Speaker 1: Weirdly, we welcome back midnight viewers do father Blons weekly
Speaker 1: round up? I am Father and joining me here back
Speaker 1: in proper round up form is miss Ripley Jean. That's right,
Speaker 1: you get a pick this week. And what a week
Speaker 1: it's been crazy here in the desert. How crazy. I'm
Speaker 1: wearing a kilt right now, no joke, I'm wearing the
Speaker 1: family tartan as I record this. Why am I proud? Sure?
Speaker 1: But isn't it more likely that the temperature jumped up
Speaker 1: into the nineties suddenly and all of my summer clothes
Speaker 1: are packed away? I'd say that was possible, maybe even
Speaker 1: exactly what's happening right now? Okay, before we go further,
Speaker 1: we have a bit of business like how out of
Speaker 1: order everything has been lately. This past Friday was supposed
Speaker 1: to be Fusco Fest, where HP from Noise Junkies and
Speaker 1: I are discussing the filmography of screenwriter John Fusco and
Speaker 1: we were supposed to bring you Thunderheart. But that movie
Speaker 1: is really really good, And at the same time, I
Speaker 1: didn't want the show to be another couple of suburban
Speaker 1: white guys discussing Native American politics and their mistreatment over
Speaker 1: the last few hundred years, you know, centuries to that end.
Speaker 1: We've got an indigenous friend of mine coming on, but
Speaker 1: her availability is limited. So instead of the chronological way
Speaker 1: we've been hoping to review those films, we're just gonna
Speaker 1: plow ahead and this Friday we'll be taking a look
Speaker 1: at the next film in mister Fusco's oover. That would
Speaker 1: be The Babe, the John Goodman flick about the Sultan
Speaker 1: of Swat Babe Ruth, whose delicious legacy can still be
Speaker 1: sampled in Candy Bar Farm. That's gonna be this Friday,
Speaker 1: And then we'll get Thunderheart out to you, and then
Speaker 1: we'll get back on track. We've got two segments to
Speaker 1: update simultaneously.
Speaker 2: Here Pals from a Round.
Speaker 1: Okay, we've been duking it out for the past few weeks,
Speaker 1: but which musically you'd want us to cover over on
Speaker 1: the regular show. And so far, the contenders stand at two.
Speaker 1: They are neck and neck one vote each. Those are
Speaker 1: American Pop and Little Shop of Ours. Or they were
Speaker 1: one vote each, except the Little Shop has officially pulled
Speaker 1: ahead with a second vote. But now a new wrinkle
Speaker 1: because we have a new contender thanks to our main
Speaker 1: man Ian Banks in Scotland. Hey, I'm wearing a kilt.
Speaker 1: Who he has nominated the Dennis Potter series The Singing Detective.
Speaker 1: Does that count? I mean it's more of a jukebox
Speaker 1: musical and it's kind of a TV series, But I'm game.
Speaker 1: I've only ever seen the Keith Gordon directed remake with
Speaker 1: a Robert Downey Junior and that's like a ninety minute movie,
Speaker 1: whereas it's a TV series in the UK that Robert
Speaker 1: Downey Junior rule was originally played by Michael Gambon. Now
Speaker 1: I'd be lying if the idea of a mini series
Speaker 1: wasn't daunting. But at the same time, well, two things.
Speaker 1: It'll force HP to watch like six hours of depressing
Speaker 1: Douglas cirk like melodrama interspersed with hits of the day,
Speaker 1: the day being like the nineteen forties, and I get
Speaker 1: to watch Michael Gambon dance. That's pretty damn tantalizing. So
Speaker 1: now it's in your capable hands, midnight viewers. What do
Speaker 1: you want us to watch? What do you want to
Speaker 1: hear us talk about? Is it American Pop or Little
Speaker 1: Shop or The Singing Cop Cast your votes, drop me
Speaker 1: a line. I'm at father Malone for all the socials
Speaker 1: you can find me there, or father Malone seven to
Speaker 1: one at gmail dot com for all the inquiries and
Speaker 1: questions and the what have us. And now the weekly
Speaker 1: question are you watching? And or fellow Americans, are you watching?
