Speaker 1: Stopt to.
Speaker 2: Stop, stop, stop, Welcome.
Speaker 3: It's Spootober. See this makes it Spootober.
Speaker 4: Do you like Halloween?
Speaker 3: No, I don't like Halloween, but we're gonna pretend like
we do for Spootober.
Speaker 4: Did you ever like it when you were young?
Speaker 3: I was always dractul was like every year my mom
had it easy. She met in one costume.
Speaker 4: I was never allowed to have Halloween at my house.
And then when I grew up, I was Alice in Wonderland.
Speaker 3: You're Alice in Wonderland now, yeah you're not growing up.
Speaker 4: Yeah, but now I really hate Halloween a lot.
Speaker 5: Do you like our atmosphere?
Speaker 4: Yeah, it's creepy. We got our creepy candle, creepy lighting.
You're in the creepy dark, and I look pale like
a girlfriend.
Speaker 3: You're the You're not a vampire, you're the gay way
to write it with a y. Vampire with a y.
And please don't be welcome everybody. We're definitely going to
be covering some fun things tonight. And the one good
thing about the karunka there's not many good things about
the crunker. There's not hardly any. The only one thing
that I could think of that's good is that I
have found movie theaters around me that will play movies
from the eighties. That's because so all these movies that
I saw when I was a kid or I never
got the c in the theater. Now you can just
go to the theater and it's all eighties and nineties movies.
It's like the one good thing about the Corunka. And
if you want to support the stream, of course you
can do the superchats there with the stream labs. So
stream labs is how we do superchats. Now, be sure
you like and share and subscribe and all that. But yeah,
so Lost Boys was playing in the theater and I
couldn't pass that up because that's one of my favorite
cheese ball movies from the eighties with Jamie Gertz and
Jason Patrick and Corey Haim and Corey Fellman, the Coreys,
the Frog Brothers. And it does have an esoteric subplot.
We'll get to that later. Vice Magazine of all Places
linked my article analyzing Lost Boys, and of course if
you have esolterary Hollywood too, then you know that Lost
Boys is of course one whole chapter in esoteric Hollywood too.
So we'll be referring to that later, Michael, And what's
my old joke? If you play a drinking game to
how many times Michael has said in that script, you
will die. That's your initiation if you want to become
one of the undead is play a drinking game to
how many times Michael? He said? And of course, if
you're wondering what shirt I have on? And by the way, no,
Jamie is sitting on a tall chair and I'm still
sitting in this damn long chair because I've just not
gone and gotten a proper chair for live streams. I'm
not ever going to get some kind of.
Speaker 5: Soy gamer chair. That's not me. I don't have no
damn gamer chair.
Speaker 3: But I do still believe. So if you're wondering how
I feel this holiday season, well I still believe, through
the pain, through the cheers, but I still believe.
Speaker 4: Do you think sexy sax Man is sexy?
Speaker 6: Define sexy, greasy oily and chains and chains and ponytail
and tights, purple tights then and saxophone?
Speaker 3: So yes, he.
Speaker 5: Is absolutely.
Speaker 4: And you gotta love that the dance.
Speaker 3: He does, that his writhing and gyrating and what is it?
Why is Jason Patrick staring at him first, and then
he stares over at Jamie Gertz. It's like, why are
you even looking at that dude to begin with? But
here I am with that dude on the shirt. And
by the way, I don't did you give it the shirt?
Speaker 5: Okay, I'm trying to remember where the shirt came from.
Speaker 4: It's in Christmas theme too. I still believe in Christmas.
Speaker 3: Still believe in Santa Claus. I still believe. I just
still believe in Santa Claus. I made a video last
Christmas about how Santa Claus is real.
Speaker 5: He's St. Nicholas right.
Speaker 3: Welcome, everybody, be sure to like and share. And yes,
there are some weird uh hamorouticus themes in The Lost
Boys that you don't pick up until you get older.
Didn't did never notice that stuff when you're a kid,
h And then you notice that when you get older.
But it's still a cheesy, fun movie and it was
fun to see it in the theater for the first time.
I never saw that in the eighties of the theater.
What do you think about your theater experience.
Speaker 4: There's lots of older people in there that I think
maybe never saw it before, and so they were enjoying
that a lot. They were laughing at the dumb jokes.
Speaker 5: The Grandpa comic relief.
Speaker 4: They did like Grandpa.
Speaker 3: Yeah it was. It was fun in the theater. And
I got to see also Ghostbusters in the theater. Never
saw that in the theater. If I did, I don't
remember it. So that was another positive for Karunka. But
we're gonna to start tonight. It's October, kicking it off
with a movie that I initially was unsure about and
changed my mind on because I realized this is an
uncredited John Carpenter movie, and of course I like pretty
much everything from old JC. And this was almost enough
to sink the Halloween franchise.
Speaker 4: For Peep Peeper, Peeper, Peeper, Peep.
Speaker 3: Here you go.
Speaker 4: You'll have that stuck in your head for a long time.
Speaker 3: You do it perfect though. Halloween three, Uh, that's the
this is the zombies over your face. We're gonna get
him out of the way. Let's put him over here
in the middle so he's not over your uh shining
glistening pale face zombie, I mean vampire Jamie. GoF Jamie.
Somebody remember when we that one B movie stream and
they said you.
Speaker 4: Were goths because I had was his gotha then my
hair isn't as dark as it it looks in was his.
Speaker 5: Goth or whatever?
Speaker 3: Uh, what are we talking about?
Speaker 5: Halloween three?
Speaker 3: So this is John Carpenter in nineteen eighty two. It
almost sank the franchise, but now it has a cult
following because it's a lot of fun and it has
nothing to do with Michael Myers, which fine with me.
Speaker 5: There's nothing wrong with u. Michael Oers is kind of
a dumb guy.
Speaker 4: He has a dumb bag. Worst. He is so slow.
Speaker 3: He's a force of nature and you can't and you
just kill him like the million times he comes back.
Speaker 5: He doesn't care.
Speaker 4: But I did like the I can't remember the movie.
It was his origin story that he was like traumatized
and stuff.
Speaker 3: The one with the newer one with Yeah, and Danny
mc bride's like a producer of that.
Speaker 5: They're doing it whole trilogy.
Speaker 4: Yeah, it's I think that one was better than all
the Halloweens.
Speaker 5: It wasn't bad.
Speaker 3: I mean I like the first because it has Donald
pleasant So that one was fun, uh and it's it's
but I mean the rest of them are stupid. However,
three is interesting because nothing to do with Michael Myers
is totally different, and it has the feel of a
John Carpenter movie. It's just like you're watching I don't know,
another kind of They Live type of movies. So if
you like They Live, you'll like Halloween three. So let's
kick it off here. This is eighty two. By the way,
the music.
Speaker 4: Is classic John Carpenter.
Speaker 3: He did the music. Yeah, so it's just basically two
base hunts dirty due.
Speaker 4: Yes, But this movie is about mind control through television, right, absolutely, Yeah,
And that makes me think of that Batman with Jim Carrey,
The Worst Yeah, with Jim Carrey and.
