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Speaker 1: WMNH will rip the novels.

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Speaker 2: You're listening to Mattconnorton Unleashed on WM and H ninety

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five point three.

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Speaker 3: And now the world radio premiere of the new single

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from Peter Higgins, The Ballad of twenty six.

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Speaker 4: But I'll be the biggest stitch Tata you seen.

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Speaker 5: You can't trust.

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Speaker 6: Your eyes will tell you what you believe. That choice

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is something you girls shouldn't have. But a few time

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we'll play and we'll tell you where sat watching you

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all rage against the machine will send in the voice,

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maybe start to get made. We'll setnaut On Levin because

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the press can be free of Eric and.

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Speaker 7: Fast anywhere that way. Face, I can't make this up.

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Speaker 6: Somewhere sun brillery tod thief screen, hysterical collaughter watching them

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with democracy used to be optimistic. The history would always

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stand as a limous nour our shear at the setting

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of the sun. It is a pretty good jinarize up.

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Speaker 7: Together as well.

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Speaker 6: The sixth Damp January while the fast they opened the

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doors for that peaceful protest. Don't mind the deep top

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section on the wall that was sta the all that'll contentution,

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We'll throw it away, weakening me everyone should.

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Speaker 5: Practice to ay, We'll make sure you're dead.

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Speaker 6: If you're tied it away and if you can't, God

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help and will.

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Speaker 7: Follow you away.

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Speaker 4: I can't.

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Speaker 6: Somewhere usun my revery call me sweet hysterical laughter, watching

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them offfoot democracy. God used to be optimistic that history

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would always stand as aluminous hour.

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Speaker 4: Out here at the setting of the sun.

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Speaker 6: It's a pretty good datterized south together.

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Speaker 5: It's a sorts.

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Speaker 8: I'm treated so poorly.

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Speaker 9: You would all be all right if you just adore me.

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I probably the greatest.

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Speaker 10: Just look at this.

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Speaker 4: Wall quite big too. Chhap Haras.

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Speaker 6: Can name this some whereas side my pivery, God metwin

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hysterical laughter and watching them off with. Democracy used to

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be optimistic the history always said.

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Speaker 4: As a lidis. Now we're out here at the setting

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of the sun.

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Speaker 6: It's a pretty good datarizer together as.

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Speaker 4: Together.

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Speaker 11: No man's father's little kissing.

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Speaker 12: So the showers, secret wishes, snowflakes, man drops, people love

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fake Clamba street tough pebbles.

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Speaker 13: Stacking said, this last question wants to start.

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Speaker 10: To him.

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Speaker 12: Walking pet seeing the beaching, talking is getting oh, God's creatures.

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Speaker 11: Sometimes sunset while pos.

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Speaker 10: Go a fishman on the course.

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Speaker 13: That is just one MESSI waiting mis him.

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Speaker 14: Just so your love the face.

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Speaker 12: Get those moments, Randy W those great towards you're asking.

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Speaker 11: Dance Will's robots cookies thinking.

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Speaker 14: So gos W will see you with.

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Speaker 13: Now watching this last question? Are you man mesall.

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Speaker 14: Happy because I just saw your face?

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Speaker 15: What?

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Speaker 16: What?

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Speaker 11: Because I just saw your lovely face?

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Speaker 14: You know that there is no question, no one going by,

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So you love this face?

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Speaker 17: There you go, That is your lovely face by the

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rightful heirs and they are here and we're going to

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talk to them in just a moment. Welcome everybody. We

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have entered our number three new Marrow trace of Matt

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Connorton Unleashed and we are live from the studios of

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w m n H ninety five point three FM and

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Glorious Manchester, New Hampshire. And of course you can stream

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the show from anywhere. Go to Matt connorton dot com

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slash live for all of your live streaming options, social

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media links, contact and folksho archives, et cetera, et cetera.

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Happy Valentine's Day. Today is Saturday, February fourteen, twenty twenty six.

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Jenny is here at the news table ant and I

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think actually we should mention the show tonight and then

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you know, we'll mention it again at the oh at

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the end of the hour. But for people just joining

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us because tonight's a big night of course at the

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Mosaic Art Collective.

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Speaker 18: Yeah, Tonight at the Mosaic Art Collective is the opening

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of the Peaceful Rebellion Juried Art Show. The opening is

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from five to seven. Matt and I will be there,

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so please do come join us at sixty six Canover Street,

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Sweet two oh one. If you've never been, you've got

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to come check out the Mosaic Art Collective. It is

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a great gallery.

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Speaker 17: Yes, absolutely, we do love them. And how many pieces

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do you have in the show?

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Speaker 18: I actually have two pieces of the condition of it,

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which was really an honor for me.

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Speaker 19: It's a it's a joy to get one in. If

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you get two, it's like, oh my gosh.

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Speaker 17: Yeah, yeah, but you know what.

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Speaker 18: Definitely also make sure you check out their website Mosaic

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Artcollective dot com for more information on things they're doing.

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They have an upcoming art and advocacy panel that you'll

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definitely want to check out.

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Speaker 17: All right, outstanding and let's see so let's get those

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mics up here. So we have John Talto and Sunny Burretto.

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Did I get that right?

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Speaker 1: Yes?

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Speaker 17: I did? Okay, excellent, wonderful, So welcome back. It's been uh,

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it's been a Whileeuz. When was the last time you're

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both on the show? It had to be over a

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year ago, right, September of twenty twenty four, yes, oh wow, okay,

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so it has been a while. So of course together

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you are the rightful heirs. We played that song your

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Lovely Face. You've got a bunch of new songs that

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you sent me that I really like, and you're gonna

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play for us. But what so what what? What's what

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has happened uh with uh, with the project since the

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last time we talked, since the last time we had

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you on.

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Speaker 20: Well, we have a new project with thirteen tracks, okay,

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that we've been working on for over a year. So

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it's we're in the final throes of releasing that. We've

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just had the last the five pieces mastered that hopefully

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you'll play today, okay.

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Speaker 19: And yeah, it's a.

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Speaker 17: Lot of work, yeah, yeah, no doubt, no doubt.

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Speaker 21: Since we had to travel to New York to do it.

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Speaker 17: Okay, yeah, tell me about that.

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Speaker 1: Uh.

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Speaker 21: We recorded it with our beloved producer Lincoln Schleifer in Bronx,

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New York. That's where we recorded the first project. But

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oh yeah, we were living in New York at the time,

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so it was it was an easy fifteen minute commute

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as opposed to a four hour commute now, right right.

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But it was another rewarding process and it took us,

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as Sonny mentioned, a little over a year. But we're

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really really really pleased with the outcome of the project.

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Speaker 17: Yeah, yeah, absolutely. And then so it's it's an eph

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did you record?

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Speaker 4: Did you just do?

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Speaker 17: Are you just doing individual tracks?

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Speaker 20: We'll probably release each track individually, Oh okay, but you know,

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we're just well also just kind of doing it as

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a CD for you know, kind of the old school

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people who.

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Speaker 17: Like gotcha, gotcha? Gotcha? Well, are you going to play

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something for us some din are you play?

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Speaker 1: Yeah?

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Speaker 19: Yeah, we have two tracks that we're gonna play.