Speaker 1: And or it's wrapping up this week and there's gonna
Speaker 1: be a huge hole in my rebel heart. You need
Speaker 1: to watch and or oh my goodness, we have a
Speaker 1: new segment. I love a new segment. When I was
Speaker 1: a kid, if I was reading a magazine, it was
Speaker 1: probably Fangoria. That was the horror entertainment monthly of choice.
Speaker 1: It came along at exactly the right time for me,
Speaker 1: when I was already bristling at the limitations of the
Speaker 1: likes of Starlog or Cinefantastique. Yeah, I love spaceships and
Speaker 1: genre movies in general, But where was the fucking blood?
Speaker 1: Where were the creatures? The masked killers? Fangoria that's where
Speaker 1: they lived. And my favorite feature in the magazine was
Speaker 1: the terror teletype. That's how antiquated things were when I
Speaker 1: was a kid. Horror movie news came by a Morse
Speaker 1: code at the offices of Fangoria. Robert England is returning
Speaker 1: for the third Elm Street Movie, and it's going to
Speaker 1: be written and directed by Wes Craven. Thing on things
Speaker 1: right about as much as your local weather man. I'm
Speaker 1: still waiting for Apartment Living, George Romero's film about a
Speaker 1: cent in apartment building that feeds off its tenants. But
Speaker 1: what it lacked an accuracy, it made up for in enthusiasm.
Speaker 1: Just watching the list of potential projects grow month after month,
Speaker 1: year after year made the genre feel legitimate, and it
Speaker 1: promised a longevity that could not be denied. In the
Speaker 1: spirit of the terror teletype. Here at the Weekly Roundup,
Speaker 1: we offer you the Frightening Facts Machine. First, we get
Speaker 1: the teaser for Predator bad Lands. That is Dan Tracktenberg's
Speaker 1: follow up to his film Prey, the film that should
Speaker 1: have been released theatrically about a Native America warrior battling
Speaker 1: a predator in the eighteenth century. This one's a little different.
Speaker 1: It's an alien world and a young predator out to
Speaker 1: prove his medal. As such, being young, he hasn't got
Speaker 1: his dreads yet And I guess a lot of nerds
Speaker 1: are crying about that. Shut the fuck up, nerds. That
Speaker 1: last movie was great. This movie is going to be great.
Speaker 1: El Fannings shows up as a whalin Utani android for
Speaker 1: a healthy Slice of franchise crossover. That one's coming out
Speaker 1: in November. The perfect film to go and ignore your
Speaker 1: family during the Thanksgiving holiday. I'm really looking forward to
Speaker 1: this one. In other Predator news, is this the year
Speaker 1: of the Predator? With this administration? Oh political predator? Killer
Speaker 1: of Killers, also from Dan Trachtenberg, is an animated anthology,
Speaker 1: so you know we're going to be covering it. It
Speaker 1: tells different tales in different ages, all involving a predator,
Speaker 1: maybe the same predator. There's a Viking tale, a Ninja tale,
Speaker 1: and then a World War II fighter pilot tale, kind
Speaker 1: of like the Animatrix, but you focused and less of
Speaker 1: a commercial for the next film in the franchise, Last
Speaker 1: Flight of the Osiris or whatever the fuck that was.
Speaker 1: Killer of Killers is out in June and it's streaming.
Speaker 1: August will bring us the follow up to Barbarian from
Speaker 1: directors Zach Kreiger. Weapons. That's with Josh Brolin and Julia
Speaker 1: Garner and Benedict d Wang and Alden Ehrenreich. It's about
Speaker 1: a class of children that one night the whole class
Speaker 1: get out of their beds, walk outside and disappear. The
Speaker 1: trailer is creepy as fuck. I am not looking forward
Speaker 1: to this. I mean that in the best way possible.