Speaker 3: Arnold iceed to see You, mister Freeze. That's the only
one I remember. I used to see you, But yeah,
see has quite a few singers. And then we watched
Last Action Hero the other night and that was funny
because Arnold parodies his own one liners. That was weird.
Speaker 4: Why does Arnold always meet Arnold in the movie.
Speaker 3: You're not me, I am me? You, you're not me?
Speaker 4: I am he? Maybe he is a clone.
Speaker 3: Maybe if anybody in Hollywood is cloned, that has to
be Arnold. Because of so many movie references of Arnold
being cloned. So yes, and he meets hisself in Last
Action Hero.
Speaker 5: That's the thing.
Speaker 4: So Halloween three also has robots and synthoids in it.
Speaker 3: Yeah, so people are getting replaced. We don't find that
out until a little bit later in the film. But basically,
you've got this, uh, this strange community that is run
by a corporation. What's that guy's name, Cochrane, No, that's
the mister somebody anyway. Basically, yeah, you've got this corporate
guy who it's a company town. He owns and runs
everything in the town. It's a mind control, surveillance state replete,
complete with a underground base.
Speaker 4: So it's like if the Spirit Halloween store had a town.
Speaker 3: Yes, right, I hate that.
Speaker 4: They're the guy on the Spirit Halloween cartoon. He's evil looking.
I don't like him. Wait cartoon, it's like this cartoon
Ghoule Spirit, you know they put him up every Halloween.
Speaker 5: He's like, I'll tell even an actual cartoon.
Speaker 4: Well it's a character. Yeah, I don't like it. But
the kids are watching this commercial that comes on every
channel every every five seconds.
Speaker 3: Demo Days to Halloween, Halloween, Halloween, the Emo Days to Halloween, Silver.
Speaker 4: Shamrock and it's uh counting down the count the final countdown.
Speaker 3: And then we find out that uh, the corporation is
doing a giant mind control operation not just on this town,
but they have cornered the market on Halloween mask and
so they've got basically all of I guess the US
buying these stupid macs that come uh with a kind
of microchip in the back.
Speaker 4: There's a jack O Laner which and a that's it.
That's all you get of these spirit Halloween and it's.
Speaker 3: Got this little microchip technology, like alien tech in it.
Speaker 4: It's an Irish community.
Speaker 5: Remember that, Yeah, Silver Chamrock.
Speaker 4: So the the the hero what they're looking for This
lady's dad or something. Somebody's nobody's sing and so they
have to go track them down and they go to
the Silver Shamrock town called Santa Mura. Right. Oh, and
they were reading Carlos Castaneda in one scene, one of.
Speaker 3: The lead right, So the woman who dies first is
reading Costaneda, which is interesting.
Speaker 4: Yeah. Oh, and the hero guy is a sclly wag.
He's got girlfriends everywhere, so he's an anti hero. He's
not a good hero.
Speaker 3: Right, Let's see, So this guy's a billionaire, we find out,
and he's cornered the market on cheap gags. I don't
know how that's how you get it to be a
billionaire with rubber chickens and whoopee cushions, But this.
Speaker 5: Guy did it.
Speaker 3: And this is another uh John Carpenter critique of Coum sumerism,
so that's worth noting.
Speaker 4: So it's kind of like an evil Willy Wonk a scene. Yeah,
that's where they visit the factory where they make the
masks and be okay, you guys, I'm just scared, and
they put the the billionaire guy in a room like
Willie Wonka. Oh yeah, right and right, the kid has
a mask on and the commercial Groupyroopy.
Speaker 5: Comes on and oh you're someone when they're testing it out.
Speaker 3: Yeah, yeah, And so that we see that what's going
on is that the there's a signal in the commercial
that times with the chip in the mask, and it
basically turns your brain to bugs. So now we know
it's John Carpenter because in Prince of Darkness, of course,
when the signal of the Antichrist shows up, people turn
to bugs and brains turned.
Speaker 5: To bud to bugs.
Speaker 4: Can you do that boy.
Speaker 3: Or or a bus such for you.
Speaker 5: That's the message.
Speaker 4: In Prince of Dog, he sounds like he's gurgling water.
Speaker 3: And because he is gurgling water, gargling bugs. Yep.
Speaker 4: So what do they find at the.
Speaker 3: In this underground base, this factory is has an underground base,
and in this underground base is a giant ancient monolith
and it's a energy vortex monolith.
Speaker 5: That's what is it? What do they say about it?
Speaker 4: That they it's a stone monolith sacrificial circle.
Speaker 5: Oh yeah, so they used to do human size.
Speaker 4: Basically, like they took a big rock from Stonehenge and
they're chipping at it and making chips to put in
Halloween mass to kill kids on Halloween.
Speaker 3: Because it has human sacrifice negative energies because this.
Speaker 4: Is a mass child sacrifice ritual. Yes, right, Colonel Cocker
and that's his name. He's like evil Lily Wonk. Yes,
And the microchip is activated through the television section and.
Speaker 5: Oh yeah.
Speaker 3: Sam Ain even mentioned sam Han and human sacrifice and
that the Pagans the Druids used to do sacrifice.
Speaker 4: At this altar and the Halloween that Halloween that year
is the specific planetary alignment that they want to do
the child sacrifice on makes sense, hence.
Speaker 3: The title, because there is the season of the witch.
Speaker 1: Well.
Speaker 4: He even makes a statement that this is the age
of the resurrection, of the Age of Witchcraft. Happy Halloween.
Speaker 3: Oh yeah, it's the resurrection of Witchcraft, the end of Christianity.
That's right.
Speaker 5: The villain says that I forgot about that.
Speaker 3: And by the way, he's also replacing people with androids.
Speaker 5: Don't forget that.
Speaker 4: So each chip in the back of the mask has
a fragment of this roune. He called it monolith. This
made me think of Anton Lavay and his animatronics in his.
Speaker 5: Yeah, talk about this, what are you referring.
Speaker 4: To Anton Lavay Church of Satan. He was obsessed with
mannequins and animatronics and he had a whole basement room
that was like set up like a bar with mannequins
in it that were posed in different poses like people
talking about the filthy Yeah, of course he was, but
he was. He had this secret project going that he
would always talk about. It was like his top secret,
Like he said, this would be bigger than Ford Motors.
And basically what he was wanting was animatronics that were
lifelike for sex dolls, which we're gonna have very soon,
not I already have. Yeah, yes, but society is going
the way of the Satanic agenda in the creation of
robots for sex and slavery.
Speaker 3: Yes, and people don't realize that that's to enslave the masses, right,
it's so that you won't have kids, so that the
elites have offspring, you see. Yeah, right, So how many
pumpkins do you give?
Speaker 4: Well, I give it one Jack o' lantern and one
witch and one.
Speaker 3: Gholie out of homny, four out of how many out.
Speaker 4: Of three masks? Actually, no, it was a really fun movie.
It was like cheesy but creepy, unsettling, but.
Speaker 3: More or less of a B movie.
Speaker 4: Yeah, it was a good B movie. It's good like it.
