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Speaker 1: You want nothing to do bad.

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Speaker 2: I don't want to be like you.

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Speaker 3: I recognizeable from the persons.

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Speaker 2: Shouldn't know better.

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Speaker 4: Sounded for a while now, probably trying to god.

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Speaker 5: I SA don't want to backcout sound. Don't way hilly

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way chow.

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Speaker 6: That a long guy and a long.

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Speaker 5: Nobody can.

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Speaker 6: That ain't long? God? How he long.

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Speaker 5: Cans? I hit the reset, but I don't want to start.

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Speaker 3: Chad said, at no place like child.

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Speaker 2: But it's not like you wants like buddy who.

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Speaker 5: Wasn't what your mons don't like child is.

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Speaker 2: We don't waste some man that we want to waste some.

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Speaker 6: Min don't want some man.

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Speaker 5: Don't wait, child, that ain't long? Guy that ain't long?

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My backyard guy, that ain't long, guy that ain't long.

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Speaker 2: I've got that ship, can't feeling what we used to ealing.

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I don't know what to do it Still he suits you.

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I got that, said Jeffayler.

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Speaker 6: My now now.

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Speaker 2: I don't know what sometime so on.

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Speaker 7: So non't wait, that ain't long, that ain't long, don't

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play your cat.

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Speaker 6: That ain't long, guy that you long?

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Speaker 2: I got that, said Jeffrey d Always.

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Speaker 8: So I love that so much, such a great track.

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That is brand new from Rivia. That is called Peace

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of Mind. Great band from the UK and one of

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the tracks that we're featuring this week on Matt Connorton Unleashed.

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That is the American radio premiere of that track. Again

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that it's a peace of You. I think I said

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peace of Mind, piece of You rather. The band is

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called Rivia. And if you are listening live, this is

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Matt Connorton Unleashed and we are live from the studios

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of wm n H ninety five point three FM on

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this Saturday, August nine, twenty twenty five. Jenny is here,

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of course at the news table, President and account of

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and joining us, making her return to the show she

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was on with us a long time ago. Amber Nicole

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Cannon is here.

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Speaker 9: Hello, Hello, thank you for having me.

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Speaker 8: Welcome back. So what did you talk about when you

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were on the show before, because we were talking about

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this off air and it was so long ago. It

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was in the previous building, but it was like like

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how many like would you say, like four or five years?

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Speaker 9: Four or five years, it's got to be at this point.

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Speaker 8: Yeah.

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Speaker 10: So I'd founded a company called Uncharted and we teach

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kids science but trick them into thinking it's art okay,

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And actually it has since become a nonprofit and we're growing.

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We've got eight people working all the way from Franklin,

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New Hampshire down to Lowell, Massachusetts, teaching kids in hands on, explosive,

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colorful ways.

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Speaker 8: Okay, it's starting to come back to me now because

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I think that was I think when you were on

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that might have been one of those times that I

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told the story of my own. Uh. When I was

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a kid, I remember how much I hated art class

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because I felt like they were trying to force me

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to be artistic and I'm not visually artistic at all.

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Speaker 9: And that's okay, yeah.

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Speaker 8: I thought so. The art teachers did not.

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Speaker 10: It's about exploring what your creativity actually is. Yeah, And

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you know, really, be honest, teachers in schools are so

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overworked and tired and they just need all our support

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and love that they just don't get the resources that

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really help every kid in the classroom.

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Speaker 8: Right right, no doubt you've got. We should start with

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You've got a big show coming up.

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Speaker 11: I do.

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Speaker 10: It's amazing. It's my first solo show. It is at

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the Nashville Public Library on Thursday the fourteenth at six

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o'clock okay, And the show's been up for about a

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month and a half, so this is like one of

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the last chances you get to see it. We're doing

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like a closing instead of opening because the summer's been wild. Okay,

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there will be cake because it's also my fortieth birthday party.

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I just decided you've got to combine these things. We

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don't have time to celebrate twice.

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Speaker 8: Yeah.

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Speaker 9: But it's actually a big gallery.

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Speaker 10: I didn't even know it was there, and I got

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to tourt and I was like, I don't even know

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if I have enough work to fill this space, but

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it turns out I do, and it's been a wild ride.

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People have been visiting it and sending me pictures of

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them visiting it, and I keep going in every week

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to just you know, finicky touch up hanging tag, yeah,

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adjust an art piece. But it feels really good.

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Speaker 8: So so it's it's been up for a while. Yes, okay, yes,

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So how does that work? Can people just go u?

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I mean outside of the events. Can people just go

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at any point to any the library and see yes? Okay.

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Speaker 10: And it's pretty family friendly too, because I work with

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kids a lot, So if you want to bring your

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kids during the summer break, right right before school starts,

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get their last bit of reading in before the you know,

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summer ends. You can totally go check out the art pieces.

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There are even some pieces that will appeal directly to

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kids that you can like buy stickers or prints of

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the are like animals of New Hampshire. And it's a

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great library it and it's down in the basement. So

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when you come in the main doors and you turn

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right and you go down the stairwell on the right,

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or take the elevator that's that's on the left right there. Okay,

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you go down and it's this big open space and

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I've got like really big silks that I made with

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able and h and then we've got some cyanotypes around

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on the other side of the wall. There's like this

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big wall in the middle where you can put art

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on both sides. So it's big art.

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Speaker 9: It's big art. Turns out I make big art.

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Speaker 8: Well, okay, so tell us about the type of art

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that you make, because I saw this firm biomedical art.

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Speaker 9: Yeah.

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Speaker 10: So my background is I have a degree in biomedical

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art from the Cleveland Institute of Art. Hence the untarted

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thing teaching kids, you know, science through art. I hadn't

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really been into my formal art practice, you know, in

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the fine arts for a while. I really, you know,

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society tells us artists don't make money, so you don't

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pursue the fine arts, and so I was really pursuing

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the commercial arts thing with illustration and graphic design and

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logos and that kind of thing. And I did fine,

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and I showed that work regularly, but COVID hit and

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I developed disabilities around the same time, more than I

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originally had, and I needed a way.

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Speaker 9: To get it out.

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Speaker 10: So I just started making I had to relearn to

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walk in Manchester during COVID Wow, so I had to

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walk on the sidewalks in Manchester, which were not conducive

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to that process. So I would walk for ten minutes,

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sit down and make a painting for an hour, and

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come back. And I just did that. Not well, it

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was part of my physical therapy. I needed to do

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this interesting and so these pieces have developed into what

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I think is a big feature in the show called

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disability frames, where inside each piece is this cute little

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five by five watercolor, but around it is this massive

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frame that's more than twice the size of the piece

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reflecting the challenges I had getting there, whether it was

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a lack of a sidewalk cut or whether it was

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just pain that day I just couldn't get out of bed, right,

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They all reflect the various infrastructure challenges I face. Sometimes

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it was just wet leaves, right, Like wet leaves were.

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Speaker 9: Very scary for me. I can re point wow.

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Speaker 10: And so that's a big part of the show, is

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talking about my body and its development through this phase.

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Speaker 8: In my life. One of the things that comes up

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a lot on this show is well, really a couple

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of things, but they go together. One is using trauma

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and challenge and negative experiences to create art out of that.

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You know, we interview more musicians than anybody, so we

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talk a lot about, you know, creating music from that.

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In fact, our guest coming up an hour three, Nancy Manet.

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You know, we always talk about that with her too,

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because a lot of what she's been through and informs

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of the music that she makes, So we always talk

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about how that's really kind of the best therapy, right,

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taking something negative and creating something positive, because not only

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are you creating art, but you're creating something that other

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people can relate to, so it not only helps you,

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but it potentially helps other people too. And the other

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thing that we also that seems to come up a

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lot on the show is COVID and how people found

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a lot of ways to be creative during COVID that

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perhaps would not have happened otherwise. And again, you know,

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when we're talking to musicians, it's usually you know, well, I,

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you know, my band and I we had to learn

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how to email tracks back and forth while we were

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recording an album because we couldn't all be in the

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same room because it was very scary and went.

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Speaker 9: On digital skills right exactly.

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Speaker 8: Yeah, and it really forced the pandemic really forced a

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lot of musicians to open up to things that they

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they hadn't considered before. Even me, Like, I'm a certified hypnotherapist,

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and I found myself since the pandemic more open to

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seeing clients online, you know, instead of feeling like I

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had to be in the same room with them to

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properly do a session. So, but but those are two

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of the things that we talk about a lot, you know,

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taking taking negative experiences and creating, and also how the

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pandemic kind of forced people to find new ways to

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do that or new sources of inspiration to do that.

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But in your case, I mean it sounds like this

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was a pretty serious ex example of that, right because

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because of what COVID did to you and how you

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had to overcome that and and create art while you're

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doing that. I mean, that's incredible.

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Speaker 10: Yeah, it uh, it really pointed out a lot of

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the like challenges to getting around the city too for me,

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for other people that I maybe just overlooked a lot

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because I was just zooming through life, you know, and

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I didn't see people struggling until I was in the struggle,

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and so I started reaching out to different organizations that

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supported disabilities like able and agent got to As I healed,

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I was then able to bring some of my healing

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to communities outside of myself. And that's why that's why

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the show is called Body of Work, because it's about

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bodies and healing and then how when you heal inside,

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when you begin healing yourself, and I won't ever be

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fully healed, like, let's be honest, it's more comfort of

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where I'm at and then finding the next challenge. Yeah,

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it's it's about then bringing it to others. So that

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they can maybe find some healing in what you've created.

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It's it's about connecting with people.

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Speaker 8: Yeah, so now you have experience in the pharmaceutical industry.

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Speaker 1: I do.

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Speaker 8: Actually, Okay, do you still work in the pharmaceutical industry now?

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Speaker 1: No.

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Speaker 10: On Charter takes up most of my time. I also

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volunteer as a Department of Public Works commissioner so that

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I can advocate for sidewalks and bike lanes in Manchester,

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which are very important to people getting around the city.