Speaker 1: The trailer creeped me out. In Stephen King news, don't
Speaker 1: try and cancel Stephen King. In fact, stop canceling each other.
Speaker 1: There are real fucking problems in the world. We don't
Speaker 1: need to be canceling a fucking stalwart standard bearer. The
Speaker 1: guy on top of the hill fucking urging us on anyway.
Speaker 1: Francis Lawrence, who made that fucking excellent Constantine and a
Speaker 1: whole bunch of Hunger Game movies that I couldn't get through,
Speaker 1: is here adapting the Stephen King novella The Long Walk,
Speaker 1: although technically it's a Richard Bachman novella. King's pen name
Speaker 1: there for a while. Have all the Bachman books been adapted, No,
Speaker 1: and they are never going to adapt Rage. Here is
Speaker 1: a simple story, much like Bachman's other book, The Running Man.
Speaker 1: This is a game show of sorts. You volunteer for
Speaker 1: the Long Walk to win millions. The rule is you
Speaker 1: walk at an unbroken three miles an hour. If you
Speaker 1: fall short, you're given three warnings and then you're executed.
Speaker 1: It's kind of like speed mashed up with they shoot horses,
Speaker 1: don't they? In a dystopian future. Okay, let's jump back
Speaker 1: in time, shall we? To April of nineteen ninety two.
Speaker 1: I remember a very sultry Friday night at the Cineplex
Speaker 1: odeon on Fairfax in Los Angeles, the same theater that
Speaker 1: a few months later, a friend of mine would get
Speaker 1: the print for Batman Returns for press screening a full
Speaker 1: week before that movie came out, so he was going
Speaker 1: to screen it that night, but he told too many
Speaker 1: fucking people, so by the time we got there at midnight,
Speaker 1: there was an entire block of hundreds of expected people
Speaker 1: out onto the street. On a random Thursday in June,
Speaker 1: they've canceled and sent everyone home, and then we watched
Speaker 1: it a two am haha. But on this night, several
Speaker 1: months earlier, the theater is fucking packed, and because of
Speaker 1: the sudden heat outside, the ac hasn't had a chance
Speaker 1: to catch up. So it's this weird, humid, two cold atmosphere.
Speaker 1: And the first trailer is for Glengarry Glenn Ross, which
Speaker 1: is just a giant brass ball swinging back and forth
Speaker 1: in Alec Baldwin's speech, and then they reveal the brass
Speaker 1: Balls prop. But then after all the coming soons and
Speaker 1: the pick up your trashes and the no talking admonishments.
Speaker 1: Robert Almans film The Player Unspooled. That's Altman and screenwriter
Speaker 1: Michael Tolkien's poisoned love letter to the then contemporary Hollywood
Speaker 1: studio system that was packed to the fucking gills, with
Speaker 1: celebrities of every stripe and strata popping up to lampoon
Speaker 1: themselves in the entire twisted industry, anchored with a lead
Speaker 1: performance by Tim Robbins as studio head Griffin Mill, who
Speaker 1: accidentally kills a screenwriter that he believes has been blackmailing him,
Speaker 1: and the frantic attempt to cover his tracks and still
Speaker 1: maintain tenuous grasp over the control of his company. It
Speaker 1: is a wide eyed, black hearted gaze into everything terrible
Speaker 1: and fantastic in the film industry. I was surprised we
Speaker 1: didn't see follow ups over the years, brief chick ins
Speaker 1: with Griffin Mill to see how he's doing. The Player
Speaker 1: was a novel, after all, how about a sequel, mister Tolkien?
Speaker 1: Oh wait, never mind, seth Rogen and Evan Goldberg have
Speaker 1: picked up that particular ball. This is the studio.
Speaker 2: Being the head of Continental is the only job I've
Speaker 2: ever wanted. Yeah, honored obviously to be one of the
Speaker 2: people they guess.
Speaker 3: It's a choose.