Speaker 3: Yeah, it's uh, it's enjoyable. That's why it has a
cult following now. I guess it was a flop at
the time, but it is a lot of fun if
you're looking for a be Halloween movie. And I'll give
it seven silver shamrocks out of ten. Okay, what's next
on our list?
Speaker 4: Starry Eyes Story Eyes This one, Wow, man, so much
stuff in so it is the story of fame. It
is the tale of initiation of a starlet from nobody
to superstar.
Speaker 3: This was an indie kind of another indie horror from
twenty fourteen. Plays a lot of homage to movies like
Rosemary's Baby Eyes Watch Shut are obviously big, you know,
kind of influences here, but we have another expos of
Hollywood in a different way of telling the story. So
it's like Iswatch Shut, but not like as Watch Shut
in that it's a little more on supernatural side of things.
But it's also it's it's an allegory. I don't really
I mean, you could argue that it's supernatural, but I
really think it's just an allegory for selling her soul
to Hollywood.
Speaker 4: So it starts with this girl and she has to
dream the big dream to become a movie star. And
she works at Big Taters, remember that, which is just
like Hooters. So she has to wear the skin tight
pants and the little T shirt and the high heels
waiting tables, and so she's basically already selling her body
for burgers for nothing, and she decides.
Speaker 3: Well, I mean for a burger, that's nothing.
Speaker 4: She's selling her body for tips.
Speaker 5: How many Hamburgers, would your body.
Speaker 4: Close a zillion?
Speaker 3: How many? How many tarts? Give me your tots?
Speaker 4: So she wants to be an actress, but she has
some psychological problems, which I think that they look for
people like that.
Speaker 3: Yeah, we get the impression that when she's going to
her auditions initially she's kind of trying to do the
method acting thing. She wants to be like Stanislowski and
do method acting like oh the a listeners do method acting.
And there actually is a kind of a quasi ocult
technique to method acting, which is where you try to
get other personas to take over your personality.
Speaker 4: It's very similar to scientology where they go back and
visit your trauma so you can pull them up. And
so in method acting, yes, we go back in and
you try and get real emotions and pull them through
the service. Right, So what her deal is is she's
a hair puller. Some people are cutters, some people are fighters,
some people rip their hair out. So she's a rip
my hair out kind of girl. And her friends are
also trying to make it in the Hollywood business. But
they're really snarky.
Speaker 3: And mean girls. They're jealous, Yes.
Speaker 4: They're jealous. Mean girls. And snarky, want to be screenwriter,
guys that are at the bottom of the food chain
in Hollywood at this point that she's you know, sharing
apartments with and stuff.
Speaker 3: Yeah, so she's amongst all these trying to make it
millennials and they've got all their big dreams, but they
don't do anything.
Speaker 5: They just kind of sit around and party.
Speaker 4: And drink and like, I'm working on my script.
Speaker 5: Man living in a van.
Speaker 3: Dude's like li in a van. Yeah, you check out
the van or whatever.
Speaker 4: So she goes to this audition for a movie called
The Silver Scream and the audition people are really weird, weird,
but they're also awful and snarky, like her friends are.
Like everyone around her is has.
Speaker 3: It's just added persona, this facade of.
Speaker 5: So beyond you.
Speaker 4: So she doesn't really stand out in her audition. So
she goes after her audition and has a breakdown in
the bathroom and they hear that, and they bring her
back and they say, let's let's see more of this. Uh.
Speaker 3: I keep in mind, this is an audition for a
piece of junk movie. I mean, this is a you know,
crap movie.
Speaker 4: It's what is it? Astrayus Pictures is the producer, which
is Astraus is the Titan god of stars and planets.
Speaker 3: So right, so the company itself is a cultic we
will later find out.
Speaker 4: And they're wearing like pentagram necklaces. Right. So they bring
her back in and this made me think, like all
these people are kind of like death eaters, like they
really enjoy seeing people in.
Speaker 3: Anguish psychic vamporism.
Speaker 4: Yes, exactly, psychic vampires.
Speaker 3: Did you just make it Harry Potter reference? No, Harry
Potter references allowed here, go.
Speaker 4: Ahead see the book that will not be named.
Speaker 3: You can only make Robert Pattinson Twilight references because we
did see some glittery vampire blood guts.
Speaker 4: Oh yeah, we'll talk about that in the last ways.
So they call her back in for her what do
you call it? Callback? Yes, and they have her just
strip basically right, it's just the second audition is just
take your clothes off and.
Speaker 3: See right, So this is casting couch.
Speaker 4: Hello, yeah, and.
Speaker 5: This wasn't invented by Harvey Weinstein.
Speaker 4: There's some kind of disassociation going on when she's doing
the strip because it's like she's in spotlight but then
flashing and she gets disoriented, and she.
Speaker 3: Right, well, they keep trying to see if she'll go further.
Will she go further? Will you go further? We'll should
go further. So the more that she messes up, then
the more they feel like they've got her on the
hook and they can rope her in further.
Speaker 4: So she does everything they ask, and she strips for them,
and then they call her back in for the meeting
with the producer and he's telling her that this movie,
The Silver Scream, is her gateway into stardom, and that
this is his love letter to Hollywood. What do he's
called it? The Deity of Debauchery? M hm. And so
he's selling saying some true things about Hollywood in this scene, right,
and then he tells her he will make her a
star while he's feeling up her legs.
Speaker 3: Yeah, so he's there again, you know, seeing what they
can get away with. How far will she go? Will
she sell herself more? And she's already, as you said,
characterize herself as selling herself anyway, working at the hooter's table.
She's like, well, I'm already selling myself.
Speaker 5: Why don't not go all the way? Right, That's how
she'll start reasoning.
Speaker 4: But At first she says no because you know, she's
not that she's there. But then she goes back to
her friends and she figures out, well, her friend offers
her the lead role in his new movie.
Speaker 5: Well, he doesn't really have a movie.
Speaker 4: He has a script. She says, can I play the lead?
And he says, yeah, of course, and then the other
girl starts hitting on him, so she can play the lead.
So she figures out it doesn't matter if it's a
tiny movie, indeed, peanut movie. It doesn't matter if it's
a waitress. It doesn't It's the game is sell yourself
to get somewhere in Hollywood, no matter what you do. Right,
So she says, to hell with these small time kids.
I'm going back to the Hollywood producer and I'm gonna
say yeah. So she does.
Speaker 3: So then she gets this call. They invite her back
to the elite mansion and she finds out that there's
more at play here. Right, so, now now you have
to sleep with the you know, the old creeper. And
then she's read something about that, and then she ends
up doing that.
Speaker 5: She wakes up back in her bedroom.
Speaker 3: She's going further and now we noticed that she starts
having like mes mouth. She's got like crackhead. She looks
like a crackhead.
Speaker 4: Right, Well, do you remember when she makes the decisions because.
Speaker 3: She's on e right, don't make decisions on drugs, right,
And the other girl starts flirting with the guy, and
so then she's like, all right, I'm gonna have to
get to get above these people.
Speaker 5: I'm gonna have to go do this.
Speaker 4: Yeah, So she goes back to the producer and she
gives herself to him. But all these creepers in black
masks and are watching.
Speaker 3: Yeah, in comes the eyes watch up party.
