WEBVTT

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<v Speaker 1>In retirement, a person's sense of time shifts. Days are

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<v Speaker 1>both longer and quicker than the years of work. I'm

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<v Speaker 1>not the saw two pines from my rud all angers

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<v Speaker 1>of our old Enian newsletters, but I do find comfort

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<v Speaker 1>and routine the way the city opens up with every

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<v Speaker 1>familiar step. Thirty one years behind a wheel mint, I

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<v Speaker 1>knew both the mapped arteries and the odd little capillaries

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<v Speaker 1>of our coastal streets. So when I say I know

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<v Speaker 1>this patch of turn a quiltrok of salt wash, victorians

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<v Speaker 1>of button crack concrete walkups, I mean it with an

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<v Speaker 1>affection nearly anatomical. I'd always considered myself hard surprise, especially

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<v Speaker 1>by the city itself. That's why the morning in question

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<v Speaker 1>stands out. Sunlight, slanting shop off dam, bassfot, gulls riding

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<v Speaker 1>some gusts behind the roofs, the taste of better drip

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<v Speaker 1>coffee still on my tongue. I set out as usual,

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<v Speaker 1>cutting east along Woodmey Avenue, then coming down the line

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<v Speaker 1>of rowhouses toward Haskell Street. My mind was on the

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<v Speaker 1>blue mail books that used to stand outside the old

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<v Speaker 1>laundrom at, a landmark now replaced by aggressive landscaping and

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<v Speaker 1>a community run little free library. That's how I nearly

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<v Speaker 1>missed it. I squinting across the street, considering whether to

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<v Speaker 1>go another block for a real cinnamon band, when a

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<v Speaker 1>flash of color caught at the edge of my vision.

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<v Speaker 1>A sliver between two buildings, an alley so tight that

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<v Speaker 1>sunlight faded half way down, daubed at the entrance with

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<v Speaker 1>a panel of fresh mural and explosion of bread rolls, warmokers,

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<v Speaker 1>and roads, as if graffiti had collaborated with a hungry baker.

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<v Speaker 1>It wasn't one of the map cut throughs narrow enough

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<v Speaker 1>for a push out, but barely. I paused, listening to

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<v Speaker 1>the hush inside it not silence, more sound, damp and stillness,

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<v Speaker 1>like stepping into side room during a party. I could

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<v Speaker 1>smell yeas fresh and sweet, although the only baker I

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<v Speaker 1>knew had been torn down in nineteen ninety eight. Still,

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<v Speaker 1>the mural's joke was resistible. I slept down the alley,

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<v Speaker 1>running a hand along brickwick that felt just faintless decay,

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<v Speaker 1>as if some one had spilled soda and half washed

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<v Speaker 1>it impossible. Geometry happens sometimes in cities. A street that narrows,

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<v Speaker 1>thin broadens a gap that makes no sense until you're

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<v Speaker 1>in it. I dismissed those in my days on the route,

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<v Speaker 1>explaining them with block angles and foreshortening. This alley, though,

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<v Speaker 1>felt like a crease in the neighborhood, slightly bent inward,

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<v Speaker 1>the sense of distance from holding down at the far end.

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<v Speaker 1>I merged not onto the noisy expanse of Clifton Boulevard,

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<v Speaker 1>as I'd expect, but on to the quieter stretch of

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<v Speaker 1>Timber Line, a two minute deter at best usually. But

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<v Speaker 1>when I glanced at my watch, I covered what should

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<v Speaker 1>have been a twenty minute walkin under five. The digital

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<v Speaker 1>numbers glowed cheerfully. I stood, blinking hot, suddenly faster, half

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<v Speaker 1>convinced I'd misfread something or ridiculous, thought it dozed off midwalk.

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<v Speaker 1>I checked for landmarks that battered via hydrant painted purple

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<v Speaker 1>by the local preschool Mss Chance Flowers shop with its autorariums,

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<v Speaker 1>the bent street signed for Elm Circle. Everything as it

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<v Speaker 1>should be, perfectly ordinary. Yet time had hiccupped. My legs

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<v Speaker 1>told me I had strolled, not rushed. I searched for

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<v Speaker 1>an explanation. Perhaps a block was shorter than I remembered

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<v Speaker 1>perhaps my watch was off, but there was no denying

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<v Speaker 1>peculiarticle at the edge of my mind. For once the

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<v Speaker 1>city had at maneuvered me, And in the quiet after

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<v Speaker 1>that walk, I found myself wanting not cinnamon ban but answers.

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<v Speaker 1>There is a particular satisfaction in thinking ye know a place,

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<v Speaker 1>an entire system of landmarks and shortcuts that feels as

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<v Speaker 1>much a part of you as a pattern of veints

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<v Speaker 1>on your hand. I have claimed that satus faction for decades,

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<v Speaker 1>long after my driver's badge stopped getting me free coffee

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<v Speaker 1>in most places, and long after the city swapped out

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<v Speaker 1>our favorite model buses for sleeker, colder machines. Back at

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<v Speaker 1>my apartment, the afternoon sunlight was already toting gold across

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<v Speaker 1>my tiny collection of route memorabilia, all transit passes for

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<v Speaker 1>driver's cat, the first city map I'd ever collected. My

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<v Speaker 1>apartment is small enough for a person to circum navigate

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<v Speaker 1>before their tea boils, but it holds more stories than

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<v Speaker 1>square footage. There's a warm path from kitchen to living room,

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<v Speaker 1>the sun warm spot on the faded sofa, the wall

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<v Speaker 1>of photos clipped behind a souvenir bus stop sign. I

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<v Speaker 1>paused wallet and fawn on the counter and tried to

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<v Speaker 1>replay my walk in my mind. Could I have skipped

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<v Speaker 1>a block, taken a short cut without realizing? There's little

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<v Speaker 1>mental scouries people make when they are distracted, and maybe

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<v Speaker 1>this was just memories trick. My neighborhood is a stopcat place,

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<v Speaker 1>anchored by allstos like myself, in a constant shurn of

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<v Speaker 1>newcomers trying to land in the city's heart. Every morning,

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<v Speaker 1>I take the familiar loop through the misake of stoops

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<v Speaker 1>on withodmere, past the uneven flagstones of Cali's Row, and,

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<v Speaker 1>depending on the mood, into Massess Porter's corner shop, for

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<v Speaker 1>which she claims is the city's strongest ginger candy. Missess

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<v Speaker 1>Porter herself is a keeper of both facts and fables.

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<v Speaker 1>She knows which stoops to avoid during winter ice, in

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<v Speaker 1>which tenants water their tomatoes with dark beer. Only she

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<v Speaker 1>could detail both the birth of the annual block fare

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<v Speaker 1>and its various ancient disputes. This morning, as always, she

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<v Speaker 1>greeted me with the same cheerful skepticism she reserved for

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<v Speaker 1>those who shop before noon. Early Joe, you are either

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<v Speaker 1>up to something or avoiding Old Marvin's chess invitations, broutine,

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<v Speaker 1>missess porter, or what passes for it. She slid a

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<v Speaker 1>package of biscuits across the counter and cut an eyebrow.

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<v Speaker 1>I saw old Ken waiting outside the coffee shop. If

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<v Speaker 1>you ask me, he's got a new theory about the

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<v Speaker 1>best crossand rat grows more competitive each year. Ken is

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<v Speaker 1>more my nemesis than my friend, if such things are possible.

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<v Speaker 1>Late in life, he claimed special authority over the city's bones,

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<v Speaker 1>a phrase he likes to repeat whenever he manages to

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<v Speaker 1>shave off a minute from our usual walks. I admit

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<v Speaker 1>his sense of direction is sharp, but he's a stickler

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<v Speaker 1>for official routs. When mind driving days were about improvisation

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<v Speaker 1>in the face of construction, sudden parades, or a flock

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<v Speaker 1>of ducks. Ken worship's printed schedules. The morning routine is

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<v Speaker 1>an unspoken choreography. I buy my groceries, then wander to

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<v Speaker 1>the coffee shop, a narrow fronted place where the barriston

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<v Speaker 1>knows more about cities owning than about making cappucciner. Ken

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<v Speaker 1>sits by the winter, already making marks on his little

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<v Speaker 1>weather bus map. Cut through on Brook Street, he asks

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<v Speaker 1>without preamble blocked off some utility digging had to wiggle

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<v Speaker 1>around by evergreen ha that lab. Minutes he sat triumphant.

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<v Speaker 1>We went back and forth as usual. Nobody beats ken

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<v Speaker 1>at predicting official time. But my pride was never in

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<v Speaker 1>published numbers. I deal in Goughfiel, inside streets, in knowing

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<v Speaker 1>exactly when mister Andreotti's bakery opens, and were touvoid to

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<v Speaker 1>middle school exodus. I nearly mentioned the alley, but maybe

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<v Speaker 1>out of pride, maybe because I hadn't quite decided if

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<v Speaker 1>it was an 'er. It stayed on the tip of

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<v Speaker 1>my tongue. Missess Porto, when she popped in later with

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<v Speaker 1>the delivery for the coffee shop, lolled. Another mystery, my way,

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<v Speaker 1>did you ever hear about the city? Historian Ferris giving

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<v Speaker 1>a public lecture to Night at the Hall Invisible Connections,

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<v Speaker 1>Secret histories of urban space could be your thing, Joe

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<v Speaker 1>I grain and pocketing her card. A lecture sounded more

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<v Speaker 1>like a lock than an answer, But you never know

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<v Speaker 1>what old bones the city might turn up. Where most

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<v Speaker 1>people see the city as a static backdrop, I can

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<v Speaker 1>only think of it as perpetually alive shape shifting under

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<v Speaker 1>a new bus schedule here, and new condos spreading there.