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That's how, you know, I turned my sadness and tears

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into I'm going to work on this problem. And then

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I got out of pharmaceutical So it's actually kind of

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a weird story. But I was working on in the

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informed consent process and I didn't feel like it was

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true or real, and I couldn't find sponsoring companies for

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clinical trials that were like interested in actually making it

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a real informed consent process. You know, they get these

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like two inch yeah really, but it's thick pieces of

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paper written at a grade level. Most people don't understand saying,

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you know, I'm gonna agree to participate in this clinical trial,

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but then they don't actually understand it, right, And then

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they get like surprised by something like a spinal tap,

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and no one wants a surprise spinal tap, right, So

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I realized I couldn't help the adults. Okay, Ultimately, I

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think we adults, even myself, we kind of get stuck

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in our ways and it's harder to open up our

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brains to new ideas. So I started tutoring some people

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who are very gifted in science but wanted to improve

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their art skills because I could. I could bridge that

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vocabulary channel, if you will, And it worked. And so

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then one of the kids I was tutoring, their mom

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was a headmaster's school and said, come here teach year.

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I was like, yeah, sure, okay, And then within two

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weeks I was in Claire's Charter school, and within six

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months I was in all the Title one schools in Manchester,

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bringing this programming to kids so that when they hit there,

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when they're in control of their health, they'll be able

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to talk about it, they'll be able to help their

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family's health, and they'll be able to navigate the health system.

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That's really what it like stemmed out of. Of course,

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we've gone wider, like we're talking about watershed management with

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the Nature Conservancy who sponsored projects with us and focusing

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on all around science education.

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Speaker 8: How did so, how did that grow so quickly? I mean,

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because that's that's impressive that.

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Speaker 10: It's a great question, and if I knew, i'd write

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a book about it. But I think it was just

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clearly a passion of mine and I was in it

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one hundred percent and loved it, and I think that

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came through it. And I think there's a real need

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for it too, because you know, we do seem to

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be lowering the amount of money as a city that

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we're putting into schools, so other things need to come

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in to make up that deficit, and that's potentially or

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it is uncharted coming in and teaching those things. And

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the kids are hungry for it too, you know. And

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I have I fully support all the teachers in our schools.

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They need so much more love and funds and everything

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to make their lives easier because it should be easier

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for them, but they are set into this mold that's

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been created by buyer systems, and unchartered can come outside

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of that mold and reach the kids that aren't fitting

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that mold. Okay, So, and I think there's a lot

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more that don't fit the mold than we realize. Just

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like people with disabilities, right, we don't fit this, whatever

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the standard, and I'm using quotations very clearly, whatever the

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normal is, we don't fit it. And you know, as

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I get fully more and more immersed and embracing on

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my disabled identity, I'm seeing it in kids too. Actually,

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one of the things that's developed is, you know, as

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I read IEPs for kids and the things I need

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to be doing to make sure they're learning at the

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best of their ability, I'm like looking at and going, oh,

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that's a good idea. I should do that for myself.

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Speaker 2: Oh wow.

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Speaker 10: Yeah, So I'm learning a lot about myself when I'm

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learning about other people's disabilities, which is also why I

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try to be so open about mine. Yeah, so that

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other people can find it faster and with less trial

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and tribulation than I did. But yeah, the kids have

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taught me a lot about myself.

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Speaker 8: Oh that's cool. By the way, for people who don't know,

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what is an IEP.

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Speaker 10: An individual education plan? Okay, yeah, thank you for calling

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that out.

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Speaker 8: Oh yeah, no problem. It's funny. Over the years that

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term has come up a lot on the show. But

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but but yeah, but people don't know. You know, if

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it's not something you've had to directly engage with, you

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wouldn't know.

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Speaker 9: No, no, you wouldn't know.

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Speaker 8: So now, so what parents who are putting their kids into? Uh,

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because you you have like a summer camp.

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Speaker 10: We have summer camps right now. So we ran three

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summer camps at Positive Street Art in Nashua because they

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are fantastic partners.

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Speaker 8: Oh, somebody from Positive Street Art was was on?

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Speaker 9: Who was was it? Yazz Manny Cecilia?

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Speaker 8: No, there was somebody involved, though I can't remember. It

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was a musician. Wasn't it a musician? I can't remember.

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Speaker 10: Now there are so many good people that are part

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of that organization, supporting it because it's doing so much

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good work.

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Speaker 8: Yeah? Was it Mike McDowell maybe the healer?

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Speaker 12: No, I think I don't remember.

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Speaker 8: That's okay, But but whoever it was, Yeah, but it

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wasn't any of the three. Yeah, yeas was on the

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show a long time ago. But it wasn't any of

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the three people you mentioned. But we have somebody on

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talking about it. Yeah.

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Speaker 11: Yeah.

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Speaker 10: Uh, they're doing really fantastic work through the city here

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and like giving opportunities to you know, kids that had

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to pick different paths in life through various circumstances. And

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they also work with people with disabilities in really engaging

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and wholesome ways.

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Speaker 8: Yeah.

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Speaker 10: Yeah, I'm a big fan. So partnering with them was

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like a perfect Kismet opportunity. And have a beautiful space, yeah,

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that we get to work out of with the gallery

329
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and the kids getting so inspired.

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Speaker 9: By the artwork around them.

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Speaker 8: That's really colo.

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Speaker 10: And next week we're working with the y w c

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A for our sy Art Camp. So you'll see us

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downtown here going around the parks collecting little specimens of

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bugs and and and spiders and and plants and dirt

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and we're gonna look at under microscopes and we're gonna

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learn to draw it and represent it in a science

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communication kind of way.

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Speaker 8: Oh very cool. Yeah, I remember who it was now,

340
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I was Justin Hunt. Is that name familiar to you.

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Speaker 9: I'm not as much on the music side, admittedly, gotcha.

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Speaker 8: Yeah, Justin's Yeah, he's he's actually not a musician, but

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he came on with an interest story he does. He

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does a lot of really positive things. I should get

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in touch with him. We should have him back on.

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Speaker 10: But probably if he's associated with positive street art, probably.

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Speaker 8: Yeah, yeah, I hope I'm thinking of the right person.

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So now before so, what was your experience like with

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art before COVID were you? Were you actively?

350
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Speaker 12: Oh?

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Speaker 10: I never stopped making really truly, so I was. I

352
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was working as a professional, like creative director and those

353
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kinds of things for different companies through through time, and

354
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I always like just kind of doodled. I never stopped

355
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like and you can look at the years on the

356
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artworks in the show too and kind of see that

357
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that was the case, because I do I have a

358
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Bachelor of Fine Arts, like it is arts arts, arts,

359
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and but I really I don't know. So I come

360
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from a long line of scientists, engineers, physicists, that kind

361
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of thing, and they were fully supportive of me going

362
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into the arts, even if it did make me a

363
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little bit of a black sheep.

364
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Speaker 9: But I had my.

365
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Speaker 10: Own internalized message that I needed to make money at

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this whatever I was doing with the majority of my time,

367
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I needed to make money, right, and so I really

368
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focused on the commercial stuff, making ads and illustrations that

369
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would bring in money a lot less self expression. I

370
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did a lot with like adornments that I didn't really

371
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consider art, whether it was sewing or creating things for

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my house that really, when I look at it, those

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are art objects and can are just as valid as

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anything else to be displayed in a.

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Speaker 9: Gallery.

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Speaker 10: And that came out of some of my relationship with

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Yazz and through Positive Street are too, recognizing that these

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everyday creations that we are making, whether it's even just

379
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in our life choices, they are art and they are

380
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shaping the world around us and should be considered just

381
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as strongly as a traditional painting.

382
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Speaker 8: Yeah, so you've always so when you when you decided

383
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to do that and to pursue that degree, did you

384
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have family members try to talk you out of it.

385
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Speaker 9: No one tried to talk me out of it.

386
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Speaker 8: They did.

387
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Speaker 10: They did say, you know, art will never pay as much.

388
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Speaker 9: As engineering, okay, which which is.

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Speaker 10: Funny because when my husband and I graduate college exactly

390
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at the same time, technically, I was paid more than

391
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he was, and he's an engineer.

392
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Speaker 9: He quickly surpassed me. But I just negotiated more for.

393
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Speaker 8: My pay okay, okay, And.

394
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Speaker 10: You know, I run a small business. Now, I don't

395
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mind that kind of talk. But they were supportive in

396
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the best ways they could. And they always knew I

397
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was some kind of artists. Like you know, my mom

398
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was like, even as early as first grades, I's drawing

399
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better than I am. I don't, I can't. This isn't

400
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an area I can instruct her, And so they'd find me,

401
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you know, art lessons at the library and things like that.

402
00:20:42,920 --> 00:20:47,799
I watched Bob Ross's religious yeah, oh yeah. And you know,

403
00:20:47,880 --> 00:20:51,039
both my parents have their artistic focus. Like my dad

404
00:20:51,119 --> 00:20:53,480
was photography growing up and now he makes amazing award

405
00:20:53,480 --> 00:20:55,960
winning wooden kayaks. He retire so he can he can

406
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do that beautiful thing, and he did it before he retired.

407
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My mom is is a noted fibers artists that goes

408
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around and gives workshops on spinning and weaving and knitting.

409
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I think I think primarily it's the spinning she's into

410
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in the weaving, oh wow.

411
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Speaker 9: But always an artist.

412
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Speaker 10: They just they chose to pursue the fun making for

413
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their right, which is working well for them because they're retired.

414
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Speaker 9: And comfortable now there you you know.

415
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Speaker 10: Both based on my generation and time graduating and choices

416
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of my own career may never happen.

417
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Speaker 9: But we'll work towards it. Sure, sure, but I don't.

418
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Speaker 8: I don't.

419
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Speaker 10: I think even if I were to retire tomorrow, if

420
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I won the lottery or whatever, I'd still do exactly

421
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what I'm doing right now.

422
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Speaker 9: So maybe I am retired.

423
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Speaker 8: Yeah. Yeah. And in terms of in terms of the

424
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art that you create, because you mentioned that you didn't

425
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think or you were uncertain at first when this opportunity

426
00:21:50,960 --> 00:21:53,920
to have your art at the nash is it Nashuell

427
00:21:53,920 --> 00:21:56,640
a public library? Is that digital that you didn't think

428
00:21:56,640 --> 00:21:59,519
you had enough pieces necessarily for I was.

429
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Speaker 9: I was concerned.

430
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Speaker 10: Yeah, And I've been focusing on these small pieces out

431
00:22:03,680 --> 00:22:05,559
of COVID, right, these things that I could travel with,

432
00:22:06,079 --> 00:22:07,880
even taking as I relearned to walk, I had to

433
00:22:07,880 --> 00:22:09,880
relearn to ski, so I would take them up on mountains.

