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<v Speaker 1>Welcome Friends is podcast podcasting time show JACKI again Ryan

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<v Speaker 1>talking about by Now podcast.

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<v Speaker 2>On read.

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<v Speaker 3>Someone is playing a deadly game.

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<v Speaker 2>It all began with the scream over nine one one.

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<v Speaker 3>No, he's taken his love of fear. Hella, hello, Sidney,

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<v Speaker 3>one step too far.

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<v Speaker 2>Any here, never ever, ever, under any circumstances say I'll

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<v Speaker 2>be right back. I'll be right back.

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<v Speaker 3>He didn't make the rules, He just kills by them. Squeam.

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<v Speaker 3>Welcome to a movie film commentary track. My name is

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<v Speaker 3>Zaki Hassan and Brian Hall.

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<v Speaker 2>Yes, do you like scared movies? I like this one.

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<v Speaker 3>Yeah, it's a short list, but this is definitely on there.

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<v Speaker 2>I was wondering with this popping up in our feet

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<v Speaker 2>if people are like, oh, the movie film boys don't

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<v Speaker 2>talk about horror movies very often.

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<v Speaker 3>You know. We like to mix things up every once

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<v Speaker 3>in a while.

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<v Speaker 2>Yeah, yeah, And I would say, I mean, we've been

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<v Speaker 2>doing this for over a decade now, and I feel

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<v Speaker 2>like we watch a lot more in recent years than

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<v Speaker 2>we used to.

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<v Speaker 3>You know, when people ask him what genres I like,

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<v Speaker 3>I tend to say I'm open to anything good in

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<v Speaker 3>any genre, and that applies to horror as well, absolutely,

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<v Speaker 3>and certainly for Scream, which is the subject of our

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<v Speaker 3>commentary track today. The timing is apropos in a multitude

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<v Speaker 3>of ways. Number One, as we speak, we are on

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<v Speaker 3>the eve of the release of Scream seven seven, yeah,

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<v Speaker 3>which is itself nuts. But we are speaking in the

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<v Speaker 3>year that is the thirtieth anniversary of the first film's release.

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<v Speaker 2>Yeah, which lines up nicely. But we have been talking

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<v Speaker 2>about this one for years. I feel like, you know,

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<v Speaker 2>it's nice to finally be here.

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<v Speaker 3>Yeah, and who knows, maybe we are beginning another journey

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<v Speaker 3>through an entire franchise.

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<v Speaker 2>Oh yeah, Well, I gotta say I did watch two, three,

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<v Speaker 2>and four, Oh wow, after I watched this one. Really Okay,

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<v Speaker 2>I watched this one a little early to prepare, and

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<v Speaker 2>I had a couple of nights where I didn't have

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<v Speaker 2>anything to watch, and I was like, well, I don't

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<v Speaker 2>remember two very well. So I did two, and I

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<v Speaker 2>was like three, then I did four.

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<v Speaker 3>So wow, See, you're more caught up than me, because

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<v Speaker 3>it's been a minute since I've seen those ones. Okay, yeah, yeah,

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<v Speaker 3>but yeah it you know, it was what a time

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<v Speaker 3>capsule this movie is.

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<v Speaker 2>Oh yeah, definitely. I mean, and that's what's so weird

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<v Speaker 2>is because they're still coming out. Yeah, and they still

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<v Speaker 2>have you know, major characters and actors appearing in them.

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<v Speaker 2>It doesn't feel like it's been as long. But then

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<v Speaker 2>when you really think about it, yeah, this is the

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<v Speaker 2>mid nineties. We're talking about thirty years that is.

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<v Speaker 3>You know, this is a discussion I was having that

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<v Speaker 3>somebody and anybody listening, feel free to correct me if

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<v Speaker 3>I'm wrong, but I feel like this is the only

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<v Speaker 3>horror franchise to have lasted this long and maintain a

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<v Speaker 3>single continuity, right, yeah, right, I think this is it.

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<v Speaker 2>Yeah. I'd be happy to know if anyone is different.

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<v Speaker 3>Because there's there's franchises that have lasted longer, but they've restarted,

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<v Speaker 3>you know, sometimes multiple times, right right. But Scream is

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<v Speaker 3>what it is, and I think that's why we like it. Yeah.

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<v Speaker 2>Yeah, I'm looking forward to getting into why we like

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<v Speaker 2>this movie, especially not being horror ficionados.

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<v Speaker 3>Yeah. Yeah, well, hey, let's let's do it. So we

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<v Speaker 3>are going to watch nineteen ninety six is Scream the

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<v Speaker 3>first film, not to be confused with the twenty twenty

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<v Speaker 3>one film also called Scream.

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<v Speaker 2>Right, which is actually Scream five.

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<v Speaker 3>That is a scre five of them, as I call it, yeah.

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<v Speaker 2>Which sounds like the way John Lovets would sneeze five.

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<v Speaker 3>Now there there there was like a like an unrated

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<v Speaker 3>cut released on DVD at some point.

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<v Speaker 2>Yeah, And I gotta be honest, I'm a little confused

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<v Speaker 2>about which is the major available version because reading about

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<v Speaker 2>the you know, cuts that they had made I feel

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<v Speaker 2>like I saw those cuts in the version I watched,

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<v Speaker 2>which is labeled as rated R. So so.

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<v Speaker 3>I'm I'm watching the one that's available. I don't I

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<v Speaker 3>have not seen it readily available an unrated cut.

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<v Speaker 2>Same. Yeah, I'm watching the one that's you know, off

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<v Speaker 2>of Voodoo, the one from Paramount Plus, and it's labeled

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<v Speaker 2>as being rated R.

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<v Speaker 3>And it's an hour and fifty one minutes and three seconds.

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<v Speaker 2>Yeah, exactly.

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<v Speaker 3>So that's what we're watching. If you got that handy

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<v Speaker 3>you could, you can cue it up and if you

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<v Speaker 3>want to watch along with this. If not, you know,

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<v Speaker 3>we'll try to do our thing to make the conversation interesting.

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<v Speaker 3>Hopefully we pull you in. But either way, we're about

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<v Speaker 3>to do this. I'm ready, all right, So we'll do

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<v Speaker 3>the usual thing. I will count to three, one, two, three,

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<v Speaker 3>and then play ready, Brian.

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<v Speaker 2>I'm ready.

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<v Speaker 3>Here we go, one, two, three, play Dimension films.

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<v Speaker 2>Even that takes me back.

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<v Speaker 3>That's a blast from the past, right yeah, Beck when

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<v Speaker 3>this was a Disney owned franchise.

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<v Speaker 2>Right wow, Yeah, you know it's funny too. By the way,

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<v Speaker 2>So that scream title card that appears right there, yeah,

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<v Speaker 2>I'm used to. I've seen so many of the other

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<v Speaker 2>ones now, I'm used to that more kinetic stylize, you know,

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<v Speaker 2>like a slash coming across the screen and the letters

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<v Speaker 2>coming at you. And so I was I haven't watched

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<v Speaker 2>this one in many years, and so seeing that, I

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<v Speaker 2>was like, oh, that looks like something made in like

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<v Speaker 2>a Microsoft text program. You know, it just looks so

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<v Speaker 2>right aged versus the title cards we get now, which

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<v Speaker 2>is kind of funny. But I gotta say, I think

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<v Speaker 2>the movie itself, I mean, looking at it right now,

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<v Speaker 2>appears pretty ageless to me. Yeah right, I mean even

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<v Speaker 2>not just the look of the film, but even the

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<v Speaker 2>styles we see in it, Like it doesn't feel overtly nineties.

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<v Speaker 2>I feel like a movie, I mean, Clueless is an

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<v Speaker 2>exaggeration of the nineties. But you know what I'm saying, Yeah,

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<v Speaker 2>like big Neon colors, or you know, hammer Pants or

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<v Speaker 2>anything like that.

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<v Speaker 3>Well, I think that goes to Wes Craven, who who

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<v Speaker 3>had a similar sensibility with the first Nightmare on Elm Street.

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<v Speaker 3>I think I think that one is more ageless than

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<v Speaker 3>some of the other films in that series. Sure, right, right,

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<v Speaker 3>you know, admit it. I mean, that's the only one

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<v Speaker 3>I've seen recently, is hit the original Nightmare on Elm Street.

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<v Speaker 3>Same Actually, yeah, you know, but you know, you dip

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<v Speaker 3>into the other one. The other ones feel much more.

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<v Speaker 2>Eighties sure, yeah, yeah, yeah.

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<v Speaker 3>You know Wes Craven who was trying to get away

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<v Speaker 3>from the horror genre and it kept getting its claws

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<v Speaker 3>into him. You know, isn't that kind of interesting?

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<v Speaker 2>I mean, he is just synonymous with horror. He's on

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<v Speaker 2>the Mount Rushmore of horror.

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<v Speaker 3>That says to direct horror.

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<v Speaker 2>That's true, that's true, But I mean creating one of

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<v Speaker 2>the most iconic horror icons of all time. But yeah,

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<v Speaker 2>he wanted to make music of the heart, you know,

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<v Speaker 2>with Meryl Street interesting.

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<v Speaker 3>Which he did do after the first two Screams.

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<v Speaker 2>Finally got to do it. He got the whatever cachet

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<v Speaker 2>back that he needed because he was he was I

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<v Speaker 2>think struggling a little bit before this, right like he

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<v Speaker 2>had he had done. I want to say the Wes

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<v Speaker 2>Craven's New Nightmare.

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<v Speaker 3>Which is good. Yeah, that's a good movie.

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<v Speaker 2>I enjoyed that one. You know, It's funny. I saw

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<v Speaker 2>that one recently too, because they were doing like a

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<v Speaker 2>horror series at my local movie theater and they played

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<v Speaker 2>one and New Nightmare, and New Nightmare feels like it's

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<v Speaker 2>walking toward this movie a little bit, and it's metanists

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<v Speaker 2>and you know, the tropes of a horror film playing

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<v Speaker 2>into the plot. But this, this movie is just perfection

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<v Speaker 2>because it's the marriage of an ex horror director and

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<v Speaker 2>I just I don't want to just limit to horror,

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<v Speaker 2>just like thriller director. I mean, this movie really, to

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<v Speaker 2>me feels more like a thriller mystery than a horror film.

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<v Speaker 2>And you've got this incredibly sharp script from Kevin Williamson, right.

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<v Speaker 3>Kevin Williamson really coming out the barrel hot.

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<v Speaker 2>Yeah, you know, yeah, although he might not feel that

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<v Speaker 2>way because he had written teaching Missus Tingle before this

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<v Speaker 2>and I know what you did last summer before this,

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<v Speaker 2>which people didn't have any interest in. And then one

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<v Speaker 2>night I guess he was home alone and watching movies

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<v Speaker 2>and I think he watched a documentary or something about

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<v Speaker 2>a killer and.

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<v Speaker 3>The Gainsborough Killer I think it was.

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<v Speaker 2>Yeah, and it just all fed into his imagination. And

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<v Speaker 2>then he came up with this script which became super hot,

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<v Speaker 2>Big Bidding War, and then this relaunched the slasher genre, right,

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<v Speaker 2>and so then all of a sudden, you know, the

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<v Speaker 2>script for I Know What You Did Last Summer, which

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<v Speaker 2>nobody wanted, became a hot item after this, which I

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<v Speaker 2>had forgotten. I lumped that in with this era, but

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<v Speaker 2>I had forgotten that he was actually a part.

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<v Speaker 3>Of that, right, But but I mean the version that

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<v Speaker 3>was made, he he didn't really have much to do with.

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<v Speaker 3>That's my understanding.

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<v Speaker 2>Oh okay, okay, I can see that.

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<v Speaker 3>Like like he did an earlier draft. I could I

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<v Speaker 3>could be wrong, but obviously just just putting putting his

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<v Speaker 3>name on it, you know from the writer's scream that

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<v Speaker 3>that match. Sure? Yeah, right, right now we should talk

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<v Speaker 3>about Drew Barrymore playing Janet Lee role in this movie exactly. Yes, Now, initially,

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<v Speaker 3>what what got what what got this movie rolling was

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<v Speaker 3>the fact that she was interested in in starring in it.

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<v Speaker 3>They wanted her to play Sydney, and her schedule didn't

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<v Speaker 3>allow for it, so so instead she does the cameo,

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<v Speaker 3>which is so much better, right not it not even

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<v Speaker 3>because like I think she would she probably would have

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<v Speaker 3>been just fine as Sydney, but I think I think

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<v Speaker 3>she was a big enough star that whereas with Nev Campbell,

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<v Speaker 3>who was familiar but not as familiar, there was still

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<v Speaker 3>a sense of danger. I think if Drew Barrymore plays Sydney,

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<v Speaker 3>she's you go in thinking she's gonna make it to

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<v Speaker 3>the end.

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<v Speaker 2>And she was on the poster, yeah, right, Like that's

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<v Speaker 2>her face with her mouth being covered by a hand

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<v Speaker 2>on the poster, so you think this is a Drew

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<v Speaker 2>Barrymore movie, which is brilliant because then, yeah, it lures

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<v Speaker 2>you in with her star power, and I think it

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<v Speaker 2>adds something to this opening like vignette, right. I mean,

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<v Speaker 2>you could put a really talented actress that you don't

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<v Speaker 2>know as well, and I'm sure she would crush it.

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<v Speaker 2>But there's something about having Drew Barrymore's starlight, you know,

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<v Speaker 2>going off in this whole thing that just really makes

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<v Speaker 2>it this movie pop off.

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<v Speaker 3>Yeah, you know that's something they continued to do with

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<v Speaker 3>the sequels, you know, with Jada Pinkett right in the

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<v Speaker 3>next one, and then and then leave Schreiber in the

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<v Speaker 3>beginning of the third one.

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<v Speaker 2>Yeah, yeah, and then in the fourth one they go

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<v Speaker 2>like crazy meta where it's like a movie with then

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<v Speaker 2>a movie with then a movie all with stars, you know,

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<v Speaker 2>these sort of cold opens. But it's interesting too because

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<v Speaker 2>Drew Barrymore was also kind of in a interesting part

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<v Speaker 2>of her career, right, Like she had been a child star,

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<v Speaker 2>obviously she was.

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<v Speaker 3>She was in between wild child flashing her boobs at

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<v Speaker 3>Letterman and hey, I love Flowers and Rain.

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<v Speaker 2>Exactly, I mean exactly that, and she was making stuff

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<v Speaker 2>like Poison Ivy, you know, kind of like a Skinemaxy

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<v Speaker 2>sort of movie.

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<v Speaker 3>And she was one of she was one of the

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<v Speaker 3>Amy Fishers, if I'm not mistake.

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<v Speaker 2>Exactly like a made for TV Amy Fisher movie, I believe, Yeah,

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<v Speaker 2>and which we wouldn't associate her with now, you know,

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<v Speaker 2>she's like Drew Barrymore producer mogul, right, yeah, So she

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<v Speaker 2>had this little dip for a moment there, and then

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<v Speaker 2>remember she was like almost you know, she had four

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<v Speaker 2>lines as like a minor henchwoman and Batman forever.

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<v Speaker 3>Yep, just the year before this.

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<v Speaker 2>Yeah, but then she just popped right back after this

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<v Speaker 2>with wedding singer and ever after and never been kissed

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<v Speaker 2>and you know, never Charlie's Angels. Charlie's Angels of course. Yeah,

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<v Speaker 2>you know. I this opening is so iconic, and it's

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<v Speaker 2>funny to also think of it as like classic now

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<v Speaker 2>because I don't think of it as classic because I

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<v Speaker 2>was there right now thirty years later. This is kind

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<v Speaker 2>of classic.

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<v Speaker 3>I mean, I mean, this is Marilynd Crane in the shower,

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<v Speaker 3>you know. Yeah, yeah, that level of iconic. And by

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<v Speaker 3>the way, I should say I didn't know until this

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<v Speaker 3>scene in this exchange just now that Jason Boorhees is

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<v Speaker 3>not the killer in the First Friday of the thirteenth,

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<v Speaker 3>because I had not seen that movie.

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<v Speaker 2>I probably learned that from this too. Yeah. Yeah, but

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<v Speaker 2>that's this is such a I really am excited to

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<v Speaker 2>talk about this moment. But I mean, this is post

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<v Speaker 2>pulp fiction, right, which is in nineteen ninety four where

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<v Speaker 2>dialogue got a little bit more you know, conversational, right,

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<v Speaker 2>So this is like a really fun it's conversational, but

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<v Speaker 2>it's also menacing, you know, it's sort of like the

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<v Speaker 2>best of all the worlds of this moment.

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<v Speaker 3>You got a little Tarantino, little Kevin Smith.

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<v Speaker 2>Yeah. Yeah, it's meta, it's terrifying. It's referencing movies like

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<v Speaker 2>the That was the thing that happened in the nineties, right,

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<v Speaker 2>people characters in movies started talking about movies, right like Clerks.

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<v Speaker 2>I remember watching Clerks and it was revelatory where they

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<v Speaker 2>were talking about star wars in a movie. That's right,

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<v Speaker 2>because I'm like, well, that's what I think about, you know.

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<v Speaker 2>And so that's what's so brilliant about this. It isn't

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<v Speaker 2>just a slasher movie. This is a slasher movie being

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<v Speaker 2>experienced by characters who are familiar with slasher movies.

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<v Speaker 3>That's right, by the way, this bit right here where

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<v Speaker 3>the killer says, what door am I at? You only

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<v Speaker 3>realize on reviewing how devious that is because he's at

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<v Speaker 3>both doors.

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<v Speaker 2>Yes, because there's two of them. Yeah, yeah, yeah.

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<v Speaker 3>That's definitely. This is one of those movies that really

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<v Speaker 3>does hold up to rewatch is because you start realizing

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<v Speaker 3>all the ways that that Stu and Billy are laying

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<v Speaker 3>out their their scheme.

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<v Speaker 2>That's that's what makes an interest.

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<v Speaker 3>Story spoiler to anyone listening to us talk through a

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<v Speaker 3>thirty year old movie. But Stu and Billy are the killers.

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<v Speaker 2>Yeah, so I mean you can watch it for the

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<v Speaker 2>first time and try to figure it out, which is

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<v Speaker 2>a one of the biggest components about why I love

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<v Speaker 2>these movies is they're mysteries.

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<v Speaker 3>Yeah.

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<v Speaker 2>Right, And but then when you rewatch it, Yeah, you're

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<v Speaker 2>trying to figure out which appearance of ghost face is who? Yeah, right,

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<v Speaker 2>And I think I hadn't remembered this. But later when

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<v Speaker 2>the kids are talking, they say that Stu was dumped

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<v Speaker 2>by Casey, the Drew Barrymore character.

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<v Speaker 3>Ah So, because I.

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<v Speaker 2>Was wondering, like, Okay, this is a great cold open,

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<v Speaker 2>but why are they going after her because she's not

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<v Speaker 2>related to Sydney's family or any of that trauma. But

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<v Speaker 2>it's like, well, apparently he was dumped by her, and

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<v Speaker 2>so I mean this could be like a warm up

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<v Speaker 2>for them or you know.

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<v Speaker 3>Hmm makes sense.

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<v Speaker 2>Yeah, also, oh you know.

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<v Speaker 3>Please, Well, the the initial warm up was, of course

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<v Speaker 3>Sydney's mom.

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<v Speaker 2>Well that's good point, good point a year earlier, right, and.

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<v Speaker 3>And real quick, actually, while we're talking about which ghost faces,

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<v Speaker 3>which the ghost face that's about to pop up right

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<v Speaker 3>right here in just a second. That is Wes Craven.

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<v Speaker 3>Oh really yeah, this guy right here, that's Wes Craven.

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<v Speaker 3>Oh funny, he took one on the bean as she

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<v Speaker 3>hits him with the cell the not even the cell

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<v Speaker 3>phone on the court list. Yeah, this scene, this scene

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<v Speaker 3>terrifies me. It really does. Just that sense of like

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<v Speaker 3>they're so close, her parents are so close. Yes, it's

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<v Speaker 3>just it's even now. I mean, I'm a forty six

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<v Speaker 3>year old man, I still find this terrifying.

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<v Speaker 2>Yes, And there's that horrifying nightmare feeling where her parents

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<v Speaker 2>are right there and she's trying to call for them

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<v Speaker 2>but you can't get them ways out. Yeah, and you know,

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<v Speaker 2>I mean this the opening, this and the ending of

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<v Speaker 2>the movie are really disturbing. Yeah, you know what I mean,

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<v Speaker 2>like seeing this girl killed just feet away from her parents,

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<v Speaker 2>and just thinking about these kids, these maniacal kids playing

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<v Speaker 2>god and just killing their peers.

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<v Speaker 3>And really messed up.

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<v Speaker 2>And then the last act where they're just maiming each

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<v Speaker 2>other and you're just thinking about it, like they're just kids,

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<v Speaker 2>and they're.

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<v Speaker 3>So they're supposed to be in high school. They look

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<v Speaker 3>like they're you know, thirty two, right, right, but yeah,

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<v Speaker 3>they're supposed to be in high school.

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<v Speaker 2>But like that disturbing element I think is good because

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00:16:37.440 --> 00:16:40.559
<v Speaker 2>that's what grounds this movie. Yeah, right, because if it

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00:16:40.600 --> 00:16:44.320
<v Speaker 2>was just fun, then I don't think this mystery, this

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00:16:47.240 --> 00:16:50.000
<v Speaker 2>take on a horror film would work quite right if

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00:16:50.039 --> 00:16:53.759
<v Speaker 2>it was just a romp. Yeah, we need to feel

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<v Speaker 2>bad about all this.

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<v Speaker 3>So that's something really essential, right, is that the longer

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<v Speaker 3>the nineteen eighties slasher franchises would go on, the more

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<v Speaker 3>people started rooting for the killer exactly right. You know,

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00:17:08.839 --> 00:17:11.599
<v Speaker 3>Freddy Krueger became the star, and it's like, what crazy

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00:17:11.680 --> 00:17:13.839
<v Speaker 3>way is Freddie gonna kill people? And I find that

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00:17:14.000 --> 00:17:19.359
<v Speaker 3>very discomforting, you know, And and I don't think that's

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00:17:19.440 --> 00:17:22.279
<v Speaker 3>the case with Scream, partly because there there is no

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<v Speaker 3>ghost face, right, It's not a person, it's a presence,

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00:17:26.039 --> 00:17:29.759
<v Speaker 3>and so you're not really rooting for ghost face, right.

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<v Speaker 2>You know, right, like you just want to figure out

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00:17:33.480 --> 00:17:36.119
<v Speaker 2>what's going on and you want to need to survive,

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00:17:36.559 --> 00:17:39.519
<v Speaker 2>that's right. Yeah. So yeah, I mean every time I

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<v Speaker 2>watch this movie, the opening upsets me, and even the

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<v Speaker 2>ending I find just really upsetting. Just didn't by the

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<v Speaker 2>way that.

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<v Speaker 3>That bit right there, real quick, all right, I mean

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<v Speaker 3>interrupt he says, drive down to the Mackenzies. That's a

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<v Speaker 3>little call out to the First Halloween where Lorie Strode

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00:17:56.519 --> 00:17:59.400
<v Speaker 3>says the same thing, right right right, and then and

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<v Speaker 3>then Kevin Williamson, who wrote Halloween h twenty, which came

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00:18:03.839 --> 00:18:06.000
<v Speaker 3>out just a couple of years after this, he has

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<v Speaker 3>he has Laurie say drive down to the Beckers.

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<v Speaker 2>So it's oh funny, Yeah, I like that.

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<v Speaker 3>Sorry, I didn't mean to interrupt you.

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<v Speaker 2>No, no, no, no, I just I just feel like that's

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<v Speaker 2>part of what makes the upsetting nature of it and

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<v Speaker 2>making these feel like real kids, and we don't want them,

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<v Speaker 2>we don't feel great about them doing these things. That

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00:18:26.200 --> 00:18:31.039
<v Speaker 2>is what makes this more grounded and you know, thrilling

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<v Speaker 2>and vital as we're in urgent, as we're as we

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<v Speaker 2>watch them, you know.

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<v Speaker 3>Right.

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<v Speaker 2>So we got a what's his name? Uh, skeet alrich

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<v Speaker 2>Ye looks a lot like Johnny Deppy.

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<v Speaker 3>Clearly he was cast. It's based on his right, Johnny

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00:18:49.519 --> 00:18:51.039
<v Speaker 3>Depp in the First Night right down Street.

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<v Speaker 2>Yep, by the way, this whole door closet conceit where

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00:18:54.640 --> 00:18:56.519
<v Speaker 2>they bump into each other, so the you know, person

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<v Speaker 2>can't get in the Sydney's bedroom.

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<v Speaker 3>Yeah.

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<v Speaker 2>I remember thinking like, ah, what a bed does you

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00:19:00.359 --> 00:19:03.519
<v Speaker 2>know watching these movies, even though it's great, it's brilliant

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<v Speaker 2>for the action sequence. But then my brother and his

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<v Speaker 2>wife bought a house and they have this exact situation

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<v Speaker 2>really because sometimes I'll go over there and like house

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00:19:12.440 --> 00:19:14.039
<v Speaker 2>it or dog sit or something, and when I try

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00:19:14.079 --> 00:19:16.920
<v Speaker 2>to go in through the back, if their closet doors open,

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00:19:17.000 --> 00:19:20.039
<v Speaker 2>that door the garage door will bump into it. And

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<v Speaker 2>every time I'm.

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<v Speaker 3>Like, well, I'll be that's really funny.

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00:19:22.839 --> 00:19:24.200
<v Speaker 2>It actually does work that way.

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<v Speaker 3>By the way. One thing that you realize on rewatch

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00:19:27.720 --> 00:19:29.799
<v Speaker 3>is the whole reason Billy shows up here when you

382
00:19:29.839 --> 00:19:32.839
<v Speaker 3>think about it, it's to distract Sydney. Yep, because Stu

383
00:19:33.000 --> 00:19:37.279
<v Speaker 3>is kidnapping the dad. Oh yeah, right, right, because the

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00:19:37.359 --> 00:19:39.400
<v Speaker 3>dad wearing the exact same clothes at the end of

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<v Speaker 3>the movie.

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00:19:40.160 --> 00:19:43.079
<v Speaker 2>That's right, because he's supposed to be at a conference.

387
00:19:43.759 --> 00:19:46.039
<v Speaker 2>And then later they say that he never checked into

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00:19:46.039 --> 00:19:48.039
<v Speaker 2>that hotel, so he never made it there.

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00:19:48.720 --> 00:19:51.440
<v Speaker 3>So you realize like, oh, yeah, that's kind of brilliant,

390
00:19:51.640 --> 00:19:52.119
<v Speaker 3>and he's.

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00:19:52.000 --> 00:19:53.039
<v Speaker 2>Acting kind of weird.

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00:19:53.400 --> 00:19:53.680
<v Speaker 3>Yep.

393
00:19:55.799 --> 00:19:59.039
<v Speaker 2>You know, you could think he's just brooding teen or something,

394
00:19:59.079 --> 00:20:01.200
<v Speaker 2>but like, yeah, there's like a whole thing going on

395
00:20:01.240 --> 00:20:05.640
<v Speaker 2>downstairs he's trying to keep her from Yeah, exactly, that's good.

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00:20:06.559 --> 00:20:08.440
<v Speaker 2>You know. I wanted to call something out that related

397
00:20:08.480 --> 00:20:13.960
<v Speaker 2>to the first scene, which is I read this thing

398
00:20:14.000 --> 00:20:16.720
<v Speaker 2>where you know, Bob Weinstein, who I guess produced this,

399
00:20:17.119 --> 00:20:18.359
<v Speaker 2>did both Weinsteines produce this?

400
00:20:18.839 --> 00:20:22.200
<v Speaker 3>I think dimension was more Bob's dominion.

401
00:20:22.319 --> 00:20:25.079
<v Speaker 2>Okay, that's my understanding too, But I guess after watching

402
00:20:25.319 --> 00:20:28.359
<v Speaker 2>the dailies from the opening because that was the first

403
00:20:28.400 --> 00:20:30.559
<v Speaker 2>thing they shot, like the first five days of shooting

404
00:20:30.599 --> 00:20:31.799
<v Speaker 2>was the Drew Barrymore sequence.

405
00:20:32.200 --> 00:20:33.039
<v Speaker 3>Okay.

406
00:20:33.079 --> 00:20:40.119
<v Speaker 2>He criticized Wes Craven's work as workmanlike at best. Okay,

407
00:20:40.279 --> 00:20:42.440
<v Speaker 2>isn't that amazing? And he also said that he thought

408
00:20:42.480 --> 00:20:45.599
<v Speaker 2>the mask was flat and not scary, and so he

409
00:20:46.519 --> 00:20:50.240
<v Speaker 2>demanded that they reshoot the opening scene with different masks

410
00:20:50.279 --> 00:20:52.720
<v Speaker 2>to figure out which one worked best. But it's funny because,

411
00:20:52.799 --> 00:20:54.599
<v Speaker 2>as we were saying, I mean, that opening scene is

412
00:20:54.799 --> 00:20:58.519
<v Speaker 2>iconic and the tension is crazy, and like, I look

413
00:20:58.599 --> 00:21:02.079
<v Speaker 2>to these movies as an example the way I like

414
00:21:02.240 --> 00:21:04.680
<v Speaker 2>movies to look. Right, you know what I mean they're

415
00:21:04.680 --> 00:21:07.839
<v Speaker 2>shot with these anamorphic lenses that give it that, you know, distorted,

416
00:21:07.920 --> 00:21:10.319
<v Speaker 2>highly cinematic feel that I think add to a lot

417
00:21:10.319 --> 00:21:13.319
<v Speaker 2>of the tension. Yeah, you know, I think the editing

418
00:21:13.400 --> 00:21:16.599
<v Speaker 2>is really well done. So it's just ironic all these

419
00:21:16.640 --> 00:21:18.680
<v Speaker 2>years later that Craven was having to listen to that

420
00:21:19.039 --> 00:21:21.119
<v Speaker 2>as he was shooting, as he was going on to

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00:21:21.119 --> 00:21:22.640
<v Speaker 2>make something that everybody.

422
00:21:22.240 --> 00:21:25.759
<v Speaker 3>Would it's it's it's similar to the type of notes

423
00:21:25.799 --> 00:21:29.279
<v Speaker 3>that Bob Zamachus had to deal with while while making

424
00:21:29.680 --> 00:21:32.960
<v Speaker 3>Back to the Future. Right, you know that in hindsight

425
00:21:33.039 --> 00:21:34.480
<v Speaker 3>are hilarious, you know.

