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Speaker 1: Hello, Yes, this is the Falcon speaking.

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Speaker 2: Oh run, I'd love.

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Speaker 3: To see it in Night Angel, but somebody took a

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shot at one of my clients and he's afraid.

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Speaker 1: It may happen again. And you know, a thing like

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that has.

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Speaker 2: Become pretty monotonous, so much so that my client could

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get bored to death.

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Speaker 3: The Adventures of the Falcon starring Wes Stamen. You met

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the Falcon first and his best selling novels. Then you

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saw him in his thrilling motion picture series. Now join

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him on the air.

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Speaker 2: When the Falcon sls.

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Speaker 3: The Case of the Friendly Target, and now the Case

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of the Friendly Target. It's late evening in New York

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when it's a Dan pulls up to the head of

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an alley and two men get out. Alright, Mitch, well Claire,

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let's go here. Connie's dark in this alley. Never mind, Mitch,

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don't use the flashlight yet. We'll fight it.

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Speaker 2: It's a fight.

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Speaker 3: The uh here we are?

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Speaker 2: Where are you?

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Speaker 4: Connie?

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Speaker 2: I can't see right over here? Wait?

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Speaker 3: Oh yeah, Allison said, it's.

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Speaker 2: A simple lot.

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Speaker 1: Won't take a minute out hold of light.

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Speaker 3: Work fast so we won't have to have it on long. Okay,

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can you see here Connie.

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Speaker 1: Now, I hey, who'd the other light comes from?

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Speaker 3: A spot on? I s it's a trap?

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Speaker 5: What O?

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Speaker 4: Their hands don't make any other move?

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Speaker 2: We had to cover we do.

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Speaker 3: It's a trash barrel, drop behind it.

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Speaker 2: Okay they get you, Mitch, No, I made it now what? Oh? Yes, Connie,

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you got punch to the.

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Speaker 1: Out of covered Connie, they know your name.

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Speaker 3: It's a trip right, they were waiting for us. Where'll

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I get that?

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Speaker 2: I gotta get out of here.

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Speaker 4: First with your hands done coming that.

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Speaker 3: Yes, we'll have to make a run for it, crazy Connie.

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They're roll around us with guns and with the spot

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on us. They see us and we can't see them,

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and not letting them take me. Come on, cor I

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tell you run for the car.

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Speaker 2: They go right through their fire.

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Speaker 3: They're already chance. I'll never make it. Okay, take your choice,

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their guns or mine? What that's my gun in your back?

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When I count three, you start running? Or I pull

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a trigger and Connie, no cone.

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Speaker 4: Is Gunn's come out? Reaching always done.

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Speaker 1: Players, it'll be all we need you going.

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Speaker 3: Mitch. No, no, Connie, I can't one you go, Connie,

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leave me here? Sure I hit one of us alone

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on only chances to run at the same time. Give

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us spot target. I can't Connie, please three shoot Connie,

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I'm going.

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Speaker 6: They don't communicate from Korea and now for the local news.

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A desperate gunman and bushed by the police to night

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escape by forcing his partner to run into a hail

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of police bullets. Police cornered ted Connie and Mitchell Harper.

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The two were breaking into a Midtown jewelry store. Ordered

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to surrender, Connie put the gun in Harper's back and

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forced Harper to run from their.

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Speaker 2: Hiding place, thus diverting the police search light.

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Speaker 6: And gunfire for a few seconds necessary to give Connie

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his chance to make his get away. Harper gave police

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this version of Connie's escape just before he died from injuries,

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the saying to the joy.

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Speaker 3: Who's there? Just me Allison? Sorry to wait here, Connie. Yeah,

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you got to sleep with your windows open, Alison. The

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fresh air is good for you. What do you want?

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Speaker 2: Why don't you come to the door?

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Speaker 3: Windows offer less resistance. I want it in with no arguments,

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So get it. It's something going wrong. It's something go

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you Stooly. What happened?

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Speaker 2: Did they get the alarm?

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Speaker 7: Fix.

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Speaker 3: We never had time to find out that were waiting

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for us.

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Speaker 2: Stay a law.

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Speaker 3: If you didn't know I did not, don't don't. You're

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gonna pay for this, Arniston. You're gonna pay fast because

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your pounds of cops are gonna figure me to come here.

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But I couldn't run off without saying good bye here.

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Speaker 2: You got it wrong, Connie, believe me.

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Speaker 3: It's no you, Sallison. You willn't want who steered me

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into the tray with the trap on it?

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Speaker 4: Not much?

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Speaker 5: I shouldn't.

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Speaker 3: I I'm not trying to let me explain, explained. I

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got the dough from you, and I got.

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Speaker 6: It from somebody else.

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Speaker 2: There's a stool.

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Speaker 3: It's it's him, not me.

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Speaker 2: He holl his truth to help me. I thought he

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was on the level. I didn't know about.

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Speaker 3: Right, you got it for somebody else? Who else?

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Speaker 2: What are you gonna do to one? If I tell you?

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We lay off me?

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Speaker 3: You pants? Now? Who is it? Before? I right?