434
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I'd ski a couple runs and sit there for an

435
00:22:11,720 --> 00:22:13,440
hour or two at the lodge and paint and then

436
00:22:13,440 --> 00:22:15,640
ski some more. So, like it's a very very compact.

437
00:22:16,599 --> 00:22:19,039
But then I just started looking back over my like

438
00:22:19,079 --> 00:22:20,960
I just started pulling things out of the woodworks, you know,

439
00:22:21,039 --> 00:22:22,960
like how you store everything, and suddenly I've got a

440
00:22:23,039 --> 00:22:26,079
massive pile of stuff that I can put in and

441
00:22:26,240 --> 00:22:28,319
you know, not limiting myself, right, because I've done a

442
00:22:28,359 --> 00:22:31,680
lot of fashion work, okay, and so there's several mannequins

443
00:22:31,680 --> 00:22:34,119
in the show with various pieces I've created for my

444
00:22:34,240 --> 00:22:38,000
body and other people's bodies. And then that's also why

445
00:22:38,000 --> 00:22:40,119
it's called body work because it does it's all has

446
00:22:40,200 --> 00:22:42,200
to do with the body, the human body as a

447
00:22:42,319 --> 00:22:44,519
biomedical artists. That makes sense because I am just kind

448
00:22:44,519 --> 00:22:47,440
of drawn, is like a special interest. And then it's

449
00:22:47,480 --> 00:22:49,640
not just my body, it's other people's bodies and the

450
00:22:49,759 --> 00:22:51,079
art that goes on their bodies.

451
00:22:51,440 --> 00:22:51,640
Speaker 13: Yeah.

452
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Speaker 8: I wanted to ask you more about that too, because

453
00:22:53,279 --> 00:22:54,759
the name of the show is body of Work, and

454
00:22:54,759 --> 00:22:56,920
I think I think I forgot to mention that earlier.

455
00:22:57,720 --> 00:22:59,559
So yeah, can you expand on that a little bit?

456
00:22:59,599 --> 00:23:01,839
Why let's call that? And what's your inspiration to call

457
00:23:01,839 --> 00:23:02,119
it that?

458
00:23:02,559 --> 00:23:05,039
Speaker 10: It was that that pulling of the art from different

459
00:23:05,039 --> 00:23:08,039
places all over the house. I was like, Okay, this

460
00:23:08,119 --> 00:23:09,880
is what I have. How does this all unite? Like,

461
00:23:09,880 --> 00:23:11,400
if this is all gonna be one show, I either

462
00:23:11,440 --> 00:23:13,599
need to limit it like and give it logs the

463
00:23:13,599 --> 00:23:18,319
white space, or is everything relevant? And I began thinking

464
00:23:18,359 --> 00:23:20,720
about it, and I started looking at pieces that. I

465
00:23:20,759 --> 00:23:22,160
was like, well that's not relevant, but it's got a

466
00:23:22,160 --> 00:23:24,599
skull in it. Well that's that's a body part, right.

467
00:23:25,440 --> 00:23:29,240
This was created in relationship in response to pain in

468
00:23:29,279 --> 00:23:32,440
my body. This was related to my body moving through space.

469
00:23:32,559 --> 00:23:35,319
This was a result of my body needing to rest.

470
00:23:35,920 --> 00:23:39,119
This was me networking with other people and learning about

471
00:23:39,119 --> 00:23:42,279
other people's bodies and helping their bodies engage in art.

472
00:23:42,440 --> 00:23:44,720
And this went on my body. And this is a

473
00:23:44,759 --> 00:23:47,319
T shirt that goes on my body. And this is

474
00:23:47,319 --> 00:23:49,400
a this is a dress form I made of someone

475
00:23:49,559 --> 00:23:51,759
else's body. This is a dress form made of my body.

476
00:23:51,759 --> 00:23:54,920
And I began realizing it was all about the body.

477
00:23:55,119 --> 00:23:56,480
And so it is a little bit of a pun.

478
00:23:56,519 --> 00:23:59,160
I love a good dad pun. So it's like a

479
00:23:59,160 --> 00:24:00,839
body of work that you can call that writ and

480
00:24:01,039 --> 00:24:02,480
artists like, this is my body of work.

481
00:24:03,119 --> 00:24:04,559
Speaker 9: But it's also very.

482
00:24:04,599 --> 00:24:07,960
Speaker 10: Relational to a human body, my human body and the

483
00:24:08,000 --> 00:24:11,119
body of community that is here in New Hampshire through

484
00:24:11,119 --> 00:24:16,079
groups like able and H and others. So it really

485
00:24:16,119 --> 00:24:19,559
came about and I was like, oh, it all, it

486
00:24:19,599 --> 00:24:21,319
all relates. And there are a few pieces I didn't

487
00:24:21,319 --> 00:24:23,400
put in because they didn't relate, even if they were bigger,

488
00:24:23,400 --> 00:24:25,640
like pieces that were more focused on my yard or

489
00:24:25,680 --> 00:24:27,920
my garden. You could make a case for them to

490
00:24:27,920 --> 00:24:29,440
be in. But when I got to it, it really

491
00:24:29,519 --> 00:24:34,480
just I was like, this is it. It's it's about disability,

492
00:24:34,640 --> 00:24:37,359
it's about community, it's about I don't want to say

493
00:24:37,359 --> 00:24:41,160
recovery because that implies like an end, but it's about healing.

494
00:24:41,400 --> 00:24:45,359
Speaker 8: Yeah, are you how are you doing today physically? I

495
00:24:45,359 --> 00:24:46,039
mean at this.

496
00:24:46,079 --> 00:24:49,640
Speaker 10: Point, yeah, it's very interesting. So my n my idiopathic

497
00:24:49,720 --> 00:24:51,400
hypersomnia is well managed.

498
00:24:51,720 --> 00:24:53,440
Speaker 8: The dots of what what is that?

499
00:24:54,119 --> 00:24:56,920
Speaker 10: Yeah, No, it's a form of it's like narcolepsy, and

500
00:24:56,960 --> 00:24:59,519
it means I sleep a lot when I'm not medicated,

501
00:24:59,559 --> 00:25:00,880
so there's a a lot of meds I have to

502
00:25:00,880 --> 00:25:02,400
be on to manage that and to be able to

503
00:25:02,480 --> 00:25:05,480
drive safely and things like that. But it means I

504
00:25:05,559 --> 00:25:07,480
like a really very day, which is great because that's

505
00:25:07,480 --> 00:25:10,160
what I turn gives me, boping between kids and whiting

506
00:25:10,200 --> 00:25:14,400
grants and interacting with people and that's beautiful. And a

507
00:25:14,400 --> 00:25:16,200
lot of it's focused here Manchester, so I can walk

508
00:25:16,240 --> 00:25:19,440
or bike to get there, keeping everything as safe as possible,

509
00:25:20,240 --> 00:25:22,599
so you know, food for thought out there, bike lanes

510
00:25:22,640 --> 00:25:28,079
are an accessibility device, basically infrastructure, because then I can

511
00:25:28,119 --> 00:25:31,599
bike and it keeps everyone safe and me safe. And

512
00:25:31,599 --> 00:25:35,759
then I've got a number of neuralgias where they cause pain.

513
00:25:36,000 --> 00:25:38,559
My hardest one has been pudental neuralgia, but that's been

514
00:25:38,599 --> 00:25:40,279
well treated over the last couple of years. But I

515
00:25:40,279 --> 00:25:42,200
seem to have developed two more, one in my neck

516
00:25:42,200 --> 00:25:43,759
and one in my lower back that I'm going to

517
00:25:43,759 --> 00:25:45,720
see a new neurologist for at the end of the month.

518
00:25:47,039 --> 00:25:50,200
But we also discovered that my digestion. I haven't been

519
00:25:50,200 --> 00:25:52,079
able to digest fat my whole life, So now I've

520
00:25:52,079 --> 00:25:53,920
got great new big Horse pills to take for that.

521
00:25:53,960 --> 00:25:57,279
But it's great so I can eat out. So my

522
00:25:57,359 --> 00:26:00,160
life is really like overall, like if the last time

523
00:26:00,200 --> 00:26:01,640
we talked, if you had asked me like, how are

524
00:26:01,640 --> 00:26:02,759
you doing, I would have been like, oh, I'm a

525
00:26:02,759 --> 00:26:05,079
sick person, but I'm fighting it. And now I feel

526
00:26:05,119 --> 00:26:10,640
like I've hit this equo librium that is doable, and

527
00:26:10,720 --> 00:26:13,119
it changes from day to day. Holy and I fully

528
00:26:13,160 --> 00:26:14,960
admit I took yesterday off and went to the beach,

529
00:26:15,000 --> 00:26:16,720
so that's probably contributing to my really.

530
00:26:16,519 --> 00:26:19,279
Speaker 9: Great feeling today. You have to take rest days.

531
00:26:20,359 --> 00:26:22,160
Speaker 10: But I couldn't go in the water above my waist

532
00:26:22,200 --> 00:26:24,480
because of my new lower back thing. So I'm you know,

533
00:26:24,599 --> 00:26:26,640
that's sad. And I can't stand up patta board right

534
00:26:26,680 --> 00:26:29,839
now because I'm not allowed to twist. Really, but I'm

535
00:26:30,160 --> 00:26:34,599
so in order to stay functional, like at least appearing,

536
00:26:34,920 --> 00:26:36,960
I have to do a lot of physical therapy. So

537
00:26:37,240 --> 00:26:40,400
like I work with a physical therapist outside the insurance

538
00:26:40,440 --> 00:26:43,119
companies because they don't want to pay for all the

539
00:26:43,200 --> 00:26:45,400
visits I actually need, and I pay her monthly and

540
00:26:45,440 --> 00:26:47,039
she gives me workouts and I do them. So I

541
00:26:47,079 --> 00:26:49,599
work out like an hour to two hours most days,

542
00:26:51,039 --> 00:26:55,160
and it's I love it. I love that I can

543
00:26:55,279 --> 00:26:57,359
do that, like I'm at a place in my life,

544
00:26:57,440 --> 00:26:59,039
but it does it means I have to focus on

545
00:26:59,079 --> 00:27:02,279
my body like time is more than other people. But

546
00:27:02,400 --> 00:27:04,759
ultimately I'm in a good spot.

547
00:27:05,319 --> 00:27:05,480
Speaker 8: Good.