Speaker 4: Yeah.
Speaker 5: We see the pentagram on the old guy's hand.
Speaker 4: It's branded on him.
Speaker 3: Next to you, he's branded. Yeah, good point.
Speaker 4: And they keep talking.
Speaker 5: About and I remember Croley with brand people.
Speaker 3: Yeah.
Speaker 4: Yeah. They keep talking about the gateway. This is the gateway.
This is your gateway. Part the gateway is now open
when he's having sex with her.
Speaker 3: The real gateway is her psyche because another entity will enter.
Speaker 4: Yeah, this is the gateway for the demons to enter, right,
he says. When he's defiling her, he says, join us
in the skies. Right, just like every man and woman
a star.
Speaker 3: Do you want to be a star, and that's the
Crowley line. Exactly.
Speaker 4: Do you think that they call them stars because of Alsha?
Speaker 3: No?
Speaker 5: I think it was before him.
Speaker 4: Are you sure?
Speaker 5: Okay, I mean pretty sure.
Speaker 4: Nineteen oh four was when Book the Law was written.
Speaker 5: I mean I don't I don't know, I don't know.
Speaker 4: Yeah, it could be. Maybe they are stars called so
because of al Shacrole. Let's see. So they infect her
with the demons basically, and she starts losing her hair,
she starts losing her fingernails, she starts shedding.
Speaker 3: Yeah, so this basically this movie is showing us this
inner state of her soul by the exterior of her body.
Speaker 4: So it was really gooey too, like The Fly remember that.
Speaker 3: Yeah, this is not for the faint of heart. This
is a pretty gooey movie. She throws up the maggots
when she's possessed.
Speaker 4: We watch these so you don't have to.
Speaker 3: Right, I mean, Halloween three is fine. Starry Eyes and Hereditary,
I don't. I wouldn't recommend those movies. They're pretty gross.
Speaker 4: Yeah. So she's got black goo coming out of her mouth,
she's got parasite in her belly, she's got blood coming
out of all.
Speaker 3: Her orifices, and this is too, you know, emblematic to
symbolize the state of her inner spiritual state, her soul.
Speaker 4: And the old her is dying.
Speaker 6: Right.
Speaker 4: I think her name is Sarah.
Speaker 5: Yeah, that's it.
Speaker 3: But she has this vision when she's laying on her
bed and she sees herself as this Hollywood starlet and
she's all dressed in this black gown and she's got
this long flowing hair, and she's got a big pentagram
necklace and she looks all you know, and so she's
seeing what she's going to become.
Speaker 4: Well, they call her on the phone and she answers it.
She says, I'm dying and they start laughing and they're
telling you can be born again. Yeah, right, but it
requires a sacrifice, and this.
Speaker 3: In the film is a human sacrifice. And so in
order for her to go to the next level, she
has to sacrifice. I don't know if they tell her who,
but basically it's all her roommates. So she wipes them out,
basically is buried, and then comes out of the grave.
Speaker 4: Well, she makes the statement she says, they see the
real me talking about the producers and the Hollywood satanic people,
and she says, So her friends don't see her the
way she wants to be seen, but the producers see her.
Speaker 3: And then she turns into a total narcissist and she's like,
you're all feeding off of me when she's like living
off of other people as a mooch.
Speaker 4: Yeah yeah, yeah, So they they see her as the
glamorous person that she wants to be and they can
help her attain them.
Speaker 3: Well, they're telling her that that's what she is.
Speaker 4: So after she goes on her killing spree, she is
buried by her so she has a.
Speaker 3: Burial and resurrection hiram viv motif that is in Croleianism
and all.
Speaker 4: That too, and they give her a birthday gift right
when she comes out.
Speaker 3: Of the ground, and it has the Krolean unicversal hexagram.
Speaker 4: Yeah.
Speaker 3: So that's a big key, is that you know that
this is that kind of a cult because of the
symbolism used in that scene. You have to pay a
lot of attention though, because the first time I watched
this I didn't notice that, But if you pay attention
on the present, there's the the Croleian universal hexagram and
there's more.
Speaker 4: Well, she has the eyes wise shut mask on her wall,
which she had like one of her she has Hollywood stars. Yeah,
but like she's got all the masks on the one wall.
And then at the very end, to top it all off,
during the credits, the very first thing that you see
on top of the credits is the Curlies market the
Beast the circle with the X in it.
Speaker 3: Well, Curly's market. The beast is his dingus that looks
like a ice cream cone.
Speaker 4: Yeah, that thing but x mar the Beast right, the X, Well,
it's Curls too, because that's what he would brand people
with right on their chest. So there you have it.
Speaker 3: You actually have a chapter explaining as to why it's
that Exit actually is the axis of like the world
and all that.
Speaker 4: It's a crossroad between our world and the spirit world.
Speaker 3: So Storry Eyes is a b version of Eyes Watch Shut.
It's pretty gross. I wouldn't recommend it, but it does
have a accurate message in telling us that if you
go to Hollywood you pretty much have to join a cult.
Rose mcgawan just came out and said Hollywood as a
cult confirmed all of this.
Speaker 5: So how many.
Speaker 3: Oh, by the way, and so there's this vampiric element
to her she's basically been turned into a vampire, saying,
hence she has great eyes. Dan.
Speaker 4: This an element of this goes with Hereditary. That you
were making the point about your your ego dying, your
old natural ego dying so that the demon can take over. Yeah, right,
can you get into Hereditary.
Speaker 3: No velvet buzzell, Thank you for the super chats. Welcome everybody.
What three hundred and twenty two tonight, we're having fun.
We are having fun. I'll be sure and hit like
and share. And is it like Mahon Drive? It's a
little bit like mohaland Drive, except it's pretty gross. Mahan
Drive is not as gross. So I said, try not
to be so sexy. I can't help it, dude, can't
help it.
Speaker 4: It's the sexy sex man.
Speaker 3: How can you not be well underneath this T shirt?
Speaker 5: I'm all oiled and breathed.
Speaker 4: And bald, goo, goot up.
Speaker 5: I'm not sure what I think about it. It's not unknown.
Speaker 3: It was like it was a Netflix movie that was
I thought it was fairly popular. Do you think so
you got Jake Jollenhall? Is it Tony Collette? Also she's
in it?
Speaker 1: Yeah?
Speaker 3: Who else is in it? H who's the art dealer.
Speaker 4: I don't know.
Speaker 3: The main woman, the our dealer her, that's Tony Collet. Okay,
who else is in it?
Speaker 5: I just went blank.
Speaker 4: A British girl.
Speaker 3: There's a dire in it. One of my long time
long lost latives.
Speaker 4: Oh, the girl from Stranger Things. Yeah, she's cute, so
Luminati confirm illuminate.
Speaker 3: Rene Riso, that's right, okay. John Malkovich is in it briefly,
and yes, and mainly Donnie Darko, so yeah, yeah, and
so Donnie Darko is a bisexual, metrosexual snobby art critic.
Speaker 5: Who works in this.
Speaker 3: Field of.
Speaker 5: Snobs.
Speaker 3: It's like that, basically, just try to convince you that
garbage art is gorgeous and genius.
