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<v Speaker 1>Section twenty one of Amusement Only. This is a LibriVox

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<v Speaker 1>according all LibriVox recordings are in the public domain. For

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<v Speaker 1>more information not to volunteer, please visit LibriVox dot org.

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<v Speaker 1>Recording by Kerlyn Amusement Only by Richard marsh his First Experiment,

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<v Speaker 1>Chapter one. The Lady. Last winter, George Poundsby spent some

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<v Speaker 1>weeks at the Empire Hotel. One morning, he was coming

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<v Speaker 1>along the corridor leading from the smoking room, where he

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<v Speaker 1>met missus Pratt. The ladies stopped. What is that you

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<v Speaker 1>have in your hand? She asked. Mister Poundsby had in

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<v Speaker 1>his hand a slim pamphlet in a green paper cover.

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<v Speaker 1>He held it up. I've got it. No, yes, oh,

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<v Speaker 1>why say? These remarks are not given here as examples

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<v Speaker 1>of English conversation, but with a view of presenting the

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<v Speaker 1>reader with an accurate report of what was spoken. There

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<v Speaker 1>was a pause. Then the lady said, with great solemnity,

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<v Speaker 1>you don't mean to say that has actually come I do.

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<v Speaker 1>Mister Poundsby held out the slim pamphlet at arm's length

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<v Speaker 1>in front of him. He pointed at it with the

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<v Speaker 1>index finger of his other hand. How to hypnotize a

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<v Speaker 1>practical treatise hints to amateurs with full instructions for marvelous experiments,

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<v Speaker 1>praise sevenpence post three eight stamps. Oh, mister Poundsby, I'm

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<v Speaker 1>so sorry, sorry, missus Pratt. Why it was at your

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<v Speaker 1>instigation I plunged to the extent of those eight stamps.

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<v Speaker 1>But you don't understand my husband's coming. I have to

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<v Speaker 1>meet him at the station at twelve thirty two. Mister

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<v Speaker 1>Poundsby stroked his mustache. There was not much, but he

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<v Speaker 1>was fond of stroking what there was of it. Missus

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<v Speaker 1>Pratt's husband had been rather a joke. People who winter

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<v Speaker 1>in hotels are as a role quite prepared to be

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<v Speaker 1>epigrammatic at the expense of a pretty unmarried woman whose

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<v Speaker 1>husband is not in evidence, and missus Pratt's husband had

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<v Speaker 1>not been in evidence as yet. I don't quite follow you.

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<v Speaker 1>Mister Poundsby spoke with litttle malice. Whence your sorrow because

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<v Speaker 1>your husband is coming by the twelve thirty two. Don't

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<v Speaker 1>you see? I want to be the first to be

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<v Speaker 1>experimented on. I've been waiting for that book two days,

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<v Speaker 1>and now just comes when I can't stay. Don't you

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<v Speaker 1>think there's time, come into my sitting room. They went

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<v Speaker 1>into her sitting room. When they were there, the lady

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<v Speaker 1>again assailed the gentleman with inquiry, don't you think there's time?

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<v Speaker 1>It depends. I think you're going too fast to commence with.

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<v Speaker 1>I've been looking through this thing in the smoking room,

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<v Speaker 1>and I believe it's a swindle. A swindle. Oh, don't

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<v Speaker 1>say that. It's nothing but a hush of old mesmeric

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<v Speaker 1>tricks I've seen performed at country fairs. But doesn't it

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<v Speaker 1>tell you how to do them? It pretends to. It

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<v Speaker 1>gives some ridiculous directions, but I don't believe they can

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<v Speaker 1>be done that way. Try do on me, mister Poundsby laughed,

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<v Speaker 1>missus pratt amused him, and not for the first time either.

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<v Speaker 1>To begin with, we have to sit face to face

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<v Speaker 1>and stare at each other for ten minutes or a

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<v Speaker 1>quarter of an hour. Come along, let's begin. The lady

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<v Speaker 1>brought forward a couple of chairs, and they sat down

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<v Speaker 1>on them, face to face and very close together. Opening

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<v Speaker 1>the pamphlet, mister Poundsby searched for further instructions. You're not

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<v Speaker 1>staring at me, remarked the lady. Half a minute I'm

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<v Speaker 1>looking for what comes next? What does it say? Read

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<v Speaker 1>it aloud. After I've stared at you long enough, it

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<v Speaker 1>doesn't sound civil, does it. Never mind, the civility go on.

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<v Speaker 1>After I've stared at you long enough, you begin to

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<v Speaker 1>feel queer. Then, mister Poundsby read from the pamphlet. Place

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<v Speaker 1>the thumb of your left hand on the subject's forehead.

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<v Speaker 1>You're the subject, just above the nose and level with

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<v Speaker 1>the eyebrows. Missus Pratt placed her pretty little hand above

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<v Speaker 1>her pretty little nose to point out the exact spot denoted.

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<v Speaker 1>Mister pounds Bey read on, this is the locality of

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<v Speaker 1>the phrenological organ of individuality? Is it? Said missus Pratt

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<v Speaker 1>in an awe struck whisper. The reader continued, Rest the

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<v Speaker 1>ends of your fingers on the top of the subject's head.

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<v Speaker 1>At the same time, take hold of the left hand

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<v Speaker 1>with your right hand, applying the insight part of your

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<v Speaker 1>thumb to the middle of the palm of the hand.

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<v Speaker 1>I am punctuating this, interpolated mister pounds By, as I

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<v Speaker 1>go on. The man who printed it seems to have

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<v Speaker 1>had a fount of type containing no other stops but commas.

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<v Speaker 1>The object of This is for the operator to get

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<v Speaker 1>into contact with two very important nerves that pass on

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<v Speaker 1>the palm of the hand, which are called ulna and

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<v Speaker 1>median nerves. I don't know if that's true or what

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<v Speaker 1>it means, but it says so. Here, with your left

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<v Speaker 1>hand still, keep the thumb on the forehead between the

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<v Speaker 1>eyes and the fingers resting on the subject's head, which

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<v Speaker 1>must be inclined slightly back. Say look into my eyes.

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<v Speaker 1>After gazing in his eyes intently for a few seconds,

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<v Speaker 1>say in a loud, clear, firm tone of voice, close

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<v Speaker 1>your eyes quite tight. Let him remain a few seconds

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<v Speaker 1>like this, and the trick is done. There is a

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<v Speaker 1>lot more in none since to follow. But when you've

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<v Speaker 1>remained for a few seconds like that, you're supposed to

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<v Speaker 1>be mesmerized or hypnotized or whatever they call the thing. Really,

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<v Speaker 1>it sounds quite simple. It does simple. Folly, hush. You

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<v Speaker 1>shouldn't speak like that. Perhaps if you don't believe, you

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<v Speaker 1>mayn't succeed. It says something to that effect in these

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<v Speaker 1>previous pages. Then try to believe. Let us begin. They began.

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<v Speaker 1>The lady was pre naturally solemn, but the gentleman was

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<v Speaker 1>tortured by desire to smile. He felt that the lady

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<v Speaker 1>might resent his laughter. Under these circumstances that ten minutes

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<v Speaker 1>stare was trying. Missus Pratt had sweet blue eyes which

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<v Speaker 1>were large and round, the sort of eyes which the

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<v Speaker 1>average man would not object to stare at for ten

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<v Speaker 1>minutes or even longer. As the appointed space of time

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<v Speaker 1>drew to a conclusion, even mister Poundsby became reconciled to

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<v Speaker 1>his lot. He placed his left thumb on the lady's forehead,

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<v Speaker 1>above her nose. Is that level with my eyebrows? She inquired?

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<v Speaker 1>He reproved her. I don't think you ought to speak.

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<v Speaker 1>You destroy the connection. Missus Pratt was dumb. Mister Poundsby

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<v Speaker 1>proceeded in accordance with the directions contained in the pamphlet.