548
00:27:05,480 --> 00:27:06,319
Speaker 9: Thanks for asking.

549
00:27:06,359 --> 00:27:09,319
Speaker 10: It's nice that I get to say that this time.

550
00:27:09,240 --> 00:27:11,599
Speaker 8: Yeah, isn't it? And this was all, by the way,

551
00:27:11,599 --> 00:27:13,079
So this was all the result of COVID.

552
00:27:13,240 --> 00:27:15,480
Speaker 10: Oh, not a result. COVID had an effect. It did

553
00:27:15,519 --> 00:27:19,240
affect my heart, so I lost the ability to walk

554
00:27:19,359 --> 00:27:22,400
because I ran a triathlon and it turns out a

555
00:27:22,480 --> 00:27:25,640
tenon in my leg was turning the bone, which is

556
00:27:25,680 --> 00:27:28,640
not supposed to happen, and they had to remove that.

557
00:27:28,720 --> 00:27:30,160
And then so the amount of time that I was

558
00:27:30,200 --> 00:27:33,039
immobilized before the surgery and then trying to relearn to

559
00:27:33,039 --> 00:27:36,680
walk was caused all that. And then so the narcolepsy

560
00:27:37,079 --> 00:27:40,359
or the idiopathic hypersomnia I ate. Narclepsy is like the

561
00:27:40,400 --> 00:27:44,599
coverall term. It's a form of that. I got started

562
00:27:44,599 --> 00:27:47,480
beting diagnosed in like my late twenties, but I'd probably

563
00:27:47,519 --> 00:27:49,359
been suffering through it all through college. Like I was

564
00:27:49,440 --> 00:27:51,920
a regular ten hour a day sleeper in college. I

565
00:27:51,960 --> 00:27:55,319
never pulled all nighters, very regimented schedules so that I

566
00:27:55,319 --> 00:27:58,799
could function. And I do have like a little bit

567
00:27:58,839 --> 00:28:02,200
of challenge with my heart COVID. It just doesn't respond

568
00:28:02,279 --> 00:28:05,160
the way it should during exercise. Okay, but my physical

569
00:28:05,200 --> 00:28:08,160
therapist gives me exercises. It's like this, really like I've

570
00:28:08,160 --> 00:28:10,519
always been like a battler of exercise, Like give me

571
00:28:10,519 --> 00:28:12,000
the bike and let me go up the hill as

572
00:28:12,000 --> 00:28:15,759
hard as I can. Yeah, but you know she's focused

573
00:28:15,799 --> 00:28:18,240
way more on this gentle stuff that's hopefully just gonna

574
00:28:18,279 --> 00:28:20,400
try to heal the blood vessels and the heart from

575
00:28:20,400 --> 00:28:21,920
all that, and it may be something that I have

576
00:28:22,000 --> 00:28:23,920
for the rest of my life, but I'll continue fighting

577
00:28:23,960 --> 00:28:26,079
it because I want to be a healthy eighty year old.

578
00:28:26,240 --> 00:28:29,920
Speaker 8: Yeah of course. Yeah. Wow, Well, I'm glad you're doing

579
00:28:29,920 --> 00:28:33,000
so much better though. That's excellent. Do you now do

580
00:28:33,000 --> 00:28:34,880
you have more art shows planned after this one?

581
00:28:35,279 --> 00:28:37,960
Speaker 10: I'm gonna look at talking. I haven't done this yet,

582
00:28:38,000 --> 00:28:41,119
so I'll reach out. But the Manchester Arts Commission usually

583
00:28:41,160 --> 00:28:43,960
allows artwork to be displayed at City Hall, and so

584
00:28:44,039 --> 00:28:46,319
for the show in Nashville, I had to purchase insurance

585
00:28:46,759 --> 00:28:49,359
for my artwork, so I figure while I have the insurance,

586
00:28:49,400 --> 00:28:51,799
i'll do it there as well. These places city places

587
00:28:51,799 --> 00:28:54,240
don't have the insurance like a gallery does, Okay, so,

588
00:28:54,279 --> 00:28:56,000
and I want to protect my work, so I think

589
00:28:56,039 --> 00:28:57,559
I'll try to reach out and try to do a

590
00:28:57,599 --> 00:29:01,279
show at City Hall. Okay, But I don't have any

591
00:29:01,319 --> 00:29:04,240
shows after that plan. But if you're looking for more shows,

592
00:29:04,240 --> 00:29:07,559
I always recommend checking out Positive Street Art and Mosaic

593
00:29:07,640 --> 00:29:12,519
Art Collective because they're always doing fantastic things. I just yeah,

594
00:29:12,640 --> 00:29:14,000
I love everything they're doing.

595
00:29:14,119 --> 00:29:18,000
Speaker 8: Yeah. Yeah, Jenny's had her art at Mosaic and also

596
00:29:18,079 --> 00:29:20,119
at Terminus Underground in Nashua.

597
00:29:20,279 --> 00:29:20,839
Speaker 9: Fantastic.

598
00:29:20,920 --> 00:29:24,799
Speaker 8: Yeah, yes, absolutely absolutely. I didn't know insurance. I didn't

599
00:29:24,799 --> 00:29:26,759
know that was a thing for I guess it makes sense.

600
00:29:26,799 --> 00:29:30,240
Speaker 10: So when all of your life's artwork is all at

601
00:29:30,319 --> 00:29:32,799
one room that so many people have access to, I'm

602
00:29:32,799 --> 00:29:34,119
not leaving it on insurance.

603
00:29:34,240 --> 00:29:35,920
Speaker 8: Yeah, no, that makes sense.

604
00:29:36,880 --> 00:29:39,640
Speaker 10: Like it's it's like I would, I will part with

605
00:29:39,799 --> 00:29:41,960
just about all of it for a certain price.

606
00:29:41,880 --> 00:29:43,799
Speaker 8: But right right, yeah.

607
00:29:43,960 --> 00:29:46,480
Speaker 10: But at the same time, it's it is my creation

608
00:29:46,839 --> 00:29:49,319
and I don't have children, So I guess that's it.

609
00:29:49,720 --> 00:29:53,240
Speaker 8: Oh, there you go, there you go, very good. So

610
00:29:53,400 --> 00:29:56,200
now where should people go online to I assume I mean,

611
00:29:56,200 --> 00:29:57,799
obviously you want people to go to the show on

612
00:29:57,839 --> 00:30:02,079
the fourteenth, please do Also, I mean, is there art online?

613
00:30:02,119 --> 00:30:03,279
I assume I assume it is.

614
00:30:03,519 --> 00:30:07,519
Speaker 10: Yeah, my my website bioside Creative so b io s

615
00:30:07,720 --> 00:30:11,519
ci creative dot com has has all the artwork there,

616
00:30:11,519 --> 00:30:13,079
and you can even purchase any of it that you want,

617
00:30:13,079 --> 00:30:15,079
including the stickers or prints or the whole on art

618
00:30:15,119 --> 00:30:16,519
if you're that kind of wealthy.

619
00:30:17,599 --> 00:30:17,920
Speaker 9: I'm not.

620
00:30:18,359 --> 00:30:20,319
Speaker 10: I'm not wealthy enough to purchase my own art. That's Okay,

621
00:30:20,359 --> 00:30:22,480
it took so much time for those expensive pieces. But

622
00:30:23,319 --> 00:30:25,440
and then you can also follow me on Instagram and

623
00:30:25,480 --> 00:30:29,119
that's the same bioside creative. And the library has on

624
00:30:29,200 --> 00:30:33,440
their events page the details of the event posted and

625
00:30:33,440 --> 00:30:35,079
and do come and let me know you're coming because

626
00:30:35,079 --> 00:30:37,519
we're getting cake. So I'm trying to cake for everyone.

627
00:30:37,680 --> 00:30:42,200
Speaker 8: Nice. By the way, is there anyone else you've met

628
00:30:42,359 --> 00:30:46,319
or connected with who uses that term biomedical art?

629
00:30:47,160 --> 00:30:50,480
Speaker 10: So the so medical illustration is the old school word

630
00:30:50,559 --> 00:30:53,200
for it, and the degree program I was in at

631
00:30:53,200 --> 00:30:56,119
the Cleveland Institute of Art decided to expand it because

632
00:30:56,119 --> 00:30:56,599
that was a.

633
00:30:56,519 --> 00:30:58,799
Speaker 9: Little old school, okay, and.

634
00:30:59,079 --> 00:31:01,480
Speaker 10: Biomedical artists do a lot more like I ended up

635
00:31:01,759 --> 00:31:04,799
through concentrating on different things with like a minor in

636
00:31:05,079 --> 00:31:11,039
technology integrated media, so like video editing, robotics and programming,

637
00:31:11,559 --> 00:31:14,279
web development, that kind of thing I ended up with,

638
00:31:14,319 --> 00:31:16,720
and that's still biomedical art and still used, like, oh,

639
00:31:17,319 --> 00:31:20,440
it's very relevant. Of course, three D modeling and animation

640
00:31:20,720 --> 00:31:24,359
is huge in that field because it's used a lot

641
00:31:24,359 --> 00:31:27,039
in that degree program changed their name to be a

642
00:31:27,119 --> 00:31:30,079
little more modern, but you can think, you know, time

643
00:31:30,119 --> 00:31:35,000
goes back to like Leonardo da Vinci Alberch, Duerr Gray

644
00:31:35,359 --> 00:31:38,599
of course, of Grey's Anatomy, not the television show Netter.

645
00:31:39,039 --> 00:31:41,680
These are all people, famous people. But if you open

646
00:31:41,759 --> 00:31:44,000
up any science book that you get in you know,

647
00:31:44,039 --> 00:31:47,200
elementary school, high school, college, and there's drawings in it.

648
00:31:47,240 --> 00:31:48,279
Speaker 9: Someone had to do those.

649
00:31:48,920 --> 00:31:52,319
Speaker 10: So that's like the old school, low paid aspect of

650
00:31:52,359 --> 00:31:54,799
the job. But eventually if you start working with startups

651
00:31:54,799 --> 00:31:58,200
and education materials. My favorite is taking like ideas from

652
00:31:58,279 --> 00:32:01,119
a physician and putting it in a way that everyone

653
00:32:01,160 --> 00:32:03,440
else can understand. It really is like a science communication

654
00:32:03,559 --> 00:32:06,519
field where through my drawings and maybe even my writings

655
00:32:06,519 --> 00:32:08,119
now at this point, because I've gotten better at writing,

656
00:32:08,200 --> 00:32:12,359
I can communicate this idea from the idea originator, you know,

657
00:32:12,400 --> 00:32:14,680
a doctor with a new procedure to other people either

658
00:32:14,680 --> 00:32:16,079
in their field that need to learn it or to

659
00:32:16,160 --> 00:32:18,000
a patient who needs to understand what's going on.