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Speaker 2: I'll talk? I'm listening.

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Speaker 3: It's it's White Frank Whiteman. Yeah, why didn't you tell

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me about this when you're lad out that? Yeah, like

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has been going straight.

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Speaker 2: They didn't want nobody to know.

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Speaker 3: He was selling information.

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Speaker 4: At least that's what he told me.

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Speaker 3: If this is just a store a life, No it isn't.

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Speaker 2: It isn't.

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Speaker 3: Get hold of wagon, make him talk. You'll find up

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sure Rallis and I intend to.

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Speaker 5: Hello hello operators. Just thank Wager. I wanted to ambulance

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right away. And the police. Who Yeah, Wager w A

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g n E R in the heart and hurry please

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my husband.

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Speaker 2: Jump and shot?

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Speaker 3: Yes, hello missus Wagner and Mike Wearing, Oh yes, miss Wearing?

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Speaker 1: Can you thanks?

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Speaker 5: My husband asked me to send for you. He wants

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to see you. He was injured in the shooting about

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a month ago. You may have read about it.

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Speaker 2: Yeah, I remember where is he?

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Speaker 5: Right down this hall. He's still in.

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Speaker 2: Bed calling to the paper. He had a close call.

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Speaker 5: He certainly did. The bullet just missed his heart for

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a while. The doctors didn't hold out much hope. Here

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we are, Frank, here's Mike Wearing.

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Speaker 1: Oh yes, come in Wearing, Come in hello Wagner. So

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you o the folk?

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Speaker 2: And uh does the show? Tell me? Quite? The detective?

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Speaker 3: And if I did not get a new publicity agent,

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I want you to find out who shot me.

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Speaker 2: I don't you know. No, don't you have any enemies?

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Can't think of any. I'm a very likable character. How

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does it happen the middle of the night. I'm in bed?

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See doorbell rings?

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Speaker 3: I opened the door, bang like that. I'm in the

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hospital with a hole in my chest.

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Speaker 1: Then you were face to face with the person who

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fired the shot.

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Speaker 2: You had a.

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Speaker 3: Flashlight shined it to my face. I couldn't see a

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thing nothing. Yes, right, we's miss Willis?

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Speaker 5: Or what do you want?

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Speaker 2: A gust? Wh's Miss Willis?

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Speaker 5: I let her go? You were worried about the extent.

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Speaker 1: Yes, but I'm going to need a lot of nursing.

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Speaker 7: I don't know I can handle.

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Speaker 3: No, what do you want?

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Speaker 2: There's the water? All right, I'll be right there. Good

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kid that wedding.

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Speaker 3: Hate to do this to her, but still so Doug

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one week, I can't move out of this bed.

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Speaker 7: Now. Uh?

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Speaker 1: What what are we talking about?

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Speaker 2: The shooting? Oh? Yes, I didn't see who did it.

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You're not giving much to go on.

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Speaker 3: All right, I'll give you something. What's a fellow named

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Bardy Allison?

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Speaker 2: I think he knows he did the shooting.

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Speaker 3: What makes you think that he called me in the hospital.

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We talked that got the idea, knows something but wants

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cash to spill it.

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Speaker 1: All right, I'll get to Allison.

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Speaker 2: See what he knows.

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Speaker 3: Only one trouble price too high. No, we didn't get

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around talking to terms.

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Speaker 2: Well. I sent a wife around to see Allison disappeared.

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Speaker 1: Oh great, would.

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Speaker 2: You find Allison? It's ten to one. You'll get to

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the boy we're looking for.

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Speaker 1: Okay, I'll go to work on it.

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Speaker 2: Do that wedding and hurry, will you?

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Speaker 3: Last time he missed me by a fraction of an

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inch would be next time He'll hit the center. And

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now back to the Adventure of a Falcon. It's half

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a day since Mike Wearing went to work for Frank Wagner.

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Now on a small restaurant near General Square in Jersey City.

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Mike slips into a booth and smiles as a nervous

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little man sitting across the table from him.

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Speaker 1: Hello, Allison, Who are you?

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Speaker 2: Mike Wearing?

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Speaker 1: Ah?

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Speaker 2: How do you know my name?

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Speaker 1: I have your picture?

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Speaker 2: I've been looking for you. How'd you find me?

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Speaker 3: Very simple, Alison, You're not as lost as you think

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you are.

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Speaker 1: Besides, I have my sources of information. What do you

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want with me just to find.

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Speaker 3: Out if you're as good at answering questions as you

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aren't asking them.

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Speaker 2: What questions?

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Speaker 7: Now?

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Speaker 2: Number one? Well, do you know about the Wagner's shooting?

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Speaker 3: Who says I know anything?

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Speaker 2: Wagner?

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Speaker 7: Ah?

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Speaker 3: What does he say about me?

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Speaker 2: He said, you have information about the shooting? For sale?

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Speaker 3: He's lying?

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Speaker 2: Why should he?

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Speaker 7: All right, it's true.

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Speaker 2: Werry, I do have information.