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<v Speaker 1>He rested the tips of his fingers on the top

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<v Speaker 1>of the lady's head. He took hold of her left hand.

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<v Speaker 1>With his right. He applied the inside part of his

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<v Speaker 1>thumb to the center of her palm. He said, to her,

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<v Speaker 1>look into my eyes. She looked into his eyes, her

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<v Speaker 1>head inclined a little backwards. This part of the proceedings was,

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<v Speaker 1>so far as the gentleman was concerned, on the whole agreeable.

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<v Speaker 1>He gazed fixedly into her pretty eyes. Then he added,

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<v Speaker 1>in a loud, clear, firm tone of voice, close your

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<v Speaker 1>eyes quite tight. She closed her eyes. There was a

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<v Speaker 1>pause for a few seconds. Remembering the instructions contained in

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<v Speaker 1>the pamphlet, he proceeded another step. You cannot open your eyes,

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<v Speaker 1>he said. Your eyes are fast, quite fast. The pamphlet

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<v Speaker 1>had it, should the subject be very sensitive, he will

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<v Speaker 1>be unable to open them. Apparently the subject, though in

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<v Speaker 1>this case feminine, was very sensitive. At least Missus Pratt,

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<v Speaker 1>kept her eyes shut fast. Mister Poundsby was a little startled.

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<v Speaker 1>He removed his touch from her brow and released her hand.

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<v Speaker 1>Missus Pratt, are you hypnotized already? Missus Pratt was silent.

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<v Speaker 1>Missus Pratt, you don't mean you're really hypnotized? Still silence.

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<v Speaker 1>He leaned forward and stared at the lady, not in

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<v Speaker 1>the same way he had done before, but quite as fixedly.

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<v Speaker 1>By jove, I believe she is. He got up from

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<v Speaker 1>the chair. He glanced at the pamphlet. He wanted to

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<v Speaker 1>know how to reverse the process, how to bring the

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<v Speaker 1>lady to again. This is a pretty state of things.

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<v Speaker 1>The thing is not such a swindle as I thought

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<v Speaker 1>it was. But it's all nonsense. She can't be magnetized

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<v Speaker 1>or mesmerized, or hypnotized or whatever it is. If she is,

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<v Speaker 1>the thing is as easy as winking. If I'd only

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<v Speaker 1>known it, I'd have been mesmeorizing people since the days

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<v Speaker 1>of childhood Missus Pratt. But missus Pratt was silent. If

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<v Speaker 1>she was not hypnotized, then she was in some condition,

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<v Speaker 1>which was equally curious. She sat back in her chair

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<v Speaker 1>with her face turned up to the ceiling, in a

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<v Speaker 1>state of the most complete quais sense. Something in her

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<v Speaker 1>appearance struck mister Pansby as even unpleasantly ought. He recommenced

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<v Speaker 1>searching down the pages of the green covered pamphlet for

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<v Speaker 1>the re diverse her process. It was beautifully simple. In

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<v Speaker 1>order to release him, the pamphlet said. Throughout the rider

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<v Speaker 1>had taken it for granted that the subject would be masculine.

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<v Speaker 1>Blow a sharp cold wind from your mouth on his eyes,

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<v Speaker 1>and say, with authority, now you can open them. Repeat

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<v Speaker 1>if necessary. It is important to recollect that a cold

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<v Speaker 1>wind blown from the operator destroys the effect and demagnetizes

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<v Speaker 1>One could not but suspect that some subjects might not

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<v Speaker 1>like this, but its simplicity was charming. If that was

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<v Speaker 1>all that was necessary, then, so far as mister Poundsby

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<v Speaker 1>was concerned, the whole science of hypnotism was already mastered.

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<v Speaker 1>He approached Missus Pratt. He bent over her, devoutly, hoping

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<v Speaker 1>that no one might enter the room. As he engaged

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<v Speaker 1>in doing so, Quite as shook went through him. As

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<v Speaker 1>he advanced his face towards hers. The expression of her

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<v Speaker 1>countenance was so very much like death. He blew a

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<v Speaker 1>cold wind on her eyes, those pretty blue eyes, whose

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<v Speaker 1>cerulean hue he had veiled. Now you can open them.

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<v Speaker 1>The words were spoken with as much authority as he

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<v Speaker 1>could muster in the then agitated state of his mind,

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<v Speaker 1>But Missus Pratt did not open them. The pamphlet said,

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<v Speaker 1>repeat if necessary. Mister Poundsby repeated. He blew, and he blew.

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<v Speaker 1>He blew the cold wind all out of him, so

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<v Speaker 1>that the beads of perspiration stood upon his brow. But

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<v Speaker 1>still the subject gave no signs. Missus Pratt, Missus Pratt,

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<v Speaker 1>I say, Missus Pratt, for Heaven's sake, do look at me.

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<v Speaker 1>All signs of authority? Had gone from him now, But

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<v Speaker 1>wind and voice alike were ineffectual. Apparently it was easier

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<v Speaker 1>to hypnotize than to do the other thing. In his trouble,

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<v Speaker 1>mister Poundsby told himself that the writer of that pamphlet

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<v Speaker 1>was well untrustworthy, or else something had gone wrong in

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<v Speaker 1>the working. But what could it be? He looked at

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<v Speaker 1>his watch half past twelve. I shall have her husband

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<v Speaker 1>here directly. I imagine that he will make some observations if

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<v Speaker 1>he finds his wife like this. Such a contingency was

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<v Speaker 1>only to be expected when a man, after a long

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<v Speaker 1>absence from his wife, returns to find a stranger experimenting

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<v Speaker 1>on her, and she in a hypnotic condition from which

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<v Speaker 1>the stranger cannot release her. His first feelings toward that

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<v Speaker 1>stranger are not in civilized countries invariably friendly. Mister Poundsby,

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<v Speaker 1>when he had blown the cold wind all out of him,

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<v Speaker 1>arrived at a resolution. I will tell Doris. I must

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<v Speaker 1>get her to help me. It is quite certain that

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<v Speaker 1>whatever happens, I mustn't let that man come and find

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<v Speaker 1>me alone with his wife. It was only the dread

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<v Speaker 1>of such a catastrophe that brought him to the sticking

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<v Speaker 1>point of this resolution. Miss Hasseltine Chrysaint Doris, was mister

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<v Speaker 1>Poundsby's betrothed. She was also wintering in the hotel with

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<v Speaker 1>her mamma. Mister Poundsby was aware, even painfully aware, that

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<v Speaker 1>the young lady's feelings towards missus Pratt were not of

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<v Speaker 1>the warmest possible kind. He was equally conscious that her

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<v Speaker 1>impression was that his feelings were, if anything, too warm.

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<v Speaker 1>He would rather anything had happened almost than that he

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<v Speaker 1>should have been reduced to the necessity of acquainting Miss

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<v Speaker 1>Hasseltine with the situation he was in, but it was

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<v Speaker 1>certainly impossible for him to allow the returning husband to

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<v Speaker 1>come in and find him there alone with his wife,

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<v Speaker 1>and she apparently in a chronicle not a condition, so

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<v Speaker 1>he went in search of the young lady. Of course,

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<v Speaker 1>he found her where he would have least wished to

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<v Speaker 1>find her, in the drawing room with the ladies. He

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<v Speaker 1>had to call her out, and at first she wouldn't come,

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<v Speaker 1>But as it would have been impossible for him to

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<v Speaker 1>tell his tale in the presence of a dozen sharp

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<v Speaker 1>eared and sharp toned women, he protested that there was

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<v Speaker 1>something of the utmost importance, which he must say to

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<v Speaker 1>her alone. Well, what is it? She asked directly. He

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<v Speaker 1>had got her outside the door. He perceived that she

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<v Speaker 1>was not in one of her sentimental moods. Perhaps something

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<v Speaker 1>in his manner had roused her suspicions. Missus Pratt has fainted. Indeed,

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<v Speaker 1>what has that to do with me? Let her faint?