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<v Speaker 1>Even the flavor of their change is the salt tang

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<v Speaker 1>near the old ocks, the metal bye after rain, the

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<v Speaker 1>odd bakeries, and at for some reason, lingered in my

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<v Speaker 1>mind all afternoon. Back at my table, I traced a

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<v Speaker 1>finger across my old bus map rat's color coated in

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<v Speaker 1>marker key cut through his double circled, and annotated in

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<v Speaker 1>my tidy, blocky handwriting, the city's streets to sit out

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<v Speaker 1>like veins. But that alley wasn't there. Neither was the mural,

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<v Speaker 1>nor any notation of a fast path between Woodmere and Timberline.

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<v Speaker 1>But wasn't that always the way in a city like this,

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<v Speaker 1>connections matt others lost in memory or repaved into obscurity.

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<v Speaker 1>I stood for a long moment, watching the way the

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<v Speaker 1>afternoon let up the alley. In my mind, cities are

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<v Speaker 1>routines and interruptions, memory layered over change. Maybe I had

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<v Speaker 1>missed something, or just maybe the city had decided to

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<v Speaker 1>show me a short cut of its own choosing. Maps

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<v Speaker 1>do not lie, but they also do not care much

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<v Speaker 1>for the details of living. The next morning, curiosity at

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<v Speaker 1>full boil, I shuffled the old bus map onto my

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<v Speaker 1>kitchen table, a paper testimony to decades of detos and truncasions.

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<v Speaker 1>My plan was simple, were trace yesterday's steps on paper, then,

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<v Speaker 1>with phone in hand, with the clarity of proper preparation,

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<v Speaker 1>walk the shortcut again. First the map woomir ran east

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<v Speaker 1>west Timberline parallel, but never perfectly. The physical city pooks

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<v Speaker 1>one at perfect geometry, Streets that dick were they ought

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<v Speaker 1>to zag, blocks that shrink or swell with little warning.

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<v Speaker 1>In the decades old paper map, the alley between the

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<v Speaker 1>two avenues was enough to thought a faint gray stop,

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<v Speaker 1>neither named nor marked for traversal. The online map app,

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<v Speaker 1>which cleans live updates and never sleeps, showed the alley

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<v Speaker 1>as a dead end, not connecting to timber Line at all. Impossible.

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<v Speaker 1>I had walked it plainly the day before, as quinted

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<v Speaker 1>cross referencing, then reached for the old schedule sheets as

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<v Speaker 1>familiar as poetry, listing transfer times and estimated walks between stops.

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<v Speaker 1>Even in a most optimistic version, no route shaved more

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<v Speaker 1>than five minutes from the traverse between those two streets.

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<v Speaker 1>The short cut, as I experience, inst it simply didn't exist,

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<v Speaker 1>not according to the city, the map or the schedules

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<v Speaker 1>that paid my salary. I decided to turn to human memory,

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<v Speaker 1>where the real city is stored. After all. Kin was

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<v Speaker 1>out front of the coffee shop again, nose in the paper,

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<v Speaker 1>feet propped on a rickety outdoor table. Kin, you ever

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<v Speaker 1>cut through that back alley between Woodmere and Timberline. Not

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<v Speaker 1>the one by the hardware store, the one after the

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<v Speaker 1>old mail books, he snorted. Not a short cut, Joe.

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<v Speaker 1>That Alice's blocked up at the far end or was

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<v Speaker 1>last time I jacked? Think they chained it up after

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<v Speaker 1>the fire wherein he's still working. Then there's a mural

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<v Speaker 1>now open as anything, He shrugged, the universal sign of

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<v Speaker 1>a man who hasn't reconsidered a low back pain in years.

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<v Speaker 1>If it's open, it doesn't go through. Never got your

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<v Speaker 1>cross faster than taking Haskell anyway, He pointed at his

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<v Speaker 1>with a map as of challenging me to a duel

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<v Speaker 1>magazine in hand. I strolled to missus Porter as to

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<v Speaker 1>quizz her before she ducked out for afternoon errands. She

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<v Speaker 1>frowned at my question. That alley I barely remember it

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<v Speaker 1>had a big blue mail box. Didn't I think they

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<v Speaker 1>tore that out the year they closed the bickery, or

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<v Speaker 1>maybe it just disappeared. She pressed her fingers to her temple,

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<v Speaker 1>sprinting in the way people do when excavating memory. I

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<v Speaker 1>used to let the kid run through it when you

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<v Speaker 1>could still see daylight from one end to the other.

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<v Speaker 1>Felt like a shortcut then, but I remember they complained

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<v Speaker 1>about it being a dead end. Her past and Ken's

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<v Speaker 1>memories did not match mine, and neither matched the map.

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<v Speaker 1>This left me floating between three versions of a city

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<v Speaker 1>I thought I knew as well as anything. I resolved

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<v Speaker 1>to try the short cut again. If I was misremembering,

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<v Speaker 1>i'd know. If not, well, that's a kind of mystery.

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<v Speaker 1>Retirement gives you the luxury to chase on the next walk.

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<v Speaker 1>Intent on precision, I checked and reset my watch before

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<v Speaker 1>leaving dusk, this time a gentle coller settling over the city,

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<v Speaker 1>making the alley seem like the inside of a corn shell.

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<v Speaker 1>The mural had changed subtly. The bread loaves ranged into

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<v Speaker 1>a crescent, a new streak of blue paint glunting. Each

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<v Speaker 1>step was careful and deliberate. Halfway through the air changed

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<v Speaker 1>wherey yesterday there was bakery scent to day. It was

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<v Speaker 1>a whiff of perfume, something citrusy and light, not clawing

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<v Speaker 1>on a breeze that shouldn't have penetrated the alice tite

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<v Speaker 1>stone jaws. The sound, too was off a faint bell somewhere,

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00:09:56.919 --> 00:09:59.639
<v Speaker 1>a score or a trolley I couldn't tell. Against the

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<v Speaker 1>wall a scattered cluster of bicculls with dusty seats, none

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<v Speaker 1>of which I recalled from before. I slowed, trying to

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<v Speaker 1>memorize every patch of light and shadow. Near the far end.

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<v Speaker 1>I stopped again, reassured myself at the ticking of my watch.

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<v Speaker 1>Five minutes. Ten steps out onto timber line, the familiar

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<v Speaker 1>batter fire hydrant winked at me, but the trash bin

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00:10:17.360 --> 00:10:19.799
<v Speaker 1>to its left gleaned freshly cleaned, as if readied for

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00:10:19.840 --> 00:10:24.159
<v Speaker 1>an inspection. My cheeks tingled. No other pedestrian, no hint

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<v Speaker 1>at anyone else used the alley in anything approaching regularity.

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<v Speaker 1>The clock confirmed I'd crossed an impossible span of city

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<v Speaker 1>blocks in less time than ever take to tie my shoes.

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<v Speaker 1>I paced off the distance, careful for accuracy. It didn't

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<v Speaker 1>matter how thoroughly I walked, or how hard I concentrated.

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<v Speaker 1>The short cut was a fact unto itself. I began

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00:10:41.200 --> 00:10:44.279
<v Speaker 1>to test it in small ways. Returning two days later,

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<v Speaker 1>I started from a different corner, one block up, approaching

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<v Speaker 1>the alley from the focide. This time I emerged not

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<v Speaker 1>quite on timber Line, but a block earlier than expected,

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<v Speaker 1>Having bypassed an entire intersection ron for the direction, I

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<v Speaker 1>had entered the familiar Linemark's Flowers shop VI. A hydrant

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00:10:58.159 --> 00:11:00.639
<v Speaker 1>felt slightly off, as if repainted in a Sutler key.

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00:11:01.200 --> 00:11:03.559
<v Speaker 1>What I noticed, too, was the changeability of the as

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00:11:03.600 --> 00:11:07.039
<v Speaker 1>tiny features. A staircase at one entrance that didn't exist

236
00:11:07.080 --> 00:11:09.879
<v Speaker 1>in previous walks. The echo of a song war was

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00:11:09.879 --> 00:11:12.600
<v Speaker 1>at a radio, drifting from no work on as soon

238
00:11:12.679 --> 00:11:15.960
<v Speaker 1>as I tried to place it, and always the unkenny quiet,

239
00:11:16.080 --> 00:11:18.720
<v Speaker 1>not desolate, but eleven its own way. It was never

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00:11:18.759 --> 00:11:21.320
<v Speaker 1>the same place twice, and yet always deposited me when

241
00:11:21.320 --> 00:11:23.399
<v Speaker 1>approached from my usual re precisely at the heart of

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00:11:23.440 --> 00:11:26.679
<v Speaker 1>where I wanted to be in suspiciously little time. Frustrated

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00:11:26.679 --> 00:11:30.399
<v Speaker 1>by memory slabrinus, I attempted documentation. Back at home. I

244
00:11:30.399 --> 00:11:32.600
<v Speaker 1>found my stubby colored pencils and drew the short cut

245
00:11:32.639 --> 00:11:35.399
<v Speaker 1>as I recalled it, overlaying my old bus map. The

246
00:11:35.440 --> 00:11:37.960
<v Speaker 1>path laid out a straight line, but when I tried

247
00:11:37.960 --> 00:11:39.840
<v Speaker 1>to trace it against an online map print out, the

248
00:11:39.879 --> 00:11:42.360
<v Speaker 1>alignment veered off, as if the alley balls sighed ways

249
00:11:42.399 --> 00:11:45.679
<v Speaker 1>halfway through. Approached from my kitchen table, the short cut's

250
00:11:45.720 --> 00:11:48.360
<v Speaker 1>orientation changed in ways. The physical streets simply do not

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00:11:48.440 --> 00:11:51.480
<v Speaker 1>need a matching grid. Noorgut one day away laid our

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00:11:51.480 --> 00:11:55.840
<v Speaker 1>neighborhood post all worker Sam, just outside missus Porter's. Sam,

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00:11:56.120 --> 00:11:57.919
<v Speaker 1>you ever cut through that alley, the one with the

254
00:11:57.960 --> 00:12:01.600
<v Speaker 1>bread mural, He glimpsed up from his bag. Don't know what.