Speaker 4: There's this sphere with holes.
Speaker 3: In oh yeah. Yeah. So it starts hit this art
show and you've got this big ball. You gotta put
your hand in the ball, or you can put any
orifice in the ball that you want, and it tells
you something depending on who you are and what you
put in. Yeah, which is weird because it doesn't really
that that's never explained.
Speaker 4: Renee Russo plays this character that used to be an
anarchist punk rock girl and now she's an elite art dealer.
Speaker 3: Right, So there's kind of two protagonists. It's basically hurt
Well theer's three. There's the British girl, the Black British girl,
Renee Russo, and Jay Jingal and they're all kind of
in this ridiculous art world. I didn't really like this movie.
I mean, it's okay, I'm not a huge fan of it.
It was interesting, but it didn't really live up to
what I was hoping for.
Speaker 4: It's another example of how people in these kinds of
circles are super snobby and snarky and elitist and backstabbing
and narcissistic, right out for themselves. Yeah, out for fame,
just going crazy.
Speaker 3: I'm gonna turn the air onto going.
Speaker 4: Okay. So there's a up and coming art dealer girl,
the younger girl, who stumbles upon this cash of art
that her neighbor had done who died. So the sky
drops dead in her building and she goes in his
apartment and finds that he's got all of this amazing art.
But it's super dark. It's very like who's that guy
that did the scream?
Speaker 3: Like that?
Speaker 1: Like that.
Speaker 3: I had an allergic reaction to sexy sex oil because oils
were affecting my glands. Who's got the.
Speaker 4: Artists that did the scream munch what's his name?
Speaker 1: Hard?
Speaker 4: So they're dark and gross and disturbing, but of course
they're genius because art people love that kind of stuff.
So she finds all these pieces of art and it's
the like biggest thing to hit the scene.
Speaker 3: Oh yeah, the guy's dead.
Speaker 4: I remember he was dead. So they have to deal
his art and it gives you a lot of insight
into what goes on like with art and how it
becomes valuable and how it becomes famous.
Speaker 3: Story behind it, because the story, well, there's a.
Speaker 4: Racket to it. There's tax breaks and there's a round.
Speaker 3: Guys. It's even well known. Now there's a whole documentary
on this being like a world to funnel liquid cash
and you know it's it's a scam.
Speaker 4: What was that documentary? Who who is Pollock? Or who's
that guy that makes the there's a documentary.
Speaker 3: Yeah.
Speaker 4: So anyways, this artist they find out was a psycho
kind of it. He was in a institute torture.
Speaker 5: He was like a mind control.
Speaker 4: They were doing, Yeah, well they were they were doing
like trying to figure out what his medium was, like
his paints and stuff that they were made out of,
and it was blood, blood and guts and all this stuff.
So all of these scary things start happening, and they.
Speaker 3: Start so basically haunted art. By the way, I met
somebody from the art world one time, and this person
said that elite people in the art world believe that
they can.
Speaker 5: Curse their artwork and kind of give it power.
Speaker 3: They view it like animism, the way that animism views
magical you know, totems and shit. That's how they think
that they can curse art and you know, put their
art out.
Speaker 5: Into the world.
Speaker 3: And I mean I could see these people believing that.
Speaker 4: Well look at Marina and Bravis.
Speaker 3: Yeah right, yeah, but this was way before anybody had
heard of Marina and Bramvis.
Speaker 4: Some woman told me this, the references to dismemberment, man
Ray and black Dahlia.
Speaker 3: Yeah right.
Speaker 4: Evil comes through the art to the spirit world. So
all these people start dying because they're trying to collect them.
Speaker 3: Yeah, so the artist becomes the conduit for the spiritual
world to create these hideous things. I did a whole
video about six months ago on Garbage Modern Art Watch
that Yeah.
Speaker 4: So basically everybody that had dealings with this art died
and they had to get rid of all of the
art or they would die, right, like every piece of art.
And at the end, Renee rus So she thinks she's
safe because she got rid of all her images.
Speaker 3: She went to a Puritan and like iconoclassed at her
fancy house. Yeah, but she's got her tat.
Speaker 4: Dollar tattoo then killed her.
Speaker 3: She had her tat of her stupid band when she
was a punk chick, velvet bustle, and so her her
tattoos was a saw and it saw it into her net.
Speaker 4: But I thought this was interesting that art can be
evil because icons can be holy.
Speaker 3: Yeah, and like a demonic version of the icon, so
you can have the reverse of that.
Speaker 4: It could be true.
Speaker 3: Yeah, I just thought the execution of the film was lacking.
It was slow. I mean, nothing happens for like forty minutes,
and you're like, okay, can something happen?
Speaker 4: They're just setting up how vapid. Everybody in the art
world is like, oh, in John macovic character, he can't
He's like a famous artist and he can't paint anymore
because he doesn't have any inspiration all his stuff is sucking.
Speaker 3: So yeah, I mean it is kind of showing that
the whole world is preposterous. But I just, I don't know,
I just didn't enjoy the execution of this film. Ooctober,
dudelet's see Lost Boys since we've not done that yet. Okay,
So you've seen it how many times?
Speaker 4: Maybe like twice.
Speaker 3: I've seen it many times, and every time I see it,
even though it's a goofy Eddies movie, I noticed something new.
And this time I noticed that Michael says that one
of the things he was almost named was moonshine. Oh yeah,
I've never noticed that. So that's actually something worth noting
because it backs up my analysis of the film because
when they get to Santa Clara at the beginning, you
see a poster, a series of posters, and then you
see missing children, so we realize that this is like
a trafficking hub.
Speaker 5: There's missing children everywhere.
Speaker 3: And then there is the triangle with the PEED symbol.
I'm sure you know what I'm talking about. I'll show
you the FBI thing that I'm sure everybody is seen by. Now, well,
I can't get at to this lights too right that right?
Remember this?
Speaker 5: Okay, so.
Speaker 3: This is not just a fictional it's Santa Cruz, but
Santa Clara not just a fictional town. It's standing for
all of the creepy stuff going on in California, obviously,
And so we realized that there's this coven, there's this
stuff going on with some kind of vampire coven. It's
not really what this movie is about. This movie is
ultimately kind of about like trafficking and why children go missing,
like you think missing child posters, remember Laddies on the
milk cart Yeah.
Speaker 4: I'm just gonna say he's a milk carton kid.
Speaker 3: And ironically it's got Ham and Feldman, both of whom
you know, we know talked about the creeper stuff going
on with them.
Speaker 4: Right, Yeah, I think I think vampire is a code
for predators.
Speaker 5: Yes, yeah, exactly.
Speaker 3: And also interesting element too is the single mom element.
So the single mom makes the children vulnerar, right, and
so she's moved to get away, you know what, she
thinks will be a better situation for her kids, and
it's actually worse because she moves to the murder capital.
Speaker 5: Of the world and she finds out that.
Speaker 3: Well she it's the eighties and we don't usually see
single moms in the eighties, so this is out of
place in the sense of, you know, ahead of his time,
because now movies are all single moms.
Speaker 5: That's all you see single moms.