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<v Speaker 1>She looks to me as though she were that sort

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<v Speaker 1>of person who could feign at pleasure. Doris, for goodness,

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<v Speaker 1>say hear me out. I want your help. It's through me.

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<v Speaker 1>She's fainted. Pray, what do you mean it's it's this

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<v Speaker 1>confounded thing. Mister Poundsby held out the slim green covered pamphlet.

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<v Speaker 1>You know I told you i'd written for that pamphlet

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<v Speaker 1>how to hypnotize. Well, the thing came this morning. Here

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<v Speaker 1>it is. I've been experimenting on her, and I've not

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<v Speaker 1>only hypnotized her, but by George, I can't get her

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<v Speaker 1>round again. A pretty state of things. Upon my word,

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<v Speaker 1>don't pitch in to me now, Doris, don't there. She

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<v Speaker 1>is in her sitting room in a fit or something.

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<v Speaker 1>I don't know what's the matter with her and her

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<v Speaker 1>husband's coming this morning he is coming at last, is he?

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<v Speaker 1>I expect him every moment. He's due at twelve thirty two.

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<v Speaker 1>She seems to have told you all about it. She

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<v Speaker 1>told me so much. At any rate. I know I've

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<v Speaker 1>been an ass I can see that now. But lend

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<v Speaker 1>me a hand first and let me have it afterwards.

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<v Speaker 1>I was obliged to come to you. I couldn't let

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<v Speaker 1>him find me alone with her in such a state

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<v Speaker 1>as that. Come and see what you can do for her.

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<v Speaker 1>There's a darling do after all. It's for me, you

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<v Speaker 1>know not her. Miss Hasseltone yielded so far as to

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<v Speaker 1>advance with him along the corridor. There was a fresh

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<v Speaker 1>arrival when there reached the hall, a gentleman. He was

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<v Speaker 1>speaking to the young lady who acted as a bookkeeper

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<v Speaker 1>through the office window. My name is Pratt, Julia J. Pratt.

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<v Speaker 1>I believe my wife is staying here. Mister Poundsby clutched

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<v Speaker 1>Miss Haselton's arm. It's he, he whispered. There is a

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<v Speaker 1>missus Pratt staying here, replied the bookkeeper. Her sitting room

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<v Speaker 1>is number thirteen. The new arrival was about to be

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<v Speaker 1>ushered into number thirteen when mister Poundsby interposed, he hurried

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<v Speaker 1>across the hall and touched him on the shoulder. Excuse me,

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<v Speaker 1>May I speak to you? My name is Poundsby. The

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<v Speaker 1>new arrival turned and faced him. As he did so,

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<v Speaker 1>mister Pansby perceived a little dimly perhaps what sort of

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<v Speaker 1>a man he was. He was of medium height, slightly built,

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<v Speaker 1>about forty years of age, very dark, with a clean

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<v Speaker 1>shaven face, and a pair of keen black eyes which

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<v Speaker 1>looked at mister Poundsby as though they meant to pierce him.

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<v Speaker 1>Delighted to hear you speak, or any man, even if

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<v Speaker 1>his name is not pounds By. Directly the words were spoken,

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<v Speaker 1>mister Poundsby became conscious that this new arrival was an American.

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<v Speaker 1>I believe you are mister Pratt, Missus Pratt's husband. I

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<v Speaker 1>am worse luck. Ah. She intended to meet you at

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<v Speaker 1>twelve thirty two. She dare, did she? That's her all

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<v Speaker 1>through as she is to be. She never did get

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<v Speaker 1>farther than intentions. It's about two years since I saw her,

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<v Speaker 1>and I don't see her now. Have you a message

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<v Speaker 1>to deliver? Does she desire that I should go away

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<v Speaker 1>for another two years? If so, I'm willing as This

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<v Speaker 1>was said out loud, without the slightest attempt at concealment,

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<v Speaker 1>so that every word was audible, not only to mister Poundsby,

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<v Speaker 1>to whom the remarks were addressed, but also to miss Hasseltyne,

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<v Speaker 1>and the bookkeeper, and the porter, and the boots, and

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<v Speaker 1>the waiter, and the chambermaid, and any other staggler who

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<v Speaker 1>might happen to be within fifty yards or so. Hit

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<v Speaker 1>would seem that in her husband, Missus Pratt possessed a

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<v Speaker 1>man of character, but mister Poundsby was not fond of

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<v Speaker 1>such publicity. Can I say a word to you alone? No, sir,

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<v Speaker 1>you cannot. If you have a message from my wife,

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<v Speaker 1>say it. If not, lead on to number thirteen. The

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<v Speaker 1>fact is, mister Pratt, e Missus Pratt, is not them

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<v Speaker 1>quite well? Is that so? I'm glad to hear it.

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<v Speaker 1>It's a comfort to know that only sickness would keep

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<v Speaker 1>her from her husband, though it wouldn't need much of

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<v Speaker 1>that to keep her from a chance of seeing me.

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<v Speaker 1>The fact is, I wish, mister Pratt, you would let

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<v Speaker 1>me speak to you alone. No, sir, I will not

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<v Speaker 1>if she is dead. Don't spare my feelings. If she

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<v Speaker 1>has left me for a better man. Don't spare my

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<v Speaker 1>feelings either. The fact is she's in a hypnotic state.

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<v Speaker 1>In what a state? A hypnotic state? What state is that?

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<v Speaker 1>Hypnotic's a new word, it's been brought in lately. It

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<v Speaker 1>means miss Merrick. Mister Pratt paused before replying. He looked

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<v Speaker 1>to mister Poundsby up and down. Look here, mister, I

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<v Speaker 1>think you mentioned Poundsby. I don't know who you are,

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<v Speaker 1>but you seem a friendly kind of man. Take my

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<v Speaker 1>advice and get something off your chest. I see you've

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<v Speaker 1>got it on. Mister Poundsby smiled rather faintly. He did

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<v Speaker 1>not lack presents of mind as a rule, though just

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<v Speaker 1>then the situation was as much as he could manage.

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<v Speaker 1>He made a dash, added, I wish you would give

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<v Speaker 1>me half a minute alone. Since you will not, I

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<v Speaker 1>must try to tell my story where we are. You

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<v Speaker 1>see this book, mister Poundsby held up the Fatal Treaties.

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<v Speaker 1>It contains instructions for the performance of Miss Merrick experiments.

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<v Speaker 1>Missus Pratt insisted on my performing one of them on her.

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<v Speaker 1>I succeeded in producing the mesmeric state, but I i

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<v Speaker 1>couldn't get her out of it. There was a curious

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<v Speaker 1>twinkle in mister Pratt's eyes. I don't catch on, he said.

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<v Speaker 1>I say that I hypnotized her that is produced the

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<v Speaker 1>Miss Merrick state, but that I I couldn't get her

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<v Speaker 1>out of it. Well, she's in it now, in what

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<v Speaker 1>the missmeric State? Does she seem to like it? That

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<v Speaker 1>is more than I can say. I had just induced

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<v Speaker 1>Miss Hasseleteyne to come to my assistance when we were

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<v Speaker 1>so fortunate as to encounter you. Then I am to

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<v Speaker 1>understand that when she ought to have been at the

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<v Speaker 1>depot looking out for me, she was engaged in looking

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<v Speaker 1>out for the Miss Merrick State along with you. Is

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<v Speaker 1>that so, I'm afraid it is? Where is she in

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<v Speaker 1>her sitting room? Number thirteen? Lead on to number thirteen?