255
00:12:01.759 --> 00:12:04.039
<v Speaker 1>There's an alley near that at Dumpsey, by the train tracks,

256
00:12:04.120 --> 00:12:05.879
<v Speaker 1>but you can't get a cat through. I just take

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00:12:05.879 --> 00:12:08.840
<v Speaker 1>the long way around. He shook his head, already sorting

258
00:12:08.919 --> 00:12:12.080
<v Speaker 1>letters for the next block. That alley, by every person's

259
00:12:12.080 --> 00:12:15.480
<v Speaker 1>account existed in fragments. For Ken, it didn't count as

260
00:12:15.480 --> 00:12:17.440
<v Speaker 1>a path from a cess porter. It led to a

261
00:12:17.440 --> 00:12:19.840
<v Speaker 1>mail box gone for decades. For Sam, it spotted out

262
00:12:19.840 --> 00:12:23.639
<v Speaker 1>somewhere near the train lines of geographical impossibility. Each investigation

263
00:12:23.720 --> 00:12:26.159
<v Speaker 1>brought a new contradiction, but none threatened me or made

264
00:12:26.159 --> 00:12:29.480
<v Speaker 1>me worried. If anything, I grew more delighted nipping at

265
00:12:29.519 --> 00:12:31.480
<v Speaker 1>the edges of some quiet urban magic, as if the

266
00:12:31.519 --> 00:12:33.720
<v Speaker 1>city were playing a game. Only I remembered the rules.

267
00:12:33.720 --> 00:12:37.519
<v Speaker 1>For now I started playing more actively. On different mornings,

268
00:12:37.559 --> 00:12:40.480
<v Speaker 1>I made deliberate variations, timing the walk, noting the weather,

269
00:12:40.559 --> 00:12:43.480
<v Speaker 1>or trying to spot any other shortcut seekers. The alley

270
00:12:43.480 --> 00:12:46.159
<v Speaker 1>shifted under different lights, some mornings wider, other day's joke

271
00:12:46.240 --> 00:12:49.720
<v Speaker 1>with puddles were strange echoes. Once I noted a newspaper

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00:12:49.720 --> 00:12:52.039
<v Speaker 1>on the ground to day's date, then another walk the

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00:12:52.039 --> 00:12:55.120
<v Speaker 1>same addition, but unstained by rain, as if coppered. Of

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00:12:55.200 --> 00:12:58.440
<v Speaker 1>all the changes, one remained constant. My passage drew always

275
00:12:58.440 --> 00:13:01.600
<v Speaker 1>brought me to Timberline impossibly quick. No one else seemed

276
00:13:01.639 --> 00:13:04.480
<v Speaker 1>to use it. By now, my ordinary walks had taken

277
00:13:04.480 --> 00:13:07.639
<v Speaker 1>on an edge of anticipation. Habit had become experiment. I

278
00:13:07.679 --> 00:13:11.240
<v Speaker 1>waited for an explanation to crystallize. My bus driver's mind,

279
00:13:11.440 --> 00:13:13.919
<v Speaker 1>well trained to spot the variances that cause a late arrival,

280
00:13:14.080 --> 00:13:17.399
<v Speaker 1>wanted reasons pedestrian only, mapping, subtle urban design, or perhaps

281
00:13:17.399 --> 00:13:19.919
<v Speaker 1>my own sense of time tell by retirement. But each

282
00:13:19.960 --> 00:13:23.399
<v Speaker 1>point of reference only pulled me deeper. The city, once familiar,

283
00:13:23.480 --> 00:13:26.600
<v Speaker 1>felt more elastic than i'd ever guessed memory and plays

284
00:13:26.720 --> 00:13:29.559
<v Speaker 1>I began to suspect were mixing in ways I hadn't understood.

285
00:13:30.120 --> 00:13:33.720
<v Speaker 1>The real pivot came quietly, as such things do. One morning,

286
00:13:33.879 --> 00:13:36.759
<v Speaker 1>after yet another shortcut success, I descended into her different

287
00:13:36.799 --> 00:13:39.799
<v Speaker 1>sort of experiment. By this point, I was convinced it

288
00:13:39.840 --> 00:13:42.840
<v Speaker 1>couldn't solely be a matter of distance. The map didn't

289
00:13:42.879 --> 00:13:46.279
<v Speaker 1>allow it. Yet my experience was a refutable I asked myself,

290
00:13:46.440 --> 00:13:48.879
<v Speaker 1>what if it wasn't about the al's physicality, but about

291
00:13:48.879 --> 00:13:50.919
<v Speaker 1>how I walked the whole pattern of routine before it.

292
00:13:51.440 --> 00:13:54.200
<v Speaker 1>That morning, I left her earlier than usual, purposefully breaking

293
00:13:54.240 --> 00:13:56.200
<v Speaker 1>the rhythm. No cup of trick coffee, no visit to

294
00:13:56.200 --> 00:13:59.240
<v Speaker 1>missus Porter, straight to the ELL's math. The short cut

295
00:13:59.320 --> 00:14:02.279
<v Speaker 1>didn't work. I emerged after what felt like a normal,

296
00:14:02.320 --> 00:14:05.080
<v Speaker 1>if pleasant stroll with nothing remarkable about The duration turned

297
00:14:05.080 --> 00:14:07.519
<v Speaker 1>out to twenty minutes, just as the map would suggest.

298
00:14:08.080 --> 00:14:10.720
<v Speaker 1>For plexed, I altered my experiment, returned to my established

299
00:14:10.759 --> 00:14:13.159
<v Speaker 1>routine the next day, greeting Missess Porter, collecting a bag

300
00:14:13.200 --> 00:14:15.759
<v Speaker 1>of groceries, sipping coffee with Ken, keeping Mum about my

301
00:14:15.799 --> 00:14:17.639
<v Speaker 1>experiment as he laughed me right out of the shop,

302
00:14:17.679 --> 00:14:20.799
<v Speaker 1>Tracing my habitual route vial Woodmere. When I took the alley,

303
00:14:20.840 --> 00:14:23.159
<v Speaker 1>this time it folded for me again, distance complain, a

304
00:14:23.200 --> 00:14:25.519
<v Speaker 1>turn or two, snapping away, and I popped onto timberline

305
00:14:25.519 --> 00:14:28.080
<v Speaker 1>after what felt like no time at all. My watch

306
00:14:28.120 --> 00:14:32.320
<v Speaker 1>corroborated the story. I tested variations, approaching from different angles,

307
00:14:32.320 --> 00:14:34.799
<v Speaker 1>starting the daud of order, sometimes forcing a jog or

308
00:14:34.799 --> 00:14:37.840
<v Speaker 1>pausing for a phone call. Whenever my routine was skewed,

309
00:14:37.919 --> 00:14:41.559
<v Speaker 1>the shortcut refused to appear as anything but a regular alley, damp, narrow,

310
00:14:41.679 --> 00:14:44.399
<v Speaker 1>nothing unusual at all. It became clear that my old

311
00:14:44.440 --> 00:14:47.000
<v Speaker 1>city routine, and grained by decades of the same streets

312
00:14:47.000 --> 00:14:50.200
<v Speaker 1>and turning points, was an integral part of the shortcuss existence,

313
00:14:51.000 --> 00:14:53.399
<v Speaker 1>like the city was rewarding me for honoring its pathways,

314
00:14:53.399 --> 00:14:55.200
<v Speaker 1>a private thank you for a year spent reading a

315
00:14:55.240 --> 00:14:58.399
<v Speaker 1>hidden rhythms of routes and blockages as adele. Further, I

316
00:14:58.480 --> 00:15:00.960
<v Speaker 1>dredged up about a chief of busquedgele from decades ago,

317
00:15:01.039 --> 00:15:04.120
<v Speaker 1>unnurt from a shub box of memorabilia. One folded page

318
00:15:04.120 --> 00:15:06.600
<v Speaker 1>listed proposed cut throughs for future routes, which full lines

319
00:15:06.600 --> 00:15:09.879
<v Speaker 1>scrawled in pencil, many abandoned to the city's bureaucratic indifference.

320
00:15:10.559 --> 00:15:13.159
<v Speaker 1>There in ters print was an entry for Woomer timber

321
00:15:13.200 --> 00:15:16.240
<v Speaker 1>Line proposed ali cut abandoned due to ongoing boundary confusion.

322
00:15:16.759 --> 00:15:20.159
<v Speaker 1>The phrase lingered even on paper. The alley had insisted

323
00:15:20.159 --> 00:15:23.039
<v Speaker 1>on ambiguity. I began to feel that what I was

324
00:15:23.080 --> 00:15:25.360
<v Speaker 1>experiencing was less a quirk of the city's design and

325
00:15:25.399 --> 00:15:27.720
<v Speaker 1>more a mirroring of some larger truth away. Our habits,

326
00:15:27.960 --> 00:15:30.600
<v Speaker 1>our histories, and our own roles in the city's machinery

327
00:15:30.600 --> 00:15:32.679
<v Speaker 1>bent its shape to fit us, if only for a moment.

328
00:15:33.360 --> 00:15:37.039
<v Speaker 1>But the contradiction ran deeper. Yet all my experiments depended

329
00:15:37.039 --> 00:15:38.759
<v Speaker 1>on me alone. I'd never tried to bring some one

330
00:15:38.759 --> 00:15:41.240
<v Speaker 1>else into the short cut. Would the city reveal it

331
00:15:41.360 --> 00:15:43.679
<v Speaker 1>quiet magic if I shared it? Oh? Was this a

332
00:15:43.720 --> 00:15:47.200
<v Speaker 1>private arrangement? It hasid agreement between retiree and urban grid.