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Speaker 1: What do I do?

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Speaker 2: Sit here?

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Speaker 3: While you argued out with yourself?

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Speaker 2: I know who tried to kill wagon? Good? What did

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it cost me?

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Speaker 3: Are you working for Wagner?

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Speaker 1: Uh?

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Speaker 2: Huh?

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Speaker 3: I don't get it. But just what Wagoner's after to

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keep on living? He says, I can tell you who

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shot at him? Is that it?

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Speaker 1: Uh huh?

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Speaker 2: You said the same thing. So I'm waiting.

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Speaker 3: Are you sure you're working.

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Speaker 2: For Wagner wearing? Why not? How can I be sure?

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Speaker 1: There's a phone called Wagner? All right, all right, you're

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working for wagon but more as your daughter Allison.

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Speaker 2: Nothing.

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Speaker 3: I'll tell you who shout him?

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Speaker 2: For free? For free? I want to get out of this. Okay,

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here's a chance to start getting him. Who did the shooting?

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Speaker 3: Ted?

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Speaker 2: Connie? Honeye? Why oh?

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Speaker 3: Connie got the idea Wagoner put the law on him.

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Speaker 1: Where do you get that idea?

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Speaker 2: I don't know.

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Speaker 3: You accuse me? When I convinced them it wasn't me,

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he said, then I must be Wagner.

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Speaker 1: That's all I know about him.

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Speaker 2: I see.

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Speaker 3: That's why I ran out when I heard Wagner was

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shut up.

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Speaker 2: With Sure Connie did it?

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Speaker 3: Connie knew I was sure, so he might try to

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shut me up.

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Speaker 2: All right, Allison, let's go go where home? But if

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Connie I found do you hear? What makes you think

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Connie want?

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Speaker 3: Hey, that's a fuss, and I don't think you have

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to worry about him anyway, Allison, So you can go home.

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Speaker 2: Connie's in enough trouble. Wasn't me very smart of him

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to go looking for more? It's right, Wearring.

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Speaker 3: But what do I do if it turns out Connie

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isn't very smart?

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Speaker 2: Oh? Well, you follow Allison? It was quick, Warring.

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Speaker 3: Oh, not much to it.

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Speaker 2: Wagner and I check with missing persons. They referred me

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to the robbery division. You mean the police knew where

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he were. Yeah, seems he's been a stooley for them.

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They used him on Connie. So when Connie escaped. They

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figured he might go gunning for Allison. They sent a

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man to cover Allison. He followed them to Jersey City

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and Allison never knew. But I didn't see any reason

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to tell him.

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Speaker 3: But they knew where to find him if they wanted him.

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Speaker 2: And uh now now he's home again. Suppose he skips

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out again.

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Speaker 3: Now I got a man watching his place this time.

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We may need him to clinch things against Connie.

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Speaker 2: If we find Connie.

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Speaker 7: Wonder where he got the idea.

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Speaker 3: I pipped them to the police? MM from Alison? That

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would you say, Alison, Allison's a liar. I'm willing to

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bet he steered Connie to you when turn came gunning

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for me.

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Speaker 2: Could be so. Now all we need is to find Connie.

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Speaker 3: That's what I like about working for you, Wagoner and

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just one goose chase after another for wearing what's better

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for chasing geese and a falcon?

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Speaker 2: Oh, missus Wagner, come in, thank you?

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Speaker 1: Uh so you left your patients alone.

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Speaker 5: You'll be all right till I get back. If he

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needs anything, it's a phone right by the bed.

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Speaker 2: Well, what can I do for you?

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Speaker 5: I wanted to talk to you without.

283
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Speaker 1: Paint knowing what about Well, now that the.

284
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Speaker 5: Nurse is going, there's no one at our place except

285
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Frank and me, and he's completely helpless. He tried to

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walk to day, but he only took two steps and fell.

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Speaker 3: M M.

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Speaker 5: Well, suppose Connie comes back and tries to shoot Frank again?

289
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What could I do? I I think that we ought

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to have a man around the place, don't you, at

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least at night?

292
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Speaker 2: Might be a good idea.

293
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Speaker 5: I didn't say anything to Frank. I didn't wanna worry him.

294
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Speaker 3: Well, I'll see if I can get you someone someone.

295
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Speaker 1: But I more's the matter?

296
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Speaker 5: H nothing, It's just that, well, you're already in the case,

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and they do have a guest.

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Speaker 2: Room, and I see tell me something, missus Wagner.

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Speaker 5: Why don't you call me Patty? Now that we know

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each other, do we, well, don't we? I feel as

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if I'd known you all my life.

302
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Speaker 2: I feel as though I've known you all the twenty minutes.

303
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Speaker 5: Well, if you come to our place, you'll get a

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chance to know me better.

305
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Speaker 2: That's I believe you don't like me.

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Speaker 5: Did I say that you think I'm a healed because

307
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Franks laid up.

308
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Speaker 1: He told me a good girl don't take him too seriously.

309
00:14:03,679 --> 00:14:09,120
Speaker 2: Might he talks protect too? Will you come to protect Frank?