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Speaker 20: One of them is called Fifth Generation War that's not

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on this project, that's newer than this project, okay. And

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then the other one is called Shivertown and that is

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on the project. But so the version on the project

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will sound much different oh okay, because there's just the

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two of us here, but we've got a whole band

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on the project. Oh interesting one like little disclaimer. I

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just want to say that no AI was used to

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make any of our music and okay, or lyrics or

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anything like that.

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Speaker 17: Okay, well fair enough, yes, all right, very good. Yeah,

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So what are you gonna play for us?

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Speaker 22: Now?

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Speaker 19: Called fifth generation warfare?

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Speaker 17: Fifth generation warfare? All right? The rightful ara is live

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in studio. Yeah, whenever you're ready.

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Speaker 4: Your daddy is what.

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Speaker 11: Of them you do?

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Speaker 10: Not just who they are?

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Speaker 11: I've got to tell somebody of them.

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Speaker 14: Be all this ghostly bought.

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Speaker 23: Your mood is bosane, and the curvat is a new disease.

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Speaker 11: People are dying here. Boy, it's just like the one

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really wants to see.

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Speaker 23: No one ever reallyses ever seas at all.

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Speaker 14: We're in a fifth generation war.

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Speaker 24: Essence of fifth generation ward, will you two.

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Speaker 23: Moorman versus many friend of strum, I'll do it. You

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try to get those bats this information and every welly

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ain't our side the.

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Speaker 11: Room tax you be, pemple, what you share, It's down

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to what you be. That's just how the game con true.

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You've got a hide in your pill up, my full

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of little.

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Speaker 22: Controue Welling, No fifth genration waw.

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Speaker 11: Yes, it's a fifth generation wall world, Williamson.

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Speaker 23: Women versus mad Brandogins.

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Speaker 13: Friend, Get close to who you loves, You'll.

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Speaker 8: Never want to let.

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Speaker 11: Run from this dark disons bad.

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Speaker 10: Get close to who you loves.

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Speaker 23: You'll never want to let them go.

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Speaker 1: Run from this dark dis.

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Speaker 10: Who's breaking down?

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Speaker 11: Love not breaking down?

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Speaker 23: Watch them the Barber's song, cancel her, Poby and strouble.

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Speaker 25: They are in no a one that you can't call.

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Now that rod is wrong, your mind's look back to

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You're the one bringing pace of plans.

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Speaker 11: Now you know how it feels to relieve be a

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en of me he loves. We're in a fifth generational war. Yes,

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it's a big generation war.

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Speaker 4: Who good will to.

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Speaker 8: All mess man, Friend and the answered.

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Speaker 23: That calls to do your lone your never wants to

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releve good one from the dog a dissa. World's breaking

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then we I'm not baking. Don't let it breaking, don't

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let it take you dawn dun.

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Speaker 4: Dum dum damn.

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Speaker 17: Oh I like it. I like it. The Rightful airs

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here with us live in studio and fifth generation War

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very good, very good. I feel like a lot of

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your songs are kind of topical. Have there's a lot

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of social commentary. I remember noticing that too the last

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time that you were on. I mean, is that is

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that something that's that's important to you to express or

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you are and are you trying to address things that

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maybe you don't feel r being addressed.

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Speaker 20: Well, I think, of course we're not really a political band,

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but I would say that, you know, we have.

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Speaker 19: A couple of main points.

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Speaker 20: So one of the things is, you know, try to

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focus on the positive, but don't forget like what's what's

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really going on, like really, you know, and try to

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think of things. I think that you know, we really

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just kind of play what comes up, and we've got

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all kinds of the songs just kind of like happen.

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It's not like we set out to write the song actually,

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you know, it's just like the music came and then

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the lyrics were what was called for by the music.

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I mean, I know, it's like kind of like the

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music gods dictate how these things happen, but certainly what

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what we believe in our beliefs kind of do filter through.

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Speaker 17: Yeah, yeah, of course, yeah, well said well said, I

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want to play this studio track, but like I said,

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you sent us several I really love this song bad

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Trip Turnaround, but I want to know before we before

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we play it, I want to know more about this.

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This is this is kind of my my favorite of

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the ones you said, But yeah, tell us about this song.

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Speaker 20: Okay, So this song is really about introspection, and you know,

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for some people, I mean it's some people are doing introspection,

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you know, meditation wise. Some people are doing it full

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out like iouasca and all kinds of things like that.

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So this kind of speaks to to a lot of

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things that that people are doing. But it's really like

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it's a spiritual journey and it's about it's about spirit,

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it's about finding yourself. And you know what we would

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help if if people get anything out of our music

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is that you know, they see us as people who

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really kind of are advocating looking inward and and getting

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more out of yourself, like bringing yourself to another level.

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Speaker 17: Okay, Okay, John, anything to add on that or well.

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Speaker 21: Something always has an interesting process of how she comes

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up with the words. What I usually do is I

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come up with the music in the melody and she

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says that when she's listening to the idea over and over,

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the song tells her, Yeah, what it's going to be

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written about. And this particular track, it was the day

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we were hanging out and I wasn't really feeling so

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great and I was just noodling around and this idea

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was brewing, and I looked at song and I'm like,

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you know, I'm not feeling so great. I need to

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I need to turn his bad trip around. And that

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kind of stuck in her head as a foundational theme,

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and she delivered the words, and once again, it's always

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for me, that moment where I get the text and

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the words are there are really exciting because that's what

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really closes and the song and cements it puts it together.

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Speaker 17: Yeah, very cool.

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Speaker 20: Oh, before we say anything, before we spend the song,

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I just want to do a shout out because like,

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we don't we sing backrups on this song.

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Speaker 19: We don't. We're not the lead singer. Josh Dion is

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the lead singer on the song.

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Speaker 20: Okay, so where this song features Josh Dion from Paris Monster,

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He's going to amazing voice, okay, and he just really

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takes the song to the next level.

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Speaker 19: So I just wanted to you know, we don't sound

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like this.

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Speaker 21: We realized, we realized that this song, out of all

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of them, there was limitations. And I had heard Josh

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sing uh with Paris Monster, and like that guy's voice

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would be perfect for the song.

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Speaker 4: Oh.

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Speaker 21: It took a little convincing, but it turned out to

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be the right call.

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Speaker 19: And he's the drummer for all the tracks on on Oh.

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Speaker 17: Okay, oh neat, Oh gotcha, gotcha?

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Speaker 19: Okay, Yeah, he's amazing. Often, Hey, we're going to do

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back up on our song.

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Speaker 17: We want you to.

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Speaker 19: That's that's an unusual.

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Speaker 10: Thing to do.

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Speaker 17: I think it's really neat.

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Speaker 21: Well, we want the song to be presented in his

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best possible manners. So it was once we heard Josh

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sing it, we knew that it was definitely the right call. Yeah,

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and so once again a shout out to Josh Dion

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and to Paris Monster. Check him out.

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Speaker 8: You'll be amazing.

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Speaker 21: Josh plays drums, keyboard and sings at the same time.

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It's it's quite a performance.

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Speaker 20: Okay, he's one of the most thought after session players.

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Speaker 17: Oh no kidding, Yeah, Oh, very good, very good. All right,

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let's give this a listen. This is a bad trip turnaround,

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and this is the rightful heiress.

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Speaker 26: All calms down to the bad trip turn around the

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inside and one round.

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Speaker 27: I'm away and for the God and to let me in.

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I haven't see you that lack of fool. I'm wading and.

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Speaker 4: The strip was was Tommy.

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Speaker 27: I haven't trying to fight.