660
00:32:18,240 --> 00:32:20,839
Speaker 8: Yeah, okay, now that's interesting to me because I didn't

661
00:32:20,839 --> 00:32:22,640
know you know that term biomedical art. I didn't know

662
00:32:22,640 --> 00:32:24,519
if that was something that a term that you had

663
00:32:24,519 --> 00:32:26,480
come up with specifically for what you do, or if

664
00:32:26,480 --> 00:32:28,559
this was a broader thing. But apparently it is.

665
00:32:28,839 --> 00:32:29,039
Speaker 14: It is.

666
00:32:29,880 --> 00:32:33,599
Speaker 10: Yeah, si art is the other one. Yeah, okay, it's

667
00:32:33,599 --> 00:32:35,880
a hashtag. I think there's a thing on Sundays or something.

668
00:32:35,960 --> 00:32:38,559
Speaker 8: Yeah, oh, okay, okay. And by the way, do you

669
00:32:38,599 --> 00:32:42,200
hear from people who've if people reached out to you,

670
00:32:42,200 --> 00:32:46,240
either who who've gone and seen in person in Nashua

671
00:32:46,480 --> 00:32:48,759
or maybe just looked online and have said, you know this,

672
00:32:50,119 --> 00:32:51,440
you know I can relate to this.

673
00:32:51,799 --> 00:32:54,119
Speaker 10: Yeah, a lot of people have said it, And even

674
00:32:54,160 --> 00:32:55,880
one comment was, you know, just getting to know you

675
00:32:55,920 --> 00:32:58,160
better because there is you know, writing in those some

676
00:32:58,200 --> 00:33:00,799
of those pieces that talks about medical stuff that may

677
00:33:00,799 --> 00:33:03,039
not come up in everyday conversation. I'm fully willing to

678
00:33:03,079 --> 00:33:05,240
talk about it, but I don't want to know down

679
00:33:05,319 --> 00:33:08,559
everyone on your medical stuff all the time. But it's

680
00:33:08,559 --> 00:33:10,200
there if they want to read it. And people reach

681
00:33:10,240 --> 00:33:11,640
out and said, you know, it's really great to know

682
00:33:11,720 --> 00:33:14,960
these things about you, And then you know others have

683
00:33:15,039 --> 00:33:16,640
reached out and been like, you know, you're talking about

684
00:33:16,640 --> 00:33:18,680
this gravel to have a gravel piece that talks about

685
00:33:18,960 --> 00:33:20,559
how hard it was to get to a restaurant because

686
00:33:20,559 --> 00:33:23,279
they said their space was accessible, but it was gravel

687
00:33:23,720 --> 00:33:25,759
and I was in a wheelchair so I couldn't get there.

688
00:33:26,799 --> 00:33:30,799
So I had to be transported by another individual, and

689
00:33:32,200 --> 00:33:33,759
she came up to me and was like, this is

690
00:33:33,839 --> 00:33:36,799
like so exactly what I'm experiencing, like going to the beach,

691
00:33:36,880 --> 00:33:39,799
trying to walk on the beach, and I remember that too.

692
00:33:39,839 --> 00:33:41,480
I had friends that helped me get to the water

693
00:33:41,519 --> 00:33:47,559
because it's so rejuvenating for me. And you don't know

694
00:33:48,160 --> 00:33:51,119
until you've experienced just how hard that is.

695
00:33:52,720 --> 00:33:56,839
Speaker 12: The aspect of your own independence and freedom is huge.

696
00:33:58,799 --> 00:34:01,359
I have problems with my vision, amongst other things. As

697
00:34:01,400 --> 00:34:06,240
you know, I get transportation assistant sometimes through volunteers, through

698
00:34:06,279 --> 00:34:10,000
new futures in sight and to be able to make

699
00:34:10,039 --> 00:34:13,239
an arrangement to go to my appointment or to have

700
00:34:13,280 --> 00:34:16,079
a test on and not have to ask a friend

701
00:34:16,679 --> 00:34:19,360
or look for a favor, but it's an actual volunteer

702
00:34:19,400 --> 00:34:22,199
who wants to do this, and I get to make

703
00:34:22,199 --> 00:34:26,360
the arrangement on my own, And that titch of independence

704
00:34:26,559 --> 00:34:29,599
is so huge, and it's given me back a little

705
00:34:29,599 --> 00:34:33,440
bit of dignity that I didn't have prior to having

706
00:34:33,519 --> 00:34:37,480
access to transportation assistance. And you may not think about that,

707
00:34:37,559 --> 00:34:40,840
but if you're somebody that maybe has a little time

708
00:34:40,960 --> 00:34:43,639
during the day, if you help somebody get to a

709
00:34:43,639 --> 00:34:46,280
doctor's appointment or get to a place to pick up

710
00:34:46,280 --> 00:34:50,719
their prescription. Even that is so huge for that individual

711
00:34:50,840 --> 00:34:54,679
to feel strong in self and not feel like a

712
00:34:54,679 --> 00:34:59,159
burden or a problem or the constant oh God, don't

713
00:34:59,199 --> 00:35:02,000
answer the phone me to ry That is like the

714
00:35:02,039 --> 00:35:05,239
worst thing in the world is losing your ability to

715
00:35:05,360 --> 00:35:06,760
transport yourself.

716
00:35:07,159 --> 00:35:11,440
Speaker 10: Yes, And I can relate so much because before this

717
00:35:11,480 --> 00:35:14,519
current med that I'm on for my sleep challenges, I needed.

718
00:35:14,559 --> 00:35:16,239
If I was an evening event, I always needed to

719
00:35:16,320 --> 00:35:18,400
go with a friend because I was driving home. It

720
00:35:18,519 --> 00:35:20,320
just I wasn't willing to risk it. I've never had

721
00:35:20,320 --> 00:35:22,199
an accent because of it, but I'm not willing to

722
00:35:22,280 --> 00:35:25,079
hurt someone else because of my own hurts. Right, and

723
00:35:25,159 --> 00:35:28,119
now with this met I'm a lot more comfortable, you know,

724
00:35:28,599 --> 00:35:31,199
being able to like and so much and small business

725
00:35:31,239 --> 00:35:34,000
happens at these evenings of events, you know, just networking

726
00:35:34,039 --> 00:35:37,119
and connecting, and it was really hampering my growth. And

727
00:35:37,159 --> 00:35:39,280
now that I can do this, we've exploded in our

728
00:35:39,320 --> 00:35:40,800
connections with other nonprofits.

729
00:35:41,199 --> 00:35:45,599
Speaker 12: And especially when you have a disability or something that's

730
00:35:45,639 --> 00:35:47,280
going on, the end of the day is like the

731
00:35:47,320 --> 00:35:48,719
worst because you don't know what you got.

732
00:35:48,880 --> 00:35:50,039
Speaker 8: You don't know what you got left.

733
00:35:50,719 --> 00:35:52,960
Speaker 12: You know, you've tried to space out your time and like,

734
00:35:53,000 --> 00:35:55,519
I'm well, they're gonna use one spoon. I'm saving some

735
00:35:55,679 --> 00:35:58,079
for later. And then you get to that end of

736
00:35:58,119 --> 00:36:00,639
the day. It's so hard and you have to push

737
00:36:00,760 --> 00:36:04,760
through and it's I love everything that you are doing.

738
00:36:04,880 --> 00:36:06,239
Speaker 8: What you're doing.

739
00:36:06,039 --> 00:36:11,199
Speaker 12: For people like myself, disabled people and people who want

740
00:36:11,239 --> 00:36:14,199
to be expressive, people who want to experience life on

741
00:36:14,239 --> 00:36:17,280
their own terms. You give them that and that is

742
00:36:17,400 --> 00:36:18,800
such a huge thing.

743
00:36:19,199 --> 00:36:20,360
Speaker 9: Thank you.

744
00:36:20,360 --> 00:36:24,440
Speaker 12: You don't really it's so you know, it's one of

745
00:36:24,480 --> 00:36:27,159
those things that it really stinks, but I can't explain

746
00:36:27,199 --> 00:36:29,440
to you what it feels like unless you've lived it,

747
00:36:29,480 --> 00:36:32,079
and I hope to. Like, heck, you never live ever.

748
00:36:33,039 --> 00:36:35,519
You don't want anybody else in your shoes. But if

749
00:36:35,559 --> 00:36:38,840
that little bit of monoicum of understanding comes out of anything,

750
00:36:39,880 --> 00:36:42,440
it is such a big deal for everybody in our

751
00:36:42,480 --> 00:36:44,880
community and right, and isn't that like most It's one

752
00:36:44,880 --> 00:36:47,320
thing I love about New Hampshire and the City of

753
00:36:47,320 --> 00:36:50,360
Manchester is there's a lot of community here. There's a

754
00:36:50,440 --> 00:36:52,519
lot of people that you put these few people in

755
00:36:52,519 --> 00:36:56,119
a room together and it's amazing what can explode for kiddos,

756
00:36:56,320 --> 00:36:59,320
for people to disability, just for average anybody, you know,

757
00:36:59,440 --> 00:37:01,280
just to have somebody of that in the community that

758
00:37:01,360 --> 00:37:04,159
smiles and says, hey, you exist and I really care

759
00:37:04,199 --> 00:37:07,280
about you. It's something that I think is kind of

760
00:37:07,360 --> 00:37:08,719
unique around here.

761
00:37:08,840 --> 00:37:11,760
Speaker 10: We're still small enough that those individual meetings, groups of

762
00:37:11,800 --> 00:37:13,960
people can get together and make a difference. And I'm

763
00:37:14,000 --> 00:37:16,079
seeing it now on Pine Street right they're repaving it

764
00:37:16,119 --> 00:37:18,000
and they're redoing the curb cuts. I don't know if

765
00:37:18,000 --> 00:37:21,199
you've noticed, but those curb cuts, the tactile stripping has

766
00:37:21,280 --> 00:37:23,960
been falling apart because they chose to try plastic product

767
00:37:24,000 --> 00:37:26,639
and it didn't work. So they're redoing all those curb cuts.