333
00:15:47.799 --> 00:15:50.000
<v Speaker 1>That's when I decided to test the short cut's bundaries

334
00:15:50.039 --> 00:15:52.919
<v Speaker 1>with another person, brain Ken, half outraged by my secrecy

335
00:15:52.960 --> 00:15:54.919
<v Speaker 1>and half tempted by my curiosity to see if the

336
00:15:54.960 --> 00:15:57.720
<v Speaker 1>city would band for us both. He was suspicious in

337
00:15:57.759 --> 00:16:00.200
<v Speaker 1>a way only the perpetchale best it can be. So

338
00:16:00.360 --> 00:16:03.080
<v Speaker 1>this is your big reveal some alleys he beats the schedule.

339
00:16:03.639 --> 00:16:06.639
<v Speaker 1>Walk it with me, I said, let the city prove itself.

340
00:16:07.240 --> 00:16:09.799
<v Speaker 1>We started together from the shop, Me with my habitual

341
00:16:09.840 --> 00:16:12.440
<v Speaker 1>bag and coffee, Ken with his skepticis and folded tide.

342
00:16:12.879 --> 00:16:15.120
<v Speaker 1>Every step was familiar, so much so that I found

343
00:16:15.120 --> 00:16:17.519
<v Speaker 1>myself reciting old bus shifts in my mind, the rats

344
00:16:17.519 --> 00:16:19.960
<v Speaker 1>that used to be second nature. At the mouth of

345
00:16:20.000 --> 00:16:22.919
<v Speaker 1>the alley, Kens quinted at the mural, I never saw

346
00:16:23.000 --> 00:16:26.600
<v Speaker 1>this before, must be new. We stepped in together. This

347
00:16:26.759 --> 00:16:30.840
<v Speaker 1>time everything changed. Ken grumbled about the incline, muttering that

348
00:16:30.879 --> 00:16:33.559
<v Speaker 1>it was muddier than he recalled. He moves lower than me,

349
00:16:33.600 --> 00:16:36.200
<v Speaker 1>stopping to complain about an abandoned bicycle blocking the way.

350
00:16:36.840 --> 00:16:41.320
<v Speaker 1>When we reached Timberline, he declared himself unimpressed. Long way round, Joe,

351
00:16:41.360 --> 00:16:43.440
<v Speaker 1>if you want to cut time, take haskell Ye. City

352
00:16:43.480 --> 00:16:46.679
<v Speaker 1>boys get too attached to old habits. He pointedly checked

353
00:16:46.679 --> 00:16:49.639
<v Speaker 1>his watch, grimacing at the wasted minutes. I felt a

354
00:16:49.679 --> 00:16:52.759
<v Speaker 1>strange fiss inside my skull. My experience of the walk

355
00:16:52.759 --> 00:16:55.200
<v Speaker 1>had been different. Times slept away, whole moments skipped, and

356
00:16:55.240 --> 00:16:57.200
<v Speaker 1>I felt as if the alley had swallowed a handful

357
00:16:57.240 --> 00:17:00.120
<v Speaker 1>of minutes at least. Yet we'd started together and did

358
00:17:00.120 --> 00:17:04.920
<v Speaker 1>it together and had opposite experiences. After Ken departed, still muttering,

359
00:17:05.000 --> 00:17:07.319
<v Speaker 1>I began approaching more people with the story, careful not

360
00:17:07.400 --> 00:17:10.440
<v Speaker 1>to sound like a crank. Neighbors blinked, some saying they

361
00:17:10.480 --> 00:17:12.680
<v Speaker 1>sort of remembered using the alley in their youth, but

362
00:17:12.680 --> 00:17:15.400
<v Speaker 1>couldn't recall how it connected now. One made a half

363
00:17:15.440 --> 00:17:17.480
<v Speaker 1>joke about ending up on the wrong block by accident.

364
00:17:17.519 --> 00:17:19.359
<v Speaker 1>Another claimed to have come out by the ice cream

365
00:17:19.400 --> 00:17:21.880
<v Speaker 1>shop a full half mile away from any possible connection.

366
00:17:22.559 --> 00:17:25.559
<v Speaker 1>Another shyly mentioned getting turned around and finding a newspaper

367
00:17:25.559 --> 00:17:28.000
<v Speaker 1>on the ground with the rong date. With each account,

368
00:17:28.000 --> 00:17:31.240
<v Speaker 1>the alley's reality grew more slippery. Some had new matches

369
00:17:31.279 --> 00:17:34.400
<v Speaker 1>to my experience, but all had subtle contradictions of detail misplace,

370
00:17:34.559 --> 00:17:36.960
<v Speaker 1>a time of day, rom a feature missing or multiplied.

371
00:17:37.559 --> 00:17:39.799
<v Speaker 1>Whenever I asked someone to join me to replicate my

372
00:17:39.839 --> 00:17:43.200
<v Speaker 1>habitual walk, the result was always unsatisfying, either lost time

373
00:17:43.279 --> 00:17:45.920
<v Speaker 1>or long deader, sometimes a moment of confusion, but never

374
00:17:45.960 --> 00:17:48.960
<v Speaker 1>mind folded saving shortcut. It was as if the pathway

375
00:17:48.960 --> 00:17:50.599
<v Speaker 1>my shortcut, was not a feature of the city, but

376
00:17:50.640 --> 00:17:52.960
<v Speaker 1>a feature born of my decades of pacing its bones.

377
00:17:53.200 --> 00:17:56.400
<v Speaker 1>My own internalis grew pressing up against the worlds. I

378
00:17:56.400 --> 00:17:59.119
<v Speaker 1>bought a notebook and kept the log times walked notes

379
00:17:59.160 --> 00:18:01.880
<v Speaker 1>on whether since details of what felt different, records of

380
00:18:01.960 --> 00:18:05.559
<v Speaker 1>Ken's and others attempts. I drew maps aligning my afternoon

381
00:18:05.640 --> 00:18:09.799
<v Speaker 1>shortcut against my mourning routines. Each overlay shifted, twisted, like

382
00:18:09.839 --> 00:18:13.640
<v Speaker 1>a kaleidoscope of possibility embedded in the ordinary. The realization

383
00:18:13.720 --> 00:18:15.880
<v Speaker 1>landed with a peculiar comfort. The short cut was not

384
00:18:15.920 --> 00:18:18.680
<v Speaker 1>a static place. It existed for me because it I

385
00:18:18.680 --> 00:18:21.720
<v Speaker 1>could my rhythms, old muscle memory from years of securitous turns,

386
00:18:21.880 --> 00:18:24.880
<v Speaker 1>block watching at the wheel. For others, it meant nothing

387
00:18:25.000 --> 00:18:28.079
<v Speaker 1>or meant something else. Entirely, the city's logic was both

388
00:18:28.079 --> 00:18:31.839
<v Speaker 1>shared and astonishingly personal. Night settled through my window outside

389
00:18:31.839 --> 00:18:33.839
<v Speaker 1>a cat wound and twin circles under the street lamp.

390
00:18:34.400 --> 00:18:37.720
<v Speaker 1>In that shining dusk, the line between routine and possibility blurred,

391
00:18:37.799 --> 00:18:40.640
<v Speaker 1>and I understood that my curiosity had shifted. I no

392
00:18:40.759 --> 00:18:43.240
<v Speaker 1>longer wanted to prove the shortcuts reality. I wanted to

393
00:18:43.319 --> 00:18:45.039
<v Speaker 1>understand what it meant to live in a city that

394
00:18:45.119 --> 00:18:49.039
<v Speaker 1>folded so intimately to fit our invisible individual geographies. I

395
00:18:49.079 --> 00:18:51.160
<v Speaker 1>slept with the shortcut sketched and pencil on the table

396
00:18:51.160 --> 00:18:53.279
<v Speaker 1>by my bedside, the city keeping its secrets for now,

397
00:18:53.319 --> 00:18:55.200
<v Speaker 1>but knowing as I did that I was not quite

398
00:18:55.240 --> 00:18:58.079
<v Speaker 1>the only cartographer here. The pencil map on my nights

399
00:18:58.079 --> 00:19:00.480
<v Speaker 1>and led a smudge into the page, city blocks dissolving

400
00:19:00.519 --> 00:19:02.839
<v Speaker 1>into a pale fog. With a short cut. My shortcut

401
00:19:02.880 --> 00:19:06.079
<v Speaker 1>curved between Woomir and timberline. Moonlight came through the half

402
00:19:06.119 --> 00:19:08.880
<v Speaker 1>open blinds, cutting stripes across the old scheduled print outs.