310
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Speaker 5: Connie might come back.

311
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Speaker 2: To Sure it's Connie.

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Speaker 5: I thought that was said?

313
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Speaker 1: And no, not quiet.

314
00:14:15,799 --> 00:14:18,000
Speaker 2: There are a couple of things. What can you tell

315
00:14:18,039 --> 00:14:20,039
me about the shooting? Can you add anything to what

316
00:14:20,080 --> 00:14:20,720
your husband told me?

317
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Speaker 5: I'm afraid No, it wasn't home that night. Oh you're

318
00:14:24,720 --> 00:14:25,840
trying to jest something.

319
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Speaker 2: No, no, no, excuse me, Patty?

320
00:14:29,399 --> 00:14:33,840
Speaker 1: Hello right, Spike, Wagner, Oh, yes, Wagner. What is it?

321
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Speaker 7: Rank?

322
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Speaker 6: What does he want?

323
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Speaker 2: Allison's his phone?

324
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Speaker 4: Rag?

325
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Speaker 2: He wanted a jew cause he's contacting Connie.

326
00:14:41,039 --> 00:14:42,120
Speaker 3: That was where you can find him?

327
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Speaker 2: Where? He wouldn't say over the phone. I think he

328
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wants cash. Mm starting that routine again. All right, Wagner,

329
00:14:50,600 --> 00:14:53,240
I'll be ride over. How on what is it we're

330
00:14:53,240 --> 00:14:54,159
going to visit Allison?

331
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Speaker 5: We I have to get back to Frank. He's alone.

332
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Speaker 2: Maybe he's spatter.

333
00:14:57,480 --> 00:14:58,399
Speaker 7: Off that way?

334
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Speaker 5: Why do you say that?

335
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Speaker 2: Mine?

336
00:15:01,320 --> 00:15:02,639
Speaker 3: But if we're going to get to know each other,

337
00:15:02,799 --> 00:15:04,480
we might as well start by sticking together.

338
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Speaker 5: Now you walk so fast?

339
00:15:17,000 --> 00:15:18,480
Speaker 2: Something's going on that I don't like.

340
00:15:18,919 --> 00:15:21,240
Speaker 3: Here we are I had a man stacking across the

341
00:15:21,279 --> 00:15:23,159
street to see that Alison didn't leave, But he wasn't

342
00:15:23,159 --> 00:15:25,960
there when we came in. Could mean that Allison has

343
00:15:26,000 --> 00:15:28,200
left in my man's tailing him. But then why would

344
00:15:28,200 --> 00:15:29,080
Allison send for us?

345
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Speaker 2: I hear somebody maybe repining on it.

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Speaker 1: Oh, you wearing so you're.

347
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Speaker 2: Not tailing him? I thought I asked you to stay

348
00:15:36,399 --> 00:15:39,480
across the street. But unless Alison went out, he's uh

349
00:15:39,600 --> 00:15:41,360
the what are you doing here? Why an't you tailing him?

350
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Speaker 1: This is where he's out?

351
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Speaker 2: But keeps what?

352
00:15:44,840 --> 00:15:45,120
Speaker 3: I heard?

353
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Speaker 2: A shot? I came up to investigate. Somebody must have

354
00:15:47,120 --> 00:15:50,600
come in the back way. Allison's dead. You want to

355
00:15:50,639 --> 00:15:51,799
look for yourself.

356
00:16:02,080 --> 00:16:04,559
Speaker 5: After dark already? I didn't intend to be gone this long.

357
00:16:04,639 --> 00:16:08,200
I hope thanks all right? Do you believe it or not?

358
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Speaker 3: Mike?

359
00:16:08,480 --> 00:16:10,200
Speaker 5: I don't want anything to happen to him. Then I'd

360
00:16:10,200 --> 00:16:12,720
really feel guilty and stop smiling.

361
00:16:13,279 --> 00:16:13,919
Speaker 2: Was I smiling?

362
00:16:14,039 --> 00:16:15,840
Speaker 5: Well? After all, I'm the one who called the ambulance

363
00:16:15,879 --> 00:16:17,240
and Frank was shot. I saved his life.

364
00:16:17,279 --> 00:16:20,279
Speaker 2: Don't forget that you called thelance? Yes, thought you weren't

365
00:16:20,279 --> 00:16:20,840
home that night.

366
00:16:20,960 --> 00:16:22,840
Speaker 5: I got home a little after the shooting and found

367
00:16:22,840 --> 00:16:23,600
Frank on the floor.

368
00:16:23,919 --> 00:16:24,240
Speaker 2: I see.

369
00:16:24,399 --> 00:16:27,039
Speaker 5: Besides, I meant any harm to Frank. Now, would I

370
00:16:27,080 --> 00:16:28,720
ask you to come along to protect him?

371
00:16:28,759 --> 00:16:31,600
Speaker 2: Is that why you asked me one of the reasons?

372
00:16:32,720 --> 00:16:34,080
Speaker 1: Of course, I do have others.

373
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Speaker 2: Yes, So I've noticed.