426
00:21:34.799 --> 00:21:38.880
<v Speaker 2>Right right, yeah, right right? You know it was kind

427
00:21:38.920 --> 00:21:41.079
<v Speaker 2>of funny and fortuitous. Was last night I was flipping

428
00:21:41.200 --> 00:21:46.200
<v Speaker 2>channels on Pluto, if you can even call those channels,

429
00:21:46.319 --> 00:21:50.240
<v Speaker 2>and a scary movie was on Means Brother's Parody, and

430
00:21:50.599 --> 00:21:53.960
<v Speaker 2>I watched like the first thirty or forty minutes of it. Yeah,

431
00:21:54.000 --> 00:21:55.640
<v Speaker 2>and I hadn't seen it in a while. I'd seen

432
00:21:55.720 --> 00:21:58.799
<v Speaker 2>a chunk of it a couple months ago, but now

433
00:21:58.839 --> 00:22:02.799
<v Speaker 2>having just rewatched screen, I didn't realize how almost beat

434
00:22:02.920 --> 00:22:05.000
<v Speaker 2>for beat a movie is riffing.

435
00:22:05.160 --> 00:22:07.720
<v Speaker 3>It's like a mad magazine parody of this movie.

436
00:22:07.759 --> 00:22:10.759
<v Speaker 2>You know yet right down to the dialogue in this

437
00:22:10.880 --> 00:22:14.119
<v Speaker 2>scene where you know, he's wanting to like get more

438
00:22:14.119 --> 00:22:16.440
<v Speaker 2>physical and she's like, would you settle for pg? Thirteen?

439
00:22:16.640 --> 00:22:18.920
<v Speaker 2>Like all that, I was like, oh wow, it was.

440
00:22:19.119 --> 00:22:21.319
<v Speaker 2>It was fun to see it riffed, but it's so

441
00:22:21.359 --> 00:22:22.319
<v Speaker 2>fresh in my head.

442
00:22:22.839 --> 00:22:27.359
<v Speaker 3>The intro with the Carmen Electra that's that's the in

443
00:22:27.440 --> 00:22:30.839
<v Speaker 3>the Drew Barrymore rule. That's right. Scary movie. By the way,

444
00:22:30.839 --> 00:22:33.279
<v Speaker 3>of course, the original title for this one, which it

445
00:22:33.400 --> 00:22:35.759
<v Speaker 3>kept fairly late into the process.

446
00:22:36.119 --> 00:22:38.799
<v Speaker 2>Yeah. I think all their rap gifts and everything had

447
00:22:38.799 --> 00:22:46.200
<v Speaker 2>scary movie printed on them, is what I read. I

448
00:22:46.319 --> 00:22:51.440
<v Speaker 2>read also that they had a high school set up that.

449
00:22:51.279 --> 00:22:55.200
<v Speaker 3>They have like Santa Rosa, some kind of high school

450
00:22:55.200 --> 00:22:55.920
<v Speaker 3>in Santa Rosa.

451
00:22:56.079 --> 00:22:59.400
<v Speaker 2>Yeah, and they, you know, were all prepared to shoot there.

452
00:22:59.400 --> 00:23:02.480
<v Speaker 2>But then I guess us the school read the script.

453
00:23:02.480 --> 00:23:04.799
<v Speaker 2>I don't know why they wouldn't have in the first place. Yeah, right,

454
00:23:04.920 --> 00:23:08.319
<v Speaker 2>just because of how violent it was. I guess what

455
00:23:08.400 --> 00:23:10.279
<v Speaker 2>I had read. I don't know how accurate this is,

456
00:23:10.279 --> 00:23:12.039
<v Speaker 2>but they had been under the impression that it was

457
00:23:12.039 --> 00:23:15.519
<v Speaker 2>a comedy, okay, and so then looking at it again,

458
00:23:15.559 --> 00:23:17.440
<v Speaker 2>seeing how violent it was, they pulled out at the

459
00:23:17.519 --> 00:23:18.119
<v Speaker 2>last minute.

460
00:23:18.440 --> 00:23:18.680
<v Speaker 3>Yep.

461
00:23:18.880 --> 00:23:21.160
<v Speaker 2>So did you see this We're in the credits, yep.

462
00:23:21.359 --> 00:23:25.039
<v Speaker 2>Under the special thanks they put no thanks whatsoever to

463
00:23:25.079 --> 00:23:27.440
<v Speaker 2>the Santa Rosa City School District governing board.

464
00:23:27.839 --> 00:23:30.480
<v Speaker 3>Yep. Yeah, apparently they had like a like a a

465
00:23:32.759 --> 00:23:35.200
<v Speaker 3>kind of kind of a handshake deal and then yeah,

466
00:23:35.640 --> 00:23:41.039
<v Speaker 3>it all fell through at the end. Yeah, yeah, it is.

467
00:23:41.359 --> 00:23:43.839
<v Speaker 3>It is funny to watch these so called high school

468
00:23:43.920 --> 00:23:45.680
<v Speaker 3>kids and be like, they do not, in any way,

469
00:23:45.720 --> 00:23:47.359
<v Speaker 3>shape orform look like high school kids.

470
00:23:47.559 --> 00:23:50.039
<v Speaker 2>No, but it was the style at the time, right.

471
00:23:51.079 --> 00:23:53.680
<v Speaker 3>That's we'll see. That's I don't watch enough like teen

472
00:23:53.799 --> 00:23:56.279
<v Speaker 3>movies these days to know if that has changed at all.

473
00:23:56.519 --> 00:23:57.599
<v Speaker 2>Ye, that's a good question.

474
00:23:57.680 --> 00:24:01.000
<v Speaker 3>I don't know. Right, one presumes that remained the style.

475
00:24:01.279 --> 00:24:05.279
<v Speaker 2>Right, I don't know. I mean it used to be

476
00:24:05.279 --> 00:24:10.400
<v Speaker 2>because of like working hours. Right, Like if you had

477
00:24:10.920 --> 00:24:12.559
<v Speaker 2>an actor who was over a certain age, you didn't

478
00:24:12.599 --> 00:24:17.240
<v Speaker 2>have to worry about on set tutoring and they can

479
00:24:17.279 --> 00:24:19.720
<v Speaker 2>only work X amount of hours a day, and so

480
00:24:19.759 --> 00:24:22.079
<v Speaker 2>instead of I'm hitting a sixteen year old, hire a

481
00:24:22.079 --> 00:24:23.880
<v Speaker 2>twenty two year old who looks sixteen.

482
00:24:24.519 --> 00:24:29.240
<v Speaker 3>Right, Yeah, but I mean nev Campbell does not look

483
00:24:29.759 --> 00:24:31.680
<v Speaker 3>like a teenager. This. I don't know, maybe I'm maybe

484
00:24:31.720 --> 00:24:32.400
<v Speaker 3>I'm wrong.

485
00:24:32.519 --> 00:24:37.160
<v Speaker 2>You know, it's funny, Yes, yes, And I caught like

486
00:24:37.200 --> 00:24:39.640
<v Speaker 2>two seconds of the movie Valley Girl the other night

487
00:24:40.400 --> 00:24:43.279
<v Speaker 2>and I was like, these guys look like they're thirty two. Yeah,

488
00:24:43.319 --> 00:24:45.039
<v Speaker 2>you know what I mean, like even older than the

489
00:24:45.119 --> 00:24:48.599
<v Speaker 2>characters in this movie, at least they Well I don't

490
00:24:48.599 --> 00:24:51.559
<v Speaker 2>know how it would have felt back then, but now,

491
00:24:52.480 --> 00:24:54.279
<v Speaker 2>you know, being in my forties, I think they look

492
00:24:55.000 --> 00:24:56.079
<v Speaker 2>young in quotes.

493
00:24:56.440 --> 00:24:58.119
<v Speaker 3>Yeah you know what I mean. Yeah, exactly.

494
00:24:58.400 --> 00:25:04.400
<v Speaker 2>Yeah, I mean this Scary movie. It's just so fick

495
00:25:04.400 --> 00:25:06.240
<v Speaker 2>because that's the one that's fresh in my mind now.

496
00:25:06.279 --> 00:25:08.680
<v Speaker 3>So yeah, I look at this scene here and I

497
00:25:09.240 --> 00:25:13.880
<v Speaker 3>imagine the Scary Movie parody version, Yeah, with Sean Wayns

498
00:25:13.920 --> 00:25:17.519
<v Speaker 3>and with Shannon Elizabeth. Right.

499
00:25:18.200 --> 00:25:21.279
<v Speaker 2>Yeah, what an amazing shot though, too, Isn't it like

500
00:25:21.359 --> 00:25:24.279
<v Speaker 2>that just really utilizes the widescreen there and we get

501
00:25:24.319 --> 00:25:26.480
<v Speaker 2>all those kids lined up from edge to edge.

502
00:25:26.720 --> 00:25:30.240
<v Speaker 3>Yeah, it's great.

503
00:25:31.640 --> 00:25:38.359
<v Speaker 2>You know, it's funny because sometimes I will talk about

504
00:25:38.400 --> 00:25:41.000
<v Speaker 2>movies now and we're recording this in twenty twenty six,

505
00:25:41.400 --> 00:25:45.519
<v Speaker 2>where I'll hear kids talking younger kids, teens or something,

506
00:25:45.640 --> 00:25:48.920
<v Speaker 2>and I get a little annoyed with younger characters speak,

507
00:25:49.960 --> 00:25:52.319
<v Speaker 2>you know, like I would say now. To me, it

508
00:25:52.400 --> 00:25:56.880
<v Speaker 2>feels like this kind of faux improv attempting to sound

509
00:25:56.960 --> 00:25:59.839
<v Speaker 2>natural style, like very self aware, where they're always.

510
00:25:59.519 --> 00:26:01.519
<v Speaker 3>Like okay, mumblecore.

511
00:26:01.880 --> 00:26:04.319
<v Speaker 2>Yeah, like you know, they'll say something like that gives

512
00:26:04.359 --> 00:26:06.640
<v Speaker 2>me the ick? Did I just say that right now?

513
00:26:06.720 --> 00:26:10.160
<v Speaker 2>You know, like that kind of thing. But to be fair,

514
00:26:10.240 --> 00:26:14.920
<v Speaker 2>Zachi our era might have been even more annoying because

515
00:26:15.319 --> 00:26:17.519
<v Speaker 2>I mean, we really think about it, this movie is

516
00:26:17.559 --> 00:26:23.480
<v Speaker 2>like stepping into that very knowing, yeah, you know, overly

517
00:26:23.559 --> 00:26:26.599
<v Speaker 2>flowery sort of dialogue. But Dawson's Creek would just jump

518
00:26:26.599 --> 00:26:28.160
<v Speaker 2>into the deep end of the pool with it.

519
00:26:28.599 --> 00:26:31.200
<v Speaker 3>A deep end of the creek. Yeah, and well I

520
00:26:31.240 --> 00:26:35.039
<v Speaker 3>remember a Dawson's Creek where somebody said to somebody like,

521
00:26:35.720 --> 00:26:38.920
<v Speaker 3>you know, I see a sense of melancholy on your face.

522
00:26:38.920 --> 00:26:42.799
<v Speaker 3>And I was like, bullshit, bullshit.

523
00:26:42.839 --> 00:26:45.720
<v Speaker 2>Nobody says that, right, or even I mean clerks, which

524
00:26:45.960 --> 00:26:49.440
<v Speaker 2>I still adore clerks, but you know, they talk in

525
00:26:49.480 --> 00:26:55.000
<v Speaker 2>this really yeah, flowery sort of way that's fun to

526
00:26:55.079 --> 00:26:58.440
<v Speaker 2>listen to, but you would never encounter people just that's

527
00:26:58.480 --> 00:26:59.559
<v Speaker 2>not casual conversation.

528
00:27:00.039 --> 00:27:02.480
<v Speaker 3>I think that to some extent, you sort of have

529
00:27:02.559 --> 00:27:06.519
<v Speaker 3>to look at it like William speak and Smith speak

530
00:27:06.559 --> 00:27:09.400
<v Speaker 3>and Tarantino speak and Mammut speak and sork and speak,

531
00:27:09.440 --> 00:27:13.079
<v Speaker 3>you know what I mean, Like you're just in the

532
00:27:13.119 --> 00:27:15.839
<v Speaker 3>world of this writer, and this is how characters written

533
00:27:15.839 --> 00:27:17.240
<v Speaker 3>by this writer speak.

534
00:27:17.359 --> 00:27:22.240
<v Speaker 2>And when they do go well, it's enjoyable, even as

535
00:27:22.680 --> 00:27:27.039
<v Speaker 2>like crazy as it might eventually get or heightened. I think, Yeah,

536
00:27:27.200 --> 00:27:30.960
<v Speaker 2>it's hard watching or listening to people imitate it and not.

537
00:27:30.880 --> 00:27:32.240
<v Speaker 3>Do it well. And here's a lot of that.

538
00:27:32.880 --> 00:27:35.039
<v Speaker 2>Yeah. But anyway, I'm using this as a moment to

539
00:27:35.039 --> 00:27:39.759
<v Speaker 2>call myself out for criticizing dialogue that I'm hearing these days,

540
00:27:39.799 --> 00:27:43.160
<v Speaker 2>because you know, I was forged in this so I.

541
00:27:43.640 --> 00:27:47.680
<v Speaker 3>Watched this movie, and certainly on rewatch it occurs to

542
00:27:47.720 --> 00:27:55.519
<v Speaker 3>me that I don't know that that people referenced movies

543
00:27:55.720 --> 00:27:58.359
<v Speaker 3>as much as they do in.

544
00:27:58.279 --> 00:28:00.880
<v Speaker 2>This film in this era.

545
00:28:01.359 --> 00:28:05.160
<v Speaker 3>Yeah, sure, I mean certainly. Now I think we're like,

546
00:28:05.359 --> 00:28:09.000
<v Speaker 3>we're way past that, h I mean, back then, movies

547
00:28:09.039 --> 00:28:12.039
<v Speaker 3>still represented sort of a linguo franca, you know, like

548
00:28:12.079 --> 00:28:16.240
<v Speaker 3>it was it was like a shared vernacular one. But

549
00:28:16.440 --> 00:28:19.279
<v Speaker 3>even still, I feel like the folks were like, oh dude,

550
00:28:19.319 --> 00:28:22.160
<v Speaker 3>it's like remember in Silence of the Lambs when this happened.

551
00:28:22.160 --> 00:28:26.160
<v Speaker 3>I feel like that was a pretty pretty niche group

552
00:28:26.240 --> 00:28:26.920
<v Speaker 3>even then.

553
00:28:27.960 --> 00:28:31.519
<v Speaker 2>Which I kind of dig though, because it I made

554
00:28:31.519 --> 00:28:33.680
<v Speaker 2>it cool, you know, for people like us who knew

555
00:28:33.680 --> 00:28:34.759
<v Speaker 2>what they were talking about.

556
00:28:35.839 --> 00:28:38.519
<v Speaker 3>You know what. Yeah, sure, I'll take that. We we

557
00:28:38.680 --> 00:28:40.000
<v Speaker 3>weren't dorks, so we were cool.

558
00:28:40.079 --> 00:28:43.079
<v Speaker 2>Yeah and no, But I agree with you ticket well.

559
00:28:43.119 --> 00:28:46.519
<v Speaker 2>I think about this sometimes with gifts, right, because it

560
00:28:46.599 --> 00:28:49.400
<v Speaker 2>used to be, yeah, like you know, dorks like us,

561
00:28:49.400 --> 00:28:52.960
<v Speaker 2>we would reference really deep cut simpsony things, lines that

562
00:28:53.000 --> 00:28:54.640
<v Speaker 2>had nothing to do with what we were talking about,

563
00:28:54.640 --> 00:28:58.279
<v Speaker 2>but the feeling matched. I could send you something completely unrelated,

564
00:28:58.279 --> 00:29:00.559
<v Speaker 2>but you'd understand the feeling from that scene the Simpsons

565
00:29:00.559 --> 00:29:02.720
<v Speaker 2>and know what I meant in this moment, you know,

566
00:29:02.759 --> 00:29:04.960
<v Speaker 2>when I was talking to you. And I couldn't do

567
00:29:05.000 --> 00:29:06.839
<v Speaker 2>that with as many people. But now we're in the

568
00:29:06.880 --> 00:29:12.759
<v Speaker 2>age where, like memes and gifts, everybody is now using

569
00:29:13.000 --> 00:29:16.720
<v Speaker 2>those things in movie quotes and even just still images

570
00:29:16.720 --> 00:29:18.039
<v Speaker 2>of a certain expression from the.

571
00:29:18.000 --> 00:29:20.480
<v Speaker 3>Office, people who don't know what it's from.

572
00:29:20.720 --> 00:29:23.960
<v Speaker 2>Right as shorthand, Like it's like it that became to

573
00:29:24.000 --> 00:29:25.240
<v Speaker 2>speak now for everybody.

574
00:29:25.359 --> 00:29:25.960
<v Speaker 3>That's a good point.

575
00:29:26.160 --> 00:29:26.799
<v Speaker 2>Isn't that nuts?

576
00:29:27.160 --> 00:29:31.440
<v Speaker 3>Huh?

577
00:29:31.480 --> 00:29:34.440
<v Speaker 2>This by the way where it was shot. I dated

578
00:29:34.440 --> 00:29:37.039
<v Speaker 2>someone many many years ago who lived up in Marin

579
00:29:37.160 --> 00:29:42.039
<v Speaker 2>County where a bulk of this was shot, and we

580
00:29:42.119 --> 00:29:44.720
<v Speaker 2>passed Stu's house. She was like, oh, yeah, that's the

581
00:29:44.839 --> 00:29:46.200
<v Speaker 2>house from Scream, and I was like, well, I'll be

582
00:29:46.279 --> 00:29:48.400
<v Speaker 2>darned like it was. I mean, it is out out there,

583
00:29:48.960 --> 00:29:51.680
<v Speaker 2>out like really out in the country. And so I

584
00:29:51.759 --> 00:29:56.240
<v Speaker 2>had forgotten, you know, I remember them being in town,

585
00:29:56.319 --> 00:29:58.799
<v Speaker 2>but like shots like this, I had forgotten that this

586
00:29:59.039 --> 00:30:02.640
<v Speaker 2>was the location Scream, like and he's rolling hills.

587
00:30:03.079 --> 00:30:03.359
<v Speaker 3>Yeah.

588
00:30:03.400 --> 00:30:04.960
<v Speaker 2>And so when I was watching it again this time,

589
00:30:05.000 --> 00:30:07.559
<v Speaker 2>I was like, oh, yeah, that looks exactly like where

590
00:30:07.599 --> 00:30:09.200
<v Speaker 2>we would visit when we'd go see her family.

591
00:30:09.279 --> 00:30:10.359
<v Speaker 3>Huh. Incredible.

592
00:30:10.440 --> 00:30:13.920
<v Speaker 2>Yeah, Tamala's Bay up in Marin County.

593
00:30:14.200 --> 00:30:16.319
<v Speaker 3>Nice, not too far from where I am.

594
00:30:16.960 --> 00:30:17.720
<v Speaker 2>Yeah, right right.

595
00:30:21.279 --> 00:30:23.400
<v Speaker 3>So Nev Campbell at the time, I mean, this really

596
00:30:23.440 --> 00:30:26.960
<v Speaker 3>did launch her movie career. Mm hm. At the time,

597
00:30:27.039 --> 00:30:31.160
<v Speaker 3>she was best known for Party of Five, right, she

598
00:30:31.400 --> 00:30:33.799
<v Speaker 3>was what's her name, Julia? I think on that show

599
00:30:33.839 --> 00:30:35.359
<v Speaker 3>did you watch Party of Five? Were your part? Were

600
00:30:35.359 --> 00:30:36.720
<v Speaker 3>you a fiver? I don't know, I don't know what

601
00:30:36.720 --> 00:30:37.759
<v Speaker 3>the fans of that show are called.

602
00:30:38.720 --> 00:30:40.880
<v Speaker 2>No, but I remember it pretty well.

603
00:30:42.119 --> 00:30:46.000
<v Speaker 3>That was definitely zeitgeisty, right exactly exactly.

604
00:30:46.039 --> 00:30:49.519
<v Speaker 2>I'm sure I saw the ads every week, you know,

605
00:30:49.559 --> 00:30:52.440
<v Speaker 2>Matthew Fox. Like when when Loss started, I was like, oh,

606
00:30:52.480 --> 00:30:53.599
<v Speaker 2>it's the guy from Party of Five.

607
00:30:53.880 --> 00:30:54.680
<v Speaker 3>That's right. You know.

608
00:30:54.759 --> 00:30:57.079
<v Speaker 2>Jennifer Love Hewitt came from.

609
00:30:56.880 --> 00:30:58.279
<v Speaker 3>That, right, she got her start there.

610
00:30:58.400 --> 00:30:58.640
<v Speaker 2>Yeah.

611
00:31:00.039 --> 00:31:02.160
<v Speaker 3>Yeah, pretty much everybody from that show went on to

612
00:31:02.200 --> 00:31:03.440
<v Speaker 3>have a pretty decent career.

613
00:31:04.519 --> 00:31:07.039
<v Speaker 2>Yeah. I can't think of the other who's that actress

614
00:31:07.039 --> 00:31:07.759
<v Speaker 2>she was in Mean.

615
00:31:07.640 --> 00:31:10.720
<v Speaker 3>Girls and Lacy Shavert? Yeah right, right, right, Yeah, she's

616
00:31:10.720 --> 00:31:13.279
<v Speaker 3>done all right, she's she's got a steady litany of

617
00:31:14.880 --> 00:31:17.519
<v Speaker 3>Hallmark holiday movies that she's in.

618
00:31:17.599 --> 00:31:20.599
<v Speaker 2>You know, I wonder if that's nice just getting to

619
00:31:21.039 --> 00:31:24.839
<v Speaker 2>live Christmas all year round, hey man, as long as

620
00:31:24.839 --> 00:31:27.240
<v Speaker 2>the check clears, Oh absolutely, Or if it's like the

621
00:31:27.480 --> 00:31:29.279
<v Speaker 2>the you know in The Simpsons when they go to

622
00:31:29.279 --> 00:31:31.400
<v Speaker 2>Itchy and Scratchy Land and they go to that restaurant

623
00:31:31.400 --> 00:31:42.440
<v Speaker 2>that's New Year's even kill me? Yeah exactly. Yeah, So

624
00:31:42.519 --> 00:31:44.440
<v Speaker 2>here we go Sydney's counter.

625
00:31:44.799 --> 00:31:46.799
<v Speaker 3>Poor Randy Man. I was thinking, like, that guy is

626
00:31:46.799 --> 00:31:50.000
<v Speaker 3>getting tagged with everything in this movie, right, that's what

627
00:31:50.039 --> 00:31:52.680
<v Speaker 3>you get for being like a weird movie dork. You

628
00:31:52.720 --> 00:31:55.359
<v Speaker 3>gotta like you gotta stow that shit a little bit.

629
00:31:55.640 --> 00:32:02.039
<v Speaker 2>Right, Yeah, the question isn't who am I, it's where

630
00:32:02.200 --> 00:32:04.519
<v Speaker 2>am I? Man, this guy he's just you know. What's

631
00:32:04.559 --> 00:32:08.039
<v Speaker 2>interesting though, the voice, even though every movie is a

632
00:32:08.079 --> 00:32:13.240
<v Speaker 2>different person wearing the mask, right, the cadence is always consistent,

633
00:32:14.359 --> 00:32:17.000
<v Speaker 2>which is one of those things that I think is, well,

634
00:32:17.039 --> 00:32:18.119
<v Speaker 2>it's the same guy.

635
00:32:18.160 --> 00:32:20.880
<v Speaker 3>It's Roger L. Jackson doing the voice in every movie.

636
00:32:21.000 --> 00:32:22.759
<v Speaker 2>But I just mean, in the reality of the movie,

637
00:32:22.960 --> 00:32:27.400
<v Speaker 2>it's different people speaking through that voice box, but they're

638
00:32:27.440 --> 00:32:30.359
<v Speaker 2>all doing the same you know.

639
00:32:30.880 --> 00:32:33.440
<v Speaker 3>And well, and I think that's sort of the genius

640
00:32:33.480 --> 00:32:36.839
<v Speaker 3>of how like ghost Face is just an entity exactly.

641
00:32:37.000 --> 00:32:39.079
<v Speaker 2>Yes, I wouldn't change it. I mean, that's what I

642
00:32:39.200 --> 00:32:42.319
<v Speaker 2>show up for. I want to hear that voice. I

643
00:32:42.319 --> 00:32:45.279
<v Speaker 2>wonder what that guy can command now, because they're gonna

644
00:32:45.279 --> 00:32:45.799
<v Speaker 2>do without him.

645
00:32:46.400 --> 00:32:50.400
<v Speaker 3>That's a good point. Well, he's a voiceover artist's he

646
00:32:50.440 --> 00:32:53.400
<v Speaker 3>also plays Mojo Jojo and Butch on The Powerpuff Girls.

647
00:32:53.720 --> 00:32:58.319
<v Speaker 3>Oh so he's done. Okay, he's been in every Scream.

648
00:32:58.359 --> 00:33:00.799
<v Speaker 3>I haven't seen the new one, but I suspect he's

649
00:33:01.440 --> 00:33:03.599
<v Speaker 3>he's in that one too, right, right, I I should

650
00:33:03.599 --> 00:33:06.759
<v Speaker 3>say as we record this, uh, you have seen Scream seven?

651
00:33:06.839 --> 00:33:09.880
<v Speaker 3>I have not? Right, So this is this is a

652
00:33:10.000 --> 00:33:12.279
<v Speaker 3>flip from how it usually ends up being.

653
00:33:12.319 --> 00:33:13.359
<v Speaker 2>Yeah, it's true, isn't it.

654
00:33:18.759 --> 00:33:22.599
<v Speaker 3>Yeah, don't don't step outside, right, Like that's when you

655
00:33:22.640 --> 00:33:24.599
<v Speaker 3>get the call that's like, hey I'm outside. I'd be like,

656
00:33:24.599 --> 00:33:26.680
<v Speaker 3>I don't. I don't freaking care, you know what.

657
00:33:26.720 --> 00:33:28.559
<v Speaker 2>I forgot to bring this up. But something I really

658
00:33:28.559 --> 00:33:31.119
<v Speaker 2>loved is I was rewatching the opening with Drew Barrymore.

659
00:33:31.720 --> 00:33:36.160
<v Speaker 2>Is she does step outside like she could just run away,

660
00:33:36.400 --> 00:33:38.039
<v Speaker 2>and I was thinking, oh, wait, how are they gonna

661
00:33:38.039 --> 00:33:39.400
<v Speaker 2>get her? She has to stay at the house. How

662
00:33:39.400 --> 00:33:41.200
<v Speaker 2>do they get her to stay at the house? But

663
00:33:41.319 --> 00:33:44.960
<v Speaker 2>it's she she's losing reception on her phone, you know

664
00:33:45.000 --> 00:33:46.319
<v Speaker 2>what I mean. I was like, oh, yeah, those things

665
00:33:46.319 --> 00:33:48.799
<v Speaker 2>had a base that you could walk away.

666
00:33:48.839 --> 00:33:49.440
<v Speaker 3>Remember that.

667
00:33:49.640 --> 00:33:53.400
<v Speaker 2>Yeah, those cordless phones. So that's pretty good, pretty of

668
00:33:53.519 --> 00:33:55.640
<v Speaker 2>its time, but perfect.

669
00:33:56.240 --> 00:33:58.319
<v Speaker 3>So as you watch, do you try to game out

670
00:33:58.400 --> 00:34:00.079
<v Speaker 3>who's who's stew and who's.

671
00:34:00.440 --> 00:34:01.559
<v Speaker 2>I was this time? Yeah?

672
00:34:01.680 --> 00:34:06.200
<v Speaker 3>Yeah, so this one is STU. I'm pretty pretty sure, right, because.

673
00:34:07.440 --> 00:34:10.119
<v Speaker 2>You know, I'm sure it was mostly mostly a stunt

674
00:34:10.199 --> 00:34:12.639
<v Speaker 2>man because I think I read that Skeet Alric asked

675
00:34:13.039 --> 00:34:15.079
<v Speaker 2>to be in the costume for at least one scene,

676
00:34:15.119 --> 00:34:16.800
<v Speaker 2>But it would be kind of cool if they did

677
00:34:17.400 --> 00:34:21.119
<v Speaker 2>have who is supposed to be under there under Yeah,

678
00:34:21.159 --> 00:34:22.679
<v Speaker 2>that's a good point, you know, just so you could

679
00:34:22.679 --> 00:34:25.960
<v Speaker 2>maybe see a different physicality or maybe maybe to your point,

680
00:34:26.039 --> 00:34:28.039
<v Speaker 2>it's it's better if he's just a presence you.

681
00:34:28.079 --> 00:34:30.760
<v Speaker 3>Kind of you can kind of game out a little bit.

682
00:34:31.079 --> 00:34:33.960
<v Speaker 3>My sense based on who the times that we know

683
00:34:34.119 --> 00:34:37.079
<v Speaker 3>it's Stu versus Billy. Stu is a little more wild

684
00:34:37.199 --> 00:34:41.960
<v Speaker 3>and nutty, and Billy is a little more like ceremonial.

685
00:34:42.199 --> 00:34:46.480
<v Speaker 2>Hmm. Interesting. Maybe that's something Wes Craven told, Yeah, the stunt.

686
00:34:46.599 --> 00:34:51.079
<v Speaker 3>Yeah, that's and and you know, I'm I'm ready to

687
00:34:51.079 --> 00:34:53.440
<v Speaker 3>be proven wrong, but that's just sort of at some

688
00:34:53.519 --> 00:34:55.559
<v Speaker 3>point I stopped trying to follow who's who, but.

689
00:34:55.679 --> 00:34:58.760
<v Speaker 2>Right, right, right, Like if you want to do the math,

690
00:34:58.760 --> 00:35:01.039
<v Speaker 2>I'm sure you could figure it out out, but it's

691
00:35:01.079 --> 00:35:01.840
<v Speaker 2>more fun just to.

692
00:35:02.559 --> 00:35:04.679
<v Speaker 3>Like, like, obviously the guy at the door was not

693
00:35:04.880 --> 00:35:10.559
<v Speaker 3>Billy because he's right here right. I do love though that,

694
00:35:10.639 --> 00:35:14.639
<v Speaker 3>Like you talk about how the movie is mostly timeless,

695
00:35:14.639 --> 00:35:17.039
<v Speaker 3>but yet this right here, that's how dated this movie

696
00:35:17.079 --> 00:35:20.920
<v Speaker 3>is She's like, you have a cell phone, right, right,

697
00:35:21.280 --> 00:35:23.760
<v Speaker 3>you must be the murderer. Like that's the that's the

698
00:35:23.800 --> 00:35:26.760
<v Speaker 3>obvious connection, right. I think one of the cops is

699
00:35:26.800 --> 00:35:28.519
<v Speaker 3>even like, what are you doing with a cell phone?

700
00:35:29.639 --> 00:35:33.320
<v Speaker 3>You have one of these cellular phones, youngster.

701
00:35:33.760 --> 00:35:36.519
<v Speaker 2>Yeah, this is the era where people had pagers.