768
00:37:26,920 --> 00:37:28,840
And they're going to put that bike lane on Pine Street,

769
00:37:28,880 --> 00:37:31,599
which is fantastic. That will make me getting around because

770
00:37:31,639 --> 00:37:33,599
I live just off of Pine Street so much easier.

771
00:37:34,039 --> 00:37:35,280
Speaker 9: So's there's other.

772
00:37:35,119 --> 00:37:37,960
Speaker 10: Things like if driving isn't your thing, if you're like antisocial,

773
00:37:38,199 --> 00:37:40,360
like I get it. I sometimes then if getting to

774
00:37:40,400 --> 00:37:43,039
know someone new is hard, you know, using that click

775
00:37:43,039 --> 00:37:45,639
fix on Manchester to point out like a curb cut

776
00:37:45,679 --> 00:37:48,199
that has broken so someone using a stroller or a

777
00:37:48,239 --> 00:37:49,800
wheelchair can't get up or down.

778
00:37:49,800 --> 00:37:50,559
Speaker 9: It can be a.

779
00:37:50,639 --> 00:37:52,800
Speaker 10: Huge thing that the city knows where those things are

780
00:37:52,840 --> 00:37:55,480
to repair them, or that the tactile strips for people

781
00:37:55,639 --> 00:37:59,400
vision challenges, you know, if they're disappearing, then they may

782
00:37:59,480 --> 00:38:01,519
cross it wrong spot and get hurt, and we don't

783
00:38:01,519 --> 00:38:04,880
want that. So noting where sidewalks are because sidewalks are

784
00:38:04,920 --> 00:38:07,639
a big part of independence for people who are mobile

785
00:38:07,880 --> 00:38:10,920
but have other disabilities for getting around the city.

786
00:38:10,800 --> 00:38:14,239
Speaker 12: Especially with folks who are in wheelchairs, because you cannot

787
00:38:14,440 --> 00:38:18,039
bounce a wheelchair up a curve. It hurts and you cannot.

788
00:38:18,079 --> 00:38:20,559
And that's a huge one if I ask of anybody

789
00:38:20,599 --> 00:38:23,280
of anything in this city. My biggest pet peeve is

790
00:38:23,360 --> 00:38:26,360
people who park in handicapped spaces are on the lines.

791
00:38:26,760 --> 00:38:29,639
Oh but I'm just getting I'm just getting my dinner. Yeah,

792
00:38:29,639 --> 00:38:31,840
but the person in the wheelchair can't get out of

793
00:38:31,880 --> 00:38:35,039
their car now because you're parked on the lines. And

794
00:38:35,119 --> 00:38:37,280
maybe that person was going to go to an event

795
00:38:37,320 --> 00:38:40,159
downtown right like local Racks or whatever, and now they

796
00:38:40,159 --> 00:38:42,920
can't get out of their car to go because you've

797
00:38:42,960 --> 00:38:45,920
parked your car on the lines just because you need

798
00:38:45,960 --> 00:38:46,480
a minute.

799
00:38:46,639 --> 00:38:47,239
Speaker 8: Don't do it.

800
00:38:48,119 --> 00:38:49,239
Speaker 12: Please stop doing.

801
00:38:49,119 --> 00:38:50,599
Speaker 8: See that A lot on Elm Street.

802
00:38:50,559 --> 00:38:52,760
Speaker 10: Or parking on the sidewalks. Our sidewalks aren't designed for

803
00:38:52,800 --> 00:38:54,639
the weight of your vehicle, and it destroys them. And

804
00:38:54,679 --> 00:38:57,159
we don't have the budgets to keep repairing sidewalks caused

805
00:38:57,159 --> 00:39:00,840
by vehicular unplanned travel. Right, there were a number of

806
00:39:01,000 --> 00:39:05,440
businesses around Manchester that while I was using an accessibility

807
00:39:05,440 --> 00:39:08,199
placard and unable to walk, that I would you know,

808
00:39:08,679 --> 00:39:10,519
I see it. I see it, the people parking in

809
00:39:10,559 --> 00:39:13,119
the spots without tags, and I would I would go

810
00:39:13,119 --> 00:39:14,920
to do my grocery shopping. Now I couldn'tunload the car,

811
00:39:14,920 --> 00:39:16,360
but I could get the groceries, and if I timed

812
00:39:16,400 --> 00:39:18,000
it just right, my husband could bring them in right

813
00:39:18,159 --> 00:39:20,320
and then, and so I would still contributing to the family,

814
00:39:20,360 --> 00:39:22,920
which I wanted to do, right And I would go,

815
00:39:22,960 --> 00:39:25,519
I'd get and I couldn't find a parking spot because

816
00:39:25,559 --> 00:39:28,000
they were full of people without hangtags. And I went

817
00:39:28,000 --> 00:39:29,559
into some of these places and said, you know that

818
00:39:29,800 --> 00:39:32,360
this is happening, and they're like, oh, that's not a

819
00:39:32,360 --> 00:39:36,119
priority for us, right right, like talk about sending me

820
00:39:36,159 --> 00:39:40,360
home crying that way, Like okay, so grocery can't get done, honey, Sorry.

821
00:39:40,119 --> 00:39:42,360
Speaker 12: Yeah, I can't get milk, can't get eggs, can't get bread.

822
00:39:42,519 --> 00:39:45,440
It's that serious, right, It's that significant to be able

823
00:39:45,480 --> 00:39:47,920
to have food in your home, you have to be

824
00:39:47,920 --> 00:39:49,960
able to get out of the car and back into

825
00:39:50,000 --> 00:39:53,199
it safely with everything that you need. So those spots

826
00:39:53,199 --> 00:39:56,440
are really a big deal. It's not a convenience thing

827
00:39:56,519 --> 00:39:59,079
or I'm just running in. This is about somebody being

828
00:39:59,119 --> 00:40:00,800
able to live their life to the fullest in our

829
00:40:00,840 --> 00:40:03,320
city and enjoy everything our city has to offer and

830
00:40:03,639 --> 00:40:06,800
get the basics stuff. Yeah, well most important.

831
00:40:06,360 --> 00:40:08,679
Speaker 10: And I'll mention it, you know, the door dash drivers

832
00:40:08,679 --> 00:40:11,480
and things. Parking, Yes, spots downtown. I hate that in

833
00:40:11,519 --> 00:40:12,840
the restaurants.

834
00:40:12,639 --> 00:40:13,880
Speaker 12: Especially on Elm Street.

835
00:40:14,119 --> 00:40:19,800
Speaker 10: Oh my goodness, stop doing it. Don't be so lazy,

836
00:40:19,880 --> 00:40:22,280
all right, And you can always call parking. Manchester Parking

837
00:40:22,280 --> 00:40:24,320
Apparently they say they like those tickets because they're more

838
00:40:24,360 --> 00:40:25,239
expensive tickets.

839
00:40:25,400 --> 00:40:27,239
Speaker 12: Yeah, they keep raising it, but people still doing it.

840
00:40:27,280 --> 00:40:29,639
I think somewhere around five hundred, I think.

841
00:40:29,519 --> 00:40:32,400
Speaker 10: I yeah, but you can call parking. You know that

842
00:40:32,599 --> 00:40:33,760
that helps a person out too.

843
00:40:34,400 --> 00:40:36,559
Speaker 12: I did once have that happen on Elm Street, and

844
00:40:36,599 --> 00:40:39,199
it was a glorious day because there's never usually somebody

845
00:40:39,199 --> 00:40:42,159
around when you Yeah, and somebody literally pulled in in

846
00:40:42,159 --> 00:40:45,440
front of me and I'm telling this person get out. Yeah,

847
00:40:45,519 --> 00:40:48,559
you're stopping somebody from Like this is a big deal.

848
00:40:48,599 --> 00:40:52,000
You can't block the way to get onto the curve, no,

849
00:40:52,159 --> 00:40:54,599
Like the curb cutouts you're talking about are essential for

850
00:40:54,639 --> 00:40:57,400
people to be able to actually get onto the sidewalk

851
00:40:57,800 --> 00:40:59,440
or they are stuck in the street.

852
00:41:00,039 --> 00:41:01,480
Speaker 10: And you don't want to be stuck in the street

853
00:41:01,480 --> 00:41:04,679
when you're seated below eye level, right, or if.

854
00:41:04,599 --> 00:41:07,880
Speaker 12: You're using a navigational cane. Oh yeah, I have death

855
00:41:07,920 --> 00:41:12,000
procession issues in certain situations I need to I don't

856
00:41:12,000 --> 00:41:13,960
want to be in the street. That's like the worst

857
00:41:13,960 --> 00:41:16,000
place in the world to me, because they're more likely

858
00:41:16,039 --> 00:41:18,599
to be pitfalls, you know, to fall into and then

859
00:41:18,639 --> 00:41:20,400
you get a new injury and a new issue, a

860
00:41:20,440 --> 00:41:21,039
new problem.

861
00:41:21,159 --> 00:41:24,280
Speaker 10: That's definitely happened to me too. Yes, And it's not

862
00:41:24,440 --> 00:41:26,920
just people with disabilities that benefit from these things too,

863
00:41:27,079 --> 00:41:30,119
like moms and dads with strollers, that's a big thing.

864
00:41:30,400 --> 00:41:32,800
Little dogs that have trouble jumping up the curve. Those

865
00:41:32,840 --> 00:41:35,599
little dogs are benefiting too. Like, you know, I say

866
00:41:35,599 --> 00:41:37,960
this jokingly, but there's a lot of benefit to those

867
00:41:38,000 --> 00:41:41,920
infrastructure plans that we have, and we we need to

868
00:41:41,920 --> 00:41:44,239
respect them so that the whole world is a better place.

869
00:41:44,320 --> 00:41:46,239
Speaker 12: And if you want people to be involved in the

870
00:41:46,239 --> 00:41:49,880
world around you, you have to make it accessible. Yeahred percent,

871
00:41:49,920 --> 00:41:53,079
I love how you use your artwork. I really love

872
00:41:53,119 --> 00:41:56,840
how you use your artwork to express the importance of

873
00:41:56,920 --> 00:42:00,320
these things, but in the most creative ways. And it's

874
00:42:00,360 --> 00:42:03,719
interesting to hear you talk about the anatomy and the

875
00:42:03,840 --> 00:42:05,800
art of the anatomy, right, because I never thought about

876
00:42:05,800 --> 00:42:07,719
that would go to school, Like I never thought about

877
00:42:07,719 --> 00:42:08,480
my anatomy book.