403
00:19:08.880 --> 00:19:11.319
<v Speaker 1>In the corner of ken'sdaal g eared map he'd left behind,

404
00:19:12.240 --> 00:19:14.240
<v Speaker 1>I traced him for retrace the line with my finger,

405
00:19:14.359 --> 00:19:16.559
<v Speaker 1>searching for some slight groove evidence that the paper had

406
00:19:16.559 --> 00:19:18.799
<v Speaker 1>given in become pliable. Let the short cut exist in

407
00:19:18.880 --> 00:19:21.960
<v Speaker 1>more than memory. It was nothing but graphite and habit

408
00:19:22.559 --> 00:19:25.920
<v Speaker 1>At fifty eight, I expected curiosity to contract, the world defined,

409
00:19:26.000 --> 00:19:28.960
<v Speaker 1>my role, diminishing with each winter. Instead, the city had

410
00:19:29.000 --> 00:19:32.480
<v Speaker 1>forked open with strangeness. People say retirement gives you time

411
00:19:32.519 --> 00:19:34.680
<v Speaker 1>to idle, but I was busy, busy with puzzles. I

412
00:19:34.720 --> 00:19:37.079
<v Speaker 1>only half admitted to caring about busy, standing at the

413
00:19:37.039 --> 00:19:40.440
<v Speaker 1>age of possibility and routine. The next morning, I decided

414
00:19:40.440 --> 00:19:42.960
<v Speaker 1>to take the kind of deliberate, systematic approach Ken would

415
00:19:42.960 --> 00:19:45.440
<v Speaker 1>never expect from me. I'd map it, really, map it,

416
00:19:45.559 --> 00:19:47.759
<v Speaker 1>not just for memory, and not just as a game,

417
00:19:47.839 --> 00:19:49.799
<v Speaker 1>but to see if the alley was ever exactly the

418
00:19:49.839 --> 00:19:53.519
<v Speaker 1>same twice in any recordable way. Stop, porch, notebook, and

419
00:19:53.640 --> 00:19:55.799
<v Speaker 1>about a digital camera, the kind that takes four seconds

420
00:19:55.799 --> 00:19:58.920
<v Speaker 1>to snap a single blurry photo, were my tools. My breath.

421
00:19:58.920 --> 00:20:00.799
<v Speaker 1>Missed it in the morning, chill as I side stepped

422
00:20:00.799 --> 00:20:03.240
<v Speaker 1>trash bends and recited to myself each landmark passed on

423
00:20:03.240 --> 00:20:06.799
<v Speaker 1>an habitual route. Misses porter stocking bottles of ginger ale

424
00:20:06.839 --> 00:20:10.440
<v Speaker 1>in her window, waved without questions. Ken's coffee cabsolute through

425
00:20:10.440 --> 00:20:13.000
<v Speaker 1>the plate glass was muted by some glare, his skepticism

426
00:20:13.000 --> 00:20:15.880
<v Speaker 1>a fixed point in an otherwise shifting world. The alice

427
00:20:16.000 --> 00:20:19.960
<v Speaker 1>entrance glistened with fresh dew graffiti nearly shimmering on today's mural.

428
00:20:20.039 --> 00:20:22.359
<v Speaker 1>The brave rolls appeared, dusted in flower, and a tiny

429
00:20:22.359 --> 00:20:26.400
<v Speaker 1>painted spurropursh atop the crusts. I took three photos, paused

430
00:20:26.400 --> 00:20:29.119
<v Speaker 1>the start patch shrode purposefully threw hands on warm brick,

431
00:20:29.359 --> 00:20:31.839
<v Speaker 1>The scent to day more like cinnamon. The nast the

432
00:20:31.880 --> 00:20:34.240
<v Speaker 1>camera froze as I tried to document the shimmer of

433
00:20:34.240 --> 00:20:36.319
<v Speaker 1>air just with the alley arrowed, and when I reviewed

434
00:20:36.319 --> 00:20:38.960
<v Speaker 1>the imagies, the light had pulled oddly, flattening angles and

435
00:20:38.960 --> 00:20:42.640
<v Speaker 1>erasing the mural behind a white flare emerging into timber line,

436
00:20:42.839 --> 00:20:46.400
<v Speaker 1>just as before the numbers did their impossible dance. Seven

437
00:20:46.440 --> 00:20:48.960
<v Speaker 1>minutes had passed, but by pac and muscle memory alone,

438
00:20:48.960 --> 00:20:50.559
<v Speaker 1>I had walked a third as far as I should have.

439
00:20:51.200 --> 00:20:52.839
<v Speaker 1>Sitting on the curb, I drew a little more of

440
00:20:52.839 --> 00:20:56.519
<v Speaker 1>my prodate transit mapped tiny arrows, dotted lions, swelling reminders.

441
00:20:57.200 --> 00:21:00.039
<v Speaker 1>I called Ken, leaving a message on his answering machine,

442
00:21:00.200 --> 00:21:02.160
<v Speaker 1>not a warning or both. Just wanted you to know

443
00:21:02.200 --> 00:21:05.039
<v Speaker 1>I'm still working on the city's bones. I wasn't sure

444
00:21:05.079 --> 00:21:07.440
<v Speaker 1>he'd understand, but some messages are more for the sender.

445
00:21:08.119 --> 00:21:10.720
<v Speaker 1>Later that afternoon, as the sun angled into the low

446
00:21:10.759 --> 00:21:13.400
<v Speaker 1>western sky, I made my way to the University Library,

447
00:21:13.440 --> 00:21:16.480
<v Speaker 1>outside my usual range, but doctor Ferris, the urban historian,

448
00:21:16.519 --> 00:21:19.640
<v Speaker 1>taught Tuesday seminar there on invisible connections, margin lines in

449
00:21:19.680 --> 00:21:22.720
<v Speaker 1>real Cities. I'd never spoken with her directly, but i'd

450
00:21:22.799 --> 00:21:25.119
<v Speaker 1>heard her enough times, her dry wit, her insistence that

451
00:21:25.160 --> 00:21:28.079
<v Speaker 1>every city deserves at least one good myth. The Leccher

452
00:21:28.119 --> 00:21:30.279
<v Speaker 1>Hall was packed with students on a few pensioners who

453
00:21:30.359 --> 00:21:32.799
<v Speaker 1>light me clung to the city for both fruits and mystery.

454
00:21:33.279 --> 00:21:35.680
<v Speaker 1>I found a seat near the back notebook already open.

455
00:21:36.200 --> 00:21:38.759
<v Speaker 1>Ferris began with a map overhead, a city grid overlaid

456
00:21:38.759 --> 00:21:41.319
<v Speaker 1>by pencil lines highlighted in yellow and blue. Some roads

457
00:21:41.319 --> 00:21:45.200
<v Speaker 1>erased and drawn again. Cities, she said, our palumsyst were written,

458
00:21:45.279 --> 00:21:47.720
<v Speaker 1>were paved, re imagined. One a short cut does not

459
00:21:47.759 --> 00:21:50.359
<v Speaker 1>exist on the city's maps, but persists in memory. Is

460
00:21:50.359 --> 00:21:53.039
<v Speaker 1>it an error, a rumor, or deeper sort of truth?

461
00:21:53.599 --> 00:21:55.359
<v Speaker 1>I slipped a question into the Q and a tongue

462
00:21:55.359 --> 00:21:58.079
<v Speaker 1>half in cheek, half trembling. Is there any record of

463
00:21:58.079 --> 00:22:01.160
<v Speaker 1>recurring urban features alas for insance since or cut throughs

464
00:22:01.160 --> 00:22:03.680
<v Speaker 1>that are real only for certain people or at certain times,

465
00:22:04.400 --> 00:22:08.920
<v Speaker 1>She brightened. Absolutely, every older city is anecdotal routes'liminal lanes,

466
00:22:09.000 --> 00:22:11.839
<v Speaker 1>if you will, not ghost stories, but stories about how

467
00:22:11.839 --> 00:22:13.799
<v Speaker 1>the shape of the city flexes for some residents at

468
00:22:13.799 --> 00:22:17.119
<v Speaker 1>crucial moments. We find survey's records with corrections in the margins,

469
00:22:17.319 --> 00:22:20.319
<v Speaker 1>boundary and consistent with street plan, while Alley appears wider

470
00:22:20.319 --> 00:22:22.000
<v Speaker 1>and field than an office. Many chalk it up to

471
00:22:22.000 --> 00:22:24.799
<v Speaker 1>poor record keeping, but the stories stack up featureless blocks

472
00:22:24.799 --> 00:22:26.880
<v Speaker 1>that once held a shock according to those who needed

473
00:22:26.880 --> 00:22:30.359
<v Speaker 1>them most. After the lecture, I approached Ferris in the hallway,

474
00:22:30.359 --> 00:22:33.920
<v Speaker 1>her satchel bristling with outated maps I drove city buses

475
00:22:33.960 --> 00:22:37.240
<v Speaker 1>thirty years. I began, there's an alley in my neighborhood

476
00:22:37.279 --> 00:22:39.920
<v Speaker 1>that doesn't just save time, it evades mapping altogether unless

477
00:22:39.960 --> 00:22:42.200
<v Speaker 1>I walk it my way. What would an evernest oriend

478
00:22:42.240 --> 00:22:46.519
<v Speaker 1>you with that? She laughed, not unkindly. First we'd ask

479
00:22:46.559 --> 00:22:48.279
<v Speaker 1>how often you need it? Because there was precedent for

480
00:22:48.400 --> 00:22:50.880
<v Speaker 1>routes that appear in all plans intended but never bill,

481
00:22:51.119 --> 00:22:53.440
<v Speaker 1>which people recall using all the same. We call these

482
00:22:53.480 --> 00:22:56.880
<v Speaker 1>not mistakes, but city intentions, apertures that open for particular

483
00:22:56.880 --> 00:23:00.400
<v Speaker 1>itineraries then close. Just as quietly, she handed me her

484
00:23:00.400 --> 00:23:02.839
<v Speaker 1>card and invited me to her office, promising access to

485
00:23:02.880 --> 00:23:05.240
<v Speaker 1>plat maps and survey notes for anyone persistent enough to

486
00:23:05.279 --> 00:23:08.480
<v Speaker 1>notice a shifting alley. Ferris's confidence was the kind that

487
00:23:08.519 --> 00:23:10.680
<v Speaker 1>didn't require knowing the answer to delight in the question.

488
00:23:11.359 --> 00:23:14.000
<v Speaker 1>Her corner office was stacked seiling high with rolled paper.