702
00:35:36.760 --> 00:35:38.039
<v Speaker 3>People had pagers, that's right.

703
00:35:38.199 --> 00:35:38.679
<v Speaker 2>Yeah.

704
00:35:38.719 --> 00:35:41.400
<v Speaker 3>Although even I was late getting on that train because

705
00:35:41.400 --> 00:35:44.280
<v Speaker 3>I didn't get my first page until probably ninety eight.

706
00:35:44.360 --> 00:35:46.760
<v Speaker 2>I want to say, you know I never got one.

707
00:35:47.199 --> 00:35:50.719
<v Speaker 3>Really, yeah, well, how did you orchestrate any drug deals

708
00:35:50.719 --> 00:35:53.199
<v Speaker 3>without a pager? I know, my god.

709
00:35:54.159 --> 00:35:56.800
<v Speaker 2>That was that was the thing for people who weren't there.

710
00:35:56.800 --> 00:35:59.679
<v Speaker 2>In high school in the nineties, that was what teachers assumed.

711
00:35:59.679 --> 00:36:01.119
<v Speaker 2>If you had a pager on your belt.

712
00:36:01.519 --> 00:36:04.599
<v Speaker 3>Must have been a must have been uh uh snorting

713
00:36:04.679 --> 00:36:05.760
<v Speaker 3>those sugar burgers.

714
00:36:07.559 --> 00:36:09.599
<v Speaker 2>Well yeah, you couldn't. Just what what, what reason would

715
00:36:09.639 --> 00:36:11.800
<v Speaker 2>you have a pager for unless you were a drug dealer.

716
00:36:12.199 --> 00:36:15.679
<v Speaker 3>I I recently tried to explain pagers to my students.

717
00:36:15.800 --> 00:36:16.119
<v Speaker 2>M M.

718
00:36:17.079 --> 00:36:19.400
<v Speaker 3>I was like, yeah, like, I don't even know how

719
00:36:19.400 --> 00:36:22.159
<v Speaker 3>it came up, but they were they were utterly gobsmacked

720
00:36:22.159 --> 00:36:24.159
<v Speaker 3>by the notion that you would be driving and the

721
00:36:24.239 --> 00:36:27.480
<v Speaker 3>thing would beep and then you would see who who.

722
00:36:27.960 --> 00:36:29.360
<v Speaker 3>You would see a number, and then you would have

723
00:36:29.440 --> 00:36:31.800
<v Speaker 3>to pull over. You would have to find a pay

724
00:36:31.880 --> 00:36:38.079
<v Speaker 3>phone and dial this number. And I as I said that,

725
00:36:38.280 --> 00:36:40.320
<v Speaker 3>as I recited that, I was like, yeah, that's pretty

726
00:36:40.320 --> 00:36:40.800
<v Speaker 3>messed up.

727
00:36:41.360 --> 00:36:44.280
<v Speaker 2>Yeah, I mean it's it's I remember even at the time,

728
00:36:44.320 --> 00:36:46.519
<v Speaker 2>because you could send nine to one to one yep,

729
00:36:46.599 --> 00:36:49.639
<v Speaker 2>it like you had these little codes. And I remember

730
00:36:49.639 --> 00:36:51.440
<v Speaker 2>even at the time, I'm like, this just feels like

731
00:36:51.440 --> 00:36:53.599
<v Speaker 2>I'd rather just be able to send a message. I

732
00:36:53.599 --> 00:36:55.480
<v Speaker 2>wish I could say pick me up, or I wish I.

733
00:36:55.440 --> 00:36:58.039
<v Speaker 3>Wish I could send a like a text message of

734
00:36:58.119 --> 00:36:58.559
<v Speaker 3>some kind.

735
00:36:58.719 --> 00:37:03.920
<v Speaker 2>Yeah, yeah, consisting of text. Yeah, that I would message.

736
00:37:05.679 --> 00:37:07.320
<v Speaker 2>Love the lens flares in this movie, by the way,

737
00:37:07.360 --> 00:37:08.599
<v Speaker 2>with the anamorphic lie.

738
00:37:08.599 --> 00:37:12.800
<v Speaker 3>There's something so filmy about this exactly, And.

739
00:37:12.760 --> 00:37:15.199
<v Speaker 2>That's what yeah, going back to, Yeah, that opening scene

740
00:37:15.199 --> 00:37:16.920
<v Speaker 2>and how much I love it and the choices and

741
00:37:16.960 --> 00:37:20.000
<v Speaker 2>the lenses and everything. Yeah, filmy, this movie is very

742
00:37:20.039 --> 00:37:23.719
<v Speaker 2>filmy and I love it. Yeah, great uses of lens flares,

743
00:37:23.800 --> 00:37:26.480
<v Speaker 2>but nothing over the top. I think people started going

744
00:37:26.480 --> 00:37:30.159
<v Speaker 2>over the top with them, yeah, you know, and they

745
00:37:30.159 --> 00:37:35.199
<v Speaker 2>stopped losing their magic or whimsy or whatever it is.

746
00:37:37.800 --> 00:37:40.199
<v Speaker 2>But here it just adds just like a heightened reality

747
00:37:40.320 --> 00:37:47.199
<v Speaker 2>or tension or spookiness or something. It's great. Yeah, you know,

748
00:37:47.239 --> 00:37:52.239
<v Speaker 2>I was reading about casting choices for this, which I

749
00:37:52.280 --> 00:37:55.320
<v Speaker 2>thought were kind of interesting. Some I saw in multiple places,

750
00:37:55.360 --> 00:37:59.239
<v Speaker 2>like they wanted Vince Vaughan to play Billy, which is interesting.

751
00:37:59.280 --> 00:38:01.719
<v Speaker 2>He Wow, I don't know that I've ever seen him

752
00:38:01.760 --> 00:38:02.599
<v Speaker 2>look young to me.

753
00:38:03.239 --> 00:38:08.119
<v Speaker 3>That's right, Like, yeah, because because the following year he

754
00:38:08.239 --> 00:38:10.440
<v Speaker 3>was in the Lost World, which is the first time

755
00:38:10.480 --> 00:38:14.039
<v Speaker 3>I saw him, And you can't tell me he's a

756
00:38:14.079 --> 00:38:16.000
<v Speaker 3>teenager in the Lost World, you know what I mean?

757
00:38:16.519 --> 00:38:18.400
<v Speaker 2>So Swingers this year ninety six.

758
00:38:18.320 --> 00:38:20.519
<v Speaker 3>Swingers would have been either this year or the year before.

759
00:38:20.920 --> 00:38:24.000
<v Speaker 2>Yeah, because that he still feels like a I don't

760
00:38:24.000 --> 00:38:24.880
<v Speaker 2>know young man to me.

761
00:38:25.039 --> 00:38:27.639
<v Speaker 3>Yeah, little, I can't see him playing teenager. I mean,

762
00:38:27.719 --> 00:38:29.800
<v Speaker 3>I mean, Skeet Aldrich is pushing it, you know.

763
00:38:30.119 --> 00:38:33.079
<v Speaker 2>Yeah, but he feels he's still got moody teen face

764
00:38:33.119 --> 00:38:37.119
<v Speaker 2>to me, or moody movie teen face or something.

765
00:38:37.119 --> 00:38:37.480
<v Speaker 3>I don't know.

766
00:38:37.599 --> 00:38:40.440
<v Speaker 2>Yeah, But anyway, one that I and I saw a

767
00:38:40.480 --> 00:38:43.039
<v Speaker 2>lot about Breckin Meyer and Jason Lee and Seth Green

768
00:38:43.280 --> 00:38:44.000
<v Speaker 2>Up for Randy.

769
00:38:45.639 --> 00:38:46.480
<v Speaker 3>I can totally see that.

770
00:38:46.599 --> 00:38:48.440
<v Speaker 2>Reese Witherspoon for Sydney.

771
00:38:48.199 --> 00:38:50.880
<v Speaker 3>Jason Lee, I can one hundred percent see him as Randy.

772
00:38:51.000 --> 00:38:53.199
<v Speaker 2>I mean, he basically plays that character in the Jane

773
00:38:53.239 --> 00:38:55.840
<v Speaker 2>Sound the Bob movies, right, Yeah, that's right. He's always

774
00:38:55.880 --> 00:38:59.000
<v Speaker 2>giving exposition and talking about comic books and getting really

775
00:38:59.079 --> 00:39:02.239
<v Speaker 2>worked up. But the one that was interesting I saw

776
00:39:02.400 --> 00:39:04.440
<v Speaker 2>was Elizabeth Berkeley for Gale Weathers.

777
00:39:06.119 --> 00:39:06.760
<v Speaker 3>I can see that.

778
00:39:07.119 --> 00:39:10.559
<v Speaker 2>I thought so too. But this is a year after Showgirls,

779
00:39:11.119 --> 00:39:13.159
<v Speaker 2>which basically tanked her career for a while.

780
00:39:13.400 --> 00:39:14.400
<v Speaker 3>Yeah yeah, but.

781
00:39:14.400 --> 00:39:17.239
<v Speaker 2>I mean ultimately I like the brassiness of Courtney Cox.

782
00:39:17.679 --> 00:39:20.599
<v Speaker 3>I think Courtney Cox like is Gail at this point.

783
00:39:20.800 --> 00:39:26.320
<v Speaker 3>So yeah, yeah, But but in you know, in in uteroal,

784
00:39:26.679 --> 00:39:29.280
<v Speaker 3>you know, as they're planning this out, I I can

785
00:39:29.360 --> 00:39:30.559
<v Speaker 3>I can see was Berkeley.

786
00:39:32.199 --> 00:39:34.039
<v Speaker 2>I totally see that version, definitely.

787
00:39:34.480 --> 00:39:36.639
<v Speaker 3>Who are some of the others for Sydney that you said.

788
00:39:36.760 --> 00:39:39.679
<v Speaker 2>I only saw. I'm sure there are several others. But

789
00:39:39.760 --> 00:39:44.480
<v Speaker 2>Reese Witherspoonspoon okay, which makes sense at this time, right,

790
00:39:44.519 --> 00:39:47.760
<v Speaker 2>she had been in I don't know if she'd done

791
00:39:47.760 --> 00:39:50.599
<v Speaker 2>Fear by now, but she fear was after this man

792
00:39:50.639 --> 00:39:52.400
<v Speaker 2>in the Moon and you know what I mean, like

793
00:39:52.440 --> 00:39:53.880
<v Speaker 2>she was like up and coming in this moment.

794
00:39:53.960 --> 00:39:54.239
<v Speaker 3>Yeah.

795
00:39:56.360 --> 00:40:01.239
<v Speaker 2>Man, the moon is always my cinematrix for the Wind

796
00:40:01.320 --> 00:40:02.239
<v Speaker 2>with Reese Witherspoon.

797
00:40:03.159 --> 00:40:06.320
<v Speaker 3>Actually fear it was the same year, so I stand corrected, Okay,

798
00:40:06.360 --> 00:40:10.039
<v Speaker 3>it was. It was actually earlier than this. It was

799
00:40:10.079 --> 00:40:11.840
<v Speaker 3>April of ninety six, Okay.

800
00:40:13.400 --> 00:40:18.000
<v Speaker 2>Yeah, so this came out around Christmas time, that's right, right.

801
00:40:18.000 --> 00:40:20.239
<v Speaker 2>And when it came out, it only made about six million,

802
00:40:20.599 --> 00:40:23.280
<v Speaker 2>and everybody thought it had flopped, but it had great

803
00:40:23.320 --> 00:40:25.960
<v Speaker 2>word of mouth and just kept going, just kept going

804
00:40:26.000 --> 00:40:28.079
<v Speaker 2>and going. I mean, I think about that in this

805
00:40:28.199 --> 00:40:30.800
<v Speaker 2>day and age, a movie opening with six million and

806
00:40:30.840 --> 00:40:32.360
<v Speaker 2>finishing around one hundred million.

807
00:40:33.519 --> 00:40:37.480
<v Speaker 3>Yeah, and I think at the time it was like

808
00:40:37.559 --> 00:40:41.519
<v Speaker 3>the most profitable slasher flick ever made, right, you know.

809
00:40:42.360 --> 00:40:44.079
<v Speaker 3>And I can definitely speak to the word of mouth

810
00:40:44.119 --> 00:40:46.199
<v Speaker 3>aspect of it, because I mean contrary, I was just

811
00:40:46.280 --> 00:40:49.000
<v Speaker 3>saying about kids talking about movies. In high school, everybody

812
00:40:49.039 --> 00:40:52.280
<v Speaker 3>was talking about screen you know.

813
00:40:52.400 --> 00:40:54.280
<v Speaker 2>I mean I think kids talked about the movies that

814
00:40:54.320 --> 00:40:58.159
<v Speaker 2>they watched. Yeah, Like I remember talking about Titanic at

815
00:40:58.199 --> 00:41:00.679
<v Speaker 2>school because that was just like a phenomenon and everything.

816
00:41:00.719 --> 00:41:03.000
<v Speaker 2>But it's it wasn't like peppered into.

817
00:41:03.159 --> 00:41:07.119
<v Speaker 3>Like the way it is in this. That's not that that.

818
00:41:07.119 --> 00:41:09.559
<v Speaker 3>That was not my experience of how people talked same

819
00:41:10.119 --> 00:41:10.320
<v Speaker 3>you know.

820
00:41:11.679 --> 00:41:13.639
<v Speaker 2>But yeah, I mean to your point, those people we

821
00:41:13.719 --> 00:41:15.960
<v Speaker 2>eventually find each other. That's how we found one another.

822
00:41:16.000 --> 00:41:18.320
<v Speaker 3>That's the thing. It's funny because you're talking about, oh,

823
00:41:18.360 --> 00:41:20.280
<v Speaker 3>talking about Titanic in high school, and I was like,

824
00:41:20.760 --> 00:41:22.440
<v Speaker 3>I don't remember that, and then I realized because I'm

825
00:41:22.440 --> 00:41:24.039
<v Speaker 3>a year ahead of you. So like by the time

826
00:41:25.079 --> 00:41:27.679
<v Speaker 3>I was in college when Titanic came out. Oh really,

827
00:41:27.920 --> 00:41:30.280
<v Speaker 3>so I had a different experience. Yeah. That was Christmas

828
00:41:30.280 --> 00:41:33.800
<v Speaker 3>of ninety seven, right, yeah, yeah, because I graduated ninety seven,

829
00:41:35.239 --> 00:41:37.559
<v Speaker 3>so this movie was right smack in the middle of

830
00:41:37.559 --> 00:41:39.480
<v Speaker 3>my senior year. I remember that so distinctly.

831
00:41:39.760 --> 00:41:44.119
<v Speaker 2>Wow. Okay, so you did see this in theaters?

832
00:41:44.599 --> 00:41:50.119
<v Speaker 3>No, No, I didn't. I watched this on video. Must

833
00:41:50.159 --> 00:41:53.280
<v Speaker 3>have been after I graduated high school. Yeah, yeah, it was.

834
00:41:53.400 --> 00:41:56.679
<v Speaker 3>It was Gee, you know what, I probably saw it

835
00:41:57.800 --> 00:42:00.519
<v Speaker 3>a couple of years out because because I I remember

836
00:42:00.639 --> 00:42:04.599
<v Speaker 3>watching this and Scream two together on video.

837
00:42:04.800 --> 00:42:04.920
<v Speaker 2>Mm.

838
00:42:05.559 --> 00:42:07.760
<v Speaker 3>Yeah, so it would have to have been like ninety nine,

839
00:42:07.960 --> 00:42:11.079
<v Speaker 3>ninety eight, ninety nine, something like that. Okay, yeah, because

840
00:42:11.159 --> 00:42:12.599
<v Speaker 3>because Scream two is ninety.

841
00:42:12.360 --> 00:42:16.159
<v Speaker 2>Seven right, yes, yeah, less than a year later.

842
00:42:16.280 --> 00:42:18.000
<v Speaker 3>It was like right away, yeah, so it was it

843
00:42:18.039 --> 00:42:20.760
<v Speaker 3>was I saw both of them on video at the

844
00:42:20.800 --> 00:42:22.239
<v Speaker 3>same time because I rented them together.

845
00:42:22.400 --> 00:42:28.079
<v Speaker 2>Okay, yeah, yeah, I that's another thing too, by the way,

846
00:42:28.199 --> 00:42:33.719
<v Speaker 2>So that Rose McGowan playing Sidney's friend Tatum, is Dewey's sister,

847
00:42:34.360 --> 00:42:36.079
<v Speaker 2>that's right, you know, and since we lose her in

848
00:42:36.079 --> 00:42:39.519
<v Speaker 2>this movie, you know, you go on to all the

849
00:42:39.559 --> 00:42:42.119
<v Speaker 2>other movies, all the other sequels, and it's like, Dewey

850
00:42:42.159 --> 00:42:44.800
<v Speaker 2>and Sydney are so close, but you can almost forget that.

851
00:42:44.840 --> 00:42:48.159
<v Speaker 2>It's like, oh yeah, it's like her friend's deceased friend's brother,

852
00:42:48.760 --> 00:42:49.840
<v Speaker 2>that's their relationship.

853
00:42:51.039 --> 00:42:54.320
<v Speaker 3>Well, it's also just that this experience binds the three

854
00:42:54.360 --> 00:42:58.039
<v Speaker 3>of them together, the four survivors in this movie. And

855
00:42:58.039 --> 00:43:02.039
<v Speaker 3>then and then Randy punches out in the next one.

856
00:43:01.360 --> 00:43:05.159
<v Speaker 2>Yes, yes, which I mean, I'm sure we'll get to

857
00:43:05.199 --> 00:43:08.079
<v Speaker 2>that one eventually. But then you get that incredible moment

858
00:43:08.079 --> 00:43:09.519
<v Speaker 2>in three where it's like, wow, can we bring him

859
00:43:09.519 --> 00:43:11.039
<v Speaker 2>back for a third one? If he's dead? It's like, well,

860
00:43:11.039 --> 00:43:14.800
<v Speaker 2>he recorded a video anticipating that not only would the

861
00:43:14.800 --> 00:43:17.079
<v Speaker 2>problems and two be solved eventually, but there would be

862
00:43:17.079 --> 00:43:19.400
<v Speaker 2>a third problem because he had to record that in

863
00:43:19.400 --> 00:43:22.760
<v Speaker 2>the middle of the second problem. It's so funny, but

864
00:43:22.800 --> 00:43:24.840
<v Speaker 2>it's brilliant and it's something I feel like I reference

865
00:43:24.880 --> 00:43:28.119
<v Speaker 2>a lot. Like if you're watching this, I'm already dead.

866
00:43:28.400 --> 00:43:31.519
<v Speaker 2>You know it's it's a brilliant solve. It sticks in

867
00:43:31.559 --> 00:43:31.960
<v Speaker 2>your mind.

868
00:43:32.000 --> 00:43:38.880
<v Speaker 3>You know. We should mention how how David Arquette and

869
00:43:39.639 --> 00:43:42.199
<v Speaker 3>Courtney Cox started dating because of this movie?

870
00:43:42.880 --> 00:43:43.119
<v Speaker 2>Yeah?

871
00:43:43.239 --> 00:43:45.639
<v Speaker 3>Right, this is where they do you remember there was

872
00:43:45.639 --> 00:43:48.880
<v Speaker 3>an episode of Friends where all of the actors added

873
00:43:48.920 --> 00:43:49.960
<v Speaker 3>our Quette to their name.

874
00:43:50.639 --> 00:43:52.559
<v Speaker 2>Oh, I do remember that now that you just.

875
00:43:52.639 --> 00:43:55.239
<v Speaker 3>Pick credits because for a while or she was Courtney

876
00:43:55.239 --> 00:43:56.559
<v Speaker 3>Cox ar ute. People forget.

877
00:43:57.079 --> 00:43:59.360
<v Speaker 2>Yeah, I guess they met on this dated during two,

878
00:43:59.519 --> 00:44:01.920
<v Speaker 2>and then they married a month before they shot three.

879
00:44:02.400 --> 00:44:05.840
<v Speaker 2>There you go, and she's credited as Courtney coxar Cutt

880
00:44:05.960 --> 00:44:06.440
<v Speaker 2>on three.

881
00:44:07.840 --> 00:44:10.239
<v Speaker 3>Now this right here, first time I saw Leev Schreiber

882
00:44:10.480 --> 00:44:14.760
<v Speaker 3>was right there. That's not right there, same And it's

883
00:44:14.800 --> 00:44:17.519
<v Speaker 3>it's interesting because I was trying to because that's basically

884
00:44:17.599 --> 00:44:19.360
<v Speaker 3>all we see of Cotton in this movie.

885
00:44:19.559 --> 00:44:21.519
<v Speaker 2>Which I had forgotten. I thought he was going to

886
00:44:21.519 --> 00:44:22.239
<v Speaker 2>be a bigger.

887
00:44:22.000 --> 00:44:24.840
<v Speaker 3>Part, right, And I was trying to place it. I

888
00:44:24.880 --> 00:44:27.159
<v Speaker 3>was like, like, now you'd be like, wait a minute,

889
00:44:27.159 --> 00:44:29.440
<v Speaker 3>you're just gonna have liv Schreiber, like just drop him

890
00:44:29.440 --> 00:44:32.119
<v Speaker 3>in like that. But he he wasn't anybody back then.

891
00:44:32.119 --> 00:44:34.599
<v Speaker 2>Yeah, right, right right? And yeah, I mean how could

892
00:44:34.639 --> 00:44:36.679
<v Speaker 2>he know also that he'd be brought back for two

893
00:44:36.719 --> 00:44:39.760
<v Speaker 2>more sequels and play bigger and bigger parts. He's a

894
00:44:39.760 --> 00:44:41.199
<v Speaker 2>big part of the finale of two.

895
00:44:41.719 --> 00:44:43.639
<v Speaker 3>I know, but I didn't like what they did with

896
00:44:43.719 --> 00:44:44.519
<v Speaker 3>him in the third.

897
00:44:44.320 --> 00:44:49.719
<v Speaker 2>One, right, Yeah, you mean like what they did to

898
00:44:49.760 --> 00:44:52.199
<v Speaker 2>his character. Yeah, I like what they did. I mean

899
00:44:52.559 --> 00:44:54.719
<v Speaker 2>not physically, but like just his personality or.

900
00:44:55.519 --> 00:44:57.079
<v Speaker 3>Well that too, but just killing him.

901
00:44:57.199 --> 00:44:59.559
<v Speaker 2>Yeah, yeah, yeah, yeah.

902
00:44:59.440 --> 00:44:59.880
<v Speaker 3>Yeah, yeah.

903
00:45:02.960 --> 00:45:06.159
<v Speaker 2>But yeah, I weirdly saw three first.

904
00:45:06.920 --> 00:45:08.920
<v Speaker 3>That's the first scream you saw, yes.

905
00:45:08.800 --> 00:45:11.199
<v Speaker 2>Because I didn't like horror movies, so I'd never watched

906
00:45:11.239 --> 00:45:13.280
<v Speaker 2>one and two, And then I remember Three came out

907
00:45:13.880 --> 00:45:16.119
<v Speaker 2>and my friends and I were just like curious. It

908
00:45:16.159 --> 00:45:18.280
<v Speaker 2>was like the new movie and whatever. And I think

909
00:45:18.320 --> 00:45:20.159
<v Speaker 2>someone rented it and we watched it in their basement,

910
00:45:21.079 --> 00:45:23.039
<v Speaker 2>and I think for me, I was like, oh, this

911
00:45:23.119 --> 00:45:27.960
<v Speaker 2>isn't so much like gory, you know, in Delighting and

912
00:45:28.079 --> 00:45:30.400
<v Speaker 2>kids being killed kind of a thing that I thought

913
00:45:30.400 --> 00:45:31.280
<v Speaker 2>it was going to be. I was like, Oh, this

914
00:45:31.360 --> 00:45:33.639
<v Speaker 2>is like a mystery and it's actually kind of fun.

915
00:45:34.320 --> 00:45:36.480
<v Speaker 2>And so then I went and rented one and two

916
00:45:36.599 --> 00:45:38.440
<v Speaker 2>and then discovered that I really.

917
00:45:38.239 --> 00:45:42.239
<v Speaker 3>Like how interesting. So so watching three first, you were

918
00:45:42.280 --> 00:45:44.679
<v Speaker 3>not just like out to see.

919
00:45:45.880 --> 00:45:47.960
<v Speaker 2>You know, three is a weird one. I mean, I

920
00:45:48.079 --> 00:45:49.760
<v Speaker 2>was with Cotton. That's what made me think about it

921
00:45:49.800 --> 00:45:53.440
<v Speaker 2>when you brought him up, because he does have somewhat

922
00:45:53.440 --> 00:45:55.840
<v Speaker 2>of a major role in the opening of that movie exactly,

923
00:45:55.880 --> 00:45:58.920
<v Speaker 2>and I had no idea the history, you know, who

924
00:45:58.960 --> 00:46:04.199
<v Speaker 2>he means to everybody else and right, so, yeah, but

925
00:46:04.360 --> 00:46:07.400
<v Speaker 2>that was a weird one because again, I mean, we

926
00:46:07.400 --> 00:46:09.679
<v Speaker 2>should save this for three. But Nev Campbell was so

927
00:46:09.760 --> 00:46:12.760
<v Speaker 2>busy in that moment she could only shoot for like

928
00:46:12.800 --> 00:46:16.960
<v Speaker 2>twenty days of that movie, and so they basically featured

929
00:46:17.000 --> 00:46:19.360
<v Speaker 2>all the other characters and Sydney kind of weaves in

930
00:46:19.400 --> 00:46:22.039
<v Speaker 2>and out of that movie. Right, so I think it, Yeah,

931
00:46:22.079 --> 00:46:24.599
<v Speaker 2>it didn't feel as like I needed to know Sidney's

932
00:46:24.639 --> 00:46:27.559
<v Speaker 2>history or you know, all that.

933
00:46:26.920 --> 00:46:29.800
<v Speaker 3>That's fascinating, and yet it did the trick of making

934
00:46:29.840 --> 00:46:31.199
<v Speaker 3>you want to go back and watch the other two

935
00:46:31.239 --> 00:46:32.920
<v Speaker 3>So that's something because I enjoyed the.

936
00:46:32.880 --> 00:46:35.639
<v Speaker 2>Tone so much. Yeah. Yeah, although now after watching all

937
00:46:35.639 --> 00:46:37.719
<v Speaker 2>of them in a row, like I just did, that

938
00:46:37.760 --> 00:46:40.639
<v Speaker 2>one is I would say, very different than the first one.

939
00:46:41.239 --> 00:46:42.920
<v Speaker 2>It's a lot yeah, you know earlier.

940
00:46:43.880 --> 00:46:47.119
<v Speaker 3>Yeah, it's I I you know, one thing I've realized

941
00:46:47.119 --> 00:46:51.280
<v Speaker 3>about the Scream movies is that I think the first

942
00:46:51.280 --> 00:46:54.800
<v Speaker 3>one is like legitimately great. The other ones are variable quality,

943
00:46:54.840 --> 00:46:58.400
<v Speaker 3>but I don't dislike any of them same. That's kind

944
00:46:58.440 --> 00:47:00.400
<v Speaker 3>of where I'm at, Like, even the worst the one,

945
00:47:01.519 --> 00:47:06.480
<v Speaker 3>I can I find stuff to enjoy, you know. And

946
00:47:06.599 --> 00:47:08.119
<v Speaker 3>I don't even know. I don't even know what I

947
00:47:08.159 --> 00:47:09.800
<v Speaker 3>would consider the worst one. But I'm just saying like,

948
00:47:09.840 --> 00:47:12.079
<v Speaker 3>regardless of the quality, I'm like, I like them all,

949
00:47:13.239 --> 00:47:19.199
<v Speaker 3>you know. But you know, I also think and I

950
00:47:19.280 --> 00:47:21.480
<v Speaker 3>was talking about how Scream seven is coming out. I

951
00:47:21.519 --> 00:47:25.880
<v Speaker 3>was talking to my kids, my students, and I was like, hey, Scream,

952
00:47:25.920 --> 00:47:27.960
<v Speaker 3>you guys gonna watch it? Nobody like this is like, no,

953
00:47:28.800 --> 00:47:30.679
<v Speaker 3>this is this is an old man's franchise.

954
00:47:31.119 --> 00:47:33.840
<v Speaker 2>I was wondering because it had been kind of reinvented

955
00:47:34.039 --> 00:47:38.559
<v Speaker 2>for five and six with younger like Jenna Ortega, you know, whoever.

956
00:47:38.599 --> 00:47:40.280
<v Speaker 2>But like that's interesting, Okay.

957
00:47:40.719 --> 00:47:43.639
<v Speaker 3>I just I feel like movie going in general has

958
00:47:43.639 --> 00:47:47.159
<v Speaker 3>become so siloed that I don't even know what movie

959
00:47:47.159 --> 00:47:50.920
<v Speaker 3>going looks like in twenty years. Honestly, you know, you know,

960
00:47:51.119 --> 00:47:52.920
<v Speaker 3>movie viewing. I should say, I don't know what it

961
00:47:52.960 --> 00:47:53.320
<v Speaker 3>looks like.

962
00:47:54.360 --> 00:47:57.559
<v Speaker 2>That's true, and that makes me now kind of understand

963
00:47:57.559 --> 00:48:00.239
<v Speaker 2>and appreciate why they wouldn't call that Scream five. Why

964
00:48:00.239 --> 00:48:02.519
<v Speaker 2>would your students go see Scream five even if it

965
00:48:02.559 --> 00:48:06.880
<v Speaker 2>has actors? They know if it's just called Scream, and like, okay,

966
00:48:06.880 --> 00:48:11.760
<v Speaker 2>maybe they're you know, five percent more likely to watch it. Interesting.

967
00:48:12.800 --> 00:48:16.199
<v Speaker 2>It's funny in Scream two. Eventually there's a movie within

968
00:48:16.280 --> 00:48:19.599
<v Speaker 2>this movie universe called Stab that's about the Woodsborough murders

969
00:48:19.599 --> 00:48:24.440
<v Speaker 2>from Scream one, and they recreate this scene in Scream

970
00:48:24.519 --> 00:48:32.079
<v Speaker 2>two with Tory Spelling and Luke Wilson, which is really funny.

971
00:48:32.159 --> 00:48:35.079
<v Speaker 2>But you know, no, good, no, no, you go ahead,

972
00:48:35.239 --> 00:48:37.880
<v Speaker 2>I'll come Mack. I was gonna say, Kevin Williamson. It's

973
00:48:37.920 --> 00:48:41.480
<v Speaker 2>just one of those things where I think he just

974
00:48:41.880 --> 00:48:44.679
<v Speaker 2>his mind was lit on fire with this concept where

975
00:48:44.719 --> 00:48:47.400
<v Speaker 2>he didn't apparently he wrote this script in a matter

976
00:48:47.440 --> 00:48:50.199
<v Speaker 2>of days. It just you know, flowed out of him.