878
00:42:08,480 --> 00:42:10,159
Speaker 9: Who threw this stuff? Someone?

879
00:42:10,599 --> 00:42:12,920
Speaker 12: Somebody did do this stuff. But I have a friend,

880
00:42:13,320 --> 00:42:17,360
Megan Bent, who's an artist that does chlorophyll work on

881
00:42:17,480 --> 00:42:23,719
leaves where you she's imprinting imagery onto the leaf and

882
00:42:23,760 --> 00:42:26,440
she's done things like with spines and things like that.

883
00:42:26,760 --> 00:42:28,159
Speaker 8: I think you totally like, ve.

884
00:42:28,199 --> 00:42:30,639
Speaker 9: Got to check that out. I don't know anything about her.

885
00:42:30,559 --> 00:42:32,920
Speaker 12: When you were talking. That's I was thinking about that.

886
00:42:32,960 --> 00:42:34,679
I like, you have to know this person. You have

887
00:42:34,719 --> 00:42:37,639
to meet this artist. She's an amazing artist, amazing activist,

888
00:42:38,440 --> 00:42:40,360
very much in the fight to make sure people have

889
00:42:40,440 --> 00:42:43,039
health care accessibility. So you know, you and I could

890
00:42:43,039 --> 00:42:44,360
probably talk about that forever in a.

891
00:42:44,360 --> 00:42:46,960
Speaker 9: Day, forever, it would never end. We'd write a book,

892
00:42:48,000 --> 00:42:48,599
probably ten.

893
00:42:51,159 --> 00:42:53,519
Speaker 8: Well, we got to the time does go quickly. We

894
00:42:53,840 --> 00:42:55,440
need to start to wrap up. But before we do,

895
00:42:55,519 --> 00:42:57,679
I want to make sure, so again, remind everybody about

896
00:42:57,880 --> 00:42:59,559
the fourteenth and Nashua.

897
00:42:59,440 --> 00:43:03,320
Speaker 10: Six block Nashua Public Library downstairs. You can get there

898
00:43:03,320 --> 00:43:06,280
with an elevator or the stairs. And I'm gonna have

899
00:43:06,320 --> 00:43:08,800
cake because we've decided to turn it into my fortieth

900
00:43:08,800 --> 00:43:10,199
birthday celebration as well.

901
00:43:10,280 --> 00:43:11,519
Speaker 8: Happy birthday, thank you.

902
00:43:11,639 --> 00:43:15,800
Speaker 10: Yeah, yeah, fortieth and glorious and yeah, just you know,

903
00:43:15,800 --> 00:43:18,000
if you can send me a quick message let me

904
00:43:18,000 --> 00:43:19,039
know you're coming, so I can make sure I have

905
00:43:19,119 --> 00:43:19,480
enough cake.

906
00:43:19,480 --> 00:43:20,000
Speaker 9: That's awesome.

907
00:43:20,000 --> 00:43:22,039
Speaker 10: If you don't, you know, just come anyways, we'll figure

908
00:43:22,039 --> 00:43:23,119
it out. We'll cut half slices.

909
00:43:23,159 --> 00:43:23,599
Speaker 9: I don't care.

910
00:43:23,679 --> 00:43:26,800
Speaker 10: Yeah, but it's it's gonna be a showing on my work. Actually,

911
00:43:26,840 --> 00:43:29,039
gon have Jasmine Man there playing a little bit of music.

912
00:43:29,079 --> 00:43:31,840
I want to her on the show and I love her,

913
00:43:32,480 --> 00:43:36,400
and I'm gonna have mocktails as well, so like see, yeah,

914
00:43:36,440 --> 00:43:38,800
it's gonna be great and it's at the public Library,

915
00:43:38,800 --> 00:43:40,440
So anyone can come in and check it out. It's

916
00:43:40,480 --> 00:43:42,559
it's gonna be a party. I really hope everyone comes

917
00:43:42,559 --> 00:43:45,079
out and just kind of flourishes a little bit together.

918
00:43:45,360 --> 00:43:49,280
Speaker 8: Outstanding, outstanding, And tell people again where they should go online.

919
00:43:49,079 --> 00:43:52,480
Speaker 10: To bios Yeah yeah, biosci Creative dot com. So it's

920
00:43:52,599 --> 00:43:55,280
b io s C. I not a lot of people

921
00:43:55,320 --> 00:43:58,800
like p s I No, no, no, it's s C.

922
00:43:59,000 --> 00:44:01,960
I like science Bio Sidecreative dot com. And then on

923
00:44:02,000 --> 00:44:05,639
Instagram to do follow me on Instagram, I post like

924
00:44:05,800 --> 00:44:08,760
sneak shots of the show. Once the show comes down,

925
00:44:08,760 --> 00:44:10,360
I'll post full shots, but right now it's just sneak

926
00:44:10,360 --> 00:44:12,360
shots because I want you to go if you can. Yeah,

927
00:44:12,360 --> 00:44:14,079
but not everyone can. I get that, so you will

928
00:44:14,119 --> 00:44:18,000
get shots later on. Okay, it's an accessibility thing, sure,

929
00:44:18,599 --> 00:44:20,320
and then you know, you can always look at uncharted

930
00:44:20,360 --> 00:44:22,079
as well if you were more interested in the kiddo

931
00:44:22,159 --> 00:44:22,920
stuff I get to do.

932
00:44:23,119 --> 00:44:25,639
Speaker 12: Okay, And the event at the Nationale Public Library is

933
00:44:25,639 --> 00:44:26,400
at six pm.

934
00:44:26,519 --> 00:44:29,400
Speaker 9: Six pm, that's right, excellent until seven thirty.

935
00:44:29,599 --> 00:44:33,000
Speaker 8: All right, well, very good, very good, well Amber, Nicole Cannon,

936
00:44:33,039 --> 00:44:33,840
thank you so much.

937
00:44:33,960 --> 00:44:35,519
Speaker 9: Thank you for having me. This is fun.

938
00:44:35,599 --> 00:44:37,679
Speaker 8: Yeah, yeah, we'll do it again. In the future absolutely,

939
00:44:38,199 --> 00:44:41,280
And if you are listening live on Saturday, we've got

940
00:44:41,519 --> 00:44:44,800
Nancy Manet coming up in the third hour, and so

941
00:44:44,880 --> 00:44:46,760
don't go away. We got plenty more Unleash to come.

942
00:44:49,559 --> 00:44:54,960
Speaker 15: You're listening to Matt Connorton Unleashed on WMNH ninety five

943
00:44:55,039 --> 00:44:57,960
point three.

944
00:44:55,840 --> 00:45:01,239
Speaker 8: And now exclusively on w m n H ninety five

945
00:45:01,280 --> 00:45:05,639
point three FM. Matt Connorton Unleashed presents the American radio

946
00:45:05,760 --> 00:45:09,280
premiere of the new track from Rivia. This is called

947
00:45:09,679 --> 00:45:12,119
Piece of You.

948
00:45:12,079 --> 00:45:13,440
Speaker 1: You want anything, zeppad.

949
00:45:14,960 --> 00:45:16,639
Speaker 2: I don't want to be like shoe.

950
00:45:17,639 --> 00:45:23,920
Speaker 3: I recognizable from the person listen said it no.

951
00:45:24,119 --> 00:45:30,119
Speaker 4: Better than for a while now probably try to.

952
00:45:31,880 --> 00:45:33,480
Speaker 2: Say a lot that coute.

953
00:45:33,320 --> 00:45:47,519
Speaker 5: Sound no chill, no way, chill, handy longuy haddy log?

954
00:45:51,360 --> 00:45:58,800
Speaker 6: How well daddy long guy? Daddy long?

955
00:46:02,719 --> 00:46:05,840
Speaker 2: Can say, I ain't hit the Mark said, but I

956
00:46:05,880 --> 00:46:06,760
don't want to start.

957
00:46:07,039 --> 00:46:11,480
Speaker 4: John said, ain't no, please like choke let it start

958
00:46:11,719 --> 00:46:13,039
like you watch bad.

959
00:46:14,039 --> 00:46:18,079
Speaker 2: It wasn't what you want, said you want Joe In

960
00:46:18,320 --> 00:46:21,880
s we j't waste a minute. We want to waste some.

961
00:46:22,039 --> 00:46:23,760
Speaker 7: Minutes jays some man.

962
00:46:25,239 --> 00:46:32,719
Speaker 5: Don't wait, Yo, that ain't long, guy, I ain't long.

963
00:46:36,559 --> 00:46:43,840
Speaker 6: My body r that ain't long, guy, now ain't.

964
00:46:58,480 --> 00:47:03,400
Speaker 2: I've got that ship chi feeling what we used to feeling.

965
00:47:04,079 --> 00:47:08,239
I don't know what to do it still love s

966
00:47:09,760 --> 00:47:15,400
I got that sick chat feeling right down now. I

967
00:47:15,679 --> 00:47:18,599
don't know what cell time sell.

968
00:47:44,320 --> 00:47:45,119
Speaker 7: No way.

969
00:47:48,159 --> 00:47:56,360
Speaker 6: That ain't long, God that ain't long. Don't put it.

970
00:47:59,440 --> 00:48:00,000
Speaker 5: That ain't.

971
00:48:06,880 --> 00:48:18,400
Speaker 2: No sant Jeffery always know him No sello.

972
00:48:23,159 --> 00:48:32,559
Speaker 8: Masons and Now, exclusively on w M n H ninety

973
00:48:32,599 --> 00:48:36,719
five point three f M, Matt Connerton Unleashed presents the

974
00:48:36,800 --> 00:48:40,039
American radio premiere of the new single from the Falls.

975
00:48:40,599 --> 00:48:42,559
This is called Between the Lines.

976
00:48:56,920 --> 00:48:59,559
Speaker 16: Cno nice, Sophie Dolphy.

977
00:49:00,079 --> 00:49:01,519
Speaker 4: You quire right to me.

978
00:49:07,440 --> 00:49:08,239
Speaker 1: I've been taking some.

979
00:49:08,400 --> 00:49:10,039
Speaker 2: Time to reutilize.