374
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Speaker 5: I think we'd get along, Mike, once you get over

375
00:16:39,000 --> 00:16:39,720
your silly.

376
00:16:39,480 --> 00:16:42,600
Speaker 3: Suspicion, and once you get the idea that all I'm going.

377
00:16:42,440 --> 00:16:47,000
Speaker 2: Along for is to protect Frank. Alright, only one thing

378
00:16:47,039 --> 00:16:48,159
bothers me, Angel what's that?

379
00:16:49,080 --> 00:17:00,480
Speaker 7: Who's going to protect me?

380
00:17:01,799 --> 00:17:05,079
Speaker 3: You'll have to forgive me, Wagner. I make a habit

381
00:17:05,119 --> 00:17:07,640
of coming through windows accent christening your mind.

382
00:17:08,039 --> 00:17:08,480
Speaker 2: Connie.

383
00:17:08,759 --> 00:17:12,319
Speaker 3: Yeah, Connie, I've been hauled up long enough. Figure it's

384
00:17:12,319 --> 00:17:14,599
time for me to blow. So I've heard I better

385
00:17:14,640 --> 00:17:17,799
settle with you and Allison first. Too bad, you hear

386
00:17:17,920 --> 00:17:19,319
Royll Along, I.

387
00:17:19,440 --> 00:17:21,519
Speaker 2: Thought you'd be crazy enough to come here, Connie.

388
00:17:21,279 --> 00:17:23,400
Speaker 3: Nobody did. That's how come I'm here.

389
00:17:23,400 --> 00:17:26,200
Speaker 2: Barking up the wrong tree. Power. I had nothing to

390
00:17:26,279 --> 00:17:27,200
do with your brush.

391
00:17:26,920 --> 00:17:29,920
Speaker 3: With the law, Allison says. Difference is Alison your idea

392
00:17:29,920 --> 00:17:32,200
of the soul of honesty now, Wagner, but neither a year.

393
00:17:32,720 --> 00:17:35,559
You've got no call to suspect me except Allison says,

394
00:17:35,720 --> 00:17:36,960
you're gonna prove he was lying?

395
00:17:37,519 --> 00:17:38,440
Speaker 1: Am I going to do that?

396
00:17:38,440 --> 00:17:39,359
Speaker 3: That's your problem?

397
00:17:39,920 --> 00:17:41,559
Speaker 2: Get Allison, bring him here, face the thing.

398
00:17:41,599 --> 00:17:43,400
Speaker 3: I've had enough of that kind of starting Wagner.

399
00:17:44,200 --> 00:17:45,000
Speaker 2: I don't know what to say.

400
00:17:45,160 --> 00:17:47,599
Speaker 3: I don't say anything. I'll settle with you, just like

401
00:17:47,640 --> 00:17:50,240
I was sure. I'll draw. What can I lose? But

402
00:17:50,319 --> 00:17:54,440
you're life? Oh, Connie, wait, I've waited, Lyne may. Somebody's

403
00:17:54,480 --> 00:17:57,400
coming must be Petty wiscon says, you don't make a

404
00:17:57,480 --> 00:18:02,400
sound way right, it's tell her it is go ahead, Yes, Patty,

405
00:18:03,359 --> 00:18:07,319
everything's all right. She's got somebody with it.

406
00:18:07,319 --> 00:18:07,880
Speaker 2: Sounds like.

407
00:18:09,319 --> 00:18:10,359
Speaker 1: I don't have to cover both.

408
00:18:10,400 --> 00:18:12,640
Speaker 2: I remember you. Not a sound like wearing.

409
00:18:12,720 --> 00:18:14,920
Speaker 5: Thank I thought it'd be a good eye.

410
00:18:16,039 --> 00:18:17,440
Speaker 2: Life's just full of little surprise.

411
00:18:17,519 --> 00:18:19,839
Speaker 3: Get over next to Wagoner's bet you don't do it wearing.

412
00:18:20,039 --> 00:18:21,880
You can't watchers both where he is shut up white

413
00:18:21,920 --> 00:18:25,920
not it's wearing. Now's your chance here, all right, Patty,

414
00:18:26,000 --> 00:18:28,000
goot went into the wall.

415
00:18:29,599 --> 00:18:30,920
Speaker 2: He's going down the final escape.

416
00:18:31,119 --> 00:18:32,680
Speaker 3: I can't follow because he's got a clear shot at

417
00:18:32,680 --> 00:18:34,400
me in the window. Patty, only the door, turn off

418
00:18:34,400 --> 00:18:37,160
the line alight, that's better you see.

419
00:18:37,079 --> 00:18:40,039
Speaker 2: Him and now the odds are my way. All right, Mester,

420
00:18:40,119 --> 00:18:40,759
that's far enough.

421
00:18:41,200 --> 00:18:41,680
Speaker 1: I got a gun.

422
00:18:41,759 --> 00:18:42,759
Speaker 3: Yes, I don't take another step.

423
00:18:43,759 --> 00:18:44,200
Speaker 2: That's the show.