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Speaker 14: Man bay, but I just break break.

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Speaker 15: Aw what you can't things so much more than you

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for see.

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Speaker 8: Skin like then you see.

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Speaker 7: Where to ride. I'm away.

316
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Speaker 27: It's for the God has two let me. I haven't

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feel a lot of food where district would to me.

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Speaker 15: I'm a triumph to find.

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Speaker 8: That my way, But I just break break on. I

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haven't waited mother time has two let.

321
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Speaker 7: Me, but.

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Speaker 10: I'm not too sure.

323
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Speaker 6: What we.

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Speaker 1: Can he.

325
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Speaker 5: Side, No, that's cut.

326
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Speaker 8: The truth is change.

327
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Speaker 1: S beside.

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Speaker 17: To side do his bad trip turn around, and that

329
00:25:21,240 --> 00:25:25,039
is the rightful heirs with. What's the name of the

330
00:25:25,079 --> 00:25:29,079
gentleman who does the vocal on that again? Jo Josh Dion? Yeah?

331
00:25:29,200 --> 00:25:32,920
And what what's his what's his other band? His main project?

332
00:25:33,359 --> 00:25:36,599
Paris Monster, Paris Monster. Where are they are they from? Here?

333
00:25:36,640 --> 00:25:37,400
Are they in New York?

334
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Speaker 10: They're in New York.

335
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Speaker 17: They're in New York. Okay, but but he but he

336
00:25:41,839 --> 00:25:43,119
also plays drums on everything.

337
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Speaker 20: He's a multi talented artist. You know his band, he

338
00:25:48,400 --> 00:25:50,599
plays keyboards and drums at the same time.

339
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Speaker 17: So how does he how does he do that at

340
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the same time.

341
00:25:55,400 --> 00:25:59,200
Speaker 21: One hand, I forget which I think it's the left hand,

342
00:25:59,240 --> 00:26:00,839
he's playing key boy with the right.

343
00:26:00,799 --> 00:26:02,039
Speaker 10: Hand, he's he's.

344
00:26:03,480 --> 00:26:05,559
Speaker 21: In a snare and the toms and yeah, high hat

345
00:26:05,640 --> 00:26:09,839
and all that. And all of the guys who came

346
00:26:09,920 --> 00:26:12,039
down and played and when we had the same cast

347
00:26:12,160 --> 00:26:17,200
come down. Uh not are they just outstanding players, but

348
00:26:17,240 --> 00:26:19,640
they're also really great human beings.

349
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Speaker 17: Yeah.

350
00:26:20,119 --> 00:26:23,359
Speaker 21: Really, they took a lot of care and attention to

351
00:26:23,440 --> 00:26:25,920
make sure that our music was the best it could

352
00:26:25,960 --> 00:26:31,480
possibly be. So we're greatly, greatly appreciative and in debt

353
00:26:31,559 --> 00:26:32,599
for their their efforts.

354
00:26:32,799 --> 00:26:37,200
Speaker 17: Yeah, yeah, absolutely. You want to play another, uh another

355
00:26:37,279 --> 00:26:38,079
lap song? I'm done here?

356
00:26:38,119 --> 00:26:42,119
Speaker 4: Another lap Okay, going to do Shivertown?

357
00:26:43,000 --> 00:26:43,279
Speaker 19: Sure?

358
00:26:44,119 --> 00:26:49,039
Speaker 21: Okay, so this song is going to be appearing on

359
00:26:49,240 --> 00:26:50,480
the upcoming project.

360
00:26:50,759 --> 00:26:52,880
Speaker 17: Okay, it's called Shivertown.

361
00:26:53,720 --> 00:26:56,079
Speaker 21: Do you want to give some backdrop those two?

362
00:26:57,359 --> 00:26:59,359
Speaker 20: The only thing I could say is, you know, just

363
00:26:59,480 --> 00:27:02,079
kind of like how bad trip turn around that that

364
00:27:02,400 --> 00:27:04,440
kind of name of the song kind of came out.

365
00:27:04,559 --> 00:27:07,720
There was an interesting story about how Shivertown came about

366
00:27:08,359 --> 00:27:13,920
was I was stuck in an ice storm with my

367
00:27:14,119 --> 00:27:17,720
son driving and we were stuck on Shivertown Road.

368
00:27:18,400 --> 00:27:22,720
Speaker 19: Oh yeah, and I was thinking, this is like, like

369
00:27:22,839 --> 00:27:25,480
a great word. I've never heard of it.

370
00:27:25,880 --> 00:27:28,720
Speaker 20: There's no place and there's no place in the United

371
00:27:28,799 --> 00:27:32,559
States called Shivertown. Okay, but there is a Shivertown Road.

372
00:27:32,799 --> 00:27:36,279
Yeah in uh it's like near New Balls.

373
00:27:36,119 --> 00:27:39,279
Speaker 17: Or something like that, upstate New York, Okay, And we're like.

374
00:27:39,319 --> 00:27:41,039
Speaker 19: Wow, that that needs to be a song.

375
00:27:41,279 --> 00:27:41,480
Speaker 17: Yeah.

376
00:27:41,559 --> 00:27:47,000
Speaker 20: Then the music kind of presented itself and then Shivertown

377
00:27:47,319 --> 00:27:48,039
kind of came to be.

378
00:27:48,359 --> 00:27:49,599
Speaker 17: Yeah, that makes sense.

379
00:27:49,880 --> 00:27:52,400
Speaker 21: I was watching a Tom Petty documentary and so there

380
00:27:52,480 --> 00:27:55,720
was definitely a Tom Petty influence in the uh, in

381
00:27:55,799 --> 00:27:58,119
the music and the rhythm of of this track.

382
00:27:58,240 --> 00:28:01,400
Speaker 17: Okay, So let's do it Shivertown Okay, all right, the

383
00:28:01,519 --> 00:28:07,680
rightful era is live in studio, of course, let's full start.

384
00:28:07,799 --> 00:28:29,039
Speaker 24: Oh last night I went there to see your face

385
00:28:30,640 --> 00:28:35,160
that mask you had behind will keep you safe. Went

386
00:28:35,240 --> 00:28:39,440
out to grab a drink, but they were closed. Just

387
00:28:39,559 --> 00:28:41,400
this is left out in the cool.

388
00:28:42,440 --> 00:28:45,799
Speaker 14: I need hold him, I create a touching.

389
00:28:48,720 --> 00:28:50,079
Speaker 10: I need loving.

390
00:28:50,519 --> 00:28:56,960
Speaker 14: You just shut me out, so I leave in shipper time.

391
00:29:08,200 --> 00:29:12,680
Speaker 23: All I want from you is the truth. You put

392
00:29:12,799 --> 00:29:16,960
me down and then you get so rude. Your friends

393
00:29:17,039 --> 00:29:21,720
they want you just to hide away. I don't believe

394
00:29:21,880 --> 00:29:22,880
the thing they say.

395
00:29:23,799 --> 00:29:27,000
Speaker 8: You need holding, You crave.

396
00:29:26,880 --> 00:29:34,279
Speaker 11: To shame, you need loving. They can't keep you down.

397
00:29:35,599 --> 00:29:37,079
Won't you leave this.

398
00:29:37,440 --> 00:29:43,119
Speaker 14: Shiver leave the shiver town.