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<v Speaker 1>The procession started. The waiter went first, Mister Pratt next,

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<v Speaker 1>and after him Miss Hasseltine and mister pounds by. Miss

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<v Speaker 1>Hasseletyne's demeanor was severe. Either her severity or something else

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<v Speaker 1>seemed to weigh upon her lover, who did not appear

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<v Speaker 1>to be altogether at his ease. They reached number thirteen,

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<v Speaker 1>the waiter knocked. There was no reply. He knocked again,

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<v Speaker 1>still no reply. Mister Pratt turned towards mister Poundsby. I

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<v Speaker 1>guess she's still in that state of yours. I think

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<v Speaker 1>we'll all go in. He turned the handle of the

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<v Speaker 1>door and entered. I guess she's quitted. The room was empty.

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<v Speaker 1>End of chapter one of his first Experiments, Section twenty

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<v Speaker 1>two of Amusement Only. This is a LibriVox recording. All

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<v Speaker 1>LibriVox recordings are in the public domain. For more information,

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<v Speaker 1>not to volunteer, please visit LibriVox dot org. Recording by

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<v Speaker 1>Carolyn Amusement Only by Richard marsh his first experiment, Chapter

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<v Speaker 1>two and the Gentleman. It was undoubtedly the case, unless

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<v Speaker 1>they were to suppose that she had hidden under the

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<v Speaker 1>sofa or behind the curtains. Mister Poundsby looked about him,

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<v Speaker 1>conscious of a slight feeling of bewilderment. There were the

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<v Speaker 1>two chairs exactly as he had left them, but the

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<v Speaker 1>one which missus Prattt occupied was vacant. It's very odd,

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<v Speaker 1>he murmured, how she was certainly unconscious when I left her.

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<v Speaker 1>Perhaps the knowledge that she was failing in her duty

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<v Speaker 1>as a wife came to her in that mesmeric state

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<v Speaker 1>came to her so strongly that she started off to

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<v Speaker 1>the depot just then and there to look for me.

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<v Speaker 1>If she said the depot now in the state, you

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<v Speaker 1>say she was, I guess she'll soon be popular. Don't

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<v Speaker 1>you think i'd better go and look for her. I

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<v Speaker 1>do not. If she is gone, she's gone, and if

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<v Speaker 1>she comes back again, she comes. But I am not

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<v Speaker 1>the man to put my friends out for a trifle.

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<v Speaker 1>My friend, if you will allow me to call you so,

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<v Speaker 1>give me your hand. Before mister Poundsby was quite aware

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<v Speaker 1>of it, mister Pratt had possession of his hand. I

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<v Speaker 1>thank you. You have placed me under an obligation to

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<v Speaker 1>you this day. But it may be that I shall

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<v Speaker 1>cry you even yet. Let's liquor. Perhaps the young lady

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<v Speaker 1>will pull in. Miss Haseltine, however, making some inaudible remark

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<v Speaker 1>having a reference to her Mamma, vanished out of sight.

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<v Speaker 1>Mister Pratt was not at all abashed. He addressed the

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<v Speaker 1>waiters champagne, a large bottle and a bucket of ice.

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<v Speaker 1>Mister Poundsby protested, you are very kind, but I don't

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<v Speaker 1>drink at this hour of the day, and only so

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<v Speaker 1>mister Pratt cut him short, fetch the drink. The waiter fled.

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<v Speaker 1>If after performing those pleasing experiments on the wife, you

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<v Speaker 1>refused to drink with the husband, I shall take it

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<v Speaker 1>quite unkindly. But don't you think some inquiries ought to

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<v Speaker 1>be made for missus Pratt? I do not. What I

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<v Speaker 1>do think is that I ought to cultivate your friendship

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<v Speaker 1>now that I have the chance. A man who knows

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<v Speaker 1>the wife so well should know something of the husband too.

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<v Speaker 1>The drink came, mister Pratt saw two bumpers filled. Mister Poundsby,

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<v Speaker 1>who was an abstemious man, had difficulty in escaping, being

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<v Speaker 1>compelled to drain his strawd bring another bottle. When I ring,

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<v Speaker 1>said mister Pratt, as the way to left the room.

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<v Speaker 1>The two gentlemen were left alone. Mister Poundsby still did

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<v Speaker 1>not feel quite easy in his mind. Champagne generally disagreed

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<v Speaker 1>with him at any time, always in the morning. He

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<v Speaker 1>had some glimmerings of an idea that if he refused

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<v Speaker 1>to drink, mister Pratt would seek in his refuse on

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<v Speaker 1>an occasion to quarrel. He had heard and read of

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<v Speaker 1>some curious customs in the States, how for instance, to

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<v Speaker 1>refuse under certain circumstances. To drink with the citizen of

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<v Speaker 1>the Great Republic was to place on him an insult

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<v Speaker 1>which could only be wiped out by blood, blood in

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<v Speaker 1>which six shooters played a part. He half suspected that

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<v Speaker 1>mister Pratt was a citizen like that. Certainly he was

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<v Speaker 1>unlike any American he had ever seen. His indifference to

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<v Speaker 1>his wife's fate was almost brutal. Mister Poundsby felt this,

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<v Speaker 1>but he also felt that it was impossible for him

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<v Speaker 1>to insist on making inquiries if the husband declined to

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<v Speaker 1>sanction them. Nor was his uneasiness lessened by mister Pratt's

394
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<v Speaker 1>appearance of entire ease. That gentleman leaned back in his

395
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<v Speaker 1>chair the one his wife had occupied, his summer coat unbuttoned,

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<v Speaker 1>his hat tilted on to the back of his head.

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<v Speaker 1>So you hypnotized my wife, mister Poundsby smiled faintly. The

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<v Speaker 1>subject was beginning to be unpleasant. Hypnotize me, mister Poundsby started,

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<v Speaker 1>I suppose you're joking. Why my wife had an inquiring mind?

400
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<v Speaker 1>Why shouldn't I have too? Perhaps you preferred trying those

401
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<v Speaker 1>sort of experiments on wives rather than on their husband's

402
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<v Speaker 1>mister Poundsby was not quite sure if this remark was

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<v Speaker 1>intended disagreeably. It made him WinCE. Perhaps you think I've

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<v Speaker 1>been trying these experiments all my life until this pamphlet

405
00:27:32.839 --> 00:27:35.759
<v Speaker 1>was brought in by this morning's post, I knew no

406
00:27:35.920 --> 00:27:39.960
<v Speaker 1>more about hypnotism than you do. My first experiment was

407
00:27:40.079 --> 00:27:46.880
<v Speaker 1>tried at her own urgent request upon your wife. I

408
00:27:47.000 --> 00:27:50.960
<v Speaker 1>take after her. I'm fond of experiments too. That book

409
00:27:51.079 --> 00:27:54.000
<v Speaker 1>must be a treasure. Oblige me with a glance at it.

410
00:27:55.319 --> 00:27:59.160
<v Speaker 1>Mister Poundsby handed it to him. Mister Pratt began reading.

411
00:27:59.200 --> 00:28:03.319
<v Speaker 1>At the end, there's a nice little bit as a finish,

412
00:28:03.839 --> 00:28:07.599
<v Speaker 1>Mister Pratt read it aloud. In conclusion, I would earnestly

413
00:28:07.640 --> 00:28:11.599
<v Speaker 1>ask all my readers to remember that this valuable science

414
00:28:11.640 --> 00:28:15.319
<v Speaker 1>should not be abused, especially in the case of females,

415
00:28:15.480 --> 00:28:19.799
<v Speaker 1>and that in all cases, when making experiments, they should

416
00:28:19.799 --> 00:28:24.559
<v Speaker 1>have friends or other persons present. That's sound advice. Did

417
00:28:24.559 --> 00:28:29.559
<v Speaker 1>you notice it? I I think it caught my eye.