977
00:48:50.280 --> 00:48:52.440
<v Speaker 2>But then he also came up with five page treatments

978
00:48:52.440 --> 00:48:54.880
<v Speaker 2>for Scream two and Scream three. That's right, you know,

979
00:48:54.920 --> 00:48:57.760
<v Speaker 2>he came prepared, and I think the thinking was not

980
00:48:57.800 --> 00:48:59.840
<v Speaker 2>only did he have the stories, but when he went

981
00:48:59.880 --> 00:49:01.880
<v Speaker 2>in to the pitch meetings, he wanted to be like, hey,

982
00:49:02.199 --> 00:49:05.000
<v Speaker 2>you're buying a franchise here, right, You're not just buying

983
00:49:05.000 --> 00:49:06.519
<v Speaker 2>a smart movie. It's very smart.

984
00:49:07.280 --> 00:49:11.079
<v Speaker 3>Yeah, but that that explained, Like, his involvement in the

985
00:49:11.119 --> 00:49:15.360
<v Speaker 3>third one is fairly minimal. They just took his outline

986
00:49:15.480 --> 00:49:18.239
<v Speaker 3>and I think, as Aaron Krueger, who wrote the script for.

987
00:49:18.159 --> 00:49:20.840
<v Speaker 2>It, yeah, he reminds me of Shane Black in a

988
00:49:20.880 --> 00:49:24.719
<v Speaker 2>way where he just exploded and everybody knew his name

989
00:49:24.800 --> 00:49:26.840
<v Speaker 2>right away, and he wrote something that's like, oh that

990
00:49:26.960 --> 00:49:30.960
<v Speaker 2>is so Kevin Williamson. And then with every sequel he

991
00:49:31.119 --> 00:49:32.760
<v Speaker 2>like had less and less involvement.

992
00:49:33.360 --> 00:49:40.159
<v Speaker 3>Yeah. So Shane Black and Leath the Weapon, yep. Yeah, no. So,

993
00:49:40.159 --> 00:49:42.199
<v Speaker 3>so I was going to mention about Nev Campbell, you know,

994
00:49:42.400 --> 00:49:45.840
<v Speaker 3>like again, it had been a while since I've seen

995
00:49:45.880 --> 00:49:48.800
<v Speaker 3>this one, and you know we're used to now in

996
00:49:48.800 --> 00:49:53.119
<v Speaker 3>the latter film, Sydney is much more stoic, and you know,

997
00:49:53.480 --> 00:49:55.679
<v Speaker 3>she she knows the rules of the game, so to speak,

998
00:49:55.719 --> 00:49:58.880
<v Speaker 3>and you forget how the vulnerability that she gives to

999
00:49:58.920 --> 00:50:01.880
<v Speaker 3>Sydney in this one. Yeah, right right, and she's terrific

1000
00:50:01.880 --> 00:50:04.480
<v Speaker 3>in this I really like, I was really appreciating her performance.

1001
00:50:04.760 --> 00:50:09.960
<v Speaker 2>Yeah, Yeah, she has a very she does like anguished

1002
00:50:10.039 --> 00:50:14.039
<v Speaker 2>or tortured. Well, you know, like you really sympathize with

1003
00:50:14.199 --> 00:50:16.079
<v Speaker 2>her when she makes those faces you know about how

1004
00:50:16.079 --> 00:50:16.800
<v Speaker 2>tortured she is.

1005
00:50:17.199 --> 00:50:20.239
<v Speaker 3>That's right about not wanting to sleep with Billy.

1006
00:50:20.480 --> 00:50:21.199
<v Speaker 2>Yeah.

1007
00:50:21.480 --> 00:50:26.000
<v Speaker 3>Yeah, So Henry Winkler, I was about to say, one

1008
00:50:26.079 --> 00:50:28.920
<v Speaker 3>day you are your Arthur Fonzarelli, the next day your

1009
00:50:29.039 --> 00:50:31.800
<v Speaker 3>Arthur Hernbi or whatever his name is.

1010
00:50:32.119 --> 00:50:35.760
<v Speaker 2>Yeah, he's a really interesting character, isn't he. Like, I

1011
00:50:35.800 --> 00:50:38.000
<v Speaker 2>actually don't entirely know what to make of him. I

1012
00:50:38.360 --> 00:50:40.480
<v Speaker 2>think we might have talked over the scene earlier where

1013
00:50:40.800 --> 00:50:43.920
<v Speaker 2>kids are being interrogated, and then I think Sydney goes in, Yeah,

1014
00:50:43.960 --> 00:50:46.639
<v Speaker 2>and he like touches her face in this really weird

1015
00:50:46.679 --> 00:50:53.800
<v Speaker 2>way that feels a little inappropriate. Inappropriate. Yeah, And they

1016
00:50:53.840 --> 00:50:56.519
<v Speaker 2>even do a reaction shot of someone I can't remember

1017
00:50:56.519 --> 00:50:58.719
<v Speaker 2>if it's Duey or one of the officers, And I

1018
00:50:58.760 --> 00:50:59.760
<v Speaker 2>was like, oh, what's that about.

1019
00:51:00.840 --> 00:51:03.039
<v Speaker 3>Well, first of all, I was like, there is no

1020
00:51:03.159 --> 00:51:05.800
<v Speaker 3>way a principle could get away with talking to students

1021
00:51:06.519 --> 00:51:07.760
<v Speaker 3>the way he does in the scene that.

1022
00:51:07.679 --> 00:51:10.559
<v Speaker 2>We just saw, like holding scissors to their next Yeah.

1023
00:51:10.400 --> 00:51:12.679
<v Speaker 3>Are you kidding me? There would be like eight different lawsuits,

1024
00:51:12.880 --> 00:51:15.760
<v Speaker 3>So you wonder if there's like maybe one scene missing

1025
00:51:17.400 --> 00:51:20.360
<v Speaker 3>just to just to sort of make his death and

1026
00:51:20.440 --> 00:51:22.480
<v Speaker 3>not entirely a bad thing, you know.

1027
00:51:22.679 --> 00:51:24.639
<v Speaker 2>Oh, you know that's interesting. You know what I had

1028
00:51:24.719 --> 00:51:27.960
<v Speaker 2>read is I was thinking on this feeling by the

1029
00:51:28.000 --> 00:51:29.679
<v Speaker 2>way I read. I don't know, I can't beg this up,

1030
00:51:29.719 --> 00:51:34.000
<v Speaker 2>but I read that this cheerleader was Skeet Ulrich's girlfriend Andrew.

1031
00:51:34.039 --> 00:51:36.559
<v Speaker 3>Okay, I was like, she's a bad actress.

1032
00:51:36.960 --> 00:51:40.800
<v Speaker 2>I hope she's not listening, but she did stand out

1033
00:51:40.840 --> 00:51:41.480
<v Speaker 2>to me a little bit.

1034
00:51:42.400 --> 00:51:45.639
<v Speaker 3>Yeah. Now, granted, this reminds me of all the times

1035
00:51:45.760 --> 00:51:48.119
<v Speaker 3>I was being a caddy bitch about people while putting

1036
00:51:48.119 --> 00:51:52.559
<v Speaker 3>my makeup on. So a lot of a lot of

1037
00:51:52.599 --> 00:51:53.800
<v Speaker 3>lived experience there.

1038
00:51:54.199 --> 00:51:56.679
<v Speaker 2>But this is that very nineties meta thing too. It's like,

1039
00:51:56.679 --> 00:52:03.159
<v Speaker 2>where'd you hear that Ricky Lake? Yeah, sorry, you're saying, no,

1040
00:52:03.280 --> 00:52:07.599
<v Speaker 2>that's it. Yeah, but doesn't that like hurt your heart.

1041
00:52:08.079 --> 00:52:10.960
<v Speaker 2>Oh absolutely, Like, yeah, Nev Campbell's so good here. You

1042
00:52:11.039 --> 00:52:13.519
<v Speaker 2>just yeah, you're so on her side, and it's so

1043
00:52:13.800 --> 00:52:16.920
<v Speaker 2>awful having her listen to those people be so catty

1044
00:52:16.960 --> 00:52:21.760
<v Speaker 2>about her. I love the boot thing too, right where

1045
00:52:21.840 --> 00:52:24.159
<v Speaker 2>we get a lot of shots of ghost face boots

1046
00:52:24.679 --> 00:52:26.880
<v Speaker 2>and then later we get a little misdirect where the

1047
00:52:27.079 --> 00:52:29.639
<v Speaker 2>one of the police officers is wearing similar boots.

1048
00:52:31.000 --> 00:52:33.760
<v Speaker 3>Right when he squishes the cigarette.

1049
00:52:33.840 --> 00:52:34.760
<v Speaker 2>Yeah, it's good stuff.

1050
00:52:35.079 --> 00:52:37.760
<v Speaker 3>What's interesting, though, is that in the opening, in the

1051
00:52:37.800 --> 00:52:40.119
<v Speaker 3>scene near the opening when all of the kids are

1052
00:52:40.800 --> 00:52:42.920
<v Speaker 3>quote unquote kids are sitting on the outside, you know,

1053
00:52:42.960 --> 00:52:44.599
<v Speaker 3>when we see all of them, you just.

1054
00:52:44.519 --> 00:52:49.960
<v Speaker 2>Can't even like, yeah, quote unquote kids.

1055
00:52:50.039 --> 00:52:53.519
<v Speaker 3>Yeah, but Billy and Stu are wearing those boots.

1056
00:52:54.760 --> 00:52:56.880
<v Speaker 2>Oh interesting, you know, it's funny. Not just say it.

1057
00:52:58.280 --> 00:53:02.079
<v Speaker 2>I did think. Uh, Billy is seated awkwardly like with

1058
00:53:02.159 --> 00:53:04.400
<v Speaker 2>his feed up on the thing, and it's probably you're

1059
00:53:04.440 --> 00:53:07.480
<v Speaker 2>right on purpose to for people who are paying attention

1060
00:53:07.519 --> 00:53:08.920
<v Speaker 2>to notice his boots.

1061
00:53:09.440 --> 00:53:12.039
<v Speaker 3>What I love is that the movie makes it so

1062
00:53:12.280 --> 00:53:14.599
<v Speaker 3>obvious that Billy is the bad guy that you're like,

1063
00:53:14.679 --> 00:53:16.960
<v Speaker 3>there's no way he's the bad guy because it's so obvious.

1064
00:53:17.079 --> 00:53:20.639
<v Speaker 2>Yes, yeah, Yeah, it's funny because they kind of do

1065
00:53:20.679 --> 00:53:23.840
<v Speaker 2>that in two with Jerry O'Connell and he acts very

1066
00:53:23.880 --> 00:53:25.719
<v Speaker 2>weird and there's a lot of like lingering shots on

1067
00:53:25.800 --> 00:53:28.880
<v Speaker 2>him with ominous music, just trying to, you know, make

1068
00:53:28.960 --> 00:53:29.840
<v Speaker 2>you feel a certain way.

1069
00:53:30.159 --> 00:53:30.599
<v Speaker 3>That's right.

1070
00:53:35.800 --> 00:53:38.440
<v Speaker 2>We should talk about the mask, right, like this is

1071
00:53:38.519 --> 00:53:40.760
<v Speaker 2>a mask that already existed.

1072
00:53:41.800 --> 00:53:45.199
<v Speaker 3>Yeah, they tried to design one that was kind of

1073
00:53:45.280 --> 00:53:49.000
<v Speaker 3>like it, but just different enough not to like, you know,

1074
00:53:49.159 --> 00:53:52.960
<v Speaker 3>infringe on a copyright, and they did, and it's in

1075
00:53:53.000 --> 00:53:55.920
<v Speaker 3>some shots in this, but ultimately they were like, you know,

1076
00:53:56.039 --> 00:53:57.800
<v Speaker 3>let's just work out an agreement and use the one

1077
00:53:57.840 --> 00:53:58.800
<v Speaker 3>that's already out there.

1078
00:53:59.280 --> 00:54:04.079
<v Speaker 2>Yeah. It was designed by Brigitte Linden in nineteen ninety

1079
00:54:04.119 --> 00:54:07.880
<v Speaker 2>two for fun World, a costume company.

1080
00:54:08.320 --> 00:54:08.639
<v Speaker 3>Yeah.

1081
00:54:08.679 --> 00:54:11.400
<v Speaker 2>And yeah, and I guess she said it's called It

1082
00:54:11.480 --> 00:54:15.039
<v Speaker 2>was called the Peanut Eyed Ghost, that's right. And I

1083
00:54:15.119 --> 00:54:18.119
<v Speaker 2>was inspired by the uh that painting the scream.

1084
00:54:20.320 --> 00:54:23.320
<v Speaker 3>Yeah. And you know what I would say, thanks to

1085
00:54:24.000 --> 00:54:28.639
<v Speaker 3>these films that that costume has has sold and sold

1086
00:54:28.679 --> 00:54:30.400
<v Speaker 3>and sold for thirty plus years.

1087
00:54:30.400 --> 00:54:33.559
<v Speaker 2>Incredible. I mean it's like I don't even want to

1088
00:54:33.559 --> 00:54:36.480
<v Speaker 2>think about whether or not she had any claim to

1089
00:54:36.519 --> 00:54:39.760
<v Speaker 2>that design. Moving forward or that's just something. You know,

1090
00:54:39.840 --> 00:54:41.679
<v Speaker 2>you work for the company and then everything's owned by

1091
00:54:41.679 --> 00:54:43.239
<v Speaker 2>the company, and I know.

1092
00:54:43.599 --> 00:54:46.199
<v Speaker 3>Well, you know, hopefully you're able to take pride in

1093
00:54:46.239 --> 00:54:48.320
<v Speaker 3>your design living on Yeah.

1094
00:54:48.320 --> 00:54:49.960
<v Speaker 2>Well, you know, I had read somewhere about the woman

1095
00:54:49.960 --> 00:54:52.159
<v Speaker 2>who designed the Nike swoosh. I don't have her name

1096
00:54:52.159 --> 00:54:53.880
<v Speaker 2>in front of me, but she did it, you know,

1097
00:54:53.960 --> 00:54:58.280
<v Speaker 2>for peanuts at the time, because they weren't a huge juggernaut,

1098
00:54:58.719 --> 00:55:04.199
<v Speaker 2>and they did did many years later compensate her, which

1099
00:55:04.199 --> 00:55:05.400
<v Speaker 2>I thought was pretty classy.

1100
00:55:05.480 --> 00:55:10.199
<v Speaker 3>Oh that's good. Yeah, yeah, uh one one one memory

1101
00:55:10.239 --> 00:55:14.159
<v Speaker 3>I have that costume is that Sean Coyle and Paul

1102
00:55:14.199 --> 00:55:17.679
<v Speaker 3>Shiri they were they were living together and they were roommates,

1103
00:55:17.679 --> 00:55:22.440
<v Speaker 3>i should say, and they had a Halloween party and

1104
00:55:22.440 --> 00:55:25.880
<v Speaker 3>and and so. Uh, I didn't have a costume, so

1105
00:55:26.000 --> 00:55:29.159
<v Speaker 3>I went to Toys r US and like just grabbed

1106
00:55:29.159 --> 00:55:31.800
<v Speaker 3>whatever I could and it was the ghost Face costume,

1107
00:55:32.800 --> 00:55:37.880
<v Speaker 3>and and I won least original costume. It's pretty pretty

1108
00:55:37.880 --> 00:55:41.480
<v Speaker 3>proud of that, you know.

1109
00:55:41.519 --> 00:55:45.159
<v Speaker 2>What's funny? Sure? Fine, However, if I was at a

1110
00:55:45.199 --> 00:55:47.800
<v Speaker 2>costume party and I saw someone dressed up like ghost Face,

1111
00:55:47.920 --> 00:55:49.440
<v Speaker 2>that's the person I'd want a picture with.

1112
00:55:50.039 --> 00:55:51.880
<v Speaker 3>Thank you. Ryan In.

1113
00:55:52.039 --> 00:55:57.400
<v Speaker 2>I'm just saying, you know, there's just a weird personal

1114
00:55:57.480 --> 00:55:59.480
<v Speaker 2>anecdote that has nothing to do with this movie. But

1115
00:55:59.559 --> 00:56:01.800
<v Speaker 2>I was. I got to go to the Magic Castle,

1116
00:56:01.880 --> 00:56:05.239
<v Speaker 2>which is kind of a cool spot out here in Hollywood.

1117
00:56:06.480 --> 00:56:10.119
<v Speaker 2>There's like all these different rooms and magicians doing you know,

1118
00:56:10.239 --> 00:56:12.199
<v Speaker 2>little shows in each room. You can wander from room

1119
00:56:12.199 --> 00:56:13.840
<v Speaker 2>to room and watch all sorts of cool stuff. And

1120
00:56:13.880 --> 00:56:15.920
<v Speaker 2>I got to go there on Halloween and it was

1121
00:56:16.159 --> 00:56:19.800
<v Speaker 2>they had a costume contest going on, and my friends

1122
00:56:20.239 --> 00:56:23.760
<v Speaker 2>dressed up like Nancy Kerrigan and Tanya Harding. Oh okay,

1123
00:56:23.960 --> 00:56:26.239
<v Speaker 2>this was before I Tanya, So this was like before

1124
00:56:26.280 --> 00:56:28.440
<v Speaker 2>people were kind of recalling that thing.

1125
00:56:28.880 --> 00:56:30.360
<v Speaker 3>They beat the rush.

1126
00:56:30.440 --> 00:56:31.400
<v Speaker 2>They were right ahead of it.

1127
00:56:31.800 --> 00:56:33.400
<v Speaker 3>And see, look at look at how the costume looks

1128
00:56:33.400 --> 00:56:33.760
<v Speaker 3>different there.

1129
00:56:34.039 --> 00:56:36.800
<v Speaker 2>Well, I can see it. I can see it. It's

1130
00:56:36.800 --> 00:56:37.320
<v Speaker 2>not the same.

1131
00:56:37.679 --> 00:56:37.920
<v Speaker 3>Yeah.

1132
00:56:37.960 --> 00:56:39.840
<v Speaker 2>I love that they recognize that because it's close, but

1133
00:56:39.880 --> 00:56:40.559
<v Speaker 2>it's not the same.

1134
00:56:40.679 --> 00:56:42.199
<v Speaker 3>It's just they were like, you know what, the other

1135
00:56:42.239 --> 00:56:42.880
<v Speaker 3>one looks better.

1136
00:56:44.119 --> 00:56:47.760
<v Speaker 2>Yeah, they're right, it's worth it. It was worth paying. It's

1137
00:56:47.760 --> 00:56:50.159
<v Speaker 2>pretty amazing that as similar as it is, they saw

1138
00:56:50.199 --> 00:56:53.119
<v Speaker 2>that it wasn't good enough. But anyway, my friends they

1139
00:56:53.199 --> 00:56:55.599
<v Speaker 2>won the costume contest out of the whole Magic Castle

1140
00:56:55.599 --> 00:56:55.960
<v Speaker 2>that night.

1141
00:56:56.800 --> 00:56:57.079
<v Speaker 3>Wow.

1142
00:56:57.239 --> 00:56:59.519
<v Speaker 2>So yeah, we got free passes to go to Houdini

1143
00:56:59.599 --> 00:57:03.880
<v Speaker 2>Seance Get out of here wow. Yeah, which is basically,

1144
00:57:03.880 --> 00:57:05.920
<v Speaker 2>you know, they feed you dinner and then someone flips

1145
00:57:05.960 --> 00:57:07.599
<v Speaker 2>the switch and the table shakes for a little bit.

1146
00:57:08.920 --> 00:57:10.400
<v Speaker 3>Hey. You know sometimes that's fun.

1147
00:57:10.519 --> 00:57:13.480
<v Speaker 2>Yeah. But so, okay, I was gonna bring this up earlier. Yeah,

1148
00:57:13.480 --> 00:57:15.719
<v Speaker 2>so the Henry Winkler thing, that was what you were

1149
00:57:15.719 --> 00:57:20.679
<v Speaker 2>talking about, maybe seating that there's something possibly sinister about him.

1150
00:57:21.360 --> 00:57:25.400
<v Speaker 2>I was wondering why they killed him. Oh, we got

1151
00:57:25.440 --> 00:57:30.440
<v Speaker 2>to bring that up, right, hey, Fred.

1152
00:57:28.920 --> 00:57:32.480
<v Speaker 3>Yeah, so there there's Wes Craven as Fred the Janitor. Yeah,

1153
00:57:32.480 --> 00:57:35.199
<v Speaker 3>in the rest of as Freddy Krueger.

1154
00:57:35.400 --> 00:57:38.519
<v Speaker 2>Yeah. Yeah. There's a lot of Nightmare and Elm Street

1155
00:57:38.519 --> 00:57:39.400
<v Speaker 2>call outs in this movie.

1156
00:57:39.400 --> 00:57:41.920
<v Speaker 3>Oh a ton, Well, Sydney lives on Elm Street, which

1157
00:57:41.920 --> 00:57:43.440
<v Speaker 3>I don't think is explicitly stated.

1158
00:57:43.639 --> 00:57:44.719
<v Speaker 2>I don't even think I called that.

1159
00:57:45.159 --> 00:57:49.000
<v Speaker 3>Yeah. Yeah, when she's typing in her address, when she's

1160
00:57:49.000 --> 00:57:52.079
<v Speaker 3>trying to down nine one one, they cut it for pacing,

1161
00:57:52.159 --> 00:57:53.360
<v Speaker 3>but it's it's Elm Street.

1162
00:57:53.679 --> 00:57:56.239
<v Speaker 2>Oh okay, And then they talk about I think Tatum

1163
00:57:56.280 --> 00:57:58.320
<v Speaker 2>says something about only the first one was good.

1164
00:57:59.280 --> 00:58:02.519
<v Speaker 3>Yeah, that's right, and she says, Wes Carper, you think

1165
00:58:02.559 --> 00:58:04.559
<v Speaker 3>it's some kind of West Carpenter movie.

1166
00:58:04.639 --> 00:58:08.679
<v Speaker 2>Right right, which is funny because I can imagine, you know,

1167
00:58:08.840 --> 00:58:10.719
<v Speaker 2>as Wes Craven, you have to decide whether or not

1168
00:58:10.800 --> 00:58:12.599
<v Speaker 2>to go there. But I think it's worth it's fun.

1169
00:58:12.639 --> 00:58:14.840
<v Speaker 3>I don't think it's for us.

1170
00:58:16.519 --> 00:58:19.480
<v Speaker 2>But anyway, reading about his murder, well, first of all,

1171
00:58:19.559 --> 00:58:21.039
<v Speaker 2>I remember back in the day, it was hard watching

1172
00:58:21.079 --> 00:58:24.639
<v Speaker 2>the Fawns get stabbed to death, right, I mean when

1173
00:58:24.639 --> 00:58:26.400
<v Speaker 2>I watched this in the nineties, to me, he was

1174
00:58:26.599 --> 00:58:28.360
<v Speaker 2>he hadn't been in arrested development yet.

1175
00:58:29.119 --> 00:58:29.880
<v Speaker 3>Yeah, that's right.

1176
00:58:30.039 --> 00:58:31.679
<v Speaker 2>Other things are Berry or all these things. I love

1177
00:58:31.719 --> 00:58:34.440
<v Speaker 2>him from now, so he was still for me kind

1178
00:58:34.480 --> 00:58:36.760
<v Speaker 2>of the Fawns. So it was strange seeing him in

1179
00:58:36.760 --> 00:58:39.239
<v Speaker 2>a movie like this. But anyway, I was like, why

1180
00:58:39.519 --> 00:58:44.400
<v Speaker 2>did why would they kill him? And it turns out

1181
00:58:44.880 --> 00:58:46.519
<v Speaker 2>he wasn't originally killed in the script.

1182
00:58:47.360 --> 00:58:49.400
<v Speaker 3>Yeah, I think it was like too much time had

1183
00:58:49.440 --> 00:58:52.920
<v Speaker 3>gone by without a killing, yes, exactly, and so they're

1184
00:58:52.960 --> 00:58:54.679
<v Speaker 3>like they're like, Fawns, he gotta.

1185
00:58:54.480 --> 00:59:00.360
<v Speaker 2>Go kill the principal. But it it does then motivate everyone,

1186
00:59:00.440 --> 00:59:03.199
<v Speaker 2>leaving Stu's house at the party, it clears everybody out

1187
00:59:03.199 --> 00:59:06.280
<v Speaker 2>because the principal's dead and he's hanging from the gold

1188
00:59:06.320 --> 00:59:08.480
<v Speaker 2>post or whatever it is. And then all right, twisted

1189
00:59:08.559 --> 00:59:10.320
<v Speaker 2>kids are like, well I gotta see that, and so

1190
00:59:10.400 --> 00:59:11.400
<v Speaker 2>they run out.

1191
00:59:11.280 --> 00:59:11.519
<v Speaker 3>Of the us.

1192
00:59:12.280 --> 00:59:15.119
<v Speaker 2>So I guess that's that. And then to your point,

1193
00:59:15.159 --> 00:59:18.360
<v Speaker 2>I wonder if they did make him a little off, Yeah, so.

1194
00:59:18.320 --> 00:59:22.159
<v Speaker 3>We wouldn't, So you don't feel totally bad about it, Yeah,

1195
00:59:22.400 --> 00:59:24.000
<v Speaker 3>because I think a lot of folks, you know, I

1196
00:59:24.360 --> 00:59:26.840
<v Speaker 3>think when this movie came out was probably at the

1197
00:59:26.880 --> 00:59:28.760
<v Speaker 3>tail end of when people would have been.

1198
00:59:28.679 --> 00:59:36.679
<v Speaker 2>Like, oh Fonsie, yeah, yeah, yeah, there's that. Yeah, have

1199
00:59:36.679 --> 00:59:37.760
<v Speaker 2>a cut and weary thing.

1200
00:59:39.039 --> 00:59:39.239
<v Speaker 3>You know.

1201
00:59:39.280 --> 00:59:42.559
<v Speaker 2>I also read about Ghost Face. Look that at first

1202
00:59:42.559 --> 00:59:45.760
<v Speaker 2>they wanted the road to be white. That's right, to

1203
00:59:45.880 --> 00:59:47.679
<v Speaker 2>make it look like a ghost.

1204
00:59:48.679 --> 00:59:52.440
<v Speaker 3>Yeah, which like imagine that like yeah, you know what

1205
00:59:52.440 --> 00:59:54.280
<v Speaker 3>I mean, Like even in this shot right here where

1206
00:59:54.280 --> 00:59:55.679
<v Speaker 3>we see like, it just wouldn't be the same. It

1207
00:59:55.679 --> 00:59:58.320
<v Speaker 3>wouldn't work. It would be like you know the ghosts

1208
00:59:58.320 --> 00:59:59.960
<v Speaker 3>in Charlie Brown cartoons.

1209
01:00:00.880 --> 01:00:02.199
<v Speaker 2>Yeah, yeah, exactly.

1210
01:00:06.639 --> 01:00:08.960
<v Speaker 3>By the way that that was that was the nineteen

1211
01:00:09.000 --> 01:00:11.960
<v Speaker 3>thirty one Frankenstein that that was showing them that screen.

1212
01:00:12.039 --> 01:00:15.320
<v Speaker 3>I just any anytime the old universal monsters get get

1213
01:00:15.320 --> 01:00:17.000
<v Speaker 3>shown some love, I have to I have to tip

1214
01:00:17.039 --> 01:00:17.360
<v Speaker 3>the hat.

1215
01:00:17.679 --> 01:00:19.480
<v Speaker 2>Yeah, yeah, which I need to catch up on.

1216
01:00:20.320 --> 01:00:22.519
<v Speaker 3>Yeah, that's right, you do need to. I like this

1217
01:00:22.760 --> 01:00:25.280
<v Speaker 3>right here, She's like, what was that wolf with ET's

1218
01:00:25.360 --> 01:00:25.920
<v Speaker 3>mom in it?

1219
01:00:26.000 --> 01:00:26.840
<v Speaker 2>Like you can ride?

1220
01:00:28.039 --> 01:00:30.639
<v Speaker 3>Not not the mom from E T. E T's mom.

1221
01:00:31.719 --> 01:00:34.039
<v Speaker 2>Oh oh, actually I didn't even catch that.

1222
01:00:34.000 --> 01:00:34.400
<v Speaker 3>That's true.

1223
01:00:34.440 --> 01:00:37.880
<v Speaker 2>I'm just laughing about her. The way she referenced d Wallace.

1224
01:00:39.480 --> 01:00:43.800
<v Speaker 2>That's hilarious ET's mom.

1225
01:00:44.039 --> 01:00:46.559
<v Speaker 3>You think Right now, at this moment, Quentin Tarantino is

1226
01:00:46.639 --> 01:00:49.559
<v Speaker 3>watching Matthew Lillard on screen and just grinding his teeth

1227
01:00:49.599 --> 01:00:52.440
<v Speaker 3>and pissing his pants. You know what.

1228
01:00:52.519 --> 01:00:58.880
<v Speaker 2>As much as I enjoys movies, I hope so yearned it.

1229
01:00:58.719 --> 01:01:00.440
<v Speaker 1>I was.

1230
01:01:00.599 --> 01:01:02.440
<v Speaker 3>I was like watching Lillard in this, I'm like, he's

1231
01:01:02.480 --> 01:01:05.400
<v Speaker 3>so great being just horrible as stew but it's like

1232
01:01:05.480 --> 01:01:07.880
<v Speaker 3>he has the range, which we know. And then I

1233
01:01:07.920 --> 01:01:10.880
<v Speaker 3>was like just picturing Tarantino just like, yeah, you know,

1234
01:01:11.039 --> 01:01:14.480
<v Speaker 3>I hate I hate Owen Wilson and I hate Paul Dano,

1235
01:01:14.599 --> 01:01:17.400
<v Speaker 3>and you know, Matthew Lillard sucks to him. I'm like, what.

1236
01:01:19.519 --> 01:01:22.719
<v Speaker 2>He's like, what it's like Bart Simpson, you know, with

1237
01:01:22.840 --> 01:01:24.480
<v Speaker 2>clown College is like I don't think any of us

1238
01:01:24.519 --> 01:01:28.840
<v Speaker 2>expected him to say that, Like which.

1239
01:01:28.679 --> 01:01:30.920
<v Speaker 3>I would say, good good company to be included in

1240
01:01:30.960 --> 01:01:32.400
<v Speaker 3>as far as that list of people.

1241
01:01:32.800 --> 01:01:34.320
<v Speaker 2>Yeah, I want to be listening to Paul Dan.

1242
01:01:35.159 --> 01:01:41.280
<v Speaker 3>Yeah, you know this scene is so creepy when you

1243
01:01:41.400 --> 01:01:44.079
<v Speaker 3>know that. It's like especially once Billy shows up, because

1244
01:01:44.079 --> 01:01:47.320
<v Speaker 3>he's right, right, he's right about everything, and Killer A

1245
01:01:47.400 --> 01:01:49.760
<v Speaker 3>and Killer be on either side of him. It's freaking

1246
01:01:49.880 --> 01:01:50.599
<v Speaker 3>terrifying and.