399
00:29:45,440 --> 00:29:53,680
Speaker 28: And I won't be coming back round. Won't you leave

400
00:29:53,920 --> 00:29:55,480
this shiver town?

401
00:29:58,079 --> 00:30:19,359
Speaker 11: Hey, I'll try back again in a couple of days.

402
00:30:21,200 --> 00:30:22,119
Maybe then you.

403
00:30:22,240 --> 00:30:23,680
Speaker 10: Will have changed your ways.

404
00:30:25,200 --> 00:30:27,160
Speaker 11: The things they talk about.

405
00:30:26,880 --> 00:30:28,039
Speaker 10: With all the lies.

406
00:30:29,759 --> 00:30:34,039
Speaker 11: Yea, he should be asking why just start back and

407
00:30:34,480 --> 00:30:40,440
change your passwords? Now, don't look back or.

408
00:30:40,680 --> 00:30:43,000
Speaker 4: Turn your head around.

409
00:30:45,119 --> 00:30:46,519
Speaker 5: We need voting.

410
00:30:46,960 --> 00:30:54,839
Speaker 11: We create touching. Now, we need loving. They can hold

411
00:30:55,000 --> 00:30:55,640
us down.

412
00:30:57,000 --> 00:30:59,720
Speaker 1: Got to leave this your vote?

413
00:31:00,119 --> 00:31:00,359
Speaker 7: Yeah?

414
00:31:07,440 --> 00:31:07,880
Speaker 10: I like it.

415
00:31:08,200 --> 00:31:12,279
Speaker 17: I like it. The Rightful Air is live in studio Shivertown.

416
00:31:12,359 --> 00:31:16,039
Now a great song? Great song? Do you have plans

417
00:31:16,039 --> 00:31:16,759
to record that one?

418
00:31:17,240 --> 00:31:19,240
Speaker 21: That one will be on the project that is, yeah,

419
00:31:19,319 --> 00:31:20,680
that's of course waiting to be mastered.

420
00:31:21,119 --> 00:31:23,640
Speaker 19: Oh it is okaysh playing drums.

421
00:31:23,319 --> 00:31:27,279
Speaker 21: And yeah, we got Danny Lewis, the keyboard player of

422
00:31:27,359 --> 00:31:31,000
Government Mule. He appears on Really Yeah, appeared on the

423
00:31:31,079 --> 00:31:32,880
last project, and he came back for this one.

424
00:31:33,039 --> 00:31:38,319
Speaker 17: Oh wow, Oh that's very cool. Yeah, yeah, oh that's awesome.

425
00:31:38,400 --> 00:31:42,559
That's awesome. Should we play Uh, let's see, so I'm

426
00:31:42,599 --> 00:31:45,119
curious to play. Uh, tell me about in due Time

427
00:31:45,279 --> 00:31:45,720
the Devil?

428
00:31:47,039 --> 00:31:52,359
Speaker 20: Okay, so that's the There was kind of like we

429
00:31:53,240 --> 00:31:55,920
put these songs together. John and I were just playing

430
00:31:55,960 --> 00:31:56,720
it one day.

431
00:31:56,799 --> 00:31:59,720
Speaker 19: He just kind of segued.

432
00:31:59,240 --> 00:32:02,519
Speaker 20: Into this song, and we love the way they kind

433
00:32:02,559 --> 00:32:05,680
of like went together. And in due Time is really

434
00:32:06,039 --> 00:32:08,720
it's only like two verses, so it never really was

435
00:32:08,799 --> 00:32:09,480
a full song.

436
00:32:09,640 --> 00:32:12,759
Speaker 19: So we just decided, let's put these two songs together.

437
00:32:13,119 --> 00:32:13,440
Speaker 17: Okay.

438
00:32:14,720 --> 00:32:14,880
Speaker 6: Yeah.

439
00:32:14,920 --> 00:32:17,880
Speaker 20: The producer liked it too, and you know, he came

440
00:32:17,960 --> 00:32:24,559
up with really cool, really cool sounds. Yeah, they just

441
00:32:24,720 --> 00:32:26,839
really both of these tracks.

442
00:32:27,519 --> 00:32:29,000
Speaker 19: They exceed our expectations.

443
00:32:29,160 --> 00:32:31,839
Speaker 17: Yeah, kind of kind of takes down a journey when

444
00:32:31,920 --> 00:32:32,519
you listen to it.

445
00:32:33,000 --> 00:32:35,240
Speaker 21: We we did play this the last time we were

446
00:32:35,279 --> 00:32:38,720
here live and uh, oh I loved in Due Time

447
00:32:38,839 --> 00:32:40,960
and I wanted more, and so I say, nope, that's it.

448
00:32:41,480 --> 00:32:41,680
Speaker 17: Yeah.

449
00:32:41,759 --> 00:32:43,240
Speaker 21: And I always felt that it was a little bit

450
00:32:43,440 --> 00:32:47,480
short of being a complete song. Okay, So when I

451
00:32:47,599 --> 00:32:50,240
was noodling around one day, I just went down to

452
00:32:50,319 --> 00:32:53,799
half a step where the Devil starts, and it just

453
00:32:53,920 --> 00:32:55,839
made sense to put the two songs together.

454
00:32:56,039 --> 00:32:56,400
Speaker 17: Okay.

455
00:32:56,799 --> 00:32:58,759
Speaker 10: So yeah, it was a lot of fun.

456
00:32:59,279 --> 00:33:03,319
Speaker 21: It was a lot of fun making it happen. Yeah,

457
00:33:04,359 --> 00:33:07,440
So we're looking forward to having the audience here how

458
00:33:07,480 --> 00:33:08,000
it turned out.

459
00:33:08,079 --> 00:33:10,039
Speaker 17: Yeah, yeah, I really like this one a lot too.

460
00:33:10,400 --> 00:33:13,000
All right, let's give this a spin, and we have

461
00:33:13,039 --> 00:33:14,880
the rightful heirs here with us. If you're just joining

462
00:33:14,960 --> 00:33:15,920
us live in studio.

463
00:33:38,079 --> 00:33:45,319
Speaker 10: She naelt down upon his great oh black boot streams

464
00:33:45,400 --> 00:33:46,839
and flazzle.

465
00:33:47,279 --> 00:33:53,079
Speaker 8: Well, she's here and he is gone.

466
00:33:54,839 --> 00:33:57,720
Speaker 10: Movies, you've lived to carry.

467
00:34:00,839 --> 00:34:05,000
Speaker 29: Just take you off, please seem sordy alone.

468
00:34:06,160 --> 00:34:09,679
Speaker 13: All questions aside.

469
00:34:09,199 --> 00:34:10,719
Speaker 8: Him, tim.

470
00:34:21,840 --> 00:34:29,039
Speaker 22: One sol tear is all she said, from the memory

471
00:34:29,880 --> 00:34:31,159
of that dear.

472
00:34:32,760 --> 00:34:36,599
Speaker 11: Now that warman has grown.

473
00:34:36,480 --> 00:34:42,199
Speaker 10: Over, a little tear has turned to cool.

474
00:34:44,480 --> 00:34:51,000
Speaker 29: Just take your please, said side then her, all questions

475
00:34:51,360 --> 00:34:54,639
say answer him to turn me.

476
00:34:58,719 --> 00:35:02,400
Speaker 8: Vividly. You'll be ready.

477
00:35:35,400 --> 00:35:38,800
Speaker 11: When you look in to the liver.