Speaker 3: But here it's ahead of its time. She's a single mom,
and so she's mentioned as the hippie mom.
Speaker 5: That's why Michael says that she was almost named Moonschald.
Speaker 3: So we get the idea that the mom is like
this new agey boomer woman who you know, thinks that
she can raise her kids by being a single mom,
and she calls herself the mom friend.
Speaker 5: Remember that.
Speaker 3: Well, what do you notice about this? Biologies are going crazy?
Speaker 4: I think in fact they're from Phoenix has anything to
do with it.
Speaker 3: Well, Phoenix does pop up in a few scenes, and
of course that's an esolitary thing about rebirth, and there is
some Egyptian imagery with at the comic book shop. There's
some weird Egyptian imagery. The mom has a unk a
sun disc that she wears.
Speaker 1: Uh.
Speaker 3: So they're obviously into esoteric stuff, right. Phoenix is obviously
important in masonry, right, But it's not really about rebirth
per se. It's about what's really going on in these
you know, Hollywood type of cults.
Speaker 4: I thought the way that the two brothers touch each
other was really weird, Like I've never seen brothers that
physically chummy in real life.
Speaker 3: It is weird. And Corey Haim has some weird posters.
Speaker 4: In his He has like sexy robins.
Speaker 3: The dudes in it looks like Rob low who has
a poster Rob Lowe with like a cut off T shirt.
So I don't know if there's like, you know, he's unclear.
And then on his sexuality, and then Michael gets initiated
into this coven and there's some really interesting sequences that
recalls the Doors. He has this hallucinogenic kind of experience.
Speaker 4: Well, in their cave, they have a giant picture of Jim.
Speaker 3: Morrison, right, and she and and star Is who seduces him.
She's like the honey trap and it's a kind of
a veiled kind of sexual magic ritual, if you remember.
And so they're trying to lure him into this, and
ultimately the family says no and they fight back. But
I just really think it's whole. The whole movie is
kind of about the California subculture, the Hollywood subculture, missing children, vampires.
See what we think about the Murray Canty, the famous
vampire case, the vampire cult that.
Speaker 5: Went and killed people.
Speaker 3: I mean it harkens back to all of these kind
of real things going on. Children of God, cult trafficking, right,
this kind of stuff. The scene Manson, there's even a
Manson element with you know, there's a there's a They
even say that the cult has its tentacles up into
the highest levels of county commissioner and government.
Speaker 4: The scene where Corey Haim is in the bathtub, it
is kind of weird because his brother is That's when
his brother wants him the most, and like can't hardly
contain himself from attacking him. The dog has to keep
him away.
Speaker 3: Remember that nanook. Yes, yeah, is it a veiled kind
of reference to these kinds of sex cults? Could be?
It could be. I think that's very plausible. So, but
it's a classic in the sense of goofy eighties, you know,
movies that never get old. I don't know that. I
never never get tired of watching Lost Boys, not because
of the harmeroticus, not that, but the ridiculous solements.
Speaker 5: I mean, the keeper Sutherland cracks me up. His gang
cracks me up.
Speaker 4: The taxi jermy grandpa.
Speaker 3: The grandpa is preposterous. The boomers in the movie are funny. Yeah,
the eighties style, the movie store, the BHS store, it's
just who is essence of eighties.
Speaker 4: The head vampire is the old guy, the boomer, the innocent,
nerdy looking creeper.
Speaker 3: Well, he's the respectable community citizen.
Speaker 5: That's the point. That's who's actually the cultleader. Maybe this
candle is making me my allergies go crazy.
Speaker 3: All right, let's get to the.
Speaker 5: Uh, the.
Speaker 3: The main feature here. Yeah, so Hereditary is gross, but
we had so many people recommend it, just like Holy Mountains,
so many.
Speaker 5: People said, what are you gonna do?
Speaker 3: Holy Mountain? And I had seen Hereditary. I wasn't really
hip to watching it again, but I remember most of it.
I know what was going on, and it's just uh.
I mean, ari Astors, I guess he he he's talented
and that he can make good movies. But there's two
gross and you know Midsommar. I did a whole analysis
of midsomwhere you can go watch that breakdown. I have
CHP two breakdowns of Midsommer, which is esotery Hollywood to
the Tea in the sense of like movies about colts
and the occult, but this is a little different because
that's about like Nordic paganism. This is about ritual magic,
and so this is about the Keys of Sow, which,
by the way, is not real. That's a forgery from
I don't know, Renaissance era, but that's not actually Solomon's
you know, magical Grimoire.
Speaker 4: If you didn't know, well, this movie is super creepy
because it's like, you cannot escape what is about to
happen to you. And the Tony Collett character, her whole
entire life has been manipulated. Her whole life has been
manipulated and set up to bring in a vessel for
a demon, and the cult has been with her her
entire life through her mom. She said when she in
one scene where she goes to grief group therapy, she's
talking about her mom passing away and she said, my
dad starved him self. She said, my brother killed himself
because my mother was trying to put people in him.
And she has always been trying to protect her family
from her mother, but she has these guilt feelings of
keeping the family separated. So she's struggling with trying to
protect the family that she has from the family that
she was brought up in.
Speaker 3: Right, and there's a there's a Rosemary's Baby theme to this, yes,
underlying it.
Speaker 4: And there's a theme that you cannot escape any of this.
This is all fate and in your doom, in your DNA,
basically like there's nothing you can do.
Speaker 3: Well, as we'll find out that this has a generational component.
Speaker 4: So one interesting thing I found about this was the
models that she makes. She makes models of like houses,
like super intricate detailed models of scenes in her life
and things that are relevant to her. And of course
in psychology, a house could be a psyche compartments of
the rooms. And then the way that they filmed it
is like sometimes you don't know whether you're looking at
their house or a model. And so you could see
that as the people living in the house are just
dolls and they are powerless.
Speaker 3: Right, well, what is a dollhouse that you have the
ability to control characters? And so this is what we're
gonna find out as the whole point of the movie.
Speaker 4: Grandma and the coven have been manipulating.
Speaker 5: Ultimately, it's a spirit.
Speaker 4: Yeah, have been manipulating these people just like as if
they were in a dollhouse. So starts out with the
death of the grandma, right, who is the character that
is the most influential character in the movie. But we
open up at her funeral.
Speaker 3: And that so we know it's gonna be a generational
kind of which thing.
Speaker 4: So the little girl was Grandma's favorite. But she makes
this statement where she says she wanted Grandma wanted me
to be a boy. There is a scene where a
bird flies into the window and dies, which is like
a bad omen and then the little girl goes out
and cuts the dead bird's heads off and keeps it right.
And then the Tony Kollett mom character discovers in Grandma's room.
There was a triangle on the like carved into the floor.
Speaker 3: So she's figuring out my grandmother or my mom is yeah,
you know, she's a kind of witch or some sort
of ritual magic. Yeah, coven person.
Speaker 4: So she even said my mom had dissociate of identity
disorder and oh wow, dementia. So remember when she's describing
her whole family.
Speaker 3: That's right, but that's not really what she had, right, she.