489
00:23:14.240 --> 00:23:17.039
<v Speaker 1>Each bundle tired with a year in ward. As she

490
00:23:17.119 --> 00:23:20.279
<v Speaker 1>hunted for old maps, she declared, I guarantee whatever you're chasing,

491
00:23:20.400 --> 00:23:22.200
<v Speaker 1>some one at some point tried to put a fence

492
00:23:22.240 --> 00:23:24.759
<v Speaker 1>around it or build a stair through it. She slipped

493
00:23:24.799 --> 00:23:27.839
<v Speaker 1>open a full labeled Boundary Oddities District BEE, revealing a

494
00:23:27.880 --> 00:23:30.039
<v Speaker 1>sequence of plat maps from the nineteen thirties to the

495
00:23:30.039 --> 00:23:33.480
<v Speaker 1>present teach with faint penciled lines suggesting ephemeral connections between

496
00:23:33.480 --> 00:23:36.519
<v Speaker 1>Woodmeir and Timberlane. In the air list, a firm black

497
00:23:36.559 --> 00:23:39.119
<v Speaker 1>line described an alley, but read excess and notes crowded it,

498
00:23:39.359 --> 00:23:42.160
<v Speaker 1>impassible building error, A door shifted over night, A through

499
00:23:42.200 --> 00:23:45.640
<v Speaker 1>path unlocable survey lost one field worker's scroll in the

500
00:23:45.640 --> 00:23:48.119
<v Speaker 1>margin of a nineteen fifty survey camp map were does

501
00:23:48.200 --> 00:23:51.319
<v Speaker 1>Unkno alley opens from a cessl B only between deliveries.

502
00:23:51.920 --> 00:23:55.279
<v Speaker 1>The next decades map eraised the path entirely, yet every

503
00:23:55.279 --> 00:23:58.039
<v Speaker 1>few years the route returned not as a legal street

504
00:23:58.079 --> 00:24:01.240
<v Speaker 1>but as a hesitant mark never bold enoughering we paid

505
00:24:01.319 --> 00:24:05.000
<v Speaker 1>through field notes surveyor after severe writing, impolite exasperation, boundary

506
00:24:05.039 --> 00:24:08.079
<v Speaker 1>and consistent with plans, a lost sense of direction emerged

507
00:24:08.119 --> 00:24:11.799
<v Speaker 1>elsewhere there is grinned. The city's hidden history can only

508
00:24:11.799 --> 00:24:13.960
<v Speaker 1>be traced by those who care to overlay their own story.

509
00:24:14.039 --> 00:24:16.519
<v Speaker 1>The rest remains in the ground or slips between cracks

510
00:24:16.559 --> 00:24:19.680
<v Speaker 1>and city logic. I shared my own findings, my locks,

511
00:24:19.759 --> 00:24:22.119
<v Speaker 1>the failed attempts to bring ken, the stories from neighbors

512
00:24:22.160 --> 00:24:25.519
<v Speaker 1>who recalled only fragments or alternate endings. Pherris listened with

513
00:24:25.559 --> 00:24:29.039
<v Speaker 1>obvious pleasure. It's almost as if the shortcut adapts, attaches

514
00:24:29.079 --> 00:24:30.960
<v Speaker 1>itself to memory, the way a tree root will find

515
00:24:31.000 --> 00:24:33.359
<v Speaker 1>any crevice to press through. The more ewalk it his habit,

516
00:24:33.440 --> 00:24:35.319
<v Speaker 1>the more the city keeps it ready just for you.

517
00:24:35.920 --> 00:24:38.839
<v Speaker 1>That phrase just for you stuck in my mind. Back

518
00:24:38.880 --> 00:24:40.960
<v Speaker 1>in my apartment, after Ferris sent me home with a

519
00:24:41.000 --> 00:24:43.200
<v Speaker 1>sheaf of service gands and the promise to keep hunting

520
00:24:43.200 --> 00:24:46.319
<v Speaker 1>for formal complaints about shifting hours, I found myself comparing

521
00:24:46.319 --> 00:24:49.480
<v Speaker 1>my own painted maps to hers Mine Called and Shermid,

522
00:24:49.519 --> 00:24:52.680
<v Speaker 1>a study in barely repressed optimism. The official versions were angular,

523
00:24:52.960 --> 00:24:56.240
<v Speaker 1>full of erasures and ovlays. No one else in neither

524
00:24:56.319 --> 00:24:58.680
<v Speaker 1>record had managed to lodge the alley in place for good.

525
00:24:59.240 --> 00:25:01.720
<v Speaker 1>My next walked high all I had detailed both constant immutable.

526
00:25:02.279 --> 00:25:04.759
<v Speaker 1>The baker's center at the entrance sometimes swapped for coffee

527
00:25:04.799 --> 00:25:08.240
<v Speaker 1>linyard stubbornly. The mule grew more elaborate, then shrunk back,

528
00:25:08.279 --> 00:25:11.279
<v Speaker 1>as if embarrassed by attention. Sometimes a clean trash bin

529
00:25:11.319 --> 00:25:13.599
<v Speaker 1>at the exit gleaned under an impossible patch of sunshine.

530
00:25:13.720 --> 00:25:15.920
<v Speaker 1>Other times the air pulsed with the sound of news

531
00:25:16.000 --> 00:25:18.519
<v Speaker 1>radio or a child whistling a tune I half remembered

532
00:25:18.559 --> 00:25:21.519
<v Speaker 1>from my earliest bus shifts. I started to see the

533
00:25:21.519 --> 00:25:24.000
<v Speaker 1>city differently, not as a place defined by its fixtures,

534
00:25:24.200 --> 00:25:27.519
<v Speaker 1>but by the possible lines between them. One morning, pocket

535
00:25:27.519 --> 00:25:30.160
<v Speaker 1>warm with Ferris's annotated notes, I will, it'd sound the

536
00:25:30.200 --> 00:25:32.799
<v Speaker 1>postal worker again. How long did it take you to

537
00:25:32.839 --> 00:25:35.920
<v Speaker 1>deliver the Timberland packages to day? Longer than it should have,

538
00:25:36.039 --> 00:25:39.440
<v Speaker 1>he replied, shifting his mail bag. Had to bathtrack twice.

539
00:25:39.440 --> 00:25:41.720
<v Speaker 1>Nobody ever built a straight route through there. You'd think,

540
00:25:41.759 --> 00:25:44.359
<v Speaker 1>with all the short cuts, I'd find one that really work.

541
00:25:44.839 --> 00:25:47.319
<v Speaker 1>His gunt slid sideways, as if he suspected me of

542
00:25:47.319 --> 00:25:50.920
<v Speaker 1>holding some secret, but lapped the patience to chase it. Curious,

543
00:25:51.039 --> 00:25:53.599
<v Speaker 1>I spent an afternoon at the munics blockouts, less interested

544
00:25:53.640 --> 00:25:55.599
<v Speaker 1>in maps, now more in the rhythm of city complaints

545
00:25:55.599 --> 00:25:59.079
<v Speaker 1>and proposals. There were letters from small business owners lobbying

546
00:25:59.079 --> 00:26:01.119
<v Speaker 1>for handricks to run in a passage from Woodmere to

547
00:26:01.119 --> 00:26:04.039
<v Speaker 1>timber Line, counted by residents petitioning for its klosure. After

548
00:26:04.039 --> 00:26:07.400
<v Speaker 1>a spate of lost children, urban development plans would propose

549
00:26:07.440 --> 00:26:10.440
<v Speaker 1>a service ali, then the project would vanish into red tape.

550
00:26:10.960 --> 00:26:13.400
<v Speaker 1>In some years, children's sketches of the neighborhood featured and

551
00:26:13.440 --> 00:26:17.119
<v Speaker 1>obvious the secret route, sneaking past landmarks. Odd years, the

552
00:26:17.160 --> 00:26:20.759
<v Speaker 1>passage was left off entirely. A librarian, catching my interest

553
00:26:20.759 --> 00:26:23.640
<v Speaker 1>in fading blueprints, confided my grandmother's wore there was a

554
00:26:23.680 --> 00:26:25.720
<v Speaker 1>lane just east of Timberline where she could shave ten

555
00:26:25.720 --> 00:26:27.720
<v Speaker 1>minutes off the walk to school. My dad said he

556
00:26:27.799 --> 00:26:30.000
<v Speaker 1>never found it and told her she must have taken

557
00:26:30.000 --> 00:26:34.480
<v Speaker 1>the trolley without remembering. She smiled, some things belonged more

558
00:26:34.480 --> 00:26:37.559
<v Speaker 1>to people than to pavement. That evening out for groceries,

559
00:26:37.640 --> 00:26:41.519
<v Speaker 1>I asked missus porter about shortcut stories. She clucked hert arm.

560
00:26:41.880 --> 00:26:43.720
<v Speaker 1>I used to swear there were two post boxes on

561
00:26:43.759 --> 00:26:46.200
<v Speaker 1>Elm side by side, but what passed now? And it's

562
00:26:46.240 --> 00:26:48.680
<v Speaker 1>just the traffic cone. In some letter memories of funny

563
00:26:48.680 --> 00:26:50.480
<v Speaker 1>thing makes for routes out of things that never quite

564
00:26:50.519 --> 00:26:53.079
<v Speaker 1>existed for any one else. Why Joe, are you drawing

565
00:26:53.119 --> 00:26:56.240
<v Speaker 1>more allays than the city engineers? Again, it became impossible

566
00:26:56.240 --> 00:26:58.119
<v Speaker 1>to ignore that each person's sense of half through the

567
00:26:58.119 --> 00:27:02.079
<v Speaker 1>city depended on memory, need, even childhood habit. I began

568
00:27:02.119 --> 00:27:04.279
<v Speaker 1>to wonder if shortcuts were in fixed structures, but a

569
00:27:04.359 --> 00:27:06.799
<v Speaker 1>dynamic and urban logic that followed those who most needed

570
00:27:06.799 --> 00:27:08.400
<v Speaker 1>an easier way for as long as they woke a

571
00:27:08.400 --> 00:27:11.359
<v Speaker 1>certain way. I met Ferris again at her office, this

572
00:27:11.480 --> 00:27:13.920
<v Speaker 1>time with a thick, spiral bound stack of old council

573
00:27:14.000 --> 00:27:17.000
<v Speaker 1>hearing transcripts she'd pulled from me The city trade half

574
00:27:17.039 --> 00:27:19.519
<v Speaker 1>a dozen times over fifty years to pay fence a

575
00:27:19.640 --> 00:27:23.000
<v Speaker 1>survey that passage. Every time they reported impossible variants. One

576
00:27:23.039 --> 00:27:25.720
<v Speaker 1>team found it too narrow, another too wide. Some got

577
00:27:25.759 --> 00:27:27.839
<v Speaker 1>blocked by brick wall that wasn't there the previous week.