Speaker 2: You know which movies get made and which ones don't.
Speaker 3: That's huge.
Speaker 2: And I got into all this because you know, I
Speaker 2: love movies, But now I have this fear that my
Speaker 2: job is to ruin them. The job as a meat grinder.
Speaker 2: Prestige films and box office hits, those are not me exclusive.
Speaker 2: We can do both, and we will do both.
Speaker 3: Matt, I get it. You want to make great art
Speaker 3: and make a billion dollars doing it.
Speaker 2: Well, guess what, that never happens, and you're gonna screw
Speaker 2: everything up trying to make it happen. It was up
Speaker 2: to me, we'd be focusing on making the next Rosemary's
Speaker 2: Baby or Annie Hall or some great film that wasn't
Speaker 2: directed by a pervert.
Speaker 3: Make great movies.
Speaker 2: They really do well. I love Okay, there's.
Speaker 3: Zero margin for error on this shot.
Speaker 2: Actually, please, gret yo, I actually want to talk to
Speaker 2: you about award season. Just make sure to keep your
Speaker 2: winter clear.
Speaker 3: Wrote Matt.
Speaker 2: Cut this and show. It's just so much harder than
Speaker 2: I thought it was going to be what I met.
Speaker 2: Everyone wants something from me, and I can't give it
Speaker 2: to them.
Speaker 3: If you guys are actually open to doing something different,
Speaker 3: I have a lot of ideas.
Speaker 2: We love new ideas.
Speaker 3: It's just not too new because we got a pretty
Speaker 3: tight formula that we got hit.
Speaker 2: And I wouldn't say it's a formula so much as
Speaker 2: a structure that we one hundred percent no work. So
Speaker 2: we're gonna do it over.
Speaker 3: And over again. Mine is not good enough this race?
Speaker 2: Do you want to bring out the why didn't this
Speaker 2: party gown? Why do you keep lying?
Speaker 1: What is.
Speaker 2: The job? Nacious? Dressed and panicked and miserable, But when
Speaker 2: it all comes together and you make a good movie,
Speaker 2: it's good forever.
Speaker 1: Well, you're gonna get us all fired. The Studio is
Speaker 1: currently airing on Apple Plus, and I think Rogan and
Speaker 1: Goldberg would be the first to cite the influence of
Speaker 1: the Player on their show, not just the setting and
Speaker 1: the cameos and frantic nature, but the jazzy, improvisational sounding score,
Speaker 1: the adherence to the longest takes possible and handheld takes
Speaker 1: it that and overall the underlying and deeply felt love
Speaker 1: for Hollywood. Though in that regard, the studio kind of
Speaker 1: has it over the player, because while you sense the
Speaker 1: characters and the player are trapped in their situations, the
Speaker 1: characters in the studio are happy volunteers. You know, these days,
Speaker 1: when people talk with the preservation of and continued endurance
Speaker 1: of cinema, they're talking about people like Scorsese or Christopher Nolan.
Speaker 1: Even Tarantino was part of that with his adherence to
Speaker 1: celluloid over digital. By the way, David Cronenberg came out
Speaker 1: swinging this week about the superiority of digital to film.
Speaker 1: You got to love when an elder sets you straight
Speaker 1: about the good old days. I once met Franklin Jella,
Speaker 1: the actor who played Dracula. He's fucking huge, by the way,
Speaker 1: and I told him I thought his Dracula was really scary.
Speaker 1: And he put his hand on my shoulder and he
Speaker 1: leaned him very close, and he intoned, you were very young,
Speaker 1: which was true, and he's right. It wasn't a scary performance,
Speaker 1: but it's a great performance anyway. You can name all
Speaker 1: the current greats and all their self seriousness. The pt
Speaker 1: Anderson's the Damien Chaseell's that fucking Eggers guy. And you
Speaker 1: could say the future of cinema is secure, it's in
Speaker 1: decent hands. And I'd say maybe, who knows, But I
Speaker 1: know the future of Hollywood is secure. And it's not
Speaker 1: because any of those fuckers. It's seth Rogen and Evan
Speaker 1: Goldberg leading the way, and they've been doing it for decades.