1247
01:01:50.559 --> 01:01:57.000
<v Speaker 2>They're like crowding him. Yeah, you know, yeah, and I

1248
01:01:57.039 --> 01:01:59.760
<v Speaker 2>do love this. I mean this is like quintessential for

1249
01:02:00.079 --> 01:02:02.400
<v Speaker 2>this film, right where it's like the guy who understands

1250
01:02:02.400 --> 01:02:06.000
<v Speaker 2>how horror movies work, he's referencing horror movies and why

1251
01:02:07.519 --> 01:02:09.920
<v Speaker 2>his rationale for why he thinks he knows who the

1252
01:02:09.960 --> 01:02:13.280
<v Speaker 2>killer is. You know, Like that's the thing, like all

1253
01:02:13.320 --> 01:02:16.079
<v Speaker 2>movies do this now, all movies reference other movies.

1254
01:02:16.559 --> 01:02:19.639
<v Speaker 3>Yeah, but they just didn't used to. That is such

1255
01:02:19.639 --> 01:02:22.360
<v Speaker 3>a great point, Like I'm just so used to it.

1256
01:02:22.559 --> 01:02:23.920
<v Speaker 2>Yeah, like when they went to the movies in the

1257
01:02:23.960 --> 01:02:26.960
<v Speaker 2>movies when we were growing up, they were watching fake movies,

1258
01:02:27.639 --> 01:02:32.000
<v Speaker 2>fake TV shows. But this really was part of the

1259
01:02:32.039 --> 01:02:34.000
<v Speaker 2>thing part of the moment where it kicked it off,

1260
01:02:34.039 --> 01:02:35.400
<v Speaker 2>where it's like, no, no, no, they live in the world

1261
01:02:35.440 --> 01:02:37.159
<v Speaker 2>we live in, and they reference the things we know.

1262
01:02:37.920 --> 01:02:42.880
<v Speaker 3>Yeah, so is Randy like the screech of their friend groups?

1263
01:02:43.280 --> 01:02:45.000
<v Speaker 2>You know, I was wondering about that because he.

1264
01:02:45.280 --> 01:02:46.719
<v Speaker 3>It's a very odd friend group. Right.

1265
01:02:46.760 --> 01:02:48.800
<v Speaker 2>He's a fun character, but even when they were at

1266
01:02:48.800 --> 01:02:50.639
<v Speaker 2>the fountain, I felt like he felt a little odd

1267
01:02:50.639 --> 01:02:51.039
<v Speaker 2>man out.

1268
01:02:51.079 --> 01:02:54.360
<v Speaker 3>Why is he there? Yeah, yeah, yeah, but he's good.

1269
01:02:54.400 --> 01:02:56.199
<v Speaker 2>I like Jimmy Kennedy in this. I think he's the

1270
01:02:56.280 --> 01:02:59.559
<v Speaker 2>right man, a geeky, funny guy.

1271
01:02:59.840 --> 01:03:01.000
<v Speaker 3>He found his lane.

1272
01:03:01.280 --> 01:03:06.960
<v Speaker 2>Yeah. You know. Something I always like in movies that

1273
01:03:07.000 --> 01:03:10.599
<v Speaker 2>I feel are like real world scary and intriguing to

1274
01:03:10.639 --> 01:03:14.440
<v Speaker 2>me are curfews yep, you know, and like when a

1275
01:03:14.480 --> 01:03:17.039
<v Speaker 2>town has to shut down, like you know, it's like

1276
01:03:17.360 --> 01:03:19.760
<v Speaker 2>kids have curfews sometimes, you know, or like by ten

1277
01:03:19.800 --> 01:03:21.400
<v Speaker 2>pm you have to leave them all or something. But

1278
01:03:21.519 --> 01:03:23.840
<v Speaker 2>like when the whole town it's like no, no, no, all

1279
01:03:23.880 --> 01:03:25.239
<v Speaker 2>the adults, I don't care who you are, like you

1280
01:03:25.280 --> 01:03:26.719
<v Speaker 2>have to be off the streets at this time. I

1281
01:03:26.760 --> 01:03:29.079
<v Speaker 2>always find that like a really scary premise.

1282
01:03:33.000 --> 01:03:36.280
<v Speaker 3>It's, well, you know, when I see because I never

1283
01:03:36.360 --> 01:03:38.480
<v Speaker 3>lived in like a small town like this, you know,

1284
01:03:38.599 --> 01:03:42.800
<v Speaker 3>like suburbs are different. Yeah, yeah, And so this is

1285
01:03:42.840 --> 01:03:46.280
<v Speaker 3>something like exclusive to movies, just the way life is

1286
01:03:46.280 --> 01:03:50.119
<v Speaker 3>so centralized and like everybody knows each other and stuff,

1287
01:03:50.159 --> 01:03:50.400
<v Speaker 3>you know.

1288
01:03:51.039 --> 01:03:52.920
<v Speaker 2>Right where you have the deputy of the town, Like

1289
01:03:52.920 --> 01:03:54.400
<v Speaker 2>I don't know any of the well I mean in

1290
01:03:54.440 --> 01:03:56.119
<v Speaker 2>this city certainly, But even when I was growing up

1291
01:03:56.119 --> 01:03:58.199
<v Speaker 2>in Wheaton, Illinois, right, I didn't know the names of

1292
01:03:58.199 --> 01:04:00.320
<v Speaker 2>any police officers or anything. Right, But here they all

1293
01:04:00.320 --> 01:04:02.920
<v Speaker 2>know who Dewey is. They probably many of them went

1294
01:04:02.960 --> 01:04:09.920
<v Speaker 2>to high school with him, right, Yeah. But it is

1295
01:04:09.960 --> 01:04:12.760
<v Speaker 2>like a great excuse, just plot wise, to get all

1296
01:04:12.760 --> 01:04:14.599
<v Speaker 2>the kids like, all right, well, let's curfew. We'll go

1297
01:04:14.800 --> 01:04:17.320
<v Speaker 2>hang out at one house and watch movies together, right,

1298
01:04:17.559 --> 01:04:24.400
<v Speaker 2>you know. And also, you know, I when I've rewatched

1299
01:04:24.400 --> 01:04:27.199
<v Speaker 2>this a lot of times, it's been in chunks, you know,

1300
01:04:27.199 --> 01:04:30.400
<v Speaker 2>flipping channels. I hadn't really rewatched this all the way

1301
01:04:30.440 --> 01:04:35.800
<v Speaker 2>through in a while, And so it was nice really

1302
01:04:35.800 --> 01:04:38.880
<v Speaker 2>paying attention and appreciating how much plot there is in this.

1303
01:04:39.639 --> 01:04:40.599
<v Speaker 3>Oh yeah, for sure.

1304
01:04:40.599 --> 01:04:45.400
<v Speaker 2>It was Sydney's mom and the trauma that Sidney experienced

1305
01:04:45.400 --> 01:04:49.039
<v Speaker 2>from that, and then also fingering the wrong guy for it.

1306
01:04:49.239 --> 01:04:57.559
<v Speaker 3>Like cotton literally and figuratively. Wait what because you know

1307
01:04:57.719 --> 01:04:59.480
<v Speaker 3>she's just like she does it with the killer and

1308
01:05:00.000 --> 01:05:00.559
<v Speaker 3>that's true.

1309
01:05:00.400 --> 01:05:03.000
<v Speaker 2>That's true, the wrong two wrong guys. She's wrong about

1310
01:05:03.000 --> 01:05:06.400
<v Speaker 2>two guys in this mood. He yes, yeah, yes, well

1311
01:05:06.480 --> 01:05:09.239
<v Speaker 2>she does stick her finger in his wound exactly.

1312
01:05:09.480 --> 01:05:14.519
<v Speaker 3>Yeah, yeah, the wrong guy. He's bad for you, Sydney.

1313
01:05:14.559 --> 01:05:16.280
<v Speaker 3>He is the wrong guy, right.

1314
01:05:18.280 --> 01:05:20.159
<v Speaker 2>I love it is like ice cream cone business. I

1315
01:05:20.199 --> 01:05:23.519
<v Speaker 2>wonder like the guy they both get like business as

1316
01:05:23.519 --> 01:05:25.480
<v Speaker 2>they're talking here, that guy gets a cigarette, he gets

1317
01:05:25.480 --> 01:05:27.159
<v Speaker 2>an ice cream cone.

1318
01:05:27.320 --> 01:05:29.960
<v Speaker 3>Yeah. The chief, by the way, he's he's also it

1319
01:05:30.000 --> 01:05:32.679
<v Speaker 3>plays a similar role in the First Nightmare in Eme Street.

1320
01:05:33.280 --> 01:05:38.719
<v Speaker 3>Oh interesting, Yeah, so hey shared cinematic universe. Yeah, and

1321
01:05:38.760 --> 01:05:40.559
<v Speaker 3>like you said, we get that close up on his

1322
01:05:40.639 --> 01:05:42.119
<v Speaker 3>boots liket row.

1323
01:05:42.440 --> 01:05:49.920
<v Speaker 2>Yeah, yeah, I like that. But yeah, this did then

1324
01:05:50.639 --> 01:05:55.039
<v Speaker 2>kind of kick off almost like a new genre of horror, right,

1325
01:05:55.079 --> 01:05:58.880
<v Speaker 2>like the slasher film was back, but it was Yes,

1326
01:05:59.000 --> 01:05:59.719
<v Speaker 2>that is true.

1327
01:05:59.719 --> 01:06:02.880
<v Speaker 3>But what's funny is that in hindsight, because definitely that

1328
01:06:02.960 --> 01:06:05.119
<v Speaker 3>was the the you know, the narrative at the time,

1329
01:06:05.239 --> 01:06:07.039
<v Speaker 3>But in hindsight, you're like, well it wasn't even gone

1330
01:06:07.119 --> 01:06:08.679
<v Speaker 3>for that long, really.

1331
01:06:08.760 --> 01:06:12.800
<v Speaker 2>You know, don't you find that? Yeah, when you think

1332
01:06:12.840 --> 01:06:16.159
<v Speaker 2>about sometimes you talk about things being gone for a

1333
01:06:16.159 --> 01:06:19.559
<v Speaker 2>while or even just it feels like things changed very

1334
01:06:19.599 --> 01:06:21.280
<v Speaker 2>quickly in the past. Like you even look at like

1335
01:06:21.360 --> 01:06:24.320
<v Speaker 2>styles in different decades. Yeah, and you're like or even

1336
01:06:24.360 --> 01:06:26.519
<v Speaker 2>like the Beatles or something, you know, like their genre

1337
01:06:26.559 --> 01:06:28.679
<v Speaker 2>of music, and it's like they weren't even a band

1338
01:06:29.199 --> 01:06:31.559
<v Speaker 2>or at least they're a phenomenon for over a decade.

1339
01:06:31.599 --> 01:06:33.000
<v Speaker 2>Like things just moved very quickly.

1340
01:06:33.519 --> 01:06:34.440
<v Speaker 3>Yeah, you know what I mean.

1341
01:06:34.920 --> 01:06:38.079
<v Speaker 2>Yeah, and now there be longer gaps between this stuff,

1342
01:06:38.079 --> 01:06:41.199
<v Speaker 2>between sequels. You can get Screamed four like eleven years

1343
01:06:41.280 --> 01:06:42.119
<v Speaker 2>later or something.

1344
01:06:42.679 --> 01:06:46.000
<v Speaker 3>Yeah, you know, and you know, sometimes those longer gaps

1345
01:06:46.000 --> 01:06:49.880
<v Speaker 3>are good. But certainly when we talk about the slasher

1346
01:06:51.199 --> 01:06:54.320
<v Speaker 3>fad at its peak, I mean, it flamed out I

1347
01:06:54.320 --> 01:06:57.000
<v Speaker 3>would say late eighties. When when was Freddy's Dead? Was

1348
01:06:57.000 --> 01:06:59.599
<v Speaker 3>that like ninety yeah?

1349
01:06:59.599 --> 01:07:04.159
<v Speaker 2>Maybe because the New Nightmare was ninety four, Okay.

1350
01:07:03.880 --> 01:07:06.159
<v Speaker 3>So and there was there was a decent gap between

1351
01:07:06.159 --> 01:07:09.760
<v Speaker 3>those two. Yeah, right, and you know Freddy is dead, like,

1352
01:07:09.960 --> 01:07:12.760
<v Speaker 3>so let's arbitrary, let's set that. So say ninety So

1353
01:07:12.800 --> 01:07:14.639
<v Speaker 3>you're talking about six years, which is I mean, yeah,

1354
01:07:14.679 --> 01:07:16.840
<v Speaker 3>it is a gap, but it's not like a huge gap.

1355
01:07:17.880 --> 01:07:20.840
<v Speaker 3>But your point is well stated, which is like suddenly

1356
01:07:20.920 --> 01:07:24.239
<v Speaker 3>there was this boom between ninety six and two thousand

1357
01:07:25.960 --> 01:07:29.400
<v Speaker 3>where you had all these like teen centric horror flicks.

1358
01:07:30.920 --> 01:07:32.960
<v Speaker 2>Yeah, and just also what I was trying to say,

1359
01:07:33.000 --> 01:07:34.119
<v Speaker 2>I don't know if I said it very well, but

1360
01:07:34.239 --> 01:07:37.159
<v Speaker 2>just like shorter gaps felt longer back then for some reason,

1361
01:07:37.440 --> 01:07:40.559
<v Speaker 2>maybe because we weren't endlessly talking about things.

1362
01:07:41.239 --> 01:07:43.719
<v Speaker 3>That is true. Also we had been around, we had

1363
01:07:43.760 --> 01:07:45.360
<v Speaker 3>been around less, so well.

1364
01:07:45.280 --> 01:07:47.360
<v Speaker 2>That's true too. Yeah, it could be unique to our age.

1365
01:07:47.360 --> 01:07:48.679
<v Speaker 2>But yeah, so you get like, I Know what you

1366
01:07:48.679 --> 01:07:52.239
<v Speaker 2>did last summer, Urban Legend, the Faculty, Final Destination, all

1367
01:07:52.239 --> 01:07:55.840
<v Speaker 2>these sort of like knowing teenager horror movies.

1368
01:07:56.039 --> 01:07:59.559
<v Speaker 3>Right out after this, and and you know, well, I

1369
01:07:59.559 --> 01:08:01.320
<v Speaker 3>mean I guess they did try to bring back I

1370
01:08:01.360 --> 01:08:03.280
<v Speaker 3>know what you did last summer just recently, right, which

1371
01:08:03.400 --> 01:08:05.039
<v Speaker 3>that didn't really play.

1372
01:08:05.320 --> 01:08:07.880
<v Speaker 2>No, you know, and I saw it and I didn't

1373
01:08:08.039 --> 01:08:11.840
<v Speaker 2>hate it, fully acknowledging it's not good. Yeah, but it

1374
01:08:11.960 --> 01:08:14.840
<v Speaker 2>just like maybe it's scratched an itch or something where

1375
01:08:14.840 --> 01:08:16.680
<v Speaker 2>I was like, oh, I like this tone, but you know,

1376
01:08:16.720 --> 01:08:19.039
<v Speaker 2>I don't think anybody else is really vibing with it

1377
01:08:19.079 --> 01:08:21.960
<v Speaker 2>these days. Even my friends who are like much more

1378
01:08:22.079 --> 01:08:24.199
<v Speaker 2>horror fans than I am, they were like they hated it,

1379
01:08:24.239 --> 01:08:26.079
<v Speaker 2>and I was like, well, I don't know, really.

1380
01:08:27.079 --> 01:08:27.640
<v Speaker 3>I don't see.

1381
01:08:27.720 --> 01:08:30.920
<v Speaker 2>I had absolutely zero expectation and it was like a

1382
01:08:30.960 --> 01:08:33.560
<v Speaker 2>thing before my eyes for ninety minutes, and I was like, yeah,

1383
01:08:33.560 --> 01:08:35.319
<v Speaker 2>it reminded me of a thing that I used to like.

1384
01:08:36.159 --> 01:08:37.960
<v Speaker 2>But my way is good.

1385
01:08:38.279 --> 01:08:40.760
<v Speaker 3>I mean, there's a swerve in there with the long

1386
01:08:40.840 --> 01:08:44.880
<v Speaker 3>running character. Yes well, yes, well it doesn't mean anything

1387
01:08:44.920 --> 01:08:46.359
<v Speaker 3>to me because I don't really have an affinity for

1388
01:08:46.399 --> 01:08:50.119
<v Speaker 3>those films. But I was thinking of Zachi, you know,

1389
01:08:50.119 --> 01:08:53.279
<v Speaker 3>a fan of Jim Phelps from the nineteen sixties Mission Impossible,

1390
01:08:53.399 --> 01:08:56.520
<v Speaker 3>totally wondering how fans of those earlier films would react

1391
01:08:56.520 --> 01:08:59.119
<v Speaker 3>to this new one. You know, absolutely right.

1392
01:09:00.039 --> 01:09:02.520
<v Speaker 2>By the way, So it's worth noting. You know Courtney

1393
01:09:02.560 --> 01:09:05.359
<v Speaker 2>Cox here. I love the character of Gail Weathers because

1394
01:09:05.399 --> 01:09:09.439
<v Speaker 2>she has such a complicated She's complicated, like she has

1395
01:09:09.479 --> 01:09:13.600
<v Speaker 2>a weird relationship with Sydney. She was a defender of

1396
01:09:13.680 --> 01:09:17.279
<v Speaker 2>Cotton Weary, which wasn't very popular to the hero of

1397
01:09:17.319 --> 01:09:19.840
<v Speaker 2>our movie. But she was right, right, you know what

1398
01:09:19.880 --> 01:09:22.720
<v Speaker 2>I mean, And like they they're antagonistic, but then they

1399
01:09:23.760 --> 01:09:27.520
<v Speaker 2>become allies. It's a really great character. And as you're

1400
01:09:27.560 --> 01:09:32.039
<v Speaker 2>watching that character Gail enter this house party with all

1401
01:09:32.039 --> 01:09:33.960
<v Speaker 2>these teenagers, they're looking at her like, oh my gosh,

1402
01:09:34.000 --> 01:09:36.279
<v Speaker 2>it's Gail from TV, but in a funny way. I mean,

1403
01:09:36.279 --> 01:09:40.680
<v Speaker 2>that's Courtney Cox from Friends. Like, oh, that's a good point, right,

1404
01:09:40.760 --> 01:09:43.079
<v Speaker 2>Like you can kind of apply that to this a

1405
01:09:43.079 --> 01:09:43.520
<v Speaker 2>little bit.

1406
01:09:43.960 --> 01:09:47.760
<v Speaker 3>I love how they make sure to highlight Tatum's thho

1407
01:09:48.000 --> 01:09:48.479
<v Speaker 3>are they?

1408
01:09:48.560 --> 01:09:50.359
<v Speaker 2>You know? It's funny. Actually I was thinking about that

1409
01:09:50.359 --> 01:09:54.119
<v Speaker 2>shot because what I I think it's really interesting because

1410
01:09:54.159 --> 01:09:56.920
<v Speaker 2>what I mean basically, yes, like Rose McGown comes here

1411
01:09:57.000 --> 01:10:00.319
<v Speaker 2>into the garage and her nipples are like completely like

1412
01:10:00.359 --> 01:10:03.720
<v Speaker 2>poking through her shirt. And it's funny because it's this

1413
01:10:03.800 --> 01:10:07.760
<v Speaker 2>is a movie that's referencing horror movies. So she is,

1414
01:10:08.840 --> 01:10:12.880
<v Speaker 2>to a comical degree, the typical sexy female victim in

1415
01:10:12.920 --> 01:10:15.560
<v Speaker 2>waiting here. And so this movie is like riding a

1416
01:10:15.600 --> 01:10:20.199
<v Speaker 2>thin line between actually having kind of a titulating image

1417
01:10:20.720 --> 01:10:24.039
<v Speaker 2>or no one intended, and also commenting on it. Yeah,

1418
01:10:24.119 --> 01:10:25.439
<v Speaker 2>you know what I mean, Like it's kind of a

1419
01:10:25.479 --> 01:10:26.840
<v Speaker 2>funny brilliant moment.

1420
01:10:26.920 --> 01:10:30.680
<v Speaker 3>Well, that's you know, I think Scream is satire but

1421
01:10:30.840 --> 01:10:35.279
<v Speaker 3>not comedy, right, and and you know that's sort of

1422
01:10:35.399 --> 01:10:37.279
<v Speaker 3>to be able to ride that balance is something, you know.

1423
01:10:37.319 --> 01:10:40.399
<v Speaker 3>It's like in my classes, I screen RoboCop as an

1424
01:10:40.439 --> 01:10:42.399
<v Speaker 3>example of satire and I'm like, it's satire, but it's

1425
01:10:42.399 --> 01:10:44.800
<v Speaker 3>not a comedy, right, but it is, you know, and

1426
01:10:44.840 --> 01:10:46.920
<v Speaker 3>it's like trying to understand that distinction. I mean, this

1427
01:10:46.960 --> 01:10:48.079
<v Speaker 3>movie does that very well.

1428
01:10:48.159 --> 01:10:54.159
<v Speaker 2>That's that's really well put. Yeah, yeah, great, great lens

1429
01:10:54.199 --> 01:10:57.600
<v Speaker 2>flares in here, because I love lens flares when they

1430
01:10:57.600 --> 01:11:01.760
<v Speaker 2>add like an air of mystery, you know, or magic

1431
01:11:01.880 --> 01:11:04.520
<v Speaker 2>or something. I think I've always my favorite lens flair's

1432
01:11:04.560 --> 01:11:06.600
<v Speaker 2>ever Isn't Die Hard. When they finally get the safe

1433
01:11:06.600 --> 01:11:09.760
<v Speaker 2>to open, you know, and it's just like this magical

1434
01:11:11.680 --> 01:11:14.119
<v Speaker 2>opening of this thing, you know that they've been trying

1435
01:11:14.159 --> 01:11:16.399
<v Speaker 2>so hard to attain, and so there's just like magic

1436
01:11:16.439 --> 01:11:18.479
<v Speaker 2>in the air as it's happening. And here we've got

1437
01:11:18.479 --> 01:11:22.880
<v Speaker 2>this sort of uneasy thing happening in this really normal

1438
01:11:22.920 --> 01:11:26.239
<v Speaker 2>place a garage, but there's something heightened and creepy about it.

1439
01:11:26.279 --> 01:11:29.079
<v Speaker 2>So you get like a little flourish at the top

1440
01:11:29.119 --> 01:11:32.039
<v Speaker 2>of the screen. You know, I don't know.

1441
01:11:33.479 --> 01:11:38.840
<v Speaker 3>Yeah, No, that's that's a great observation of these canted angles.

1442
01:11:39.079 --> 01:11:43.680
<v Speaker 2>Yep, it's great. And this is, you know, like to

1443
01:11:43.760 --> 01:11:46.239
<v Speaker 2>your point again where you have the sexy victim in

1444
01:11:46.279 --> 01:11:50.399
<v Speaker 2>the eighties movie, you're like probably rooting for Jason, you

1445
01:11:50.479 --> 01:11:52.279
<v Speaker 2>know what I mean, But in this I don't like

1446
01:11:52.359 --> 01:11:55.039
<v Speaker 2>seeing her going through this, Like I'm rooting for her

1447
01:11:55.079 --> 01:11:55.960
<v Speaker 2>to get out of that ground.

1448
01:11:56.000 --> 01:12:00.399
<v Speaker 3>That's right. Yeah, I think that's what it came down to. Aultimately,

1449
01:12:04.000 --> 01:12:07.600
<v Speaker 3>give us, give us characters that we care about. Yeah,

1450
01:12:07.840 --> 01:12:11.760
<v Speaker 3>you know, and Tatum is a kind of a smart ass. Yeah,

1451
01:12:11.800 --> 01:12:13.399
<v Speaker 3>but like not insufferably so.

1452
01:12:13.720 --> 01:12:17.600
<v Speaker 2>Yeah, yeah, yeah, you would enjoy her in your friend group.

1453
01:12:18.079 --> 01:12:23.399
<v Speaker 3>Yeah exactly. Now this now, originally she was supposed to

1454
01:12:23.479 --> 01:12:27.079
<v Speaker 3>have the garage just crush her and then and then

1455
01:12:27.119 --> 01:12:31.520
<v Speaker 3>they see the pet door. Yeah, and they're like, well, no,

1456
01:12:31.560 --> 01:12:34.439
<v Speaker 3>we obviously have to we got to do that. Yeah,

1457
01:12:34.720 --> 01:12:39.840
<v Speaker 3>I mean, oh it's horrible, gripe. Well, I mean yes,

1458
01:12:40.319 --> 01:12:43.920
<v Speaker 3>but it just feels I mean it's such a memorable death. Yeah.

1459
01:12:44.000 --> 01:12:47.840
<v Speaker 2>Yeah, like her hanging through that door. You're gonna make

1460
01:12:47.840 --> 01:12:49.279
<v Speaker 2>a movie. Let's make a movie, you know.

1461
01:12:49.880 --> 01:12:50.119
<v Speaker 3>Yep.

1462
01:12:51.279 --> 01:12:53.079
<v Speaker 2>But by the way, So seeing her head get crushed there,

1463
01:12:53.079 --> 01:12:54.640
<v Speaker 2>That's why I was confused at the beginning, because I

1464
01:12:54.680 --> 01:12:56.920
<v Speaker 2>had read that was something they had to cut out.

1465
01:12:57.079 --> 01:12:58.760
<v Speaker 2>But in this version you see that.

1466
01:12:59.319 --> 01:13:05.720
<v Speaker 3>Yeah, so I don't know. That's interesting. Yeah. By the way,

1467
01:13:05.960 --> 01:13:10.159
<v Speaker 3>worth mentioning, this is only tangentially related in that Paramount

1468
01:13:10.319 --> 01:13:13.279
<v Speaker 3>is the home base of the screen franchise as of now.

1469
01:13:13.359 --> 01:13:16.520
<v Speaker 3>But as we record this, Paramount has won its bid

1470
01:13:16.560 --> 01:13:17.760
<v Speaker 3>to buy Warner Brothers.

1471
01:13:18.359 --> 01:13:19.840
<v Speaker 2>Oh really is that today?

1472
01:13:20.079 --> 01:13:22.319
<v Speaker 3>That has just happened moments ago. I just got a

1473
01:13:22.359 --> 01:13:24.720
<v Speaker 3>push notification that Netflix has dropped out.

1474
01:13:25.319 --> 01:13:26.199
<v Speaker 2>They dropped out.

1475
01:13:26.479 --> 01:13:31.079
<v Speaker 3>Yeah, so Paramount is gonna be absorbing Warner Brothers.

1476
01:13:31.279 --> 01:13:32.079
<v Speaker 2>I'll be damned.

1477
01:13:32.359 --> 01:13:35.159
<v Speaker 3>Yeah. We'll have plenty to say about this on a future.

1478
01:13:35.199 --> 01:13:38.960
<v Speaker 2>Yes, I gotta not get lost in thought on that.

1479
01:13:40.399 --> 01:13:45.960
<v Speaker 3>Wow. Okay, now real quick, I want to mention we

1480
01:13:46.319 --> 01:13:48.560
<v Speaker 3>were talking about Gail Weathers before. As much as I

1481
01:13:48.600 --> 01:13:50.840
<v Speaker 3>love the character of Gail Weathers, her haircut in some

1482
01:13:50.880 --> 01:13:53.239
<v Speaker 3>of these sequels is scarier than Ghostface.

1483
01:13:57.159 --> 01:14:00.239
<v Speaker 2>Yeah. I mean even she a couple of years ago

1484
01:14:00.319 --> 01:14:05.680
<v Speaker 2>is still referencing it. No, really, yeah, I think for

1485
01:14:05.720 --> 01:14:08.119
<v Speaker 2>Halloween or something, she did some sort of Instagram posts

1486
01:14:08.119 --> 01:14:10.239
<v Speaker 2>with like these fake bangs and was like, they're back.

1487
01:14:10.479 --> 01:14:11.600
<v Speaker 3>I think was it the third one?

1488
01:14:11.960 --> 01:14:16.239
<v Speaker 2>Yeah, the third one? Oh goodness, gracious, yeah.

1489
01:14:15.560 --> 01:14:17.560
<v Speaker 3>That's not a Jane silent Bob and I remember that.

1490
01:14:17.800 --> 01:14:20.800
<v Speaker 2>Yes, I mean, this isn't exactly it, but I was

1491
01:14:20.840 --> 01:14:22.840
<v Speaker 2>thinking as I was watching three, it reminded me of

1492
01:14:22.880 --> 01:14:26.680
<v Speaker 2>the vibes a little bit of Lethal Weapon four, where

1493
01:14:26.680 --> 01:14:29.680
<v Speaker 2>it's like we're just we're here and we don't care

1494
01:14:29.720 --> 01:14:31.560
<v Speaker 2>if you realize we're having a good time doing this,

1495
01:14:32.920 --> 01:14:35.000
<v Speaker 2>you know, even though we're making a movie, you know

1496
01:14:35.039 --> 01:14:37.680
<v Speaker 2>what I mean. I mean, not that Lethal Weapon four

1497
01:14:37.720 --> 01:14:40.359
<v Speaker 2>ever got into like goofy cameos or anything. But you

1498
01:14:40.359 --> 01:14:42.880
<v Speaker 2>can just tell those are friends having a good time

1499
01:14:42.960 --> 01:14:45.319
<v Speaker 2>and making a movie. And you get that sense a

1500
01:14:45.359 --> 01:14:49.640
<v Speaker 2>little bit in three. I think Scream three like let's

1501
01:14:49.840 --> 01:14:51.199
<v Speaker 2>let's have fun and the fun.

1502
01:14:51.039 --> 01:14:53.359
<v Speaker 3>Shop through a little bit, yeah, which.

1503
01:14:53.199 --> 01:14:55.399
<v Speaker 2>Is kind of unique to that one because the others,

1504
01:14:55.439 --> 01:14:57.159
<v Speaker 2>I don't think feel that way. And then yes, and

1505
01:14:57.159 --> 01:14:59.720
<v Speaker 2>then you have Chance on the Pop just randomly popping

1506
01:14:59.720 --> 01:15:00.439
<v Speaker 2>into the the movie.

1507
01:15:00.520 --> 01:15:01.319
<v Speaker 3>It's so weird.

1508
01:15:01.960 --> 01:15:04.920
<v Speaker 2>Yeah, and they mistake Gail Weathers for Connie Chung see,

1509
01:15:04.920 --> 01:15:05.439
<v Speaker 2>which is.