478
00:35:39,760 --> 00:35:45,360
Speaker 30: Is there noble lived to save? As the young marriage

479
00:35:45,519 --> 00:35:50,960
big comes clearer. Who's the master, who's the slave?

480
00:35:51,880 --> 00:35:54,760
Speaker 8: And whose rules to you obey?

481
00:36:04,000 --> 00:36:10,519
Speaker 10: I have seen your face, nor mister Vee has served me.

482
00:36:10,880 --> 00:36:16,400
Will there'll be those who take your hands, But I

483
00:36:16,599 --> 00:36:19,199
will bother to your spin.

484
00:36:20,400 --> 00:36:23,480
Speaker 13: I won't follow you to hell?

485
00:36:26,400 --> 00:36:28,840
Speaker 10: Would you know the devil?

486
00:36:30,519 --> 00:36:32,880
Speaker 4: If me looked into.

487
00:36:32,840 --> 00:36:33,400
Speaker 3: Your ra.

488
00:36:38,639 --> 00:36:40,920
Speaker 10: Would you know the table?

489
00:36:42,800 --> 00:36:49,079
Speaker 28: And then comes as no surprise, Now you bed here

490
00:36:49,320 --> 00:36:50,000
the tides?

491
00:36:50,320 --> 00:36:53,880
Speaker 14: You think you can't do no wrong?

492
00:36:56,719 --> 00:36:58,000
Speaker 7: Do you no wrong?

493
00:37:00,800 --> 00:37:01,199
Speaker 6: Do you?

494
00:37:08,960 --> 00:37:14,719
Speaker 30: If we are to have a shadow, and we almost

495
00:37:15,079 --> 00:37:18,639
make a trust not to give.

496
00:37:18,599 --> 00:37:24,880
Speaker 10: It to what shadow, to the bill, to the boat.

497
00:37:25,480 --> 00:37:28,239
Speaker 13: We just need to raise over.

498
00:37:31,559 --> 00:37:38,719
Speaker 10: Did you know all the table? It is to your eye?

499
00:37:43,760 --> 00:37:45,960
Speaker 4: Did you know all the table?

500
00:37:47,800 --> 00:37:51,000
Speaker 31: And it calls us no surprise?

501
00:37:52,679 --> 00:37:55,119
Speaker 4: May you been here the tides?

502
00:37:55,400 --> 00:37:57,840
Speaker 8: To think if you can't do.

503
00:37:58,239 --> 00:38:03,079
Speaker 11: No do no wrong?

504
00:38:05,920 --> 00:38:07,159
Speaker 17: Do no wrong?

505
00:38:16,320 --> 00:38:30,559
Speaker 31: Would you know the dom? Would you know them?

506
00:38:32,639 --> 00:38:34,199
Speaker 10: And it comes as.

507
00:38:34,480 --> 00:38:43,760
Speaker 13: Mo in the tad you thinking you can't do no wrong?

508
00:38:47,599 --> 00:38:50,280
Speaker 17: M hmm, that is so good. I just want to

509
00:38:50,320 --> 00:38:52,800
let that hang for a second. I love that. I

510
00:38:52,920 --> 00:38:55,840
love that that is in due time the devil by

511
00:38:55,880 --> 00:38:58,199
the rightful airs, and we have the rightful airs here

512
00:38:58,239 --> 00:39:02,320
with us in studio. Yeah, it's such an interest same track. John,

513
00:39:02,360 --> 00:39:04,880
you were talking off there about how your your producer

514
00:39:04,960 --> 00:39:08,400
tried to get Ian Anderson. That's an interesting story.

515
00:39:08,920 --> 00:39:12,039
Speaker 21: We have a song called in My World and it's

516
00:39:12,440 --> 00:39:14,559
it's a little bit of a throwback. It's it's it's

517
00:39:14,760 --> 00:39:17,920
very it's a very kind of sixties away. The track

518
00:39:18,679 --> 00:39:22,920
came out and Lincoln heard flute, which we were like, okay,

519
00:39:23,000 --> 00:39:29,480
we'll trust Lincoln. We didn't hear flute, but he he's

520
00:39:29,559 --> 00:39:36,239
friends with the drummer jettro toll ok and he said, guys,

521
00:39:36,320 --> 00:39:38,880
how about I try to get Ian Anderson for this track?

522
00:39:40,039 --> 00:39:42,920
And Ian graciously did get back to us, and uh,

523
00:39:43,360 --> 00:39:46,079
he thanked us, but his touring schedule just did not

524
00:39:46,239 --> 00:39:49,559
allow for him to have the time to to perform

525
00:39:49,679 --> 00:39:54,440
on it. So instead we had a really great session player,

526
00:39:54,480 --> 00:39:57,840
New York session player come in and do the track. So, yeah,

527
00:39:59,320 --> 00:40:01,599
watch out that track when it's released in my World.

528
00:40:01,679 --> 00:40:04,480
Then you'll be able to hear all of its goodness.

529
00:40:04,639 --> 00:40:08,199
Speaker 17: Okay, okay, excellent. Now I haven't asked you about this,

530
00:40:08,320 --> 00:40:11,920
So what's what's the live situation, Ben? Have you been

531
00:40:12,280 --> 00:40:13,840
been playing shows, have been touring or what?

532
00:40:14,079 --> 00:40:15,280
Speaker 19: Oh it's been non existent.

533
00:40:15,559 --> 00:40:16,840
Speaker 17: We do this album really.

534
00:40:16,920 --> 00:40:19,599
Speaker 19: Yeah, just like it's been a lot of work, and yeah,

535
00:40:19,920 --> 00:40:21,559
we also have day jobs.

536
00:40:21,480 --> 00:40:23,559
Speaker 21: And we moved in the middle of all of it

537
00:40:23,679 --> 00:40:28,000
as well, you did, it's yeah, so what we want

538
00:40:28,039 --> 00:40:30,559
to put out there because it's it's been one of

539
00:40:30,599 --> 00:40:33,960
the challenges to find. There's so many great musicians in

540
00:40:34,039 --> 00:40:37,840
this area. Yes, most of them want to play cover songs,

541
00:40:39,559 --> 00:40:42,480
especially in our age set. So if anyone out there

542
00:40:42,840 --> 00:40:47,280
is intrigued and enjoyed listening to the music and would

543
00:40:47,320 --> 00:40:50,559
like to contact us through our website at www. The

544
00:40:50,639 --> 00:40:59,079
Rightful Airs dot com. Uh, and you're interested in playing guitar, drums, keyboard, whatever,

545
00:41:00,480 --> 00:41:02,440
give us a shout out. We'd love to find some

546
00:41:02,599 --> 00:41:05,000
really great musicians to add to what we're doing.

547
00:41:05,199 --> 00:41:08,559
Speaker 19: Yeah, yeah, that's Rightful Airs w r I T.

548
00:41:10,079 --> 00:41:11,760
Speaker 21: One of the things we are planning on doing this

549
00:41:11,880 --> 00:41:16,119
time because we do have more more time devoted in

550
00:41:16,239 --> 00:41:19,079
our schedule, is to get a booking agent to do

551
00:41:19,239 --> 00:41:20,000
regional shows.

552
00:41:20,239 --> 00:41:25,039
Speaker 17: Yeah, okay, no, that makes sense. That makes sense. So

553
00:41:25,119 --> 00:41:27,119
we've got another studio track here that you sent me.