Speaker 1: They've managed through all the high and low ends of
Speaker 1: the dramatic spectrum, from gross out nonsense to absolute refinement.
Speaker 1: Certainly that's on display here in the studio, and they've
Speaker 1: managed the greatest trick ever. They've done so with genuine
Speaker 1: characters interacting in realistic ways. So yeah, they wrote a
Speaker 1: high school party movie that's really a story about two
Speaker 1: childhood friends who are terrified of losing each other. In fact,
Speaker 1: friendship is a predominant theme in their work. Probably why
Speaker 1: Theirs is the best adaptation of the teenage mutant Ninja Turtles,
Speaker 1: where they were, you know, actual teenagers. They've done a
Speaker 1: clutch of movies and TV show togethers, and dare I say,
Speaker 1: while everyone has been getting superhero fatigue from watching the
Speaker 1: same Titans, duke it out talking about DC versus Marvel,
Speaker 1: and sometimes Marvel versus Marvel whenever Sony needs to extend
Speaker 1: a copyright. Rogan and Goldberg have been like Dark Horse
Speaker 1: or Image Comics, just pumping out the most exciting comic
Speaker 1: book stuff ever. They produced and sometimes wrote Preacher, a
Speaker 1: great adaptation of the Garth Ennis title. Then they pret
Speaker 1: The Boys, and if that's not the best parot of
Speaker 1: superheroes ever, well it is. That's the end of that sentence.
Speaker 1: And on the other end of the same fucking spectrum,
Speaker 1: they're producing the animated series of Robert Kirkman's Invincible. I
Speaker 1: know you're watching The Boys, but you gotta watch Invincible.
Speaker 1: It's fucking incredible. I really think these guys are the
Speaker 1: standard bearers for New Hollywood, because a new one is coming.
Speaker 1: But if you want to watch the way old Hollywood
Speaker 1: is dealing with the transition, then The Studio is the
Speaker 1: show for you. Rogan plays Matt Remick, the newly anointed
Speaker 1: head of Continental Studios, pushing out former head Paddy Lee,
Speaker 1: played by streaming service Lucky charm Catherine O'Hara. This and
Speaker 1: the Last of Us so greedy, But then again, there's
Speaker 1: not enough more O'Hara. Are you here. He's assisted, if
Speaker 1: you can say that, by Matt's friend and VP of production,
Speaker 1: Sal sapristein that's the name you're gonna really remember by
Speaker 1: the end of the series, played by Ike Barnholtz, as
Speaker 1: he tries to battle the encroaching tide of IP mania
Speaker 1: that is consumed the entertainment world. That IP the intellectual property,
Speaker 1: is king these days, and they deal with it right
Speaker 1: out of the gate, with Continental securing the rights to
Speaker 1: make a kool Aid movie. How do you balance that
Speaker 1: commerce with art? Is it possible? Is anything art anymore?
Speaker 1: I suppose you can hire Martin Scorsese as they do here,
Speaker 1: and he can try to make a biography of Jim
Speaker 1: Jones and the Jonestown cult and call the whole thing
Speaker 1: kool aid. That goes down well kind of like kool aid.
Speaker 1: If I'm being honest, I kind of hated that beverage,
Speaker 1: except for the blue version that came out in the
Speaker 1: late eighties. Oh man, that was delicious. A picture of
Speaker 1: blue drink in Castlevania. That's an evening. But that's just
Speaker 1: episode one. Rogan's Matt is a self described cinophile, which
Speaker 1: is a dangerous thing to be in the current climate.