980
00:49:10,519 --> 00:49:12,239
Speaker 1: Was Choir right for me.

981
00:49:16,639 --> 00:49:19,679
Speaker 2: When I said, people who come, people go?

982
00:49:20,239 --> 00:49:23,480
Speaker 17: So I try not get in vote, and you never

983
00:49:23,760 --> 00:49:27,280
really know for sure who's gonna sticking around.

984
00:49:28,480 --> 00:49:32,599
Speaker 16: You change your child, It doesn't matter if you won't.

985
00:49:32,679 --> 00:49:35,880
Speaker 6: All right, you need to speak between the lines and.

986
00:49:36,360 --> 00:49:52,000
Speaker 16: Keep concasing, keep concasing. Because you said you changed you up.

987
00:49:52,119 --> 00:49:52,480
Speaker 8: He's a.

988
00:49:54,320 --> 00:49:54,880
Speaker 11: Shame to me.

989
00:50:00,800 --> 00:50:02,079
Speaker 5: At the end of the days.

990
00:50:02,320 --> 00:50:03,400
Speaker 6: For worse.

991
00:50:05,000 --> 00:50:05,559
Speaker 4: Best me.

992
00:50:09,960 --> 00:50:13,000
Speaker 16: Well, I say, people call the people who.

993
00:50:13,000 --> 00:50:15,440
Speaker 2: Go, so why try and not skating.

994
00:50:15,639 --> 00:50:19,559
Speaker 17: Vote you nearby, you know who, sure who's gone, and

995
00:50:19,719 --> 00:50:20,639
stick around.

996
00:50:21,800 --> 00:50:23,320
Speaker 7: You take your chile.

997
00:50:24,000 --> 00:50:26,159
Speaker 4: It doesn't matter if you wrong.

998
00:50:26,039 --> 00:50:26,519
Speaker 5: Go right.

999
00:50:26,599 --> 00:50:32,079
Speaker 14: You speak between the lines, keep rocasing, keep rodcasing.

1000
00:50:32,800 --> 00:50:34,000
Speaker 2: Taking your time.

1001
00:50:34,639 --> 00:50:38,320
Speaker 14: It doesn't matter if you wrong, go right, gutter speak

1002
00:50:38,360 --> 00:50:42,760
between the lines and keep brodcasing, keep brodcassing.

1003
00:50:53,800 --> 00:50:55,320
Speaker 5: You say your time.

1004
00:50:56,000 --> 00:50:58,519
Speaker 2: It doesn't matter if you wrong or right.

1005
00:50:58,559 --> 00:51:00,159
Speaker 1: Gumitter, be between.

1006
00:51:00,360 --> 00:51:08,199
Speaker 14: Lies, keep oncasing, keep pocasing. Sake your child, start you

1007
00:51:08,679 --> 00:51:14,760
go all right between lies, keep pocasing, keep using.

1008
00:51:49,280 --> 00:51:53,599
Speaker 15: You are listening to Matt Connorton Unleashed on W M

1009
00:51:53,679 --> 00:51:55,360
and H ninety five point three.

1010
00:51:56,679 --> 00:52:00,960
Speaker 8: Another brand new track. This is Skull. The track is

1011
00:52:01,039 --> 00:52:02,280
called the Whites.

1012
00:52:12,760 --> 00:52:20,400
Speaker 7: That guy's a gotta something.

1013
00:52:20,599 --> 00:52:26,119
Speaker 4: Get somebody.

1014
00:52:26,320 --> 00:52:29,000
Speaker 2: Keep ming on them, say to you know what's coming.

1015
00:52:29,360 --> 00:52:32,119
I know the lights out, bun, it's time to go on.

1016
00:52:33,000 --> 00:52:34,599
Speaker 1: Why lights keep my breaking?

1017
00:52:34,840 --> 00:52:37,119
Speaker 4: No sleep, but no be beadon y'all.

1018
00:52:37,000 --> 00:52:39,920
Speaker 2: Ibas all be wastbed. Yeah, I know your call man

1019
00:52:42,559 --> 00:52:44,000
got stoming south.

1020
00:52:46,239 --> 00:52:52,440
Speaker 6: He got up through the Day'll.

1021
00:52:50,440 --> 00:52:57,679
Speaker 2: Number we come with geez, I'm starting up some things.

1022
00:52:57,519 --> 00:52:58,760
Speaker 6: We do in my phone.

1023
00:52:58,920 --> 00:53:00,440
Speaker 2: I'm Baptidy's going in.

1024
00:53:00,599 --> 00:53:01,800
Speaker 1: You're not just your bumbas.

1025
00:53:02,840 --> 00:53:06,960
Speaker 4: That's a birthday feelings start contemplating see dealings nor rast.

1026
00:53:06,800 --> 00:53:08,360
Speaker 2: Against y'all beflip.

1027
00:53:08,119 --> 00:53:13,800
Speaker 18: Y'all know your come man, they got stop this serve.

1028
00:53:15,519 --> 00:53:19,960
Speaker 5: That is got a big wall, y'all.

1029
00:53:33,960 --> 00:53:35,760
Speaker 6: Y'all got all this all y'all.

1030
00:53:35,639 --> 00:53:39,199
Speaker 2: Bo seybody that comes out of.

1031
00:53:39,440 --> 00:53:43,159
Speaker 5: Ruys hot out this body, y'all.

1032
00:53:43,039 --> 00:53:45,480
Speaker 6: Brain, I'm chilling up.

1033
00:53:45,559 --> 00:53:46,559
Speaker 5: Then don't see if.

1034
00:53:46,480 --> 00:53:47,199
Speaker 1: They see.

1035
00:53:48,719 --> 00:53:52,960
Speaker 14: Y'all got out lost out of y'all back, let's tackbody

1036
00:53:53,159 --> 00:53:53,960
comes out.

1037
00:53:55,440 --> 00:54:50,760
Speaker 6: Class hot out this body, y'all brain speak some speaking.

1038
00:54:53,360 --> 00:54:59,360
Speaker 2: You know your job, man, ass.

1039
00:55:00,800 --> 00:55:17,880
Speaker 1: My god, you are listening to wumin h World premiere.

1040
00:55:21,039 --> 00:55:23,400
Speaker 8: Sepsis uncross my heart.

1041
00:55:48,159 --> 00:55:52,159
Speaker 11: Mister Rider was not to be with you.

1042
00:55:53,639 --> 00:55:57,119
Speaker 9: It might be right now if you be on the thing.

1043
00:55:57,320 --> 00:55:57,800
Speaker 6: Fie you.

1044
00:56:01,119 --> 00:56:08,599
Speaker 11: We were wasting hunted, Jos said, spending all on me

1045
00:56:09,800 --> 00:56:14,039
scrapy when yours are holding lines.

1046
00:56:15,960 --> 00:56:22,719
Speaker 6: My is that going neglis will used to have been there.

1047
00:56:23,480 --> 00:56:25,039
Speaker 9: The way we always were.

1048
00:56:27,000 --> 00:56:33,719
Speaker 2: Now made the same for you. Mother was holding a

1049
00:56:33,840 --> 00:56:35,000
lot of traumas.

1050
00:56:38,079 --> 00:56:42,639
Speaker 11: I cannot wait for your honesty. The loyalty isn't no

1051
00:56:53,639 --> 00:56:59,320
nothing a really matters. But I am the stranger the dungeon.

1052
00:57:00,000 --> 00:57:08,079
I'm scroll inside your band so shyly mother Malians and

1053
00:57:08,239 --> 00:57:14,079
the danger the Malitia in the chamber, surrender to me.

1054
00:57:15,039 --> 00:57:18,360
It's crazy man, yours.

1055
00:57:17,800 --> 00:57:20,000
Speaker 2: Are holding lines.

1056
00:57:21,400 --> 00:57:23,360
Speaker 6: My It's like.

1057
00:57:25,920 --> 00:57:29,440
Speaker 9: We used to be there the way.

1058
00:57:29,280 --> 00:57:30,679
Speaker 7: We always were.

1059
00:57:32,480 --> 00:57:38,960
Speaker 11: Now man, the same for you, my love, us holding

1060
00:57:39,119 --> 00:57:46,159
out of traumas meet can. I cannot want for your honesty,

1061
00:57:46,599 --> 00:57:48,119
the loyalties and not.

1062
00:58:01,079 --> 00:58:04,480
Speaker 18: Luigi's Pizza Bar and Grill every one.

1063
00:58:05,159 --> 00:58:08,920
Speaker 3: Let's phrase a Slyes hide with top and all the

1064
00:58:09,320 --> 00:58:11,360
round pizza, pizza.

1065
00:58:11,079 --> 00:58:17,039
Speaker 18: Barr line Luigi's Pizza Barre and Grill, seven twelve Valley Street, Manchester.

1066
00:58:17,360 --> 00:58:20,199
Come on in or call six two two one zero

1067
00:58:20,480 --> 00:58:25,480
two one Luigi keeping the tradition alive since nineteen seventy five.

1068
00:58:27,360 --> 00:58:31,719
Speaker 2: Pizza for every one. Come join a beast to night

1069
00:58:32,679 --> 00:58:36,679
with each Lye sense of it, everything feels so right.

1070
00:58:39,840 --> 00:58:42,039
Speaker 19: In times of crisis, you need a law firm that

1071
00:58:42,119 --> 00:58:45,159
stands by your side. With over forty years of experience,

1072
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Craig and Gezzulis is dedicated to fighting for your rights.

1073
00:58:48,840 --> 00:58:51,840
As former state prosecutors, our attorneys have the knowledge and

1074
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trial experience to provide an aggressive defense against any charge

1075
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from duise to homicides. If you've been injured, our compassion

1076
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team will assess your case and fight for the compensation

1077
00:59:03,039 --> 00:59:06,440
you deserve. Serving all of New Hampshire. Craigan Getzulis is

1078
00:59:06,519 --> 00:59:09,559
here when you need us most. Visit craigatzulis dot com

1079
00:59:09,760 --> 00:59:14,679
for a free consultation. Craigan getsulus, your advocates, your allies.

1080
00:59:14,760 --> 00:59:19,079
Speaker 20: Bring your kitchen to life with Queen Citycabinetry, located at

1081
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1082
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1083
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1084
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Speaker 13: They can be reached at six oh three two two

1085
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1086
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1087
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Speaker 20: Queen Citycabinetry another proud sponsor of WMNH