554
00:41:27,480 --> 00:41:32,199
Uh this muscleman, tell me about this.

555
00:41:32,840 --> 00:41:35,599
Speaker 20: Oh, this song is kind of like you know, you know,

556
00:41:36,119 --> 00:41:39,280
every time I look at my my YouTube feed, there's

557
00:41:39,280 --> 00:41:42,159
always like some thing about narcissists, and I guess this

558
00:41:42,360 --> 00:41:46,519
is like your kind of what it would be like

559
00:41:46,639 --> 00:41:51,320
if you were dating a narcissist, right, Okay, so that's

560
00:41:51,639 --> 00:41:53,039
kind of the origin of this song.

561
00:41:53,239 --> 00:41:54,920
Speaker 17: Okay, that's kind of fun.

562
00:41:54,800 --> 00:41:57,000
Speaker 21: But there is there is an interesting side note to

563
00:41:57,079 --> 00:41:59,960
this song because this song was given to me about

564
00:42:00,199 --> 00:42:03,679
six years ago. Sonny handed me the lyrics, which she

565
00:42:03,800 --> 00:42:06,920
doesn't often do, and she said, can you put music

566
00:42:07,000 --> 00:42:09,679
to this? And I did, and she didn't like it.

567
00:42:10,559 --> 00:42:14,280
She's like, no, this is not acceptable. This doesn't really

568
00:42:14,400 --> 00:42:18,320
go with the words. So the music for what I

569
00:42:18,400 --> 00:42:21,519
originally wrote Muscleman for became a song that appeared on

570
00:42:21,599 --> 00:42:24,920
our last project called Tear It Down, so we got

571
00:42:24,960 --> 00:42:28,519
a two for one. So fast forward about four or

572
00:42:28,559 --> 00:42:31,360
five years after she originally gave me the words. She said,

573
00:42:31,360 --> 00:42:35,440
you know what, you never finished this song, and I

574
00:42:35,559 --> 00:42:37,480
think Lincoln could do a better job. I'm going to

575
00:42:37,519 --> 00:42:41,840
give it to him. And I said, you know, f that,

576
00:42:42,920 --> 00:42:46,840
give me it, and within five minutes I banged out

577
00:42:46,920 --> 00:42:49,639
it's not it's kind of bluesy, which is really my style.

578
00:42:49,760 --> 00:42:53,440
But you know, the gauntlet was thrown down. So I had,

579
00:42:53,719 --> 00:42:55,320
I had rise to the challenge.

580
00:42:55,440 --> 00:42:57,559
Speaker 17: All right, all right, let's give this a spend the

581
00:42:57,719 --> 00:42:59,719
rightful errors. And this is called muscleman.

582
00:43:00,400 --> 00:43:09,440
Speaker 11: He the muslm. Why don't you move me if you can?

583
00:43:16,039 --> 00:43:18,000
Speaker 10: He the muslm.

584
00:43:19,840 --> 00:43:21,599
Speaker 7: Why don't you move me?

585
00:43:22,199 --> 00:43:23,800
Speaker 4: If you can can?

586
00:43:24,519 --> 00:43:35,000
Speaker 11: Have a prodigy, no ambition and your mesbend your mission?

587
00:43:36,280 --> 00:43:45,119
Speaker 32: Bug of what sensor a birch to sayad lady, muslm,

588
00:43:46,880 --> 00:43:50,000
what don't you move me if you can?

589
00:43:57,360 --> 00:44:04,360
Speaker 23: The muslin? If we know you're coming made again again?

590
00:44:05,000 --> 00:44:14,559
Can watch this first condition? Can't you see what you've

591
00:44:14,840 --> 00:44:15,639
been missing?

592
00:44:16,360 --> 00:44:17,760
Speaker 10: Break free from.

593
00:44:17,599 --> 00:44:24,000
Speaker 11: Your history and come feel my mistreet.

594
00:44:24,639 --> 00:44:26,119
Speaker 16: A must make.

595
00:44:27,440 --> 00:44:31,159
Speaker 4: Why don't you move me? If again.

596
00:44:50,559 --> 00:44:56,400
Speaker 23: Outside the outsider, we'll free you're from your cancer?

597
00:44:57,480 --> 00:44:59,400
Speaker 11: What's all the outside?

598
00:45:00,320 --> 00:45:01,639
Speaker 7: We'll call you from.

599
00:45:03,800 --> 00:45:06,039
Speaker 11: Your rip that one?

600
00:45:06,639 --> 00:45:26,519
Speaker 16: Hey, hey, hey, you got how hey you got to move?

601
00:45:35,519 --> 00:45:44,800
Speaker 11: The muslmade? Why don't you move me if you can?

602
00:45:55,639 --> 00:45:59,559
Speaker 17: That is muscleman by the rightful errors. We've been hearing

603
00:45:59,559 --> 00:46:01,039
a lot of new music and they played a couple

604
00:46:01,079 --> 00:46:03,280
of songs for us, and uh, John and Sonny, I

605
00:46:03,400 --> 00:46:07,360
do appreciate you so much coming in and this has

606
00:46:07,400 --> 00:46:10,360
been great. Well, so what are kind of the So

607
00:46:10,480 --> 00:46:13,320
obviously you've got new more music on the way. Do

608
00:46:13,400 --> 00:46:16,000
you know when the next and what the next single

609
00:46:16,119 --> 00:46:16,480
is going to be.

610
00:46:17,840 --> 00:46:21,079
Speaker 20: So for the release schedule, we haven't really figured out

611
00:46:21,239 --> 00:46:25,000
exactly which songs will be releasing. But okay, last time

612
00:46:25,079 --> 00:46:28,320
we did a large project and we just basically released

613
00:46:28,360 --> 00:46:30,960
each song. Yeah, like almost like once a month for

614
00:46:31,559 --> 00:46:35,320
a while. Yeah, so that will be coming up. We're

615
00:46:35,360 --> 00:46:40,960
still mastering the songs and also working on kind of

616
00:46:41,039 --> 00:46:43,440
some of our artwork and other things like that.

617
00:46:43,840 --> 00:46:44,039
Speaker 17: Yeah.

618
00:46:45,079 --> 00:46:49,559
Speaker 20: Yeah, we don't have a definitive exact timeline, but you know,

619
00:46:49,880 --> 00:46:52,719
we're hoping that sometime in March we'll be you know,

620
00:46:53,199 --> 00:46:54,679
rolling out one of those.

621
00:46:54,679 --> 00:46:56,000
Speaker 19: One of our first few tracks.

622
00:46:56,119 --> 00:47:00,559
Speaker 17: Oh, excellent, outstanding, outstanding. Where should peop go online? Like,

623
00:47:00,559 --> 00:47:02,199
where's the best place to go online to keep up

624
00:47:02,199 --> 00:47:03,320
with everything that y'all are doing.

625
00:47:03,480 --> 00:47:06,000
Speaker 19: So we have a website www.

626
00:47:06,159 --> 00:47:10,239
Speaker 20: Dot The Rightful Airs dot com and it's w R

627
00:47:10,360 --> 00:47:13,400
I T E f U l H E I R

628
00:47:13,559 --> 00:47:18,280
s Okay, so you can kind of see links to

629
00:47:18,400 --> 00:47:20,760
kind of all of our songs from our last tracks.

630
00:47:21,599 --> 00:47:26,159
Our last tracks were out there on all the major platforms,

631
00:47:26,280 --> 00:47:28,480
like you know, Amazon, Spotify.