578
00:27:27.880 --> 00:27:30.119
<v Speaker 1>There's even a note from seventy nine. Ali seems to

579
00:27:30.160 --> 00:27:33.759
<v Speaker 1>rotate fifteen degrees compared to map orientation deliveries terminated at

580
00:27:33.799 --> 00:27:36.200
<v Speaker 1>Rome address twice. Not a haunting, but an error that

581
00:27:36.240 --> 00:27:39.400
<v Speaker 1>won't be laid to rest. We sat together, page by page,

582
00:27:39.400 --> 00:27:43.240
<v Speaker 1>matching personal logs with flickering institutional memory. She pointed at

583
00:27:43.240 --> 00:27:47.480
<v Speaker 1>a subheading Unbuilt Lane's Community Proposals nineteen fifty two. Her

584
00:27:47.519 --> 00:27:50.599
<v Speaker 1>finger traced a paragraph Residents of Woodman Petition City to

585
00:27:50.599 --> 00:27:52.960
<v Speaker 1>restore the quick way, describe route from bakery to timberrel

586
00:27:53.000 --> 00:27:56.160
<v Speaker 1>line as childhood Habit cannot produce formal map, several recal

587
00:27:56.240 --> 00:27:59.519
<v Speaker 1>mural of brid rolls artist unknown. I let out, all, all laugh,

588
00:28:00.200 --> 00:28:02.440
<v Speaker 1>There is a mural right now, though it wasn't there

589
00:28:02.480 --> 00:28:04.799
<v Speaker 1>six months ago, or if it was, it's been repainted

590
00:28:04.839 --> 00:28:08.680
<v Speaker 1>on top of itself. Ferris's eyes gleamed perfect that. How

591
00:28:08.759 --> 00:28:11.440
<v Speaker 1>ye know a city's collective memory still functions? Your following

592
00:28:11.480 --> 00:28:13.960
<v Speaker 1>a groove left by generations, each a little out of register,

593
00:28:14.079 --> 00:28:16.839
<v Speaker 1>but together they blur into a path. D'ye think there

594
00:28:16.839 --> 00:28:19.519
<v Speaker 1>are other shortcuts, other people with their own impossible routes,

595
00:28:20.119 --> 00:28:23.599
<v Speaker 1>I asked, I'd be disappointed if there weren't, She replied.

596
00:28:24.279 --> 00:28:26.880
<v Speaker 1>Cities have built on leaves, sometimes pass lay. I guess.

597
00:28:26.920 --> 00:28:29.359
<v Speaker 1>Then enough warm, by routine, by nostalgia, by needed that

598
00:28:29.400 --> 00:28:31.400
<v Speaker 1>it glimmers drue. If you know how to step into

599
00:28:31.400 --> 00:28:33.319
<v Speaker 1>the right rhythm, you're walking both in your present in

600
00:28:33.359 --> 00:28:36.480
<v Speaker 1>a dozen past cities at once. The answer sued something

601
00:28:36.519 --> 00:28:39.759
<v Speaker 1>unsettled in me. It wasn't about proving myself right or wrong.

602
00:28:39.920 --> 00:28:42.319
<v Speaker 1>It was about noticing where memory meets pattern, and pattern

603
00:28:42.359 --> 00:28:44.759
<v Speaker 1>lets us cheat time just long enough to remind us

604
00:28:44.759 --> 00:28:47.160
<v Speaker 1>were physically present, but also, in some sense, part of

605
00:28:47.160 --> 00:28:50.160
<v Speaker 1>the city's mind. It was Ferris who gave it a name.

606
00:28:50.279 --> 00:28:52.440
<v Speaker 1>As we walked between her office and the bus stop

607
00:28:52.519 --> 00:28:55.480
<v Speaker 1>Lemino Lanes. She called them the city's open secret, never

608
00:28:55.559 --> 00:28:58.279
<v Speaker 1>quite secret, never quite official. They emerge for those whose

609
00:28:58.319 --> 00:29:00.759
<v Speaker 1>routines are tunta vanished schedule, for them who remember where

610
00:29:00.759 --> 00:29:02.720
<v Speaker 1>gates used to be, or who walked a path so

611
00:29:02.759 --> 00:29:05.200
<v Speaker 1>often the stones agreed to move aside. It was the

612
00:29:05.240 --> 00:29:07.640
<v Speaker 1>first time I felt not just included, but surrounded, a

613
00:29:07.640 --> 00:29:10.519
<v Speaker 1>part of a living, half visible tradition, each person carrying

614
00:29:10.559 --> 00:29:13.680
<v Speaker 1>a unique yet overlapping map. At home that evening, I

615
00:29:13.720 --> 00:29:16.680
<v Speaker 1>looked again at my shortcut diary, the annotateds schedules, and

616
00:29:16.720 --> 00:29:20.079
<v Speaker 1>Missess Porter's odd comments about missing post bookses. I called

617
00:29:20.160 --> 00:29:22.400
<v Speaker 1>Ken cracked a joke about giving up the shortcut wars,

618
00:29:22.599 --> 00:29:25.079
<v Speaker 1>and found myself laughing when he argued for the fiftieth

619
00:29:25.119 --> 00:29:27.480
<v Speaker 1>time that the only shortcut is the bus, provided they

620
00:29:27.519 --> 00:29:30.279
<v Speaker 1>have vallet drivers design the routes. I hung up light

621
00:29:30.359 --> 00:29:33.000
<v Speaker 1>hut for the first time in weeks, but still the

622
00:29:33.039 --> 00:29:36.559
<v Speaker 1>curiosity sharpened. I wondered, if the short cut adapts to me,

623
00:29:36.640 --> 00:29:38.920
<v Speaker 1>am I adapting to the short cut? Is this some

624
00:29:39.119 --> 00:29:42.039
<v Speaker 1>bargain struck muscle memory in return for a little urban magic.

625
00:29:42.720 --> 00:29:45.480
<v Speaker 1>What happens as new patterns settle in, as memory softens

626
00:29:45.480 --> 00:29:48.519
<v Speaker 1>and routine slip The test the edges of this understanding.

627
00:29:48.680 --> 00:29:51.720
<v Speaker 1>I tried sharing the rhythm, not just the path. I

628
00:29:51.759 --> 00:29:55.640
<v Speaker 1>invited a small group MSSS Porter Kenn Ferres herself to

629
00:29:55.680 --> 00:29:58.839
<v Speaker 1>repeat my entire morning routine as closely as possible. Grocer's visit,

630
00:29:58.960 --> 00:30:02.119
<v Speaker 1>Coffee with Ken brought through Woodmere Alley entrance at precisely

631
00:30:02.160 --> 00:30:05.240
<v Speaker 1>the same time. This time I watched carefully, not for

632
00:30:05.319 --> 00:30:07.680
<v Speaker 1>time save, but for how the city revealed itself to each.

633
00:30:08.400 --> 00:30:11.079
<v Speaker 1>We moved together, the four of us, a gently jostling parade,

634
00:30:11.119 --> 00:30:14.119
<v Speaker 1>A banter gentle missess Porter juggling her purse, Ken muttering

635
00:30:14.160 --> 00:30:16.680
<v Speaker 1>about old bus drivers with too much free time. Ferris

636
00:30:16.680 --> 00:30:19.759
<v Speaker 1>excitedly recounting the liminal lane stories of Philadelphia and Lisbon.

637
00:30:20.279 --> 00:30:22.559
<v Speaker 1>At the owl's mouth, the mule glowed to day bread

638
00:30:22.559 --> 00:30:25.400
<v Speaker 1>wreaths twined with blue ribbon, perhaps in honor of four visitors.

639
00:30:25.960 --> 00:30:29.039
<v Speaker 1>The passage felt slightly wider, as if making room scent

640
00:30:29.119 --> 00:30:31.200
<v Speaker 1>was still bakery, but with an ovalet of black tea

641
00:30:31.200 --> 00:30:34.400
<v Speaker 1>and a tinge of pepper. Echoes multiplied to dog barking,

642
00:30:34.559 --> 00:30:37.519
<v Speaker 1>the clink of glass bottles from no visible sauce. We

643
00:30:37.640 --> 00:30:41.359
<v Speaker 1>passed through, emerging on to Timberlan. Minutes later, each person

644
00:30:41.440 --> 00:30:44.759
<v Speaker 1>checked their watch, some confusion flickering. That was faster than

645
00:30:44.799 --> 00:30:48.680
<v Speaker 1>I expected, Missess Porter said, surprise, I'm certain that alley

646
00:30:48.759 --> 00:30:51.759
<v Speaker 1>wasn't open when I last came this way. Penn frowned.

