WEBVTT

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<v Speaker 1>One man must travel with his wife and son across

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<v Speaker 1>multiple international borders during natural disasters, social unrest, and armed

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<v Speaker 1>conflict to ensure his family safety. Again, it's Greenland to Migration.

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<v Speaker 1>I'm Ronald Young Junior, and I'm leaving the theater all right.

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<v Speaker 1>This is Ronald and I am leaving the theater after

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<v Speaker 1>seeing Greenland Migration. Greenland Migration written by Mitchell la Fortune

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<v Speaker 1>and Chris Sparling, directed by Rick Roman Waugh, starring Gerard Butler,

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<v Speaker 1>Morena Bakerin, and Roman Griffin Davis.

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<v Speaker 2>As usual.

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<v Speaker 1>For complete listing of the cast and crew, check out

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<v Speaker 1>the link in our show notes. It is just me today.

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<v Speaker 1>Greenland Migration is the sequel to Greenland, which I believe

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<v Speaker 1>came out in either twenty twenty one or twenty twenty two.

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<v Speaker 1>It actually has a long fraught history. First it was

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<v Speaker 1>supposed to be Neil blanc directing it with Chris Evans starring,

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<v Speaker 1>and then Chris Evans and Blancamp left the project and

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<v Speaker 1>they ended up with Gerard Butler and Rick Roman Wough.

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<v Speaker 1>This movie is about a comment named Clark that is

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<v Speaker 1>about to strike planet Earth and a man named John

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<v Speaker 1>I forget his last name, who has to get his

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<v Speaker 1>wife and child, Nathan, over to Greenland, where there are

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<v Speaker 1>bunkers for them. He in particular was picked because he's

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<v Speaker 1>a civil engineer and he has special expertise in terms

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<v Speaker 1>of rebuilding the world in the future, so that's why

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<v Speaker 1>he selected. The first one went to video on demand.

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<v Speaker 1>This had a lot to do with the pandemic. Did

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<v Speaker 1>well there, eventually was licensed to HBO, did well there.

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<v Speaker 1>It was one of those films that did better in

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<v Speaker 1>streaming than they could have anticipated. So they wanted to

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<v Speaker 1>take that enthusiasm and make a sequel, and boy, oh boy,

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<v Speaker 1>that was a terrible, terrible idea. This movie is not

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<v Speaker 1>good at all. I don't even know. I don't even

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<v Speaker 1>know where to start. At the end of Greenland, the original,

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<v Speaker 1>it ends with them going to the bunker, and sometime later,

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<v Speaker 1>maybe less than a year, maybe like nine months after

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<v Speaker 1>they make it to the bunker, after doing all this work,

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<v Speaker 1>people die. It's a very good movie. I actually really

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<v Speaker 1>like Greenland the first one. They do all this work

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<v Speaker 1>making it to the bunker. Some time passes while they're

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<v Speaker 1>at the bunker, and at the end of the first movie,

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<v Speaker 1>they open the bunker and there's this bright future ahead

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<v Speaker 1>because there's birds chirping, and they realize that they're going

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<v Speaker 1>to have to begin the hard work of rebuilding.

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<v Speaker 2>Well, when the second.

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<v Speaker 1>Movie opens, they just basically retcon what just happened and say, oh, no,

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<v Speaker 1>we had to go back inside because it was too

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<v Speaker 1>bad out there and the air quality was bad, so

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<v Speaker 1>we stayed inside. And now now they are forced to

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<v Speaker 1>leave the bunker and go to the site of the

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<v Speaker 1>actual Creator's strike because for some reason, they're told that

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<v Speaker 1>life is thriving there, there's water, the air is clean,

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<v Speaker 1>et cetera, et cetera, et cetera. So they have to

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<v Speaker 1>go on another journey from the bunker to a different

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<v Speaker 1>place that is in the south of France.

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<v Speaker 2>The premises garbage.