632
00:47:28,039 --> 00:47:28,440
Speaker 7: Et cetera.

633
00:47:28,800 --> 00:47:35,519
Speaker 17: Yeah, yeah, outstanding, all right, very good. And then for

634
00:47:35,920 --> 00:47:38,679
obviously we talked about this because I was asked this

635
00:47:38,800 --> 00:47:40,719
question the first time you were on the show. But

636
00:47:41,400 --> 00:47:44,320
for people who didn't hear that conversation, where does the

637
00:47:44,400 --> 00:47:45,679
name the Rightful Airs come from?

638
00:47:46,599 --> 00:47:46,719
Speaker 10: Oh?

639
00:47:46,840 --> 00:47:48,679
Speaker 19: Well, you know, we just figured that.

640
00:47:50,159 --> 00:47:53,440
Speaker 20: We are Airs the kind of like a musical legacy,

641
00:47:53,599 --> 00:47:55,880
you know, having grown up at the time that we did,

642
00:47:56,039 --> 00:47:59,039
we got to listen to you know, and be influenced

643
00:47:59,079 --> 00:48:02,639
by some of the like Jennis Joplin and you know,

644
00:48:04,119 --> 00:48:06,360
Pink Floyd and things like that that you know, we

645
00:48:06,519 --> 00:48:10,880
just felt like, you know, we love to write. We're

646
00:48:11,199 --> 00:48:14,400
songwriters first and foremost. It's why we have kind of

647
00:48:14,599 --> 00:48:18,079
like a makeshift band pulled together by a producer.

648
00:48:18,519 --> 00:48:22,719
Speaker 19: But you know that we feel like that's a legacy

649
00:48:22,840 --> 00:48:23,920
and nowhere airs that.

650
00:48:24,320 --> 00:48:30,280
Speaker 17: Okay, okay, very cool, very cool. So when we wrap up,

651
00:48:30,320 --> 00:48:33,119
because we are approaching the top of the hour, there's

652
00:48:33,159 --> 00:48:37,679
a song that I want to play to end the segment,

653
00:48:37,719 --> 00:48:40,079
which is one that we played on the show last time,

654
00:48:41,280 --> 00:48:44,039
the American Dream. I wanted to play that because I

655
00:48:44,119 --> 00:48:46,880
love that song so much. So the radio the radio

656
00:48:47,039 --> 00:48:51,480
edit of course I still have it so but I think,

657
00:48:51,719 --> 00:48:53,960
but I think it continues to be to very be

658
00:48:54,119 --> 00:48:57,840
very apropos, shall we say? But Jenny. Also, before we

659
00:48:57,880 --> 00:49:00,400
wrap up today for our live listeners on SAD, we

660
00:49:00,400 --> 00:49:03,199
should mention the uh the Art show again tonight at

661
00:49:03,239 --> 00:49:06,480
the Mosaic Art Collective where you've got a couple of

662
00:49:06,519 --> 00:49:10,559
your paintings are being shown and we'll be there of course.

663
00:49:11,039 --> 00:49:13,920
Speaker 18: On Yeah, I'm really excited about this. Join us tonight

664
00:49:14,039 --> 00:49:16,840
at the Mosaic Art Collective for the opening of the

665
00:49:16,960 --> 00:49:21,440
Peaceful Rebellion Juried Art Show. This is all about Good Trouble, folks,

666
00:49:21,480 --> 00:49:23,320
so you definitely want to come down and check this out.

667
00:49:23,719 --> 00:49:25,960
You can find the Mosaic ur Collective at sixty six

668
00:49:26,000 --> 00:49:29,079
Handover Street, Suite two one, in Manchester. Matt and I

669
00:49:29,159 --> 00:49:31,119
will be there. The opening is from five to seven

670
00:49:31,199 --> 00:49:34,599
this evening. Looking forward to seeing you and seeing all

671
00:49:34,599 --> 00:49:36,559
the other works that can be hanging. So make sure

672
00:49:36,559 --> 00:49:38,440
you check out the Mosaic arc Collective dot com for

673
00:49:38,599 --> 00:49:40,360
more information and if.

674
00:49:40,320 --> 00:49:41,880
Speaker 17: People want to keep up with everything you've been up to,

675
00:49:42,039 --> 00:49:42,639
where should they go.

676
00:49:43,039 --> 00:49:43,960
Speaker 19: My Good Trouble can be.

677
00:49:44,000 --> 00:49:46,400
Speaker 17: Found at Gencoffee dot com. J E. N n co

678
00:49:46,559 --> 00:49:48,920
O f f uy dot com And if you want

679
00:49:48,920 --> 00:49:50,239
to keep up with me, you can go to Matt

680
00:49:50,320 --> 00:49:55,119
Connorton dot com. And again, John and Sonny the rightfule Aires,

681
00:49:55,159 --> 00:49:56,159
thank you both so much.

682
00:49:56,519 --> 00:50:00,800
Speaker 21: Thank you man, Matt, thank you absolutely for for having

683
00:50:00,880 --> 00:50:03,840
this platform where local artists could come in and get heard.

684
00:50:04,320 --> 00:50:06,719
It's really important for us, so thank you so much

685
00:50:06,719 --> 00:50:08,840
for having us, and thank you so much for being

686
00:50:08,920 --> 00:50:12,719
here and being kind of master of ceremonies for for

687
00:50:12,880 --> 00:50:13,559
all of us and.

688
00:50:15,840 --> 00:50:16,559
Speaker 10: Pleasure to be here.

689
00:50:16,679 --> 00:50:18,559
Speaker 17: Yeah, well, thank you, thank you. I'm glad you're here,

690
00:50:18,599 --> 00:50:20,079
and thank you for that. I love to do it.

691
00:50:20,159 --> 00:50:22,679
There's so much incredible talent around here, you know, there

692
00:50:22,719 --> 00:50:25,719
really is so. And of course if you missed any

693
00:50:25,760 --> 00:50:27,119
part of today's show, it will be up in just

694
00:50:27,159 --> 00:50:29,800
a little bit at wmn hradio dot org and at

695
00:50:29,840 --> 00:50:33,079
my website Matt Connorton dot com. And so we'll close

696
00:50:33,079 --> 00:50:36,320
out with this. This is American Dream by the rightful

697
00:50:36,360 --> 00:50:38,039
Heiress Ely.

698
00:50:38,000 --> 00:50:49,440
Speaker 10: Dent, The American treat cause things aren't really worthy. Seat work, man,

699
00:50:50,000 --> 00:50:51,119
She don't want me.

700
00:50:54,320 --> 00:50:57,079
Speaker 14: Eliad, The American Dream.

701
00:51:07,800 --> 00:51:09,119
Speaker 10: The same old thing.

702
00:51:09,039 --> 00:51:14,760
Speaker 22: Today feels Okaid, the sinking feeling you will never find.

703
00:51:16,519 --> 00:51:17,920
Speaker 10: He saw mine.

704
00:51:18,800 --> 00:51:23,480
Speaker 22: I did everything who went spenttil I've made ikel feeling,

705
00:51:23,559 --> 00:51:29,239
left my home for a better job, but I was robbed.

706
00:51:30,239 --> 00:51:32,639
Speaker 1: I'm built up in an old time.