647
00:30:52.400 --> 00:30:54.240
<v Speaker 1>Feels like we detour, but in the time it take

648
00:30:54.279 --> 00:30:58.359
<v Speaker 1>to go straight. Ferris chuckled, that's the liminal signature. Everyone

649
00:30:58.400 --> 00:31:00.759
<v Speaker 1>gets their prior experience layer at Hopp. Everyone else's the

650
00:31:00.759 --> 00:31:03.599
<v Speaker 1>city's logic oval apps. We just walked for routes at once,

651
00:31:03.839 --> 00:31:06.720
<v Speaker 1>each in our memory, each in the physical street. The

652
00:31:06.799 --> 00:31:09.000
<v Speaker 1>moment was neither proof nor to sproove, just a tangle

653
00:31:09.039 --> 00:31:12.000
<v Speaker 1>of possibilities. But in that instant, I felt the city

654
00:31:12.039 --> 00:31:15.240
<v Speaker 1>breathing around me, its boundaries not just set by asphalt

655
00:31:15.240 --> 00:31:17.720
<v Speaker 1>and brick, but by our own needs and stories into pwining,

656
00:31:17.799 --> 00:31:20.720
<v Speaker 1>sometimes slipping out of time, sometimes aligning for a brief,

657
00:31:20.759 --> 00:31:24.680
<v Speaker 1>miraculous run. After our walk, missus Porter insisted on tea,

658
00:31:24.799 --> 00:31:28.480
<v Speaker 1>passing her ginger candies around the living room. Ken, skeptical

659
00:31:28.519 --> 00:31:31.359
<v Speaker 1>but not thoughtful, admitted his own peculiar deters from boyhood

660
00:31:31.480 --> 00:31:34.640
<v Speaker 1>shortcuts that no one else had found. Ferris recounted at

661
00:31:34.640 --> 00:31:37.160
<v Speaker 1>in centennial cities the most beloved secrets of those whose

662
00:31:37.200 --> 00:31:40.000
<v Speaker 1>rules refused to stay fixed. We map what we cherish

663
00:31:40.039 --> 00:31:42.000
<v Speaker 1>with our feet as much as our words, she said,

664
00:31:42.720 --> 00:31:45.559
<v Speaker 1>Cities respect to walkers, the repeaters, the people whose lives

665
00:31:45.559 --> 00:31:48.440
<v Speaker 1>were written into the sidewalk. I began writing in my

666
00:31:48.480 --> 00:31:51.680
<v Speaker 1>shortcut diary, not just the times and changes, but the conversations,

667
00:31:51.720 --> 00:31:54.359
<v Speaker 1>the memories, the stories each companion brought to the walk.

668
00:31:55.039 --> 00:31:58.079
<v Speaker 1>Hattens emerged. A shortcut never belonged entirely to the city

669
00:31:58.200 --> 00:32:01.119
<v Speaker 1>or to the walker, each which was a collaboration, a

670
00:32:01.160 --> 00:32:05.160
<v Speaker 1>temporary treaty between past routine and present desire. Late that week,

671
00:32:05.200 --> 00:32:07.559
<v Speaker 1>alone again, I started my walk, just as the city's

672
00:32:07.599 --> 00:32:11.079
<v Speaker 1>morning light stayed down between the buildings. Stepping into the alley,

673
00:32:11.119 --> 00:32:13.279
<v Speaker 1>I found the mural softened by miss the air laced

674
00:32:13.319 --> 00:32:15.480
<v Speaker 1>with both bread and the scent of laundry, perhaps echoing

675
00:32:15.480 --> 00:32:18.039
<v Speaker 1>the laundry mat long gone. My feet near a rhythm,

676
00:32:18.079 --> 00:32:20.200
<v Speaker 1>step step pause at the half way light brushed the

677
00:32:20.240 --> 00:32:23.240
<v Speaker 1>chip brick, listen for the elusive bell only to day.

678
00:32:23.319 --> 00:32:26.319
<v Speaker 1>Instead of hurrying, I slowed. I tried not to beat

679
00:32:26.319 --> 00:32:29.240
<v Speaker 1>the map, but to be present, letting every shifting detail register.

680
00:32:29.920 --> 00:32:32.400
<v Speaker 1>I passed a cat stripped in stately, pausing by the mural,

681
00:32:32.480 --> 00:32:34.559
<v Speaker 1>then slipping quickly ahead of me, till flicking in a

682
00:32:34.640 --> 00:32:37.319
<v Speaker 1>rhythm that matched my own. I recognized it from another

683
00:32:37.359 --> 00:32:40.119
<v Speaker 1>block of cities. Animals, like its short cuts, leaped between

684
00:32:40.119 --> 00:32:43.279
<v Speaker 1>the obvious and the overlooked. Just before I reached Timberlaine,

685
00:32:43.400 --> 00:32:45.960
<v Speaker 1>I stopped and closed my eyes For a moment. It

686
00:32:45.960 --> 00:32:48.319
<v Speaker 1>felt as if the alley was listening, anticipating whether I

687
00:32:48.400 --> 00:32:50.519
<v Speaker 1>choose to finish the short cut or tarry and let

688
00:32:50.519 --> 00:32:53.640
<v Speaker 1>the city catch up. I smiled, stepped out, and emerged

689
00:32:53.680 --> 00:32:55.680
<v Speaker 1>in perfect time for the market to open. The flower

690
00:32:55.680 --> 00:32:58.039
<v Speaker 1>shops terrarians misted and waiting. The city knew an ancient

691
00:32:58.079 --> 00:33:00.799
<v Speaker 1>all at once. I no longer came a soft alley

692
00:33:00.799 --> 00:33:03.599
<v Speaker 1>to Pinato Survey's grit. The short cut was a living

693
00:33:03.640 --> 00:33:06.799
<v Speaker 1>relationship the city, recognizing the routine I'd given it, offering

694
00:33:06.920 --> 00:33:09.119
<v Speaker 1>in return a little bending of space, a shimmer of

695
00:33:09.160 --> 00:33:12.039
<v Speaker 1>crase in the ordinary. I thought of every child who'd

696
00:33:12.119 --> 00:33:14.440
<v Speaker 1>run a secret route, every tired worker who'd found ten

697
00:33:14.480 --> 00:33:17.559
<v Speaker 1>minutes to spend elsewhere, every neighborhood sensed without ever confirming

698
00:33:17.559 --> 00:33:21.359
<v Speaker 1>that the city gave back in small, miraculous ways. Days passed.

699
00:33:21.920 --> 00:33:25.160
<v Speaker 1>I walked as usual, keeping my senses open. The short cut,

700
00:33:25.359 --> 00:33:28.680
<v Speaker 1>reliable in its unreliability, now meant more asseymble than his puzzle.

701
00:33:29.240 --> 00:33:32.400
<v Speaker 1>My conversations with others shifted, asked about their impossible walks,

702
00:33:32.480 --> 00:33:35.319
<v Speaker 1>listened for places where their descriptions wandered from the official map.

703
00:33:35.880 --> 00:33:38.319
<v Speaker 1>Each story was a line, a half remembered gait, a

704
00:33:38.319 --> 00:33:40.920
<v Speaker 1>path that might have existed once, or might reappear for

705
00:33:40.960 --> 00:33:43.960
<v Speaker 1>someone else willing to walk with care and curiosity. One

706
00:33:44.039 --> 00:33:46.680
<v Speaker 1>quiet evening, as thus gleeched a color from the neighborhood,

707
00:33:46.680 --> 00:33:49.960
<v Speaker 1>I realized I no longer rushed toward Timberline. I strolled

708
00:33:50.640 --> 00:33:53.200
<v Speaker 1>a humming busker aired out in Old Jaz's tune, each

709
00:33:53.279 --> 00:33:55.720
<v Speaker 1>note reminding me of a route I hadn't driven in decades.

710
00:33:56.319 --> 00:33:58.880
<v Speaker 1>The mural by then had faded, the bread painted over

711
00:33:59.000 --> 00:34:02.519
<v Speaker 1>with pears and ivy. The Alla's magic no longer needed Campofoge.

712
00:34:02.559 --> 00:34:04.119
<v Speaker 1>It was in the way the city tilted toward us,

713
00:34:04.119 --> 00:34:05.839
<v Speaker 1>willing to see it, to try to trust their own

714
00:34:05.839 --> 00:34:08.719
<v Speaker 1>memories enough to let a routine become something more. On

715
00:34:08.840 --> 00:34:10.599
<v Speaker 1>what may or may not have been a Thursday, I

716
00:34:10.639 --> 00:34:13.280
<v Speaker 1>paused at the Allah's entrance, palms open as if greeting

717
00:34:13.320 --> 00:34:15.920
<v Speaker 1>an old friend. I wondered how many other shock could

718
00:34:16.000 --> 00:34:19.760
<v Speaker 1>quietly persist, For widowers with grocery carts, for students running late,

719
00:34:20.000 --> 00:34:22.679
<v Speaker 1>for a weary night shift, workers on ice streets, each

720
00:34:22.719 --> 00:34:26.000
<v Speaker 1>finding time bending generously, just once when they need it most,

721
00:34:26.039 --> 00:34:29.039
<v Speaker 1>and walk precisely as they've always walked. The alley waited

722
00:34:29.280 --> 00:34:32.480
<v Speaker 1>ordinary and extraordinary at once. I took a step in,

723
00:34:32.719 --> 00:34:35.079
<v Speaker 1>comforted by the knowledge that in every great city, maps

724
00:34:35.079 --> 00:34:38.079
<v Speaker 1>are only the beginning. Some routs appear only for the faithful,

725
00:34:38.119 --> 00:34:40.400
<v Speaker 1>for those whose feet know their own way home. And

726
00:34:40.519 --> 00:34:42.559
<v Speaker 1>for as long as I carry the city's stories in

727
00:34:42.599 --> 00:34:45.679
<v Speaker 1>my steps, I suspect I'll always quietly arrive ahead of time,

728
00:34:47.280 --> 00:34:49.800
<v Speaker 1>and that is the end. Thank you for listening, and

729
00:34:49.840 --> 00:34:51.000
<v Speaker 1>I will see you in the next one,