418
00:28:30.039 --> 00:28:33.599
<v Speaker 1>Mister Pansby seemed a little fidgety. Mister Pratt turned to

419
00:28:33.640 --> 00:28:37.519
<v Speaker 1>the beginning. I see it mentions that the subject is

420
00:28:37.559 --> 00:28:40.240
<v Speaker 1>to stare at the operator, and the operator is to

421
00:28:40.279 --> 00:28:42.599
<v Speaker 1>stare at the subject for about ten minutes or a

422
00:28:42.680 --> 00:28:45.640
<v Speaker 1>quarter of an hour. Did you work the thing like that?

423
00:28:47.200 --> 00:28:50.359
<v Speaker 1>I followed to the best of my ability the instructions

424
00:28:50.400 --> 00:28:53.880
<v Speaker 1>contained in the pamphlet. Did you stare at my wife?

425
00:28:54.960 --> 00:28:58.519
<v Speaker 1>It sounds uncivil, but I'm afraid I did for ten

426
00:28:58.559 --> 00:29:02.799
<v Speaker 1>minutes or a quarter of an hour about that? And

427
00:29:02.880 --> 00:29:07.079
<v Speaker 1>did my wife stare you? Mister Poundsby laughed. He was

428
00:29:07.160 --> 00:29:10.599
<v Speaker 1>conscious that mister Pratt's line of examination was tending to

429
00:29:10.640 --> 00:29:15.000
<v Speaker 1>place him in a false position. I perceive you've marked

430
00:29:15.039 --> 00:29:18.279
<v Speaker 1>this work with your pencil where it says place the

431
00:29:18.279 --> 00:29:21.480
<v Speaker 1>thumb of your left hand on the subject's forehead, just

432
00:29:21.519 --> 00:29:24.680
<v Speaker 1>above the nose and level with the eyebrows. Did you

433
00:29:24.759 --> 00:29:27.519
<v Speaker 1>place the thumb of your left hand on my wife's forehead,

434
00:29:27.599 --> 00:29:32.759
<v Speaker 1>just above the nose, level with the eyebrows. Certainly, mister Pratt.

435
00:29:32.920 --> 00:29:35.240
<v Speaker 1>I can only say that, with the view of making

436
00:29:35.279 --> 00:29:38.119
<v Speaker 1>a little experiment, I followed to the best of my

437
00:29:38.200 --> 00:29:43.480
<v Speaker 1>ability the instructions. Generally, you seem to have seen the

438
00:29:43.559 --> 00:29:46.279
<v Speaker 1>thing well through. It says that you've next to rest

439
00:29:46.319 --> 00:29:48.240
<v Speaker 1>the ends of your fingers on the top of the

440
00:29:48.319 --> 00:29:51.559
<v Speaker 1>subject's head. Did you rest the ends of your fingers

441
00:29:51.559 --> 00:29:54.799
<v Speaker 1>on the top of my wife's head. You may take

442
00:29:54.839 --> 00:29:57.400
<v Speaker 1>it for granted that I did whatever the book directs.

443
00:29:58.599 --> 00:30:02.440
<v Speaker 1>May I that's kind, and you increase my sense of obligation.

444
00:30:03.079 --> 00:30:06.079
<v Speaker 1>Then you're to say to the subject, look into my eyes?

445
00:30:06.680 --> 00:30:09.240
<v Speaker 1>Did you ask my wife to look into your eyes?

446
00:30:10.599 --> 00:30:15.799
<v Speaker 1>I did, certainly, certainly. Of course you're thorough like the book.

447
00:30:16.200 --> 00:30:18.279
<v Speaker 1>The man who put this book together had seen it

448
00:30:18.319 --> 00:30:22.599
<v Speaker 1>done before. Then you're to say, close your eyes quite tight?

449
00:30:23.119 --> 00:30:25.720
<v Speaker 1>Did you tell my wife to close her eyes quite tight?

450
00:30:27.079 --> 00:30:29.559
<v Speaker 1>I did. It was at that point that she went

451
00:30:29.599 --> 00:30:33.680
<v Speaker 1>off into the hypnotic state. Was it? Now? That is

452
00:30:33.839 --> 00:30:38.279
<v Speaker 1>really interesting? And what did you do next? I tried

453
00:30:38.319 --> 00:30:41.960
<v Speaker 1>to bring her too. Now, hark at that, and after

454
00:30:42.000 --> 00:30:44.160
<v Speaker 1>all that trouble you had taken to sent her off?

455
00:30:44.640 --> 00:30:47.519
<v Speaker 1>And did she come? I'm sorry to say, as I

456
00:30:47.519 --> 00:30:50.079
<v Speaker 1>have already explained to you, that my efforts were not

457
00:30:50.160 --> 00:30:54.799
<v Speaker 1>attended with success. That was mean of her, real mean.

458
00:30:55.119 --> 00:30:57.640
<v Speaker 1>And I suppose that when you were performing these little

459
00:30:57.640 --> 00:31:01.119
<v Speaker 1>experiments of yours upon my wife, this room was filled

460
00:31:01.119 --> 00:31:05.359
<v Speaker 1>with a large assemblage. We were alone together. I wish

461
00:31:05.519 --> 00:31:09.799
<v Speaker 1>now it had been otherwise. Why, after the questions you

462
00:31:09.839 --> 00:31:13.400
<v Speaker 1>have already put to me that needs no answer. Think

463
00:31:13.480 --> 00:31:16.000
<v Speaker 1>not well, let me fill up your glass for you,

464
00:31:16.079 --> 00:31:20.039
<v Speaker 1>mister Poundsby. I am obliged to you, but must beg

465
00:31:20.119 --> 00:31:24.440
<v Speaker 1>you to excuse me. Is that so you don't show

466
00:31:24.480 --> 00:31:28.279
<v Speaker 1>yourself so friendly towards me as towards my wife. Perhaps,

467
00:31:28.319 --> 00:31:30.880
<v Speaker 1>mister Poundsby, you're not aware that for the last two

468
00:31:30.960 --> 00:31:34.000
<v Speaker 1>years I've been trotting around the world picking up the

469
00:31:34.079 --> 00:31:37.359
<v Speaker 1>pieces to throw into her lap. She is English and

470
00:31:37.400 --> 00:31:40.079
<v Speaker 1>I am American. She is not at all times fond

471
00:31:40.119 --> 00:31:43.480
<v Speaker 1>of me, and we sometimes differ, but I love her

472
00:31:43.519 --> 00:31:46.319
<v Speaker 1>in my way. So you may think that when the

473
00:31:46.359 --> 00:31:48.480
<v Speaker 1>first thing I hear when I come to catch a

474
00:31:48.559 --> 00:31:51.680
<v Speaker 1>sight of her after a two years parting, is this

475
00:31:51.839 --> 00:31:55.480
<v Speaker 1>little tale of yours. I find it a pleasing tale entirely.

476
00:31:55.960 --> 00:31:58.920
<v Speaker 1>I find it that. I do assure you now. The

477
00:31:58.960 --> 00:32:01.039
<v Speaker 1>only thing I should like you to do would be

478
00:32:01.079 --> 00:32:03.640
<v Speaker 1>to play those little tricks on me which he played

479
00:32:03.720 --> 00:32:07.519
<v Speaker 1>upon my wife. I should like to be hypnotized uncommonly

480
00:32:09.079 --> 00:32:11.160
<v Speaker 1>if I were to attempt to do so, I don't

481
00:32:11.160 --> 00:32:14.200
<v Speaker 1>think that I should succeed. But in any case, after

482
00:32:14.279 --> 00:32:17.160
<v Speaker 1>my experience of this morning, it will be a long

483
00:32:17.200 --> 00:32:20.000
<v Speaker 1>time before I make any more experiments on any one,

484
00:32:21.279 --> 00:32:23.720
<v Speaker 1>is that? So think it over, mister Poundsby, while I

485
00:32:23.720 --> 00:32:26.079
<v Speaker 1>lock this door and slip the key into my pocket.