1510
01:15:05.439 --> 01:15:09.720
<v Speaker 3>Weird because in the Jay and Silent Bob versus Scream

1511
01:15:10.000 --> 01:15:16.680
<v Speaker 3>is a franchise like in In In one of those movies,

1512
01:15:16.720 --> 01:15:19.359
<v Speaker 3>they stumble on the set of a Scream movie. Oh

1513
01:15:19.479 --> 01:15:23.600
<v Speaker 3>that's right, So what's going on? So do Jay and

1514
01:15:23.680 --> 01:15:25.479
<v Speaker 3>Soundbob exist in two universes?

1515
01:15:26.399 --> 01:15:27.880
<v Speaker 2>They're inter dimensional beings?

1516
01:15:28.119 --> 01:15:32.000
<v Speaker 3>Yeah, they're they're they're they're nexus beings. I kind of

1517
01:15:32.039 --> 01:15:32.279
<v Speaker 3>like that.

1518
01:15:33.199 --> 01:15:35.960
<v Speaker 2>Hey, hey, Kevin Smith, there's your movie. If anything happens

1519
01:15:36.000 --> 01:15:41.000
<v Speaker 2>to them, the universes collapse, they're holding together. They're like Loki.

1520
01:15:48.960 --> 01:15:51.079
<v Speaker 3>Skeet ol Rich. I feel like he should have had

1521
01:15:51.159 --> 01:15:51.840
<v Speaker 3>more of a career.

1522
01:15:53.159 --> 01:15:55.560
<v Speaker 2>Yeah, you know, actually I have his thing open because

1523
01:15:56.319 --> 01:15:59.079
<v Speaker 2>his IMDb I should she's about to have his thing open.

1524
01:15:59.199 --> 01:16:01.000
<v Speaker 2>I was just he was like, man, I walked right

1525
01:16:01.039 --> 01:16:07.439
<v Speaker 2>into that because I don't know what I really see.

1526
01:16:07.439 --> 01:16:09.399
<v Speaker 2>Oh you know, I saw it to my surprise. He

1527
01:16:09.720 --> 01:16:11.960
<v Speaker 2>it plays a thug in Teenage Mutant Ninja Turtles, the

1528
01:16:12.039 --> 01:16:14.159
<v Speaker 2>ninety nineteen ninety movie.

1529
01:16:14.520 --> 01:16:15.880
<v Speaker 3>Oh interesting, Okay.

1530
01:16:15.680 --> 01:16:17.359
<v Speaker 2>He's in as good as it gets, which I kind

1531
01:16:17.359 --> 01:16:18.520
<v Speaker 2>of remember, now that I say it.

1532
01:16:18.920 --> 01:16:20.239
<v Speaker 3>I don't remember that at all.

1533
01:16:20.600 --> 01:16:22.680
<v Speaker 2>The Newton Boys, Chill Factor, remember that.

1534
01:16:22.840 --> 01:16:25.079
<v Speaker 3>I remember Chill I remember watching Chill Factor in an

1535
01:16:25.079 --> 01:16:25.760
<v Speaker 3>empty theater.

1536
01:16:26.199 --> 01:16:26.960
<v Speaker 2>Yeah.

1537
01:16:27.039 --> 01:16:30.359
<v Speaker 3>Yeah, and he he was on a show which is

1538
01:16:30.399 --> 01:16:31.720
<v Speaker 3>called Jericho. Do you remember that?

1539
01:16:32.199 --> 01:16:33.439
<v Speaker 2>Yes, I think because of you.

1540
01:16:33.520 --> 01:16:37.840
<v Speaker 3>Actually no, you're thinking of Jeremiah, which is at Perry Show.

1541
01:16:38.359 --> 01:16:39.960
<v Speaker 2>I was gonna say, is Luke Perry on that? Yeah?

1542
01:16:39.960 --> 01:16:42.159
<v Speaker 3>Okay, Yeah, this is this is a repeat of an

1543
01:16:42.199 --> 01:16:44.600
<v Speaker 3>exact conversation I had with I'm gonna like three hours ago.

1544
01:16:44.760 --> 01:16:48.760
<v Speaker 3>I'm like, no, damn it, it's Jericho, not Jeremiah. Get

1545
01:16:48.840 --> 01:16:52.079
<v Speaker 3>your get your Jay starting shows about a post apocalyptic

1546
01:16:52.199 --> 01:16:57.199
<v Speaker 3>society straight, you know, people up, Yeah, damn it. No.

1547
01:16:57.279 --> 01:16:58.800
<v Speaker 3>So it was like it was like a post ap

1548
01:16:59.079 --> 01:17:01.039
<v Speaker 3>like there's a it's a it's like Kansas or something

1549
01:17:01.079 --> 01:17:04.760
<v Speaker 3>after a nuclear attack. Yeah, and he starred and it

1550
01:17:04.840 --> 01:17:06.840
<v Speaker 3>had what's his name, Major Dad.

1551
01:17:07.000 --> 01:17:09.600
<v Speaker 2>Oh Maaney, Gerald McCraney, Jerald McCraney.

1552
01:17:09.640 --> 01:17:11.640
<v Speaker 3>Yeah. Yeah, So he was on that show that did okay,

1553
01:17:11.680 --> 01:17:14.960
<v Speaker 3>And then he was on Dad. Sorry, yeah, I don't know.

1554
01:17:15.039 --> 01:17:16.359
<v Speaker 3>I didn't go with Simon and Simon.

1555
01:17:16.880 --> 01:17:18.319
<v Speaker 2>No, No, it's good, it's good today.

1556
01:17:18.319 --> 01:17:21.000
<v Speaker 3>It's Major Dad. Anyway. He was also on Law and

1557
01:17:21.119 --> 01:17:24.520
<v Speaker 3>Order LA oh I remember that. Yeah, for like half

1558
01:17:24.560 --> 01:17:26.199
<v Speaker 3>a season. Then he killed his ass off, and I

1559
01:17:26.199 --> 01:17:27.439
<v Speaker 3>think he just yeah.

1560
01:17:27.640 --> 01:17:30.880
<v Speaker 2>River Dad, he was in sixty four episodes of Riverdale.

1561
01:17:30.600 --> 01:17:32.159
<v Speaker 3>Sixty four episodes. Who did he play?

1562
01:17:32.279 --> 01:17:34.560
<v Speaker 2>I have no idea Ethnic Jones.

1563
01:17:35.279 --> 01:17:37.000
<v Speaker 3>Oh so he's like related to Jughead?

1564
01:17:37.079 --> 01:17:39.640
<v Speaker 2>Is he Jughead's dad?

1565
01:17:40.119 --> 01:17:43.239
<v Speaker 3>Wow? So him and Luke Perry both there you go.

1566
01:17:43.319 --> 01:17:46.279
<v Speaker 3>So the streams did cross eventually.

1567
01:17:46.479 --> 01:17:49.279
<v Speaker 2>Yeah, look at this. I just got to point out this, this,

1568
01:17:49.279 --> 01:17:51.520
<v Speaker 2>this wide angle group shot.

1569
01:17:51.560 --> 01:17:55.680
<v Speaker 3>I love that stuff. Yeah, it's it's it's and there's

1570
01:17:55.720 --> 01:17:56.800
<v Speaker 3>so much life in the frame.

1571
01:17:57.000 --> 01:18:04.079
<v Speaker 2>Yes, exactly, that, exactly that, I mean, you know. Wes

1572
01:18:04.119 --> 01:18:07.159
<v Speaker 2>Craven then went on to do like Red Eye, which

1573
01:18:07.199 --> 01:18:12.399
<v Speaker 2>I think is fun, tight, little ninety minute thriller, and

1574
01:18:12.439 --> 01:18:15.800
<v Speaker 2>he's just, yeah, I wish he had made some more thrillers.

1575
01:18:15.840 --> 01:18:18.079
<v Speaker 2>I wish we'd gotten some more thrillers out of him.

1576
01:18:18.600 --> 01:18:22.880
<v Speaker 2>Red Eye was when was that early Autus five or something? Okay,

1577
01:18:22.880 --> 01:18:25.960
<v Speaker 2>that sounds about right? Yeah, yeah, well this is this

1578
01:18:26.039 --> 01:18:26.760
<v Speaker 2>is the scene here.

1579
01:18:27.960 --> 01:18:31.199
<v Speaker 3>It's what's very funny is that the rules as it

1580
01:18:31.239 --> 01:18:35.119
<v Speaker 3>pertains to horror movies in general are like pretty much bullshit, right,

1581
01:18:35.640 --> 01:18:38.760
<v Speaker 3>sure right, but it doesn't matter because they're the rules

1582
01:18:38.760 --> 01:18:40.319
<v Speaker 3>for this world, you know.

1583
01:18:40.399 --> 01:18:42.520
<v Speaker 2>And he's got enough evidence to back it up that

1584
01:18:42.560 --> 01:18:45.079
<v Speaker 2>we're like, okay, even if he's just talking about one

1585
01:18:45.119 --> 01:18:49.520
<v Speaker 2>movie maybe like Halloween, yeah something, Yeah, but who to

1586
01:18:49.560 --> 01:18:51.760
<v Speaker 2>this day, if someone leaves a room and says I'll be.

1587
01:18:51.760 --> 01:18:53.600
<v Speaker 3>Back, Oh yeah, you have to say it like, oh

1588
01:18:53.720 --> 01:18:54.800
<v Speaker 3>be right, b yeah.

1589
01:18:54.680 --> 01:19:02.359
<v Speaker 2>I'll be right back exactly. Yeah, yeah, yeah, I just

1590
01:19:02.399 --> 01:19:07.960
<v Speaker 2>had to see it see Lillard do it. But yeah,

1591
01:19:08.000 --> 01:19:10.319
<v Speaker 2>but you know, it's kind of cool what I like

1592
01:19:10.359 --> 01:19:11.199
<v Speaker 2>about these movies.

1593
01:19:11.720 --> 01:19:12.920
<v Speaker 3>You know what you think about it? Real quick?

1594
01:19:12.920 --> 01:19:13.119
<v Speaker 2>Sorry?

1595
01:19:13.199 --> 01:19:17.199
<v Speaker 3>Yeah, Stu leaves to get beer, yes, and he comes back.

1596
01:19:18.000 --> 01:19:19.520
<v Speaker 3>That should have been our clue right away.

1597
01:19:19.760 --> 01:19:25.199
<v Speaker 2>Oh that's good man. This continues to grow in my right, Yeah,

1598
01:19:25.199 --> 01:19:26.399
<v Speaker 2>you're right, you're right.

1599
01:19:27.720 --> 01:19:29.399
<v Speaker 3>Like the problem is we watch it now and we

1600
01:19:29.479 --> 01:19:31.600
<v Speaker 3>know we know Stu's the killer, right. It's like so

1601
01:19:32.479 --> 01:19:34.840
<v Speaker 3>like so it's hard to put yourself back in the

1602
01:19:34.840 --> 01:19:37.239
<v Speaker 3>state of mind of watching it the first time and

1603
01:19:37.279 --> 01:19:39.720
<v Speaker 3>trying to track the like who is it? You know?

1604
01:19:39.960 --> 01:19:41.680
<v Speaker 2>Actually, that's funny you say that, because I had that

1605
01:19:41.720 --> 01:19:44.600
<v Speaker 2>experience watching it this time where they like Dewey will

1606
01:19:44.600 --> 01:19:47.640
<v Speaker 2>act kind of weird in a scene and I'm like, Dewey,

1607
01:19:48.119 --> 01:19:49.880
<v Speaker 2>you know, like, how could you ever make me believe

1608
01:19:49.920 --> 01:19:50.720
<v Speaker 2>it's Dewey, but it's.

1609
01:19:50.640 --> 01:19:52.880
<v Speaker 3>Like this right here, when he asks Gale to go

1610
01:19:52.880 --> 01:19:53.600
<v Speaker 3>on a walk with him.

1611
01:19:53.680 --> 01:19:54.840
<v Speaker 2>Yeah, exactly right.

1612
01:19:54.880 --> 01:19:57.439
<v Speaker 3>If you don't know that that he's not the killer,

1613
01:19:57.520 --> 01:19:58.520
<v Speaker 3>then it's odd, you know.

1614
01:19:58.960 --> 01:20:02.119
<v Speaker 2>Yeah, but yeah, in ninety six, you didn't know.

1615
01:20:02.039 --> 01:20:04.720
<v Speaker 3>These people, that's right. He was just a weird guy.

1616
01:20:05.079 --> 01:20:08.920
<v Speaker 2>Yeah. Yeah. And then he becomes the beloved charming guy.

1617
01:20:09.079 --> 01:20:10.600
<v Speaker 3>That's right, the rest of this, and it becomes the

1618
01:20:10.640 --> 01:20:11.079
<v Speaker 3>dead guy.

1619
01:20:11.279 --> 01:20:11.600
<v Speaker 1>M M.

1620
01:20:15.560 --> 01:20:18.479
<v Speaker 3>I've said before that was that was Han Solo esque

1621
01:20:18.800 --> 01:20:21.359
<v Speaker 3>in terms of when when they when they off to

1622
01:20:21.399 --> 01:20:24.399
<v Speaker 3>Dewey in this in the fifth one, you.

1623
01:20:24.359 --> 01:20:26.920
<v Speaker 2>Know, I know you gotta do it at some point

1624
01:20:26.920 --> 01:20:30.119
<v Speaker 2>if you're gonna have that many sequels. But also I

1625
01:20:30.159 --> 01:20:31.359
<v Speaker 2>wish he was in the new one.

1626
01:20:31.760 --> 01:20:32.000
<v Speaker 3>Yep.

1627
01:20:32.159 --> 01:20:34.000
<v Speaker 2>Yeah, Like there's just some people I just want to

1628
01:20:34.000 --> 01:20:39.479
<v Speaker 2>continue seeing. But what I was gonna say is I

1629
01:20:39.560 --> 01:20:43.520
<v Speaker 2>like that each movie kind of zeros in about a

1630
01:20:43.520 --> 01:20:46.720
<v Speaker 2>film trend, right, Like this one's kind of like about

1631
01:20:46.720 --> 01:20:50.479
<v Speaker 2>the Final Girl, and then the second one is about sequels,

1632
01:20:51.000 --> 01:20:52.960
<v Speaker 2>and the third one, of course is trilogies, and then

1633
01:20:52.960 --> 01:20:55.880
<v Speaker 2>the fourth one is about being online famous, and the

1634
01:20:55.880 --> 01:20:58.600
<v Speaker 2>fifth one I think is about like elevated horror, you know,

1635
01:20:58.760 --> 01:21:01.239
<v Speaker 2>like it is. I just like that there's and then

1636
01:21:01.279 --> 01:21:02.920
<v Speaker 2>the seventh one. I don't think it's a spoiler to

1637
01:21:02.960 --> 01:21:06.439
<v Speaker 2>say it's about bringing the original star back to a series,

1638
01:21:07.479 --> 01:21:09.560
<v Speaker 2>you know, like commenting on that, and.

1639
01:21:09.560 --> 01:21:11.319
<v Speaker 3>So that's interesting.

1640
01:21:11.399 --> 01:21:13.159
<v Speaker 2>I like that. I like that as a conceit for

1641
01:21:13.199 --> 01:21:14.640
<v Speaker 2>each one for them to build off of.

1642
01:21:15.199 --> 01:21:26.520
<v Speaker 3>Yeah. Yeah, so now who calls and says this about

1643
01:21:26.560 --> 01:21:27.159
<v Speaker 3>the principal?

1644
01:21:28.560 --> 01:21:30.840
<v Speaker 2>That is a good question, like who's hanging about the

1645
01:21:30.840 --> 01:21:35.479
<v Speaker 2>school drinking on the football field or something. Well, because

1646
01:21:35.520 --> 01:21:39.960
<v Speaker 2>if that was part of their plan, right to get

1647
01:21:40.000 --> 01:21:43.640
<v Speaker 2>everyone out of there, then is it are they both occupied? Well,

1648
01:21:43.640 --> 01:21:45.279
<v Speaker 2>I guess it'd be Stu, right because Billity's up there

1649
01:21:45.279 --> 01:21:45.760
<v Speaker 2>with Sydney.

1650
01:21:46.119 --> 01:21:48.880
<v Speaker 3>Yeah, but if it's like, it can't be Stu on

1651
01:21:48.880 --> 01:21:50.279
<v Speaker 3>the phone because he'd be like, hey, Stu, why are

1652
01:21:50.279 --> 01:21:50.760
<v Speaker 3>you calling me?

1653
01:21:51.079 --> 01:21:54.239
<v Speaker 2>Yeah? Yeah, I don't know. Oh, Clerk's shout out there

1654
01:21:54.239 --> 01:21:57.239
<v Speaker 2>at the VHS on the I do love this whole

1655
01:21:57.239 --> 01:21:59.359
<v Speaker 2>conceit of the camera in there. But there's a thirty

1656
01:21:59.359 --> 01:22:02.000
<v Speaker 2>second delight that that's great, very very clever.

1657
01:22:07.840 --> 01:22:12.159
<v Speaker 3>You know there are they are they scared and running

1658
01:22:12.159 --> 01:22:14.920
<v Speaker 3>away or they're just excited to see the principal strung up.

1659
01:22:14.960 --> 01:22:16.600
<v Speaker 2>I think they just want to poke a body with

1660
01:22:16.640 --> 01:22:21.239
<v Speaker 2>a stick. They're just like, yeah, the principal's dead.

1661
01:22:21.760 --> 01:22:23.520
<v Speaker 3>I was thinking about it. At one point one of

1662
01:22:23.560 --> 01:22:25.760
<v Speaker 3>them says, Hio Silver, let's go, and I was like,

1663
01:22:25.800 --> 01:22:28.960
<v Speaker 3>what an odd thing? I can I can see that

1664
01:22:29.079 --> 01:22:31.359
<v Speaker 3>reference kind of working in ninety six, but can you

1665
01:22:31.399 --> 01:22:33.279
<v Speaker 3>imagine a kid saying that now?

1666
01:22:32.800 --> 01:22:37.880
<v Speaker 2>No? Yeah, yeah, up, up and away.

1667
01:22:38.079 --> 01:22:41.000
<v Speaker 3>You know, I don't.

1668
01:22:43.880 --> 01:22:46.279
<v Speaker 2>They have a real I mean, obviously they got married,

1669
01:22:46.560 --> 01:22:49.119
<v Speaker 2>are yet and Cox, But like they do have a

1670
01:22:49.159 --> 01:22:53.239
<v Speaker 2>real sweet chemistry. Like I believe this hard as nails

1671
01:22:53.319 --> 01:22:57.039
<v Speaker 2>character Gail Weathers. You can imagine she would have a

1672
01:22:57.079 --> 01:23:00.720
<v Speaker 2>hard time falling for someone as kind of dopey as him, right,

1673
01:23:00.880 --> 01:23:02.079
<v Speaker 2>But they make me believe it.

1674
01:23:02.560 --> 01:23:07.319
<v Speaker 3>Yeah you know, Yeah, those cars get.

1675
01:23:07.159 --> 01:23:09.279
<v Speaker 2>Really close to them. I mean, I know there's the

1676
01:23:09.319 --> 01:23:12.680
<v Speaker 2>stunt people in that one shot, but there's that one

1677
01:23:12.680 --> 01:23:14.359
<v Speaker 2>where you can actually see it's them and they're they're

1678
01:23:14.399 --> 01:23:14.880
<v Speaker 2>yeah close.

1679
01:23:14.920 --> 01:23:18.279
<v Speaker 3>I'm like, whoo, that's how we used to do it, Brian,

1680
01:23:18.600 --> 01:23:19.039
<v Speaker 3>That's right.

1681
01:23:19.079 --> 01:23:20.720
<v Speaker 2>I mean I bring this up a couple of times,

1682
01:23:20.720 --> 01:23:24.399
<v Speaker 2>but I remember watching the movie Used Cars with Robert Zemeckis,

1683
01:23:24.520 --> 01:23:26.800
<v Speaker 2>and I was listening to the commentary, and there's this

1684
01:23:26.840 --> 01:23:28.560
<v Speaker 2>shot where one of the characters I don't remember who

1685
01:23:28.640 --> 01:23:30.880
<v Speaker 2>was like stumbling down a street and the joke is

1686
01:23:30.880 --> 01:23:33.319
<v Speaker 2>this car comes right up to him and turns it

1687
01:23:33.399 --> 01:23:36.319
<v Speaker 2>the last second at high speeds and avoids them. But

1688
01:23:36.359 --> 01:23:38.960
<v Speaker 2>the guy isn't aware at all that had happened. And

1689
01:23:39.039 --> 01:23:41.000
<v Speaker 2>you can hear on the commentary is the meccas is like,

1690
01:23:41.039 --> 01:23:43.319
<v Speaker 2>I can't I can't even look at this. What are

1691
01:23:43.319 --> 01:23:45.920
<v Speaker 2>we thinking? And he's like I can't look I can't

1692
01:23:45.920 --> 01:23:48.920
<v Speaker 2>look at this, and you're like, yeah, back then they're like, yeah,

1693
01:23:48.920 --> 01:23:51.439
<v Speaker 2>I put Kurt Russell on the road. Well, don't worry.

1694
01:23:51.560 --> 01:23:53.640
<v Speaker 2>The stuff is like trust me, trust me.

1695
01:23:54.840 --> 01:23:57.000
<v Speaker 3>It takes your licks for the sake of the shot.

1696
01:23:57.239 --> 01:24:01.960
<v Speaker 2>Yeah.

1697
01:24:02.000 --> 01:24:04.560
<v Speaker 3>It's crazy how we're already like in wrap it up

1698
01:24:04.600 --> 01:24:05.359
<v Speaker 3>mode now.

1699
01:24:06.399 --> 01:24:08.399
<v Speaker 2>I know, you know, there's like a I always think

1700
01:24:08.399 --> 01:24:10.479
<v Speaker 2>about this when I watch Back to the Future because

1701
01:24:10.520 --> 01:24:14.640
<v Speaker 2>that movie, for being almost two hours long, flies And

1702
01:24:14.680 --> 01:24:17.720
<v Speaker 2>then when there's that moment where Marty it's nighttime and

1703
01:24:17.760 --> 01:24:19.760
<v Speaker 2>Marty's wearing the suit and he's talking to Doc and

1704
01:24:19.760 --> 01:24:22.680
<v Speaker 2>he's setting up the table, I'm every time I'm like, oh,

1705
01:24:22.760 --> 01:24:25.199
<v Speaker 2>we're here already. Yeah, you know, and that reminds me

1706
01:24:25.239 --> 01:24:28.000
<v Speaker 2>of this right where it's like the party is starting.

1707
01:24:28.039 --> 01:24:30.520
<v Speaker 2>I'm like, oh, we're here already like this, this is

1708
01:24:30.920 --> 01:24:33.000
<v Speaker 2>the ramp up to the end. But it is it's

1709
01:24:33.159 --> 01:24:35.520
<v Speaker 2>forty minutes long. I mean the quote unquote third act

1710
01:24:35.560 --> 01:24:37.880
<v Speaker 2>I guess of this movie is like forty minutes.

1711
01:24:40.600 --> 01:24:45.439
<v Speaker 3>Yeah, it's I think that. I was thinking about the

1712
01:24:45.520 --> 01:24:48.680
<v Speaker 3>length of the film. I was like, I I think

1713
01:24:48.720 --> 01:24:51.159
<v Speaker 3>it's a it's it's like exactly as long as it

1714
01:24:51.199 --> 01:24:54.479
<v Speaker 3>needs to be. M hm, you know, just under two hours.

1715
01:24:54.640 --> 01:24:57.800
<v Speaker 3>I think ninety minutes you'd be losing a lot. Yeah,

1716
01:24:57.840 --> 01:25:00.640
<v Speaker 3>I agree, you know, And and I think they pace

1717
01:25:00.720 --> 01:25:04.560
<v Speaker 3>it out really well. And so you know, when you

1718
01:25:04.560 --> 01:25:06.960
<v Speaker 3>think about it in terms of like, oh it's been

1719
01:25:07.000 --> 01:25:10.279
<v Speaker 3>too long without a killing, let's kill let's kill Phonsie,

1720
01:25:10.680 --> 01:25:14.439
<v Speaker 3>you kind of get it. Yeah, Like you know, because

1721
01:25:14.640 --> 01:25:17.800
<v Speaker 3>because there's so much exposition that's being ladled out, it's

1722
01:25:17.840 --> 01:25:19.720
<v Speaker 3>like we got to have a little something here. But

1723
01:25:19.960 --> 01:25:22.039
<v Speaker 3>the movie itself needs to be as long as it is.

1724
01:25:22.800 --> 01:25:29.640
<v Speaker 2>I agree, there's no nev naive your naive girl, but

1725
01:25:29.760 --> 01:25:34.319
<v Speaker 2>I love that the movie. He's being so dark here. Yeah,

1726
01:25:34.359 --> 01:25:36.560
<v Speaker 2>so you are like I don't know about this guy,

1727
01:25:37.000 --> 01:25:40.760
<v Speaker 2>but then they subvert it having ghost face come through

1728
01:25:40.800 --> 01:25:42.239
<v Speaker 2>the door say oh, well, I'll be.

1729
01:25:43.239 --> 01:25:45.359
<v Speaker 3>You know, it reminds me of the performance of one

1730
01:25:45.439 --> 01:25:50.560
<v Speaker 3>Brian J. Hall in a movie that he appeared in

1731
01:25:50.720 --> 01:25:54.920
<v Speaker 3>with one Zaki Hassan back in the summer of ninety nine.

1732
01:25:56.319 --> 01:25:58.479
<v Speaker 2>Would that be something freaky?

1733
01:25:58.960 --> 01:26:04.880
<v Speaker 3>The very same something? I can't help but think of

1734
01:26:04.920 --> 01:26:08.399
<v Speaker 3>that film. Well, let me, I'm using air quotes film

1735
01:26:10.319 --> 01:26:12.760
<v Speaker 3>as I watch this, because that was written by our

1736
01:26:12.800 --> 01:26:16.520
<v Speaker 3>friend Sean and and you know that there was a

1737
01:26:16.560 --> 01:26:18.760
<v Speaker 3>spirit of let's put on a show that we had

1738
01:26:18.800 --> 01:26:19.199
<v Speaker 3>back then.

1739
01:26:19.920 --> 01:26:20.760
<v Speaker 2>Do I mean that's the thing.

1740
01:26:20.800 --> 01:26:23.560
<v Speaker 3>We had a youthful verve and passion which has been

1741
01:26:23.600 --> 01:26:24.960
<v Speaker 3>drained out of us by life now.

1742
01:26:25.760 --> 01:26:28.000
<v Speaker 2>Yeah. Yeah, But I mean for people who don't know,

1743
01:26:28.239 --> 01:26:30.680
<v Speaker 2>I mean Zakie and I met in a film class.

1744
01:26:30.920 --> 01:26:33.960
<v Speaker 2>That's right, Zakie and I and Sean and like we

1745
01:26:33.960 --> 01:26:36.199
<v Speaker 2>we were the kids having that film discussion at the

1746
01:26:36.239 --> 01:26:39.520
<v Speaker 2>beginning of Scream Too, making all the references.

1747
01:26:39.279 --> 01:26:43.199
<v Speaker 3>You know, three Randy's talking at each other, that's exactly.

1748
01:26:43.239 --> 01:26:45.119
<v Speaker 2>And we were so inspired by all this stuff that

1749
01:26:45.159 --> 01:26:47.920
<v Speaker 2>we would just instead of thinking, wouldn't it be fun

1750
01:26:47.920 --> 01:26:50.000
<v Speaker 2>if we tried to do something like this. No, we

1751
01:26:50.159 --> 01:26:52.399
<v Speaker 2>like put pen to paper. And then we stayed up

1752
01:26:52.399 --> 01:26:54.520
<v Speaker 2>all night and we got a camera and we shot

1753
01:26:54.560 --> 01:26:58.800
<v Speaker 2>this stuff. And so we did our scream homage at

1754
01:26:58.800 --> 01:26:59.760
<v Speaker 2>our community college.

1755
01:27:00.199 --> 01:27:05.159
<v Speaker 3>We shot this at at College Due Page in Glenn Allen, Illinois. Yep,

1756
01:27:05.359 --> 01:27:06.920
<v Speaker 3>I guess we can say this now. Was at the

1757
01:27:06.960 --> 01:27:10.039
<v Speaker 3>old TV station over there, and we were running around.

1758
01:27:10.079 --> 01:27:12.119
<v Speaker 3>I mean it was like midnight, one am. We're running

1759
01:27:12.119 --> 01:27:14.439
<v Speaker 3>around with knives and guns and whatnot.

1760
01:27:14.640 --> 01:27:15.920
<v Speaker 2>Yeah, yeah, and blood.

1761
01:27:16.840 --> 01:27:18.600
<v Speaker 3>It is bananas. What we did?

1762
01:27:19.800 --> 01:27:20.680
<v Speaker 2>I know, I know.

1763
01:27:20.800 --> 01:27:23.880
<v Speaker 3>And And to the point I was making is my character.

1764
01:27:24.479 --> 01:27:27.079
<v Speaker 3>So it's about characters shooting a movie and there is

1765
01:27:27.119 --> 01:27:30.119
<v Speaker 3>a killer among them m hm. And my character stumbles

1766
01:27:30.199 --> 01:27:32.359
<v Speaker 3>upon them shooting this film and I'm like, hey, you're

1767
01:27:32.359 --> 01:27:34.439
<v Speaker 3>making a movie. Can I be involved? And then you,

1768
01:27:34.560 --> 01:27:37.600
<v Speaker 3>Brian are like you want to die? Right because I

1769
01:27:37.640 --> 01:27:40.520
<v Speaker 3>was going to play the victim, but ah, misdirect, you

1770
01:27:40.560 --> 01:27:45.479
<v Speaker 3>were actually the killer. I was. It was very It

1771
01:27:45.560 --> 01:27:49.520
<v Speaker 3>was very much by the way I love this great

1772
01:27:49.520 --> 01:27:52.920
<v Speaker 3>where he's he's talking, He's saying Jamie, Jamie is.

1773
01:27:52.880 --> 01:27:55.439
<v Speaker 2>Talking to himself right right, talking to Jamie Lee Curtis

1774
01:27:55.520 --> 01:27:56.039
<v Speaker 2>on the screen.

1775
01:27:56.319 --> 01:27:57.319
<v Speaker 3>But it's Jamie Kennedy.

1776
01:27:57.439 --> 01:28:00.600
<v Speaker 2>Jamie Kennedy, Jamie turn around. How did you?

1777
01:28:01.479 --> 01:28:02.000
<v Speaker 3>I love that?

1778
01:28:02.319 --> 01:28:03.239
<v Speaker 2>Yeah?

1779
01:28:03.319 --> 01:28:05.079
<v Speaker 3>No, But we have the scene in a little bit

1780
01:28:05.159 --> 01:28:07.760
<v Speaker 3>where where Sid is pointing the gun at Stu and

1781
01:28:07.840 --> 01:28:11.319
<v Speaker 3>Randy and and I was like, oh, this is Sean.