Speaker 1: So when he allows a filmmaker to shoot on film
Speaker 1: with much grand standing and a real goes missing, it
Speaker 1: isn't just a fuck up that insurance will cover. It's
Speaker 1: one of a million potential pitfalls that can bring the
Speaker 1: whole studio down, which might have seemed hilarious back in
Speaker 1: the day. But studios are falling left and right these days,
Speaker 1: which makes what would have been a trifle into an
Speaker 1: important statement, even a document of the final days of
Speaker 1: the studio system. I should also mention that the series
Speaker 1: is very funny. This is a comedy, and they squeeze
Speaker 1: the juice wherever they can, from cringing desperate attempts to
Speaker 1: be thanked at award shows to an entire episode dedicated
Speaker 1: to a woner, a shot in film typically that goes
Speaker 1: on for an inordinate amount of time, like I don't
Speaker 1: know the opening of the player, and then they cleverly
Speaker 1: made the entire episode a woner itself. That episode also
Speaker 1: features Sarah Paully. I love Sarah Paully, just wanted to
Speaker 1: put that out there. At the time of this recording,
Speaker 1: we only have eight of the ten episodes run available,
Speaker 1: but there hasn't been a misfire and it has been
Speaker 1: picked up for season two. If I have any criticism,
Speaker 1: it's about the cameos. It's kind of the same problem
Speaker 1: that they had in The Player. By the way, the
Speaker 1: actual head of the studio in the Studio is played
Speaker 1: by Brian Cranston. His character is named Griffin Mill, which
Speaker 1: is Jim Robbins's character's name in the Player. Anyway, we
Speaker 1: accept Rogan and Barnholdts as distinct characters, and then we
Speaker 1: get a cavalcade of as themselves cameos Martin Scorsese, Ron
Speaker 1: Howard ice Cube, Adam Scott, Johnny Knoxville, Quinta Brunson, and
Speaker 1: on and on and on. So when David Crumbholt shows
Speaker 1: up as an agent or Rebecca Hall as a surgeon,
Speaker 1: I know this is a quibble, but it's really jarring,
Speaker 1: and I also know there's no solution for it. But anyway,
Speaker 1: in the plus column, Continental has a backlot, so the
Speaker 1: series is filled to the brim with tons of walking
Speaker 1: around or golf carting around past the sites you always
Speaker 1: want to see but you never actually get to on
Speaker 1: a backlot. I'm talking about cowboys mingling with showgirls while
Speaker 1: camels are led past. In the background, all that dream
Speaker 1: factory goodness. What it's not dark enough? Aren't things dark
Speaker 1: enough these days? Guess not hit at hp.
Speaker 3: J.
Speaker 2: It's rare film.
Speaker 1: Thank you hp Watch out for those corporate weasels. Rip's
Speaker 1: pick is the dark twin of the studio. This premiered
Speaker 1: back in nineteen ninety nine on Fox, lasting one season.
Speaker 1: It's called Action. It was created by Chris Thompson, who'd
Speaker 1: written on Laverne and Shirley and Bosom Buddies before escaping
Speaker 1: the TV ghetto with Jumpin' Jack Flash and Back to
Speaker 1: the Beach and then back to the TV ghetto with
Speaker 1: Larry Sanders Show and The Naked Truth before producing Action.
Speaker 1: That's the story of Peter Dragon, a Joel silver Like,
Speaker 1: a mega producer of big budget action films whose recent
Speaker 1: flick Slow Torture was one hundred and fifty million dollars bomb.
Speaker 1: The series follows Dragon as he tries to claw his
Speaker 1: way back to the top with the help of a
Speaker 1: former child star turned high priced call girl played by
Speaker 1: Ilianna Douglas. Of course it is oh and Peter Dragon
Speaker 1: is Jay Moore at his absolute best. I don't know
Speaker 1: how to describe what that best is, but it's on display. Actually,
Speaker 1: you know what it is. He had this cocky swagger
Speaker 1: that seemed a bit unearned, but you still appreciated it
Speaker 1: for its exuberance. All of that works perfectly as Peter Dragon,
Speaker 1: that same kind of self importance that you're always wondering
Speaker 1: if they can actually back up, you know, the kind
Speaker 1: you see in well Joel Silver. By the way, Joel Silver,
Speaker 1: executive producer on the show, This is a bitter show.