486
00:32:27.440 --> 00:32:30.400
<v Speaker 1>Mister Pratt locked the door and slipped, as he called it,

487
00:32:30.720 --> 00:32:35.480
<v Speaker 1>the key into his pocket. Mister Pratt, I insist upon

488
00:32:35.519 --> 00:32:40.160
<v Speaker 1>your unlocking that door, mister Poundsby. I was raised out west,

489
00:32:40.160 --> 00:32:43.000
<v Speaker 1>and I was raised fighting, and I learned to smell

490
00:32:43.039 --> 00:32:46.039
<v Speaker 1>a fight when it was coming. And there's as big

491
00:32:46.079 --> 00:32:49.920
<v Speaker 1>a fight now coming as ever I yet smelled. Why

492
00:32:49.960 --> 00:32:54.160
<v Speaker 1>do you use this language, sir to me? It's my ignorance, maybe,

493
00:32:54.319 --> 00:32:56.839
<v Speaker 1>But in those parts where I was raised, when one

494
00:32:56.920 --> 00:32:59.839
<v Speaker 1>man played upon another man's wife, the tricks you've played

495
00:32:59.880 --> 00:33:04.200
<v Speaker 1>up mine, it generally ended up in fighting. You bet

496
00:33:04.240 --> 00:33:08.279
<v Speaker 1>it's going to end in fighting now. Mister Poundsby made

497
00:33:08.279 --> 00:33:11.880
<v Speaker 1>a movement towards the bell. Mister Pratt sprang in front

498
00:33:11.920 --> 00:33:15.279
<v Speaker 1>of him. You can ring the bell, sir, afterwards, but

499
00:33:15.440 --> 00:33:18.799
<v Speaker 1>first you listen to me. They'll have to break the

500
00:33:18.880 --> 00:33:21.279
<v Speaker 1>door down to get into this room, and that'll be

501
00:33:21.400 --> 00:33:24.519
<v Speaker 1>a scandal. And while they're breaking it down, I'll be

502
00:33:24.640 --> 00:33:28.160
<v Speaker 1>whipping you. You'd better take it fighting. I've got a

503
00:33:28.200 --> 00:33:32.000
<v Speaker 1>shooter putting his hand to his pistol pocket. Mister Pratt

504
00:33:32.000 --> 00:33:35.119
<v Speaker 1>flushed the barrel of a revolver in mister Poundsby's face.

505
00:33:36.599 --> 00:33:39.160
<v Speaker 1>But I know your English notions and I don't want

506
00:33:39.200 --> 00:33:41.920
<v Speaker 1>to use it in a little affair like this. Let's

507
00:33:42.039 --> 00:33:44.559
<v Speaker 1>strip to the waist and clear the furniture out of

508
00:33:44.599 --> 00:33:46.960
<v Speaker 1>the middle of the room and have a little price

509
00:33:47.039 --> 00:33:51.279
<v Speaker 1>fight all to ourselves. Do you take me for a madman,

510
00:33:51.319 --> 00:33:54.519
<v Speaker 1>mister Pratt? If you don't immediately unlock the door, I

511
00:33:54.519 --> 00:33:58.119
<v Speaker 1>shall summon assistance, and if you use any violence towards me,

512
00:33:58.480 --> 00:34:01.960
<v Speaker 1>I shall give you into the charge of the police.

513
00:34:02.720 --> 00:34:06.759
<v Speaker 1>Is that your line? That's mine? Dropping the hand which

514
00:34:06.759 --> 00:34:10.800
<v Speaker 1>held the revolver, mister Pratt delivered with his left delivered

515
00:34:10.840 --> 00:34:14.639
<v Speaker 1>so neatly in the center of mister Poundsby's forehead that

516
00:34:14.639 --> 00:34:19.119
<v Speaker 1>that gentleman was hurled backwards on to the floor. If

517
00:34:19.119 --> 00:34:21.079
<v Speaker 1>you like, you can take it lying down, and you

518
00:34:21.119 --> 00:34:24.039
<v Speaker 1>can summon assistance while you are taking it. But you'll

519
00:34:24.079 --> 00:34:28.639
<v Speaker 1>take it somehow, that you bet. Mister Poundsby, lying on

520
00:34:28.679 --> 00:34:31.639
<v Speaker 1>the floor, looked up at mister Pratt's standing over him.

521
00:34:32.599 --> 00:34:36.000
<v Speaker 1>Let me get up. He got up. The blow had

522
00:34:36.000 --> 00:34:39.800
<v Speaker 1>cut the skin and the blood was trickling through with

523
00:34:39.960 --> 00:34:44.480
<v Speaker 1>his handkerchief, he staunched the floe. In America, mister Pratt,

524
00:34:44.559 --> 00:34:47.320
<v Speaker 1>they may think the sort of thing you propose heroic.

525
00:34:47.920 --> 00:34:51.000
<v Speaker 1>In England they consider a row of any sort ridiculous.

526
00:34:52.079 --> 00:34:55.599
<v Speaker 1>Consider it isn't what they consider I'm thinking of. It's

527
00:34:55.639 --> 00:34:59.119
<v Speaker 1>how you're going to take it. Mister Poundsby fixed his

528
00:34:59.199 --> 00:35:03.119
<v Speaker 1>glance upon miss mister Pratt's keen, black eyes. He smiled,

529
00:35:04.039 --> 00:35:06.920
<v Speaker 1>take it. I'll take it fighting like the converter of

530
00:35:07.039 --> 00:35:11.079
<v Speaker 1>Colonel Quagg. I thought you would. I smelt it coming

531
00:35:11.079 --> 00:35:14.480
<v Speaker 1>on as he spoke. Mister Pratt placed his revolver on

532
00:35:14.559 --> 00:35:20.000
<v Speaker 1>the mantel shelf. Mister Poundsby was still smiling. Do you

533
00:35:20.039 --> 00:35:23.480
<v Speaker 1>propose to settle it now? I do? I propose to

534
00:35:23.519 --> 00:35:27.000
<v Speaker 1>settle it before you leave this room. In that case,

535
00:35:27.039 --> 00:35:29.280
<v Speaker 1>don't you think we'd better pull the blind down or

536
00:35:29.360 --> 00:35:31.679
<v Speaker 1>people walking on the terrace will be able to see

537
00:35:31.719 --> 00:35:34.320
<v Speaker 1>the fun. If we are going to make asses of

538
00:35:34.400 --> 00:35:36.599
<v Speaker 1>ourselves to me as well, do it as far as

539
00:35:36.639 --> 00:35:41.559
<v Speaker 1>possible in private. Mister Pratt pulled the blind down. The

540
00:35:41.599 --> 00:35:45.079
<v Speaker 1>sun was shining outside the room was still quite light.

541
00:35:46.119 --> 00:35:48.679
<v Speaker 1>I guess, said mister Pratt. We had better clear the

542
00:35:48.719 --> 00:35:52.280
<v Speaker 1>furniture out of the middle of the room. Mister Poundsby

543
00:35:52.320 --> 00:35:55.559
<v Speaker 1>assisted him in doing so. What little there was to clear.

544
00:35:56.599 --> 00:35:59.280
<v Speaker 1>The bottle of champagne and the two glasses they placed

545
00:35:59.320 --> 00:36:02.719
<v Speaker 1>with the revolt on the mental shelf. They then proceeded

546
00:36:02.719 --> 00:36:05.840
<v Speaker 1>to strip. As they were doing so, mister Poundsby asked

547
00:36:05.840 --> 00:36:11.920
<v Speaker 1>the question, how shall we manage about time? We will

548
00:36:12.000 --> 00:36:15.280
<v Speaker 1>call time when we feel we wanted. You understand this

549
00:36:15.320 --> 00:36:18.679
<v Speaker 1>is not only a fight, it's a whipping. I'm whipping you.