Speaker 4: Was demon possessed exactly so she starts meeting these people
that are trying to help her. But then we find
out that none of this is by chance, like everybody
from the coven is infiltrating her life mm hmm that
she doesn't know about.
Speaker 3: Yeah, this is where we kind of get this Rosemary's
Baby element where the people around them are really all
kind of in on it, controlling and setting up things,
and we don't know that, you know, until we get
to the end, but we're kind of, you know, being
driven into this greater and greater stages of madness on
the part of the mom.
Speaker 4: She's being driven to madness and she's being turned into
a crazy witch like her mother. You know, when she
breaks down yells at the sun for the accident, and
she's like losing it and being abusive.
Speaker 3: But this is on purpose because it's a cult.
Speaker 4: Yeah, but she she's been driven to the point where
she's as abusive as Grandma because of her trauma. And
one of the weirdest scenes is the movie was when
she's making a model of how her daughter died and
to like the tea like with the missing head and
everything in the blood and you know, she's like re
traumatizing her husband about it, and she's actually saying, well,
what's wrong with it? It's just a what did she say?
Like a different perspective. It's a third party perspective, like
I'm just trying to make a piece of art, but
it's so detailed and gory that it's grows.
Speaker 2: What else.
Speaker 4: There's a scene where she confesses to her son that
she never wanted to be a mother and tried to
have a miscarriage and she did everything she could not
have an abortion.
Speaker 3: But that and the reality is your family does a
bunch of filthy komers? Dude.
Speaker 4: Yeah. Well, in one of her models, her artworks, there's
a a house and then underneath it there's a the earth,
and then there's a house underneath that, like in the earth.
So there's an inner yeah, subconscious definitely. This lady from
the coven who befriends her from the grief thing, I.
Speaker 3: Think that's all by design.
Speaker 4: Yeah, she convinces the mom to start doing seances and
try and get in touch with the dead daughter. So
the mom is picking up this hereditary occult practice, necromancy
and stuff like that. Let's see, it goes too far.
She scares her family. That's another part she's traumatizing the
son and the husband with her seance crap, right, And
this is when the.
Speaker 3: Sun thought, well, the irony is that they're trying to
solve all this by getting more and more into the occult,
and it's getting worse, and the cult wants them to
do that.
Speaker 4: This is where the older son starts to become possessed.
He sees his reflection that is an evil spirit instead
of him. The daughter starts talking out of the mom's mouth,
crazy stuff like that. Oh, and then we find out
now the coven has orchestrated this entire thing, even down
to the death and the beheading of the little girl,
because there's the pymon schedule on the power pole when
the girl dies.
Speaker 5: And that's gross.
Speaker 4: Nothing is up to chance in this movie. There was
no accidents here. It was all to get this demon
to take over the teenage boy, right.
Speaker 3: So what we don't know until there's a key moment
where the boy is at lunch and he looks at
the teenage guy and he sees this chunky witch from
the coven saying, what's his name? Peter? Peter, I expel you, Peter,
get out, And we don't know why this is happening
and he's weirded out by it, but it's actually the
witch banishing him from the body, so that Pimon, the
king of one of the eight Kings of Hell, one
of the eight king demons, can come into his body.
Speaker 4: Yeah.
Speaker 3: So, so we find out that the whole ritual really
is all being sort of brought to a climax with
this crowning moment.
Speaker 4: She tries to burn this seance book that the little
Girl has been he's sending messages through, and she catches
on fire. So she realized she can't just burn the book,
and then at the end she thinks she's going to
sacrifice herself, so she throws the book in the fire,
but her husband burst into flames instead.
Speaker 5: Oh yeah, I forgot the part.
Speaker 4: And then the sun is trying to get away from
all of this haunted stuff. He goes in the attic,
he finds a body. Well, no, he finds his mom
cutting her own head off. Right, she's floating in the
air and shut her head off.
Speaker 5: Is she hanging or floating?
Speaker 4: She's like floating.
Speaker 3: She's possessed.
Speaker 4: She's levitating. Okay, and what did you say? This is
a symbol of getting well, there's three or.
Speaker 3: Four beheadings, and this is you know, I mean where
it is your who are you?
Speaker 5: You're in here?
Speaker 3: Right, So cutting off your head is like you the
you that's in there. You get out of there in
another head, right, another psych other person, another mind will come.
Speaker 5: Into your mind.
Speaker 4: Yeah. So they are of this crazy, magical, generational, satanic bloodline.
They even say at the very end in the treehouse
scene where they have the Pymon, they say, we reject
the trinity.
Speaker 3: Right, you have to explicitly confess this. Yeah, it's very
very crazy.
Speaker 4: Yeah. Yeah. The beheading symbolized to death the person's natural
ego to make space for the demon.
Speaker 3: Yes, so you had to die so the demon can
take that body. And then we find out that the
cult was originally going to give Pymon the body of
the ugly girl the daughter, right, and he was like,
I don't want to know girl body, give me a
dude body.
Speaker 4: Well that's interesting because I looked at Pymon. The ninth
spirit in the Caatia lesser key of Solomon right says
he can teach all arts and sciences and secret things.
He is a genie, a man with a crown and
an entourage of musicians. Usually depicted having feminine features. He
was originally a goddess in Mesopotamia. So there's your you know,
mm hmmwit switcher root. Yeah, both genders.
Speaker 3: But in this film he doesn't. He wants to be
in the boy body and so so yeah, So ultimately
this is a movie about ritual magic, bloodlines, the elite
and the kind of worldview that they have where they
feel like the goal of the rituals to be possessed.
It's like kind of like an inversion of theosis, right,
if we go to the liturgy is to to participate
in the divine energy, and in this sense, it's about uh,
participating in a demonic energy where you get that you
you're you're done, and something else steps into your body.
Speaker 4: Well, Pimon is actually in the whole movie in the
form of like a little blue light that you see
sometimes that like in one scene it makes her spill
some paint. In another scene it's like also manipulating events,
and then it floats down and inhabits the boy at
the very end.
Speaker 3: Good point. So there you go. I mean, that's you know,
probably one of the more occultic dark films. You know,
this is this is the world view of the elite.
There you go. We've got a few super chats. Thank
you guys for that. Let's see we got Nick Jones.
I missed his super chat from the other day. He
put it in at the end of the show. He says,
thank you for the content over these years. Your knowledge
astounds me. Well, thank you, but knowledge is ultimately not
that big of a deal. I am an LDS, so
I know that we disagree on certain things. Regardless of
these differences, when I tune in, I know I'm going
to learn something that will bring me.
Speaker 5: Closer to God.
Speaker 3: Well, I would say, take a look at Orthodox theology.
So read something like Vladimir Lawski's book Mystical Theology of
the Eastern Church. I would recommend that is a good
place to kind of get an introduction to Orthodox theology.
Speaker 5: But thank you for that. Twenty bucks.
Speaker 3: Nick Jones Shining Diamond Tonight starts us off and he says,
for three dollars, now that you're reviewing Lost Boys, will
you review Falling Down. Yeah, that's something Michael Douglas movie
where he goes postal If you remember that, remember that
where he goes so he just basically loses it and
has road rage, but then he snaps and he kind
of like goes postal all over the city. I went
on the theater. I remember that, but I haven't seen
it since the nineties, so I don't remember. There's probably
more going on than I caught in the nineties, for sure.