Speaker 1: I dare say it's a hostile show, and I'm shocked
Speaker 1: it was on network television at the time. It strained
Speaker 1: at conventions, but was hamstrung by them, and it probably
Speaker 1: should have been on HBO. You can't really build up
Speaker 1: any steam criticizing corporate bullshit in between commercials for soap.
Speaker 1: You dig a bitter irony. Considering HBO wanted the series,
Speaker 1: but Fox offered a higher budget and the potential to
Speaker 1: make the actual film being made in the series, So
Speaker 1: Peter Dragon spends the entirety of season one attempting to
Speaker 1: get a movie made called Beverly Hill's Gun Club. At
Speaker 1: the end of season one, Fox would then air the
Speaker 1: actual movie, Beverly Hills gun Club. Who could resist that?
Speaker 1: In the end, Fox would air only eight episodes of
Speaker 1: the Sea before canceling it, which is a drag. It
Speaker 1: would have flourished over on home box office, But then
Speaker 1: maybe that's for the best, because it would have kept
Speaker 1: its story editor in place and we'd be all the
Speaker 1: worse for it. Will Forte, one of the genuinely weirdest
Speaker 1: writer performers to ever come out of Saturday Night Live,
Speaker 1: was the story editor on Action and he wrote three
Speaker 1: episodes of very funny episodes. Also funny is how all
Speaker 1: three properties I've mentioned, The Player, the Studio, and now
Speaker 1: Action are all predicated on panic. These are frantic stories
Speaker 1: about people just trying to keep their heads above water,
Speaker 1: like we're all doing these days. I believe Action is
Speaker 1: on Prime if you want to check it out, it
Speaker 1: might be on YouTube for free. I think it's a
Speaker 1: hell of a book. End of the Studio, both of
Speaker 1: those books, by the way, sitting on a bookshelf called
Speaker 1: the Player. Maybe you should just check out the Player.
Speaker 1: That's going to do it for us. Thank you for
Speaker 1: joining us once again. I've got to get out of here.
Speaker 1: I got to try and repair my e bikes back tire.
Speaker 1: Never dealt with a fucking there to bullshit anyway. God
Speaker 1: help me this Friday. Like I said, Hpver joins us
Speaker 1: on Fusco Festa talk Babe Ruth. That's that's I'm that's
Speaker 1: gonna be good. It's gonna be something next week on
Speaker 1: Round Up maybe and er, I don't know, maybe something else.
Speaker 1: Here's a bit from Action.
Speaker 3: Now.
Speaker 2: You are perilously close to be incited for contempt, mister Dragon.
Speaker 3: I'm already in content. I'm in content of all of
Speaker 3: you old whores and hypocrits. At least, I'm giving the
Speaker 3: American people what they want.
Speaker 2: And just exactly what is it that you think they want.
Speaker 3: I'll tell you exactly what they want, Senator. They want
Speaker 3: chasings and car crashes. They want firm, breast and tight
Speaker 3: ass Latino men. They want their cowboys to be strong
Speaker 3: and silent. They want their cops to bend the rules
Speaker 3: to get the job done. They want the boy to
Speaker 3: get the girl. They want the alien to be killed
Speaker 3: unless he's cute. They want the good guy to win.
Speaker 3: They want the bad guy to die, hopefully in the
Speaker 3: biggest explosion the budget will allow. But most importantly, Senator,
Speaker 3: they want to walk into a theater and for ninety minutes,
Speaker 3: forget the fucking mess that you have left of this nation.
Speaker 2: You, sir, a malignancy on America.
Speaker 3: If I'm a malignancy, well, if I'm a malignancy and
Speaker 3: my movies are cancer, I hope the whole damn country
Speaker 3: gets cancer. How's that