424
00:18:44,200 --> 00:18:46,160
Speaker 3: I'm not pulling a stand still.

425
00:18:46,160 --> 00:18:47,200
Speaker 2: The next won't be a warning.

426
00:18:47,599 --> 00:18:52,640
Speaker 3: All right, don't shoot again and drop your gun. Go ahead, okay,

427
00:18:52,960 --> 00:18:54,359
drop it dropped something.

428
00:18:54,400 --> 00:18:54,839
Speaker 1: I heard it.

429
00:18:55,119 --> 00:18:56,480
Speaker 2: I don't know if it was a gun. It's too

430
00:18:56,559 --> 00:18:59,319
dark down there, but I'll go see and I'll call

431
00:18:59,359 --> 00:19:03,640
it to me. No, he wasn't fluffing. Don't see you later, Patty.

432
00:19:03,519 --> 00:19:17,079
Speaker 4: I hope.

433
00:19:19,160 --> 00:19:24,480
Speaker 3: Ah. Back to the Adventures of a fuk. It's half

434
00:19:24,480 --> 00:19:27,319
a minute since Mike Wearing ordered Ted Connie to surrender,

435
00:19:27,440 --> 00:19:28,359
and Connie.

436
00:19:28,000 --> 00:19:29,240
Speaker 2: Went through the motions of obeying.

437
00:19:30,079 --> 00:19:33,279
Speaker 3: Now Mike approaches Connie on the fire escape, hoping that

438
00:19:33,400 --> 00:19:34,279
Connie can neither.

439
00:19:34,519 --> 00:19:38,000
Speaker 2: Fire nor escape. I said, fella, just stay that way

440
00:19:38,160 --> 00:19:39,079
until I pick this up.

441
00:19:39,880 --> 00:19:42,920
Speaker 3: I'm gonna callt you weary. You must be the fog.

442
00:19:43,119 --> 00:19:45,160
Speaker 2: Yeah, you must be Ted. Connie. I've been looking for you,

443
00:19:45,799 --> 00:19:46,240
Lena stay.

444
00:19:46,240 --> 00:19:49,519
Speaker 3: You're a smart Cookie Wearing, so maybe you'd be interested

445
00:19:49,519 --> 00:19:50,400
in the proposition.

446
00:19:50,759 --> 00:19:53,799
Speaker 2: I don't sell out, Connie, say you're not smart. It

447
00:19:53,799 --> 00:19:54,799
depends on the point of view.

448
00:19:54,960 --> 00:19:56,200
Speaker 3: I can make it what you while.

449
00:19:56,160 --> 00:19:58,480
Speaker 2: Yeh, no, dice, I don't need that kind of money.

450
00:19:58,880 --> 00:20:00,920
There's nothing I can say. I can't think of a thing.

451
00:20:01,720 --> 00:20:04,680
You'll be sorry about this? Worry heavy, Conye not half

452
00:20:04,680 --> 00:20:06,119
a sorry as you. Let's go.

453
00:20:16,599 --> 00:20:18,200
Speaker 1: I talk and I'll hold him till you get here.

454
00:20:18,799 --> 00:20:21,960
Speaker 2: Ride so long, oh Connie. The police are on their way.

455
00:20:22,039 --> 00:20:24,599
Speaker 3: I heard you ask the sergeant Carver with a homicide.

456
00:20:24,680 --> 00:20:25,799
I didn't kill anybody.

457
00:20:25,839 --> 00:20:26,519
Speaker 2: You tried to kill me?

458
00:20:27,400 --> 00:20:28,119
Speaker 5: Did you kill out?

459
00:20:28,200 --> 00:20:32,599
Speaker 3: I didn't, I listened as Wagner he has, well, I

460
00:20:32,599 --> 00:20:33,200
didn't do it.

461
00:20:33,880 --> 00:20:36,880
Speaker 2: Tell me something, connye and why why did you come here?

462
00:20:37,519 --> 00:20:38,559
Speaker 3: I don't have to answer to you?

463
00:20:39,119 --> 00:20:41,559
Speaker 2: All right, Wagner? Will and how about it, Wagner.

464
00:20:42,079 --> 00:20:42,759
Speaker 1: Just as you guessed?

465
00:20:42,759 --> 00:20:44,920
Speaker 3: Well, he said, Allison told him that I was the

466
00:20:44,920 --> 00:20:45,599
one who put the law.

467
00:20:46,599 --> 00:20:48,359
Speaker 2: So we came to finish up. But he started before.

468
00:20:48,400 --> 00:20:50,559
Speaker 3: I didn't shoot you, Papa, but you were going to

469
00:20:50,599 --> 00:20:52,599
shoot him this time. I was gonna make him talk.

470
00:20:53,519 --> 00:20:55,680
Speaker 2: What did you do from the moment you entered this room?

471
00:20:56,000 --> 00:20:58,079
Speaker 3: Nothing? It was only here a minute when you came.

472
00:20:58,240 --> 00:21:02,279
All right, in that minute, nothing, he threatened me. All right, Now,

473
00:21:02,359 --> 00:21:04,400
let's have it from the beginning, from when he entered.