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<v Speaker 1>It basically sets up the film so they could try

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<v Speaker 1>to do the same thing they did in the first film,

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<v Speaker 1>except in this one there's less character development. The first

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<v Speaker 1>film is interesting because John is just moving back in

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<v Speaker 1>with his wife because he cheated on her, and so

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<v Speaker 1>this layer of tension that exists between them begins with

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<v Speaker 1>them trying to repair their marriage, and because they're trying

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<v Speaker 1>to repair their marriage, it adds it's just extra little

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<v Speaker 1>cool bit of tension between them. It kind of is

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<v Speaker 1>the epitome of this man trying to prove to his

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<v Speaker 1>family that he will be the father and husband that

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<v Speaker 1>they need. That's very good, that's a good character motivation.

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<v Speaker 1>We immediately know who he is who she is in

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<v Speaker 1>that their son has Type one diabetes. That immediately builds

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<v Speaker 1>in an obstacle for them as they go on this journey,

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<v Speaker 1>which becomes a part of the plot. Everything that they

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<v Speaker 1>did right in the first film they did wrong in

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<v Speaker 1>this one. It starts with them and the bunker. They

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<v Speaker 1>are forced out of the bunker, and then they immediately

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<v Speaker 1>go on a different journey. Every new character that is

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<v Speaker 1>introduced except one is essentially killed or leaves everybody in there.

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<v Speaker 1>They if they are with this family, they are there

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<v Speaker 1>to be killed so that the family can keep going.

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<v Speaker 1>And there's these false stakes added to the film. There's

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<v Speaker 1>things that are completely inexplicable at some point and maybe

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<v Speaker 1>also I need a refresher. I thought I had just

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<v Speaker 1>recently saw The Last Greenland. The movie opens with John

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<v Speaker 1>fully in a hazmat suit traversing the outside world picking

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<v Speaker 1>up supplies, and I'm not sure why why he's qualified

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<v Speaker 1>to do that? Would they not have a geologist or

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<v Speaker 1>someone else that was out in the world, some sort

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<v Speaker 1>of scientists out there, not a civil engineer, some sort

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<v Speaker 1>of scientists, And I know you're thinking, well, maybe they're dead.

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<v Speaker 1>Not according to who we're seeing pop up in the bunker.

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<v Speaker 1>It seems like you're telling me everyone survived except for

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<v Speaker 1>this civil engineer.

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<v Speaker 2>And as a matter of fact, there's two civil engineers.

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<v Speaker 2>So it seems.

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<v Speaker 1>Unusual that John would be the one doing this, unless

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<v Speaker 1>you just needed Gerard Butler to be doing this because

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<v Speaker 1>he's leading the movie, which is a mistake. There's several

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<v Speaker 1>times in the movie in which Gerard Butler's expertise in

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<v Speaker 1>the movie would not put him in the position that

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<v Speaker 1>he's in in the film. I'm saying that to say

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<v Speaker 1>that is part of what you do in writing. You're saying,

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<v Speaker 1>why would this person be here. We say they're here

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<v Speaker 1>because they have expertise in so and so that's why

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<v Speaker 1>you put them there, or they're thrust into that position.

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<v Speaker 1>He is neither thrust and he does not have the expertise,

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<v Speaker 1>so it makes no sense that he's leading them except

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<v Speaker 1>that he's the lead of this film. His wife at

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<v Speaker 1>one point is sitting at the council of what looks

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<v Speaker 1>like elders and experts in the bunker town that they're

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<v Speaker 1>in underground. Nothing is explained, nothing tells us why she's

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<v Speaker 1>qualified to do that, none of that. The son is

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<v Speaker 1>played by a different actor who is older, and now

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<v Speaker 1>the son is fifteen. Zero character development. The diabetes never

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<v Speaker 1>comes up again. They mentioned in the beginning bring your insulin.

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<v Speaker 1>That's it. It is a big part of the first movie.

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<v Speaker 1>It is not a big part of this movie at all.