550
00:36:20.000 --> 00:36:25.639
<v Speaker 1>Mister Poundsby smiled as he answered, I understand. Exactly. When

551
00:36:25.719 --> 00:36:28.320
<v Speaker 1>they were in position, there was not much so far

552
00:36:28.320 --> 00:36:31.480
<v Speaker 1>as appearance went for a lover of the fancy to

553
00:36:31.559 --> 00:36:35.480
<v Speaker 1>choose between the two. Now that they were peeled, both

554
00:36:35.679 --> 00:36:39.559
<v Speaker 1>seemed thoroughly fit as fit, almost as though they had

555
00:36:39.599 --> 00:36:43.880
<v Speaker 1>been trained. Mister Poundsby was fair, mister Pratt was dark.

556
00:36:44.320 --> 00:36:47.840
<v Speaker 1>That was about the only difference. Both would have turned

557
00:36:47.880 --> 00:36:51.840
<v Speaker 1>the scale at something near eleven stone, and both measured

558
00:36:51.880 --> 00:36:55.199
<v Speaker 1>something under five foot eight. Nor did it take long

559
00:36:55.280 --> 00:36:58.320
<v Speaker 1>to show that both could use their hands. There was

560
00:36:58.440 --> 00:37:00.719
<v Speaker 1>none of that waiting for each other which so often

561
00:37:00.800 --> 00:37:04.599
<v Speaker 1>tries the patience of the spectators round a ring. Mister

562
00:37:04.679 --> 00:37:08.159
<v Speaker 1>Pratt came at once to business with perhaps rather too

563
00:37:08.239 --> 00:37:12.280
<v Speaker 1>much self confidence. He was apparently under the impression that

564
00:37:12.320 --> 00:37:14.400
<v Speaker 1>it was going to be a case of whipping his

565
00:37:14.480 --> 00:37:18.119
<v Speaker 1>opponent from the first, which was the reason doubtless that

566
00:37:18.199 --> 00:37:21.400
<v Speaker 1>mister Poundsby succeeded in returning the compliment which had been

567
00:37:21.440 --> 00:37:25.559
<v Speaker 1>paid himself, and landing mister Pratt upon his back. That

568
00:37:25.760 --> 00:37:31.039
<v Speaker 1>gentleman seemed surprised, I say, he asked, lying where he

569
00:37:31.079 --> 00:37:36.599
<v Speaker 1>had fallen. What's this? Mister Poundsby replied politely, I hope

570
00:37:36.639 --> 00:37:41.119
<v Speaker 1>I haven't heard you. You haven't heard me much. You've

571
00:37:41.159 --> 00:37:46.800
<v Speaker 1>surprised me more. I reckon, we'll continue. The proceedings recommenced,

572
00:37:47.119 --> 00:37:50.840
<v Speaker 1>But this time mister Pratt had changed his tactics. Instead

573
00:37:50.840 --> 00:37:53.440
<v Speaker 1>of coming up with the apparent intention of wiping his

574
00:37:53.519 --> 00:37:56.400
<v Speaker 1>opponent off the face of the earth with a single blow,

575
00:37:56.800 --> 00:38:00.960
<v Speaker 1>he played his game more cautiously. He fenced, but, becoming

576
00:38:01.000 --> 00:38:03.679
<v Speaker 1>tired of this, and feeling possibly that the whipping was

577
00:38:03.719 --> 00:38:06.920
<v Speaker 1>not proceeding fast enough, he led off with his right

578
00:38:07.000 --> 00:38:10.480
<v Speaker 1>and followed with his left, and mister Poundsby counted and

579
00:38:10.519 --> 00:38:14.039
<v Speaker 1>returned returned with such effect that for half a minute

580
00:38:14.079 --> 00:38:17.760
<v Speaker 1>mister Pratt was dancing about while mister Poundsby was performing

581
00:38:17.800 --> 00:38:21.320
<v Speaker 1>on him in the fashion which the regimental drummer beats

582
00:38:21.400 --> 00:38:26.599
<v Speaker 1>to quarters on his drum. Time he cried the round

583
00:38:26.760 --> 00:38:30.119
<v Speaker 1>was over. A pause ensued, during which his feelings were

584
00:38:30.159 --> 00:38:33.760
<v Speaker 1>plainly too deep for words. Have you ever had a

585
00:38:33.800 --> 00:38:39.039
<v Speaker 1>whipping before? He asked? Mister Poundsby smiled. It was evident

586
00:38:39.079 --> 00:38:42.079
<v Speaker 1>that his smile was a smile of enjoyment. At last

587
00:38:43.159 --> 00:38:49.559
<v Speaker 1>one or two he said like this, not exactly In England,

588
00:38:49.559 --> 00:38:51.800
<v Speaker 1>we don't, as a rule indulge in this form of

589
00:38:51.840 --> 00:38:55.840
<v Speaker 1>amusement in the private sitting room of a hotel, don't

590
00:38:55.880 --> 00:38:59.199
<v Speaker 1>you wallats as well? I smelt that a big fight

591
00:38:59.360 --> 00:39:03.000
<v Speaker 1>was coming in. Come. I'm going to enjoy myself entirely.

592
00:39:03.559 --> 00:39:05.880
<v Speaker 1>You've closed up one of my eyes, I should say,

593
00:39:05.920 --> 00:39:09.079
<v Speaker 1>from the feel of it forever. You've broken the bridge

594
00:39:09.119 --> 00:39:11.400
<v Speaker 1>of my nose. What they'll be to pay for the

595
00:39:11.400 --> 00:39:14.360
<v Speaker 1>blood upon the carpet, and there's a cart gone from

596
00:39:14.400 --> 00:39:17.440
<v Speaker 1>me already is more than I quite care to think.

597
00:39:17.960 --> 00:39:22.119
<v Speaker 1>Before I've finished whipping you, I reckon I'll be slain. Come,

598
00:39:22.159 --> 00:39:25.320
<v Speaker 1>mister Pratt. Don't you think this foolish business had better sees?

599
00:39:25.840 --> 00:39:28.559
<v Speaker 1>If you require an apology, I'm willing to tender one

600
00:39:28.599 --> 00:39:31.719
<v Speaker 1>in any form you like. What passed between your wife

601
00:39:31.760 --> 00:39:34.039
<v Speaker 1>and myself was simply in the nature of a little

602
00:39:34.079 --> 00:39:38.519
<v Speaker 1>scientific experiment. It'll be in the nature of a little

603
00:39:38.559 --> 00:39:42.760
<v Speaker 1>scientific experiment. What's going to pass between us too. I'm

604
00:39:42.800 --> 00:39:48.440
<v Speaker 1>fond of experiments as well as you. Time mister Pratt

605
00:39:48.440 --> 00:39:52.719
<v Speaker 1>fell into position, he's struck at mister Poundsby. Mister Poundsby

606
00:39:52.840 --> 00:39:55.960
<v Speaker 1>laughed as he warded off the blow. Come, mister Pratt,

607
00:39:56.000 --> 00:39:59.480
<v Speaker 1>why will you persist in this absurdity? I'm going to

608
00:39:59.519 --> 00:40:02.880
<v Speaker 1>whip you so her. In that case, you really must

609
00:40:02.920 --> 00:40:05.920
<v Speaker 1>excuse me for putting on the steam. If a waier

610
00:40:05.920 --> 00:40:08.039
<v Speaker 1>of some one were to come and find me engaged

611
00:40:08.119 --> 00:40:10.199
<v Speaker 1>like this, I should never hear the last of it

612
00:40:10.280 --> 00:40:14.760
<v Speaker 1>as long as I lived. Here goes it went. He

613
00:40:14.840 --> 00:40:17.360
<v Speaker 1>had been warding off mister Pratt's blows while he was

614
00:40:17.400 --> 00:40:21.519
<v Speaker 1>speaking when he seized the battle really joined. Mister Pratt's

615
00:40:21.519 --> 00:40:24.159
<v Speaker 1>guards were nowhere. In spite of all that he could

616
00:40:24.239 --> 00:40:28.000
<v Speaker 1>do to save himself, his antagonists proceeded to administer severe

617
00:40:28.039 --> 00:40:33.719
<v Speaker 1>punishment in thoroughly workmanlike style. The blows rang out upon

618
00:40:33.760 --> 00:40:37.119
<v Speaker 1>his head and body. Mister Poundsby wound up with one

619
00:40:37.199 --> 00:40:39.960
<v Speaker 1>under the chin, which lifted him off his feet and

620
00:40:40.039 --> 00:40:43.199
<v Speaker 1>laid him on his back. He lay waere he fell.