474
00:21:04,839 --> 00:21:06,720
But I'm lying here reading and I hear it crash.

475
00:21:06,839 --> 00:21:08,960
I look around. He's coming through the window. He has

476
00:21:08,960 --> 00:21:10,759
a gun, he tells me. He's been hold up long enough.

477
00:21:11,039 --> 00:21:13,480
He's getting out now. The first he's hting with Alison

478
00:21:13,480 --> 00:21:13,680
and me.

479
00:21:14,319 --> 00:21:16,920
Speaker 2: Oh, with Allison in you. That's what he said.

480
00:21:16,960 --> 00:21:19,079
Speaker 3: I didn't get around Allison. I came here first.

481
00:21:19,119 --> 00:21:20,720
Speaker 1: That you said you were settling with Alison.

482
00:21:20,880 --> 00:21:23,039
Speaker 3: Look wherey you got me. They're going to throw the

483
00:21:23,119 --> 00:21:25,559
book at me. But I didn't shoot Allison. They're not

484
00:21:25,599 --> 00:21:26,319
getting me for that.

485
00:21:26,519 --> 00:21:29,119
Speaker 2: I will see Connie Wagner. Get up?

486
00:21:29,759 --> 00:21:29,839
Speaker 4: What?

487
00:21:30,240 --> 00:21:32,880
Speaker 2: Get up? Walk across the room? I can't just from

488
00:21:32,880 --> 00:21:34,880
the bed to the door and back. What's the idea?

489
00:21:35,000 --> 00:21:36,960
I want to see how strong you are. I can't

490
00:21:36,960 --> 00:21:40,039
walk at all without help. I'm too weak. Can you crawl?

491
00:21:40,119 --> 00:21:42,759
I don't know. Maybe what are you trying to prove?

492
00:21:42,920 --> 00:21:44,440
Maybe you're stronger than you pretend.

493
00:21:44,440 --> 00:21:45,400
Speaker 3: Why should he pretend?

494
00:21:45,519 --> 00:21:46,359
Speaker 2: Makes a good alibi?

495
00:21:46,519 --> 00:21:49,680
Speaker 3: Hey, that's an idea. Maybe he killed Alison and a

496
00:21:49,720 --> 00:21:51,240
kind of Alison's sick me on him?

497
00:21:51,240 --> 00:21:51,759
Speaker 2: No crazy?

498
00:21:51,839 --> 00:21:53,519
Speaker 5: Do you think he crawled all the way to Alison?

499
00:21:53,680 --> 00:21:54,559
Speaker 2: This is ridiculous.

500
00:21:54,640 --> 00:21:56,279
Speaker 3: I haven't said put out of this bed alone, and

501
00:21:56,359 --> 00:21:58,519
we call him on a weary make him get up,

502
00:21:58,559 --> 00:21:59,240
make them walk?

503
00:21:59,400 --> 00:22:02,160
Speaker 2: Maybe I will, Connie, provided you explain one thing.

504
00:22:02,319 --> 00:22:02,640
Speaker 3: What's that?

505
00:22:03,359 --> 00:22:05,039
Speaker 2: How come you and you? Allison was shot?

506
00:22:05,599 --> 00:22:09,279
Speaker 3: Uh? Well? You so I said he was killed. I

507
00:22:09,319 --> 00:22:11,640
didn't say how well that's right?

508
00:22:11,680 --> 00:22:12,839
Speaker 2: Where well?

509
00:22:12,880 --> 00:22:15,279
Speaker 3: I uh, I just figured it was part of the

510
00:22:15,279 --> 00:22:17,839
same deal. Wagner was shot, So I figured if it

511
00:22:17,920 --> 00:22:21,319
was the same person both times, as Allison be shot too,

512
00:22:21,480 --> 00:22:22,559
except you accused me.

513
00:22:23,480 --> 00:22:24,440
Speaker 2: I didn't shoot myself.

514
00:22:24,480 --> 00:22:25,160
Speaker 3: I didn't think about you.

515
00:22:25,319 --> 00:22:25,480
Speaker 2: Joy.

516
00:22:25,519 --> 00:22:27,559
Speaker 3: You to to what Waring said about maybe you could walk.

517
00:22:27,839 --> 00:22:29,400
Speaker 2: That's pretty flimsy, Connie.

518
00:22:29,559 --> 00:22:32,160
Speaker 3: Oh, I wouldn't say that, Wagner, and I'll accept that explanation.

519
00:22:32,559 --> 00:22:36,000
Speaker 2: What worry has. It's plausible enough so that leaves you wagoner.

520
00:22:36,440 --> 00:22:38,640
Speaker 3: I promised Connie if he could explain, I'd ask you

521
00:22:38,680 --> 00:22:39,160
to walk.

522
00:22:39,359 --> 00:22:40,359
Speaker 2: I'd go ahead, walk.

523
00:22:40,759 --> 00:22:42,759
Speaker 3: I can't, all right, I won't argue about it as

524
00:22:42,839 --> 00:22:44,279
long as you can walk into the court room.