1782
01:28:11.439 --> 01:28:13.920
<v Speaker 3>This is what Sean was like inspired by.

1783
01:28:14.359 --> 01:28:17.239
<v Speaker 2>As I was watching one, two and three, I thought

1784
01:28:17.319 --> 01:28:21.359
<v Speaker 2>of that experience multiple times in like the most loving way.

1785
01:28:21.479 --> 01:28:23.479
<v Speaker 3>Oh. Absolutely that was That was a blast.

1786
01:28:23.479 --> 01:28:24.159
<v Speaker 2>It was a blast.

1787
01:28:24.279 --> 01:28:25.239
<v Speaker 3>Yeah, so much fun.

1788
01:28:27.439 --> 01:28:30.359
<v Speaker 2>You know, it's great thinking about this delay again. You

1789
01:28:30.479 --> 01:28:34.159
<v Speaker 2>get this tension twice, you get the tension of being

1790
01:28:34.159 --> 01:28:39.319
<v Speaker 2>in the room with uh, you know, Randy. But then

1791
01:28:39.319 --> 01:28:40.920
<v Speaker 2>we get a little beat and then we get to

1792
01:28:40.960 --> 01:28:42.960
<v Speaker 2>see them relive that moment, not knowing how it turns

1793
01:28:43.000 --> 01:28:45.960
<v Speaker 2>out in the van. Yeah, but then it's a great

1794
01:28:46.680 --> 01:28:49.720
<v Speaker 2>screws it up for the poor camera guy. And I

1795
01:28:49.760 --> 01:28:52.359
<v Speaker 2>know thirty seconds gave the time for the killer to

1796
01:28:52.359 --> 01:28:52.880
<v Speaker 2>go outside.

1797
01:28:53.079 --> 01:28:54.600
<v Speaker 3>Oh man, I forel bet this guy.

1798
01:28:54.640 --> 01:28:56.359
<v Speaker 2>I like this guy. He you know, he doesn't do

1799
01:28:56.399 --> 01:29:01.119
<v Speaker 2>a lot, but he does enough to give him personality. Yes,

1800
01:29:04.720 --> 01:29:08.920
<v Speaker 2>he's kind of a perfect memorable partner to Gail, like

1801
01:29:08.960 --> 01:29:10.920
<v Speaker 2>who puts up with her stuff a little bit, but

1802
01:29:11.000 --> 01:29:18.920
<v Speaker 2>like pushes back occasionally. This is the stuff I wonder

1803
01:29:18.920 --> 01:29:22.119
<v Speaker 2>about sometimes in movies like this, where did they actually

1804
01:29:22.159 --> 01:29:25.119
<v Speaker 2>write into the script and then there's like gear in

1805
01:29:25.119 --> 01:29:26.720
<v Speaker 2>the back of the vand and so she crawls under

1806
01:29:26.720 --> 01:29:28.399
<v Speaker 2>it and then she's able to or is that stuff

1807
01:29:28.439 --> 01:29:32.000
<v Speaker 2>you kind of find on the day, you know, like,

1808
01:29:32.000 --> 01:29:33.960
<v Speaker 2>oh it said, it's sort of like to your point,

1809
01:29:34.479 --> 01:29:37.399
<v Speaker 2>you're the garage. Yeah, it's like, well we had this,

1810
01:29:37.479 --> 01:29:39.159
<v Speaker 2>but look at that. That's even better.

1811
01:29:40.520 --> 01:29:42.840
<v Speaker 3>I mean, I would assume that there's a fair amount

1812
01:29:42.880 --> 01:29:44.720
<v Speaker 3>of that in this because I think I think Wes

1813
01:29:44.800 --> 01:29:46.439
<v Speaker 3>Craven was that kind of a filmmaker.

1814
01:29:46.600 --> 01:29:49.640
<v Speaker 2>Yeah, yeah, well, which, by the way, I've got I've

1815
01:29:49.640 --> 01:29:51.880
<v Speaker 2>gotta for posterity throw this out there. You were talking

1816
01:29:51.880 --> 01:29:54.479
<v Speaker 2>about Elm Street. Of course, Wes Craven. I grew up

1817
01:29:54.520 --> 01:29:57.640
<v Speaker 2>on Elm Street. You did in Wheaton, Illinois, and Wes

1818
01:29:57.680 --> 01:30:02.000
<v Speaker 2>Craven went to Wheaton College. So in my town, a

1819
01:30:02.039 --> 01:30:04.520
<v Speaker 2>lot of people believe that that was the Elm Street

1820
01:30:04.520 --> 01:30:10.000
<v Speaker 2>that inspired him, and I don't know, because I later

1821
01:30:10.039 --> 01:30:12.479
<v Speaker 2>I kind of dug into it. And apparently he went

1822
01:30:12.520 --> 01:30:15.399
<v Speaker 2>to a school in New York as well that was

1823
01:30:15.439 --> 01:30:18.720
<v Speaker 2>near an Elm Street, So pardon me, wonders if he

1824
01:30:18.800 --> 01:30:21.640
<v Speaker 2>just kept encountering it and to him it just felt like.

1825
01:30:21.600 --> 01:30:27.319
<v Speaker 3>A kind of any town, USA, exactly like Springfield, perfect example.

1826
01:30:27.399 --> 01:30:29.640
<v Speaker 2>Yeah, but that was kind of you know, every time

1827
01:30:29.680 --> 01:30:31.359
<v Speaker 2>I grew up, I never thought about it because that

1828
01:30:31.439 --> 01:30:33.319
<v Speaker 2>was just my address. But when I would give people

1829
01:30:33.319 --> 01:30:35.439
<v Speaker 2>my address and I'd say Elm Street, I'd always get

1830
01:30:35.479 --> 01:30:36.399
<v Speaker 2>a reaction from people.

1831
01:30:41.199 --> 01:30:46.000
<v Speaker 3>Hmm, good flair, it's great. I was just looking at

1832
01:30:46.039 --> 01:30:46.720
<v Speaker 3>that shot.

1833
01:30:48.319 --> 01:30:48.479
<v Speaker 1>You know.

1834
01:30:48.520 --> 01:30:50.399
<v Speaker 2>It's interesting. By the way, I was reading that the

1835
01:30:50.680 --> 01:30:54.600
<v Speaker 2>original DP was let go from this movie before they

1836
01:30:54.640 --> 01:30:55.279
<v Speaker 2>finished shooting.

1837
01:30:55.960 --> 01:30:56.840
<v Speaker 3>Oh really, why is that?

1838
01:30:57.840 --> 01:30:59.720
<v Speaker 2>Just they were getting a lot of shots that were

1839
01:30:59.760 --> 01:31:03.520
<v Speaker 2>out of focus and unusable and wow, I guess they

1840
01:31:03.560 --> 01:31:06.600
<v Speaker 2>wanted to replace the whole camera crew. And the DP

1841
01:31:08.000 --> 01:31:09.800
<v Speaker 2>was like no, like you'd have to fire me too,

1842
01:31:09.800 --> 01:31:12.680
<v Speaker 2>and they're like okay, And so then they brought in

1843
01:31:12.760 --> 01:31:18.560
<v Speaker 2>Peter Deming, who he would see at this point. I

1844
01:31:18.640 --> 01:31:23.239
<v Speaker 2>think he would go on to become David Lynch's guy. Okay,

1845
01:31:23.239 --> 01:31:25.159
<v Speaker 2>so he would shoot like Lost basically. I think he

1846
01:31:25.199 --> 01:31:27.640
<v Speaker 2>started with Lynch on Lost Highway and then he went

1847
01:31:27.800 --> 01:31:29.880
<v Speaker 2>all the way to the end through the Lost Hiway.

1848
01:31:29.960 --> 01:31:33.000
<v Speaker 3>Was before this right, that was like seventy six sish

1849
01:31:33.119 --> 01:31:37.600
<v Speaker 3>or maybe it's right, am I wrough. I thought Lost

1850
01:31:37.600 --> 01:31:39.319
<v Speaker 3>and Lost Highway was earlier than this, but I could

1851
01:31:39.319 --> 01:31:39.600
<v Speaker 3>be wrong.

1852
01:31:39.600 --> 01:31:41.279
<v Speaker 2>I was thinking ninety seven, but I might be wrong.

1853
01:31:41.960 --> 01:31:44.920
<v Speaker 2>Ninety seven Yeah, yeah, okay. And so then he went on,

1854
01:31:44.960 --> 01:31:46.840
<v Speaker 2>you know, shot Mohun Drive and all those sorts of things,

1855
01:31:47.000 --> 01:31:49.520
<v Speaker 2>and then he shot the rest of the screen movies,

1856
01:31:49.600 --> 01:31:53.640
<v Speaker 2>so obviously that became a good collaboration. And he funny enough,

1857
01:31:53.640 --> 01:31:57.880
<v Speaker 2>he also did all the Austin Powers movies, so that's great.

1858
01:31:57.960 --> 01:32:01.640
<v Speaker 3>So he's he's you know, he's all. He's not doing

1859
01:32:01.680 --> 01:32:04.159
<v Speaker 3>like a Yanush thing where everything looks a certain way.

1860
01:32:04.119 --> 01:32:07.359
<v Speaker 2>Yes, exactly. And he also shot a little movie called

1861
01:32:07.479 --> 01:32:11.119
<v Speaker 2>Lucky You Urts Hands and Flick, which I worked on,

1862
01:32:11.279 --> 01:32:13.640
<v Speaker 2>and so I actually got to meet him and chat

1863
01:32:13.680 --> 01:32:14.119
<v Speaker 2>with him.

1864
01:32:14.199 --> 01:32:19.079
<v Speaker 3>And that's where Brian enters the story. Yeah I love that.

1865
01:32:19.079 --> 01:32:19.600
<v Speaker 3>That's great.

1866
01:32:20.079 --> 01:32:22.399
<v Speaker 2>But yeah, I was a little starstruck meeting him.

1867
01:32:22.640 --> 01:32:23.439
<v Speaker 3>So it's cool.

1868
01:32:23.479 --> 01:32:26.319
<v Speaker 2>That was very cool, Like I, you know, not often

1869
01:32:26.319 --> 01:32:31.920
<v Speaker 2>you're like familiar with the you know, TP's filmography, and yeah,

1870
01:32:31.960 --> 01:32:37.039
<v Speaker 2>I had so many questions for him. So Dewey, I

1871
01:32:37.079 --> 01:32:39.960
<v Speaker 2>think they kept it when they were filming this little

1872
01:32:41.359 --> 01:32:44.000
<v Speaker 2>they shot options about whether that Dewey was dead.

1873
01:32:44.399 --> 01:32:46.640
<v Speaker 3>Yeah. Right, so there's a there's a little bit of

1874
01:32:46.640 --> 01:32:52.359
<v Speaker 3>a Cosmo Renfro in the fugitive situation. Yes, uh. In

1875
01:32:52.399 --> 01:32:55.039
<v Speaker 3>this case, the test audiences really like Dewey, so they

1876
01:32:55.039 --> 01:32:59.119
<v Speaker 3>wanted to make his death less final, right, and so

1877
01:32:59.159 --> 01:32:59.760
<v Speaker 3>they kept him.

1878
01:32:59.640 --> 01:33:01.119
<v Speaker 2>Alive the right decision.

1879
01:33:04.520 --> 01:33:07.079
<v Speaker 3>Yeah, That's that's the tricky thing when it comes to,

1880
01:33:08.399 --> 01:33:12.039
<v Speaker 3>you know, having to decide to kill off long running characters.

1881
01:33:12.079 --> 01:33:15.319
<v Speaker 3>I think that's always sort of fascinating, right, because this

1882
01:33:15.439 --> 01:33:18.880
<v Speaker 3>is something that that Robert Kirkman talked about with the

1883
01:33:18.920 --> 01:33:25.760
<v Speaker 3>Walking Dead television series as compared to the comic book.

1884
01:33:25.840 --> 01:33:28.800
<v Speaker 3>You know, he said that it was relatively easy to

1885
01:33:28.880 --> 01:33:30.920
<v Speaker 3>kill off characters while doing the comic book, but he

1886
01:33:30.960 --> 01:33:33.159
<v Speaker 3>realized it was a lot harder when doing the show

1887
01:33:33.199 --> 01:33:36.000
<v Speaker 3>because because the characters are much more real and you

1888
01:33:36.039 --> 01:33:41.560
<v Speaker 3>form these parasocial relationships, and you know, that's that's that's

1889
01:33:41.600 --> 01:33:46.399
<v Speaker 3>the dilemma again with with the franchise. Like Scream, it

1890
01:33:46.560 --> 01:33:50.960
<v Speaker 3>relies on characters dying, But the longer characters last, the

1891
01:33:51.039 --> 01:33:53.760
<v Speaker 3>less we want to see them die, Like do we

1892
01:33:53.800 --> 01:33:55.960
<v Speaker 3>want to see Sidney Dye in one of these things,

1893
01:33:56.159 --> 01:33:57.279
<v Speaker 3>you know, I don't.

1894
01:33:57.560 --> 01:33:58.720
<v Speaker 2>Yeah, same, right.

1895
01:33:58.920 --> 01:34:02.119
<v Speaker 3>So that's why when she when she booked, you know

1896
01:34:02.399 --> 01:34:04.640
<v Speaker 3>when when for the for the sixth one, they didn't

1897
01:34:04.640 --> 01:34:06.479
<v Speaker 3>pay her for what she wanted and she's like, see, yeah,

1898
01:34:06.640 --> 01:34:08.560
<v Speaker 3>I was like, good, I'd rather know that she's out

1899
01:34:08.560 --> 01:34:17.159
<v Speaker 3>there alive, you know, right, yeah, this right here, this

1900
01:34:17.239 --> 01:34:18.520
<v Speaker 3>is this is something freaky.

1901
01:34:19.039 --> 01:34:24.880
<v Speaker 2>Yes it is. Yeah, that's right. That's so funny. You're

1902
01:34:24.920 --> 01:34:31.800
<v Speaker 2>you're the stew Yeah, that's right. She's like you both.

1903
01:34:33.079 --> 01:34:34.760
<v Speaker 2>That was like such a great twist too. I mean,

1904
01:34:35.279 --> 01:34:38.399
<v Speaker 2>having two killers, yep, it makes it very confusing, but

1905
01:34:38.439 --> 01:34:38.880
<v Speaker 2>it does.

1906
01:34:38.760 --> 01:34:40.359
<v Speaker 3>Add up and then brilliant.

1907
01:34:40.359 --> 01:34:43.199
<v Speaker 2>They kind of continue with that trend, not in three,

1908
01:34:43.239 --> 01:34:46.279
<v Speaker 2>but in two. There's two people. Yeah, kind of a

1909
01:34:46.319 --> 01:34:47.720
<v Speaker 2>master and an apprentice in that one.

1910
01:34:48.479 --> 01:34:53.479
<v Speaker 3>Yeh. Fifth one for sure, yep.

1911
01:34:53.840 --> 01:34:56.199
<v Speaker 2>And fourth one too, fourth.

1912
01:34:56.039 --> 01:34:57.680
<v Speaker 3>One, I'll say. See, I'm trying to remember sixth though.

1913
01:34:57.760 --> 01:34:59.600
<v Speaker 3>I was. I was telling him this morning, I was like,

1914
01:34:59.640 --> 01:35:03.279
<v Speaker 3>I don't remember who the killer is in the sixth one.

1915
01:35:05.159 --> 01:35:08.359
<v Speaker 2>I don't either. I remember. Now I'm realizing if people

1916
01:35:08.439 --> 01:35:09.800
<v Speaker 2>have seen the first one and they're listening to this,

1917
01:35:09.840 --> 01:35:11.880
<v Speaker 2>and like, I'm gonna watch the entire series, We're like, well,

1918
01:35:11.920 --> 01:35:13.680
<v Speaker 2>in the fourth one is Jeff, and then in the

1919
01:35:13.680 --> 01:35:16.920
<v Speaker 2>fifth one Stevie and Nicole, and in the sixth one

1920
01:35:16.920 --> 01:35:23.439
<v Speaker 2>they were just like completely flatly ruining all of them.

1921
01:35:23.920 --> 01:35:27.920
<v Speaker 2>I remember the conceit it's like his daughter, Billy Loomis's daughter,

1922
01:35:28.000 --> 01:35:28.920
<v Speaker 2>but I don't remember.

1923
01:35:29.840 --> 01:35:33.279
<v Speaker 3>Yeah, so that's that's the Melissa Brera character, right right,

1924
01:35:33.800 --> 01:35:36.960
<v Speaker 3>which is great because it gave Skeet a new character

1925
01:35:37.000 --> 01:35:39.359
<v Speaker 3>to play. M well, his old character to play. I

1926
01:35:39.359 --> 01:35:41.680
<v Speaker 3>should say it gave him a new gig. So I

1927
01:35:41.680 --> 01:35:44.000
<v Speaker 3>have to imagine he was just as miffed when when

1928
01:35:44.000 --> 01:35:47.880
<v Speaker 3>Melissa Brera got fired, right, because he had a good

1929
01:35:47.880 --> 01:35:48.560
<v Speaker 3>thing going there.

1930
01:35:48.800 --> 01:35:57.479
<v Speaker 2>Yeah. Yeah, And he's quote quoting in Psycho.

1931
01:36:00.199 --> 01:36:04.760
<v Speaker 3>Which is great because he's named after well, two horror characters.

1932
01:36:04.760 --> 01:36:07.079
<v Speaker 3>I guess I was thinking of Sam Loomis from Psycho,

1933
01:36:07.960 --> 01:36:12.399
<v Speaker 3>but also, uh, doctor Loomis, you know, from from Halloween,

1934
01:36:13.039 --> 01:36:15.279
<v Speaker 3>and and you know those are both good guy characters,

1935
01:36:16.279 --> 01:36:19.960
<v Speaker 3>so to some extent you're unconsciously at least you're supposed

1936
01:36:19.960 --> 01:36:24.039
<v Speaker 3>to think him as a good guy. But yeah, he

1937
01:36:24.680 --> 01:36:27.359
<v Speaker 3>you know, it's he says Anthony Perkins in Psycho. He

1938
01:36:27.359 --> 01:36:31.560
<v Speaker 3>doesn't say Norman Bates yes, and and to me that's like, yeah,

1939
01:36:31.600 --> 01:36:35.520
<v Speaker 3>he's he's uh, he doesn't. The line between reality and

1940
01:36:35.520 --> 01:36:38.600
<v Speaker 3>fantasy is just blurred for him, you know. I like that.

1941
01:36:38.880 --> 01:36:41.039
<v Speaker 2>I like that, you know, And it makes sense too

1942
01:36:42.079 --> 01:36:43.760
<v Speaker 2>that he.

1943
01:36:43.079 --> 01:36:45.119
<v Speaker 3>He's got this weird oedible thing right because his mom

1944
01:36:45.199 --> 01:36:46.239
<v Speaker 3>left and you know, oh.

1945
01:36:46.159 --> 01:36:47.760
<v Speaker 2>I didn't even think about that, but I just mean that,

1946
01:36:47.880 --> 01:36:49.680
<v Speaker 2>like all the references, it adds up right to the

1947
01:36:49.680 --> 01:36:57.439
<v Speaker 2>beginning scene where he's doing movie trivia with Casey. You know,

1948
01:36:57.479 --> 01:37:02.640
<v Speaker 2>it was interesting too. I read that they had to

1949
01:37:02.920 --> 01:37:06.199
<v Speaker 2>keep trimming this movie to get down to an R rating, right,

1950
01:37:06.920 --> 01:37:10.239
<v Speaker 2>Which did you read about that?

1951
01:37:11.720 --> 01:37:15.600
<v Speaker 3>Just just what I know is that that Wes Craven

1952
01:37:15.680 --> 01:37:18.640
<v Speaker 3>kept leaning on the satire aspect to try to get

1953
01:37:18.640 --> 01:37:20.439
<v Speaker 3>them to look at it differently. But I don't know.

1954
01:37:20.760 --> 01:37:23.119
<v Speaker 2>Yeah, that's basically what it came down to was they

1955
01:37:23.159 --> 01:37:27.119
<v Speaker 2>did make the trims, like we referenced earlier. Even that

1956
01:37:27.199 --> 01:37:29.039
<v Speaker 2>cameraman I think had a little bit more. I think

1957
01:37:29.039 --> 01:37:30.760
<v Speaker 2>his thing was he gets his throat slit.

1958
01:37:31.279 --> 01:37:32.079
<v Speaker 3>Yeah, but he.

1959
01:37:32.520 --> 01:37:35.960
<v Speaker 2>Lingered on him. And for Wes Craven, he thought that

1960
01:37:36.079 --> 01:37:39.399
<v Speaker 2>was more human and sympathetic and like, this is sad,

1961
01:37:39.439 --> 01:37:41.680
<v Speaker 2>this is a sad thing that's happening, but it was

1962
01:37:41.720 --> 01:37:47.000
<v Speaker 2>too horrifying for the MPAA, and so you know, they

1963
01:37:47.039 --> 01:37:51.439
<v Speaker 2>trimmed some of these deaths or gore or whatever it is.

1964
01:37:51.680 --> 01:37:54.960
<v Speaker 2>But what ultimately got the NPAA off their back was

1965
01:37:54.960 --> 01:37:58.359
<v Speaker 2>Bob Weinstein said, stop thinking about it as a horror movie.

1966
01:37:58.640 --> 01:38:02.159
<v Speaker 2>Think of it as a comedy, right, and then they're like, oh, okay,

1967
01:38:03.640 --> 01:38:13.439
<v Speaker 2>that's all it takes. Yeah, apparently, But that I mean,

1968
01:38:13.920 --> 01:38:16.640
<v Speaker 2>like I was saying earlier, I do feel like they

1969
01:38:16.640 --> 01:38:20.880
<v Speaker 2>get a little more. They always remain mysteries and character driven,

1970
01:38:21.199 --> 01:38:23.560
<v Speaker 2>but they become a bit more fun as they go along.

1971
01:38:23.600 --> 01:38:27.159
<v Speaker 2>But I do feel like this one does have kind

1972
01:38:27.159 --> 01:38:30.680
<v Speaker 2>of an edginus to it, maybe the most edginus in

1973
01:38:30.720 --> 01:38:33.960
<v Speaker 2>the real world. Like this is disturbing thinking about high

1974
01:38:33.960 --> 01:38:36.880
<v Speaker 2>school students doing this to each other and this is

1975
01:38:37.159 --> 01:38:38.319
<v Speaker 2>really you know.

1976
01:38:38.479 --> 01:38:41.439
<v Speaker 3>That's really like and it really struck me on this rewatching,

1977
01:38:41.520 --> 01:38:44.119
<v Speaker 3>like these are these are high schoolers that's really messed up.

1978
01:38:44.479 --> 01:38:48.960
<v Speaker 2>Yeah, you know, yeah, just killing their peers and taking

1979
01:38:49.000 --> 01:38:53.479
<v Speaker 2>their parents, friends, parents hostage and it's really upsetting. But

1980
01:38:53.560 --> 01:38:56.760
<v Speaker 2>I wouldn't change it. That's why I think it's good. Yeah,

1981
01:38:56.800 --> 01:38:59.520
<v Speaker 2>it's just he just struck the right tone perfectly.

1982
01:38:59.600 --> 01:39:04.960
<v Speaker 3>Yeah, it's tricky, you know. I think as the films

1983
01:39:04.960 --> 01:39:08.039
<v Speaker 3>have gone on, and you know, they try to incorporate,

1984
01:39:08.239 --> 01:39:11.800
<v Speaker 3>you know, new ways in which we interface with the media,

1985
01:39:11.800 --> 01:39:13.199
<v Speaker 3>and you know, we've had much there's much more of

1986
01:39:13.199 --> 01:39:15.479
<v Speaker 3>a social media focus and later ones I think I think,

1987
01:39:15.600 --> 01:39:19.199
<v Speaker 3>I think that's an essential ingredient, right, because it's ultimately

1988
01:39:19.239 --> 01:39:23.920
<v Speaker 3>meta commentary about how we our relationship with media, you know.

1989
01:39:24.159 --> 01:39:27.479
<v Speaker 3>But that's the that's the constant challenge, you know, It's

1990
01:39:27.479 --> 01:39:30.680
<v Speaker 3>like how you know, I mean, supposedly they're already planning

1991
01:39:30.800 --> 01:39:32.880
<v Speaker 3>an eighth one, and you know, they'll keep going as

1992
01:39:32.920 --> 01:39:35.880
<v Speaker 3>long as they can, you know, but it's hard. You know,

1993
01:39:35.960 --> 01:39:39.079
<v Speaker 3>it's hard. How do you how do you keep it fresh?

1994
01:39:39.239 --> 01:39:39.439
<v Speaker 3>You know?

1995
01:39:42.600 --> 01:39:44.960
<v Speaker 2>You know it's interesting too, just thinking of the violence.

1996
01:39:45.239 --> 01:39:48.399
<v Speaker 2>This was in a moment where people were blaming movies

1997
01:39:48.439 --> 01:39:52.399
<v Speaker 2>a lot more for real world violence, and this movie

1998
01:39:52.800 --> 01:39:54.439
<v Speaker 2>kind of touches on it a little bit, but then

1999
01:39:54.439 --> 01:39:56.079
<v Speaker 2>two goes really into it.

2000
01:39:57.720 --> 01:40:01.359
<v Speaker 3>Yeah, well, and and what was it like? It was

2001
01:40:01.439 --> 01:40:03.840
<v Speaker 3>ninety nine, Yeah, because it was when the Matrix came out. Remember,

2002
01:40:03.880 --> 01:40:07.960
<v Speaker 3>people were blaming the Matrix for the Columbine shootings.

2003
01:40:08.199 --> 01:40:12.079
<v Speaker 2>Well, and then they were shooting three. They started right

2004
01:40:12.159 --> 01:40:15.800
<v Speaker 2>after Columbine, so that movie did get toned down as

2005
01:40:15.840 --> 01:40:16.279
<v Speaker 2>a result.

2006
01:40:16.359 --> 01:40:17.600
<v Speaker 3>I remember that of that.

2007
01:40:17.720 --> 01:40:21.359
<v Speaker 2>Yeah, wow, that's why that one is probably the least

2008
01:40:20.399 --> 01:40:25.279
<v Speaker 2>uh because gory you you could say that's true.

2009
01:40:25.039 --> 01:40:27.800
<v Speaker 3>Right, Like, like there was this moment where it seemed

2010
01:40:27.840 --> 01:40:31.000
<v Speaker 3>like Hollywood was trying to trim as sales a little

2011
01:40:31.000 --> 01:40:34.760
<v Speaker 3>bit in terms of going into like like really hardcore horror.

2012
01:40:35.560 --> 01:40:38.479
<v Speaker 3>So there was like this dip and then and then

2013
01:40:39.119 --> 01:40:44.520
<v Speaker 3>in the following decade we started getting into the torture porn. Yes, right,

2014
01:40:44.880 --> 01:40:48.520
<v Speaker 3>stuff with like saw and you know whatever, hostile and whatnot.

2015
01:40:48.600 --> 01:40:52.800
<v Speaker 3>You know, right, So it's like there was this momentary pullback.

2016
01:40:52.840 --> 01:40:56.640
<v Speaker 2>Then it's like ah, yeah, yeah, like a pendulum. Then yeah,

2017
01:40:56.680 --> 01:40:57.880
<v Speaker 2>exactly the way to the other.

2018
01:40:57.760 --> 01:40:59.880
<v Speaker 3>Side, all the way to the other Sideah. And then

2019
01:41:00.159 --> 01:41:05.439
<v Speaker 3>and then you get your human centipedes. Yeah, somehow we

2020
01:41:05.560 --> 01:41:06.239
<v Speaker 3>ended up there.

2021
01:41:06.560 --> 01:41:12.399
<v Speaker 2>Yeah, well we failed as a race, a human race

2022
01:41:12.479 --> 01:41:14.119
<v Speaker 2>for a while, but you know, we got it back.

2023
01:41:14.159 --> 01:41:15.760
<v Speaker 2>We got it back in.

2024
01:41:18.319 --> 01:41:21.199
<v Speaker 3>I love this. He stabbed him so much. He's feeling woozy.

2025
01:41:21.439 --> 01:41:21.680
<v Speaker 3>I know.

2026
01:41:22.000 --> 01:41:24.119
<v Speaker 2>It's so funny because again, like this is like a

2027
01:41:24.239 --> 01:41:28.439
<v Speaker 2>masterclass in balancing tones because that's funny and also really

2028
01:41:28.520 --> 01:41:31.720
<v Speaker 2>really upsetting. Yeah, you know, like the part where he's like,

2029
01:41:31.720 --> 01:41:33.960
<v Speaker 2>my parents are going to kill me. It makes me

2030
01:41:34.079 --> 01:41:37.560
<v Speaker 2>laugh and also makes me really uncomfortable, you know, like

2031
01:41:37.680 --> 01:41:40.640
<v Speaker 2>just thinking about him as a kid. You know, he's

2032
01:41:40.680 --> 01:41:43.039
<v Speaker 2>acting all tough and big and whatever and in charge here,

2033
01:41:43.079 --> 01:41:44.920
<v Speaker 2>but at the end of the day, as he's dying,

2034
01:41:45.000 --> 01:41:46.800
<v Speaker 2>he's a kid and worried about what his parents are

2035
01:41:46.800 --> 01:41:49.960
<v Speaker 2>going to think about this, right you know? Well I

2036
01:41:50.000 --> 01:41:51.399
<v Speaker 2>love that too, by the way, where he's like, Houston,

2037
01:41:51.439 --> 01:41:54.079
<v Speaker 2>we have a problem, you know, because they're missing the gun.

2038
01:41:54.560 --> 01:41:56.239
<v Speaker 2>And I mean if this came out in ninety six,

2039
01:41:56.319 --> 01:42:01.319
<v Speaker 2>they probably shot it months after Apollo thirteen had come out. Yeah,

2040
01:42:01.399 --> 01:42:03.800
<v Speaker 2>you know, so that's probably something they had just heard,

2041
01:42:03.840 --> 01:42:06.119
<v Speaker 2>but who knew that'd be something that would live on

2042
01:42:06.159 --> 01:42:07.399
<v Speaker 2>in people's memories for that.

2043
01:42:07.239 --> 01:42:13.479
<v Speaker 3>That's a great point, right right, look at that. You

2044
01:42:13.479 --> 01:42:16.239
<v Speaker 3>got to take the safety off, man, I know, I know.

2045
01:42:18.079 --> 01:42:20.439
<v Speaker 3>If there's one thing Scream taught me is that when

2046
01:42:20.479 --> 01:42:23.079
<v Speaker 3>I've got the serial killer dead to rights, make sure

2047
01:42:23.079 --> 01:42:24.680
<v Speaker 3>the gun safety is off.

2048
01:42:24.760 --> 01:42:25.119
<v Speaker 2>That's right.