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<v Speaker 1>As a matter of fact, the biggest parts of this

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<v Speaker 1>movie we get is the fact that he's a teenager

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<v Speaker 1>and these discovering girls, which is fine as an underlying plot,

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<v Speaker 1>but also a little bit problematic due to where the

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<v Speaker 1>film actually ends up. At the end, there's a character

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<v Speaker 1>who begins to die and tries to hide it from

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<v Speaker 1>other folks, and in a way where because of the

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<v Speaker 1>time limit remaining on their life, there was no way

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<v Speaker 1>they could hit it any longer. And at one point

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<v Speaker 1>I remember thinking, what so are y'all writing into the

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<v Speaker 1>plot that they were just gonna die one day and

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<v Speaker 1>weren't going to tell their family. It's very unusual. I

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<v Speaker 1>don't like it. There's no real story. The story is

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<v Speaker 1>that we gotta go over there. That's the story. The

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<v Speaker 1>story is, hey, yeah, we gotta go over there. That's

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<v Speaker 1>the story. That's not a story. And then everything that

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<v Speaker 1>happens bad to them is only to thicken the plot,

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<v Speaker 1>only to thicken the plot. So they're easily traversed obstacles

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<v Speaker 1>that seem hard, that only to thicken the plot. At

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<v Speaker 1>some point they have to walk through a war zone.

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<v Speaker 1>We don't know why they're at war. We're just expected

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<v Speaker 1>to suspend disbelief. No one even throws a line in

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<v Speaker 1>there that's like France's really upset that England stole a

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<v Speaker 1>bunch of resources or something like that. None of that happens.

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<v Speaker 1>It's just there at war. This part, there's a lot

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<v Speaker 1>of fighting going on.

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<v Speaker 2>What is this? At some point they say, there's insurgents

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<v Speaker 2>over here? What are they for? Every single obstacle that's in.

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<v Speaker 1>This movie is meant to be moved so that they

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<v Speaker 1>can get to where they're going. There's no character development.

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<v Speaker 1>None of these characters are actually growing or changing, none

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<v Speaker 1>of it. They're not actually that. Nothing happens to make

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<v Speaker 1>them more or less than what they are. It's tough

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<v Speaker 1>to watch because again. You start with this strong story

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<v Speaker 1>in Greenland and add all these little bits of tension

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<v Speaker 1>and these other characters, and it makes it very interesting.

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<v Speaker 1>The father in law as a character. Andrew Batcheler King

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<v Speaker 1>Batch from Social Media is in it. He has a

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<v Speaker 1>very good role. It's a featured role and he's in

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<v Speaker 1>it for a short while, but he's very good. There's

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<v Speaker 1>just the first film is so good. Roy from Pam

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<v Speaker 1>and Roy from the Office is in it. I'll never

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<v Speaker 1>know that guy's name. He'll always be Roy to me.

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<v Speaker 1>He's in the first one, has a very good role.

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<v Speaker 1>There's just several times in the movie in which you

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<v Speaker 1>could tell they are developing these characters. They are putting

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<v Speaker 1>them in impossible situations and also pushing them forward, which

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<v Speaker 1>is fine.

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<v Speaker 2>That is something that you can do.

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<v Speaker 1>But what's happening in this one is we have a

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<v Speaker 1>fixed point and we got to get there, and we'll

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<v Speaker 1>get there no matter what. We're not gonna we're in

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<v Speaker 1>every obstacle that comes up. I mean, there's a bridge

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<v Speaker 1>at one point, and I'm thinking, of course they're gonna

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<v Speaker 1>cross the bridge, but it's gonna be harrowing. Oh no,

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<v Speaker 1>you know it's not. They're not gonna lose anything crossing

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<v Speaker 1>the bridge. They're gonna lose other actors, They're gonna lose

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<v Speaker 1>background people and extras, but they're not gonna lose any

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<v Speaker 1>of the main cast.

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<v Speaker 2>So it's very tough.

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<v Speaker 1>Even at some point when there is a sacrifice to

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<v Speaker 1>be made in the film, it's made in a way

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<v Speaker 1>that made me roll my eyes and get irritated more

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<v Speaker 1>than it did make me feel anything. So it's just

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<v Speaker 1>it's not good. There's not enough world building. I don't

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<v Speaker 1>know what's happening in this world anymore. I knew what

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<v Speaker 1>was happening in the first world. I knew the government

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<v Speaker 1>was at the bare minimum trying to organize people and

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<v Speaker 1>get them to places, so I knew that some semblance

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<v Speaker 1>of the government existed. I would have liked to have

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<v Speaker 1>seen that be more organized and more of those be

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<v Speaker 1>prominent characters in the story. In this film, there's several