525
00:22:44,279 --> 00:22:46,559
Speaker 5: You're serious about this night. You don't really think it

526
00:22:46,680 --> 00:22:47,599
prank killed Allison?

527
00:22:47,759 --> 00:22:51,480
Speaker 1: Sure you know Wagner you told me you're a friendly guy.

528
00:22:51,880 --> 00:22:53,319
Speaker 3: If I have an idea you're going to lose your

529
00:22:53,319 --> 00:22:56,319
popularity off of a suddenly. After all, you can't shoot

530
00:22:56,319 --> 00:22:58,160
your friends and have them too.

531
00:23:11,759 --> 00:23:13,720
Speaker 5: I still can hardly believe it, Mike.

532
00:23:14,160 --> 00:23:16,119
Speaker 2: Why you were already fed up with Frank, but I

533
00:23:16,160 --> 00:23:18,039
never thought he'd kill him the one as war.

534
00:23:18,079 --> 00:23:20,480
Speaker 3: Alison kne him better than you, didn't he is in

535
00:23:20,559 --> 00:23:22,880
order to get off the spot with Connie, and Alison

536
00:23:22,920 --> 00:23:25,680
blamed Frank for tipping the police to Cannie. But Alison

537
00:23:25,720 --> 00:23:27,680
knew as soon as Frank heard about it he'd tried

538
00:23:27,680 --> 00:23:30,440
to get even, so Allison tried to kill him to protect.

539
00:23:30,200 --> 00:23:32,039
Speaker 5: Yourself, but he only wounded him instead.

540
00:23:32,119 --> 00:23:34,799
Speaker 3: MM and Frank wanted revenge, so he hired me to

541
00:23:34,920 --> 00:23:37,599
find Alison farm. He knew Alison did the shooting, but

542
00:23:37,599 --> 00:23:39,640
he pretended not to know because he wanted to.

543
00:23:39,559 --> 00:23:41,920
Speaker 1: Blame Connie, so he did't flame him for the murder.

544
00:23:41,960 --> 00:23:43,519
Speaker 5: Well, what put you on the right track?

545
00:23:44,359 --> 00:23:46,640
Speaker 3: I was a sprecious when Frank said Allison called him

546
00:23:46,680 --> 00:23:47,559
wanting to talk to me.

547
00:23:48,359 --> 00:23:49,559
Speaker 2: He could have called me direct.

548
00:23:49,599 --> 00:23:51,359
Speaker 5: Maybe Allison thought you were at optly.

549
00:23:51,400 --> 00:23:54,279
Speaker 2: Yes, but when I wasn't, Why didn't Allison call me direct?

550
00:23:54,680 --> 00:23:55,119
All Right?

551
00:23:55,279 --> 00:23:58,359
Speaker 5: That made you suspicions. But you certainly must have had

552
00:23:58,400 --> 00:23:59,799
something more than that to make you accuse me.

553
00:24:00,039 --> 00:24:00,519
Speaker 1: Oh I did.

554
00:24:01,119 --> 00:24:03,559
Speaker 2: He's lying about not being able to walk. Finished. How

555
00:24:03,559 --> 00:24:04,599
did you know he was lying?

556
00:24:05,279 --> 00:24:06,440
Speaker 1: Well, I said he couldn't walk at.

557
00:24:06,319 --> 00:24:08,039
Speaker 2: All, not even from his bed to the door.

558
00:24:08,160 --> 00:24:10,680
Speaker 3: Well, well, it was light when you left him. When

559
00:24:10,720 --> 00:24:13,079
you returned, it was dark, but Frank had been reading.

560
00:24:13,720 --> 00:24:15,000
The light was on in the room and the light

561
00:24:15,000 --> 00:24:16,799
switches by the door, I remembered.

562
00:24:16,400 --> 00:24:18,039
Speaker 2: Because you turned the lights out of the door when

563
00:24:18,079 --> 00:24:19,039
I was chasing Carne.

564
00:24:19,759 --> 00:24:21,279
Speaker 5: Right, so Frank could walk.

565
00:24:21,359 --> 00:24:22,279
Speaker 7: Uh huh.

566
00:24:22,319 --> 00:24:26,240
Speaker 2: And that's all there is to it. I mean, huh huh.

567
00:24:26,279 --> 00:24:28,400
Speaker 5: And now that Frank's and Jail's a murdering me, But

568
00:24:28,480 --> 00:24:30,599
you won't be so stand offish.

569
00:24:30,279 --> 00:24:33,880
Speaker 1: As far as I'm concerned. After all, I'm sure he

570
00:24:33,960 --> 00:24:34,519
was like me.

571
00:24:34,559 --> 00:24:37,200
Speaker 2: Once you got to know me better. Yeah, it could be,

572
00:24:37,960 --> 00:24:39,799
but I've always heard that what you don't know won't

573
00:24:39,839 --> 00:24:42,880
hurt you. So Angel, I'm afraid part of my education

574
00:24:42,920 --> 00:24:55,039
will have to remain sadly neglected. We hope