2049
01:42:26.119 --> 01:42:26.319
<v Speaker 1>You know.

2050
01:42:26.359 --> 01:42:28.640
<v Speaker 2>I was reading an interview, well I read an interview

2051
01:42:28.640 --> 01:42:31.720
<v Speaker 2>and I listened to a podcast with Matthew Lillard and

2052
01:42:31.800 --> 01:42:34.640
<v Speaker 2>he was talking about his earlier roles. So I had

2053
01:42:34.720 --> 01:42:38.640
<v Speaker 2>actually seen him before this in Hackers. Do you remember that? Ah, yes,

2054
01:42:38.720 --> 01:42:40.720
<v Speaker 2>that's right, And he plays a really quirky guy in that.

2055
01:42:41.039 --> 01:42:43.079
<v Speaker 3>Yeah, I didn't see that until later. Yeah, okay.

2056
01:42:43.399 --> 01:42:45.399
<v Speaker 2>But he was saying, when I look at Hackers, and

2057
01:42:45.399 --> 01:42:47.920
<v Speaker 2>when I look at you know, Scream, especially like the ending,

2058
01:42:48.319 --> 01:42:52.479
<v Speaker 2>I just see this kid overacting, you like, trying too

2059
01:42:52.560 --> 01:42:56.319
<v Speaker 2>hard to be memorable. And he is, like, he has

2060
01:42:56.359 --> 01:42:58.600
<v Speaker 2>a quote, he's like, we were crazy if I ever

2061
01:42:58.640 --> 01:43:00.600
<v Speaker 2>saw somebody do that on and said, be like, dude,

2062
01:43:00.600 --> 01:43:05.640
<v Speaker 2>bring it down fifty eight percent. But I disagree, Like,

2063
01:43:06.000 --> 01:43:09.399
<v Speaker 2>I think he's doing it perfectly, you know. And I

2064
01:43:09.439 --> 01:43:13.039
<v Speaker 2>think the reason it works it adds a strange sort

2065
01:43:13.039 --> 01:43:16.000
<v Speaker 2>of levity to all the awfulness that we're seeing right now.

2066
01:43:16.520 --> 01:43:19.680
<v Speaker 2>It also makes him super unique and interesting and different

2067
01:43:19.680 --> 01:43:23.000
<v Speaker 2>than Billy. And I think why it works too is

2068
01:43:23.439 --> 01:43:26.720
<v Speaker 2>that feels like Matthew Lillard, Yeah, that's good point, you

2069
01:43:26.720 --> 01:43:29.000
<v Speaker 2>know what I mean. Like I think sometimes people try

2070
01:43:29.079 --> 01:43:31.319
<v Speaker 2>to play like, oh, I'll play the crazy guy, but

2071
01:43:31.359 --> 01:43:34.560
<v Speaker 2>they don't have that crazy in their eye. Right, Like

2072
01:43:34.600 --> 01:43:36.520
<v Speaker 2>the first thing they came to mind, was Timothy Shalomey

2073
01:43:36.600 --> 01:43:41.119
<v Speaker 2>playing Wonka. I just never kind of bought like Wonka's

2074
01:43:41.119 --> 01:43:44.960
<v Speaker 2>like a little unhinged. I never quite bought schalome playing

2075
01:43:45.000 --> 01:43:46.840
<v Speaker 2>like a fanciful unhinged guy.

2076
01:43:46.920 --> 01:43:49.199
<v Speaker 3>It just felt like, you don't buy him as a

2077
01:43:49.279 --> 01:43:50.199
<v Speaker 3>child murderer.

2078
01:43:51.079 --> 01:43:53.840
<v Speaker 2>Yes, you know what I mean, Like he's he's trying

2079
01:43:53.840 --> 01:43:55.319
<v Speaker 2>to do a type that I don't feel like is

2080
01:43:55.359 --> 01:43:58.640
<v Speaker 2>inherent inside of him. Lillard is playing something that comes

2081
01:43:58.720 --> 01:44:00.800
<v Speaker 2>naturally to him. So it just feels kind of fun

2082
01:44:00.840 --> 01:44:01.239
<v Speaker 2>to watch.

2083
01:44:01.920 --> 01:44:10.840
<v Speaker 3>That's right, He's like as is. It's it's like sideshow

2084
01:44:10.920 --> 01:44:13.720
<v Speaker 3>Bob writing the letter with his blood, you know, and

2085
01:44:14.119 --> 01:44:16.079
<v Speaker 3>he's passing out. That's where Stu is.

2086
01:44:16.279 --> 01:44:29.640
<v Speaker 2>Right right, you had been the phone dick. So yeah,

2087
01:44:29.720 --> 01:44:31.720
<v Speaker 2>that's it. My parents are gonna be so mad at me.

2088
01:44:38.119 --> 01:44:40.600
<v Speaker 3>And then this, this house ends up becoming like a

2089
01:44:41.359 --> 01:44:47.279
<v Speaker 3>like a hallowed location in in the Scream verse because

2090
01:44:47.359 --> 01:44:49.720
<v Speaker 3>because we come back to it and Scream five, and

2091
01:44:50.960 --> 01:44:52.479
<v Speaker 3>from what I can see in the trailers, it's in

2092
01:44:52.520 --> 01:44:54.560
<v Speaker 3>the in the it's in the seventh one.

2093
01:44:55.039 --> 01:44:58.680
<v Speaker 2>Yep yep used in a pretty unique way. And then

2094
01:44:58.880 --> 01:45:03.359
<v Speaker 2>in three, Sydney visits the set of stab that's right,

2095
01:45:03.399 --> 01:45:05.800
<v Speaker 2>and she gets to see her house and Stew's house

2096
01:45:06.199 --> 01:45:10.800
<v Speaker 2>as these facades. But it's a really creepy moment for

2097
01:45:10.880 --> 01:45:13.159
<v Speaker 2>Oh I read by the way that umbrella gag there

2098
01:45:13.199 --> 01:45:15.600
<v Speaker 2>that they just did ye that the stunt person missed

2099
01:45:15.600 --> 01:45:19.319
<v Speaker 2>the pad that was under Ulrich's shirt. Oh really did

2100
01:45:19.439 --> 01:45:21.680
<v Speaker 2>like stab them with that thing?

2101
01:45:22.000 --> 01:45:22.800
<v Speaker 3>Holy moly.

2102
01:45:23.039 --> 01:45:27.279
<v Speaker 2>Yeah. By the way, she didn't really have to put

2103
01:45:27.279 --> 01:45:27.760
<v Speaker 2>that costume.

2104
01:45:27.800 --> 01:45:29.319
<v Speaker 3>I was about to mention that. I was like, is

2105
01:45:29.319 --> 01:45:31.319
<v Speaker 3>there a reason that seems like extra effort?

2106
01:45:31.760 --> 01:45:34.199
<v Speaker 2>It's cool, it's cool imagery.

2107
01:45:34.960 --> 01:45:36.600
<v Speaker 3>I mean, if you're gonna make it into a moment,

2108
01:45:36.720 --> 01:45:39.239
<v Speaker 3>I guess, but in.

2109
01:45:39.119 --> 01:45:40.800
<v Speaker 2>Real life, like why obscure your vision?

2110
01:45:41.720 --> 01:45:43.880
<v Speaker 3>But even in the movie, it's not really a moment,

2111
01:45:43.960 --> 01:45:44.560
<v Speaker 3>you know what I mean?

2112
01:45:44.920 --> 01:45:47.760
<v Speaker 2>Yeah, yeah, I mean it's a visual for two seconds.

2113
01:45:47.800 --> 01:45:50.800
<v Speaker 3>Like if it was if it was a thing where

2114
01:45:50.800 --> 01:45:53.399
<v Speaker 3>he opens the door and he sees ghost face and

2115
01:45:53.560 --> 01:45:55.199
<v Speaker 3>he has a momentary ooh you.

2116
01:45:55.159 --> 01:45:57.479
<v Speaker 2>Know yeah, yeah, make more of a moment out of it.

2117
01:45:57.560 --> 01:45:59.520
<v Speaker 3>Yeah, like that would be there, you know. Yeah. I

2118
01:46:00.199 --> 01:46:02.079
<v Speaker 3>think of the ways I want to go. Having a

2119
01:46:02.119 --> 01:46:06.000
<v Speaker 3>giant old tube TV dropped on my head. I'm gonna

2120
01:46:06.000 --> 01:46:07.880
<v Speaker 3>say that's like a top six ways I don't want

2121
01:46:07.920 --> 01:46:08.119
<v Speaker 3>to go.

2122
01:46:08.800 --> 01:46:12.479
<v Speaker 2>You know, it's funny. It's such a horrifying image seeing

2123
01:46:12.520 --> 01:46:15.680
<v Speaker 2>this guy in a bloody sweater with a tube TV

2124
01:46:15.800 --> 01:46:18.840
<v Speaker 2>that's sparking over him and he's like shaking and convulsing,

2125
01:46:19.960 --> 01:46:22.119
<v Speaker 2>and it still is. But it does make me think

2126
01:46:22.119 --> 01:46:25.199
<v Speaker 2>of how far we've come where this was probably like

2127
01:46:25.399 --> 01:46:29.319
<v Speaker 2>really really intense pushing NC seventeen back in ninety six,

2128
01:46:29.359 --> 01:46:32.640
<v Speaker 2>but like just TV itself and streaming like Game of

2129
01:46:32.720 --> 01:46:35.600
<v Speaker 2>Thrones have gotten so you know what I mean, Like

2130
01:46:35.640 --> 01:46:36.880
<v Speaker 2>the line is always pushed.

2131
01:46:37.199 --> 01:46:38.560
<v Speaker 3>Now it's just good, clean fun.

2132
01:46:41.720 --> 01:46:43.119
<v Speaker 2>You know what that also makes me think of is

2133
01:46:43.159 --> 01:46:44.000
<v Speaker 2>that movie.

2134
01:46:44.199 --> 01:46:47.479
<v Speaker 3>As she sticks her finger in his wound and we're

2135
01:46:47.520 --> 01:46:49.159
<v Speaker 3>just seeing air of popcorn, laughing.

2136
01:46:51.840 --> 01:46:54.399
<v Speaker 2>Gross point blank. Do you remember that movie where jhene

2137
01:46:54.439 --> 01:46:57.199
<v Speaker 2>Cusy plays a hitman who goes to and he puts

2138
01:46:57.239 --> 01:46:59.159
<v Speaker 2>a tube he throws a tube TV on top of

2139
01:46:59.239 --> 01:47:03.319
<v Speaker 2>Dan Aykroyd. Yep, And I remember that like upsetting.

2140
01:47:03.359 --> 01:47:06.760
<v Speaker 3>Also, well, I'm glad we don't got those types of

2141
01:47:06.760 --> 01:47:07.600
<v Speaker 3>TVs anymore.

2142
01:47:07.720 --> 01:47:10.159
<v Speaker 2>Yeah, thank god, thank god we've got the flat screen

2143
01:47:10.199 --> 01:47:10.720
<v Speaker 2>going on now.

2144
01:47:11.279 --> 01:47:14.880
<v Speaker 3>Thank goodness for that. Hopefully this this commentary track does

2145
01:47:14.960 --> 01:47:16.760
<v Speaker 3>not turn out to be my moment of irony where

2146
01:47:16.760 --> 01:47:18.600
<v Speaker 3>I'm like, one way, I definitely don't want to go,

2147
01:47:18.680 --> 01:47:20.520
<v Speaker 3>and then you're listening to this like thirty years from now.

2148
01:47:20.720 --> 01:47:26.000
<v Speaker 3>It's like, oh man, right, that's really unfortunate and accurate.

2149
01:47:26.079 --> 01:47:26.279
<v Speaker 3>You know.

2150
01:47:27.119 --> 01:47:29.399
<v Speaker 2>Was that Pat and Oswald bit where he's talking about

2151
01:47:29.439 --> 01:47:31.920
<v Speaker 2>in the movie where it's like, you know, you see

2152
01:47:31.960 --> 01:47:34.359
<v Speaker 2>Chuck Berry passing guitar as a six year old be like,

2153
01:47:34.399 --> 01:47:37.399
<v Speaker 2>what's that? Yeah, we can kind of smile because we

2154
01:47:37.439 --> 01:47:38.520
<v Speaker 2>know that that's going to be one of the most

2155
01:47:38.520 --> 01:47:42.079
<v Speaker 2>important things in his life. For you. Yeah, this thirty

2156
01:47:42.159 --> 01:47:44.000
<v Speaker 2>years from now is are listening and it's like, well,

2157
01:47:44.039 --> 01:47:46.479
<v Speaker 2>I hope the old tube TV bit doesn't happen to me.

2158
01:47:47.000 --> 01:47:48.560
<v Speaker 2>Everybody knows somehow.

2159
01:47:49.239 --> 01:47:51.560
<v Speaker 3>Ever, since I heard that, I always think about that.

2160
01:47:51.560 --> 01:47:53.159
<v Speaker 3>It's like, is this my moment of irony?

2161
01:47:53.239 --> 01:47:55.319
<v Speaker 2>In a right moment of irony? Yes, that's what it is.

2162
01:47:55.359 --> 01:47:57.159
<v Speaker 3>Because he talks about it. It's like, you know, you

2163
01:47:57.199 --> 01:47:58.840
<v Speaker 3>have the mo It's it's not Chuck Berry. It's like

2164
01:47:58.840 --> 01:48:01.600
<v Speaker 3>Paul McCartney, That's what it is. Yeah, And it's like,

2165
01:48:01.600 --> 01:48:03.760
<v Speaker 3>oh see, because he's Paul McCartney and he's you know,

2166
01:48:03.880 --> 01:48:06.560
<v Speaker 3>but it's like you know, he's like, I hope my

2167
01:48:06.680 --> 01:48:09.640
<v Speaker 3>Paul mccarton, or he's like, I hope my moment like

2168
01:48:09.720 --> 01:48:14.239
<v Speaker 3>that is where I when I was in grade school

2169
01:48:14.239 --> 01:48:17.840
<v Speaker 3>and I drew a picture of a rhinoceros wearing a dress,

2170
01:48:17.840 --> 01:48:19.840
<v Speaker 3>and my teacher's like, what do you think you are?

2171
01:48:19.880 --> 01:48:22.000
<v Speaker 3>Oswalt's some kind of comedian, and he's like, oh, see's

2172
01:48:22.000 --> 01:48:23.960
<v Speaker 3>funny because he's a comedian. You know. He's like, I

2173
01:48:23.960 --> 01:48:26.000
<v Speaker 3>hope that's my moment of irony and not. Oh so

2174
01:48:26.039 --> 01:48:27.840
<v Speaker 3>that's the guy who when he was forty, he fell

2175
01:48:27.880 --> 01:48:30.359
<v Speaker 3>into the rhino enclosure and he got asked right by

2176
01:48:30.359 --> 01:48:33.359
<v Speaker 3>the rhino. It's right, right, right, man, It's just ironic,

2177
01:48:33.520 --> 01:48:33.680
<v Speaker 3>you know.

2178
01:48:33.760 --> 01:48:36.319
<v Speaker 2>It's like, that's true. I remember you playing that for

2179
01:48:36.439 --> 01:48:38.640
<v Speaker 2>me many many years ago, and I've always thought about that.

2180
01:48:39.319 --> 01:48:44.079
<v Speaker 2>What is my ironic moment? I don't realize I'm living.

2181
01:48:46.600 --> 01:48:48.880
<v Speaker 3>Now now. Just here, she says something out of a

2182
01:48:48.960 --> 01:48:51.279
<v Speaker 3>scary movie, which we would have been like, hey, she

2183
01:48:51.319 --> 01:48:53.840
<v Speaker 3>said the thing, but of course yes, it's not the thing.

2184
01:48:56.079 --> 01:48:58.920
<v Speaker 3>What's funny is that the movie that became scary movie

2185
01:48:58.960 --> 01:49:01.079
<v Speaker 3>originally had a title that was like I know what

2186
01:49:01.119 --> 01:49:04.039
<v Speaker 3>you screamed last summer or some freaking thing.

2187
01:49:03.960 --> 01:49:06.479
<v Speaker 2>Last Halloween yeah or something yeah, yeah, something like that.

2188
01:49:06.560 --> 01:49:09.600
<v Speaker 3>Yeah, And because it was like it was like, don't

2189
01:49:09.600 --> 01:49:11.640
<v Speaker 3>be a menace to South Central while drinking your juice

2190
01:49:11.640 --> 01:49:14.159
<v Speaker 3>in the hood. It was like that, but instead they

2191
01:49:14.199 --> 01:49:16.279
<v Speaker 3>called it scary movie. And those movies have gone on

2192
01:49:16.319 --> 01:49:17.520
<v Speaker 3>and done just fine.

2193
01:49:17.680 --> 01:49:19.399
<v Speaker 2>And there's going to be a new one this year.

2194
01:49:21.000 --> 01:49:23.319
<v Speaker 2>Oh there is. I forgot about that. Yeah, I want

2195
01:49:23.359 --> 01:49:26.319
<v Speaker 2>to say August, Wow, look at that. Yeah, and the

2196
01:49:26.359 --> 01:49:27.199
<v Speaker 2>wains are back.

2197
01:49:27.840 --> 01:49:30.199
<v Speaker 3>We got your scream here, you got your scary there.

2198
01:49:30.800 --> 01:49:31.359
<v Speaker 2>Yep, yep.

2199
01:49:31.439 --> 01:49:33.880
<v Speaker 3>It's like nineteen the nineties never left.

2200
01:49:34.159 --> 01:49:41.680
<v Speaker 2>Is basically yay, where's hammer I've said. I just told

2201
01:49:41.680 --> 01:49:45.039
<v Speaker 2>someone recently, like I all this nineties stuff coming back,

2202
01:49:45.119 --> 01:49:47.840
<v Speaker 2>and you know, the jeans and everything were are the

2203
01:49:47.840 --> 01:49:51.359
<v Speaker 2>hammer pants? And you know, I said that to someone

2204
01:49:51.399 --> 01:49:53.399
<v Speaker 2>in there, like would you seriously wear hammer pants if

2205
01:49:53.439 --> 01:49:56.079
<v Speaker 2>they came back? And I was like, yes, I would.

2206
01:50:00.760 --> 01:50:01.159
<v Speaker 2>That's all.

2207
01:50:01.720 --> 01:50:02.920
<v Speaker 3>You know, we thank you for that.

2208
01:50:03.239 --> 01:50:08.760
<v Speaker 2>One more tid that I had that I have to share.

2209
01:50:09.680 --> 01:50:12.840
<v Speaker 2>I thought this was kind of funny speaking of scary movie.

2210
01:50:13.159 --> 01:50:16.800
<v Speaker 2>So I think it increases with each movie, but there's

2211
01:50:17.079 --> 01:50:19.479
<v Speaker 2>whenever a victor, you know, a potential Victims is running

2212
01:50:19.479 --> 01:50:22.000
<v Speaker 2>away from ghost Face. They're always throwing flower vases at

2213
01:50:22.000 --> 01:50:24.359
<v Speaker 2>his head or beer bottles at his crotch or like,

2214
01:50:24.479 --> 01:50:29.560
<v Speaker 2>you know, like crazy things, and it becomes almost funny,

2215
01:50:29.720 --> 01:50:31.560
<v Speaker 2>like how much he's getting beaten up, and they do

2216
01:50:31.640 --> 01:50:33.800
<v Speaker 2>play for laughs in Scary Movie where she like throws

2217
01:50:33.800 --> 01:50:37.319
<v Speaker 2>a piano down the stairs and he's like running away.

2218
01:50:37.720 --> 01:50:40.359
<v Speaker 2>But apparently they were clocking that in this one, that

2219
01:50:40.439 --> 01:50:43.399
<v Speaker 2>it was starting to become kind of funny. Yeah, how

2220
01:50:43.439 --> 01:50:45.920
<v Speaker 2>clumsy he was or how often he's getting knocked down,

2221
01:50:46.000 --> 01:50:48.640
<v Speaker 2>and so there were extra things he was hit with.

2222
01:50:48.720 --> 01:50:52.840
<v Speaker 2>Apparently Sydney beat him over the head with a picture

2223
01:50:52.920 --> 01:50:56.760
<v Speaker 2>from the wall, okay, and so they cut that out.

2224
01:50:56.920 --> 01:51:01.159
<v Speaker 2>So they found the moment where it was not comic.

2225
01:51:00.840 --> 01:51:03.000
<v Speaker 3>Where the sublime became ridiculous.

2226
01:51:03.000 --> 01:51:04.800
<v Speaker 2>And that's exactly exactly interesting.

2227
01:51:05.039 --> 01:51:07.279
<v Speaker 3>So I thought that, by the way, that that credit

2228
01:51:07.439 --> 01:51:11.000
<v Speaker 3>sequence that we just saw, there's something freaky vibes right there.

2229
01:51:11.119 --> 01:51:14.960
<v Speaker 2>Dude, I totally forgot about that. Yeah, yeah, I always

2230
01:51:14.960 --> 01:51:16.880
<v Speaker 2>think of Predator for some reason. That's the movie I

2231
01:51:16.880 --> 01:51:18.800
<v Speaker 2>think of where you have the end credits and it

2232
01:51:18.840 --> 01:51:22.079
<v Speaker 2>doesn't just say the character's name, you see a little

2233
01:51:22.119 --> 01:51:25.039
<v Speaker 2>clip of them from the movie you just watched, right,

2234
01:51:25.119 --> 01:51:26.880
<v Speaker 2>you know, kind of in slow mo or something.

2235
01:51:29.000 --> 01:51:31.760
<v Speaker 3>Yeah, look at that phone voice, Roger Jackson, my man

2236
01:51:31.800 --> 01:51:33.239
<v Speaker 3>getting second billing.

2237
01:51:33.880 --> 01:51:36.199
<v Speaker 2>He earns it. That makes an impression.

2238
01:51:36.600 --> 01:51:40.640
<v Speaker 3>Yeah, it's hard to imagine Scream without his voice. Mm hmm.

2239
01:51:42.960 --> 01:51:46.520
<v Speaker 3>So what do you think, Well, you know, I'll tell

2240
01:51:46.520 --> 01:51:49.199
<v Speaker 3>you kind of what we started this discussion at where

2241
01:51:49.279 --> 01:51:51.159
<v Speaker 3>it's like, you know, you and I don't come at

2242
01:51:51.159 --> 01:51:53.600
<v Speaker 3>this as horror fans, but we do come at it

2243
01:51:53.640 --> 01:51:56.560
<v Speaker 3>as Scream fans. And I think that's a fascinating sort

2244
01:51:56.600 --> 01:52:01.079
<v Speaker 3>of nether space to find yourself in. You know. Sure, Yeah,

2245
01:52:01.920 --> 01:52:05.439
<v Speaker 3>I think partly, like I just feel the sense of

2246
01:52:05.479 --> 01:52:07.479
<v Speaker 3>like it just takes me back. It takes me back

2247
01:52:07.520 --> 01:52:09.039
<v Speaker 3>to when this movie came out, and just that whole

2248
01:52:09.079 --> 01:52:12.880
<v Speaker 3>era of not just my life, but like pop culture,

2249
01:52:13.119 --> 01:52:17.439
<v Speaker 3>you know, And so I'm glad that these films. My

2250
01:52:17.560 --> 01:52:19.960
<v Speaker 3>sense is that they do somewhat live on, even though

2251
01:52:20.000 --> 01:52:23.840
<v Speaker 3>I said before that, like, you know, my students don't

2252
01:52:23.840 --> 01:52:26.239
<v Speaker 3>feel any desire to watch the new one, you know,

2253
01:52:28.399 --> 01:52:32.279
<v Speaker 3>but I think for me it plays in a very

2254
01:52:32.319 --> 01:52:35.520
<v Speaker 3>specific way because I lived through that era and I

2255
01:52:35.680 --> 01:52:37.880
<v Speaker 3>was closer in age to the characters in the movie,

2256
01:52:38.039 --> 01:52:42.600
<v Speaker 3>you know, sure, sure, yeah, And that's you know, I mean,

2257
01:52:42.760 --> 01:52:44.319
<v Speaker 3>I'm looking forward to seeing the new one.

2258
01:52:44.760 --> 01:52:46.479
<v Speaker 2>Yeah, I'm looking forward to watching it again.

2259
01:52:49.000 --> 01:52:53.000
<v Speaker 3>What are your thoughts revisiting? I mean you said you

2260
01:52:53.039 --> 01:52:57.479
<v Speaker 3>saw this not during its initial release, you saw it

2261
01:52:58.199 --> 01:53:01.920
<v Speaker 3>after three came out. Yes, so you were already like

2262
01:53:02.319 --> 01:53:04.520
<v Speaker 3>twenty at that point.

2263
01:53:05.119 --> 01:53:06.640
<v Speaker 2>No, I just enjoyed them.

2264
01:53:06.800 --> 01:53:07.960
<v Speaker 3>Now you're pushing fifty.

2265
01:53:08.079 --> 01:53:11.239
<v Speaker 2>Oh how do I look at them now? Yeah? To me,

2266
01:53:11.359 --> 01:53:14.920
<v Speaker 2>this movie completely holds up. I mean on a story level,

2267
01:53:15.039 --> 01:53:19.399
<v Speaker 2>on a character level, and on a filmmaking level. I

2268
01:53:19.479 --> 01:53:21.560
<v Speaker 2>still find the filmmaking kinetic.

2269
01:53:22.279 --> 01:53:24.840
<v Speaker 3>They shout out to Greg Nicotaro there doing the makeup

2270
01:53:24.880 --> 01:53:27.479
<v Speaker 3>effects see of course of Walking Dead Fame.

2271
01:53:27.720 --> 01:53:30.760
<v Speaker 2>Oh nice, nice, But no, you know what I mean. They

2272
01:53:31.039 --> 01:53:34.920
<v Speaker 2>to me, they remain propulsive and kinetic and cinematic and

2273
01:53:34.960 --> 01:53:38.319
<v Speaker 2>thrilling and fun and scary, and I care about the

2274
01:53:38.399 --> 01:53:44.920
<v Speaker 2>characters and I still find it, you know, fun, you know,

2275
01:53:44.960 --> 01:53:47.239
<v Speaker 2>So I to me, I think this movie completely holds up.

2276
01:53:47.840 --> 01:53:48.760
<v Speaker 3>Yeah.

2277
01:53:49.000 --> 01:53:52.760
<v Speaker 2>I mean the sequels have their own, you know, different personalities,

2278
01:53:52.800 --> 01:53:56.600
<v Speaker 2>and they hold up maybe differently, but this one I

2279
01:53:56.680 --> 01:53:59.279
<v Speaker 2>just feel like it was a great movie. Then I

2280
01:53:59.359 --> 01:54:00.600
<v Speaker 2>think it's still a great movie.

2281
01:54:00.680 --> 01:54:05.079
<v Speaker 3>Now, well, there we go. I think that's a good

2282
01:54:05.119 --> 01:54:08.920
<v Speaker 3>place to leave this discussion. Yeah, but hey, if those

2283
01:54:08.960 --> 01:54:12.479
<v Speaker 3>of you listening tell us your thoughts on screen, the

2284
01:54:12.520 --> 01:54:14.560
<v Speaker 3>original and the franchise. Let us know what you thought

2285
01:54:14.560 --> 01:54:16.640
<v Speaker 3>about our thoughts on the film. You can email us

2286
01:54:16.640 --> 01:54:19.520
<v Speaker 3>at moviefilmpodcast at gmail dot com. You can also hit

2287
01:54:19.720 --> 01:54:22.880
<v Speaker 3>like on our Facebook page Facebook dot com slash moviefilm

2288
01:54:22.880 --> 01:54:25.520
<v Speaker 3>podcast and message us there. As always, please go to

2289
01:54:25.560 --> 01:54:27.880
<v Speaker 3>Apple Podcasts and leave review, leave a star rating. If

2290
01:54:27.920 --> 01:54:30.359
<v Speaker 3>you're listening to this show on YouTube, please hit like

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01:54:30.479 --> 01:54:33.239
<v Speaker 3>and subscribe to that page and leave comments there because

2292
01:54:33.720 --> 01:54:35.520
<v Speaker 3>we do read those on the show. We also have

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01:54:35.520 --> 01:54:37.279
<v Speaker 3>a Patreon page, Brian Yes.

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01:54:37.319 --> 01:54:40.199
<v Speaker 2>If you head over to Patreon dot com slash moviefilm

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01:54:40.199 --> 01:54:43.039
<v Speaker 2>podcast and hit subscribe for only five dollars a month,

2296
01:54:43.039 --> 01:54:45.880
<v Speaker 2>you'll find every commentary we've ever done and every episode

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01:54:45.880 --> 01:54:52.199
<v Speaker 2>moving forward absolutely ad free. You'll also find bonus conversations

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01:54:52.279 --> 01:54:55.079
<v Speaker 2>that we have from time to time that won't fit

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01:54:55.159 --> 01:54:57.800
<v Speaker 2>into our regular episodes that we drop on that feed

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01:54:58.479 --> 01:55:01.520
<v Speaker 2>about twice a month. Our free feed will always be available,

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01:55:01.520 --> 01:55:03.319
<v Speaker 2>but this is our way of providing what we believe

2302
01:55:03.319 --> 01:55:05.479
<v Speaker 2>is the most satisfying way to enjoy the show, so

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01:55:05.640 --> 01:55:10.840
<v Speaker 2>no commercials, interruptions butting into the conversation, especially if you're

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01:55:10.880 --> 01:55:13.199
<v Speaker 2>trying to watch the commentary along with the movie. Plus,

2305
01:55:13.239 --> 01:55:15.199
<v Speaker 2>your subscription goes a long way and helping to support

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01:55:15.279 --> 01:55:18.239
<v Speaker 2>us and helping to sustain producing the show. So if

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01:55:18.239 --> 01:55:20.960
<v Speaker 2>you're interested in Abel, please head over to patreon dot

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01:55:21.000 --> 01:55:24.800
<v Speaker 2>com Slash Movie Film Podcast and subscribe. We'd be very grateful.

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<v Speaker 3>There we go, And if you're looking for me online,

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<v Speaker 3>you can find me on social media at Zaki's Corner.

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<v Speaker 3>That z Akis Corner. Can also find my reviews at

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01:55:33.039 --> 01:55:35.640
<v Speaker 3>the San Francisco Chronicle and also at IgM and the

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01:55:35.720 --> 01:55:37.720
<v Speaker 3>Rap Brian What About You.

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<v Speaker 2>You can find episodes I've written of Puppy Dog Pals

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01:55:40.000 --> 01:55:42.800
<v Speaker 2>and Young Jedi Adventures streaming on Disney Plus.

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<v Speaker 3>And we're that on behalf of my partner Brian Hall.

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<v Speaker 3>My name is Zachi Hason. This has been our commentary

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<v Speaker 3>track for Scream. We will catch you next time. Thanks everybody,
