical laughter watching them fuffot democracy.
Speaker 4: God used to be optimistic that history would always stand
as slutous hour. Out here at the setting of.
Speaker 6: The sun, it's a pretty good daterized south together.
Speaker 4: It's assorts.
Speaker 8: I'm treated so poorly.
Speaker 9: You would all be all right if you just adore me.
I'm probably the greatest.
Speaker 10: Just look at this.
Speaker 14: Wall, quite big deochhap harass.
Speaker 6: Can name this some whereas sign. My pivery got me trained.
Hysterical laughter and watching them off with democracy. Used to
be optimistic the history one a boys saying.
Speaker 4: As a bitness. Now we're out here at the setting
of the sun.
Speaker 6: It's a pretty good darizon together as
Speaker 4: Well, together as well