707
00:51:33,039 --> 00:51:43,519
Speaker 13: Thus, oh those could I with thouse. I lived entire

708
00:51:43,719 --> 00:51:50,079
the American dream because things are really want they.

709
00:51:50,039 --> 00:51:50,800
Speaker 10: Had seen.

710
00:51:53,519 --> 00:51:56,199
Speaker 13: Works so damn hard to keep her a great.

711
00:51:59,280 --> 00:52:00,159
Speaker 10: I lived and.

712
00:52:00,320 --> 00:52:01,920
Speaker 14: Died the American entrey.

713
00:52:11,599 --> 00:52:14,639
Speaker 13: You part of sa miracles?

714
00:52:15,079 --> 00:52:18,840
Speaker 10: Take a hill? What else can you do to protect

715
00:52:18,920 --> 00:52:19,360
your head?

716
00:52:21,400 --> 00:52:22,679
Speaker 4: To your dad?

717
00:52:23,599 --> 00:52:27,199
Speaker 10: Try and not to get old. No one to hold

718
00:52:27,599 --> 00:52:28,199
a million?

719
00:52:28,360 --> 00:52:30,360
Speaker 1: And o those who live just like.

720
00:52:32,480 --> 00:52:33,760
Speaker 4: Uncertainty.

721
00:52:35,239 --> 00:52:38,239
Speaker 8: I'm running and off broad time.

722
00:52:40,840 --> 00:52:43,920
Speaker 14: I said, it's up, goddamn crime.

723
00:52:47,280 --> 00:52:48,559
Speaker 13: I lived and died.

724
00:52:48,639 --> 00:52:50,119
Speaker 4: The American jury.

725
00:52:52,199 --> 00:52:59,599
Speaker 13: Packed up all my bride in my issues. Has tobacco

726
00:53:00,199 --> 00:53:01,000
been Nancy?

727
00:53:04,199 --> 00:53:06,880
Speaker 14: I lived untied the American tream.

728
00:53:09,400 --> 00:53:14,639
Speaker 4: Shah, tell me when.

729
00:53:14,599 --> 00:53:16,719
Speaker 10: I want to deep.

730
00:53:20,400 --> 00:53:24,119
Speaker 11: The Mokays.

731
00:53:24,920 --> 00:53:35,320
Speaker 4: Love them up with spending spree, Brom.

732
00:53:36,199 --> 00:53:37,920
Speaker 7: Are you making me up?

733
00:53:38,039 --> 00:53:39,079
Speaker 11: Kidding me?

734
00:53:43,360 --> 00:53:45,599
Speaker 8: I'm living on Barbara.

735
00:53:49,800 --> 00:53:56,119
Speaker 10: I lived Dani the American tream. I'm still in love

736
00:53:56,480 --> 00:54:03,599
with my country. My rockin will will keep me free.

737
00:54:06,920 --> 00:54:12,199
Speaker 14: I live in joy miracue dream.

738
00:54:19,880 --> 00:54:24,960
Speaker 2: You're listening to macconnorton, unleash on WM and H ninety

739
00:54:25,039 --> 00:54:25,920
five point.

740
00:54:25,760 --> 00:54:29,679
Speaker 3: Three and now the world radio premiere of the new

741
00:54:29,880 --> 00:54:33,519
single from Peter Higgins, The Ballad of twenty six.

742
00:54:43,079 --> 00:54:43,719
Speaker 4: I'll be the.

743
00:54:43,800 --> 00:54:48,719
Speaker 6: Biggest stitch Tata you've seen. You can't trust your eyes

744
00:54:48,840 --> 00:54:50,840
will tell you what you believe.

745
00:54:51,440 --> 00:54:54,840
Speaker 8: That choice is something you girls shouldn't have.

746
00:54:55,360 --> 00:54:58,119
Speaker 6: But a few time we'll play and we'll tell you

747
00:54:58,360 --> 00:55:03,159
where sat I'm seeing you all rage against the machine,

748
00:55:03,800 --> 00:55:07,280
will send in the voice, maybe start to get made,

749
00:55:08,039 --> 00:55:11,599
will connaut on Leavin, because the press can't be free

750
00:55:12,199 --> 00:55:14,320
American fast.

751
00:55:14,239 --> 00:55:20,880
Speaker 7: Anywhere that way face side can make this so.

752
00:55:21,760 --> 00:55:29,719
Speaker 6: Where sun Brillery tod thief screen, hysterical collaughter watching their

753
00:55:30,039 --> 00:55:38,559
f with democracy. Used to be optimistic. The history would

754
00:55:38,800 --> 00:55:40,199
always stand as a.

755
00:55:40,320 --> 00:55:44,679
Speaker 4: Limous nour our shear at the setting of the sun.

756
00:55:45,119 --> 00:55:50,360
Speaker 6: It's a pretty good janorize up together as all.

757
00:55:58,039 --> 00:55:59,840
Speaker 4: The sixth stamp January.

758
00:56:00,280 --> 00:56:05,800
Speaker 6: While the fast they opened the doors for that peaceful protest.

759
00:56:06,559 --> 00:56:10,000
Speaker 14: Don't mind the tech copsertion on the wall.

760
00:56:10,679 --> 00:56:13,719
Speaker 4: That was that we're got in them all.

761
00:56:14,559 --> 00:56:16,199
Speaker 5: That'll contenution.

762
00:56:16,559 --> 00:56:21,679
Speaker 6: We'll throw it away, wicked in me. Everyone should practice

763
00:56:21,800 --> 00:56:26,280
to ay. We'll make sure you're dead if you're turning away,

764
00:56:26,920 --> 00:56:30,519
and if you can't, God help and we'll follow you away.

765
00:56:31,480 --> 00:56:38,119
Speaker 4: I can't, Lissa somewhere sun.

766
00:56:38,159 --> 00:56:46,559
Speaker 6: My revery caught me s hysterical laughter watching them fuffot democracy.

767
00:56:48,119 --> 00:56:54,480
Speaker 4: God used to be optimistic that history would always stand

768
00:56:54,679 --> 00:56:58,920
as slutous hour. Out here at the setting of.

769
00:56:59,039 --> 00:57:03,920
Speaker 6: The sun, it's a pretty good daterized south together.

770
00:57:20,880 --> 00:57:22,159
Speaker 4: It's assorts.

771
00:57:22,760 --> 00:57:24,360
Speaker 8: I'm treated so poorly.

772
00:57:24,920 --> 00:57:28,679
Speaker 9: You would all be all right if you just adore me.

773
00:57:29,159 --> 00:57:30,760
I'm probably the greatest.

774
00:57:31,000 --> 00:57:31,920
Speaker 10: Just look at this.

775
00:57:32,159 --> 00:57:36,519
Speaker 14: Wall, quite big deochhap harass.

776
00:57:38,639 --> 00:57:47,320
Speaker 6: Can name this some whereas sign. My pivery got me trained.

777
00:57:47,800 --> 00:57:56,280
Hysterical laughter and watching them off with democracy. Used to

778
00:57:56,480 --> 00:58:01,119
be optimistic the history one a boys saying.

779
00:58:01,039 --> 00:58:04,960
Speaker 4: As a bitness. Now we're out here at the setting

780
00:58:05,079 --> 00:58:05,760
of the sun.

781
00:58:06,320 --> 00:58:10,639
Speaker 6: It's a pretty good darizon together as

782
00:58:10,760 --> 00:58:15,039
Speaker 4: Well, together as well