621
00:40:43.840 --> 00:40:47.760
<v Speaker 1>The blow had knocked him senseless. Mister Poundsby proceeded to

622
00:40:47.840 --> 00:40:52.440
<v Speaker 1>revive him with the remains of the champagne. This, he murmured,

623
00:40:52.519 --> 00:40:57.679
<v Speaker 1>opening his eyes and looking up. Is nice. Mister Poundsby

624
00:40:57.719 --> 00:41:01.360
<v Speaker 1>propped him up upon a chair. You compelled me to

625
00:41:01.440 --> 00:41:03.320
<v Speaker 1>rush to the thing. But I hope I haven't heard

626
00:41:03.360 --> 00:41:07.760
<v Speaker 1>you much, well, said mister Pratt. You haven't killed me quite.

627
00:41:08.440 --> 00:41:12.760
<v Speaker 1>I never enjoyed whipping a man so much before, say, stranger,

628
00:41:12.840 --> 00:41:16.840
<v Speaker 1>is this the first little fight you've had? I've sparred

629
00:41:16.880 --> 00:41:20.079
<v Speaker 1>for the amateur championship, and I won it twice. I'm

630
00:41:20.119 --> 00:41:23.440
<v Speaker 1>going in for it again next week. You might have

631
00:41:23.599 --> 00:41:28.000
<v Speaker 1>mentioned that before the game began. If the inherent absurdity

632
00:41:28.000 --> 00:41:30.920
<v Speaker 1>of your proposal could not deter you, I doubt if

633
00:41:30.960 --> 00:41:33.559
<v Speaker 1>any information I might have imparted would have been of

634
00:41:33.679 --> 00:41:39.840
<v Speaker 1>much avail. There's something in that time. Mister Pratt rose

635
00:41:39.840 --> 00:41:43.519
<v Speaker 1>from his chair. He stood on his feet rather doubtfully.

636
00:41:44.239 --> 00:41:47.880
<v Speaker 1>What do you mean, asked mister Poundsby. I'm going on

637
00:41:48.039 --> 00:41:51.719
<v Speaker 1>whipping you. Look here, mister Pratt, each time you stand up,

638
00:41:51.719 --> 00:41:54.440
<v Speaker 1>I shall simply knock you down again. Of course, you

639
00:41:54.519 --> 00:41:56.280
<v Speaker 1>can go on with that sort of thing as long

640
00:41:56.320 --> 00:42:00.039
<v Speaker 1>as you like. That is so I can, and that

641
00:42:00.039 --> 00:42:02.320
<v Speaker 1>that's the sort of thing of which one doesn't care

642
00:42:02.400 --> 00:42:06.320
<v Speaker 1>to get more than enough. Mister Pratt rested his hand

643
00:42:06.360 --> 00:42:09.000
<v Speaker 1>on the back of a chair. It seemed as though

644
00:42:09.239 --> 00:42:12.039
<v Speaker 1>without some support of that kind he could not stand.

645
00:42:12.760 --> 00:42:16.679
<v Speaker 1>Mister Poundsby advanced to him, mister Pratt, give me your hand.

646
00:42:17.760 --> 00:42:20.719
<v Speaker 1>Mister Pratt gave it to him. It would seem mechanically.

647
00:42:21.440 --> 00:42:23.920
<v Speaker 1>The two men stood looking at each other in silence,

648
00:42:24.360 --> 00:42:27.960
<v Speaker 1>though one almost without a scratch, the other a battered ruin.

649
00:42:28.639 --> 00:42:31.199
<v Speaker 1>While they were so engaged, the latch of the French

650
00:42:31.239 --> 00:42:35.119
<v Speaker 1>window was opened from without. The blind was thrust aside,

651
00:42:35.119 --> 00:42:39.239
<v Speaker 1>and a lady entered. It was missus Pratt. When she

652
00:42:39.320 --> 00:42:42.119
<v Speaker 1>saw what met her eyes, she stared, which, as a

653
00:42:42.119 --> 00:42:48.800
<v Speaker 1>breach of good manners, was under the circumstances, excusable. Mister Poundsby, Jilliet,

654
00:42:49.000 --> 00:42:52.760
<v Speaker 1>what have you been doing. I've been whipping him, said

655
00:42:52.800 --> 00:42:55.880
<v Speaker 1>mister Pratt. I must be off my ordinary, for I

656
00:42:55.920 --> 00:42:59.920
<v Speaker 1>never whipped him out that way before mister Poundsby slipped

657
00:42:59.920 --> 00:43:02.760
<v Speaker 1>on his jacket, he helped mister Pratt to put on

658
00:43:02.840 --> 00:43:06.800
<v Speaker 1>his It's my fault, Missus Pratt, when I told you,

659
00:43:06.840 --> 00:43:09.400
<v Speaker 1>a husband, of our little experiment, and that I had

660
00:43:09.440 --> 00:43:12.400
<v Speaker 1>found myself unable to release you from the hypnotic state

661
00:43:12.760 --> 00:43:15.679
<v Speaker 1>which I had induced, he thought I must have done

662
00:43:15.679 --> 00:43:20.920
<v Speaker 1>you a serious injury, and that he naturally resented. Missus

663
00:43:21.000 --> 00:43:24.159
<v Speaker 1>Pratt looked at mister Poundsby. There was a twinkle of

664
00:43:24.239 --> 00:43:29.239
<v Speaker 1>intelligence in her sweet blue eyes. I see miss Haselton

665
00:43:29.360 --> 00:43:31.920
<v Speaker 1>is looking for you. You'll find her in the drawing room.

666
00:43:33.000 --> 00:43:36.719
<v Speaker 1>Thank you, said mister Poundsby. I I'll go and look

667
00:43:36.760 --> 00:43:39.880
<v Speaker 1>for her. As he sneaked out of the room with

668
00:43:39.920 --> 00:43:43.400
<v Speaker 1>his shirt and waistcoat under his arm, devoutly hoping that

669
00:43:43.519 --> 00:43:45.760
<v Speaker 1>no one might encounter him. On his journey to his

670
00:43:45.840 --> 00:43:49.599
<v Speaker 1>own apartment, he heard Missus Pratt make this remark to

671
00:43:49.679 --> 00:43:55.039
<v Speaker 1>her husband, the first after two years absence. So jilly,

672
00:43:55.079 --> 00:43:58.519
<v Speaker 1>that you've been at it again. He heard mister Pratt reply,

673
00:43:59.599 --> 00:44:03.280
<v Speaker 1>I have. I've been raised fighting, and I reckon that fighting.

674
00:44:03.360 --> 00:44:06.320
<v Speaker 1>I shall die if I have to whip that pounds

675
00:44:06.360 --> 00:44:10.719
<v Speaker 1>be again. It is a certainty I shall end of

676
00:44:10.840 --> 00:44:13.039
<v Speaker 1>chapter two of his first experiment,