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<v Speaker 1>times in which the characters are making bad decisions. They

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<v Speaker 1>are attacked by people in the middle of nowhere, and

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<v Speaker 1>they take time to bury one of their dead, which

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<v Speaker 1>I just did not understand how they would have the

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<v Speaker 1>time or the wherewithal to do that, except for something

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<v Speaker 1>else that happens while they're burying the person that then

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<v Speaker 1>comes up again later in the film, and it's only

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<v Speaker 1>a line. It's not like sub something they have to

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<v Speaker 1>face or anything. It's it's it wasn't good. I'm I'm

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<v Speaker 1>a little irritated because I had other stuff to do,

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<v Speaker 1>and I really saw this as a responsibility to make sure,

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<v Speaker 1>oh cool, gotta see this movie. But this one was

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<v Speaker 1>bad enough that it actually felt like a waste of time.

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<v Speaker 1>So with all of that being said, this is a

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<v Speaker 1>one of five star movie. This is one star. I

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<v Speaker 1>give it one star because that's the lowest I can

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<v Speaker 1>give it. I could give it zero stars, but it

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<v Speaker 1>was a movie and I did see it in the theater,

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<v Speaker 1>so it does exist, even though it does nothing to

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<v Speaker 1>justify its existence whatsoever. I think you should skip this one.

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<v Speaker 1>I would not even watch it on streaming. Yeah, with

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<v Speaker 1>that leaving the theater is a production of Oh It's

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<v Speaker 1>Big Ron Studios. I mixed this episode, and part of

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<v Speaker 1>this job is watching movies that are not going to

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<v Speaker 1>be good, that are going to be terrible. Typically, I

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<v Speaker 1>like to be in the conflicted range between about two

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<v Speaker 1>and three stars. This one, when it's a one star

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<v Speaker 1>movie that is really a waste of time. It is

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<v Speaker 1>a waste of time. But I still have to record this,

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<v Speaker 1>I have to edit this. I had to pay for

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<v Speaker 1>this ticket. There was no screening, and I'm not surprised

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<v Speaker 1>why there was no screening. When they don't screen a movie,

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<v Speaker 1>it's because they don't want it to get panned. They

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<v Speaker 1>still want to try to make money on it, so

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<v Speaker 1>they let the audience come see it and then let

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<v Speaker 1>the word of mouth end up killing the screenings anyway.

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<v Speaker 1>It's very funny how this works out. I've learned a

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<v Speaker 1>lot about the business of movies in that way. But

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<v Speaker 1>that means I was on the front line, and I'm

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<v Speaker 1>the one telling you not to go see this movie.

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<v Speaker 1>If you have not seen it, do not waste your time.

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<v Speaker 1>I'm saying that to say, that's the type of work

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<v Speaker 1>that I put in here. On leaving the theater, I

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<v Speaker 1>have this, I have wait for it, I have Heartbreaker.

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<v Speaker 1>I have a lot of stuff on my plate right now,

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<v Speaker 1>but I'm working hard and I'm going to get it

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<v Speaker 1>all done because I am relentless, I'm insane, and i

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<v Speaker 1>am resilient. This is a labor of love, but it

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<v Speaker 1>is labor If that means something to you, you should

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<v Speaker 1>join the patreonare dot com slash owits big Ron or

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<v Speaker 1>go to the link in our show notes. Show art

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<v Speaker 1>from Heather Wilder. Theme music by the mysterious Breakmaster Cylinder.

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<v Speaker 1>For more information about Greenland migration, check out our show notes.

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<v Speaker 1>You can follow me on Instagram, blue Sky, TikTok, threads,

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<v Speaker 1>or letterboxed at Owitz Big Ron.

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<v Speaker 2>That's at O H I T S b I g

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<v Speaker 2>R O N.

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<v Speaker 1>You can find out more about this show and other

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<v Speaker 1>Owiz Big Bron Studio shows by following us on Instagram

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<v Speaker 1>at Owitz big Ron Studios. Leaving the theater will be

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<v Speaker 1>back soon. Thanks for listening. I'm Ronald Young Junior and

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<v Speaker 1>I'm but little irritated because I had other stuff to do,