But thank you for that shining Downald. We need to
get back to that. G three forty bucks. What's up?
G three? Thank you for that forty bucks. Thank you
for your work. Jay and Jamie want thank G three.
Speaker 4: Thank you. That's pretty nice.
Speaker 5: Alex seven twenty four.
Speaker 3: I just wanted to buy you guys a coffee congratulate
on being married.
Speaker 5: Who got married?
Speaker 3: That's a dad joke, bomber joke there, he loves those
boom With love from a Protestant heretic friend in Christ
from Australia. Well, we love our heretic friends. We just
want to make the Orthodox, but we do love it.
Thank you for that, Alex, much appreciate it. Blue North
Bear five bucks. Thank you for what you do so
movie much horror.
Speaker 5: Yeah, I mean, oh.
Speaker 3: You heard more MEMI.
Speaker 5: Than I am.
Speaker 4: I'm a critic.
Speaker 3: John Kendallwick ten bucks. Thank you for all your great
lectures and research. This is a great stream. Congratulations, it
is a great stream. I mean, what was your favorite
movie of all these tonight?
Speaker 4: Halloween three?
Speaker 3: Your favorite set of getting out of how's up for
a damn name? Or that's a damn name right there?
That dude is not lacking in a name. He's got
a damn name. Dude sort of getting this for three dollars?
He says, does Isaac WhatsApp.
Speaker 5: Is Isaac?
Speaker 3: Why shop get to Netflix and chill with you guys?
Does he get to Netflix and chill?
Speaker 4: It'd be fun?
Speaker 5: Maybe one day.
Speaker 3: Well I've never met Isaac in person, so maybe one
day if we ever meet, uh, well, we'll hang out
and probably watch a movie. Eddie Meyer ten bucks, awesome show.
Thank you, Eddie Meyer. We much appreciate your ten dollars.
I hope you enjoyed it. Uh, Cooter Brown, I haven't
seen you in a long time. He's been he's been
throwing all that money over to little aids over there
on a Tristan stream. You boy, Tristan over there scooping
up all that super check cash. Bring that money back
over here, bringing back He says, what is the worst
movie that each.
Speaker 5: Of you have seen?
Speaker 4: I can't say the actual one because I know the person.
Speaker 3: Okay, what else say?
Speaker 4: But I know what movie I really hate? The worst movie?
What gues I've been talking crap about it all week?
What movie do I hate?
Speaker 3: I mean, if I listen to the stuff that you settle, but.
Speaker 4: I hate Toy Story. Okay, I said it, and one
day I'll explain to all of you why I don't
have to cover that. Toy Story is my absolute number
one hated movie all time, behind the other one that.
Speaker 3: I can't do now. He didn't say what movie you
hate the most? He said the worst movie that you've seen? Well,
being a huge fan of mysterss science theater and riff
tracks and all those guys, uh, Cinematic, Titanic, all that,
plenty of those are some of the worst movies ever
in terms of big release theatrical release.
Speaker 5: Probably Spawn that's one of the worst movies.
Speaker 3: In terms of like the mystery science theater movies, Manos
is one of the worst, and Rollergator. Rollergator is so
bad that it's a lot of fun. Yeah, it's a
really funny rift tracks, So shout out to roller Gator
riff tracks, but those are like my I mean just
off the top of my head, easy worst movies of
all time. But that's a great question. I always like
talking about the worst worst ones ever. I hate I'm
trying to think of there's I mean, there's a couple
other really really amazing.
Speaker 5: Rift tracks that they do that are just.
Speaker 3: Like like what what what were they thinking when they
made this?
Speaker 4: I like the ice cream one, Yeah, but it's not.
Speaker 5: That that's actually a fun one that as a cult following.
Speaker 3: I mean, if it's if it's gonna be in the worst,
it's gotta be like you know, movies that you dread
because they're just so I don't see how you get taught. Manos,
Hands and Face, I mean, Manos is just awful. Yeah,
Roller Gator is almost watchable just because it's so goofy.
Manos is almost unwatchable on its own, Like if you
don't have the commentary, it's like, there isn't the way
you could watch that movie. And it's almost scary because
it's that bad. Imagine a movie is so bad that
it's creeping you out in the world. Was this some
kind of weird genius thing where it's actually the scariest
movie all time? Because like, is this a real cult,
like the Master in that movie. Yeah, there's another couple
Tor Johnson movies that they do. Beast of Yucca Flats.
That is one of the worst movies I've ever seen.
I've seen every Mystery Side Theater and almost all the riff.
Speaker 5: Tracks, so.
Speaker 3: I have a lot of time that put into bad movies.
So I'm pretty good at bad movies. Those are the
ones that come to mind. Anybody in the chat if
you think of really, like, what's the worst movies of
all time?
Speaker 5: That's a good one.
Speaker 3: We should do a stream the worst movies ever. You
could put toy store on it, Mica for ten dollars.
Any chance of an analysis of The Crow for Oh, dude,
you want me to add a new one to some
of the worst? I couldn't. I couldn't even watch it.
I had to turn it off, dude. It was so bad.
The Crow was unwatchable, dude. And I don't I remember
at the time I went to the theater and I
was like, I liked it or something. I don't know,
but it's not. I can't watch it now. I don't
even know if I mean, you can't analyze it, you
could just make fun of it. Maybe I garredon simps
ten dollars. If you and Tristan little aids can figure
out how to customize your super Chat animations. Well if
you notice Tristan has customized his. But then the people
butt in and they talk for like thirty seconds, and
then it interrupts, like whoever he's interviewing, So it's like
I pig that go, I'm spoken, I go, I'm whatever
he says.
Speaker 4: Right, Uh, it would be funny.
Speaker 3: Oh yeah, we should do gifts or whatever. They're called
impressive impressions right, Oh yeah, like Arnold or like a
Nick Cage or Mark Pazio. Right, love your show, Thank
you for your work. Much appreciated, Ian Garrett and Cibo everybody.
Speaker 5: If you like this stream, be short and.
Speaker 3: Hit thumbs up, share it, uh, subscribe, hit the belt
all that stuff. You know, anything else you want to
say about tonight.
Speaker 4: I guess we'll be back with more Spooktober.
Speaker 3: We will.
Speaker 5: We've got a lot planning for Spooktober.
Speaker 3: We gotta do X files too. We got we're gonna
do two different ones, so there's so many X files
that we're gonna do top ten fun ones, and then
the story arc will cover.
Speaker 5: The story arc too.
Speaker 2: Uh.
Speaker 3: And then we got a lot of uh Spooktober. We've
got anti christ movies, which are.
Speaker 5: Pretty bad and funny. From Hollywood. There's only a handful, so.
Speaker 3: We're gonna cover some of those. We got the serial
color stream, the Hannibal stuff. We got X files. We
got more mind control movies.
Speaker 4: Is that it?
Speaker 3: Anyway? We got someone.
Speaker 5: Thank you, guys. I hope you had fun tonight. Enjoy
your